Alexander Froehlich Portfolio 2015

Page 1

alexander froehlich bachelor of architecture 2013 // selected works

principles

objectives

strategies

tactics


This is a selection of my work which demonstrates my aptitude to resolve design problems through contextually appropriate processes. In all of the work I do, I balance learning and exploration with a skill set that I have developed over the course of my diverse professional and educational experience. I am very interested in systems and processes that compose a city, and I want to work within existing systems to create new hybrid systems that can be used for social benefit. I am inspired by processes that empower those most marginalized by today’s environment, in particular, ones which strive to give citizens agency to shape their own futures. I am fascinated by the way the designed environment is put together, and the use of the technical and the engineered to address design challenges ad financial and technical constraints, through construction methods and material choices. It is my goal to work in a context that will deepen my understanding of the ways cities are made, and strengthen my capacity to engage in processes that give citizens agency to make more equitable and beautiful cities. alexander froehlich bachelor of architecture 2013 // university of oregon alexpfroehlich@gmail.com // 415.672.5948


principles portland build agency an insurgent urban architecture facilitating the transformation of citizens into city builders

objectives capitalism and the common good collaborative process for a mobile classroom, workspace, and tool trailer for the unhoused

strategies small farmers project shed a deconstructable vending stand and storage shed for a cooperative of latino berry-farmers

tactics greg stallings construction design, bidding, and project management for a range of projects at a mid-sized design-build firm


“The city is ‘man’s most consistent and on the whole, his most successful attempt to remake the works he lives in more after his heart’s desire. But, if the city is the world which man created, it is the world he is henceforth condemned to live. Thus, indirectly, and without any clear sense of the nature of his task, in making the city man has remade himself.” [Robert Park, in Rebel Cities by David Harvey]

west elevation


principles

foundational ethics, values, and dreams that frame the process of a project or endeavor

unbuilt // individual thesis project // new process and appurtenant architecture of urban production // research, writing, digital media

portland build agency This project investigates the use of scalable democratic processes to create more equitable and civil cities that more accurately reflect the lives and needs of all of its citizens. Current means of city-production give citizens very little opportunity to affect the shapes of the places they live in. This results in many communities with unmet needs and untapped potential. A facility that combines design-build construction with community design process can empower residents to change the places they live through the creation of resilient, socially-responsible infrastructure. The dissemination and scaling of these citizen-oriented processes will recast the city as a stage for the creativity and productivity of its residents.

south elevation

section


society of the spectacle

â€œâ€Śthe vicious and iterative cycle, in which insecure and unrooted individuals make insecure and unrooted cities, which make even more insecure and unrooted individuals was generations in the making and will be generations in the undoing. Shifts that disrupt the unhealthy cycle are essential. This is the great challenge of our time. [Randy Hester, Design for Ecological Democracy]

symptoms

system

vertical exclusion

horizontal fragmentation

unmet needs

no local investment

the production of products and processes The primary issues that this project addresses are the negative effects of global-capitalist infrastructure development on the cities and spaces we inhabit; both systemically, in terms of who is making decisions about our cities, and the symptoms, in terms of the effects of this on the citizens. A strategic response will build projects with social responsibility, while giving citizens the ability to do it themselves. Increasing the capacity of residents to change their cities will change the prevailing system by which cities are built. Producing unique design-build projects will directly answer unmet needs and untapped community potential. Projects may include: buildings, parks, roads, tools, organizations, art, ecology, and events.


why space?

“Design’s real power is that it makes relationships and divisions between people concrete. Without physical stuff to remind us of how we supposedly differ from one another, our hierarchies would be awfully ramshackle; stripped of our possessions, categories like “class” start to look like just a bunch of learned behaviors and confused ideas...otherwise everyone’s claims of superiority and difference would be quite literally immaterial.” [Colin McSwiggen, Jacobin Magazine]

giving agency changes

process

symptoms pa

tte

rn

so

fu

se

af

citizen initiated

facility initiated

system

fe

ct

products

design-build facility


community residents

neighborhood associations

marginalized residents business associations

co

nt

ide

financ

e and

ue

co

nv

nti

local government

connecting is identifying existing needs and resources to find common solution strategies between them

in

fy t

ypi

cal

look a

ly u

nm

er

sa

c

tio

de

n

lo

lly

i ov

fy nti

a pic

ty

rds p t towa

n

ernme

n gov heck o

c

elfare

empowering is giving stakeholders the skills and resources to take agency in realizing their goals

empower

sustain

give ba

ck to th

n m investme

bri

ng

ns loa

ed

lo de i v pro

ld

e

e xp

uc

ce

en

ri

i bu

s

rogres

ts ts in projec

ter

activists

s

sustaining is long term evaluation and investment in the continued success and growth of infrastructure

est

m un

ide

eed

mon w

developers

ed ne

et

e al

pr

et n

e com

n w-i

s

xp

connect

fter th

long-ter

e

ic

t er

make

at

pe

ea

nd

le

op

eir com

le

munity

design firms

wh

ow

an

t to

lea

rn

ad

bankers builders entrepreneurs

making is collective investment in infrastructure which addresses a specific need

trade schools


primary structure how does architecture support a process? product growth

support role of facility Initial Cycle

welded moment connection

ent mom d e t l n bo ectio conn

pan

els

at 2

’o

c.

beams at

growth of project in 4th dimension

4’oc.

establishment of independent networks for project sustainablity

.

oc

t sa

4’

t

gir

c.

s mn

at

o 6’

lu

co

a scalable production process Connect, empower, make, and sustain are the four steps of a process that are applied iteratively by a community or group of stakeholders to produce scalable solutions for places in need. The architecture must support: collaborative identification of needs [connect], training for residents to make projects happen [empower], the tools and space to produce projects [make], and finally, resources to facilitate projects’ growth [sustain]. life systems life systems life systems housing and exporting a process sustainability sustainability sustainability health health The architecture for production, as well as the projects themselves, must be scalable so that production can begin with low up-front investment, and projects’ effects can be immediately felt. This flexibility allows for accommodation of unforeseen changes during the life of a project or process, and ensures the strongest long-term outcome. Through this adaptability, a community could be assisted in the construction of one project [addressing symptom], then invest in tools and a space to build more projects, eventually building a local economy around the long-term production of local infrastructure [addressing system].

health

phase II

phase I

phase I


a process of natural production deployed

community process export only process to support projects facility

need

scaf

invest in neighborh facility satellite

product (solution)


ffold

sustain

hood infrastructure need

establish self-sustaining neighborhood process infrastructure facility

need subsidiary

product (solution)

product (solution)


growth and dissemination

onsite expansion new building

grading

existing warehouse temporary structures

year 1 1 year

repurposing existing infrastructure repurposing of ofexisting infrastructure

pr in

planned grid

year 1010 year

addition of basic infrastructure

addition of basic infrastructure

year 2525 year

expansion of foundation and

expansion of foundation and stru


potential removal of existing str.

rogram nfill

workshops, offices

structures

uctures

simple grid leaves value onsite

year 65

year 45

mobilization & deployment of program elements

mobilization & deployment of program elements

year 100 year 80

piers and anchor remain for repurpose

piers and anchor building remain for repurpose


metropolis as factory for production of the common


baltimore

beijing

lima

new orleans



objectives

the goals of a project, determined through investigation, that design iterations are measured against

built // project manager // community-guided design-build project // community engagement, design exploration, construction

capitalism and the common good For this project, I designed a process of community engagement by which our team asked houseless citizens in Eugene where our design and construction services would be most beneficial. We received a grant from the Wayne Morse Center for Law and Politics, to examine notions of “capitalism and the common good� in relation to design services for local houseless individuals. Our findings revealed that while minimum standards of human survival [food, emergency shelter, clothing, etc.] are available, there is little to no opportunity for the learning, production and pedagogy that lets citizens take their futures into their own hands. We partnered with Opportunity Village Eugene to design a trailer that will provide space, tools and programs for individuals to learn and practice skills that they can use to affect their own transition.


what exists, and what is really missing “You’d need to be deaf dumb and blind to go hungry in this town - I don’t have trouble finding food or shelter. But getting herded around from feed to feed, I feel like a cow. I need something to feed my brain.” - Anonymous Participant at community meeting, First Christian Church, Eugene

Social social

material Material Within theUS current capitalist system personal within economic system personal growth is measured by material benchmarks growth isatmeasured stages of by life.material

benchmarks at stages of life

Capitalism imposes a hierarchy of human needs, each a prerequisite for subsequent growth.

For those those left left out of the system, for behind byeconomic the economic provision of only material needs leads to system, provision for only material stagnation. needs leads to stagnation

Problem solving by a process of dialogue and collaboration can negate material prerequisites for achieving agency in one’s life.

Social social

Social social

Material material

Material material

Material andsuggests social needs be seen as research thatmust for holistic codependant

growth, material and social needs must be seen as codependent

Only with balanced provision of both only with balanced provision of material and social needs can on achieve agency to material andaffect socialone’s needs life.can one

achieve agency to affect one’s life

seeking non-traditional solutions on a non-traditional path While the concept of universal rights to things like higher education, house ownership, free enterprise and healthcare are usually well-intended, the effect of these high standards is often to marginalize those left behind. We wanted to be conscious participants in an active and contested debate happening across the United States with regards to houseless issues. We wanted to learn what those living on the street thought we should design, rather than prescribing a solution for them. We hypothesized that an informed, humble and collaborative process would be the most effective in producing respectful and truly positive architecture


principles

my verbal introduction at our first community meeting

collaboration:

“we will explore and demonstrate the value of engaging in collaborative processes, this includes all steps of the process, from identifying needs, to construction.”

leadership:

“we will document and share our process, so that others might learn from our example and repeat a successful project with different clients and needs.”

innovation:

“while needs exist, they are not without some solutions. we will focus on the needs we are most capable of meeting, not just the loudest or most prevalent.”

play to our strengths:

“we are designers, not service providers, food distributers or defense lawyers. the needs and goals we will address will be ones which we in a position to meet.”

respect:

“in a way, simply by saying that divisions exist, one is reinforcing those divisions. we are looking for solutions which improve life for all citizens of eugene.”

visibility:

“meaning, mainly, that the effect of any product can be maximized by sharing it with the world; teach people a little bit about something they don’t know.”


defining objectives learning from citizen experts Setting objectives began with identification of problems, analyzing what we learned, and then sharing our understanding back to houseless citizens, at numerous public meetings. We collaborated with non-profits throughout this process to learn from their experiences, and used a wide variety of strategies to solicit information and ideas about what we should build, from experts and citizens, through printed and broadcast journalism, as well as formal and informal media. We learned from demonstrated success stories and processes, through research, and firsthand from people like Teddy Cruz, Randy Hester, and Sergio Palleroni.

individual individual

individual

individual individual

individual

small smallgroup group

individual

small small group group individual

individual

big group

big group voting and discussion


prototype survival bedding

material needs shelter

safe place protection from rain

clothes drying

laundry

transition opportunities

bottle recycling

stackable bunks

bicycle repair bike trailer shelter

opportunistic legal structures

edible landscape

street furniture

day labor station

co-op style rooming

storage

bathrooms, washing station

water fountain

portable locker solar charging

place to sell handmade things

meeting place place to trade services

service space

place with tools to fix things

workshop

youth meetings with mayor

community center

public info campaign

network connecting people and materials

website for unhoused

city-wide public wifi

code lab

gathering place

knowledge sharing source directory

wall for nomads

covered eating area

urban wayfinding

public perception

how-to guide for prototype

resource network

gazebo street performance stage

houseless friendly business rating

microenterprise

bike advertising

lockable bike trailer

dog washing

kits for mobile microenterprise

ecoproduct: buy one, donate one

social meeting place not based on commerce

houseless solidarity


project explorations

Day Labor Eugene

Day Labor Eugene https://www.daylaboreugene.com/rrogers

EMPLOYEE

Peter Zumthor

Personal Description

Personal Description

Hardworking, responsible worker. Looking for outdoor physical labor work in Eugene.

Jobs Completed

I am a contractor in need of landscape a new project.

Jobs Hired

Yard work for Peter Jones

References (1) 1 Positive 0 Neutral

https://www.daylaboreugene.com/pzumthor

EMPLOYER

Richard Rogers

Hired Richard Rogers for landscape work

0 Negative

Peter Jones hire again”

References (1) 1 Positive 0 Neutral

0 Negative

Richard Rogers “easy to work with and paid well.”

STORAGE

*Day Labor Station, Public Architecture

FIXED STORAGE FACILITY

PRODUCT: A fixed, permanent, outdoor storage facility in partnership with existing advocates or services.

Lasting Use: By partnering with an existing entity, the facility recieves oversight and regular mantainaince.

_OBJECTIVES

_USER _OWNER _POTENTIAL PARTNERS _SITE/LEGAL

_COST/BUDGET

Perception: people will not look homeless Transition Opportunity: more possibility for employment Solidarity: central locations promote interaction and sharing Material Needs: store possessions in a safe, stable way Anyone with change Landowner with ability to provide lasting support. Not simply a homeowner Reality Ketchen, Saint Vincent de Paul, New Day Bakery, other advocates or service organizations Private Property. Ideal: Reality Kitchen, or other existing service provider in fairly central location No mantainance or continuing costs for designBridge. Any staffing/mantainance costs offset by very small fee. (~25c/day)


schematic design agency ...provide tools and programming for personal use ..provide for houseless to make their own opportunities for change and improvement

connectivity ...continue to be used beyond the initial client group ...interface between housed and unhoused citizens to maximize community capital

visibility ...intuit use and inspire future reprogramming ...attract and engage multiple partners for both program and material contribution

initiative ...users invest in project outcomes [give “hand-up” not “hand out”] ...partners share task of programming and maintaining trailer

longevity ...shaped by collaboration with partners through design and construction ...produce measurable outcomes that evolve over time

a trailer that will provide space, tools and programs for individuals to learn and practice skills that they can use to effect their own agency


design tactics

adjustable shelving chop-saw station adjustable work-surface retractable awning bike maintanence station vending counter exterior work surface

back door extending interior

double-ply replaceable flooring

natural light

flexible interior space

exterior mounting system

The final design was a trailer, modified to become a mobile classroom, workspace, vending stand and gathering place. Primary design tactics include: a 12’ long workbench with cabinetry below, an adjustable work surface, adjustable upper shelves, a translucent roof to let in light, a storage bay for small fastener shuttles, a sub-panel with six circuits, a spring-assisted back door that acts as stage, ramp or extension of interior space, three covered exterior work areas.


2ft counter work-surface chop-saw station bike maintanence station bench-seating vending counter exterior work surface retractable awning

mobility

flexible storage

accomodating outside space

layers of security

tool storage







strategies

the intentional application of design or processes to meet predetermined criteria

built // construction and project manager for 10-person team // collaborative design-build project // design media, client collaboration, construction

small farmers project tractor shed This was a project with a simple program, though the design challenges of the implicit program and the project requirements necessitated a vast array of strategies to realize into a cohesive whole. The first challenge was developing strategies of collaboration, both between team members and with a client group who spoke little English. The design process was one of exploring appropriate media to test options against our design metric, as well as to communicate with the client. While the basic agricultural program was simple, other objectives were added to make the project a successful response to all of our clients’ explicit and implicit needs. Primary in this list was the need for the project to be deconstructable when they want to relocate to a larger farm in the future. Other goals included: an adaptable and flexible construction method, intuitive deconstruction, provision of a multi-generational “third space,� site repair, and efficiency in material and budget. This project is both simple and complex, in the large number of design objectives met through honest, transparent and clear architecture.



the small farmers project The Small Farmers Project is an organic berry growing farm cooperative. The cooperative is made up of seven Latino families with more than 40 members in total, both young and old. They hail from as close as Mexico and as far away as Peru. The farm needed an attractive and functional space to clean, package, store, and vend their berries, and with help from Huerto de la Familia and Heifer International, the farmers raised $5,000 to do so. Our team saw ourselves as enablers of their future goals to be an independent and viable farming collective. We asked ourselves: how can our project serve them now, and in the future as they grow? How does this project enable them as an organization? How does this project speak to who they are? These questions served as the metric we used to gauge our decisions and iterations as we moved through the project.


process strategies

client collaboration

Finding appropriate media to communicate with the farmers was fundamental when working with a client from a different background, who spoke a different language. The development of our understanding of the project grew along with a trusting, familial relationship between team members and the farmers and their families, as formal design charrettes evolved into after-work picnics and parties.


process strategies

team collaboration

As a large team, with a wide array of skill sets and experience, organizing into roles and smaller task forces let us find the most efficient path forward and become a close team of friends moving into construction. After collaborating on a metric to evaluate our decisions, we found ways to present diverse ideas and to evaluate their merits equally. This strategy was done primarily through the construction of study models, but evolved into detail drawings and full-scale mockups.


design strategies

design for disassembly

connection to family/”third” space

“backstage”

tractor shed, storage, and workspace

vending/gathering space

business as attraction of site


3-ft corrugated roof panels predrilled roof panels do not require redrilling flat 2x4 gdf purlins purlin nailing pattern allows for reassembly 24-ft pre-engineered roof trusses reversible simpson h2-left (reassembly will use h2-right) dbl 2x10 gdf roof beams 2x6 gdf face plates .25in mild steel “t” knife plates 2x6 gdf cross-bracing, simpson hdwr rough-sawn 6x6 gdf columns 1x6 rough-sawn cedar siding .25in mild steel “i” knife plates .375in galvanized all-thread linking footings 24in precast concrete footings 18in precast “dead man” anchor footings


construction strategy

building for disassembly

The project was prefabricated by component part, and assembled in the same sequence in which it will one day be disassembled. Strategies for this process include: designing all pieces small and light enough for two people to carry, using trusses as modular rafter system rather than spanning elements, improving on standard precast concrete methods to create a modular foundation system, and involving the client in the construction process to familiarize them with the components of the building before they engage in disassembly.


design tactics

building for disassembly

Working within the vernacular of the agricultural surroundings, we developed a number of practical design strategies. These included flood plain mitigation through a gravel “piano nobile,� making all posts and wall elements interchangeable for future flexibility and expansion, soliciting material donations, learning from experts in various construction fields, and leaving some elements flexible to change after construction commenced, such as cross bracing, and footing details.





tactics

tools, actions, and procedures used to produce specific outcomes

built // project manager at 20-person firm // private clients // project management, construction administration, digital media

greg stallings construction This is a mid-sized design-build company, where I fill multiple roles of project manager, designer, estimator, and assist with other elements of company administration. I brought a number of the technical and managerial skills I had acquired from designBridge to the firm. As a Project Manager, my work depends on clear communication and honest leadership to effectively coordinate internal and external parties. Management is also responsible for allocating resources, and arriving at quick solutions to unforeseen design challenges, frequently with little notice. Technically, my experience with presentation and production media, budgeting and design tactics were of great benefit to a fast-paced and production-oriented company. My knowledge and experience with a wide range of construction materials and methods was crucial in working closely with foremen to find creative solutions to onsite problems This family business has over 30-years of expertise in a specialized vernacular construction method. Although I have gained valuable technical experience, I have also learned important “soft� skills pertaining to creating a familial and supportive workplace. , It has been inspiring to be a part of a team that values good work ethics and integrity.


project management tactics Developing relationships with clients and subcontractors, coordinating timelines and schedules, making decisions based on changing understanding of project and employees’ skills. Building off of established expertise and sharing implications with clients. Understanding order of operations and the ramifications on budget, timelines and schedules. Assessing what information to provide when and to whom. developing relationships with clients

representing and advocating for the client with subcontractors and material suppliers throughout design and construction phases

developing construction timelines for in and out of house labor, coordinating schedules with other subcontractors


construction tactics Specifying, ordering, and inspecting materials, deciding what to build in-house and what to bid out. Design and fabrication of custom metal, working with expert craftspeople, balancing experimentation with proven methods, knowing when to trust others to make decisions. Finding a balance between aesthetic, functional, and financial decisions. Understanding design opportunity, respecting and learning from others. in-house design and fabrication of custom iron railing

reuse of 100-year-old barn beams for fireplace mantle

specifying high-quality materials and finishes: timber-frame, concrete stain

designing and fabricating custom pocket-door for fireplace


media tactics [external]

as part of bidding process Being able to quickly turn out an image that conveys schematic design is a valuable tool, particularly when working with clients who don’t feel comfortable with orthogonal drawings. Finding the right solution for a client is greatly assisted by showing the building in context, or walking through it. 3d modeling systems are also a critical asset in creating accurate material take-offs for bidding a project, as well as for ordering materials after the project has begun. My ability to generate quick, functional models has greatly improved the efficiency of our building process.

morning

9:00 AM

mid-day

1:00 pM

evening

5:30 pM

for design development Visual media is a tool in the construction process that can speed up decisions and improve mutual understanding. This may mean only telling the part of a story that is important [as to a client, a subcontractor, or city official]. I have also used it to work iteratively with a client to discover a project’s goals, or which aspects of the design we want to focus on. I have used it as a tool when communicating with banks and appraisers, to demonstrate project value.


media tactics [internal]

for construction administration I brought the use of contemporary computer media to the firm as a tool for the construction phase of the project. It is now in use in the office, remotely and in the field. Modern media allows me to share timely information with our project foreman, including construction sequencing, critical dimensions, or the implications of a design change. Sending this wirelessly saves time on site visits, and allows timely decisions to be made by all stakeholders.


Eugene, OR Office: 541.485.3615 Fax: 541.349.9433 OR Bldr. Lic. #: 198354

budgeting tactics Estimate To: Michael & Sarah Koester

Job#/P.O. #: Koester Owner Phone: 541.359.5936

Owner: Michael & Sarah Koester Owner Address: 26088 Clearingside Dr.

Junction City, OR, 97448

proposal: This is an estimate for the costs associated with:

budgeting inperspective process views of two-foot and three-foot eaves Date: 12.23 Figured By: Alex

- extending eaves of structure by 1' - replacing existing plywood soffit material with tounge & groove T111 - applyig a natural finish to the underside of the eave

budgeting in project management and bid phases This is one of the tools that guide the construction process, frequently continuing after the client has signed the contract. Budgeting tactics are used throughout planning and construction stages to produce the best value for our client, particularly when presenting different project options. I created a new bidding system in Microsoft Excel, which greatly reduced the time it takes to produce project bids, allowing us to spend more time designing and pricing various options for clients.

perspective views of two-foot and three-foot eaves

description: The building eave, as currently designed, consists of a 2' eave, framed with 2x6 lumber and ACX plywood, painted to match the brown trim of the house.

changes: In the interest of maximizing architectural intrigue to the building's guests and residents, this proposal is for the

strategic use of naturally-finished, high-quality lumber to highlight the undersides of the 5,340 square feet of roof.

- Additional eave depth will compliment the tall walls of the structure, which vary from 18' at the shortest, to 40' at the tallest. With these wall heights, a 3' overhang will give a more favorable proportion to the facade of the building, particularly at building entrances, as well as the peaks of the loft and great room shed roofs.

- Switching the roof sheathing material from ACX plywood to T111 will give the appearance of a tounge & groove soffit, a traditional technique in the Pacific Northwest, bringing a finer grain of detail to these upper corners of the building. - Natural finish will highlight this strategic use of wood finish material, and give a fine border to the metal roof and walls of the strucutre. While the home is clearly wood-framed in its massing and profile, a clear-coated finish over cedar lumber will securely anchor this structure in the Northwest vernacular .

T-111

soffit

8 ed 2x -finish clear structure r ceda

existing eave condition perspective view with with 2’ 2’ eaves, eaves,and andstandard standardpainted paintedsoffits soffits existing 24” eave

proposed 36” eave

detail drawing of three proposed changes 1-1/2” = 1’

PRIMARY ROOF to primary structure eave changes cost of extending eaves 1'

including 3’ eave, T111 and natural finish

eave changes to carport

including 3’ eave,description T111 and natural finish

vapor barrier (*) lock-seam roof metal (ⱡ) 4x8 plywood sheathing (ⱡ) 2x8 rafter tails (ⱡ) 2x8 special purlin (ⱡ) additional 2x8 tails (ⱡ) labor (*)

total

additional 475 sf additional 475 sf additional 475 sf replacing 2x6 tails with 2x8 replacing 2x6 purlins with 2x8 (15) 12' foot bays to be divided into 6' bays installing additional tails

unit count (#) 365 365 365 35 14 12 3.5

dimension linear ft. metal 4x8 sheet 2x8x12 2x8x12 2x8x12 5 man crew

price/unit ($) $ $ $ $ $ $ $

0.19 1.41 30.00 2.00 2.00 3.00 150.00

description

unit count (#) 52 52

price/unit ($) $ $

clear stain (*) laquor (*) labor to spray boards on ground (*) Cedar tails (ⱡ)

first coat for clear color of Cedar durable weather-proof seal pre staining boards instead of spraying using 55 cedar tails instead of Doug Fir

unit count (#) 5 5 1 50

50.00 50.00 500 13.33

$

1,585.19

$

2,396.78

(ⱡ)

990.84 (ⱡ) $

4,730.57

$

1,015.50

$

5,746.07

$

1,478.88

$

739.44 (ⱡ)

$

1,666.50

$

666.50 (ⱡ)

total

14.22 $ 14.22 $

price/unit ($) $ $

$

69.35 514.65 342.19 70.00 28.00 36.00 525.00

739.44 739.44

clear finish

description

4,730.57

total $ $ $ $ $ $ $

T111 Soffit

cost of T111 over ACX (ⱡ) T111 labor (*) additional labor to install t11 over ACX

$

total $ $ $ $

250.00 250.00 500.00 666.50

with proposed eave changes

* materials/labor that already have initial budget in original bid and may not necissarily result in higher cost to project ⱡ materials/labor not included in original bid

CARPORT ROOF

$

1,015.50

$

534.74

(ⱡ)

perspective view with 3’ eaves, t&g soffits, and natural finish perspective view with 3’ eaves, t&g soffits, and natural finish


FRQFUHWH UHEDU OLQHDU IHHW

ODERU

&RQFUHWH 3DG

OLQH SXPS VDZ FXWWLQJ

:

$GGLQJ :LQGRZV

budgeting in process

ZLQGRZV

ODERU ZLQGRZV

length (ft)

FUHZ ZLQGRZ ZLQGRZ ZLQGRZ OLQH SXPS VDZ FXWWLQJ

ZLQGRZ WULP

OHQJWK

$GGLQJ :LQGRZV

length (ft)

ZLQGRZV ODERU

/

depth (in.)

URDG FORWK VTIW

IORRU JUDYHO \GV

IORRU FRQFUHWH \GV

KHDGHU FRQFUHWH UHEDU OLQHDU IHHW

MDPE

RWKHU

ZLQGRZV

price/unit ($)

unit count (#)

RWKHU

IRRWSULQW

unit count (#) FUHZ

6+(// ),1,6+ 237,216

budgeting tactics

[[[ [[[ [[[[

7RWDO IURP DERYH

KHDGHU FUHZ MDPE

*UDQG 7RWDO

price/unit ($) ($) price/unit price/unit ($) price/unit ($)

unit unit count count (#) (#)

dimension

price/unit price/unit ($) ($)

dimensions VK/(1*7+ VK [R

price/unit ($) 64)7

:,'7+

ODERU

FUHZ

OHQJWK

price/unit ($)

price/unit ($)

unit count count (#) (#) unit dimensions VK VK unit count (#) [R unit count (#) dimensions VK VK [R

VWRULHV

ZLQGRZ WULP

area (sqft) unit count (yds) unit count (#) dimension [ [

[ [

unit count (#) ZLQGRZ ZLQGRZ ZLQGRZ

price/unit ($)

$5($

unit count (#)

dimensions

VK

VK [R

unit count (#) %8,/',1* (67,0$7(

price/unit ($)

�Confidential

1/17/2015

address:

%8,/',1* (67,0$7(

Owner:

width 'RHU

address:

phone:

RIILFH

SODQV HQJLQHHULQJ SHUPLW DVVLVWDQFH

GHPR unit count (#)

GHPR ODERU VDQLSDFBGXPSVWHU bid VDQLSDFBGXPSVWHU KDXO bid VDQLSDFBGXPS bid

\G GXPSVWHUV \G GXPSVWHUV WRQV

price/unit ($)

(TXLSPHQW UHQWDOBVL]]HU OLIW UHQWDOBIRUNOLIW PDWHULDO GHOLYHU\

price/unit ($)

)RRWLQJV

unit count (#)

price/unit ($)

dimension [ 7

price/unit ($)

WUHDWHG FROXPQV

[ 7

JDEOH FHQWHU FROXPQV WUHDWHG FROXPQV

[ 7

price/unit ($)

price/unit ($)

length (ft)

unit count (#)

5RRI $VVHPEO\

$ length (ft)

WUXVV WUXVV IUHLJKW [ WKUX EROWV [ ODJ EROWV

unit count (#)

length (ft) [ JDEOH UDIWHUV [ EDUJH UDIWHU [ OHGJHU SXUOLQV JDEOH HQG SXUOLQV FHQWHU ED\ VSHFLDO SXUOLQV [ EDUJH IDVFLD [ HYH IDVFLD JDEOH HQG ED\

[ HYH IDVFLD FHQWHU ED\

FRUEHOV

,QWHULRU :DOO )UDPLQJ

[ QRQ ORFDO unit count (#)

FRUEHO EORFNV VWRFN

dimension [ [ [ [ [ [ [ [ [

UDIWHU WDLOV VWRFN

[

[

ORRNRXWV VWRFN

[ W VWUXWV

[

unit count (#)

Page�1

dimension [ 7 [ 7 [ [ [ [ [

price/unit ($)

price/unit ($)

2SHQLQJV OXPEHU

length (ft)

RKG

PDQ GRRU

unit count (#)

KHDGHU MDPE

dimension [ [

KHDGHU MDPE

[ [

2SHQLQJV KDUGZDUH

RKG

2=430 series 3=432 series

HVWLPDWH IURP 2+'

unit count (#)

dimensions

price/unit ($)

dimensions

price/unit ($)

area (sqft) price/unit ($)

[ unit count (#)

PDQ GRRU ILEHUJODVV PDQGRRU >H[WHULRU@ GEO IUHQFK GRRU VFKODJH KDUGZDUH

(QFORVXUH

YDSRU EDUULHU WULEXLOW YDSRU EDUULHU URRI

WULEXLOW YDSRU EDUULHU ZDOOV

PHWDO

WRWDO

ILQLVK

VRSKLW SDLQWLQJ

color ;

unit count (sqft)

price/unit ($)

2WKHU QDLOV

unit count (#) 6LQNHUV ' 1DLOV JDOYLQL]HG

6XEWRWDO

FUHZ VHWXS DXJHU FUHZ VHW FROXPQV FUHZ FROXPQ FRQFUHWH FUHZ WUXVV OD\RXW EHDPV OHGJHUV FUHZ FRUEHOV FUHZ VHW UDIWHUV FUHZ SXUOLQV FUHZ EDUJH IDVFLD ORRNRXWV WDLOV FUHZ ZDOO IUDPLQJ FUHZ URRI VWHHO FUHZ ZDOO VWHHO WULP WRWDO

time (hrs) 32 32 length (ft) 32 96

dimension [ unit count (#) [ dimension [ [ Page�3 [ [

*UHJ 6WDOOLQJV &RQVWUXFWLRQ 3LQH *URYH 5G (XJHQH 25 2IILFH )D[ price/unit ($) Date: Figured By: $/(; Revised:

price/unit ($) price/unit ($)

[

unit count (#)

price/unit ($) price/unit ($)

dimension [ [ [ dimension

Page�3

SRUFK DQG GHFN

length (ft)

unit count (#)

dimension [ [ [ [ QLFH

JOXODP MRLVWV MRLVW KDQJHUV ULP IDVFLD VRIILW GHFNLQJ FRQFUHWH GHFN UDLOLQJ EROWV DQG KDUGZDUH VWDLQ HWF

unit count (#)

dimension [ [ [ [ FHGDU

unit count (#) VXSHU FDUSHQWHU

:

depth (in.)

price/unit ($)

/

FUHZ

price/unit ($)

price/unit ($)

price/unit ($)

price/unit ($)

price/unit ($)

unit count (yds) price/unit ($)

1/17/2015

OLQH SXPS VDZ FXWWLQJ SRUFK

DGGUHVV

price/unit ($)

SRUFK SKRQH [[[ [[[ [[[[

ELJ FRYHUHG IURQW WRWDO 5HYLVHG

SOXPELQJ URXJK LQ

ZDVWH DQG ZDWHU VHZDJH LQMHFWRU 7 6

URXJK LQ WRS RXW IRU XSVWDLUV

UDGLDQW

/(1*7+

64)7

64)7

unit count (#)

%8,/',1* (67,0$7( unit count (#) [FINISH OPTIONS]

XQGHUVODE 0LWVXELVKL +HDW 3XPS 6\VWHP LQVXODWLRQ LQVWDOO RI LQVXODWLRQ 2ZQHU 'RHU HOHFWULFDO HVWLPDWH 5H\QROGV

VL]H unit count (#)

,QVXODWLRQ

$ 542.50

surface area

price/unit ($) DGGLWLRQDO

'U\ZDOO VKHDWKLQJ

$ 1,142.57

length (ft)

unit count (#)

dimension

price/unit ($)

length (ft)

unit count (#)

dimension

price/unit ($)

length (ft)

unit count (#)

dimension

price/unit ($)

length (ft)

unit count (#)

dimension

price/unit ($)

DOO H[WHULRU ZDOOV

FHLOLQJ ZDOOV

FRQWLQJHQF\

price/unit ($) *UHJ 6WDOOLQJV &RQVWUXFWLRQ 3LQH *URYH 5G price/unit ($) (XJHQH 25 2IILFH )D[ 'DWH )LJXUHG %\ $/(; price/unit ($)

Page�4

LQVXODWLRQ GRZQVWDLUV ZDOOV 5 LQWHULRU

XSVWDLUV ZDOOV 5 LQWHULRU

DOO ZDOOV 5 H[WHULRU

URRI 5 EDWWV

IUDPHG IORRU 5 EDWWV

GRZQVWDLUV

SULFH VI

),1,6+ 237,216 :,'7+

)/2256

8WLOLWLHV

XSVWDLUV

7RWDO IURP DERYH

*UDQG 7RWDO

price/unit ($)

unit count (#)

$5($

area (sqft)

unit count (#)

PDLQ

FHLOLQJ ZDOOV

DGGLWLRQDO

materials time (hrs) 20 20 20 20 20 20 24 24 24 24 24 240

price/unit ($)

GD\V ZHHNV

6XEWRWDO

8%

RIILFH DGPLQLVWUDWLRQ 6XEWRWDO

:,'7+

/(1*7+

64)7

64)7

%8,/',1* (67,0$7(

*UHJ 6WDOOLQJV &RQVWUXFWLRQ 3LQH *URYH 5G

price/unit ($)

unit count (#)

price/unit ($)

unit count (#)

price/unit ($)

price/unit ($)

VWDLQ

*XWWHUV UDLQ

surface area

&RQFUHWH 6WDLQ

SRUFKHV

length (ft) PDLQ URRI JXWWHU GRZQVSRXW

length (ft)

GHFN SRUFKHV GRZQVSRXW

7RWDO

$ 866.30

GRZQVWDLUV ZDOOV 5 LQWHULRU

SURILW DQG RYHUKHDG

3DLQW SDLQW

Page�4

IORRU FRQFUHWH \GV

FRQFUHWH UHEDU OLQHDU IHHW

RWKHU

ODERU

�Confidential

length (ft)

Page�2

[

length (ft)

[ WUHDWHG JLUWV FHQWHU ED\

[ SW VLOO FHQWHU ED\

JLUWV FHQWHU ED\

JLUWV HQG ZDOO ED\

VWLIIEDFNV FHQWHU ED\

VWLIIEDFNV HQG ZDOO ED\

[ 0LVF

length (ft)

WZR OLWWOH URRI RQO\ SRUFK FRYHUV FURVV JOXODP VLGH JOXODP UDIWHUV IDVFLD GHFNLQJ PHWDO URRI DQG IODVKLQJ JXWWHU EROWV DQG KDUGZDUH VWDLQ HWF

*LUWV 6WLIIEDFNV PDLQ

unit count (#)

MREVLWH VXSHUYLVRU 40 FDUSHQWHU 40 ODERUHU 40 WRWDO 120

1/17/2015

W VWUXWV

FRQFUHWH XQGHU SRUFKHV

SRUFKHV

1,413.92

64)7

64)7 Date: Figured By: $/(; Revised:

price/unit ($)

%8,/'287 237,216 1/17/2015

unit count (#)

ODERU

ORRNRXWV

time (hrs)

time (hrs)

IRRWSULQW

WDLOV

dimension [ size: [ [ phone: [[[ [[[ [[[[

GRRU KDUGZDUH

ODERU

WUXVVHV

ILUVW IORRU

WUHDWHG FROXPQV

FRUQHU FROXPQV

FHLOLQJ MRLVW KDQJHUV FHLOLQJ OHGJHUV MREVLWH VXSHUYLVRU FDUSHQWHU ODERUHU VWXGV WRWDO SODWHV FHLOLQJ

ODERU

32 32 32 96

unit count (#)

length (ft)

-2,676 *OXODP SRVW WKDW JOXODP VLWV RQ VWXGV KDQJHUV SODWHV SO\ZRRG FHLOLQJ MRLVWV

VHFRQG IORRU

LQWHULRU GRRUV

&ROXPQV VLGH FROXPQV

,QWHULRU :DOO )UDPLQJ

unit count (#)

FROXPQ DXJHULQJ SLHU SDGV IRRWLQJ FRQFUHWH \GV

UHEDU SLQV KDLUSLQ UHEDU

MREVLWH VXSHUYLVRU FDUSHQWHU ODERUHU )ORRU )UDPLQJ WRWDO

IORRU IUDPLQJ

GHSWK

SLHUV

7RWDO IURP DERYH

�Confidential

GLDPHWHU

PDLQ

ODERU

unit count (#)

UHQWDOV

�Confidential

H[LVWLQJ VWUXFWXUH

[BUILDOUT OPTIONS]

-2,676 *OXODP 'RHU SRVW WKDW JOXODP VLWV RQ KDQJHUV SO\ZRRG

Owner: address:

price/unit ($)

[[[ [[[ [[[[

%8,/',1* (67,0$7( length (ft)

IORRU IUDPLQJ

unit count (#)

64)7

%8,/'287 237,216

[[[ [[[ [[[[

3ODQV

/(1*7+

phone:

)ORRU )UDPLQJ

Date: Figured By: $/(; Revised:

OHQJWK

:,'7+

7RWDO IURP DERYH

*UHJ 6WDOOLQJV &RQVWUXFWLRQ 3LQH *URYH 5G (XJHQH 25 2IILFH )D[

[BASE BID]

'RHU

Page�1

size:

2IILFH )D[

*UDQG 7RWDO VWRULHV

*UHJ 6WDOOLQJV &RQVWUXFWLRQ price/unit ($) 3LQH *URYH 5G (XJHQH 25

[BUILDOUT OPTIONS]

Owner:

unit count (#)

*UDQG 7RWDO

)/2256

:,'7+

/(1*7+

64)7

64)7

$''7 / 64)7

64)7

Page�5


design synthesis

design tactics Building a house to follow the sun and withstand the seasons, leaving space for future elevator, creating a grand entrance without deviating from efficient construction system, breaking up tall facade with wrap-around deck, separating guest space from master suite, opening up a vaulted common space [comfortable for two, accommodating many], using concrete, metal roofing, and deep overhangs to protect from weather and the forest canopy, tucking an efficient kitchen into great room.

the north fork cabin This is a project for an adventurous couple looking to retire in a place that gives them privacy, dramatic beauty, and easy access to Oregon’s fishing and wildlife. The site is located in a second-growth Douglas-Fir forest on the north fork of the Willamette River, a scenic treasure with some of the best fly fishing in the country.

LAUNDRY

GUEST BATH

MASTER BATH

DINING

The client asked for a large ground-floor storage area for recreation equipment [skis, boats, and fly-tying workshop], a master suite and guest quarters, and generous common areas for entertaining friends and family. The site is densely forested, with the long edge running east-west against the river’s edge. There is substantial grade change from the road to the home site, before falling dramatically at the river.

MASTER BEDROOM

GREAT ROOM

KITCHEN

GUEST BEDROOM

MASTER CLOSET MORNING NOOK


crafting flexibility

year 1

year 5

year 11

year 20

crafting flexibility Integrating an established system of construction into a process of design, budgeting, and responsive construction administration can produce an efficient, flexible, and superior solution for any client’s needs. A bare-bones structure can be thrown up in a matter of days, with enclosure and finished infill to follow, either as a part of the same process, or much farther down the road, at no expense to net project costs, or product efficiency.

4'

HORIZONTAL CABLE TIE THRU BOTTOM CORD

exploiting the efficiencies of a system The popularity of pole-framed construction has increased over the last 100 years because it is versatile, fast, and often more economical than stick-framed alternatives. With a deep understanding of the logics behind various systems, one can experiment with shifting single elements within that system to derive innovative responses to various design problems.




resume

architecture experience Greg Stallings Construction Lane County, OR Project Manager/Designer Spring 2011 – Present Comprehensive architectural services; client communication, construction administration, subcontractor correspondence, schematic and design development, 3D modeling/rendering, and construction/permit set drafting AF Design Lane County, OR Designer/Builder Fall 2014 – Present Architectural and construction services for various clients; design and fabrication of mobile and modular tool library for local non-profit, design and construction documentation of addition and remodel to 1950’s home Joinery Structures Oakland, CA Assistant to Paul Discoe Summer 2012 Two months learning under traditional Japanese-style master craftsman. Construction of furniture and small wooden structures, production woodworking, model building, log milling, forklift operation, aquaponics Huntsman Architectural Group San Francisco, CA Paid Intern Winter 2010, Winter 2009 Built feasibility study model for a proposed tension structure for San Francisco museum. Assisted coworkers with on-site measurement, code-compliance documentation, AutoCAD drafting and Adobe Illustrator projects MCG Architecture San Francisco, CA Paid Intern Summer 2008 Maintaining immense library of drawings, transmittals for past and current projects, AutoCAD drafting current projects MF Architect San Francisco, CA Paid Intern Summer 2006 Ten weeks assisting with surveying, recording, and drafting as-builts in AutoCAD. Gained experience with AutoCAD, construction sets, and residential building details


education University of Oregon – School of Architecture and Allied Arts Bachelor of Architecture, 2013 - 10 Design Studios, with emphasis on structural design, social // environmental contexts - Construction Manager/Project Manager for designBridge // Small Farmers Project Shed - Student Director of designBridge - Project Manager for designBridge // The Common Good Lowell High School - Academic “honors” magnet school, 3 years of architecture classes

Lane County, OR Fall 2010 - Fall 2011 Spring 2011 - Fall 2012 Spring 2012 - Fall 2014 San Francisco, CA

skills and certifications Project Management Skills and Experience: - Leadership; managing design and construction teams (2 – 20 people), leading public design workshops, organization meetings (10 – 50 people), moderating discussions at HOPES Conference (100-300 people) - Talented writer; grants, promotional material, internal and external correspondence - Budgeting and estimating for design-build projects ($1k – $900k), soliciting donations - Scheduling, managing project timelines, teams, events, and collaborators Technical Skills and Experience: - Proficient in AutoCAD, Rhinoceros, Google Sketchup [with Artlantis and Vray rendering plugins], Adobe Creative Suite, Dreamweaver - Experienced with Microsoft Office [Outlook, Word, Excel, PowerPoint] and various mobile/cloud team collaboration platforms - Adept model builder; detailed presentation models, quick study models, site models - Skilled hand draftsman; technical drawings, perspectives, details and diagrams - Capable with variety of construction tools and methods; welding, framing, electrical wiring [AC/DC], concrete forming/finishing, milling lumber Personal Qualifications: - People-oriented, communicative, strong leader, inspirational, empathetic - Making time-sensitive decisions based on unforeseen circumstances - Self-motivated and passionate about social, economic and environmental design solutions - Respect for clean shop and workspace


alexander froehlich alexpfroehlich@gmail.com // 415.672.5948 alexanderfroehlich.com


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.