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It takes a village
Downtown, Bavarian Style CLASSIC IN THE CLOUDS
Neal Beckstedt Takes Off
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Features
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Volume 10 Issue 2
It Takes a Village By Catherine McHugh How a team of designers and architects transformed a former nightclub into an authentically German day-to-night bakery/bar.
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Continental Chic in Southampton By Cathy Whitlock French designer Robert Couturier’s twist on a classic Hamptons beach house.
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Modern Classic in the Clouds By Cathy Whitlock A contemporary model apartment was designer Neal Beckstedt’s first solo flight.
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Volume 10 Issue 2
9 CULTURECALENDAR By Catherine McHugh Telling stories, meeting the Pictures Generation, going out in style, and visiting sculptures of the solid and shadowy variety.
12 BOOKS By Cathy Whitlock 14
Southern-themed books dominate the season. ead new tomes from Alexa Hampton and TROVE By Michele Keith Clever desktop accessories, electronics that make it easier to work out or keep in touch with friends, and beautiful, eco-savvy tableware.
32 EATS’N’SLEEPS By Shelley Wolson Tour Latin America at Luna Sur, taste Belgium at the Belgian Beer Cafe, and immerse yourself in Greenwich Village past and present at the Jade Hotel.
34 MYFAVTHINGS
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Seersucker blazers, crisp linens, and cool jazz are among designer picks for the season. ssories and color choices. GALLERY Fierce and functional. Powerful pieces that perform beautifully.ng soft: ARRAY looks at the new pastels.
44 FRESHPICKS The most current products in NYDC showrooms.
54 STYLESPOTLIGHT Featured highlights of craft and design.
62 DEFININGPIECES Items that sum up what a showroom is all about.
72 NEWSHOWROOMS 2013 Fresh faces and new designs.
73 SHOWROOMPORTRAITS Profiles of some of NYDC’s most familiar names.
76 NYDCEVENTSCALENDAR A look at a few recent celebrations.
78 SHOWROOMDIRECTORY A complete list of who’s where in 200 Lex.
80 BACKSTORY By Shelley Wolson Happy 100th birthday, Grand Central! One of the Big Apple’s most iconic buildings reaches an important milestone.
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ArrayMAGAZINE Editorial Array Magazine, Inc. 261 Madison Avenue 9th Floor New York, NY 10016 Phone 212.929.2733 Fax 212.929.0983 arrayny.com ARRAY editorial coverage@arrayny.com ARRAY advertising adinfo@arrayny.com
Paul Millman Editor-in-Chief/Publisher Sheau Ling Soo Creative Director Ted Lambert Executive Editor Cathy Whitlock Features Editor
ARRAY Magazine is produced three times per year. All submissions should be e-mailed to: coverage@arrayny.com
Shelley Wolson Copy Editor
Array Magazine, Inc. Š 2013 All rights reserved
Adam Cohen IT Manager
Andrew French Photographer
The contents of Array Magazine, Inc., may not be reproduced without written permission from the publisher.
Contributors Michele Keith Catherine McHugh Shelley Wolson New York Design Center James P. Druckman President & CEO Daniel M. Farr Director Alix M. Lerman Director of Marketing & Communications Leah Blank Senior Marketing Manager/Director of Special Events Alana Moskowitz Design Services Manager Brenna Stevens Marketing Coordinator Susan Lai Controller Vera Markovich Accounting Manager Claire Evans Concierge
on the cover: Robert Couturier at his Soho loft in Manhattan. Photographed by Peter Margonelli.
letter from the editor Dear Readers, Long the subjects of study in physics and philosophy, space and time are also essential considerations in every project undertaken by designers, and each new location presents specific challenges in those areas. Take, for example, the three-story, small-footprint, triangular space in the West Village that was destined to become the anchor branch of Landbrot, the authentic German bakery and bar. A close collaboration between hospitality consultants Cenk Fikri and architects David Howell and Ben Fuqua (It Takes a Village, p. 16) resulted in a retail location that seamlessly fits into its historic neighborhood, as if it might’ve already existed there for a century. French architect and interior designer Robert Couturier was faced with a wholly different set of challenges when redesigning a 19th-century Gin Lane estate in Southampton for one of his globetrotting clients. Known for sophisticated glamour, he expertly crafted a balance between history and relaxed modern luxury for the 13,000-square-foot “cottage” within a very tight schedule (Continental Chic in Southampton, p. 22). Photo by Andrew French
And when Neal Beckstedt decided to strike out and open his own firm in 2010, he was presented with one of the most difficult jobs of his career—turning a rather nondescript white box in a new residential tower on the Upper East Side into a model apartment with character and depth that would appeal to many, yet not overwhelm any potential buyers. His layered design (Modern Classic in the Clouds, p. 28) was a perfect fit, launching a successful solo career. Meeting the demands of each new client and property is what designers do, and the source of their creativity. Dealing with constraints like time and space are the obstacles that fuel ingenuity. We hope these examples spur your creativity to face challenges ahead no matter what limitations the universe presents. Enjoy your summer. See you in the fall.
Paul Millman Editor-in-Chief
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CultureCalendar
By Catherine McHugh
Telling stories, meeting the Pictures Generation, going out in style, and visiting sculptures of the solid and shadowy variety. Perceiving Ourselves The final installment in a series of exhibitions reassessing its permanent collection, the Whitney Museum of American Art is presenting “I, YOU, WE.” These three words strike at the core of how artists perceive themselves, their subjects, and society in general and provide the framework for a survey of art from the 1980s through the early ’90s. Composed of deeply personal paintings, sculptures, drawings, prints, and photographs, the show reveals both the individual and collective concerns of this highly charged era. Though the 1980s are often remembered for having a burgeoning art market fueled by equally surging stock prices, this pivotal period witnessed a widening gap in wealth and ideology throughout the country. This was also a time when the AIDS epidemic ravaged communities, though the disease went largely unacknowledged by politicians. Within this divided landscape, artists confronted essential questions about identity within their work. In examining their answers, I, YOU, WE explores how notions of race, religion, gender, sexual orientation, and community informed the work of artists throughout this tumultuous time frame. Through September 1. Whitney Museum of American Art, 945 Madison Avenue at 75 Street, 212.570.3600, whitney.org
Eve in a Violet Dress, 2012. Oil on canvas, 16 in. x 13 in.
Contemporary Renaissance Man Didier Aaron, Inc. is presenting 60 recently finished paintings and drawings by Victor Koulbak, which have never before been exhibited in the United States. Using a silver-pointed tip to scratch into the coated surface of paper he makes himself, the Moscow-born artist creates strikingly intimate drawings. But while technique may be pure Renaissance, harkening back to Raphael and Michelangelo, his present-day subject matter results in a glorious fusion of the past with the present. The exhibit includes seven paintings that form a series of works inspired by the biblical story of Eve. Several paintings of men are responses to those Eve paintings. There are also 50 drawings of varied subjects and the largest group is of unusual animals including bats, tigers, lemurs, and frogs in unconventional poses. There is also a group of portrait drawings and nudes. May 7–31; call and check for extension. Didier Aaron, 32 East 67th Street, 212.988.5248, didieraaron.com
Left: Les Levine, b. 1935. We Are Not Afraid, 1981. Color offset process, Sheet: 22 x 21 1/8 in. (55.9 x 53.7 cm) Whitney Museum of American Art, New York; gift of Carolina. Right: Donald Moffett, b. 1955. He Kills Me, 1987. Offset lithography, 23 1/2 x 37 1/2 in. Whitney Museum of American Art, New York; gift of David W. Kiehl in memory of artists and artworkers who died of AIDS 2012.160 © Donald Moffett, 1987.
Telling Stories, Times Two The Parrish Art Museum is presenting Alice Aycock Drawings: Some Stories Are Worth Repeating, an exhibition in two venues, in partnership with the Grey Art Gallery, New York University’s fine arts museum. This is the first comprehensive exploration of this vital aspect of the renowned sculptor’s creative process. Best known for her large-scale installations and outdoor sculptures, Aycock’s drawings capture the full range of her ideas and sources. Consisting of approximately 100 works, the exhibition will be presented in two parts. The 55 works in the Parrish Art Museum’s section cover the years 1984 to the present, when Aycock developed an increasingly elaborate visual vocabulary, which was facilitated in part by the use of computer programs. The Grey Art Gallery’s installation focuses on the years 1971–1984 and features 48 works, including detailed architectural drawings, sculptural maquettes, and photo documentation for both realized and imagined architectural projects. Her drawing practice connects to how today’s artists are employing systems-based drawing as an increasingly important venue for cultural speculation. Through July 14, Parrish Art Museum, 279 Montauk Highway, Water Mill, NY, 631.283.2118, parrishart.org, and through July 13 at NYU’s Grey Art Gallery, 100 Washington Square East, 212.998.6780, nyu.edu/greyart Masonry Enclosure: Project for a Doorway, 1976. Graphite on tracing paper. 34 1/4 x 50. National Gallery of Art, Washington, D.C. Gift of Werner Kramarsky, 1987.80.1. JUN
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CultureCalendar
Above: Metro-Goldwyn-Mayer, 1975. 16mm film, color, sound. 3 min. Courtesy Galerie Daniel Buchholz, Berlin/Cologne and the Estate of Jack Goldstein. Right: The Jump, 1978. 16mm film, color, silent. 26 sec. Courtesy Galerie Daniel Buchholz, Berlin/Cologne and the Estate of Jack Goldstein.
Pivotal Pictures Artist The first American retrospective of the Canadian-born artist Jack Goldstein (1945–2003) brings to light the important legacy of this central figure in the Pictures Generation of the 1970s and ’80s. Goldstein spent his creative years in New York and Southern California and explored a new stylistic vocabulary that was grounded in an interest in popular culture by appropriating images from books, magazines, advertisements, television, and film. This comprehensive exhibition showcases his influential paintings and films, as well as installations, writings, and pioneering sound recordings that frame Goldstein as a pivotal artist of his generation. He transformed, restaged, and remade films by stripping out specific details, context, and function. Exhibition highlights include his celebrated film of a growling Metro-Goldwyn-Mayer lion. One of his signature films, The Jump, features a leaping diver performing a somersault and disintegrating into fragments. Given Goldstein’s legacy and his increasing relevance to younger artists, this long overdue retrospective is essential to a larger re-evaluation of post-1960s American art. Through September 29. The Jewish Museum of New York, 1109 Fifth Avenue, 212.423.3200, thejewishmuseum.org
Left: Trifari, 1941 and 1942 (Left) “Royal Swan” brooch. Colored enamel, simulated baroque pearls, rhinestones, gold and silver plated. Signed Trifari Des. Pat. No. 129535. Possibly referencing the Swan Lake ballet or The Ugly Duckling fairy tale. Designer: David Mir. (Right) “Ming Swan” brooch. Colored enamel partially deficient. Credit: Pablo Esteva. Right: Iradj Moini, 1995. Lobster brooch. Czech and Austrian stones, silver plated. Signed Iradj Moini. Credit: Pablo Esteva. 10
Green-Wood Cemetery, Brooklyn, May 30, 1899. Byron Company, Museum of the City of New York.
Rest in (Green) Peace The Museum of the City of New York is hosting A Beautiful Way to Go: New York’s Green-Wood Cemetery to mark the 175th anniversary of this National Historic Landmark, which is located in Brooklyn. The exhibition will feature original artifacts, sculptures, architectural drawings, and paintings as well as historic documents and vintage and newly commissioned photographs, in an installation that lays the cemetery’s landscape plan beneath visitors’ feet. Green-Wood was a pioneering example of the “rural cemetery movement” and its history comprises equal parts architectural, art, social, and cultural histories and its grounds are a museum of monuments and statuary by leading architects and artists in a wide range of styles. Highlights include: 19th-century landscape paintings by Asher Brown Durand and John William Casilear, important Hudson Valley School artists who are buried at Green-Wood Cemetery; eight large photographs of Green-Wood, each measuring 20 in. x 48 in. and depicting different seasons, taken by leading contemporary photographer Jeff Chien-Hsing, which were commissioned specifically for the exhibition; and a zinc sculpture of a Civil War soldier at Green-Wood Cemetery, one of four that were copied in cemeteries across the country. Through October 13. Museum of the City of New York, 1220 Fifth Ave, 212.534.1672, mcny.org Haute Couture Bling Barbara Berger, the daughter of an American diamond merchant, amassed a world-renowned collection of nearly 3,000 “bijoux de couture” that began with her purchase of a pair of Chanel earrings at a French flea market as a teenager. She went on to assemble one of the largest and finest collections of couture jewelry in the world. Drawing from this assortment, the Museum of Arts and Design is featuring more than 450 pieces from fashion jewelry designers including Miriam Haskell, Marcel Boucher, Balenciaga, Kenneth Jay Lane, and Gripoix in an exhibition that promises a dazzling array of necklaces, bracelets, and earrings—many of which are one-of-a-kind. In fact, many of the pieces were expressly created to complement haute couture clothing by Chanel, Yves Saint Laurent, Dior, and Dolce & Gabbana, just to name a few. The collection serves as a virtual encyclopedia of this provocative era in fashion history. The exhibition also underscores the continuing popularity of couture jewelry today through several contemporary works. June 25–September 22. Museum of Art and Design, 2 Columbus Circle, 212.299.7777, madmuseum.org
Strong Yet Vulnerable Storm King Art Center is presenting a special exhibition of works by Thomas Houseago that are installed across the center’s landscape and in the galleries of its museum building. This marks the first-ever monographic museum exhibition in the United States devoted to the work of the artist who has created a body of primarily sculptural work that simultaneously exudes a sense of physical strength and emotional vulnerability. Houseago draws upon a wide and ever-expanding range of influences, from Hellenistic statuary, to early Modernist sculpture, to pop music and culture. The exhibition will feature the artist’s hallmark representational sculpture: energetic figures inspired by the human form. It will also explore some of the connections to abstraction in his work, including sculptural relief, works on paper, and indoor and outdoor freestanding sculpture in several media, from bronze and aluminum to felt, Tuf-Cal plaster, and charcoal. The trace of his hand is frequently detectable in his finished works, as are moments of preparatory drawing, traces of hemp-laden plaster, and wood scraps that initially served only structural purposes. Through November 11. Storm King, 1 Museum Road, New Windsor, NY, 845.534.3115, stormking.org
Gideon Mendel, Shopkeeper Suparat Taddee, Chumchon Ruamjai Community, Bangkok, Thailand, November 2011. © Gideon Mendel.
Picture This A Different Kind of Order: The ICP Triennial offers up a global survey of contemporary photography and video at the International Center of Photography. The exhibition, which will fill not only the entire gallery space but also its exterior windows, will feature 28 emerging and established artists from 14 countries. Starting from the premise that most photography is now produced, processed, and distributed in digital form, this show explores the sometimes unanticipated consequences of this shift via the work of a wide range of international artists. For younger artists, the digital revolution happened during their childhood, and dealing with its ramifications has occupied most of their creative lives. For artists of this generation, mixing the digital-image making with the existing visual language of painting, sculpture, and collage is almost second nature. Other Triennial artists, wary of the advent of “screen culture,” emphasize the handmade qualities of their work, but recognize that their efforts are situated within the space of a fully digitized world. Through September 8. International Center of Photography, 1133 Avenue of the Americas, 212.857.0000, icp.org
Clockwise from top left: Thomas Houseago, Striding Figure II (Ghost), 2012. Bronze and steel, 186 x 79 x 120 in. (472.4 x 200.7 x 304.8 cm). Courtesy the artist and Hauser & Wirth, London. Photo by Alex Delfanne. Installation view, Thomas Houseago, Dome, 2011, with Coins, 2010. Dome: Tuf-Cal, hemp, iron rebar, and redwood, dimensions variable. Coins: Aluminum, dimensions variable. Courtesy the artist. Photo by Fredrik Nilsen. Thomas Houseago, Classical Head I, 2010. Bronze and wood, 84 x 21.5 x 24 in. (213.4 x 54.6 x 61 cm). Courtesy the artist. Photo by Fredrik Nilsen. Thomas Houseago, Spoon IV, 2010. Tuf-Cal, hemp, and iron rebar, 100 x 28.5 x 24 in (254 x 72.4 x 61 cm). Private collection, New York. Photo by Fredrik Nilsen.
Shadowy Structures The Morgan Library & Museum will continue its annual summer sculpture series with a large-scale installation, Volumen, by Berlin-based artist Monika Grzymala. Suspended in the upper part of the Morgan’s Gilbert Court, this site-specific work will consist of 5,000 sheets of shimmering white Washi paper and recycled book pages, all connected by a network of fishing line and paper-coated wire. The title Volumen alludes not only to the volume of the space in which the work will hang, but also to the luminous flux of light defining it. The appearance of the sheets and their shadow on the floor will vary as the light in the atrium changes throughout the course of the day. July 19–November 3. The Morgan Library & Museum, 29 East 36th Street, 212.685.0008, themorgan.org Current installation at FRAC Lorraine, called The River II. The River II, 2013 © Monika Grzymala.
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Books Nicky Haslam’s Folly de Grandeur
Houses With Charm: Simple Southern Style
The Tropical Cottage: A Home in Coconut Grove
Designers Abroad
Nicholas Haslam Rizzoli 192 pages, $50
Susan Sully Rizzoli 208 pages, $39.95
Beth Dunlop Rizzoli 256 pages, $50
Michele Keith Monacelli Press 224 pages, $50
English interior designer, international socialite, and author Nicky Haslam revisits an oldie but goodie, the English country house, in his latest book. His “Folly de Grandeur” home in Farnham, England, is considered by many to be one of the most magnificent of the style that reached its zenith in the late ’80s and early ’90s. Once a humble Tudor hunting lodge, the celebrated designer notes that Folly is “quite simply the prettiest small house in the world.” Haslam chronicles four decades of the house’s history, decoration, draperies, and furnishings, and dissects the design of the main rooms from the staircase hall to the library. In a world predominantly filled with modern mid-century designs, designers will enjoy the chintz rooms with “carefully mismatched antique and vintage furniture” and the topiarylined terraces and gardens once designed by John Fowler in the early ’50s. The colorful interior designer (whose design clients include Ringo Starr, Rupert Everett, Rod Stewart, and the Prince of Wales) tells the fascinating story of the country house through 200 color photographs so lush you will feel like you spent the night there. British House & Garden editor Susan Crewe writes the book’s foreword.
As a Southerner, I must admit I was skeptical about a book on Southern style, hoping I wouldn’t open the pages to column-filled verandas or suffocating swags and jabots of the Old South. Author Susan Sully’s new book Houses with Charm: Simple Southern Style does not disappoint as she showcases unpretentious yet well-designed homes from New Orleans and Charleston to Savannah and Atlanta. Southerners—and well traveled visitors—will enjoy the interiors of a Blue Ridge mountain home in North Carolina’s popular Highlands, a beach house in South Carolina’s Sullivan Islands and Rosemary Beach, Florida, and a Colonial Revival house in Montgomery, Alabama, designed by some of the region’s most celebrated architects and designers, such as Bobby McAlpine, Ryan Gainey, and Amelia Handegan. Sully reinterprets the Southern interior, featuring 16 historic houses (many of simple origins dating from the 18th century to the present) and how the charm of the past and the incorporation of the contemporary are reflected today in two sections titled “Pure and Simple” and “Simply Elegant.” A true Southern expert, Sully is also the author of Southern Cosmopolitan and The Southern Cottage, and co-wrote the best-selling book The Home Within Us with Bobby McAlpine.
For the uninitiated, Coconut Grove is one of the oldest modern neighborhoods of Miami, a seaside hideaway filled with charming and well-preserved Old World tropical cottages that have been updated with the designs of today. Author, architectural authority, and Grove resident Beth Dunlop gives readers a wonderful never-before-seen tour of this world in the book The Tropical Cottage: A Home in Coconut Grove. Dunlop is also the editor of Modern Magazine and contributing architecture critic for The Miami Herald, and has written numerous books on Florida design. The homes feature a variety of styles from midcentury modern to Key West interiors and architecture, as well as small stone bungalows and Caribbeanstyled ranches, an Arts and Crafts cottage built in 1919, and a ’20s-style Mission House. Bright turquoise shutters, multicolor tile floors, and bougainvillea-covered courtyards are just a few of the hallmarks of classic quintessential Florida design with each residence more unique than the next. Architects and designers will enjoy the casual eclectic interiors and individual stories of a life in paradise.
It is not every day I get to review a fellow freelance writer and ARRAY magazine contributor’s book, so I was thrilled to receive a copy of Michele Keith’s latest. (ARRAY readers will recognize Keith’s work from her popular “Trove” column.) Designers Abroad: Inside the Vacation Homes of Top Decorators offers an inside look into the wonderful places where designers escape from the stresses of their demanding careers. As the follow-up to her successful book Designers Here and There, Keith explores how the industry’s top designers end up bringing their work home, “honing their design sensibilities and expanding collections of treasures.” From Sri Lanka and South Africa to Paris and Rome, the book is as much a travelogue as a design tome. For those of us who follow the work of Cortney and Robert Novogratz (Brazil), Ronald Bricke (Paris), Clodagh (Ireland), Lars Bolander (Sweden), Mica Ertegun (Turkey), Trish Wilson (South Africa), and Alessandra Branca (Rome), I found it fascinating to see how 22 designers incorporated the culture and designs of the native land and an obvious wanderlust and passion for travel into the look of their second homes. Keith has a penchant for the unique and I look forward to her third book.
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By Cathy Whitlock
Southern-themed books dominate the season.
Shelton, Mindel & Associates: Architecture and Design
Barry Dixon’s Inspirations
Artful Decoration: Interiors by Fisher Weisman
The Welcoming House: The Art of Living Graciously
Joseph Giovannini Rizzoli 256 pages, $60
Brian Coleman Gibbs Smith 224 pages, $40
Andrew Fisher and Jeffry Weisman Monacelli Press 224 pages, $50
Jane Schwab and Cindy Smith Rizzoli 240 pages, $55
I have long been a devotee of the work of architects Lee Mindel and the late Peter Shelton of Shelton, Mindel & Associates since the firm’s inception in 1978. Their signature look—a restrained modernism with a neutral soothing palette—has graced the interiors of everything from jets and yachts to co-ops and villas all over the world including Sting’s London townhouse and the homes of Wall Street power brokers. At long last their work is chronicled in a new book—Shelton, Mindel & Associates: Architecture and Design. The monograph features a crosssection of varied and alluring Manhattan interiors—a duplex loft in the Flatiron district, a penthouse and garden in Soho, a Central Park West duplex, Long Island waterside compound, and a classic ’30s Fifth Avenue residence. Author Joseph Giovannini delves into the philosophy of each project, uncovering the modernist roots that are at the soul of a Shelton-Mindel interior. Getting to the heart of the matter, each residence begins with goals and a summary of the project, and ends with a solution to the various design challenges. It’s easy to see why the pair has won over 30 awards including the prestigious 2011 CooperHewitt National Award for Design.
The enduring work of Washington, D.C.–based interior designer Barry Dixon has taken the design industry by storm over the past several years. Coined the “2010 Master of Design” by Veranda magazine, he has worked for such luminaries as Diane Sawyer and former Senator Bill Frist in Nashville to name just a few, and produced several books and a well-deserved home furnishings line. His book Barry Dixon’s Inspirations showcases an array of looks, taking the reader on a tour of eight homes including a high-rise apartment, California showhouse, chateau, and a grand estate. A rowhouse on Capitol Hill in D.C. gets a contemporary look while a vacant brick building in Corinth, Mississippi, is converted into a comfortable urban loft used for the weekends. The influence of living in India, South Africa, and New Caledonia as a child permeates his designs that can best be summed up as classic modern. From the fretwork on a curtain trim to the interlocking G rings of an Italian antique chair, his attention to detail is both eye-catching and extraordinary. Inspirations is filled with just that—lots of design notes and new ideas possibly overlooked by even the most seasoned design veteran.
I have to be honest, I was drawn to this book because it had the golden seal of approval with a foreword from Architectural Digest editor-inchief Margaret Russell, and I knew she would not put her name on just anything. Fisher and Weisman’s interiors have graced the pages of her magazines over the years (and her past book Style and Substance: The Best of Elle Decor) and it’s no wonder, as their signature style of classic interiors mixed with fantasy is quite intriguing. Artful Decoration is the firm’s first book and like many monographs, features a portfolio of their trademark interiors—understated with over-the-top glamour. Interiors from a pied-a-terre in Nob Hill and a San Francisco loft to a retreat in Palm Springs and a Pacific Heights penthouse provide a new and sophisticated look into the California lifestyle. Fisher and Weisman’s use of the unexpected provides another treat such as hand-decorated chandeliers with shells, side tables with branchlike bases, and smokemirror panels on a kitchen cabinet. One of the most fantastical touches is a wall-size collage of paper coffee filters stained and stitched into a grid pattern and artfully placed on a wall. Now that is high-end ingenuity that takes crafts to a new level.
With popular stores in Charlotte and Birmingham, Circa Interiors and Antiques developed a cult following, so it only stands to reason that owners Jane Schwab and Cindy Smith would follow up their success with a book. The Welcoming House: The Art of Living Graciously showcases Circa’s acclaimed trademark style— classic, comfortable furnishings and soothing color palettes, coupled with a timeless Southern charm. The book features eight beautiful homes (one of the standout interiors includes a Charlotte residence designed by the architect Bobby McAlpine as well as interiors in the Blue Ridge Mountains, Jackson Hole, and Florida) from inception to completion. There is lots of practical design information on the development of furniture plans and color palettes, and creating fresh yet classic rooms, as well as the importance of entryways and the design of the garden and outdoors. Southern hospitality is a recurring theme (as well as their love and knowledge of antiques) and the authors cover the essentials for the perfect guest room, setting a beautiful table, and entertaining ideas on how to arrange rooms for two to 50 people. Interior designer Bunny Williams writes the book’s foreword.
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Trove
By Michele Keith
Clever desktop accessories, electronics that make it easier to work out or keep in touch with friends, and beautiful, eco-savvy tableware.
01 SEASHELLS UNDER GLASS Hunting for shells takes on a whole new meaning if you can study them with this handy magnifying glass. Discovered at Evolution—a most eccentric shop with rare shells, fossils, and hordes of amazing objects—it rests gracefully on a duo-tone, bronzed brass-and-wood stand when not in use. 9.8 inch-long magnifier. 4.5 inches x 7.1 inches stand. $149. 212.334.2399, ext. 9. theevolutionstore.com
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ZIPPITY DOO DAH
03 WHAT A HOOT Reminiscent of seafaring scrimshaw, the owl-andmouse tape measure—twirl the wings to control the five-foot-long tape—is sculpted of bone. Just the thing for trawling flea markets over the weekend. 2.5 inches x 1.75 inches x 2 inches. $178. 212.343.0033. MicheleVarian.com
Whizzing around vacation haunts is more fun than ever with this grass-green electric bike. Steer with the hips; signal, brake, and accelerate via fingertip-accessible buttons. When open it’s 41 inches x 25 inches x 32 inches. In 20 seconds it folds into a compact 23.5 inches x 6 inches x 23.5 inches, 25-pound package. Top speed is 14 mph. The rechargeable battery lasts six miles. $5,000. hammacherschlemmer.com
04 WISE WORKOUT Exercise is a breeze with the Flex™ wireless activityand-sleep wristband, which tracks steps, distance, calories burned, active minutes, and hours/quality of sleep. Includes tracker, wristband, charging cable, and sync dongle. Made of water-resistant thermoplastic elastomer and compatible with several versions of iPhones, the iPod touch, and other devices. Sized small and large. Teal, black, slate, or tangerine. $99.95. Fitbit.com  14
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NATURE CALLS The Leaf beach chair was designed by Frank Ligthart, a winner of the Design Plus, Red Dot, and British Interior Design Association awards among others. Available in sea grass and java, sizes XS (single bed, 100 inches x 33¾ inches x 16.5 inches), $3,325, and XXL (double bed, 100 inches x 59.5 inches x 16.5 inches), $4,495. A coordinating side table also available. 877.MY.DEDON (877.693.3366). dedon.us
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HERE COMES THE SUN
PARTY PERFECT
No juice? No problem. Charge Smartphones and other gadgets with this sleek solar charger requiring only some sun and your own USB cable. When there’s insufficient light, use the micro USB cable that’s included. Crafted of ABS plastic. 5 inches x 3 inches x .5 inches. $65. $58.50 members. momastore.org
Origami-like in their simplicity, every element of WASARA’s party kits are compostable. The two kits, one for six guests, the other for 50, contain medium and large plates, bowls, and tumblers. Utensils are made from organically grown bamboo, and napkins from recycled paper. Compostable trash bags included. The six-person kit is $44; $248 for 50. BranchHome.com
08 A CASE FOR THE ENVIRONMENT Handcrafted from solid walnut or bamboo, the Vers Slimcase protects your iPad 2 from everyday wear and tear. Its many features include a removable foot, open front with full-screen access, and apertures for rear camera, ringer button, and speaker. Plus, the Arbor Day Foundation plants 100 trees for every one used in the manufacturing process. 8 inches x 9.9 inches x 1 inch. 0.75 pound. $79.99. 212.226.0444. greendepot.com
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By Catherine McHugh
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How a team of designers and architects transformed a former nightclub into an authentically German day-to-night bakery/bar In the spring of 2012, Landbrot Bakery & Bar opened in a West Village location that gets lots of foot traffic and can accommodate quite a lot of outdoor seating in warm weather. It also previously housed a transvestite nightclub— and that detail turned out to be only the first of many challenges facing the bakery’s design team.
The bakery’s West Village location features a full array of authentic German breads and pastries, which are baked on premises in the upstairs kitchen. Bottom: The doors to the restaurant include its distinctive “lb” logo, which stands for the bakery’s name and its house-special bread, the Landbrot, a double-crusted rye loaf.
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German telecom executives Volker Herrmann and David Rothe conceived the idea when their frequent trips to New York City left them yearning for a taste of home. So they decided to fill this niche by opening a bakery that specializes in authentically German baked goods, including a wide variety of dense, intensely flavorful breads and, of course, pretzels that put the standard pushcart offerings to shame. Herrmann’s and Rothe’s realtor referred them to the hospitality consultants at Cenk Fikri, who set up, conceptualize, design, build, and help owners operate their restaurant establishments. “The location at 137 7th Avenue was already selected by the time we came on board,” explains Courtney Fikri. “It was a disaster when we walked in. It had mirrors on the wall and balconies that we didn’t know what to do with, and the building’s triangular shape was just god-awful, making it difficult to fit in a lot of any type of seats.” S o F i k r i c a l l e d D av i d H ow e l l , f o u n d e r o f DHD A r c h i t e c t u r e a n d D e s i g n , a n d a r c h i t e c t B e n F u q ua to c o l l a b o r at e . “It was a ruin when Cenk and Courtney introduced us to it,” Howell acknowledges. “It had a basement, a main floor, a mezzanine area, and a top floor — tiny, tight spaces and it was all black. The huge façade is the 60-foot-long side of a triangle, so we had to fit all the bakery’s functional elements back into the other two walls.” Making all of this work from a retail point of view was the team’s biggest hurdle. “But our company is interested in unique design opportunities and this was clearly an unusual challenge,” Howell continues. “W e s e l d o m g e t to wo r k o n a n e n t i r e b u i l d i n g a s a s ta n d - a lo n e e n t i t y i n
Facing page: Courtney Fikri and Ben collaborated on the design for the retail section of the bakery which is based on authentic German baker’s racks. Top: Authentic Brezeln (pretzels) come in several flavors including traditional salted, sesame, and pumpkin seed varieties. Above (inset): The bakery also features Germany’s version of pizza, called "Flaming Pies," which are bacon/creme fraiche/onion-topped slices of baked Alsatian bread. JUN
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M a n h at ta n . P l u s ,
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wa s v e r y i n t e r e s t e d i n c r e at i n g s o m e t h i n g t h e r e t h at wo u l d c o n t r i b u t e to t h e c o m m u n i t y , w h i c h i s a n ot h e r r e a s o n w h y w e to o k o n t h e p r o j e c t .”
Fuqua notes that DHD takes a great interest in helping to shape the initial identity of a company. “Here, the owners provided a brief on the products they wanted to make and the Bavarian imagery that had inspired the bakery,” he says. “So there was a strong, emotional push on their part to establish a unique identity. The notion of having the product produced on site is really unusual in this city now, as that type of artisan culture has been eroded by the high cost of real estate. “I t
e n d e d u p b e i n g a n a m a lg a m o f t h e t r a d i t i o n a l b a k e r i e s t h at
G e r m a n y w i t h a sp e c i f i c sp i n towa r d a N e w Y o r k F u q ua c o n t i n u e s . “W e h av e a s l i g h t ly d i ff e r e n t s e n s e t h a n t h e y d o .”
they knew in au d i e n c e ,” v i s ua l
A high priority was placed on the presenting the products, especially the breads, which are transported from the bakery by a custom-made dumbwaiter. “They wanted a striking vertical element, and this one we really based on function,” Howell says. “It was integral from the beginning.” “I think they enjoyed the notion that there would be this kind of ceremony about the bread coming down,” Fuqua adds. “It’s an event whenever a new batch comes down the chute. We sized it to accommodate these custom trays that they had made in Germany. A lot of the design directive was to reflect this sort of ‘Baker’s House’ feeling. That set a certain tone and we had to play with it. “Some of it was just harkening back to a 20th-century, pseudo-industrial past that we could use a common denominator between all of the different elements,” Fuqua notes. “For example, the steel baker’s rack has trays that pull out and those are the same trays that go up to the dumb waiter and to the bakery itself. It’s simple, but the imagery works as a traditional bakery presentation.” The baker’s racks are also used to present goods for sale. “Ben and I worked together on this cool retail concept that is a fun part of the design,” Fikri says. “I hope the racks will be replicated when they expand to other locations.” The designers made product suggestions as well. “We talked to the bakers about retooling their approach based on the New York audience,” Fuqua says. “They were making these perfectly uniform loaves. Every single loaf was identical—even though they were handmade—and they took great pride in that. The Fikris had to instruct them to make things slightly more irregular, so there would be a more visual presence of the craft, which seemed odd to them.” They also convinced the owners to add alcohol to the mix. “Cenk and I felt pretty strongly that something a bit different would really entice people,” she explains. “And when you think of Germany, you think of beer. Beer and wine and sweets and pretzels go well together.” Fikri then convinced Bavarian brewery Höss Bier to export only to Landbrot. “They had never exported their beer before and it worked out amazingly well,” Fikri says. “P e o p l e g e t r e a l ly e xc i t e d w h e n t h e y h e a r t h e b e e r i s f r o m a c lo i s t e r b r e w e r y t h at yo u c a n ’ t g e t a n y w h e r e e l s e i n t h e U. S. A n d t h e b e e r t r u ly i s a m a z i n g .” The restaurant includes a separate bar, apart from the counter, that has all the products on it. “I t ’ s sp e c i f i c a l ly j u s t to h i g h l i g h t t h e b e e r ,” Fuqua says. “They have a fantastic variety that they sell in awesome jugs.” 20
The breakfast menu includes classic German pastries such as Berliner jelly doughnuts and Black Forest cakes (as well as coffee and tea), while the lunch and dinner options range from German cheeses, bratwurst, hot dogs, quiches, sandwiches, salads, and soups. “The owners are very proud of their heritage,” Howell says. “They were very serious about choosing traditional German products and bringing over the best equipment, as well as a German baker.” For research, Fikri made several trips to southern Germany, taking pictures of storefronts and patterns and shopping for the bakery’s décor by scouring barns and flea markets. “All of the styling I did came from authentic pieces— containers, beer steins, even leather bridle straps,” she says. “We used some old wine barrels for bread baskets and we got a lot of old flour sacks to line the wooden seating.” “We put a banquette on the mezzanine and I asked Courtney if she had any more flour sacks and we used that for the upholstery,” Fuqua says. “That’s one of our favorite pieces. It was a good arrangement for some spontaneity that doesn’t get to happen very often.” Another favorite design element, which turned out to be a bit prescient, is a stone frieze Fikri had custom-made that reads “Zunsthaus der Backer,” which means “House of the Baker.” On one of her trips, she had impulsively scribbled it down after seeing it on a building’s exterior. After getting it translated, she knew she had to use it in the bakery. About halfway through completion of the 7th Avenue bakery, the owners found another location on the Lower East Side and decided to open a smaller version there, keeping it open until 4 a.m. for the late-night bar crowd. “They had already had inquiries about producing the bread for
other locations,” Howell says “So they saw 7th Avenue as being the real bakery from which they sell their bread to other locations, including one of their own.” The challenge of the second location was its lack of size. “It’s a little shoebox space, but we used the same language in terms of the design,” Fuqua says. “We reconfigured it a bit but there is a challenge in establishing a new identity for someone who carries products but who hasn’t yet fine-tuned what their inventory will be and the type of products that they should have. So there were technical issues in just meeting those display requirements for all of the artisan pretzels, the loaves of bread, the refrigerated products, etc. It needed to be close to eye level so you can see the level of craft.” For their part, the designers were happy with the execution of their own craft. “It was an exciting collaboration between our two companies,” Howell concludes. “T h i s p r o j e c t r e a l ly o ff e r e d a n o pp o r t u n i t y to g e t i n to t h e n i t t y - g r i t t y o f t h e d e s i g n a n d t h e b r a n d i n g a n d c h o o s i n g t h e m at e r i a l s . I t wa s e xc i t i n g a n d w e ’ r e r e a l ly p r o u d o f t h e o u tc o m e .” Facing page, top: House-made apple strudel. Middle: imported German condiments, including plum ketchup. Bottom: Ground-floor seating at the flagship location offers views of the West Village through the large windows—inspiration for the décor (such as the rustic water jugs on the tables) came from antiques Fikri found in Germany. This page, left top: The bar aspect of the bakery offers patrons German wines and beers—including several on tap that are offered exclusively in America by Landbrot. Above, right: No German eatery would be complete without a frankfurter or bratwurst served on a bread roll with a side of sauerkraut and mustard.
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Continental By Cathy Whitlock
CHIC
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in Southampton Robert Couturier brings his signature sophistication to the beach.
By Cathy Whitlock
Previous page: The use of a zebra pattern, as shown on the ottoman, is a Couturier trademark.
From a country house in Greenwich to a townhouse in Paris, French architect and interior designer Robert Couturier’s interiors have long been known for their continental glamour and tailored sophistication. So when an international businessman wanted to renovate his Gin Lane beach house in Southampton, it’s only fitting he returned to the work of the French-born, New York City–based designer. The 19th-century Colonial Revival estate (reportedly one of the area’s most expensive properties to date) was one of the client’s several Couturier-designed homes, including houses in Aspen, Florida, and Salzburg. Considered one of the oldest summer “cottages” in Southampton, the estate also boasts a 7,500-square-foot guesthouse (with three bedroom suites), spa, staff quarters, and a four-car garage—all on six acres. With more than 400 feet on the ocean, the grounds include a self-watering clay tennis court, lily pond, and pool. While the eight-bedroom, 13,000-square-foot house was naturally blessed with good bones, Couturier faced the challenge to “ r e t u r n t h e h o u s e t o w h at i t wa s i n t e n d e d t o b e o r i g i n a l ly .” Fortunately this primarily involved interior decoration with little renovation; unfortunately, it needed to be done yesterday. In a world of large design projects taking a minimum of two years, designing within a short time frame is tricky at best. “W e h a d v e r y l i t t l e t i m e b e f o r e t h e c l i e n t m ov e d i n — s i x m o n t hs t o b e e x ac t ,” he says. “T h i s wa s n o t t h e t y p e o f g e n t l e m a n yo u c a n t e l l n o t o e i t h e r ! “O n t h i s t y p e o f j o b yo u h av e t o m a k e b i g d e c i s i o n s q u i c k ly . T h i n g s t e n d t o b e a l i t t l e l e ss r e f i n e d , a n d I d o n ’ t r e v i s i t d e c i s i o n s , w h i c h i s n o t a b a d t h i n g i n t h i s c a s e ,” the designer explains. Working with a client on multiple homes often warrants shorthand, which helped with the immediacy of this design scheme. “I have done so many (projects) with this couple (and their two sons) that I know them inside out. I know what colors they like and dislike.” Since Couturier designed the family’s Florida home with a green color motif, a new color palette was needed. “W e j u s t d i d t h e h o u s e i n F l o r i da i n w h i t e s a n d g r e e n s s o t h e b l u e s o f t h e s e a w e r e a n at u r a l c h o i c e ,” the designer notes on the Southampton color palette. Naturally he looked outside to the ocean, bringing in a variety of sea and sky blue tones that plays a predominant theme throughout the interiors. The entrance hall and living room are bathed in a sky blue and white while the dining room walls feature a blue and white striped paper. Even the master bath gets a hit of blue with a circular free-floating ottoman. Furnishings were relaxed while formal in nature with an interplay of stripes, checks, plaids, and diagonal patterns present in almost every room. A bold red striped sofa becomes a singular source of color in the den while the study features a Couturier signature zebra pattern on Clockwise from top right: A soft pale blue comprises the color palette and a running theme throughout the interiors as seen in the living room. American antiques were used for the entrance hall. To make the study less formal in feel, Couturier mixed a variety of patterns and textures. Robert Couturier at his home in Manhattan.
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Photos by Peter Margonelli
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the ottoman. The majority of the furnishings were antiques and custom designed and many were flown in from the client's home in Aspen, recovered, and incorporated into the mix. Entertaining became a key factor in designing the interiors as the formal living room received two large seating areas with no less than three sofas. The designs are also indicative of another Couturier trait—reflecting the client’s true personality through the interior spaces. “I loved to look inside houses as a child,” the 18th-century furniture enthusiast recalls. “I a m v e r y c u r i o u s a b o u t t h e p e o p l e i n s i d e , h ow t h e y l i v e , f u n c t i o n , a n d w h at t h e y d o . A l l h o u s e s a r e a r e f l e c t i o n o f t h e p e r s o n a n d I d o n ’ t pa ss j u d g m e n t o n m y c l i e n t s .” Raised by his grandmother in a house designed by Jean Michel Frank in the 16th arrondissement of Paris certainly exposed Couturier to elegant modernist interiors at an early age. Years later it was his philosophy teacher who urged him become a designer and architect after viewing his renderings (he is noted for his incredible perspectives and uncanny ability to draw them upside down). After training at the École Camondo in Paris, he worked as a designer at the firm of Adam Tihany in New York (who designed the interiors for Le Cirque) and ventured on his own in 1986. His lucky break came in the form of a 60,000-square-foot design job for billionaire financier Sir James Goldsmith in Mexico that placed him permanently on the international design map. Working exclusively on Goldsmith’s projects for five years, he also designed his Boeing 757, French chateau, and townhouse. T o day
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Soho. Downtime finds Couturier, his boyfriend and architectural historian Jeffrey Morgan, and their three Shih Tzu dogs enjoying life at their 16-acre neoclassical retreat in Kent, Connecticut. Like many international designers, Couturier has received his share of accolades, landing on a variety of lists from Architectural Digest’s AD Top 100 to British House & Garden’s Top Ten Foreign Designers but that is where the distinction ends, as there are no plans for a furniture line or book in the future. Instead, he prefers to stop and enjoy a life well lived. And perhaps indulge in his favorite guilty pleasure, watching an episode or two of Bravo’s Real Housewives.
Clockwise from top left: Couturier brings the colors of the sea into the master bath via the blue monogrammed towels, tape trimmings on the roman shades, and the blue diamond geometric pattern ottoman. A grouping of framed seashells on the pale blue walls is another detail that ties in the beach with the house. A large red striped sofa makes a bold statement in the den. Many items from the client’s home in Aspen were reworked for the Southampton home. The master bedroom is bathed in varying shades of blue and white.
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By Cathy Whitlock
Modern Classic
For an interior designer, one of the most challenging feats is designing the proverbial blank box apartment in the sky. Add to the mix 3,500 square feet, a two-month time frame, an edict to incorporate existing furniture and art that is in storage, and oh yes, design it to sell. Such was the task handed to interior designer Neal Beckstedt when asked by developer Extell Development to design a model loft at the Lucida, a 21-story property on Manhattan’s Upper East Side. And one more challenge—this was his first project since launching his new firm in 2010. This page: Beckstedt amplified textures and materials such as teak and chrome and layered shades of gray, cream, taupe, and white for the interiors of an Upper East Side high-rise. Far top left: Interior designer Neal Beckstedt. Lower left: The designer used black and white photographs to create interest.
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1. The contemporary sleek lines of the all-white and chrome kitchen are a perfect complement to the apartment’s interiors. 2. Beckstedt turned one of the bedrooms into a den. A cow-skin hide makes a focal point and ties the furnishings together. 3. To create a luxe factor, Beckstedt treated the doors with a dark ebony stain as seen in the open dining room. 4. Bold pillows provide a pop of color to an all-white bedroom. 5. Beckstedt color-blocked the walls to create interest and add height to the imaginary boy’s bedroom. 6. A beige sisal-covered chair with white animal feet is just a few of the many interesting items used in the interiors.
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T h e bas i c p r o b l e m w i t h d e s i g n i n g n ew co n t e m p o ra ry co n st ru c t i o n o f t e n c o m e s d ow n t o p r o p o r t i o n s , a d d i n g wa r m t h a n d c h a r ac t e r t o a “ c l i e n t l e ss ” spac e , a n d d e s i g n i n g w i t h i n t h e c o n s t r a i n t s o f a n o p e n f l o o r p l a n . “This was a new building, very modern with floor-toceiling glass. The apartment was a huge open space with an open living and dining room. When you have this type of structure, an open floor plan can be daunting to people,” explains the Manhattan-based designer. To create a more pleasing and comfortable flow, he first addressed the color palette. Beckstedt balanced the white and ivory tones by amplifying and layering textures, adding materials such as teak, chrome, parchment, leather, wood, and lacquer. To create a focal point, existing sliding maple doors were treated with an ebonized stain for a rich look. With the loft’s 10-foot ceilings with impressive skyline views, the glass and exposure that often feels cold and stark was treated with soft sheer window treatments that filter the natural light.
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In selecting furniture, the designer chose items with interesting profiles, clean lines, and simplicity, adding a few eclectic touches along the way. “T o k e e p i t i n t e r e s t i n g , I d i d n ’ t wa n t i t t o b e t o o s t y l i z e d . I wa n t e d t o p l ay w i t h n e u t r a l s a n d m a k e t h e w h i t e a n d b e i g e p o p ,” he notes. A screen of metal louvers from a building in Philadelphia, an Arne Jacobsen Egg Chair, a wooden root stool from Mecox Gardens, and a stark white Dickerson plaster stool with feet were just a few of the whimsical touches added to the five-bedroom loft. Vintage furnishings and artwork also added to the luxe touches of the apartment’s interior. Part of the fun when designing a model interior is creating personalities within the space. The children’s bedrooms were an exercise in color blocking as the son’s bedroom wall was given height and divided into two colors and the daughter’s bedroom was anchored with a bold tricolor area rug. Contemporary art choices such as photographs of stacked plates, a vintage Milo Baughman sofa, and a Mies Van der Rohe Barcelona chair, were just a few of the hints that the “owners” were collectors with good taste.
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F o r B e c k s t e d t , d e s i g n a pp e a r s t o c o m e n at u r a l ly . He grew up in a small farming town in Ohio and always dreamed of a career in interior design. “At the age of four I was always creating,” he recalls, “and when my father gave me a band saw at the age of 10 I went to town!” Eventually studies in architecture at Ball State, Italy, and Miami followed, along with a move to New York where he worked with John Keenan and Terrence interior designers and 10 years with S. Russell Groves as studio manager on high-end residential interiors. A variety of projects from houses in the Hamptons to commercial projects for eyewear designer Robert Marc and Tiffany and Co.’s Shanghai store have clearly placed Beckstedt on the map. “My firm is very comprehensive as we do both interior design and architecture,” he says. “I l ov e r e s i d e n t i a l p r o j e c t s a n d g e t t i n g t o k n ow m y c l i e n t s a n d t h e i r l i f e s t y l e . I f i g u r e o u t w h o t h e y a r e , t h e i r p e r s o n a l i t y , a n d h ow b e s t t o c a p t u r e t h e spac e t o t r u ly m a k e i t t h e i r s .” And the outcome to his first project boded well for his design future— t h e lo f t s o l d w i t h i n a m o n t h a n d t h e n ew c l i e n t b o u g h t a l l t h e f u r n i sh i n g s .
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Eats’N’Sleeps Melibea melibeanyc.com 2 Bank Street 212.463.0090
Cherrywood Kitchen cherrywoodkitchen.com 300 Spring Street 646.559.2328
Belgian Beer Café bbcnomad.com 220 Fifth Avenue 212-575-BEER (2337)
Hey Mambo heymambonyc.com 487 Amsterdam Avenue 212.595.5050
Acclaimed Madrid chef Jesus Nunez has teamed up with Spanish restaurateur Hector Sanz of the Quimeria Think Group and produced a fabulous contemporary Mediterranean restaurant. The eatery’s outstanding menu emphasizes the Mediterranean diet, with definite influences from Spain, of course, but also from Greece, Italy, North Africa, and the Middle East. At Melibea guests experience Nunez’ culinary flair and whimsical gastronomy. Start with a sunchoke cream topped with a perfectly timed five-minute egg, onion marmalade, and seared foie gras, or a moussaka with venison and spicy béchamel like you’ve never seen or tasted before. Move on to wild boar goulash served with orzo, spinach gnocchi, celery root, and roasted pepper, or try the Serrano ham and monkfish roll with parsnips, roasted leeks, squid, and tomato compote and pistachio ajoblanco. All of this is served in a unique setting: aged brass, walnut wood floors, and vintage velvet banquettes, evocative of an antique theatre in old-time Barcelona. Upon entering the space, guests are greeted by the hostess at a stand assembled from old steamer trunks. The bar itself mimics a stage with a sweeping curtain-like backdrop framing a large mirror, a granite countertop, and customized Napoleon-style bar stools.
In the emerging Hudson Square area of Soho, an inviting, comfortable New American restaurant has arrived in the neighborhood. Inside Cherrywood Kitchen, the owners have transformed the space into a warm, hospitable setting using dark wood, cherry red walls, dramatic wrought-iron light fixtures, and vintage memorabilia lining its decorative bookshelves. The food is equally as welcoming: Chef Chris Cheung, formerly of Jean-Georges and Nobu, has created a menu featuring sophisticated yet approachable fare incorporating the freshest ingredients sourced from local farmers, purveyors, and craftsmen. The restaurant’s namesake wood is used in the kitchen’s custom smoker, imparting distinctive flavor to his vibrant cuisine, which includes house-baked breads, smoked meats, fresh seafood dishes, and clay pot cooking. Every table immediately receives garlic ciabatta with whipped blue cheese as guests explore the menu and choose from braised bacon soup or salmon head salad to start, or for entrées, smoked chicken stuffed with eel, served with spring vegetables and ham hock relish, or roasted lamb shoulder with fava beans, English peas, and bone marrow. But save room for dessert: Indulge in the crunch and munch crumble pie or the Shanghai walnutcrusted cheesecake—you won’t regret it.
Big Apple beer drinkers are toasting the NoMad opening of this authentic bar and restaurant, which boasts a large variety of world-renowned and local-brewed Belgian beers, both on draft and in bottles, as well as an extensive menu of Belgian cuisine, spearheaded by French-trained chef Michael Sullivan, a 10-year alum of Chanterelle. Belgian Beer Café tips its hat to the proper pour and the proper glass; each brew is served in a specific glass that best promotes the flavor and notes of the beer. Also available is a unique selection of beer cocktails freshly made with an assortment of natural extracts of fruits, flowers, and herbs such as the “On a White Cloud,” combining a cloudy Hoegaarden white beer, Monin Elderflower, and Angostura. A master beer sommelier is happy to assist guests in pairing their brews with dishes from Sullivan’s extensive menu. Designed by Belgian-based Creneau International, the décor includes authentic antiques from Belgian flea markets, brass trim, and a long flat-top marble bar, as well as bits of Belgian history, such as painted cement tiles from old Belgium schools and homes displayed in the solid wooden oak floor.
Tuvia Feldman has traveled the world over. He believes in love, happiness, and the finest things in life. So it’s no surprise that as the owner of new restaurant Hey Mambo, these generous and sophisticated qualities are finely distilled into its atmosphere, décor, and especially its food. Located on the Upper West Side, this colorful, warm, and joyful eatery brings a new twist to neighborhood dining with an eclectic, global menu. The restaurant is modeled after an Orient Express railroad car from the 1920s and its furniture and fabrics are heavily inspired by Bauhaus design. Chef Moussa Thiam, born in Senegal and raised in the French region of Auvergneto, brings his French influence to Hey Mambo’s world-inspired cuisine. Begin your global journey with a great selection of crudos, including meltin-your-mouth sushi-grade swordfish belly dressed lightly in citrus and olive oil, capers, scallions, and fresh grapefruit and orange slices. For a main course, try the house signature pasta Baked Taglioni, with its creamy béchamel sauce, ham, and baked cheese topping, or the perfectly cooked pan-seared scallops balanced atop polenta, a sweet corn puree, braised fava beans, leeks, and a scattering of crispy prosciutto for crunch.
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By Shelley Wolson
Tour Latin America at Luna Sur, taste Belgium at the Belgian Beer Cafe, and immerse yourself in Greenwich Village past and present at the Jade Hotel.
Luna Sur lunasurnyc.com 802 Ninth Avenue 212.262.1299
Pennsylvania 6 pennsylvania6nyc.com 132 West 31st Street 212.727.3666
Jade Hotel thejadenyc.com 52 West 13th Street 212.375.1300
Wyndham Garden Chinatown wyndham.com 93 Bowery 646.329-3400
Sun and fun are in the air at this Hell’s Kitchen establishment, where guests go on a culinary tour of Peru, Mexico, Argentina, Cuba, and other Latin nations. Diners feel the warmth from the moment they enter, from the friendly servers dressed in brightly colored shirts, suspenders, and matching converse sneakers, to a palette of bright orange, tangerine, and lime on the painted wood paneled walls. The ideal meal begins with traditional cocktails, using infused spirits and fresh fruit purees, and tasty tapas like Pulpo Al Oliva, tender slices of octopus paired with a creamy, thick kalamata olive sauce. Also not to be missed is the Cauza Limena, a native dish from Lima, Peru—wonderfully subtle, composed of smooth, delicate mashed potato layered with avocado and crab. Larger plates include Pechuga Rellena con Salsa de Pina y Guayaba, crispy breaded chicken stuffed with ham and cheese, paired with a luscious guava sauce. But perhaps the stars of the show are the classic entrees— Lechoncito, completely tender suckling pig roasted for eight hours, served with garlicky mojo sauce and cassava, or the national dish of Argentina, El Gaucho Churrasco: firegrilled skirt steak served with Luna Sur’s signature chimichurri sauce.
Combining the feeling of Old New York with a new taste of classic American dining, Pennsylvania 6 is a 21st-century cross between the Oak Room and the Oyster Bar, and is changing the landscape of this Herald Square neighborhood. (The name is a tribute to Pennsylvania 6-5000, the phone number of the nearby Pennsylvania Hotel, made famous in the song of the same name performed by the Glenn Miller Orchestra.) It features a raw bar stocked with the finest oysters and shellfish, an artisanal cocktail bar, a craft beer list, and an eclectic wine list. The expansive 5,500-sq.-ft. space has 24-ft ceilings, oak panel walls, and majestic oak columns, with vintage art deco lighting fixtures and sconces. The dining room’s marble tabletops and red leather banquettes and dark ceramic tile floors complete the retro scene. The American-driven menu includes line-caught steelhead salmon with royal trumpet mushrooms and arugula, and pan-roasted monkfish “Osso Buco,” served over a flavorful medley of maitake mushrooms, butternut squash, and asparagus. Not to miss: the Penn6 signature dessert “drunkin’ donuts”—cinnamon-sugared mini donuts, stuffed with rum flavored dulce de leche, then dunked in chocolate stout cream and blackberry sauce. To die for.
The charm of Greenwich Village comes alive in this architectural gem. With meticulous period details and sumptuous Art Deco interiors, the Jade conjures up the happening speakeasies and literary salons, artists, and musicians of the Village past, as well as the crossroads of fashion, food, and culture that this neighborhood is today. New York architect Gene Kaufman, design architect Richard Cameron of Brooklyn firm Atelier & Co., and designer Will Obeid brought this 113-room hotel to life, from its modern comforts to its authentic design—a love letter to the magical storied neighborhood. The elegant Georgian-style architecture of the lower façade is illuminated by lamps blazing at the entrance, restoration glass, a large semi-circular “lunette” window, and a huge copper-clad bay window. Visitors then descend into a sunken lobby enhanced by a fireplace, Art Deco–inspired wall coverings, and a rotating display of original works by emerging artists. Interior design consultants Andres Escobar & Associates took inspiration from legendary 1920s French Deco furniture artisan Emile-Jacques Ruhlmann, using crimson, blue, and gold tones, and incorporating bed frames and desks made of Makassar ebony. A sliding cabinet, with inset Deco pattern, conceals a 37-in. flat-screen TV and completes the look.
Newly built and steps away from top New York City attractions, the Wyndham Garden Chinatown hotel offers modern amenities and convenient services with a fashionable twist. Located one block from Little Italy and two blocks from trendy SoHo, this hotel is walking distance to many historic sites and great shopping, with access to delicious dining in the heart of Chinatown and nearby neighborhoods like the newly trendy Lower East Side. The hotel is also a terrific hangout: With its comfy bistro-style seating, the atrium is the perfect place to sit, relax, and have great conversation with your fellow visitors. When it’s time get work done, guests stay connected with complimentary Wi-Fi Internet access throughout the hotel or visit the handy business center. If exercise is your thing, the 24-hour Blue Harmony Fitness Center is available featuring state-of-the-art workout equipment. Those looking to plan a productive meeting or special event will find 1,690 square feet of event space; the hotel’s banquet ballroom also offers an outdoor terrace and spectacular vistas overlooking the Big Apple. And speaking of views, most of its 106 new guest rooms also offer unobstructed Manhattan skyline views—an unexpected treat!
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Seersucker blazers, crisp linens, and cool jazz are among designer picks for the season.
Jamie Herzlinger (Jamie Herzlinger Interiors) “My favorite thing for summer is new bedding! I change my linens with the seasons; I try to invoke the season all around me. Because it is so hot outside, nothing is better than lying in a bed of crisp white sheets. E. Braun’s designs are simple and elegant, perfect for summer! You can purchase E. Braun & Co. bedding through jamieshop.com.”
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John Chadwick (Interiors by John Chadwick) “My Must Have for the summer is a seersucker blazer. Whereas in the winter, a blue doeskin or cashmere blazer will take you anywhere from board room to dressy dining out to jeans and loafers on the weekend, in the summer, a seersucker blazer is de rigueur. It doesn’t wrinkle; it packs beautifully, and with a tie, can be worn to almost any summer business affair and then on to dinner. On the weekends, it is perfect with jeans, linen trousers, or shorts. I have a seersucker blazer in several colors. My new one for this summer is pink and white.”
Glenn Lawson (Glenn Lawson, Inc.) “I can’t do without Summertime—the song. Here are three outstanding renditions: 1) The très cool version done by the Miles Davis big band, orchestrated by Gil Evans, sizzles, shimmers, and simmers—great for early evening mood music. 2) Another interpretation by John Coltrane—somewhat frenetic and really compelling. Couldn't take it off my player last summer! 3) The version I first heard—Summertime by, believe it or not, Janis Joplin with Big Brother and the Holding Company from her breakthrough album Cheap Thrills! I was spinning this on my turntable as far back as grammar school!!”
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Karen B Wolf (KBWInteriors.com) “Finding emerging artists is one of my passions and also challenges me as a designer. This winter, I lucked out when I met Kerri Rosenthal in her Connecticut home. I was completely inspired by the energy, vivid colors, and subtle complexity of her work and left her home in a daze of beautiful color. It is hard not to love this installation, “The Float Series”—so fresh and relevant. The amazing thing about Kerri’s work is that her forms are honest and organic with lightness to them. Hang these in your summer home for a quiet but sophisticated statement or check out Kerri’s full body of work at kerrirosenthalart.com.”
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Liza Laserow (Laserow Antiques) “I think of furniture as the clothing of a room—it should be easy to use and look good for any occasion. This chest is the essence of past meeting the present. Combining it with a giltedged wood mirror from the Rococo period makes a perfect match.” It can be bought at Laserow Antiques, laserowantiques.com.
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GALLERY F ierce and functional . powerful pieces that perform beautifully.
Scallop Shell Sculpture available at John-Richard, 646.293.6668, johnrichard.com
Omnibus Back available at Vladimir Kagan (Couture Showrooms), 212.689.0730, coutureshowrooms.com JUN
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Madame X Bench available at Dennis Miller Associates, 212.684.0070, dennismiller.com
Plateau Lounge Chair available at Baker Knapp & Tubbs, 212.779.8810, bakerfurniture.com
Mercer Console available at DESIRON, 212.353.2600, desiron.com
Occasional Table available at Henredon Interior Design Showroom, 212.679.5828, henredon.com
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Shell-backed Chris-X Boudoir Chair available at Christopher Guy, 212.684.2197, christopherguy.com
Black Haiku available by Big Ass Fan Co. (at Calger Lighting, Inc.), 212.689.9511, haikufan.com
Crown Jewel Stool available at Tucker Robbins, 212.355.3383, tuckerrobbins.com
Transitional Chaise Lounge available at Louis J. Solomon, Inc., 212.545.9200, louisjsolomon.com
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Lee Jofa Mulberry Home Collection available at Kravet Fabrics & Furniture, Inc., 212.725.0340, kravet.com Clockwise from top left (facing page): Shutter Sofa available at Saladino Furniture, Inc., 212.684.3720 x31, saladinostyle.com Wood-Mode Bemini louvered door style available at In House Kitchen Bath Home, 212.686.2016, inhousekbh.com Antique Dhurrie Rugs available at Stephanie Odegard Collection, 888.988.1209, stephanieodegard.com Shanghai Sofa available at Brueton, 212.838.1630, brueton.com Outdoor Teak Chairs & Tables available at C么t茅 France, 212.684.0707, cotefrance.com
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Maxwell Fabrics High Point from the Color Waves Candy Shop Collection available at Flourishes, 212.779.4540, maxwellfabrics.com
Kipling Authentic Oyster Shell Round Mirror available at Arteriors, 646.797.3620, arteriorshome.com
Arrowhead Chinoi Chair available at Kindel, 646-293-6649, kindelfurniture.com
Gosha Quilted Arm Chair available at The Bright Group, 212.726.9030, thebrightgroup.com
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Hedy Chandelier available at Metropolitan Lighting Fixture Co., 212.545.0032, minka.com
Nest Tray available at Global Views, 212.725.8439, globalviews.com
Del Mar Lamp available at PROFILES, 212.689.6903, profilesny.com
Blanchard Chair & Ottoman available at Julian Chichester, 646.293.6622, julianchichester.com
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freshpicks T H E M O S T C U R R E N T products in nydc showrooms .
Tuxedo Junction Kindel Furniture Company has added fresh new designs to the Dorothy Draper Collection. The exceedingly comfortable Tuxedo Park Lounge Chair features complex tailoring. The sweep of the arm ending in scrolls and the raised attached back highlight the beautiful, flowing lines. Double pleats on the flounce and a spring cushion are standard. Kindel, Suite 510, 646.293.6649, kindelfurniture.com
Painting on the Floor The Watercolors Rug, made of 100% Himalayan wool, is Stephanie Odegard’s interpretation of an artwork by Mira Lehr, and part of Stephanie’s artist-inspired collection. The resulting collaboration has produced a refined rug collection of simple natural elements and geometric cutouts in a tropical color palette. Custom colors are also available. Stephanie Odegard Collection, Suite 1209, 888.988.1209, stephanieodegard.com JUN
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The World According to Adler Renowned designer and tastemaker Jonathan Adler brings style, craft, and joy to an exclusive collection of fabrics for Kravet. The fabrics reflect Adler’s approach to design with linen and velvet featuring bright colors, modernist forms, bold graphic patterns, and embroidery. These cheerful fabrics embody the essence of optimism, which is the core of Adler’s philosophy. Kravet Fabrics & Furniture, Inc., Suite 401, 212.725.0340, kravet.com
The Main Thing The Main Street Sofa by Anees Upholstery at Dennis Miller Associates is a true comfort piece. The straight upholstered tufted seat cushion and its three simple loose back cushions offer secure relaxation and great style. The down seat cushion is accented by piping around each cushion. Dennis Miller Associates, Suite 1210, 212.684.0070, dennismiller.com
Glide Path This sturdy solid walnut drawer, from WoodMode Fine Custom Cabinetry at In House, opens effortlessly on concealed European glides and closes softly with a single touch. Using sustainably sourced materials and highquality dovetail joinery, their cabinetry is as beautiful on the inside as it is on the outside. In House Kitchen Bath Home, Suite 1511, 212.686.2016, inhousekbh.com
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Be Mine Two Valentine’s Day Beds from Vladimir Kagan are shown here in brown cobra leather with brass legs, but are available in a variety of leathers, fabrics, or COM, with any finish metal or wood legs. Manufactured in the USA. Vladimir Kagan (Couture Showroom), Suite 715, 212.689.0730, coutureshowrooms.com
Italian Guests Côté France welcomes a new collection from Italian manufacturer and distributor, Kohro, including over 1,000 double-width fabric patterns and colors. The bedding and tabletop program allows designers to create unique bed dressings, duvets, shams, throws, and tablecloths. Fabrics can also be customcolored to designer specifications, including draperies and upholstery. Côté France, Suite 1201, 212.684.0707, cotefrance.com
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freshpicks
To The Max The Max Sectional Sofa from the Thomas Pheasant Collection at Baker Knapp & Tubbs offers a modern silhouette with a prominently framed back that has a relaxed softness about it. This version has diamond tufts and more of a Hollywood Modern feeling. For a more edited modern look, it is available without the tufting. Baker Knapp & Tubbs, Suite 300, 212.779.8810, bakerfurniture.com
Saving on the Ceiling Blending sustainable materials with groundbreaking technology, the revolutionary Haiku Ceiling Fan delivers an 80% improvement in energy savings over ordinary fans. With airfoils handcrafted from Moso bamboo, Haiku is an exceptional example of the Big Ass Fan Company’s commitment to innovation and sustainability. Haiku (at Calger Lighting, Inc.), Suite 434, 212.689.9511, haikufan.com
Game On The Saladino Game Table is a playful mix of classical and cowboy design. The stretched leather surface paired with a blackened metal frame and black walnut legs allows the sensual, minimalist language of John Saladino to come out. Saladino Furniture, Inc., Suite 1600, 212.684.3720, x31, saladinostyle.com
Forma Function The Forma Table Lamp at Desiron is the third collaboration between the company and Cerno. The fully dimmable lamp features classic Desiron styling and design, married with stateof-the-art LED technology and manufacturing by Cerno. Shown here in black walnut and black anodized aluminum with a white linen shade. DESIRON, Suite 702, 212.353.2600, desiron.com
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Show Your Wares John-Richard is thrilled to present a new line of art by Stuart Ware. This piece is an abstract giclee called Blue and Gold. Ware’s work creates a visual texture with a rich, adventurous palette, gold leaf, and expressive linear technique. She is an abstract artist whose work seeks inspiration from textiles, landscapes, and imagination. John-Richard, Suite 603, 646.293.6668, johnrichard.com
Past and Futurism Influenced by the Cubist movement and the Louis XVI period, the Jenna Door Chest from Henredon’s Acquisitions Paris Collection reflects elegance with functional integrity. The interior features adjustable shelves on each side of a center partition. The clean, shapely silhouettes are imbued with originality and presence, and fashioned from beautifully simple materials. Henredon Interior Design Showroom, Suite 616, 212.679.5828, henredon.com
Foiled Again The Iron Clad Dining Table features a wood top clad in embossed brass foil with scratch detailing. The turned-iron base features loop detailing and a cinched neck with gold accents. Part of the new 2013 introductions from Arteriors, this piece signals the company’s expansion in the category of large dining tables. Arteriors, Suite 608, 646.797.3620, arteriorshome.com JUN
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Great Lengths The Cascading Crystal Fixture by Bakalowits at Metropolitan Lighting Fixture Co. has smooth, round, Austrian crystals cascading down at different lengths. The lights also hang down at alternating lengths in the center, adding depth and illuminating the crystals from within. This piece can be ordered in custom sizes. Metropolitan Lighting Fixture Co., Suite 512, 212.545.0032, minka.comm
Go Ahead, Live In It The serene Glass House Cocktail Table designed by James Magni at PROFILES proves that luxury and elegance can be expressed in simplicity. Handcrafted in Southern California in a seamless, polished stainless steel frame with a crystal clear diamante glass inset top, the piece conveys both solidity and openness. PROFILES, Suite 1211, 212.689.6903, profilesny.com
Tree Lighting Jonathan Browning’s Twig Chandelier, available at Bright, was inspired by a dormant tree in winter. The fixture is composed of pieces that were cast from real twigs. Thousands of natural smoky quartz crystals are hand-tied to the branches to give the subtle appearance of branches lightly frosted with snow. The Bright Group, Suite 902, 212.726.9030, thebrightgroup.com
Stacks Up Nicely These sleek, Art Deco-inspired stainless steel Nesting Occasional Tables from Louis J. Solomon are a marriage of strength and style. The tables come with either shagreen embossed leather, crocodile embossed leather, or rosewood inset tops. Louis J. Solomon, Inc., Suite 911, 212.545.9200, louisjsolomon.com
It’s a Twister Julian Chichester’s Twister Cabinet has four doors seamlessly integrated into the carved front and sides that give the piece a handsome horizontal profile. Available in Ferndale oak or waxed-white finish, the solid wood cabinet is supported by a scrolled metal leg with a soft gilt finish. Julian Chichester, Suite 604, 646.293.6622, julianchichester.com
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High-Voltage Color Electric by Maxwell Fabrics is a sensational collection of brilliant colors and striking design. This vivid color palette composed of modern jewel tones in teal blue, emerald green, fuchsia, and plum, makes a major impact for fashion-forward, inspired design. Maxwell Fabrics available at Flourishes, Suite 414, 212.779.4540, maxwellfabrics.com
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More With Less Brueton has added the sleek new Le Bernardin Bar Stool to its seating group. This slender form is refined yet it offers extraordinary support and comfort. The svelte upholstery, supported by sleek polished stainless steel legs, completes a very functional minimalist piece. Brueton, Suite 910, 212.838.1630, brueton.com
Diamond in the Rug The simple but elegant setting of the famed Tiffany diamond ring inspired the Solitaire Rug by Global Views. Hand-tufted from 100% virgin wool, in a beautiful gradation of citron yellow, icy light blue, and neutral gray, this rug can be used in any environment and style of home. Global Views, Suite 613, 212.725.8439, globalviews.com
Table of the Gods As mighty as the hammer of the Norse God who gave it its name, Tucker Robbins’ Thor Table is produced by skilled artisans in his Long Island City studio. The base is made of solid steel and shown here with a warm satinwood (a.k.a. ironwood) top with a living edge. Tucker Robbins, Suite 504, 212.355.3383, tuckerrobbins.com
Forever Coco Christopher Guy's Mademoiselle Collection is inspired by legendary fashion icon, Coco Chanel. Coquettish and understated, the La Pausa Chair, with its elegantly curved rattan back, recalls the al fresco lifestyle of Chanel's Riviera retreat, a home gifted to her in the 1920s by the 2nd Duke of Westminster. Christopher Guy, Suite 1601, 212.684.2197, christopherguy.com JUN
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STYLESPOTLIGHT F eatured highlights of craft and design .
1. Look to the East (facing page) The Le Jardin Chinois Collection from Brunschwig & Fils at Kravet celebrates the fantasy and timelessness of chinoiserie and the West’s fascination with the lifestyles, imagery, crafts, and colors of this faraway land. 2. New Nouveau The hand-cast antiqued brass Ulta Champa Side Table, part of Stephanie Odegard’s Botanical Tables Collection, was inspired by the Art Nouveau period.
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3. Cool And Warm (facing page) Sleek gray stain and cool stainless steel are softened by the warm undertones of a horizontal rift-cut veneer from WoodMode Fine Custom Cabinetry in a minimalist kitchen by the designers at In House. 4. Original Recipe DESIRON launched its Workshop program in late 2012 to encourage designers to create new original pieces. The Tim Button of Stedila Design Desk, shown in burled walnut and oiled bronze, is one of the progam’s first pieces. 5. Local Casting The Westbury Chest from the Dorothy Draper Collection by Kindel Furniture comes with hardware specially hand-cast by a local artisan and gilt leaf accents on the base. 6. City Snake The base of Tucker Robbins’ Snaka Waka Side Table is hand-carved from sustainably sourced blacknut in Cameroon. It’s then topped and finished in New York. 7. High and Mighty The bold, contemporary Zebra Modern Mission Floor Lamp at John-Richard is nearly six feet tall, and its ultra-suede finish and Zebra pattern add texture to a room. 8. Emma’s Back The gracefully modern Emma Chair by Julian Chichester has a gently pitched back and tight upholstered seat. Available as a dining or club chair in eight wood finishes and optional nailhead trim. JUN
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9. Eat Right This Tufted Back Side Chair from Louis J. Solomon is perfect for comfortable dining. It’s shown here in an espresso finish with an optional nail head trim. 10. Paris Time The hourglass-shaped Petal Drum Table by Thomas Pheasant at Baker Knapp & Tubbs has a carved blossom relief that recalls the tile façade of a 1930s Paris apartment house. 11. I Must Adjust This highly adjustable and dimmable LED Swing-Arm Wall Lamp by George Kovacs at Metropolitan Lighting Fixture Co. is shown in brushed nickel with a steel shade. Available in four other finishes. 12. In Like Flynn An ambidextrous lamp, the hand-carved wood mounting block and metal shade of the Flynn Sconce Lamp at Arteriors offers dual functionality and a unique mixture of materials.
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13. Hidden Assets Haiku available at Calger Lighting, hides its advanced technology behind the seamless fit and finish at its center, embodying the concept of organic essentialism. 14. Basic Geometry With a handcrafted oxidized bronze base and an artful display of gray birdseye maple, the Canyon Credenza at Bright conceals eight drawers within an overall geometric pattern. 15. Top Job This Hand-Painted Occasional Table at Henredon features an Egyptian motif, amber brass accents, and a removable tray top. Remove the tray and the same painted decoration is revealed on the tabletop. 16. Chair-ing Cross The patented Chris-X (pronounced kris-kr么s) leg design is a signature element of Christopher Guy. The Chris-X Dining Chair epitomizes the sophisticated CG style, its tapering back crowned with a hand-carved keyhole detail. 17. Illuminated Carving Inspired by waterfalls, the Twisted Marble Lamp at Global Views is handcarved in India. It sports a hardback shade covered in white linen with rolled top and bottom edges. JUN
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18. If You Build It They Will Sit Consisting of over 17 modular elements, the Omnibus Sofa by Vladimir Kagan offers an infinite variety of interior landscapes. Cantilevered seats float on Plexiglas legs while the backs reach to the floor. 19. Baubles, Bangles, and Beads Born of hand-blown glass globs and nifty metallic hardware, the marvelous Bugeye Bauble Pendant Lamp by Kenneth Nilson at PROFILES glows with engineering perfection. Molten glass joins red-hot steel, iron, and brass in a flash of light. 20. Pivot Point The Powell & Bonnell Obi Swivel Stool at Dennis Miller Associates has a graceful rounded shape, pivoting upholstered seat, and sleek curved back/handle. It’s available in bar and counter heights.
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21. Heavy and Light Maxwell Fabrics' Two’s Company from their summer 2013 Collection is an ultra-contemporary, heavy-duty bonded upholstery fabric with a very natural linen look and style. Available at Flourishes. 22. Comfort Angle The hard-edged yet functionally comfortable Zag Pull-Up Chair at Brueton is poised on an architectural framework of stainless steel. Available with or without arms, it can be neatly butted together for public seating. 23. Cheeky Classic A distinguished curved Louis XV Commode Chest from Côté France with multiple bronzes gets a high-wattage boost from a lacquer finish in a fabulous pink. 24. Amber Waves Saladino’s Chamfered Barclay Console is a new take on the ascended console table. This dynamic piece has a blue-gray stone surface with natural golden wheat striations running through it.
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De. FIN.ingPieces items that sum up what a showroom is all about.
Arteriors In the Ashland Gold Leaf Dragon Tree Root Lamp, the rich gold finish hand-applied to the rough shape and surface of the tree root creates a perfect yin-yang duality. The simple black fabric shade, adjustable neck, and fact that no two are the same add to its distinction. Arteriors, Suite 608, 646.797.3620, arteriorshome.com
MAXWELL FABRICS Maxwell Fabrics’ exclusive Electric collection is enjoying massive popularity this year, especially the Yowza pattern with its multicolored zigzag embroidery. Designed by Wesley Cadle, the Yowza Infra Red fabric was a prominent feature in the VIP Star Lounge during Mercedes Benz Fashion Week in New York. Maxwell Fabrics available at Flourishes, Suite 414, 212.779.4540, maxwellfabrics.com JUN
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Baker Knapp & Tubbs Named for Christopher Wren, the 17th- and 18th-century designer who rebuilt much of London after the fire, the Wren Tufted Sofa is interior architecture—and a signature piece in the Bill Sofield Collection. It features welt framing, tuxedo arms, a tight back with decorative buttons, a loose seat, plus round tapered legs with brass ferrules. Baker Knapp & Tubbs, Suite 300, 212.779.8810, bakerfurniture.com
Saladino Originally designed in 1971, the Saladino Lamp is still an essential piece in contemporary design for its elegance and simplicity. Classical principles and Vitruvian proportions underlie the organization of Saladino’s work: a clear glass cylinder with polished chrome/nickel-plated metal parts, white translucent shade, creamcolored dimmer switch, and clear cord. Saladino Furniture, Inc., Suite 1600, 212.684.3720, x31, saladinostyle.com
DESIRON The Darin Bench exemplifies DESIRON’s signature style of modern lines, rendered in handcrafted materials, focusing on the perfect balance of form and functionality. The steel base is precision-welded and polished, and the upholstered top is hand-tufted, all in the company’s New Jersey factory by expert craftsman. Each piece is fully customizable. DESIRON, Suite 702, 212.353.2600, desiron.com
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Big Ass Fan co.
Vladimir Kagan (COUTURE SHOWROOMS) The Try-Symmetric Swan Sofa designed by the legendary Vladimir Kagan is shown here in charcoal Alpaca velvet and with yellow legs. It is also available in leather or any COM and the base comes in any wood finish. Vladimir Kagan (Couture Showrooms), Suite 715, 212.689.0730, coutureshowrooms.com
Haiku combines leading efficiency, a silent motor, tops-in-class airflow, sustainable materials, quality craftsmanship, and minimalist design. Backed by years of research and development, Haiku reflects the attention to detail the Big Ass Fan Company is known for worldwide. Haiku (at Calger Lighting, Inc.), Suite 434, 212.689.9511, haikufan.com
Stephanie Odegard Collection The Caucasian Rug, shown in blanc, is a reinterpreted classic Persian design featured in warm grays and silvery taupes. It is made from the highest quality Himalayan wool, hand-carded and hand-spun in a rustic style emulating the look and feel of an antique carpet. Custom colors are available. Stephanie Odegard Collection, Suite 1209, 888.988.1209, stephanieodegard.com
Tucker Robbins Handcrafted in West Africa, using centuries-old techniques, the Spider’s Nest Stool is produced by the royal family of the Bamun tribe in Cameroon. Carved from the trunks of coffee shade trees, the pattern speaks of their creation story, in which the female spider wove the web that caught creation. Tucker Robbins, Suite 504, 212.355.3383, tuckerrobbins.com
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DefiningPieces BRUETON Deliberate sculptural interplay of cylindrical forms characterizes the Tee Console. The simplicity of the pedestal base flows into the cantilevered arms that are sliced to express and reveal the depth of the glass or stone top and sides. Brueton, Suite 910, 212.838.1630, brueton.com
Louis J. Solomon, Inc. The Bridgewater Sofa at Louis J. Solomon is a perfect place for curling up and getting comfortable. Shown here in a walnut finish with nail trim alternately spaced around the base, it is also available in more than 500 fabrics and in a variety of different finishes and nail head options. Louis J. Solomon, Inc., Suite 911, 212.545.9200, louisjsolomon.com
John-Richard The Providence Credenza features black glass panes with contrasting zebrano doors in a matched quartered pattern, adding a geometric element to the piece. Brass sliding bolts act as handles, and are engraved to reflect the zebrano pattern. John-Richard, Suite 603, 646.293.6668, johnrichard.com
Henredon Interior Design Showroom The demilune Oxford Buffet from Henredon’s Oxford Classics Collection is a reproduction of a late 18th-century antique. The refined, straightforward, and modestly scaled piece is perfect for those who appreciate period furnishings updated for today’s living. Mahogany reigns supreme in the warm, tasteful legacy finish, accented with satinwood and other exotic inlays. Henredon Interior Design Showroom, Suite 616, 212.679.5828, henredon.com 66
Julian Chichester Owing as much to Brancusi as to Saarinen, the Dakota Table makes a quiet but dramatic statement. The lightly hammered nickel-plated metal base is available in two sizes that can support a book-matched santos rosewood top or round glass top with eglomise center. It’s available as a base only, or with a variety of round, oval, rectangular, and custom tops. Julian Chichester, Suite 604, 646.293.6622, julianchichester.com
Christopher Guy In the 1990s, Christopher Guy set out to create the world’s most fabulous and unique mirror frames. The fascinator worn by Camilla Parker Bowles at her wedding to Prince Charles inspired the Camilla Frame, made of hand-carved mahogany in Christopher Guy’s own factory in Java, Indonesia. Christopher Guy, Suite 1601, 212.684.2197, christopherguy.com
THE BRIGHT GROUP The Van Wing Chair and Ottoman are handcrafted with tailored, clean lines and a footprint for modern spaces. The Van Wing is available as shown or with wood arm caps, as well as additional options such as a “Mini-Van” sofa, settee, lounge chair, and pull-up chairs, in both mid- and high-back. The Bright Group, Suite 902, 212.726.9030, thebrightgroup.com
DENNIS MILLER The Nexus Round Table’s precise yet simple base form begins with curved stretchers that are masterfully bisected, then joined to the legs. The stylish functionality of the optional Lazy Susan adds a communal touch to both elegant and informal gatherings. Shown in a gray walnut top with optional sunburst veneer and a dark walnut base. Dennis Miller Associates, Suite 1210, 212.684.0070, dennismiller.com
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freshpicks
KRAVET In Groundworks, his fourth collection for Lee Jofa, renowned designer Thomas O’Brien offers an assortment of lush, refined, geometrically patterned velvets along with luxurious silks. Inspired by the suave vintage velvets and silks from prewar and mid-century eras of decoration, O’Brien created this collection especially with elegant upholstery in mind. Kravet Fabrics & Furniture, Inc., Suite 401, 212.725.0340, kravet.com
Kindel Furniture The skill and craftsmanship required to create furniture as art is reflected in the Federal-style New York Sideboard from the Winterthur Collection. Kindel’s craftsmen and women build furniture using time-honored techniques. Their commitment to handcraftsmanship, including hand-selected veneers, hand carving, bench assembly, and hand finishing, makes Kindel a true American luxury brand. Kindel, Suite 510, 646-293-6649, kindelfurniture.com. 68
PROFILES Who can resist a traditional wing chair? But this one also has a very modern flair that sets it apart. The Endora Wing Chair by Marbello is handcrafted in Southern California and can be upholstered in any fabric or leather of the designer’s choosing. PROFILES, Suite 1211, 212.689.6903, profilesny.com
Metropolitan Lighting Fixture Co. A reproduction of the New York Metropolitan Opera Chandelier, the timeless Opera Fixture exhibits elegance and quality workmanship. It’s made by Bakalowits in Austria out of brass covered in a chrome finish and Austrian crystal. This piece can be ordered in custom sizes to create your own showstopper. Metropolitan Lighting Fixture Co., Suite 512, 212.545.0032, minka.com
Côté France This organic-looking Three Arm Candle Sconce by Bronze D’Art Français is made using age-old hand sand-casting techniques to sculpt and mold the bronze. Bronze was a favorite material for 17th- and 18th-century France for lighting fixtures due to its strength and versatility. This collection includes sconces, lamps, chandeliers, and lanterns. Côté France, Suite 1201, 212.684.0707, cotefrance.com
Global Views The Collector’s Console has classically inspired lines, proportion, and details with a youthful point of view. The hardwood and American white oak is finished in gray with silver metal leaf detail. Each of the four drawers has silver metal leaf trim with pull rings in a solid brass polished-nickel finish. Global Views, Suite 613, 212.725.8439, globalviews.com
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In House Kitchen Bath Home Classically inspired to evoke the grace of an elegant Old World townhome, Wood-Mode’s Gramercy Park Lifestyle Design combines door styles and finishes in a subtle blend of European influences. Unique furniture details on the spacious island showcase the Bloomfield Recessed door style in a hand-glazed finish. In House Kitchen Bath Home, Suite 1511, 212.686.2016, inhousekbh.com
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NEW Showrooms. 2013 F resh faces and new designs. OPENING
SPRING 2013
CHRISTOPHER GUY, Suite 1601, phone 212.684.2197, fax 212.684.2123, christopherguy.com Christopher Guy has once again expanded its presence in the U.S. with the opening of an 18,000-square-foot showroom in the iconic and historic New York Design Center. Aimed at strengthening the brand’s offering to key designers and architects, the new showroom will showcase three penthouse suites portraying the varying lifestyles of a well-traveled consumer.
DESIRON, Suite 702, phone 212.353.2600, fax 212.353.0220, desiron.com Desiron, designed by Frank Carfaro, is a highly celebrated luxury furniture design company with a focus on benchmade, fully customizable home furnishings. The company's 4000-square-foot showroom concentrates on a contemporary clean aesthetic with strict attention to detail and finishing. Desiron manufactures its pieces in Kenilworth, New Jersey, at their state-of-the-art facility, just 19 miles from downtown NYC.
JOHN RICHARD, Suite 603, phone 646.293.6668, fax 646.293.6668, JohnRichard.com John-Richard was formed in 1980 as a sideline business to one of the largest retail furniture operations in the Mississippi Delta. The original company employed five people in a 10,000-square-foot warehouse. Today, it has grown internationally to have offices and factories in Vietnam, Indonesia, India, and China, as well as its corporate headquarters in Greenwood, Mississippi.
JULIAN CHICHESTER, Suite 604, phone 646.293.6622, fax 917.591.2413, julianchichester.com Julian Chichester’s new showroom brings a British influence to The New York Design Center. Interpreted in a distinctively contemporary way, Julian Chichester channels the great designs of the 19th and 20th centuries to create eclectic, transitional furniture. The showroom will also feature Julian Chichester’s brand new line, Mr. Brown. The pieces are more accessible, giving classic English formality a knowing twist.
KINDEL, Suite 510, phone 646.293.6649, kindelfurniture.com The value in any product is determined by the quality standards of the maker. Kindel Furniture Company has been painstakingly committed to the use of the finest materials and processes since their establishment in 1901. Owned by the Fisher family of Muncie, Indiana, since 1964, the company has always maintained family ownership along with integrity for American-made furniture.
M|n Modern Living Supplies, Suite 408, phone 212.619.1615, fax 646.349.5619, modernlivingsupplies.com M|n Modern Living Supplies creates bench-made furniture for the 21st-century interior. For 15 years, owner Mark Naylon has sourced and refurbished antiques for his downtown headquarters, in addition to designing bespoke pieces and millwork for a variety of interior designers and homeowners. M|n Modern Living Supplies at the NYDC represents a new peak, coupling Naylon's experiences in mid-century modern and custom-made furniture.
RICHARD COHEN COLLECTION, Suite 801, phone 212.696.4938, fax 212.696.5333, richardcohencollection.com Richard Cohen, Inc. represents some of the industry's finest and well established tabletop, giftware, and home furnishings brands as well as many exciting and innovative new companies. Their new showroom caters to decorators and designers serving distinguished clientele as well as corporate gift buyers from small to Fortune 500 companies.
transFORM, Suite 708, phone 212.584.9580, fax 914.500.1002, transformhome.com Transform offers custom high-end home storage. Founded in 2005, Transform focuses on both the home and the homeowner to ensure every want and need is addressed. Their new showroom showcases the endless possibilities for closet, craft room, garage, laundry, office, pantry, radiator covers, wall beds, and wall unit customization. Transform is proud to design, engineer, and manufacture at their 30,000-square-foot, state-of-the-art facility centrally located in New Rochelle. WOODWRIGHTS WIDE PLANK, Suite 714, phone 212.390.8944, fax 212.390.8955, woodwrightswideplank.com Woodwrights Wide Plank offers an extensive selection of wide plank floors—from traditional to modern—in both classic and prefinished varieties. The durability and uniquely American character of wide plank floors have influenced generations of designers, architects, and builders seeking to recreate the distinctive, elegant look. The company firmly believes that responsible stewardship of natural resources is not just business, it’s a good investment in the environment. 72
ShowroomPortraits
Profiles of Some of NYDC’s Most Familiar Names
ARTERIORS Suite 608
BAKER KNAPP & TUBBS Suite 300
THE BRIGHT GROUP Suite 902
BRUETON Suite 910
Founded by Mark Moussa in 1987, Arteriors is a Dallas-based company that specializes in decorative accessories, furniture, and lighting that appeal to design lovers with up-to-date sensibilities. Launched with a focus on traditional accessories in classic materials, the company collaborates with experienced artisans and manufacturers around the world producing a full spectrum of styles in luxury materials and finishes. Arteriors, Suite 608, phone 646.797.3620, fax 646.786.4818, arteriorshome.com
Founded in 1902, Baker Knapp & Tubbs, Inc. remains one of the largest wholesale distributors in the industry with 16 showrooms located in major design districts throughout the United States and at the Chelsea Harbour Design Centre in London. Product assortment spans from historic reproductions dating back to the 17th century to modern designs from today’s most recognized independent designers. Baker Knapp & Tubbs, Suite 300, phone 212.779.8810, fax 212.689.2827, bakerfurniture.com
The Bright Group is an eclectic collection of artisan American manufacturers, brought together by the Bright Chair Company, that complement each other with a mid-century/contemporary aesthetic. The Bright Group, Suite 902, phone 212.726.9030, fax 212.726.9029 , thebrightgroup.com
Brueton, a U.S. manufacturer based in New York, manufactures a full line of contemporary furniture including sofas, tables, chairs, casegoods, and accessories catering to residential and commercial clients. In addition, Brueton offers vast custom capabilities, including fabricating the simplest to the most complicated stainless steel products and architectural metals for architects and designers. Brueton, Suite 910, phone 212.838.1630, fax 212.838.1652, brueton.com
CALGER LIGHTING, INC. (HAIKU) Suite 434
CHRISTOPHER GUY Suite 1601
CÔTÉ FRANCE Suite 1201
COUTURE SHOWROOMS Suite 715
Backed by years of research and development and hundreds of prototypes, Haiku reflects the attention to detail the Big Ass Fan Company is known for worldwide. Its industry-leading efficiency, silent motor, tops-in-class airflow, sustainable materials, quality craftsmanship, and minimalist design combine to create the perfect air-moving machine. With eight patents worldwide, Haiku is a true original. Haiku (at Calger Lighting, Inc.), Suite 434, phone 212.689.9511, fax 212.779.0721, haikufan.com
Christopher Guy has once again expanded its presence in the U.S. with the opening of an 18,000-square-foot showroom in the iconic and historic New York Design Center. Aimed at strengthening the brand’s offering to key designers and architects, the new showroom will showcase three penthouse suites portraying the varying lifestyles of a well-traveled consumer. Christopher Guy, Suite 1601, phone 212.684.2197, fax 212.684.2123, christopherguy.com
Visit Côté France for quality, style, and originality. The company’s French workrooms proudly boast generations of families continuing a tradition of fine handcraftsmanship. In addition to classic French reproductions in authentic finishes, Côté France brings tradition into the 21st century with vibrant colors and unique painted designs. Recently introduced is a collection of 18th-century reproduction outdoor teak furniture and a solid bronze lighting collection. Côté France, Suite 1201, phone 212.684.0707, fax 212.684.8940, cotefrance.com
Couture Showrooms is now on the 7th floor. In addition to carrying the wellknown Vladimir Kagan Couture line, they have now expanded their offerings to encompass other prestigious names such as A.S. Morris, Spectrum West, Ron Seff, Axis Mundi, and Custom Designs by Luigi Gentile. Fabric and leather lines are available for your selection from their local workroom. Couture Showrooms, Suite 715, phone 212.689.0730, fax 212.689.1830, coutureshowrooms.com
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ShowroomPortraits DENNIS MILLER ASSOCIATES Suite 1210
DESIRON Suite 702
GLOBAL VIEWS Suite 613
HENREDON INTERIOR DESIGN SHOWROOM, Suite 616
Since 1983, Dennis Miller Associates has offered innovative furniture and lighting collections designed by architects, interior designers, and artisans. Its showroom provides a continually evolving showcase of contemporary and 20th-century classic design excellence. Its popularity with top designers speaks for itself. Come see the recent additions to Dennis Miller Fabrics, Lighting, and Rug collections. Dennis Miller Associates, Suite 1210, phone 212.684.0070, fax 212.684.0776, dennismiller.com
Desiron, designed by Frank Carfaro, is a highly celebrated luxury furniture design company with a focus on benchmade, fully customizable home furnishings. The company's 4000-square-foot showroom concentrates on a contemporary clean aesthetic with strict attention to detail and finishing. Desiron manufactures its pieces in Kenilworth, New Jersey, at their state-of-the-art facility, just 19 miles from downtown NYC. DESIRON, Suite 702, phone 212.353.2600, fax 212.353.0220, desiron.com
Global Views is a home decor wholesale company with collections that blend various styles to make pieces that are elegant, exotic, refined, and casual. They offer a wide assortment of fashion-forward products from furniture to accessories that fit every price range. Global Views, Suite 613, phone 212.725.8439, fax 212.679.4927, globalviews.com
The mission of the Henredon Interior Design Showroom is to service the design trade at the highest possible level, while offering a fashion-forward shopping experience. The showroom represents Henredon, Barbara Barry Realized by Henredon, LaneVenture, Maitland-Smith, LaBarge, and Taracea. Founded in 1945 in Morganton, North Carolina, Henredon offers hundreds of beautiful wood and upholstery designs for every room. Henredon Interior Design Showroom, Suite 616, phone 212.679.5828, fax 212.679.6509, henredon.com
In House Kitchen Bath Home Suite 1511
John-Richard Suite 603
Julian Chichester Suite 604
Kindel Suite 510
In House offers distinguished cabinetry designs for rooms throughout the home. Founded in July 2007 with the singular purpose of creating New York’s premier showroom for kitchen, bath, and other cabinetry, they have two Certified Kitchen Designers on staff. By forging relationships with select manufacturers, the company has crafted a showroom for a discerning clientele. A proud partner of Wood-Mode Fine Custom Cabinetry. In House Kitchen Bath Home, Suite 1511, phone 212.686.2016, fax 212.686.2048, inhousekbh.com
John-Richard was formed in 1980 as a sideline business to one of the largest retail furniture operations in the Mississippi Delta. The original company employed five people in a 10,000-squarefoot warehouse. Today, it has grown internationally to have offices and factories in Vietnam, Indonesia, India, and China, as well as its corporate headquarters in Greenwood, Mississippi. John-Richard, Suite 603, phone 646.293.6668, fax 646.293.6669, JohnRichard.com
Julian Chichester’s new showroom brings a British influence to The New York Design Center. Interpreted in a distinctively contemporary way, Julian Chichester channels the great designs of the 19th and 20th centuries to create the eclectic, transitional furniture. The showroom will also feature Julian Chichester’s brand new line, Mr. Brown. The pieces are more accessible, giving classic English formality a knowing twist. Julian Chichester, Suite 604, phone 646.293.6622, fax 917.591.2413, julianchichester.com
The value in any product is determined by the quality standards of the maker. Kindel Furniture Company has been painstakingly committed to the use of the finest materials and processes since our establishment in 1901. Owned by the Fisher family of Muncie, Indiana, since 1964, the company has always maintained family ownership along with integrity for American-made furniture. Kindel, Suite 510, phone 646-293-6649, kindelfurniture.com
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KRAVET FABRICS & FURNITURE, INC. Suite 401
LOUIS J. SOLOMON, INC. Suite 911
Maxwell Fabrics (Flourishes) Suite 414
METROPOLITAN LIGHTING FIXTURE CO., Suite 512
Kravet’s showroom strives to create a unique shopping experience for every designer in order to be the primary resource in the decorative fabrics and furnishings industry. The company’s goal is to create a comfortable workspace and resource center for designers that serves as an extension of its own design studios. Product selections are presented in an environment that is both functional and stimulating. Kravet Fabrics & Furniture, Inc., Suite 401, phone 212.725.0340, fax 212.684.7350, kravet.com
Since 1930, Louis J. Solomon has had a reputation in the industry for fine traditional furniture. Over the past ten years they have introduced over 200 new transitional and contemporary styles that complement the quality styles they have always been known for. Please visit to see the latest additions in the company’s showroom. Louis J. Solomon, Inc., Suite 911, phone 212.545.9200, fax 212.545.9438, louisjsolomon.com
Maxwell Fabrics is a third-generation, family-run business celebrating its 60th anniversary in 2013. Maxwell Fabrics makes thousands of beautiful patterns, colors, and fabrics available for upholstery, drapery, decorative accessories, and bedding. Find the perfect fabric combinations for your commercial or residential project on the new maxwellfabrics.com and share the end result on facebook.com/maxwell.fabrics. Maxwell Fabrics is also available at the Flourishes Inc., Suite 414, phone 212.779.4540, fax 212.779.4542, maxwellfabrics.com
Metropolitan Lighting Fixture Co. has been illuminating fine interiors since 1939. Now part of the Minka Group, the Metropolitan showroom represents lighting from all Minka companies, including George Kovacs, as well as products from other quality lighting manufacturers. Its large showroom offers one of the most comprehensive selections of designer-oriented lighting in the industry. Metropolitan Lighting Fixture Co., Suite 512, phone 212.545.0032, fax 212.545.0031, minka.com
PROFILES Suite 1211
SALADINO FURNITURE, INC. Suite 1600
STEPHANIE ODEGARD COLLECTION Suite 1209
TUCKER ROBBINS Suite 504
Serving the design profession since 1980. PROFILES’ workrooms in the USA and in Europe create pieces of uncommon beauty and imagination for both residential and contract customers. They offer a full spectrum of furniture in a variety of woods, metals, and finishes, as well as finely tailored upholstery— all to the designer’s specifications. PROFILES, Suite 1211, phone 212.689.6903, fax 212.685.1807, profilesny.com
Established in 1986 by renowned designer John F. Saladino, the Saladino Furniture collection currently has over 75 original designs of upholstery, casegoods, and lighting. The line is available exclusively through its New York showroom among select antiques and accessories. A 75-page catalog may be purchased via the Web at saladinostyle.com. Saladino Furniture, Inc., Suite 1600, phone 212.684.3720 x31, fax 212.684.3257, saladinostyle.com
The Stephanie Odegard Collection is a leader in bold design and color innovation in the production of high-end, hand-knotted carpets. The collection also features handcrafted furniture, lighting, antiques, and decorative accessories from across the globe. In all of her products, Stephanie Odegard requires strict adherence to social responsibility, raising standards of living for thousands of craftspeople in developing countries. Stephanie Odegard Collection, Suite 1209, phone 888.988.1209, fax 212.545.0305, stephanieodegard.com
For over 25 years, Tucker Robbins has presented contemporary design produced in the artisanal tradition, respecting the environment and the culture. They customize the sizes and finishes of their furnishings for the interior designer and their materials are salvaged, not cut down. Their craftsmen are highly skilled and the designs are timeless. Tucker Robbins, Suite 504, phone 212.355.3383, fax 212.355.3116, tuckerrobbins.com
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NYDCEvents Calendar L incoln Center Vera List P roject Opening Exhibition The New York Design Center and Lincoln Center have collaborated for the second time to exhibit prints from the Vera List Art Project. The exhibition’s opening night, “An Evening with Lincoln Center” took place on Thursday, February 28. The event featured tableaus created by leading New York designers, performances from The Juilliard School, and a “Lincoln Center Behind-theScenes” silent auction. Designers participating in the exhibition included Jamie Drake FASID, IIDA, Drake Design Associates; Arthur Dunnam and Heather Moore for Jed Johnson Associates; Amy Lau, Amy Lau Design; Amanda Nisbet, Amanda Nisbet Design; and David Rockwell, Rockwell Group. Each designer created a scene utilizing furniture from The New York Design Center that showcased Vera List prints, including props from Lincoln Center reflective of their disciplines.
March 7 at The New York Design Center
On March 7, two showrooms hosted events at The New York Design Center. Grange Furniture welcomed Million Dollar Decorator Kathryn M. Ireland and mixed media artist Steve McKenzie, who unveiled dazzling upholstery collections complemented by bespoke furniture handcrafted in France. In Kindel Furniture, Carleton Varney, President of Dorothy Draper and Company, showed pieces from the Dorothy Draper Collection, produced by Kindel from the original design notebooks of the legendary New York decorator.
Left to right: Steve McKenzie and Kathryn Ireland pose with Barbara Friedman; guests admire McKenzie’s upholstery collection; Kathryn Ireland’s book, Timeless Interiors, was available for signing; designers Jason Oliver Nixon and John Loecke of Madcap Cottage with Carlton Varney and Christopher Spitzmiller; Mr. Color by Carlton Varney.
Julian Chichester’s Opening Celebration
Left to right: David Rockwell’s Film tableau; designer Amanda Nisbet with associates, Francesca Fay and Ali Fuge; Jamie Drake from Drake Design Associates was inspired by Opera; Lincoln Center’s Karen Davidson and Kenneth Wyse, Chairman of The Lincoln Center Business Council; Amanda Nisbet’s Ballet vignette; the Songbook tableau by Amy Lau; NYDC President Jim Druckman poses with designers Amy Lau and West Chin; Arthur Dunham and Heather Moore from Jed Johnson Associates created a scene for the Orchestra; Jay Johnson and Heather Moore; Ken Wampler from The Alpha Workshops and Jamie Drake. Photographs: Matthew Carasella Photography/Social Shutterbug
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The New York Design Center welcomed Julian Chichester on March 14 during the showroom’s opening fête. The new showroom brings a British influence with eclectic transitional furniture. The showroom will also feature Julian Chichester’s brand new line, Mr. Brown. The interior of the sixth floor showroom; Julian Chichester (right) with Amber Sexton.
DIFFA Dining by Design 2013 The New York Design Center was once again the proud industry sponsor of the 16th annual DINING BY DESIGN, held from March 21–24. The spectacular event, which benefits the Design Industries Foundation Fighting AIDS (DIFFA), coincided with the Architectural Digest Home Design Show at Pier 94, and honored Isabel and Ruben Toledo and Rick Wolf. Thom Filicia designed an Americanism lounge featuring furniture generously provided by New York Design Center showrooms. The booth created an unconventional dining environment that allowed guests to lounge and mingle outside the traditional dining table.
Furniture generously provided by Adore Floral Inc., Arteriors Home, The Bright Group, Century Furniture, DESIGNLUSH, DESIRON, Kravet, McGuire, PROFILES, Sedgwick & Brattle, Stephanie Odegard Collection, and Vanguard Furniture. Photo credit: Darren Ornitz Photography
check -in to 200 le x; Hospitality Day with interior design On April 29, The New York Design Center cohosted the 6th annual Hospitality Day with Interior Design magazine. “Check-In to 200” Lex focused on products featured in hospitality projects. Guests traveled the building to view the latest in hospitality design and to hear industry professionals share stories behind hospitality projects from around the globe. This year’s headliners included: Matthew Berman of workshop/apd with Ron Levine, Epicurean Management; Jeffrey Beers of Jeffrey Beers International with Kristin Franzese of The Plaza Food Hall; Alexandra Champalimaud of Champalimaud and Glenn Pushelberg and George Yabu of Yabu Pushelberg with Cindy Allen, Editor in Chief of Interior Design magazine.
Left to right: Architect Matthew Berman of workshop/apd with restaurateur Ron Levine and Interior Design’s Cindy Allen; Interior Design editors selected their top picks from participating showrooms, including Arc-Com Fabrics and McGuire Furniture; Ric Watts from John Richard stamping an attendee’s passport; George Yabu and Glenn Pushelberg of Yabu Pushelberg discuss their hospitality projects; evening presenter and architect Alexandra Champalimaud of Champalimaud poses with Côté France’s Pascal Zay; Jeffrey Beers of Jeffrey Beers International and Kristin Franzese of The Plaza Food Hall spoke about their collaboration. Photo credit: Matthew Carasella Photography/Social Shutterbug JUN
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ShowroomDirectory A Complete List of Who's Where In 200 Lex SHOWROOM
78
S uite
PHON E
FA X
S H OW RO O M
S uite
P H O NE
FA X
1stdibs at NYDC
10 Fl
646.293.6633 646.293.6687
Kindel
510
646.293.6649
Access To Design
424
212.679.9500
Korts & Knight Kitchens by Alexandra Knight
716
212.3924750
Andreu World America
430
Kravet Fabrics & Furniture, Inc.
401
212.725.0340 212.684.7350
Antique Chinese Furniture
804
Krug, Inc.
1415
212.686.7600 212.686.7686
th
212.447.1669
212.696.0080
855.200.LEXI
Antique Rugs, Jerry Livian Collection 806
212.683.2666
212.683.2668
LaCOUR, Inc.
1412
212.213.6600
212.213.9550
Apropos
710
212.684.6987
212.689.3684
Lampworks, Inc.
903
212.750.1500
212.750.1671
Aqua Creations
427
212.219.9922
212.219.4042
The Levine Calvano Furniture Group, Inc.
1406
212.686.7600 212.686.7686
Arc|Com Fabrics
1411
212.751.1590
212.751.2434
Lexington Home Brands
212
212.532.2750
Aristeia Metro
1416
646.761.4711
Louis J. Solomon, Inc.
911
212.545.9200 212.545.9438
Arteriors Home
608
646.797.3620 646.786.4818
Luna Textiles
1410
212.251.0132
212.725.3430
Atelier Interior Design
202
212.696.0211
212.696.0299
McGuire Furniture Company
101
212.689.1565
212.689.1578
Atlas Carpet Mills, Inc.
1314
212.779.4300
212.779.7905
Metropolitan Lighting Fixture Co.
512
212.545.0032 212.545.0031
Baker Knapp & Tubbs
300
212.779.8810
212.689.2827
Milano Smart Living
711
646.293.6691
Bolier
1216
212.684.0070 212.684.0776
M|n Modern Living Supplies
408
212.619.1615
Boyce Products, Ltd.
1318
212.683.3100
212.683.5005
M. Topalian, Inc., Antique Carpets 802
212.684.0735 212.725.2185
The Bright Group
902
212.726.9030
212.726.9029
Napier + Joseph + McNamara, Ltd. 1304
212.683.7272 212.683.7011
Brueton
910
212.838.1630
212.838.1652
Niche Modern
Calger Lighting
434
212.689.9511
212.779.0721
Niermann Weeks
905
212.319.7979
Century Furniture Showroom
200
212.479.0107
212.479.0112
Orrefors Kosta Boda
602
212.684.5455 212.684.5665
Christopher Guy
1601
212.684.2197
212.684.2123
Palecek
511
212.287.0063 212.287.0066
Cliff Young, Ltd.
505
212.683.8808 212.683.9286
Paoli/ Whitehall
1110
212.683.2232
Colombo Mobili USA
809
212.683.3771
Pennoyer Newman
416
212.839.0500 212.839.0501
Côté France
1201
212.684.0707 212.684.8940
Phillips Collection
601
Couture Showrooms
715
212.689.0730 212.689.1830
Porcelanosa USA
609
212.252.7370
DECCA Contract
1414
212.689.2056 212.689.2206
Pringle-Ward Associates
1109
212.689.0300 212.689.7143
Delivery By Design (DBD)
Dock
212.213.1691
Profiles
1211
212.689.6903 212.685.1807
Dennis Miller Associates
1210
212.684.0070 212.684.0776
Renaissance Carpets & Tapestries, Inc.
912
212.696.0080 212.696.4248
212.532.5450
Restoration Timber
436
877.980.WOOD 212.679.5408
212.684.0559
212.213.9843 212.532.5360
212.532.2875
646.349.5619
508 212.319.6116
212.683.1297
212.252.8790
DesignLush
415
DESIRON
702
212.353.2600 212.353.0220
Richard Cohen Collection
DIFFA DIRTT Environmental Solutions
707 1516
212.727.3100 212.204.9026
212.727.2574
Rooms by Zoya B
433
212.726.0006 212.726.0061
Roubini Rugs and Furniture
706
212.696.4648 212.696.2475
Flourishes
414
212.779.4540
212.779.4542
R & Y Augousti Paris
419
646.293.6679
Frazier
901
212.447.4444 212.447.5555
S.A. Baxter Architectural Hardware
1205
800.407.4295 212.252.1031
Gibson Interior Products
1510
212.685.1077
212.685.1078
Saladino Furniture, Inc.
1600
212.684.3720 212.684.3257
Giorgio USA, Inc.
502
212.684.7191
212.725.2683
Sanford Hall Carpets
400
212.684.4217
212.545.8376
Global Views
613
212.725.8439
212.679.4927
Sedgwich & Brattle
Good Design
423
212.722.1110
212.722.1115
Smart
212.696.9762
212.683.1297
Gordon International
1401
212.532.0075 212.779.0147
Stephanie Odegard Collection
Grange
201
212.685.9494
212.213.5132
Sun Decor Fabrics
417A
212.213.2703
212.231.2708
HBF/HBF Textiles
1501
212.686.3142
212.471.3040
Ted Boerner
515
212.675.5665
212.675.5654
Henredon
616
212.679.5828
212.679.6509
Thrive by Herman Miller
1111
212.401.6150
212.614.2378
Hickory Chair-Pearson
102
212.725.3776
212.725.3763
TK Collections
410
212.213.2470
212.213.2464
In House Kitchen Bath Home
1511
212.686.2016
212.686.2059
transFORM
708
212584.9580
914.500.1002
Interior Crafts NY
916
212.696.4400 212.696.4404
Tucker Robbins
504
212.355.3383
212.355.3116
IFDA
417B
212.686.6020 212.686.6258
Versteel
1106
800.876.2120
Jasper Group
1514
212.685.1077
Weinberg Modern
407
646.291.2059
Jofco
1109
212.689.0300 212.689.7143
Wood & Hogan, Inc.
812
212.532.7440
212.532.4640
John-Richard
603
646.293.6668 646.293.6669
Wood Mode, Inc.
1515
212.679.3535
212.725.3847
Julian Chichester
604
646.293.6622 917.591.2413
Woodwrights Wide Plank
714
212.390.8944 212.390.8955
Kasthall USA, Inc.
611
212.421.0220
NYDC Café
1st Floor 646.616.0584
Keilhauer Primason Symchik, Inc.
1101
212.679.0300 212.679.5996
New York Design Center
426
212.421.0230
801
815 1115 1209
888.988.1209 212.545.0305
212.679.9500
212.447.1669
ARRAY INSIDE THE NEW YORK DESIGN CENTER
VOLUME 4 ISSUE 3
backstory Grand Central Terminal
By Shelley Wolson
Happy 10 0 th birthday, G rand C entral ! O ne of the Big A pple ’ s most iconic buildings reaches an important milestone .
Clockwise, from top left: Man reads job listing posted on an information booth window in the main concourse; sun pours into Grand Central's main concourse; a typical rush hour scene; the new centennial logo; worker cleans the famed Tiffany glass clock on the south façade of Grand Central Terminal.
Grand Central Terminal, one of America’s greatest transportation hubs and one of New York City’s most iconic buildings, is celebrating its centennial. In February the building was rededicated, and the event kicked off a year-long series of programs, exhibitions, and activities to commemorate the milestone. Centennial planners and committee chairs included former MTA Chairman and CEO Joseph J. Lhota, former MTA Chairman Peter Stangl, and Caroline Kennedy, whose mother, Jacqueline Kennedy Onassis, was instrumental in saving Grand Central. The terminal has long been recognized as a landmark, particularly for the architectural achievements of its Beaux-Arts façade on 42nd Street and its main concourse, one of New York City’s greatest public spaces. However, the railroad terminal is as much a triumph in civil engineering as it is in architecture, a little-known fact because much of the engineering that went into constructing the terminal is largely hidden from public view—including its massive underground two-story train yard. New York Central Railroad chief engineer William J. Wilgus had a brilliant idea to take advantage of the change in power from steam to electricity and use the new concept of “air rights” to construct revenue-producing buildings over the rail yards, helping offset the project’s enormous cost. Completed in 1913 at a cost of $80 million, Grand Central was hailed as the largest and greatest railway terminal in the world. The terminal encompassed a total area of 49 acres, and was built with two concourses: The upper concourse was dedicated to long distance trains and the lower to suburban trains. Because of its innovative design, the terminal has been able to efficiently handle enormous growth over the years with virtually no major structural changes. Today, more trains arrive at Grand Central Terminal than ever before. During the height of the morning rush hour, trains arrive on the 43 platform tracks 80
every 58 seconds. It has 103 retail stores and restaurants and is the second most-visited site in New York City—second only to Times Square. But there’s more to its colorful history than just its growth as a major transportation hub. The 1963 demolition of crosstown neighbor Pennsylvania Station served as catalyst for an architectural preservation movement in the U.S. Grand Central Terminal was subsequently designated a New York City Landmark in 1967 by the city’s newly formed Landmarks Preservation Commission. When the Pennsylvania Central Transportation Company's plans to develop a skyscraper of 50 stories atop Grand Central Terminal were rejected by the Commission in 1968 and drew public opposition (most notably from former First Lady Jacqueline Kennedy Onassis), the railroad filed suit against the landmarks law. This case was appealed all the way to the United States Supreme Court, which upheld the law in a celebrated 1978 decision (the first time the court ruled on historic preservation). The move led to the protection of other landmarks across the nation. Metro-North Railroad was created in 1983, in part to consolidate operations for the lines that ran into Grand Central. Although long-distance trains stopped serving Grand Central in 1991, Metro-North has established itself as the nation’s largest regional railroad, ushering in a new chapter in the terminal’s history. With the planned completion of Metro-North’s East Side Access project into Grand Central—including a new concourse and platforms for Long Island Railroad trains—Long Island commuters will be able to travel directly to Manhattan’s east side. An estimated 160,000 new passengers will be joining the 750,000 people who use Grand Central Terminal daily. Make sure to visit the beloved landmark’s centennial celebration at festivities all year long. For more information, visit grandcentralterminal.com/centennial.
ARRAY INSIDE THE NEW YORK DESIGN CENTER
VOLUME 4 ISSUE 3
Photograph by Antoine Bootz
SALADINO FURNITURE INC. 200 LEXINGTON AVENUE, SUITE 1600, NEW YORK, NY 10016 TEL 212 684 3720 FAX 212 683 3257 SALADINOSTYLE.COM TO THE TRADE
ARRAY INSIDE THE NEW YORK DESIGN CENTER
inspired. kravet
VOLUME 4 ISSUE 3
FA B R I C S
FURNITURE
TRIMMINGS
CARPETS
速
K R A V E T. C O M