Mock V magazine by APagan

V MAGAZINE

EXCLUSIVE INTERVIEW WITH KATHERINE POLLNOW CHROMOTHERAPHY COLOR PSYCOLOGY PLUS THE BEST OF SUMMER FASHION!

PRISM SUMMERISSUE 2015

LAZANYA ONTRE STRIKES A POSE IN CMYK

WELCOME TO

Prism issue Color Therapy

MASTHEAD

SPECTRUM EDITOR IN CHIEF Holbrook Propst ART DIRECTOR

Amanda Pagan

MANAGING EDITOR

Christine DeNicola

FEATURED EDITOR

Meagan Henry

TABLE OF CONTENTS

SPECTRUM 15

V SOCIAL Look inside the best model look in the amFAR Gala in Cannes

COLOR THERAPY We explore color healing and it’s power

KATHERINE POLLNOW PROFILE Look inside Katherine pollnow’s creative mind

MODEL BEHAVIOR BY MATT SLADE This month’s model profile is on up and coming models Tessa and Ashley

COLOR PSYCOLOGY THE EFFECCTS OF COLOR IN EMOTIONS

HEAL BY MAXWELL TURNER Maxwell Turner explores the power of color and their attributes.

HEX VALUES BY HALEY VARACALLO The talented Haley Varacallo uses the perfect lighting to present this RGB shoot.

TECHNICOLOR BY MATT SLADE Matt Slade Shoots the always energetic, charismatic Diva Lazanya Ontre in a CMYK dream

CHROMOPHOBIA BY CORINNE ANDREWS Explore a discolored world with Corinne Andrews in a black and white word

CONTRIBUTORS

HUES SPECIAL THANKS TO : Maxwell Turner, Corinne Andrews, Matt Slade and Haley Varacallo. MODELS: Latifa Simmons, Camila Benogoa, Raven Pearman, Morgan Marzul, Alyssa Buettner , Brandon aka Lazanya Ontre, Tessa Woodrey, Ashley Rosales and Lydia Schneider Fashion: Katherine Pollnow, Goodwill, Civvies

EDITOR’S LETTER

CHROMA Editor’s Letter: Nothing sets a mood better than an abundance of color, or lack there of. An image can say so much, but the addition, subtraction, or swap of a color can change a message completely. Whether it’s through light, paint, clothing, or anything else, colors truly have the power to do so much. It affects our mood, our body, our opinions, and much more. This Prism issue shows how much color impacts us. Lazanya Ontre, of House of Gunt, preforms night after night, changing her character through colorful clothing and makeup as seen in our CMYK editorial. Her energy is contagious. This issue is full of color exploration. Latifa Simmons shows color as a means of healing through chromotherapy in relation to other means of healing. Katharine Pollnow gives an introspective take on the use of muted colors paired with powerful blacks and whites in her Spring 2015 collection. Then, Lydia expresses herself through moody RGB lighting. This issue wouldn’t be complete without an interview with Katharine Pollnow explaining how she uses color when it comes to design. V explores the effects of color on human psychology and how artist Carlos Cruuz-Diez uses color to impact his viewers. Lastly, We look at two up and coming models with colorful personalities and really bright futures.

LARA STON E CYRIL CHAPUY DOUT ZEN K ROES EVA LON GORIA N ATASHA POLY ISABELI FON TAN A

G IG I H A D ID

IR INA SH AY K

K EN DA L L JEN N ER

TON I GARN JOAN SMALLS JOURDAN DUN N

DO UT Z EN K RO ES CA R I N E RO I T F I EL D L I LY DO N A L DSO N K A R L I E K L O SS I Z A B EL GO UR AT SO O JO O PA R K

ISAB ELI FO NTA NA N ATASH A P O LY LA R A STO NE BAR BA R A PA LVIN TO M FO R D

N ATASHA PO LY

KA R LIE KLO SS

FASHION WITH A PURPOSE The past May 21st the amfAR Gala Cinema Against Aids 22 took place in Cannes, France. This event raised more than $30 million for amfAR’s AIDS research programs and a search for the cure. The highlight of the night was the Jeff Koon’s 18 ½ foot tall sculpture, “Coloring Book”. This work of art was sold for a total of $13 million. This event was filled with “A” list celebrities, models and fashion people. This was a good combination of fashion and a charity event. It is heart warming to see all the fashion people come together to find a cure for AIDS. JO SEP H INE SKR I VER

C HA N EL I MA N

CS I C K H? H RU R TO? TMI R EOD ? TA L HL O EF T RH E AA B OPV E Y? BY MEAGAN HENRY

Why do you keep seeking outside of yourself? Why do materials possessions, pills, bandages, and broken promises keep leaving you feeling worse then before? The human eye is a charmingly mysterious mechanism. Our cones and irises open themselves up to the light, and close themselves up to the darkness of this world. You’ve heard it all from the Buddha before: What you think, you become. So what are you thinking about? You heal how your mind tells your body to heal, and if you’re not telling you body anything, but rather mindlessly seeking these material possessions in hope that they will work their magic to make you all better, then you will be sadly mistaken. Chromotherapy, sometimes called color therapy or colorology, is an alternative medicine (meaning, seeking the root cause, not just covering up the symptoms) method, which is considered pseudoscience. Chromotherapists claim to be able to use light in the form of color to balance the energy lacking from the body that causes imbalance and disease. Whether it be on a physical, emotional, spiritual, or mental level, research has shown how effective and other-worldly that chromoterapy can be. Chromotherapy is different than your other treatments, bandages, and medicines, because it is not a scientifically-accpeted treatment, but rather acts as a conductor for the body to heal itself form the inside, out. Quit those old patterns of seeking from the outside, in. Go inside, and your strength will come out. Let’s get out of this world. Step away from the pills, the sticky bandages, the over-advertised and over-priced green water and imported fruit. Be other-worldly. See the light. Open your eyes up to it, and learn to close them when the darkness begins to emerge. The spectrum diagnosis is all around you – it’s magic will heal.

KATHERINE POLLNOW INTERVIEWED BY CHRISTINE DeNICOLA

A LOOK INSIDE HER CREATIVE MIND “AS A CREATIVE INDIVIDUAL I FND MY MIND CONSTANTLY RUNNING AND IF I CAN CHANNEL MY FEARS, WORRIES, QUESTIONS INTO MY FORM OF ART, WHICH IS FASHION, IT HELPS ME AND DRIVES MY CREATIVE PROCESS.” -KATHERINE POLLNOW When did you know you realize you wanted to be a designer? Ever since I was a little girl I’ve been sketching clothing designs. My grandma was a dress designer in the 60’s so when I would go to her house we would draw together and sketch clothes. 5. Do you feel that your upbringing influences your designs? If so how? If not, is designing a way for you to escape, a way to sterilize? I think the most important part of my upbringing is still with me today and that is the unwavering support I’ve received from my family my whole life. I’m not sure it necessarily influences my designs directly but more importantly is a source of motivation. I do escape through my work and designs from other aspects of my life though. As a creative individual I find my mind constantly running and if I can channel my fears, worries, questions into my form of art, which is fashion, it helps me and drives my creative process. 10. Do your designs translate to your personal style or do you have a specific client in mind? I think a little of both. They definitely fit my personal aesthetic as well as my client in mind. Where when and how did you come up with your inspiration for your senior collection? My senior collection is an inward reflection on people’s character and how much of their true selves they show to certain people. The summer before senior year I saw a magazine ad that had the word “fear” written on dandelion leaves and it made me think of the fear and shyness of mine blowing away and wanted to incorporate that into my collection.

“MY SENIOR COLLECTION IS AN INWARD REFLECTION ON PEOPLE’S CHARACTER AND HOW MUCH OF THEIR TRUE SELVES THEY SHOW TO CERTAIN PEOPLE.” What does this inspiration mean to you? Triggers? Connections? This inspiration is really personal which I think is important at this stage in my life. The young twenties is such a chapter of change and personal growth and this collection really incorporates my own journey. It is definitely connected to me in many ways. I have personal walls as well as moments of complete transparency and it’s about finding that balance to achieve happiness. How did this inspiration transfer to your designs? Where can it be seen? My designs feature many “windows”, the sheer elements you can see through, which are representative of true self and identity but is also super vulnerable through exposure. The solid white and black is the part of our consciousness that is sheltering and protective of ourselves. And finally the print is an abstract design with a few colorful bits that is metaphorical for the mind and character and its complexity. Do you consider your collection to be more introspective or found inspiration? Introspective. Throughout this year designing and making your collection, what were the biggest obstacles or moments of weakness and how did you overcome them? Some of the more challenging moments included fabrication and construction and working with and combining my fabrics in a fluid way. Another challenge is having this idea in my head and having it come to life less exciting then what you imagined and being able to take what you have and make it something great. What are your biggest takeaways from your 4 years as a fashion student? The biggest takeaways... Take advantage of every opportunity. Don’t be scared to take chances. One thing you want everyone to know about you, your brand? One thing to note about my brand and I is that I put every ounce of myself into my designs andcreations. What I desire most out of my clothing is for women to feel empowered and comfortable. I design so that my clothing is easy to wear yet looks seamlessly put together. I enjoy pairing unexpected fabrics and and design elements in unique ways so the wearer is one of a kind. I do many separates so that women can mix and match.

MODEL BEHAVIOR

B Y H O L B RO O K P RO P S T

Tessa and Ashley are definitely models to watch. Both started their careers working with young SCAD designers. With budding careers in the age of Cara and Kendall, these girls have a style all their own. The energy that comes from these girls is infectious. No matter what the shoot involves, a good time can always be expected. Both girls are breaking the mold of what being a model means. At a time when the fashion industry is drastically changing its views on beauty, these girls couldn’t come at a better time. Tessa, who was born in Ohio before she moved to Georgia, is an art history buff. What makes her so great is that she is so smart and level headed. She says that the most important thing to remember when working on a shoot is that this is somebody’s vision, and it’s her job to relay that vision to the world. Tessa never planned on modeling. About a year ago, she moved in with a photographer. They did a few photo shoots and she fell in love. It is obvious she is at home in front of a camera. At 21 years old, Tessa is on her way to being the fashion industry’s runway it girl. With her vast knowledge and incredible work ethic she is one to be admired. Ashley has always loved fashion. She began her career as a fashion student, helping other students with their projects. The energy that she brings to the set is magnetic. She is also not the typical model when it comes to height. Ashley stands at almost an even five feet. However, she exudes so much confidence that it makes her seem seven feet tall. She already has an impressive following at 21 years old. She is an example for all women, of all shapes and sizes. Ashley proves that in an industry that is driven by looks, confidence and work ethic trumps all. Both girls are taking the fashion industry by storm. They have really bright futures and the industry is theirs for the taking. Its going to be really exciting to see where they end up.

TESSA & ASHLEY T H E S E G I R L S H AV E A S T Y L E A L L T H E I R OW N

COLORS & EMOTIONS

C O L O R PSYCOLOGY B Y

A M A N D A

P A G A N

Color surrounds us in every aspect of our life. Color can affect the way we look, think and feel. One of the first decisions we make in the morning is color related; what color should we wear today? Each color has a different personality and portrays a different emotion, feeling, mood and a state of mind. There is no doubt that the colors you wear will have a powerful effect on how you feel and how others respond to you. If you choose colors that donâ&#x20AC;&#x2122;t suit your personality, style and physical coloring, it could have a negative effect on your mood and on those around you. On the other hand choosing the right colors for you can give you energy; help you feel happy and attractive. â&#x20AC;&#x153;The best color in the whole world is the one that looks good on you.â&#x20AC;? - Coco Chanel We should understand that color psychology is the effect of color on human mood and behavior. It is a universal, psychophysical reaction, which might be influenced by culture, age and gender. Color is distinguished in different ways. The color categories are hue, value and Chroma. Hue is the distinction between different colors for example the slight change from red to red orange. Value is the difference in darker or lighter shades of a color, from gray to a deeper gray. Finally Chroma is the difference from bright and dull. Color may have different definitions and meanings. Individual preferences are influenced by color trends at the times. Individual liking has a lot to do with experiences and memories. Humans are more attached to particular colors because of past experiences. The psychophysical reaction associated with colors could be categorized in positive and negative reactions. Red is associated with courage, strength and warmth. On the negative side red is associated with defiance, aggression and strain. Blue promotes intelligence, communication, trust, serenity while coldness, lack of emotion, unfriendliness are perceived as negative. The color that portraits optimism, confidence, self-esteem and friendliness is yellow. The negative reactions of this color are irrationality, fear and anxiety. Green entails harmony, balance, refreshment and environmental awareness among others. The negative reactions for this color are boredom, stagnation and blandness. Violet is perceived as spiritual, luxury, and truth. The opposite effect is introversion and inferiority. Brighter colors like orange may cause physical comfort, sensuality, passion, and fun. The reverse feelings could be deprivation and frustration. On the opposite side of the spectrum, black represents sophistication, glamour and security, while oppression, coldness and heaviness are perceived as negative. White inspires hygiene, sterility and purity; on the negative side of the color inspires coldness, unfriendliness and elitism. Brown is associated with warmth, nature, earthiness and support, while lack of humor and heaviness are negative perceptions for this color. Color psychology is based on the mental and emotional effects colors have on people in all facets of life. There will also be differences in interpretation, meaning, and perception between different cultures.

“COLOR IS A DAY-LONG OBSESS ION, JOY AND TORMENT” -CLAUDE MONET

“THE BEST COLOR IN THE WHOLE WORLD IS THE ONE THAT LOOKS GOOD ON YOU.” -COCO CHANEL This is purposefully chosen to stimulate appetite. Among those we can mention Coca Cola, Nabisco, KFC, Dairy Queen, Lays and Heinz. The dynamic of the red carpet is precisely because of its red color. It keeps the flow of people moving. Blue has the total opposite effect on people. Blue calms us down and has a relaxing effect; it also inspires security dependability and strength. For the same reason advertisers chose blue for their logos for HP, American Express, Twitter, Facebook and ATT. Cultural differences in color are the most complicated of them because these are learned responses. Each culture assigns a different meaning to each color. For example in the Western hemisphere women tend to dress in white for their weddings but in India brides dress in red because it is the color of love and passion. This is a good omen for a couple about to start a life together. Colors could have meant something in the past that in the future could change. For example as a child green could have been associated with vegetables and in the future it evolved into a new definition. Green in today’s generation is associated with recycling and healthy living. This definitions change with time and depending on society and what definition they decide to give it. But as a society this color means the same to everyone it is a “universal” term. As we grow each color has more meaning to us. As generations we are influenced by certain colors depending on the economy, politics, technology, environment and socially. In the 20th century there was a lack of color especially during The Great depression in the 1930’s. These were times of restrictions and deprivations. They were limited on many things and it reflected in the color choices, reflecting the turmoil of the times. Neutral color palettes dominated this depressed society. As the economy improved people eventually started to add color into their lives. In the 1960’s Hippies in the drug culture influenced the color choices of the decade. Their preference in color was known as psychedelic colors. The 1960’s were filled with patterns on patterns and colors on colors. These were happy times induced by drugs and it was reflected on the color combinations and choices. Fast forward ten years and in the 1970’s colors browned down. Neutral colors were dominant this time around. This was the introduction of almond tones; beiges and browns as during the 1970’s brought awareness of pollution and diminishing resources due to the OPEC (Organization of Petroleum Exporting Countries) crisis. Like life color also changes and it evolves alongside society. This is exactly how color trend-forecasting works; analysts study the colors, behavior and major influences in politics and economy that are predominant and constant in the times and add small changes to the familiar colors to freshen up past color trends, to keep up with the ever evolving society. There has always been an interest to analyze how color affects each individual even so in the arts. If we talk about color, art and effects of color on people we must talk about Carlos Cruz-Diez, a Venezuelan artist.

“ C O L O R S , L I K E F E AT U R E S , F O L L OW T H E C H A N G E S O F E M OT I O N S ” -PABLO PICASSO

Cruz-Diez is considered one of the leading exponents of contemporary art. He began his research on color alongside the Kinetic Movement of the 60s. His reflection on art has expanded our ideas about color to the point where today we can understand that perceptions of chromatic phenomena do not necessarily have to be associated with form. Cruz-Diez conceived his proposition by what he qualified as spatial structures, “Chromostructure” or media for chromatic events. His research and works show that color, when it interacts with the observer, is transformed into an autonomous event capable of invading space without the aid of form, without narrative or symbols. His “Chromosaturation” exposition consists of setting an artificial environment with color. He added red, blue and green (RGB) lighting into empty spaces converting it from an ordinary to an extraordinary space. He wanted to create an individual and personal experience with color. Carlos Cruz-Diez wanted people to question and rethink color perception and how they normally interact with it. This large empty room was meant to submerge the observer into a color receptive experience. Each chamber or room adapted to a different mood or feeling with simply changing the colored lighting. He fabricated an aesthetic universe in which he wished to plunge the observer in his reality of color, space and time. “Chromosaturation” triggers the notion of color as medium or material into space; no matter the cultural differences and beliefs are set aside. A deeper sense of connection with the space is created. These spaces project a vivid wonder of light that alters everything inside it, altering the color of skin tone and clothing. Color has been Carlos Cruz-Diez obsession yet his work is a persistent quest for color as a social experience. His practice derives from research and endless experimentation over the years. In 2015 he was awarded with the Turner medal for his contribution to understanding colors in visuals. Color is a fundamental element present in our daily lives. It can impact our mood, feelings, perceptions, emotions and even our state of mind. Color can influence the brands that we trust, the food that we eat, the clothing that we wear. Color is a non-verbal language that we must strive to understand to fully exploit its full potential. Understanding this language and knowing how it influences our lives will enable us to impact others in a positive way. “Color is my day-long obsession, joy and torment.” -Claude Monet

S U M M E R

FASHION 2 0 1 5 S TA R R I N G LATIFA SIMMONS CAMILA BENGOA RAVEN PEARMAN MORGAN MARZULI ALYSSA BUETTNER BRANDON AKA LAZANYA ONTRE LYDIA SCHNEIDER

L A T I F A E X P L O R E S T R E A T M E N T I N A N E W A P P RO A C H , W I T H C O L O R .

HEAL

TREAT YOURSELF WITH COLOR PHOTOGRAPHY / MAXWELL TURNER MODEL /LATIFA SIMMONS CREATIVE DIRECTOR/ MEAGAN HENRY

PHOTOGRAPHY / MAXWELL TURNER MODEL /LATIFA SIMMONS CREATIVE DIRECTOR/ MEAGAN HENRY

TOP THRIFT FIND

BOOTS STUART WEITZMAN

SWEATER THRIFT FIND

SHIRT THRIFT FIND BOOTS STUART WEITZMAN

SWEATER THRIFT FIND

H E X VA L U E S R

PHOTOGRAPHY / HALEY VARACALLO MODEL/ LYDIA SCHNEIDER CREATIVE DIRECTOR/HOLBROOK PROPST

SHIRT CIVVIES PANTS CIVVIES TV GOOD WILL

HAT CIVVIES JACKET CIVVIES

HAT CIVVIES JACKET CIVVIES SHORTS CIVVIES

RUMPER CIVVIES SUITCASE GOODWILL GLASSES CIVVIES

SHIRT CIVVIES SKIRT CIVVIES SHOES CIVVIES

GLASSES CIVVIES RUMPER CIVVIES SUITCASE CIVVIES

LAZANYA ONTRE STRIKES A POSE IN CMYK COLORS , PERFECT FOR SUMMER

TECHNICOLOR

LAZANYA O N T R E

M O D E L / L A Z A G N A O N T R E PHOTOGRAPHY /MATT SLADE CREATIVE DIRECTOR/ AMANDA PAGAN

TURBANT GINAS HAIRSUPPLY EYERINGS GINAS HAIRSUPPLY

JACKET GOOD WILL SWIMSUIT GOOD WILL TIGHTS GINAS HAIR SUPPLY SHOES CIVVIES HAT CIVVIES

DRESS CIVVIES TIGHTS GINA’S HAIR SUPPLY SHOES CIVVIES TURBANT GINAS HAIR SUPPLY NECKLACE FOREVER 21 SCARF FOREVER 21

SWIM SUIT CIVVIES NECKLACE FOREVER 21 SHOES BLAH BLAH TURBANT BLAH BLAH NECKLACE FOREVER 21 BELT FOREVER 21 EARINGS GINA’S HAIR SUPPLY BRACELET FOREVER 21

THONG GINA’S HAIR SUPPLY BELT FOREVER 21 SHOES BLAH BLAH JACKET GOODWILL BELT FOREVER 21 TIGHTS GINA’S HAIR SUPPLY

JACKET GOOD WILL SWIMSUIT GOOD WILL TIGHTS GINA’S HAIR SUPPLY SHOES BLAH BLAH HAT BLAH BLAH NECKLACE GINA’S HAIRSUPPLY EARINGS GINA’S HAIR SUPPLY

WHO KNEW THE ABSENCE OF COLOR COULD LOOK THIS GOOD?

CHROMOPHOBIA F E A R

O F

C O L O R

PHOTOGRAPHY /CORINNE ANDREWS FASHION/SAVANNAH HUGHES/ KATHERINE POLLNOW CREATIVIE DIRECTOR/ CHRISTINE DENICOLA

FASHION LOOKS BY KATHERINE POLLNOW