ANT Yearbook by AMFI Amsterdam Fashion Institute

featuring the pleasantly graduated AMFI â&#x20AC;&#x201C; Amsterdam Fashion Institute 2 0 1 1

contributors Publisher: AMFI – Amsterdam Fashion Institute Editors-in-chiefs: Frank Jurgen Wijlens and Charlotte Lokin Executive Editor: Therése Östelius Editorial: Zornitsa Angelova, Vita van Casteren, Claudia Jansen, Lindsey Watson, Olivier Termijtelen Art Direction: Therése Östelius, Olivier Termijtelen

Proof Editors: Stephen Fetherston , Anneloes van Gaalen, Andrew Kerven, Marian McLaughlin, Joanna Watson Styling Advice: Frans Ankoné Advertising Manager: Yma van den Born Advertising: Anne-Floor ten Brinke, Jessica Hellinga, Robin Straatman, Tiffanni Trench Printer: robstolk® Amsterdam

The AMFI Yearbook 2011 is a publication of AMFI – Amsterdam Fashion Institute Hogeschool van Amsterdam Mauritskade 11 1091 GC Amsterdam The Netherlands +31 (0)20 595 45 55 www.amfi.nl www.AMFIportfolio.nl www.amfi.hva.nl www.facebook.com/amsterdamfashioninstitute This publication is possible thanks to our sponsors and advertisers. All rights reserved © 2011 AMFI – Amsterdam Fashion Institute On all offers, tenders and agreements made by AMFI – Amsterdam Fashion Institute the conditions of Dutch law apply.

Special Thanks: Souraya Bouwmans-Sarraf, Merel van de Beek, Leslie Holden, Peter Leferink, Joyce Overklift, Lorena Pammer, Jay Ramautarsing, Sjef Smit, SPRMRKT, all of the employees at robstolk, René van de Velde, Marja Vreeswijk, students and faculty from the minor ‘Independent Fashion Magazines’, photographers, make-up artists, models and all the graduates.

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. Although the highest care is taken to make the information contained in ANT Fashion Magazine as accurate as possible, neither the publisher nor the authors accept any responsibility for damages, of any nature, resulting from the use of this information. The editors of ANT Fashion Magazine and the AMFI Yearbook 2011 have attempted to abide by all copyrights. If someone believes they have copyright of any part of this publication, contact AMFI –

Amsterdam Fashion Institute.

Photographer: Jasper Abels Production and styling: Claudia Jansen, Elyse Moland, Lindsey Watson Designed by: Steffi Dekkers Hair: Zuzanna Mandrysz, Colourfool Agency Make-up: Ronny Elvers Model: Eline, CODE Management

AMFI thanks Lineapiù Italia S.p.a for the sponsoring of yarn to our students.

McGregor Fashion Group B.V. is een van de meest succesvolle modehuizen in het hogere marktsegment en staat voor daadkracht en ondernemerschap. Meer dan 1000 medewerkers in Europa bouwen dagelijks aan het succes van onze merken waarvan McGregor en Gaastra de belangrijkste zijn. Onze merken worden verkocht in 3000 multi-brand stores, 265 shop-in-shops en meer dan 120 eigen winkels. Voor McGregor zijn wij op zoek naar ambitieuze stagiaires en starters voor verschillende afdelingen, waaronder Design, Product Management en Marketing met een passie voor merken. Ben jij creatief, zeer gedreven en sta je stevig in je schoenen? En pas je goed bij een succesvolle onderneming met veel individuele vrijheid? Check voor het laatste vacature-overzicht onze website: www.mcgregorfashiongroup.com/nl/careers. Of stuur een open sollicitatie met motivatiebrief en cv naar: jobs@mcgregor.nl t.a.v. Maaike ten Velden. www.mcgregorfashiongroup.com

the power of passion Talking to each one of this year’s graduates, we noticed a recurring theme – a message of fresh excitement. The graduates’ unique passion is their true source of creativity and their greatest drive as fashion professionals. Listening to individual stories of inspiration gave us the feeling that these graduates have infectious passion. Whether it is using fragile porcelain in a dress, building massive fashion installations or obsessively hunting for vintage treasures, they all have an enthusiasm that will inspire the fashion world for many years to come.

Therése Östelius Zornitsa Angelova Vita van Casteren

ANT yearbook celebrates the creativity of AMFI graduates. Now more than ever passion will make the difference at all levels of the fashion world. Armed with the power of passion and a strong sense of originality, we believe that this new generation of AMFI fashion professionals can take on the world!

Olivier Termijtelen Claudia Jansen Lindsey Watson The editorial team of the ANT yearbook

1 7

By AMFI is the Statement Store of the Amsterdam Fashion Institute that exhibits and sells products of our talents; students, teachers, alumni and friends. A community working together with the industry and society. Every theme is organized and realized by our young AMFI professionals.

www.byamfi.nl

Spui 23 Amsterdam

contents deanâ&#x20AC;&#x2122;s note 11 almost, not really at home 12 I am / you are; meeting bram & bram 24 portrait of a pleasantly obsessed 28 systematic fixations 32 featuring the pleasantly graduated 34 if only we knew the bicycle thieves 68 a never ending story 72 shaping memories 74 essential compositions 76 entering atmospheres 86 collecting collections 88 all the pleasantly graduated 90

Scheepstra flowers

Scheldestraat 74-76 1078 GN Amsterdam tel. 020 662 62 48 www.bloemenscheepstra.nl

dean’s note My first words go to the students graduating in 2011: congratulations on your achievement. Your hard work paid off! You are ready to move from our institute as a student to a working environment as a young professional. I have been asked to write a preface for ‘The Magazine’, as we call it at AMFI – Amsterdam Fashion Institute, on the topic of passion and obsession. As I write these words, different thoughts go through my mind. Shall I write about my own passion? Or about passion in general? I have decided to write about the passion I have seen in our own institute: the passion of its students and teachers. About six years ago an AMFI team started thinking about creating a new curriculum. It was their passion to be able to offer students something new, a new experience in creative education. This was never going to be an easy assignment. Innovating something as large as an education programme does not happen overnight, but it is the passion of those who believe in education to offer the new generation something that will guide them in a changing environment. The second passion I saw was how this AMFI yearbook and magazine were being put together. What an experience to see how an idea can become reality! To see students grow and develop in such a short time. In my opinion this has everything to do with passion. The ambition of students wanting to be part of this large and prestigious programme. The team effort in delivering an independent magazine that will be distributed from Amsterdam to New York, from London to Singapore. However, I also see the passion in the team of teachers involved in the process of creating the end result, the guidance that they give without steering the creative process too much. I see it in the professionals, from different sectors of the magazine industry, which are also participating in the programme. All working with a single purpose: to help students get the very best out of themselves. All of this in order to deliver a professional, independent magazine. Everybody is contributing an individual passion, whether they are eager to teach or eager to learn. Experts are passing their knowledge on to a new generation and working together with students who are open to new ideas and thoughts. The students graduating in June are the first to have experienced this new way of teaching. The success of the new curriculum can only be measured by your own personal achievements and how you all go on to put into practise what you have learnt here over the past four years. I believe it is important to be aware not just of what you have learned here, but also of how those you met at AMFI have contributed to who you are today. Make the most of it and you will make us proud. I will close by congratulating all of you and I wish you all the best in your personal and professional lives. Warm regards, Souraya Bouwmans-Sarraf

almost, not really at home 13

Photography: Hanneke van Leeuwen Photography assistant: Ruben Seigers Production & styling: Zornitsa Angelova, Vita van Casteren and Therése Östelius Hair: Pascal den Dikkenboer, ViewAgency Make-up: Hanneke de Hertog, ViewAgency Models: Sophie, Touché Models Quinten, Touché Models

14 Designed by Steffi Dekkers. Shoes: Waterlooplein market. Ring & bracelet: Good Times Jewelry and Moroccan treasures.

16 Designed by Bram Bekker.

20 Designed by Lisa Whittle. Earring: Ivania Carpio van Osch.

I am / you are; meeting bram & bram

Text: TherĂŠse Ă&#x2013;stelius Photography: Dennis Swiatkowski

Imagine being one of the few guys starting at a design school and finding out there is another guy with exactly the same name. Bram Bekker and Bram van Diepen met at AMFI four years ago. This is about an extraordinary friendship between two opposites in fashion (and about the interviewer that became completely redundant). Tell something about your friendship. How did it all start?

Our beard… ...No your beard! Beard bond

It all started in school. I knew there was someone walking around in school with the same name so I was like: I don’t like him, and I don’t feel special anymore. But now I feel extra special because we have the same name. You are in the same class, have you ever felt like competitors? Yes, once we were doing this project together and at one point we had to choose the final pieces for an entire collection... Then we were competitors. However, we made such different things so I did not really care. For me it is not so much about competition, it is more about motivation. When you see that one of your best friends is doing very well it gives you a lot of energy, and there is also no point for me to challenge what he does. That would be very silly to do because I can’t do what he does. And we both aim for the top, but those tops are on different mountains.

Same frequency. What do you actually think of me? You’re super hot, too bad you are straight. No... Really, what do I think about you?…I really like you! No...You are a great colleague and friend at the same time. We can really exchange ideas about work, the future and stuff within fashion, but on the other hand we can also just get very drunk together and have super fun and not sleep for three days. It is a nice combination. What was the first thing you thought about me when we met for the first time?...This is interesting, was it that day I walked into that computer class? I think you thought: what kind of outrageous faggot is this…?! No, actually I didn’t think you were gay… What! I don’t really judge people when I meet them if they are really nice and I thought you were in that category. I actually liked you immediately. People who make

What do you think connects you two?

No, but Bram and I are on the same page with a lot of what we do and with what we want both from our lives.

me laugh stick around longer in my life. So I guess the answer is funny. The first time we met I thought you were funny. There are a lot of successful duos. Could you ever work together? Let’s say produce a collaborative collection. Do you see that happening? Yeah, I think we could. It would be difficult though because we don’t share the same vision on fashion, but that could possibly be an advantage. Yes, I agree. We are similar in our drive and passion but what we do is very different. I think in a dream world where we had money it could be very interesting to set something up together, but I also think it could be very hard because we do have such a different fashion perspective. In what way? I think you are far more driven by materials, whereas I go more for fit and a more tailored approach. I put more thought into the technical aspects and think more about how the seam will hold my garments, while your way of designing has more of an unconventional way of tailoring and maybe has a more feminine touch to the design. And I have certain ideas about how I think clothes should fit, while you go more oversize.

A coat from you may have twenty-five pattern pieces, while mine would consist of only eight.

Does your way of working as designers reflect your personalities? Yes I do overthink every decision I make. I think maybe I’m more of a dreamer while Bram is more a thinker. Since I was a kid I had a lot of stories in my head and now I finally found a medium in which I can tell those stories, which is for me an important thing in fashion. Imagination for me is more of a starting point that later translates into a more technical approach, whereas you tend to float along in the process and don’t think so much about tailoring rules. What are our differences? I think there aren’t that many differences except that you go after the girls and I go after the guys. So we don’t stand in each others’ way in that sense. Oh, and he always looks like a bum while I look fabulous. You look great darling. Thanks. Am I an inspiration for you? You motivate me, not just as being one of my best friends, but also as a colleague in fashion who does something completely different to what I do. In that way you do open my eyes to other things. Yes, but that is what I always like about our relationship that we always show each other interesting blogs or stuff in fashion.

Yes, we are not so secretive with each other, we are happier to show things we come across. Do you look up to me? Well yes I do. Sometimes I wish I could do the things you do or come up with those great ideas, but then again, maybe my strong point is, that I come up with my own. Was there a time you really wanted to punch me in the face? Yes!!! When we did the honour show together and when it was time for us to clean up you were only floating around drinking beer. While I was scraping shit from the floor. Can you get a bit annoyed with me sometimes? You can be a little bit overwhelming. When you just go on and on with your jokes sometimes. I thought that was what you liked about me, that I’m funny...? To a certain degree, but what I like about you is….

No, I don’t like that about you! …Of course I do, but you are such an outspoken and honest person. You would never make any concessions whatsoever for somebody else. You are just you and no one else. What was the thing you always wanted to tell me but never did? Do it now. I don’t know really, I have pretty much said everything already. You never lied to me? Never went behind my back to our teacher to tell him he should fail me? No no. I did! Luckily you’re not asking me this question! I can still ask you that! Do you have anything you have always wanted to tell me? Do you remember that night we shared a bed in Paris? No…Hahaha.

…that I make jokes!

portrait of a pleasantly obsessed

Text: TherĂŠse Ă&#x2013;stelius Photography: Dennis Swiatkowski

Searching through colorful mountains of clothing at flea markets might not be everyones idea of a good time, but for Sammy Roggeman itâ&#x20AC;&#x2122;s all part of the fun. A two month visit to Australia, saw Sammy bring back a fresh business plan for designer vintage stores and, of course, a caseload of treasures.

Hi Sammy, was it just an excuse to escape the Dutch weather or is there really something special about the vintage stores in Australia? Ha ha, yes, I actually went there because the idea of vintage is completely different from here in Europe. It is fully integrated into everybodyâ&#x20AC;&#x2122;s life, even in the higher echelons of society. Vintage plays a big part in shopping routines. The world around vintage is more developed over there, you can find more creative store concepts. I essentially wanted to see it for myself and learn from that. Your graduation project started with your obsession for treasure hunting. What makes you so excited about that? Vintage is definitely my weakness and a bit of an obsession. It is about finding unique items that you cannot find anywhere else, but it is also unquestionably about the hunt. It is almost like a game. You go to a market where 98 percent is just crap and then you finally find something really special, which is very rewarding.

I really look at everything piece by piece. It takes patience, but it is definitely part of the fun. Everything is always one of a kind in vintage stores or at the market. Therefore it is really important to look at every single item. The worst situation that you can encounter is that you arrive at a store and see someone trying on a piece that you have wanted for ages. All you can do then is stand behind that person and watch like a hawk until they make up their mind. That can be a bit awkward. It seems like you have a habit of gathering? Is it only clothes that you hunt for? Iâ&#x20AC;&#x2122;m not a hoarder, though I do have a weakness for shoes. I used to collect magazines as well but I stopped doing that so I can focus on clothing. Do you collect subconsciously? Sometimes I come home with nothing and sometimes with a lot. Often, I have to ask myself, why did I buy this? Many of my vintage purchases come from the 60s, 70s or 80s, styles that go in and out of fashion all the time.

Sounds exhausting, I guess you need some

sort of strategy to find what you want?

That is why sometimes I just buy something even though I know I may not wear it right away. A few years later it might be back in fashion though, ready to be worn. Not that I’m too big on trends. What I mean is that clothes can really grow on you, you are not always ready for them.

Is there anything you always keep your eyes open for? Jewelry, because it is very difficult to find. I guess it bears a stronger emotional value for people and in a way is timeless, especially compared to clothes.

fashion is so fickle, if I don’t like it today I might like it tomorrow Do you buy things that you never wear?

Yes, especially shoes! No matter if they are too big or too small, if I see a pair of beautiful shoes I really need to buy them.

What are you looking for in the items you buy? Is it only the design or also the story behind it? It is partly the cultural value of the pieces, but also quality. With today’s fast fashion the quality is becoming worse and worse due to fast trends and even faster production. Compared to the clothes that are in the shops now, the quality of pieces that were produced decades ago is way better. Do you ever throw out clothes?

Hmm... No! That is the downside of my hobby, I can’t throw out anything. Fashion is so fickle. If I don’t like it today, I might like it tomorrow.

systematic Production: ANT Yearbook Team Illustration: Rustan Sรถderling

f i x a t i o n

Annoyed with the presumptuous attitude of the academic world towards fashion Katarina VuletiÄ&#x2021; made an attempt to defend the fashion discourse as an academic study. The fascination of this fashion manager resulted in a study on how the contemporary fashion system suddenly went in overdrive with multiple collections per season.

featuring the pleasantly graduated We are proud to present the graduates of 2011. Students who have not only proven to be exceptional in the world of fashion, but who have also shown their passion for very particular things. A wide mixture of personalities, passions and obsessions spanning all three disciplines proves yet again that AMFI is able to give birth to pleasantly obsessed fashion students. To see more about the work of our graduates visit their portfolios on our new website AMFIportfolio.nl

Fashion & Design The images, items and stories that inspire and motivate the fashion world are born from the visions of designers. Fashion designers are conceptual thinkers with strong visions that are mapped out into pattern pieces and constructed with exquisite technical skill. Creative experimentation and freedom are encouraged as these students learn to translate their ideas and visions into tangible products. Graduates of Fashion & Design have the skills to work as trend forecasters, stylists, independent designers and designers for brands or retail organizations.

Fashion & Management The network and channels that make up the fashion industry could not run without the strategic and analytical thinking of Fashion Managers. As excellent planners and constant communicators, managers are always searching for the most efficient way to bring designersâ&#x20AC;&#x2122; visions to consumersâ&#x20AC;&#x2122; hands. Technical knowledge of producing, marketing, buying and selling fashion is enhanced by creative and innovative thought. The graduates of Fashion & Management could work as buyers, production managers, wholesalers, and concept managers for retail organisations and product campaigns.

Fashion & Branding This program makes AMFI unique in a Dutch fashion education â&#x20AC;&#x201C; students gain knowledge and skills connected to branding, communication, visual merchandising and retail conceptualization. Fashion branders fabricate the faces of fashion that we all recognize, and convey the messages of designers. They are conceptual thinker and team leaders that link fashion to the consumer. Graduates of Fashion & Branding could work in forecasting, advertising, communication and magazines as brand engineers, concept developers and creative managers.

collaborate with amfi

Amsterdam Fashion Institute

Interested in advertising or in our publications or working with AMFI? Contact: Yma van den Born Phone: +31 (0)20 - 595 45 20 Email: y.van.den.born@hva.nl www.amfi.nl

if only we knew the bicycle thieves Production: ANT Yearbook Team Photography: Nienke Sinnema

While I was at work

Laura Posdziech, Lijnbaansgracht. Winter 2010 (first time)

Ordinary matters in the life of fashion brander Nienke Sinnema make her analogue camera work overtime. Passionately photographing the truth of Amsterdam and turning them into stories in such a way that you become a part of the encounters, sounds and routines of the city. If only we knew the bicycle thieves is a series of 12 portraits of girls whose bikes were stolenâ&#x20AC;Ś If only they knew the thieves, they could go and steal their bikes back!

While I was at the toilet (I didnâ&#x20AC;&#x2122;t lock my bike)

Josee Veerman, Lange Distelstraat. Autumn 2009 (third time)

While I was dancing the night away

Caroline Bakker, Nieuwmarkt. Autumn 2009 (fourth time)

While I was celebrating Queenâ&#x20AC;&#x2122;s day

Nina van de Ven, Weteringcircuit. Spring 2007 (first time)

a never ending story

Text: Vita van Casteren Handwritten by: Sarah Meers

Meet fashion brander Sarah, a thinker, collector and storyteller. She has a love for the old and unique, which is what makes her obsessed with second-hand items, clearly shown in her brand concept Henry and Mr. Fry. Discovering the stories of each and every object creates imaginary worlds. Enter the world of her imagination.

shaping memories

Text: TherĂŠse Ă&#x2013;stelius Photography: Amber Isabel

When it comes to redefining the tradition of porcelain, Dutch fashion designer Amber Sophie Smidt needs to take a bow. By shaping the brittle white material to accompany her fashion designs, she transforms her clothes into body jewelry. I meet Amber in a small atelier in Arnhem. She is busy carving out round shapes in clay that will soon become buttons for her graduation collection. Carefully, I walk around. Surrounded by hundreds of porcelain objects, it feels like an accident is about to happen. Amber explains that the story of her collection does not begin with a fascination for porcelain, but rather with her granddad. She laughs and says, “I wanted to make a collection out of seven pieces as that was my grandpa’s lucky number. I have six now, so I have to work hard to add one more.” Why was your grandpa so important to you and this collection? My grandfather passed away suddenly last September and I realized that with his death he also took a lot of information to his grave. I questioned myself, who was my grandfather? What did he do when he was young? What was his fascination? I knew him well, but not as well as I would have wanted to. I set up a word tree built up from all the things he loved and with my collection I have tried to capture these fascinations.

The shapes you are making are very female; why is this? I have translated my grandfather’s existentialist thoughts into my world as a female. I think we should be proud of being women. I see my designs as female uniforms, in which I exaggerate the shape of a woman. My outfits are about the shield you can build around yourself to protect you from the outside world. At the same time porcelain is very fragile, and being inflexible it is the opposite of fabric. Yes, porcelain requires you to be very careful. What I am trying to tell with my collection is that you should be very careful with clothing, as well as everything that surrounds you. They are your personal little treasures to cherish.

It sounds very beautiful to dedicate your work to your grandfather. Was he also the reason you started working with porcelain?

Yes, in a way. He told me that he believed, just like Jean Paul Sartre, that every human being is responsible for his own destiny. I believe that when you really embrace this philosophy, you become a stronger person as it allows you to build up a shield of protection around you. I decided that porcelain would be the perfect material to visualise that philosophy in my designs.

essential compositions Photography: Jasper Abels Production & styling: Claudia Jansen, Elyse Moland, Lindsey Watson Hair: Zuzanna Mandrysz, Colourfool Agency Make-up: Ronny Elvers Models: Eline, CODE Management Stefan, 77models

78 Designed by Lynn Langeveld.

Her outfit designed by Lisa Whittle. Shoes: Acne. His outfit designed by Bram van Diepen. Shoes: Filippa K.

Above designed by Amber Sophie Smidt. Below designed by Lillie Akkermans.

82 Designed by Lillie Akkermans.

PHOTO SHOOT 2

84 Designed by Tatiana Orekhovskaya.

Text: TherĂŠse Ă&#x2013;stelius Photography: Dennis Swiatkowski

entering atmospheres

Building large scale fashion installations to create atmospheres for fashion brands seems simple when fashion brander Serkan Köse talks about it. His motto, plus art, made us even more curious to see why he is so obsessed with bringing fashion and art closer together. A meeting with Serkan in his own private space helped us understand his fascination for building on a large scale.

my installations are as important as any other communication tool within fashion. It is a great quality to be able to work with your hands. I love that. You see the result immediately and that gives me the spirit to keep on going, but also the joy of looking at something you made yourself.”

His medium is what he calls fashion art installations, in his own words: “I could for instance take something commercial, like fashion, but I would then place it within an art context.” He explains that when it comes to fashion and its way of presenting collections we are used to stores, catwalks, prints, and film. What he wants with these installations is to take the next step in fashion communication. “I believe that the concept and the feeling of a collection becomes one with the viewer when you enter an installation space, and I think that the feeling of the brand becomes stronger when it surrounds you than when trying to capture it in a movie or a photograph.“

with a new clothing concept, a new installation will be born Even though fashion is a fast paced, everchanging medium Serkan does not see this as a particular drawback for his installations. “Art can be very temporary too. It can be almost as fast as fashion. If fashion changes my installations need to do the same. With every fashion season my installation naturally dies, it loses its purpose. When something dies something new is born.“

He has always had an interest for fashion and art and in combination with his passion for building and sculpting with his hands, installations seem to be a natural result. “I have always been interested in space and installation art. Building installations has sort of become my quality. I cannot write plans or strategies, but I believe that

Lately Serkan has been busy with an installation for the young Dutch fashion designer Rianne Suk’s latest collection. Her constructed shapes and use of raw materials is what intrigued him and made him want to work with her designs. “It is built out of my interpretation of her concepts. You can do it in many ways, but in an installation like this there is also room for the clothes and the for the viewer to feel them. When on a catwalk the clothes pass you by in seconds and then gone again. While in an installation people can enter the world of the designer and feel the message in a stronger way.“

collecting collections

Production: ANT Yearbook Team Visuals: Jasmijn Wester

We are all obsessive collectors in one way or another. Emotional meaning is attached to particular items that suddenly become carriers of tangible and imaginative elements. For designer Jasmijn Wester this was the inspirational beginning of her graduation project which resulted in a textile forecasting and 2D fashion collection.

all the pleasantly graduated of 2011 fashion & design A

Lillie Akkermans

Laura Kirchner Hebe Kistemaker Denise Kooij

Katrien Wassenberg Jasmijn Wester Lisa Whittle Hanneke Witvoet

B Eline Baas Bram Bekker Sjaron Bloem Frank Buls Judith Buil

D Daphne Daalhof Birgit Daniels Steffi Dekkers Bram van Diepen

Lynn Langeveld Chris Lesny Angela van Lindt Hanneke Lunning

M Merle Miegel

Iris Nijenhuis Iris Nijmeijer

Daisy Esschert

Tatiana Orekhovskaya

Renee Ferron

Geomara Fernandez Piguave

Blaithnaid Geoghegan Tim Goddenhenrich Selina van Grondelle Katharina Grube Yudi W. Gunawan

H Sanne Haselager Doortje van den Heuvel Aafke Hofman

Daphny Raes Fleur Roossien

S Marije Schik Amber Sophie Smidt Willeke Stolk

T Judith van der Toorn

Rosanne Janssen Xiaowen Ji

Annemarie van der Ven Catelijn Visser Olga Vokรกlovรก

Leaders a tradition of serving global

fashion & management A Ben van Anrooij Saskia Aardewijn Ronald Adityo Valeria Alexeeva

Zarien Basharat Nicole Beers Joyce Benninga Nikki van Benthum Julia Berfelo Nicola Bevilacqua Marlous Bijleveld tJelle Boddaert Suzan Botter Deborah Brands Miranda Bredek Irene Bronger Arjan de Bruijn

Alisa Kaminska Serap Kara Eveline Keizer Ann-Christin Knierim Emma Koper Taitiana Kronstadt

Kajal Manoe Matthijs van Maris Charlotte van der Mark Marielle Moes Marloes Molenaar Anne Moor Tim Morsink

ValĂŠrie Colin Marlotte Coppens

D Yasmin Dikkeboom Celine Disch Dorien Doppenberg Irene Dost Shanta van Driel

L Silvana Langguth Joey de Leeuw Deborah Lo-Kioeng-Shioe Marloes Luijckx Karolina Lukawska

N Jana Nicolaus

Marijke van Egmond

Karlijn Offringa Paco Oppatja

F Fleur Feijen Mirjam Franken

G Tamara van Geest Wendy Groote

Corinne Hornei Irja van Houten Jessica Hsia Akira Hu Pauline Hurkens

Angela Haarsma Jorien Haubrich Milou Hermans Katharina Hirt Caroline van â&#x20AC;&#x2DC;t Hoff Mirjam Hopman

R Lianne Ravelli Jermaine Reawaruw Natascha van Rhenen Lisanne van Rietschoten Patricia Roering Sammy Roggeman Shanti Rossa

S Dilek Sahin Thea van der Salm Margreet van Schaijck

Mirthe van der Schoot Robin van der Schuur Jennifer Simmons Teuntje Simons Anne Steiner Mariska Stolwijk Nathalie Streng

T Niels Tork

V Sanny Veenstra Tommy Verkroost Katarina Vuletic

W Andrea van Well Hannah van Well Oliver Wilkinson Daphne Winkel

fashion & branding B Ingeborg Beentjes Jolien van der Berg Marlies van den Berg Femke Berkvens Edith Beurskens Charlotte BĂśhne Rodney Bos Ines Leonie Bouazra Simone Braaksma Carla van den Brink Caroly de Bruijn

C Phoebe Cornelisse Ghislaine Crasborn Denise Crombag

J K

Selianthe Kallimopoulos Paul Karsten Kirsten Keller Janneke Koelemaij Anniek Koelmans Indra Klein Holte Joost Konings Jorrit Koopman Serkan Kose

Nikki Schreuder Anne Schuit Nienke Sinnema Johanneke van der Slikke Suzanne Smulders Rosanne Sneek Jessica Snel Armaj Flash Sombunjaroen Maurits Spek Jorn Staats Danny Strijker Stefanie Suchy

L Marvin Lankenau Hansje Lathouwers Elaine van Leeuwen Sophie Flore van Leeuwen Margriet Leguit Jomima Leiwakabessy Anneke van Leth

F Don Fontijn

G Bing Gall Romy Garnaat Denise de Geijter Joyce Goessens Jemma van Gurchom

H Britt Hamersma Paul Hanraets Tess Hartman Marlou van der Heijden Floor Hendriks Tamara Hendrikse Julia van Herpt Marije Hobo

R Anouk Rijkenberg Karolien Rijksen Vera de Ruijter

Sanne van Delft Didi van Dijk Natalia Pereira Domingues da Silva Leite Erik Dorland Liza Chloe van Duyn Sascha Esmail Kirsten Esselink

Sophie Peeters Helga van der Plas

Kelly Jenkins Anna Juszkiewicz

Stephanie van Hoof Darla van Hoorn Nicole Huisman

T Tessa Tannemaat Lars Tibben

U Aleixa van Uytrecht

Sarah de Man Charlotte Marck Anna Mars Sarah Meers Lisa Megens Anna Meijer Florence Mes Femmie Mulder

Celine Vaessens Tamara van der Valk Mara van der Veer Lieke Veld Famke Visser Niels van der Vlught Chantal Vogelaar

N Fieke NicolaĂŻ Kim Nietveld Jane van Nispen Stephanie van Nuland

Koen Webbers Jelle de Weert Jeltje Wegdam Hannah Wiersma Sauling Wong

Ilona Oksanen

Yvette Zeeman Esmee Zootjes

P Deborah Pasveer Thomas Pawlik

SNCT FOR FASHION MANAGEMENT Product:

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De Stichting Nederlandse Confectie Technici, ofwel SNCT, komt voortuit de voormalige Nederlandse Vereniging voor Confectie Technici. De stichting heeft als doel de technische opleidingen in de kledingbranche te ondersteunen en hun voortbestaan te waarborgen. Dit doen wij door middel van financiĂŤle ondersteuning voor projecten en stages van studenten in de technische/commerciĂŤle studierichting.

SNCT

a distinctive, often agreeable odor

www.antfashionmagazine.com byAMFI Statement Store Spui 23 Amsterdam

 werkt hard aan de toekomst, wil jij daar aan meewerken?  uitbouwen tot een wereldmerk, met vestigingen in heel Europa én daarbuiten: dat is wat we willen. We geloven dat onze ‘oer-Hollandse’ succesformule, bijzondere eenvoud, bij iedereen werkt. Elke week openen we nieuwe winkels, van klein tot megagroot, in Nederland, Duitsland, België, Luxemburg en Frankrijk. Onze medewerkers maken het verschil. Zij zijn trots op . Zij inspireren anderen met hun enthousiasme, zetten net die paar stappen extra en verleggen hun grenzen elke dag weer. Ze motiveren, ze helpen, ze zoeken voortdurend naar verbeteringen en ze hebben lef, liefde en passie voor hun vak. Ze doen het gewone ongewoon goed. Zij zijn echt .  ontwerpt, produceert en verkoopt alle producten onder eigen label. Onze productontwikkelaars en stylisten bedenken en ontwerpen al onze artikelen. Onze inkopers zoeken en selecteren de beste leveranciers, in binnenen buitenland. Onze kwaliteitbewakers testen alle producten op veiligheid, duurzaamheid en  kwaliteit. Onze eigen merchandisers begeleiden de productie en het transport vanaf de leveranciers naar onze winkels.  geeft iedere medewerker alle ruimte om zijn of haar talenten te ontwikkelen. Bijvoorbeeld een specialisatie via een van onze interne opleidingen of externe cursussen en opleidingen zodat iedereen binnen  door kan blijven groeien en de eigen ambities waar kan maken.

Ben jij de medewerker die het verschil maakt? Kijk dan voor meer informatie en onze vacatures op www.hema.nl.

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CONTINUE OP ZOEK NAAR TALENT

KIJK VOOR ACTUELE VACATURES OF LAAT JE CV ACHTER OP:

WWW.

.NL

fall 2011 collection

www.g-sus.com Photography by Daisy Komen www.daisykomen.com

n Heb je ee hion' Fas r o f n o i s s 'Pa makeup s l a e j l i w en erken w n a a g t s e arti e? in de mod Meld je dan aan voor onze eerstvolgende cursus en krijg les van topvisagisten als John Kattenberg, Clayton Leslie en Eva Copper. Startdata: zondag 4 en maandag 5 september 2011. Voor meer informatie en inschrijvingen mail of bel ons: makeupschool@houseoforange.nl - +31 (0)646 608 604 - check onze website via www.houseoforange.nl of zoek ons op op Facebook!

Gaastra is een Nederlands zeilmerk met een DNA dat gedrenkt is in pure nautische passie. Het bedrijf dankt zijn internationale reputatie aan een unieke mix van functionaliteit en fashion. Gaastra is onderdeel van McGregor Fashion Group B.V., opgericht in 1993. Meer dan 1000 medewerkers in Europa bouwen dagelijks aan het succes van onze merken waarvan Gaastra en McGregor de belangrijkste zijn. Voor Gaastra zoeken wij ambitieuze stagiaires en starters voor verschillende afdelingen, waaronder DESIGN, PRODUCT MANAGEMENT, MARKETING & SALES met een passie voor merken. Ben jij creatief, zeer gedreven en sta je stevig in je schoenen? Pas je goed bij een succesvolle onderneming met veel individuele vrijheid? Check voor het laatste vacature-overzicht onze website: www.mcgregorfashiongroup.com/nl/careers. Of stuur een open sollicitatie met motivatiebrief en CV naar: jobs@mcgregor.nl t.a.v. Maaike ten Velden.

gaastra.eu - gaastrastore.com