A Guide to the Peoples-Ambitious Happy Land

Page 1

ND A L PY

THE US HAP O T IDE TIO RATORY I U B G M A S-ARBAN LABO E L P PEO UI RIVER U TONG

H

ANNE MA & JOHN WAN


STUDENTS

ANNE MA anne.ma@yale.edu CRITICS ALAN J. PLATTUS alan.plattus@yale.edu

JOHN WAN chengqijohn.wan@yale.edu

ANDREI HARWELL andrei.harwell@yale.edu

SPECIAL THANKS TO THE 2015 CHINA ADVANCED DESIGN STUDIO: HUGO FENEAUX CYNTHIA HSU SHUANGJING HU APOORVA KHANOLKAR RICHARD MANDIMIKA ABDULGADER NASEER ISAAC SOUTHARD WINNY TAN

AND OUR FRIENDS FROM TSINGHUA UNIVERSITY: RANDY ZHANG & GEORGE GE

© 2015 Yale University School of Architecture


TS N E T ON

C

OVERVIEW

4

PROGRAM ASSET MATRIX

10

SITE 1: FOOD EMPORIUM

14

SITE 2: CIRCLE CAMPUS & EGG PLAZA

24

SITE 3: KEEPER OF THE RING

44

CONTEXT MAP

54


Early conceptual sketch for Circle Campus & Egg Plaza

4


EW

VI R E V O

GROUND-UP URBANISM What if urban design straddles both local and regional ambitions, yet remains meaningful and relevant to the communities it serves? We approach the question of city-making not through a singular top-down strategy, but instead through the analysis of site-specific, unique situations. This produces urban experiments which address both the problems and opportunities of found urban sites. We propose a continuous urban laboratory in which we engage both public and private in the process of urban development, represented through narratives that capture the intricacies of human inhabitation. We are excited by the contributions of the community. We are interested in the in-between. We are intrigued by insurgent spaces. This is the kind of city we would like to realize.

5


?

RS

NE LAN

NP

NT

HOW

DO

RE CUR

A URB

RE

A HOW

RK WO

T?

EN FER

IF

D WE

C

“...insurgent public spaces challenge the conventional, codified notion of public and the making of space.” 1 Forgotten spaces are forgotten only because their potential has not been realized. These spaces can be the foundations for insurgent public spaces, self-made urban spaces that range from reclaimed and reappropriated sites, temporary events, and informal gathering places. Our strategy stems from identifying and appropriating such spaces as starting points for a larger system of urban growth. This begins with an analysis of top-down planning, via the question of how today’s urban planners approach the redevelopment of the site. We propose a parallel set of strategies that work in conjunction; a participatory tactical urbanism that would enable us to approach insurgent spaces effectively. The ingredients to a ground-up urbanism is broken into two streams: Criticism and Context. Criticism comes into contact with the local and more intimate site conditions, while Context is rooted in cultural norms and historical foundations. 1 p2, Hou, Jeffrey. Insurgent Public Space: Guerrilla Urbanism and the Remaking of Contemporary Cities. “Chapter 1, (Not) your everyday public space”. Routledge, 2010

6

EC RE

N GIO


Y

Y SIT

NCY ICIE TH ROW IC G M Y NO IVIT ECO ECT ONN C NAL GIO EFF

CE SPA ANT C A V IES ING DAR IVAT OUN B M ACT NG GRA AKI PRO BRE D E Z LI URA NAT

Str at e

RE

GE

N CHA

CT

TRU

RAS

INF

ING NGE ZON CHA FAR ENT VEM PRO M I URE

A URB

is lys

OF

Tar ge ts

TRA RKS MA D N LA ING ZON

Activit yA na

IC

T PAR

Y IVIT ACT E C PA FS DEN NO O S I E T RI RIA NDA ROP BOU APP

BCR FFIC

L

ICA

T TAC Y R O IPAT

Activity Tar g

O INC ICS H P A OGR M E D FAR

is lys na

M

NIS

gy UE” ESQ VAL N TIO “ RIA ROP P S P N IO MA ECT GRA ERS T Y PRO N G I LO AL HNO TUR TEC CUL

s et

Cat aly s

ME

Syste mic A

ENT

R CUR

G

NIN

N PLA

G ATE STR

ts

NI CAR

7


The result of this parallel process is something we imagine will result in a ‘new urbanscape’. This in turn segues into two distinct streams. In one stream, the development stabilizes, potentially becoming institutionalized and naturalized by the government; something ‘official’. In the other stream, the project becomes abandoned, forgotten and obsolete; something ‘unofficial’. Together they create a balanced urbanism, both existing within the city as counterpoints to each other. As the ‘unofficial’ site approaches obsolescence, it gets re-identified as insurgent territory, which is then fed back into our parallel urban strategy. The following series of narratives explore the architectural implications and consequent narratives arising from our sites of experimentation.

8


?

PE?

Planner & Oc cu

NEW

CA ANS

URB

nt pa

LITY

I TAB

ITY

BIL

STA

ng

e

Th riv i

ffi c

O

Un

offi

c i a l,

I n s u rg e n t, U n

pi occu

ed

i a li

a li z

e

d

Obs ele t

INS

zed

, N atu

u r a li z e d , I n s ti t

ti o n

BALANCED URBANISM 9


IX R T A TM

PROG

SSE A E MM

RA

We see programme not as a singular, unyielding thing, but as a limitless list of possibilities. The program assets are distilled into a set of four overarching hierarchies: Infrastructural, Developer Ambitions, Cultural Hotspots and Community Initiatives. Infrastructural This is the level of large city-scale moves primarily executed by the government, and includes road infrastructre, waterfront development and traffic improvement. Developer Ambitions This is the scale of architectural space that is ripe for development. These range from small stores to large planned residential communities. Cultural Hotspots These programmatic elements are at the scale of the district as well as greater Beijing culture. These are concentrations of communal activity, culturally distinguished and unique to time and place. Community Initiatives This is at the scale of the locals, a crowd-sourced feeding of ideas, information, suggestions and issues that feed into each of the above categories as drivers for urban growth and change.

10


11


12


Asset Asset

Code

Name Name

Chinese Pavilion Chinese Pavilion

Code Infrastructural Developer Ambitions Infrastructural Cultural Hotspots Developer Ambitions Community Initiatives Cultural Hotspots Community Initiatives

Trees Trees

Trees Trees

PROGRAMME INSURGENCY

13


In this insurgent district, the focus is on the “pinch” point in the existing rail tracks running through a majority of the extended Tonghui River site. The tracks are a major barrier between north and south, and even amongst extant building “islands” within the railyards. We imagine communities on both sides of the railway tracks coming together to improve north-south connectivity from the southern Shuanghuayuan residential community and the northern Chaoyang district, spurring the city planners and railway company to invest in the re-purposing and linkage of existing railyard buildings.

14


M

SITE

D O O F NE:

RIU O P EM

O

15


CT

TRI

IS GD

N OYA

CHA

NT

ME

GE ILLA

OP VEL

E

RED

V

G

RIN

A

LM

RAI

U ACT F U N

N

RAI

G

N YUA HUA

AN SHU

16

TY UNI

ST

UM

ORI

P L EM

IO TAT SS

RES

XP IL E

RA

K PAR Y A LW RAI

WE

M

COM

EN

NC

ED

TIO UCA


IVER

IR GHU

TON

AY

GB

EN GF

THE

QIN

NEW

ST WE

G

QIN

G FEN

K PAR

S

NCE

EE LOY MP

DE ESI

R

E

E

RAG

TO DS

R LYA

RAI

R

NTE

SHU

ANG

N YUA A U H

COM

M

UN

H

OUT

S ITY

PLAN 1:2000

17


1a

6

1

5

4

2

2a DAYLIGHTING

18

3

DEVELOPMENT


2b

THE UNDERPASS

19


3

20

EDUCATION CENTER


4

PROPAGANDA POSTER

21


5a

EMPLOYEE RESIDENCES

5b

BACK IN THE DAY...

6

WATERFRONT

22


1b

FOOD VENDING

23


With the goal of revitalizing an under-utilized plot of land, “Egg Plaza� and its neighboring circular railway test track was imagined as a vibrant mixed-use campus intimately tied to its railyard heritage, which includes a collaboration between the extant Beijing Railway Museum and Urban Planning Museum. In this narrative, a temporary festival on an empty lot owned by the national railway company evolves into a formal amusement park over the span of a decade, its content and nomenclature assisted by crowd-sourced community initiatives. An industrial landscape, vacant and under-utilized, is transformed into a cultural destination.

24


PUS M A LE C

&

CIRC : O TW E T I S AZA L P EGG

25


G

QIN

K PAR

G FEN

D

PON

K DUC

TR

IN S

MA

A

LAZ

P EET

S

UND

RD LYA RAI

RO IRG

A

LAZ

LP CIA

MER

FA

COM

N

IO TAT

L RAI

NEW

M

R

EXP

M

SEU

RAI ES

ENC

EE LOY

ID RES

P EM

AL NTI

IDE

RES

26

RK

PA ART

U YM LWA

A LAZ

LP

RIA

O EM

S ESS

ZA

PLA


IVER

IR GHU

TON

NT

FRO

ER WAT

A

LAZ

P EGG

THE

AY EW T A G

N

S

PRE

EX AIL

IO TAT SS

R

PLAN 1:2500

27


1

6 5 2 7 3 4

1a FIRST STEPS

28


1b

DEVELOPMENT PLAN

29


2a

30

FAIRGROUND OPENING

3

FAIRGROUND SIGNAGE


4a

COMMUNITY INITIATIVES

31


4b

5

32

COMMUNITY INITIATIVES

FESTIVAL MARKET


2b

A FAMILY OUTING

33


6a OFFICE REPURPOSING

6b FAIRGROUND EXPANSION

6c ATTRACTING VENDORS

34


7

THE MILLENIAL BEAST

35


5

3 2

1 5

1 FAMILY OUTING

36

6


2a

PEDESTRIAN OVERPASS

2b

RAILWAY RESIDENCES

37


3a

3b GRAFFITI WALL

38

ART PARK


4

RAILWAY MUSEUM

5

DUCK POND

39


1

40

THE TONGHUI RAIL EXPRESS


2 3

CAPSULE HOTEL

4

2

1

41


3a

42

EGG PLAZA REVITALIZED

3b

EGG PLAZA


4

WATERFRONT TRANSPORTATION

43


In the largest urban experiment, we looked at the space underneath and surrounding the 4th Ring Road’s intersection with the Tonghui riverfront. The intersection’s most pressing problem was traffic congestion, and this served as the starting point for revitalizing the site. From there, the river is expanded into a bay with a “community island” for nearby residents. The island and its roadway, beginning as acts of intervention by the authorities, then act as a node and central hub for activity that spills over beyond the site’s extents, attracting new private development along the Ring Road, furniture market and open lots.

44


:

SIT

REE H T E

ER P E E K

OF

G

RIN E H T

45


UI NGH

ER

RIV

TO

TAT

SS

ES XPR

GE ILLA

ION

ST

WE

V

LE

RAI

OHO

NEW

IS GHU

TON

UE

VEN NA

A

URB

NT

ME

ESI

R NEW

46

AL

TI DEN

DE

OP VEL


4TH

ING

R

D ROA

VE ABO R EPE

KE

OF

K PAR

THE

G RIN

AY

RB

PE KEE

SL

UI I

GH TON

T

CEN

AND

TER BAR

S CRE

N

IO TAT

KEE

PER

E GAT

S ESS

R

EXP

L RAI

ET

ARK

M URE

NIT

FUR

DEN

S

INE

US EB

AR SG

GK

LIN

E LAG

VIL

T

EAS

PLAN 1:3000

47


1a 4

2

3

1

1b

48

PASSING THE GATE

KEEPER GATE


2

TRAFFIC CONTROL

49


3

WALK IN THE PARK

4

50

ISLAND LIFE


7

8 5

6 5 EXPANSION

51


6

RESETTLEMENT

7

FURNITURE MARKET BARTER CRESCENT

52


8

RAIL EXPRESS STATION

53


P

MA T X TE

CON

54


55



Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.