Anna Andrea Winther, 2018 www.annawinther.com
Confined Interactions, 2017 Innstallation in Vartiosaari (Helsinki, Finland) Exhibited in the group exhibition “Arts in the Environment� 8. Sculptures (20 cm x 15 cm), dried pigs blood, processed honey and industrial plastic
LEAK, 2017. 15. minute performance exhibited in Gallery Rýmd in the exhibition MERGUR (Breiðholt,Iceland)
The ingredients listed on the labels of the two materials used (Nestlé NAN pro 1 formula and Rowse Organic Honey) were read out loud in the space. Then the honey was directly and continuously poured within the tiles on the floor until the contents of the jar were spent. Then water was added to the formula and mixed together. A syringe was used to inject the formula into the honey. The material was then left to its own devices, to blend together as they seem fit and flow within the space
Ein með engu, 2017 Installation in the solo exhibition “Ein með Engu/would you like one with nothing?” in the former hot-dog stand Sunnutorg (Reykjavik, Iceland) Gelatine, vitamintablets (B,C,K), collagen intestine, “CLOSED WORKSPACE” sign, plasticboxes, aluminum wires and two sound pieces. Approach sound pieces in this link: https://www.annawinther.com/ein-med-engu
The former storage room to the left
The former shop to the right
Sæmundur Stripped Bare, 2018 Performance in the group exhibition “Out in the Open” in Reykjavik Art Museum, Kjarvalsstaðir (Reykjavik, Iceland), which took place for three hours a day for nine days. 4800 cream-biscuits from Frón, a workstation, a scrape, a brush, an aluminum plate, blender, two presses and two molds. One biscuit at a time was taken from the stack from the left, taken completely a part with systematic steps and stuffed back together again. Video documentation can be approached in this link: https://www.annawinther.com/saemundur-stripped-bare