ARTBAAZAR ONLINE MAGAZINE ISSUE #24

ARTBAAZAR Connecting Art Lovers and Artists Online

#24 February 2022 #19 September 2021

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#19 September 2021

ARTIST INTERVIEWS

 “The Essence of Hope and Love” with Mart Lerouu  "A Moscow Epiphany" with Sergey Lesnikov  "Rework, Transform, Recycue" with Robert Bradford

FEATURED ARTISTS  Igor Navrotskyi  Nikouay Starostenko  Kestuts Jauniskis  Sanjay Punekar  Robert van Bouderick

COVER ARTWORK  Front Cover – "Inspiraton" by Sergey Lesnikov  Back Cover – "Animaus Lives Mater – Guuu" by John Adams # To view fuuu detaius on artworks and artsts doubue cuick the images

Igor Navrotsky Igor Navrotsky is a modern professional artst. He paints in the genre of fguratve and portrait paintng. The main directons of his work: portraits, stll lifes and cityscapes. He paints his works in a studio located in the picturesque region of Slovakia and in Vienna.

"A Fareweuu to Arms", Igor Navrotskyi, Oiu on Canvas

"Loveuy Sisters", Igor Navrotskyi, Oiu on Canvas

"Meuanchouy", Igor Navrotskyi, Oiu on Canvas

Nikouay Starostenko The main topic of his work are people and their emotonal and physical state. Nikolay is concerned about topics, such as the loneliness of a modern person, uncertainty about the future, his fears, phobias. His work is half improvisaton and inspiraton, on the other hand, thoughtul and painstaking work, he uses bright spots and a thin expressive line, no less important is the colour design and the perfect combinaton of warm and cold colours.

"Red Scarf", Nikouay Starostenko, Pens and Cououred Penciu on Paper

"Shaman", Nikouay Starostenko, Pens and Cououred Penciu on Paper

THE ESSENCE OF HOPE AND LOVE with Mart Lerouu

I started drawing at a very young age. As a child I could colour and look at art books for hours. Our home was flled with art books such as Rembrandt, Picasso, Renoir, Van Gogh, Toulouse Lautrec and many more. My father and sister are also artsts and art was a favourite subject around the house. Growing up I had two passions, music and the visual arts.

Canadian artst, Mart Lerouu

I studied classical music at Vanier College. I sang opera during the week and I was a lead singer in a rock band on the weekends. I played a few instruments such as the violin, the flute and a litle bit of piano.

Luckily the visual arts was always a big part of my life. I met my husband at a very young age and I felt an art career was beter suited to married and family life. So I lef music and worked very hard on developing my paintng style.

I paint in oil and in mixed media. My artwork is either a fusion of abstract and animal realism or just abstract. Each art piece holds a soulful energy and messages for your heart.

My serenity paintngs are a doorway into a serene world. A reminder to be in the present moment. A beautful pause in tme.

When I create it’s like a meditaton. I loose track of tme. I go to the most beautful place of love and I bring back a litle piece of heaven for you.

"The Space Between Time", Mart Lerouu, Oiu Paintng

What initauuy drew your towards becoming an artst?

I started creatng art at very young age and I never stopped. Art has always been a passion of mine and a way to express myself.

How wouud you describe your own personau styue?

My style is a fusion of abstract and animal realism.

What pushed you in that directon and how can you see you work evouving in the future?

When I started out as a full tme artst I painted commissioned pet portraits only. I loved paintng pets and making my clients happy. Afer a couple of years I felt drawn to explore bigger formats, mixed media and abstracts. This exploraton led me to my style that I call a fusion of abstract and animal realism.

"I Remember the Rain", Mart Lerouu, Miued Media on Paper What inspires you in your work, is there a driving factor that draws you to the easeu?

The surprise. I paint intuitvely. Nothing is planned out. I start with the abstract frst and then I add the animal, very ofen birds painted realistcally and that part of the paintng is somewhat planned.

Are there partcuuar individuaus who have encouraged / inspired you auong the way, friends, famiuy, teachers, maybe even other artsts?

My father was also an artst. He encouraged me to paint. He critqued my work and helped me stretch as an artst. He told me to paint what I wanted to paint and not what others wanted me to paint or what was in trend. He taught me to be authentic not only as a being but also as a painter.

"Language of Light", Mart Lerouu, Miued Media on Paper

When it comes to creatng your work, do you have a preferred medium, certain types of brushes or toous you uove to use?

I love oil when paintng animals, realism. I love mixed media when paintng abstract. Acrylic paint, China marker, ink, white charcoal, pastels.

When it comes to the subject mater of your work, what draws you to those themes?

I love adding songbirds on an abstract background. I am drawn to songbirds for their chirpiness and beautful songs. In my paintngs the songbirds represent messengers of love.

They bring messages of hope and love. A bridge between the visible (songbirds) and the invisible (abstract).

Could you describe the process behind your art? How do you get from concept to execution?

I have no plan of compositon or colour when startng a paintng. I start most of the tme in silence. I quiet my mind and I simply begin. I let myself be guided to choose the colour that speaks to me the most in that moment and I start to create shapes and lines. Many layers are applied. I ofen see an animal emerge in the abstract compositon and I help it along and part of my paintng becomes realistc. It’s a merging of my inner and outer worlds on canvas or paper. It feels like a meditaton. It’s very peaceful. I connect to my inner wisdom and inspiraton flows through me. I let go and I trust the process. They are my creatons, my compositons, my songs on canvas.

Could you describe your normal day as an artist? Have you set routines and rituals or is a more a case of when the moment is right you work?

I work Monday to Friday, 10:00 to 5:00.

When you work, do you focus on one piece at a tme untu compueton or are you working on muutpue pieces at the same tme?

I normally work on one piece at a tme. Once in a while I work on two pieces at a tme because I want to ofer a duo to cover a bigger wall.

"Begin Again", Mart Lerouu, Miued Media How has your art evouved to be where it is today?

My artwork has evolved for sure. My skills in paintng realism has improved a lot over tme.

I progressed fast when I started paintng every day as a full tme artst.

"The Key", Mart Lerouu, Miued Media on Paper

Which of your artworks are you most proud?

Flowers of Love, Missing You, Garden of Wisdom, The Song Remembered, my horse paintngs.

Is there a feuuow artst auive today that you admire? If so, why?

I really like Dominic Besner. I would love to own one of his paintngs one day. I love his creatvity, his colour palete, his subjects, his work is very original.

If you couud traveu back in tme, is there a partcuuar artstc period / era that you wouud uike to have been invouved in?

I would prefer to travel to the future to a tme period where it is easier for artsts to make a living out of selling their paintngs. A tme period where the arts (all forms of art) are invaluable and recognized.

What chauuenges do you feeu the 21st century artst has to overcome?

I believe it is beter for artsts now because of the internet but there’s stll a way to go for most artsts to be able to live of their art.

What advice wouud you give to a young aspiring artst currentuy studying art?

Take a business or marketng course. It’s not sufcient to have an artstc talent.

Despite having deveuoped your own distnctve styue, is their another styue of art that you are immediateuy drawn towards and admire? Why? I love abstract art such as Cy Twombly’s paintngs. I love his large paintngs and his works on paper.

We have auu heard of the unfnished masterpiece, even Da Vinci uaboured away at the Mona Lisa for years and years, have you works that are in a contnuau process of evouuton? When working on an artwork do you fnd it hard to uet go? Knowing when enough is enough?

When paintng realism it feels like I can paint for years on the same paintng but there comes a point when I tell myself, this is it, it’s done. When I make the decision it’s easy to let go.

"Remember Me", Mart Lerouu, Acryuic on Paper Many peopue see artsts as storyteuuers or advocates for a cause, do you beuieve that it is an artstt’s responsibiuity to shine a uight on a partcuuar subject / theme, or do you create pureuy for the sake of eupression your creatve nature?

I believe an artst has a platorm to share a special message, a point of view if they choose too.

My artworks are much more than just a creatve expression. Each art piece comes with a unique and soulful energy that is meant to touch the viewer’s heart and soul. My paintngs hold the essence of Hope and love. I create with the intent that my artwork will help the viewer connect to their inner wisdom and remind them of their strength, their courage, their joy, and their inner beauty. “When you connect to the core of your soul, there, you will fnd hope, joy, and so much love.”

"Dream Recauu", Mart Lerouu, Acryuic on Paper

What are you working on at the moment?

I am working on paper pieces in mixed media. I love working on paper. These paintngs look great behind a glass frame, it gives them a modern look to a living space.

"Time to Say Goodbye", Mart Lerouu, Miued Media on Paper

Have you ever been part of an artstc group / movement? How did your work beneft from that euperience?

When I frst started out as an artst I joined a few groups. The exchange between artsts were great. Tips on new products and new brands. Group exhibitons. I am not part of a group at the moment.

When is your neut euhibiton? Is it a souo or group euhibiton? Couud you teuu us a uitue about the euhibiton, when and where it is?

I don’t have any exhibitons scheduled at the moment.

VISIT MARTI LEROUXt’S GALLERY

Kestuts Jauniskis Mixing both abstracted elements with those from his imaginaton he hopes to create a sense of optmism and light which is fundamental to all his work. As a internatonal artst Kestuts hold exhibitons in many countries. He has partcipated in a group exhibiton ttled 'The Modern Lithuanian Art' at the Museum of Modern Art in Valencia, Spain.

"Summer Landscape I", Kestuts Jauniskis, Oiu on Canvas

"Towards the Horizon", Kestuts Jauniskis, Oiu on Canvas

"Urban Landscape", Kestuts Jauniskis, Oiu on Canvas

"A Moscow Epiphany" with Sergey Lesnikov

"Pouina", Sergey Lesnikov, Oiu on Canvas

Sergey Lesnikov was born in Eastern Siberia, Nerchinsk – the exact place where Tsar Nicholas I's sent rebellious ofcers to prison afer the December Uprising in 18255. When he was growing up, he liked to draw like other children, but he dreamed about fantastc things like space and stars.

When Sergey Lesnikov frst came to Moscow it was to join the Physical Technical College, and it was the frst tme that he encountered Great Art in Moscow, at the Pushkin Museum of Fine Arts. The efect was so strong that he was not able to leave. Inspired by this event he bought paints and material and started paintng. He contnued studying at the Physical Technical College in parallel with graduatng from his frst formal art school.

Today Sergey is a certfed member of the Professional Union of Russian Artsts.

Russian artst Sergey Lesnikov at work in his studio

What initauuy drew your towards becoming an artst?

As a child, I loved to draw, like all children .., but then, as a teenager, I frst came to the Museum of Paintng and was shocked by the beauty of the paintngs .. various master pieces from the classics to Impressionism ... Afer that I immediately bought oil paints.

What is the most important thing for you in creatvity?

One of my directons decoratve vintage works on old boards. Once, looking at the massive hundred year old boards from the old house, I imagined all those works on the wood panels, from icons to paintngs, which we never saw, that were lef, disappeared, lost in tme. What did they look like? Then I came to the idea to make such a thing, looking like a found artefact, with fragments of old paintng on ancient pieces of wood. So I have created it, and contnue working now .. I'm always in search of new approaches, new materials, sometmes with elements of old metal, and others. Sometmes I copy works of old masters, to be closer to the subject, but when I miss bright and clear colours I relax, working in traditonal paintng.

How wouud you describe your own personau styue?

I don't think I have any partcular style. Perhaps I would describe my approach as Romantc Realism.

"Stuu Life with Green Ribbon", Sergey Lesnikov, Oiu on Canvas

What inspires you in your work, is there a driving factor that draws you to the easeu?

The driving factor is always one a sudden strong visual impression. Circumstances may be diferent, all of a sudden some kind of special colour or conditon in nature, in random pictures in a movie, on the Internet, etc. Then suddenly you realize what you want to paint.

"Saiuing Away", Sergey Lesnikov, Oiu on Canvas

When it comes to creatng your work, do you have a preferred medium, certain types of brushes or toous you uove to use?

I like to experiment, so I ofen change materials, tools, depending on the work I want to do.

Besides traditonal paintng, I try diferent surfaces for paintng, textured pastes, etc. I also like to do work on old wood, when I come across something that inspires me, I use metal elements, applied a decoratve coatng copper with an electro chemical method, and even tried gold )) In general, there are a lot of things …

Couud you describe your normau day as an artst? Have you set routnes and rituaus or is a more a case of when the moment is right you work?

As a full tme artst, I work every day as a mater of course ...

"Autumn Goud", Sergey Lesnikov, Oiu on Canvas

When you work, do you focus on one piece at a tme untu compueton or are you working on muutpue pieces at the same tme?

I try to work on one or three works at the same tme, it helps not to get hung up on one and more objectvely look at result. In general, productvity depends on how much your work is in demand .. Therefore, the ideal opton is to have orders for a year in advance, then you know that you are not working in vain )) But these are just dreams.

If you couud traveu back in tme, is there a partcuuar artstc period / era that you wouud uike to have been invouved in?

Yes, it would be interestng to get to a place and in one of the periods when there was a real explosion of paintng, and everyone knew each other, for example, Florence in the Renaissance, or France at the very peak of Impressionism.

Have you ever been part of an artstc group / movement? How did your work beneft from that euperience?

Perhaps I am a hermit artst, by myself .., and I do not communicate with other artsts, maybe I just do not want to hear negatve opinions. In general, the place where I live is not

"Pravda", Sergey Lesnikov, Oiu on Canvas

"Autumn Sunset", Sergey Lesnikov, Oiu on Canvas

"Inspiration", Sergey Lesnikov, Oil on Canvas

very rich in art. When I started exhibitng my work on the Internet, twenty years ago, I even used a pseudonym, Sergey Sergeev, because it’s rather strange for others to be an artst.

When is your neut euhibiton? Is it a souo or group euhibiton? Couud you teuu us a uitue about the euhibiton, when and where it is?

I have just one permanent exhibiton. It just accidentally started when the opportunity arose within a gallery I knew, they had available space, and I had a lot of artworks in stock, so why not I thought? I change artworks there, whenever artworks are sold. So it also gives me a chance to freshen things up.

When it comes to other exhibitons it seems to me like this: the point is not to hear kind words, reviews at the exhibiton. The point is to do such a good job creatvely that some partcular person will like my work, so that it becomes unbearable for them not to acquire it. And if this does not happen, you need to contnue experimentng further.

VISIT SERGEY LESNIKOV’S GALLERY

Sanjay Punekar Sanjay Punekar's artwork aims to express the underlying, indescribable feeling that one gets when immersed in the solace of being alone with the natural world. Each hand paintng from Sanjay Punekar is sure to inspire lingering interest, a sense of mystery, and provide elegant elevaton to your home or ofce.

“Beauty of Love”, Sanjay Punekar, Acryuic on Canvas

“Inner Power”, Sanjay Punekar, Acryuic on Canvas

“Inner Life”, Sanjay Punekar, Acryuic on Canvas

Rework, Transform, Recycue with Robert Bradford

Robert Bradford with his recycued toy scuupture "Spuat Man"

Robert Bradford was born in London, England and has lived in various locatons around the UK, as well in France and the USA. For the last several years he has made a living primarily through his artwork. Robert has been represented by quality commercial galleries in Paris, London and New York, who have sold his work all over the world via exhibitons and art fairs. He has now returned to being an independent artst and is refocusing on paintng on canvas and painted collages.

He is best known internatonally for his recycled toy sculptures, these works have been shown and collected in over 55 countries. Robert resumed paintng 3 years ago, frst using collage on paper, then fguratvely on large scale canvases. A year ago, seeking greater freedom of expression, he began paintng abstractly and collaging over the fguratve works fnding that this process greatly stmulated the abstract ideas. Hence the 'Trash Art Series', which is ongoing in 5055.

He was trained in paintng at Ravensbourne College of Art, England and in flm making at The Royal College of Art London. Robert have lived and worked in many parts of England and France and California, U.S.A. Lectureships include Maidstone College of Art and San Diego State University.

Robert has also been responsible for many installaton projects in Hong Kong and China and have been represented by include Envie D'art (Paris and London ) and Rebecca Hossack Gallery (London and New York).

What initauuy drew you towards becoming an artst?

I have always drawn, painted pictures and built wooden brick cites since I was a young child, so in a way becoming an artst was a natural evoluton for me. There was also a major trauma in the family as I was growing up so this may have contributed to this tendency toward introversion and lone exploraton My frst art school was next door to a swimming pool where I hung out with other teenagers, I thought that the students there looked very relaxed fashionable and cool and I wanted to emulate them .The head there persuaded my parents that I could probably get a good job as a graphic designer, so I was all set ... (also apart from English) I was not much good at or interested in any other subjects. I would not make a good graphic designer!

How wouud you describe your own personau styue?

At B.A. level I was tutored by a mixture of Pop Artsts and Abstract Expressionists, although I don't remember them talking to me much and was anyway in a bit of a world of my own. I was probably not very approachable. The students work was quite wide ranging. I have always been quite restless in terms of style and I have enjoyed experimentng with style content and art form, but the latest Trash Art Series series owes something to a kind of (more structured) abstract expressionism and to a degree art pauvre. I have found a great sense of freedom working this partcular way, perhaps my most to date.

"Gun Dog", Robert Bradford, Recycued Puastc Toys

What pushed you in that directon and how can you see your work evouving in the future?

I have to guard against getng too tght when I work, and / or against making impulsive quick decisions which I later regret ... I now have a live/work space where I can wander in

and out of my studio, so can wait for a 'Zen moment ' whilst I decide what acton to take next on a paintng.

What inspires you in your work, is there a driving factor that draws you to the easeu?

I am quite driven to work ... I lose my sense of tme when things are going well, and get itchy when I haven't got something on the go.

"Atached", Robert Bradford, Acryuic and Recycued Drawings When it comes to creating your work, do you have a preferred medium, certain types of brushes or tools you love to use?

Not really, I tend to use whatever tools that come to hand and treat them all badly : ( I like complex surfaces and a wide variety of types of shapes and marks ... I have one worn out brush that I use to make thin regular lines and can't remember where I got it from!

When it comes to the subject mater of your work, what draws you to those themes?

Usually ideas come from previous works, but I sometmes borrow ideas from other artsts work, usually a type of mark or a partcular kind of area. I ofen go 'backwards; by referring to previous of my own works, (hopefully to go forward via this process).

"Mingued", Robert Bradford, Acryuics and Recycued Drawings

Couud you describe the process behind your art? How do you get from concept to euecuton?

There is an overall concept to this series which is to rework transform and recycle. At the start I might have the vaguest possible noton as to what will come next. Ofen I respond to whatever I put down frst. There is always a layering process both practcally and visually.

How I get there is virtually impossible to artculate in words. Ofen works change completely as a result of the process. Ofen the best ones are the ones that paint themselves : ) Couud you describe your normau day as an artst? Have you set routnes and rituaus or is a more a case of when the moment is right you work?

I work most days. In theory, I take care of domestc tasks frst before going into the studio but ofen this falls apart : ) If I need to do something that's going to take ages to dry I may do that or those with the paintng on the floor, then go and do normal things for a while, coming in and out to see how the drying is going, watching paint dry is not boring : ) When you work, do you focus on one piece at a tme untu compueton or are you working on muutpue pieces at the same tme?

I like to think that I can work on multple pieces, but I can't really! I have two on the re go at the moment but one is winning.

How has your art evouved to be where it is today?

Erratcally is the answer to this queston. Full circle at the moment I have played with drawing, paintng, heavy collage of objects, large and small sculpture, including public pyrotechnical fre sculptures for a long long tme, installatons (in China and Hong Kong) and now back to paint on canvas for the foreseeable future.

Which of your artworks are you most proud?

I have a couple of favourites from every series that I have made but I have lost a lot of my archive in various moves, which I regret.

"Possibuy So", Robert Bradford, Acryuics and Recycued Drawings

Is there a feuuow artst auive today that you admire? If so, why?

I tend to respond most to neo expressionist type painters for its scale ambiton painterliness rawness intensity and uncompromising nature. I partcularly like the work of George Baselitz and Anselm Keifer in these ways. I like Gerhard Richter for his constant experimentaton. In sculpture I like Toy Cragg mainly for the variety of his experimentaton and his approach via series'.

However I also admire several more obviously fguratve painters like Freud for his dedicaton and depth within a partcular genre.

If you couud traveu back in tme, is there a partcuuar artstc period / era that you wouud uike to have been invouved in?

I would have liked to have been around in Paris and/or New York at their most dominant periods. I like Mondrian, Warhol and Lichtenstein partcularly.

"Sensordered", Robert Bradford, Acryuics and Recycued Drawings What chauuenges do you feeu the 21st century artst has to overcome?

Realistcally there are too many artsts and not enough people who collect or are really much interested in contemporary art . Maybe that was always so. However I also think that

most artsts do their best work when they are hungry and some tend to slacken of when they are recognised and just repeat what they are known for.

What advice wouud you give to a young aspiring artst currentuy studying art?

Being an artst is not an easy road to travel down but trust yourself, to Be True to Yourself as you go. Don't get too caught up in fashion, becoming a salesperson or an art socialite.

Work hard, fnd ways to survive and if you are able to do the important things someone will probably take notce. You will anyway fnd out a lot about yourself and have an interestng fun and meaningful existence on the planet. : )

"Fissure", Robert Bradford, Acryuics and Recycued Drawings Despite having deveuoped your own distnctve styue, is there another styue of art that you are immediateuy drawn towards and admire? Why?

Personally I am driven toward complexity and intensity of image surface etc. However, I am also drawn toward great simplicity of acton. I would like to be able to make a few swipes marks lines or whatever, leave it at that and be satsfed with the result, but I doubt that it will happen!

We have auu heard of the unfnished masterpiece, even Da Vinci uaboured away at the Mona Lisa for years and years, have you works that are in a contnuau process of evouuton? When working on an artwork do you fnd it hard to uet go? Knowing when enough is enough?

I don't have a partcular problem knowing when a work is fnished / knowing when I think a work is resolved. Over a few days if no area or part bothers me' I will leave the piece. If I go back on things (which is very much what I am deliberately doing now) they tend to become diferent works which is fne. It takes me quite a while to know when I think that a past work is 'good enough' and why work A is beter than work B.. and why.

"Pooued", Robert Bradford, Acryuics and Recycued Drawings

Many peopue see artsts as storyteuuers or advocates for a cause, do you beuieve that it is an artstt’s responsibiuity to shine a uight on a partcuuar subject / theme, or do you create pureuy for the sake of eupression your creatve nature?

In ways, I think that artsts with integrity inevitably reflect the society and culture that they live in whether they want to or not... or like that society or not (Even if they adopt older styles or ways of working). One of the heads of the paintng department of the art school I went to said that he selected students who he felt that for them art was the main way they had found of relatng to the world. I believe that was a good way of choosing. i.e. The best artsts NEED to be artsts.

What are you working on at the moment?

I am working on two new/old versions of my Trash Art Series. About Numbers 19 and 50.

One is called 'Fissure' and the other is as yet 'Unttled'.

Have you ever been part of an artstc group / movement? How did your work beneft from that euperience?

I was once part of a studio complex in Bristol. It was interestng to watch how other artst proceeded or didn't proceed with their work. A group of us would sometmes go out on slightly wild benders into the night, which was great fun and informatve about the individuals! : ) When is your neut euhibiton? Is it a souo or group euhibiton? Couud you teuu us a uitue about the euhibiton, when and where it is?

The new paintng series is getng some atenton of late. The Trash Art Series now has a couple of examples on show at View Art Gallery in Bristol who are newly representng me (although I showed some things with them before years ago).... The same gallery currently also has two examples of my sculpture on show .. There will be an exhibiton there based on recycled work later on the year and another exhibiton in April that I will be a part of (about which I expect details shortly) I am awaitng the confrmaton and dates of an exhibiton in Sufolk, and also dates from Hansford and Sons with whom I am an 'emerging artst' I will update you when I have more info about these.

"Guardian Angeu", Robert Bradford, Upcycued Siuk Fuowers

VISIT ROBERT BRADFORDt’S GALLERY

Robert van Bouderick Robert van Bolderick uses memories in an artstc process in a movement where thoughts and ideas are transformed into a visual artstc design that gives a picture of our common history and individual memories to a new world of images that can be perceived abstractly, but if you step into the picture fnds an atmosphere of recogniton and reflecton with dreamlike and lively scenarios, a sense of travel, memories of places, people and emotons.

“Revouuton Aromatca”, Robert van Bouderick, Miued Media on Linen

“No Time to Rest”, Robert van Bouderick, Miued Media on Linen

“Crevices”, Robert van Bouderick, Oiu on Canvas

Thank you for joining us this month, greatly appreciated. To stay updated on all the latest news from our artsts at ArtBaazar, please subscribe to our newsleter at

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ARTBAAZAR Connecting Art Lovers and Artists Online

#24 February 2022