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Vertical Workshop

The UIC Barcelona School of Architecture’s Vertical Workshop is held over approximately ten days, starting in the first week of the academic year. It has been one of the School’s most important and iconic events since it was first launched in 1997. The Vertical Workshop at the School of Architecture brings together students from 1st through to 5th year studies, who are then mixed up into different teams, each led by a pair of renowned young architects from Spain. The teams then work to create a real architecture project based on social aims.

Vertical Workshop 2019: “Silent walls. Reusing the Capella de la Misericòrdia”

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From 3-7 September, Architecture students in years two through five went to the Capella de la Misericòrdia, or Chapel of Mercy, in the Barcelona district of Raval, to design ephemeral architectural projects that highlighted the site’s significance to the district’s residents.

This new edition of the Vertical Workshop, entitled “Silent Walls: Reusing la Capella de la Misericòrdia”, was directed by Ricardo Gómez Val and coordinated by Íñigo Ugalde, both holders of a PhD in Architecture and lecturers in the UIC Barcelona School of Architecture. The main purpose of the workshop was for the students to reflect on the Capella de la Misericòrdia in order to, on the one hand, devise new uses for the site that preserve its historical relevance and, on the other, offer solutions to the multiple challenges currently surrounding it.

“In the midst of the discussion regarding the future use of the chapel, we want to offer a new perspective on the site, recovering the site’s historical relevance as a place of gathering and reflection for people from the neighbourhood”, explained Ricardo Gómez Val.

This year’s Vertical Workshop was sponsored by the companies URCOTEX and SIKA, as well as the Jordi Capell Architects’ Cooperative. The jury this year was made up of Ricardo Flores, founder of the architecture studio Flores&Prats; Kathrin GoldaPongratz, architect, urban planner and lecturer at UIC Barcelona; and the prestigious sculptor, photographer and designer Javier Viver. The Vertical Workshop has always been an important event that represents the spirit of the school, and over recent years it has consolidated and extended its innovative nature.

The installation “Llum sobre el Raval”, or Light over Raval, directed by lecturers Eduardo Delgado Orusco and Àlex Martínez, was the project selected by the jury as the winner in this edition of the initiative. The core element in this installation is light, symbolised by steel turnbuckles that, like light, enter the church through a new stained glass window towards the top. The light, as it hits the floor in the chapel’s central nave, also symbolises the urban layout of the Raval district.

“The silenced chorists sing again” was the project chosen as the winner by the public. It is a sound installation that talks directly to spectators, urging them to reflect on where they are: a chapel that, in the past, provided a home for the city’s orphan girls. The project consists of two parts: in the first, a group of people in the middle of the nave depict the current dispute between the MACBA, the CAP Raval Nord platform and the residents of Raval. In the second, a group of girls and nuns situated in the choir personify the location’s past. As the spectators approach the installation, the choir begins singing, and children’s voices start to ask who the people arguing over the chapel are and urge them to set aside their differences.

Other submissions in this initiative include “Only unity can heal the community”, which also reflects on the need to iron out differences and move past the current conflict surrounding the future use of the chapel; “Casal del Raval: La Taronja”, which proposes converting the chapel into a social centre for residents by planning a series of social and cultural activities; and “Passage”, which considers the need to improve the connection between the Capella de la Misericòrdia and the square in front of the MACBA, modifying the tunnel that leads into the chapel with a view to making it more visible, accessible and welcoming.

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