2015
ANDREAS MITSIOU 路 WORKS
AMW|2015
PG.
CHAPTER
PROJECT
06
SIGNIN
10
PARTONE | GRADUATION PROJECTS
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DIPLOMA PROJECT: / LAMBDA RESIDENTIAL RECORDING STUDIOS THESIS PROJECT: / TONIKI, ARKITEK
42 52
PARTTWO | CONCEPTUAL DESIGN APPROACH
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MEDIUM SCALE FORM: / CHURCH OF AGHIOS PANTELEIMON / PLAKA CAFE-WORKSHOP FICTION & CONCEPT: / I THINK I’M IN ROSES / HOUSE OF THE SEA SQUIRREL HYPOTHESIS & THEORY: / THE ATHENS CRACK PROJECT
62 70 74
PARTTHREE | ART, THOUGHT AND BEHAVIOUR
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THE POSTER - A DECONSTRUCTION: / VŸZINADA PROMO CAMPAIGN GOURMANIZATION OF THE SPACE - ARCHITECTURE COMPETITION: / FISHY FAIRYTALE THOUGHTS ON A WALK AND PERCEPTION: / ACROPOLEYES
78 80 82
PARTFOUR | GRAPHIC DESIGNS & PHOTOGRAPHY
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LOGOTYPING AND LAYING OUT: / IN MUSIC PROJECTS / EVERYWHERE ELSE EYE FOR LIGHT: / SUPERURBANRURAL / SINEWAVE / MISC.
92
98
SIGNOUT
THE GREEK ARMY | MEGISTI ISLAND DEFENSE ADMINISTRATION
OFFICE ASSISTANT Nov2014 - Jun2015
· Multimedia Presentations. · Planning and Executing a War Game for the first time ever on Megisti. · Creating 2D Maps, Digital and Physical Models for Strategic Planning Purposes. · Handling and Filing Highly Classified Documents. STUDIO 75 ARCHITECTS | ATHENS, GREECE
ARCHITECTURE TRAINEE Apr2014-Aug2014
· Design and Planning for the Restoration of the “Villa Rosa” NeoClassical building in Corfu. · 2D Plan and Layout Editing for Presentation. · 3D Modelling and Rendering - Digital Planning and Illustration. · Revisiting and Enhancing older projects for Presentation in Portfolio Book Format. FREELANCE / PERSONAL WORK
GRAPHICS DESIGNER 2012-Present
· Logo, Layout, and Template design for various Practices in Greece (Aquamed ltd, SPS Medical ltd, adITEM of Innochem Wasser GmbH, Rujopujorevi and more) · Logo, Booklet and Graphics Design for various Music Projects and Bands in Greece (Montage13, Zand the Band, purple enclosure etc)
LUNDS UNIVERSITET | LUNDS TEKNISKA HÖGSKOLA
MSc in ARCHITECTURE
Sep2015-Present
· September 2015 - .
MSc in ARCHITECTURAL ENGINEERING
Graduated Nov2014
NATIONAL TECHNICAL UNIVERSITY OF ATHENS | SCHOOL OF ARCHITECTURE · Thesis Project about Experiencing Architecture with the Whole Potential of our Senses. · Diploma Project about Inducing Inspiration through Spatial Design.
CONFERENCE :
NTUA Thesis presented at EchoPolis2013 International Sustainability Conference. Helped organise event, served as Manager of Student Sessions.
COMPETITION :
Short-Listed experimental entry in collabortation with DoubleLuckiness, Beijing, for Architecture Competition “Gourmanization of the Space” in 2013.
LITERARURE : PAINTING : MUSIC : COGNITIVE :
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Commendation for Excellence in Literature from the Greek Writers’ Union in 2004, awarded for short story (fiction). Invited to join Union. Second Place in annual painting competition for all ages in local workshop in Larissa, Greece, in 1997. Took on painting a erwards. Songwriter of several music ensembles. Song selected for international Compilation “Rock4Life” in cause against liver disease. EP Release in 2014. Passed official test to join MENSA High IQ Society with a score result of ( >99% ).
GREEK NATIVE SPEAKER
ENGLISH FLUENT | BILINGUAL LEVEL PROFICIENCY THE UNIVERSITY OF MICHIGAN | ECPE
GERMAN MODERATE | ADVANCED LEVEL PROFICIENCY GOETHE INSTITUT | ZMP
VISUALIZATION / DIGITAL ILLUSTRATION
3D MODELLING
PHOTOREALISTIC RENDERING
DESIGN SKETCHING
SPATIAL PLANNING
PHYSICAL MODEL MAKING
PHOTOGRAPHY / PHOTO EDITING
CAD DRAWING
GRAPHIC DESIGN / LAYOUT
WINDOWS
MAC OS
MS OFFICE
ILLUSTRATOR
PHOTOSHOP
INDESIGN
RHINOCEROS
AUTOCAD
SKETCHUP
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WHAT FOLLOW IS A SELECTION WORKS CHARA WHO I AM. MY FOCUSED ON F COUNTERBALA CURIOSITY AND 08
WS N OF ACTERISTIC OF WORK IS FORM, ANCE, SPATIAL D SYMBOLISM. 09
01 PARTONE
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The final two projects presented at the National Technical University of Athens School of Architecture, leading to graduation.
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The subject of this project is a residence building with audio recording and producing infrastracture. Situated on a site of bucolic beauty, it provides its inhabitants with inspirational stimuli. Its space is rented out to musicians and producers over any desired period of time and stays at their disposal until they finish working on their sounds.
LAMBDA
RESIDENTIAL RECORDING STUDIOS 12
*MODEL PHOTO
NTUA DIPLOMA PROJECT 10TH SEMESTER - 2014 INDIVIDUAL WORK 13
the purpose is to create an environment that can host several musicians along with their producer and equipment, while exposing them to surroundings (be them natural or man-made) of a constant flow of aesthetic stimuli and giving them the freedom of making it their own for as long as they need.
since examples of such spaces in greece already exist on seaside and urban landscapes, the location of the scenario chosen was lake plastiras (and neochori village in particular) in central greece to provide an alternative to the aforementioned solutions, this time in an idyllic mountainous rural environment. 14
LEGEND
PLASTIRAS LAKE MAP VILLAGES AND PLACES OF INTEREST
SETTLEMENT MONASTERY INTERESTING SITE BEACH CAVE
SITE LOCATION IN RELATION TO WATER SURFACE LEVEL
HIGHER (~800.0 LOWER (0.0
m)
m)
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NEOCHÓRION The village, Neochóri Karditsas, expands along a long central road, like most of rural Greece settlements. A feature worth mentioning is that almost every residential building is situated above the central road’s plane, while below and along it one finds most of the village’s Hotels, Restaurants and Recreational spaces. The site chosen takes advantage of the above situation. By being placed on the very last plot available in the village (marked on the map in magenta) the building could inherit the properties of isolation and unobstructed - by man-made structures - views needed to become the cradle of inspiration it aspires to be.
N
hotels and accommodation
parks & recreation
16
N
THE BUILDING is designed bearing in mind the aforementioned observation; it “turns its back” to the settlement by means of a blind wall that opens only to receive the basic entrance to the building. ENTRY to the complex is achieved through a cantilever that points like a finger to the beautiful landscape below which is the volume hosting most leisure and recording activities. RESIDENTIAL function is situated on a second volumebranching out from the first cantilever, spanning parallel to the lake coast, exposing as much of its facade as possible to the scenery. RECREATION is left free to the users’ will and carried out in diverse spaces situated underground, directly on the natural landscape or above it. 17
C O M I N G TO G E T H E R
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https://vimeo.com/110342166
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EXTERIOR VIEWS
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AND ELEVATIONS
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FROM TH
22
E INSIDE
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FROM TH
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E INSIDE
modelled in trimble sketchup pro rendered in su podium edited in adobe photoshop
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PARKING SPACE
CONTROL ROOM
MAIN STUDIO
EQUIPMENT STORAGE
SECONDARY BEDROOM
BEDROOM 路 TYPE A BATHROOM UNDERGROUND LOUNGE
STORAGE / LAUNDRY ROOM E/M APPLIANCES
LONGITUDINAL 26
WC MAIN ENTRANCE
LEISURE STUDIO
UPSTAIRS CAFÉ-BAR
CENTRAL STAIRCASE
L SECTION ONE 27
CANTILEVERED OPEN SPACE /02 BEDROOM 路 TYPE B BATHROOM
W
EXTERNAL STAIRCASE
OUTDOOR LEISURE SPACE OUTDOOR SWIMMING POOL
KITCHEN-BAR
LONGITUDINAL 28
CANTILEVERED OPEN SPACE /01
DINING LOUNGE
WALK-IN CLOSET
CENTRAL STAIRCASE
WC UNDERGROUND LIVING ROOM
L SECTION TWO 29
FLOOR PLANS
30
L main
entrance
|
upstairs
E cafe
|
V leisure
studio
E |
L main
studio
0 +
1 control
room
|
extra
spaces
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L bedrooms
32
|
extra
E
accommodation
V |
E atrium
0
L |
dining
2 room
|
central
junction
L underground
lounge
room
|
E play
room
V |
downstairs
E cafe
0
L |
kitchen
|
pool
3 terrace
|
extra
space
-
appliances
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M A I N
S T U D I O
C O N S T R U C T I O N
WALLS&FLOORS 50x100mm WOOD BEAMS THERMAL INSULATION 100mm MINERAL WOOL SOUND INSULATION 20mm MDF SURFACE 2mm SHEETBLOCK™ SOUNDPROOF SHEET 20x100mm PLYWOOD BOARD SKIRTING BOARD DOUBLE 2mm SHEETBLOCK™ SOUNDPROOF SHEET 20x160mm WOOD BOARDS 2mm SHEETBLOCK™ SOUNDPROOF SHEET 20mm MDF SURFACE
100mm MINERAL WOOL SOUND INSULATION
50x100mm WOOD BEAMS ‘U’ PROFILE STEEL RAILS
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+CEILINGS
50x100mm WOOD BEAMS
FIBERGLASS INSULATION
RC-2 RESILIENT METAL CHANNELS
CLOSED CELL FOAM
20mm MDF BOARD
PLYWOOD ACOUSTIC CEILING
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THE ROOMS’ SHAPE WAS ORIENTED TOWARDS IRREGULARITY IN FAVOR OF GENTLE SOUND ENERGY DISTRIBUTION AS SHOWN IN THE EXAMPLE COMPARING A REGULAR BOXSHAPED ROOM TO ONE WITH IRREGULAR WALL ANGLES. THE
1
PROPORTIONS
OF
THE ROOMS WERE DE-
3A
FINED BY AND COMPARED TO
SUGGESTED
ROOM
PROPORTION GUIDELINES BY BOLT, SEPMEYER AND OTHERS.
2
MATERIALS AND SURFACES WERE APPLIED OVER THE EXISTING STRUCTURE OF
CONCRETE
WOOD
AND GLASS IN A WAY AS TO SATISFY THE NOISE REDUCTION
COEFFICIENT
VALUES DEFINED BY THEIR CHARACTERISTIC USE, AS SHOWN IN THE TABLES AND DIAGRAMS.
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3A,B
1 3B
2
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THE BUILD
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LÁMBDA · RECORDING STUDIOS
λ
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“λ” IS THE BUILDING, AS SEEN FROM ABOVE. IT’S ALSO A GREEK LAMBDA, THE FIRST LETTER OF THE GREEK WORD FOR “LAKE” (λίμνη). LAMBDA IS ALSO THE SYMBOL FOR WAVELENGTH, THUS PROVIDING A VISUAL CONNECTION TO SOUND AND AUDIO. A CLOSER LOOK TO THE MOST RECOGNISED REPRESENTATION OF ONE WAVELENGTH - OF A FIXED-AMPLITUDE WAVE REVEALS WHAT LOOKS LIKE A PEAK AND A VALLEY, MUCH LIKE THE MOUNTAIN AND THE LAKE COMPRISING THE NATURAL ENVIRONMENT AT THRE PROJECT’S LOCATION. USING A LOGO WITH A STRONG SYMBOLISM UNDER THE HOOD AS A GRAPHIC COMPANION FOR A BUILT ENTITY CAN GREATLY ENHANCE THE FEELING OF COHERENCE AND BELONGING ONE FEELS WITHIN.
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The subject of this project is space and the ways we experience it. By focusing on the absence of as major a human sense as hearing is from the architectural design process, the study gathers attention to the need for architecture to be understood as an experience of complete sensory awareness.
TONIKI, ARKITEK
SOUND AND OUR PERCEPTION OF SPACE 42
NTUA THESIS PROJECT 9TH SEMESTER - 2013 INDIVIDUAL WORK 43
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“MOST PEOPLE BELIEVE THAT ARCHITECTURE DOES NOT PRODUCE SOUND, THUS IT CAN NOT BE HEARD. NEITHER, THOUGH, DOES IT EMIT LIGHT BUT EVEN SO IT CAN BE SEEN; WE SEE THE LIGHT IT REFLECTS ANG WE GAIN AN IMPRESSION OF FORM AND MATERIALITY. MUCH IN THE SAME WAY WE HEAR THE SOUNDS IT REFLECTS AND THEY ALSO GIVE AS AN IMPRESSION OF FORM AND MATERIALITY.” / steen eiler rasmussen, experiencing architecture, 1959
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THE TITLE “TONIKI, ARKITEK” COMES FROM A PLAY ON THE GREEK WORD FOR ARCHITECTURE:
“ARCHITEKTONIKI”.
THOUGH IT HAS NO ETYMOLOGICAL CONNECTION, THE WORD “TONIKI”, MEANING “OF SOUND” IS CONTAINED IN IT.
CONTENT
this study is about architecture, humans and the way communication is carried out between them. Research involved identifying if vision, as the major means of contact between human and built space, obscures our senses in any way, thus dimming out the entirety of the experience. After discovering and reinforcing the importance of listening to space in order to comprehend it, one might conclude that architects are not paying enough attention when designing spaces and objects. Hearing is greatly dominant when familiarising with a space and should be treated as such; there are many factors and parameters that need to be calculated and included in the design process, if it is intended for architecture to deliver a complete experience to the beholder. to prove the points mentioned above, the booklet goes through a definition of sound and its abilities, to historical examples of audio-sensitive architecture, to modern utilization of its properties for artistic purposes, to ways and technologies in which sound can be manipulated, to the great benefits society would draw by paying attention to the matter, especially in the fields of health and eduation. Presentation was heavily directed in making the whole concept more comprehensible to individuals untrained not only in matters of sound and acoustics, but also in those of architecture and design. This was achieved by accompanying the work with simplified but explanatory graphics and animations as well as sound samples and practical examples in edited audio. The study was chosen to be presented among works of international architecture, design and sustainability professionals at the “EchoPolis: Days of Sound 2013� conference which took place in Athens, Greece.
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“if you can’t see me, but you can hear me, you can understand what i’m trying to say. if you can see me but you can’t hear me... well, that’s a completely different story.”
SDMed //Paris-Athènes // Address in Athens : Pinotsi 7, Athens 117 41– Address in Paris : 7, Rue Lhomond, 75005 Paris // tel, fax : 00302109215981, mob : 00305944837586, e-mail : contact@sd-med.org // url : www.sd-med.org
EchoPolis International Conference – Days of sound “Sounds, noise and music for re-thinking sustainable building, city and econeighborhood” Athens, 29/9-‐3/10/2013
Certificate
Athens, 3.10.2013
This is to certify that Mr Andreas Mitsiou has participated to the ECHOPOLIS INTERNATIONAL 2013 and presented a paper entitled “Tonic Architecture”. For the organizing committee,
Stella KYVELOU Scientific coordinator
EchoPolis 2013 50
time flows in spaces giving them a live essence that can’t be paused. space can’t be stripped humans collect and store visual stimuli from of its integrated continuity. still frames a given space so that they can create a virtu- our body produces sound all the time: our exported off a given space is silent and unal identity that they can recall any time they heartbeat, breathing, internal organ funcstirred but when the concept of time kicks draw a memory of that place off their mind; tions; they’re always there, we just choose in and the frame is given duration to stretch our ears contribute to the creation of that not to noticethem. This function is sometimes into, the picture becomes animated. pictures virtual identity also, along with every one of noted as the ”cocktail effect”. in motion can be imprinted to one’s memory by our senses. stimulating their every sense leaving an emotional impact as a whole experience.
already since preliterate societies, where the invention of the alphabet brought to the the alphabet was non-existent, humans had table a universal symbol of communicating to pay more attention to what they were without the need of producing sound. one hearing; they were listening more. there was could simply take a look at an arrangement no way of communicating an idea without of symbols on a piece of paper end decode producing sound, so information that was to them into sound. that led us to slightly move be recalled had to be accessed through the away from paying attention. memory of hearing something.
when it has become quite clear that spaces and sound can greatly or subtly affect each other, it seems only natural that we go ahead and explore some ways in which architects can direct a space into manipulating sound with any given purpose in mind
the point is to merely raise awareness to the problem of sense discrimintaion in the archiaccording to acoustician Julian Treasure, tectural design process. this said, no one students sitting at an average distance from should praise the importance of sound and their teachers mishear as much as 50% of sound only but the whole range of human their words. this is even worse for students senses altogether. afterall, people listen sitting at the back of the classroom, non-nawith their brains; not their ears. they feel tive speakers, kids with temporary health with it; they hear, see, taste, smell; EXPERIissues or hearing problems. ENCE with it. and this is what architecture should be based upon.
masses of concrete and metal and glass that, although beautiful (to taste) enclose greatly inaudible spaces. there are, of course, numerous examples of building designs that could be described as acoustic wonders, but the majority of them were designed from the beginning with the intention of hostingactivities directly related to sound.
helping people understand the soundspace conjunction through their own experience could lead to more hearing-sensitive architectural design. designing spaces with the sole purpose of enhancing certain sound properties and abilities would probably help people grasp the concept.
in the presence of machines’ beeping and humming, mechanical movement buzzing, nurses shouting in the corridors and everything amplified via the vast flat polished surfaces, the feeling one gets is one of danger,uneasiness and anxiety; this makes the body’s effort to recover dramatically harder.
02 PARTTWO
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Five projects showcasing how design can be approached in a semantics-and-symbolism-sensitive way, emphasising emotion.
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The church was designed as part of the 7th semester morphology course, analysing the greek orthodox temple design. the choice i made involved modernising the temple and rethinking its structure and design philosophy in an attempt to emphasise the lifting of the spirit and achieve calmness.
AGHIOS PANTELEIMON
morphology - beneath the orthodox temple 2010 individual work
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the design, a simple rectangular building, gives high priority to semantics through materials, forms and symbols. The body of the building is organised in sectors by projecting a cross over a rectangular prism, dividing the hall in two groups of seat rows, a main corridor and the sanctuary. On the center junction of the cross sits a stained-glass circular window with a faceted version of the orthodox “god almighty�, while the head of the cross folds over the east side, with yet another cross shape punched through, providing the sanctuary with atmospheric lighting (a la Ando). Apart from the traditional candles, the church is not lit from any source of artificial lighting; narrow gaps where the cross meets the concrete and the grandiose opening of the entrance are the only other sources of illumination, creating a mystical and divine environment and drawing attention to the colours of the stained glass on the roof.
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‘almighty’ stained glass skylight
the cross sanctuary
liturgy hall
entrance
V I E W S
EAST
NORTH
front
SOUTH
back
WEST 57
The challenge called for filling a vacant plot in the classic scenery surrounding Acropolis with a building intended for artistic use and promotion of the arts. The building was designed so to stand as a piece of art itself while serving as an abode for artistic activity constantly reminding its visitors of the architectural landmarks they stand among.
PLAKA CAFÉ / WORKSHOP
diverse through belonging 2009 individual work
59
the decision made was to complement the awe-inspiring landscape; a move that would defy the repetitive nature of the adjacent architecture by being reminiscent itself of a sculptural art piece, welcoming passers-by to the use it is set to host. Emphasising its openness the design invites all passing movements to flow through the lot, revealing both itself and the creations within for closer inspection, possibly leading to a rest at the top floor of the cafĂŠ under the gaze of Acropolis.
Space unfolds on two levels in an origami-like structure, open throughout the site. It folds around the lighter, blue, tower-like structure, itself unfolding relative to an axis perpendicular to the original. The first structure is supposed to function as an exhibition space and a pleasant street passage way while the latter hosts the workshops in its guts, ending up serving the magnificent view of acropolis on its veranda. 60
Cafeteria
Acropolis Framed
Veranda
Open Exhibition
Workshop
east
side
west side
north elevation
south elevation
61
“I think I’m in Roses” is an imaginary walk through architectural space designed by music. Inspired by a musical composition written by yours truly, the design serves as a material interpretation of the soundwaves, textures and emotions that comprise the track, showcasing the common grounds that exist between music and architecture bridged by the common applications of counterpoint.
I THINK I’M IN ROSES
music & architecture: common ways 2009 team work - people involved: two made with Maria Voukia
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SYNTH.01 HARP
SYNTH.02 GUITAR.01 GUITAR.02 PIANO.01 STRINGS
v
HARP PIANO.02 PERCUSSION
GUITAR.01 GUITAR.02 MALLETS STRINGS
SYNTH.01 HARP PIANO.01 PERCUSSION
LISTEN TO MY COMPOSITION “I THINK I’M IN ROSES” BY FOLLOWING THE LINK: https://drive.google.com/ file/d/0B-QbeaUxwhzuQVJnUzl1d3pvT0k/view
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the harp that follows the synth seems delicate and unbalanced. small fragmented elements of varying sizes are sprayed on the board to serve as an introduction to the walk.
the main melody comprised of guitar and piano phrases seems entangled, unruly and slender. here it takes the forms of loops and ribbons as the main feature of the design.
PARALLEL PROJECTION
the synthesizer forms the basis of the song for all the instruments to develop. it’s represented by this board on the design, providing grpoind for all the elements to step on.
to “tasteup� the mix, short burst of mallet action fill the spaces between major phrases. the delicate mallet sound gets materialised in glass tubes protruding form the surface.
apart from the grid lines on the board giving rhythm to the piece by representing tempo, gaps on the way remind the viewer to pay attention to the basis, here representing all percussion.
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the goal here was to create the perfect house for the fictional “sea squirrel�, an animal with undefined looks, needs and personality. Left free to imagine what the creature looks like and how it would behave in its natural habitat, the squirrel here was conceived as a playful jumpy marine animal with an unsuitably low ability to swim.
HOUSE OF THE SEA SQUIRREL
plasticity - fact of fiction 2007 team work - people involved: two made with Maria Voukia
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the house consists of two separate “apartments”, one for living and one for leisure time and fun and games. the first one, the “nest”, is buried in the sea floor, providing a cozy little corner for the creature to reside in; its shape is nut-like and quite solid, a small fortress to protect the squirrel and keep it warm. the second, the “swirl” is anchored down to the nest and left to float freely in the water. Its purpose is providing the animal’s playful personality with an open bright space for fun activities without depriving it from the choice to go hide underground when in danger.
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This utopic experiment on downtown Athens aims to locate the districts most plagued by problems downgrading the city’s social and cultural status and finding a radical way to eliminate them. The following thought tackles the problem in quite the comical way, ridding the city of its claustrophobic environment, producing breathing space and food for thought.
THE ATHENS ‘CRACK’ PROJECT
the cityscape re-imagined 2013 individual work
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interest is drawn to the athenean neighbourhood of kerameikos, a district plagued by illegal drug use and prostitution bearing signs of neglect and abandonment
irregular off-plan development of tall concrete structures gives the site a claustrophobic aura and keeps criminal action ‘safe’ out of sight
a zone of buildings between two major centres of motion in surrounding athens is stripped clear off the ground; a path is dug out of the passage, possibly revealing treasures of ancient greece beneath
the walls along the dug out path host shops and cafes facing the newly created open space; the gap is bridged above with slabs of residential buildings, sacrificing the ground floor for communication between the two sides; the distance between the slabs and the open space created in the process blows a breath of life to a once enfeebled part of town
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*
three types of apartment typology could suit the different needs of residents
a facade with a modular cell construction would allow the residents to change the shading depending on location, while granting the slabs a monolithic appearance.
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03 PARTTHREE
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Projects meant to provoke thought, to examine behaviour and to test perception
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THIS PROJECT was about researching the motives behind pinning a poster to a board and what it meant as a tool for information. The word “poster” was taken apart and reaproached through a wider point of view. The abstract definition we were left with was as plain and simple as “a means of communication”.
VŸZINADA
THE IDEA we decided to go with was quite the experimental aproach among the leaflets and brochures that were the course’s main final projects. We decided to come up with a new, weird “product”, give it a name and an identity and try to promote it actively within our schoolyard.
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THE PRODUCT was an odd mix of the well-known greek spirit “ouzo” and sour cherry juice (“vyssinada” in greek). The name of the cocktail, vüzinada, resulted as a kind of portmanteau between the two words. We started spreading the word to draw interest in what it is and made colourful mysterious flyers while planning the unveiling in late june. PRESENTATION involved building a 1:1 tent-stand for selling the product and giving people a taste of it while gathering opinions. THE RESULT was a bunch of happy people drinking something they described as “nothing special” but stating that they “definitely” would drink it again.
made with: theoklitos triantafyllidis | nickolas triantafyllidis | chrysi gkolemi | dimitra vogiatzaki | yannis sourlantzis | andreas mitsiou
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CERTIFICATE
Certificate of Participation сертификат участника Вручается / Goes to
Mitsiou Andreas За проект “Fishy Fairytale”, участвующий в международном конкурсе / For project “Fishy Fairytale” in international competition
FISHY FAIRYTALE WAS DELIVERED AS AN ENTRY TO A COMPETITION FOR THE DESIGN FOR A NEW VERANDA FOR THE “BUFET” RESTAURANT IN MOSCOW. RIDICULOUSLY CROWDED OR PLAIN RIDICULOUS THE PROJECT WAS AN EXPERIMENT TO TEST AN ARCHITECTURAL JURY’S REACTION TO SUCH EXTREME AND UNAPOLOGETICALLY HUMOROUS PROPOSALS. THE ENTRY WAS SHORT-LISTED AND EVENTUALLY RECEIVED A SPECIAL MENTION ACCOMPANIED BY THE DESCRIPTION: “THE MOST AESTHETICALLY STRIKING, THE MOST FUN PROJECT, THE PRIZE FOR HUMOR”. made in china with doubleluckiness*
“Gourmanization of the Space / Гурманизация Среды” Special mention:
Fishy Fairytale / Theoklitos Triantafyllidis, Nickolas Triantafyllidis, Mitsiou Andreas / Beijing, China — наиболее эстетически-яркий проект, самый весёлый проект, приз за юмор / the most aesthetically striking design, the most fun project, the prize for humor
От имени архитектурной группы «ПТАХИ», кафедры «Архитектура» ЯГТУ и портала www.cih.ru мы хотим поздравить вас с участием в конкурсе и отметить ваш вклад в развитие темы «Архитектура и Еда». / On behalf of the «nmaxu» architectural group, Architecture department of Yaroslavl State Technical University and www.cih.ru, we would like to congratulate you on this achievement, and thank you for your contribution to the theme “Architecture and Food“.
Jury of the competition / Жюри конкурса «Gourmanization of the Space / Гурманизация Среды», Ярославль Россия / Yaroslavl Russia Ваш проект экспонируется на выставке конкурсных работ в ресторане «Буфет» (Россия, Ярославль, пр. Октября, д. 56) а также представлен в виртуальной галерее: http://cih.ru/wp/food/tag/winners/ Your project takes part at the exhibition of the competition entries in the “Buffet” restaurant (Russia, Yaroslavl, October ave., 56) and presented in a virtual gallery: http://cih.ru/wp/food/tag/winners/
* http://doubleluckiness.tumblr.com/
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doubleluckiness are: Theoklitos Triantafyllidis & Nickolas Triantafyllidis
FISHY FAIRYTALE
the accompanying text: “Our main main idea was to explore the fascination of the sense of taste in space. When thinking of Siberia, the first thing that comes to mind is the taste of ice. And vodka. Our main concept for the exterior of the Buffet, was to create a happy place for summer time to enjoy the quality life and city view. The veranda is like a big mouth, that calls people to come in from the tongue. For the pavillions we thought of a very good tradition of Russia to make dolls become smaller. Like this, our pavillions can be inside one other, to store in the winter!! We also put some landscape to make it more natural. There is a lake and a mushroom mountain. The interior, on the other side, is more cold and wild. Our idea for inside the restaurant is to create a natural delicious environment. The kitchen is inside a frozen mountain. A river falls from the mountain and passes through the forest. The forest has some wild animals which can be hunted by the customers with spears. The feeling of flowing water gives a sense of calmness. The river finally reaches the salty sea which is also full of tasty fish. Fishing is a great tradition of Russia and we thought it to be good if people could fish inside the restaurant. There is also a stage for live music making and wine tasting. We believe that music, as cooking, cannot be fully experienced if not done completely by oneself. This is why we propose that fishing, hunting, preparation and cooking are all done by the customers themselves. For the water elements we propose that water starts to boil during the night until it becomes a soup that people can drink and enjoy the vapors of the tastyful sauna. All tables and chairs are submerged in water like the film.� 79
S E Y E L O P O R C A
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same scene, different eyes - similarly different results team work - people involved: two
A C R O P O L E Y E S
made with Maria Voukia
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04 PARTFOUR
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_Assorted designs completed as a freelance designer / Amateur works _Photography collections sample
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HTTPS://WWW.YOUTUBE.COM/ watch?v=vkpzvBFgrsc
THIS MONDAY. DECEMBER 9th STARTING AT 7pm enjoy an evening with sliv & ingie of sharing their music taste with the world
at TETTI両 Bar KLEITIOU 10B, MONASTIRAKI, ATH
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H T T P S : // W W W.YO U T U B E .C O M / w a t c h? v = l V 2 SX r Z m M 5 Y
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voronoi cell image by frederik vanhoutte - www.wblut.com
A HOME-MADE PROMO EP made with Fotis Papatheodorou
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S I N E 94
W A V E 95
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thank you
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