Anne Ma // Portfolio 2015

P O RT F O L I O 2 0 1 2 - 2 0 1 4

ANNE MA Yale School of Architecture // MArch I // 2016 Sheridan College // Graduate Cert. Comp Animation // 2012 University of Waterloo // Hon. B.AS // 2011 A PORTFOLIO OF RECENT WORK

annemony © 2014

01

INTRODUCTION / Paprika.001.1

annemony © 2014

Comic series titled ‘Paprika!’ started and produced for Yale School of Architecture studentrun quarterly publication by the same name. started in Fall 2014

#Studio life / Paprika.001.2

FIG U RE

PERSONAL 00 > CURRICULUM VITAE ACADEMIC 01 > DANCE x PROJECTION MACHINE 02 03 a 04 b 05 06 c 07 08 09 d e f 10

> > > > > > > > > > > > > > >

FRACTURED GROUND THE GREAT WHITE WHALE PENN DESIGN ILLUSTRATION ARTIFICE MONSTER DWELLING CODE JUNCTION PRISM FORMERLY KNOWN AS THE CUBE YSOA BP 2014 WEBSITE DESIGN GEHRY-GO-ROUND KITBASHING THE CREATIVE PROCESS PAPER IPMS ART & PHOTOGRAPHY FORMAL ANALYSIS THE NYC FREE SPEECH KIT

PROFESSIONAL 11 > DURHAM COLLEGE CENTRE FOR FOOD 12 > 13 >

UTM INSTRUCTIONAL CENTRE HUMBER DESIGN CENTRE

4

01

DANCE x PROJECTION MACHINE // YSOA 1011a / Year 1, Semester 1 Architectural Design / 2013 Critic / Joyce Hsiang published in Retrospecta 37/ 2013-2014 This project turns to the spectacle of performance to activate its site by not only being contained to the interior, but also experienced at an urban scale. Located directly adjacent to the High Line in New York, the building is envisioned as a ‘vertical High Line’. Program and activity are extended upwards in a series of interlaced circulation and occupiable spaces.

The ‘programmatic scaffold’ extends upwards through the building, producing voids in the structural lattice. Facades are designed for video projection, in addition to the enclosed volumes of dance studios and lounges scattered throughout. The single anomaly is a ‘red whale’ theatre, a beacon that highlights the two primary features of the design, serving both interior performance within as well as a surface for external projection. Finally, the public corridor stemming from the ground floor plaza weaves its way up the building accented in the same vibrant red. plans, section and perspectives hand-drawn on velum, compiled in pshop

5

LATTICE EXTENSION

Visualizing the Vertical Highline. The building extends itself enough to accomodate the programmatic requirements, while piecing together a cohesive play between voids and solids. The question can be asked whether the economy of such a project is feasible if it were to continue to grow. Perhaps a new skyscraper or residential project can carry through the ideologies of such a feat in the ever growing fabric of New York City.

6

BIRDS EYE VIEW

VOIDS

ANOMALY

CLINIC/ LOUNGE

STACKS DANCE STUDIO LOUNGE

WC

DANCE STUDIO

LOUNGE

7

DANCE STUDIO

FILM STUDIO

ADMIN

MAIN AUDITORIUM

LOBBY

CAFE LOADING

3/16” [1:64] SECTION

Facades are designed to display projection art both internally between program volumes as well as externally towards the city.

OUTDOOR PROJECTION THEATRE

8

A B C D E F G H I J

MULTI-USE PLAZA CAFE SEATING OUTDOOR PERFORMANCE RECEPTION MEDIA LIBRARY STORAGE COAT CHECK LOADING WC LOADING DRIVEWAY

GROUND FLOOR PLAN

8TH FLOOR PLAN DANCE CLINIC CLINIC LOUNGE CLINIC WC

7TH FLOOR PLAN DANCE STUDIO SKY LOUNGE

PROJECTION LOCATIONS

6TH FLOOR PLAN DANCE STUDIO SKY LOUNGE WC

5TH FLOOR PLAN DANCE STUDIO FILM STUDIO BLACK ROOM

4TH FLOOR PLAN ADMINISTRATION OFFICES AND STAFF LOUNGE AUDITORIUM BALCONY LEVEL

9

3RD FLOOR PLAN AUDITORIUM AUDITORIUMBREAK-OUT SPACE MINI BAR

2nd – 8th FLOOR PLANS8

2ND FLOOR PLAN UPPER LOBBY AND OPEN LOUNGE CAFE

10

WASHINGTON ST & W 13 ST.

02

FRACTURED GROUND // YSOA 1011a / Year 1, Semester 1 Architectural Design / 2013 Critic / Joyce Hsiang Selected for YSOA prospective student Open House and 2014 end-of-year YSOA exhibition, “Outlook” A fractured information playground for visitors and learners. The project introduces two primary axes that cut the site, one servicing the educational attachment to the existing Eli Whitney Museum and new exhibition grounds, and the other providing a direct access to the waterfall and natural environment surrounding.

Water tables are incorporated and scattered across the site to support the current water learning lab, and the fragmented nature of the educational strip is emulated in the outdoor exhibition space adjacent the sunken cafe with a ‘hidden’ entrance to the indoor exhibit. drawings hand-drawn on velum, compiled in pshop

1/32” CONTEXT MODEL OVERVIEW

11

A B C D E F G H I J K

INFO PAVILION OUTDOOR EXHIBIT GROUNDS LOOKOUT OPEN ‘MEADOW’ EXHIBITION SCAPE SUNKEN CAFE PAVILION LOWERED LOOKOUT PLATFORM TERRACED LANDSCAPE GRAND EXHIBIT SERVERY WASHROOM

12

GROUND FLOOR PLAN

VIEW OF EXHIBITION PAVILION

13

LOWER LEVEL PLAN

ITERATIVE MODEL DEVELOPMENT

SECTIONAL VIEW OF EXHIBITION PAVILION

VISUAL

PHYSICAL

BR

ID

GE

M

US

EU

M

ZO

NE

C

-S

OF

ZO

T

NE

ED

B

GE

-B

UI

ZO

14

LT

NE

A

ED

GE

-H

AR

D

ED

GE

TEMPORAL

SITE MEASURES & ANALYSIS

INFO PAVILION

The conceptual breakdown of the project stems from a site study documenting three distinct ‘boundaries’ on the site: Hard Edge, Built Edge and Soft Edge. Each zone has specific qualities based on visual boundaries, physical boundaries as well as temporal/natural boundaries. The project progressed through a manipulation of these edges, allowing them to filter into eachother.

AXONOMETRIC BREAK DOWN

1

DEFINING PHYSICAL BOUNDARIES WATER LABS SHIFTED TO PHYSICAL BOUNDARY

2

REDEFINED BOUNDARY ACTIVITY STRIP PRIMARY AXIS DEFINED BY VISUAL BOUNDARY

3

ALIGNING ACTIVITY STRIP TO NEW AXIS SECONDARY AXIS DIRECT TO FALLS AND NEW ENTRY

CAFE PAVILION ROOF

EXHIBITION SCAPE

ACTIVITY STRIP

15

LOWER LOOKOUT PLATFORM

4

ENTRY LOCATIONS OPENED UP ACTIVITY STRIP SHIFTED BY SECONDARY ENTRY

5

EXHIBITION AND CAFE PROGRAM DEFINED WATER LAB INTEGRATED INTO ACTIVITY STRIP FURTHER DIVISION OF SITE

6

ELEVATIONAL ADJUSTMENTS TO ACCOMODATE PROGRAM RAISED OUTDOOR EXHIBITION AREA SUNKEN CAFE AND HIDDEN EXHIBITION ENTRANCE

SUNKEN CAFE & GRAND EXHIBIT

CONCEPTUAL ITERATION DIAGRAMS

16

WALNUT & S. 34th ST.

03

THE GREAT WHITE WHALE // UPENN SCHOOL OF ARCHITECTURE YSOA 1021a / Year 2, Semester 1 Architectural Design / 2014 Critic / Martin Finio The project focuses on a building wide gesture centred on ‘interchange’ at multiple scales: urbanistically, programmatically and internally. at the scale of the studio. Standing at the corner of Walnut and S. 34th St., the building also serves as a beacon and entrance throughway to the school’s campus. At this urban scale, the primary axis aligns with this existing flow of circulation while the footprint of the building counters this to emphasize a moment for interchange.

Internally, the school of architecture functions as an organism, a programmatic system that is centred around the heart – studios. Branching from here are the arteries to supporting programs that enable this heart to function. A static core and central atrium ties the building together vertically, while all the parts of the organism plug in and are connected horizontally.

The project’s interests lie in a cohesive internal organization and striking exterior image to complement its complexity in design, structure and innovation.

17

SITE MASSING MODEL

18 BUILDING SHELL Horizontal louver facade Curtain Wall

STUDIO FLOORS Stacked programmatic oorplates

SUPPORT CORES Programmatic pods

PUBLIC CONNECTION Access from both sides, connection by observation walkways

WA S

st 34

LN

UT

BUILDING TAIL

BUILDING CONFIGURATION

Program extension to address street Student Bar & Lounge, Public Cafe, School Administration

URBAN SITE DEVELOPMENT

S 34th ST.

WALNUT

l transparen erna cy ext

CAMPUS ENTRY

SEMINAR

COLLAB ACTIVITY

19

DIAGONAL SUPPORT

EXTERNAL

OBSERVATION WALKWAY

SMAL AUDITORIUM

rnal interchange inte STUDIO

2

COLLEGE GREEN

SERVICE

OUTDOOR SUNKEN PLAZA STUDIO

1

CAFE AWESOME

SUPPORT

INTERNAL

ite

ART

SERVICE ENTRANCE

ulat circ

fo

otp

rin t

prim ary

s

= interch ection ang ers e int ion axis

b uil

din

g

lision interchan -col ge non

city

URBAN

FISHER FINE ARTS

campus

GROUND FLOOR PLAN

ADDED PROGRAM NINTH 99560 SF SITE 60175 SF

PLACES OF INTERCHANGE 8300 SF

TYPICAL PROGRAM CLUSTER

SECURE STUDIO ARCHITECTURE & LANDSCAPE YEAR 1 7670 SF 67SF x110

OUTDOOR SPACE TBD

ADDED LIBRARY

RESOURCE LIBRARY 2200 SF

ADDED LAB

CLASSROOM COMPUTER LAB 1800 SF COMPUTER LAB 800 SF LOUNGE 600SF

STUDIO REVIEW SUPPORT CLASSROOM SEMINAR FACULTY OFFICES MATERIAL FABRICATION LOUNGE TOILET

EIGHTH

ADDED LAB ADDED LOUNGE

TOILETS 300SF

STUDIO ARCHITECTURE & LANDSCAPE YEAR 1 7670 SF 67SF x110

CENTRAL GATHERING SPACE TBD

STUDIO ARCHITECTURE & LANDSCAPE YEAR 2 7670 SF 67SF x110

AUDITORIUM LARGE 4600 SF

SUPPORT

REVIEW 600SF LOUNGE 600SF FACULTY OFFICE 660 SF (165SF x4) CLASSROOM LARGE 1800 SF

SEVENTH

AUDITORIUM SMALL 1200 SF CAFE 2000 SF

CLASSROOMS & SEMINARS 18600 SF

CLASSROOM LARGE 1800 SF

SUPPORT

CLASSROOM LARGE 1800 SF

WORKSHOPS & LABS 8000 SF

STUDIOS & REVIEW 41500 SF

CLASSROOM MEDIUM 1000 SF CLASSROOM MEDIUM 1000 SF CLASSROOM MEDIUM 1000 SF SEMINAR 600 SF SEMINAR 600 SF SEMINAR 600 SF SEMINAR 600 SF SEMINAR 600 SF DIGITAL MEDIA 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL ASSEMBLAGE 1000 SF

SIXTH

STUDIO CITY PLANNING & HISTORIC PRESERVATION 8000 SF 45SF x175

STUDIO DESIGN & VISUAL STUDIES 2000 SF 40SF x50

SUPPORT

FIFTH

STUDIO UNDERGRADUATE 4000 SF 67SF x60

REVIEW 600SF REVIEW 600SF REVIEW 600SF LOUNGE 600SF CONFERENCE ROOM 300 SF RESEARCH CENTER OFFICES 600 SF (120SF x5) RESEARCH CENTER OFFICES 600 SF (120SF x5) STAFF WORKSTATION *DIGITAL DESIGN) 840 SF (70SF x12) STAFF WORKSTATION (BUILDING SIMULATION GROUP) PROJECT SPACE (DIGITAL DESIGN) 840 SF (70SF x12) 400 SF (200SF x2) PROJECT SPACE (BUILDING SIMULATION GROUP) 400 SF (200SF x2) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4)

SUPPORT

CLASSROOM LARGE 1800 SF

STUDIO DESIGN & VISUAL STUDIES 2000 SF 40SF x50

SUPPORT

SUPPORT

FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) SEMINAR 600 SF SEMINAR 600 SF DIGITAL MEDIA 1000 SF MATERIAL SHOP 500 SF CONFERENCE ROOM 300 SF RESEARCH CENTER OFFICES 600 SF (120SF x5) STAFF WORKSTATION *DIGITAL DESIGN) 840 SF (70SF x12)

FIRST

CLASSROOM MEDIUM 1000 SF SEMINAR 600 SF

CENTRAL GATHERING SPACE TBD

DEAN 300 SF DEAN 300 SF DEAN 300 SF DEAN 300 SF CONFERENCE 300 SF MEETING RM 300 SF DIRECTOR 300 SF

STAFF, SUPPORT, ADMIN 600 SF STAFF, SUPPORT, ADMIN 600 SF STAFF, SUPPORT, ADMIN 600 SF STAFF, SUPPORT, ADMIN 600 SF ADMIN SUPPORT 600 SF (120SF x5)

ADMIN STAFF & WAITING 960 SF (80SF x12) RECEPTION 300 SF TOILETS 600SF TOILETS 300SF TOILETS 300SF TOILETS 300SF TOILETS 300SF TOILETS 300SF TOILETS 300SF TOILETS 300SF

ADMIN STAFF & WAITING 960 SF (80SF x12)

GROUND

STORAGE 1500 SF

RECEPTION 300 SF TOILETS 300SF

AUDITORIUM SMALL 1200 SF CENTRAL GATHERING SPACE TBD

MATERIAL SHOP 500 SF AUDITORIUM SMALL 1200 SF

CAFE 1000 SF STORAGE 1500 SF

AUDITORIUM LARGE 4600 SF

20

SERVICE ENTRANCE

PLAZA

CENTRAL GATHERING SPACE TBD

GALLERY/ACTIVITY SPACE

ADMIN SUPPORT 600 SF (120SF x5) CONFERENCE 300 SF RECEPTION 300 SF MEETING RM 300 SF

CENTRAL GATHERING SPACE TBD

LOWER

SAFF, SUPPORT, ADMIN 600 SF SAFF, SUPPORT, ADMIN 600 SF SAFF, SUPPORT, ADMIN 600 SF SAFF, SUPPORT, ADMIN 600 SF SAFF, SUPPORT, ADMIN 600 SF

CAFE 2000 SF

TOILETS 2800 SF 600SF x1 330SF x7

OUTDOOR SPACE TBD

PUBLIC

GROUND LEVEL (observation) OUTDOOR SPACE CAFE CENTRAL GATHERING SPACE AUDITORIUM SMALL LOWER LEVEL (presentation) AUDITORIUM LARGE CENTRAL GATHERING SPACE WORKSHOPS & FABRICATION TOILET

URBAN PROGRAM CLUSTER

AUDITORIUM LARGE 4600 SF

MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL ASSEMBLAGE 1000 SF TOILETS 600SF

40’

OBSERVATION WALKWAY

OUTDOOR SPACE TBD

DEAN 300 SF DEAN 300 SF DEAN 300 SF DEAN 300 SF

STORAGE 1500 SF

16’

OBSERVATION WALKWAY

STUDENT BAR & LOUNGE 1000 SF

STAFF, SUPPORT, ADMIN 600 SF STAFF, SUPPORT, ADMIN 600 SF STAFF, SUPPORT, ADMIN 600 SF STAFF, SUPPORT, ADMIN 600 SF STAFF, SUPPORT, ADMIN 600 SF ADMIN SUPPORT 600 SF (120SF x5)

DIRECTOR 300 SF OFFICES 200 SF

4’

PROJECT SPACE (DIGITAL DESIGN) 400 SF (200SF x2)

RESEARCH CENTER OFFICES 600 SF (120SF x5) STAFF WORKSTATION (BUILDING SIMULATION GROUP) 840 SF (70SF x12) PROJECT SPACE (BUILDING SIMULATION GROUP) 400 SF (200SF x2) FACULTY OFFICE 660 SF (165SF x4)

OFFICES 200 SF

CHAIRS, ASSOC. CHAIRS & DEPARTMENT COORD. 1200 SF (120SF x10) ADMIN STAFF & WAITING 960 SF (80SF x12)

1/32” = 1’-0”

ADDED REVIEW

TOILETS 300SF

STUDIO UNDERGRADUATE 4000 SF 67SF x60

STAFF, SUPPORT, ADMIN 600 SF

OFFICES 200 SF

FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) CONFERENCE ROOM 300 SF RESEARCH CENTER OFFICES 600 SF (120SF x5) RESEARCH CENTER OFFICES 600 SF (120SF x5) STAFF WORKSTATION *DIGITAL DESIGN) 840 SF (70SF x12) STAFF WORKSTATION (BUILDING SIMULATION GROUP) PROJECT SPACE (DIGITAL DESIGN) 840 SF (70SF x12) 400 SF (200SF x2) PROJECT SPACE (BUILDING SIMULATION GROUP) 400 SF (200SF x2)

REVIEW 600SF FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) SEMINAR 600 SF SEMINAR 600 SF CLASSROOM MEDIUM 1000 SF

CHAIRS, ASSOC. CHAIRS & DEPARTMENT COORD. 1200 SF (120SF x10)

CHAIRS, ASSOC. CHAIRS & DEPARTMENT COORD. 1200 SF (120SF x10) REVIEW 600SF REVIEW 600SF REVIEW 600SF LOUNGE 600SF FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4)

TOILETS 300SF

STUDIO DESIGN & VISUAL STUDIES 2000 SF 40SF x50

TOILETS 300SF

SECOND

DEAN 300 SF DEAN 300 SF DEAN 300 SF DEAN 300 SF CONFERENCE 300 SF MEETING RM 300 SF DIRECTOR 300 SF

STUDIO UNDERGRADUATE 4000 SF 67SF x60

ADDED REVIEW ADDED LOUNGE

CLASSROOM LARGE 1800 SF

THIRD

CLASSROOM MEDIUM 1000 SF CLASSROOM MEDIUM 1000 SF CLASSROOM MEDIUM 1000 SF SEMINAR 600 SF SEMINAR 600 SF SEMINAR 600 SF SEMINAR 600 SF SEMINAR 600 SF DIGITAL MEDIA 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL FABRICATION 1000 SF MATERIAL ASSEMBLAGE 1000 SF

STUDIO CITY PLANNING & HISTORIC PRESERVATION 8000 SF 45SF x175

SITE SECTION TRANSVERSE

ADDED LOUNGE

REVIEW 600SF FACULTY OFFICE 660 SF (165SF x4) LOUNGE 600SF

STUDIO HISTORIC PRESERVATION 2000 SF 45SF x87

SUPPORT

CLASSROOM LARGE 1800 SF

SUPPORT SPACES 4300 SF

ADDED REVIEW

TOILETS 300SF

MATERIAL FABRICATION 1000 SF

FOURTH

CLASSROOM LARGE 1800 SF

RESEARCH 4180 SF

ADDED LOUNGE

TOILETS 300SF

REVIEW 600SF REVIEW 600SF FACULTY OFFICE 660 SF (165SF x4) SEMINAR 600 SF SEMINAR 600 SF LOUNGE 600SF

STUDIO HISTORIC PRESERVATION 2000 SF 45SF x87

FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4) FACULTY OFFICE 660 SF (165SF x4)

STUDIO ARCHITECTURE & LANDSCAPE YEAR 3 7670 SF 67SF x110

ADMINISTRATION OFFICES 8080 SF

FACULTY OFFICE 660 SF (165SF x4) MATERIAL FABRICATION 1000 SF SEMINAR 600 SF LOUNGE 600SF STUDIO ARCHITECTURE & LANDSCAPE YEAR 3 7670 SF 67SF x110

STUDIO ARCHITECTURE & LANDSCAPE YEAR 1 7670 SF 67SF x110

STUDIO ARCHITECTURE & LANDSCAPE YEAR 2 7670 SF 67SF x110

FACULTY OFFICES 6600 SF

TOILETS 300SF

STUDIO ARCHITECTURE & LANDSCAPE YEAR 2 7670 SF 67SF x110

STUDIO ARCHITECTURE & LANDSCAPE YEAR 3 7670 SF 67SF x110

MATERIAL SHOP 500 SF CLASSROOM LARGE 1800 SF

S 34th ST.

Precedents: Radical Departures

Collaboration | Architecturally Integrated

TRANSVERSE SECTION

Precedents: Radical Departures

Precedents: Radical Departures

Presentation | Adaptable Devices

Collaboration| Fully Enclosed Object

large screen display

multiple

stationary

semi-private

multi-programmable

reconfigurable

transparent

21

1 or 2 PRECEDENT IMAGES IN COLOR HIGH RES

private workspace hiddenmultiple architectural integration

POCKET

technology centered group meetings

multiple

singular program

privat

7’2”

BNP Paribas: Fokkema & Partners (Amsterdam)

optional work surface

S

5'

-6

"

Booth space built in to the overall mass of the building creates a semiprivate meeting nook within the scale and context of the architecture.

T t g

8’-0”

SMALL GROUP

10

’-0

16

'-5

"

9"

T-wall: Stanford Design Institute

collaborative

5'-

pin-up space group discussion shared desk space

workstation rolley chair

STUDIO

CORNELL

”

bench seating

Adaptable Devices

I T HAC A - NY

- OMA Flexible pin-up surfaces created by the 2010 SDI, T-walls innovate on more static presentation configurations, allowing for a number of compsitions to afford different types of exchanges and collaborations.

Adaptable presentation devices can shape the form and function of presentations and group interactions, as well as enabling more open floor plans. ’-0 20

cluster groups open/transparent personal space

re-configurable clusters

”

TR IG G ER S U N E X P EC TED U S E

WORKSTATION

individual existing ysoa workstation

group collaboration space overlooking studio clusters

’-0 10

”

purchased external resources studio workstation variation

Fully Enclosed Object

Headquarters : Men in Black III This elevated office pod from Men In Black III acts as a symbol of hierarchy

pin board

within TAU B M A the N headquarters. The prominent object provides acoustic privacy A N N A RB O R - MI 1 9 7 4 - SW A N SO N ASSO C .

C OL L A B ORfor ATI ON meetings, but maintains visual connection with the larger room small

materials storage

so occupants can see and be seen by people below.

MR . T

TI TEY

workstation

workshop plotting digital fabrication library

RESOURCES

collective resources

MI G H T Y

storage

drafting/modeling surface

proposed new elements + alternate configuration studio clusters access resource clusters movable unit?

critique space assembly classroom/seminar pin-up stage multi-use

re-configurable program

PROGRAMMING AND CONNECTIONS

REVIEW

presentation

A fully enclosed yet transparent ob becomes an easily identifiable plac attracts the notice of others, but pr

5th

SEMINAR

4th

FLOOR

FACULTY

CLASSROOM MED.

STUDIO HISTORICAL PRESERVATION

STUDIO DESIGN & VISUAL STUDIES

MATERIAL FABRICATION

CLASSROOM LARGE

FLOOR

LOUNGE

FACULTY

STUDIO CITY PLANNING

SEMINAR

6th

FLOOR

LOUNGE

FACULTY

STUDIO ARCHITECTURE & LANDSACPE YEAR 3

SEMINAR

KITCHEN

7th

FLOOR

LOUNGE

FACULTY

STUDIO ARCHITECTURE & LANDSACPE YEAR 2

CLASSROOM LARGE

8th

FLOOR

LOUNGE

FACULTY

STUDIO ARCHITECTURE & LANDSACPE YEAR 1

COMPUTER LAB CLASSROOM

TERRACE

9th

FLOOR

SEMINAR

CLASSROOM

RESOURCE LIBRARY

Precedents: Radical Departures

Collaboration | Architecturally Integrated

losed Object reconfigurable

transparent

1 or 2 PRECEDENT IMAGES IN COLOR HIGH RES

singular program

multiple

semi-private

stationary

v

private workspace hiddenmultiple architectural integration

POCKET

singular program

private

stationary

transparent

7’2”

optional work surface Booth space built in to the overall mass of the building creates a semi-

Semi-Enclosed, Architecturally Integrated

BNP Paribas: Fokkema & Partners (Amsterdam)

The mass of the building provides privacy for the small group area, but the openness creates a dialogue the integrated seating area and the greater architectural context.

At the scale of each floor, a micro-organism for interchange is at play through the combination of studio program and supporting program. Supporting programs include faculty offices, classrooms of various sizes, seminar rooms and lounges. This allows for interactions and moments of interchange between these pockets of program as well as in the circulating area of the central core. private meeting nook within the scale and context of the architecture.

8’-0”

10

’-0

”

bench seating

workstation rolley chair

e the form and function of preas enabling more open floor

ISOMETRIC FLOOR PLANS AND PROGRAM BREAKDOWN ’-0 20

”

R S U N E X P E C T E D US E

existing ysoa workstation

22 ’-0 10

”

Fully Enclosed Object pin board materials storage

A fully enclosed yet transparent object placed within a larger space becomes an easily identifiable place for small group meetings that attracts the notice of others, but prevents their participation.

NG

ERI

TH

GA

workstation

E

AC

P RS

OO

TD

urces

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storage

WO

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S

LLE

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proposed new elements + alternate configuration

BLY

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TT

PLO

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OP

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8’-7”

IT

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UR

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SEM

AS

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BR

FA

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TER

(EX

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drafting/modeling surface

RY

RA

LIB

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BLA

EM SS

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8’-0”

DES

DIA

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movable unit?

CH

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6’-0”

RG

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VIS N&

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ND &L

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8’-6”

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6’-0”

P KS

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WHAT IS THE SPACE OF THE ARCHITECTURE STUDENT?

TY

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FA where are the boundaries of collaborative and individual production?

CLA

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RES

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ITA

DIG P

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BU

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MATERIAL FABRICATION

MATERIAL ASSEMBLAGE

FLOOR

LOWER

GALLERY & ACTIVITY SPACE

AUDITORIUM LARGE

SERVICE/STORAGE

FLOOR

GROUND

CAFE AWESOME

AUDITORIUM SMALL

SEMINAR

OBSERVATION WALKWAY

BAR & LOUNGE

FLOOR

OBSERVATION WALKWAY

ADMIN OFFICES

SEMINAR

ADMIN OFFICES

1st

3rd

2nd

FLOOR

CLASSROOM MED.

FACULTY & LOUNGE

RESEARCH DIGITAL DESIGN & BUILDING SIMULATION GROUP

SEMINAR

FLOOR

FACULTY

MATERIAL SHOP

FACULTY & LOUNGE

DIGITAL MEDIA

STUDIO UNDERGRADUATE

At the scale of the student, interchange is introduced at the level of collaboration. Studios are organized into clusters per studio section with one to two clusters sharing a larger collaboration zone for pin-ups, group work and discussioins.

COLLAB

23 STUDIO CLUSTER

CLUSTER CONFIGURATION

MAIN REVIEW BELOW

PIN-UP RECONFIGURABLE CLUSTER COLLAB

PIN-UP

PIN-UP

COLLAB

ARCHITECTURE & LANDSCAPE 108 students FACULTY x1

STUDENTS x12

WORKSTATION (67sf x12) x9 COLLABORATION MEETING 250sf PIN-UP 300sf

COLLAB

COLLAB

PIN-UP

COLLAB

CITY PLANNING & HISTORIC PRESERVATION 170 students FACULTY x1

STUDENTS x10

WORKSTATION COLLABORATION MEETING/PIN-UP

(45sf x10) x9 (45sf x10) x8

PLOT

250sf

LOUNGE

PIN-UP COLLAB

COLLAB

PIN-UP

MATERIAL FABRICATION

PIN-UP

CLASSROOM

STORAGE DESIGN & VISUAL STUDIES 50 students FACULTY x1

STUDENTS x10

WORKSTATION

(40sf x10) x5

UNDERGRADUATE 60 students WORKSTATION

(40sf x10) x6

COLLABORATION MEETING/PIN-UP

140sf

7th FLOOR typ plan w/ 8th FLOOR var.

MASSING ITERATIONS

24

OBSERVATION WALKWAY

VIEW STRATEGY

STUDIO ATRIUM

STACKING STRATEGY

25

SECTION PERSPECTIVE THROUGH PUBLIC ATRIUM

26

SECTIONAL DRAWING MODEL

27

SECTIONAL MODEL CLOSE-UP

28

ISOMETRIC SECTION

a

PENN DESIGN ILLUSTRATION // YSOA 1211a / Year 2, Semester 1 Drawing and Architectural Form / 2014 Critic / Victor Agran Selected for YSOA exhibit for drawing classes, 2015 Using the UPenn School of Architecture Design as a foundation for exploring architectural drawing, this illustration brings together the core concepts of activity and program connections that are expressed in the design of the project.

The premise of the building involves a series of interconnected spaces containing a multitude of activity. The drawing illustrates a narrative graphic in which the activities of the building can be understood but also ambiguously connected. hand drawn on velum, compiled in pshop

29

30

“

Each of us today possesses two bodies: the primitive body that a human being always possessed and the virtual body that has come into being with the spread of the media. The former seeks the beautiful light and fresh breeze found in nature. The other body which responds to the electronic environment, might be called a media-like body in search of information. The relationship between these two bodies is constantly shifting. We connect to architecture and the city through both of them. Architects must assist in their re-integration; buildings and cities must provide for both the virtual body and the primitive one.

Toyo Ito

�

DIONYSUS TESTING THE RIFT

04

ARTIFICE // MACHO GAMES YSOA 1299a / Independent Study / 2014 Collaboration / Dionysus Cho Supervisor / Mark Foster Gage This independent study focuses on a re-imagining of space and the experience of architecture in the virtual realm. Embracing the potency of the virtual as a new economic Zone at the larger scale, and an Electronic Tomato avatar of connectivity at the smaller, this study takes on the potential Eccentric qualities of space that the virtual provides.

This is the intersection of architecture and virtual whereby the potentials of a virtual architecture is limitless; the language and the experiential understanding of architecture and the ability to generate this into accessible and manipulatable virtual worlds provides an experience of space that may be shared, explored, and created. video documentation: https://vimeo.com/machogames blog: http://artificegame.tumblr.com/

31

Excerpts from proposal: ARCHITECTURE / A SHIFT TO THE VIRTUAL Today, we are increasingly invested – both in time and money – into the virtual world, whether it be online, in a game, or on a film. Studies place today’s youth in front of any one of these media – computer, console, or television – at 7 hours and 38 minutes per day. That would be nearly one third of the whole day or half the waking hours. As a global population, figures for the amount of hours spent gaming alone reach 3 billion hours per week. Loosely interpreted, this would amount to an even division of one’s existence between the physical and virtual worlds.

With spending, the investment in virtual assets are rocketing. The current spike in the interests in virtual cryptocurrencies – with bitcoin, litecoin, and dogecoin – mark a shift from extra territorial zones to extra physical zones as new markets shed even these loosened limits. Not only are experimental Zones bubbling up within countries, a market has already existed within the internet with currencies being generated. Lacking the regulations, taxation, and traceability of the dollar, these underground currencies allow for quick anonymous exchange regardless of local or legality. Interestingly enough, not only do these cryptocurrencies lack any sort of physicality, their value is ‘mined’ through digital computation – their existence is tied to equations and calculations. While this phenomenon could have once been attributed to a niche or subculture (much like the niches formed with Zones), the melting away of borders from territories to Zones leads inevitably to an even more ethereal virtual domain, a trend that is no longer science fiction, rather, a growing speculation.

GRANNY IS AMAZED

While Architecture can’t shed the physical entirely, it surely can begin to embrace it’s virtual half.

ELECTRONIC TOMATO / AN AUGMENTED REALITY While architects struggle to grasp or materialize this virtual zone, its success is spearheaded by other fields, notably the aforementioned gaming industries, with ties to networking and connectivity. This movement to bridge the virtual has, almost not surprisingly, been pushed 32 forward by social giants (the likes of Google and Facebook) rather than by designers. While Google pushes forth with Glass, Facebook has just recently invested $2 billion in the Oculus Rift virtual reality headset. The statement from Mark Zuckerberg (from his Facebook Page, 2014) on the Rift is eerily reminiscent of Archigram’s statement 45 years prior – perhaps an attempt to revive the dreams of the ELECTRONIC TOMATO today: This is just the start. After games, we’re going to make Oculus a platform for many other experiences. Imagine enjoying a court side seat at a game, studying in a classroom of students and teachers all over the world or consulting with a doctor face-to-face – just by putting on goggles in your home. This is really a new communication platform. By feeling truly present, you can share unbounded spaces and experiences with the people in your life.

ECCENTRIC ARCHITECTURE

Eccentric games employ spaciotemporal effects which give the player access to logics indigenous to digital environments. These logics often reference pop-physics theories and paradoxes such as those related to time travel, parallel realities, navigating multiple dimensions, folding time and space, quantum mechanics, probability engines, and the conflation of virtual and actual space.

Patrick Lemieux, Eccentric Spaces and Filmic Traces

Over the last few years, architecture is progressively moving into the digital age, if not already fully immersed in it. Within the framework of this evolution, there is potential to further the experience of architecture in the digital environment in two separate streams. The first is a push towards hyper-realism in the form of photo-realistic render and walkthroughs or realistic role-playing experiences in gaming. The experience is grounded through the manipulation of realistic elements including physical material and texture emulation. The other rift in reality is a manipulation of not only the spatial qualities of architecture, but also dimensional physics by which architecture can be experienced – factors like time and gravity. This opens up the architectural experience to new possibilities, creating temporal, ephemeral or even psychological effects and experiences that are entirely not feasible in the real world.

The virtual environment of gaming provides a very malleable foundation for which to develop this manipulation and create eccentric architectural experiences.

PRELIMINARY SKETCHS AND TESTS IN UNITY

SCREENSHOT FROM UNREAL

33

LEVEL TESTS IN UNREAL

REINHABITING THE PANTHEON

34

dwelling ‘keylock’ mechanism

DWELLING CODE COMPRESSED

Minimum Dwelling Code [v. compression] 3/4” = 1’-0” Organschi Studio/ Anne Ma

b

MONSTER DWELLING // MINIMUM DWELLING CODE YSOA 1012b / Year 1, Semester 2 Architectural Design / 2014 Critic/ Alan Organschi Selected for 2014 end-of-year YSOA exhibition, “Outlook” Derived from a clash between a full ‘working drawing’ analysis of the Corbu Mill Owners Stair and a Minimal Dwelling Code study, a ‘Monster’ was created. The project exists in two conditions: the packed and the exploded. While the elements of dwelling begin in a packed condition, the implication of occupancy expands these codes in order to accommodate. The result is a drawdel (drawing & model) that displays both conditions in their extreme cases.

Interestingly enough, the ambiguity of reading the model in plan vs. section provides an additional layer to the work.

35

SITE STRATEGY SKETCH

36

ITERATIVE SKETCH MODELS

LOOKING NORTH FROM SCRANTON

05

JUNCTION // A NEW HAVEN TEST YSOA 1012b / Year 1, Semester 2 Architectural Design / 2014 Critic / Alan Organschi The YSOA Building Project this year called for a minimal dwelling design, a housing concept that was adaptable, flexible, and able to be fabricated and relocated to different small lots around the New Haven Area. The requirements called for an 800 SF residential unit divided into two smaller units, 500 SF for the owner and 300 SF that can be accessed and rented by a tenant.

The design accommodates these demands through a study of Flexibility, Division and Adaptability. A genotype unit was designed that incorporated a flexible linear core that houses support such as circulation, plumbing and gas. The flexibility of this core allows for a ‘Junction’ moment for reconfiguration of the typical genotype unit. A careful division of zoning allocates solitary and social space as well as division between the owner and tenant units. Finally, the base genotype unit can be reconfigured across different sites allowing for adaptability.

37

FLEXIBILITY: Junction moment as additional genotype unit DIVISION: Clear zoning division into solitary vs. social space ADAPTABILITY: Base unit can be re-configured along the same division principles ADAPTABILITY & SITE STRATEGIES

site division Solitary vs Social base configuration identical units extension of social zone

38

DWELLING CODE COMPRESSED

expanding front

expanding back

first shift and flip of base configuration

reappropriating solitary space parking and social junction

A B C D E F G H I J

SINGLE LEVEL TENANT UNIT IN BASE CONFIGURATION OPEN CORRIDOR SPACE BETWEEN UNITS COVERED OUTDOOR AREA RAISED UNIT AT JUNCTION WITH CONNECTIONS TO BOTH UNITS JUNCTURE POINT BETWEEN INTERSECTING DWELLING SPACES DOUBLE HEIGHT LIVING SPACE UPPER LOFT-ESQUE ADDITIONAL SPACE FOR FAMILY UNIT SINGLE HEIGHT LIVING SPACE POTENTIAL FLEXIBLE WALL UNIT TO FIT BED CRAWL SPACE BELOW FOR SERVICES

junction point flexible unit upper level program

D

E

F

G

fragmented access between zones

39

A

I

B

C

G

BUILDING ENVELOPE

H

40

BUILDING PLANS

41

TRANSVERSE SECTIONS

ADAPTABILITY OF THE BASE UNIT

WASTE COMPOST GARDEN

ELECTRICITY

TENANT UNIT

GAS SERVICE SHAFT

GUEST UNIT

FAMILY UNIT

NATURAL VENTILATION STACK EFFECT

42

BBQ PARKING

YARD

LIVING/BEDROOM

3/4 W/C

KITCHEN

WAHSER/ DRYER

HEATING (&COOLING) HEAT PUMP HEAT RECOVERY HEATED FLOORING

WATER SUPPLY RAIN WATER STORAGE HOT WATER STORAGE

ENTRY

ENVIRONMENTAL SYSTEMS W/C DECK

PRELIMINARY STUDIES

BEDROOM

W/C

LIVING

BEDROOM

ENTRY WASHER/ DRYER

KITCHEN

FULL W/C

SOLA HOT ELEC

SOLAR PATH

AR COLLECTOR WATER CTRICITY

06 NATURAL HEAT GAIN APERATURE

PRISM FORMERLY KNOWN AS THE CUBE // BUILDING PROJECT 2014 YSOA 1012b / Year 1, Semester 2 Architectural Design / 2014 TEAM D / Anthony Gagliardi, Cynthia Hsu, Lila Jiang Chen, Charles Kane, Seokim Min, Madelynn Ringo, Caitlin Thissen Critics / Alan Organschi, Andrew Benner, Peter de Bretteville, Amy Lelyveld, Joeb Moore, Adam Hopfner, Herbert S. Newman Selected for the construction at 179 Scranton St., Exhibited at 2014 end-of-year YSOA exhibition, “Outlook” The YSOA Building Project this year called for a minimal dwelling design, a housing concept that was adaptable, flexible, and able to be fabricated and relocated to different small lots around the New Haven Area. The requirements called for an 800 SF residential unit divided into two smaller units, 500 SF for the owner and 300 SF that can be accessed and rented by a tenant.

CITY GAS CITY WATER

43

The faceted cube pushes the limits of residential convention by maximizing internal efficiency and compactness while allowing internal spatial constraints to find their release in the landscape. This allows the importance of landscape to come to the fore, lending a greener and lusher feel to the very dense housing stock of New Haven’s urbanscape. As proposed, the tenant occupies the 3rd floor, allowing the owner’s space on the first and second floor to spill out onto the land in the form of interior furnishings such as dining tables and pop-out window seats. These elements push and pull on the building’s envelope, establishing a unique dialogue between the interior and exterior. As a result, the site becomes an extension of the owner’s interior living room that can be visually enjoyed by neighboring sites.

UP

R

UP

Depending on the owner’s level of involvement in the up keep of his/ her land, landscape possibilities may vary. One can imagine it to be as simple as a flat landscape planted with tall, wild grasses to something more programed such as a planted vegetable garden, thriving because of its direct access to the southern sun.

FIRST FLOOR PLAN

44

LONGITUDINAL SECTION

UP

DN

DN

UP

DN

DN DN

W

DN

DN

D

W

D

SECOND FLOOR PLAN

W

D

W

D

THIRD FLOOR PLAN

45

SITE STRATEGY ITERATION MODELS

2

1 SITE CONSTRUCTION NOTES NO. DESCRIPTION

2 A401

5

5

NEW CURB CUT NEW GRAVEL PAVER - TYPE 1 NEW GRAVEL PAVER - TYPE 2 NEW ELM TREE NEW GRASS MEADOW (OPTIONAL GOATS) NEW EASTER RED CEDER TREE NEW NORWAY SPRUCE TREE NEW WOOD DECK NEW UNDERGROUND WATER STORAGE TANK NEW WOOD FENCE NEW CONCRETE PAVERS (TYP. EMBEDED IN GRAVEL AND/OR LAWN) NEW APPLE TREE

EXISTING FENCE

7

8

A 8

9

25' - 0"

1 2 4 5 6 7 8 9 10 11 13 14

4

3

3 A401

20' - 0"

B

15' - 9 3/4" 8' - 0"

10' - 0"

9' - 11"

A301 2

A

C

10

B 5 A401 23' - 0"

C

A302

1

2

A302

11

4 A401

D

D

4

1 A301

7

5 6

13

During the team development phase, in addition to contributions towards design work, I was responsible for producing the cumulated DD working drawing set for our proposal. This included a fully comprehensive set of drawings including plans, plan details, sections, elevations, interior elevations, custom millwork set, structural framing, mechanical and environmental systems, and applicable schedules.

7

A

5

B

3 17' - 0"

2

C

BITUMINOUS CONCRETE TO BE REMOVED

10' - 0"

EXISTING CHAIN LINK FENCE

1

SETBACK LINES

14

EXISTING CURB CUT TO BE REMOVED

CONSTRUCTION DOCUMENT SAMPLES

SCRANTON ST.

1

D

EXISTING CHAIN LINK FENCE TO BE REMOVED

SITE PLAN WITH CONTEXT 1/8" = 1'-0"

46

RAINWATER COLLEC RAIN

> SLOPED ROOF TOWAR > FILTERED AND STORED STORAGE TANK > WATER PRIMARILY USE

PRELIMINARY FILTERING & DRAINAGE

ELECTRICITY > ELECTRIC METER IN THE SOUTH WEST CORNER CONNECTS TO THE CITY GRID AND DISTRIBUTES TO THE ENTIRE HOUSE

HEATING (& COOLING)

INDOOR WALL UNIT

OUTDOOR CONDENSER

> WALL-MOUNTED DUCTLESS SPLIT SYSTEM PER UNIT > OUTDOOR CONDENSER BENEATH EXTERIOR STAIR

ELECTRICAL METER

MAIN FILTRATION SYSTE

UNDERCOUNTER TANKLESS WATER HEATER

PLUMBING > HOT & COLD WATER DISTRIBUTION VIA SERVICE WALL > UNDERCOUNTER TANKLESS WATER HEATER FOR HOT WATER

ELECTRIC WIRING TO LIVING SPACES

WASTE & STORAGE

CONNECTION TO CITY GAS CONNECTION TO CITY WATER

ENVIRONMENTAL SYSTEMS

> STORAGE AND COLLECTION BROUGHT TO FRONT WALL > CAN OPEN OUT TO GARDEN SPACE

UNDERGROUND STORAG (BELOW DECK)

D PLAN - NORTH PATIO ENTRANCE "

3

1/4" = 1'-0"

6

9' - 0" 0' - 10" 28' - 0"

6" GWB BUILHEAD

7' - 6"

1' - 4"

LEVEL 2 9' - 2"

0' - 10"

1' - 4"

4 MW7 A701

MILLWORK DE FIRST FLO

0' - 6" 0' - 6"

4' - 0"

7' - 10" 0' - 6"

2' - 8"

LEVEL 1 0' - 6" 3' - 0"

1' - 8"

GWB

BEYOND

SLIDING 2" COUNTER

EQ

3' - 2"

2

CLIENT:

16' - 3"Serv Neighborhood Housing 333 Sherman Avenue, New Hav

MILLWORK FINISH TBD TYP. (PLYWOOD FINISH LOOK)

MW7

FOYER

Date Drawn by

GRADE 0' - 0"

EQ

4" BASEBOARD

1/4" = 1'-0"

179 SCRANTON ST NEW HAVEN, CT 0

5' - 3"

INTERIOR ELEVATION - SECOND FLOOR SOUTH SECTION A-A FRIDGE BUILT IN LOCATION FOR STOVE 1 1/4" = 1'-0"

MW5 - Kitchen through sink 3/4" = 1'-0"

8

2' - 11 1/4"

2' - 0"

UNDERCOUNTER TANKLESS WATER HEATER

GRADE 0' - 0"

GWB

LIVING/DINING

PLYWOOD DOOR

CLIENT:

MW5 - Kitchen through sliding counter ENLARGED PLAN - FIRST FLOOR SOUTH NOOK 1 9 3/4" = 1'-0" 1/2" = 1'-0"

2' - 10 1/2"

0' - 4"

PLYWOOD KICK

0' - 6" 1' - 4"

REVEAL (TYP.)

NeighborhoodFLOOR Housing Services Inc.1 INTERIOR ELEVATION - SECOND EAST 333 Sherman Avenue, New Haven, CT 06511 1/4" = 1'-0"

LEVEL 3 17' - 6"

1' - 7"

7' - 10"

7' - 6"

8' - 8"

7' - 6"

GRANITE COUNTERTOP ON PLYWOOD

Caitlin Thisse

GWB

7' - 3"

SINK MOUNTED IN COUNTERTOP

LEVEL STREET 1 179 SCRANTON 0' CT - 6" 06511 NEW HAVEN,

0' - 6"

EQ

7

2' - 10 1/2"

18' - 6"

A601

LIGHT

OPEN SHELF

TYP. DRAWERS

0' - 0"

NS

GRANITE MW9 COUNTERTOP ON PLYWOOD

BEDROOM

2' - 0 3/4"

LINE OF CERAMIC TILE BEYOND

2' - 6"

1' - 4"

P4

A601

ENLARGED PLAN - FIRST FLOOR BATHROOM 1/2" = 1'-0"

1' - 4" 1' - 4"

28' - 0"

8' - 4"

LEVEL 2 9'2'-- 4"2"

P1a

1/2" = 1'-0"

9

A601

0' - 4"

P1

10

8

0' - 0 1/2"

P2

MW3

INTERIOR ELEVATION - SECOND FLOOR EAST 2 SECTION B-B 1/4" = 1'-0"P1 2 2

1' - 8"

LIVING/DINING 0' - 6"

FOYER

MW8

ENLARGED PLAN - FIRST FLOOR KITCHEN 1/2" = 1'-0"

BUILDING PROJECT 2014

10' - 8 1/4"

SLIDING COUNTERTOP

LIVING/DINING

0' - 6"

0' - 6"

D

1

3/4" = 1'-0"

ALIGN UPPER WITH COUNTERTOP (2'-4" Depth)

1' - 0"

0' - 2"

11' - 1 1/4"

P1

8

CERAMIC TILE BEYOND

Y S O A

3 A701

LIGHT 2' - 4"

P2

D02

6

DGRADE

INTERIOR ELEVATION - SECOND FLOOR NORTH = 1'-0"

9 C-C SECTION 1/4" 3 1/4" = 1'-0"

LEVEL 3 17' - 6"

ALIGN UPPER WITH COUNTERTOP (2'-4" Depth)

1' - 0"

WC A4 49 SF

5

A601

MW4

LEVEL 1 0' - 6"

0' - 6"

BUILT IN FRIDGE

R

4" BASEBOARD (TYP.)

2" LAMINATED PLYWOOD TABLE

1' - 4"

7' - 6"

C

---

MW2 5' - 7"

11 A601

A601

LINE OF UPPERS ABOVE

7' - 6"

WC

LEVEL 2 9' - 2"

LINE OF STAIR ABOVE

3' - 0"

7' - 6"

0' - 10"

A601

2

4

-

BEDROOM

LOCATION FOR STOVE

4

A601

INTERIOR ELEVATION - SECOND FLOOR WE 1/4" = 1'-0"

4" KICK

MW5 - Kitchen Elevation 1/2" = 1'-0"

Scale

TEAM D

Y S O A

1 ---

7' - 4 1/4"

10' - 7 1/4"

3

D

3' - 0"

A401

D

P1

P4

5

P1

C

B

5' - 3"

4" KICK TYP.

WOOD DECKING 6" ABOVE GRADE

DUCTLESS SPLIT SYSTEM OUTDOOR CONDENSER

2

11

ELEV_west_1/4_FINAL 1/2" = 1'-0"

ENLARGED PLAN - PUNCHOUT WINDOW 1/2" = 1'-0"

ENLARGED PLAN - EXTERIOR & INTERIOR STAIR 1/2" = 1'-0"

5

ELEV_east_1/4_FINAL SECTION1 E-E 1/2" = 1'-0" 1/4" = 1'-0"

19' - 6"

14

ENLARGED PLAN - 2ND FLOOR OPENING 1/2" = 1'-0" 23' - 0"

D01

7' - 10"

8' - 8"

WC

ENLARGED PLANS & MILLWORK PLANS LEVEL 1 0' - 6"

0' - 6"

Date GRADE Drawn by 0' - 0"

LEVEL 1 0' - 6"

APRIL GRADE 0' - 0"

A201 Scale

EXTERIOR EAST

Date Drawn by

APRIL 24, 2014 AM

A3024 1/2" = Scale 1'-0"

FOYER

INTERIOR ELEVATION - FIRST FLOOR SOUTH 2 1/4" = 1'-0"

24, 2014 ELEVATIONS AM & WEST

SECTION D-D 1/4" = 1'-0"

MW5

GWB

LEVEL 2 9' - 2"

GWB

RIVER ROCK BED

0' - 6"

7' - 10 3/4"

3' - 6"

5

D

0' - 6"

0' - 6"

1' - 2 3/4"

8' - 8"

0' - 7"

2' - 0"

3' - 5 1/4"

OOR

INTERIOR ELEVATION FLOOR EAST KITCHEN - FIRST LIVING/DINING 1 1/4" = 1'-0"

BEDROOMGWB MW4 MW2

LEVEL 2 9' - 2"

ELECTRIC METER

INTERIOR ELEVATION - FIRST FLOOR NORTH 3 = 1'-0" 8 A603 1/4"

2 A702

MW3

CORRIDOR

LEVEL 3 17' - 6"

BUILDING SECT

D01

0' - 10"

14' - 0"

9' - 6" DOUBLE HEIGHT SPACE

2' - 0"

D04

TREATED EXTERIOR GRADE BIRCH PLYWOOD FINISH

1' - 6"

2' - 0"

MW2

LEVEL 2 9' - 2"

WINDOW CL

ALIGNED TO GRID@ 2'-0" TYP. 2x6 STUDS o.c.

8' - 11" TO EDGE MW14OF FLOOR ABOVE

7' - 10 3/4"

8' - 4"

28' - 0"

28' - 0" 5

3 A702

C

TEAM D Anthony Gagliardi Cynthia Hsu Lila Jiang Chen Charles Kane Anne Ma Seokim Min Madelynn Ringo Caitlin Thissen

LINE OF STAIR ABOVE

5' - 7"

GWB

GWB

GWB

7' - 6"

1' - 0"

DOUBLE HEIGHT 2x6 STUDS @ 1'-0" o.c.

0' - 9"

LEVEL 3 17' - 6"

16' - 3" 28' - 0"

REDWOOD SHINGLES CORRIDOR MW9

P2a

7' - 10"

C

MW1 8' - 4"

7' - 10"

5

MW6

10' - 6"

GWB

MW1

3' - 6"

LEVEL 3 17' - 6"

0' - 6"

16' - 2"

18' - 0"

LIVING/DINING

7' - 4"

1 A702

BELOW MW1

P1

6' - 9"

D05

CL OF STUDS ALIGNED TO REDWOOD SHINGLES "C" GRID @ 2'0" o.c. FROM THIS POINT

ENLARGED PLAN - NORTH WEST CORNER 1/2" = 1'-0"

3' - 0"

6

D06

GWB

ED PLANS - THIRD FLOOR KITCHEN 0"

4 A702

Neighborhood Housing Services Inc. 333 Sherman Avenue, New Haven, CT 06511

D03

Anthony Gagliardi Cynthia Hsu Lila Jiang Chen Charles Kane Anne Ma Seokim Min Madelynn Ringo Caitlin Thissen

28' - 0"

BEDROOM

OPEN TO

16' - 2"

ROOF 28' - 0"

179 SCRANTON STREET NEW HAVEN, CT 06511 CLIENT:

10' - 8 5/8"

STRUCTURAL SHEAR WALL

15' - 11"

1' - 11"

16' - 2" R

GWB

ROOF 28' - 0"

TEAM D

8' - 4"

DOUBLE HEIGHT CURTAIN WALL

EXTERIOR PLYWOOD STAIR, OPEN TREAD

1' - 7"

WC

MW14 14' - 0"

4' - 0"

P4 5

5' - 6"

B

8' - 4"

10' - 6"

1' - 11"

ROOF 28' - 0"

CL OF WINDOW ALIGNED TO GRID

8' - 8"

4' - 4 1/4"

4' - 6"

3' - 3"

P1

A603

Anthony Gagliardi Cynthia Hsu Lila Jiang Chen Charles Kane Anne Ma Seokim Min Madelynn Ringo Caitlin Thissen

A

1/4" / 12" 20' SLOPED - 0" FLAT ROOF

D07

GWB

B

MW11

4

5

0' - 6"

1/4" / 12" SLOPED FLAT ROOF

D06

9

4

D02

A

1' - 1"

A

B

3

23' - 0"

23' - 0"

A

2

10' - 6"

3

-

TREATED BAMBOO FLOORING FINISH C

B 3' - 8"

BUILDING PROJECT 1 2014

5 6' - 0"

1' - 6"

A

2

4 3' - 8 1/2"

9' - 0"

1

1

3 5' - 5"

0' - 10"

FLOOR

2 3' - 6"

7' - 10"

2' - 6"

Sim

---

P3

7' - 10"

2' - 0"

8

5' - 2"

GWB

10' - 9"

D05

3' - 2 1/4"

MW6

3

MW5 WINDOW EDGE OF ALIGNED TO EDGE OF MILLWORK

SHEAR WET GWBWALL OPEN TO BEYOND

2

0' - 6"

9

BACK FOYER

1

Sim

28' - 0"

CORRIDOR A601

STAIR SHAFT OPEN ABOVE

Sim

LEVEL 3 17' - 6" ---

2' - 8"

B

OPTIONAL TABLE

EXTENSION ENTER TENANT

SLIDING COUNTER BELOW

3

3/4" = 1'-0"

BEDROOM

EQ

2' - 4" 1' - 0"

BEDROOM

0' - 4"

2

LIVING/DINING

3' - 0"

4

7

---

MW3 - Bathroom Shelving Section 3/4" = 1'-0"

9' - 0"

LIVING/DINING

0' - 10"

OOR

10

9' - 0"

MW4 - Sink and Showe Detail 3/4" = 1'-0"

11

INTERIOR ELEVATION - FIRST FLOOR WEST 5 1/4" = 1'-0" LEVEL 1 0' - 6"

AP

Date Drawn by

A401

GRADE 0' - 0"

Scale

1/2" = 1'-0"

SECOND FLOOR ENLARGED PLANS

NS

47

CTION

RDS NORTH D IN UNDERGROUND

ED FOR GARDENING

G

PASSIVE VENTILATION > PUNCH WINDOWS ALLOW PASSIVE VENTILATION ACROSS THE HOUSE FOR BOTH UNITS

EM

GE TANK

FINAL HALF SCALE MODEL

48

EXPLODED ISOMETRIC

49

DOCUMENTATION PHOTOS OF BUILT HOUSE

50

51

52

c

YSOA BP 2014 WEBSITE DESIGN YSOA 1013c / Year 1, Semester 2 First Year Building Project / 2014 I designed, construction and managemed our class website to represent and showcase the 2014 Yale Jim Vlock Building Project.

Built from scratch with HTML and CSS (using framework and javascript elements by Foundation (http://foundation.zurb.com/). The website documented the process from individual schematic designs, group design proposals, construction to the final constructed product. The management of the website included coordination of information, photographs, photos and design work from all the students and trouble shooting. I was responsible for both front and back end related issues with the website as well as the back end for our social media sites including Tumblr (http://ysoabp2014.tumblr.com/) I also took on the task of working with our client to video document the construction process through time-lapse recordings through extracting, compiling and updating videos weekly/bi-weekly.

Final website: http://ysoa.architecture.yale.edu/sites/BuildingProject/bp14/ Final video timelapses: https://vimeo.com/ysoabp2014

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54

RIDE OF THE CENTURY

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GEHRY-GO-ROUND // YSOA 1016b / Year 1, Semester 2 Visualization III / 2014 Collaboration / Hugo Fenaux, Kiana Hosseini, Lila Jiang Chen, Vittorio Lovato Critics / John Eberhart & Ben Pell The “Gehry-go-Round� was developed over a series of iterations that involved solutions to the relatively impractical Gehry designed furniture on the terrace roof of Paul Rudolph Hall.

The 7th floor terrace is also a central gathering place for Friday evening get-togethers and small social meetings.

We decided to work with the furniture in order to liven up the space while giving a new use for the furniture pieces. This can include turning the furniture into an attraction, or rotating it for re-purpose.

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KITBASHING // BUILDING PROJECT 2014 YSOA 1228b / Year 1, Semester 2 Disheveled Geometries / 2014 Collaboration / Dionysus Cho & Daniel Nguyen Critic / Mark Foster Gage published in Retrospecta 37/ 2013-2014 Taking precedent from the process of kitbashing (model trains, old sci-fi movie sets), we took existing 3D models that had their own level of detail and composed a new significant form from it. The class was funded by Autodesk and was heavily centered on process through finding the appropriate workflow to produce the work. Objects are juxtaposed with no correlation or significance to eachother, however exhibit a certain aesthetic quality. The seminar was a starting point for studies and theories on Object Oriented Ontology.

The culmination of the seminar was a 3 dimensional room kitbashed with the techniques and work flow process we’ve developed over the course of the term. The final model was sent to 3D print at a large scale and is put on display at the school.

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60 INDIVIDUAL PANEL PROCESS AND TEST PRINT

SURFACE MATERIAL RENDER TESTS

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THE CREATIVE PROCESS // INDIVIDUAL DIRECTED FILM ANIM 50488 / Animation Design, Directed Projects / 2012 Music / Saman Shahi Instructors / James Sayers & Mark Simon published in Sketcholic Sheridan Animation Stories, 2013 A self-directed and produced story of exploration, discovery, and creation as a space monkey discovers a mysterious cube that opens up the opportunity to create. The process itself is a fun parallel of many familiar architectural strategies such as pushing and pulling, rotating, adding and subtracting. video link: https://vimeo.com/annemony/thecreativeprocess

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CONCEPTUAL DEVELOPMENT

SCREEN CAPTURES FROM FILM

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SIMI THE SPACE MONKEY

UNIT MODULE

GROUP MODULE

CONCEPT

UNIT MODULE

GROUP MODULE

UNFOLDED UNIT

GROUP MODULE

UNFOLDED UNIT

GROUP MODULE

MODEL DIVISION / QUAD PANEL

ITERATION 1

66 UNIT MODULE

MODEL DIVISION

ITERATION 2

UNIT MODULE

UNFOLDED UNIT ITERATION 3

MODEL DIVISION / DIAGRID PANEL

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PAPER IPMS // PAPER FABRICATION YSOA 1016b/ Year 1, Semester 2 Visualization III / 2014 Collaboration / Kiana Hosseini & Lila Jiang Chen This project was an exploration on how to fabricate a complex parametric unit, originally designed to be part of a repeated module unit (Infinite Periodic Minimal Surface). Using a parametric unit designed by Kiana, we used different methods of unwrapping the unit in order to fabricate it out of paper. The final iteration used a dia-grid panel division and unfolding software to produce the pieces needed to reconstruct the module out of paper.

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Study series on Mario Botta’s Bianchi House in Riva San Vitale, Switzerland. The focus began with identifying the anchoring members of the building: the horizontal entry way and the vertical central stair. Both these elements exhibit a possible implied sense of infinity. The second focus came with a study of the cuts in the exterior walls, each of them, while seemingly symmetrical, are actually unique.

The final two drawings created were a contrasting play between Reconstruction and Ruin. Reconstruction imagined the building in the eyes of a young boy, situated in the deep underwaters of Riva San Vitale. Ruin imagined the building at the end of its time, existing in multiple universes, both on its current sloped site in open air as well as deep at the bottom of the ocean.

Final drawings selected for YSOA exhibit for drawing classes, 2015

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ART & PHOTOGRAPHY //

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The Beinecke Library and courtyard presents itself as a simple framework that is seen as a homogenous grid system. However, when expressed as a series of highly articulated perspectival instances, the governing lattice grid breaks down exposing a multiplicity of experiences. published in Retrospecta 37/ 2013-2014 and selected for YSOA exhibit for drawing classes, 2014

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Drawing studies on shadow projection [above] and perspectival methods of Brook Taylor and Piero della Francesca [below]

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Photograph, taken with Canon AE-1 manual film camera // f1.4 50mm prime lens

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Cake, watercolour mini series on instagram, 1� x 1�, 2014

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FORMAL ANALYSIS // YSOA 1018a/ Year 1, Semester 2 Formal Analysis / 2013 Critic / Peter Eisenman

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The drawing analyzes the spatial differences in the two churches as it pertains to its periphery geometry.

The reading of the plan in Cappella S.S. Sindone is very circumferential, with the only anomalies being the three entrance vestibules that protrude into the perfectly circular space. The interstitial niches between these vestibules are rather shallow with the columns placed in alignment with the circular perimeter of the main space, allowing the reading of the circular space to be maintained vertically in section. Contrarily, the plan of Chiesa di San Lorenzo is fragmented and interrupted by many overlapping elements. These elements contribute to reading the space as a series of circular volumes that overlap and combine to form the central space. The element of volumetric pockets is maintained through the stepping inwards of the envelope, consistently expressing a sense of depth in the surface reading of the church.

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I have a dream

Acknowledging the placeless, yet pervasive qualities of free speech, the proposed design is a Free Speech Kit that members of the public can locate, set up, and drop off. The items within the Kit enable the New York street to be activated – both as a place of ‘happening’, and more specifically, as a space for free speech.

The Symbolic Speech Apparatus and the Symbolic Debate Apparatus are two inflatables which declare the latter. The objects bring to mind the ladder and podium, two objects long associated with informal speech and debate. Additionally, the inflatable recalls an entire lineage of civic activism. One object denotes the location where free speech is occurring, while the other expresses the two-way nature of free speech, thereby encouraging spectators to either rebutor simply speak up. Being inflatables, the Apparatuses cannot be stood on; function is detached from the image, distilling their symbolic importance.

Finally, the Kit’s Free Speech Circle helps mark the location of these episodic civic events, raising awareness of free speech through an associational motif. The affiliation of these circles and knowledge of past occurrences to the streets of New York City layers the everyday spaces with meaning and memory. With the inflatables easily stowed away, the Free Speech Kit is lightweight and ergonomic. It moves with the public, accommodating their modern mobile lifestyles, while facilitating their freedom of speech.

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THE NYC FREE SPEECH KIT // COMPETITION Designing for Free Speech Competition / 2014 Collaboration / Cynthia Hsu, Lila Jiang Chen, Vittorio Lovato & Eugene Tan Finalist, selected to be exhibited at AIA New York’s Center for Architecture http://designingforfreespeech.org/gallery/the-ultimate-free-speech-kit/

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SYMBOLIC SPEECH APARATUS

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Do you have something to say? Want others to listen up? Are you sick of being told where you can and can’t speak freely? Ever wanted to mark your own free-speech zone at your own time? Have you ever been judged or persecuted for speaking your mind? Did you grow up in Singapore? Have you coveted a ladder you can’t actually stand on? Then the Free Speech Kit is for you!

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COMPLETED BUILDING

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CONCEPTUAL RENDERING EXTERIOR

INTERIOR MAIN ATRIUM SPACE

CONCEPTUAL RENDERING INTERIOR

SECOND FLOOR PLAN

11

DURHAM COLLEGE CENTRE FOR FOOD // Gow Hastings Architects / Completed 2014 Project Leads / Philip Hastings, Valerie Gow & Jim Burkit “The Centre for Food at Durham College will distinguish itself in the highly competitive field of culinary education by taking advantage of its rural setting on a large suburban campus in Whitby Ontario to narrate a story about the process of making a meal from “field to fork. Literally and figuratively merged with the landscape, the building will grow from its surroundings, with a ramp that will rise from the cropland to the linear building’s second storey. This and the surrounding fields will be planted with vegetables and herbs that will be used in the school’s culinary and hospitality programs, showcasing the school’s emphasis on regionalism, sustainability and wellness.”*

I was responsible for graphic representation of the building’s proposed finishes and updated designs. Primarily focusing on the 2nd floor teaching restaurant, I produced interior and exterior images for on-going meetings during the CD phase of the project. I was also tasked with compiling a presentation package to promote the firm’s use of Building Information Modeling for meetings and conventions. *excerpt taken from ghA website http://gowhastings.com/durham-college-centre-for-food/

CONCEPTUAL RENDERING TEACHING RESTAURANT

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GROUND FLOOR RCP

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SCHEMATIC PHYSICAL MODEL

BREAKDOWN OF 3D MODEL

MAIN ENTRANCE

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UTM // Perkins + Will / Completed 2011 Project Lead / Andrew Frontini

MAIN ATRIUM

Starting in May 2009, I was on the team for The University of Toronto Instructional Centre throughout schematic, conceptual design and design development. The 150,000 SF facility includes over 25 lecture halls and classrooms, multiple study lounges and work areas, and food servies dedicated the the University. My responsibilities ranged from physical 3D work to 2D drawings and renderings. I created massing and presentation models and drawings for weekly meetings. In addition, I was responsible for the digital 3D model representation of the building as the design progressed from simple massing to interior details and finishes. http://perkinswill.com/work/university-of-toronto-mississauga,-instructional-centre.html

SECTION THROUGH MAIN ATRIUM

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FINAL COMPLETION PHOTOS

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PRESENTATION PLAN

INTERIOR RENDERINGS

HUMBER DESIGN CENTRE //

13 36 A5.0N

37 A5.0N

PLAM1

3"

2' - 10"

COR2

WB

PLAM2 on doors

3" 3"

12' - 0 1/4" sliding panels on tracks 5 EQ spcs

COR2 3"

“The Humber School of Applied Technology is comprised of the departments of Interior and Industrial design, Architectural Technology, Robotics and Electronics housed in three buildings at Humber’s north campus. This project’s objective was to consolidate the design and electronics departments into prominent clusters on the campus, increasing the profile and visibility of the school.”* ALL DRAWINGS, SPECIFICATIONS, RELATED DOCUMENTS AND DESIGN ARE THE COPYRIGHT PROPERTY OF THE ARCHITECT AND MUST BE RETURNED UPON REQUEST. REPRODUCTION OF THE DRAWINGS, SPECIFICATIONS, RELATED DOCUMENTS AND DESIGN IN WHOLE OR IN PART IS TRICTLY FORBIDDEN WITHOUR THE ARCHITECT'S WRITTEN PERMISSION. THIS DRAWING SHALL NOT BE USED FOR CONSTRUCTION PURPOSES UNLESS COUNTERSIGNED.

Materials Legend

12' - 0 1/4" 5 EQ spcs

ACT Acoustic Ceiling Tile BB/BB2 Bulletin Board CER Ceramic Tile COR1/COR2 Solid Polymer Fabrications CPT Carpet EPO Epoxy Paint EXIST Materials LegendExisting EXP Exposed F2/F3/F4/F5/F6 Glazing ACT AcousticSurface Ceiling Film Tile GWB Gypsum Wallboard BB/BB2 Bulletin Board MDF 6" paintedTile MDF Baseboard CER Ceramic MTL1 Sheet Metal Fabrications COR1/COR2 Solid Polymer PC Polished Concrete CPT Carpet PLAM1/PLAM2 Plastic Laminate EPO Epoxy Paint PT Paint Finish EXIST Existing RB Rubber EXP ExposedBase RES ResilientSurface Sheet Flooring F2/F3/F4/F5/F6 Glazing Film SS StainlessWallboard Steel GWB Gypsum TP Tectum Panel MDF 6" painted MDF Baseboard TGL Tempered Glass MTL1 Sheet Metal WB Dry EraseConcrete Whiteboard PC Polished WV Wood Veneer PLAM1/PLAM2 Plastic Laminate PT Paint Finish RB Rubber Base RES Resilient Sheet Flooring Note: SS Stainless Steel 1. All exposed edges of millwork to be TP Tectum Panel finished in plastic laminate unless TGL Tempered Glass otherwise noted WB Dry Erase Whiteboard WV Wood Veneer

I worked closely with the design principal from schematic to end of design development. I contributed design ideas and was responsible for the creation, management and production of a majority of drawings and models for the project including setting up the base BIM model. The Design Centre’s prime feature is flexibility and integration of multiple design studios at Humber College in Toronto. Featured items include the millwork display cases, movable partitions dividing each studio, millwork for storage and teacher whiteboards and a feature curtain wall with distinct signage and vibrant colours.

36 A5.0N

38

PLAM1 COR2 7"

7"

2' - 11 3/4"

12' - 0 1/4" 5 EQ Spcs

Existing GWB

4' - 4" 2"

6' - 0" typ.

3' - 0"

2" 3" 1' - 0" 1"

Hinge

F2

F5

5' - 6"

S1 line of ceiling in front

line of ceiling

F4

F1

Elevation - MW8 Side 1/4" = 1'-0"

F2

F6

35 Display boards beyond

Capless vertical mullion (typ.)

F5

F2

F4

F5

F2

2nd Floor 12' - 0"

5' - 4 3/4"

Line of ceiling

line of ceiling in front

Provide concealed steel reinforcement inside horizontal mullion if required

Cove in front

F1

F1

F4

F6

F2

F3

F2

F5

F4

F3

F2

F5

F1

F4

F6

F2

GWB WV

Section Detail - MW8 - Whiteboard Track 1 1/2" = 1'-0"

Translucent film (typ.)

PLAM1

Line of ceiling

1' - 6"

2' - 0"

Display boards beyond MW13

1 4' - 2 1/4"

F4

4' - 4"

1' - 6"

whiteboards Section Detail - MW8 -Sliding Whiteboard Track 35 on tracks see specs.

2" 1 1/2" = 1'-0"

3' - 0"

2"

Existing curb

Storefront beyond door Sliding whiteboards Plan detailmillwork (typ.) on tracks see specs.

2' - 0"

4' - 0"

Elevation - MW8 Side 34 1/4" = 1'-0" COR2 F1

F3

F4

2" 1 1/2" = 1'-0"

5' - 6" 1' - 6"

5' - 6"

21' - 0"

4' - 4"3' - 0"

COR2 PLAM1 Capless vertical mullion (typ.)

3' - 2 1/4"

Sillicone joint corner (typ.)

GWB bulkhead

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34

4' - 0"

11" Demolish existing ceiling

N006

F2

S1 2' - 6 1/4"

1' - 8"

These storefront to be rated as a guard.

Provide structural engineered drawings

PLAM1 Plan detail- millwork door (typ.) reveal 1 1/2" = 1'-0"

8' - 8"

Entrance

F3

PLAM2 Doors/Panels

1/2" shadow gap

2"

PLAM1

Note: 1. All exposed edges of millwork to be finished in plastic laminate unless otherwise noted

PLAM1 reveal Hinge

provide cross bracing to u/s strl slab as required

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*excerpt taken from ghA website http://gowhastings.com/humber-design-centre/

PLAM2 Doors/Panels

Gray toned areas indicate exist. assemblies (typ.)

2"

Elevation - MW8 Back 1 layer 5/8" GWB align to existing 1/4" = 1'-0" GWB above 9' - 6"

2' - 10 1/4"

Open

Existing slab

11' - 0"

32

COR2

D108A

Elevation - MW8 Back 1/4" = 1'-0"

COR2

2' - 11 3/4"

3"

32 11"

3' - 0"

3"

12' - 0 1/4" 5 EQ Spcs

COR2

Open

1"

11"

11"

PLAM1 COR2

2"

7' - 4"

PLAM2 on doors and panels

2" 3" 1' - 0"

COR2

37 A5.0N

AM1 rior

PLAM2 on doors 36 panels and A5.0N

2"

7' - 4"

ng, lockable eboards 37 acks A5.0N

Provide (2) 12" x 12" grilles in top of AV cabinet

37 A5.0N 11"

36 A5.0N

9' - 2"

Lower ng, lockable A5.0N cabinets eboards acks

9' - 6"

36 A5.0N

Elevation - MW8 Front 1/4" = 1'-0" Provide (2) 12" x 12" grilles in top 37 of AV cabinet A5.0N

8' - 8"

31

9' - 6"

A5.0N cabinets

8' - 8"

38 Lower A5.0N

12' - 6"

COR2

PLAM2 on doors

3' - 3"

GOW HASTINGS ARCHITECTS INC 275 SPADINA ROAD TORONTO CANADA M5R 2V3

ALL DRAWINGS, SPECIFICATIONS, RELATED DOCUMENTS AND T 416 920 0031 DESIGN ARE THE COPYRIGHT PROPERTY OF THE ARCHITECT F 416 920 0288 UPON REQUEST. REPRODUCTION OF AND MUST BE RETURNED THE DRAWINGS, SPECIFICATIONS, RELATED DOCUMENTS AND GOWHASTINGS.COM DESIGN IN WHOLE OR IN PART IS TRICTLY FORBIDDEN WITHOUR THE ARCHITECT'S WRITTEN PERMISSION. THIS DRAWING SHALL NOT BE USED FOR CONSTRUCTION PURPOSES UNLESS COUNTERSIGNED.

8' - 6"

3' - 2"

7"

2' - 10"

3"

3' -37 3" A5.0N

2" 2' - 10" 3' - 0"

36 sliding panels A5.0N on tracks

3' - 2"

3"

WB COR2

2"

1' - 0" 5' - 11"

7' - 4"

3"31 Elevation - MW8 Front 1/4" = 1'-0" Open

1' - 0"

3' - 0"

3"

A5.0N

7"

Open

COR2

PLAM1

3"

3"

GOW HASTINGS ARCHITECTS INC 275 SPADINA ROAD TORONTO CANADA M5R 2V3 T 416 920 0031 F 416 920 0288 GOWHASTINGS.COM

Gow Hastings Architects / Completed January 2012 Project Leads / Philip Hastings & Valerie Gow

WB

3"

2"

met

3' - 0"

3"

COR2

5' - 11"

7' - 4"

WB

2" 2' - 10" 3' - 0"

met

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No.

Translucent film (typ.)

Tender ISSUED/REVISED

Display boards beyond MW13

4/18/2011 DATE

Transluscent film (typ.)

MDF

open

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annemony © 2014

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annemony © 2014

INTRODUCTION / Paprika.001.1

#Studio life / Paprika.001.2

F IGURE

THANKS FOR VIEWING!

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