HerCanberra Magazine - Issue 02 by HerCanberra

HERCANBERRA.COM.AU FREE PUBLICATION • WINTER 20

15 • ISSUE N0.

issue no. 2

THE CULTURE ISSUE

CBR. A CITY OF ART + CULTURE. We hold many titles; the intelligent city, the university city, the seat of power, the capital – to name just a few. And we are all of these things, but we’re also much more. We are a city of brilliant posibilities, the keeper of the nation’s story and home to Australia’s cultural institutions. Our people are big consumers of culture and we uphold a vibrant arts scene with a unique blend of young, established and emerging artists who are making their mark. Discover a city rich with art and culture. CANBERRA.COM.AU

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CONTENTS Every Issue

Features

Style

EDITOR’S LETTER

THE WORLD'S A STAGE

THE CULTURE OF FASHFEST

CONTRIBUTORS

Interior

City Feature

A WALK ON THE WILD SIDE

WHERE EVERYBODY KNOWS YOUR NAME 8

NEWACTON

Food & Drink

MAD TO THE MAX

CANBERRA'S COFFEE CULTURE 42

IN THE 'HOOD 48

THE WORLD ON A PLATE

SCREENACT

Life

ENTERTAINMENT

REVISIT CANBERRA Fitness

THE UNSPOKEN LANGUAGE

CELEBRATING 50 YEARS WITH THE CANBERRA THEATRE

SAVE THE DATE

EDITOR'S LETTER

Culture noun cul·ture \ˈk l-ch r\ 1 the beliefs, customs, arts, etc., of a particular society, group, place, or time 2 particular society that has its own beliefs, ways of life, art, etc. 3 a way of thinking, behaving, or working that exists in a place or organization (such as a business) Merriam-Webster Dictionary. In December last year, American dictionary publisher, Merriam-Webster selected “culture” as their 2014 Word of the Year, saying it was the single word that saw the biggest spike in look-ups on their website. People were desperate to know what “culture” meant. It’s a concept that fascinates us as our city continues to transform itself from a public service town into a vibrant place thrumming with entrepreneurial energy (and let’s not forget that hipster underbelly!). Issue 2 of Magazine explores the meaning of culture, and looks at many of its aspects through a Canberra lens. We discover arts and the silver screen, multicultural dance and cuisine, coffee culture, the reinvigoration of our local shops, the ethnic influences on local fashion and much more. Before I sign off, I want to pay tribute to a man whose contribution to shaping Canberra’s identity has gone largely unacknowledged, and who is one of my biggest inspirations. Mils Achi was the Creative Director of In The City magazine until early 2013, and during his time at the helm, that publication was unlike anything Canberra had seen before. It’s his vision and commitment to producing a beautiful, quality product that has the reader — rather than profit margin — front of mind that I hope to emulate in Magazine. I hope you love what you find inside these pages…we certainly do!

Amanda Whitley Magazine Editor-in-chief HerCanberra Founder + Director

WE'D LOVE TO HEAR YOUR THOUGHTS Please drop us a line at hello@hercanberra.com.au with your feedback. @HERCANBERRA HERCANBERRA.COM.AU

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THE HC TEAM

HERCANBERRA.COM.AU

LAURA EDWARDS

BELINDA NEAME

HAYLEY O'NEILL

Senior Journalist

Events Coordinator

Fashion Editor

JESSICA SCHUMANN

BEATRICE SMITH

JAVIER STEEL

Website Editor

Editorial Coordinator

Creative Director

CONTRIBUTORS LAUREN CAMPBELL

WRITERS

HAIR DRESSERS

A nuclear medicine scientist and a wedding & portrait photographer. You couldn’t dream up two more polar opposite professions but somehow, Lauren Campbell manages to combine the two with unflappable flair.

Emily Allen

Angela Pavlovic — KOSA Hair Studio.

Catherine Carter Roslyn Hull Wendy Johnson Rachel Marsh Bethany Nevile Tess Parisotto

LORI CICCHINI

Martina Taliano

Lori Cicchini is a Canberra fashion, beauty and creative portrait photographer. An accredited member of the Australian Institute of Professional Photographers, Lori has won numerous awards for her stunning work.

PHOTOGRAPHERS Lauren Campbell. Assisted by: Bek Day Lori Cicchini – LORIANA | fotografia. Assisted by: Bek Day and Matt Tompkins.

STEVEN WRIGHT – STYLIST

Emma Luscombe — Antique Salon.

MAKEUP ARTISTS Ali Price — Ali Price Makeup Jacqui Scott — CMA Assisted by Ali Maree, Gemma Mcnamara and Katrin Boden.

STYLISTS Hayley O'Neill Assisted by: Jessica Rolfe and Sophie Costello. Steven Wright Assisted by: Stephanie Child

Rebecca Doyle

Steven Wright is a man of many talents: Designer with Corr Blimey, Senior Lecturer at Canberra Institute of Technology; Fashion Director at HAUS Models and Producer of FASHFEST. There are few people with more style.

Martin Ollman

DESIGN Javier Steel

SPECIAL THANKS Heidi Stratford Jason Jones Jemma Knight Coordinate

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MAGAZINE ISSUE

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Where everybody knows your name IT’S A COMMON SITE…TOURISTS LOBBING INTO CANBERRA’S CBD AND ASKING, “WHERE ARE ALL THE RESTAURANTS?”. THAT’S BECAUSE THEY’RE LOOKING IN THE WRONG PLACE. TO FIND CANBERRA’S TRUE SOUL, YOU NEED TO VENTURE INTO THE SUBURBS, TO THE LOCAL SHOPS. Writer Amanda Whitley Images Food Porn Journal

One of the most charming quirks of Canberra is the way suburbs were built around its local shops. Now-iconic ‘Shops’ signs point the way to hidden gems – everything from fashion to fine-dining. But over the last few decades, the growth of Canberra’s ‘town centres’ has seen large shopping malls become the focal point of retail and restaurants, with smaller suburban shopping centres like Giralang, Latham and Fadden falling victim to the convenience of these one-stop-shops.

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CITY WHERE EVERYBODY KNOWS YOUR NAME

But a quiet renaissance is underway. Savvy entrepreneurs are recognising that Canberrans want to hang out in their own neighbourhoods; they want to pop down to the local bakery to pick up some just-out-ofthe-oven bread, join their friends for a drink before walking home, or catch up for brunch without parking being an issue. But it’s more than that. Our local shops are a unique part of our landscape and at the heart of our communities, according to Land Development Agency Chief Executive David Dawes. “Creating suburbs is much more than just selling land and constructing the associated infrastructure. It is also about the development of sustainable communities where neighbours know each other and feel a sense of belonging,” he says. The role the shops play in bringing the community together is highlighted by the very successful Parties at the Shops program, introduced as part of the Canberra Centenary celebrations and now an ongoing initiative. “While Canberra may appear to be little more than politics, grey cardigans and Walter Burley Griffin to outsiders, those who know her well know the truth: that she is the vibrant, fun-filled home to exciting, engaged and dynamic communities and neighbourhoods,” says event founder, Amy Moon. It’s the notion of nurturing the community that was behind Two Before Ten’s decision to relocate their very successful city coffee shop and eatery to Aranda. What was not so long ago a derelict building with a carpark full of seedy activity has become a 700 m2 café, bar, library, workspace and community gallery where people can connect. PAGE 6

“The cafe is a talking point for neighbours who might only ever give the good old Canberra wave to each other but who are now inviting one another for a coffee. It’s really cool,” says owner Chris Dennis. It’s a similar story in Farrer, where Fox and Bow has been packing them in since it opened late last year. Kids play in the laneway featuring Steve Caddick’s colourful mural while parents kick back and enjoy a menu that is worth travelling for; suburban foodies enjoy an interior that wouldn’t be out of place in Lonsdale Street, Braddon. Alex Piris has done more than open a coffee shop – he’s created a community hub, where locals while away the weekend to the sound of live music, sipping on wine picked up from the Post Office a couple of doors down. It’s that sense of neighbourhood that is building in Braddon, thanks to modern pubs like Hopscotch where regular games nights and gigs foster the growing urban community. Down the block at The Hamlet, an eclectic assortment of food vendors encourage residents and visitors alike to grab some street food, pull up a bench and make new friends. It’s a vibe that’s been going strong at the Griffith shops for years. This leafy strip — boasting Canberra’s only two-hatted fine diner in Aubergine, and the excellent Griffith Butchery, Mountain Creek Wholefoods, Organic Energy and Griffith Vietnamese, to name but a few — embodies everything that is great about ‘the shops’. The locally owned businesses; the friendly staff who not only know your name, but your ‘usual’; and the knowledge that this is your ‘hood. Sometimes you want to go where everybody knows your name. n

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Four local shops to check out Sometimes you want to go where everybody knows your name

Ainslie

Yarralumla

Head to Edgar’s Inn for relaxed pub fare, taste a quaint little slice of Brittany at Breizh Café, and fill up the fridge with an amazing selection of artisan charcuterie and cheese at Ainslie IGA.

Savour some of Canberra’s best Asian food at Sukothai, browse the gorgeous items at White Apple Gifts, and revive with Campos Coffee from Farmer’s Daughter.

Lyneham Sip a wine and watch the world go by at Tilley’s, browse local art at The Front Gallery and Café, and lose yourself in the stacks of second-hand titles at Book Lore.

Curtin Stock up on amazing organic local fruit and vegetables from Choku Bai Jo, sip on coffee in the sun at Red Brick Espresso, and indulge your love for books, coffee and live music at Beyond Q.

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MAGAZINE ISSUE

HOW DID A FADED AND FORGOTTEN CORNER OF CANBERRA’S CITY CENTRE BECOME ONE OF AUSTRALIA’S MOST MEMORABLE NEW NEIGHBOURHOODS?

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Wander through the laneways of NewActon and it’s hard to believe that work on the precinct only began in 2006, when the cobwebs were dusted from the art deco Hotel Acton. Molonglo Group was determined “not to be ordinary” when it laid out its vision for NewActon as a place of outstanding quality and design, of world-leading environmental sustainability and a destination with a thriving social and cultural life. The homegrown Canberra developer faced its fair share of setbacks during the creation of NewActon — most notably when fire swept through the heritage-listed hotel in 2011 — but perseverance has paid off and today NewActon is one of Australia’s most talked-about places.

Writer Catherine Carter Photographer Martin Ollman

The precinct has won a swag of national and international awards, including the 2014 national Australia Award for Urban Design for a completed large-scale project, while the groundbreaking Nishi building was recently named International Project of the Year at the 2015 Building Awards in London. Hotel Hotel was named Australia’s best boutique hotel in 2014 by Gourmet Traveller magazine, and the fabulous Monster restaurant has made the magazine’s top 100 restaurants. The hotel has even attracted the attention of the New York Times for being “eco-friendly, luxurious and unpretentious”. Mocan & Green Grout was also praised by the New York Times for both its dining and décor, which it hailed the “perfect combo for outdoor-loving, gourmandising Canberrans”. But why is NewActon so special? For starters, the size of the precinct — 2.5 hectares in total — gave the Molonglo Group an opportunity to create a place, rather than a building. What we have today is a landmark example of what private sector vision can deliver when it has the opportunity to do so.

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The company’s managing director Nectar Efkarpidis says “we’re not developers, we are custodians building public assets,” and this approach is evident throughout the precinct. This required a collaborative approach with a large team of architects, interior designers, landscape architects, engineers, artists, artisans and creatives not to mention marketing agents, key tenants, builders and regulators.

CITY NEWACTON

The buildings are classic examples of mixeduse at their best. The precinct embraces what the Molonglo Group calls “the philosophy of public occupation”, attracting everyone from five-star travellers to office workers, residents to restaurant goers, cyclists to cinema buffs. People come to work and play, buy and sell, interact and exchange ideas. It’s a place where secrets are revealed slowly and surprises are found around every corner. The old Hotel Acton, now rebranded as Peppers, has been revived, and is now a sparkling jewel set within a precinct of contemporary wonders. Designed by then Commonwealth architect John Smith Murdoch in 1927, the building oozes the charm and character we expect from a place that has been everything from the census and patents office to billets for police during World War II, to a hostel for public servants to the onetime residence of artist Albert Namatjira.

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The new buildings in the precinct — NewActon East, South, Nishi and the Gallery — do not mimic the old. Instead, despite their varying heights and styles, the new buildings join the heritage hotel in a ‘conversation’. It is the integration between building uses and the spaces between those buildings that makes the precinct so special. NewActon blends old and new to create not just a precinct, but an experience. The hotels, for example, weren’t designed solely for hotel guests; the commercial buildings aren’t just the preserve of office workers. The precinct encourages everyone to enjoy the spaces. And who doesn’t enjoy a thrill when walking up THAT staircase? While the spectacular façade of Nishi, designed by acclaimed architectural firm Fender Katsalidis, is impossible to miss, the space between the buildings is considered equally as important as the buildings themselves. Efkarpidis has said that “the sign of a great city or great precinct is the strength of its cultural and artistic life”, and that arts and culture are economic drivers for success. Art gives life to the precinct, and is both playful and thought-provoking. The commissioned art and cultural programs, cafés and cinema, attract people day and night. These public places serve the community rather than cars.

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“THE SIGN OF A GREAT CITY OR GREAT PRECINCT IS THE STRENGTH OF ITS CULTURAL AND ARTISTIC LIFE.” – NECTAR EFKARPIDIS Activities and events cannot be built with bricks and mortar, so a full-time arts and cultural event coordinator oversees an ambitious events program — including poetry slams, contemporary art exhibitions and innovative concerts — which culminates each year in the Art Not Apart festival. The team at NewActon often refer to the words of great urban planner Charles Landry, who says, “the creator of the space is the curator of the space”. NewActon, which was created through private sector vision, investment and effort — and a local family’s initiative — is a lighthouse example of Canberra’s potential. A place that encourages both lingering and bustling, that embraces both physical and intellectual pursuits, and that balances the old and the new. Many local developers and investors are similarly passionate about Canberra – and about creating world-class buildings and precincts. Just as the Efkarpidis family see themselves as “custodians building public assets”, many other developers are also actively contributing to a better, more beautiful built environment and to places that make us grateful that we live in the nation’s capital. The Molonglo Group has created a memorable neighbourhood that demonstrates the possibilities when we embrace innovation, dare to be different and breathe new life into old buildings. Canberra began as idea for a place that “should be laid out in the most perfect manner possible”. While our city may be an exemplar of 20th century planning, NewActon shows us that we can rise to the challenge and create places that are loved by 21st century people too. n

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IN THE ‘HOOD OVER THE PAST FEW YEARS, THERE’S BEEN A DISTINCT MOVE TOWARDS CREATING ‘NEIGHBOURHOODS’ WITHIN OUR GROWING CITY. DISCOVER THE CULTURE OF YOUR 'HOOD OR HIT THE ROAD AND EXPLORE SOMEWHERE NEW. Writer Jessica Schumann

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MAGAZINE ISSUE

CITY & FRINGE

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Shop With exclusive French products, head to Muse for a touch of indulgence. Muse, Canberra Centre.

Eat One bite and you’d be forgiven for thinking you were on the streets of Vietnam itself. Miss Van’s Street Food, Westside. 0

6 Pamper Created 10 years ago by Gess Mazis to provide beautiful cuts and gorgeous colours, La Bimbi seeks to create a ‘culture of total beauty’. La Bimbi, NewActon.

Chill Have passport, will travel or is the case have ticket will see many films at Palace Electric’s international film festivals. Palace Electric, NewActon.

Drink Sleek yet casual, explore Italy in a glass with Bacaro’s extensive wine list. Italian & Sons Bacaro, Braddon.

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Explore It holds many of the nation’s significant artefacts from Indigenous history and is perfect for exploring Australia’s stories, history and collections. National Museum of Australia, Acton.

HERCANBERRA.COM.AU

INNER SOUTH

Chill From Australian landscape architecture to inspirational typography, there’s always plenty to inspire. Gallery of Australia Design, Kingston.

Drink Grab a pint at one of Canberra’s oldest watering holes and snuggle into its warm, cosy English-pub interior. The Durham Castle Arms, Kingston. 0

CITY IN THE 'HOOD 0

Pamper She’s the brow magician who can turn straggly caterpillars into brows that Cara Delevingne would envy. Ali Price Makeup and Brow Studio, Deakin.

Eat An attraction in itself and a favourite among locals, discover what are arguably the best kebabs in town. Turkish Halal Pide House, Yarralumla.

Shop Overflowing with covetable French products, you’ll find that unique gift for your friend, family or just yourself. Phillip Paris, Manuka Village.

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Explore Take a selfguided tour through Canberra’s diplomatic estates and discover its architectural highlights. Visit nationalcapital.gov.au. Yarralumla.

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INNER NORTH Shop Discover a curated selection of unique handcrafted products, ethical lifestyle products and old fashioned flower posies. Shop Girl, Flower Girl, Ainslie.

Explore So Frenchy, so chic. Learn to speak a new language and embrace the culture of France. Alliance Francaise de Canberra, O’Connor.

Pamper Empower your wellness in a classically Scandinavian-style salon. Authentix, Dickson. 0

CITY IN THE 'HOOD

Drink Embrace nostalgia. Kick back on the weekend with live music and a cider. Old Canberra Inn, Lyneham.

Chill In a seriously active city, take the time to unwind at Canberra’s very own country club. Next Gen Canberra, Lyneham.

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Eat Enjoy an innovative fusion of Malay Indian spices, coastal Fukien and local Nyonya cooking in an intimate space. Lanterne Rooms, Campbell

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BELCONNEN Eat Pho is the most famous dish to come out of Vietnam, and these guys do it so well. Pho Hub, Benjamin Way, Belconnen. 0

Explore Discover the works of local artists with a great local coffee in hand. Two Before Ten Gallery, Aranda Shops, Aranda.

Chill Foam pits and trampolines – perfect for time out with the kids or being a big kid yourself. Skyzone, Westfield Belconnen.

Drink With handcrafted beers on tap and all brewed locally, it’s the ideal watering hole. Zierholz, University of Canberra. 0

Shop Indian candy! From spices to herbs, fresh sweets, gourmet takeaway and the best samosa, this destination is one you can’t surpass. Bharat International Spice & Sweets Centre, Belconnen.

Pamper In this time-poor culture, pop in for everything from Laser Hair Removal to cosmetic injections. Laser Clinics Australia, Westfield Belconnen.

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NORTHSIDE Explore Potter about Canberra’s favourite and most vibrant market on the first Sunday of each month. Hartley Hall Markets, Hall.

Drink Devour pot pies and char-grilled steaks in a classic English pub featuring eclectic live music. The George Harcourt Inn, Nicholls. 0

Chill Unwind in this popular ‘local’ tucked away in Canberra’s far north. Great pub fare and a wide range of drinks. The District, Crace. 0

CITY IN THE 'HOOD

Pamper Melt away the morning with a relaxing treatment and gorgeous new look. Antique Salon, Bonner.

Shop Indulge in the finest Thai and oriental jewellery and homewares. The Emperor of Siam, Gold Creek.

Eat Indulge your sweet tooth at this quaint French patisserie in Canberra’s light industrial quarter. La Sable Pâtisserie, Mitchell.

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SOUTHSIDE Eat Falafel fan? You can’t go wrong with the culinary perfection at this café. Zar Bakery + Café, Mawson.

Drink Get into the drinking spirit at this traditional Irish pub with trademark beer and Guinness on tap. PJ O’Reilly’s Irish Pub, Tuggeranong.

Shop Stock up on European-style breads, pastries and chocolates not to mention homemade icecream and gelato. Bruno’s Truffels, Mawson. 0

Explore Discover the self-determined arts activities and practice with the Community Cultural Inclusion Program. Tuggeranong Arts Centre, Greenway. 0

CITY IN THE 'HOOD

Pamper Treat yourself to hassle-free pampering and a new look without inner city prices. Pony and Pins Hair Salon, Phillip 0

Chill With or without the kids, it’s Southside’s ideal chilled hangout. The Meating Room, Weston.

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MAGAZINE ISSUE

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GET OUTTA TOWN Drink Named after the Kirk family farm in Ireland, Clonakilla has put Murrumbateman on the map. Drop by for a sip of the acclaimed Shiraz Viognier. Clonakilla, Murrumbateman.

Shop Find bespoke pieces perfect for a gift or yourself at the pottery studio of Ian Jones and Moraig McKenna. Old Saints Luke Gallery, Gundaroo. 0

Pamper Escape the city and head to the Southern Highlands to relax and recharge. Solar Springs, Bundanoon

Explore Take a trek through the beautiful and historic surrounds of Canberra’s bushland. Orroral Homestead, Namadgi.

Chill Reveal your competitive streak with a relaxing afternoon of Petanque, followed by a cheeky wine or two. Lerida Estate Winery, Lake George.

Eat Open your tastebuds to the traditional French cuisine of this quaint country establishment. Le Tres Bon, Bungendore.

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COFFEE CULTURE

CANBERRA’S

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GONE ARE THE DAYS WHEN THE DAILY CAFFEINE FIX CAME OUT OF A TIN OF NESCAFÉ INSTANT. THESE DAYS, CANBERRA IS SERIOUS ABOUT ITS COFFEE – SO SERIOUS, IN FACT, THAT IT’S HOME TO THE WORLD’S BEST BARISTA, SASA SESTIC. Writer Tess Parisotto Photographer Rebecca Doyle

Ten years ago, the cappuccino was the coffee style de rigueur and most café-goers had never even used the word ‘crema’. These days, it’s a different story. It’s not just about the taste, it’s about the provenance, the quality, and the bean. So, is this a simple matter of a city addicted to caffeine, or is there more to it than that? Owner and Director of Ona Coffee — and now World Barista Champion — Sasa Sestic, says Canberra’s coffee culture has grown rapidly, and shows no signs of slowing. “This place was Lavazza town when I first started ONA eight years ago. We were pouring about 80 coffees a day at Ona Manuka; now that same shop is doing 600 coffees a day,” he says. PAGE 23

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“Before, if people wanted to see each other they'd say ‘let’s have a coffee together!’ And they would drink that coffee without even noticing how good or bad the coffee was. It was just convenience.” Now, people are going to great lengths to sniff out good coffee – and it has little to do with social rituals. Coffee is considered serious business.

FOOD & DRINK CBR COFFEE CULTURE

Sasa believes that quality is what underpins Canberra’s thriving coffee culture, something that’s reflected by the dominance of independently owned and operated businesses in Canberra’s coffee scene. With large franchises, business owners have little or no choice when it comes to the coffee they serve – but independent operators are likely to be able to tell you exactly where the coffee comes from, and where — and even when — it’s roasted. These fiercely passionate local businesses live and breathe coffee. Walk into any of Canberra’s specialty coffee shops — The Cupping Room, Tupelo, Coffee Lab, Two Before Ten, Ona — and the enthusiasm of the baristas is palpable. And it’s infectious.

“Now customers are getting educated on what’s good and what’s bad [because] there’s a lot more passion behind the bar from baristas who are taking pride in what they do,” says Sasa. Being a barista is no longer just some pit-stop job on the way to a “real” career – it is now regarded a profession which requires great skill, dedication and a comprehensive knowledge of all things coffee. It’s through our baristas that consumers learn to appreciate the myriad aspects of the humble bean. Education is something that’s important to Sasa. The Cupping Room — Ona’s concept cafe — was designed specifically to educate consumers on everything from production processes to what actually ends up in the cup. And it’s this genuine fascination with coffee that Sasa says sets Canberra apart from the rest of the country. “Canberra is less concerned with the superficial ‘image’ of coffee,” he states, noting that Sydney in particular is driven by image rather than quality or taste. The latter is of utmost concern to Canberrans. “Sydney coffee drinkers are used to a strong and pungent tasting coffee, as opposed to Canberrans who are more accustomed to a clean, sweet and balanced kind of coffee.” While Canberra’s coffee scene is still in its infancy when compared to caffeine meccas like Melbourne, its potential is great.

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“IF OUR COFFEE CULTURE IS TO CONTINUE TO EVOLVE, WE MUST NURTURE THOSE WHO ARE A PART OF IT.”

“We need people who are passionate and focused,” Sasa says, as he talks about his desire to develop more coffee education programs in Canberra so baristas won’t feel the need to venture out of town for inspiration. “If our coffee culture is to continue to evolve, we must nurture those who are a part of it.” Being crowned World’s Best Barista was a watershed moment not only for Sasa – but for Canberra. It put us on the map as a quality coffee destination and speaks volumes about the dedication of local operators to their craft. The next time you’re sipping your single origin espresso, stop and appreciate all the hard work that has gone into producing it. Because that’s what coffee culture is all about really; a shared appreciation of hard work and of tasty coffee. And probably a shared caffeine addiction, too. n

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THE WORLD'S A STAGE! ♥ CELEBRATING 50 YEARS OF THEATRE IN THE CAPITAL Photographer Lauren Campbell Stylist Hayley O'Neill Creative Director Javier Steel Words Amanda Whitley

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Dress, $199.95, by Bless’ed Are The Meek at Momento Dezigns; Shirt, $129.95, by Ruby Sees All at Momento Dezigns; Cuff, $28.00, at Designer Op Shop; Ring, $79.99, by Samantha Wills at Momento Dezigns; and Shoes, $199.95, by Wittner.

STARRING

KRISTEN HENRY AS MAGENTA THE ROCKY HORROR PICTURE SHOW She’s the pale-faced, sooty-eyed castle maid with the cloud of red hair from the Rocky Horror Picture Show. Kristen Henry, Breakfast radio host for MIX106.3, is the seductive Magenta in a Yves Saint Laurent-inspired ensemble of a crisp white shirt under a classic black dress. The Rocky Horror Picture Show is a true classic that has had Canberra crowds ‘bringing their knees in tight’ numerous times since the early 80s. Let’s do the Time Warp again…

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HERCANBERRA.COM.AU Cardigan, $58.00, Skirt, $65.00, Earrings $42.00, Necklace, $68, Brooch, $68.00, all at Designer Op Shop; Glasses, $490.00, by Miu Miu at Eye Candy Optical; and Shoes, $89.99, by Betts. Props supplied by Designer Op Shop and Eye Candy Optical.

STARRING

ZOE BROWN DAME EDNA EVERAGE

WND.LND designer, Zoe Brown, takes the Barry out of The Dame in this feminine interpretation of the Moonee Ponds housewife. Playing with textures, colours and embellishments we made Edna modern, but no less fabulous, possums! Edna’s creator, Barry Humphries, first brought a show to the Canberra Theatre not long after it opened in 1965 and appeared regularly until stepping out of the limelight in 2012. PAGE 28

Contemporary art from mainland China, Taiwan and Hong Kong 墨變: 中國大陸臺灣香港當代藝術

Don’t miss out. Visit www.museumsandgalleries.act.gov.au

HC36529

INK REMIX presents work by 14 contemporary artists, emphasizing the new and innovative aspects of contemporary ink art, and it brings together traditional art forms with new media technologies. The exhibition features works produced in diverse media including painting, photography, ink jet prints, video and animation, as well as works in Coca-Cola on silk, tea and biro.

Yang Yongliang, A bowl of Taipei No 4, 2012

JULY 3 – OCT 18 2015 CMAG

Dress, $269.00, by SWF at Rebel Muse; Jacket, $750.00, and Pants, $895.00 both by Nicholas at Rebel Muse; and Shoes, $189.95, by Wittner. Guitar and music gear supplied by John Farkas (Audio, visual, PA, and backline hire. Contact stockist for details 0407 266 487).

STARRING

ALISON JACKSON AS SUZI QUATRO THE ORIGINAL ROCK CHICK Canberra-based Gold and Silversmith, Alison Jackson, plays the original rock chick, Suzi Quatro, in head to toe leather. Contemporary pop is full of strong women, but when Quatro shot to number one with Can The Can in 1973 she was out on her own, a tough bass-playing band leader who was more than just a pretty face. Having toured Australia 30 times during her 50 year career, Suzi Q played her last gig at Canberra Theatre Centre in February, proving you’re never too old to rock.

STARRING

SARAH KELLY AS ROXIE HART CHICAGO Fashion consultant, Sarah Kelly trades her signature beehive for 1920s curls, as she’s transformed into Chicago’s Roxie Hart, a stardomobsessed housewife turned murderess. Vintage ruffles and frills with patterned tights (and all that jazz) take the look from showgirl to sophisticated. The name on everybody's lips is gonna be Roxie…

Blouse, $75.00, at Designer Op Shop; Shorts, $35.00, by Balera at Canberra Dance Wear; Hair Piece, $55.00, by Rockstars and Royalty; Cuff, $28.00, at Designer Op Shop; Stockings, $9.00, at Kmart; and Shoes, $99.95, by Betts.

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2 Dress, POA, by Rockstars and Royalty; and Earrings, $8.95, by Colette by Colette Hayman.

STARRING

LORI CICCHINI AS

THE PHANTOM OF THE OPERA

We turn the lens on award-winning Canberra photographer, Lori Cicchini, as she becomes our own feminine Phantom of the Opera, majestic in a sweeping Rockstars and Royalty ensemble and iconic ‘mask’. Far from the splendour of the Paris Opera House, our Phantom hides in a shadowy existence backstage at Canberra Theatre Centre; the mirror juxtaposing the character’s emotions of love and jealousy. PAGE 33

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STARRING

OLIVIA BAKER & EMILY DIBDEN AS ODETTE & ODILE SWAN LAKE Swan Lake crosses the world of magic and mystical creatures with that of the real world. It is a story where the virtues of love and forgiveness conquer evil and betrayal, and one that has been told many times at Canberra Theatre Centre. Olivia Baker is innocent in this dreamy tutu; while accomplished local dancer Emily Dibden is a dark beauty in a dramatic Rockstars and Royalty gown.

Emily wears Dress, POA, by Rockstars and Royalty; Shoes, $199.95, by Wittner; and Earrings, $9.95, by Colette by Colette Hayman. Olivia wears Dress, $209.00, by Tutu Du Monde; Shoes, $32.95, by Capezio at Canberra Dance Wear; and Earrings, $8.95, by Colette by Colette Hayman. PAGE 34

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BEHIND THE SCENES

TAKE A LOOK BEHIND THE SCENES AT HERCANBERRA.COM.AU

TRE!T EA

THEA E!

E! TH TR

AT HE R

THE TEAM Concept Amanda Whitley and Laura Edwards Photographer Lauren Campbell Stylist Hayley O’Neill Makeup Ali Price – Ali Price Makeup Hair Emma Luscombe – Antique Salon. Creative Direction Javier Steel Co-ordination Amanda Whitley, Hayley O'Neill, Javier Steel, Belinda Neame & Laura Edwards. Assistants Gemma McNamara, Katrin Boden, Bek Day, Jessica Rolfe and Sophie Costelloe.

THANK YOU Thank you to Jemma Knight and the team at Canberra Theatre Centre.

On the cover: Emily wears Leotard, $47.95, Tutu, $39.95, and Pointe Shoes, $79.95, all by Capezio at Canberra Dance Wear. Olivia wears Dress, $33.00, and Shoes, $48.00, all by Capezio at Canberra Dance Wear.

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Shot on location at Canberra Theatre Centre. Emily Dibden is represented by Victoria's Models.

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CELEBRATING

WITH CANBERRA THEATRE CENTRE

IT’S THE HOME OF CANBERRA’S PERFORMING ARTS AND AFTER 50 YEARS, CTC STILL PLAYS THE LEAD ROLE IN THE CULTURE OF THE NATION’S CAPITAL. Writer Laura Edwards Images Canberra Theatre Centre

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When the Canberra Theatre Centre opened its doors on 24 June 1965, its first show was a sell-out triple bill, which included an act of Swan Lake.

and entrepreneurs including the Australian Opera, the Australian Ballet, the Melbourne Theatre Company and the Elizabethan Theatre Trust.

Photos from the opening night reveal the kind of prestigious glamour only seen in old Hollywood films these days – women donned furs and floor length dresses, while dapper men were at their side in bowties, suit tails and polished shoes.

“Back then, it really was something that people in Canberra hadn't experienced before; they had to travel to bigger cities if they wanted to see a show,” says Bruce.

“In those days if you were invited to the theatre you really had to dress up and look the part,” says the Centre's Director Bruce Carmichael. “Now people are a bit more casual, they'll wear jeans – but we still encourage people to dress up a bit, as it creates a sense of occasion.” This year the Canberra Theatre will mark 50 years since its opening, and as Bruce reflects, it has seen extensive changes. As the ACT's principle performing arts venue and the first government-initiated performing arts space to be completed in Australia, the Centre was originally two separate buildings: the 1,200 seat Canberra Theatre “linked” by a covered walkway to The Playhouse, which was then a 310 seat drama theatre. Bruce says the Centre instantly became a focal point for national touring, used by most of Australia’s leading theatrical producers

As the activities of the Centre expanded, so too did the staffing and technical requirements. In 1971 the covered walkway, which linked the two venues, was enclosed to create more foyer and function space for the Canberra Theatre and improved Box Office facilities. In 1982 administration offices and a large scenic construction workshop, including a mechanical painting frame and a rehearsal room-cum-90 seat capacity venue, The Courtyard Studio, were completed. Bruce says one of the biggest milestones came in 1998 when The Playhouse was rebuilt to a 618 seat theatre, moving away from the older style ‘fan’ type auditorium to a more upright semi-circular drum layout. “Performing arts is very labour intensive; behind the scenes it takes 50 to 60 people to put together a show — including up to 25 front of house staff, 20 technical staff and other behind the scenes people — and as wages go up, you need more seats in the house to make it financially viable,” he says.

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Newspaper excerpt: Lady May Abel Smith, wife of the Administrator of the Commonwealth, enters the foyer with the chairman of the Canberra Theatre Trust, Sir George Currie on opening night.

The next big milestones in store for the Centre are the capital upgrades currently being funded by ACT Government, including new seats in The Playhouse, upgrades to access facilities and new technical equipment. “For now we are bringing a focus to entertainment in the venues and education of school aged people in the performing arts,” Bruce says. “The theatre is really coming into its own in terms of the performances we're getting here now; we’re exploring the potential for more boutique musicals, such as Sweet Charity and pure entertainment such as Le Noir, and you can see this reflected in our program which is helping to maximise the use of the facilities for Canberrans and patrons from the region.” Some of the world's biggest musical acts, comedians and stage productions have set foot on the Centre's stage, including Marlena Deitrich, The Beach Boys, Billy Joel, Lou Reed, AC/DC, The Seekers, Joan Rivers, Eddie Izzard, Madam Butterfly, Chicago, The Rocky Horror Show and Barry Humphries, to name a few. “Back before the digital age and patrons had to buy in-person at the box office, it was easier to see when we had a hot show on our hands, with people now booking online it’s not so visible,” Bruce says. “When ballets like Swan Lake went on sale they used to have a line outside the box office winding around Civic Square, so there was

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a lot more visible excitement, though the reality is we can sell more easily online. One of our long running shows in recent years was My Fair Lady, which ran for three weeks.” Interestingly, as entertainment changes, audience numbers have remained for traditional art forms such as the ballet or the opera and are growing for contemporary dance, music and “pure entertainment”, shares Bruce. “We’re catering to that demand by attracting more popular acts such as Le Noir, or popular music such as Angelique Kidjo, Passenger or, in fact Michelangelo and The Black Sea Gentlemen,” he says. Bruce started working backstage at the Canberra Theatre Centre 20 years ago, with stints as production manager and operations manager before he was appointed director in 2007. Over the years he's collected a few backstage yarns of his own. He recalls the time when Canberra publicist Coralie Wood was following Australian concert pianist David Helfgott onto a dark stage, when suddenly he dropped to his knees to pray. “Unfortunately Coralie didn't see that, and stumbled right over the top of him,” laughs Bruce. Or there was the time when a ballet company had a quick change onstage behind the curtains and a cyclorama, which masked the upstage area from the audience. Somehow, Bruce says, the house curtains and the

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cyclorama were pulled out at the same time, revealing “a half-naked ballet company” to a shocked audience.

Theatre as they are venues well designed to facilitate the relationship between audience and performer.”

There are also plenty of traditions backstage when big names perform: Barry Humphries is known only as “Mr Humphries” to the crew; and staff are expected not to engage in small talk or make eye contact with performers at least an hour before the show in order for them to properly get into character.

Bruce says the Centre's aspirations are to align with the arts centres of bigger cities such as Sydney, Melbourne and Brisbane to keep Canberra on the “national stage” for the performing arts. The Centre also aspires to work with Canberra’s national institutions to provide an evening cultural experience for visitors.

“It's something our backstage crew are all familiar with, their professionalism is of an international standard and this makes things comfortable for international performers. The performers are then in a familiar space and more comfortable and relaxed when they communicate with the audience – it’s about them getting into “their zone” and the hosts and audience paying them the respect they deserve,” says Bruce. As for encores, Bruce says they're hard earned, but different artists use them in different ways. “I prefer it myself when the encore is generated from the audience,” he says. “The best performances for me are when there's a very strong connection between the audience and the performer, you can see the performances change when the performers have the undivided attention of the audience. Canberra is very lucky to have both The Playhouse and The Canberra

“We think the Centre could be working with the National Gallery of Australia, the Portrait Gallery and the National Museum, and provide the best performing arts in Australia, for Canberrans and our visitors,” he says. “When we get these things in place we will be able to give more back to the local performing arts community. “We're a big step to the national stage for local artists; many artists have started out here and it's been their first experience of a performing arts space; some of those are Luke Richardson and Daniel Riley, who are both now in Bangarra, or Sandy Wright who came through the National Capital Ballet. “It's something that's not that well recognised in our local community, but it's wonderful to see the wealth of talent here, and it’s such a valuable thing that people have the Canberra Theatre Centre as a stepping stone to the national arena.” n

SOME OF THE CANBERRA THEATRE CENTRE'S BIGGEST SHOWS: Dame Edna Everage

Joan Rivers

Roy Orbison

Spike Milligan

Les Misérables

Shirley Bassey

Annie (the musical)

Lou Reed

Split Enz

The Beach Boys

Madam Butterfly

The Sapphires

Chicago

Pirates of Penzance

Billy Joel

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Guys & Dolls Swan Lake Rocky Horror Picture Show

CHOICE NEVER TASTED SO GOOD Lathlain Street is Belconnenâ&#x20AC;&#x2122;s newest dining destination. Day or night, stylish or relaxed, a great mix of well known venues means that choice never tasted so good.

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THE WORLD ON A PLATE CANBERRA IS HOME TO PEOPLE WHO HAIL FROM MORE THAN 170 COUNTRIES ACROSS THE GLOBE, AND EACH BRING WITH THEM A UNIQUE CULTURE. WE’RE TASTING THE BENEFITS IN THE MANY CUISINES FOUND AROUND THE CITY. Writers Amanda Whitley and Belinda Neame Photographer Rebecca Doyle

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JAPANESE: LILOTANG

It was a dish of Unagi Don (Sea Eel rice) eaten during his Hong Kong childhood that ignited Po Yang’s passion for Japanese food. “I still remember the pattern of the rice box, the sweet soy and slightly torched skin,” he says. “I was most intrigued by the Umami flavors, Japanese called it ‘the good taste that we cannot pinpoint’.” Years later, after spending time living and studying in Tokyo, the Lilotang Manager met Nobu sous chef, Shunsuke Ota, in Melbourne, and soon lured him to Canberra to head the kitchen at the newest restaurant in The Chairman Group.

Japanese cuisine is defined by the distinctive flavours of Dashi, soup stock made from Konbu (dried seaweed) and Bonito flake; soy sauce, sake, mirin, miso, and sea salt. At Lilotang, you might see these ingredients come together in a dish of Black Cod Saikyo Miso Yaki where the Black Cod is marinated for four days in a sweet and mild Saikyo, or the Duck Breast Sukiyaki, a Melty Tempura Egg which, when broken, spreads creamy yolk over the chargrilled duck breast and Japanese mushrooms in sweet soy with a hint of Sake flavour.

“Japanese cuisine is all about respecting and understanding ingredients, appreciating seasons, nature,” says Chef Ota. “Our cuisine always reflects four seasons, and tries to make people enjoy the season with flavours and the looks of the dishes.”

It’s not so hard to pinpoint this good taste. Must try: Umami-jime Snapper Sashimi, Josephine Pear, Heirloom Tomato w Chilli Tosazu. Lilotang. 1 Burbury Close, Barton. lilotang.com.au

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Our cuisine always reflects 4 seasons

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FOOD CULINARY CULTURE

FRENCH: LES BISTRONOMES “We have our blackboard specials which offer more authentic French delicacy and the à la carte menu offering our seasonal menu,” says Abel.

While Canberra has more Italian restaurants than you can poke a grissini at, French restaurants remain few and far between. But now Clement Chauvin and Abel Bariller are bringing a certain je ne sais quoi to Braddon with Les Bistronomes. Originally from Lyon, Clement started his career in the kitchen at the two-Michelin star Pic in France. From there it was on to the prestigious Nicholas La Bec and Gordon Ramsey’s Claridges in London before he followed his heart to Australia, working at Sage and Water’s Edge before opening Les Bistronomes.

“The most popular dishes on the menu are our mains to share, and we have our famous Beef Wellington made to Gordon’s recipe and Ash crusted duck à l'orange – a classic french dish with a Clement twist.” Must try: The Chestnut Log, Quince and Yoghurt Sorbet. Les Bistronomes. Eloura Street, Braddon. lesbistronomes.net

Abel’s pedigree is no less impressive. As a professional chef sommelier and beverage consultant he worked at the three-Michelin star restaurant Michel Trois-Gros in the Rhone Valley, going on to be awarded the title of Knight of Cognac. Together, the two are taking modern classic French dishes to new heights using creative technique and the freshest seasonal produce, complemented by an impressive list of local and French wines.

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NEPALESE: THE HUNGRY BUDDHA Canberra has many ‘moonlighters’…those who work public service jobs during the day and pursue passion projects after hours. Maybe they’re photographers, or jewellery designers; or in the case of Lachhu Thapa and Benjamin Richardson, they’re restaurant owners. The Hungry Buddha is a humble restaurant nestled downstairs at the Curtin shops, and its authentic cuisine has developed a loyal following. “Nepal is a very emotive word for many people. It takes them back to a trek, an image of the Himalayas, the food of Nepal,” says Lacchu.

FILIPINO: KUSINA

“The different districts of Nepal all have their own style of food, with strong influences from Tibet and India. At The Hungry Buddha we serve a mix of Thakali and Newari cuisine.”

Kusina’s opening in late 2012 was the realisation of a long held dream for siblings Jon Ora and Leilani Fox. After their father’s initial attempt at introducing Filipino cuisine to Canberra in the early 80s failed to take off, they felt the time had come to try again.

According to Lacchu and Ben, the focus of Nepalese food is the spices. A variety are used, without the use of cream or milk, to create fresh, light curry dishes with a vivid array of flavours and colours.

As a Spanish colony for over 400 years, the Phillipines has adopted many of Spain’s flavours and elements, while its position on the main trading route through Asia has seen a large migrant Chinese community infuse its culinary influences into the local cuisine.

Goat features large, being the most popular meat in Nepal, favoured over lamb, buffalo and beef. It’s not an everyday protein for most Australians, but it’s delicious. “When we first opened The Hungry Buddha four years ago, we had no idea how it was going to turn out,” says Ben.

“Filipino cuisine is a balanced combination of sweet, sour and salty. Most dishes will hold a counterbalance of these flavours to give a rich flavour with plenty of depth and complexity,” says Leilani.

“We have been so humbled by the reception of the community and are so glad for all of the people we get to meet every day as part of our work.”

“Even simple, one element dishes such as Crispy Pata (Crispy pork hock) will add the sweet/sour element by using the accompanying sauces and condiments.”

Must try: Khasi ko masu (goat curry) is a Nepalese classic.

Kusina serves traditional dishes from the Philippines, with Jon selecting dishes he believes will appeal to the western palate. His 10 years of international experience with Hyatt add a sophistication to otherwise homely, simple fare which is unlike any other Asian cuisine.

The Hungry Buddha. Lower Ground, 44E Curtin Place, Curtin. thehungrybuddha.com.au

Must try: The Boodle Feast. Groups of four or more are provided an arrangement of delicious dishes on a banana leaf platform, surrounding a central mountain of rice. No cutlery allowed. Kusina. Parkinson Street, Weston. kusina.com.au PAGE 45

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FOOD CULINARY CULTURE

PERUVIAN: MR PAPA After being the latest food trend in the US for a couple of years, Peruvian cuisine hit Canberra in early 2014, brought to town by Mr. Papa’s Carlos Ramirez-Roldan.

From Carlos’ warm ‘Hola!’ to the reggaeton pumping from the speakers of Mr. Papa’s food van; from the eponymous ‘Papa’ (Peruvian stuffed potatoes) to the Chocotejas (Peruvian chocolate stuffed with Pecans and Dulce de leche); the culture of Peru shines through. Close your eyes for a second and imagine that you are there.

His ‘Criolla’ food, commonly found in Peruvian markets and homes, is the result of the blend of ancient Incan culture (with its giant corn, yellow potatoes, Aji Amarillo and Rocoto Chillies, beans, cacao, quinoa), with other introduced cultures: the arrival of the Spanish Conquistadors and different migrants, such as Chinese, European, Indian and Japanese peoples. For Carlos, Mr. Papa is his heritage on a plate.

Must try: Chanchito - Mr. Papa’s Peruvian Pork Belly Sandwich. Slow-cooked and juicy pork belly, golden-fried sweet potato, Creole salsa and home-made chillies all served in ‘Pan Frances’ Peruvian-inspired bread made by local bakers. Mr Papa. The Hamlet, 16 Lonsdale Street, Braddon. mrpapa.com.au

“It’s all about my childhood dreams and memories back home, always related to food adventures. I was always motivated to have a place for everyone to come and feel what Peruvian cuisine and culture is all about.”

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THAI: CHONG CO THAI RESTAURANT & BAR While they now have six restaurants scattered across Canberra, Chong Co Thai Restaurant and Bar Belconnen is the restaurant that introduced Canberrans to this contemporary take on traditional dishes, cooked with fresh ingredients every time. Owner, Aoi Pimdee says that Chong Co’s food reflects the Thai culture, environment, ingenuity and values. “Thai cooking places emphasis on lightly prepared dishes with strong aromatic components and a spicy edge,” he says. “It is known for its complex interplay of at least three and up to four or five fundamental taste senses in each dish or the overall meal: sour, sweet, salty, bitter and spicy.” It’s these qualities that lift the restaurant’s dishes above the ordinary. Chong Co’s version of Gang Phed Ped Yang — a thai staple of roasted duck in red curry — has bags of flavour, its spicy creamy sauce and succulent pieces of boneless duck are punctuated by the sweetness of lychee, cherry tomatoes, and pineapple. Likewise, their Whole snapper with chilli sauce dances on the tastebuds.

Make no mistake, this is not your average suburban Thai restaurant. Aoi says that Chong Co’s food is all about intricacy, attention to detail, texture, colour, taste and the use of ingredients with medicinal benefits, as well as good flavour.

Must try: Massaman Lamb Shank – falling-off-thebone lamb in a special massaman curry paste cooked with coconut milk, onion, potato topped with peanut and coriander. Chong Co Thai Restaurant & Bar. Westfield Belconnen, Lathlain Street, Belconnen. chongcothai.com.au

...food is all about intricacy, at tent ion to detail, texture...

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SCREENACT

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MOVING INTO THE FAST LANE

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“YOU WANT ZOMBIES? WE CAN DO THAT. YOU WANT KILLER KANGAROOS? HOW MANY? WHAT COLOUR?” Writer Roslyn Hull Images Screen ACT

Monica Penders – Director of ScreenACT

A National Capital of the mind – a place where art and creativity are free to develop is a Utopian ideal but it is not sustainable, especially in the field of filmmaking. So it was a rare treat to meet Monica Penders, a woman so dynamic you could follow her into battle or throw money at her, the Director of ScreenACT. Monica is the woman with her foot on the accelerator of the Canberra film industry. Energetic yet practical, she may be just what we need to get a commercial film industry not only moving but speeding towards success. The ACT government attempted to generate a Territory-sponsored film industry with Screen Action. However, this body was threatened with extinction around 2006 as part of a government functional review. Instead, those involved suggested something that governments just love, outsourcing. The Canberra Business Council won the tender and so Screen Action moved into a more commercial domain. Roll on a few more years and funding sources had become so complicated that another, cleaner break was needed. Now we have a body, the ACT Screen Industry Association (ACTSIA) that individuals can join and access its benefits such as insurance and public liability...and they deliver ScreenACT. Monica has been with the organisation for six years, not only overseeing but also championing this change. This is definitely not just window dressing; it is a whole new concept. Think of it as ‘Canberra Virtual Studios’

with ScreenACT as the brand, and then think of the old school Hollywood system. There is no doubt Canberra, and indeed Australia, is full of innovators and creators with great ideas. Add Monica and her team, and there is just one thing missing. Money. Not fickle government funding but accountable investment. That’s where Griffin Accelerator comes in. This is a body of local entrepreneurs who ‘invest in, host, guide and partner selected innovative start-ups’. Think about it this way – an independent filmmaker has a story that must be told. They develop a script; they get money from what Monica refers to as the ‘Three Fs” – friends, fools and family. The film is made and nobody sees it, not even after it is released on DVD. Now think about a different way of working – instead of sacrificing years to a deeply personal project, that filmmaker attends a Pod course with ScreenACT. Asked to keep an open mind, they are introduced to market trends, target audiences and commercial expectations. Imagine a room full of filmmakers who meet a film distributor on day one rather than after their project is completed. Imagine latent creativity being channelled as a force for a sustainable career. Canberra could be a little like the old studio production model of Hollywood but without the back lot. We could create productions audiences want instead of hoping to catch lightening in a jar.

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FEATURE SCREENACT MOVING INTO THE FAST LANE

If only it were that simple. Making any film anywhere is difficult. The producers from Troma Studios have been known to prance naked around Cannes to draw attention to their product. Every film, except Marvel Studios projects, seems to have a royal flush of production companies involved in ensuring the viewing public sees their story. This trend is not likely to change but the appetite for content is. There are so many ways to access film besides the traditional cinema now — Netflix, pay TV, downloads — and not all can be filled by Robert Downey Jr or the Hemsworth brothers. Therefore, the low budget feature is having a renaissance. And Canberra is ready for its close-up, just ask Monica. “We could never support a big budget industry but we have great locations and lots of local talent,” she says envisaging our niche as the film with a budget from $800,000 to $1.5 million; films that would require a team of 90 or so locals and provide sustainable employment for local cinematographers, makeup artists and other crew. These people

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usually have to leave the capital to get work but imagine the local film industry developing to a point where sole traders or small production companies can stay in Canberra and stay in business. What if we got so good at this that we could even make films here not actually set in Canberra? Our nation’s capital is an under-filmed location waiting to become anything – a nameless city of the future, a site of a creature feature or fantasy.” All the underpinnings are there – a Board stacked with seasoned industry professionals, government incentives (invest in a film produced in Canberra and you receive a benefit called the Producer Offset), group incentives (attend a Pod course and you become eligible for one of the four Accelerator funded projects per year) and a team willing to sell the ACT for film. Those four funded projects would be enough to keep two or three film crews in employment each year but Monica sees more. “I want to aim for seven projects per year,” she says, “and I’m very willing to work hard to get that.”

Visit us today! nga.gov.au Open daily 10 am â&#x20AC;&#x201C; 5 pm Parkes Place, Parkes, Canberra Admission to the permanent collection is free NationalGalleryofAustralia

Nationalgalleryaus

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Dale Frank Promiscuous in his duck and weave strategies he had seen little in his 25 years to warrant the need others had for others, considering what payment they received in return. It was not a bargain he entered into... 2009 (detail) National Gallery of Australia, Canberra The Dale Frank Gift 2014

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“I want to aim for seven projects per year, and I’m very willing to work hard to get that.” – Monica Penders FEATURE SCREENACT MOVING INTO THE FAST LANE

Having met with film distributors around Asia, Monica touts Canberra as the best place to make a movie and our local talent as the best way to make any film. One example of just how specific these conversations can get had me in stitches: Distributor: What have you got? Monica: Tell me what you want. Distributor: Bring me a film with killer kangaroos, I can sell that. Monica: What colour killer kangaroo do you want? The underpinnings for success are there and the runs are appearing on the board: three feature films in the last year – Locks of Love,

Me and My Mates Vs. the Zombie Apocalypse and a production based on the very successful book The Marmalade Files. Add great documentary content being released regularly by Wild Bear, the first Pod course starting soon and a return season of The Code (without what Monica calls the “bloody kebab truck under Commonwealth Avenue Bridge”) filming here. It feels as if things are beginning to happen. At a moment in time when no-one else wants to put their hand up to make smaller films but a smart person can see the international potential of this product; a moment when everyone’s budget is being squeezed out of existence but the ACT can provide commercially accountable funding – it feels like the stars are aligned for ScreenACT. And it feels like they have the right person captaining the ship. n

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A DIFFERENT KIND OF MODEL hausmodels.com.au

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FOR DECADES SCHOLARS HAVE WRITTEN ABOUT THE INTRINSIC LINKS BETWEEN FASHION AND CULTURE; ABOUT HOW FASHION COMMUNICATES SO MUCH ABOUT OUR IDENTITY, RELATIONSHIPS, STATUS, AGE AND ETHNICITY. PICK ANY SOCIETY AND TEST THIS THEORY. Writer Wendy Johnson Photographer Rebecca Doyle

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Clockwise from left: Hana, BM Designs, Miranda Sakhino and The Prodigal Daughter.

Canberra has just come through Fashfest frenzy. The capital’s biggest red-carpet event will always have a passionate love affair with independent design talent. And this year was all the more exciting with cultural influence being front and centre. On each of the four nights, several designers showcased the splendour of diversity, including many who made their debut appearance at the event. Take Neda Alemohammad, who arrived here in Australia from Iran in 2014. Neda’s choice of fabric pattern and her colour palette celebrates the beauty and richness of Persian culture; the creativity and splendour of Iran, which remains despite decades of war and brutality. Under her label Hana Apparel Design, Neda mixes this with the richness that Australia offers, including its nature and landscape, to create contemporary and highly wearable Western designs. The collection she launched at Fashfest — ‘Immigration’ — was deep and light at the same time. The Prodigal Daughter, owned and operated by Phoebe Mwanza, tells the story of this fashion designer’s journey back to her African roots after many years of being disconnected from it. Phoebe sources her PAGE 55

vibrant prints from no fewer than five African countries. Through her designs, Phoebe consolidates her two worlds and cultures by marrying Africa’s bold and colourful prints to Australia’s tempered, mute landscape. Her garments are more than items of clothing. Each is a statement – a way of celebrating our innate uniqueness. The very chic and unforgettable ‘Resort Wear 2015’ collection launched by Melbourne’s Miranda Seakgosing, of label MirandaSAKHINO, celebrates how different cultures can comfortably mix and merge seamlessly through fashion. Miranda grew up in Botswana, in a creative family, with an African mother and Portuguese father. Her contemporary garments blend African and Western influences beautifully. “Fashion is a cultural translator and a way of balancing different worlds through style,” says Miranda. “With my label, cultures never need to negotiate their presence. They are equal.” Travelling throughout the world and exposure to new cultures also influenced the new collections of several other fashion designers at this year’s Fashfest.

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"...THE LAYERS OF CULTURAL INFLUENCE IN FASHION CONTINUES TO BE A NEVER-ENDING SOURCE OF FASCINATION". – STEVE WRIGHT This page, clockwise from left: The Professor's Daughter, Recollection, BM Designs, The Prodigal Daughter and Hana. Opposite page: Corr Blimey.

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Mariska Thynne, The Professor’s Daughter, is continually inspired by history, art and travel, and her label is well known for fabric featuring Peranakan window prints. Peranakan homes, initially founded in the regions of Malacca City by the 18th century, combine European, Chinese and Malay influences and reflect the cosmopolitan aspect of Peranakan culture itself. Mariska, along with her partner Jack Langridge Gould, design the label’s fabrics. If you look closely, you’ll be surprised to discover 15 variations of the window in several of Mariska’s playful irregular patterns – with some windows open, some closed, some with shutters and some without. Germany is a major influence for Corr Blimey, with the label’s third appearance at Fashfest. Louisa de Smet and her partner Steven Wright, who both teach in fashion at the Canberra Institute of Technology, have woven into their designs elements discovered on their trips to Berlin. Indeed, their 2014 collection at Fashfest was named after the city. Louisa pushed the envelope even further this year by working with renowned German furniture manufacturer Walter Knoll, celebrating 150 years in business. To design ‘Propaganda Z’, Louisa studied pieces of the furniture to determine structure. She also studied Walter Knoll fabrics and how the company covers their furniture, and used her new-found knowledge as a motivator.

Philippa Soutberg is deeply influenced by her love of, and travels across, this great land. Her ‘Budyan’ collection — Budyan meaning ‘bird’ — capitalised on the remarkable beauty of native parrots with their rich, bright

Barb Mickelson of BM Designs has also picked up the uniqueness of the Aussie bush, including its unique colours and textures with her ‘Heaven and earth’ collection. This designer knows the bush through and through, having lived between Goulburn and Nowra for around five years now. The designs of her truly artistic garments and headwear were influenced by gum trees, bark, native flowers and bird feathers. Yet the layers of cultural influence in fashion continues to be a never-ending source of fascination, says Steve, the producer of Fashfest.

But not all designers looked overseas for inspiration. The magnificence of Australia was evident in several collections on the Fashfest catwalk this season.

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colours and unique markings. This year, for the first time, Philippa collaborated with a long-lost high school friend, Jay Dall, an emerging local artist. They designed and created fabric for Recollection’s 2015 collection based on the rainbow lorikeet.

“This year, and it was just the way it unfolded, we ended up with a fabulous selection of designers who each presented collections very much influenced by culture. Their strength in blending this with contemporary elements to create modern, highly accessible garments was outstanding.” n

The darkest of nights gave way to a vast and desolate wasteland. We journeyed on, searching through the nothingness. We did not collapse in despair, we rose like warriors. We were strong. We were free. We were MAD. Photographer Lori Cicchini Stylists Steven Wright and HayleyÂ O'Neill Creative Director Javier Steel

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From left to right: Talya wears Top, POA, Sheepskin Wrap, POA, Pants, $285.00, and Belt, $75.00, all by Corr Blimey; Necklace, $100.00, by Silver Atom; Gloves and Shoes all stylists' own. Jen wears Top (worn underneath), $225.00, Belt Top, $160.00, Skirt, POA, and Pants, $275, all by Corr Blimey; Gloves, Belt and Shoes all stylists' own. Samantha wears Dress, $300.00, by Sovata; Collar piece, $250.00, by Dissonance; Belt, $160.00, by Silver Atom; Shoes, POA, by Sovata; Goggles stylists' own.

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Ë&#x2122;

Jen wears Top, $225.00, Belt, $75.00, Skirt, POA, and Pants, $275.00, all by Corr Blimey; Shoulder piece, $285.00, by Silver Atom; Goggles, Gloves, Belts, Socks and Shoes all stylists' own.

Talya wears Dress, POA, and Belt, $100.00, both by Corr Blimey; Neckpiece, $250.00, and Bracelet, $75.00, both by Silver Atom.

Samantha wears Dress, $150.00, and Cape, $350.00, both by Sovata; Necklace, $120.00, by Silver Atom; Shoes and Socks all stylists' own.

Product details, over page.

Top, from left to right: Samantha wears Dress, $280.00, by The Label; Belt, $100.00, by Corr Blimey; Earrings, $39.00, by Matthew Holmes at Change Coaching Australia; Necklace, $170.00, by Silver Atom; Socks and Shoes all stylists' own. Talya wears Top (worn underneath), $90.00, and Jacket, $90.00, both by Zilpah Tart; Pants, $285.00, and Belt, $75.00, both by Corr Blimey; Fang (head jewellery), $170.00, by Silver Atom; Earrings, $29.00, by Matthew Holmes at Change Coaching Australia; Gloves, Socks and Shoes all stylists' own. Jen wears Dress (worn underneath), $800.00, by Illusory Cog; Top, $160.00, and Pants, $275.00, both by Corr Blimey; Earrings, $49.00, by Matthew Holmes at Change Coaching Australia; Gloves and Shoes all stylists' own. Right, from left to right: Samantha wears Dress (worn underneath), POA, by Corr Blimey; Maxi Dress, $200.00 by Ziyah; Jacket (with black Belt), $250.00, by Sovata; Necklace, $130.00, by Silver Atom; Earrings, $39.00, by Matthew Holmes at Change Coaching Australia; Belt, Socks and Shoes all stylists' own. Jen wears Top (worn underneath), $90.00, by The Label; Jacket, $180.00, by Ziyah; Vest, $400.00, Scarf, $80.00, and Pants, $275.00, all by Corr Blimey; Earrings, $49.00, by Matthew Holmes at Change Coaching Australia; and Gloves, Belts and Shoes all stylists' own. Talya wears Top, $80.00, Corset, POA, and Skirt $120.00, all by MAAK; Earrings, $29.00, by Matthew Holmes at Change Coaching Australia; Bracelets, $100.00 each, by Silver Atom; andÂ Shoes stylists'Â own.

Talya wears Dress, $160.00, and Belt, $180.00, by Zilpah Tart; Shoulder Jewellery, $140.00 each, and Bracelet, $100.00, both by Silver Atom; Gloves and Boots stylists' own. Samantha wears Dress, $890.00, Long Cardigan (worn underneath), $99.00, and Short Cardigan, $120.00, all by The Label; Belt, $100.00, by Corr Blimey; Neckpiece, $300.00, by Silver Atom; Shoes, POA, by Sovata; Gloves stylists' own. Jen wears Coat, $600.00, Top, $200.00, Belt, $75.00, and Pants, $275.00, all by Corr Blimey; Necklace, $120.00, by Silver Atom; Socks and Shoes stylists' own.

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WITH FILMS LIKE MAD MAX AND THE HUNGER GAMES CONSTANTLY INFLUENCING FASHION TRENDS, LOOKING OUT OF THIS WORLD IS SO COOL RIGHT NOW. BUT FITTING IT INTO YOUR EVERYDAY STYLE IS KEY TO ACHIEVING A MODERN VERSION OF THIS TREND. GET THE POSTAPOCALYPTIC LOOK WITH THESE FOUR KEY PIECES. THE 'MAD TO THE MAX' TEAM Concept and Creative Direction Javier Steel Photographer Lori Cicchini, assisted by Matt Tompkins and Bek Day. Lead Stylist Steven Wright Second Stylist Hayley O’Neill Assistant stylist Stephanie Child Models Talya Garret at Haus Models, Samantha Farrow and Jenny Urquhart. Makeup Ali Price – Ali Price Makeup and Jacqui Scott, assisted by Ally Maree. Hair Angela Pavlovic – KOSA Hair Studio Co-ordination Belinda Neame, Hayley O'Neill, and Javier Steel. Location Captains Flat

Writer Hayley O'Neill

TOUGHEN UP Be prepared for anything and add toughness to your look with a leather jacket.

BELT IT Get combat-ready by adding stacks of belts - perfect for attaching essential equipment.

THANK YOU

COMBAT BOOTS

Thank you to Heidi Stratford and family for location and Jason Jones for supplying the V8 interceptor.

Want that edgy look? Swap out the heels for a great pair of combat boots and be ready for any terrain.

A final thank you to the Coordinate video production team. Check out the 'Mad to the Max' film at hercanberra.com.au

METALLIC ACCESSORIES Be it gold, bronze or silver, adding chunky metallic accessories to your outfit will be your best fashion defence against hostile situations.

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2015 AIPP ACT WEDDING PHOTOGRAPHER OF THE YEAR

0407 232 272

WWW.KELLYTUNNEY.COM.AU

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DANCE IS A COMMON LANGUAGE THAT UNITES US ALL. IT IS A WAY OF STORYTELLING, OF CONVEYING JOY, MOURNING, AND EVEN USED IN TIMES OF BATTLE AND WAR. WE EXPLORE FIVE DANCE CULTURES ALIVE AND WELL IN CANBERRA. Writers Amanda Whitley and Belinda Neame

BOLLYWOOD “The term ‘Bollywood’ comes from the combination of the names of Bombay (now known as Mumbai) and Hollywood. And, in dance, covers almost any style of dance featured in the extravagant musical movies,” says Carla Marks, artistic director with Bollywood Dimensions. Bollywood dance is known for being upbeat and often helping to tell a story or show emotions. It blends classical Indian dance forms, with its intricate hand gestures and footwork, with modern western styles, including hiphop and jazz to name a few.

Carla says she fell in love with the music, dance, colour and vibrancy of Bollywood dance and films. “There are many different styles of Bollywood dance and it gives dancers so much to explore. Certain styles can be feminine and intricate whilst others can be fast paced and vibrant.” “It can boost coordination and rhythm, provide aerobic exercise, tone the body and relieve stress. It is also a fantastic way to meet new people and have a lot of fun!” Bollywood Dimensions. Gorman House, Batman Street, Braddon. bollywooddimensions.com

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TRIBAL BELLY DANCE “American Tribal Style belly dance originated in San Francisco in the 1980s, but draws on traditional belly dance from the middle east, Flamenco dance from Spain and Indian dance,” say Buasavanh artistic directors, Pippa and Bronwyn. A multicultural dance, fusing music and movement traditions from around the world, performances are entirely improvised in response to the music. “To me, it’s like playing jazz. All our performances are improvised, so you respond to the music, your audience and your fellow dancers,” says Pippa. After performing traditional Egyptian dance for a decade, Bronwyn was drawn to the elegance and strength of American Tribal Style. “I love traditional belly dance too but Tribal makes me feel strong and proud, because it builds on a foundation of trust and cooperation.” As well as having physical and mental benefits, Pippa and Bronwyn say the dance has great social aspects. “As we dance together, we create bonds of friendship and trust, let go of the day and find pleasure in the moment. That’s pretty good value for a one-hour class!” Buasavanh Tribal Belly Dance. Lake Ginninderra College, Belconnen. buasavanh.com.au

SAMBA “The word ‘samba’ is thought to be derived from the Angolan term semba, meaning belly button. It has rich African roots,” says Kate Ticehurst, director of Subsdance. Known for its bright, feathered and jewelled bikini costumes, Samba originated in Rio De Janeiro, Brazil. A solo dance, the basic step comprises a short sharp contraction of the hips or shaking movements. “It also encompasses beautiful rolling movements from hips and chest, and is so energetic with live batucada (a Brazilian percussive style),” adds Kate. And it’s not just for women! Subsdance also teach a class for men where they use soccer drills to warm up, improve fast footwork and hip mobility, and speed. “I love that Samba is so dense in its history, and holds so much meaning for many Brazilians who dance it,” says Kate. “With samba, you are learning more than moves – you are learning about a culture so rich in music and dance that you can’t help but escape the daily grind and feel like you are in Bahia, on a beach listening to the drums!” Subsdance Dance Studio. Level1, 128 Bunda Street, Civic. subsdance.com.au PAGE 74

Images by Martin Ollman.

HEALTH FITNESS THE UNSPOKEN LANGUAGE

Canberra’s premier fitness centre offers a welcome respite with unsurpassed comfort and outstanding services designed to help you achieve your goals and remain healthy. The Clubhouse at Hyatt Hotel Canberra provides an exclusive, friendly club environment supported by the guidance of experienced and caring professionals. A SPECIAL OFFER FOR HERCANBERRA READERS The Clubhouse Spa and Fitness Centre is offering HerCanberra readers a one week free trial including a complimentary 45-minute personal training session. If you choose to join after the week trial, we’ll waive joining fees and provide another two complimentary 45-minute personal training sessions. Membership includes access to all classes; Pilates, Yoga, Aqua, Bootcamp and Boxing. Call The Clubhouse on 02 6269 8540 to take advantage of this special offer, available until December 31, 2015.

CLUBHOUSE H YAT T H O T E L C A N B E R R A 120 Commonwealth Avenue, Yarralumla, ACT 2600 canbe.clubhouse@hyatt.com The trademarks HYATT™, PARK HYATT™ and related marks are trademarks of Hyatt International Corporation. ©2008 Hyatt International Corporation. All rights reserved.

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HEALTH FITNESS THE UNSPOKEN LANGUAGE

SWING “Swing dancing developed in Harlem, New York during the 1920s where people, regardless of race, age, or ability were all welcome to come together and dance,” tells Cathie Gough, director of Savoy Dance. Big bands led by the likes of Benny Goodman, Glenn Miller, and Count Basie had dancers jumping and jiving in dance halls across the world. “The dance crossed racial barriers at a time of segregation, which is fundamental example of the inclusivity of the style and its culture.”

A relaxed style of partner dance, swing dancing envelops a number of dances, such as Lindy Hop (nicknamed the Jitterbug for its bouncy, energetic nature) and Charleston. “Lindy Hop and Charleston are quite distinctive from other dance styles, whereby you get down low, kick your legs back and forwards, engage your arms in an energetic yet somehow graceful way, and effortlessly carry a big smile on your face!” says Cathie. “The best thing about swing dancing is that it is open to all people, whatever your culture, or level of experience. And, you don’t even need a partner!” Savoy Dance. Various locations. savoydance.com.au

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SALSA “Salsa originated in the mid 70s in New York, combining many different styles of dance from the Caribbean,” says Becky Fleming, director of Kokoloco Dance Studio. “Many of these styles have maintained their individuality, but many were mixed creating Salsa (like sauce – being mixed together, where the term comes from!).” The most popular and widely danced of all the Latin rhythms, Salsa has hundreds of different steps and combinations, but it is commonly characterised by a forward and back step motion, lots of spins, and sensual body movement and high energy. “I was first exposed to Salsa when I moved to Mexico to study dance and started going out to the Salsa clubs,” says Becky.

“It's very social so a fantastic way to meet new people, make friends and new social groups. Latin dancing feels so good, the music, the culture, the sensuality and social side all combine to make it completely addictive and life changing.” Kokoloco Dance Studio. Level 1/9-11 Dundas Court, Phillip. kokoloco.com.au

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A WALK ON THE Wild SIDE AN AFRICAN SAFARI IN OUR OWN BACKYARD. Writer Rachel Marsh Images National Zoo and Aquarium

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It’s a storyline straight out of a Matt Damon movie. In 1998, Richard and Maureen Tindale and their six children set out on an adventure, deciding that they were going to start up their very own zoo. With zero experience in running a wildlife park, but lots of love for animals and for the African continent, they set to work with the end goal of sharing their passion with the Canberra community. Fast forward 17 years, and the Tindales have not only built the impressive and continually evolving National Zoo and Aquarium, but there’s a new addition – the Jamala Wildlife Lodge. From the moment you step inside the foyer, you are transported to deepest Africa... but it’s just a taste of what’s to come.

The main entertaining area, known as Ushaka, will leave you speechless. High ceilinged and airy, the room is painstakingly decorated; a testament to Richard’s eye for authentic African items and Maureen’s decorating finesse. Each piece of furniture and every artefact has been lovingly selected, creating an interior that captures your imagination and takes you on a journey. The positioning of the items in the lodge is deliberate, allowing each to stand in its own right. One sculpture is particularly arresting - a Zulu hat; beautifully hand-carved and beaded. The statue of the Maasai Warriors is another that makes a strong statement. Standing approximately two metres tall, it has a commanding presence in the room.

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“I came across these statues in a shop whilst holidaying in Cape Town,” says Richard, “and knew I had the perfect spot for them back home.”

INTERIOR A WALK ON THE WILD SIDE

Built into the wall next to these warriors is a massive aquarium — the ‘hidden side’ of the view enjoyed to visitors to the Zoo — where fish, large and small, swim by. It’s a constantly changing art installation in the open plan space, which acts as a calming, almost mesmerising, anchor. The private dining room takes you deeper into the wild, as guests move through an internal rainforest to a communal dining space where guests congregate each evening. White lions push their massive bodies up against the glass as guests enjoy an African-inspired meal created by Jamala Lodge’s private chef. It really is a unique space and experience.

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A STAY AT JAMALA IS MUCH MORE THAN JUST A NIGHT’S ACCOMMODATION; FOR MANY, IT’S A LIFE-CHANGING EXPERIENCE.

The magic continues when guests retire to their rooms. The Jungle Bungalows are warm and lushly furnished, practically nestled inside the habitats of the lions, bears and cheetahs. Full height glass encourages an optimal connection between guests and animals, with man and beast sleeping just metres apart. The Giraffe Treehouses are tucked away in the reserve, overlooking the Molonglo River. It’s a magical view, but the best part of this accommodation package is the chance to feed Hummer the giraffe, right from the private balcony. A stay at Jamala is much more than just a night’s accommodation; for many, it’s a life-changing experience. “Many of our guests are deeply moved by their experience at the lodge,” says Richard, and it’s not hard to see why. It’s not often that you can see majestic animals right here in Canberra, surrounded by stunning interiors, created with integrity. n

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REVISIT CANBERRA

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SOMETIMES WE FORGET JUST HOW LUCKY WE ARE TO LIVE IN CANBERRA, WITH CULTURAL INSTITUTIONS ON OUR DOORSTEP. SO WHY NOT PLAY TOURIST AND MAKE A LIST OF PLACES TO ‘REVISIT’ – YOU MAY JUST SEE OUR HOMETOWN WITH FRESH EYES. HERE ARE FIVE WORTH ANOTHER LOOK. Writers Bethany Nevile and Amanda Whitley Photographer Martin Ollman

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TELSTRA TOWER Rising 195 metres above the summit, the tower sits atop Black Mountain and is one of Canberra’s most iconic symbols and the city’s telecommunications hub. The elevator ride is the same jolt you’ll remember from childhood visits, and the 360 degree panoramic views are still spectacular. The indoor viewing area helpfully pinpoints key Canberra landmarks and locations, so as you take in the panorama you can search for familiar spots you know. From this height, Canberra shines as a planned city – you see how the roads and suburbs connect and the close proximity of everything. On a clear day, the outdoor viewing platforms offer views across Canberra and out to the mountains, while in the evening, you’re presented with a magnificent view of the city under lights.

NATIONAL GALLERY OF AUSTRALIA

Want a bit of education with your views? The Telstra Heritage Exhibition traces the history of Australian telecommunications. Oh and as a bonus, the tower definitely has some of the best phone reception in Canberra…

More than 100,000 works of art and worldclass art exhibitions right in our backyard – you’d think we’d be beating a path to the National Gallery of Australia every week. Even if the latest blockbuster exhibition isn’t your ‘thing’, wandering through the Gallery is a pleasure in itself.

Telstra Tower. 100 Black Mountain Drive, Acton. Open 9am to 10pm every day telstratower.com.au

See the famous 'Blue Poles' by Jackson Pollock or the iconic Ned Kelly series by Sidney Nolan. Discover Australian art, Aboriginal and Torres Strait Islander art, Asian art and international art; or take the short stroll through The Sculpture Garden to explore NGA Contemporary by the lake. But it’s not just about ‘what’s hanging on the walls’. The Gallery hosts a vibrant event series – everything from artist talks to hands-on workshops; family programs to films. Our must-do experience? James Turrell’s Skyspace at sunrise or sunset – sit back and marvel at the changing colours of the sky while trying to equate reality with what the artist is imposing on your mind. National Gallery of Australia. Parkes Place, Parkes. Open 10am to 5pm daily (except Christmas Day). nga.gov.au PAGE 83

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NATIONAL FILM AND SOUND ARCHIVE It’s worth visiting for the art deco architecture alone, but there are a lot more reasons to reacquaint yourself with the National Film and Sound Archive (NFSA). Australia’s living archive, the NFSA collects, preserves and shares our rich audiovisual heritage. More than 2.16 million works are housed in its collection, including: films, television and radio programs, videos, audio tapes, records, compact discs, phonograph cylinders and wire recordings, photographs, posters, lobby cards, publicity items, scripts, costumes, props, memorabilia, oral histories, and vintage equipment. Phew.

CITY REVISIT CANBERRA

NATIONAL MUSEUM OF AUSTRALIA Its vibrant exterior couldn’t be more different to the restrained architecture of its neighbouring institutions; the swooping orange curve of the Uluru line and the symbolic landscape, ‘The Garden of Australian Dreams’ capturing the imaginations of all ages.

But forget any ideas you may have of a stuffy museum experience - the NFSA is truly immersive and interactive. You can listen to radio broadcasts on the 1950s radiogram, watch classic TV in the lounge space or play CDs in The Front Room; or get into the groove on the first Friday of each month at The Vinyl Room – it’s a chance to take your vinyl along and play a track of your choice on the pure analogue sound system. If movies are more your thing, ARC Cinema screens a rich array of classic and modern films; and there are always plenty of school holiday options for the kids. National Film and Sound Archive of Australia. McCoy Circuit, Acton. Open 9am to 5pm Monday to Friday. nfsa.gov.au

exhibits showing what life is like in different regions as well as eras. Journeys takes a look at Australia’s connection with the rest of the world, while First Australians is a large gallery dedicated to the Aboriginal and Torres Strait Islander people. Old New Land considers people and environment, and how our connection with the land is continually evolving.

The National Museum of Australia a museum of social history and provides an insight into different times, places and people throughout our country and its history.

The Eternity exhibit is a firm favourite, exploring how individuals have shaped our country - from famous figures like The Wiggles and Mary Donaldson to everyday Australians.

Gain a sense of place at Landmarks; the permanent exhibition provides a broad look at Australian social history with different

National Museum of Australia. Lawson Crescent, Acton Peninsula, Acton. Open 9am to 5pm daily, (except Christmas Day). nma.gov.au

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THE AUSTRALIAN WAR MEMORIAL It’s an awe-inspiring building, and its position – in direct line of sight to Parliament House – serves to remind Australia’s decision-makers of the cost of war. Today, The Australian War Memorial is a special place of remembrance, a testament to sacrifice and an insight into our country’s history. The Commemorative Courtyard is a place to reflect, as wherever you stand you are surrounded by the Roll of Honour, listing the names of every Australian who has died in war since 1885. The eternal flame on the Pool of Reflection represents Australia’s commitment to never forget our servicemen and women. The tall stained glass windows of the Hall of Memory will take your breath away, as will the stunning Byzantine dome suspended 24

metres above the ground. In the centre of the Hall is the Tomb of the Unknown Australian Solider. The First World War galleries include interactive displays, sounds and genuine clothes and objects from this time; as well as snippets of personal experiences, providing insight into the lives and deaths of these 102,000 Australians. There are also expansive displays on the Second World War; classic aircrafts on display in the Aircraft Hall; and galleries covering more recent conflicts, such as the Korean War and the Vietnam War, as well as modern peacekeeping efforts. The Australian War Memorial. Treloar Crescent, Campbell. Open 10am to 5pm daily, (except Christmas Day). awm.gov.au

“HERE IS THEIR SPIRIT, IN THE HEART OF THE LAND THEY LOVED; AND HERE WE GUARD THE RECORD WHICH THEY THEMSELVES MADE.” – CHARLES BEAN.

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ENTERT– AINMENT STAGE

MOVIES – THE BEST OF BRITAIN

Writer Belinda Neame

THE LATEST RELEASES TO DVD ARE DISAPPOINTINGLY HUMDRUM, EXCEPT FOR A TRIO OF BRITISH MOVIES, WHICH COULD CHANGE YOUR LIFE.

It’s the original High School musical, featuring all the unforgettable songs including You’re The One That I Want, Summer Nights, Greased Lightnin’ and many more. So dust off your leather jackets, pull on your bobby-socks and take a trip to a simpler time as ‘bad boy’ Danny and ‘the girl next door’ Sandy fall in love all over again. Be there or be square!

GREASE

29 July – 15 August, The Q

Writer Roslyn Hull

THE IMITATION GAME

Visit theq.net.au for tickets.

Benedict Cumberbatch plays Alan Turing, the father of modern computers, with dignity and respect; pity the British establishment couldn't treat the real man that way.

LORE — DANCE STORIES OF LAND AND SEA

9 – 11 July, Canberra Theatre Centre Bangarra takes you on a dance experience of Australia’s homelands, from the enigmatic waters of the Torres Strait Islands to the deeply rooted inland trees – celebrating the past, present and future. Presenting two brand new dance works, curated by Artistic Director Stephen Page, Bangarra Dance Theatre takes a fresh look at Indigenous stories tracing the silhouette of history and drawing on a sustainable future for its people.

THE THEORY OF EVERYTHING Eddie Redmayne deserved his Oscar! The relationship between Stephen Hawking and his first wife is one of the most powerful movies I have ever seen.

Visit canberratheatrecentre.com.au for tickets.

CASH 60: 60 YEARS OF JOHNNY CASH 23 October, The Street Theatre

PADDINGTON The best teddy ever finally has his own origin story in the most endearing children's movie released last year. Magic and slightly wicked humour in perfect balance and great performances by all humans, only just upstaged by a bear.

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Award-winning singer Daniel Thompson and Australian guitar maste, Stuie French are back with Johnny Cash The Concert, keeping the spirit of the Man in Black alive with their authentic tribute to Johnny Cash and his music. Visit thestreet.org.au for tickets.

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MUSIC Writer Emily Allen

DEATH CAB FOR CUTIE

BOOKS

Thursday 30 July 2015. ANU Bar, Acton.

Writer Martina Taliano

CHINA RICH GIRLFRIEND BY KEVIN KWAN The sequel to Crazy Rich Asians is just as crazy and just as enthralling. Rachel and Nicky are finally married and have a honeymoon that only crazy rich people can imagine. Prepare to delve into a world fancier than the Kardashians with all the power struggles and game plays of a political of an parliamentary election.

CLADE BY JAMES BRADLEY A generational exploration of an environmental end-of-world future that is more believable than zombies. Whether you have an interest in the climate discussion, apocalyptic fiction or high-brow literature, this is a book we should all be talking about.

THE GIRL ON THE TRAIN BY PAULA HAWKINS A psycho-drama-thriller that will have you secondguessing who you really know and what you really see. Rachel is a broken-down woman who thinks she saw something in a drunken haze that may be clue to the disappearance of Megan Hipwell. Did she really see something? Is Megan missing or dead? Can Rachel trust anyone or anything anymore?

Off the back of their Splendour in the Grass performance, platinum award-winning Grammy-nominated Death Cab for Cutie are making the trek down south and will place Canberra on the map. The group have just released their eighth studio album, Kintsugi, with fans treated to a five-piece live line-up and a reinvented new dynamic at their show in July.

BLOOD, SWEAT & TEARS Wednesday 2 September 2015. Canberra Theatre, Canberra City. Iconic American jazz-rock band from the late 60s and 70s Blood, Sweat and Tears are coming to Canberra delivering timeless, classic and enduring songs that soundtracked a generation.

CELTIC WOMAN Saturday 19 September 2015. National Convention Centre, Canberra City. International music sensation Celtic Woman returns with a concert tour celebrating the group's 10th anniversary together. Featuring a selection of fan favourites, encompassing Irish classics, contemporary standards and classical favourites alongside memorable compositions to bridge the past and present with the distinctive grace and style for which Celtic Woman has become known.

SALUT! BAROQUE OCTOBER CONCERT: LOUIS LEGACY Thursday 23 October 2015. Albert Hall, Canberra. Focusing on music written during Louis’ 72 year reign, Salut! Baroque will delight its audience with Australia’s finest baroque musicians in a chamber orchestra of up to 12 members.

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HERCANBERRA.COM.AU

EVENTS SAVE THE DATE

JULY

SEPTEMBER

AFTERDARK LANTERN TOURS AUSTRALIAN NATIONAL BOTANIC GARDENS

FLORIADE 12 September until 11 October 2015 floriadeaustralia.com

Until August 2015 anbg.anu.edu.au

HUSTLE&SCOUT AND THE FORAGE

THE TRUFFLE FESTIVAL CANBERRA REGION

12 September 2015 hustleandscout.com.au & theforage.com.au

Until 16 August 2015 trufflefestival.com.au

HANDMADE MARKET

SKATE IN THE CITY

26 and 27 September 2015 handmadecanberra.com.au

Until 26 July 2015 inthecitycanberra.com.au

OCTOBER

FLYING FRUIT CIRCUS Canberra Theatre 16 July 2015 canberratheatrecentre.com.au

LORD OF THE DANCE 6 to 11 October 2015 canberratheatrecentre.com.au

AUGUST

IMPERIAL RUSSIAN BALLET COMPANY PRESENTS SWAN LAKE

OLD BUS DEPOT MARKETS Portobello Road 16 August 2015 obdm.com.au

21 October 2015 canberratheatrecentre.com.au

CANBERRA NARA CANDLE FESTIVAL

MT STROMLO OBSERVATORY WORLD RECORD NIGHT

24 October 2015 visitcanberra.com.au

21 August 2015 rsaa.anu.edu.au

SYDNEY COMEDY FESTIVAL CANBERRA THEATRE

MORE ON EVENTS AT HERCANBERRA.COM.AU/EVENTS

21 August 2015 canberratheatrecentre.com.au

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