2022S_CPPARC_Perry_Addison_Portfolio

ADDISON PERRY

Cal Poly Pomona Architecture (CPP/ARC) 2020-2022 Selected Works

ADDISON PERRY

Architecture student currently completing the second year Architecture program at Cal Poly Pomona. Successful working both independently and as part of a team. Equipped to assist with visualization and development of designs using various industry software.

(530) 419-9761 aoperry@cpp.edu Pomona, CA 91768

Experience Design Intern, Urban Rain Design, Green Infrastructure Design Firm

2020 - Current

Helping the firm realize the potential for visualizing green infrastructure concepts through the use of film and video editing software.

Teaching Practicum, ARC 4750

2021

Assisted first year architecture students with digital and studio projects and led basic tutorials demonstrating new digital design techniques.

Amazon Advertising and Branding, Freelance Work

2019 - Current

Work with international companies to develop product video ads and still photography to be used with product descriptions on Amazon.com.

Education Cal Poly Pomona (CPP/ARC), B-Arch

2020 - 2025

Recognition President’s and Dean’s List, Cal Poly Pomona

2021

Outstanding Student, CPP First Year Design

2021

Featured Work and Interview, Archinect

2020

Proficiency Rhinoceros 6/7, Grasshopper, Adobe Suite incl. After Effects and Premiere, V-Ray, Blender, Revit

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CONTENTS

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CPP ENV Library Proposal

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Museum of Contemporary Japanese Art

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Mylla Hytte - Case Study

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A Study of Splashes

Spring 2021

p. 4

Fall 2021

p. 10

Fall 2021

p. 18

Spring 2021

p. 22

First Year Design Studio, ARC 1021L

Second Year Design Studio, ARC 2021L

Building Construction I, ARC 3410

Visual Lit and Civilization, ARC 1022A

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CPP ENV Library Proposal Spring 2021

First Year Design Studio, ARC 1021L Cal Poly Pomona Architecture (CPP/ARC) Instructor: Samuel Clovis

This project focuses on addressing the programmatic needs of the campus and the public through transformations of the ground. There are four zones of the project that explore this transformation in groundwork (the plaza, the outdoor reading space, the outdoor café/lecture space, and the secondary entrance area).

Each of the zones responds to a specific circulation path on the site. Elements like the ramp connecting the plaza and reading space bridge each of these zones, creating unique experiences that are scattered but connected throughout the site.

The library building sits at the center of all these zones. The middle strip of the library acts as a promenade that reinforces the axis of the campus. Public spaces and stacks are divided between the ground floor and lower floor and are joined with a double height lobby space

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that produces a secondary entrance into the building. The lower floor shares a similar language with the groundwork of the outdoor reading space. At moments the walls of the lower floor extend to the ground floor. At each of these extensions, there is a slight cut in the floor plate, allowing light to pass through and illuminate parts of the lower floor. As a result, each volume of stacks has specific spatial and lighting qualities.

The lower floor is constructed only of concrete whereas the ground floor is mostly glass to convey a sense of transparency in the public spaces and a sense of protection in the stacks.

The glass takes the form of a shell that rationalizes the concrete groundwork of the lower floor. Capping the glass shell is a louver system that mitigates harsh sunlight and reinforces the idea of the promenade.

Top: Site Axonometric CPP ENV Library Proposal

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Top: Ground Floor Plan, Bottom: Lower Floor Plan CPP ENV Library Proposal

Top: Exploded Axonometric Program Diagram CPP ENV Library Proposal

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Top: Section A, Bottom: Section B CPP ENV Library Proposal

Top: South Exterior Render, Left: North Exterior Render, Right: Sunken Courtyard CPP ENV Library Proposal

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Museum of Contemporary Japanese Art Fall 2021

First Year Design Studio, ARC 2021L Cal Poly Pomona Architecture (CPP/ARC) Instructor: Maria Sviridova

Located in Little Tokyo, Los Angeles, this project serves as a central gathering space and Japanese Contemporary Art museum for the local community and Greater LA. The project explores the idea of nesting spaces within larger volumes. Originating from the rotation of a grid, the project’s overall massing is the result of two volumes that were rotated and then merged. The intersection of these two volumes creates a seam towards the west side of the building, allowing the building to fold. As a result of the building folding away from its nearby party wall, the front and back of the site are bridged allowing one to pass between the building without having to enter it. This lets the project act not just as a museum but as a thoroughfare, connecting Little Tokyo’s cultural fabric.

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The nesting condition of the project appears most clearly in the main gallery.

In plan, the main gallery sits within the larger bounding box of the building with service-related program wrapping around it.

The folding that takes place also helps regulate circulation. Circulation runs along the folded edge of the volumes within a large double-height canyon. Off the main gallery, circulation branches away from the museum in an “arm” of stairs that lead to an exterior space and the auditorium.

Various techniques to provide natural light into spaces are deployed throughout the project; the ground above the classroom peels upwards creating a skylight, the front facade of the project receives a punch that diffuses light into the gallery, and the ceiling of the main gallery folds upwards letting light seep into to below.

Top: Exterior Render Museum of Contemporary Japanese Art

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EX04: Museum of Japanese Contemporary CPP/ARC ARC2011A F20

EAST 1ST STREET

ction 5, Maria Sviridova dison Perry

LLEY

ICE A

SERV

SAN PEDRO

SITE PLAN SCALE: 1/16” = 1’-0”

12

STREET

02

10

20

40

Top: Site Plan Museum of Contemporary Japanese Art

Section 5, Maria Sviridova Addison Perry

EX04: Museum of Japanese Contemporary Art CPP/ARC ARC2011A F2021

C

B

UP DN

+ 0'-0"

3

UP

UP

3 DN

1

A

4

+ 16'-0"

B

DN

EAST 1ST STREET

Section 5, Maria Sviridova A Addison Perry

EX04: Museum of Japanese Contemporary Art A CPP/ARC ARC2011A F2021

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C

B

LLEY

ICE A

SERV

1 2 3 4

MAIN GALLERY SECONDARY GALLERY PUBLIC RESTROOM PLAZA

THIRD FLOOR PLAN SCALE: 1/8” = 1’-0” DN UP

C

3

UP

3

01

DN

1

EAST 1ST STREET

+ 0'-0"

B

5

10

2

20

4

UP

A

+ 16'-0"

B

DN

A

5

A

UP

C

B

LLEY

ICE A

SERV

1 2 3 4 5

LOBBY CAFE PUBLIC RESTROOM ART STORAGE LOADING DOCK

Top: Third Floor Plan, Bottom: Ground Floor Plan GROUND FLOOR PLAN SCALE: 1/8” = 1’-0” Art Museum of Contemporary Japanese

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5

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Section 5, Maria Sviridova Addison Perry

EX04: Museum of Japanese Contemporary Art CPP/ARC ARC2011A F2021 2

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4

SECTION A SCALE: 1/8” = 1’-0” 1 2 3 4 5

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5

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SECONDARY GALLERY LOBBY AUDITORIUM CONFERENCE ROOM COMMUNITY CLASSROOM

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5

SECTION B SCALE: 1/8” = 1’-0” 1 2 3 4 5

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CAFE PLAZA CONFERENCE ROOM ART STORAGE MECHNICAL ROOM

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5

4

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SECTION C SCALE: 1/8” = 1’-0” 1 2 3 4

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5

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MAIN GALLERY BOOKSTORE LOBBY LOWER GALLERY

Top: Section A, Left: Section B, Right: Section C Museum of Contemporary Japanese Art

Section 5, Maria Sviridova Addison Perry

EX04: Museum of

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EXHIBITION

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8,000 SF

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1. Lobby / Reception / Coat Check 2. Bookstore PUBLIC AREAS 3. Cafe 6,600 SF 1. Lobby / Reception / Coat Check 4. Auditorium 6 2. Bookstore 5. Community Classroom 6 3. Cafe 6. Public Restrooms 8,000 SF

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PUBLIC AREAS

EXHIBITION6,600 SF

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4. Auditorium 5. Community Classroom SUPPORT 6. Public Restrooms

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2

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GROUND

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GROUND

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2,100 SF

SUPPORT 1. Mechanical Room

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2. Art Storage 1. Mechanical Room 3. Preparation Room 2,100 SF

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2. Art Storage 3. Preparation Room

STAFF 1,300 SF

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2.

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4.

5.

STAFF

1,300 SF

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1. Director’s Office

Director’s Office 2. Offices Offices 3. Conference Room Conference Room Staff Room 4. Staff Room Staff Restroom 5. Staff Restroom

EXTERIOR EXTERIOR SPACES SPACES N/A N/A

PROGRAM DIAGRAM NOT TO SCALE

PROGRAM DIAGRAM Top: Exploded Axonometric Program Diagram NOT TO SCALE Museum of Contemporary Japanese Art

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BASEMENT

BASEMENT MAIN STAIRS

MAIN STAIRS

EGRESS CORES

EGRESS CORES

ELEVATORS

ELEVATORS

CIRCULATION DIAGRAM NOT TO SCALE

CIRCULATION D NOT TO SCALE 15

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Left: Exterior Plaza Render, Right: Interior Gallery, Bottom: Interior Lobby Museum of Contemporary Japanese Art

Section Section 5, Maria 5, Maria Sviridova Sviridova Addison Addison Perry Perry ection Section 5, Maria 5, Sviridova Maria Sviridova ddisonAddison Perry Perry

EXTERIOR EXTERIOR MODEL MODEL PHOTOGRAPH PHOTOGRAPH

EXTERIOR EXTERIOR MODEL PHOTOGRAPH MODEL PHOTOGRAPH

INTERIOR INTERIOR MODEL MODEL PHOTOGRAPH PHOTOGRAPH

INTERIOR INTERIOR MODEL PHOTOGRAPH MODEL PHOTOGRAPH

Top: Physical Model Photographs Museum of Contemporary Japanese Art

EX04: EX04: Museum Museum of Japanese of Japanese Contemporary Contemporary Art Art

CPP/ARC CPP/ARC ARC2011A ARC2011A F2021 F2021 EX04: Museum EX04: Museum of Japanese of Japanese Contemporary Contemporary Art Art CPP/ARC CPP/ARC ARC2011A ARC2011A F2021 F2021

SPLIT SPLIT MODEL MODEL PHOTOGRAPH PHOTOGRAPH

SPLIT MODEL SPLIT PHOTOGRAPH MODEL PHOTOGRAPH

MODEL MODEL PHOTOGRAPH PHOTOGRAPH OF APPROACH OF APPROACH FROM FROM 1ST STREET 1ST STREET

MODEL PHOTOGRAPH MODEL PHOTOGRAPH OF APPROACH OF APPROACH FROM 1ST FROM STREET 1ST STREET

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Mylla Hytte - Case Study Fall 2021

Building Construction I, ARC 3410 Cal Poly Pomona Architecture (CPP/ARC) Instructor: Maria Sviridova

Mylla Hytte by Mork-Ulnes Architects is a small wood-framed house nestled in the Nordmarka forest. The 100 square meter project overlooks incredible views of the surrounding wilderness. The house’s pinwheel configuration helps frame each of these views and blocks harsh weather from disturbing either of its two outdoor patio spaces. The exterior of the house is finished in untreated heart pine with the interior being finished in a combination of lyed pine plywood and white oil. The ceiling and majority of the furniture also features this plywood finish.

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The project has three main living “cores” which hold closets, storage, and bathrooms. These cores are the only interior walls. Two of the three cores are loading bearing.

Through close analysis of the case study students were tasked to document and convey technical information, including framing details, using knowledge gained through class and outside study. The final product consisted of a set of construction documents.

ROOFING FURRING WEATHER BARRIER SHEATHING SPACE FOR VENTILATION

ADDISON PERRY 73 KELLOGG DR POMONA, CA

FLASHING WITH DRIP EAVE 9' ‐ 3"

VAPOR BARRIER

BLOCKING WITH SPACE FOR VENTILATION

TJI RAFTER

2X6 DOUBLE TOP PLATE

2X3 STRAPPING

BATT INSULATION

PLYWOOD FINISH

BATT INSULATION VAPOR BARRIER PLYWOOD SHEATHING WEATHER BARRIER FURRING STRIPS

NO. 1 2

PINE FINISH

DESCRIPTION MID REVIEW FINAL

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MYLLA HYT

Myllalia 15, 3520 Jevnaker, No

2X6 P.T. MUDSILL

1/2‐IN. ANCHOR BOLT

Project Number

INSECT SCREEN

DOUBLE STRAPPING FOR NAILING

Date

4‐IN. CONCRETE SLAB

Drawn By

FINISH EXTENDS PAST SHEATING FOR DRIP

WATERPROOFING DRAINAGE MAT FOUNDATION WALL COARSE GRAVEL 4‐IN. PERFORATED DRAINAGE PIPE

B.O. FOUNDATION ‐3' ‐ 0"

Top: Detailed Wall Section Mylla Hytte - Case Study

DETAILED WALL SECTION

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Sheet Name

SAND

1

11/2

Scale 0' - 7"

LEVEL 1 0' ‐ 0"

3410.02

MOISTURE BARRIER COARSE GRAVEL

DETAILED WALL SECTION Sheet Number

A‐501

1" = 1'‐0"

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1

2

A-302 01

3

01

4

A-402

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38' - 0"

7' - 0"

24' - 0"

ADDISON PERRY 73 KELLOGG DR POMONA, CA

7' - 0"

A

BEDROOM

14' - 8"

104

BATHROOM 107

FIREPLACE

NO. 1 2 4' - 0"

B

DESCRIPTION MID REVIEW FINAL

DATE 10/08/21 11/30/21

BATHROOM 106 PINE PLYWOOD FINISH

REF 7' - 0"

15' - 0"

42' - 0"

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BUNK ROOM

KITCHEN/DINING

LIVING

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102

101

01

A-303

MYLLA HYTTE Myllalia 15, 3520 Jevnaker, Norway

01 4' - 0"

A-401

C Project Number

12' - 4"

WOOD PANEL DOOR

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D

AP

Drawn By Scale

BEDROOM

3410.02 / FINAL 11/29/2021

Date

1/4" = 1'0"

Sheet Name

FLOOR PLAN ‐ LEVEL 1

11/29/2021 11:26:43 PM

Sheet Number

20

01

FLOOR PLAN ‐ LEVEL 1

A‐101

1/4" = 1'‐0"

Top: Floor Plan - Level 1 Mylla Hytte - Case Study

ADDISON PERRY 73 KELLOGG DR POMONA, CA

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2

01

3

A-402

4

5

38' - 0" 7' - 0"

24' - 0"

7' - 0"

NO. 1 1 2

DESCRIPTION MID REVIEW MIDTERM FINAL

DATE 10/08/21 10/07/202 111/30/21

7' - 3"

T.O. ROOF 16' ‐ 6"

LOFT SPACE ACCESSIBLE VIA LADDER

EAVE 9' ‐ 3"

LIVING

102

101

Myllalia 15, 3520 Jevnaker, Norway

9' - 3"

KITCHEN/DINING

3' - 0"

9' - 0"

105

6' - 10"

BUNK ROOM

MYLLA HYTTE

19' - 6"

PINE PLYWOOD FINISH

3' - 0"

LEVEL 1 0' ‐ 0"

Project Number

B.O. FOUNDATION ‐3' ‐ 0"

3410.02 / FINAL 11/29/2021

Date

AP

Drawn By Scale

1/4" = 1'0"

Sheet Name

N‐S SECTION

11/29/2021 11:27:05 PM

Sheet Number

01

N‐S SECTION

A‐401

1/4" = 1'‐0"

Top: N-S Section Mylla Hytte - Case Study

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A Study of Splashes Spring 2021

Visual Lit and Civilization, ARC 1022 Cal Poly Pomona Architecture (CPP/ARC) Instructor: Kyle Stover

Similar to Worthington’s 1908 A Study of Splashes, this study also documents an idea through the interaction of two main elements. In Worthington’s study, he closely examines the effect that an object has on a surface at impact. This study explores the effect that color can have

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on mood. More specifically, it looks into how mood changes or stays the same when different colors are forced to mix.

Color does affect ones’ mood but, what is unclear is whether there is a different response in mood when colors intersect.

Addison Perry ARC 1020/22 Kyle Stover Visual Exercise III: A study of splashes

Above: Four Photographs of Acrylic in Water A Study of Splashes

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(530) 419-9761 aoperry@cpp.edu Pomona, CA 91768