P O R T F O L I O A R C H I T E C T U R E
A N A
M A R C E L A
&
D E S I G N
VA L E N Z U E L A
ANA MARCELA VALENZUELA A R C H I T E C T U R E
&
D E S I G N
WHY ARCHITECTURE Traveling around the world to different places in South America, Europe, and Asia I came to realize how architecture can be so diverse and yet still have meaninful impact in people’s lives day by day. We have learned that people spend 90% of their lives inside what we like to call architectural spaces which have the power to influence people’s behaviors. So, how do we give real value to those spaces and make a difference for the people and the planet? The search for an answer to this question is what drives me as a young architect. To me, the best architecture is the one about journyes, movemets, exepriences, smells and sensations. It is that daily envelopment of space and elements that have the power to comfort us. There is where the true power of architecture lies, and as a young designer, I want to create architecture that embraces the deepest complexities of the human imagination, and be able to transform these into visions. I want to preserve the history, as well as address the constant challenges of today’s world, to provide a durable plan for tomorrow. Our mission as architects is not just to do “a” building but look at the bigger picture, and enhance a sense of place, connecting people to the places we design, and to each other through intentional and memorable experiences. I aim to design architecture with values to give back to the community and help shape better societies, while also taking care of our planet and of our future. .
ANA MARCELA VALENZUELA 912 . 4 8 0 . 7311 | a n a m a r c e l a v a l @ g m a i l . c o m | w w w . a n a m a r c e l a v a l . c o m
EDUCATION Savannah College of Art and Design (SCAD) Savannah, GA Bachelor of Fine Arts in Architecture | Minor in Architectural History | 2019 SCAD Alumni, Summa Cum Laude GPA: 3.94
SKILLS
EXPERIENCE
Software AutoCAD Revit SketchUp Rhinoceros V-Ray
WORK
Castillo Arquitectos & Urbanistas | Summer Internship
Jun. - Aug. 2018 Drafted CAD document floor plans, furniture, circulation and construction details. Produced renders and presentations for project developers. Collaborated across disciplines with architects and vendors for project development. Developed promotional marketing and collaborated on the graphic renovation of the firm’s redesigned logo and office-work display. Assisted on preparation for an International Charette of an Urban Design Project.
Adobe Photoshop InDesign Illustrator After Effects Microsoft Office
SCAD Leadership| Orientation Assistant
+ Conceptual Design, Construction Documentation, Hand Drafting & Sketching, Model Building, Strategic Thinking, Problem Solving, Collaboration, Presentation Techniques, Research, Prioritization, Communication, Time Management.
AWA R D S & H O N O R S
2017 - 2018 Contributed as a source that linked incoming students with the college’s resources, support services and building locations. Advocated for discussions among them and their families regarding the college’s opportunities and processes.
PROJECT EXPERIENCE & EXHIBITS
SCAD |Apt du Jules (France) Theoretical Architecture Exhibition
2018 Designed, using Revit and CAD, small high-rise projects in downtown Apt, France. Collaborated with the community on this public on-site event. Contributed with the organization of the on-site theoretical architecture student exhibition. Drafted the layout for the presentations and designed the invitation poster of the event.
SCAD |Daffin Park Open Gallery Exhibition
Assembled with our professor an open gallery to showcase the 3rd year student work, processes and scale models as a final presentation.
SCAD Awards | Tau Sigma Delta Certificate 2019 | Senior Project Award for Outstanding Artistry 2019 | Dean’s List Recognition 2015 - 2019
ABROAD UNDER EDUCATION
SCAD Scholarships 2015 - 2019 | Achievement Honors Scholarship | Academic Honors Scholarship | Lacoste Study Abroad Scholarship
SCAD | Hong Kong Winter Immersion Program
L AN GUAG E S Spanish English Italian
First Language Second Language Limited Skills
INTERESTS Collaborative Projects Volunteering Traveling (Abroad Experiences) Drawing Sketching
2018
SCAD| Lacoste, Study Abroad Program
Fall 2018 8 -Week Study Program at the SCAD Lacoste Campus Studied and designed architectural projects while on the south of France. Visited the villages of the region and enhanced the design and communication skills necessary to develop architecture based on the interpretations of the French culture.
Nov.- Dec. 2017 3 -Week program at Hong Kong, China and Macau Explored and built up greater knowledge of Asian culture and its architecture, while fostering sketching skills and developing a greater interpretation of cultural spaces.
LEADERSHIP & INVOLVEMENT
SCAD AIAS| Executive Committee Member Graphic Designer
2018 - 2019
Responsibilized on the production and design of all AIAS advertisements. Coordinated with President/Vice-President and Communications Director to ensure a good vision of the AIAS graphics on social media and emails.
Mentorship & Membership Director
2017 - 2018
Partnered and mentored undergrad and grad students to incentivize studio culture and serve as a mediator for network development within the SCAD architecture department.
CONTENT ARCHI TE CTURE 01 MO · TION 02 ALVEARE SPA 03 NOTRE CUISINE 04 BUS STOP
ART THE AMBIENCE IN US SKETCHES
01 MO · TION K I N E T I C A RTS M U S E U M ASHEVILLE N.C.
Professor Daniel Brown Spring 2019
The traditional role of museums is to collect objects and materials, preserve them, research into them and present them to the public for education and enjoyment. However, while other museums hold art inside of them the Asheville’s Kinetic Arts Museum intends to be much more than that and provide a new experience where the building is the art itself. By fusing the fascination with movement and the appreciation of creative arts, the museum serves as a celebration of motion, which is exposed on its Kinetic Façade. On it, the building appears as waves on the landscape, echoing the movement of the French Broad River. *2019 SCAD Senior Project Award for Outstanding Artistry
A PARK IN MOTION | SITE DESIGN It all began with the design of the site. Currently, the French Broad River Park consists on s single concrete loop with a small children playground and a dog park. After analyzing and studying the site and the people’s behavior on it, the new park design started to develop. Based on the existing loop, new paths were designed. One for the bikes on site and one for the pedestrians. On the bike path, the phosphorescent concrete collects sunlight during the day and shimmers at night, activating the path at night and creating an interesting pattern visible from above the hill residences as well. The pedestrian path is wide enough to allow access for food trucks or in the case of any accident emergency vehicles can easily access all parts of the park easily. BIKE R E N TA L
RETENTION POND & E L E VAT E D PAT H
SUNKEN PLAZA
Additionally, nodes on the park are designed to both attract and invite more
people to experience the park in new fun/natural ways; and at the same time implement sustainability measures on site. For instance, the water retention pond was designed after a careful water study, and it was designed not only to serve a water filtration method but as a possible community pool in summer and a natural ice-skating rink in winter. With an elevated path to experience it from different heights in all seasons. Among other features there is the use of treePAfor natural shading and microclimates; RK ING water filtration terraces as interactive features and to drain possible floodings on site; permeable pavers and bioswales to help on site water filtration; path segments with kinetic pavers that can generate energy on site; and floating gardens made up of recycled plastic to help regulate the rivers’ tides and give an appealing look for the river bank. SCULPTURE GARDEN
DOG PA R K
WATER FILTRATION TERRACES Watrer Filtration Terraces
TREES MICROCL IMATES & TreesTOAStoCREATE create microclimates S HADING DEVICES & as natural shadding devices on site
Bioswales forFORrun-off BIOS WAL ES RUN-OFFwater WATER filtration FILTRATION
RECYCL ED PL ASFloating TIC FLOATING Recycled Plastic Gardens as GARDENS buffers at the riverfront
S I T E N AT U R A L BUMPS DOCK & NODE
PICNIC AREA
ON energy S ITE ENERGY HARVES TINGkinetic tiles On site harvetsing
Permeable pavers for water run-off PERMEABL E PAVERS FOR WATER RUNOFF
0’
80’
40’ 20’
N
SITE PLAN 60’
150’
100’
300’ 200’
PA R
KIN
G
BIKE R E N TA L
RETENTION POND & E L E VAT E D PAT H
SUNKEN PLAZA
F LO D D I N G T E R R A C E S
SCULPTURE GARDEN
DOG PA R K S I T E N AT U R A L BUMPS
Bike Path Pedestrian Path
DOCK & NODE
PICNIC AREA
0
VOLUME DIVIDED 1 Volume Divided
1
2
DETACHMENT OF VOLUMES
(1) Below Ground Dettatchment of Volumes (2) Above Ground (1) Below Ground | (2) Above Ground
-1 DISPLACEMENT OF LEVEL VOLUME & Displacement ofGROUND Ground Level Volume FORMULATION OF PLAZA & Formulation ofSUNKEN Sunken Plaza
UNDERGROUND MUSEUM VOLUME Underground Museum Volume
BREAK OF ABOVE GROUND VOLUME & & Upper Volume Separation Access Formulations
FORMULATION OF SUNKEN PLAZA ACCESS
W
S
E
ADDITION KINETIC FACADE TO VOLUMES, Addition ofOFKinetic Facade to volumes WITH NATURAL LIGHTING ROOF SYSTEM & with natural lighting roof system WATER DISTANCING FEATURE and water distancing feature
-2
MOTION | THE MUSEUM The building is based on the idea of developing as a recognizable landmark that integrates with the landscape, not imposing the architecture on the site but developing it from the context. It is composed of two main plazas that clasp the building’s main form underground. One of the plazas serves as the entrance to the museum, while the other functions as a platform to experience the moving façade. Three main volumes extrude from the ground with the kinetic façade attached to them, providing different experiences within the interior spaces in the museum. MO · TION is a tribute to the concept of movement in the realms of art and architecture.
CONSTRUCTION DETAILS PLANTS LIVE ROOF ENEGENEERED SOIL
BOND BEAM
MOISTURE PORTALS
METAIL TIES
LIVE ROOF DEEP MODULE
STONE VENEER DRAINED CAVITY EXTERIOR RIGID INSULATION STEEL BEAM METAL DECK OPEN WEB STEEL JOIST SUSPENDED CIELING REBAR CONCRETE BLOCK METAL CHANNEL GYPSUM BOARD
PERMABLE HOLDING SCRIM SHEET RIGID INSULATION ROOT BARRIER MULTI-PLY MEMEBRANE METAL DECKING OPEN WEB STEEL JOIST
SECTION B
CAP FLASHING WITH DRIP EDGE
RUNOFF
OLED TURBINES CONNECTOR STEEL TUBE METAL PLATE & CONNECTING BOLTS WIDE FLANGE BEAM FLASHING RIGID INSULATION WATERPROOF MEMBRANE CONCRETE KNEE WALL PERFORATED PIPE METAL DECKING WIDE FLANGE BEAM
OPAQUE ONYX PV GLASS SUN SHADING STEEL TUBE CONNECTOR STEEL SUPPORT STRUCTURE METAL PLATE & CONNECTING BOLTS WIDE FLANGE BEAM SILL THERMAL BREAK FLASHING DOUBLE GLAZED ROOF HORIZONTAL LOUVERS GLASS CIELING PERFORATED METAL CIELING
THE LOBBY
ATRIUM GALLERY
VOLUME GALLERY
VOLUMES UPPER PLAZA
K I N E T I C
F A C A D E
COMPOSED OF THE OLED WIND TURBINES
The Kinetic Façade of the museum is1 composed of OLED Panel units that are stacked on top of each other to form spirals which serve as vertical axis wind thatFrame 2 turbines Structural produce energy for an interesting and attracting 3 Rotational Axis display. On a windy day, the museum’s visitors will be able to experience ever changing thatSwitcher 4 patterns Electronic will transform the museum into a constantly moving sculpture that will have the power to capture the dynamics of wind on site and the visitor’s attention. Even when static the façade will stay dynamic, with pre-determined patterns that will create an interesting effect for the museum. It can also activate the upper plaza of the museum at night by displaying interesting patterns full of colors.
Tongue joint washer to provide connection to the next module
4 Stainless steel structural plate in bow shape to strenghten OLED panel against strong wind
2
Electric wires connect panels to electricity generator
1 3
Switcher Responds to digital pixel signal to turn on OLED panel when desired
Stainless steel tube (Diameter 1 in.)
OLED Panel bowed slightly to increasy ability to catch wind
2 1
OLED Panel
2
Structural Frame
3
Rotational Axis
4
Electronic Switcher
Tongue joint washer to provide connection to the next module
4 Stainless steel structural plate in bow shape to strenghten OLED panel against strong
Groved joint to fit the connecting module
Different patterns can be ob-
Different patterns tained depending on thecan anglebe obtained depending on the of ratation between each modangle of ratation between each ule. The patterns create visual module. The patterns create interest interest during theduring day and visual thelight day and light up during the night. up during the night. Thse are functional panels that Thse are functional generate energy panels with that their generate energy with kinetic rotations due totheir either the kinetic or rotations due to either wind the activation of the pannels. the wind or the activation of the
pannels. Patterns from the Avoid Obvious Architects Firm Web Page.
INFORMATIONAL PHYSICAL MODELS
02 HEALING FROM THE HIVE T H E R A P E U T I C S PA & BEE SANCTUARY SAVANNAH G.A . Professor Catalina Strother Fall 2016
The Alveare Spa is a therapeutic spa that fuses nature and human contact into one. While on a sustainable and peaceful atmosphere, the Spa offers alternative therapy methods for the community of Savannah within custom made spaces that are designed to enhance the experience of treatments that may involve smell therapy sessions, massages, facials and yoga classes. The project is a collaboration with the local honey company of the Savannah Bee Company.
DESIGN FOR THE COMMUNITY While on a sustainable and peaceful environment, the Spa will offer alternative therapy methods within custom made spaces. The Savannah Bee Company works along with local honey bees to produce a broad variety of health and beauty products. The Spa anticipates the use of individual pods that serve as the modular components that encapsulate the sustainable ideas planned for the spa. The climate in Savannah is hothumid. Shaded and cooled spaces
are optimal; therefore the complex is designed to accommodate the clients inside a shaded spaces by implementing porches and shaded paths in the building. The project aims to offer a physical connection to the surrounding neighborhoods and businesses by integrating continuous sidewalks with permeable paving. In addition, alternative transportation methods such as bus and bike rental that will incentivize people to visit and use the spa.
Extended Walkway
Bee Sanctuary & Garden
SPA and Main Building
Adaptive Permeable Paved Parking Space
GEORGIA
CHATHAM COUNTY
CLOSE - UP
Picnic / Social Area
Water Retention Pond
Modular Therapeutic Pods
SPACIAL ORGANIZATION The main building is devided in four main zones. There is a specific area for two theraoy rooms, which have massage beds and a small room seprated by a partition wall for the bee therapy chair. This area also counts with their own restrooms and a walkway that directs each patient to the exterior therapy rooms. The central area of the building constits on it’s administrative office, a lobby with a waiting space and an expeiential path that will hold display bee hives for the client’s education on bees and the treatments beeing offered. Next to the central zone of the building a more social space holds a retail store, a small cafe and an assembly space for the community to become involves in the “Bee Sanctuary” aspect of the complex. A variety of events can be organized here rangeing from community meetings to Sunday yoga classes.
2
6
PRIVATE THERAPY 2 therapy rooms and 1 ADA bathroom per restroom
GEOMETRY AND CONNECTION TO NATURE
FLOOR PLAN MAIN BUILDING 1 2 3 4 5 6 7 8 9 10 11
1
Reception Waiting Area Green Wall Path to Garden Administration Restrooms Therapy Rooms Reail Store Coffee Shop Shadded Path Storage Assembly Space
2
9
10 4
3
7
8 5
5
11 5
PUBLIC ACCESS AND ADMINISTRATION Reception with a waiting area / retail store + cooffee shop
STORAGE Storage and HVAC closets
ASSEMBLY SPACE Open adaptable space for yoga classes and/or lectures
FORM FINDING MAIN BUILDING • • • •
Reception Retail Store Assembly Therapy Rooms
3 THERAPEUTIC PODS
ORGANIZATION OF VOLUMES
AC C E SS & C I R C U L AT I O N
The site is adjacent to the Boulevard Road wich faces directly the fisrt volume constisting on the main building and its entrance. Additionally there are the 3 therapy pods that operate independently but contribute to the complex experience.
The entrance to the main area and reception of the main building is parallel to the road to welcome every new user. Circulation then follows the building shape directing always to the back where the pods are located.
O R I E N T A T I O N
DESIGN IN PHASES
The complex is oriented on an East-West direction in order to maximize day- light intake. Good during winter and the addition of overhangs and a louvered shadding system will benefit the building in summer.
The complex is situated on a site that has been devided in three in case of future land negociations. The complex occupies two thirds and respect the site’s geometry, however, it only covers one third in occupational area.
WATER MANAGEMENT
WATER COLLECTION POND
RAIN GARDENS
ROOF WATER COL
LLECTOR PIPES SYSTEM
PERMEABLE PAVING
BIOSWALE
MODULAR POD The design of a modular pot aims to give the opportunity of the Spa to whether expand the number of PODs as the business grows, or for these to be moved and transported to other locations; providing flexible adaptations on site. The pod consists on four studs that clasp together five surfaces that encompass the POD. Two of the walls that make up the POD are made up of Rice Paper to provide shade and translucency to the interior of the POD. Other two will be Solar Ivy Skins that will generate energy for the POD. Finally, the Cherry Wood wall will hold modular be hives that will be the main focus of the therapies within the POD. It will stand over Tabby Gravel for water filtration and sustainability and each POD can be easily assembled between two to four persons.
Tabby Garvel
Hexagon Pattern Rice Paper Screen
Solar Ivy Skin
Beewax Treated Cherry Wood
03 NOTRE CUISINE É C O L E D ’A R T S C U I L I N A R E APT DU JULES, FRANCE
Professor Samuel Olin Fall 2018
The challenge is to design a mixed used building that encompases a Culinary Arts School, a small cafe and a space for the community to foster stronger relationships. It is located in a historical urban setting. The project is proposed to be sited in Apt du Jules in the Provencal Region at the South of France . The form and function of the space is designed with reference to local Provencal architecture and cuisine, repecting the historical context of the City of Apt.
SITE EXPERIENCES
PL ACE JEAN JAURES The whole design is centered on the idea of revitalizing and existing but forgotten plaza that holds the remaining parts of the stairs of an ancient roman amphitheater. The idea is to design a garden that allows for spontaneous interactions resulting in social and cultural exchanges between students, everyday users and visitors. The design of a Culinary Arts School that imitates a colorful and diverse context in a seamless integration with the square, the building and the city.
Rooftop Private Garden
Cooking Demo Classrooms
Community Gardens
Adaptable Spaces & Movable Furniture
Demo Kitchen Classroom
RUE DE MERCHANDS
Lobby Café
Out door shadded corridor that serves as an extension for Sunday Market Herbal Garden Over ruins
Water feature
Monolythic Community Table
Movable Furniture
PLAN OF THE SAN JUARES PLACE
ÉCHELLE MÉTRIQUE 1 : 200
UNITE : METRE
UN ÉCOLE D’ARTS CUILINARE
HARMONIOUS INTEGRATION
GREEN EDUCATIONAL ZONE
SOCIAL & CULTURAL ENCOUNTERS
After several conversations with the people of Apt, as a studio we discovered that for them the ruins where not something they were very proud of nor cared as much due to the violent history of Roman Amphitheaters. Therefore, a solution thought with the intentions of reactivating the plaza involving the ruins without recalling Roman history per se, was to design a natural herbs garden that merged with the ruins. Aiming to plant new life on a forgotten site and recalling the farming traditions, roots of the Province in the South of France.
LEVEL 3 A B
LUANGE GREEN ROOF GARDEN
LEVEL 2 A B C
B
B
2
C A
1
A
STUDENT LAUNGE HALLWAY MODULAR CLASSROOM
LEVEL 0 A B C
A
WAITING SPACE OFFICE MODULAR SPACE
LEVEL 1 A B C
3
C
B
0
CAFE HALLWAY DEMONSTATION CLASS
B
C
A
LEVEL -1 A B
GARDEN & RUINS ELEVATOR
-1
A
B
GEOMETRY FROM CITY GRID
PLAZA AND RUINS EXISTING CONDITIONS
ADA circulation is free and spacious enough for people with disabilities to move around and access all the habitable spaces of the building.
LONGITUDINAL SECTION A
GREEN SPACES
In case of fire, the stairs have a refuge area with a 4-hour resistance quality. The optimal meeting point in this case would be the open area of the Place which is just 3 minutes away from the uppermost floor of the building.
SURROUNDIG RESIDENCES
Within its program, the Culinary Arts School is designed to have a comfortable circulation and easy access from all circulating points of the plaza. A series of fire-resistant staircases run from the ground level up to the 3rd floor. Additionally, an elevator connects the garden with the school while a second elevator at the top of the building connects the rooftop private garden with the rest of the building.
CIRCULATION DENSITY
CIRCUL ATION
SITE GEOMETRY
MEETING POINT
EGRESS AND ADA CIRCULATION EGRESS OF THE BUILDING ADA ACCESSIBILITY
ON SITE THEORETICAL E X P O S I T I O N Place Jean Juares Architectural Student Expo.
On Saturday Nov. 2nd of 2018 we had the chance to give a theoretical exposition of our individual studio projects on site. Poeple were invited to provide feedback and opinion among all our ideas and we had the chance to activate the forgotten Place Jean Juares at the historic center of Apt. Some ideas were actually taken by the City Major in consideration for future projects destined for the plaza.
INVITATION POSTER DESIGNER I had the chance to help organize the even and contribute with the design of the poster inviting the people of Apt to the event. The poster was designed to invite people to be part of the design decisons of our projects and incentivacte them to provide us with feedback while on a thoretical exposition of our individual projects on site. ARCHITECTURAL EXPOSITION TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT TEXT
04 MO_STOP K I N E T I C B U S STO P ASHEVILLE N.C.
Professor Daniel Brown Fall 2019
A bus stop does not only need to be to wait for transport or have some shelter on a rainy day. This bus stop aims to not just be a normal bus stop but a small communal space that can represent Asheville’s interets. The deisgn aims to perform as a sculpture in the landscape where the bus stop becomes both a place to wait for transport and a place for the community’s arts to be displayed while each person can enjoy themselves and have a different experience.
FLOOR PLAN
40 ‘
22‘
12’ 6” 12’ 6”
SIDE ELEVATION
8’ 6”
FRONT ELEVATION
METAL BAR WELDED
WIDE FLANGE COLUMN
METAL BAR ON PERGOLA
BOLTS METAL PLATE
CONCRETE SLAB CONCRETE FOOTING
A Kinetic Element that will move with the wind will be the focal point of the Bus Stop. This will provide a feature that will entretain the people while waiting fro their bus, and serve as a sneak peak of what would be waiting in the Kinetic Arts Museum on site. “Liquid Shard” This large-scale, kinetic sculpture made of holographic mylar and monofilament was installed across Pershing Square in downtown Los Angeles.
2
Asheville is famous for it’s colorful atmosphere and carftminded artists. Glass Blowing is not one to be taken for granted, that is why in this excersice design for a Bus Stop, an important elemnt to involve the community will be the integration of glass pannels designed by local artists, to be incorporated to the structure.
1
Stained glass artwork of Asheville artist Carl Powell
1
2
WELDED INTO COLUMN GLASS PANNELS
L SHAPED STEEL BEAMS
BOLT HINGE
SECTION A
WELDED INTO STEEL METAL COLUMN BASES
METAL PLATE
ART
AMBIENCE IN US ELECTRONIC COLL AGES Travelig and learning from so many differnt cultures has made me very curious and passionate about desifering what differnt places can mean. The way thse can impact us and create an ambience so diffrent fro each one of. I started ding some collages of the places I visited and I srated with me. I am a place I have yet to discober, and by representing who I am I started to see things differntly. I want to dare to walk, even bafefoot. I want to smile, even without a motive. I want to help, with out needing anything in return. I want to grow, in mind and soul. I want to change the world, starting with me.
CHANGE THE WORLD Electronic Collage, 2019
HARMONY IN CONTRAST Electronic Collage, 2018
WE , COMMUNITY
Electronic Collage, 2018
Apt du Jules Where intimate space became full of life; where Sunday Markets filled the town with life; and where the sense of community was always present. It was a place where time and tradition meet the modern and coexisted to produce arts in all sourt of kinds present in the market. - AMV
THE NOW
Electronic Collage, 2017
Undesttanding time can be a big element in design; therefore this collage aims to express how The Now is a reference that serves as the datum that moves us through time, becuase without the now, there is no future and becuase of the now we have a past.
- AMV
HONG KONG FUSION Electronic Collage. , 2017
ARCHI - SKETCHES I N C . | CA R B O N | WAT E R CO LO R Architectural appreciation can be demonstrated not only through architectural photography, but through sketches as well. Personal interpretations can be derived while sketching architecture and these will stay forever in one’s mind in the process of drawing and on the details being translated into the page in one’s unique style and drawing langauge.
912 . 4 8 0 . 7311 | a n a m a r c e l a v a l @ g m a i l . c o m | w w w . a n a m a r c e l a v a l . c o m