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Steven Kwan Arts Editor 520•621•3106 arts@wildcat.arizona.edu
Fantabulous in pink
wednesday, january 20, 2010
Wildlife BEFORE YOU GRADUATE
Say what you want about Arizona summers; this time of year in Tucson more than makes up for the 100-degree days to come. Classes for spring semester have barely begun, so your academic obligations are about as undemanding as they’ll get between now and May. There’s no better chance to spend some time exploring what the area has to offer. Whether you only have a few hours or a full day, here are some opportunities to enjoy the season before the sweltering heat hits.
Mirror, mirror, along the Mall?
That’s right, the UA’s own Steward Observatory Mirror Laboratory is open for tours. The mirror lab is located right under the football stadium. Mirrors created on this campus have been used in telescopes across the globe. You may have been around for the Phoenix Mars Mission countdown, or maybe you’ve just always wondered about that R2-D2-shaped observatory visible from the UA Mall. Either way, you’ve probably heard about our university’s excellence in optics and astronomy. It’s time to go check it out firsthand. Joan Marcus/Courtesy of Broadway in Tucson
TOUR SCHEDULING
Becky Gulsvig, above, as Elle Woods and the cast of the National Tour of Legally Blonde the Musical. D.B. Bonds as Emmett Forrest in the National Tour of Legally Blonde the Musical.
Tuesday and Friday, 1 p.m. and 3 p.m. Tours last approximately 60-90 minutes Reservations required in advance $15 Adults $8 Students (7 - 22 years old) $13 Groups (10+) Contact Cathi Duncan: cduncanf@email. arizona.edu
‘Legally Blonde’ an exuberant musical romp with a sweet message By Emily Moore Arizona Daily Wildcat What? Like it’s hard getting into Harvard? It wasn’t that hard last night for the opening night of “Legally Blonde The Musical.” As the crowd gathered at the Tucson Convention Center it was a little less pink than one might have expected, yet occasionally peppered throughout the audience you could easily spot the die-hard fans — clothed from head to toe in pure pink. Ironically enough, the crowd’s signature color was black. The audience, from men to women and elderly to young, was totally ready to see the show. The story takes the audience along for the much loved journey of Elle Woods’ life right after her longtime boyfriend Warner Huntington III (Jeff McLean) decided to break it off with her. Determined to get him back, she trades in her sunny West Coast life for the “drab” East. Along the way, she runs into loads of troubles from discrimination to sexual harassment, but that’s not to say the musical isn’t quirky and lighthearted with some excessive snapping. If you’ve seen the movie you know the story;
the musical doesn’t stray from the original. But it is interesting to see it done live with some singing and dancing added to the mixture. The cast was hilarious and made the show fun to watch. Each performer really embodied his or her character and had the audience LOL-ing the entire way. Becky Gulsvig positively played the pink part. She resembled the original Elle Woods, being quite the Reese Witherspoon lookalike. Although she didn’t command as much power as Elle Woods’ character should, Gulsvig gave quite a performance as the leading lady. Rhiannon Hansen, one of the girls featured on MTV’s “Legally Blonde The Musical: The Search for Elle Woods,” plays Margot, Elle’s best friend. She took the stereotypical sorority girl character to a new comical level. Although she didn’t win the reality show, Hansen really fit into her character. Also among the favorite characters were Paulette (Natalie Joy Johnson), Kyle aka the UPS guy (Ven Daniel) and, of course, the dogs, who were all rescued from humane societies and animal control. BLONDE, page B7
Learn to love a cactus
To get tickets or for more information check out http://broadwayintucson.com/ or http://tour.legallyblondethemusical.com/ .
The show’s final performance is Sunday.
MOMIX to spin a ‘remix’ at Centennial Hall By Dallas Williamson Arizona Daily Wildcat
INSIDE
Photo courtesy of UApresents
Get ready for a new type of dance experience as MOMIX takes the stage Saturday night at Centennial Hall. Internationally acclaimed for presenting concerts that take audiences into the surreal and fantastic, MOMIX steps beyond the limits of a typical modern dance performance. Integrating theater, acrobatics and dance, company members are often referred to as dancer-illusionists, and founder and artistic director Moses Pendleton is hailed as one of the scene’s most imaginative and inventive choreographers. Although the company is based in Washington, Conn., MOMIX has dazzled audiences around the globe and has even appeared in film and on television. Blending eccentric props, imaginative lighting and energetic choreography, Pendleton’s works ignite the stage and give audiences a multimedia treat. The company is set to perform“ReMIX,”a collection of MOMIX’s greatest and most beloved works, in honor of the company’s 30th anniversary season. “The show is like a compilation album,”said Pendleton, who also co-founded the Pilobolus Dance Theater.“It features excerpts from five different programs which highlight the basic MOMIX aesthetic.” While previous works from such acclaimed shows as“Opus Cactus”and“Passion”will once again grace the stage, MOMIX
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will also provide a sneak preview of their newest concert, “Botanica,”which is currently running in Europe. So what makes their work a hit? “Well, with MOMIX, audiences should always expect the unexpected,”Pendleton chuckled.“Just sit back and let MOMIX take you on a little trip.” And with stunning athletic spectacles, such as a pas de deux on skis, an extraordinary score and vibrant set design, the fastpaced electric concert is sure to deliver nothing short of magic. “It is about the freedom of the spirit and the mind.” Pendleton noted.“The dances are about making contact with the elements and forces of nature. They are that of our dreams and fantasies, creation and invention.” After a journey to the surreal and back, UApresents audiences should not be surprised if they walk away with a little jump in their step.
Also be sure to check out: “A Year with Frog and Toad”
The fun and beloved Broadway musical hit that follows the delightful characters Frog and Toad as they discover the importance of friendship and the value of individuality.
Sunday at 3 p.m. MOMIX: “ReMIX” Saturday at 8 p.m. Centennial Hall 1020 E. University Blvd. Call 520-621-3341 or visit www.uapresents.org for tickets Tickets are available for only $15 to all UA students
Did you know that Tucson is surrounded by a national park? Those iconic saguaro cacti populate Saguaro National Park’s two districts, one east and one west. Head east to the Rincon Mountain District, about half an hour outside of town, for an eight-mile drive (or ride, if you’re adventurous enough to bike) on Cactus Forest Loop Drive that offers a stunning perspective on that dry, desolate desert people picture when they think of the Southwest. The mountains are formidable, the cacti are proud and if you head out right around sunset you’ll think you were in a classic Western. Bet you didn’t know Tucson could look this good. IF YOU PLAN TO GO Park open from 7 a.m. to sunset Visitor center open 9 a.m. - 5 p.m. Entrance fee: $10 per vehicle, or $5 per individual on foot or bicycle (each good for seven days)
Lake Pleasant is pleasant
If you’ve got a day or a weekend to spend, make your way up north past Phoenix to Lake Pleasant Regional Park. If you grew up in Arizona, you probably have at least one lake or family camping horror story. But have you been back lately? Even the least outdoorsy of us can appreciate the abundance of hiking trails and opportunities for stargazing, fishing, geocaching or relaxing lakeside with your refreshments of choice. The visitor’s center also offers an awesome view of the New Waddell Dam and plenty of information about the history of the area. Check out the upcoming events, which include the Sixth Annual “Dam Good Run, Walk, Hike” and “Scuba Adventure Day.” Visit http://maricopa.gov/parks/lake_pleasant/ default.aspx for directions and events calendars.
— Marisa D. Fisher Is there something that you think we should do before graduating? Send your suggestions to arts@wildcat.arizona.edu. Please include your name, major and year.
‘Defaced’
Student exhibition confronts literary vandalism
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RIDICULOUSLY ENTERTAINING!❞
—THE HARVARD CRIMSON
NOW THRU SUNDAY ONLY! BUY TICKETS: 800-745-3000
www.broadwayintucson.com or in person at the TCC Ticket Office,
STUDENT TICKETS AS LOW AS $20!
Photo: Kate Turning
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• wednesday, january 20, 2010 • arizona daily wildcat
To-Do List WEDNESDAY, JAN. 20
Sky Bar, 536 N. Fourth Ave., holds an Open Mic each Wednesday at 6:30 p.m. Performance artists, spoken word and original films are welcome. Sign-up is at 6 p.m. Free. Viva La Diva Drag Show will be held at IBT, 616 N. Fourth Ave., 9 p.m. Free. The Women’s Resource Center and Planned Parenthood are teaming up to present “On Hostile Ground” in honor of the 37th anniversary of Roe v. Wade. The documentary is the first in their 2010 film series and details the lives of three abortion providers. Gallagher Theater, 7 p.m. Free.
THURSDAY, JAN. 21
Laffs Comedy Club, 2900 E. Broadway Blvd., is holding an Open Mic night at 8 p.m. Every Thursday until Jan. 26. The Women’s Resource Center will be holding a Roe v. Wade anniversary reception complete with cake and the film“I Had an Abortion.”The event will take place at the Gender/Women’s Studies building, 925 N. Tyndall Ave. Free.
Our Pick
Reverb-heavy rock will be shaking up The Hut this Friday. Tucson band The Mission Creeps offer up a punch of twang and a smack of dreadfulness in their interesting mish-mash of rock ’n’ roll style. They are surf goth horror rock at its best. For $5, not only will you get a night with The Mission Creeps but also Des Roar from New York, The Green Lady Killers from Phoenix and Booze Bombs from Germany. This rock show is sure to scratch that horror rock itch. The Mission Creeps describe their sound as dark and nightmarish music that is nothing but a scary good time. With inspiration from Joy Division, The Doors and the Cramps, their sound is an unusual blend of rock for Tucson. Sometimes described as horror pop, The Mission Creeps’ music boast a lyrical diversity that spans from political commentary to good ol’ pop. Drop by The Hut to check out a ghoulish blast of rock n’ roll music. —Ali Freedman
FRIDAY, JAN. 22
“The Great American Trailer Park Musical” will be showing at the Temple of Music and Art, 330 S. Scott Ave. The production will have show times on Friday and Saturday at 7:30 p.m. and Sunday at 3 p.m. until Sunday, Jan. 24. General admission is $27.50, and the student price is $25. UA Farmer’s Market will be held at Main Gate Square, 814 E. University Blvd. Items for sale include organic produce, baked goods, soaps, coffee and tea. 10 a.m. - 2 p.m. Free admission.
SATURDAY, JAN. 23
The Dillinger Days Festival marking the 76th anniversary of the capture of legendary gangster John Dillinger, will be held downtown and include re-enactments, exhibits, tours, live music, lectures, food vendors and antique cars. Everyone is encouraged to wear ’30s garb. 9 a.m. - 7:30 p.m. Free.
SUNDAY, JAN. 24
Query-ing Queer Sexuality: Educational Insights for an LGBT-Affirming Church is a free six-week course expanding on sexual identity and diversity. It is held at 9:45 - 10:45 a.m. every Sunday until Feb. 14 at St. Mark’s Presbyterian Church, 3809 E. Third St. The Mission Three will be playing at Plush, 340 E. Sixth St., in the lounge area at 9:30 p.m. 21+. Free.
MONDAY, JAN. 25
“Dream Bike,” a documentary about the rebuilding of a bike that belonged to a firefighter who was killed when the World Trade Centers collapsed, will be showing at the Himmel Branch of the Pima County Library, 1035 N. Treat Ave. Noon - 1 p.m. Free. Meet Me at Maynards Social Walk/Run is held every Monday at Maynards Market and Kitchen, 400 N. Toole St. The three-mile course starts and ends at Maynards, and weaves through downtown and historic neighborhoods. Check in begins at 5:15 p.m. Starts at 5:50 p.m. Free.
Courtesy of The Mission Creeps
The Mission Creeps at The Hut 9:30 p.m. 21+, $5
305 N. Fourth Ave. (520) 623-3200 http://www.missioncreeps.com
‘Songs from the Ocean’ delves into deep emotions with simple art By Christy Delehanty Arizona Daily Wildcat
“‘Paintings and Assemblages’ work best without words.” The note that introduces Gavin Troy’s “Songs from the Ocean” painting and multimedia collection does not set great expectations. Though friendly, the photocopied, handwritten note and attached pricelist seem overly informal and the artist’s assertion that the “wrightings” of mystic poets Rumi, Hafiz and Kabir have influenced his work feels contrived. The signature “with love” and the smiley face following Troy’s non-capitalized name, however, immediately endear him to his audience. So, having sacrificed seriousness for warm-fuzzies, Troy turns the communication over to his paintings and collages themselves. Displayed along the walls and shelves of the Poetry Center, the wood and canvas pieces almost glow with their emphasis on warm pastels, organic geometric shapes and heavy lines that bind the disparate shapes together. Wedged between what look like spotlight lines my church’s youth group once called “God-shine,” are faceless figures who, like “Wall-E”, manage sophisticated expressions despite obvious gaps in equipment. The pencil sketches are left to worm through the paint
in certain lights, and no attempt is made to disguise the wood grains beneath the pastel smears and swirls. With minimalism and repetition on his side, Troy moves adeptly between mediums, from paint on canvas and wood to multimedia woodblock shadow boxes, impressive in their ability to crudely represent emotionally complex scenes. With only the occasional symbol taken too far, like the recurring fish and sometimes overtly nativity-style scenes, the entire exhibit captures a sense of elemental hope portrayed through subtle Christian imagery and uncommon unpretentiousness. One particular painting, number 11, has a road swerving up through what looks like a melted geometric village, beautiful in its imperfect repetition, and up to a great balloon of a sky. This balloon, together with the motif of flowers, moons and stars, creates a nearly nursery-like feel and, more importantly, turns its back on the notion that such sticker-style symbols have no place in the realm of fine art. Indeed, by using mellow colors and recognizable shapes, along with detailing that makes these works appear to glimmer, Troy evokes not just emotion and thought, but easy pleasure also. This successful incorporation of cliché, however, does not carry over to Troy’s titles. Upon completing the circuit of artwork around the perimeter of the library and returning to the scrawled-out name and price list, titles like “Hold On,”“Flowing with Love”
and “Passage, Into Silence” stand out as fitting, but also detract from the remarkable series of works just viewed sans names. In an episode of irony, Troy’s poem-inspired and breathtaking artwork, housed for the moment in the Poetry Center, is watered down only by the words before and after it.
IF YOU GO:
“Songs from the Ocean: Paintings and Assemblages by Gavin Troy” Through Feb. 21 during Poetry Center hours: Monday 9 a.m. to 8 p.m. Tuesday 9 a.m. to 6 p.m. Wednesday 9 a.m. to 6 p.m. Thursday 9 a.m. to 8 p.m. Friday 9 a.m. to 5 p.m. Saturday 10 a.m. to 2 p.m. on the following days: Jan. 23, Feb. 20, Mar. 20 and Apr. 17 Sunday Closed The UA Poetry Center 1508 E. Helen St. Just north of Speedway Boulevard, just east of Cherry Avenue. For more information visit: http:// poetrycenter.arizona.edu/exhibits/ exhibitions_art10spring.shtml Reception with Gavin Troy, Feb. 11, 5:30 p.m. Reception and exhibit both free.
TUESDAY, JAN. 26
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Arizona Daily Wildcat
If the words “poetry reading” conjure in your mind darkness and greasy beret- and scarf-wearing types snapping their approval, you’ve never been to a poetry reading at the UA Poetry Center. Tomorrow the Poetry Center presents the first opportunity of the semester for you to watch the stereotypes of poetry readings be disproved. The “Next Word in Poetry” series is bringing three up-andcoming poets to the UA for one reading and one panel event each year. The poets are chosen specifically for their potential, not for being established. “The list gets boiled down to three people out of one big list,” said Rodney Phillips, the center’s senior librarian. Noteworthy poets Dan Beachy-Quick, Joshua Marie Wilkinson and Deborah Bernhardt , he said, are all veteran readers of the series. And this year’s lineup certainly has the potential to add more notable talents to the past performers list. Philip Jenks, a vegan and drummer for Howling Hex with an
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enormous tattoo of Emily Dickinson on his back, will share the stage with Akilah Oliver who, amid an impressive resume of accomplishments, is “co-founder of the avant-garde feminist performance group The Sacred Naked Nature Girls,”according to the Poetry Center Web site. The welltraveled Brandon Shimoda, also known IF YOU GO: for his drawings and “Next Word in Poetry” collaborative projects, Reading 8 p.m. tomorrow will join them. Panel 4 p.m. Friday Glimpse three UA Poetry Center poets set to launch 1508 E. Helen St. into their careers, Just north of Speedway Boulevard, just then seize your east of Cherry Avenue. chance to ask them For more information visit http:// about the state of poetrycenter.arizona.edu/events/ the art of poetry — springreadings_10.shtml the next word of which will be theirs.
By Christy Delehanty Arizona Daily Wildcat
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Charlie Faye will be playing at Plush, 340 E. Sixth St., in the lounge area at 9:30 p.m. 21+. Free.
Rising poets to visit UA, discuss state of the art
n. Mtn. Mt
The Charles Darwin Experience, the UA’s own resident improv comedy group, will be performing at 10 p.m., Tuesday at Gallagher Theater and each Tuesday throughout the semester. Get there early; seats fill up fast. Free.
t 1s 1st
Tuesday Night Bike Ride meets each week at 8 p.m. at the flagpole by Old Main. Bring a bike and friends. Free.
NOW PRE LEASING for Fall 2010! Call to reserve!
cd reviews
arizona daily wildcat • wednesday, january 20, 2010 •
Kinch EP difficult to pin down Kinch Collars and Sleeves EP Self-Released Released September 2009 By Kellie Mejdrich Arizona Daily Wildcat Kinch is a band that defies genres, to say the least. The Phoenix band’s latest EP, Collars and Sleeves, a collection of songs about love and the struggle to maintain it — or escape it — is hard to pin down stylistically. The EP contains four tracks, each one dramatically different in both style and instrumentation. The catchy opening track,“John Adams” is a piano-heavy, driving tune, with a sound akin to Ben Folds’. The next track,“Carolina Cannonball,” keeps heavy rhythmic baselines, but is more musically complicated. The lead singer repeats the chorus “I guess I should have kept my/I guess I should have kept my/I guess I should have kept my eyes closed” as the electric guitar and bass pound in the background, creating a much more mainstream pop sound. “Girl, You’re Gonna Learn to Mind” is the slowest track on the EP, with a deconstructed composition. As the lead singer croons about his love’s over-appreciation of him, the guitar
and bass build into an almost unbearable clatter, at which point the track ends. The transition to the last song,“Tie Me Lightly,” is very abrupt and not Image courtesy of Kinch very logical, though it does seem to combine all the elements of the first three tracks, a mix of lyric piano, pop drums and energetic vocals. This is a fleeting moment of cohesion for the band. Overall, Collars and Sleeves is worth a listen, especially given the band’s Arizona roots. However, Kinch’s sound is so varied from track to track that the band’s style is difficult to hold on to. The EP sounds more like a collection of tracks than a cohesive album. Still, the album is worth a listen, and Kinch is worth your attention. Kinch is on tour and will play at Club Congress today. Doors open at 7:30 p.m, with the band scheduled to play at 8 p.m. Tickets are $8 in advance, $10 at the door.
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Dion tops Top 10 album, concert sales for decade By Randy Lewis Los Angeles Times What’s the formula for success in the rapidly shifting music business? Roll the dice, then stay put. That combination put Celine Dion atop the ultimate edition of our annual Ultimate Top 10 list, a ranking that combines artists’ album sales revenue with their take at the box office. Dion earned the title of Ultimate Top 10 champ for the decade that recently ended, thanks in large part to the money she piled up from her five-year engagement at Caesars Palace in Las Vegas, where audiences are used to paying big bucks for big stars. Her gamble to perform in one place for an extended period paid off big for the Canadian pop diva. The Ultimate Top 10 isn’t meant to be the final word on artists’ finances. With merchandising, product endorsements,
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song placements in movies and TV shows, ring tones, Web site subscriptions and other income sources, musicians today have seemingly limitless ways to bring in money. But by combining two of the biggest revenue sources, the Ultimate Top 10 is a good indicator of which artists fans are spending the most money on. The overall decade results suggest there’s still considerable long-term value in allowing artists time to build extensive catalogs and encouraging them to support those recordings by touring regularly.
The Ultimate Top 10 of the Decade: 1. Celine Dion, $747.9 million
Dion pulled in $522.2 million in concertticket sales for the decade. Adding $225.7 million worth of album sales during those same 10 years, she trumped all comers.
2. Kenny Chesney, $742 million
Close behind Dion was this road
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New York to Kinshasa in a ‘Weekend’ Vampire Weekend
By Zachary Smith Arizona Daily Wildcat Vampire Weekend wears their preppy image as a badge of honor — the album’s cover is an astutely ironic jab at the band’s demographic — and for good reason. Their debut is more divisive than health care reform. With Contra, they’ve expanded their sonic palette — a dub bridge and sampled drum claps on “Diplomat’s Son,” jazz piano backing on “I Think Ur A Contra” — without betraying their love of Soukous and classical music. While their brand of Afrobeat-influenced, electronic indie pop does not have the immediacy of their debut, Contra suggests greater complexity and reverence. The band no longer sounds like they are simply biting their hooks from King Sunny Adé — the cuts on Contra are wholly authentic. Singer Ezra Koenig’s vocals are still homely, especially on “White Sky,” but the band’s penchant for layered crescendo enables his warbled vocals to be more charming than grating. Koenig has also managed to take the training wheels off his lyrics. He still stumbles through improper attempts at humor, but he also delivers killer lines like,“In the shadow of your first attack / I was questioning and looking back / You said baby we don’t speak of that / Like a real aristocrat” from the song “Taxi Cab.” On standout track “Giving Up The Gun,” the band’s cross-pollination of genres hits an apex. Start-stop drumming, gentle pop vocals, a chugging guitar riff and soaring choral work plays alongside strings and dance-punk synthesizer. Even lead single “Cousins” refuses
Contra XL
Released January 12, 2010 to bend to convention with chaotic guitar work over a warp-speed synth riff and chiming bells. Experimentation Image courtesy of Vampire Weekend has its limits, though. Koenig sounds downright idiotic trying to T-Pain his way through the verses of “California English.” It’s a distracting venture into a tired music genre, something Vampire Weekend has no business doing. They are a band whose bread and butter has been glorifying underappreciated world genres, not scraping at the bottom of the American rap barrel. Oddly enough, it’s this self-presentation that has most detractors irked: Who named these guys ambassadors of world music to the hipster crowd? Vampire Weekend did. Because they’re really damn good at it.
warrior, who toured hard and promoted records the old-fashioned way year in and year out. His total includes $455.6 million in concert ticket sales and $286.4 million in album revenue.
of Beatles fans. The Fab Four also logged the single best-selling album of the decade, the“1”hits collection, with 11.5 million copies. And counting.
3. Dave Matthews Band, $737.4 million
The Irish quartet brought in $391 million at the box office and $218.7 million in album sales.
Matthews’ decade concert total of $529.1 million put him first on the list of top North American live music attractions of the decade, as calculated by the concert-tracking publication Pollstar. The band posted $208.3 million in album sales.
4. The Beatles, $627.3 million
Although the quartet disbanded 30 years before the decade began, the Beatles still managed to generate $392.3 million from sales of 30.2 million albums (using an average of $13 per album). We folded in the individual box office figures racked up by ex-Beatle Paul McCartney ($221.4 million) and Ringo Starr ($13.6 million), given that their concert audiences consist in large part
5. U2, $609.7 million
6. Toby Keith, $591.9 million
The second of three country acts in the Top 10, the Oklahoma singer-songwriter logged $273.8 million on the concert trail, $318.1 million from album sales.
7. Bruce Springsteen, $588.3 million
On the road, both with the E Street Band and his various non-E Street tours, the Boss brought in $444.3 million. His album take: $144 million.
8. The Rolling Stones, $569.6 million
The Stones also benefited heavily from touring, earning $426.9 million at the box office in addition to $142.7 million in album sales.
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9. Tim McGraw, $550.7 million
Strictly as a solo act, the country singersongwriter ranks No. 14 on the list. But he toured several times with his wife, Faith Hill, during the decade. California being a community property state, we are awarding him half the revenue those outings generated. So his total includes $322 million in album sales, $133.7 million from his own tours and $95 million for his half of the McGraw-Hill shows.
10. Britney Spears, $494.3 million
Despite a rocky decade personally and professionally, Spears pulled in $195.7 million at the box office and sold $298.6 million worth of albums for the 10-year period. The decade’s top album seller was Eminem, the rapper who posted $419 million from sales of 32.2 million albums, according to Nielsen SoundScan. But because he toured sporadically, he was able to add only $40.8 million to his Ultimate Top 10 total, which places him at No. 14; he is the sole hip-hop artist in the Top 20.
PASSPORT APPLICATION ACCEPTANCE FACILITY
Are You Traveling Out of the Country for Spring Break? Apply now for a U.S. Passport at the International Affairs Passport Application Acceptance Facility! The International Affairs Passport acceptance Facility provides a vital public service, promotes public relations and is authorized to accept and execute passport application for United States citizens. The facility makes it easy and convenient to obtain and submit passport applications. This service is provided to the University campus community as well as the community-at-large. On June 1, 2009, the U.S. government implemented the full requirements of the land and sea phase of the Western Hemisphere Travel Initiative. The new rules requires U.S. citizens entering the United States at seas or land ports of entry to have a valid U.S. Passport. Currently, U.S. passport applicants can obtain their U.S. passport between four and six weeks after applying. Take advantage of U.S. Department of State’s fast processing times now and submit your passport application at the International Affairs Passport Application Acceptance Facility. The International Affairs Passport Application Acceptance Facility is open on a walk in basis. We are located at 1128 E. Mabel St. We offer a passport photo service on site as well as the International Student Identity Card for students traveling abroad. For current hours of operation, documentation requirements, and passport related fees please visit our web site at www.passport.arizona.edu or call (520) 626-7161.
1128 E. Mabel St | (520) 626-7171 | www.passport.arizona.edu
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new & upcoming
• wednesday, january 20, 2010 • arizona daily wildcat
Game on!
arizona daily wildcat • wednesday, january 20, 2010 •
By Brandon Specktor Arizona Daily Wildcat
By Zachary Smith Arizona Daily Wildcat
JANUARY
FEBRUARY 5 AND 6, 10 P.M.
Re-opens: Friday, The Loft Cinema only Starring: Michael Stuhlbarg, Richard Kind Directed by: Joel and Ethan Coen The gist: When a morass of marital problems, workplace pitfalls and general human uncertainty enters the suburban life of Larry Gopnik (Stuhlbarg) and his 1967 Jewish/ Minnesotan community, his very faith in the ordered universe is rocked with tragicomic mayhem that only the Coens could deliver. Why you should go: The deranged force of genius we call Coen strikes home yet again with a picture of humanity as piercing as “No Country for Old Men,� populated by players as unforgettable as “The Big Lebowski.� See it immediately if you’re Jewish, an existentialist or someone who just missed the wide release in October.
(Only at The Loft Cinema) Plot: Oscar, an unnoticed and bullied boy, finds love and revenge when he meets Eli, a beautiful but unusual girl who happens to be a vampire. Why you should go: Forget “Twilight,� this is the greatest vampire love story. Haunting, beautiful and deeply affecting, this will be the best date movie of February. Do not miss the opportunity to see this on a big screen.
“Let The Right One In�
“A Serious Man�
Photo courtesy of allmoviephoto.com
FEBRUARY 12
“Valentine’s Day�
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Stars: Bradley Cooper, Anne Hathaway, Topher Grace Directed by: Garry Marshall Plot: An array of couples and singles in Los Angeles fall in and out of love based on the pressures and expectations of Valentine’s Day. Why you should go: You probably shouldn’t.“Love Actually� worked because it was written by an Oscar nominee, whereas writer Katherine Fugate has written episodes of “Xena� and Lifetime’s “Army Wives.� However, Joe Jonas is voicing a dog, so there is that.
“The Wolfman�
Photo courtesy of 1up.com
Assassin’s Creed II: A bloody good time In a world filled with betrayal, revenge, corruption and evil, one might ask to whom you can turn for advice or a helping hand. Why, Leonardo da Vinci, of course! Welcome to “Assassin’s Creed II,� where this kind of creativity and balance runs on an even keel with the relative absurdity of certain devices. In “Assassin’s Creed II,� you follow the life of a young Italian named Ezio Auditore da Firenze. You start your tale well before you become the bad-ass assassin you’re destined to be, and, after a significant event, you begin to learn the art of the kill. For those unfamiliar with the series, Assassin’s Creed is an open-world third-person action game in which you can choose your own missions, much like the Grand Theft Auto series. Meant to be a trilogy, the story continues where it left off; however, it is superbly executed so a newcomer will not be lost. The combat revolves around timing and is an absolute joy this time around. The only downside is that the game is not very challenging until the end, but fortunately the mission structure keeps things interesting and vastly improves over the last outing. Gone are the boring eavesdropping missions. Now there is a wild assortment of tasks. The Italian Renaissance cities are done impressively and the character models are definitely up to par. Sound design is simple and effective; the two-tone music sets the mood perfectly. An economy has been added as well, and managing the villa is fun and engaging as you can see the results of your upgrades immediately. The best thing I can say for “Assassin’s Creed II� is that I never once got bored while playing. The missions never get repetitive, and having the ever-bright da Vinci as your best friend makes things interesting every step of the way. Unfortunately, the game does feature a few technical problems: texture pop-in and some slight screen tearing happen, but it’s nothing too noticeable and doesn’t hamper the experience. Altogether, if you want a long, entertaining title that can amuse just about anyone, be sure to check out this game. Rent it, buy it — just play it.
Avatar: An exercise in frustration Fact: poking a beehive with a stick is more fun than playing “James Cameron’s Avatar: The Game.� If you can get past the barely-functional control scheme, broken camera system, ugly character designs and nonexistent plot, you may have a chance at enjoying this game. Me? Not so much. “Avatar: The Game�gives you a choice of which side you’d like to play on, but both campaigns are so thoroughly terrible you’d be doing yourself a disservice to spend $60 on either of them. The Na’vi are controlled like your typical third-person action game, but the melee of controls hurt you more than help you. The human campaign plays like a third-person shooter, and is only marginally better than the Na’vi campaign. This is unfortunate, as the Na’vi had so much potential on paper (as anyone who’s seen the movie could attest). But the developers fail to execute on nearly every single good idea. The entire campaign suffers from severe camera problems as well, in some instances inducing slight motion sickness. The only positive thing the game offers is the beautifully realized world of Pandora faithfully recreated from the movie, but to see most of it you will have to suffer through well over 10 hours of horrid gameplay. The game includes a multiplayer mode, but the same issues that affect the campaign also plague this section. Forget about playing it for very long, because you will get bored, you will die a lot and you will fail to do anything impressive. In fact, the only impressive thing happening will be the amount of people you manage to verbally abuse while being given a crash course in how to hate your own life. “Avatar: The Game� is perhaps the greatest waste of your well-earned cash so far this year. If you have any interest in spending your money well and enjoying a well-made product, do yourself a favor: don’t play this game and see the movie instead.
Opens: 2/12/10 Starring: Benicio Del Toro, Anthony Hopkins, Emily Blunt, Hugo Weaving Directed by: Joe Johnston The gist: Boy meets girl. Boy gets bitten by werewolf. Boy tries to eat girl. Anthony Hopkins frowns with wizened disapproval. Why you should go: It’s an age-old story you’ve all heard that probably won’t throw any narrative surprises your way, but “Jumanji� and “October Sky� director Johnston knows how to use a big-name cast. Come for the violence, stay for the accents.
Photo courtesy of Universal Pictures
“Percy Jackson & The Olympians: the Lightning Thief�
FEBRUARY 26 Photo courtesy of Warner Bros. Pictures
Opens: 2/12/10 Starring: Pierce Brosnan, Uma Thurman, Rosario Dawson Directed by: Chris Columbus The gist: An average student named Percy Potter — sorry, Jackson — discovers he is the son of mythological Greek gods. Naturally, this doesn’t sit well with the forces of darkness. Why you should go: “Sorcerer’s Stone� and “Chamber of Secrets� director Columbus reprises his supernatural-youthin-peril routine, only this time with starlets like Thurman and Dawson to keep those of us who aren’t pre-pubescent occupied. Take the kids (unless you are one).
Photo courtesy of Filmofilia.com
Photo courtesy of Warner Bros. Pictures
Opens: 2/19/10 Starring: Leonardo DiCaprio, Ben Kingsley, Michelle Williams Directed by: Martin Scorsese The gist: A U.S. marshall (DiCaprio) investigates the escape of a murderess from a secluded community for the criminally insane on Shutter Island. Conspiracies, obscenities unfold. Why you should go: Marty and his golden boy have failed to disappoint in recent years (“The Departed,�“The Aviator,�“Gangs of New York�) and the creep-out capers of this new “Island� should be no exception.
MARCH “Greenberg�
Opens: 3/12/10 Starring: Ben Stiller, Jennifer Jason Leigh Directed by: Noah Baumbach The gist: Stiller plays a New York boy transplanted to Los Angeles, where he aims to reshape his stagnant life. Why you should go: If you liked Baumbach’s awkward divorce comedy “The Squid and the Whale� or his writing collaborations with indie superhero Wes Anderson, this dry character piece is likely to please.
“The White Ribbon�
Lisa Beth Earle/Arizona Daily Wildcat
Emily Weirich and Christine Quinn, art history master’s students, and Jessie Huh, an art history doctoral student, read the mutilated book pages of the ‘Defaced: A Found Archive’ exhibition during the opening reception at the Union Gallery on Friday. The artist Coriana Close carefully scanned specific pages from vandalized UA library books to display.
‘Defaced’ allows artist, viewers to talk back By Kellie Mejdrich Arizona Daily Wildcat Virtually everyone has at some time encountered a public object that has been defaced. Chances are you have probably seen something that made you angry, or at least surprised. Coriana Close’s exhibition“Defaced: A Found Archive�treats these defacements in a unique way — empowering not the vandals, but rather the onlookers. “It’s interesting that a person would spend so much time writing in a book, then close it up, and then put it back in the stacks,� said Close, an MFA student in photography. Close has found thousands of defaced pages in books at the UA Main Library and has compiled drawings and comments from one supposed individual for her exhibition at the Student Union Gallery. The collection features scanned images from pages of defaced books, whose original content mainly focuses on black history and the Civil Rights Movement. The exhibition also features defacedart books, portrait studies and other texts. The defacements on display often involve derogatory remarks about black people, particularly women, but range from misogyny to homophobia to anti-Semitism. The graphic and offensive nature of these comments is shocking but the exhibit is intended to transform such hate speech. In the library, readers “have to confront it on their own, alone in the stacks,� Close said.“They
find this thing that’s just threatening; it’s scary, it’s intimidating. ‌ I think that when you put it up and put it out in the open and have a whole group of people looking at it together, then it loses that power of intimidation.â€? Close has succeeded in changing this powerfully threatening work by one individual into a reflection of society as a whole for her audience. “I think in general, issues of racism and misogyny are still very much alive,â€? said Holly Brown, the curator of the Union Galleries.“This is a way to bring it out in the open and have a conversation, and deal with it in a more public and uplifting manner.â€? Close has created a guest comment section where viewers can comment on the exhibitand write their own responses on select copied pages of the exhibition in response to the defacing. These writings from visitors will eventually become part of the permanent archive. Close said she wants the exhibit to start a conversation and to encourage people to question their own values. “I want to start a dialogue in the community about our community values, and what our reaction to this kind of hate speech should be,â€?Close said. “Defaced: A Found Archiveâ€? is on display at the Union Gallery, on the third floor of the Student Union Memorial Center. The exhibit is running until Feb. 12, 2010. Coriana Close will be giving an artist talk Feb. 4 at 6 p.m. in the gallery.
(Playing only at The Loft Cinema) Plot: Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. Why you should go: Because it won the Palme d’Or at Cannes and a Golden Globe for Best Foreign Language Film. Director Michael Haneke puts out deeply provocative movies and this should be no different, with Haneke calling it a film about “the origin of every type of terrorism.�
“Shutter Island�
MARCH 5:
“Alice in Wonderland�
Photo courtesy of Paramount Pictures
Stars: Johnny Depp, Mia Wasikowska Directed by: Tim Burton Plot: 19-year-old Alice returns to Wonderland, where she reunites with her old friends and learns of her true destiny: to end the Red Queen’s reign of terror. Why you should go: Tim Burton hasn’t knocked one out of the park since 1994’s “Ed Wood.�While this probably won’t change that, a huge budget and a cast that includes Depp, Anne Hathaway, Michael Sheen, Alan Rickman and Crispin Glover has me cautiously intrigued.
MARCH 12:
“Green Zone�
Stars: Matt Damon Directed by: Paul Greengrass Plot: U.S. Army officer Roy Miller decides to go rogue after he discovers Photo courtesy of Walt Disney Pictures faulty and corrupt intelligence concerning his hunt for weapons of mass destruction in the International Zone of Iraq. Why you should go: Because Damon and director Paul Greengrass worked together on the immensely enjoyable “Bourne Supremacy� and “Ultimatum.� Now they’re tackling Iraq with a script by “L.A. Confidential� scribe Brian Helgeland. We know Greengrass can do drama (“United 93�) and action (“Bourne�). Let’s see if he can put the pieces together.
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“Cop Out�
Stars: Bruce Willis, Tracy Morgan Directed by: Kevin Smith Plot: Two cops try to track down a stolen vintage baseball card. Why you should go: Kevin Smith’s first film he didn’t write stars Willis, Morgan, Seann William Scott, Adam Brody and Rashida Jones. Even if the trailer was horrible, it is a fantastic comedic cast. Brody proved he could be hilarious in “Jennifer’s Body� and Morgan is on fire as of late.
— reviews by Joe Dusbabek
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• wednesday, january 20, 2010 • arizona daily wildcat
A ‘Lovely’ muddle
movie reviews
By Kathleen Roosa Arizona Daily Wildcat We’ve come to expect a lot from Peter Jackson. ThouWingNut Films sands of Tolkien Released January 15, 2010 fans salivated over Final Grade: B his“The Lord of the Rings”trilogy, while “District 9”made audiences everywhere hate being human. Once again, Jackson has turned to his bookshelf for inspiration. In“The Lovely Bones,”Saoirse Ronan plays Susie Salmon, a 14-year-old girl in the early 1970s living in moments between lighthearted crushes and typical teenage sarcasm in a time before missing children appeared on the backs of milk cartons. Within the first 15 minutes the audience knows the story: she will be murdered by a man in her neighborhood. From there the film weaves a story of duality in which Susie examines the lives of the people around her from Heaven while they search for her body on Earth. If only the middle could be fast-forwarded. The computer-generated imagery, while often visually striking, is deliberately heavy-handed. Susie’s transition out of life is characterized by intense white light and the smoke machine straight form a middle school play. Heaven is no better: a fantastical mix of impressionist art and mountainous scenes probably cut from ”The Lord of the Rings”extra footage make you want to smack your forehead. The montages of Lisa Frank-esque giggling scenes or blatantly sinister ghostly portals draw attention away from the real conflicts.
‘Imaginarium’ a haunting sendoff for Ledger
The Lovely Bones
Photo courtesy of Paramount Pictures
Thankfully, the cast of“The Lovely Bones”and each character’s struggle to make sense of tragedy keep the movie from becoming a total flop. With every chuckled“mmm”and uncanny stare, Stanley Tucci’s interpretation of the murderer reeks with creepiness and suppressed insanity that make him fascinating to watch. Mark Wahlberg gives a surprisingly accurate depiction of optimistic denial and fatherly love. Ronan proves herself a talented young actress after an Oscar nomination from“Atonement.”Her ethereal blue eyes and wavy blonde hair fit naturally into both realistic and fantastical locations, while her perceptive narration adds clarity to the clumsier scenes. Those of you who have read Alice Sebold’s book from which the movie was adapted should prepare for some frustration. Jackson captures many of the delicious foreshadowing details, yet often completely misses the point. The novel is not a thriller or horror story, but an examination of the relationships that grow even in the worst circumstances. The film lacks this singular theme, instead rushing headlong between the desire for revenge and the overly sentimental interactions of a family in grief. Of course the movie could not capture all the beautiful nuances, but Jackson could have better honored The New York Times bestseller by steering away from CGI and violence to focus on the interconnectivity of human emotions. While transforming a novel into a movie is a challenge for any director, an adaptation of“The Lovely Bones”is nigh-impossible. Though the movie will be more disappointing for readers, the film is still an interesting take on the meaning of death and grief management. For all its flaws, the mix of grounded reality and innovative vision in“The Lovely Bones”is on the whole more delightful than it is unsatisfactory.
grapples for a way out, and a third bet is made. With the help of an unlikely companion found hanging beneath bridge (Ledger), The Imaginarium of aParnassus and his traveling theatre troupe, Doctor Parnassus composed of Valentina, Davis Films Anton (Andrew Garfield) Released January 8, 2010 and Percy (Verne Troyer) Final Grade: Astrive to win over five souls before the Devil During the creation of “The Imaginarium has a chance to possess of Doctor Parnassus,” director/writer Terry Valentina forever. Gilliam’s life seemed to be shaped by riskSmears of residual theater taking: it flowed through the screenplay make-up and grandiose garments appear and out into the shocking weeks following against a backdrop of poverty in the 21st the death of Heath Ledger (playing Tony in century — the remains of a world both the film). It left Gilliam scrambling to pull beautiful and misunderstood. Gilliam untogether a cast talented enough to finish a derscores the vital role imagination plays role begun by the fallen, multifaceted actor. in shaping what makes us human and Madly in love at 1,000 years old, Dr. what we might be without it. Parnassus (Christopher Plummer) offers Camera shots hint at Gilliam’s small Mr. Nick (Tom Waits) — a character who, budget, but his graphical conception of though he piques the viewer’s interest, the other side of the mirror, Parnassus’s doesn’t quite embody evil — his future Imaginarium, proves nothing short of child in exchange for his youth. But when spectacular. Gilliam’s journey through his daughter Valentina (Lily Cole) nears the others’ desires twists and contorts in fated date of her 16th birthday, Parnassus images of dodgy motel vacancies, giant
By Kim Kotel Arizona Daily Wildcat
Photo courtesy of Warner Bros. Pictures
By Brandon Specktor Arizona Daily Wildcat
The Book of Eli Alcon Entertainment Released January 15, 2010 Final Grade: C
Just one year out of college, women working full time already earn less than their male colleagues earn. — AAUW, Behind the Pay Gap. Let’s end this disparity. Join Us Now! AAUW E-affiliate is FREE until you graduate. Benefits: Access to $3 million annually in fellowships and grants for graduate study; all online AAUW research reports; test preps from Princeton Review; scholarship notices; product discounts on car insurance, Barnes & Noble & others; group discounts to AAUW Student Leadership Conference in D.C. Send name, email address & mo/yr of expected graduation to: rsalcedo@email.arizona.edu. You will receive an invite to join which you must answer.
Enter a landscape devoid of rational life: ash falls from the sky, roving rape gangs prowl dusty highways and semis full of battered beer cans lie wrecked and pillaged on the crumbling roadside. It’s either the aftermath of a Hells Angels mixer or the apocalypse, and either way, times are hard. Nobody in the post-apocalyptic world of “The Book of Eli” cares to comment on how society effectively ended, least of all the laconic wanderer Eli, played by a grim Denzel Washington channeling his rampaging role from “Man on Fire,” minus the human affection. Equipped with token Matrix-style, bad-ass sunglasses, a knife the size of a small child and a battered sawed-off shotgun that has no doubt been instrumental in some unseen tour of duty, Eli is exactly the sort of person you don’t want to meet should rape and robbery be
your hobbies. Eli’s mission, however, is about as peaceful as any doomsday agenda can get. Carrying the last known copy of the King James Bible in his satchel, this reverent road warrior travels West to ensure its safety in a world where a few convincing words can be devastating in the wrong hands. Said hands belong to Carnegie, the scummy founder of a small refuge in the eternal desert played a bit too enthusiastically by a scheming Gary Oldman (a.k.a. Commissioner Gordon, Sirius Black). In the fashion of any lustful landowner from a Clint Eastwood Western, Carnegie tries to pry the book from Eli first through bribery (the pristinely out-of-place Mila Kunis serving as bait), then intimidation and finally a straight-up manhunt across the wastes, inciting all the typical executions and explosions we anticipate from a Warner Brothers action flick. This familiar plot escalates to an anticlimactic ending, leaving the film’s engrossing visuals with the weighty burden of redeeming an unsatisfying story, and in this task they are somewhat successful. The first 20 minutes of “The Book of Eli” are easily the best, shot in beautiful high-definition that makes
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both sweeping panoramas of deserted America and uncomfortable close-ups of Washington’s dirt-encrusted face oddly irresistible. Eli’s first round of fisticuffs on the road is shot entirely in silhouette, offering a clever reprieve from the graphic violence that directors Albert and Allen Hughes became synonymous with in their gory Jack the Ripper thriller “From Hell.”The novelty of the imagery, unfortunately, quickly degenerates along with the moratorium on violence, forcing the shaky plot to carry the audience’s attention. With apocalyptic paranoia so ingrained in the Zeitgeist, it doesn’t take much to sell an end-of-times story these days. “Book of Eli” stands as evidence in its borrowed use of typical conventions like the scorched American deserts from “Terminator Salvation” and rapacious redneck scavengers from “The Road” (neither of which would be quite the same without “Mad Max”), unable to fully capture either the electrifying spectacle of the former or the psychological shock of the latter. Coupled with a plot that becomes more questionable as it progresses, “Eli” is one doomsday for which you need not set your clock.
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Russian mothers and ladders ascending past clouds and into one’s dreams. With little-to-no acting experience, Cole and Garfield are the perfect oddities for the cast and a pleasant surprise for the profession. Johnny Depp, Jude Law and Colin Farrell showcase their talent by seamlessly blending into a role they never should have had to fill, though the many facets of Tony are only another layer of “Parnassus” to relish. Ledger was beautiful; Tony as a character will not be remembered as the highlight of Ledger’s career, but the many nuances he uses to bring him to life will.
Denzel’s doomsday better on paper
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arizona daily wildcat • wednesday, january 20, 2010 •
continued from page B1
Cast, performance a joy to watch
You also might find some familiar faces among the stage, maybe from MTV or a few movies you’ve seen. Throughout the show you will find yourself rooting for Elle — she’s totally been dealt a bad hand. She takes her “Legally Blonde” nickname and transforms it into something positive that embodies who she is as a person. The cast worked great together, the voices shone with talent, and the dancing was enjoyable to watch. There’s no doubt
this cast is an extremely talented bunch. But from the beginning the show reinforces stereotypes. They play up the stereotypes: “gay,”“lesbian,“strong black woman,” and — dare I say — “clueless sorority girl.” Not all the stereotypes were negative, but received much laughter from the audience. For a show that is trying to break stereotypes by showing that “being true to yourself never goes out of style,” it sure does play them up. That aside, the journey is more fun
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than most. This story wouldn’t be complete without its amusing quirks like the studly Kyle to the sorority girls “shaking their junk.” Warning: Once you see the show the songs engrave themselves into your brain with their simplicity and repetition. Don’t be shocked if they randomly pop out from time to time, like the white clad “Greek chorus.” Will everything Elle touches turn to pink? You’ll have to see for yourself.
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• wednesday, january 20, 2010 • arizona daily wildcat
Wrapping up for winter
fashion forward By Bryan Ponton Arizona Daily Wildcat
We are in the midst of the winter fashion season and there are many items that UA students trump others when it comes to the essentials for their wardrobe. Take for example dance sophomores Shaun Repetto and Katie Halajian. Both show an excellent sense of style and they know what they should be wearing this season. That is why Repetto and Halajian are Fashion Forward.
An accessory that every guy should have is a good hat. My recommendation is Forever 21’s men’s section at either Tucson Mall or Park Place Mall. They have a great selection of hats that can literally go with anything. Forever 21 is awesome for their cheap prices and varying sizes and styles of hats they have. Lately, they have had fedora-style hats, as well as “newsie” style hats. Check online for more styles and colors, because hats are the perfect accessories for guys this season.
The great Arizona weather allows more versatile pieces to be worn because, although it’s winter, it can sometimes feel like the beginning of summer! Girls need a top that can be worn with multiple combinations so you can keep your wardrobe looking fresh. Halajian is sporting a jersey black turtleneck that can easily be dressed up or dressed down depending on the occasion. The jersey material is a lot more breathable so it can be worn during the day or late at night. You can dress it down by wearing some skinny jeans and heels — great for a party — or change it up with a skirt, like Halajian, and be ready for a date.
Good quality jewelry is also hard to come by. You can either buy cheap jewelry, expecting it to break, or expensive jewelry, which usually ends up breaking anyway. Forever 21’s jewelry section is enormous, and if you are looking to not spend too much on a new necklace or earrings, this is the place to go. Urban Outfitters’ sale section online is another great place to find inexpensive jewelry, but does not tend to be the best quality. Halajian is wearing some bangles, which can literally be worn with anything, and usually last for a good amount of time. Silver and gold bangles can be easily added to any outfit to give it that extra edge.
High-waisted skirts are one of the most popular pieces to have this winter season. Like the turtleneck, it can be dressed down by simply wearing a tank top or tunic tucked into the skirt. Halajian’s skirt is dressier, great for a night on the town. It is easy to find a cheap, good quality skirt at any of your favorite stores. The skirt is easy to pair with any top, so go for a busier skirt with a simple solid color shirt. There are many options and styles for the skirt, all of which can be found at Forever 21, Urban Outfitters and H&M.
Heels are an obvious necessity for any girl’s wardrobe, but finding a sensible, cheap, good quality heel is a different story. Halajian is wearing a black snakeskin heel she found on sale at DSW. It is simple, but has enough character that it does not need much dressing up to make a statement. DSW.com has an enormous variety of heels and other shoes that can work with anyone’s budget.
Flannel is one of the many styles that both guys and girls can wear. This season has been all about different colors, and Repetto’s wear proves that earth-toned flannel can go with anything. It is an easy shirt to wear whether you are going to class or going out to dinner. Flannel is versatile because it can be dressed up with a nice pair of jeans or dressed down with some cut-off jean shorts. Many stores have a huge amount of flannel, but some suggestions are American Eagle, Urban Outfitters and Tilly’s, which all have an awesome range of different colored shirts at great prices. With the season nearing its end, these flannel shirts are sure to be on sale!
A good pair of jeans is something that everyone should spend a little extra money on. A darker wash has been the most popular this season. Jeans are obviously a necessity to own, but finding a good pair can be hard. I have always had the best luck with Levi jeans, which are great because they come in such a varying style and color that it is extremely easy to find a good pair that fits you. Levi’s are available at Urban Outfitters and also at Levi.com, which is currently having a sale for 30 percent off all of their latest pairs of jeans, plus free shipping on all orders. With all of us trying to find the most bang for our buck, why not splurge now while this great deal is still in effect? My recommendation, since the style lately is slim jeans, is to try Levi 511 Skinny Jeans or Levi 514 Slim Straight Jeans.
Every guy should have a great bag for school or for traveling. Messenger bags can be found literally anywhere, but you want to make sure you find a quality bag. I have found that the more durable the bag, the less noticeable the wear and tear is from bringing it everywhere. Repetto’s bag is a Ben Sherman canvas bag with a leather flap. The bag was on sale, which anyone can appreciate, at $45 when it was originally $89. It can be found online at bensherman.com or at Nordstrom.com.
Photos by Lisa Beth Earle/Arizona Daily Wildcat
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