Craft, textiles & practical art 2016

W W W. B AT S FO R D.CO M

W W W. PAV I L I O N C R A F T.CO. U K

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CRAFT & TEXTILES 2016

HOUSE of

CARDS Sarah Hamilton

TIPS, TRICKS AND STEP-BY-STEP PROJECTS FROM THE PROFESSIONALS

PA P E R H O M E

HOUSE OF CARDS

ESTHER THORPE £ 1 6 . 9 9 | 97 8 1 9 1 0 9 0 4 3 2 9 | H B 1 4 4 P P | 2 24 X 1 8 9 M M | J U N E | PAV I L I O N

S A R A H H A M I LTO N £ 1 4 . 9 9 | 97 8 1 9 1 0 9 0 4 5 7 2 | H B 1 4 4 P P | 24 6 X 1 8 9 M M | O C TO B E R | PAV I L I O N

A m o d e r n t a ke o n o r ig a m i with 1 5 s t yli s h o b j e c t s to m a ke fo r th e h o m e . Ste p - by- s te p p ro j e c t s i n cl u d e a m o b il e fo r c h il d re n , p a p e r s to ra g e b a s ket s a s we ll a s a n i m p re s sive co n ce r ti n a l a m p s h a d e .

A ra n g e of i nte r n ati o n a l c a rd m a ke r s s h a re th e i r i d e a s a n d te c h n i q u e s fo r m a k i n g g re eti n g c a rd s . T h e re a re s te p - by- s te p g u i d e s o n h ow to c re ate vi s u a lly a r re s ti n g c a rd s a s we ll a s a n i ntro d u c ti o n to d if fe re nt p r i nti n g te c h n i q u e s .

25 original projects using hand-printing techniques on fabric and paper

Joy Jolliffe

Print it!

GENTLE ART OF Q U I LT- M A K I N G JA N E B R O C K E T £ 1 4 . 9 9 | 97 8 1 9 1 0 9 0 42 9 9 PB | 160PP | 260 X 205 MM JA N UA RY | PAV I L I O N J a n e B ro c ket ’s b e s t s e ll i n g q u ilti n g b o o k , n ow i n p a p e r b a c k , fe atu r i n g 1 5 q u ilti n g p ro j e c t s i n s p i re d by eve r yd ay b e a u t y. ‘ I d ef y a nyo n e wh o q u ilt s n ot to g o r u n n i ng to a f a b ric s h o p a n d g et s tu c k i nto a n ew p r o j e ct ’ K af fe Fa s s et

P R I N T IT !

K N IT T E D TOYS

J OY J O L L I F F E £ 9 . 9 9 | 97 8 1 9 1 0 9 0 4 8 8 6 P B | 1 4 4 P P | 24 6 X 1 8 9 M M S E P T E M B E R | PAV I L I O N

SANDR A POLLEY £ 9 . 9 9 | 97 8 1 9 1 02 3 1 6 0 9 PB | 96PP | 220 X 220 MM F E B R UA RY | C & B

M a ke yo u r m a r k o n a m u ltitu d e of s u r f a ce s with th i s f u n i ntro d u c ti o n to p r i nt . Te c h n i q u e s cove re d i n cl u d e b l o c k p r i nti n g , s te n c il s , tra n s fe r a n d o p e n s c re e n p r i nti n g . W ith e a s y to fo ll ow p r i nti n g p ro j e c t s a n d ti p s to g u a ra nte e p e r fe c t re s u lt s eve r y ti m e .

A n a d o r a b l e co ll e c ti o n of toy k n it ti n g p at te r n s f ro m th e a u th o r of th e b e s t s e lli n g b o o k T h e K n it te d Te d d y B e a r.

T h e re a re e a s y-to -fo ll ow p at te r n s fo r m i n i atu re d o ll s , cl a s si c te d d i e s a n d c u te a n i m a l f a m il i e s .

E DWA R D ’ S I M AG I N A R I U M K E R RY LO R D £ 1 2 . 9 9 | 97 8 1 9 1 0 9 0 4 5 8 9 | H B 9 6 P P | 276 X 2 1 6 M M | S E P T E M B E R | PAV I L I O N

M E G A M I N I C R O S S S TITC H M A KOTO O OZ U £ 9 . 9 9 | 97 8 1 9 1 0 9 0 4 3 8 1 | P B 9 6 P P | 2 5 4 X 1 8 0 M M | J U N E | PAV I L I O N J a p a n e s e c ro s s s titc h s e n s ati o n M a koto O ozu p re s e nt s 9 0 0 ti ny m ix-a n d - m atc h c ro s s s titc h m otif s i n s p i re d by eve r yd ay l ife . C o m e s with c h a r t s a n d i n s tr u c ti o n s a s we ll a s ti p s fo r s titc h i n g o nto d if fe re nt f a b r i c s .

D e sig n yo u r own c raz y c r it te r s with th i s b o o k of m ix-a n d - m atc h c ro c h et p at te r n s . C h o o s e f ro m th e s e c ti o n of b o d y p a r t s a n d th e n tu r n to th e s ew- o n ex tr a s fo r a d d e d h a i r, eye s , h o r n s , wi n g s o r t a il s . T h e f l i p p a b l e p a g e s m e a n th at th e p at te r n s a re e a s y to fo ll ow i n wh ateve r co m b i n ati o n .

H OW TO K N IT MOLLIE MAKES £ 9 . 9 9 | 97 8 1 9 1 02 3 1 8 07 PB | 160PP 220 X 220 MM M A R C H | PAV I L I O N T h e co m p l ete g u i d e to k n it ti n g with 2 0 excl u sive s te p - bys te p p ro j e c t s a n d k n it ti n g k n ow- h ow, n ow ava il a b l e i n paperback.

U LTI M AT E S E W I N G BIBLE

U LTI M AT E Q U I LTI N G BIBLE

M A R I E C L AY TO N 97 8 1 9 1 02 3 176 0 | M AY

M A R I E C L AY TO N 97 8 1 9 1 02 3 17 7 7 | M AY

H OW TO C R O C H E T

ULTIMATE ULTIMATE

MOLLIE MAKES £ 9 . 9 9 | 97 8 1 9 1 02 3 1 8 1 4 PB | 160PP 220 X 220 MM M A R C H | PAV I L I O N T h e b e s t s e lli n g g u i d e to c ro c h et f ro m th e M o llie M a ke s te a m , n ow ava il a b l e i n p a p e r b a c k . A h ow-to s e c ti o n te a c h e s th e b a si c s , fo ll owe d by 2 0 excl u sive p ro j e c t s .

CROCHET CROCHET BIBLE BIBLE A Complete Reference With Step-By-Step Techniques

U LTI M AT E K N IT TI N G BIBLE

U LTI M AT E C R O C H E T BIBLE

SHARON BRANT 978 1 9 1 02 3 178 4 AU G U S T

JA N E C R OW FO OT 978 1 9 1 02 3 179 1 AU G U S T P B | 2 5 6 P P | 276 X 2 1 6 M M | C & B

E X P E R I M E N TA L CO R S E T S

T E X TI L E N AT U R E

VA L H O L M E S £ 2 2 . 5 0 | 97 8 1 8 4 9 9 4 3 4 4 4 H B | 1 2 8 P P | 276 X 2 1 6 M M M A R C H | B AT S FO R D

A N N E K E L LY £ 2 2 . 5 0 | 97 8 1 8 4 9 9 4 3 4 3 7 H B | 1 2 8 P P | 276 X 2 1 6 M M J U N E | B AT S FO R D

A n exp l o rati o n of th e co r s et a s a m otif fo r tex til e a r ti s t s , with p ra c ti c a l ti p s a n d exa m p l e s th ro u g h o u t . Fe atu re d a re exe rc i s e s fo r c re ati n g i nti m ate g a r m e nt s a n d we a ra b l e a r t i n t wo a n d th re e d i m e n si o n s , a l o n g with wo r k by a ra n g e of co nte m p o ra r y tex til e a r ti s t s .

Tex til e a r ti s t A n n e Ke lly s h ows h ow to g et th e m o s t o u t of n atu re fo r c re ati n g o r ig i n a l p i e ce s i n tex til e s , f ro m u si n g th e l a n d s c a p e fo r i n s p i rati o n to i n co r p o rati n g p l a nt s a n d f l owe r s i n tex til e a r t .

T E X TI L E CO L L AG E

C U T TI N G A N D D R A P I N G

M A N DY PAT T U L LO £ 2 2 . 5 0 | 97 8 1 8 4 9 9 4 3 741 H B | 1 2 8 P P | 276 X 2 1 6 M M AU G U S T | B AT S FO R D

DAW N C LOA K E £ 1 6 . 9 9 | 97 8 1 8 4 9 9 4 3 7 1 0 PB | 96 PP | 296 X 210 MM AU G U S T | B AT S FO R D

Tex til e a r ti s t M a n d y P at tu ll o s h ows h ow to co m b i n e co ll a g e a n d tex til e te c h n i q u e s to c re ate b e a u tif u l p i e ce s of tex til e a r t . S h e d e m o n s tr ate s h ow to m a ke u s e of h o a rd e d of f- c u t s of f a b ri c to c re ate u n i q u e co ll a g e s a s we ll a s e m b e ll i s h m e nt s fo r cl oth e s a n d a cce s s o r i e s .

T h e co m p l ete g u i d e to p at te r n c u t ti n g fo r s p e c i a l o cc a si o n cl oth e s , p a r t y d re s s e s a n d eve n i n gwe a r. D awn C l o a ke s h ows h ow to d eve l o p th e b a si c b l o c k s to c re ate a wi d e ra n g e of d e sig n s .

PRACTICAL ART 2016 W W W. B AT S FO R D.CO M @Batsford_Books

W W W. PAV I L I O N C R A F T.CO. U K @PavilionCraft

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M I L L I E M A R OT TA’ S W I L D SAVA N N A H M I L L I E M A R OT TA £ 9 . 9 9 | 97 8 1 8 4 9 9 4 3 2 8 4 | P B | 9 6 P P 2 5 0 X 2 5 0 M M | F E B R UA RY | B AT S FO R D T h e n ew co l o u ri n g b o o k by th e a u th o r of th e N o .1 b e s t s e ll e r M illie M a r ot ta’s A n i m a l K i ng d o m.

W ild S ava n n a h wh i s k s yo u away to th e s wayi n g g ra s s l a n d s of Af r i c a , A si a , S o u th A m e r i c a a n d Au s tra li a , wh e re a h o a rd of b e a u tif u l wil d life i s wa iti n g to b e co l o u re d i n .

M I L L I E M A R OT TA’ S T R O P I C A L WO N D E R L A N D D E LU X E E D ITI O N M I L L I E M A R OT TA £ 2 5 | 97 8 1 8 4 9 9 4 3 7 3 4 | H B | 1 4 4 P P 2 5 0 X 2 5 0 M M | S E P T E M B E R B AT S FO R D A h a n d s o m e g if t e d iti o n to tre a s u re . P r i nte d si n g l e - si d e d o n th i c k p a p e r, th i s i s th e u lti m ate co ll e c to r ’s e d iti o n of th e b e s t s e ll i n g M illie M a r ot ta’s Tr o p ic a l Wo n d e rla n d.

BY T H E AU T H O R O F U K ’ S N O.1 BESTSELLING N O N - F I C TI O N BOOK IN 2 01 5 !

A N E W R AN G E O F STATIO N E RY F E ATU R I N G TH E M U CH - LOVE D I LLU STR ATIO N S FRO M M I LLI E MAROT TA’ S CO LO U R I N G BOO KS

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M I L L I E M A R OT TA’ S T R O P I C A L WO N D E R L A N D JOURNAL SET

M I L L I E M A R OT TA’ S ANIMAL KINGDOM P O S TC A R D B O O K

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G U L L I V E R ’ S N E W T R AV E L S

LO N D O N B U I L D I N G S CO LO U R I N G B O O K

JA M E S G U L L I V E R H A N CO C K £ 9 . 9 9 | 97 8 1 8 4 9 9 4 3 41 3 | P B | 9 6 P P 2 5 0 X 2 5 0 M M | A P R I L | B AT S FO R D

R O B I N FA R Q U H A R & H A N N A H D I P P E R £ 7. 9 9 | 97 8 1 8 4 9 9 4 3 5 5 0 | P B | 9 6 P P F E B R UA RY | B AT S FO R D

A co l o u r i n g b o o k i n s p i re d by Swif t ’s 1 8 th ce ntu r y cl a s si c G u llive r ’s Tr ave ls. I ll u s trato r J a m e s G u llive r H a n co c k h a s c re ate d a wh o l e i m a g i n a r y wo rl d to co l o u r i n , f ill e d with f i c ti o n a l m a p s a n d g i a nt b i rd s , u r b a n j u n g l e s a n d a s e a of b o at s .

4 5 ill u s trati o n s of Lo n d o n ’s b e s t b u il d i n g s to co l o u r i n , f ro m d e sig n d u o R o b i n Fa rq u h a r a n d H a n n a h D i p p e r of P e o p l e W ill A lways N e e d P l ate s . Fe atu r i n g i co n i c b u il d i n g s s u c h a s G re e nwi c h R oya l O b s e r vato r y, th e V i c to r i a a n d A l b e r t M u s e u m a n d th e N ati o n a l T h e atre .

CO LO U R YO U R OW N D U TC H MASTERS 97 8 1 9 1 0 9 0 4 3 9 8 APRIL Colour Your Own Monet & the Impressionists

Colour Your Own Monet & the Impressionists features Features22 22of ofthe themost mostfamous famousworks worksfrom fromthe thevibrant vibrantand and well-known art movement Impressionism, originated by a group a group ofof 19th-century 19th-century artists artists based based in in Paris, Paris. this This book book invites you to recreate your favourite Impressionist painting. Add your own touch of colour to intricate

CO LO U R YO U R OW N M O N E T & THE IMPRESSIONISTS

illustrations of paintings such as Monet’s Tulip Fields with The withRijnsburg The Rijnsburg Windmill, Windmill, Degas’ Degas’ Woman Woman in theinBath, the Bath, Gauguin’s Washerwomen at Pont-Arles and Van Gogh’s

Colour Your Own

The Langlois Bridge at Arles. Thumbnails of the paintings

Monet

are provided so you can match your colours to the originals, or you can draw on your imagination and add your own colourful flourishes to each painting.

97 8 1 9 1 0 9 0 475 6 M AY

& the Impressionists

UK £9.99

www.pavilionbooks.com

Colour Your Own Klimt

Colour Your Own

Medieval Alphabet

Colour Your Own Klimt

Colour Your Own

22 paintings have been selected from one of the most influential painters

Klimt

of the avant-garde period, Gustav Klimt. Co-founder of the Succession movement, Klimt stunned and amazed audiences with his provocative style. The illustrations in this book have been selected from the

Belvedere museum, in Vienna, who hold the largest collection of Kimlt oil paintings. Turn your hand to Klimt’s paintings and colour in his greatest works such as The Kiss, Johanna Staude or Lady with Fan. Thumbnails of

CO LO U R YO U R OW N M E D I E VA L A L P H A B E T O C TO B E R the paintings are provided so you can match your colours to the

originals, or you can draw on your imagination and add your own colourful flourishes to each painting.

CO LO U R YO U R OW N M E D I E VA L M A P S N OV E M B E R

UK £9.99

www.pavilionbooks.com

The home of Austrian art

CO LO U R YO U R OW N K L I M T 97 8 1 9 1 0 9 0 476 3 M AY

£ 9 . 9 9 | P B | 4 8 P P | PAV I L I O N

£ 9 . 9 9 | P B | 4 8 P P | 2 0 4 X 2 9 2 M M | PAV I L I O N

A n exc iti n g n ew ra n g e of co l o u r i n g b o o k s p u b li s h e d i n co n j u n c ti o n with th e B riti s h L i b ra r y, fe atu r i n g b e a u tif u l m e d i eva l m otif s and maps.

R e c re ate yo u r f avo u r ite p a i nti n g s with th i s n ew co l o u r i n g b o o k s e r i e s fe atu r i n g l i n e d r awi n g s of cl a s si c wo r k s f ro m s o m e of Eu ro p e ’s l e a d i n g a r ti s t s .

CO L L AG E C A R N I VA L

S TA R T W IT H A S Q UA R E

L IZ ZI E L E E S £ 1 2 . 9 9 | 97 8 1 8 4 9 9 4 3 0 8 6 | P B | 1 6 0 P P 2 2 9 X 17 8 M M | A P R I L | B AT S FO R D

O P H E L I A PA N G £ 1 4 . 9 9 | 97 8 1 8 4 9 9 4 3 8 2 6 | P B | 9 6 P P 3 1 0 X 24 0 M M | O C TO B E R | B AT S FO R D

A f u n a n d i nte ra c tive b o o k p a c ke d with i d e a s a n d m ate r i a l fo r m a k i n g co ll a g e s , f ro m co ll a g e c it ys c a p e s a n d trave l j o u r n a l s u si n g h o li d ay s n a p s , to g l it te r-f ill e d g re eti n g c a rd s . C o m e s with b e a u tif u l p r i nte d p a p e r s a n d s ti c ke r s to g et yo u s t a r te d s tra ig ht away.

I n th i s a cce s si b l e a r t exe rc i s e b o o k , ill u s trato r O p h e l i a P a n g s h ows h ow to c re ate si m p l e b u t s tr i k i n g a r t wo r k s u si n g a r a n g e of te c h n i q u e s i n cl u d i n g co l o u r i n g i n , co ll a g e a n d si m p l e s h a p e d r awi n g s .

ART Taylor McNee

DRAW • SKETCH • DOODLE • PLAY WITH A PENCIL

PROMPTS

GUY FIELD

Choose a category, pick a prompt and draw!

PENCILMANIA

ARTPROMPTS

G U Y FI E L D £ 1 2 . 9 9 | 97 8 1 9 1 02 3 2 8 5 9 | H B | 1 2 8 P P 1 9 0 X 2 2 5 M M | S E P T E M B E R | P O R T I CO

TAY LO R M C N E E £ 1 2 . 9 9 | 97 8 1 9 1 1 0 42 242 | H B | 1 9 2 P P 1 4 8 X 1 9 4 M M | S E P T E M B E R | P O R T I CO

A p l ay f u l a n d p ra c ti c a l a r t b o o k f u ll of i m a g i n ative i d e a s to s p a r k yo u r c re ativit y a n d m a ke d rawi n g a p a r t of yo u r eve r yd ay l ife . Fe atu r i n g ti p s , te c h n i q u e s a n d p e n c il th e m e d c raf t p ro j e c t s .

C h o o s e a c ate g o r y, p i c k a p ro m pt a n d d r aw !

T h i s tre a s u re trove of b r illi a nt i d e a s a n d c re ative exe rc i s e s fo r a r ti s t s of a ll l eve l s i s th e b e s t way eve r to ove rco m e a c re ative b l o c k .

B OTA N I C A L PA I N TI N G W IT H G O UAC H E

CO LO U R A N D L I N E I N WAT E R CO LO U R

SIMON WILLIAMS £ 1 9 . 9 9 | 97 8 1 8 4 9 9 42 6 5 2 | H B | 1 2 8 P P 276 X 2 1 6 M M | M A R C H | B AT S FO R D

G L E N S CO U L L E R £ 1 9 . 9 9 | 97 8 1 8 4 9 9 4 3 1 2 3 | H B | 1 2 8 P P 2 5 4 X 2 2 6 M M | J U LY | B AT S FO R D

A p ra c ti c a l g u i d e to u si n g g o u a c h e i n b ot a n i c a l p a i nti n g . Le a d i n g b ot a n i c a l p a i nte r S i m o n W ill i a m s s h ows h ow to p a i nt b e a u tif u l f l owe r s , b u t te r f li e s , b i rd s a n d exoti c p l a nt s .

A r ti s t G l e n S co u ll e r ’s p a i nti n g s a re f u ll of vi b ra nt co l o u r a n d lig ht . T h i s i s h i s d e b u t b o o k , wh e re h e exp l a i n s h ow h e a c h i eve s th e s e ef fe c t s . C o m p l ete with s te p - by- s te p d e m o n s tr ati o n s a n d a d vi ce o n m eth o d s .

L E A R N O I L S Q U I C K LY

L E A R N D R AW I N G Q U I C K LY

H A ZE L S OA N £ 9 . 9 9 | 97 8 1 8 4 9 9 4 3 1 1 6 HB | 112PP | 150 X 196 MM M A R C H | B AT S FO R D

SHARON FINMARK £ 9 . 9 9 | 97 8 1 8 4 9 9 4 3 1 0 9 HB | 112PP | 150 X 196 MM A P R I L | B AT S FO R D

A p ra c ti c a l g u i d e to l e a r n p a i nti n g i n o il s , with si m p l e exe rc i s e s a n d s te p - bys te p d e m o n s trati o n s , f ro m b e s t s e lli n g a r ti s t H aze l S o a n .

A r ti s t S h a ro n F i n m a r k g ive s a n i ntro d u c ti o n to eve r y th i n g yo u n e e d to s t a r t d rawi n g a n d s h a re s h e r ti p s o n tex tu re , p at te r n a n d fo r m .

CO L L AG E , CO LO U R A N D T E X T U R E I N PA I N TI N G MIKE BERNARD & ROBIN CAPON £ 1 4 . 9 9 | 97 8 1 8 4 9 9 4 3 4 0 6 P B | 1 2 8 P P | 276 X 2 1 6 M M F E B R UA RY | B AT S FO R D I n th i s g ro u n d - b re a k i n g b o o k , l e a d i n g a r ti s t M i ke B e r n a rd reve a l s eve r y a s p e c t of wo r k i n g with co ll a g e , p a i nt a n d oth e r m ixe d - m e d i a a p p ro a c h e s .

Fe atu r i n g s te p - by- s te p d e m o n s trati o n s , l o c ati o n s ketc h e s a n d f i n i s h e d p a i nti n g s .

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PAV I L I O N B O O K S 1 G OW E R S T R E E T L O N D O N WC 1 E 6 H D 0 2 0 74 6 2 1 5 0 0 S A L E S @ PAV I L I O N B O O K S . C O M