Portfolio 2019

Sample Design Portfolio AMAR SALL

amarsall@btinternet.com | www.amarsall.com | @amar_sall | +44 (0) 7837510148

CONTENTS

C.V. - Page 1 Portfolio - Page 2 Playground Design - Page 3

Landscape for Play

Exhibition Design - Page 4

Laughing Matters

Installation Design - Page 5

Social House

Office Design - Page 6

“Fiit” HQ

Exhibition Design - Page 7

RIBA Validation Exhibition Graphic Design & Written Work - Page 8

Visions of the Future in Blade Runner Catalogue Publications University Final Project - Page 9

Marina-Ville

Installation Work - Page 10

LVMH “LIFE” Rapha Cyclecross

Live & Built Projects - Page 11

Canvey Conversations Degree Show Exhibition and Pavilion Build London Festival of Architecture Exhibition Academic Work - Page 12

Vault Space Savile Row Unmasked Furniture Workshop The following Portfolio contains selected works from my projects undertaken in the professional practice of Design and during my tiime studying (BA) Architecture at UAL: Central Saint Martins. The projects range from the past 4 years including academic, internal & external projects, and events I have been a part of. These works highlight my skill-set in numerous areas such as 2D & 3D Design, Drawing, 3D Modelling, Rendering, Installation-making, Film-making, Graphical Design, and experimental Model Making and Material Testing.

+44 (0) 7837510148 amarsall@btinter net.com www.amarsall.com @amar_sall

Based in LONDON, specialising in Spatial Design with RIBA Part 1.

C.V.

AMAR SALL

D

E

S

I

G

N

E

EDUCATION

EXPERIENCE

EXHIBITIONS/COMPETITIONS

2015_2018 Central Saint Martins, University of the Arts, London BA (Hons) Architecture [1st Class Honours]

2019 Victoria & Albert Museum, London 2D & 3D Designer [Freelance]

2018 RIBA President’s Medal [Part 1 Bronze Medal - Nominated]

2014_2015 Birmingham Metropolitan College, Stourbridge Foundation Diploma in Art (PASS) 2014 TEFL (Teaching English as a Foreign Language) 2012_2014 International Baccalaureate Diploma, 32 points: in Higher Level Arts (6 points), Economics (5 points), Physics (3 points) and Standard Level English, Spanish and Maths.

Full marks in Core.

2018_2019 Aberrant Architecture, London RIBA Part 1 Architectural Assistant [Full Time] 2018_2019 Central Saint Martins, London Designer & Maker [Freelance] Assistant Lecturer [Part Time]

2018 Spatial Practices Prize Award sponsored by Knight Frank [Shortlisted] 2018 Maison/0 Green Trail Sustainability Award Award sponsored by LVMH [Winner]

2018 RIBA Mentoring Scheme Mentor: Woods Bagot

2018 (BA) Architecture Degree Show 2018 [Designed, Constructed and Curated Pavilion, Lead of Studio Curation Team]

2016_2018 University Course Student Rep Representing 2nd & 3rd Year Students

2007_2014 King Edwards School, Birmingham Secondary School and Sixth Form

2016 Signet Jewellers Trading Co. Birmingham CAD Technician [Part Time]

REFERENCES

2016 Callyfest Festival, London Installation Maker [In Collaboration with THE KLASSNIK CORP.]

T: 07905605913 E: g.ross@csm.arts.ac.uk

2015 Rapha Cyclecross, London Installation Maker [In Collaboration with ASSEMBLE]

David Chambers Aberrant Architecture Co-Director

2012_2013 Signet Jewellers Trading Co. Birmingham CAD Assistant & Software Tester [Part Time]

T: 07940245626 E: david@aberrantarchitecture.com

2018_19 Creative Unions, Lethaby Gallery, London [As part of London Design Festival 2018]

2018 BBC 4 Documentary: Bauhaus Rules (2019) [Self Appearance - Contestant/Designer]

2010_2012 10 GCSE/iGCSE’s Level (A*- C): in Art, Maths, English, Design & Technology, French, Spanish, Physics.

Gregory Ross University of the Arts, London CSM Architecture Year 2 Leader

2017 Moët Henessey Louis Vuittion SE - LVMH [Event Designer] 2017 London Festival of Architecture : Year 2 Exhibition - Hurwundeki, Bethnal Green [Lead Co-Ordinator and Head of Management] 2016_2017 Architecture Society: Central Saint Martins [Founder and President: @as_csm] 2016_19 (BA) Architecture End of Year Catalogues [Formatting and editing as part of a team] 2015 Foundation End of Year Catalogue and Show [Designing and editing as part of a team]

LANGUAGES: English (Fluent), Spanish & French (Competent)

2013 Smith and WIlliamson Exhibition, Birmingham [Printwork selected for exhibition]

Rhinoceros 3D SketchUp AutoCAD Vectorworks

V-Ray Cinema 4D Hand-drawing Microsoft Office

TECHNICAL PROFICIENCY Photoshop Illustrator InDesign Premiere Pro

R

PORTFOLIO

LANDSCAPE FOR PLAY, Madrid - Paisaje Para El Juego Playground Design Project at Aberrant

Architecture, 2019 (Imagery courtesy of Aberrant Architecture)

“Landscape for Play” is an installation devoted to the idea of free play. Inspired by the Dutch Playground Designer, Aldo Van Eyck, “Paisaje Para El Juego” or “Landscape for Play” is a leisure-based proposal that shifts the shapes of the surrounding city in to an interior space. The installation itself uses a translation of the urban space through play, utilising shapes and colours that invite children of all ages to use the space in a newly engaging and imaginative way. The interior play-scape is composed of follies, sunken spaces and different height elements that don’t impose strict and rigid restrictions in terms of how people must behave and play.

This flexibility means that the playground can be used as a setting for a range of activities that go beyond the traditional notion of a “playground”. The playground was installed in Madrid from April 2019 through to September 2019. Working on this project forced us to think spatially, graphically and logistically in order to develop the structures remotely from London. The programme required us to form an advertisement campaign that comprised of graphical posters aswell as a short animation that would be broadcast on public screens across Madrid and across the whole of Spain.”Paisaje Para El Juego” is for children of all ages.

Column Structure Coloured Plan, Section & Elevation

Key A. Dark Green Paint - NCS S 7020-G10Y B. Dark Yellow Paint - NCS S 1080-Y10R (25) C. Blue Paint - NCS S 4040-R90B (132) D. Blue Soft Surface - 6150-275 (ACOUSTIC 43) E. Light Yellow Paint - NCS S 0550-Y F. Light Green Paint - NCS S 3040-G30Y

L

L

E

B

C

E

G. Orange Soft Surface - 3319-275 (ACOUSTIC 43)

B

H. Black Paint - NCS S 8000-N

C

I. Purple Paint - NCS S 4050-R30B J. Turquoise Paint - NCS S 4020-B30G K. Orange Paint - NCS S 1070-Y40R

Elevation A

Elevation B

L. Red Paint - NCS S 1080-Y90R B

L B

E

C

E

C

B

B

Column Structure Views 1 Section AA

Top: Children interacting with finished playground.

Middle Left: Playground public opening.

Middle Right: The Play Mountain.

Above: Completed Playground.

Right: Nationwide advertising campaign, design and graphics placed on posters and giant screens.

Top Left: Concept Collage.

Top Middle: Collage Plan Drawing Middle: Main Axonomentric Drawing & Coloured Graphic Right: Animation Stills Above: Finalised Plan Bottom Midle: Construction Breakdown and 3D Design for nook.

Floor Plan

L L C E

B

B

B C

Elevation View A

Elevation View B

E

LAUGHING MATTERS, Victoria & Albert Museum Exhibition Design Project at Aberrant

Architecture 2018/19 (Imagery courtesy of Aberrant Architecture and the Victoria & Albert Museum)

British comedy is justly famed, not only as a source of entertainment and collective experience, but also for its power and precision as an acute tool of cultural and political critique. “Laughing Matters” was designed to help instil those core values that British Comedy has bought to countless homes over the past 100 years and celebrate it’s ever evolving content. The exhibition houses curated items and footage that are categorized into specific themes regarding British Culture and attitudes reflected through comedy over time. Split across two floors, the installation provides an exhibition spaces on the ground floor and a co-working/

learning space in the space above where the theme of comedy is constantly present. Custom designed display case reflect iconic British artistic styles that help reflect and resonate within the Gallery Space whilst using, block, matte colours to distinctly increase Gallery 55 recognisable elements within the collection. Interactive elements also play a part including interactive media screen with audio Elevation Diagrams telephone handsets alongside graphically designed captions and showcases that allow for user input aswell as user participation.

“Laughing Matters” brings the past 100 years of British Comedy to life and returns its iconography into our Museum Living Room.

600mm 600mm 600mm

600mm

Room 121

600mm

Axo

600mm

600mm

600mm

Alcove

Moulding

Indicative Display Objects

A continuous frieze system, inspired by the Robert Adams bookcase in the V&A British Galleries and by Cruickshank’s cartoon The British Bee Hive, provides an holistic container of cells or alcoves in Gallery 55, for various display scales and strategies.

1

Glazed cells mimic antique cases and bureaux; selected panes in glazed displays could utilise thickened, curved or textured glass to underline the idea of ‘distorted’ and warped views. Patterned and coloured alcoves could indicate thematic connections between the objects on display.

Larger alcoves are augmented with a variety of treatments for the surrounding apertures: lenses or peepholes in smaller alcoves could form viewing ‘cameras’, embedded with video content, while others could host interpretation graphics, or fragile objects in protective cases.

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Room 121 Diagrammatic Plan

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Top Left: Finished Exhibtion Space.

Top Right: Interactive (Head)Phone Middle Left & Above: Panelling Colour Detail Middle Right: Photos of seating in use Bottom Right: Designed Workspace

Top Left: Elevation Concept Test, forms and colours.

Top Right & Centre: Early 3D Modelled Concept for object displays, numerous forms and shapes and colours explored.

Centre Left: Early concept design sketch Above:Rendered Concept Display cases (3D Modelled) Right: Concept Plan

5

SOCIAL HOUSE, Shanghai

Aberrant Architecture 2018 (Imagery courtesy of Aberrant Architecture)

The idea of the Hearth has been around for hundreds, if not thousands, of years. A place for gathering, meeting and socialising around a collective group of personalities. Using this idea and concept of the Hearth, SOCIAL HOUSE was developed to expand that notion and take it out from the private sphere, to the public sphere. Social House consists of five Hearth structures, reflecting that of chimneys, that break through the lattice structured roof, retaining that aesthetic. The structures themselves containing several uses in the forms of perching, leaning, sitting and leaning. All of these being forms of informal socialising. The SOCIAL HOUSE uses its

structures to house books, and magazines to allow for provocation of conversation, allowing a free flow of socialising and meeting within and around it. Centered in the heart of Xintiandi in Shanghai, the installation itself will last through the Summer of 2018, allowing users and passers by to filter though the exhibition and allow the life of the SOCIAL HOUSE to thrive. The idea of the hearth is a timeless feature of the home alongside the dwelling and the narrative of a collective gathering, SOCIAL HOUSE is here to capture it.

Left: Concept Illustration Below: Early Sketches Above Middle: Concept Sectional and Plan Drawings showing inhabitation.

Middle: Design in Plan view with materials.

Bottom: Detailed Graphic Design Logo

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REVISION

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-

-

NOTES Material & Finishes to be confirmed by Fabricator. Aberrant Architecture to approve material samples before manufacturer.

+3000

+3000

+2250

+2250

+1400

+1400

+800

+800

+400

PROJECT: SOCIAL HOUSE

ABERRANT ARCHITECTURE 145-157 ST JOHN STREET LONDON EC1V 4PY INFO@ABERRANTARCHITECTURE.COM WWW.ABERRANTARCHITECTURE.COM

TITLE: PLAN

FOR: XINTIANDI

STATUS: FOR INFORMATION ONLY

VERIFY ALL DIMENSIONS ONSITE. DO NOT SCALE. REPORT ANY DISCREPANCY IMMEDIATELY. THE DRAWING IS COPYRIGHT ABERRANT ARCHITECTURE LTD.

DATE

SCALE

PROJECT

DRAWING

REVISION

APR 2018

1:20 A3

1068

(GA)_01

-

+400

+50

+50

LEAN

NOOK SEATING

600

600

PERCH LIBRARY

600

600

FLEXIBLE SEATING

600

950

LEAN

PERCH SEATING

600

50

600

4000

NOOK SEATING

600

600

600

3000

Materials Key REVISION

DATE

-

-

NOTES Material & Finishes to be confirmed by Fabricator. Aberrant Architecture to approve material samples before manufacturer.

100

PROJECT: SOCIAL HOUSE REVISION

ABERRANT ARCHITECTURE 145-157 ST JOHN STREET LONDON EC1V 4PY INFO@ABERRANTARCHITECTURE.COM WWW.ABERRANTARCHITECTURE.COM

TITLE:- SECTION DD

FOR: XINTIANDI

STATUS: FOR INFORMATION ONLY

VERIFY ALL DIMENSIONS ONSITE. DO NOT SCALE. REPORT ANY DISCREPANCY IMMEDIATELY. THE DRAWING IS COPYRIGHT ABERRANT ARCHITECTURE LTD.

1101

600

DATE

NOTES

-

Material & Finishes to be confirmed by Fabricator. Aberrant Architecture to approve material samples before manufacturer.

DATE

SCALE

PROJECT

DRAWING

REVISION

APR 2018

1:20 A3

1068

(GA)_05

-

B

2100

100

ABERRANT ARCHITECTURE 145-157 ST JOHN STREET LONDON EC1V 4PY INFO@ABERRANTARCHITECTURE.COM WWW.ABERRANTARCHITECTURE.COM

PROJECT: SOCIAL HOUSE

FOR: XINTIANDI

STATUS: FOR INFORMATION ONLY

M2

x10 Recessed Floor Lights 50mm x 300mm

M3

Textured Render (Pink) Ref: YWJ - 006

M4

Painted Timber Shelves Colour to match floor. (i) All timber shelves are removable / detachable. (ii)Timber shelves in unit H3 are re-positionable.

M5

Painted Softwood Timber 100mm x 30mm Colour to match floor

M6

Translucent Waterproof Sheet Ref: 0.15mm

604 1101

600

300

H2

SCALE

PROJECT

1:20 A3

1068

B 1000

H3

1000

C

600

3000

300

D

C

M4

SEAT ELEVATION 1596

300

M1

1100

300

DATE APR 2018

100

100

A

M2

SEAT SECTION

X13

SEAT PLAN

H1

A

A 100

H2

100

Note: Mitre Edges to all Corners

C

B 100

596

600

904

600

1100

100

4000

REVISION

DATE

NOTES

A B

02.05.18 09.05.18

Material & Finishes to be confirmed by Fabricator. Aberrant Architecture to approve material samples before manufacturer.

PROJECT: SOCIAL HOUSE

ABERRANT ARCHITECTURE 145-157 ST JOHN STREET LONDON EC1V 4PY INFO@ABERRANTARCHITECTURE.COM WWW.ABERRANTARCHITECTURE.COM

TITLE: GA PLAN

FOR: XINTIANDI

STATUS: FOR INFORMATION ONLY

VERIFY ALL DIMENSIONS ONSITE. DO NOT SCALE. REPORT ANY DISCREPANCY IMMEDIATELY. THE DRAWING IS COPYRIGHT ABERRANT ARCHITECTURE LTD.

DATE

Materials Key SCALE

PROJECT

DRAWING

REVISION

M1

Floor Panels (Pink) 1:20 A3 1000mm x 1068 1000mm(GA)_01 Ref: H-3308

M2

x10 Recessed Floor Lights 50mm x 300mm

M3

Textured Render (Pink) Ref: YWJ - 006

M4

Painted Timber Shelves Colour to match floor. (i) All timber shelves are removable / detachable. (ii)Timber shelves in unit H3 are re-positionable.

M5

Painted Softwood Timber 100mm x 30mm Colour to match floor

M6

Translucent Waterproof Sheet Ref: 0.15mm

MAY 2018

B

M3

10 20 10

D 320mm

D 300mm

10 20 10 10

D 360mm

10mm Shadow Gap around recessed signage

10mm Shadow Gap around recessed signage

Painted MDF Colour to match roof D 10mm

Logo Vinyl.

Colour to match M3.

540

620

300

Recessed Signage

M3

10

20 10

Information Text Vinyl.

Colour to match M3.

A4 INFORMATION TEXT TBC.

10 10 20 10

Top Left: Finished Structure.

Top Right: Detailed and Close up imagery.

Middle Left: Seating placed in Public Square Middle: Photos of installation in use.

Above: Graphical Advertised Poster Left: Seating in Use Far Left: Installation at night time.

Right: Concept Views, illustrated from a 3D model.

TITLE: SECTION AA

FloorONSITE. Panels (Pink) M1 VERIFY ALL DIMENSIONS DO NOT SCALE. REPORT ANY DISCREPANCY IMMEDIATELY. 1000mm x 1000mm THE DRAWING IS COPYRIGHT ABERRANT ARCHITECTURE LTD. Ref: H-3308

Dotted Lines Indicate Floor Board Join Lines

H1

250

Installation Design Project at

10mm Shadow Gap around recessed signage

320 360 380

M3

REVISION

DATE

NOTES

-

-

Material & Finishes to be confirmed by Fabricator. Aberrant Architecture to approve material samples

ABERRANT ARCHITECTURE 145-157 ST JOHN STREET LONDON EC1V 4PY INFO@ABERRANTARCHITECTURE.COM WWW.ABERRANTARCHITECTURE.COM

PROJECT: SOCIAL HOUSE

FOR: XINTIANDI

STATUS: FOR INFORMATION ONLY

TITLE: RECESSED SIGNAGE PANEL

Aberrant Architecture 2019 (Imagery courtesy of Aberrant Architecture) aid the movement of hot desking and a kinetic working environment. Drawing up detail designs and creating colourful visuals helped us drive our notion of an active workspace that also including a filming, set space to provide broadcasting capabilities to the outside world. We wanted to make sure that we were breaking down the barriers to fitness and create a truly motivating and connected fitness and working experience that keeps people coming back for more to use a series of spaces that is hardly ever thought of as a combined treatment. With this project we are applying what we’ve learnt over practice, to help revolutionise an industry.

General n 450

2400

Contractor

General notes: Contractor to confirm all dimensions on site.

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370

JO 09

Drawing to be read in conjunction with specifications & scope of work document.

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Drawing to specificatio

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Do not sca Do not scale off this drawing.

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All dimens

All dimensions in mm.

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JF.04 40 x 40 HBS FRAME

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JF.04

CABLE PORT BLACK CONTRACTOR TO SOURCE

NOTES/

EQ

141

NOTES/KEY

20 x 20 HBS FRAME

AA AA

600

173

404

JF.02

EQ

JF.01

Finish Code - Refer to FFN-Finishes Schedule

00

00 BIN

EXISTING PLANT

PLANTERS SUPPLIED BY ABERRANT ARCHITECTURE CONTRACTOR TO FIX TO FRAME

PLANTERS SUPPLIED BY ABERRANT ARCHITECTURE CONTRACTOR TO FIX TO FRAME

180

580

221

TWO GANG SOCKET WITH USB BLACK NICKEL (NO SWITCH) CONTRACTOR TO SOURCE

1200

143

BIN

105

PLANTS HIGH LEVEL STORAGE CUPBOARDS

PRINTER

PLANTS

PLANTS

EQ

EQ 180

153

COMMS

180

Revision notes: -

153

PLANTS

B1 B4

D13

FLEXIBLE WORKBENCH

75" SMART SCREEN

JO 02

K1 K3

K2

STORAGE CUPBOARD & DRAWERS

STORAGE CUPBOARD & DRAWERS

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6) All desi

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SHELVING

PHOTO SHOOT WALL

180

FRIDGE

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FRIDGE

FRIDGE

STORAGE

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690

662

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C1

45-157 ST JOHN STREET LONDON EC1V 4PY

JF.03

C3

WHITE & MAGNETIC BOARD

BIN

DISHWASHER

SHELVING

LOUNGE

740

3

10

EXISTING DESKS 1600mm x 800mm

Typical Section AA Principles For All Tables

EXISTING DESKS 1600mm x 800mm

EXISTING DESKS 1600mm x 800mm

EXISTING DESKS 1600mm x 800mm

SMALL RACK 660mm x 800mm

STORAGE BENCH

D2

C1 A1 STUDIO CONTROL VIDEO

C3

D14

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BLACKOUT CURTAINS TO GLAZING

ILLUMINATED HANGING SIGN

DATE

Scale: 1:25 DRAWN BY

STUDIO CONTROL AUDIO

A2 A3

PLANTS BLINDS TO ALL GLAZING

SCALE

A4

RECEPTION EXISTING PLANT

Scale: 1:10

EXISTING DESKS 1600mm x 800mm

REVISION

(72)_01 4

D15

C5

MEETING ROOM

JO 14

GA PROPOSAL OFFICE TABLE (FOUR SEATER) DRAWING NUMBER

Elavation A

Revision

Y - Layo Z - Layo

EXISTING BENCH

EXISTING PLANT

40 x 40 HBS FRAME

QUANTITY X1

STORAGE CUPBOARD 1600mm x 800mm

EXISTING BENCH

D1

DRAWING NAME

FOR IN

STORAGE CUPBOARD 1600mm x 800mm

D12 62" SMART SCREEN

FiiT HEADQUARTERS BLACK PLASTIC END CAP CONTRACTOR TO SOURCE

7) This dra LTD.

JO 05

STORAGE

PROJECT NAME

1140

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LIBRARY

JO 03

JF.04

STORAGE CUPBOARD 1600mm x 800mm

C6

KITCHEN & JUICE BAR

FLEXIBLE SPACE

EXISTING BRAND 3D LETTER SIGNAGE

STORAGE CUPBOARD 1600mm x 800mm

C2

E5 E6

TABLE LEG

1140

5) Figured to those s dimension

STUDIO

D11

75" SMART SCREEN

STORAGE CUPBOARD & DRAWERS

62" SMART SCREEN

JF.04

JF.03

4) Aberran of the spe contracto and out-lin

B2 B3

K4

L1

CABLE MANAGEMENT TRAY. CONTRACTOR TO SOURCE

TABLE LEG

3) Each su must obta for any ch appearanc implicatio

J6

J7

ACCESSIBLE WC, SHOWER & CHANGING ROOM

CORRIDOR

20 x 20 HBS FRAME

2170

J5

A

PLANTS

PLANTS

JO 13

MOBILE BENCHES & SEATS

EQ

J2

J3

FOR INFORMATION

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40

150

JF.04

EQ

J1

J4

D09

F3

J8

B

EQ

180

40

EQ

SHOWER & CHANGING ROOM

EXISTING PLANT

SUBSTRATE

BLACK PLASTIC END CAP CONTRACTOR TO SOURCE

2) Each su will be res and condi attainmen supplier m samples s prior to co

H2

H3

J0 04

JO 7) This drawing is copyright Aberrant Architecture 15 LTD.

40 x 40 HBS FRAME

JF.01

H1

H4

D08

PLANTER

JF.01

EQ

CHANGING ROOM

PLANTS

6) All designs subject to Building Control approval

FORBO TO SIT FLUSH WITH METAL EDGE

JF.04

RACKS 600mm x 1000mm

F2

D10

JF.02

Scale: 1:25

F1

E2 E3

PLANTS

153

Typical Below Tabletop Plan Principles For All Tables

MITRE TO ALL CORNERS

E4

OFFICE

PLANTS

5) Figured dimensions are to be taken in preference to those scaled. The contractor is to verify all dimensions and conditions on site.

CABLE PORT BLACK CONTRACTOR TO SOURCE

1) This dra aesthetic technical

GREEN WALL RACKS 600mm x 1000mm

E1

4) Aberrant Architecture has the right to change any of the specifications on this page without notice. The contractor should always liaise with the designer and out-line programme and finishes schedule

JF.04 40 x 40 HBS FRAME

G2

D07

STORAGE LOCKERS

PLANTS

PLANTS

EQ

CABLE MANAGEMENT TRAY CONTRACTOR TO SOURCE

G1 G3

MEDITATION ROOM MOBILE FURNITURE FOR MEDITATION ROOM

3) Each supplier / main contractor / sub contractor(s) must obtain acceptance from Aberrant Architecture for any changes that would affect the visual appearance of the design or have any major cost implications.

JF.04 20 x 20 HBS FRAME

40 x 40 HBS FRAME

D04

EXISTING BENCH

G4

BLINDS TO ALL GLAZING

JF.03

PLANTERS SUPPLIED BY ABERRANT ARCHITECTURE CONTRACTOR TO FIX TO FRAME

D16

EXISTING BENCH

43" SMART SCREEN

2) Each supplier / main contractor / sub contractor(s) will be responsible for checking all site dimensions and conditions, taking setting out points and attainment of proper alignment and levels. Each supplier must submit detailed drawings and material samples specified for Aberrant Architecture approval prior to commencing of any fabrication on or off site.

TABLE LEG

2

EXISTING HOOK BENCH

D06

D03

PLANTS

A

Scale: 1:25

DOTTED LINE INDICATES TABLE TOP

PLANT

PLANTS

1) This drawing and associated drawings set out the aesthetic concepts only and indicate preliminary technical & material references only.

LIGHT SUPPLIED BY ABERRANT ARCHITECTURE CONTRACTOR TO EXTEND WIRE & FIX TO FRAME. POWER IS SUPPLIED FROM FLOOR BOX

1430

A

Plan

PLANTS

JF.04 40 x 40 HBS FRAME

1

ELECTRICAL SUPPLY

F4

D05

EXISTING HOOK BENCH

JF.04 40 x 40 HBS FRAME

180

VARIES @ A3 MAR 2019 KH

RECTRACTABLE BLACKOUT CURTAIN

D02

RECTRACTABLE BLACKOUT CURTAIN

BLACKOUT CURTAINS TO GLAZING

D01

General not General notes:

A

3123

PROJECT NA

74 80 500

296

JF.08

FiiT HEA

Drawing to b specification DRAWING NA

Drawing to be read in conjunction with specifications & scope of work document.

Do not scale off this drawing.

JF.07

Contractor to

L2

Contractor to confirm all dimensions on site.

JO 07

JO 17

JO 16

JO 01

JO 12

JO 11

GA PROP

JO 06

Do not scale

All dimensions in mm.

B

AllDRAWING dimension NU NOTES/KEY

(01)_01 NOTES/KE

50

AA

Finish Code - Refer to FFN-Finishes Schedule

00

Plan

1

A

Scale: 1:15

SCALE

WL 02

A 50

MITRES TO ALL VISIBLE CORNERS & EDGES

WL 01

Painted Wall Finish (Grey)

75" Smart Screen TV (Sourced By Client)

Painted Wall Finish (White)

LX 09

JO 12

WL 05 Black Window Frame and Glazing

WL 02

WL 01

LX 09

WL 01

JO 11

DATE

AA

DRAWN 00 BY

Wall Light

Wall Light

Painted Wall Finish (Grey)

Painted Wall Finish (White)

Painted Wall Finish (White)

450

JF.07

2) Each supplier / main contractor / sub contractor(s) will be responsible for checking all site dimensions and conditions, taking setting out points and attainment of proper alignment and levels. Each supplier must submit detailed drawings and material samples specified for Aberrant Architecture approval prior to commencing of any fabrication on or off site.

314

50

1) This drawing and associated drawings set out the aesthetic concepts only and indicate preliminary technical & material references only.

1004

JF.08

ACCESS TO STORAGE LID TO BE FITTED FLUSH TO SEAT WITH A CONCEALED POST HINGE

JF.07

Elevation A

2

1) This draw aesthetic co technical & m

2) Each sup will be respo and conditio attainment o supplier mu samples spe prior to com

3) Each supplier / main contractor / sub contractor(s) must obtain acceptance from Aberrant Architecture for any changes that would affect the visual appearance of the design or have any major cost implications.

140

TIMBER PLINTH PAINTED BLACK EGG SHELL

4) Aberrant Architecture has the right to change any of the specifications on this page without notice. The contractor should always liaise with the designer and out-line programme and finishes schedule

50

Scale: 1:15

3) Each sup must obtain for any chan appearance implications

5) Figured dimensions are to be taken in preference to those scaled. The contractor is to verify all dimensions and conditions on site.

6) All designs subject to Building Control approval

4) Aberrant A of the speci contractor s and out-line

7) This drawing is copyright Aberrant Architecture LTD.

447

500

ACCESS TO STORAGE LID TO BE FITTED FLUSH TO SEAT WITH A CONCEALED POST HINGE

JF.08

FOR INFORMATION

5) Figured d to those sca dimensions

500

Revision notes: -

JF.08

3004

50

1004

500

6) All design

7) This draw LTD.

500

FOR INFO

JF.07

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INDICATIVE STRUCTURE

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45-157 ST JOHN STREET LONDON EC1V 4PY

PROJECT NAME

FiiT HEADQUARTERS

Revision n

B - Loweri C - Annota D - Layout

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DRAWING NAME

TIMBER PLINTH PAINTED BLACK EGG SHELL

GA PROPOSAL LOUNGE BENCH 130

TIMBER PLINTH PAINTED BLACK EGG SHELL

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SCALE DATE

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VARIES @ A3 MAR 2019 KH

Painted Skirting Finish (Black)

Painted Wall Finish (Black)

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General notes:

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QUANTITY X1

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Fiit Logo (Cut into Surface)

Painted Wall Finish (Black)

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PROJECT NAME

Contractor to FiiT HEADQ

Contractor to confirm all dimensions on site.

Drawing to be read in conjunction with specifications & scope of work document.

Do not scale off this drawing.

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All dimensions in mm.

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1) This draw aesthetic co technical & m

2) Each sup will be respo and conditio attainment o supplier mu samples spe prior to com

4) Aberrant Architecture has the right to change any of the specifications on this page without notice. The contractor should always liaise with the designer and out-line programme and finishes schedule

Elevation B Scale: 1:10

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3) Each sup must obtain for any chan appearance implications

5) Figured dimensions are to be taken in preference to those scaled. The contractor is to verify all dimensions and conditions on site.

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3) Each supplier / main contractor / sub contractor(s) must obtain acceptance from Aberrant Architecture for any changes that would affect the visual appearance of the design or have any major cost implications.

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2) Each supplier / main contractor / sub contractor(s) will be responsible for checking all site dimensions and conditions, taking setting out points and attainment of proper alignment and levels. Each supplier must submit detailed drawings and material samples specified for Aberrant Architecture approval prior to commencing of any fabrication on or off site.

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1) This drawing and associated drawings set out the aesthetic concepts only and indicate preliminary technical & material references only.

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6) All designs subject to Building Control approval

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4) Aberrant A of the speci contractor s and out-line

7) This drawing is copyright Aberrant Architecture LTD.

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FOR INFORMATION

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FOR INFO 45-157 ST JOHN STREET LONDON EC1V 4PY

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Fiit’s interactive, online platform is bringing boutique studio fitness into everyone’s living rooms. Designing their brand new office space and studio headquarters provided us with a challenge that felt natural in maintaining their mission to make fitness addictive.

Retaining the fitness and active theme, we decided to design a working space that could be turned quickly and flexibly into a working out, active space. Using gym flooring, bespoke furnitures our creative input allowed Fiit to believe in our vision and execution of what will become their most important and exclusive space. Office spaces and meeting rooms received bespoke panelling and desks to

675

Office Design Project [Ongoing] at

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“Fiit” HQ, London

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QUANTITY X2 BENCHES X10 STOOLS

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Painted Wall Finish (White) Existing Fiit 3D Large Physical Signage

Planter

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Far Left: Photoshop “Look and Feel” Views for Reception and Office Spaces Left Column: Construction Drawings for bespoke furniture.

Bottom Left: Current Construction Phase Top: Plan Drawing of entire scheme.

Above: Elevation Drawings of proposed spatial design.

(03)_18 SCALE DATE DRAWN BY

1 A A

RIBA VALIDATION EXHIBITION Self-Directed Exhibition Design Project at Central

Saint Martins, 2018 and models. The space itself I decided to separate into aisles to allow a circulated space to help with the journey of the assessment and also provide a space to sit, and allow discussions and meetings to take place during the assessment week. Using my skills at 2D and 3D CAD, planning and executing the exhibition was quite a familiar process and easily achievable with the space provided. Central Saint Martins were awarded with a High Validation Distinction and a commendation on the presentation and display of the exhibition and its curated content. This project allowed me to work collaboratively and also at a hands on level, alongside computer design work.

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Every 4-5 years, the (BA) Architecture Course at Central Saint Martins is validated by a board of pre-selected, external RIBA members, who come to assess the overall work from the current/past year. In 2018, I was selected to lead, design, build and curate the RIBA Validation, post graduation from the course. As someone with an intimate knowledge of the course, its contents and well maintained relationships with students and staff, it was a tremendously exciting project to lead that was completed within 3 months, from concept to build completion. The exhibition itself demanded bespoke furnitures to be built and works to be resized with accompanying objects

Top: Detailed Plan Bottom Left: Section Series 1, Exhibition Boards Bottom Right: Section Series 2, Bespoke Furnitures and Layout

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EXHIBITIONS (WIP SHOW + DEGREE SHOW)

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3 SOFT TIMBER TRESTLES PER TABLE (material required:4 linear meters per trestle)

12 FROSTA STOOL, IKEA (BIRCH PLYWOOD)

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7X TABLE TOP BIRCH PLYWOOD FULL SHEET (2440X1220mm)

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EXHIBITION UNIT 4 PINBOARD: SUNDEALA 9mm 1220X1840mm

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RIBA Visiting Board / Room C303

SAMPLE PORTFOLIOS // YEAR 01

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COUNTER SINK ENCLOSING: 4 FULL SHEETS OF BIRCH PLYWOOD 2440X1220mm + 2 SHEETS OF 2440X870mm in the sides.

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Section A

TABLE TOP BIRCH PLYWOOD HALF SHEET (1220X1220mm) + 2 SOFT TIMBER TRESTLES

SAMPLE PORTFOLIOS // YEAR 01

A FL.02

Top Left: Exhibition Stands Top Right: Bespoke Furnitures (Trestles, Tables) Middle: Aisle Views Above: Entrance View looking in.

Right: Seating Area for assessment and dscussions.

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INTRO + MANIFESTO

PLINTH TOP: BIRCH PLYWOOD 1200X960mm

Visions of the Future in Blade Runner

END OF YEAR CATALOGUE PUBLICATIONS

Investigating the Sets and Theories Constructing a City on the Edge of the Future. Centered around set design and the application of Architectural Theory in Film whilst being a study of Ridley Scott’s 1982 production of, Blade Runner. I discuss the conception, production and execution of the project in relation to it’s influences and sources, amongst real architectural sets used in the film. From Corbusier to Archigram, Sant’Elia to Peter Cook, the writing demonstrates an extremely important link between two fields of study that I deeply connect with. It is a critical piece of work that questions whether set design can become a form of experimental and predictive science.

Rounding each academic year off, a publication highlights the student work throughout the year. I have been a part of the core team that provides the design and layouts for content. These publications are printed en masse and left on show at the annual end of year University Degree Show. They are presented and used as a tool for further recruitment for the University and the course. Working closely with a professional Graphic Designer, I have been able to learn layout and Graphical skills that have in turn, helped with Portfolio and Professional Publications. Harnessing these graphical skills have made me more flexible for working both collaboratively and independently.

Dissertation and Publication

Annual Publication Graphic Design (2015-19)

Publication 2015-2016

Publication 2016-2017

Publication 2016-2017

Above: Cover of Publication (Left - Back Cover, Centre Spine, Right - Front Cover, with own illustration) Right: Title Page and Contents Page.

Far Right Column: Physical Outcome

Publication 2017-2018

Chapter 5 Highlights: “The Architecture of Domestic Narrative”

Publication 2018-2019

Appendix - Breaking down key scenes, via still images and script, for further analysis.

MARINA-VILLE

Graduate Final Design Project | Tutors - David Chambers and Kevin Haley The concept of maritime is etched into the fabric of Canvey Island. Sailing and Yacht clubs, Marina workshops and the iconic Chapman Lighthouse still carry significance towards the identity of Canvey today. Marina-Ville, aims to target the distancing generations and create a masterplan to regenerate the Marina environment by reviving a forgotten community. Island seniors can help share knowledge of craft and history, through construction and archiving, teaching new skills to engaged youths. In turn, youths will help maintain the area, through the management and development of new skills, helping run the area. This agenda aims

to set up several spaces enforcing a generational bridge featuring Tidal Pool Classrooms (extracting educational potential of the natural environment), Boat and Mechanical Workshops (providing jobs and opportunities such as apprenticeships), surrounded by Tidal Social Spaces, using submersible structures to help link both the land and the sea. The proposal will offer a contemporary and feasible solution to renovating the existing run-down area of Oyster Creek and breathe a new life back into the Marina.

Focusing on The Point of Canvey Island, the proposal will address making and learning within a natural and artificial landscape.

Prepared mould for Casting Sectional Piece

Mould Cast and left to solidify

Cast extracted from mould to be sanded

Material Tests (Left) focusing on creating

Top: Isometric Rendered Slice of Proposal Above: Proposal Topography Top Right: 3 Rendered Proposal Views Right: Ground Floor Plan Far Right: Masterplan Bottom: Long Rendered Section (1.7m Roll)

concrete alternatives using site materials for a greener sustainable set of materials for both structural and programmatic uses.

(Above) Materials Left to Right: Brick Crete, Jesmonite, Jesmonite & Concrete, Timber, Clay & Cement, Concrete

In response to my material test series I developed a Material Totem. This model, representing a programmatic element, such as a tidal pool, and using intended materials in its composure. This model is also to be used as an experiment to decide the most suitable material upon exposure to water.

The model is to be placed in a sealed container and exposed to periods of water interaction over 1-2 weeks. A way to determine the integrity and suitability of the most successful test materials.

Top Left: Tidal Pool Sectional Detail Top: Material Totem Above: Totem Detail Middle: Casting Process Far Left: Concrete Test Bricks Left: Totem Exploded Views

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Moët Henessey Louis Vuittion SE- LVMH

RAPHA CYCLECROSS INSTALLATION

Luxury is no longer simply about the rarest materials, their elegance and their expense. It has developed into mindful luxury.

Designing this proposal, we understood that a high end sustainable consciousness has developed as our effect on the natural world has become more apparent. Our Living Monument Naturally Luxurious, celebrates the LIFE of each product, and congratulates LVMH on its commitment so far. This will be achieved through eight cylindrical installations. Every column tells the story of how each Maison honours the LIFE program. This story is literally told though the materials that are protected and used.

In collaboration with Rapha, for their cyclecross event, this particular one in King’s Cross. In keeping with the theme of bicycles, we designed a bike tyre bench that would accommodate up to 5 people and was weather resistant. Group Project of 4 people.

Constructed from recycled bicycle tyres resting on an internal steel frame which is embedded in concrete foundations. The structure is able to be mobile and weatherproof.

“LIFE” 25th Anniversary Installation

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THANK YOU FOR LISTENING

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AFTER PRESENTATION

STORYBOARD

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Two sets of 6 metre long bars with bays for tending at 1 metre height.

Steel Frame

Exploded View

A

The Bar represent the “negatives” of the columns.

The aesthetics of a “cast” or “mould” that the columns were “created” in.

Textured Plaster Panels

Consisting of textured plaster panels, representing materials of the columns and a steel frame. A glass panel sits on top as a flat tabled surface.

hn Moran | Concetta Reuss | Amar Sall

MATERIAL LIBRARY

Front View

Rear View

Top & Center: Final Installation Column Renders [From Left to Right by Row]: Ice, Jasmine, Brass (Honeycomb), Soil, Barrel (Wood), Cotton, Coral (Plastic), Light ON Right: Installation Model Photo Details INHABITATION Right Middle: Material Board Right Bottom: Installation Circulation Ground Plan Above: Installation Plan Drawing

Plan View (Serra Bar)

Plan View (Opposite Bar)

THE BARS

Top Left: Finished Seating in Situ Top: Construction Process Middle Left: Seating placed in Cubitt Square Above: Photos of seating in use Left: Construction Hand Drawing Far Left: Seating in Use

CANVEY CONVERSATIONS

DEGREE SHOW EXHIBITION AND PAVILION

LONDON FESTIVAL OF ARCHITECTURE

Engagement is the foundation of crucial research. Being truly immersed in a community provides the ultimate platform for ideas. First hand interaction with users allows for conversations which create a richness in the development of concepts; no project should begin without a form of user-engagement. For this proposal, my team and I produced activities on site for specific age groups. These took

The Degree Show at Central Saint Martins for Architecture uses a Pavilion made by students to house the graduate work. The task, constructing and curating a pavilion to house all 8 Vertical Studios and their work, but also have a lifespan of up to 3 years. The Pavilion itself, constructed from Plywood had modular elements cut via CNC Routing and the rest, by hand. The roof panels provide the support for the

Stage 2 students took up the challenge of designing, constructing and managing their own end of year exhibition. Led by myself, the process took three months of preparation and collaboration. The Team carried out construction, whilst designing to produce functional exhibition space within just one week. Located in Bethnal Green, the space proved to be a huge challenge for the year to include everyone’s

Research Project/Event

the form of a tile-making exercise on the beach for children, extracting the educational potential from the landscape, and later, a pub quiz for the seniors of the site, allowing for a more social and informal interaction. These activities were devised to gauge local issues and potentials. Direct communication with the users is, without question, a key aspect of progression within my projects.

University Final Exhibition - Summer 2018

entire pavilion structure, keeping the 8 bays in place. Upon completion, the 8 studio spaces were curated with studio work.

Aswell as being a part of the construction team, I took a lead on designing and curating my own studios’ space. Relating the look and feel of the space to our site in Canvey Island. The opening night of the Degree Show brought upwards of 2,000 people to the pavilion itself.

University 2nd Year Final Exhibition - Summer 2017

work—we are proud that we managed to do is with an exhibition design was tuned to the existing space and constructed from materials re-used from the recent Fine Art end of year Degree Show. The space provided an intimate and close environment that triggered interaction and conversation which allowed the opening night to be an incredible success that welcomed over three hundred visitors.

Top: Event in progress Above: Tile-Making Process Middle Right: Audience Participation Left: Event outcomesTiles, Interview Responses, Pub Quiz Answer Sheets

Top & Center: Degree Show Opening Night | Above Left: Degree Show Space | Above Right: Construction

Top & Center: Exhibition Opening Night & Speech (Myself) | Above: Exhibition Displays

VAULT SPACE

University Design Project | Tutor - Andrew Friend Using my position as a “designer” and the catalyst of production in urban development, I carried out research on the site of Dover Street, Mayfair.

Using hidden means of production and services as my central theme, I started investigating and developing a programme that would compliment and further my current research strain.

Vault Space

provides a tailored and unique service to its clientele. A secured and monitored storage and banking facility for those in need of maximum security for their possessions and keepsakes. Using major precedents from bunker architecture, to pop culture and film studies, Vault Space has undeniably become the impenetrable fortress on Dover Street.

SAVILE ROW UNMASKED

FURNITURE WORKSHOP

After observing, uncovering and investigating the total area, my project became focused on Savile Row. I was fascinated by the means of production and craftsmanship that took place directly within the businesses on Savile Row, to my surprise. Research began to interrogate why these specific crafts were still situated in house today. The very exclusive character

Based in Elephant & Castle, London, this project was tailored to accommodate the local community in constructing tailor made “nomadic furniture” which would allow easy transportation and construction. The building itself is reflective of the programme inside, primarily focused on wood working construction, including a living space on the top floor as well as a construction

Research Installation Design Project

Early Design Project

of Savile Row is known worldwide but little is known about the methods of production. So we set out to uncover and expose the hidden crafts within through our conceptual model. Combining a physical scale model and a film, we ultimately created an animated, semiinteractive experience for users to come and finally see, Savile Row Unmasked.

crane to help lift materials and products around. Based off the Walworth Road, the proposal is centrally located in the local borough. With on-site construction and craft, this proposal aims to help up-cycling materials and recycling ideas in a self influential community project that boasts low-costing furniture for those in need.

Proposal Elevation in Context (Hand-drawn and Photoshop)

ELEVATION 1:100

Proposal Section in Context (Hand-drawn and Photoshop) Scale 1:50

5 - VAULT SPACE

THE MODEL Final View

SECTION 1:100

BASEMENT (Storage Space)

Side Elevation in Context (Hand-drawn)

GROUND FLOOR (Cutting Workshop)

FIRST FLOOR (Finishing Workshop)

SECOND FLOOR (Office & Showroom)

THIRD FLOOR (Studio Living Space)

Proposal Plans (Hand-drawn and Photoshop)

Detail Sections (Hand-drawn A2) - Cross Section (Below Left) / Long Section (Below Right)

CORE SECTION

Scale 1:50

Inhabited Tower Core Section of Iteration 5 - VAULT SPACE

FINAL SECTION (ITERATION 5)

FINAL ITERATION

Scale 1:50

Inhabited Section of Iteration 5 - VAULT SPACE

Scale 1:4

Cross Sectional Detail

Top: Perspective Section (1.5m Roll) Centre Right: Core Section Centre Left: Final Section (A0) FINAL ITERATION Above: 1:50 Sectional Model Detailed Rendered Exploded Axonometric Left: Sectional Model Detail Far Left: 1:100 Model ITERATION FOUR MODEL Model Scale 1:100

ITERATION FOUR SECTIONAL MODEL Threshold Moment

Left: Exploded Isometric Top Right: Final Outcome Bottom: Audience Interaction Right: Film Stills for “Savile Row Unmasked” https://vimeo.com/193642067 Centre: Model Section Detail

Scale 1:10

FILM STILLS

Highlighting main physical process

Film Runtime - 1 minute 55 seconds

PLANS 1:50