Interior - Furniture Design Portfolio | Angie Ngoc Tran

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ANGIE NGOC TRAN PORTOFLIO


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CONTENTS preface

[INTENT]

furniture design

C-TOOL Furniture Design

POSTURE Sponsored by DAVIS FURNITURE

interior design

SAIGON CHUYEN

INTERCETTATI

Community Center

2nd Place - BIENENSTOCK Furniture Design Competition

KATIE WALCK STUDIO Studio/ Exhibition/ Trade

AVANT GARDE SOLESTRUCK Retail Design

TEAVANA KIOSK Kiosk Design

CAMPFIRE Corporate Design

THE PICTURESQUE HOME Residential Design

MIDTOWN MARTA STATION Public Space Design - Gensler Intern Project


INTENT Being born and raised in Vietnam, early acquainting myself with art in America, I have interwoven the two cultures together in not only my design philosophy but also my life attitude. I believe that a piece of furniture does not only bring comfort, but also raises awareness and appreciation of the users of it. As Alina Wheeler famously said “Design is intelligence made visible�, I believe that design is the result of experimental and observational research. I share a strong interest in not only problem solving, but also in human behaviors within the built environment. Creating a space that brings out emotions and affects behaviors is the sole of my passion. My goal is to pursue the interior design profession with a strong background in furniture design.

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INTERIOR DESIGN


Saigon Chuyen

a cultural center of traditional & contemporary arts & crafts 152 Nam Ky Khoi Nghia, Dist.1, Hochiminh City, Vietnam Hand Sketching, Hand Rendering in Mixed Media, Photoshop SketchUp, Revit, and Shaderlight


The goals of the project are to preserve and represent the traditional Vietnamese arts and crafts and its innovative applications. At the same time, it is also to support and raise awareness of the community, engage and educate the young generations through the production process and encourage local designers, artists to contribute to the improvement of the industry. Hopefully in a near future, the Vietnamese arts and crafts will be made known to the world. The project is a solution not only to the current challenges of one of the oldest industries in Vietnam but also to the contemporary issues of the young generations in its largest city.

INNOVATION IN APPLIED ARTS

engage - encourage

RAISE AWARENESS AND APPRECIATION

INTRODUCTION

project goals

PRESERVE - IMPROVE

JOB OPPORTUNITIES SUPPORT the COMMUNITY


april 30th

Park

For a city that is well known for its noise, chaotic traffic & general busyness, HCMC also has its fair share of very chilled out parks. 30/4 Park is one such place that offers a welcome break from the continually hectic environment. It is very popular with locals (especially the youths) & tourists alike, most people come here to people watch, relax or just enjoy the lovely environment.

Although located on a one-direction street, the building still has great potential for attracting visitors due to its active surrounding environment.

REUNIFICATION PALACE

Surrounded by Royal Palm trees, the dissonant 1960s architecture of this government building and the eerie mood that accompanies a walk through its deserted halls make it one of the most intriguing spectacles in Ho chi minh City. Each day, the palace welcomes thousands of tourists, both citizens and foreigners from all over the world.

Traffic Circulation Green Elements

entrance

Traffic Circulation

PUBLIC PARKING N

The existing French Colonial architectural elements also help accentuate the historic and cultural values that will be implemented in the building.


RECEPTION

multipurpose space

offices

cafe

Workshops

retail

exhibition

storage

spacial structure

experiential design

Maximize space utilization - configurable and constantly transforming (Occasionally have new concept for space configuration)

Capture the visitors’ curiosity through unexpected events and new perspectives with engaging sensual experiences.

Utilize provided capacity and materials for interactive and engaging spatial configurations, which provide a range of learning experiences and artistic opportunities

Provide a sequence of events that evokes a feeling of wonders and exploration

local identity Community Engagement Offer a wide range of social activities by providing gathering, community and event spaces that are adjacent the cafe - a “relax, recharge and connect� point Invite the visitors (especially the youth generation) to learn in depth the traditional techniques, its history and modern implementations, and to participate in both of the design and manufacturing process through the exhibition, workshops and occasional events

Create a reminiscent of the city through sensual experiences, and a mix of selective architectural styles and design languages

cultural values Introduce the selective Vietnamese traditional arts and crafts and its modern applications

Stakeholders

b enefits

INVESTORS

co-founders

visitors

The program meets all the programmatic requirements to create a facility where everyone can learn and participate in the preservation and innovation of the Vietnamese traditional arts and crafts.

The joined-business provides economical benefits and mutual support that promotes and expands each invidiual firm by creating a sturdy foundation, broadening the market, attracting various customers and investors.

The program is to educate the community about Vietnamese tradition, culture, arts and crafts, thus strengthen their identity, value and beliefs. It is also to encourage young artists and designers to produce new design utilizing traditional skills, as well as to raise aweareness and appreciation of the youth generation.


Indochina

(Indian + Chinese)

Buddhism: Enlightenment; Pink lotus

represents the highest deity - the Great Buddha himself Hinduism: eternity, purity, divinity, life, fertility, ever-renewing youth, expanding of the soul and spiritual awakening

Vietnam national flower for its cultural significance, symbolism, and popularity

Layers of Petals

Play off light and shadow, form and shape

The petal structure is a way of organising multiple speakers or stories around one central concept. It’s useful if you have several unconnected stories you want to tell or things you want to reveal – that all relate back to a single message. You tell your stories one by one before returning back to the centre. The petals can overlap as one story introduces the next but each should be a complete narrative in itself.

(endless knot) Symbolizing the Buddha’s endless wisdom and compassion

Eternity knot

In doing so, you can weave a rich tapestry of evidence around your central theory. Or strong emotional impressions around your idea. By showing your audience how all these key stories are related to one another, you leave them feeling the true importance and weight of your message.

Petal Structure

Saigon Chuyen is a storyteller who is constantly in the process of taking ancient

images and casting them into contemporary kinds of forms. Its purpose is to take the audience on a journey, leaving them feeling inspired and motivated.

Petal Structure

is one of the most efficient storytelling techniques for engaging the audiences. Inspired by the overlapping structure of the flower petals, the technique weaves different stories around one central topic. Thus, the audience will develop their imagination, understanding, connection and inspiration through layers of events, discovery and moments of surprise.


EXHIBITION

rattan

brocade

WORKSHOPs

RISING ACTION

RESOLUTION

CLIMAX

ceramics

EXPOSITION

cafe

retail

multipurpose space

EXPOSITION

RISING ACTION

CLIMAX

RESOLUTION


retail

rattan weaving

Storage

EXPOSITION

RISING ACTION

RESOLUTION

CLIMAX

kitchen

ceramics

exhibition

bar

restrooms

cafe seating

brocade

RECEPTION STAGE

Entrance Direct/ Adjacent Direct/ Sequence Close/ Convenient

Outdoor exposure Acoustics Privacy

Sunlight indoor outdoor

space planning Workshops Exhibition Retail Cafe/ Lounge Patio Not in Scope


7

8

9

10 14

15

5

6

11

1

furniture plan

cafe entrance

2

13

lounge

1 Exterior Entrance

9 Women’s restroom

2 Reception

10 Men’s restroom

3 Courtyard

11 Exhibition

4 Rattan weaving workshop

12 Retail

5 Brocade weaving workshop

13 Cafe

6 Ceramics workshop

14 Lounge

7 Janitory

15 Patio

brocade ceramics

storage

NIS

exhibition

patio

retail

cafe

2 1 rattan

8 ADA restroom Points of attraction

RECEPTION

1

2

main entrance

4

12

A nation’s culture resides in the hearts and in the soul of its people. - Marcus Garvey

3

CIRCULATION PATHS


design vocabulary studies



Exterior Entrance


courtyard



RECEPTION


2

1

space planning Ceramics Exhibition Brocade Exhibition Rattan Exhibition Sneak-peak window

Interaction/ Engagement

Movement silhouette

Movement silhouette Sneak-peak window


experiential design

Feeling of wonders

World within worlds

Sculpture Pavillion - Aldo Van Eyck



cafe



lounge


KATIE WALCK STUDIO STUDIO/EXHIBITION/TRADE Drayton Tower 102 E Liberty St Savannah, GA SketchUp, Revit, Shaderlight and Photoshop

Design Team :

angie tran | Dahaeng lee


SITE ANALYSIS

“I work with the ideas of geometrics, mixing hard lines with organic, soft and hard, a mix of masculine and feminine. I like fun, bold and bright prints. I want to create work that is fun and interesting, using unique color combinations. I’m inspired by Yayoi Kusama, Bauhaus, Memphis design, and fashion brands such as Kenzo and Vivienne Westwood. I want the brand to be seen as young, fresh, bold and graphic.”

- KATIE WALCK (CLIENT)

Educational Institutions Eateries Retail Stores Churches Entertainment Inns

Inspired from the word Enigma, a sense of layering will be created using harsh geometric lines on softer, more naturalistic forms.

DRAYTON TOWER 102 E Liberty St Savannah, GA

An enigmatic mix of masculinity and CLIENT’S WORK femininity will be spatially gridded in form with abstract shapes and organic details to bring forth unique artistic elements on a clean, simple, and minimalistic canvas of post-modernism. INSPIRATION

Natural Features Parking Smell Traffic Circulation Traffic Light Noise/ Sound Source

Looking NorthWest

Looking NorthEast


The ENIGMATIC interior environment begins from the outside, where one is intrigued to make their way into an avant-garde world out of curiosity. Moments of enigma are discovered one after the other in layers, keeping the excitement of the journey consistent.

YOUNG . FRESH BOLD . GRAPHIC

Live product making process Learn more in depth about the design and making process

engaging with brand & products Evaluation

relax connect observe

Interact with the artist and other customers

introduction Awareness

Develop appreciation Decision trigger intent / consideration

reception

Meet the Artist Working Environment

in/out

End of Journey Convenience of Sale

purchase decision

Window Display Branding/ Style

INTEREST TRIGGER Loyalty Advocate

Customer Journey

Post-purchase experience


Track LED

Recessed LED Panels

LED Pendant

Halogen Pendant

REFLECTED CEILING PLAN CFL Pendant

ADA RESTROOM

DARK ROOM

LOUNGE

Mahogany

EXHIBITION

STUDIO

WASH-ROOM

KITCHENETTE

White Brick Veneer

RETAIL OFFICE

RECEPTION

MAIn ENTRANCE

FURNITURE PLAN

PRIVATE ENTRANCE

Light Oak Laminate


EXHIBITION | GATHERING SPACE

RETAIL


engaging with brand & products Evaluation

relax connect observe welcome

introduction Awareness

purchase decision

FLOOR PLAN

INTEREST TRIGGER

STUDIO | OFFICE

SCREEN-PRINTING TABLE

WINDOW DISPLAY

RECEPTION DESK

RECEPTION | LOUNGE



EXHIBITION | GATHERING SPACE

(Transformable with re-arrangeable display shelves)

RECEPTION | LOUNGE


avant garde SOLESTRUCK RENOVATION FOR RETAIL SPACE 330 West Marietta St NW Atlanta, GA 2420 sq.ft. on 2 floors Revit, SketchUp, Hand Rendering in Mixed Media, Photoshop


to rid the world of ugly shoes one pair at a time

PATTERN/ COLORS/ TEXTURES/ MATERIALS BRANDING/ INTRODUCTION OF THE EXCLUSIVE STYLE

LUXURIOUS AMBIENCE MODERN BUILD A COMMUNITY

CUSTOMERS EXPERIENCE

CONNECTION/ SOCIALIZATION

STRONG IMPRESSION/ UNIQUE STORE EXPERIENCE

Fabulous, mysterious, indie, surreal and dramatic characterize the style. Avant Garde Solestruck will be a hot-spot for all the early trend-adopters and shoe-lovers, surprising them at their first step and will always drawing them back.


BREAK RM JANITORIAL

MANAGER RM

ELEV.

WINDOW DISPLAY

OPEN TO BELOW

SECOND FLOOR MONUMENTAL STAIRS

UP

EVOKE CURIOSTIY ENCOURAGE EXPLORATION INTRODUCE PRODUCTS

CONNECT TO DOWNSTAIRS SOCIALIZATION/ INTERACTION

GALERIE GMURZYNSKA ZURICH ZAHA HADID

ADA RESTRM

FIRST FLOOR

CASHIER STORAGE

USER JOURNEY

RETAIL SPACE

AVANT -GARDE PATTERN

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THE JOURNEY

EXTERIOR


PARTI DIAGRAMS

REFLECTION

WINDOW-DISPLAY AREA

LIGHT

SKYLINE

RETAIL SPACE


MATERIAL SELECTION

INSPIRATION-ATLANTA CITY GOLDEN TOUCH Represents the city lights

RECLAIMED WOOD Embraces the nature

“CONCRETE JUNGLE” Portrays the mega structure

BRICK Relfects the history

SOUTHEAST SECTIONAL ELEVATION GLASS Symbolizes the skyscrapers

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multifunction activity levels modular system

interaction recreation

impulsive buy organized space meeting MEET ME! LIGITA BREDE

communication transformed space

CUSTOMERS’ INTERACTION within THE SPACE


RETAIL SPACE

(HAND RENDERING WITH MARKERS AND COLORED PENCILS, PHOTOSHOP)


teavana KIOSK KIOSK DESIGN Lenox Square Mall 3393 Peachtree Rd #317 Atlanta, GA 30326 Hand Sketching, Hand Rendering in Mixed Media, Photoshop


The Teavana dream began with an idea that people would enjoy fresh, high-quality tea in a place that was part Tea Bar, part Tea Emporium. The company wanted to introduce people to the aromas, textures, and beneficial qualities of loose leaf teas while enlightening them with the history and variety of teas available - and this is how Teavana was born.

GOAL:

To be a HEAVEN OF TEA and to the tea lifestyle and wonderful tastes of tea. To provide fresh, high quality teas and the products to serve them To create a unique tea experience in each store by encouraging a positive, healthy outlook for all who enter.

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SIGNAGE & LOGO TEA BOXES IN THE BACK

DISPLAY IN FRONT & SIDES TEA SAMPLES IN FRONT


This TEAVANA KIOSK DESIGN, a smaller version of a TEAVANA retail store, brings out a healthy, natural and organic outlook with a strong Asian accent. Spaces for tea samples, tea check-out areas and displayed products are provided. The architectural shape is to attract consumers, and also give out a sense of what type of products being sold at the kiosk.

COLOR THEME:

SIGNAGE [IN VIEW FROM UPSTAIRS] TRANSPARENT TOP [TAKE AVANTAGE OF OTHER LIGHTING]

APPROACH FROM THE BACK: INTRODUCING TEA RPODUCTS


CAMPFIRE COMMERCIAL DESIGN

1555 Peachtree St NE #1800, Atlanta, GA 10,000 sq.ft. on 9th floor Revit, SketchUp, Auto CAD, Computer Rendering, Photoshop


site who how where what A multi-national design and innovation consulting firm delivering human focused solutions with global impact, the company is widely recognized for its multidisciplinary work in research, strategy, innovation, and design. All the departments come together to work side by side on one project, which makes the design process a closed loop.

Based on a circular orientation. Campfire is made out of two basic forms: a circle with a triangle in the center. Circle, which encloses the space, connects people, encourages conversation and has no hierarchy, is highly preferred in collaborative space. The office will also have different working zones overlap each other, creating transitional area, in order to keep the work flow smooth and continuous. Like “Yin and Yang�, the design emphasizes the balance of collaborative and focus areas, different levels of privacy and layers of lighting and colors, bringing nature along with its organic shape into the space to support wellbeing.


DYNAMIC PATTERN

CHANGE IN COLOR

POP OF COLOR

ADD TEXTURE

DEFINE ZONE

MAKE FOCAL POINT

SHAW CONTRACT GROUP - HEXAGON

FLOOR FINISHES

“CAMPFIRE” EXPERIENCE

ENTRANCE HALL - LOGO’S INTRODUCTION

DESIGN PHILOSOPHY

A WIDE VARIETY OF PRODUCTS DESIGN STYLE

RECEPTION - COMPANY’S INTRODUCTION/ BRANDING


SHARED

I/SHARED

PROJECT TEAM SPACE BRAINSTORMING/ SKETCHING

WE/SHARED WE

I

PRINT + COPY/ STORAGE TOUCH DOWN

FOCUS

I/OWNED

MAIN CONF.

WE/OWNED

OWNED

CEO

RECEPTION

CLIENT MEETING/ COLLABORATION FOCUS STORAGE

QUICK COLLABORATION

DINING AREA

WORKSTATION (GRAPHIC DESIGNERS INDUSTRIAL DESIGNERS)

KEY GOALS CAMPFIRE ROOM

BALANCE

FOCUS PRIVATE

| |

COLLABORATION PUBLIC

TECHNOLOGY/ TOOLS WORK TOUCH DOWN

PALETTE OF SPACE

LAYER OF COLLABORATION

SHARE SHOW

SOCIAL HUB

BAR-HIEIGHT MANAGER OFF.

REFRESH

PALETTE OF POSTURE WELL-BEING

WORKSTATION (ENGINEERS, SALES, MARKETING OFFICERS)

ENCOURAGE CIRCULATION NATURAL FORM

WORKING HEIGHT LOUNGE

PROJECT TEAM SPACE


FAREWELL CHAPEL - OFIS ARHITEKTI

CAMPFIRE ROOM


TOUCH DOWN ZONE PLAN VIEW PALETTE OF POSTURE ENCOURAGE INTERACTION/ CONVERSATION CONNECT PEOPLE / ENCLOSE SPACE ENCOURAGE INNOVATION AND CREATIVITY SUPPORT WELL-BEING BRING NATURE INTO THE SPACE

DESIGN APPROACH

REPRESENT COMPANY’S CULTURE


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Campfire is all about creating the right space with the right atmosphere, where the employees do not only come to work but also to experience the company’s culture and to stay productive, connected and healthy.


Intern Program

the market at

RENOVATION FOR PUBLIC SPACE Midtown Marta Station Atlanta, GA Revit, Photoshop

Design Team :

angie tran | emma caldwell | fiorella dimiceli | Jordan Davis | van dang Advisors : christopher mcgee | kate hardman


PRIMARILY HOUSING

DESCRIPTION

MAIN STREE OF ATL.

MIDTOWN DEMOGRAPHICS

The Midtown District is one of the largest business districts in Atlanta. 800 businesses 81,000 daytime workers 42,000 residents 27,000 students

Client: Marta Transit Station Project Scope: Request for Expression of Interest (RFEI): Development of Midtown Station Air Rights MARTA hopes to solicited expressions of interest and project vision statements from developers capable of developing the air rights above the Midtown Station in a manner consistent with MARTA’s objectives and Transit Oriented Development Guidelines.

MARTAMIDTOWN STATION||| TRAFFIC TRAFFICFLOW FLOWDIAGRAM DIAGRAM MIDTOWNSTATION STATION TRAFFIC FLOW DIAGRAM MARTA

MARTA MIDTOWN STATION | WHAT’S MS

SURVEY ANALYSIS

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IC ARTTRRAAFFFFIC ICUULLAR C EEHHI HVV IGH IG H H -

MIDTOWN EMPLOYEES

TTEEN NTTH H SST TRRE EEET T

DATUMLINES LINES DATUM

Intern Program

35

MARTA RIDERS

FARMERS MARKET COFFEE STAND

COMMONPATH PATH OFTRAVEL TRAVEL PATHOF OF TRAVEL COMMON

GREEN SPACE / OUTDOOR SEATING RETAIL OPTIONS

PERFORMING ARTS VENUE

N NO O

OFFIN INT EO T DDE

SECT O EERRSECTIIO

NN

GALLERY / EXHIBITION SPACE OUTDOOR GALLERY ARTIST CORNER

WE LISTEN TO YOUR

LIVING OPTIONS DINING OPTIONS

NEEDS

OTHER

PEACHTREE STREET

IC FFFIC AAF TTRR

WEST PEACHTREE STREET

ACE - H GH EEE PPLLACE - HIIG H PPEED HTTRRE DEES CH STTRR AC IIAA PPEEA NN

DATUMLINES LINES DATUM

ENTREPRENUER MARKET

0%

10%

20%

30%

40%

50%

60%


ENLIGHTENING THE EXPERIENCE THROUGH ICONIC EXPRESSION ENLIGHTENING THE EXPERIENCE AND STREET ACTIVATION. THROUGH ICONIC EXPRESSION. PAST AND FUTURE MERGE TO ENGAGE PAST AND FUTURE MERGE TO ENGAGE THE USER, THE RESIDENT, AND THE WORKER THE USER, THE RESIDENT, AND THE WORKER TO A NEW MIDTOWN DESTINATION. TO A NEW MIDTOWN DESTINATION.

2014

2020

Outward Look

Activation of Ground Floor

Enlightens the Human Sense

Generous Walking Areas

Sheltering Facade

Variety of Daily Items

Integrated Greenspace

Pulling people upward

Colorful Experience

Centeral Gathering Space

Expressive Facade

Variety of Daily Items

The High Line | NYC

Pompidou Centre | Paris

Leeds Kirkgate Market | England


ELEVATED LANDSCAPE

NEW WAFFLE SLAB

ACTIVATION THROUGH DESTINATION

BLURRING LINES BETWEEN HISTORY AND FUTURE

TRANSIT

WATER FEATURE

REPURPOSING TO MEET TODAY’S NEEDS

VISUAL STIMULATION

“THE WING”

STREET STAIRS

ICONIC STATEMENT TO CREATE IDENTITY

ACTIVATING THE STOREFRONT

MARTA MIDTOWN STATION | STREET ACTIVATION

10th Street

10th Street

10th Street

10th Street MARTA MIDTOWN STATION | TRANSFORMATIONAL DIAGRAMS

STREET ACTIVATION

Peachtree Place

EXISTING FOOTPRINT

Peachtree Place

DEFINING EDGES

Peachtree Place

ADDRESSING THE SIDES

Peachtree Place

SPLITTING CIRCULATION

TRANSFORMATION DIAGRAMS

EXISTING CONDITIONS

UPWARD TRANSITION

ELEVATING THE SPACE

EXPRESSION THROUGH OFFSETTING


EXPERIENTIAL TRACKING PER TARGET MARKET

MARTA MIDTOWN STATION | EXPERIENTIAL TRACKING PER TARGET MARKET

FELIPE | VISITOR Felipe is a 30 year old artist who lives in the suburbs. He frequents THE MARKET AT MARTA to see the monthly exhibitions in THE GALLERY.

THE TERRACE

THE GALLERY

THE MARKET

THE GRAB-N-GO

THE PLATFORM

KATE | EMPLOYEE Kate is a 26 year old interior deisgner who works in Midtown. She uses THE MARKET AT MARTA on a daily basis for transportation, daily goods, and lunch spot needs.

ADAM | RESIDENT Adam is a self-employed 52 year old man who lives in Midtown. He frequents THE MARKET AT MARTA a few times a week for daily needs.


PROGRAMMATIC EXPLOSION DIAGRAMS

MARTA MIDTOWN STATION MARTA | PROGRAMMATIC MIDTOWN STATION EXPLOSION | PROGRAMMATIC DIAGRAMS EXPLOSION

THE TERRACE

THE TERRACE



THE GALLERY

THE GALLERY

THE MARKET

THE MARKET

THE GRAB-N-GO

THE GRAB-N-GO

PUBLIC SPACE PRIVATE SPACE





MARTA MIDTOWN STATION | INTERIOR PERSPECTIVE OF TEMPORARY MARKET

TEMPORARY MARKET MARTA MIDTOWN STATION | INTERIOR PERSPECTIVE OF THIRD FLOOR TERRACE

3rd floor terrace

peachtree pl facade



MARTA MIDTOWN STATION | EXTERIOR PERSPECTIVE OF FOURTH FLOOR PARK

fouth floor park MARTA MIDTOWN STATION | INTERIOR PERSPECTIVE OF MINI-MARKET

Interior perspective of atrium from the gallery

mini-market


the picturesque

HOME

RENOVATION FOR RESIDENTIAL SPACE 32 E 65th St Savannah, GA SketchUp, Auto CAD, Hand Rendering in Mixed Media, Photoshop


CONCEPT MODEL

MINIMALISM EARTHY COLORS

INCLUSIVENESS

FLUX

STRONG INTERACTION WITH NATURE

Mid-century modern style is characterized by ‘strong interaction with nature’ and ‘minimalism’. Nature is introduced into the house through open space, natural light and earthy colors. All the design elements are kept simple but aesthetic and functional. The clients are a couple in their late 50s who enjoy exploring the natural world around them. The design approach is to create a minimal and open space that encourages their social conversations as well as their interactions with nature. At the same time, it will be functional and accessible for their special needs.


MASTER BEDRM

IMMEDIATE NEIGHBORHOOD

GARAGE

ENVIRONMENTAL FEATURES

WORKSHOP CLOSET

OFFICE

MASTER BATH LAUNDRY COURTYARD

ADA BATH ADA CLOSET

ADA BEDRM

INTERIOR CIRCULATION

SITE ANALYSIS

CIRCULATION AROUND THE SITE ACCESS POINTS

NATURAL FEATURES

DINING RM

LIVING

N

KITCHEN

ENTRANCE

COLORED FLOORPLAN

PERMANENT FEATURES

Applying the PICTURESQUE GARDEN STYLE is to create an emphasis on the relation between the house and its landscape settings. The design gives more depth to the courtyard and makes it visually balanced as it “comes out from a painting”. COURTYARD [VIEW FROM LIVING ROOM]


Skylight [to bring sunlight in]

Reflecting the courtyard

The furniture is recessed to the in-house garden to create a feeling of being surrounded by nature.

Fish Pond [To reflect sunlight] LIVING ROOM Appling Modern Mid-century style by erasing the boundary between indoor and outdoor and bringing more nature into the house

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LIVING ROOM & KITCHEN AREA - SOUTH ELEVATION


harold and judy tenenbaumC

Harold - a freelance writer for science journals, specialized in marine biology Judy - a botanist specializing in material producing plants side business selling own scientific illustrations A son is in a wheel chair and visits some weekends and holidays. Hobbies and Activities: Exploring the natural world around them Harold loves listening to music and building model ships.

DINING AREA Hidden from living room area Attract the users by the display tank and its transclucent background


LIVING ROOM & KITCHEN AREA

(HAND RENDERING WITH MARKERS AND COLOR PENCILS, PHOTOSHOP)



FURNITURE DESIGN


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C-TOOL THE DESIGN IS A HOLISTIC AND DEMOCRACTIC APPROACH TO CREATIVE THINKING, PROCESS AND OUTCOMES.

85


IDEATIONS - HAND SKETCHING using MARKERS

INSPIRATION

CHOICE

VISUALIZE “SLOW DESIGN MOVEMENT”

86


FULL - SCALE MOCK - UP 87 PROTOTYPING - WOODWORKING


88


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The design is to require many speeds of the users’ engagement in order to raise their awarness and appreciation of their own furniture.


CUSTOMIZABLE

The users have an opportunity to participate in the process of making the stool and turn it into their own. The process offers happiness, content, profundity and stress relief, encouraging the use of local sustainable resources.


Inspired by “Slow Design Movement�, C-TOOL is to raise the users’ awareness and appreciation toward the designed products, celebrate local resources, and provide the potential for a richer spectrum of experience for individuals and communities.

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POSTURE Sponsored by

DAVIS FURNITURE ENCOURAGE HUMAN INTERACTION, PROVIDE PRIVACY AND VARIETY OF WORKING POSTURES FOR COLLABORATIVE SPACE


h ed enoug Not provid nology with tech utlet, support (o wifi...)

Better for indiv id than G ROUP w ual orking NO priv acy !!!

Stay awa y from home dis tractions and offic e boredom Comforta ble

ated e isol b o t Not active g but n i x a l Re e spher atmo

tr

Dis

NOT e as arrang y to e furn itu

re

Be waited

Photo by Ryan Lee Š 2012

coffee shop

Variety of chair and table height

Observation AR er CIRCUL ... to eith AR L U C IR C or SEMIto c proje r, (for using .) form. rd.. whiteboa

g

kin

or of w k Lac face sur

More preferable working place than home and office

g and herin le t a g When ting, peop ac inter ange to arr .. d ten s. selve them

!

s !!

ion act

on HOW, WHEN and WHERE people collaborate


ENCLOSE SPACE

ENCOURAGE INTERACTION AND PARTICIPATION

CONNECT PEOPLE

THE MOST BASIC NATURAL FORM

WHY CIRCLE IN COLLABORATIVE SPACE? ENCOURAGE INNOVATION AND CREATIVITY

HARMONY EQUALITY UNITY

INCREASE VISION

NO HIERARCHY, NO DIFFERENT APPROACH


CHOICE

IDEATIONS - HAND SKETCHING using MARKERS


45o 60

CASE STUDY

EASY HEAD ROTATION

45o 60o

o

25o

25o

EASY SHOULDER ROTATION

17”

Looking for the right dimensions and angles that support comfortable interaction

15o 15o 14” LEGS’ CLEARANCE

35

35o

o

EASY EYE ROTATION MAX EYE ROTATION

FIGURE STUDY 19”

EXPERIMENTS on comfortable distances for COLLABORATION

CASE STUDY - EXPERIMENTS

MAX HEAD ROTATION


sstor e r rm ce

a devi E P e A s -SH to u

UEasier notes orking e w tak port p u S

es

tur

s po


versatileARMREST

Height: 10 1/2� Lumbar support and arm resting Encourage UPRIGHT POSTURES - suitable for quick meeting and group working More WORKING SURFACE (writing, note taking and using electronic devices)


COLLABORATIVE POSTURES


shoulder-height PANEL

intergrated to the back Support PRIVACY AVOID approach from behind and distractions ENCLOSE the space



variableOPTIONS

to use and arrange the product, which makes the working space flexible, adaptable and functional, connects people together, encloses the space and provides more privacy for COLLABORATION



intercettati bienestock furniture design competition

Honorable Mention Inspired by the unique application of Parabolic Curves, INTERCETTATI’s design aims to a sleek form that creates a three dimensional visual effect.

inspiration

The design draws attention to the bottom part of the table, which is usually hidden in most table’s designs. In spite of the futuristic look, it still has a touch of traditional architecture elements.


The beauty of the design is that it creates a sense of movement and fluidity by utilizing only straight lines. That is why despite its complex look, the building process is very simple. The table can be used for many different occasions for its aesthetically pleasing design and neutral wood colors. No matter where it is placed, the INTERCETTATI will become the focal point of the space – a gathering spot.




PERSONAL WORKS


INKING

MARKER RENDERING

112

MARKER & COLOR PENCIL RENDERING

SHADING


OUTLINING

WATERCOLOR RENDERING

MARKER RENDERING

113


THANK YOU

Angie NGOC TRAN

2450 Camellia Ln NE, Apt 1104 Atlanta, GA 30324 928.750.7818 ngoctrancb@gmail.com be.net/angietran


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