architec ture more than
2021-2023 ADDISON PERRY CAL POLY POMONA
SELECTED
(CPP/ARC)
Addison Perry
(530) 419-9761
aoperry@cpp.edu
Pomona, CA 91768
2
Addison is an architecture student currently completing the third year Architecture program at Cal Poly Pomona. Successful working both independently and as part of a team.
DESIGN INTERN, URBAN RAIN DESIGN, GREEN INFRASTRUCTURE DESIGN FIRM
Helping the firm realize the potential for visualizing green infrastructure concepts through the use of film and video editing software. Assisted first year architecture students with digital and studio projects and led basic tutorials demonstrating new digital design techniques.
TEACHING PRACTICUM, ARC 4750
AMAZON ADVERTISING AND BRANDING, FREELANCE WORK
Worked with international companies to develop product video ads and still photography to be used with product descriptions on Amazon.com.
EDUCATION RECOGNITION
Cal Poly Pomona (CPP/ARC), B-Arch
President’s and Dean’s List, Cal Poly Pomona
Outstanding Student, CPP First Year Design
Featured Work and Interview, Archinect
PROFICIENCY
Rhinoceros 7, Grasshopper, Revit, Adobe Suite incl. Photshop, Illustrator, After Effects and Premiere, V-Ray, Blender
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2020 - 2022 2021 2019 - 2022 2020 - 2025 2021, 2022 2021 2020
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5 SCHOOL OF ARCHITECTURE MT. WILSON SCIENTIST RETREAT CASE STUDY / MYLLA HYTTE FURNITURE RESTORATION Second Year Design Studio, ARC 2021A Third Year Design Studio, ARC 3011 Building Construction I, ARC 3410 6 14 24 32 36 CONTENTS MUSEUM OF CONTEMPORARY JAPANESE ART Second Year Design Studio, ARC 2021L
MUSEUM OF CONTEMPORARY JAPANESE ART
Fall 2021
First Year Design Studio, ARC 2021L
Cal Poly Pomona Architecture (CPP/ARC)
Instructor: Maria Sviridova
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The project explores the idea of nesting spaces within larger volumes. Originating from the rotation of a grid, the project’s overall massing is the result of two volumes that were rotated and then merged. The intersection of these two volumes creates a seam towards the west side of the building, allowing the building to fold. As a result of the building folding away from its nearby party wall, the front and back of the site are bridged allowing one to pass between the building without having to enter it. This lets the project act not just as a museum but as a thoroughfare, connecting Little Tokyo’s cultural fabric.
The nesting condition of the project appears most clearly in the
main gallery. In plan, the main gallery sits within the larger bounding box of the building with service-related program wrapping around it.
The folding that takes place also helps regulate circulation. Circulation runs along the folded edge of the volumes within a large double-height canyon. Off the main gallery, circulation branches away from the museum in an “arm” of stairs that lead to an exterior space and the auditorium.
Various techniques to provide natural light into spaces are deployed throughout the project; the ground above the classroom peels upwards creating a skylight, the front facade of the project receives a punch that diffuses light into the gallery, and the ceiling of the main gallery folds upwards letting light seep into to below.
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Located in Little Tokyo, Los Angeles, this project serves as a central gathering space and Japanese Contemporary Art museum for the local community and Greater LA.
8 Top: Site Plan
OF CONTEMPORARY
SERVICE ALLEY EAST 1ST STREET
PEDRO
MUSEUM
JAPANESE ART
SAN
STREET
Section 5, Maria Sviridova Addison Perry
SITE PLAN SCALE: 1/16” = 1’-0” 0 2 10 20 40
EX04: Museum of Japanese Contemporary CPP/ARC ARC2011A
F2021
9 A A A B B B C C + 16'-0" SERVICE ALLEY + 0'-0" EAST 1ST STREET DN UP DN DN UP UP UP Section
Sviridova Addison Perry EX04: Museum of Japanese Contemporary Art CPP/ARC ARC2011A F2021 GROUND FLOOR PLAN SCALE: 1/8” = 1’-0” 0 1 5 10 20 1 LOBBY 2 CAFE 3 PUBLIC RESTROOM 4 ART STORAGE 5 LOADING DOCK 1 2 5 4 3 3 A A A B B B C C + 16'-0" SERVICE ALLEY + 0'-0" EAST 1ST STREET DN DN UP UP DN UP Section 5, Maria Sviridova Addison Perry EX04: Museum of Japanese Contemporary Art CPP/ARC ARC2011A F2021 THIRD FLOOR PLAN SCALE: 1/8” = 1’-0” 0 1 5 10 20 1 MAIN GALLERY 2 SECONDARY GALLERY 3 PUBLIC RESTROOM 4 PLAZA 3 1 2 4 3 Top: Third Floor Plan, Bottom: Ground Floor Plan MUSEUM OF CONTEMPORARY JAPANESE ART
5, Maria
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2
3
4
5
1 2 3 5 0 1 5 10 20 4
SECTION A SCALE: 1/8” = 1’-0”
1
SECONDARY GALLERY
LOBBY
AUDITORIUM
CONFERENCE ROOM
COMMUNITY CLASSROOM
Section 5, Maria Sviridova Addison Perry
EX04: Museum of Japanese Contemporary Art CPP/ARC ARC2011A F2021
SECTION B SCALE: 1/8” = 1’-0”
3
4
5
SECTION C SCALE: 1/8” = 1’-0” 1 CAFE 1
2 1 2 2 3
PLAZA 3 5
CONFERENCE ROOM 4 4 0 0 1 1 5 5 10 10 20 20
ART STORAGE
MECHNICAL ROOM
1 MAIN GALLERY
2
BOOKSTORE
3
LOBBY
4
LOWER GALLERY
Top: Section A, Left: Section B, Right: Section C MUSEUM
OF CONTEMPORARY
JAPANESE ART
11 Top: Exploded Axonometric Program Diagram SUPPORT 2,100 SF EXHIBITION 8,000 SF PUBLIC AREAS 1. Lobby / Reception / Coat Check 2. Bookstore 3. Cafe 4. Auditorium 5. Community Classroom 6. Public Restrooms 1. Director ’s Office 2. Offices 3. Conference Room 4. Staff Room 5. Staff Restroom 1. Mechanical Room 2. Art Storage 3. Preparation Room 6,600 SF STAFF 1,300 SF EXTERIOR SPACES N/A MAIN STAIRS EGRESS CORES ELEVATORS PROGRAM DIAGRAM NOT TO SCALE 1 6 6 1 3 2 4 5 5 1 3 2 6 6 6 6 6 6 5 2 3 4 BASEMENT GROUND 02 03 04 CIRCULATION DIAGRAM NOT TO SCALE SUPPORT 2,100 SF EXHIBITION 8,000 SF PUBLIC AREAS 1. Lobby / Reception / Coat Check 2. Bookstore 3. Cafe 4. Auditorium 5. Community Classroom 6. Public Restrooms 1. Director ’s Office 2. Offices 3. Conference Room 4. Staff Room 5. Staff Restroom 1. Mechanical Room 2. Art Storage 3. Preparation Room 6,600 SF STAFF 1,300 SF EXTERIOR SPACES N/A MAIN STAIRS EGRESS CORES ELEVATORS
EX04: Museum
PROGRAM DIAGRAM NOT TO SCALE 1 6 6 1 3 2 4 5 5 1 3 2 6 6 6 6 6 6 5 2 3 4 BASEMENT GROUND 02 03 04 CIRCULATION DIAGRAM NOT TO SCALE MUSEUM OF CONTEMPORARY JAPANESE ART
Section 5, Maria Sviridova Addison Perry
of
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Left: Exterior Plaza Render, Right: Interior Gallery, Bottom: Interior Lobby
MUSEUM OF CONTEMPORARY JAPANESE ART
EXTERIOR MODEL PHOTOGRAPH
EXTERIOR MODEL PHOTOGRAPH
EXTERIOR MODEL PHOTOGRAPH
EXTERIOR MODEL PHOTOGRAPH
SPLIT MODEL PHOTOGRAPH
SPLIT MODEL PHOTOGRAPH
SPLIT MODEL PHOTOGRAPH
SPLIT MODEL PHOTOGRAPH
EX04: Museum of Japanese Contemporary Art CPP/ARC ARC2011A F2021
EX04: Museum of Japanese Contemporary Art CPP/ARC ARC2011A F2021
EX04: Museum of Japanese Contemporary Art CPP/ARC ARC2011A F2021
EX04: Museum of Japanese Contemporary Art CPP/ARC ARC2011A F2021
INTERIOR MODEL PHOTOGRAPH
INTERIOR MODEL PHOTOGRAPH
INTERIOR MODEL PHOTOGRAPH
INTERIOR MODEL PHOTOGRAPH
MODEL PHOTOGRAPH OF APPROACH FROM 1ST STREET
MODEL PHOTOGRAPH OF APPROACH FROM 1ST STREET
MODEL PHOTOGRAPH OF APPROACH FROM 1ST STREET
MODEL PHOTOGRAPH OF APPROACH FROM 1ST STREET
MUSEUM OF CONTEMPORARY JAPANESE ART
Top: Physical Model Photographs
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Section 5, Maria Sviridova
Addison Perry
Section 5, Maria Sviridova Addison Perry
Section 5, Maria Sviridova Addison Perry
Section 5, Maria Sviridova Addison Perry
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SCHOOL OF ARCHITECTURE
Second Year Design Studio, ARC 2021A
Cal Poly Pomona Architecture (CPP/ARC)
Instructor: Jeehye Kim
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Spring 2022
What does a school require? This project proposes a different approach to how a school is conceptualized. Located on the Cal Poly Pomona campus, this new school of architecture challenges the facade of large institutions and literally begins to break it apart. The project takes the site into consideration and begins to break it apart into building blocks. These building blocks are shifted and pulled in various directions to create a new “in-between’ spaces within the plinth. In the plinth, the in-between space results in courtyards providing a place of refuge for students between classes. The shifting and creation of the courtyard spaces are bounded by a singular module. Differences in exterior facade treatment distinguish the walls that have been separated from each other.
The courtyards help dissolve the overpowering diamond shaped boundary of the site, allowing the project to blend well with the rest of campus.
The tower of the project follows a similar system of shifting building blocks. Program blocks are pulled apart from the main tower massing, forming spaces in between that have inherent connections to the program adjacent. The in-between spaces become opportunities for outdoor learning, public galleries, and places to reconnect with the larger campus. The facade of the tower is cloaked in a metal mesh that widens and shrinks according to programmatic concerns and the transformation of the building blocks.
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18 Top: Ground Floor Plan SCHOOL OF ARCHITECTURE
19
Top: Tower Floor Plans (Studio Left, Admin Right)
SCHOOL OF ARCHITECTURE
20 Top: Site Plan SCHOOL OF ARCHITECTURE
21 Top: Site Analysis Diagram SCHOOL OF ARCHITECTURE
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Top Left: Section A, Top Right: Elevation SE, Bottom Left: Facade Development Diagram
SCHOOL OF ARCHITECTURE
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Section B
OF ARCHITECTURE
Top:
SCHOOL
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Top: Physical Model Photographs SCHOOL OF ARCHITECTURE
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Top: Axonometric Chunk, Bottom: Courtyard Render
SCHOOL OF ARCHITECTURE
MT. WILSON SCIENTIST RETREAT
Fall 2022
Third Year Design Studio, ARC 3011
Cal Poly Pomona Architecture (CPP/ARC)
Instructor: Yasushi Ishida
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Sited on the peak of Mt. Wilson in the Los Angeles forest, this project aims to blur the boundaries between work and life.
The structure serves as a residential unit for two scientists as well as a research office and laboratory. Three wings of the structure are all connected to form a triangle-shaped plan. The connection between each wing allows the building to be a continuous loop, suggesting that the work program can be merged with the living program, rather than keeping the two entities separate. A change in floor elevation physically separates the two types of spaces (private and public) while still allowing access between each. The exterior wall of the structure is lined with glazing, encouraging a view out to the
landscape and revealing the building’s truss system. It also begins to highlight the corridor that can be visualized in plan, stitching each wing of the project together. This corridor is unobstructed and acts as a connecting path to each program. To emphasize the idea of progression as one begins to move from private to public, the upper plan of the building begins to expand, finally framing a large view of the surrounding landscape at the research lab.
Structurally, the project is supported by three elements. A tower, connects the lower service road to the upper main road, a cantilever, and a bridge.
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28 Top: Level 1 Plan, Bottom: Level 2 Plan MT. WILSON SCIENTIST RETREAT
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Top: Section B, Bottom: Section A
MT. WILSON SCIENTIST RETREAT
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Top: Structural Wireframe, Bottom: RoT Sizing Diagram
MT. WILSON SCIENTIST RETREAT
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Left: Axonometric Chunk, Right: Wall Section @ Day Room
MT. WILSON SCIENTIST RETREAT
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Top: Progression Diagram
MT. WILSON SCIENTIST RETREAT
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Unrolled Plan Sequence
WILSON SCIENTIST RETREAT
Top:
MT.
MYLLA HYTTE / CASE STUDY
Building Construction I, ARC 3410
Cal Poly Pomona Architecture (CPP/ARC)
Instructor: Maria Sviridova
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Fall 2021
Mylla Hytte by Mork-Ulnes Architects is a small wood-framed house nestled in the Nordmarka forest. The 100 square meter project overlooks incredible views of the surrounding wilderness. The house’s pinwheel configuration helps frame each of these views and blocks harsh weather from disturbing either of its two outdoor patio spaces. The exterior of the house is finished in untreated heart pine with the interior being finished in a combination of lyed pine plywood and white oil. The ceiling and majority of the furniture also features this plywood finish.
The project has three main living “cores” which hold closets, storage, and bathrooms. These cores are the only interior walls. Two of the three cores are loading bearing.
Through close analysis of the case study students were tasked to document and convey technical information, including framing details, using knowledge gained through class and outside study. The final product consisted of a set of construction documents.
35 Scale Date Drawn By Project Number ADDISON PERRY 73 KELLOGG DR POMONA, CA Myllalia 15, 3520 Jevnaker, Norway Sheet Name Sheet Number NTS 10/1/2021 10:28:47 AM A‐101 AXONOMETRIC MYLLA HYTTE AP 09/30/2021 3410.02 / EX 4.3 1 AXONOMETRIC NO.DESCRIPTIONDATE
WEATHER BARRIER
SHEATHING
SPACE FOR VENTILATION
FLASHING WITH DRIP
BLOCKING WITH SPACE FOR VENTILATION
BATT INSULATION
VAPOR BARRIER
WEATHER BARRIER
2X6 P.T. MUDSILL
7"
-
DRAINAGE PIPE
DETAILED WALL
BARRIER BATT INSULATION TJI RAFTER
2X3 STRAPPING PLYWOOD FINISH
STRAPPING FOR
36 MYLLA
STUDY
HYTTE - CASE
LEVEL
B.O. FOUNDATION ‐3' ‐ 0"
1 0' ‐ 0" EAVE 9' ‐ 3"
PLYWOOD SHEATHING FURRING STRIPS 0'
PINE FINISH INSECT SCREEN FINISH EXTENDS PAST SHEATING FOR DRIP
WATERPROOFING DRAINAGE MAT DOUBLE
NAILING 4‐IN.
PERFORATED
4‐IN. CONCRETE SLAB MOISTURE BARRIER SAND COARSE GRAVEL 1/2‐IN. ANCHOR BOLT
COARSE GRAVEL
2X6 DOUBLE TOP PLATE
Scale Date Drawn By Project Number ADDISON PERRY 73 KELLOGG DR POMONA, CA Myllalia 15, 3520 Jevnaker, Norway Sheet Name Sheet Number 1 2 MID REVIEW FINAL 11/30/21 10/08/21 A‐501 DETAILED WALL SECTION MYLLA HYT 11/29/2021 3410.02 1" = 1'‐0" 1
SECTION NO.DESCRIPTIONDATE Top: Detailed Wall Section
FURRING ROOFING VAPOR
FOUNDATION WALL
37 REF 1 A B C D 4 5 2 38' - 0" 42' 0" 14' 8" 15' 0" 12' 4" FIREPLACE WOOD PANEL DOOR 4' 0" 7' 0" 4' 0" 7' 0" 24' - 0" 7' 0" LIVING 101 KITCHEN/DINING 102 PINE PLYWOOD FINISH A-302 01 01 A-401 01 A-402 A-303 01 3 BEDROOM 103 BATHROOM 106 BUNK ROOM 105 BEDROOM 104 BATHROOM 107 Scale Date Drawn By Project Number ADDISON PERRY 73 KELLOGG DR POMONA, CA Myllalia 15, 3520 Jevnaker, Norway Sheet Name Sheet Number 1/4" 1'0" 1 2 MID REVIEW FINAL 11/30/21 10/08/21 11/29/2021 11:26:43 PM A‐101 FLOOR PLAN ‐LEVEL 1 MYLLA HYTTE AP 11/29/2021 3410.02 / FINAL 1/4" 1'‐0" 01 FLOOR PLAN ‐ LEVEL 1 NO.DESCRIPTIONDATE B.O. FOUNDATION ‐3' ‐ 0" LEVEL 1 0' ‐ 0" EAVE 9' ‐ 3" T.O. ROOF 16' ‐ 6" 1 4 5 2 01 A-402 19' 6" 7' 3" 9' 3" 3' 0" 3' 0" 9' 0" 6' 10" KITCHEN/DINING 102 LIVING 101 7' 0" 24' 0" 7' 0" LOFT SPACE ACCESSIBLE VIA LADDER PINE PLYWOOD FINISH 3 BUNK ROOM 105 38' 0" Scale Date Drawn By Project Number ADDISON PERRY 73 KELLOGG DR POMONA, CA Myllalia 15, 3520 Jevnaker, Norway Sheet Name Sheet Number 1/4" 1'0" 1 2 MID REVIEW FINAL 11/30/21 10/08/21 11/29/2021 11:27:05 PM A‐401 N‐S SECTION MYLLA HYTTE AP 11/29/2021 3410.02 / FINAL 1/4" 1'‐0" 01 N‐S SECTION NO.DESCRIPTIONDATE 1MIDTERM10/07/202 1 Top: Floor Plan - Level 1, Bottom: N-S Section MYLLA HYTTE - CASE STUDY
FURNITURE RESTORATION
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Personal Hobby
Cal Poly Pomona ENV Model Shop
2022 - CURRENT
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Restoring chrome plated frame, and repairing leather back
MARCEL BREUER B34 ARMCHAIR, 1929 SECOND VERSION
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Restoring chrome plated frame, refinished wood seat and back, new caning
MARCEL BREUER CESCA CHAIR REPLICA, CIRCA 1970
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Designed rug, collected yarn, tufted yarn into fabric and trimmed
CUSTOM LOOP AND CUT PILE AREA RUG
42 aoperry@cpp.edu Pomona, CA 91768 (530) 419-9761