00.
A N I S YA M A H A R A N I ARCHITECTURAL PORTOFOLIO
- SELECTED WORKS 2018-2020 -
EDUCATION
COMPETITION
2014-2017
State Senior High School 4 (SMA Negeri 4) Denpasar, Indonesia Graduated
2020
2017-now
Sepuluh Nopember Institute of Technology (ITS), Department of Architecture Surabaya, Indonesia Undergraduate | Current GPA: 3.57/4.00
WORK & TRAINING
A N I S YA M A H A R A N I
2018
April 4th 1999
An enthusiastic 3rd year architecture student based in Bali who is interested in behavorial architecture and human-centred design whether it’s small or large-scaled. I believe in how architecture always starts from a humanist essence. Besides that, I enjoy doing research and critically exploring concept and ideas. Additionally, I also learn about parametric architecture and how the logic works recently.
2019
2019 TECHNICAL EXPERTISE SketchUp Adobe Photoshop Adobe Indesign MS Office
8/10 9/10 8/10 10/10
English Indonesia Japanese Chinese
Proficient Mother tongue Basic Basic
L ANGUAGE
e-mail: anisyamhrs@gmail.com works: be.net/ansymhr
Autocad 2D Rhino Grasshopper Maquette
6/10 4/10 5/10 6/10
Internship at Casa Studio Bali One month (July-August) Critical Context Workshop, Unit Surabaya 01 Monokromatik Tektonik Unit master: Defry Ardianta & Endy Yudho Prasetyo Surveyor for Architecture ITS Research Project “Accessibility throughout ITS’s Public Facility”
CURATORIAL 2019
Panelist for Kompetisi Tugas Akhir (KTA) Symposium Architecture ITS “Contradiction between Intention and Perception in Design Process: A Humanist-based Analysis on Parameter and Affordance”
ARCHITECTURE FESTIVAL “Mindfulness“ Architecture | Competition Entry
ORGANIZATIONAL 2018 2018-now
Internship staff in Student Resource Development Dept. ITS Choir Staff in INDEX (Innovation and Exploration) Dept. HIMASTHAPATI (Sthapati Student Council) Architecture ITS
EVENT ORGANIZING 2018 2019
Chief Comittee of Latihan Alam ITS Choir Staff of Talkshow unit Archproject: Architecture and Film
2019-2020
Conceptor of MORPH, Nation-scale architectural competition Archproject: Architecture and food
2019-2020
Coordinator of NOMAD, HIMASTHAPATI’s architectural discussion INDEX Department
01
11
21
27
33
39
TAMBAK WEDI LOCAL MANGROVE & PARK
WOMAN’S POLY TECNIC OF CIVIL ENGINEERING
CONTENT
ADAPTIVE & COLLECTIVE SPACE BASED ON TIME
ARYA HOUSTUDIO
FOREST OF EASE
VARIOUS RESEARCHES
41
MISCELL ANOUS WORKS
01
TAMBAK WEDI LOCAL MANGROVE MARKET AND PARK ACADEMIC PROJECT
Location: Surabaya, Indonesia | Year: 2019 | Member: Individual | Instructor: Ir. Erwin Sudarma, M.T.
This project aims to educate mangrove as a part of the nurtured ecosystem throughout middle-lower locals in Tambak Wedi, Surabaya, Indonesia. The growing intensity of migration in Tambak Wedi, Surabaya, Indonesia made middle-lower locals started to occupy mangrove green space shifting its function for slums by the bay. Unfortunately, housing made locals to pile up wastes by the mangrove while this may harm the stability of the mangrove ecosystem. One of the cause is due to the low education of environment of the locals. With an ecological approach, this project integrates mangrove ecosystem with a rewilding concept and traditional fish market as the heart of commercial area in Tambak Wedi in order to educate the locals of Tambak Wedi. Ecological considerations are made along by the choice of material, construction, spatial planning, and its utility in order to keep a balanced relationship with the existing environment.
CONTEXT ANALYSIS In order to analyze the mangrove ecosystem and its existings, analysis based on contextualism method was used here before concluding the issue. Contextualism is a method to read conditions and contexts related to the existing site and its environment. This consideration is chosen in order to retain the balance of the existing ecosystem. Context analyzed are based from its ecological, social, historical, and culture aspects of the site.
SOIL
SLUM
WASTE DISPOSAL
FLAT
MANGROVE BAY
EXIS TING
UNIT PENGEMBANGAN WILAYAH LAUT III
WATER
WIND
SOCIOCULTURE
MEDIUM TO LOW INCOME
VEGETATION
Previously a green zone for mangrove...
VIEW
HISTORICAL USAGE
...Reduced for slums and housing, leaving a site for fishbank
Few years after, the fishbank was closed and used for government commercial purpose
DESIGN CRITERIA
FORMAL TRANSFORMATION
CODE
FORMAL CRITERIA
A1
Adequate lighting inside the building
A2
Passive heating and cooling
A3
Wind filtering to achieve thermal comfort
A4
Mangrove rewilding
A5
Sea vista oriented building
A6
Not contaminating water
A7
Contextuality and locality material option
A8
Optimalizing mangrove view to any direction
A9
Communal and commercial separated zone
A4
GSB 3 meter front, back, left side
A6
CODE
SPATIAL CRITERIA
A1
B1 B2
Supports local’s fishery economic potential
A2
Supports local community’s income with culinary service
B3
A8
Accomodate community&visitor’s social activity
B4
Waste processing system for a sustainable ecosystem
Cut and fill Land is dug up for the mangrove pond
A9
Cut and fill Filled land for parking purpose
Revitalization Mangrove is planted at the pond
A5
Pathway & deck Added for pathway that will not contaminate the pond
Massing Commercial and public-communal are in separate mass
Orientation Oriented towards the sea view
Massing Add 2nd floor mass
Massing Add 3rd floor mass
Massing Add 4th floor mass
Massing Add 5th floor mass
Massing Added building core
A3
Sunpath, wind, view Opened space in every side to for sunpath, wind, and view access
Roofing Addition of roofing as rain gutters in each level due to mass size difference
Facade Has a role to filtrate light and wind without to create a solid expression of the facade
SPATIAL PROGRAMMING
Service
Adjacent
Public and leisure
Separated by mass
Commercial and trade
Separated by leveling
5th
TOI LET
4th
TOI LET
3rd
TOI LET TOI LET TOI LET
2nd 1st
SEESIGHT TOWER
OFFICE KITCHEN MUSHOLLA
Indoor
RESTAURANT FISH MARKET
FISH MARKET
TOI LET
SOUVENIR STORE
TOI MULTIFUNCTION HALL LET
Outdoor
SITE PL AN
STRUCTURAL ROOF IRON WOOD
ROOF FRAME WOOD
WAFFLE SLAB WOOD
BUILDING FACADE
RIGID FRAME WOOD WALL CONCRETE INTERIOR PANEL WOODEN PANEL COMPOSITE FLOOR WOOD
The building facade plays a role in responding the climate. Facade not only has a role as an active system, but also a passive system that receives and filter wind and sunpath. The choice of wooden material and construction that is contextual with the existing site and sustainable enough.
NONSTRUCTURAL ROOF IRON WOOD
COLUMN CONCRETE
Facade as a passive system that responds to climate
Dicoak Dilas dan dibor
Cutout 60x110x10
Dicoak
Cutout 50x90x50
Pelat baja Baja H 100x100
Dicoak
Cutout 50x30x50
Balok 30x40 Engineering wood 180x300 Engineering wood 180x300
Cutout 80x50x30
Dicoak dan dilem kayu
Wooden facade, isometric details
Wooden facade material and dimension details, isometric
Wooden facade axonometry and cutout details
Exterior view
Public stair circulation
Emergency stair circulation
Lift circulation Building core
1st mass entrance Fish market
Pathway view
Restaurant
Sightseeing
Exterior aerial view
Fish market
Souvenir sh
Mass transition
2nd mass entrance
Restaurant
UTILIT Y
Horizontal distribution
Vertical pipe distribution
Waste source
Compost management area
Outdoor unit, Multi-split
Ceiling fan
Indoor unit, Wall-mounted
Fan switch source
AC electrical path
Fan electrical path
02
ADAPTIVE & COLLECTIVE SPACE BASED ON TIME ACADEMIC PROJECT
Location: Surabaya, Indonesia | Year: 2020 | Member: Individual | Instructor: Tanti Satriana R. N., S.T., M.T.
Kampong is a public spaces made out of social, economic, and cultural activities that is shaped organically. (Sudarmawan, Ekasiwi & Bararatin, 2016) The fact that Segiempat Tunjungan (The Square of Tunjungan) kampongs live within a city makes both will overcome dualities happening in an urban system. Meanwhile, dualism also happen between kampongs and city therefore both of them will also have threat that they have to face. This is due to how each of it are spatially organized and the adaptability of each users in it, where kampongs still have a highly adaptability that creates an unorganized, adaptive traits in responding their needs based on the limited physical environment available to interact. In order for the kampong community to live among these limitations, they will have to increase their adaptability towards the environment which later will create an unique behavior towards the kampong’s spatial environment: a collective sense of place while adapting the same space from time to time in a day. How will they be able to adapt and maximize the kampong’s potentials from these behavior throughout a building? This project aims to answer this question through an architectural design with narrative architecture approach.
CONTEXT ANALYSIS I first analyze the characteristics of the Segiempat Tunjungan square’s kampongs through a behavorial analysis throughout the community. I define each area’s flexibility, adaptability, density, and adjacency rate and synthesize the characteristics into architectural criterias. Flexibility: Tendency of mobility in a zone | Adaptability: Chances of local community to do activity and functionalize objects outside the initial funtion | Density: Intensity of locals and objects in a space
Kampong Kebangsren
1
7
5
Jl. Kebangsren gg. 1 & 2 | D: 0.8-1.2 m Low
High
Flexibility
Low
High
Adaptability
Low
High
Adaptability
Low
High
Density
Low
High
Density
Low
High
Warung
Mosque
Gazebo
School
>100 m
2
>100 m
Jl. Ketandan Lama | D: 2.8-3 meter
Flexibility
Low
High
Adaptability
Low
High
Adaptability
Low
High
Density
Low
High
Density
Low
High
Warung
Mosque
Gazebo
School
Adjacency
Warung
Mosque
Gerobak
School
House 25 -100 m
25 -100 m
< 25 m
>100 m
Ketandan & Blauran Intersection
6
Jl. Ketandan Baru I, II, Lor | D: 2.8-3 m
25 -100 m
High
House
Kampong Ketandan
School
Low
< 25 m
5
Gazebo
Flexibility
Adjacency
Kampong Kebangsren
Mosque
Kampong Ketandan
4
Jl. Kebangsren gg. 3,4,5 | D: 2.8-4 m
3
Kampong Ketandan
Warung
< 25 m
Kampong Kebangsren
2
Kampong Blauran
25 -100 m
< 25 m
4
Adjacency House
House
1
D: 0.8-1.2meter
Flexibility
Adjacency
6
Kebangsren & Ketandan Intersection
3
Kampong Blauran
7
D: 1-1.4 meter
>100 m
Jl. Blauran I,II,III,IV,V | D: 2.8-3.5 m
Flexibility
Low
High
Flexibility
Low
High
Flexibility
Low
High
Adaptability
Low
High
Adaptability
Low
High
Adaptability
Low
High
Density
Low
High
Density
Low
High
Density
Low
High
Adjacency
Warung
Mosque
Gazebo
School
Terrace roof
Warung
Mosque
Gazebo
School
25 -100 m
Clothesline
>100 m
Separated seatings
< 25 m
Integrated seatings
Adjacency
Warung
Mosque
Gazebo
School
House
House
House < 25 m
Adjacency
25 -100 m
>100 m
Vacant building
< 25 m
25 -100 m
Warung/staying wagon
>100 m
Moving wagon
. MOVEMENT
Enclosure that supports privacy and mobility
. PROXIMITY
Room integrating based on enclosure and activity
. SPACE USAGE . TIME
Architectural feature that supports shifting function from time to time
. MASS . DENSITY
Usage of material and geometry that is safe for any age
. CHILD-FRIENDLY
CRITERIA
SPATIAL LANGUAGE
DESIGN METHOD Kindergarten
PKL
CONCEPT Nyaman untuk anak Mudah digunakan anak
FLEXIBILITY
High mobility
The typology that is integrated will be combined with its spatial organisation based on necessity (either on urgency and needs)
High mobility
Module that adjusts size based on activities from time to time. 07.00-12.00
leluasa, aksesibel, multi-fungsi child-oriented design
12.00-18.00
KINDERGARTEN
Field
18.00-22.00
SENTRA PKL
SENTRA PKL
PLAY FIELD
The division of spaces will be combined based on these priorities:
TIME SHIFTING FUNCTION AND TYPOLOGY Feature and typology that changes from time to time in a day.
1. Activity similarities 2. Similarities of the needed enclosure 3. Similarities of privacy level
ACTIVIT Y SEQUENCE 09.00
15.00 08.00
12.00
18.00 WEEKDAYS
09.00 WEEKEND
FORMAL & SPATIAL TRANSFORMATION
MODULE & FEATURE
CIRCULATION MODULE 1 r: 4.00 m For normal circulation or street space (circulations that is able to be used for activities)
INTERACTIVE MODULE (SMALL) r: 2.65m Communal gathering space up to 15 person
FIXED MODULE r: 5.75m For static functions room such as utility room.
CIRCULATION MODULE 2 r: 4.50 m For circulation needs in a bigger size
PKL MODULE r: 1.75m For PKL merchants and circulation children to play
INTERACTIVE MODULE (LARGE) r: 4.35m For gathering space more than 15 peoples. Needs are organized based on privacy. Ex: library
INTERACTIVE MODULE (MEDIUM) r: 4.15m Can be combined based on capacity needs. Capacity up to 15 person with larger individual space needs, seen in classroom or teacher office.
TABLE FEATURE 1 h: 0.60m Initially a writing space and a sitting place at the same time.
TABLE FEATURE 2 h: 0.50m Initially a table that functions for all ages at all times.
01. Circulation layouting based on the preferred circulation. Tube model is chosen due to the angle and it is safe for children
02. Adding modules for playground and PKL zone.
03. Adding utility module (yellow) and gathering space (red) in 2nd level
04. Adding medium interactive module (blue) in third level.
05. Transformation applies to the other mass. Intersecting module curves are trimmed based on needs and activities.
06. Final formal and spatial form of the design that has been trimmed based on needs and activities.
1
2
3 4
5 6
7 1. Atap plat beton (t= 30 cm) 2. Balok beton monolit, 60.60/60.50 3. Modul (type medium) 4. Lantai (polished concrete, t= 40 cm) 5. Modul (type small) 6. Dinding beton (t= 30-40 cm) 7. Modul PKL
03
FOREST OF EASE ARCHFEST PETRA COMPETITION ENTRY
Location: Surabaya, Indonesia | Year: 2020 | Member: Individual | Status: Submission
Mental illness issues nowadays give many young adultâ&#x20AC;&#x2122;s performance declines due to anxiety and depression thoughts from daily routines. Even worse, it contributes as one of the biggest death factors due to the rising act of suicide from the burden they have to hold in their mind. This makes the case to be a very personal and subjective matter, therefore everyone will have different approach and methods to battle with their anxiety, depression, or their suicidal thoughts. We believe that architecture is not a god-like thing since it canâ&#x20AC;&#x2122;t solve every problem. However, we also believe that architecture is a medium of built environment to help ease the burden of the people and fasten the their healing process. Experiencing architecture through human sense can be done because the world around us such as matter, space and scale are measured by our senses. Multi-sensory design approach uses all 5 composition of sensory stimuli that human can feel, see, taste, smell, sound, and also touch the environment as a therapy to enhance their quality of life and experience. This time, architecture works as the environment to stimulate the human sense as catalysis in order to identify the information of the space, then processing it to the human brain as a positive perception that relieves and slowly heals the mind from the burden of mental problems.
MAIN CONCEPT
Site locates in by Embong Kaliasin nearby the Tunjungan district, one of the most hustling district by the main of Surabaya. The district is mostly occupied by workers and students who came to work, hang out, or shopping.
Shinrinyoku is a concept that means forest bathing. The meaning of the bathing in this concept is people are get closer with nature, especially tree and surround by it to feel the nature condition such as falling tree, sound of tree stick in the ground, the smell of wood and leaves, the taste of fresh air, and the vision of dim light from the sun that filtered by the treeâ&#x20AC;&#x2122;s leaves. All of the 5 senses are stimulated by the nature itself.
AIMS STIMULATING 5 SENSES THROUGH FOREST-LIKE SPACE TO RELAX
ACTIVIT Y PROGRAMMING
HELPING YOUNG ADULTS WITH MENTAL PROBLEM BY ALLOWING THEM TO SHARE THOUGHTS
DESIGN TRANSFORMATION
ELEVATION VIEW
SECTION VIEW
1ST LEVEL PL AN
2ND LEVEL PL AN
ARCHITECTURAL DETAILS
THE FIVE SENSES
The five senses are created from the environmentâ&#x20AC;&#x2122;s experience, where we are stimulate a calming experience for people to relax and hang out.
See The design adapts Shinrinyoku (forest-bathing) where users will be surrounded by trees and falling leaves as they are occupying to the space, creating a calming sight.
Feel Lights and sunshine is a reccomended teraphy for those who needs to relax and calm from day-to-day burdin. Real-time physical experience of users surrounded by forest and dim lights beneath the tree will give users warmth and comfort in order to meditate.
Hear Since they will be surrounded by nature, users will be able to either be occupied by the voice of nature beings around them such as the chimming birds and other animals or instead indulging in silence by staying in the upper peer-to-peer room. No worries, the bustling city noise will be naturally muted due to the planted trees in the site as a barrier of the noise.
Touch Walking-in-the forest experience enables user to touch and feel the raw texture of the nature around them along with breathing the natural air around the environment as a part of meditation.
Taste Tea is one of a drink that contains caffeine and has an ingredient that ables to calm someoneâ&#x20AC;&#x2122;s thought from its aroma and taste. This place offers a tea cafe with seating around the forest to enhance the relaxing experience in the space.
04
WOMAN’S POLYTECNIC OF CIVIL ENGINEERING ACADEMIC PROJECT
Location: Surabaya, Indonesia | Year: 2019 | Member: Individual | Instructor: Wahyu Setyawan, S.T., M.T.
There’s not much women who graduates in STEM (Science, Technology, Engineering, and Mathematics) especially in engineering major. Surprisingly, a high interest of women to study one of the discipline in engineering was shown in construction engineering yet comparing to the real data field, there are only few woman who work at this sector. Even though the amount is small and most of them works as a labor, but the chances that woman succeeds to be more than just a labor in this sector is quite high based on the data provided by the Badan Statistika. The problem lies here is that there are still few education institutions that will properly train women to be practical diploma graduates in construction sector, therefore the idea of designing a woman-based polytechnic focusing in construction studies exists aimed to improve women’s productivity, soft skill, and hard skill in the construction sector.
CONTEXT ANALYSIS Site locates in Jl. Bukit Telaga Golf, Citraland in Surabaya, Indonesia where this zone is a residence occupied with higher ups economy class community in west Surabaya. Site was chosen due to the most strategic position and priority of the access ease since a college will be built and good accessibility is needed for the parents or students to drop or to park their vehicles. Other than that, the school also locates nearby few public facilities and educational institutions such as Ottimo Academy, Ciputra High School, Ciputra hall, and a few commercial blocks.
Pedestrian circulation
Vehicle circulation
Roadway zonation
DESIGN CONCEPT & CRITERIAS Since the issue focused on women empowerment on vocational construction studies, the criteria of the polytecnic should fulfill a supporting environment for women where they can feel safe, comfortable, and not-intimidating.
SAFE
Privacy based zoning Visibility of room organizations Accessible entry Minimized alleyways
COMFORTABLE
Zoning based on functions
NOT INTIMIDATING
Spacious
Good lighting
Proportional scale
Most of the design’s structure system are various due to some consideration. Meanwhile, the spatial arrangement are vertically arranged based on access privacy of the academic needs and dead load needed of each academic activities
DESIGN TRANSFORMATION Roof slab, concrete
1
2
Roof glass panel Roof slab, concrete
∙ Dean & program director’s office ∙ Lecturer’s office ∙ Meeting room
5TH
∙ Administrator office ∙ Auditorium
4TH
∙ Class room ∙ ICT lab ∙ Canteen ∙ Surveying lab
3RD
Structure lab facade, metal cladding panel
3
4
Side facade, concrete
Front facade, vision glass ∙ Class room ∙ Soil mechanics lab ∙ Material testing lab
Mass divided into void-centralized massings for visibility and ease of access
Initial site following the site’s shape
2ND Trussed system, horizontal spanning in girder joist, steel
Creates outdoor space for practical field 5
Void for maximum spaciousness and adequate lighting for void-oriented circulation 6
Trussed system, structural frame, steel Dilatation Cantilever beam system
Structural frame in beam and column, concrete
Front facade are cut 60 degrees diagonally in each corners to maximize view to lake and emphasize entrance 7 ∙ Library ∙ Workshop ∙ Hydrolics lab - Structure lab
1ST
Parking lot, 2nd level
Structural frame in beam and column, concrete Parking lot, 1st level
Mass for 5th level added for additional academic administration program
On upper level, mass are pulled out as cantilevers for programmatic needs
ARCHITECTURAL DETAILS
Entrance view
UTILIT Y
Lab structure view Fire hose utility
Clean water utility
Sewer and rainwater utility
Class room view
05
ARYA HOUSTUDIO
ACADEMIC PROJECT
Location: Surabaya, Indonesia | Year: 2018 | Member: Individual | Instructor: Ir. Bambang Soemardiono,
Arya Houstudio is a house designed for a family with 3 children designated based on their interests. The client wants to sustain the music studio he previously had at his home minding that he spends most of his time playing music. Given a small area of land of proximately 70 sqm in Klampis Aji, Surabaya, the house has to maximize the usage of the land while fulfilling each memberâ&#x20AC;&#x2122;s interests which spice up the challenge of designing the house.
CONTEXT ANALYSIS
DESIGN TRANSFORMATION 1
2
SPATIAL ORGANIZATION
Site subtracted from GSB boundaries
3
On the 2nd level, site is clustered on circulation and bed rooms 3
West side of the bed room is cut off diagonally for provision of sunlight and view
Site divided based on levels and desired program
4
Bedrooms are pulled out due to programmatic area needs, giving a certain expression
STRUCTURE
Bitumen roof
Steel roof truss
Concrete wall
Wooden panel wall
Concrete frame structure
Kitchen view perspective
Music studio view perspective
Family bathroom view perspective
Family room view perspective
Brotherâ&#x20AC;&#x2122;s bed room view perspective
Family room view perspective
Main bed room view perspective
Sisterâ&#x20AC;&#x2122;s bed room view perspective
06
VARIOUS RESEARCHES
KTA Simposium 2019 (Individual) Critical Context 2019 (Unit 1 Surabaya, team: Bila Sahil, William Alfred) Here are some brief of several research that have I done in abstracts. Listed researches are from the simposium I did and Critical Context Workshop 2019.
KTA SIMPOSIUM 2019 ABSTRACT A design always starts with a humanist value. This value is used as a base of parameters in order to create a design that is appropriate based on the context so that it is based on what the user needs. However, the designated parameters do not always fulfill what we intent and what it perceive. One of the example is Pruitt Ego that ended up as a chaotic piece which instead humiliate the beings in it. Thus, this research tries to answer how parameters of a design would dissosciate or associate a designâ&#x20AC;&#x2122;s perception from the initial intention in order to create a humanist design.
In this research, two parameters are used to determine the issue: affordance (capability that one would do in responding an object) and parameter complexity (How complex the parameter that is shaped based on the given criterias). This parameters are analyzed through a diagrammatic image (See diagram below) of users towards a customized plane. Based on the analysis, the optimum affordance will occur on the third plane where the complexity of parameter (amount of lifted planes, planes distance, etc) are not as much as the fourth, fifth, and not as less as the first and second. While having more complex parameters, people will have less affordance towards the object. This project then suggests that intentions and perception could affect based on how someone sets up the complexity of the parameter and this could be contextual based on the initial intention of the designer itself.
CRITICAL CONTEXT ABSTRACT From ages ago, people have been always working blindly with materials based on their instinct without understanding the initial material. As time goes by, this material are extracted into labels such as “modern”, “traditional”, and other labels that sometimes does not fit in baed on their initial characteristics. In this workshop, we analyze potentials on how these materials could be separated and adjoint again if we take off from those labels, and instead analyzing it based on the characteristics. The workshop takes context in Institut Teknologi Sepuluh Nopember, Surabaya where we first analyze the degree of contact and elaborateness on each joints in a specific context of the campus. WIth the given context, we found a phenomenon where the intactness and elaboration of material could vary based on their characteristics and how its is adjoint in a certain plan. Thus, what if a certain material is treated in other architectural elements and adjointed back? WIll the elaborateness and intactness of it will stay the same? The experiment tests on floor and roof element, where four element materials (eliminated from the the mentioned parameters) will have a crossover: wood, WF steel, clay roof, and metal floor deck and tested again based on the degree of contact and elaborateness. The research shows that each adjoint has the similar degree if adjoint in another element, thus we conclude that we do not learn the attribute of material based on their position, but by understanding the characteristics of each materials as an individual.
Attempt on elaborating material in each architectural elements
07
MISCELLANOUS WORKS
Here are the rest of my miscellanous works I do as a side doings which consists of my sketches, graphic design, and photography.
SKETCHES
Live sketch at Kya Kya, Kembang Jepun, Surabaya (2018)
Portrait sketch of Nadin Amizah (2018)
Live sketch at Maspati Kampong, Surabaya (2018)
Live sketch at Manarul Mosque, ITS (2017)
Portrait sketch of Yuko Araki (2018)
Live sketch at Postgraduate Building ITS (2017)
GRAPHIC DESIGN
Logo for sleep wear brand, TURU (2020)
Nametag for Orientation Week (OKKBK) in Architecture Department (2018)
Logo for bakery brand, BROOD (2019)
Poster for new year event (2016)
Poster for a talkshow event (2019)
Poster for high school project (2016)
ARCHITECTURE VISUALIZATIONS
Architectural collage “Waste to energy” for college project (2019)
Architectural collage “Kampong as the heart of a city” for college project (2020)
Render visualization for “Kos Semarang” (in charge for post-visualization) (2020)
PHOTOGRAPHY
Kampong Pecinan (2019)
Streets of Kya Kya (2018)
Petitenget Beach (2018)
Kampong Maspati (2018)
Lombok Islamic Center (2018)
00. Copyright Š 2020 by Anisya Maharani All rights reserved.