catalog 2013
Profile Void Acoustics designs, manufactures and distributes advanced professional audio systems for the installed and live-sound sectors. The company offers an evolved series of audio solutions that encompass loudspeaker systems, power amplifiers, control electronics and accessories. Void’s commitment to R&D is second to none. Its highly skilled and experienced engineers have successfully united pioneering technologies with ground-breaking design aesthetics, earning Void a worldwide reputation for high-impact products that combine sonic and visual innovation. Established in 2002, Void products are now available in many parts of the world including Europe, North and South America, Russia, the Middle East and most parts of Asia, with a continually evolving distribution network providing ever greater access and support. Customers value Void’s superior sound quality, unique designs, dependability, and the outstanding after-sales service that the company is celebrated for. Void’s passion for excellence encompasses not only its products, people, and services, but a full awareness of environmental issues as well. The use of environmentally friendly materials and practices routinely takes place in the factories and the offices.
Philosophy By Rog Mogale We employ a no-compromise approach when designing and manufacturing our products. This means that we don't set an upper price limit for the components we use, nor do we build to specific budgetary constraints. Simply stated, our goal is to make the finest products possible. We do that through meticulous engineering and by making use of the best components available, many of which we manufacture ourselves. We employ a team of dedicated craftsmen who assemble our products; we maintain tight tolerances and even hand-wind our own inductors and assemble our own PCBs. Very little is out-sourced, giving us numerous advantages. The biggest benefit is that we have total control from the design of the complete product down to the smallest part. We use the right component for the job instead of accepting a compromised off-the-shelf component that might happen to fit, or is ‘close enough.’ The next benefit is accountability. We track all stages of the manufacture of all parts and materials. This allows for a greater level of consistency from unit to unit, and from a design point of view, evolutionary improvements occur rapidly. The third major benefit of keeping manufacturing in-house is cost. By using high levels of automation in our manufacturing processes, we keep our overheads down to a minimum and the cost savings are passed on to our customers. We’ve looked at all the options for manufacturing our products and it didn't take us long to realise that control, accountability, and cost savings when taken alone, were each good enough reasons to avoid out-sourcing and using off-the-shelf components. Taken together, these three factors make Void what it is today. Void systems can be found in many of the largest and most prestigious dance clubs and live concert venues in the world. All of us on the Void team feel deeply honoured to have our work sought after by discriminating sound engineers, system design consultants, hire companies, and the many other audio professionals who lead the industry around the globe. We work very closely with distributors and customers alike, to refine our products and develop concepts for new ones. We class the input from those who use our products very highly, and we apply this knowledge to continually improve all that we do. Company-wide, we take after-sales support seriously and are always happy to liaise with customers and end-users to help them get the best from their purchase. A great deal of Void’s income is spent on R&D. Our new 4,000 square meter sound research laboratory was completed in 2007 and is now fully operational. It implements some of the most advanced test equipment ever seen and allows complex procedures, such as resonance mapping, to be carried out. Few other facilities in the world can offer the same. I feel a tremendous sense of responsibility and honour in being given the task of heading our new R&D department. Although it is a never-ending challenge to design, innovate, test, evaluate, and re-design… until the highest possible standards have been met… it is an exciting and worthy pursuit. Throughout the company, each of us is willing to go just that bit further than what many others might consider to be ‘good enough.’ I believe it is this atmosphere of professional pride that has made Void such a strong player in the industry, within such a short time. As the principal designer for Void, I strongly believe that a great change is occurring in professional audio. A shift in consciousness has started and expectations are increasing exponentially. I've always believed that products should have an impact both sonically and visually. The fact that many venues spend so much time and money on decor has led me to design products that reflect and relate to their surroundings. Why should such venues have to make do with another ‘black box’ getting in the way? With the ever increasing awareness of the society that we live in, products with enlightened visual appeal will soon become the norm. Such products may take the form of visually striking enclosures intended for clubs and theme parks; transparent Plexiglas enclosures that blend with the architecture of the modern concert hall; or perhaps subtle design styles that meet the needs of theatres, TV studios, and Houses of Worship. Whatever the challenge, Void will always innovate. By achieving a true blend of sonic excellence with appropriate visual appeal, I am pleased to say that Void can offer solutions, both now and in the future, to all those who wish to break free of traditions.
4rest - Moscow, Russia 11 : 11 - Istanbul, Turkey 38 41 - Lisbon, Portugal Agni - New Delhi, India Air - Amsterdam, Netherlands Alto - London W1, UK Aqua - Kolkatta, India Babaloo - Porto Potenza Picena, Italy Barasti - Dubai, UAE Bar House - Chelmsford, UK Bar Mango - Reading, UK Bello Vue - Zurich, Switzerland Bevy - Chicago, USA Bistroen - Norheimsund, Norway Boujis - London, UK Boujis - Hong Kong Broke - London, UK Buddha Blue - Milton Keynes, UK Cafe 1001 - London E1, UK Cafe del Mar - Bari, Italy Cafe Gruyter - Amsterdam, Netherlands
Cafe Rouge - Amsterdam, Netherlands Cara - Phnom Phen, Cambodia Casablanca Club - Sestu, Italy Castle - Chicago, USA Centenary - Wexford, Sou'th Ireland Cirkus - Ljubljana, Slovenia Club 2K - Penzance, UK Club NYX - Amsterdam, Netherlands Colours Of Music - Poland Consortium - Bournemouth, UK Corbetts Place - London E1, UK Crosswinds - Bloomington, USA Crystal - Bucharest, Romania Cube - Mallorca, Spain Cube and Star - Shoreditch, London Damson Diner - Dublin, Ireland Dukes 1 & 2 - Bournemouth, UK DC 10 - Ibiza, Spain Dix Lounge - Tokyo, Japan Elephants Head - Camden, London ETIC - Lisbon, Portugal Falsterbo - Strandbad, Sweden Fat Lady - Tampere, Finland Fire - London, UK
Fugazi - Oslo, Norway Gare - Porto, Portugal Halo - Ballycastle, Northen Irelend Hanima - Marche, Italy Harveys - Bedford, UK Nelsons - Dubai, UAE Hop Haus I & II - Chicago, USA House club and terrace - London SE10 Inside Rock Cafe - Bergen, Norway Kismet - Hyderabad, India Kitty Su - New Delhi, India Klar Bar - Bergen, Norway Kuku - Cardiff UK Lakota - Bristol, UK Lasalle Power Co. Club - Chicago, USA Le Duplex - Paris, France Lookal Club - Luanda, Angola Mahiki - Dubai, UAE Matter - London 02 Arena, UK Mezzcallina - Monterrey, Mexico Millennium - Magaluf, Spain Mint - Poole, UK Monarch - San Francisco, USA Monasterio - Moscow, Russia
Mono - Caserta, Italy Mood - Bergen, Norway Moon - Mallorca, Spain Nelsons - Dubai, UAE Nikki - Chicago, USA NTT Megaclub - Dongguan, China Oblivion - Waterford City, Sou'th Ireland Ocean Beach Club - Ibiza, Spain Olympics 2012 Coca Cola Beatbox - UK Religion - Leeds, UK Ricks Cafe - Bergen, Norway Pasta Project - Netherlands Pata Negra - Amsterdam, Netherlands PJ's - Wakefield, UK Platform One - Paisley, Scotland Platinum - Dublin, Ireland Playboy Club - Cancun, Mexico Playground Nightclub - Liverpool, UK Prestige - St. Julian’s, Malta Primary - Chicago, USA Rogues - Dublin, Ireland Sally's - Omagh, Ireland Sands - Ibiza, Spain Sankeys - Ibiza, Spain
Ocean Beach Club – Ibiza
Shock 39 - Bangkok, Thailand Shroom - New Delhi, India Southfields - Wandsworth, London Subsea - Norway Supperclub - Istanbul, Turkey Tantra - Kolkatta, India Tengu Bar - Dublin, Ireland The Alibi - London, UK The Art Academy - Norway The Boileroom - Guildford, UK The Mood - Newcastle, UK The Warehouse - Leeds, UK T Rex - Nanjing, China Twisted Pepper - Dublin, Ireland The Vaults - Dublin, Ireland Toko - Bournemouth, UK Toro Toro - Dubai, UAE Walsall Football Club - Walsall, UK White Lotus - Henley On Thames, UK Wiggle - Bournemouth, UK Witness Box - Kilkenny, Sou'th Ireland Xango - Sou'th Ireland Zachariasbryggen - Norway Zoo Bar - Copenhagen, Denmark
Product Overview Incubus System Designed with the sole purpose of being the best dance club system money can buy, Incubus is redefining expectations around the world. Already providing levels of control previously thought impossible, its ability to allow both linear frequency and power shading within a single mid top enclosure is ensuring perfect sound for everyone on the dance floor. Incubus is also becoming the number one choice for discerning interior designers, its physical signature cries out for extreme expression. Anyone looking to push both sonic and visual boundaries to the edge whilst raising mankind’s awareness via elevated forms of entertainment needs to audition Incubus. For detailed specifications see
P7-9
Nexus Series A new range for 2013, the Nexus 6 brings the performance and styling of the future to the here and now. It’s radical styling is born from a new approach to delivering the best fidelity and coverage for the club scene of tomorrow. Virtual Arc technology has been implemented in all the midtop enclosures to form a common acoustic center that exists rearwards of the array. This approach disposes of all the disadvantages that compromise a traditional array and allows the same experience to be had by all that are in the throw of the Nexus, wherever they are. For detailed specifications see
P10
Air Series The ground-breaking Air Series models are one of Void's most distinctive designs. The three-way Air Motion loudspeaker is sought after by ultra-modern dance clubs around the world. Often located directly over the dance floor, Air Motion provides huge sonic impact as well as being a significant visual attraction in its own right. 2013 sees the release of Tri Motion, a bigger and more powerful version of the Air Motion. Its distinctive form and performance figures proves once again that Void are leading the war on aesthetics. The smallest of the Air Series, the Airten, is the perfect complement to its bigger brothers for use as delay and area fill. All Air series products provide exceptionally high-power output with a non-fatiguing sonic signature that is as irresistible to the ear as their exotic visuals are to the eye. For detailed specifications see P11-12
Indigo Series The visually stunning Indigo series combines futuristic looks with esoteric audio performance to bring a new level of sophistication every venue will want to be seen with. We believe indigo is the first range of loudspeakers that have been created for the new heightened awareness in style that today’s venue designers aspire too. Boundaries are being pushed in all areas of the entertainment industry, with the visual aspect becoming evermore important. Indigo not only fulfills your quest for the ultimate in styling, it will also bring a new level of sonic richness you never thought possible. 2013 will see the introduction of Indigo system, Voids first powered loudspeaker combination. For detailed specifications see
P13-14
Axsys Series Continuing Void's odyssey into the world of striking, non-traditional product designs, the four models comprising the Axsys Series not only look like something you'd see on a futuristic starship, but they sound like it as well. Utilising highly-advanced driver technology coupled with the latest developments in construction materials, Axsys loudspeakers have a sophisticated appearance that encourages architects and interior designers to place these loudspeakers where they will perform properly, instead of in some out-of-the-way corner of the room where they won't be noticed. Axsys is ideal for clubs, cruise ship lounges, themed attraction parks, and numerous other upscale entertainment venues. For detailed specifications see
P15-16
Venu Series Consisting of four fullrange enclosures and two low frequency enclosures, the Venu series has been created to offer everything you could ask for from a range of loudspeakers specifically designed for installation. All 6 products have been molded by the demands of leading installation contractors and engineers around the world. Our question was simple; tell us the exact requirements needed to design the ideal series of install loudspeakers. After 9 months of research and development, the Venu series was born. More products will be added to the range in the near future. For detailed specifications see
P18-20
Arcline Series Once again Void has broken the mold with its highly-versatile line array designs. Offering superb coupling between adjacent enclosures, a smooth and flat frequency response, an exceptionally useful 120° horizontal coverage pattern, plus quick and easy rigging, the Arcline Series begins where others leave off. With their superior pattern control and power output, Arcline loudspeakers will cover most acoustic spaces with fewer units than the competition. Their constant sound intensity over the stated coverage angles, and their exceptional linearity from the near-to-far field transition point, means that all audience members will experience virtually identical sound quality. For detailed specifications see
P22-24
Stasys Series Our flagship point source series meets the most stringent requirements for shows, events, and performances of every imaginable genre. Featuring advanced pattern control, ultra-low distortion, and superb acoustic coupling among adjacent units, Stasys loudspeakers are especially effective in large, reverberant spaces because they effortlessly direct the sound where it's needed. They are perfectly suited for use in houses of worship, concert halls, theatres, clubs, outdoor performance venues, sports facilities and more, whether permanently installed… or used for touring and other temporary events such as large AV presentations. Check out the Stasys Series of products and be prepared for them to exceed your expectations! For detailed specifications see P25-28
Mycro Series Comprising three full-range models and three selections of subwoofers, Void's Mycro Series empowers the system designer with a capable set of tools that fit a broad spectrum of audio requirements. These loudspeakers provide clean, clear, and powerful sound reproduction for houses of worship, AV presentation systems, theatres, auditoriums, transit centres, restaurants, and many other types and styles of venues and functions. Generously equipped with a full complement of rigging and mounting fittings, along with built-in crossovers in the subwoofers, Mycro Series loudspeakers exhibit exceptional sound quality… even when space and budgets are limited. For detailed specifications see
P29-30
Integrated Systems We've created three portable, self-contained systems in direct response to the many requests we've had from DJs, bands, and AV production companies. These customers have experienced Void in clubs and concert halls and have told us that they need to re-create the same sound quality at smaller events, with a minimum of fuss and hassle. These three systems provide the answer. Each offers pure and unadulterated Void quality in a seriously portable package. The smaller of the three, Mycro and Basys V2, are the optimum choice for high output with superb sound quality at the best possible price. Their bigger cousin, the Viper, features larger drivers, deeper bass response, and a higher output capability. For detailed specifications see P32-34
Power Amplifiers Void power amplifiers are offered in two distinct versions: Armourlite, our latest design, takes the quality and performance of previous models and adds the reliability needed to survive in the harshest Pro Audio enviroments. Our Infinite V2 range uses a more traditional approach. Utilising conventional linear power supplies, these amplifiers provide all the benefits of a traditional design along with advanced driver protection and other proprietary circuitry that is unique to Void. Both product lines have been designed to handle the punishment of daily use, be it on the road or in a high-energy fixed installation For detailed specifications see
P35-36
Signal Processing Digidrive V2 features 4 Inputs and 6 Outputs, while Livedrive V2, to be introduced later this year, features 6 Inputs and 8 Outputs. Both models offer superlative sound quality, ease of operation and have the necessary features to obtain the best possible results from your Void loudspeakers.
For detailed specifications see
P37
Install Void Acoustics' comprehensive range of installation products have become world renowned for their sonic p e r f e c t i o n , r e l i a b i l i t y, a n d revolutionary looks. Prominent installations include many of the largest and most prestigious 'super clubs' and venues around the world. Void is proud to be at the cutting edge of aural design, incorporating ground breaking technological advances with visual styling that harmoniously complements your surroundings. Void Acoustics offers the best in contemporary styled loudspeakers that sound as good as they look. Each model is the culmination of elegant styling, innovative design and breath taking performance.
Paul Oakenfold - Castle Club Chicago
Void has perfected a range of products that, for the first time ever, will visually and sonically transform your environment.
Sankeys - Ibiza
Ocean Beach Club - Ibiza
DC 10 - Ibiza
Bora Bora - Ibiza
Colours of Music - Poland (Installed by Sonic Space)
Incubus Install At The Castle - Chicago (installed by AIS)
Club Air - Amsterdam (Installed by Soundfreax) Voted Best International Club System 2010
Playground Nightclub - Liverpool, UK (Installed by Most Technical)
Incubus System Overview The five way Incubus Club System has been created to deliver the highest levels of audio performance ever achieved. Already being dubbed the greatest leap in style consciousness since the scene began, Incubus significantly raises the bar delivering phenomenal levels of aural and visual stimulation. Performance, style and status all married into one complete package that no one can refute. It’s a statement akin to owning the most prestigious Italian racecar. A dream that until now, was just a dream. To achieve the unrivaled levels of fidelity that Incubus is capable of we turned to the very best European transducer manufactures to develop components worthy of inclusion. Two years were spent developing and honing the superlative transducers that became the heart of the Incubus system. Void would like to thank Beyma, BMS, and Faital Pro for their tireless contribution to the project. Incubus was conceived, designed and styled by Rog Mogale and is a testament of his dedication to the scene. From the early days of disco though to his pioneering work in the mid 80’s with electro dance music, he has always fought hard to push the boundaries and better mankind though elevated forms of entertainment. Incubus is the pinnacle of his experiences, his ultimate expression for the love of dance.
Incubus System Air Array Air Array is the mid hi element of the Incubus Club System and unites many ground breaking technologies to deliver the best high level, hi fidelity sound you will ever experience. Its radical looks are not just for show as its form has taken shape from the need to correctly fuse all its sections together to form a coherent radiation pattern over its stated dispersion angles. Line source behavioral conditions have been met by all sections, allowing both frequency and power shading to be utilised within a single enclosure. Such techniques enable SPL’s in the near field to be attenuated and matched with those at greater distances, whilst HF absorption can be corrected with linear frequency shading. By employing a line source configuration, Air Array is the only mid hi enclosure that can provide constant SPL’s at all distances with all frequencies arriving at the same time wherever you are within its coverage pattern. The low mid section consists of two hyperbolic horns fed from a split manifold driven by four very hi power 12” transducers. Each transducer also features a heat sink cooling system to reinforce reliability and reduce power compression levels. All this combines to produce insane output levels with the highest levels of definition imaginable. Four devices that use a newly developed 3” exit compression driver handle the midrange frequencies. These devices are driven by a massive 6” diaphragm to comfortably reproduce frequencies down to 500Hz. Path length compensation devices have been applied to the wave guides to seamlessly combine their outputs eliminating all destructive interference and to ensure constant output within the stated coverage angles. The HF section use’s six esoteric compression drivers with 1” throat wave guides that are positioned on a physical arc to provide a virtual common feed point. This reduces all forms of destructive interference and maintains an even frequency response within every degree of the stated coverage angles. Path length compensation devices housed within the wave guides marry with the extended upper response of the compression drivers allowing the HF to extend all the way up to 26kHz.
Applications
Hi-impact nightclubs, indoor and outdoor dance events Specifications
Frequency response
90 Hz – 26 kHz -3dB points
Efficiency
LF : 111 dB 1w/1m MF : 114 dB 1w/1m HF : 116 dB 1w/1m
Crossover Points
Preset via dedicated processor
Impedance
LF 2 x 4 ohms MF 2 x 4 ohms
Power Handling
LF 3600 w RMS
HF 2 x 5.33 ohms
MF 1000 w RMS HF Maximum Output
480 w RMS
143 db cont 149 db peak
Driver configuration
4 x 12" : 4 x 3” CD : 6 x 1” CD
Dispersion
90 h x 45 v
Connector
2 x 8 pole Speakon
0
0
TM
Dimensions
Height Width
1240 (mm) 48.8" 944 (mm) 37.1"
Depth
813 (mm) 32.0"
Weight
144.8 (kg)
319 lbs
including stand
Construction
Enclosure
Fibreglass Kevlar composite
Rigging
Stack mounted or proprietary flying system
Finish
Smooth cellulose
Incubus System Hyperfold
Incubus Sub Incubus Subs structurally challenging design consists of three massive 21” transducers in a hybrid horn bandpass enclosure. A combined power handling of 6000 watts rms and a very high sensitivity result in foundation cracking sub all the way down to 30Hz.
A high percentage of the urge to dance comes from the upper bass frequencies. It’s where the kick and finer details of the bass are found. The need for speed and articulation in this critical region calls upon a dedicated enclosure designed with one purpose in mind. Enter the Hyperfold 4 x 15” upper bass enclosure. Quite simply the mother of all kick cabs.
Designed to work in conjunction with the Hyperfold upper bass enclosure, the Incubus Sub has been tuned with all forms of dance music in mind. A lightning quick impulse response with small levels of group delay and an in ya face style of presentation combine to make it an unforgettable experience. It’s a total connection with the fundamental frequencies that give dance music its pulse. A connection only obtainable by entire submersion in the purist form of reproduction.
Hyperfold’s design has taken many years to conceive and implement. New technologies that have only just arrived have allowed it to exist, because size for size it contains the largest amount of drivers and hence displacement per volume. And it needs all that displacement to keep up with the efficiency of all the other elements that go into making the Incubus System. If the Incubus Sub provides the pulse, Hyperfold is the blood that runs though the entire system. Without it there is no system, no urge to connect with the greater whole, or to become part of the dance.
Applications
Applications
Hi-impact nightclubs, indoor and outdoor dance events
Hi-impact nightclubs, indoor and outdoor dance events
Specifications
Specifications
Frequency response
60 Hz - 190 Hz -3dB points
Frequency response
29 Hz - 95 Hz -3dB points
Efficiency
109.5 dB 1w/1m
Efficiency
105 dB 1w/1m
Crossover Points
Preset via dedicated processor
Crossover Points
Preset via dedicated processor
Impedance
2 x 4 ohms
Impedance
3 x 8 ohms
Power Handling
4000 w RMS
Power Handling
6000 w RMS
142 dB cont
Maximum Output
Maximum Output
140 dB cont 146 dB peak
148 dB peak Driver configuration
4 x 15”
Dri ver configuration
3 x 21”
Dispersion
Array dependant
Dispersion
Array dependant
Protection
N/A
Protection
N/A
Connector
2 x 4 pole Speakon
Connector
2 x 8 pole SpeakonTM
TM
Dimensions
Dimensions
Height
738 (mm)
29.0"
Height
696 (mm)
27.4"
Width
738 (mm)
29.0"
Width
1476 (mm)
58.1"
Depth
1218 (mm)
47.9"
Depth
1218 (mm)
Weight
115 (kg)
253.5 lbs
Weight
136 (kg)
47.9" 300.0 lbs
Construction
Construction
Enclosure
18mm Birch ply : Fibreglass : Kevlar
Enclosure
18mm Birch ply
Finish
Textured polyurethane : Smooth cellulose
Finish
Textured polyurethane
Nexus series Nexus 6 Aimed at the larger venue, the Nexus 6 is the first in a new series of products designed for the club scene of tomorrow. The radical styling of the 6 is born from the innovative internal layout of its 20 transducers. Virtual Arc technology has been implemented on every component to form a common acoustic center that exists rearwards of the array. This approach disposes of all the disadvantages that compromise a traditional array of multiple sound sources emitting from different locations. Dispersion, phase, coherency and timing can all be controlled and unified because of the common acoustic feed point and multi channel access. It allows the same experience to be had by all that are in the throw of the Nexus 6, wherever they are due to its wide and controlled dispersion. Total summation of all the components in each passband can also take place within the Nexus 6, allowing for much higher efficiency, greater output and improved reliability due to reduced component stress. The Nexus 6 offers excellent value for money when compared to the array of enclosures normally required to achieve the same dispersion. Whether placed on LF enclosures to form a dance stack or flown independently, the Nexus 6 brings the performance and styling of the future to the here and now.
Applications
Hi-impact nightclubs, indoor and outdoor dance events Specifications
Frequency response
78 Hz - 21kHz -3dB points
Efficiency
LF : 105dB 1w/1m, HF : 110 1w/1m
Crossover Points
1.8 kHz active
Impedance
LF : 2 x 5.3 ohms, HF : 2 x 4 ohms
Power Handling
LF : 2 x 1350 watts rms, HF : 2 x 320 watts rms
Maximum Output
137 dB cont 141 dB peak
Dri ver configuration
12 x 6.5"
Dispersion
110 h x 50 v
0
8 x 1" 0
Rigging
Stack mounted or proprietary flying system
Connector
1 x 8 pole SpeakonTM
Dimensions
Height
1266 (mm)
49.9"
Width
561 (mm)
22.1"
Depth
430 (mm)
16.9"
Weight
60.5 (kg)
133.4 lbs
Construction
Enclosure
Fibre Glass Kevlar composite
Finish
Smooth Cellulose
Tri Motion The Air Series has become an iconic part of the modern dance scene. Its philosophy has been adopted all around the world in some of the most well-known dance establishments ever. It’s a sign of quality and an insurance of a good night to be had by all. The latest release in the series, the Tri motion, extends these principles further, allowing an even larger audience to bathe in the Void experience. The design owes its existence to those who wanted a more compact and daring version of the Air Motion. The call for even higher SPL’s and more diversified looks were top of the list when it came to creating the Tri Motion. The rethink on form has also allowed for a wider horizontal dispersion with asymmetrical vertical pattern control, giving even more coverage and reducing early reflections from ceilings to provide higher fidelity. Tri Motions extra horsepower has been made possible by a larger transducer for the lower frequencies and more efficient mid hi sections with greater power handling. A 15” driver has been implemented to cover from 500Hz and below, allowing more SPL and a lower crossover point into the bass range. The mid section features a super efficient horn loaded 8” driver with a high compression ratio and asymmetric loading for pattern control, whilst the HF makes use of diffraction slot loading to provide wide and even coverage in the horizontal plane. For the larger venue requiring cutting edge performance married with art gallery worthy aesthetics, Tri Motion is the only answer. Its creation stems from years of pushing both sonic and creative frontiers from the company that still leads the war on aesthetics.
Applications
Hi-impact nightclubs, indoor and outdoor dance festivals, Cruise Ships, theme parks, contemporary houses of worship
Specifications Frequency response
90 Hz - 20 kHz -3dB points
Efficiency
LF : 107 dB 1w/1m MHF : 110 dB 1w/1m
Crossover Point
LF : 120 Hz and 500 Hz MHF : 500 Hz - Passive 1.4 kHz
Impedance
LF/MHF 8 ohms
Power Handling
LF : 700 watts RMS MHF : 350 watts RMS
Maximum Output
135 dB cont 139 dB peak
Driver configuration
1 x 15" - 1 x 8" - 1 x 1.5"
Dispersion
90 h x 60 v
Protection (HF)
Internal Electronic Control
Connector
2 x 4 pole Speakon TM
0
0
Dimensions Height
600 (mm)
23.6"
Width
800 (mm)
31.5"
Depth
800 (mm)
31.5"
Weight
47.1 (kg)
103.8 lbs
Construction Enclosure
Fibre glass kevlar composite
Rigging
Internal fly/mounting system. Can be used with stand or fly bracket.
Colour
Custom colours available upon request
Air Motion V2
Airten V2
The revolutionary Air Motion sculpted loudspeaker array sets an entirely new standard in audio aesthetics. Never before has so much style and performance been brought together in perfect harmony.
The Airten V2 was developed as a smaller member of our highly acclaimed Air Series. The latest acoustic advancements were employed to create a system capable of ground breaking output levels with unparalleled visual inspiration. Improvements have been made in all areas with the latest 3 way V2 version of the Airten. These include a dual driver LF configuration for greater bass extension and a coax point source element for the mid and HF.
Air Motion comprises three transducers, each loaded by an isometric conical horn. For a long time designers have known about the excellent inherent sound quality of the conical horn. Its propagation is based on the spheroid section and allows for solid radiation angles. The benefits are twofold: (1) Tight beamwidth control is possible, giving higher output and a more defined sound quality due to a decrease in early reflections, and (2) Constant directivity is possible across the horn's entire dispersion, allowing for an exceptionally balanced waveform transmission. The short version is that the end-result is astonishing! As with other Air Series enclosures, Air Motion is available in a wide range of custom colours.
The total elimination of energy robbing enclosure resonance has been achieved though the use of super strong composites that include Kevlar and carbon fiber. In addition to p r o v i d i n g d e s i ra b l e a c o u s t i c a l properties, these advanced materials have been instrumental in allowing the Airten’s evolved form to emerge.
Applications
Hi-impact nightclubs, indoor and outdoor dance festivals, Cruise Ships, theme parks, contemporary houses of worship
Specifications Frequency response
140 Hz - 20 kHz -3dB points
Efficiency
LF : 106 dB 1w/1m MHF : 108 dB 1w/1m
Crossover Point
LF : 140 Hz and 600 Hz MHF : 600 Hz - Passive 1.7 kHz
Impedance
LF/MHF 8 ohms
Power Handling
LF : 500 watts RMS MHF : 250 watts RMS
Maximum Output
Airten also employs ‘intake protection’ to accurately control and limit excursion. This unique protection circuit is housed within the enclosure and requires no additional outboard processing or powering. The increased headroom available by monitoring the components at source has produced a system capable of output levels normally associated with enclosures over twice the size of Airten.
Applications
Clubs, bars, lounges, cruise ships, theme parks, companion to Air Motion for delay and area fill in larger venues Specifications
As with other Air Series enclosures, the Airten is available in a wide range of custom colours.
Frequency response
56 Hz - 20 kHz -3dB points
Efficiency
99.2 dB 1w/1m
Crossover Point
Passive 500 Hz & 1.6kHz
Impedance
4 ohms
Power Handling
500 watts RMS
Maximum Output
134 dB cont
Driver configuration
1 x 12" - 1 x 8" - 1 x 1.5"
Dispersion
50 h x 60 v
0
125 dB cont 128 dB peak
138 dB peak 0
Protection (HF)
Internal Electronic Control
Connector
2 x 4 pole Speakon TM
Driver configuration
2 x 10" - 1 x 1"
Dispersion
80 h x 80 v
Protection (HF)
Internal Electronic Control
Connector
2 x 4 pole Speakon TM
0
0
Dimensions
Dimensions Height
842 (mm)
33.1"
Width
850 (mm)
33.5"
Depth
760 (mm)
33.0"
Weight
35.4 (kg)
77.9 lbs
Height
302 (mm)
11.9"
Width
684 (mm)
26.9"
Depth
320 (mm)
12.6"
Weight
23.8 (kg)
52.5 lbs
Construction
Construction Enclosure
Fibre glass kevlar composite
Rigging
Internal fly/mounting system. Can be used with stand or fly bracket.
Colour
Custom colours available upon request
Enclosure
Fibre glass kevlar composite
Rigging
Internal Powerdrive type 75 mounting plate
Finish
Smooth Cellulose
Indigo Overview Released in 2012, the Indigo Series has become a popular choice with system designers requiring a desirable, compact, high output loudspeaker. 2013 will see a new 100w version, named Indigo 6s, introduced to make the product accessible to smaller venues. The original 200w version will continue to be sold as Indigo 6Pro and will be incorporated into a new powered Indigo system. Featuring multiple inputs and 2 x 750w integral amplifiers, the system is designed to bring the club experience into the home. Indigo system is also ideal for the smaller commercial venue seeking a system easy to set up with stunning aesthetics. Particular attention was given when it came to designing the Indigo series to maintain its unique visual style throughout, so a bespoke mounting system that enhances the visual aspect is supplied with every Indigo product. Internal component considerations were also top of the list, as this has to be a series that sounds every bit as good as it looks and by maintaining our over engineered concept very high levels of reliability have been achieved.
Indigo 6
Indigo Sub
The indigo 6 is compact, efficient and oozes style. It’s a must have accessory for any modern visually conscious venue with something to say. An interior designers dream come true and a sound purists heaven all rolled into one.
The indigo Sub is compact, efficient and oozes style. Along with other products in the series it’s a must have accessory for any modern visually conscious venue. Interior designers will love the fact that they don’t have to hide the subs anymore and can make full use of its stunning looks to enhance the venue.
The principles are simple. Take highly refined in house designed components and marry them with a modern day work of art. Combine that in an install friendly package with endless possibilities of enclosure colour and texture to make what we believe is the only choice for those seeking perfection.
An endless possibility of enclosure colour and textures are available to make what we believe is the best choice in low frequency reinforcement suitable for a very wide range of applications. Uses for indigo Sub when partnered with indigo 6’s include medium sized bars, lounges, restaurants and fill for larger areas of clubs that already have a main dance floor system.
Uses for the indigo 6 without a Sub include sound for small bars, lounges, restaurants, home theatre 5.1 surround and area fill when used with a larger main system in clubs. Adding an indigo Sub expands the possibilities, which include medium sized bars, lounges, restaurants and fill for larger areas of clubs that already have a main dance floor system. To allow for easy installation in the shortest time possible, each indigo 6 is supplied with an i6 wall bracket and fixings. And by using the optional i12 bracket, an indigo 6 can be mounted above an indigo sub at ear height for use as a HI Fi setup in larger rooms.
Home theatre 5.1 systems can also make use of the indigo Sub to provide earth shattering lows with very fast response times. And by using the optional i12 bracket, an indigo 6 can be mounted above an indigo sub at ear height for use as a HI Fi setup in larger rooms.
Applications
Aesthetically advanced bars, clubs and lounges. Surround in 5.1 HT, home Hi Fi. Cruise ships, theme parks, contemporary houses or worship
Applications
Aesthetically advanced bars, clubs and lounges. Sub in 5.1 HT, home Hi Fi. Cruise ships, theme parks, contemporary houses or worship Specifications
Specifications Frequency response
68 Hz - 21 kHz -3dB points
Frequency response
38 Hz - 160Hz -3dB points
Efficiency
93 dB 1w/1m
Efficiency
92 dB 1w/1m
Crossover Point
2.2 kHz passive
Crossover Point
80 - 160Hz active
Impedance
8 ohms
Impedance
8 ohms
Power Handling
200 watts RMS
Power Handling
400 watts RMS
115 db cont
Maximum Output
Maximum Output
117 db cont 120 db peak
118 db peak Driver configuration
1 x 6.5" 1 x 1" Coax
Driver configuration
1 x 12”
Dispersion
90 h x 90 v
Dispersion
Omni
Protection (HF)
N/A
Protection (HF)
N/A
Connector
Single set of Binding Posts Bare wire or 4mm plugs
Connector
Single set of Binding Posts Bare wire or 4mm plugs
Dimensions
Dimensions Height
273 (mm) 10.7"
Height
517 (mm) 20.3"
Width
209 (mm) 8.2"
Width
395 (mm) 15.5"
Depth
163 (mm) 6.4"
Depth
335 (mm) 13.2"
Weight
5.6 (kg)
Weight
21.0 (kg)
12.4 lbs
46.3 lbs
Construction
Construction Enclosure
Fibreglass
Enclosure
Fibreglass
Mounting
i6 wall bracket (supplied)
Mounting
(optional) i12 bracket to mount Indigo 6 above Indigo Sub
Finish
High gloss metallic or fine textured matt
Finish
High gloss metallic or fine textured matt
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Axsys 12
Axsys 15
The Axsys series brings new levels of performance and advanced aesthetics to the Void product range. Recent
The Axsys series brings new levels of performance and advanced aesthetics to the Void product range. Recent developments in construction materials have been utilised to create an enclosure with a truly unique appearance, as well as significantly enhanced performance capabilities.
developments in construction materials have been utilised to create an enclosure with a truly unique appearance, as well as significantly enhanced performance capabilities. The Axsys 12 features a high-power 300 mm LF cone transducer mated with a 100 mm voice coil and 63 mm Titanium/Mylar composite diaphragm HF compression driver on a rotatable horn. A Neodymium magnet structure is used to increase the system's efficiency and to reduce weight. It is this combination of very high power components and the latest in diaphragm technology that allows for the extremely high SPL's possible from Axsys 12.
P15
The Axsys 15 features a high power 380 mm LF cone transducer paired with a 100 mm voice coil and 63 mm Titanium / Mylar composite Diaphragm HF compression driver on a rotatable horn. Neodymium is used to increase the system's efficiency and reduce weight. It is the combination of these exceptionally high powered components with the latest in diaphragm technology that allows for the extreme SPL's possible from the Axsys 15.
Numerous applications will benefit from the Axsys 12's clean, clear
Numerous applications will benefit from the Axsys 15's high-power, low distortion output, while its modern appearance positions it as a true leader in cutting-edge industrial design.
high-power output, while its modern appearance positions it as a true leader in cutting-edge industrial design.
Applications
Medium to large sized clubs, theatres, AV presentation, cruise ships, theme parks, casinos and showrooms
Applications
Small to medium sized clubs, theatres, AV presentation, cruise ships, theme parks, casinos and showrooms Specifications
Specifications Frequency response
50 Hz - 20 kHz -3dB points
Efficiency
LF : 99 dB 1w/1m HF : 108 dB 1w/1m
Crossover Point
Passive : 1.6 kHz
Frequency response
56 Hz - 20 kHz -3dB points
Efficiency
99 dB 1w/1m
Crossover Point
1.6 kHz passive
Impedance
LF/HF 8 ohms
Impedance
8 ohms
Power Handling
LF : 600 watts RMS
Power Handling
500 watts RMS
Maximum Output
126 dB cont
Active : 1.6 - 1.9 kHz But or LR 18/24 dB/oct
HF : 100 watts RMS Maximum Output
127 dB cont 130 dB peak
129 dB peak Driver configuration
1 x 12" 1 x 1.5" neo
Driver configuration
1 x 15" 1 x 1.5" neo
Dispersion
90 h x 50 v - rotatable
Dispersion
90 h x 50 v - rotatable
Protection (HF)
Internal Electronic Control
Protection (HF)
Internal Electronic Control
Connector
2 x 4 pole Speakon
Connector
2 x 4 pole Speakon
0
0
TM
0
0
TM
Dimensions
Dimensions Height
366 (mm)
14.4"
Height
446 (mm)
17.5"
Width
696 (mm)
27.4"
Width
806 (mm)
31.7"
Depth
355 (mm)
14.0"
Depth
462 (mm)
18.2"
Weight
30.2 (kg)
66.4 lbs
Weight
39
85.8 lbs
Construction
(kg)
Construction
Enclosure
Wood / aluminium composite
Enclosure
Wood / Aluminium composite
Rigging
20 x fly points : Powerdrive type 100 plate
Rigging
20 x Fly points : Powerdrive type 100 plate
Finish
Smooth polyurethane
Finish
Smooth polyurethane
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filters
Axsys L2
Point One
Uniting leading-edge aesthetics with the latest in advanced transducer technology, the Axsys L2 features tremendous power output with a pure sonic quality that is as aurally attractive as its enclosure is visually compelling.
The highly unique Point One nearfield DJ monitor uses a specially designed 12" low frequency transducer with a coaxially mounted 1" exit compression driver. This arrangement provides a point source transmission pattern that eradicates the phase distortion which normally occurs when the listener is very close to the sound source.
Ta r g e t e d t o w a r d s m o d e r n entertainment and leisure facilities, an Axsys L2 Subwoofer is the ideal companion to the Axsys 12 and Axsys 15 full-range systems.
P16
An integral stand positions the Point One at the optimum angle for nearfield work, and the careful selection of materials used in the HF unit helps keep listener fatigue to a minimum.
The Axsys L2 Subwoofer features a very high power 460 mm cone transducer with a 100 mm voice coil. The use of such a powerful transducer provides highly accurate transient response and intense output power, especially given the enclosure's deceptively small size.
As part of our Club-Fi series the Point One is available in a variety of different tints and finishes.
A multi-cavity design was developed to further preserve the transients and maintain the system's high overall efficiency. The Axsys L2 excels at delivering gripping and dramatic low frequency content that keeps music-lovers and dance club patrons coming back for more.
Applications
Small, medium and large clubs, bars and night venues, theatre and stage installations, AV presentation systems, cruise ships, theme parks, casinos and showrooms Applications Specifications
DJ monitor in medium to large club installations and portable systems
Frequency response
38 Hz - 160 Hz -3dB points
Efficiency
98 dB 1w/1m
Crossover Point
34 Hz Hi pass - up to 140 Hz Lo pass
Specifications
Impedance
8 ohms
Frequency response
55 Hz – 20 kHz -3dB points
Power Handling
750 watts RMS
Efficiency
99 dB 1w/1m Passive 2 kHz
Maximum Output
126.5 dB cont
Crossover Point
129.5 dB peak
Impedance
8 ohms
Driver configuration
1 x 18"
Power Handling
500 watts RMS
Dispersion
Omni
Connector
2 x 4 pole Speakon
Maximum Output TM
Dimensions Height
640 (mm)
25.2"
Width
594 (mm)
23.4"
126 db cont 130 db peak
Driver configuration
1 x 12" : 1 x 1" coax
Connector
1 x 4 pole Speakon
TM
Dimensions
Depth
630 (mm)
24.8"
Height
555 (mm)
21.8"
Weight
46.8 (kg)
103 lbs
Width
368 (mm)
14.5"
Depth
325 (mm)
12.8"
Weight
19
41.8 lbs
Construction Enclosure
Wood/aluminium composite
Finish
Smooth polyurethane
Grill
Perforated steel - foam filter
(kg)
Construction Enclosure
Clear Perspex
Waveform 10
Waveform S
Designed with the knowledge that modern leisure venues are often studies in sophisticated interior design, the Waveform 10 creates a new level of visual inspiration for social spaces. Its form is rooted in the realm of contemporary art, while its outstanding sonic performance is grounded in the domain of advanced technology.
The first subwoofer in the Waveform collection, the ultra modern Waveform S expands the possibilities of audible art. Its sweeping curves and sculptured contours prove that form and function can cohabit blissfully. The Waveform S can be used to provide earth shattering low frequency energy in a multitude of applications from the largest dance f l o o r s t o s m a l l e r b a r s . M a ny possibilities exist to allow the Waveform S to become part of your decor. Multiples can be stacked to provide wall divides, and single units can be used as seating.
The Waveform 10 has a multifaceted design philosophy; the smaller venue can make use of the 10's outstanding performance capabilities operating in full-range mode. For larger clubs and dance floors, the addition of one or more Waveform S subwoofers will provide a system to surpass all expectations.
At the heart of the Waveform S lies a high-power, specially designed 12" transducer loaded by a 2.5 meter bass horn. This arrangement provides extended bass response down to 34 Hz, while still retaining the speed and upper bass punch that only a low-mass cone transducer can provide.
As the name suggests, the Waveform 10 is built around a substantial 10" cone transducer, while a 34 mm exit compression driver with a 63 mm voice-coil handles the high frequencies. Both sections are married together with a precision engineered crossover that features electronic protection for the HF section. As with other members of the Waveform collection, the Waveform 10 is available in a wide range of custom colours.
As with other members of the Waveform collection, the Waveform S is available in a wide range of custom colours. Applications
Applications
Small to medium sized clubs, bars, theme parks, cruise ships, resorts & lounges
Small to medium sized clubs, bars, theme parks, cruise ships, resorts & lounges
Specifications
Specifications Frequency Response
52 Hz - 20 kHz -3dB points
Frequency Response
Sensitivity
98 dB 1w/1m
Sensitivity
102 dB 1w/1m
Impedance
8 ohms
Impedance
8 ohms
Power Handling
350 watts RMS
Power Handling
750 watts RMS
Maximum Output
123.5 dB cont
Maximum Output
130 dB cont 133 dB peak
125.5 dB peak 0
34 Hz - 150Hz -3dB points
0
Dispersion
80 h x 50 v - rotatable
Dispersion
Crossover Point
1.7 kHz passive
Crossover Point
Omni 80 - 140Hz
Driver Configuration
1 x 10" 1 x 1.5� neo
Driver Configuration
1 x 12"
Protection (HF)
Internal Electronic Control
Connector
2 x 4 pole Speakon
Connector
1 x 4 pole Speakon
TM
TM
Dimensions Dimensions Height
600 (mm)
23.6"
Width
322 (mm)
12.7"
Depth
290 (mm)
11.4"
Weight
17.5 (kg)
38.5 lbs
Height
400 (mm)
15.75"
Width
1560 (mm)
61.4"
Depth
645
(mm)
25.4"
Weight
62
(kg)
136.6 lbs
Construction
Construction Enclosure
Fibreglass kevlar composite
Enclosure
18 mm 15 laminate birch plywood
Rigging
Powerdrive type 75
Rigging
Waveform 10 stand mount
Finish
Smooth cellulose
Finish
Smooth cellulose
Venu 6
Venu 8
The Venu 6 has been designed to offer everything you could ask for from an installation loudspeaker. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.
The Venu 8 has been designed to offer everything you could ask for from an installation loudspeaker. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.
There are many features that make the Venu 6 so convenient to install and use, these include, an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and requires only one set of hands to attach the enclosure to the bracket. Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be maintained in vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, Rust proof grille and fittings suitable for beach bar and other corrosive environments. Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood.
There are many features that make the Venu 8 so convenient to install and use, these include, an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and requires only one set of hands to attach the enclosure to the bracket. Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be maintained in
Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.
Applications
Clubs, bars, lounges, cruise ships, theme parks
Specifications Frequency response
72 Hz - 22kHz -3dB points
Efficiency
95 dB 1w/1m
Crossover Point
2.4 kHz passive
Impedance
8 ohms
Power Handling
200 watts RMS
Maximum Output
118 db cont 121 db peak
vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, Rust proof grille and fittings suitable for beach bar and other corrosive environments. Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood. Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.
P18
Applications
Clubs, bars, lounges, cruise ships, theme parks
Specifications Frequency response
60 Hz - 22kHz -3dB points
Efficiency
97 dB 1w/1m
Crossover Point
2.3 kHz passive
Impedance
8 ohms
Power Handling
300 watts RMS
Maximum Output
121 db cont 124 db peak
Driver configuration
1 x 8"
90 h x 60 v - rotatable
Dispersion
90 h x 60 v - rotatable
Protection (HF)
Internal Electronic Control
Protection (HF)
Internal Electronic Control
Connector
1 x Phoenix with link out
Connector
1 x Phoenix with link out
Driver configuration
1 x 6.5"
Dispersion
0
1 x 1" 0
0
1 x 1" 0
Dimensions
Dimensions Height
372 (mm) 14.6"
Height
415 (mm) 16.3"
Width
239 (mm)
9.4"
Width
260 (mm) 10.2"
Depth
200 (mm) 7.9"
Depth
223 (mm) 8.8"
Weight
8.5 (kg)
Weight
11.5 (kg) 25.3 lbs
18.7 lbs
Construction
Construction Enclosure
15 mm multi laminate birch plywood
Enclosure
15 mm multi laminate birch plywood
Rigging
4 x M8 inserts : Easy Hang Bracket Plate
Rigging
4 x M8 inserts : Easy Hang Bracket Plate
Finish
Textured polyurethane
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Venu 10
Venu 12
The Venu 10 has been designed to offer everything you could ask for from an installation loudspeaker. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.
The Venu 12 has been designed to offer everything you could ask for from an installation loudspeaker. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.
There are many features that make the Venu 10 so convenient to install and use, these include, an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and requires only one set of hands to attach the enclosure to the bracket. Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be maintained in vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, Rust proof grille and fittings suitable for beach bar and other corrosive environments. Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood.
There are many features that make the Venu 12 so convenient to install and use, these include, an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and require only one set of hands to attach the enclosure to the bracket. Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be
Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.
Applications
Clubs, bars, lounges, cruise ships, theme parks
Specifications Frequency response
52 Hz - 22kHz -3dB points
Efficiency
97 dB 1w/1m
Crossover Point
2.1 kHz passive
Impedance
8 ohms
Power Handling
350 watts RMS
Maximum Output
123 db cont 126 db peak
Driver configuration
1 x 10"
Dispersion
90 h x 60 v - rotatable
0
1 x 1" 0
maintained in vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, Rust proof grille and fittings suitable for beach bar and other corrosive environments. Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood. Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.
P19
Applications
Clubs, bars, lounges, cruise ships, theme parks
Specifications Frequency response
50 Hz - 22kHz -3dB points
Efficiency
98 dB 1w/1m
Crossover Point
1.9 kHz passive
Impedance
8 ohms
Power Handling
400 watts RMS
Maximum Output
124 db cont 127 db peak
Driver configuration
1 x 12"
Dispersion
90 h x 60 v - rotatable
0
1 x 1" 0
Protection (HF)
Internal Electronic Control
Protection (HF)
Internal Electronic Control
Connector
1 x Phoenix with link out
Connector
1 x Phoenix with link out
Dimensions
Dimensions Height
469 (mm) 18.5"
Height
522 (mm) 20.5"
Width
315 (mm) 12.4"
Width
385 (mm) 15.1"
Depth
250 (mm) 9.8"
Depth
330 (mm) 13.0"
Weight
14.5 (kg) 32.0 lbs
Weight
19.5 (kg) 43.0 lbs
Construction
Construction Enclosure
15 mm multi laminate birch plywood
Enclosure
15 mm multi laminate birch plywood
Rigging
4 x M8 inserts : Easy Hang Bracket Plate
Rigging
4 x M8 inserts : Easy Hang Bracket Plate
Finish
Textured polyurethane
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Venu Bass
Venu X
The Venu Bass has been designed to offer everything you could ask for from an installation Subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.
The Venu X has been designed to offer everything you could ask for from an installation Subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.
There are many features that make the Venu Bass so convenient to install and use, these include, a super tough 12” transducer with long excursion 4” coil. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 15mm multi laminate birch plywood.
There are many features that make the Venu X so convenient to install and use, these include, super tough 12” transducers with long excursion 4” coils. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust proof grille and fittings suitable for beach bar and other corrosive environments, and an
Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.
Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and its not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.
P20
enclosure made entirely from 15mm multi laminate birch plywood.
Applications
Clubs, bars, lounges, cruise ships, theme parks
Specifications
Applications
Clubs, bars, lounges, cruise ships, theme parks
Specifications
Frequency response
34 Hz - 160Hz -3dB points
Frequency response
34 Hz - 160Hz -3dB points
Efficiency
96 dB 1w/1m
Efficiency
99 dB 1w/1m
Crossover Point
80 - 160 hz active
Crossover Point
80 - 160 hz active
Impedance
8 ohms
Impedance
4 ohms
Power Handling
600 watts RMS
Power Handling
1200 watts RMS
Maximum Output
123 db cont
Maximum Output
128 db cont 131 db peak
126 db peak Driver configuration
1 x 12"
Driver configuration
2 x 12"
Dispersion
Omni
Dispersion
Omni
Protection (HF)
N/A
Protection (HF)
N/A
Connector
1 x Phoenix with link out
Connector
1 x Phoenix with link out
Dimensions
Dimensions Height
370 (mm) 14.6"
Height
370 (mm) 14.6"
Width
490 (mm) 19.3"
Width
780 (mm) 30.7"
Depth
430 (mm) 16.9"
Depth
490 (mm) 19.3"
Weight
24.0 (kg) 52.9 lbs
Weight
44.5 (kg) 98.1 lbs
Construction
Construction Enclosure
15 mm multi laminate birch plywood
Enclosure
Rigging
N/A
Rigging
15 mm multi laminate birch plywood N/A
Finish
Textured polyurethane
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Touring Void touring products have become industry standards across the globe. With a countless number of companies prescribing Void as their system of choice, it’s no wonder that our loudspeakers and amplifiers are seen in many of the world’s largest arenas, and on tours of all sizes, shapes, and musical styles. It’s not just the rental sector that’s making use of Void touring products; many prestigious live venues have benefited from permanently installing our systems, gaining much loyalty among their patrons for the consistent sound quality they are now able to achieve. From the largest tours to the smallest working band, Void products are proof that the next generation of sonic weaponry has arrived.
Recent Events Animal Bike Tour - Europe AVC - Pier 94, USA Beached Festival - Manchester, UK Bestival - Isle Of Wight, UK British Beach Polo Championships - UK Don Letts - Hyde Park, London, UK Ecoparade 2012 - Brescia, Italy EDM Festival - Chicago, USA Electric Picnic 2012 - Streadbally, Ireland Glade Festival - Norfolk, UK Glastonbury Festival - Somerset, UK North Coast Music Festival - Chicago, USA Outlook Festival - Pula, Croatia Red Bull Clash - Wembly Arena, UK Shambala Festival - Northamptonshire, UK Ultra Music Festival - Miami, USA Viva La Electronica Tour - Italy Westfest - Chicago, USA Winter Music Conference - Miami, USA
Armin van Buuren - Chicago
BBK & JME (2012 Redbull Clash Winners) - Wembley Arena UK
Ultra Music Festival - Miami
Arcline 12 - Wembley UK
Arcline 6 With Top Danish Chart Act Nephew
Arcline 12 & 6 (2012 Redbull Clash FOH System) - Wembley Arena UK
Arcline Overview Arcline has been developed to give hire companies, touring companies, and installation contractors a choice of line array systems that are capable of exceeding the most demanding requirements. The fundamental design of Arcline has been paved out by many years of research into the needs of our ever changing industry. It was determined early on that a line source with a cylindrical wavefront would best serve the requirements demanded of a modern line source system. To accomplish this, all of the components within each enclosure are physically positioned on an arc. This curved baffle arrangement allows for the components to share a common virtual acoustic centre that exists rearward of the physical array, thus equalising the sound path distances. The benefits are significant; they include constant sound intensity over the stated coverage angles, and greater linearity of the near-to-far-field transition point. The normally poor impulse response that is an inherent problem with line source transmission is also greatly improved by minimizing the path length differences, as well as by the use of our exclusive power tapering technology that's carried out in each enclosure. The Arcline family of products provide a range of no-compromise solutions suitable for system designers, sound consultants, and production companies of all types. In the rental market particularly, versatility must be the overriding priority with any new purchases these days, and the Arcline family of products are as versatile as they come.
P22
Arcline 12
Psyco X
Aimed at live performance venues and the touring sector, Arcline 12 takes a new approach to combat the inherent problems which compromise most small and medium format line source enclosures.
Psyco X is the latest addition to Void’s line up of high performance low frequency enclosures. Being the latest has meant it’s got to be special and have some extraordinary specs. A quick glance at its specifications will confirm this.
The idea of forming a line array is to produce a cylindrical wavefront which allows sound to disobey the inverse square law, but this can only occur if
The design features a horn with a length of just over 3.1 meters (10.2 ft), which is about as long as anyone has ever managed to cram into an enclosure with a total volume of just 604 litres. This gives a stack of four enclosures an f3 point of 27Hz with a sensitivity of 112.5dB 1w/1m. Power handling is 6400 watts AES, which equates to a peak output of 154.3dB at 1 meter.
certain criteria are met. The major criterion is to ensure that a long enough line of enclosures are coupled to produce a cylindrical wavefront down to around 100Hz, as this would then give the lower frequencies the same decay-per-distance rate as the mid and HF frequencies. But this rarely happens when implementing small and medium format line array systems. The outcome of not forming a long enough line to support lower frequencies is the all too familiar thin sound with a lack of low midrange and upper bass, especially as the distance from the source increases. To rectify this problem, Arcline 12 adds a high efficiency horn loaded low-mid section to assist with low-mid projection. As with its smaller brother the Arcline 6, the 12 also physically positions its components on an arc forming a common virtual acoustic centre. This, teamed up with its 120 degree horizontal dispersion, allows for a very wide and uniform sound coverage free from phase and response abnormalities.
The use of such a long horn has given extreme efficiency, a very low f3 with well-behaved transient response and a predictable dispersion pattern when arrayed. Both the predictability and far field projection capabilities of a Psyco X Array have made it the perfect partner for the Arcline 12.
Applications
Medium to large sized venues of all types, large scale touring, arena and stadium sound, dance festivals Specifications Frequency response
90 Hz – 20 kHz -3dB points
Efficiency
LF : 105.0 dB 1w/1m MF : 101.5 dB 1w/1m HF : 108.0 dB 1w/1m
Crossover Point
250 Hz and 1.8 kHz active
Impedance
LF 8 ohms : MF 8 ohms : HF 5.3 ohms
Power Handling
LF 700 w RMS MF 900 w RMS HF 240 w RMS
Maximum Output
130.5 db cont 136.5 db peak
Driver configuration
1 x 12" neo : 4 x 6.5" neo : 3 x 1" neo
Dispersion
120 h x 7 v
Connector
0
0
TM
2 x 8 pole Speakon
S p raye d w i t h o u r b ra n d n e w ‘TourCoat’ polyurea finish, the Psyco X also features new truck pack friendly dimensions and universal location receptors that allow interlocking and
Dimensions Height
437 (mm) 17.2"
Width
860 (mm) 33.8"
Depth
600 (mm) 23.6"
Weight
55
These superlative performance specs have only been made possible by a recent development in transducer chassis design that has allowed a sophisticated cooling system to be implemented. All the internal metal chassis parts and magnet structure are bolted to transfer plates and cables that connect to an external heatsink. The transference of heat form the core of the transducer to the outside of the enclosure has led to a world breaking level of power compression. Measurements taken after a 2 hour test with continuous full power 90% duty cycle source material have confirmed a power compression level of only 1.8dB.
matting with adjacent enclosures regardless of their orientation.
(kg) 121.2 lbs
Applications
Medium to large sized venues of all types, large scale touring, arena and stadium sound, dance festivals Specifications Frequency response
27 Hz - 190 Hz -3dB (4 enclosures)
Efficiency
1 enclosure : 106.0 dB 1w/1m 2 enclosures : 108.5 dB 1w/1m 4 enclosures : 112.5 dB 1w/1m
Crossover Point
Hi Pass : 27 Hz - 24 dB/oct
Impedance
1 enclosure : 8 ohms
Maximum Output
Lo pass : 80 - 130 Hz - 24 dB/oct
Measured to IEC61672 and ANSI S1.4 specifications 1 enclosure : 136.8 dB cont : 141.1 dB peak 2 enclosures : 142.5 dB cont : 148.2 dB peak 4 enclosures : 148.6 dB cont : 154.3 dB peak
Power Handling
1 enclosure : 1600 watts AES 2-1984 Rev. 2003
Driver configuration
1 x 18" neo - 100 (mm) 4" voice coil
Dispersion
Array Dependent TM
Connector
2 x 8 pole Speakon
Horn Length
3.1 (meters) 10.2 ft
-
2 x 4 pole Speakon
Dimensions Height
554 (mm) 21.8"
Width
1218 (mm) 48.0"
Depth
896 (mm) 35.3"
Weight
96
(kg) 211.6 lbs
Construction Construction Enclosure
15mm multi laminate birch plywood 0
0
0
0
0
Rigging
3 point proprietary : Tilt angles - 7, 5.25, 3.5, 1.75, 0
Enclosure
18mm 13 laminate birch plywood
Finish
Textured polyurethane
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
TM
Arcline 6
Arcline X
The main design considerations behind the Arcline 6 were versatility and ease of use. Portability and a sophisticated rigging system that requires no specialized knowledge by the user were also high on the list.
Expanding on the multiple resonant chamber concept as found in the Stasys X, the Arcline X takes an even bigger break from tradition by distilling the technology one step further. Each enclosure offers 140dB peak SPL, whilst an array capable of 150dB peaks occupies a frontal area of only 3 sq meters and can be setup in less than 2 minutes by two people.
In order to avoid the use of multiple enclosures, yet ensure a wide enough horizontal coverage pattern, the Arcline 6 was conceived with a 120 degree dispersion in the horizontal plane. This dramatically improves the perceived sound quality and definition, as well as reducing setup time by eliminating the need to hang multiple columns to achieve the needed angle of coverage.
The radical advance of the multiple resonant chamber technology employed by Arcline X additionally allows a sub 40Hz f3 point, which is unprecedented for an enclosure with a volume of just 300 litres.
Placing all the components on a virtual arc with a true 120 degree dispersion has resulted in a highly-uniform polar pattern that allows all of the audience members to experience a similar sound quality. Traditional HF spacing and path length compensation among line source enclosures has almost always meant a compromise in HF performance; thus a new design of waveguide has been employed for the Arcline 6. The new waveguide and common virtual feed point allows a flat response up to 21 kHz, even when coupled with multiple enclosures. The ability of the Arcline 6 to form a true cylindrical wavefront when used in multiples is key to its exceptionally smooth transition from near-field to far-field coverage.
Applications
Live sound in small to medium sized venues. Small to medium scale touring. Theatre, AV Presentations
Careful design consideration of the internal horn paths have resulted in an extended upper response that will accurately reproduce up to 250Hz, permitting a higher crossover frequency than is possible with many other subwoofers. When used with the Arcline 6 or Arcline 12, this higher crossover raises their maximum output level capability and allows far greater projection of the important upper bass frequencies that many small line source's fail to reproduce convincingly.
Specifications
Applications
Live sound in medium sized venues. Small to medium scale touring. Theatre, AV presentations, music clubs Specifications
Frequency Response
60 Hz - 21 kHz -3dB points
Sensitivity
101 dB 1w/1m
Impedance
8 ohms
Power Handling
800 watts RMS
Maximum Output
129 dB cont 132 dB peak 0
0
Arcline X additionally features HTT (Heat Transference Technology). A side located heatsink is used to transfer heat from both woofer's voice coils and magnet assemblies, significantly decreasing power compression and improving long term reliability.
Frequency Response
38 Hz - 250 Hz -3dB points
Sensitivity
105 dB 1w/1m
Impedance
4 ohms
Power Handling
1500 watts RMS
Maximum Output
136 dB cont 140 dB peak
Dispersion
120 h x 12 v
Dispersion
Array Dependent
Crossover Point
900 Hz passive
Crossover Point
38 Hz Hi Pass - up to 250 Hz Lo Pass
Driver Configuration
4 x 6.5" neo 3 x 1" neo
Driver Configuration
2 x 15" neo
Protection (HF)
Internal Electronic Control
Protection
N/A
Rigging, Mounting
3 x tower winch location points 2 degree tilt adjustment 0 - 10 degrees Maximum of 2 Arcline 6 per tower winch
Rigging, Mounting
1 x tower winch receptacle
Connectors
2 x 4 pole Speakon
Connectors
2 x 4 pole Speakon
Width
538 (mm) 21.2"
Width
860 (mm) 33.8"
Height
395 (mm) 15.5"
Height
446 (mm) 17.5"
Depth
355 (mm) 14.0"
Depth
800 (mm) 31.5"
Weight
28.2 (kg) 62 lbs
Weight
64.8 (kg) 142.4 lbs
TM
Dimensions
TM
Dimensions
Construction
Construction
Rigging, Mounting
Tower winch, Fly frame, Tilt board
Rigging, Mounting
Construction
15 mm multi laminate birch plywood
Construction
Tower winch system, Tilt board 18 mm birch plywood - carbon fibre - magnesium
Finish
Textured polyurethane
Finish
Textured polyurethane
Stasys Overview The flagship Stasys Series is the definitive aural arsenal for those with the highest level of audio requirements. Equally at home on the largest tours and in the biggest installations, Stasys always exceeds expectations. With an output-to-size ratio among the highest in the industry, Stasys is fast becoming one of the shrewdest investments you can make. Touring companies using Stasys are discovering they can spec half the size system they normally would, which translates into major savings in transportation and crew costs. Night clubs, music venues and Houses of Worship are all discovering the sonic and economic benefits of installing Stasys. At a time when installation budgets are carefully controlled, investing in products that have the highest levels of output and definition with proven reliability is a top priority. Stasys systems fulfil these criteria and more without breaking the bank. Stasys is characterised by tremendous power output and exceptionally low distortion. The enclosures readily form coherent arrays when used in multiples, retaining their inherently smooth response and musical sonic characteristics. Stasys Series products make use of many of the latest advancements in acoustic design technology. This has only been possible by utilising our extensive R&D facilities and dedicated design team. For example, all X Series products undergo a technique called 'resonance mapping'. Hundreds of small accelerometers are attached to every surface of an enclosure and measurements are taken that allow a 3D colour map of resonant modes and densities to be displayed. This information is then used to determine material selection, pinpoint any problem areas, refine enclosure bracing, and keep structural mass to a minimum while maintaining the highest achievable output with least possible colouration. Stasys loudspeaker systems represent some of the most advanced and refined audio products available in the world today. Audition Stasys and see how it can transform your expectations.
Stasys Prime V2
Stasys 5 Mk2
The new 3 way Stasys Prime V2 takes the point source concept to new levels with its extended low frequency performance, ground breaking efficiency, and unprecedented output power. Most traditional point source enclosures can only be used above 100Hz and require the addition of LF enclosures that have enough speed and agility to cope with the demanding upper bass band. Stasys Prime negates the need of such LF enclosures, as its extended LF response allows it to be used with true dedicated subwoofers. This has the added benefit of not producing an awkward aural transition from the flown array to the typically ground-stacked subs.
Designed specifically for demanding live performance applications, the Stasys 5 Mk2 expands the boundaries of low frequency sonic bombardment. Suitable for use on the largest tours or in the biggest arenas, the Stasys 5 mk2 utilises numerous innovations to produce low frequency output with previously unheard of impact.
Stasys Prime V2 has been designed so that lossless summation between adjacent enclosures takes place effortlessly. This seamless transition from enclosure to enclosure within the array greatly improves intelligibility and phase coherency. Array efficiency is radically increased as well, as Stasys Prime enclosures provide true acoustic addition instead of destructive interference. The maximum continuous output level per enclosure is extremely important with any point source array, as each section of the venue is predominantly covered by a single array element. Each Stasys Prime is capable of a continuous output of 142dB, allowing the total array to be surprisingly small for a given application. The tightly controlled dispersion pattern means that more energy can be directed where it's needed, at the listener, instead of needlessly exciting the reverberant field. Because of this, Stasys systems are especially effective in difficult acoustical environments such as sports facilities, houses of worship, and other highly reverberant spaces. Super
high
efficiency
levels
with
switchable two way or three way active operation has resulted in both a user and environmentally friendly enclosure. This means fewer amplifiers with lower output power are required, which is good news when it comes to purchasing, deploying, and transporting the system.
Applications
Medium to large sized venues of all types, large scale touring, arena and stadium sound, dance festivals Specifications Frequency response Efficiency
90 Hz – 22 kHz -3dB points LF : 112.0 dB 1w/1m MF : 115.5 dB 1w/1m HF : 116.0 dB 1w/1m
Crossover Point
2 way 650 Hz - 3 way 650 Hz & 6.5 kHz
Impedance
LF 4 ohms
Power Handling
LF 1500 w RMS
MF 8 ohms
HF 8 ohms
MF 150 w RMS HF Maximum Output
80 w RMS
142 db cont 146 db peak
Driver configuration
2 x 15" neo : 1 x 1.5" coax
Dispersion
25 h x 35 v
Connector
2 x 8 pole Speakon
0
-
2 x 4 pole Speakon
As with all premium Void enclosures, the use of resonance mapping has resulted in an extremely rigid structure with very low colouration. The output power-to-weight ratio is near the theoretical limit with the overall weight being one of the lightest in the industry. And finally, the Stasys 5 Mk2 uses Coolwave™ technology to reduce thermal compression to an absolute minimum while ensuring that consistently high output levels are maintained throughout the longest performances.
Applications
Medium to large sized live venues of all types, large scale touring, arena and stadium sound, dance events Specifications Frequency response
38 Hz – 160 Hz -3dB points (measured with 4 enclosures)
Efficiency
LF : 105.6 dB 1w/1m
Crossover Point
Hi Pass : 38 Hz 24 dB/oct
Impedance
8 ohms
Power Handling
1200 w RMS
Maximum Output
Lo Pass : up to 160 Hz
135 db cont 140 db peak
0
TM
One such innovation harnesses some of the energy that would normally be dissipated in the rear chamber; this is accomplished by firing the transducer onto an aluminum pressure plate. The plate's restoring force is then reflected back onto the transducer, resulting in a substantial increase in transient response and efficiency. Using an actively driven element with a passively fed radiator, with gain, has analogies to a bass or kick drum, where one of the two heads is hit whilst the other is tuned to a different frequency. To gain the most from this arrangement a specially designed transducer with an asymmetrical offset suspension has been implemented.
TM
Driver configuration
1 x 18" neo - 125 mm (5") voice coil
Dispersion
Array Dependent
Connector
2 x 4 pole Speakon
TM
Dimensions Dimensions Height
860 (mm) 33.9"
Width
586 (mm) 23.1"
Height
860 (mm) 33.9"
Depth
775 (mm) 30.5"
Width
586 (mm) 23.1"
Weight
83 (kg)
Depth
775 (mm) 30.5"
Weight
53
186.2 lbs
(kg)
116.6 lbs
Construction Construction Enclosure
18mm 15 laminate birch plywood
Rigging
4 x Aero track proprietary flying system
Enclosure
18 mm 15 laminate birch plywood
Finish
Textured polyurethane
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Stasys 3 mk2
Stasys X V2
The Stasys 3 mk2 mid-hi touring enclosure is designed to give system operators a quick and simple solution to large scale sound reinforcement. Each enclosure comes with a multiple point Aero-track flying system allowing quick system setups and accurate arraying.
Stasys X set a new standard in the performance possible from a double 18” low frequency enclosure. It has been used on tours, in live venues, and in world-class night venues all around the world since its introduction 5 years ago. But the time has come to m ove o n a n d u s e t h e l a t e s t technologies to advance and refine the design further. This is no mean feat as the first version was very well received and phenomenally successful form a sales point of view.
The design is the distillation of a lifetime's work. Most of the technology incorporated in the Stasys 3 mk2 has never been attempted before and is a radical departure from the norm. At the heart of the design is the 'Waveformer'. Sound waves enter the horn at varying distances from the transducer via the centrally mounted Waveformer. The distance depends on the frequency and also the radiation pattern of the transducer. New types of transducers were developed that emit different frequencies from different locations around their radiation surface. These locations are then channeled to the Waveformer and emitted at a precise distance down the horn. The benefits of Waveforming are enormous. All frequencies reach the horn mouth at exactly the same time so that phase cancellation is virtually eliminated. The result is an extremely flat and uniform response with a very wide bandwidth in each band. D i s p e r s i o n c h a ra c t e r i s t i c s a r e radically improved as well, due to the Waveformer's refraction grid which reduces HF beaming significantly. The well defined and tightly controlled dispersion pattern means that more energy can be directed where it's needed, at the listener, instead of needlessly exciting the reverberant field. Because of this, Stasys systems are especially effective in difficult acoustical environments such as sports facilities, houses of worship, and other highly reverberant spaces. The Stasys 3 mk2 also features a 2 way passive - 3 way active selector switch, further enhancing setup flexibility.
Applications
Medium to large sized venues of all types, large scale touring, arena and stadium sound dance festivals Specifications Frequency response Efficiency
120 Hz – 20 kHz -3dB points LF : 108 dB 1w/1m MF : 108 dB 1w/1m HF : 109 dB 1w/1m
Crossover Point
2 way 800 Hz - 3 way 800 Hz & 3.2 kHz
Impedance
LF/MF/HF 8 ohms
Power Handling
LF 500 w RMS MF 200 w RMS HF 80 w RMS
Maximum Output
134 db cont 139 db peak
Driver configuration
1 x 12" : 1 x 6.5" : 1 x 1"
Dispersion
45 h x 30 v
Connector
2 x 8 pole Speakon
0
0
TM
-
2 x 4 pole Speakon
Dimensions
TM
So what’s changed and what are the improvements. A total rearrangement of the internal resonant chambers has improved the cooling to the extent that no external heatsinks are required, which has also led to a significant decrease in power compression. The systems transient response, phase response and overall timing capabilities have also been vastly improved by the new internal chamber layout. This has led to a more uniform response in relation to distance and greater behavioral predictability when arrayed. The Stasys X V2 uses the latest cone materials keeping the moving mass low enough to allow optimum transfer efficiency to take place, whilst providing the structural rigidity to maintain form at all times. This advancement has also meant the transducers mechanical parameters are ideally matched to the enclosures internal loading requirements, which has lowered the f3 point and improved the attack characteristics. S p raye d w i t h o u r b ra n d n e w ‘TourCoat’ polyurea finish, the Stasys X V2 also features new truck pack friendly dimensions and universal location receptors that allow interlocking and matting with adjacent enclosures regardless of their orientation.
Applications
Medium to large sized venues of all types, large scale touring, arena and stadium sound dance festivals Specifications Frequency response
30 Hz – 180 Hz -3dB points
Efficiency
LF : 103.8 dB 1w/1m
Crossover Point
Hi Pass : 30 Hz - 24 dB/LR
Impedance
4 ohms
Power Handling
3200 w RMS
Maximum Output
138 db cont 142 db peak
Driver configuration
2 x 18" neo
Dispersion
Array Dependent
Connector
2 x 4 pole Speakon
TM
Dimensions
Height
815 (mm) 32.1"
Width
586 (mm) 23.1"
Height
554 (mm) 21.8"
Depth
775 (mm) 30.5"
Width
1218 (mm) 48.0"
Weight
66
Depth
896
(kg)
145.5 lbs
Weight
96
(mm) 35.3" (kg)
211.6 lbs
Construction Construction Enclosure
18mm 15 laminate birch plywood
Rigging
4 x Aero track proprietary flying system
Enclosure
18 mm birch plywood
Finish
Textured polyurethane
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Lo Pass : 100 - 145 Hz - 24 - dB/LR
Stasys 218
Stasys Phil
In an ever changing financial climate the search for cost effective solutions becomes paramount. Many
Probably the most versatile loudspeaker you could ever have in your arsenal, Stasys Phil sets new standards in extra high output, fullrange sound reinforcement.
compromise and turn to more traditional designs to avoid breaking the bank, but traditional doesn’t always have to mean compromise. Enter the Stasys 218, a low frequency enclosure build around traditional principles but designed with Stasys philosophy and attention to detail.
Primarily designed as a side or drum fill for larger setups, Stasys Phil is equally at home at FOH driven fullrange in smaller venues. Other applications include large scale FOH when used as a mid top with suitable LF enclosures and as a monitor for keyboard or percussion players.
To a b s t r a c t t h e m a x i m u m performance from the design the heart of the 218’s enclosure was subjected to the same resonance mapping procedures as all other Stasys low frequency models. This practice has dictated the type of materials used around the enclosure, optimised the brace positioning and minimised destructive nodal conditions. All of this adds up to a structurally superior housing with minimum mass, the least possible amount of cabinet born coloration and vastly increased output. Transducer selection and integration is also critical when it comes to reflex enclosure design, so months of comparative testing and evaluation led to the birth of a new 18” transducer for the Stasys 218. The sonic properties of differing cone and surround combinations were studied as well as differing coil topographies. Flux intensities and out of band abnormalities were also manipulated until the perfect combination was achieved and our ears were happy. For those that demand state of the art performance at a realistic price level, a new contender has arrived. Its the marriage of a technologically advanced enclosure with esoteric performing transducers applied with superlative tuning techniques that has resulted in a phenomenal package that has well and truly left tradition behind.
Dance events can also make use of Phil’s versatility. A pair used as DJ monitors, could surpass the output and quality requirements of the most demanding top level DJ’s. Mobile jocks can also build scalable FOH systems without the need for further LF enclosures due to the extended 45Hz low frequency response of Stasys Phil. Stasys Phil’s simplicity also allows it to be used with our 4 channel amplifiers using their built in crossovers. Compact and powerful systems can be created for all types of events using our 4 channel amplifiers, allowing for very fast setup times with the minimum of fuss.
Applications
Medium to large sized venues of all types, large scale touring, arena and stadium sound, dance festivals Specifications Frequency response
32 Hz – 200 Hz -3dB points
Efficiency
LF : 101 dB 1w/1m
Crossover Point
70 - 160 Hz, 24dB/oct
Applications
Side, drum and keyboard fill in large scale touring. FOH in small to medium scale touring/venues. DJ monitor, mobile disco, theatre and stage productions, conference Specifications
With its ability to tackle any application in its stride, most would agree that if you were ever stranded on a desert island and could only take one type of loudspeaker with you, Stasys Phil would be the one you grab first.
Frequency response
45 Hz – 21 kHz -3dB points
Efficiency
LF : 101 dB 1w/1m HF : 106 dB 1w/1m
Crossover Point
1.8kHz active LR 24dB oct
Impedance
LF 4 ohms - HF 8 ohms
Power Handling
LF 1600 w RMS HF 100 w RMS
Impedance
4 ohms
Power Handling
2400 w RMS
Maximum Output
134 db cont
Maximum Output
130.5 dB cont 134.0 dB peak
139 db peak Driver configuration
2 x 18" - 100mm voice coil
Dispersion
Array Dependent
Connector
2 x 4 pole Speakon
Driver configuration
2 x 15" neo : 1 x 1.5"
Dispersion
80 h x 50 v rotatable
Connector
2 x 4 pole Speakon
TM
Dimensions Dimensions Height
586 (mm) 23.0"
Width
1020 (mm) 40.1"
Depth
775
Weight
89.0 (kg)
(mm) 30.5"
Height
1191 (mm) 46.9"
Width
586 (mm) 23.0"
Depth
550 (mm) 21.6"
Weight
63.0 (kg) 138.9 lbs
196.2 lbs Construction
Construction Enclosure
18 mm birch plywood
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Enclosure
18mm 15 laminate birch plywood
Rigging
8 x Aero track
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Mycro Series The Visually discrete Mycro series combines amazing versatility with high-performance, enabling a wide range of professional requirements to be fulfilled. The 3 fullrange models excel in difficult applications where dispersion, mounting space and SPL are all important concerns. The enclosures feature a user-rotatable HF horn that enables installation both horizontally or vertically using a Powerdrive type 75 mounting system, or an OmniMount™ equivalent. All fullrange models also feature a top hat fitting, allowing the use of a stand for conference or other portable use. Each model within the Mycro series makes use of carefully selected components that are designed and manufactured in-house, this enables the Mycro series to outperform virtually all other loudspeaker systems in its class.
Mycro is an excellent choice for lecture halls, houses of worship, corporate training centres, meeting rooms, conference work, pubs, bars, and many other similar facilities in which a small, but no-compromise loudspeaker, is required. All models are available in black, white, or grey finishes to perfectly blend into there surroundings.
Mycro 6 Mycro 8 Mycro 10
Applications
Houses of worship, corporate training centres, meeting rooms, conference work, pubs, bars, lecture halls
Mycro 6
Mycro 8
Frequency response
74 Hz - 21 kHz -3dB points
Frequency response
58 Hz – 21 kHz -3dB points
Frequency response
50 Hz - 21 kHz -3dB points
Efficiency
95 dB 1w/1m
Efficiency
97 dB 1w/1m
Efficiency
98 dB 1w/1m
Crossover Point
2.8 kHz passive
Crossover Point
2.4 kHz passive
Crossover Point
2.2 kHz passive
Impedance
8 ohms
Impedance
8 ohms
Impedance
8 ohms
Power Handling
200 watts RMS
Power Handling
300 watts RMS
Power Handling
350 watts RMS
118 db cont
Maximum Output
122 db cont
Maximum Output
Specifications
Maximum Output
Mycro 10
123.5 db cont 125.5 db peak
124 db peak
121 db peak Driver configuration
1 x 6.5" 1 x 1" neo
Driver configuration
1 x 8" 1 x 1”
Driver configuration
1 x 10" 1 x 1" neo
Dispersion
90 h x 50 v - rotatable
Dispersion
90 h x 50 v - rotatable
Dispersion
90 h x 50 v - rotatable
Protection (HF)
Internal Electronic Control
Protection (HF)
Internal Electronic Control
Protection (HF)
Internal Electronic Control
Connector
2 x 4 pole Speakon
Connector
2 x 4 pole Speakon
Connector
2 x 4 pole Speakon TM
0
0
TM
0
0
TM
0
Dimensions
Dimensions
Dimensions
0
Height
370 (mm) 14.5"
Height
400 (mm) 15.7"
Height
478 (mm) 18.8"
Width
255 (mm) 10.0"
Width
275 (mm) 10.8"
Width
310 (mm) 12.2"
Depth
252 (mm) 9.9"
Depth
270 (mm) 10.6"
Depth
305 (mm) 12.0"
Weight
10.4 (kg) 22.9 lbs
Weight
13.2 (kg) 29.1 lbs
Weight
16
35.2 lbs
Construction
Construction
Construction
(kg)
Enclosure
15 mm multi laminate birch plywood
Enclosure
15mm multi laminate birch plywood
Enclosure
15 mm multi laminate plywood
Rigging
12 x M8 inserts : Powerdrive type 75 plate : Top hat
Rigging
12 x M8 inserts + Internal Powerdrive type 75 plate, top hat
Rigging
12 x M8 inserts : Powerdrive type 75 plate : Top hat
Finish
Textured polyurethane
Finish
Textured polyurethane
Finish
Textured polyurethane e
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Mycro Series The Mycro Sub has been designed to provide low frequency augmentation for the Mycro 6, Mycro 8, or other high quality satellite speakers, typically in a two-channel configuration. Incorporated into the Mycro Sub is an elaborate high-power crossover network that can be used in either passive or active modes. In active mode, the Mycro Sub can be used with an external active crossover and power amplifier, if desired. In passive mode, a single Mycro Sub can be fed a stereo signal and its two passive outputs can then be used to drive a stereo pair of satellite speakers. Mycro Bass is a compact and highly versatile bass enclosure. Utilising a very high powered 12" neodymium woofer with a 4" voice coil, the Mycro Bass delivers fast and accurate low frequency output at levels unheard of for an enclosure of its size. Incorporated into the Mycro Bass is an extensive high power crossover network that can be used in either passive or active modes. In passive mode Mycro Bass has an output for a satellite speaker and requires only the use of a suitable power amplifier. In active mode Mycro Bass may be used with an external active crossover and a separate power amplifier channel.
Mycro Bass
As with all X series enclosures the Mycro X offers unprecedented output for its minuscule dimensions. The design features two very substantial 12" transducers that employ 4" voice coils utilising the latest forced cooling technology. This combination allows for power levels in excess of 1500 Watts RMS to be driven into each Mycro X enclosure. High efficiency, high power handling and low power compression are all factors that dictate the long term output level of any bass enclosure. Mycro X balances the above parameters to create the highest output level for a sub-100 litre (3.5 cu.ft.) enclosure ever.
Mycro Sub
Mycro X
Applications
Houses of worship, corporate training centres, meeting rooms, conference work, pubs, bars, lecture halls
Mycro Sub
Mycro Bass
Frequency response
41 Hz - 150 Hz -3dB points
Frequency response
43 Hz - 158 Hz -3dB points
Frequency response
36 Hz - 200 Hz -3dB points
Efficiency
95 dB 1w/1m
Efficiency
97 dB 1w/1m
Efficiency
98 dB 1w/1m
Low Pass 150 Hz passive
Internal Crossover
Low Pass 150 Hz passive
Crossover Point
Low Pass 120 - 200 Hz active
Specifications
Internal Crossover
Hi Pass 150 Hz passive
Mycro X
Hi Pass 150 Hz passive
Hi Pass 35 Hz active
Impedance
2 x 8 ohms
Impedance
8 ohms
Impedance
4 ohms
Power Handling
2 x 200 watts RMS
Power Handling
600 watts RMS
Power Handling
1500 watts RMS
119 dB cont
Maximum Output
124 dB cont
Maximum Output
Maximum Output
123 dB peak
127 dB peak
129 dB cont 132 dB peak
Driver configuration
1 x 12"
Driver configuration
1 x 12"
Driver configuration
2 x 12"
Dispersion
Omni
Dispersion
Omni
Dispersion
Omni
Connector
5 x 4 pole Speakon
Connector
5 x 4 pole Speakon
Connector
2 x 4 pole SpeakonTM
TM
Dimensions
TM
Dimensions
Dimensions
Height
356 (mm) 14.0"
Height
520 (mm) 20.5"
Height
335 (mm) 13.2"
Width
634 (mm) 24.9"
Width
380 (mm) 14.9"
Width
670 (mm) 26.4"
Depth
360 (mm) 14.2"
Depth
420 (mm) 16.5"
Depth
430 (mm) 16.9"
Weight
25.4 (kg) 55.9 lbs
Weight
27
Weight
42.3 (kg) 93 lbs
Construction
(kg)
59.4 lbs
Construction
Construction
Enclosure
18mm MDF
Enclosure
18mm birch plywood
Enclosure
15mm birch plywood
Finish
Textured polyurethane e
Rigging
Top Hat
Finish
Textured polyurethane
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Stage Monitors Stasys 4
Impulse 4t
The Stasys 4 is versatile enclosure
The Impulse 4t is the ideal solution for small to medium size system operators. Like its bigger brother, the Impulse 4t comes equipped with multiple flying points and is suitable for use as a foldback monitor, for area fill, or as a Front of House system in smaller venues. The Impulse 4t's high
designed to function in more than one role. Equipped with multiple fly points, it is equally at home as a foldback monitor on a large tour, as it is when used for a Front of House application in a smaller venue. The Stasys 4 uses a 1.5" compression driver on a conical waveguide coupled with a very robust 15" woofer.
output power and smooth, natural sound quality produce sonic results that are rarely found from such compact dimensions.
Our research uncovered the limitations in conventional HF horn design. A conical waveguide was found to give the best off-axis rejection and constant coverage within its dispersion; both of these points are critical for high level foldback use. The Stasys 4 can be switched between its high quality internal passive crossover or driven in a two-way active mode, depending on the application requirements. All Stasys enclosures come complete with padded road covers, while a series of optional accessories allow for versatile rigging and portability. We recommend our Livedrive 4 in 8 out system controller for use with all Stasys products.
The use of carefully selected components and a well designed crossover gives the Impulse 4t a flat frequency response free from peaks and resonances. This provides higher-than-average output levels before feedback would normally occur, especially valuable when the 4t is used for stage foldback. All Impulse series enclosures come complete with padded road covers, while a series of optional accessories allow for versatile rigging and portability.
Applications
Foldback monitor for large scale touring, FOH in small to medium size venues, theatre and stage shows Specifications Frequency response
50 Hz – 20 kHz -3dB points
Efficiency
LF : 99 dB 1w/1m
Applications
Foldback monitor for stage events and touring, FOH in small to medium size venues, theatrical productions, AV Presentation, corporate events
Specifications
HF : 106 dB 1w/1m
Frequency response
65 Hz – 20 kHz -3dB points
Passive 1.6 kHz, active: 1.6 kHz
Efficiency
101 dB 1w/1m
Impedance
LF/HF 8 ohms
Crossover Point
Passive or active 1.4 kHz
Power Handling
LF 600 w RMS
Impedance
8 ohms
HF 100 w RMS
Power Handling
500 w RMS
126.5 dB cont
Maximum Output
Crossover Point
Maximum Output
129.0 dB peak Driver configuration
1 x 15" : 1 x 1.5" neo
Dispersion
90 h x 50 v rotatable
Connector
0
127 db cont 130 db peak
0
TM
2 x 4 pole Speakon
Dimensions
Driver configuration
1 x 12" : 1 x 1.5"
Dispersion
90 h x 50 v rotatable
Connector
2 x 4 pole Speakon
0
0
TM
Dimensions
Height
750 (mm) 29.5"
Height
620 (mm) 24.4"
Width
440 (mm) 17.3"
Width
370 (mm) 14.6"
Depth
385 (mm) 15.2"
Depth
375 (mm) 14.7"
Weight
36.5 (kg) 80.3 lbs
Weight
29
Construction
(kg)
63.8 lbs
Construction
Enclosure
18mm 15 laminate birch plywood
Enclosure
18mm 15 laminate birch plywood
Rigging
6 x Aero track, powerdrive type 100 plate, top hat
Rigging
3 x Aero track - 1 x powerdrive type 100 plate - top hat
Finish
Textured polyurethane
Finish
Textured polyurethane
Grill
Perforated steel - foam filter
Grill
Perforated steel - foam filter
Viper The Viper System is the ultimate for portable professional applications. Viper's design makes use of the latest in high performance components, giving outstanding sound quality at very high output levels. The use of lightweight construction materials and neodymium drivers has kept the system weight to an absolute minimum. A Viper system comprises two Viper Subs, two V 15 mid-hi enclosures and a 4 channel AX 5 Amplifier. Like its smaller brother the Basys system, the Viper system comes complete with poles, cables and all necessary hardware accessories for a fully functional system right out of the shipping box. The use of a 4 channel AX 5 amplifier with internal active xover gives a combined output power of 3600 watts into 8 ohms and comes complete with its own dedicated flight case. With both the amp and case weighing-in at just 14.7Kg, all that power won't break your back either. Viper cabinets come with metal fittings, 4 way Speakons™ and tough, k i c k- p r o o f g r i l l e s . T h e V 1 5 ' s multi-angled sides allow it to be used as a foldback monitor while its 12 M8 flying points and internal wall bracket mounts permit quick and easy rigging in fixed installations.
Applications
Live sound in medium size venues. Mobile disco, theatre and stage productions, conferences Specifications Frequency response
V15
: 58 Hz - 20 kHz -3dB points
V Sub : 35 Hz - 180 Hz -3dB points Efficiency
V15
: 99 dB 1w/1m
V Sub : 98 dB 1w/1m Crossover Point
V15
: 1.7 kHz passive
V Sub : 80 - 160 Hz active Impedance
V15
: 8 ohms
V Sub : 8 ohms Power Handling
V15
: 500 watts RMS
V Sub : 750 watts RMS Maximum Output
V15
: 126.0 dB cont 129dB peak
V Sub : 126.5 dB cont 129.5 dB peak Driver configuration
V15
: 1 x 15" neo : 1 x 1.5"
V Sub : 1 x 18" neo Dispersion
V15
: 80 h x 50 v
V Sub : Omni Protection
V15
: HF Internal Electronic Control
V Sub : N/A Connectors
2 x 4 pole Speakon
AX 5 Output Power
4 x 900 w RMS (8 )
Dimensions Height
V15
- 670 (mm) 26.3"
V Sub - 630 (mm) 24.8" Width
V15
- 462 (mm) 18.2"
V Sub - 560 (mm) 22.0" Depth
V15
- 412 (mm) 16.2"
V Sub - 600 (mm) 23.6" Weight
V15
- 29.1 (kg) 64.1 lbs
V Sub - 42.3 (kg) 93.2 lbs AX 5
- 13.0 (kg) 28.6 lbs
Construction Enclosures
18 mm 15 laminate birch plywood
Rigging
V15 - 12 x M8 insert + top hat + Type 100 plate V Sub - Top hat fitting
Finish
Textured polyurethane
Grills
Perforated steel - foam filter
Basys Basys V2 is the latest incarnation of the phenomenally successful Basys system. The package builds on the strength of previous releases and elevates the portable system concept to the next level. Each Basys system comprises a pair of B12 mid-hi cabinets, a pair of B15 bass cabinets, and a AX 4 power amplifier. The system comes complete with a versatile selection of hardware including mounting poles, wheels, cables and padded road covers. The use of a 4 channel AX 4 amplifier with internal active xover gives a combined output power of 2400 watts into 8 ohms and comes complete with its own dedicated flight case. With both the amp and case weighing-in at just 14.6Kg, all that power won't break your back either. All Basys V2 cabinets are built from 18 mm 15-laminate birch plywood. Premium neodymium components are used throughout to provide unsurpassed output levels while keeping the system's weight down to a minimum. The B12 V2 mid-hi enclosure features multi-angled sides allowing it to be used as a foldback monitor, while its 12 M8 flying points and internal wall bracket mounts permit quick and easy rigging in fixed installations.
Applications
Live sound in medium size venues. Mobile disco, theatre and stage productions, conferences Specifications Frequency response
B12 : 65 Hz - 18 kHz -3dB points B15 : 40 Hz - 200 Hz -3dB points
Efficiency
B12 : 99.5 dB 1w/1m B15 : 98.0 dB 1w/1m
Crossover Point
B12 : 2.2 kHz passive B15 : 120 - 160 Hz active
Impedance
B12 : 8 ohms B15 : 8 ohms
Power Handling
B12 : 300 watts RMS B15 : 600 watts RMS
Maximum Output
B12 : 124 dB cont 127dB peak B15 : 125 dB cont 128 dB peak
Driver configuration
B12 : 1 x 12" neo : 1 x 1" B15 : 1 x 15" neo
Dispersion
B15 : 90 h x 50 v B15 : Omni
Protection
B12 : HF Internal Electronic Control B15 : N/A
Connectors
2 x 4 pole Speakon
AX 4 Output Power
4 x 600 w RMS (8 )
Dimensions Height
B12 - 580 (mm) 22.8" B15 - 580 (mm) 22.8"
Width
B12 - 370 (mm) 14.6" B15 - 496 (mm) 19.5"
Depth
B12 - 362 (mm) 14.3" B15 - 550 (mm) 21.6"
Weight
B12 - 20.0
(kg)
B15 - 34.0
(kg)
74.8 lbs
AX 4 - 10.5
(kg)
23.1 lbs
44.0 lbs
Construction Enclosures
18 mm 15 laminate birch plywood
Rigging
B12 - 12 x M8 insert + top hat B15 - Top hat fitting
Finish
Textured polyurethane
Grills
Perforated steel - foam filter
Mycro System Size for size the Mycro System offers unrivalled output levels with ultimate definition. All the enclosures within the system make use of the best construction materials to provide full on tour strength while neodymium drivers have kept the entire system weight to an absolute minimum. A Mycro system comprises of two Mycro Bass enclosures, two Mycro 8 mid-hi enclosures and a 4 channel AX 4 Amplifier. Like its larger brothers, the Basys and Viper systems, each Mycro system comes complete with poles, cables and all necessary hardware accessories for a fully functional system right out of the shipping box. The use of a 4 channel AX 4 amplifier with internal active xover gives a combined output power of 2400 watts into 8 ohms and comes complete with its own dedicated flight case. With both the amp and case weighing-in at just 14.6Kg, all that power won't break your back either. Myrco system cabinets come with metal fittings, 4 way Speakons™ and tough, kick-proof grilles. The Myrco 8 features 12 M8 flying points and internal wall bracket mounts that permit quick and easy rigging in fixed installations.
Applications
Live sound in smaller size venues. Mobile disco, theatre and stage productions, conferences Specifications Frequency response
M8 : 58 Hz - 21 kHz -3dB points MB : 43 Hz - 158 Hz -3dB points
Efficiency
M8 : 97.0 dB 1w/1m MB : 97.0 dB 1w/1m
Crossover Point
M8 : 2.4 kHz passive MB : 100 - 150 Hz active
Impedance
M8 : 8 ohms MB : 8 ohms
Power Handling
M8 : 300 watts RMS MB : 600 watts RMS
Maximum Output
M8 : 122 dB cont 124dB peak MB : 124 dB cont 127 dB peak
Driver configuration
M8 : 1 x 8" neo : 1 x 1" neo MB : 1 x 12" neo
Dispersion
M8 : 90 h x 50 v MB : Omni
Protection
M8 : HF Internal Electronic Control MB : N/A
Connectors
2 x 4 pole Speakon
AX 4 Output Power
4 x 600 w RMS (8 )
Dimensions Height
M8 - 400 (mm) 15.7" MB - 520 (mm) 20.5"
Width
M8 - 275 (mm) 10.8" MB - 380 (mm) 15.0"
Depth
M8 - 270 (mm) 10.6" MB - 420 (mm) 16.5"
Weight
M8 - 12.0
(kg)
MB - 27.0
(kg)
26.5 lbs 59.5 lbs
AX 4 - 10.5 (kg)
23.1 lbs
Construction Enclosures
Multi laminate birch plywood
Rigging
M8 - 12 x M8 insert + top hat MB - Top hat fitting
Finish
Textured polyurethane
Grills
Perforated steel - foam filter
Armourlite Series The Armourlite series of amplifiers have been created to provide the ultimate power tools for the professional user. Years of comparative listening, evaluation, and pure R&D have resulted in a very robust range of amplifiers. A multitude of different power supply and output stage configurations were rigorously tested until the ultimate sonic accuracy and power-to-weight ratio was arrived upon. Our research definitively determined the sonic importance of a high-current supply, so our engineers designed and built a range of PSU’s capable of delivering a vastly higher amount of current than required. In a professional product, long term reliability is every bit as important as sonic quality, and it is this mandate that led to an intensive search for the best possible components throughout. The result of this lengthy development project is a line of power amplifiers that exhibit unparalleled sound quality with the utmost of reliability. By using a state-of-the-art super high-frequency switch modulated power supply, efficiency levels are extremely high, heat dissipation is low, and weight is kept to a minimum. To further enhance the flexibility of the Armourlite series, we have added a range of 4 channel amplifiers called AX. The AX series of amplifiers features fully adjustable crossover filters and sophisticated routing possibilities. Each 24dB/oct L-R crossover can be configured as either Hi Pass or Lo Pass and set between a wide range of frequencies, providing unsurpassed control. Armourlite amplifiers also make use of a newly developed advanced Class D output stage, this being favoured to an analog output stage because of the overriding requirement for reliability and efficiency.
Applications
Medium to large scale touring, outside stage and dance productions, installation, theatre and stage, conference
Specifications Armourlite A4
Armourlite A5
Armourlite A6
Armourlite A7
Armourlite A8
Armourlite AX4
Armourlite AX5
Output (8 )
2 x 400
2 x 600
2 x 900
2 x 1200
2 x 1400
4 x 600
4 x 900
4 x 1200
Output (4 )
2 x 600
2 x 900
2 x 1200
2 x 2000
2 x 2500
4 x 900
4 x 1200
4 x 2000
Output (2 )
2 x 1100
2 x 1400
2 x 1700
2 x 2500
2 x 3200
4 x 1400
4 x 1700
4 x 2500
Bridge (4 )
1 x 2200
1 x 2800
1 x 3400
1 x 5000
1 x 6400
2 x 2800
2 x 3400
2 x 5000
Freq response (ref 100w@8 )
20 - 20kHz (±0.1dB)
20 - 20kHz (±0.1dB)
20 - 20kHz (±0.1dB)
20 - 20kHz (±0.1dB)
20 - 20kHz (±0.1dB)
20 - 20kHz (±0.1dB)
20 - 20kHz (±0.1dB)
20 - 20kHz (±0.1dB)
THD+N (ref 4
1KHz)
Armourlite AX6
0.01%
0.01%
0.02%
0.02%
0.02%
0.02%
0.02%
0.02%
S/N (ref full output)
>106dB 20-20kHz
>106dB 20-20kHz
>106dB 20-20kHz
>106dB 20-20kHz
>106dB 20-20kHz
>104dB 20-20kHz
>104dB 20-20kHz
>104dB 20-20kHz
Slew rate
>60 v/us
>60 v/us
>55 v/us
>55 v/us
>55 v/us
>60 v/us
>60 v/us
>60 v/us
CMRR ref. 1KHz
>90dB
>90dB
>90dB
>90dB
>90dB
>87dB
>87dB
>87dB
Damping factor (<1KHz)
>700:1
>700:1
>800:1
>900:1
>900:1
>400:1
>400:1
>400:1
Voltage Gain (8 )
37.20dB
39.00dB
40.00dB
41.80dB
42.50dB
39.00dBu
40.00dBu
42.50dBu
Inputs + link outs
XLR in - XLR out 20 K
XLR in - XLR out 20 K
XLR in - XLR out 20 K
XLR in - XLR out 20 K
XLR in - XLR out 20 K
XLR in - XLR out 20 K
XLR in - XLR out 20 K
XLR in - XLR out 20 K
Outputs
4 x speakon
4 x speakon
4 x speakon
4 x speakon
4 x speakon
4 x speakon
4 x speakon
4 x speakon
Power input (powercon)
120/230 VAC 50/60Hz
120/230 VAC 50/60Hz
120/230 VAC 50/60Hz
120/230 VAC 50/60Hz
120/230 VAC 50/60Hz
120/230 VAC 50/60Hz
Height
88.5 (mm) 3.5"
88.5 (mm) 3.5"
88.5 (mm) 3.5"
88.5 (mm) 3.5"
88.5 (mm) 3.5"
88.5 (mm) 3.5"
88.5 (mm) 3.5"
88.5 (mm) 3.5"
Width
483 (mm) 19"
483 (mm) 19"
483 (mm) 19"
483 (mm) 19"
483 (mm) 19"
483 (mm) 19"
483 (mm) 19"
483 (mm) 19"
Depth
368 (mm) 14.5"
368 (mm) 14.5"
368 (mm) 14.5
400 (mm) 15.7"
400 (mm) 15.7"
368 (mm) 14.5"
368 (mm) 14.5"
368 (mm) 14.5"
Weight
8.7 (kg)
8.8
8.9
12
13
10.5 (kg)
13.0 (kg)
14.6 (kg)
2 - 16
2 - 16
2 - 16
2 - 16
2 - 16
2 - 16
2 - 16
120/230 VAC 50/60Hz
2 - 16
120/230 VAC 50/60Hz
Dimensions
19.2 lbs
(kg)
19.4 lbs
(kg)
19.6 lbs
(kg)
26.4 lbs
(kg)
28.6 lbs
23.1 lbs
28.6 lbs
32.2 lbs
Infinite V2 The latest generation of Infinite amplifiers based on traditional, linear power supplies, have built strongly on the success of their predecessors. Infinite amplifiers have always been synonymous with reliability and sonic accuracy; needless to say this philosophy has been carried though with the new V2 series. Our obsession with detail has resulted in many new features and improved specifications. A velocity sensing protection circuit has been added to all models that monitors back EMF. This 'velocity sense' circuit allows the output to be attenuated for a very brief period if the amplifier detects severe over-excursion or potential damage to a loudspeaker. Additionally, an anti-clip monitoring circuit, which works by controlling the input/output dynamics, rail voltages and output stages, eliminates a clipped waveform from ever appearing at the outputs. Other new features include a crossover section with independently selectable frequencies for both Hi-pass and Lo-pass filters (which can be used to feed other amplifiers in a system), and output binding posts for easy connectivity in fixed installations. An all new output topography was chosen for the Infinite V2 Series. A Class G output stage utilising audiophile-grade Sanken transistors has resulted in an increase in output power and efficiency around 88%. Thanks to a new design of feedback circuit, distortion and has been lowered to a point that surpasses class H output stages. We call this new output topography 'Super G' and it is only available in the new V2 range of Infinite amplifiers.
Applications
Live sound in all sized venues, outside stage and dance productions, large scale installation
Specifications
4 ref. full output
120/230 VAC 50/60Hz
120/230 VAC 50/60Hz
120/230 VAC 50/60Hz
120/230 VAC 50/60Hz
120/230 VAC 50/60Hz
(mm) 5.25"
(mm) 3.5"
(mm) 3.5"
(mm) 3.5"
(mm) 5.25"
(mm) 19"
(mm) 19"
(mm) 19"
(mm) 20"
(mm) 16.1"
(mm) 16.1"
(mm) 16.1"
(kg)
(kg)
(kg)
55.1 lbs
57.3 lbs
59.2 lbs
510 (mm) 16.1" (kg)
76 lbs
(mm) 20" 510 (mm) 16.1" (kg)
87 lbs
Digidrive V2
Livedrive V2
The Digidrive V2 is a fully featured loudspeaker management system featuring audiophile grade 24 bit A/D & D/A converters. Mixed mode architecture has also been implemented on the Digidrive V2 with the latest 64 bit processors powering each device. The combination of 64 bit processors and the highest grade converters has allowed for an unsurpassed bandwidth spanning from 5Hz to 45kHz with mastering studio levels of definition.
The Livedrive V2 is a fully featured loudspeaker management system featuring audiophile grade 24 bit A/D & D/A converters. Mixed mode architecture has also been implemented on the Livedrive V2 with the latest 64 bit processors powering each device. The combination of 64 bit processors and the highest grade converters has allowed for an unsurpassed bandwidth spanning from 5Hz to 45kHz with mastering studio levels of definition.
Up to 6 outputs can be derived from either or a sum of the 4 inputs via matrix mixing. This allows any input to be mixed at any level to any output. Inputs A & B are analog whilst inputs C & D are Digital AES/EBU and can accept any clock speed all the way up to 192kHz. All of the inputs and outputs feature HP and LP filters that can be set anywhere between 20Hz – 20kHz. Filter types can be Bessel, Butterworth, or Linkwitz-Riley. The transparent sounding output limiters feature predictive attack with adjustable threshold and release to provide maximum protection to loudspeaker drive units, whilst a fully adjustable studio grade compressor can be applied to each input channel for even greater control. All input and output channels feature 10 bands of EQ with -48 to +12dB of gain, filter types can be bell, notch, allpass, high shelf or low shelf. Each EQ can also be bypassed, allowing for instant comparison.
Up to 8 outputs can be derived from either or a sum of the 6 inputs via matrix mixing. This allows any input to be mixed at any level to any output. There are 6 inputs, A to D are analog, the other two inputs are Digital AES/EBU and can accept any clock speed all the way up to 192kHz. All of the inputs and outputs feature HP and LP filters that can be set anywhere between 20Hz – 20kHz. Filter types can be Bessel, Butterworth, or Linkwitz-Riley. The transparent sounding output limiters feature predictive attck with adjustable threshold and release to provide maximum protection to loudspeaker drive units, whilst a fully adjustable studio grade compressor can be applied to each input channel for even greater control. All input and output channels feature 10 bands of EQ with -48 to +12dB of gain, filter types can be bell, notch, allpass, high shelf or low shelf. Each EQ can also be bypassed, allowing for instant comparison.
The Digidrive V2 can be connected to a PC via USB or its Ehernet connection for full external control via the supplied Live Link software. Each Digidrive can also be assigned its own IP address allowing multiple units to work on a network. A choice of 5 languages can be displayed for front panel editing.
The Livedrive V2 can be connected to a PC via USB or its Ehernet connection for full external control via the supplied Live Link software. Each Livedrive can also be assigned its own IP address allowing multiple units to work on a network. A choice of 5 languages can be displayed for front panel editing.
Applications
Applications
Live sound, touring, fixed install, stage and theatre productions, bars and clubs, conference
Specifications
Live sound, touring, fixed install, stage and theatre productions, bars and clubs, conference
Specifications
Inputs
4 channels, maximum input level +22 dBu
Inputs
6 channels, maximum input level +22 dBu
Outputs
6 channels, maximum output level +12 dBu
Outputs
8 channels, maximum output level +12 dBu
Frequency response
8Hz - 40kHz ±0.1dB
Frequency response
8Hz - 40kHz ±0.1dB
Dynamic range
>118 dB (unweighed) 20Hz - 20kHz
Dynamic range
>118 dB (unweighed) 20Hz - 20kHz
THD
0.002 % (20 - 40kHz @+4 dBu)
THD
0.002 % (20 - 40kHz @+4 dBu)
Digital Processing
64 bit
Digital Processing
64 bit
A/D - D/A
24 bit
A/D - D/A
24 bit
Crossover Slopes
6, 12, 18, 24 dB : Range 20Hz - 20kHz
Crossover Slopes
6, 12, 18, 24, 48 dB : Range 20Hz - 20kHz
Crossover Type
Butterworth, Linkwitz-Riley, Bessel : HP - LP - Out
Crossover Type
Butterworth, Linkwitz-Riley, Bessel : HP - LP - Out
Output Limiters
Threshold -50 to +12 dBu : Attack Time predictive
Output Limiters
Threshold -50 to +12 dBu : Attack Time predictive
5Hz - 45kHz ±1.5dB
Release Time 1 - 100ms Equalisation
10 EQ's for each output - 10 EQ's for each input
5Hz - 45kHz ±1.5dB
Release Time 1 - 100ms Equalisation
10 EQ's for each output - 10 EQ's for each input
Bell filters with a Q of 0.20 to 25
Bell filters with a Q of 0.20 to 25
Range 20Hz - 20kHz : Amplitude of +/- 12 dB
Range 20Hz - 20kHz : Amplitude of +/- 12 dB
Hi & Lo Shelf filters
Hi & Lo Shelf filters
Fully adjustable Notch and Allpass filters
Fully adjustable Notch and Allpass filters
Input Compressors
1 fully adjustable compressor on each input
Input Compressors
1 fully adjustable compressor on each input
Delay Time
Inputs up to 2000ms : Outputs up to 20ms
Delay Time
Inputs up to 2000ms : Outputs up to 20ms
AES/EBU Input
On inputs C & D, accepting all clock speeds up to 192kHz
AES/EBU Input
On inputs C & D, accepting all clock speeds up to 192kHz
Connections
Analog XLR : AES/EBU XLR : USB PC Link : Ehernet
Connections
Analog XLR : AES/EBU XLR : USB PC Link : Ehernet
Presets
100
Presets
100
Power Input
IEC 230 VAC 50Hz
Power Input
IEC 230 VAC 50Hz
Dimensions
Dimensions
Height
44
Height
44
Width
483 (mm) 19"
(mm) 1.75"
Width
483 (mm) 19"
Depth
167 (mm) 6.57"
Depth
167 (mm) 6.57"
Weight
2.37 (kg)
Weight
2.95 (kg)
5.22 lbs
(mm) 1.75"
6.50 lbs
Quality Control Since the opening of Void Acoustics new 4000 sq m R&D lab and post production test facilities in 2007, every new product goes though a rigorous testing procedure with full documentation backup. All test procedure documents are included in the product packing for inspection by the customer upon opening. Supplied documents for all bass designs comprise of frequency response and group delay data, while premium bass designs add THD, impulse response and thermal decay to the list of supplied data. Every fullrange and mid hi design includes data for frequency response, THD and polar dispersion. Premium mid hi designs add 2nd to 7th order relative harmonic analysis, 3d impulse response, 3d waterfall, thermal decay and echogram response to the list of supplied data.
0
0
dBR
STASYS 3 MK 2
-10
SPL vs ANGLE
-30
100
-10
80
120
100
80
0
120
Curve
60
140
Freq
BW
Q
DI
1.00K
62
5.8
7.7
140
40
-40
Freq
BW
Q
DI
500.00
65
5.5
7.4
1.00K
62
5.8
7.7
2.50K
65
5.5
7.4
5.00K
62
5.8
7.7
-50
10.00K
62
5.8
7.7
-60
15.00K
62
5.8
7.7
160
20
20.00K
-70
62
5.8
dBR
100
-10
80
120
0 Curve
60
-20 -30
40
140
Freq
BW
Q
DI
2.50K
65
5.5
7.4
-30 -40
-50
-50
-50
-60
-60
-60
160
20
20
-180 180
0 Deg
-60
-20
-20
-40
-40
0
-100
-80
100
80
Freq
BW
Q
DI
20.00K
62
5.8
7.7
-40
-20
-10
-60
-20
-140
-30
-20 -120
0 Deg
-160
-40 -140
-30
-20 -10
20
-180 180
-60
-40 -140
-30
7.7
-50
-50
-40
DI
5.8
-70 -160
-60
-50
Q
62
-80
-70 -160
BW
-90
-80
-70
160
-100
-90
-80
Freq 5.00K
40
-90
-100
0 Deg
Curve
60
-80
-90 -180 180
-90
80
140
-70
-80
-90
7.7
160
-70
-80
100 120
-20
-40
-100
dBR
-10
40
-40
-70
Curve
60
-20 -30
dBR
-20
-120
-10
-60
0
-100
-80
100
80
-120
0
-60 -100
-80
100
80
-80 -90
All amplifier and electronic products also go though rigorous testing procedures before dispatch. Tests include frequency response, THD, full spectral harmonic analysis, dynamic range, S/N and output power level analysis. Every amplifier also receives a 72 hour continuous test driven into the specified minimum recommended load before dispatch.
-100
-180 180
0 Deg 0
-90
-30
Curve
60
140
Freq
BW
Q
DI
10.00K
62
5.8
7.7
-20
-60
-30
-80
-40
-60
20
-120
0
-60
-30
-10 0
SPL vs Freq
dBSPL
115
-30
-100
-60
20
160
20
-70 -80 -90 0 Deg
-100
-180 180
0 Deg
-90 -80 -70 -160
-20
-60
-160
-20
-50 -40 -140
-40
-30
-140
-40
-20
-10
-120
-10
-60
0
-80
40
-50 160
-180 180
-20 -60
Curve
60
140
-40
-40 -40
-120
40
110
-30
-50
-140
-20
-80
120
-20
-70 -20
dBR
-10
-80
-160
-40
-60 -100
7.7
-90
-50
-10
DI
5.8
-90 -100
-70
-20
Q
62
-80
0 Deg
-80
-60
BW
-70
-180 180
-90
-40
Freq 15.00K
40
-50 160
-90
-140
0 Curve
60
140
-40
-70
-100
120
-20
-50
-160
dBR
-10
40
-40
-50
-30
0
120
-20
-70 -60
dBR
-10
-80
-100
-120
0
-80
-60 -100
-80
Time vs Freq
mSec
32
105
24 100
16 95
8
90
0
85
16KHz
80
-8
110.0dB
75
-16 70
100.0dB
-24 65
4KHz
-32
60 55
20 Hz
50
100
200
500
1K
2K
5K
10K
20K
30K
-40
10 Hz
20
50
100
200
500
1K
2K
5K
10K
90.0dB
20K
80.0dB 1KHz
70.0dB
60.0dB
MF chamber thermal decay
250Hz
62.5Hz
0.0s
0.2s
0.4s
0.6s
0.8s
1.0s
Temp (c)
34.0 33.9 33.8 33.7 33.6 33.5 33.4 33.3 33.2 33.1 33.0 32.9 32.8 32.7 32.6 32.5 32.4 32.3 32.2 32.1 32.0 31.9 31.8 31.7 31.6 31.5 31.4 31.3 31.2 31.1 31.0 30.9 30.8 30.7 30.6 30.5 30.4 30.3 30.2 30.1 30.0 29.9 29.8 29.7 29.6 29.5
15.0Hz 62.5Hz 250Hz 1KHz 4KHz 16KHz
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
Time (mins)
15
16
17
18
19
20
21
22
Signal Stop Point
23
24
25
26
27
28
29
30
31
32
33
34
35
0.0s 0.2s 0.4s 0.6s 0.8s 1.0s 1.2s 1.4s 1.6s 1.8s 2.0s
Void Acoustics England Tel : +44 (0)844 410 1440 fax : +44 (0)844 410 1439 email : sales@voidaudio.com web : www.voidaudio.com