Hsu an by an hsu

PORTFOLIO H

ABOUT ME

許安 AN,HSU TA I P E I , TA I WA N

EXPERIENCE + 8 8 6 923 633 033

Shih Chien University | Department of Product Design

hsuanhsustudio@gmail.com 2 F ., N o.3, L n. 215, Sec. 3, Musi n Rd ., Wu n shan Di st., Tai pei Ci ty 11658, T aiwa n (R.O.C .)

2010 SEP. - 2015 JUN.

AGUA DESIGN | Internship 2012 JAN. - 2012 FEB. - 2012 Spring Mateiral Lab - C i t y Ye a s t

實踐大學工業產品設計學系 S h i h C h i e n U n i v e r s i t y, Department of Industrial Design

IF STUDIO | Internship 2013 JUL. - 2013 SEP. - Supporting design

SOFTWARE

LANGUAGE

- Design assistant - Material experitment

Illustrator Photoshop Aftereffect Rhino ProE Keyshot Solidwork Autocad SKETCH Sketchup Giphy Snagit

SKILL Sketch Graphic Illustrate Modeling Visual UI/UX Web RWD Prototype mockup

Chinese Mandarin [Native] Ta i w a n e s e [ N a t i v e ] E n g l i s h [Professional working Proficiency] J a p a n e s e [Elementary Proficiency]

- 3D modeling - Prototype mockup - 2 0 1 3 Ta i w a n D e s i g n e r s ' W e e k e x h i b i t i o n

FLEXIBLELOVE | Brand Designer 2016 Mar. - 2017 Nov. - Company Identity redesign - Developing new product line - Official Web visual / flow / structure design - Marketing media visual design - Product improvements

ABOUT ME

INTERNSHIP EXPERIENCE M AT E R I A L LAB UX DESIGN /PRODUCT PRODUCT DESIGN

BRAND

05 11 25 43 57

INTERNSHIP EXPERIENCE 2012 JAN.-FEB. AGUA DESIGN 2 0 1 3 J U L . - S E P.

STUDIO IF

Agua Design

INTERNSHIP 2 012 JA N. - 2 012 MA R.

春日材質互動實驗室 S P RI NG MAT E RI AL WORKS HOP

M AT ER I A L Q & A 001對材質的定義木頭、金屬、塑膠、壓克力分屬於不同“材質” 所謂材質就是世界上所有人工的或天然的物品，擁有屬於自己的物理特性及化學特性，構成方式與質地。 002對實驗的看法是實驗是開創“SOMETHING NEW”的必經之路，有實驗才會有新產物、新手法、新思維。 003請舉出一件國際性創新的材質運用案例在第八屆慕尼黑材料獎中，有一個新化合物的開發，叫作Plexiglas Cool Touch，它能減低汽車 25%排碳量。

避孕套 / 軟木塞 / 水彩 / 石膏 /樹酯

/ Hum an Fact or y

/ H eight

/ Con dom In Han d

城市 x 材質 MAT E R IA L IN CIT Y 材質 x 都市傢俱的水平式想像與垂直式推演。由材質出發的設計思考，使多元材質精緻運用成為凸顯都市特色的要素之一；如何透過都市材的轉換，改變都市觸感。現有的都市傢俱如公園椅、排水溝蓋、車擋等等，在都市生活中無所不在，為了提供更好的公共生活，都市傢俱除了重視機能以外，也必須重新考量與都市的關係。五坪水越以材質為核心出發，針對生活周邊的都市傢俱作材質的替代和轉化思考，模擬所選定的材質為都市中的既有物件增添更多可能性。探討都市材質多樣性。

Existin g u r b an fu r nitu re , s u c h a s p a r k b e n c h, g u tter c o ve r s , b u m p e r ‧ ‧ ‧ ‧ ‧ E t c . , in u r b an life eve r y wh e re , i n o rd e r t o pro vide b e tte r Pu blic li fe , u r b a n fu r n i t u re , in additio n to p ay atte nt i o n t o fu n c t i o n , but als o M u st re think t h e re l at i o n s h i p wi th th e c it y . Five ﬂo o r m o re wat e r t o the mate r ialA s the c o re st a r t i n g m at e r i a l for life fo r th e s u r ro u nd i n g u r b a n fu r n i t u re .

Studio IF

INTERNSHIP 2 013 JU N. - 2 013 SEP.

2013 台灣設計師週 TAI WAN DE S I GNE RS’ WE E K,2013

實習兩個月協助迴想設計李佳穎設計師參展2013台灣設計師週的場佈及作品，工作內容包含製作模具模型，打樣生產、工廠加工、尋找聯絡廠商、3D建模、市場調查、材質研究調查、結構實驗測試。

Durin g t h e Int ern sh ip in S t ud io IF, as a int ern an d assist ant , I h elp Lee Ch ia-Yin g , wh o is t h e foun d er an d d e sig n er of S t ud io IF,p rep arin g for t h e Taiwan D e sig n ers’ Week e x h ib it ion .A ssist ant work s in clud in g m ak in g p rot ot yp e, re search in g , 3D m od elin g , m arket in g , m at erial t e st in g ,st ruct ure t e st in g .

T WDW 2013

R AN D OM

/ 3x3 Design Sh ow

/ Lighiting D es ign

Random 是二條拉繩與隨機之遇構成的一盞吊燈。輕拉其中的一條拉繩，燈球會以隨機的方式一顆顆點亮。隨機的方式讓燈球點亮的組合接近無限多種而產生不可預期之美。拉下另一條拉繩可使燈球依相反順序逐漸熄滅。

R a n d o m i s a p e n d a nt l i g ht p l a y i n g w i t h t wo st r i n g s a n d s e re n d i p i t y. W h e n p u l l i n g o n e st rin g of t h e t w o, t h e l i g ht b a l l s t u r n o n o n e b y on e in ra n d o m o rd e r. Th e e n o r m o u s n u m b e r of com b in at i o n m a ke s e a c h p u l l a n u n i q u e m o m e nt an d each s e t u p u n e xp e c t e d . P u l l i n g t h e o t h e r st rin g d im s t h e l i g ht i n t h e re v e r s e d o rd e r t i l l a l l b a lls are oﬀ. 2 0 14 L 5 0 0 W 5 0 0 H 13 0 0 ( m m ) M e t a l , H a n d - Blo w n G l a ss , S i l i c o n Ru b b er

Toast Bag

/ Leat h er B ag Design

M AT E R I A L LAB 2014-2015 ENAMEL EXPERIMENT L A M P / VA S E

Discipline Li ght i n g D es i gn

Work Delivery Ce i l i n g L amp

Dimensions(unit:mm) L a mp1 330 x 330 x 520 L a mp2 220 x 220 x 380 L a mp3 220 x 220 x 365 L a mp4 20 0 x 20 0 x 31 0 L a mp5 250 x 250 x 280

Material e n ame l t i n pl ate alumi n i um st ai n le ss elect ro pl at i n g co o per ele ct ro pl at i n g s i lve r

Enamel Experiment / 琺瑯剪黏計畫

我發現琺瑯跟大眾所熟知的陶瓷釉料是幾乎一樣的成分，只是琺瑯的載體是金

Project brief

“Observing and find some interesting. ”

屬，而釉料是陶土胎。我認為，相較於陶土，以金屬為載體的琺瑯，有著本質上的堅韌與可塑性，也許單就尺寸大小就能衍生成全然不同的產品，有更多的可能。但在我們的生活中，琺瑯的運用是少見且狹隘的。所以我嘗試將琺瑯運用在金屬回收的議題上，設計出一系列家飾用品，稱為琺瑯剪黏計畫。

Enamel is a coating similar to glaze, except it is applied to metal surface instead of clay. It has greater potential than glaze in compacison, in terms of the tougher and more flexible nature. The difference between enamel and glaze may lead to completely different product in scale. However, the enamel coating is rarely used in products in daily life. Enamel Experiment Project is a series of home living product using recycled metal coated with enamel,in order to demonstrate the greater possibility of actual usage.

ENAMEL Enamel Challenge

Metal Recycling Issue

Enamel Experiment Plan

Enamel on Metals Scrap

Scrap Metals Collecting METAL

Build the Lamps

W h at is Enam el ? En a me l, glaz e , and glasse s are t h e t he me major silicate b ase d c oat ing , the name diﬀe r s whe n a pplied to diﬀe re nt sur face s. Th e sme lling factor and the melt ing p oint should b e lowe r t h a n the substrate itse lf in orde r t o a c hie ve p e r fe ctly glaz e d sur fa c e. 琺瑯釉和玻璃、瓷釉、琉璃者三原料大同小異，主要的成份都是矽酸鹽類。唯須與不同材質的胎體結合，故有不同名稱。因此在製作技術上要兼顧釉與胎兩者的理化性質；也就是說，這些釉至少應調配到膨脹係數比胎質的小，同時熔點比胎質的低，才能完整附著於器。

Material Test

Thinking Outside the Box

Gather Abandoned objects.

Co re Co n ce pt J ia n n ia n is a classic te mple de oratin g t ec h n ique , using intact se ctions of ﬂa m ed a n d ab andone d p otte r y to c reat en ew t ile s, the individual qua lit y of eve r y p otte r y pie ce is kept durin g the proce ss. Th e t ec h in ique is adapte d to the c ore va lue of the proje ct, to cre ate diﬀerent pro ductswith the charact er of origin al ite ms, in orde r to lent h en t h e l ife sp an of radom p ar ts of objec t s.

Maintain Keep the intact part.

剪黏為傳統廟宇建造工法中很經典的一項手法。利用瑕疵、廢棄的陶瓷器皿剪出完好的部份，做為瓦片來裝飾廟宇。因此，從每一瓦片中能發現原

Reborn

物件局部的特徵。我取剪黏精神，作

Transform to a whole new using way.

為這次系列作品核心概念，讓那些「好可惜」能夠以不同姿態重現於世界，延續生命週期。經過轉化，仍會保留它們重要的特徵，期許能讓人辨識出原本熟知的它們。

1 00 Characte rs

Co m bin ation Ap ar t fro m o t he r m at e r ial s l ike p l ast ic s , gl ass e s , o r p ap e r, m e t ak is ab and o n e d d u e t o l ac k of u s age , no t b re ak age . The t o u ghne ss and d u rab il it y of m e lt al are t h e u n iq u e q u al it ie s of m ass p ro d u c t io n and ind u st r ial iz at io n . I c ho s e t o ke e p t h e c harac t e r s inst e ad of d e st ro ying t he m t o re b u ild a n e w o ne . 有別於其他材質，如紙類、玻璃、塑膠瓶罐等，廢棄金屬現成物充滿特徵。被丟棄的主因大多是因為用不著了而非壞了。金屬的本質堅固、有韌性，並各自具有獨特的型態及外觀，這些細節都是工業化，機器大量製造所留下的痕跡。仔細觀察，就能發現它們的美好。所以我選擇保留他們的原貌，取其完好的部分，而非以普遍打掉重練的回收方式來銷毀它們。

Comb ination of rea d y- ma d e meta ls w ith c ha ra c teristic s of elega nt outline s of mid d le - ea st a rc hitec ture s.

Ename ling Condition PROP ORTION Copper

x x #AG124

Silver

Material of Metal Scrap

0% 0%

Brass

5% Tinplate

x x

Aluminium

Stainless Steel

15%

30%

ENAMEL x

ELECTROPLATING/METAL

50%

Perfect Able None Disable

Fil l in t he p o re s o n t he c o p p e r s u b st rat e t o ac h ie ve a s m o o t h wat e r p ro of gl ass ﬁ n is h. The s e r ie s of p ro d u c t s are t h e c e le b rat io n of c raf t s m an s hip s an d ind u s t r ial o b j e c t , it is a gro u n d b re ak in g id e a of u s in g t h e t e c h n iq u e , p ro vid ing e le gant s hap e s , as we l l as t he e x p e r ie n c e . 以整合後的金屬現成物為胎體，燒附琺瑯、裹飾表面、填滿毛細孔，使金屬具有玻璃質感防水易拭的優點，而玻璃質感與銅色金屬相間，整體質感優雅，型態工業。工藝手法與工業物件結合，打

M E LTIN G DE GREE

破既有印象，更提升廢棄物整體質感，達到不輕易被替換取代的定位。

#110

1500°c

1400°c

Fe 3 C 1000°c

Basic Ename ling Condition

900°c

800°c

#158A

700°c

#158 A

#1260

#121

#AG48

#122

Color Temprature

Enamel can apply on: Gold/ 925 Silver/ Silver/ Copper Unsuccessful condition: Object Surface Rust/ Oxidization/ Oil

600°c 200°c

#1260

#10 #AG124

[琺瑯燒成基本要件] Sn #10

#121

#122

#158

#1260

#AG41

#AG124

白

青水

青竹

水

水鉗

青鉗

青嶍

760°c

730°c

750°c

770°c

780°c

800°c

可使用的金屬： K金/925銀/純銀/紅銅金屬表面：無鏽/無氧化/無油＊＊可使用稀釋鹽酸洗氧化及鏽

E x per im ent A Goal :Experiment Is the original metal substrate ready for enameling after processed by diluted hydrochloric acid? Material : stainless steel door handle tinplate ╳ 3 small electric kiln gas gun Hydrochloric acid enamel frit #158 CMC ( 10:1 )

Result: Failure

Cutting Tinpllate Cans

Melting the Stannum covered on surface

Soaking in Hydrochloric Acid

Applying Enamel on Surface

Put in Electric Kiln,until enamel melt. (Around 780ºc)

E x per im ent B Goal : Experiment Is plated copper and silver film coated metal subtracted ready for enameling? Does it lead too failure after plated by different metal due to the difference in shrinkage rate? (Stainless steel / iron / tinplate)

ELECTROPLATING METALS

Material : stainless steel ╳ 2 tinplate ╳ 1 small electric kiln gas gun Hydrochloric acid enamel frit #1260 CMC ( 10:1 )

Result: stainless steel and tinplate plated metal are ready for enameling.

TINPLATE

STAIN

NO.2

Turquoise

NO.4

Nemo

NO.1

Bassa Madam

NO.5

NO.3

Bustle

19 th.

VA S E

25 USER EXPERIENCE PRODUCT DESIGN 2013 KALEIDOSCOPE 2014 TYPE PHONE 2014 BLOWER LAMP

27 Discipline Li ght i n g D e s i gn C lo ck D es i gn

Work Delivery T i me Wal ke r

Dimensions(unit:mm) 240 x 240 x 90

Material Alumi n i um Tube Li me P owde r P o lye ste r Wate rco lo r P i gme nt

Working A rdui n o U N O 20 1 2 N ove n b er

Kaleidoscope / 萬花鐘

時間對人來說是生活中不可或缺的助手。看清時間能做

Project brief

“Enjoy life without time. ”

有效的規劃和安排，但是生活何必事事都如此清晰有條理？偶爾迷濛偶爾幻覺，霧裡看人生，這種生活，也挺 Fancy的。這個Project是要抓住街區的精髓而作出衍申設計，相信萬華的花紅酒綠能在此萬花鐘上表顯無遺。

Time to everyone is the most important thing in everydaylife. Without time, we can not arrange our life eﬃciently. But life is short and hard, why so serious? Do we really need to see our time clearly? Do we really need to follow the rules and make ourselves unfree? Somtimes we just need to live in a moment, no matter how far away from the reality, being fancy for a while can not be so wrong. The project Kaleidoscpe is a colock dropped by the spirit of Wanhua district, hope people can enjoy losing in time.

District to P roduct Ever y lane s and alleys around the world all have their own sp ecial looking and character. The culture and religion are t wo imp ortant factors contribute to this.The main challenge of this project is ﬁrst to obser ve the chosen cit y carefully； second to drop the characteristic p arts from the cit y then infuse it into product de sign, let p e ople know by one sight. 世界各地大大小小的街區都有屬於自己的樣貌風情，而文化民族宗教都是影響的元素。而街區地景有些風格強烈一點的甚至可以變成形容詞或代名詞。法式英式就是常見的例子。”設計師之旅“主要的挑戰在於，對城市或街區觀察入微，並能抓出要點跟精髓注入產品裡頭，讓人們一看就能聯想到，這產品好台灣。

Block in Wanhua? I chosed Wanhua as my target district this time. Wanhua is an old district in Taip ei cit y, and it has long histor y of p orn industr y since Jap ane se colonial p eriod. That is, the place is full of p orn and se x trade s. As a big ge st red-light district in Taip ei, Wanhua has many adverbs to de scrib ed. It b ecome s more mysterious and dazzling when the day turn night. 這次的街區我選擇萬華。說到萬華，頭一個閃過的形容詞大概就是花紅酒綠，因為萬華是老台北最出名的風化場所。日治時期的公娼寮雖已廢除，但色情的風氣擴散街區，時至今日成為花街茶巷，遍佈在萬華的巷弄叢中，使得萬華給人一種夜晚迷離印象。

城市街區轉化設計

W hy C lo c k? The mo st well k n o w n t h i n g of Wan hu a is t h e re d - l i g ht distr ic t c u ltu re fro m J a p a n e s e c o lo n ial p e r i o d t o n o waday s .The b ro t h e l s h i d e in alley s and p re t e n d a s c h ia (te a) ho us e s . Al m o st eve r y elde r ly Ta i p e i c i t i z e n k n o ws the dar k s i d e of Wanhu a, and h a d lo st i n t h e my ste r io u s dist r i c t s . 萬華的街區意象就是夜間紅燈區的五顏六色的燈箱招牌，以及特殊的站壁文化。時間，對於每個人來說是串起一天大小事的軸。但是，在夜晚的萬華巷弄中，時間卻被花紅酒綠給淹沒，一切新鮮事物充斥眼前，萬花筒般的眼花撩亂。時間和現實一樣，在這一刻不需要被看清楚。所以我想將萬華的街區意象抓進時間裡，設計出

TARG ET APPEAR ANC E

一款迷幻時鐘。

APPEARANCE Mold filling/ Material testing

KALEIDOSCOPE INTER-WORKING writing a program with ARDUINO UNO board

Th e t arg et ap p earan ce of clock is g laze -like t ran sp arent ly colorful b ub b le s ﬁlled in con cret e roun d surface, just like t h e n e on lig ht s in t h e con cret e cit y at n ig ht . 目標外觀想要五彩繽紛如玻璃般透明的圓點隨機散落在水泥質感的鐘面上，試圖想創造霓虹燈鑲嵌在鋼筋水泥城市裡頭的意象。鐘面上亮起的圓形彩色玻璃，就像城市在夜間的燈光景深一般，交錯而炫麗奪目，迷幻而朦朧。

M OL DI N G

I want to u s e c o n c re te , w hic h is infu s ed by ma ny co lo r fu l trans p arently d o t s , as th e s u fac e of my c lo c k . Bu t it is n o t e as y to m o ld ing c o n c rete witho u t a ﬁss u re, e s p ec ially this k i n d of fo r m. S o I c ho o s e a lt e r native way to c reate a m a ter ial like c o n c re te by mix ing p o ly an d ro c k p o wde r to g eth e r.O n th e oth e r h and, c o lo r fu l do t s , w hic h are made by p o ly a n d wate rc o lo r, w e re infu s ed into the h o le s after the clo c k s u r fac e was c o m p e let ly dr y. 水泥質感：水泥易生細痕裂紋，加上表面多孔密集散佈，若以水泥來灌模，會碎裂的風險很大。所以以石粉加上寶麗膠取而代之，仿效水泥質感。彩色圓點：以寶麗膠加上色母顏色過於飽和，以致LED光線無法穿透。經幾次實驗結果，以水性顏料加入寶麗膠中，會產生顏色漸層，顏色的通透性也非常良好，從而選擇以此方法仿效霓虹燈泡。

1 透明彩色poly填洞 2 矽膠封底等乾（洞深一半） 3 poly乾後拔除矽膠底 4 石粉圓盤背面（矽膠膜拔除前） 5 矽膠膜（拔出後） 6 石粉圓盤成形後打磨 7 成品棚拍

1 2

4 3

5 6 7

TA RG E T WOR KIN G M E T H OD I sep erate dots into t wo p arts. One is dots in the middle, they stand for“Hour ”,and they will show which hour is it now by arraying into Arabic numerals,like 1,2,3.The other p art is dots on the outside circle,it consisted by totally 60 dots, one dot for one minute,and they will show what minute is it by accumulating dots clockwisely.When it come s to 60 dots,it will return to zero and accumulate dots again,and the meanwhile, hour will turn to ne xt Arabic numb er.

目標運行辦法：把鐘面上滿佈的圓點分成環形外圍及內部中心。中心部分顯示“時”；外圍部分顯示“分”。時會以圓點排列成阿拉伯數字來呈現；外圍的圓點總共有六十顆，以累積的方式來呈現幾分。當累積了六十顆，在鐘面上形成光環時，下一秒就會歸零從一開始，而小時的數字也會跳下一個。

H OW TO D O TH IS? Assign ever y dots a numb er, and make dots turn light or dark individually by writi ng an arduino program. In this way, I can arrange dots into Arabic numb ers,and accumulate dots outside the circle.

給每一個圓點編號，在寫程式的時候就安排編號第幾的LED燈要亮或暗，以此方法，得以使中間的圓點排成阿拉伯數字，外圍的圓點一分鐘亮一顆，最後累積成六十分一圈。

Hour

Minute

Time

2:35 x 60 = 1 min.

33 Discipline P ro duct D es i gn

Work Delivery Te le ph o n e

Dimensions(unit:mm) 1 50 x 1 80 x 1 90

Material Wo o d A rcr yl i c P l ast i c Tub e Tami ya Spray

Project brief

Spri n g 20 1 3 O cto b er

Type Phone / 打字機電話

在科技日趨發達的現今，許多

“Type to someone you missing a lot. ”

物品的操作都以觸控面板取代，雖然有許多優點，但因此觸覺和手感被剝奪，回饋感少了，樂趣就少了。儘管以視覺和聽覺的方式營造按壓錯覺，但觸控面板怎麼樣也無法和真實的按鈕相同。藉此機會，將被剝奪的電話按鍵、還有已經成為過去式的打字機的使用感覺給找回來。

Nowadays, the touch screen quietly replace buttons in 3C products little by little,and buttons and keyboard parts, which on the everyday products around us, will go in to history somday in the future. Althought the touch screen has many advantages than buttons, I as a designer, still don’t want growing technology to take away our rights of touch senses. The feeling of push real buttons is quite diﬀerent from app programs which are made to pretend as buttonlike by seeing and hearing. By this chance, I want to bring back the touch sense and typing action.

快樂的設計

DE S I G N F LOW

T HE P R E SU R E P R I N C I PLE Al m ost ev er y 3C product de si g n e d b y de s igners nowaday, have no so ul i n i t . They just keep de signing same th i n g d a y a f ter day. It might b e a good wa y t o e a rn m o ney quickly, but in the end t h e re i s no thing. O nce we forget to t h i n k a b o ut u s er ’s mental de sire s, we will lo se t h e m eventually. A preasure using p ro c e ss is a good way to impre ss use rs, a n d th i s wil l lead the product p op out a n d b e rem emb ered.

Using Telephone 1

Association

Conclusion

設計師在設計產品時，很重視使用者族群，使用者的定位會決定產品的功能及外觀。但鮮少有設計師注意到使用者的心理層面，如何能讓使用者感到快樂？這次的主題快樂原則，是想讓設計師在這產物爆炸的時代，將死板冰冷的設計

NEW USER EXPERIENCE

注入溫度，找到一些商業利益之外的創造價值。

HOW TO D O T H I S? To m e, the product which has a fun usi n g wa y is the most p ossible to fee l p rea sure. The p roduct must to hav e some i ntera c tio ns and feedb acks in using p ro c e ss. If wa nt it more suprisingly, the i n i t i a l d i re c tio n must b e break-frame th i n ki n g . U se the general sense s and break th e m t o creat e the surprising feeling i n d e si g n . I b el ieve that e xp erience s will le a d mo re p o ss ibilitie s of de sign.

到快樂。產品要好玩，一定要有互動性

e 1

2 1

和回饋性，同時必須跳脫既有框架，思維上的落差會產生驚喜感，再由驚喜感

8 1

說到快樂，對我來說好玩的產品就會讓我愛不釋手，並且從使用的過程中感覺

WHY T Y P EWRITER & DESKTOP P HONE?

B a2 b 3

D e s k t o p p ho n e an d t yp e wr it e r has m any t h in g s in c o m m o n.Th e y have s am e p o s it io n in h o u s e ,t h e y have al m o st t h e s am e s iz e , and m o st im p o r t ant of al l ,t he y al l h ave a ke yb o ard p an e l o n t he m . So u s e r s h ave t o ac h ie ve t h e ir p u r p o s e t hro u gh t he b u t t o n s . 打字機和桌上型電話都有一些相似之處。他們在家中的定位都是在桌上，體積也相似，最主要的是使用他們都必須透過按鍵才能完成目的。儘管有

帶出好玩。利用一般大眾既有的常識經

很多事物的操作都必須透過手指按壓

驗，先破壞再以採集回來的點子加以整

這個動作，但我會選擇打字機，除了

合，歸納出共通點，從中帶出新的使用

他的按壓回饋感有很強的記憶點，是

方法。經驗會引導出設計的創造性，有

眾所皆知的觸感以外，主因還是希望

效運用就能夠從大同小異、侷限重重的

這個已走入歷史的產品能夠以什麼樣

產品世界裡跳脫出來。

的轉化方式再次被使用起來。

N EW U S I N G WAY

N E W U SIN G WAY of TE LE PH ON E Th e T Y P E P H O N E rema i n s th e usi n g wa y a n d c h a ra c teri sti c s of t y p ew ri t ers.Wh e n ke y i n 1 n umb er, th e teleb a r o n t h e to p w i ll mo v e 1 sp a c e i n th e t y p i n g wa y j ust a s o ri g i n a l t y p ew ri t ers. O n c e ﬁn i sh i n g ke y - i n th e p h o n e n umb e rs,th e teleb a r c o me s t o o n e si d e a n d th e n users c a n sli d e i t smo o thy ly i n t h e o p p o si t e wa y t o ma ke t h e p h o n e c a ll. We se ld o me d o ub t a b o ut p ro d uc t s w h i c h a lrea d y e x i st fo r a lo n g ti me. If w e d o, w e ma y ﬁn d mo re p o ssi b i li t i e s a n d ev en b ett er w o rld .

CALL

2 9 6 8 3 9 3 7

2 9 6

HANG UP

使用上的新意：電話一定是要這樣操作嗎？我想很少有人提出過這樣的質疑。太過習以為常使

M EC H A N I S M

用周遭的物品，認為這樣東西本來就是這樣，就不會有任何突破的空間。抓取打字機以及電話之間的共通性，使兩個看似沒有關聯的物件產生連結，衍伸出全新的產品，甚至是完全跳脫窠臼的使

用方式。保留打字機運行的特色，與桌

C D

上型電話融合，數字按鍵仿打字機鍵盤的機械結構，敲擊號碼按鍵有很強的回

饋感。話筒有滑軌結構，在撥打電話時

A side

side

// Speaker //

，每打一字，該號碼按鍵對應的字符便

// Groove //

會彈上觀景窗，話筒同時會向打字方向

// Microphone //

移動一個字寬。當號碼輸入完畢，話筒已在最底端，順勢反向滑出會觸動撥打鍵，即完成撥打。同理，將話筒滑回原位即可掛斷。

C side D

// LEFT //

// Push Button // // Linked with Push Button // // Internal Groove //

// TOP // // Drive Tape //

side

// FRONT //

1 保麗龍草模與木模（1:1） 2 木模分件 3 按鍵連動機構 4 機構安裝於面板

190mm

150mm

180mm

39 Discipline Li ght i n g D es i gn

Work Delivery Flo o r L amp

Dimensions(unit:mm) 30 0 x 30 0 x 1 650

Material Iro n Tube Iro n P l ate P l ast i c Sh ee t s Medium D en s i t y Fi b erb oard P umper

Working A rdui n o U N O 20 1 3 D ecemb er

Bellows Lamp / 鼓風燈

踩踏下去，咻，黑暗中亮起燈

“Like a hot-air balloon light up the dark night. ”

火。再踩踏，燈火由暗轉亮，伴隨著逐漸膨脹的燈罩，就像點綴在夜空中的天燈一樣，閃閃動人，暖入人心。生活乏味，周遭一成不變，但鼓風燈讓平凡的生活有了趣味。何不換個方式開燈呢？開關之外，試試煽風吧，就像生火一樣，要亮點可要用點力進風喔。

What else can lamp be without having an on / off switch? Can lamps be interesting and interactive ? In the ancient time,people use bellows to set a fire to get light, to get warm and to gather together, but as the time flies by, people don’t use bellows anymore, because the electrivity light. In this project, by using A+B method, hopes to bring bellows back in everyday life, and make lamp more interesting.

A+B的設計 The most imp ortant th i n g i n t h i s A + B de sign project is to let d e si g n e rs th i n k it creativ ly ab out t w o t o t a lly d i ffere nt thing s b eing togethe r.By th i s wa y, d e signers can thinking o ut of th e frame,and create mo re p o ssi b i li t i e s i n product de sign.But e v e n t w o d i ffe rent thing s may still hav e so mth i n g i n common.D e signers h a v e to fin d o ut those commons b et w ee n t w o t h i n g s and let A +B de sign ma ke se n se. 這次的主題A+B，顧名思義就是要設計師把大眾已知的兩件看似完全不相干的東西做連結，進而衍伸出全新的設計。以這樣的設計方法，可以跳脫既有的思考框架，藉由細微的觀察加上細膩的手法，過濾共通點找出關聯性，貫串成為創新的設計產物。

W hy B el lows a nd l am p ? In the ancient time, p e o p le use to o ls such as b ellows to se t a fire mo re easier. So in ev er yon e’s mi n d , fire i s always p ositiv e cor re lat ed to th e w i n d which come from th e b e llo w s. N o wa days,fire in some wa y i s eq ua lly to th e light, it bring us br i g ht i n n i g ht a n d mentally warming fe eli n g s i n t h e sa me time,so that is why I p ut b e llo w s a n d light together,and ai m t o d e si g n a la mp with interactive usin g wa y t o ma ke product more intere sti n g .

30%

70%

100%

30%

鼓風器在古代生火時是一個助燃的工具，鼓進的風越多，火燒越旺、越大。以此脈絡，把生火助燃工具的意象延伸，與同樣象徵光明的產物「燈」作結合，重新設計成能跟使用者互動的立燈，跳脫立燈既有的框架。

S tart

Time Line

L ig h t Off

H ow To D o T h i s? The lamp is set to b e a fl o o r la mp a n d opp erating like using b ello w to th e fire.I de sign a foot- st ep b e llo w i n t h e b ase of the lamp,an d i f st ep more,winds will come o n mo re a n d make b alloon-like l a mp sh a d e inflate.At the same ti me, light will b ecome bri g hter. Th e b ri g ht degree is p ositiv e co rrelated to th e wind come s from th e fo o t- step b ellow. 這盞燈具就是轉化了鼓風器生火的意像，燈光等同於火光，底座的踏板象徵鼓風器，當踩踏越多次數，

Metal Frame Balloon 1

{Space} Arduino Board & Blow Mouth

4 5

灌入的風越多，燈罩的體積膨脹，燈光也就越明亮。就像生火時扇的風越多，火的體積會越大越明亮溫

暖。等氣體隨時間慢慢洩出，燈光

也就漸漸熄滅。

1 出風口 2 LED電路PCB板 3 支撐架支撐LED板和出風口 4 氣球套入口（30mm） 5 上蓋螺紋

Air Tube & Electronic Line

6 鎖孔 7 裝設ARDUINO和電路空間

{Space} Bellows In-Foot

43 PRODUCT DESIGN 2012

WITCHâ&#x20AC;&#x2122;S POT

2013 CREAM GUN

45 Discipline A ppl i an ce D es i gn

Work Delivery H e at i n g P ot

Dimensions(unit:mm) 1 50 x 1 50 x 30 0

Material Wo o d G l ass St ai n le ss Rubber R i n g 20 1 3 J an uar y

WITCH’S POT / 女巫壺

午後的沸水聲汩汩，翻騰攪動著的乾燥花草香料乾果茶葉，聞起來甜甜的。像女巫一樣，

Project brief

“Colorful herbals whirling in the water ”

在翻滾沸騰的大鍋裡加入許多草藥果實，調配一個未知茶湯。不管是微冷的春日午後還是清爽的秋日午後，能來一壺新鮮的花草茶都是很幸福的事。女巫壺沒有特定處方，全看當下有什麼鮮果香草，隨心所欲盡情享受吧。

Herbal tea can become more interesting and enjoyable in visual. By using the theory of Syphon coﬀee, I aim to design a tea maker, which will has a brand new opperation way to boil tea. In this way, enjoying tea will not only be in taste, but also in visual, out of everyone’s exspect.

“District to Product ” de sig n p ro j e c t n o . 2 . Wanhua is an old district in Ta i p ei c i t y, a n d i t h a s a prosp erious p orn industr y si n c e Ja p a n e se c o lo n i a l p eriod to nowadays.The intere st e st th i n g i s,th e se p o rn s hops all disguise as tea sh o p s to c o v er th e trut h . So you will see many “x x Ch i a S h o p” si g n b o a rd s i n l a ne s in Wanhua. That is, in th i s d i stri c , d ri n k c h i a ( tea) means more than the li t era l me a n i n g . S o I want to de sign a electricit y h e rb a l t ea ma ker to m etaphor the “C hia Shop” i n t h i s p o rn d i stri c t . 接續著之前設計師之旅的主題，觀察萬華夜晚的霓虹燈閃爍與眼花撩亂的花街，將街區意象轉化，進行衍伸設計。延續著色彩斑斕艷麗的視覺性概念，這一次選擇電熱壺進行發展。會選擇電熱壺的主要原因是觀察到花街常偽裝成茶店模樣招客，所以這邊的“喝茶”意義非凡。在笑聲吟吟的胭脂場所，所有感官都像被一層層粉色薄霧給蒙上，氣味迷幻，就像女巫大鍋裡的魔幻藥草不斷翻攪沸騰。在這樣的想像下，我想改良現有的電熱壺，設計一款可以專門沖花草茶的花草電熱壺。

PICTURE IT! I h av e seen many different wa y s to c o o ki n g c of fee,but there seems to b e o n ly o n e wa y t o d ri n k t ea . I n some methods of cookin g c offe e,th e p ro c ed ure i s vis ualable and intere sting , li ke S y p h o n c offe e. S o I want to use this the or y to a d d to th e tea ma ker, le t the procedure of making h erb a l tea mo re ma g n i ficent in v isual during the a f t ern o o n c h att i n g t ea time for women. 在我的印象裡，咖啡的煮法有很多種，其中也有一些在煮的過程中很有視覺享受性，像是蒸餾式咖啡，利用虹吸式原理，使得液體可以由下往上回沖。我想將這樣的視覺性轉化到沖花草茶的加熱壺上，營造出落英繽紛的感覺，藉此達到夜晚萬華眼花撩亂色彩斑斕的意象。

城市街區轉化設計之二

WITCH'S

SECRET RECIPE HEATING POT

HOW TO D O ? The the o r y of Syphon coﬀee is to b o i l th e do w n- p o t water, when the temp erat ure a l m o st 1 00, the down-p ot will tend s t o va ccu m status,and this make s water g o up a lo ng to the tub e s,which connecte d b et ween u p -p ot and down-p ot,and b rew the coﬀee. I wa nt to de sign a heating p ot with t h i s the o r y.W hen usual days,it can just b e a qu ick ly heating p ot to b oil the wat er. O n the o ther hand, if you want some h erb a l tea in ca s u al afternoon with friend s, j ust pu t a no the r p ot on original one,th e n y o u ca n m a king herb al tea yourself.The a d va n ta g e of this syphon the or y tea p ot i s th at, y o u w il l never drink cold. The elect ri c i t y heating tu b e in the b ase will keep t ea n o t to g et co ld during the drinking time . 虹吸式原理是利用加熱下方瓶內的水，

U SIN G PROCE SS

PA RT S

使水滾沸後的蒸氣壓力將水經由玻璃虹吸管送至上方瓶內，使沸水到達上層，進而沖泡內容物。我設定的女巫壺是一個即使不常沖花草茶也能常使用到的家電用品。所以我將女巫壺定位成電熱壺，平常用在快速熱水，想要喝花草茶再

FU N CTI ON & MATERIAL

加上上壺，再漫漫午後也不用擔心冷掉，想喝時可以隨時加熱，就可以反覆回沖。因水和茶葉是在不同容器中，只有

herbal container

在加熱下壺時水才會在短時間與茶葉融

handle

合，不會使茶葉泡爛變苦澀，解決了一般茶葉久泡的問題。

spout

rubber

ﬁlter

tube

water container

heator

heating seat

Put in so me fre sh he r b al s and a l ittle bit fre sh b e r r ie s, make s the gl ass inside co lo r ful .

Two funtio ns, 2 way s to use .One is, as a sy mme tr ic sp o ut, can p o ur the b o ile d wate r into y o ur mug . Ano the r is as inte r me diate b e t we e n tub e and fre sh vanil l a co ntaine r.

The r ubb e r is put at the fro nt of fre sh vanil l a co ntaine r, so it can b e mo re stable to put upside do wn the co ntanie r into the funne l , and al so pre ve nt fro m le ak ing whe n the wate r go se up.

I n the middle of sp o ut.

Wate r p ath. Use Sipho n pr incip al , whe n the wate r is b o ile d, it may thro ugh the tub e p ath to ano the r sp ace .

49 Discipline A ppl i an ce D e s i gn

Work Delivery Cream G un

Dimensions(unit:mm) 350 x 1 1 0 x 250

Material Wo o d P l aste r A rcr yl i c Rubber R i n g 20 1 3 A pri l

NESPRESSO Cream Gun

/ 雀巢奶油槍

午後剛出爐的蛋糕，瀰漫整個

“Switch flavors for your tastes . ”

空間，烤的金晃晃的，成了蛋糕師的畫布，揮灑五顏六色的風味奶油，順手切換想使用的花嘴，盡情裝飾，將之變成玻璃櫥窗裡令人眼睛發亮的美麗糕點。悠閒的午後來一片精緻蛋糕，再配上NESPRESSO 的膠囊咖啡，人生有什麼能比這個更快樂呢？

Just like the revolver gun using by cowboys in the west movie, the dessert bakers nowadays can use NESPRESSO Cream Gun to decorate cakes whatever she want.Thousands of ﬂavor caught into small capsules waiting to be choose, just gentally slide move can change ﬂavor easily. Making a cake decorate will not be a disaster anymore. Enjoy your baking time with NESPRESSO Cream Gun!

品牌思潮 In“Brand Storming ” th i s p ro j ec t, d e si g n e rs h a v e t o choose a brand and m a ki n g a j ump th i n ki n g d e si g n for the brand.In this c a se, d e si g n e rs h a v e t o rea d the brand spirit, to kn o w t h e b a rn d ’s d o i n g ﬁrst, then to make plans an d to p re d i c t w h at i s t h e n e x t thing may the brand wa nts t o w o rki n g o n i t . D e signers have to de si g n t h e mea n i n g ful p ro d uc t o r ser vice to users for bra n d , a n d must to b e e a si ly identif y the products fro m th e o th e rs i n ma rke t o n one eye, including out lo o k d e si g n . Tr y to kee p t h e st yle the same. 品牌思潮這個題目是為現有的品牌做一個跳躍性的設計，不限定要什麼樣類性的品牌，時尚、餐飲、服務性品牌皆可，只要有明確的識別性和獨特性都可以發展，唯一的條件就是必須跳脫原本品牌經營的項目卻又不失合理性。選定想發展的品牌，需要透徹了解該品牌的企業精神、產品識別與風格、甚至是未來產品預測走向之後，歸納出方向，設計出有意義有價值的產品，且從視覺上或使用上與品牌不失關聯性。

N E SP R E SSO NESPR ESSO is a world w i d e fa mo us b ra n d , a n d th e thing which most kno w n fo r e v e r y o n e i s th e va ri o s ﬂavor capsule. It creat e a b ra n d n e w wa y of i n st a nt coﬀee. So I want to use t h i s st ro n g b ra n d i d ent y : C apsule, to b e a p art of th e d e si g n , a n d i t must to b e various in some way. 雀巢膠囊咖啡機之所以風靡全球，在於它跳脫以往，創新了即溶咖啡的形式，以膠囊包裝，固定單位份量，搭配他簡易使用的咖啡機，主打方便快速，並且有多種新奇風味可以選擇。除了形式上改變外，更打破了人們以往“即溶咖啡沒有好咖啡”根深蒂固的印象。

B R A N D STO R M I N G

51 WH Y C R E AM GU N ? When some o n e ment i o n N E S P RE S S O,th e word “coffee ” must c o me s to mi n d . Th en , what will y o u d o w h e n y o u h a v e a c up of coffee? You ma y wa nt to h a v e a p i ec e of yummy ca ke w h i c h i s b e a ut i fully d e c o rat ed and cov ered b y d i ffe rent fl a v o rs c re a m.Th at is the rea so n w hy I wa nt to d e si g n a Crea m G un for th e b ra n d NESPR ESSO.I th i n k i f o n e d a y c re a m i n capsule s, i t ma y b e a g o o d i d ea fo r c a keholic who i s o n a d i et. 在瞭解了NESPRESSO雀巢咖啡機的精髓跟形象之後，抓出關鍵字“膠囊”。膠囊有幾個層面上的意義：一在於使用者可以方便快速使用；二在於能有多種風味；三在於定量的概念。我要產出的產品必須有“膠囊”元素在裡面，在經過發想後，決定NESPRESSO的衍伸產品為奶油槍。為什麼會是奶油槍？奶油是蛋糕上不可或缺的配角，功能在於裝飾性。當喝咖啡的時候，怎麼少的了蛋糕？所以以即溶咖啡為著稱的雀巢膠囊咖啡機，衍伸發展出奶油槍也合情合理。

US ER GROU P The NESPR ESSO C ream G un is set to b e use by profe ssionals,such as cup ca ke ma ker, de ss er t b aker or fusion coffee sh o p o p e ra to r s . By using NESPR ESSO C rea m G un ,th e y ca n w hip cream quickly and sw i th d i ffere nt fla vo r easily to get b eautifully d ec o rated ca ke s in more conv enience way. Th e li q ui d crea m with different flav ors al l p a c ka g ed qu a ntitativly then infused to c a p sule s.In this way, users may easily mea sure a n d co u nt how many cream will b e n e ed .

以往自身做奶油的經驗，總是份量不好抓又耗費許多時間，一次也只能做一種奶油。但是專業烘焙店或是賣蛋糕點心的咖啡店經營者，需要快速且方便地打發奶油方式，所以有些店家會買市面上的二氧化碳氣瓶奶油槍來做少量且快速的打發。但是這些都沒辦法滿足眾多口味。我想設計出一款膠囊奶油槍，所有奶油都濃縮成膠囊形式，並且口味豐富繁多，能使專業烘焙店業者可以同時打發多種奶油，並能夠快速方便的交換不同口味，用來製作裝飾型蛋糕。

奶油槍嘴

2 板機 3 混合區域

5 4

刺破口

5 氮氣瓶 6 奶油膠囊 300ml

尾蓋

TA RG E T USIN G WAY The target op p e rati n g wa y i s ga n n a t o b e like using a re v o lv er g un .Th e re i s a a d d i tor y p astr y t ub e c a se to g o w i th t h e cream gun. Users just nee d t o att at c h t h e c a se to th e gun,and slide i t g enta lly b y th umb to change anoth er ﬂ a v o r. 設計上希望能達到方便轉換花嘴頭，使得蛋糕設計師在裝飾蛋糕時能更靈活自如地變換工具，像左輪手槍一樣的概念，在奶油槍頭加裝左輪花嘴頭，把既有的金屬花嘴套進左輪型模具，加裝上奶油槍，即可旋轉變換。

O P E R AT I N G

Left Top

1 Bottom

The T YPE P H O N E re ma i n s t h e usi n g way and c h a ra c t eri sti c s of t y p ewriters.Wh en key i n 1 n umb er, th e teleb ar on t h e to p w i ll mo v e 1 sp ace in t h e t y p i n g wa y j ust a s original t y p ew ri t ers. O n c e ﬁn i sh i n g key-in the p h o n e n umb ers,t h e teleb ar come s to o n e si d e a n d th e n users can sli d e i t smo o thy ly i n t h e opp osite wa y to ma ke t h e p h o n e call. We se ld o me d o ub t a b o ut products w h i c h a lre a d y e x i st fo r a long time . If w e d o, w e ma y ﬁn d more p ossi b i li ti e s a n d ev en b e t t er world. 奶油膠囊的設定在300毫升，完全打發可供一般八寸蛋糕使用。膠囊呈凹圓柱狀，中間凹進的空間可置放二氧化碳鋼瓶，用以打發奶油。奶油膠囊套入鋼瓶後，一齊裝入槍尾，並裝上尾蓋。旋上尾蓋的同時，會向內擠壓膠囊與鋼瓶，中段突刺口會將鋼瓶與膠囊同時刺破，使奶油液體與二氧化碳氣體同時流入混合空間，使用者加以前後搖晃半分鐘，即可均勻打發奶油。要使用時再加裝左輪花嘴頭套，即可變換花嘴型，做出多種裝飾性奶油。

OP E R ATIN G

57 BRAND

BRAND 2 0 1 6 M A R - 2 0 1 7 N O V. FLEXIBLELOVE

BRAND

59 BRAND

Discipline Furn i ture

Work Delivery H o n eyco mb Sofa

Dimensions(unit:mm) 780 x 420 x 40 0 0 480 x 360 x 40 0 0

Material Wo o d P ape r M agn e t G lue

FLEXIBLELOVE / 蜂巢沙發

t h is strong cur iosit y, b ack in 200 5, le d us to cre ate the fir st m od e ls of fl e x ible love chair. fa scinate d by the b e aut y, fl e x ibilit y, and durabilit y of p ap e r h one ycomb str ucture , we aske d ourse lve s, “ why not use p ap e r t o make fur niture ? ” from that proce ss we pushe d furthe r, “ why not use p ost- consume r re c ycle d cardb oard p ap e r a n d wood fib e r ?

“We Seat Communitys. ” Hello, There At FlexibleLove, we are about your community as much as we are about you. it is community, of whatever dimensions and characteristics, and your stories within, that are closest to our hearts. Today, FlexibleLove is proud to seat friends, families,colleagues, and lovers all over the world.we've become a furniture studio, but what remains unchanged are our curiosity, daily commitment to asking questions, and love for stories.what is the story of your community?

A s a curious de sig n b ra n d , w e sa w e xc iting p ossibilitie s a n d th e n ew h o ri zo n for communit y seati n g i n th i s g e o metrical structure. Itâ&#x20AC;&#x2122;s li g ht w h i le p ro v i d i ng ma ximum supp o rt , a ma zi n g ly h o ld up heav y cargo.

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F L E X I B L E LOV E H o n eyco m b Fur niture Bran d

PC/MAC V E R SION

品牌形象設計 B R A ND I DE N T I T Y - > O FF ICI A L WE B DE SI G N The b eginning , The light but durab le Ba ck in 2005, Fle xibleL ov e discov e red the natu re -inspired H oneycomb S tructu re, I ts strength-to -weight ratio i s e s p ecia l ly valued in the aerosp ace a n d a rchitect industrie s. As a cu r io us de sign brand, we saw e xc iting p o ss ibilitie s and the new hor i zo n fo r co m munit y seating in this ge ometr ica l str u c ture. It’s light while pro v i d i ng m a x im um supp ort, amazingly h o ld u p hea v y cargo.

RW D D E SI GN The b eginning , The light but durab le Ba ck in 2005, Fle xibleL ov e discov e red the natu re -inspired H oneycomb S tructu re, I ts strength-to -weight ratio i s e s p ecia l ly valued in the aerosp ace a n d a rchitect industrie s. As a cu r io us de sign brand, we saw e xc iting p o ss ibilitie s and the new hor i zo n fo r co m munit y seating in this ge ometr ica l str u c ture. It’s light while pro v i d i ng m a x im um supp ort, amazingly h o ld u p hea v y cargo.

BRAND

TABL ET VERSION

PHO NE VE R SI ON

63 BRAND

FURNITURE/PRODUCT BRAND STUDY PRODUCT LINE

The b eginning , The li g ht b ut d ura b le Back in 2 005, Fle x i b le L o v e d i sc o v ere d the nature -inspire d H o n e y c o mb S tructure, Its strength-t o - w e i g ht rat i o i s e sp ecially valued in th e a ero sp a c e a n d architect industrie s. A s a curious de sign b ra n d , w e sa w e xc iting p ossibilitie s an d t h e n ew h o ri zo n for communit y se at i n g i n th i s g e o metrical structure. Itâ&#x20AC;&#x2122;s li g ht w h i le p ro v i d i ng ma ximum supp o rt, a ma zi n g ly h o ld up heav y cargo.

MOLO

FLOYD

CAMPAIGN LIVING

SINGLE PRODUCT LINE

4 12

LUMIO

ARTEK

VITRA

MUUTO

KVELL

PROJECT SUNDAY

OPENDESK

VIFA

AARK

FL NOW FL FUTURE

SOLVE PROBLEM DESIGN

INNOVATIVE DESIGN

7 6 5

MULTIPLE PRODUCT LINES

Product Line

OUTDOOR ACTIVITY

INDOOR

BRAND

FURNITURE BRAND

Product

CAMPING

HIKING

TRAVELING

PICNIC

CYCLING

GARDENING

ﬂower stand

Product

Furniture

plants

utensil

Table

Seatting

plants

lighting

accessory

sofa

ﬂower stand

desk

chair

utensil

side table

stool

backpack bag

bench

watering can

caster chair

hanging planter

shelf

wall lamp

utensil

pen

hook

tape dispenser

hanger

pen case

rack

ﬂoor lamp pendant

coaster tea pot

notebook sofa pillow

tool

watering can

bookend candleholder

timer

hanging planter

mat

trash can

hutch

pot trellis

clock

hanging hat

plant pot

mirror

independant tableware

Furniture

holder

pot trellis

Seatting

Bed

Storage

dining table

sofa

leg

drawer

desk

chair

board

shoe cabinet

side table

stool

bookcase

console

armchair

stack

folding

bench

combine-unit

Table

folding

back

paper weight

mattress

saucer

folding

leg

heat pad

ﬂoor lamp

armchair

accessory

stationery

independant

vase

console

couch

table lamp

kitchenware

table lamp

vase saucer

dining table

lighting

plant pot

holder

PRODUCT CATEGORY Th e b e g i n n i n g , Th e li g ht b ut d u rab le Ba c k i n 20 0 5 , F le x i b le L o v e d i sc ove re d th e n at ure - i n sp i red H o n ey c o mb St r u c ture , Its st ren g th -t o - w e i g ht rat io is e sp ec i a lly va lue d i n th e a ero sp ac e an d a rc h i t ec t i n d ustri e s.

caster chair

couch folding leg

back

65 BRAND

PRODUCT DESIGN BENCH

360*480mm

PAPER

Paper outline MDF Board

B straps

Straps Magnets E

25mm

19mm

305*455

330

330*450

280*420

450

straps

330

305

450

Paper sheet 455

P B

molo

BOARD

COMBINE

BRAND

FLE X IBLE LOVE BE N CH S i n c e 20 0 5 , t h e ďŹ rst p ro d u c t of Fle x ib le Lo ve c am e t o li v e , th e sofas , b ran d we re d e d ic at e d t o th e w h o le m ar ke t in g an d s ale t hing s at th at ti me. And af t e r 1 0 ye ar s , wit h t h e g ro w n up b u ss in e ss , t h e b rand ďŹ n d s o ut th e n ee dy of n e w p ro d u c t l in e . So t h e re c o me s t o ne w s e x y b e n c h . Af t er 3 v e rsi on s of d e s ign p ro t o t yp e s , ke ep te sti n g an d aj u st ing t o m ake s u re t h e use r e x p e r ie n c e is go o d e n o u gh t o sa le w o rld w id e .

67 BRAND

FUNCTIONAL ACCESSORY DESIGN S T R A P E - FOR BE N C H & SOFA The b eginning , The light but durable B ack in 2005 , Fle xibleL ove discov ered t he natu re - inspired H oneycomb Struct u re, I ts stre ngth-to -weight ratio is e sp ecia l ly va l ued in the aerosp ace and a rchitect industrie s. As a cu r io u s de sign brand, we saw e xc i t ing p o ss ibil i tie s and the new horizon for co m m u nit y seating in this ge ome tr i ca l str u ctu re. Itâ&#x20AC;&#x2122;s light while prov id i n g m a x im u m supp ort, amazingly hold u p hea v y ca rgo.

BRAND

69 BRAND

PACKAGING DESIGN BE N C H PACK AGE The b eginning , Th e li g ht b ut d ura b le Back in 2 005, F le x i b le L o v e d i sc o v ere d the nature -in sp i red H o n ey c o mb S t ructure, Its stre n g t h -t o - w e i g ht rat i o i s e sp ecially val ued i n t h e a ero sp a c e a n d architect industri e s. A s a curious d e si g n b ra n d , w e sa w e xc iting p ossibili ti e s a n d t h e n ew h o ri zo n for communit y seati n g i n th i s g e o metrical structure . It’s li g ht w h i le p ro v i d i ng ma ximum sup p o rt, a ma zi n g ly h o ld up heav y carg o .

SANDSTONE X www.FlexibleLove.com

YOU ARE AWSOME ! Thank you for supporting sustainable design and making a diﬀerence for our planet

BRAND

71 BRAND

GIFT DESIGN 201 6 H OL I DAY CAMPAIGN

GOLDEN BUCKWHEAT TEA PACKED

The b eginning , The li g ht b ut d ura b le Back in 2 005, Fle xib leL o v e d i sc o v e red the nature -inspired H o n ey c o mb S t ructure, Its strength-to - w e i g ht rat i o i s e sp ecially valued in t h e a ero sp a c e a n d architect industrie s. A s a curious de sign b ra n d , w e sa w e xc iting p ossibilitie s and th e n ew h o ri zo n for communit y seati n g i n th i s g e o metrical structure. Itâ&#x20AC;&#x2122;s li g ht w h i le p ro v i d i ng ma ximum supp o rt , a ma zi n g ly h o ld up heav y cargo.

Embraced for its rich nutty roasted flavor, the herbal from seeds of rhubarb, contains high tonic nutritious value, high in Vit-B as well as antioxidants such as rutin. Relax, and breathe in the enchanting aroma of this soothing tea. Stay Warm, Stay Lively !

28 NOV.2016

DISTRICT TAIWAN

WEIGHT 250G

7 tea bags inside we love to seat you and share with your community ;)

EXPIRE 11 NOV.2018

from

FlexibleLove Team

BRAND

73 BRAND

USER GUIDE DESIGN H OW TO U SE F L E X IBLE LOV E The b eginning , The light b ut d ura b le Back in 2 005, Fle xibleLo v e d i sc o v ere d the nature -inspired H on ey c o mb S t ructure, Its strength-to -wei g ht rat i o i s e sp ecially valued in the a ero sp a c e a n d architect industrie s. A s a curious de sign bran d , w e sa w e xc iting p ossibilitie s and th e n ew h o ri zo n for communit y seating i n th i s g e o metrical structure. Itâ&#x20AC;&#x2122;s light w h i le p ro v i d i ng ma ximum supp ort, ama zi n g ly h o ld up heav y cargo.

A HOW TO

GUIDE

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