Portfolio by giombattista areddia architetto

GIOMBATTISTA AREDDIA __portfolio

2010

2011

Masterâ&#x20AC;&#x2122;s degree in architecture _ University of Florence

2012

2013

2014

Stage Regione Toscana _ Florence

Internship at Studio architetto Belcastro _ Florence

Freelance architect _ Florence Postgraduate Masterâ&#x20AC;&#x2122;s degree at Iaac _ Barcelona

education

work at DNA Barcelona & Partners _ Barcelona

professional experiences

Assistant at IaaC Global Summer School-The Next City _ Barcelona YAd! _ Barcelona/Florence/Beirut FABTRUCK _ Barcelona/Sicily/South America Structure from wood and nex materials lifelong learning course at UPC _ Barcelona Green Design lifelong learning course at Qualitas _ Florence

Sustainable design in Architecture lifelong learning course at Qualitas _ Florence Competitions

2015

skills

parametric design

timber design

sustainable design visualization

building physics

digital fabbrication

selected projects

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YAd!_

external views

YAd!_ Nabbouh

external views

YAd!_ Casa 8x8

external views of the central building

works at dna Barcelona & Partners

UNIVERSIDAD ALGERIA

external views of the central building

daylight analysis of the bloc pedagogic I to determinate the windows openings

works at dna Barcelona & Partners

AUDITORIUM PROPOSAL 1

EXTERNAL VIEWS

works at dna Barcelona & Partners

AUDITORIUM PROPOSAL 2

EXTERNAL VIEWS

works at dna Barcelona & Partners AUDITORIUM DISCARDED PROPOSALS

AUDITORIUM DISCARDED PROPOSALS

works at dna Barcelona & Partners ILLA FORUM

EXTERNAL VIEWS

Illa Forum DRAGON SKIN PROPOSALS

works at dna Barcelona & Partners 3000 VIVIENDAS

EXTERNAL VIEWS

AREA DISTRIBUTION

PLAZA VIEWS

DAY / NIGHT

works at dna Barcelona & Partners CENTRE ANTI CANCER-ORAN

EXTERNAL AND INTERNAL VIEWS

BUILDING ANALYSIS

DESIGN CONCEPTS

works at dna Barcelona & Partners BIR KHADEM LUXURY RESIDENCES

EXTERNAL VIEWS

AREA DISTRIBUTION

IaaC Master Final Thesis BREATHING PANEL

zation

11/03/15 12:37

S1: Designing Associativity Frame bend optimization By DIMITRIOSAIDONIS | Published: MARCH 24, 2014

In our studio project research we are using contracting shape memory alloy wires to bend frame panels. Flexinol is a brand name for a specifically programmed shape memory alloy that contracts by 4.5% when heated to a specific temperature and then returns to its initial length. In our case, a flexinol wire connects two points of a planar frame, causing it to bend.

Studio Syllabus Faculty References

physical model

Students

Aditya Kadabi After physical testing of various frame materials, thicknesses, geometries and anchoring points of the flexinol, Agnieszka Wanda Janusz we decided to simulate the system’s behavior, using grasshopper and kangaroo. Akanksha Kargwal Akanksha Rathee Alejandro Garcia Garcia The frame geometry we are simulating is the pentagon. The lower edge is anchored and the flexinol wire runs Alejandro Martinez del Campo from 11 possible point positions on that edge, to 11 point positions on each of the two upper edges, as shown Alessio Salvatore Verdolino on the diagram. Apostolos Marios Mouzakopoulos Archana Kadaba Ramesh Ashwini Mani Asif Rahman Atessa Zandi Mofrad Boney Virendra Keriwala Carlos Bausa Martinez Carmen Aguilar y Wedge Chirana Lemuel Sumendap Christoﬀer Ryan Chua Chung Kai Hsieh Daniel Ricardo Giraldo Rivera Dhwani Samir Patel Dimitrios Aidonis Efstathia Eleni Baseta physical model Elena Mitrofanova Filomena Nigro Giacomo Fiorani Giombattista Areddia After physical testing of various frame materials, thicknesses, geometries and anchoring points of the flexinol, Gustavo Adolfo Triana Martinez we decided to simulate the system’s behavior, using grasshopper and kangaroo. Hriday Siddarth Saini Hristo Kovachev Ian Harold Mann The frame geometry we are simulating is the pentagon. The lower edge is anchored and the flexinol wire runs Irina Shaklova from 11 possible point positions on that edge, to 11 point positions on each of the two upper edges, as shown Ismail Gokhan Catikkas Jhon Alexander Giraldo Mendez on the diagram. Jose Roberto Diaz Braga Joshua Ranjit Pio John Flexinol anchor points Juhi Pravin Patel Karl Francalanza Kateryna Rogynska Luca Gamberini The parameters we set in our grasshopper definition are: Luis Leon Lopez Mamta Srinivas Mardet Gebreyesus - The pentagon’s radius and frame’s offset distance Maria Agnieszka Czajczynska Maria Laura Cerda - The flexinol’s lower anchor point Mary Katherine Heinrich Maureen Eunice Estrella Lora Meral Ece Tankal Michele Braidy Miguel Angel Juarez Diazbarriga http://www.iaacblog.com/maa2013-2014-designing-associativity/2014/03/frame-bend-optimization/#more-1571 Mohamad Yassin Natalie Alima

galapagos results

Working with octopus proved more stable, but still left us with lots of invalid configurations. Octopus, nevertheless, let us organize the results on two axis, for the two main fitness parameters, the flexinol’s length and the frame’s displacement (in radians).

ization

11/03/15 12:37

- The Flexinol’s upper anchor point - The frame’s stiffness The optimization run by galapagos will give us the configuration with the maximum ratio of displacement / flexinol length. Galapagos run more than three generations, from which point on it kept crushing, so the results are not pointing towards a specific configuration. At this point we decided to work with octopus for the optimization procedure.

Stephanie Bashir Sviatlana Matushko Tobias Grumstrup Lund Øhrstrøm Trinidad de los Angeles Gomez Machuca Wen Shan Foo

Archives April 2014 March 2014 February 2014

Octopus two-axis results visualization

Frame bend optimization

11/03/1

By simplifying the parameters and reducing them to only control the anchor points, we get more specific and accurate results. http://www.iaacblog.com/maa2013-2014-designing-associativity/2014/03/frame-bend-optimization/#more-1571

galapagos results

Octopus visualization of the simplyfied optimization

The optimum solutions can be seen on the “pareto front”, the configurations that give results closes to the

Page

Octopus visualization of the simplyfied optimization

Frame bend optimization

The optimum solutions can be seen on the “pareto front”, the configurations that give results closes to the optimum of the two axes. Each result can be selected and presented on grasshopper.

The “pareto front” with the optimum elite

The army of solutions given by octopus

cblog.com/maa2013-2014-designing-associativity/2014/03/frame-bend-optimization/#more-1571

One of the optimum solutions

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Daily Paths By RENATA DE CASTRO LOTTO | Published: FEBRUARY 24, 2014 Studio Syllabus Faculty References

Students

Daily Paths

Aditya Kadabi Agnieszka Wanda Janusz Akanksha Kargwal Akanksha Rathee Alejandro Garcia Garcia Alejandro Martinez del Campo Alessio Salvatore Verdolino Apostolos Marios Mouzakopoulos Archana Kadaba Ramesh Ashwini Mani Asif Rahman Atessa Zandi Mofrad Boney Virendra Keriwala Carlos Bausa Martinez Carmen Aguilar y Wedge Chirana Lemuel Sumendap ChristoďŹ&#x20AC;er Ryan Chua Chung Kai Hsieh Daniel Ricardo Giraldo Rivera Dhwani Samir Patel Dimitrios Aidonis Efstathia Eleni Baseta Elena Mitrofanova Filomena Nigro Giacomo Fiorani Giombattista Areddia Gustavo Adolfo Triana Martinez Hriday Siddarth Saini Hristo Kovachev Ian Harold Mann Irina Shaklova Ismail Gokhan Catikkas Jhon Alexander Giraldo Mendez Jose Roberto Diaz Braga Joshua Ranjit Pio John Juhi Pravin Patel Karl Francalanza Kateryna Rogynska Luca Gamberini Luis Leon Lopez Mamta Srinivas Mardet Gebreyesus Maria Agnieszka Czajczynska Maria Laura Cerda Mary Katherine Heinrich Maureen Eunice Estrella Lora Meral Ece Tankal Michele Braidy Miguel Angel Juarez Diazbarriga Mohamad Yassin Natalie Alima Niel Jagdish Parekh Novak Kijac Pablo Miguel Marcet Pokorny Pongtida Santayanon Ramin Shambayati Raphael Teixeira Libonati Rasha Sukkarieh Remita Thomas Renata de Castro Lotto

11/03/

Stephanie Bas Sviatlana Matu Tobias Grumstr Trinidad de los Machuca Wen Shan Foo

Archives April 2014 March 2014 February 2014

curves are extracted from the twisted – extruded pentagon. These curves are further extruded by a Aditya Kadabi movement. The base triangles and strips are inter geometry to understandAgnieszka the carrying Wandacapacity Janusz of the base. These extruded triangles are then prolife Akanksha Kargwal series of planar triangles whichthe act asdirection ties for the extruded curvestrip from the of triangles. The Since of each isvertices distinctive , 90 Akanksha Rathee proliferated with more Alejandro trianglesGarcia allowing Garciastability to the structure. As we go up the density is redu to produce a dynamic structure keeping in mind th Alejandro Martinez delisCampo provide lighter structure whose only aim to act as ties.In order to achieve the structure of height PROLIFERATIVE_TWIRL Salvatore Verdolino By BONEYKERIWALA | Published: NOVEMBER 6, 2013 the strips are connectedAlessio by lock and key joints which is clipped by ‘C’ joint in order to restrict the m Apostolos Marios Mouzakopoulos Studio The intersecting strip are connected sliding joint and clipped in opposite directions controlling Archana Kadababy Ramesh Syllabus Faculty Ashwini Mani movement. and strips are interconnected via lock and key joint to achieve more References nal base-sides 30 cm (given). The very idea of understanding the The base triangles Asif Rahman Studentsstrip is distinctive , 90 unique strips were fabricated and connect throu Since the ending, twisting, stretching etc through the joinery details. Thedirection of each Atessa Zandi Mofrad Aditya Kadabi Agnieszka Wanda Janusz to produce a dynamic structure keeping in mind the material possibility. Boney Virendra Keriwala -to specific height, which is then twisted in to clockwise and

Digital Fabrication

termine the bending and twisting properties of wood. The bending – extruded pentagon. These curves are further extruded by a triangular apacity of the base. These extruded triangles are then proliferated by The project initiated with the pentagonal base-sides 30 cm (given). The very idea of understanding the properties of 3 mm thick plywood i.e bending, stretching etc through the joinery ies for the extruded curve from thetwisting, vertices of triangles. The details. base The is pentagonal base is extruded (given) up-to specific height, which is then twisted in to clockwise and ing stability to the structure. As we the gobending up the density is reduced anticlockwise directions in order to determine and twisting properties of wood. Theto bending curves are extracted from the twisted – extruded pentagon. These curves are further extruded by a triangular m is to geometry act as toties.In order to achieve the structure of height 2400 mm understand the carrying capacity of the base. These extruded triangles are then proliferated by of planar which as ties for thein extruded curve the vertices of triangles. The base is y jointsseries which is triangles clipped byact‘C’ joint order tofrom restrict the movement. proliferated with more triangles allowing stability to the structure. As we go up the density is reduced to y slidingprovide jointlighter andstructure clipped controlling diagonal whosein onlyopposite aim is to act asdirections ties.In order to achieve the structurethe of height 2400 mm the strips are connected by lock and key joints which is clipped by ‘C’ joint in order to restrict the movement. ps are interconnected via lock and key joint to achieve more stability. The intersecting strip are connected by sliding joint and clipped in opposite directions controlling the diagonal The basestrips triangles were and strips are interconnected via lock and key joint to achieve more stability. nctive ,movement. 90 unique fabricated and connect through joinery Since the direction of each strip is distinctive , 90 unique strips were fabricated and connect through joinery g in mind the material possibility. to produce a dynamic structure keeping in mind the material possibility.

Akanksha Kargwal Akanksha Rathee Alejandro Garcia Garcia Alejandro Martinez del Campo Alessio Salvatore Verdolino Apostolos Marios Mouzakopoulos Archana Kadaba Ramesh Ashwini Mani Asif Rahman Atessa Zandi Mofrad Boney Virendra Keriwala Carlos Bausa Martinez Carmen Aguilar y Wedge Chirana Lemuel Sumendap Christoﬀer Ryan Chua Chung Kai Hsieh Daniel Ricardo Giraldo Rivera Dhwani Samir Patel Dimitrios Aidonis Efstathia Eleni Baseta Elena Mitrofanova Filomena Nigro Giacomo Fiorani Giombattista Areddia Gustavo Adolfo Triana Martinez Hriday Siddarth Saini Hristo Kovachev Ian Harold Mann Irina Shaklova Ismail Gokhan Catikkas Jhon Alexander Giraldo Mendez Jose Roberto Diaz Braga Joshua Ranjit Pio John Juhi Pravin Patel Karl Francalanza Kateryna Rogynska Luca Gamberini Luis Leon Lopez Mamta Srinivas Mardet Gebreyesus Maria Agnieszka Czajczynska Maria Laura Cerda Mary Katherine Heinrich Maureen Eunice Estrella Lora Meral Ece Tankal Michele Braidy Miguel Angel Juarez Diazbarriga Mohamad Yassin Natalie Alima Niel Jagdish Parekh Novak Kijac Pablo Miguel Marcet Pokorny

Carlos Bausa Martinez Carmen Aguilar y Wedge Chirana Lemuel Sumendap Christoﬀer Ryan Chua Chung Kai Hsieh Daniel Ricardo Giraldo Rivera Dhwani Samir Patel Dimitrios Aidonis Efstathia Eleni Baseta Elena Mitrofanova Filomena Nigro Giacomo Fiorani Giombattista Areddia Gustavo Adolfo Triana Martinez Hriday Siddarth Saini Hristo Kovachev Ian Harold Mann Irina Shaklova Ismail Gokhan Catikkas Jhon Alexander Giraldo Mendez Jose Roberto Diaz Braga Joshua Ranjit Pio John Juhi Pravin Patel Karl Francalanza Kateryna Rogynska Luca Gamberini Luis Leon Lopez Mamta Srinivas Mardet Gebreyesus Maria Agnieszka Czajczynska Maria Laura Cerda

The_ScReam_Tile

11/03/15

Digital Fabrication The_ScReam_Tile By GIOMBATTISTA AREDDIA | Published: DECEMBER 4, 2013

The_ScReam_Tile

11/03/15 12

Studio Syllabus Faculty References

Students

By placing three circles and drawing the tangent lines connected to the tileâ&#x20AC;&#x2122;s predefined edge canals, we managed to create a chaotic grid system of intersections. Piping the lines with variable width provides the desired water flow effect, while the complexity of the final outcome makes each tile cooperate with its adjacent ones, in a way that their edges are diminished.

Stephanie Bashir Sviatlana Matushko Tobias Grumstrup Lun Trinidad de los Angele Machuca Wen Shan Foo

Archives January 2014 December 2013 November 2013 October 2013

11/03/15 12:39

The_ScReam_Tile

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This entry was posted in Dimitrios Aidonis, Giombattista Areddia, Hriday Siddarth Saini. Bookmark the permalink. Comments are closed, but you can leave a trackback: Trackback URL.

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The Spiroball

Digital Fabrication The Spiroball Digital Fabrication By SAHILSHARMA | Published: NOVEMBER 21, 2013

The Spiroball By SAHILSHARMA | Published: NOVEMBER 21, 2013 The Spiroball By SAHILSHARMA | Published: NOVEMBER 21, 2013

Studio Syllabus Faculty References

Studio Students Syllabus

Aditya Kadabi Studio Faculty

The basic concept behind the whole design was to have dynamism in a vertical design by using one single element, and the possibility of this element to either move in the vertical axis so as to either merge the vertical rods inwards or expand them outwards or rotate the element in horizontal axis creating a spire effect in the vertical rods. The basic concept behind the whole design was to have dynamism in a vertical design by using one single element, and the possibility of this element to either move in the vertical axis so as to either merge the vertical The concept behind the whole design was tothe have dynamism in a vertical byausing single rodsbasic inwards or expand them outwards or rotate element in horizontal axisdesign creating spire one effect in the element, and the possibility of this element to either move in the vertical axis so as to either merge the vertical vertical rods. rods inwards or expandofthem outwards or3-D rotate the element horizontal axis creating a spire effect in the The Structure consists two basic joints printed. One of in which is a spherical egg shaped joint which is vertical made byrods. joining two hemispherical pieces together. The hemispherical pieces have ten holes in each piece which allow the vertical rods to go through making it possible to move this joint in the vertical axis, both the hemispherical joints getoflocked intojoints each other providing horizontal axis. is The Structure consists two basic 3-D printed. Onethe of rotational which is a flexibility spherical in eggthe shaped joint which made are by joining twoidentical hemispherical piecestie together. The hemispherical piecesthe have ten holes in each piece There five more joints which two vertical rods together under spherical joint, the main The Structure consists ofrods two to basic joints 3-D printed. One of which is athis spherical egg shaped joint which is which allow the vertical go through making it possible to move joint in the vertical axis, both the function of these joints is to make the joints rigid or flexible near the base, which can be done by moving these made by joining two hemispherical pieces together. The hemispherical pieces have ten holes in each piece hemispherical jointsaxis. get locked into each other the rotational in rods the horizontal axis. pieces in the vertical The closer they are to providing the base, greater rigidityflexibility the vertical have in the base, as which allow the vertical rods to go through making it possible to move this joint in the vertical axis, both the you move these pieces farther away from the base, the vertical rods become more flexible near the base. this hemispherical joints get locked into each other providing the rotational flexibility in the horizontal axis. causes the vertical robs to either concave in or convex out near the base.

Agnieszka Wanda Janusz References Syllabus Akanksha Kargwal Faculty Students Akanksha Rathee References Alejandro Garcia Garcia Aditya Kadabi Alejandro Martinez del Campo Students Agnieszka Wanda Janusz Alessio Salvatore Akanksha KargwalVerdolino Aditya Kadabi Apostolos Rathee Marios Mouzakopoulos Akanksha Agnieszka Wanda Janusz Archana Kadaba Ramesh Alejandro Garcia Garcia Akanksha Kargwal Ashwini Mani Alejandro Martinez del Campo Akanksha Rathee Asif Rahman Alessio Salvatore Verdolino Alejandro Garcia Garcia Atessa Zandi Mofrad Apostolos Marios Mouzakopoulos Alejandro Martinez del Campo Boney Virendra Archana KadabaKeriwala Ramesh Alessio Salvatore Verdolino Carlos Bausa Ashwini Mani Martinez Apostolos Marios Mouzakopoulos Carmen Aguilar y Wedge Asif Rahman Archana Kadaba Ramesh ChiranaZandi Lemuel Sumendap Atessa Mofrad Ashwini Mani Christoffer RyanKeriwala Chua Boney Virendra Asif Rahman Chung Bausa Kai Hsieh Carlos Martinez Atessa Zandi Mofrad Daniel Ricardo Rivera Carmen AguilarGiraldo y Wedge Boney Virendra Keriwala Dhwani Samir Patel Chirana Lemuel Sumendap Carlos Bausa Martinez Dimitrios Aidonis Christoffer Ryan Chua Carmen Aguilar y Wedge Efstathia Eleni Baseta Chung Kai Hsieh Chirana Lemuel Sumendap Elena Mitrofanova Daniel Ricardo Giraldo Rivera Christoffer Ryan Chua FilomenaSamir NigroPatel Dhwani Chung Kai Hsieh Giacomo Aidonis Fiorani Dimitrios Daniel Ricardo Giraldo Rivera Giombattista Efstathia EleniAreddia Baseta Dhwani Samir Patel Gustavo Adolfo Triana Martinez Elena Mitrofanova Dimitrios Aidonis Hriday Siddarth Filomena Nigro Saini Efstathia Eleni Baseta Hristo Kovachev Giacomo Fiorani Elena Mitrofanova Ian Harold Mann Giombattista Areddia Filomena Nigro Irina Shaklova Gustavo Adolfo Triana Martinez Giacomo Fiorani Ismail Gokhan Hriday SiddarthCatikkas Saini Giombattista Areddia Jhon Alexander Hristo KovachevGiraldo Mendez Gustavo Adolfo Triana Martinez Jose Roberto Diaz Braga Ian Harold Mann Hriday Siddarth Saini Joshua Ranjit Pio John Irina Shaklova Hristo Kovachev Juhi Pravin Patel Ismail Gokhan Catikkas Ian Harold Mann Karl Francalanza Jhon Alexander Giraldo Mendez Irina Shaklova Kateryna Rogynska Jose Roberto Diaz Braga Ismail Gokhan Catikkas Luca Gamberini Joshua Ranjit Pio John Jhon Alexander Giraldo Mendez Luis Leon Juhi PravinLopez Patel Jose Roberto Diaz Braga Mamta Srinivas Karl Francalanza Joshua Ranjit Pio John Mardet Gebreyesus Kateryna Rogynska Juhi Pravin Patel MariaGamberini Agnieszka Czajczynska Luca Karl Francalanza MariaLeon Laura Cerda Luis Lopez Kateryna Rogynska Mary Katherine Mamta Srinivas Heinrich Luca Gamberini MaureenGebreyesus Eunice Estrella Lora Mardet Luis Leon Lopez Meral Agnieszka Ece Tankal Czajczynska Maria Mamta Srinivas Michele Braidy Maria Laura Cerda Mardet Gebreyesus MiguelKatherine Angel Juarez Diazbarriga Mary Heinrich Maria Agnieszka Czajczynska MohamadEunice YassinEstrella Lora Maureen Maria Laura Cerda NatalieEce Alima Meral Tankal Mary Katherine Heinrich Niel Jagdish Parekh Michele Braidy Maureen Eunice Estrella Lora Novak Kijac Miguel Angel Juarez Diazbarriga Meral Ece Tankal Pablo Miguel Marcet Pokorny Mohamad Yassin Michele Braidy Pongtida Santayanon Natalie Alima Miguel Angel Juarez Diazbarriga Ramin Shambayati Niel Jagdish Parekh Mohamad Yassin Raphael Teixeira Libonati Novak Kijac Natalie Alima Rasha Sukkarieh Pablo Miguel Marcet Pokorny Niel Jagdish Parekh Remita Thomas Pongtida Santayanon Novak Kijac Renata de Castro Lotto Ramin Shambayati Pablo Miguel Marcet Pokorny Ricardo Perez Borbolla Raphael Teixeira Libonati

The Spiroball

We were able to achieve a composition which is vertical in nature, but which can be able to change its geometry ( Straight vertical members or Spiral), height and radius.

We were able to achieve a composition which is vertical in nature, but which can 0 Mi piace Tweet 0 geometry ( Straight vertical members or Spiral), height and radius.

MASTER’S DEGREE FINAL THESIS ELDERLY RESIDENCE, A CROSS-LAMINATED TIMBER STRUCTURE IN CASTELLINA IN CHIANTI

UNDER THE CARPET CONCEPT “Under the Carpet” is a garden that brings surrealism to the discussion of today’s garden. It represents the gesture of trimming the garden´s soil and pulling it up the see “what’s going on under”. It’s a metaphor for today´s holistic garden, based on the understanding of nature itself, more than just (re)shaping it. This garden reflects on the complexity and importance of one of the major components of the Earth's ecosystem: SOIL. A curved structural grid serves to hold pots with different plants including colorful flowers, eatable, fruit and aromatic plants. The bottom of the pots form a mycelium surface that provides eatable mushrooms. The pots are interconnected with an electronic interactive system: when a plant is touched the ones that interact with it will glow and light up so the visitors experience the hidden relations within plants. There are removable pots that the visitors take home to continue the experience. “Under the Carpet” brings together biology, technology, and the information society, creating a range of sensory, emotional and intellectual experiences through an unusual physical setting that invites exchange and reflection.

SOIL

STRUCTURE Earth soil is the habitat for the organisms that recycle the nutrients, being the largest superficial carbon reservoir. It filters and purifies the water, provides nutrients for plants, and the food we need. It´s the surface where live occurs. The more complex a soil is, the more biomass and diversity it will sustain. Earth soil is the habitat for the organisms that recycle the nutrients, being the largest superficial carbon reservoir. It filters and purifies the water, provides nutrients for plants, and the food we need. It´s the surface where live occurs. The more complex a soil is, the more biomass and diversity it will sustain.

esc 1/75

The curved surface is achieved by a grid of interlocked treated wood beans. The grid spaces are filled with permanent pots that are interconnected with an electronic interactive system.

FEEL THE LIFE

Plants communicate and interact with each other and other organisms stablishing complex relations. When you touch one plant, the ones related to it will glow and light up. The visitors will experience the hidden relations between plants.

GROW ONE

MYCELLIUM

Some of the pots are removable so the visitors take them and continue the experience at home, letting the garden evolve over time.

This roots network that fungi build on the ground serves as support for mature and complex grounds. At the bottom of the pots there is a surface of mycelium that will grow eatable mushroom. Mycelium forms a network of roots that decompose the nutrient and gives structure to the soil, so that plants can grow.

HAND (Conductor) PLANT (Dieletric)

ARDUINO BOARD

S.F.C.S LAMP

COPER PLATE (conductor) TOUCH SENSOR

THE BOX

PLANTS PLANT GRASS

ORGANIC SOIL MUSHROOM MOSS

The upper side of the pot will serve to grow colorful flowers, eatable, fruit and aromatic plants. On the bottom there will be a surface of mycelium that will produce eatable mushroom, using a unique technique we developed recently.

Open sunny - humid/lower area of garden Agastache foeniculum Verbena hastata Allium schoenoprasum Monarda fistulosae Carex elata

Shaded corner of the garden Adiantum pedatum, S Asarum canadense - S, E, A Viola septentrionalis - E,S Taxus canadensis - S

Open sunny - drier/sloped area of garden Rudbeckia hirta Hordeum jubatum Asclepias incarnata Achillea millefolium Rosa canina

Vertical part of garden Gaultheria procumbens Dryopteris marginalis Athyrium distentifolium Arctostaphylos uva-ursi Sesleria autumnalis - S

See Eat/taste Smell Take away plants Additional Interest

[AC-CA] competition CASABLANCA - SUSTAINABLE MARKET

ground floor the MARKET

formal market

unformal market

1st floor the CAFĂ¨

2nd floor the lounge area

trivium market

NIGHT Art Exhibition Zone Concert Hall Zone Theatre Zone

DAY Meat Zone_85mq Fish &Sea Food Zone_100mq Fruit and Vegetables Zone_120mq Spice Zone_50mq Flowers Zone_35mq

1.Newspaper Quosk_20mq 2.Information Area_20mq 3.Restrooms_100mq 4.Water POints 5.Refuse Collection Area

The innovation is the progress of the tradition, the project find out from the cultural heritage of the city its nature , read in a new vision of Casablanca, where people from all the world converge The entrances are situated in the three corners of the square to be accessible from the most important directions. The covered area is mainly divided into two part: - the market place, a flexible space; -the three stores building , the relax area. The shape of the building is in contrast with the market place,like a ship oriented to the sea, straned among the desert dunes

SECTION A-Aâ&#x20AC;&#x2122;

EXTERNAL ROOF PVC Cloth Roof Decorated aluminium grid

INNER ROOF Cotton Cloth Roof Curve transparent plexiglass plate with HUV tratament

SECONDARY STRUCTURE Wood laminated Beams

PRIMARY STRUCTURE Wood laminated Master Beams

[AC-CA] competition RIO DE JANEIRO- WORLD CUP 2014 PAVILLION

The Brazilian society represents one of the best model that embodies the World Cup spiritâ&#x20AC;&#x2122;s. It is a society where the racial and cultural mixture is its union secretâ&#x20AC;&#x2122;s. The Brazilian diversity as a world heritage. This spirit is expressed by the project trough a dissonant shapes clash that becames an encounter with the results of their union. The squared pavillions face with the curved one, all together enveloped in a path. The project concept and sustainability is mainly reached by the use of bamboo structures. The pavillion wants to promote the bamboo use, to show its architectural and structural properties. Bamboo is a natural, renewable, low cost (extensively diffused in the country), a valid and economic alternative for social housing emergencies.

The “Brazilian Hug”, it’s a covered path with two main functions: -Symbolic/Iconic function an attractive and reference point for the visitors during the World Cup event -Promotional function it contains an exhibition to promote Rio de Janeiro and and Brazilian attractive points

The project is composed by three different kinds of structures made by the combination of three materials: -Bamboo -Steel The material used to cover the bamboo structures is a solar control performancepff-line coated glass, with low light trasmittence and High light performance. A steel basement support the bamboo structures, in order to prevent ground perforation and to create a pavillion flexible as much as possible.