brosura-arte by ARTE galerija Beograd

XV NOVOGODIŠNJA AUKCIJA / XV NEW YEAR’S AUCTION

ARTE

Online aukcija / Online auction

4 – 16. decembar / December 2021. Završetak online aukcije / Online Auction Termination Četvrtak, 16. 12. 2021, od 18 do 20 h / Thursday, December 16, 2021, 6 to 8 p.m. na portalu / on the portal aukcije.arte.rs

NOVOGODIŠNJA PRODAJNA IZLOŽBA, AKVIZICIJE / NEW YEAR’S SALES AND ACQUISITIONS EXHIBITION ARTE galerija / Gallery Beograd / Belgrade, 11000 12 Andrićev venac Street 4 Andrićev venac Street 3 Kralja Milana Street 29 Svetogorska Street Radno vreme / Working Hours: ponedeljak – nedelja / Monday – Sunday, 10 – 20 h

Arte galerija www.artegalerija.rs aukcije.arte.rs info@arte.rs +381 63 638 962 +381 63 638 968 1

REALIZOVANE IZLOŽBE I PROJEKTI / PAST EXHIBITIONS AND PROJECTS, 2020/21. 3

OMAŽ VLADIMIRU VELIČKOVIĆU | HOMAGE TO VLADIMIR VELIČKOVIĆ

Izložba radova iz privatnih kolekcija, koju je publika imala priliku da vidi u ARTE galeriji od kraja avgusta do kraja novembra 2020. godine pregled je stvaralaštva Vladimira Veličkovića u periodu između šezdesetih i sedamdesetih godina dvadesetog veka. Više od 35 dela izvedenih u tehnikama ulje na platnu, tuš na marufleu i grafici, istovremeni su prikaz tragedije i nade od kojih je satkan život. Izložba je bila priređena povodom obeležavanja godinu dana od smrti autora, a bila je postavljena u dva izlagačka prostora ARTE galerije – Kralja Milana 3 i Andrićev venac 12 u Beogradu.

The exhibition of artworks from private collections, which the audience had the opportunity to see at ARTE gallery from the end of August to the end of November 2020, is an overview of the works by Vladimir Veličković in the period between the 1960s and 1970s. More than 35 artworks made in various mediums, oil on canvas, ink on marufle and prints, simultaneously represented a display of tragedy and hope from which life is woven. The exhibition was organized to mark the anniversary of the artist’s death, and was hosted in two exhibition spaces of the ARTE Gallery - 3 Kralja Milana Street and 12 Andrićev venac Street in Belgrade.

IZLOŽBA RADOVA PETRA OMČIKUSA | THE EXHIBITION OF ARTWORKS BY PETAR OMČIKUS

februar – mart

PETAR OMČIKUS

FEBRUARY – MARCH

PETAR OMČIKUS

ARTE galerija od februara do aprila 2021. godine održala je izložbu radova Petra Omčikusa povodom 70 godina od prve samostalne izložbe ovog neumornog stvaraoca i jednog od najznačajnijih jugoslovenskih i srpskih slikara. Radovi prikazani u dva izložbena prostora ARTE galerije, Andrićev venac 12 i Kralja Milana 3 u Beogradu, pripadaju privatnim kolekcijama i predstavljaju pregled stvaralaštva Petra Omčikusa u periodu od druge polovine dvadesetog veka, pa sve do prve decenije dvadeset prvog veka. Povodom izložbe publikovana je monografija autora, PETAR OMČIKUS, STVARALAČKA SPIRALA, sa tekstovima Čedomile Marinković i Anđele Maletić, koje su umetnikov opus predstavile vodeći se umetnikovom tumačenjem sopstvenog stvaralaštva. Pomenuta monografija dobila je Veliku nagradu 53. Majske izložbe ULUPUDS-a.

From February to April 2021, ARTE Gallery held an exhibition of artworks by Petar Omčikus marking the 70th anniversary of the artist’s first solo exhibition, recalling his character of a tireless creator and one of the most important Yugoslav and Serbian painters. The artworks displayed in two exhibition spaces of the ARTE Gallery, 12 Andrićev venac Street and 3 Kralja Milana Street in Belgrade, are part of multiple private collections and represent an overview of the opus of Petar Omčikus in the period from the second half of the twentieth century until the first decade of the twenty-first century. During the exhibition, a monograph about the artist, PETAR OMČIKUS, CREATIVE SPIRAL, was published, with texts by Čedomila Marinković and Andjela Maletić, who presented his artistic opus guided by the artist’s particular interpretation of his own work. The mentioned monograph was awarded the Grand Prize of the 53rd May Exhibition of ULUPUDS.

REFLEKSIJE | REFLECTIONS MIRA BRTKA

FO ND AC IJA MIRA BRTKA

Na inicijativu Fondacije MIRA BRTKA, sa podrškom Ministarstva kulture Republike Srbije, priređena je prva sveobuhvatna retrospektivna izložba radova Mire Brtke, pod nazivom REFLEKSIJE. Izložba je trajala od marta do maja 2021. godine na lokaciji Muzeja grada Beograda u Resavskoj 40 b. Rad Fondacije MIRA BRTKA je posvećen očuvanju dela Mire Brtke, reafirmaciji i valorizaciji kreativnog potencijala njenog veoma kompleksnog opusa, koji obuhvata slikarstvo, skulpturu, filmsku i pozorišnu režiju i produkciju, kostimografiju, modni dizajn i kulturni aktivizam.

On the initiative of the MIRA BRTKA Foundation, with the support from the Ministry of Culture of the Republic of Serbia, the first comprehensive retrospective exhibition of Mira Brtka’s works was organized, entitled REFLECTIONS. The exhibition lasted from March to May 2021 at the Museum of the City of Belgrade in Resavska 40 b. The work of the MIRA BRTKA Foundation is dedicated to preserving the work of Mira Brtka, reaffirming and valorizing the creative potential of her very complex opus, which includes painting, sculpture, film and theater directing and production, costume design, fashion design and cultural activism.

14. AUKCIJA ARTE GALERIJE I AUKCIJSKA IZLOŽBA | 14TH ARTE GALLERY AUCTION AND THE AUCTION EXHIBITION

ARTE galerija je u junu 2021. godine predstavila 14. izložbu svoje bogate kolekcije umetničkih radova, koja broji neke od najuglednijih jugoslovenskih umetnika, ali i umetnika iz Evrope i sveta. Na dve lokacije u Beogradu, Andrićev Venac 12 i Kralja Milana 3, posetioci su bili u prilici da pogledaju radove Save Šumanovića, Petra Dobrovića, Dada Đurića, Milana Konjovića, Bore Stevanovića, Ljubice Cuce Sokić, Petra Omčikusa, Miće Popovića, Vladimira Veličkovića, i mnogih drugih istaknutih umetnika, čiji se radovi nalaze u domaćim i svetskim muzejima i galerijama. Kuriozitet ove izložbe bili su radovi poznate konceptualne umetnice Marine Abramović, iz njenog ranog, slikarskog perioda. Izložbama svoje kolekcije umetničkih radova ARTE galerija želi da pruži umetničkoj publici priliku da uživa u remek-delima najboljih predstvnika moderne i savremene umetnosti, budući da se kolekcija konstantno menja i raste. In June 2021, the ARTE Gallery presented the 14th exhibition of its rich collection of works of art, which includes some of the most prominent Yugoslav artists, but also artists from Europe and international artists. At two locations in Belgrade, 12 Andrićev Venac Street and 3 Kralja Milana Street, visitors had the opportunity to see the works of Sava Šumanović, Petar Dobrović, Dado Đurić, Milan Konjović, Bora Stevanović, Ljubica Cuca Sokić, Petar Omčikus, Mića Popović, Vladimir Veličković, and many other prominent artists, whose works are in mayor domestic and international museums and galleries. The curiosity of this exhibition were the works of the famous conceptual artist Marina Abramović, from her early, painting period. With the exhibitions of its collection of works of art, ARTE Gallery wants to give the art audience the opportunity to enjoy the masterpieces of the best representatives of modern and contemporary art, since the collection is constantly changing and growing.

Izložba JADRAN LAZIĆ, 50 GODINA FOTOGRAFIJE | Exhibition JADRAN LAZIĆ, 50 YEARS OF PHOTOGRAPHY

Krajem septembra 2021. godine u galeriji ARTE priređena je izložba JADRAN LAZIĆ, 50 GODINA FOTOGRAFIJE, povodom objavljivanja istoimene dvotomne monografije. Posetioci su bili u prilici da pogledaju selekciju od 70 fotografija na kojima su u najvećem broju poznate ličnosti, zvezde svetskog džet-seta i državnici koje je Lazić ovekovečio tokom 50 godina duge karijere: Šarlot Rempling, Rakel Velč, Robert de Niro, Entoni Kvin, Dejvid Bouvi, Džodi Foster, Marlon Brando, Sofija Loren, Kirk Daglas, Majkl Daglas, Pol Makartni, Pele, Orson Vels, Džejn Birkin, Elizabet Tejlor, Grejs Džouns, Džoni Dep… Godine rada, veliki broj naslovnih strana u renomiranim svetskim magazinima, mnoge poznate ličnosti koje je tokom svoje bogate i uzbudljive karijere Jadran Lazić uspeo da fotografiše, stalo je u monografiju, jedan od umetnikovih najznačajnijih projekata koji predstavlja svojevrsnu istoriju mas-medija, ali i svedočanstvo jednog prošlog vremena. At the end of September 2021, the ARTE Gallery hosted the exhibition JADRAN LAZIĆ, 50 YEARS OF PHOTOGRAPHY, on the occasion of the publication of the two-volume monograph of the same name. Visitors had the opportunity to see a selection of 70 photographs mostly of celebrities, jet set stars and statesmen that Lazic immortalized during his 50-year career: Charlotte Rempling, Raquel Welch, Robert De Niro, Anthony Quinn, David Bowie, Jodie Foster, Marlon Brando, Sophia Loren, Kirk Douglas, Michael Douglas, Paul McCartney, Pele, Orson Welles, Jane Birkin, Elizabeth Taylor, Grace Jones, Johnny Depp… Years of work, a large number of front pages in renowned world magazines, many celebrities that Jadran Lazić managed to photograph during his rich and exciting career, became part of the monograph, one of the artist’s most significant projects that represents a kind of mass media history, but also a testimony of the times passed.

KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) | COLLECTOR AS A CURATOR AND SELECTOR (III)

Tokom oktobra i novembra 2021. godine, u dva izlagačka prostora ARTE galerije u Beogradu, predstavljena je treća izložba u okviru projekta Kolekcionar kao kustos i selektor, izlaganjem dela zbirke porodice Marjanović. Jezgro izložbe činili su radovi nastali tokom pedesetih, šezdesetih i sedamdesetih godina XX veka, autora poput Petra Lubarde, Ivana Tabakovića, Aleksandra Tomaševića, Radomira Damnjanovića Damnjana, Dada Đurića, Petra Omčikusa, Ljube Popovića, Dušana Otaševića i drugih. Ova izložba predstavlja prvu u nizu planiranih izložbi na kojima će u ARTE galeriji samostalno biti prikazane najznačajnije domaće kolekcije.

During October and November 2021, in two exhibition spaces of the ARTE Gallery in Belgrade, the third exhibition within the Collector as a Curator and Selector project was presented, with the exhibition of the artworks from the Marjanović collection. The core of the exhibition consisted of works created during the fifties, sixties and seventies of the XX century, authors such as Petar Lubarda, Ivan Tabaković, Aleksandar Tomašević, Radomir Damnjanović Damnjan, Dado Đurić, Petar Omčikus, Ljubo Popović, Dušan Otašević and others. This exhibition is the first in a series of planned exhibitions in which the most important domestic collections will be independently presented in the ARTE gallery.

Izložba grafika Vladimira Veličkovića VIZIJA GLEDANJA NEVIDLJIVOG| Exhibition of prints by Vladimir Veličković VISION OF VIEWING THE INVISIBLE

Vladimir Veličković

VIZIJA GLEDANJA NEVIDLJIVOG

ARTE galerija je u protekle dve decenije imala izrazito uspešnu saradnju sa Vladimirom Veličkovićem, jednim od najzančajnijih srpskih umetnika svetske slave, koji se sa podjednakom pažnjom bavio medijem slikarstva, crteža i grafike. Izbor radova iz umetnikovog grafičkog opusa prikazan je u izložbenom prostoru ARTE galerije u Svetogorskoj ulici, tokom oktobra i novembra 2021. godine. Među grafikama prikazanim na ovogodišnjoj izložbi, posebno mesto zauzimala je serija od šesnaest grafika koje predstavljaju ilustracije knjige Altenburški orasi francuskog autora Andrea Malroa. Autor teksta kataloga izložbe je istoričar umetnosti Drago Rakočević. In the past two decades, ARTE Gallery has had a very successful collaboration with Vladimir Veličković, one of the most important Serbian artists of international recognition, who has dealt with painting, drawing and printmaking, giving each medium equal attention. A selection of artworks from the artist’s printmaking oeuvre was shown in the exhibition space of the ARTE Gallery in Svetogorska Street, during October and November 2021. Among the prints shown at this year’s exhibition, a special place was occupied by a series of sixteen prints that represent illustrations of the book Altenburg Walnuts by the French author André Malraux. The author of the exhibition catalogue text is art historian Drago Rakočević.

IZLOŽBE I PROJEKTI U NAJAVI / UPCOMING EXHIBITIONS AND PROJECTS 2022

Retrospektivna izložba slika, crteža i grafika Milana Staševića | A retrospective exhibition of paintings, drawings and prints by Milan Stašević

ARTE galerija planira sveobuhvatnu izložbu radova iz dosadašnjeg opusa Milana Staševića, sa ambicijom da se sagleda hronološki razvoj umetnikove poetike, kao i afirmacija njegovog autentičnog likovnog izraza. Izložba i prateća publikacija će rasvetliti poetičko-tehnološki odnos slikarstva i grafike u stvaralaštvu Milana Staševića, kao i značaj motiva traga i fosila za identitet poetike Milana Staševića. ARTE Gallery’s upcoming exhibition will showcase a comprehensive insight of works by Milan Stašević, with the ambition to present a chronological development of the artist’s poetics, as well as to affirm his authentic artistic expression. The exhibition and the accompanying publication will shed light on the poetic-technological relationship between painting and printmaking in the work of Milan Stašević, as well as the significance of the motif of trace and fossil for the identity of Milan Stašević’s poetics. 16

KOLEKCIONAR KAO KUSTOS I SELEKTOR (IV) Veliki formati u srpskom slikarstvu, skulpturi i arhitekturi | COLLECTOR AS A CURATOR AND SELECTOR IV Large-scale formats in Serbian painting, sculpture and architecture

Projekat ARTE galerije započet 2009. godine, Kolekcionar kao kustos i selektor, kao jedan od glavnih ciljeva ističe unapređenje odnosa između privatnog i javnog umetničkog nasleđa. Bogato ilustrovane publikacije su imanentne izložbama pomenutog projekta. IV publikacija će mapirati ostvarenja velikog formata u srpskom slikarstvu, skulpturi i arhitekturi, dok će u izložbenim prostorijama ARTE galerije u Beogradu biti prikazani najznačajniji radovi velikog formata iz privatnih kolekcija. ARTE Gallery’s project Collector as a curator and selector started in 2009 with the main goal to improve the relationship between private and public artistic heritage. Richly illustrated publications are immanent to the exhibitions of the mentioned project. The fourth publication will map large-scale format artworks in Serbian painting, sculpture and architecture, while the most significant large-scale format works from private collections will be displayed in the exhibition premises of the ARTE Gallery in Belgrade. 17

NOVOGODIŠNJA PRODAJNA IZLOŽBA, AKVIZICIJE / NEW YEAR’S SALES AND ACQUISITIONS EXHIBITION

Sava Šumanović (1896–1942), Ženski akt u prirodi, 1919. ulje na platnu, 150,5x90,4 cm, sign. i dat. d. d. Sava Shumanovic (1896–1942), Female Nude in Landscape, 1919, oil on canvas, 150,5x90,4 cm, signed and dated bottom right-hand corner

Sava Šumanović (1896–1942), Pariz, Paysage de Meudon, 1926. ulje na platnu, 60x73 cm, sign. i dat. d. l. i zapis na poleđini Sava Shumanovic (1896–1942), Paris, Paysage de Meudon, 1926, oil on canvas, 60x73 cm, signed and dated bottom lefthand corner, inscription verso

Sava Šumanović (1896–1942), Motiv sa Sene, oko 1925. ulje na platnu, 72,5x92 cm, sign. d. d. Sava Shumanovic (1896–1942), Motif from the Seine, cca. 1925, oil on canvas, 72,5x92 cm, signed bottom left-hand corner

Jovan Bijelić (1884–1964), Riba, 1930/31. ulje na platnu, 75x100 cm sign. d. l.

Jovan Bijelic (1884–1964), Fish, 1930/31, oil on canvas, 75x100 cm signed bottom left-hand corner

Delo je popisano u: Smail Tihić, JOVAN BIJELIĆ – ŽIVOT I DELO, Sarajevo 1972, 161

The work is published in: Smail Tihic, JOVAN BIJELIĆ–LIFE AND WORK, Sarajevo 1972, 161

Nadežda Petrović (1873–1915), Portret mladića, 1901. tempera na kartonu, 43x31 cm Delo je publikovano u: Grupa autora, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Beograd, 2021, 115, kat. br. 1 Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Beograd, 2021, 47, kat. br. 1 Nadezda Petrovic (1873–1915) Portrait of A Young Man, 1901, tempera on cardboard, 43x31 cm The work was published in: Group of authors, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Belgrade, 2021, 115, cat. no. 1 Group of authors, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Belgrade, 2021, 47, cat. no. 1

Jovan Bijelić (1884–1964), Kula u Jajcu, 1925-6. ulje na platnu, 71x90 cm, sign. d. l. Delo je publikovano u: Grupa autora, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Beograd, 2021, 118, kat. br. 4 Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Beograd, 2021, 49, kat. br. 3 Jovan Bijelic (1884–1964), Tower in Jajce, 1925-6, oil on canvas, 71x90 cm The work was published in: Group of authors, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Belgrade, 2021, 118, cat. no. 4 Group of authors, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Belgrade, 2021, 49, cat. no. 3

Jovan Bijelić (1884–1964), Dubrovnik – Gruž, 1932/33. ulje na platnu, 52,5x67,2 cm, signatura i posveta d. d. Jovan Bijelic (1884–1964), Dubrovnik–Gruz, 1932/33, oil on canvas, 52,5x67,2 cm, signature and inscription bottom right-hand corner

Jovan Bijelić (1884–1964), Pristanište, 1934. ulje na platnu, 63x78 cm, sign. d. l. Jovan Bijelic (1884–1964), Port, 1934, oil on canvas, 63x78 cm, signed bottom left-hand corner

Jovan Bijelić (1884–1964), Ulica, druga polovina četvrte decenije XX veka, ulje na papiru kaširanom na karton, 54x67 cm, sign. d. l. Jovan Bijelic (1884–1964), Street, the second half of the forth decade of the twentieth century, oil on cardboard, 54x67 cm, signed bottom left-hand corner 25

Ivan Tabaković (1898–1977), Školjka, 1930. ulje na kartonu, 35x45 cm

Ivan Tabakovic (1898-1977), Shell, 1930, oil on cardboard, 35x45 cm

Delo je publikovano u: Grupa autora, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Beograd, 2021, 141, kat. br. 24 Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Beograd, 2021, 68, kat. br. 20

The work was published in: Group of authors, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Belgrade, 2021, 141, cat. no. 24 Group of authors, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Belgrade, 2021, 68, cat. no. 20

Milan Konjović (1898–1993), Riba, 1931. ulje na platnu, 54x65 cm sign. d. s. Delo je publikovano u: Grupa autora, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Beograd, 2021, 125, kat. br. 10 Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Beograd, 2021, 57, kat. br. 10 Milan Konjovic (1898-1993), Fish, 1931, oil on canvas, 54x65 cm signed bottom middle The work was published in: Group of authors, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Belgrade, 2021, 125, cat. no. 10 Group of authors, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Belgrade, 2021, 57, cat. no. 10

Milan Konjović (1898–1993), Soba u Cavtatu, 1938. ulje na platnu, 51x44 cm sign. d. l. Delo je publikovano u: Grupa autora, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Beograd, 2021, 132, kat. br. 15 Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Beograd, 2021, 63, kat. br. 15 Milan Konjovic (1898-1993), Room in Cavtat, 1938, oil on canvas, 51x44 cm signed bottom left-hand corner The work was published in: Group of authors, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Belgrade, 2021, 132, cat. no. 15 Group of authors, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Belgrade, 2021, 63, cat. no. 15 27

Milan Konjović (1898–1993), Ema pred ogledalom, 1932. ulje na platnu, 100x81 cm, sign. i dat. g. l. Delo je publikovano u: Irma Lang, MILAN KONJOVIĆ – KATALOG RADOVA, Sombor 2010, 43, kat. br. 302. 28

Milan Konjovic (1898-1993), Emma in Front of a Mirror, 1932, oil on canvas, 100x81 cm, signed and dated upper left-hand corner The work was published in: Irma Lang, MILAN KONJOVIĆ– CATALOG OF PAPERS, Sombor 2010, 43, cat. no. 302

Milan Konjović (1898–1993), Mrtva priroda na stolu, 1935. ulje na platnu, 65×80 cm, sign.i dat. d. l; oslikana poleđina. Poreklo: Vlasništvo dr Stevana Patakija, Zagreb Milan Konjovic (1898-1993), Still Life on the Table, 1935, oil on canvas, 65x80 cm, signed and dated bottom left-hand corner. painted verso Provenance: dr Stevan Pataki, Zagreb

Milan Konjović (1898–1993), Dvorište, 1937. ulje na platnu, 65x81 cm, sign.i dat. d. l. Delo je publikovano u: Irma Lang, MILAN KONJOVIĆ – KATALOG RADOVA, Galerija Milan Konjović, Sombor 2010. 65, kat. br. 556. Milan Konjovic (1898-1993), Backyard, 1937, oil on canvas, 65x81 cm, signed and dated bottom left-hand corner The work was published in: Irma Lang, MILAN KONJOVIĆ– CATALOG OF PAPERS, Milan Konjovic Gallery, Sombor 2010, 65, cat. no. 556

Ignjat Job (1895–1936), Čovek sa knjigom, 1934. ulje na platnu, 40x28 cm, sign. d. l.

Ignjat Job (1895–1936), The Man with the Book, 1934, oil on canvas, 40x28 cm, signed bottom left-hand corner

Delo je publikovano u: Grgo Gamulin, IGNJAT JOB – ŽIVOT I DJELO, Matica hrvatska, Zagreb 1961. str. 174, kat. br. 167

The work was published in: Grgo Gamulin, IGNJAT JOB–LIFE AND WORK, Matica hrvatska, Zagreb 1961, p. 174, cat. no. 167

Živorad Nastasijević (1893–1966), Venera, 1933. ulje na dasci, 41x30,5 cm, sign. d. l. Zivorad Nastasijevic (1893–1966), Venus, 1933, oil on board, 41x30,5 cm, signed bottom left-hand corner

Ivan Radović (1894–1973), Model u ateljeu, 1929. ulje na platnu, 45,5x37,5cm, sign. i dat. d. l. Delo je popisano u: Vjekoslav Ćetković IVAN RADOVIĆ, Akademija umetnosti, Novi Sad, 1989, 114 Ivan Radovic (1894–1973), Model in the Studio, 1929, oil on canvas, 45,5x37,5cm, signed and dated bottom left-hand corner The work is listed in: Vjekoslav Ćetković IVAN RADOVIĆ, Academy of Arts, Novi Sad, 1989, 114 31

Marko Čelebonović (1902–1986), Žena sa suncobranom, 1928. ulje na platnu, 65x50cm, sign. i dat. d. d.

Marko Celebonovic (1902–1986), Woman with an Umbrella, 1928, oil on canvas, 65x50cm, signed and dated bottom right-hand corner

Delo je publikovano u: Grupa autora, MARKO ČELEBONOVIĆ, Galerija RIMA, Kragujevac 2018, kat. br. 14

The work was published in: Group of authors, MARKO ČELEBONOVIĆ, RIMA Gallery, Kragujevac 2018, cat. no. 14

Marko Čelebonović (1902–1986), Ulica, 1937. ulje na platnu, 59x71 cm, sign. i dat. d. d. Marko Celebonovic (1902–1986), Street, 1937, oil on canvas, 59x71 cm, signed and dated bottom right-hand corner

Marko Čelebonović (1902–1986), Popodnevni odmor, ulje na platnu, 54x65 cm Marko Celebonovic (1902–1986), Man Reading Newspaper, oil on canvas, 54x65 cm

Ivan Radović (1894–1973), Figura u enterijeru / Moja mati, 1931. ulje na lesonitu, 55x62 cm, sign. d. l. Ivan Radovic (1894–1973), Figure in the Interior / My Mother, 1931, oil on hardboard, 55x62 cm, signed bottom left-hand corner

Milan Konjović (1898–1993), Luka u Cassisu, 1929. ulje na platnu, 38x46 cm, sign. i dat. d. d. Delo je popisano u: Irma Lang, MILAN KONJOVIĆ - KATALOG RADOVA, Galerija Milan Konjović, Sombor 2010, kat. br. 177 Milan Konjovic (1898–1993), Port of Cassis, 1929, oil on canvas, 38x46 cm, signed and dated bottom right-hand corner The work is listed in: Irma Lang, MILAN KONJOVIc–CATALOG OF PAPERS, Milan Konjovic Gallery, Sombor 2010, cat. no. 177

Marko Murat (1864–1944), Pogled na Šipansko polje, oko 1933. ulje na platnu, 47x62 cm, sign. d. l.

Delo je publikovano u: MARKO MURAT (1864–1944), Izložba povodom 150 obljetice i 70. obljetnice smrti An exhibition to mark the 150th anniversary of the artist’s birth and 70th anniversary of his death 21. IX - 14. XII 2014. Galerija Dulčić, Masle, Pulitika kat. br. 20

Marko Murat (1864–1944), View of Šipansko polje, cca. 1933. oil on canvas, 47x62 cm, signed bottom left-hand corner-hand corner The work was published in: MARKO MURAT (1864–1944), Izložba povodom 150 obljetice i 70. obljetnice smrti An exhibition to mark the 150th anniversary of the artist’s birth and 70th anniversary of his death 21. IX - 14. XII 2014. Gallery Dulčić, Masle, Pulitika cat. no. 20

Marko Čelebonović (1902–1986), Mrtva priroda, 1936. ulje na platnu, 55x65cm, sign. i dat. d. l. Marko Celebonovic (1902–1986), Still life, 1936, oil on canvas, 55x65cm, signed and dated bottom left-hand corner

Marko Čelebonović (1902–1986), Luka na jugu Francuske, ulje na platnu, 73x91 cm, sign. d. d. Marko Celebonovic (1902–1986), A port in the south of France, oil on canvas, 73x91 cm, signed bottom left-hand corner

Marko Čelebonović (1902–1986), Pejzaž iz okoline Sen Tropea, ulje na platnu, 73x92 cm, sign. d. d. Marko Celebonovic (1902–1986), Landscape from around Saint Tropez, oil on canvas, 73x92 cm, signed bottom left-hand corner

Petar Lubarda (1907–1974), Ranjena ptica, 1957. ulje na platnu, 97x198 cm, sign. g. d. Delo je izlagano na XXX Bijenalu u Veneciji, 1960. godine Petar Lubarda (1907–1974), Wounded Bird, 1957, oil on canvas, 97x198 cm, signed upper right-hand corner The work was exhibited at the XXX Biennale in Venice, in 1960

Petar Lubarda (1907–1974), Sutjeska, oko 1956. ulje na platnu, 70x145 cm, sign. g. l.

Petar Lubarda (1907–1974), Sutjeska, around 1956, oil on canvas, 70x145 cm, signed upper left-hand corner

Delo je publikovano u: Grupa autora, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Beograd, 2021, 148-149, kat. br. 31 Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Beograd, 2021, 82-83, kat. br. 34

The work was published in: Group of authors, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Belgrade, 2021, 148-149, cat. no. 31 Group of authors, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Belgrade, 2021, 82-83, cat. no. 34

Petar Lubarda (1907–1974), Vir, 1971. ulje na lesonitu, 106x106 cm, sign. i dat. g. l. Petar Lubarda (1907–1974), Vir, 1971, oil on hardboard, 106x106 cm, signed and dated upper left-hand corner 39

Milo Milunović (1897–1967), Velika mrtva priroda, 1964. ulje/tempera na platnu, 90x120 cm sign. i dat. d. l. Milo Milunovic (1897–1967) The Great Still Life, 1964, oil / tempera on canvas, 90x120 cm, signed and dated bottom left-hand corner

Ivan Tabaković (1898–1977), Stvaranje sveta, 1958. ulje na platnu, 29,5x45 cm, sign. i dat. g. l. i na poleđini Ivan Tabakovic (1898–1977), Creation of the World, 1958, oil on canvas, 29,5x45 cm, signed and dated upper left and on the back

Milo Milunović (1897–1967), Cveće, 1964. al fresco na heraklit ploči, 45x65 cm sign. i dat. d. l.

Milo Milunovic (1897–1967) Flowers, 1964, al fresco on heraclitus slab, 45x65 cm, signed and dated bottom left-hand corner

Delo je publikovano u / The work was published in: Sava Stepanov, Lazar Trifunović, MILAN KONJOVIĆ, Fragmenti šeste decenije / Fragments of the Sixth Decade, Galerija / Gallery Canvas, Beograd / Belgrade, 2019, kat. br. / cat. no. 9 Delo je izlagano u Njujorku u organizaciji The American Federation of Arts u okviru izložbe 59-16 New Paintings from Yugoslavia, od septembra 1959. do septembra 1960. godine, takođe izlagano je i u Minneapolis Art Institute / The artwork was exhibited in New York from september 1959 till september 1960 on the exhibition 59-16 New Paintings from Yugoslavia, organized by The American Federation of Arts, also it was exhibited in the Minneapolis Art Institute. 42

Milan Konjović (1898–1993), Zmajevi, 1959. ulje na lesonitu, 110x200 cm, sign. i dat. d. d.

Milan Konjovic (1898-1993), Kites, 1959, oil on hardboard, 110x200 cm, signed and dated bottom right-hand corner

Milan Konjović (1898–1993), U dvorištu, 1944. pastel, 64x81 cm, sign. i dat. d. l. Delo je popisano u: Irma Lang, MILAN KONJOVIĆ KATALOG RADOVA, Galerija Milan Konjović, Sombor 2010, kat. br. 991 Milan Konjovic (1898-1993), In the Backyard, 1944, pastel, 64x81 cm, signed and dated bottom left-hand corner The work is listed in: Irma Lang, MILAN KONJOVIĆ– CATALOG OF PAPERS, Milan Konjović Gallery, Sombor 2010, cat. no. 991

Milan Konjović (1898–1993), Žito zri, 1958. ulje na lesonitu, 50x92 cm, sign. i dat. d. d; zapis na poleđini Delo je publikovano u: Irma Lang, MILAN KONJOVIĆ – KATALOG RADOVA, Galerija Milan Konjović, Sombor 2010. 200, kat. br. 1901.

Milan Konjovic (1898-1993), Wheat Ripens, 1958, oil on hardboard, 50x92 cm, signed and dated lower right-hand corner record on the back The work was published in: Irma Lang, MILAN KONJOVIĆ– CATALOG WORKS, Milan Konjović Gallery, Sombor 2010, 200, cat. no. 1901

Milan Konjović (1898–1993), Birtašica, pijanice, 1962. ulje na lesonitu, 118x185 cm, sign. i dat. d. l. Delo je publikovano u: Irma Lang, MILAN KONJOVIĆ – KATALOG RADOVA, Sombor 2010, 221, kat. br. 2103

Milan Konjovic (1898-1993), Waitress, Drunkards, 1962, oil on hardboard, 118x185 cm, signed and dated bottom left-hand corner The work was published in: Irma Lang, MILAN KONJOVIĆ– CATALOG OF PAPERS, Sombor 2010, 221, cat. no. 2103

Predrag Peđa Milosavljević (1908–1987), Apostoli svetog Vlaha, 1970. ulje na platnu, 115x195 cm

Predrag Pedja Milosavljevic (1908-1987), Apostles of Saint Blaise, 1970, oil on canvas, 115x195 cm

Delo je publikovano u: Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR II, Arte Media, Beograd, 2013, 179.

The work was published in: Group of authors, COLLECTOR AS A CURATOR AND SELECTOR (II), Arte Media, Belgrade, 2013, 179.

Predrag Peđa Milosavljević (1908–1987), Dubrovnik, 1964. ulje na platnu, 80x100 cm, sign. i dat. d. l. Delo je publikovano u: KOLEKCIONAR KAO KUSTOS I SELEKTOR II, Arte Media, Beograd, 2013, 177. Predrag Pedja Milosavljevic (1908-1987), Dubrovnik, 1964, oil on canvas, 80x100 cm, signed and dated bottom left-hand corner The work was published in: Group of authors, COLLECTOR AS A CURATOR AND SELECTOR (II), Arte Media, Belgrade, 2013, 177.

Predrag Peđa Milosavljević (1908–1987), Akt, 1965. ulje na platnu, 65x81 cm, sign. i dat. d. d. Predrag Pedja Milosavljevic (1908-1987), Act, 1965, oil on canvas, 65x81 cm, signed and dated bottom right-hand corner

Aleksandar Tomašević (1921–1968), Stela, 1965. mozaik, 268x89 cm, bez potpisa i zapisa Reprodukovan rad u monografiji ALEKSANDRAR TOMAŠEVIĆ, ULUS, 1988. str. 67 i 68. Aleksandar Tomasevic (1921–1968), Stella, 1965, mosaic, 268x89cm

Reproduced work in the monograph ALEKSANDRAR TOMAŠEVIĆ, ULUS, 1988, pp. 67 and 68

Aleksandar Tomašević (1921–1968), Delo 65/53, 1968. bojeni kanelirani elementi od drveta, 70x150 cm, dat. na poleđini; zapis na poleđini

Aleksandar Tomasevic (1921–1968), Work 65/53, 1968, painted fluted wooden elements, 70x150 cm, dated on the back; inscription verso

Delo je publikovano u: Mila Rajković, Radomir Konstantinović, Stojan Ćelić, Pavle Ugrinov, ALEKSANDAR TOMAŠEVIĆ, ULUS, Beograd, 1988, 128

The work was published in: Mila Rajković, Radomir Konstantinović, Stojan Ćelić, Pavle Ugrinov, ALEKSANDAR TOMAŠEVIC, ULUS, Belgrade, 1988, 128

Aleksandar Tomašević (1921–1968), Ornament, oko 1965. tempera na panelu, 49x69 cm Aleksandar Tomasevic (1921–1968), Ornament, circa 1965, tempera on panel, 49x69 cm 49

Mira Brtka (1930–2014), Bez naziva, 1971. ulje na platnu, 140x140 cm

Mira Brtka (1930–2014), Untitled, 1971, oil on canvas, 140x140 cm

Delo reprodukovano u: Grupa autora, REFLEKSIJE / REFLECTION, MIRA BRTKA, Fondacija Mira Brtka, Beograd, 2021, str. 51

The work was published in:: Group of authors, REFLEKSIJE / REFLECTION, MIRA BRTKA, Fondation Mira Brtka, Belgrade, 2021, p. 51

Mira Brtka (1930–2014), AL 5, 1970. ulje na platnu, 75x85 cm, sign. i dat. na poleđini, zapis na poleđini Delo reprodukovano u: Grupa autora, REFLEKSIJE / REFLECTION, MIRA BRTKA, Fondacija Mira Brtka, Beograd, 2021, str. 43 Mira Brtka (1930–2014), AL 5, 1970, oil on canvas, 75x85 cm, signed and dated on the back; inscription on the back The work was published in: Group of authors, REFLEKSIJE / REFLECTION, MIRA BRTKA, Fondation Mira Brtka, Belgrade, 2021, p. 43

Mira Brtka (1930–2014), 3. maj, mermerna pasta na platnu, 100x60 cm, sign. na poleđini; zapis na poleđini Delo reprodukovano u: Grupa autora, REFLEKSIJE / REFLECTION, MIRA BRTKA, Fondacija Mira Brtka, Beograd, 2021, str. 136 Mira Brtka (1930–2014), May 3rd marble paste on canvas, 100x60 cm, signed on the back; inscription on the back The work was published in: Group of authors, REFLEKSIJE / REFLECTION, MIRA BRTKA, Fondation Mira Brtka, Belgrade, 2021, p. 136 51

Miodrag B. Protić (1922–2014), Dan i noć, 1978. ulje na platnu, 195x130 cm, sign. d. d. 52

Miodrag B. Protic (1922–2014), Day and Night, 1978, oil on canvas, 195x130 cm, signed lower right-hand corner

Miodrag B. Protić (1922–2014), Kompozicija, 1963-1968. ulje na platnu, 130x90 cm, sign. d. d. i na poleđini, dat. na poleđini Delo je publikovano u: KOLEKCIONAR KAO KUSTOS I SELEKTOR II, Arte Media, Beograd, 2013, 171. Miodrag B. Protic (1922–2014), Composition, 1963-1968, oil on canvas, 130x90 cm, signed lower right-hand corner and verso, dated verso The work was published in COLLECTOR AS A CURATOR AND SELECTOR (II), Arte Media, Belgrade, 2013, 171

Miodrag B. Protić (1922–2014), Gradski predeo, 1957. ulje na platnu, 100x80 cm, sign. d. d; sign. i dat. na poleđini; zapis na poleđini Delo je publikovano u: KOLEKCIONAR KAO KUSTOS I SELEKTOR II, Arte Media, Beograd, 2013, 211. Miodrag B. Protic (1922–2014), City Landscape, 1957, oil on canvas, 100x80 cm, signed lower right-hand corner; signed and dated verso; inscription verso The work was published in COLLECTOR AS A CURATOR AND SELECTOR (II), Arte Media, Belgrade, 2013, 211 53

Stojan Ćelić (1925–1992), Španska tema III, 1967. ulje na platnu, 195x140 cm, sign. i dat. d. d. Delo je publikovano u: Irina Subotić, Ivana Simeonović Ćelić, STOJAN ĆELIĆ, Beograd 1996, 175, kat. br. 98. Stojan Celic (1925–1992), Spanish theme III, 1967, oil on canvas, 195x140 cm, signed and dated lower right-hand corner The work was published in: Irina Subotić, Ivana Simeonović Ćelić, STOJAN ĆELIĆ, Belgrade 1996, 175, cat. no. 98

Stojan Ćelić (1925–1992), EHO II, 1973. ulje na platnu, 135x125 cm, sign. i dat. d. d i na poleđini; zapis na poleđini Stojan Celic (1925–1992), EHO II, 1973, oil on canvas, 135x125 cm, signed and dated lower right-hand corner and verso; inscription verso 54

Stojan Ćelić (1925–1992), Studentski nemiri 1968, 1968. ulje na platnu, 195x145cm, sign. i dat. d. d. Rad je publikovan u katalog izložbe Slikarstvo Srba iz Krajine u XX veku, Jun-Jul 2001

Stojan Celic (1925–1992), Student Riots 1968, 1968, oil on canvas, 195x145cm, signed and dated bottom right-hand corner The work was published in the exhibition catalogue Slikarstvo Srba iz Krajine u XX veku (Serbian Painting from Krajina in the 20th century), Jun-July 2001 55

Aleksandar Luković Lukijan (1924–2014), Primeri individualnog vežbanja ludila, 1998. ulje na platnu, 170x190 cm, sign. i dat. d. l.

Aleksandar Lukovic Lukijan (1924–2014), Examples of Individual Exercise of Madness, 1998, oil on canvas, 170x190 cm, signed and dated lower left-hand corner

Delo je reprodukovano u: Nikola Kusovac, ALEKSANDAR LUKOVIĆ LUKIJAN Opus 1948–2010, Beograd, 2010. str. 187.

The work was reproduced in: Nikola Kusovac, ALEKSANDAR LUKOVIC LUKIJAN Opus 1948–2010, Belgrade, 2010, p. 187

Ksenija Divjak (1924–1995), Maske, 1964. ulje na platnu, 130x97 cm, nalepnica na poleđini Delo je izlagano na II Trijenalu likovnih umetnosti u Beogradu, septembar 1964. Ksenija Divjak (1924–1995), Masks, 1964, oil on canvas, 130x97 cm, sticker verso The work was exhibited at the II Triennial of Fine Arts in Belgrade, September 1964

Milan Cile Marinković (1947), Bez naziva, 1974. ulje na platnu, 100x110 cm, sign. i dat. d. l. Milan Cile Marinkovic (1947), Untitled, 1974, oil on canvas, 100x110 cm, signed and dated lower left-hand corner

Mladen Srbinović (1925–2009), Povratak bludnog sina, 1970. ulje na platnu, 206x170 cm, zapis na poleđini

Mladen Srbinovic (1925–2009), The Return of the Prodigal Son, 1970, oil on canvas, 206x170 cm, inscription verso

Delo je publikovano u katalogu retrospektivne izložbe Mladena Srbinovića, MSU, Beograd, 1981, str. 63, kat. br. 91

The work was published in the catalog of the retrospective exhibition of Mladen Srbinović, MSU, Belgrade, 1981, p. 63, cat. no. 91

Mladen Srbinović (1925–2009), Uplašena, 1962. ulje na platnu, 170x145 cm, sign. na poleđini Mladen Srbinovic (1925–2009), Frightened, 1962, oil on canvas, 170x145 cm, signed verso

Mladen Srbinović (1925–2009), Čudo plodova, 1974. ulje na platnu, 97x147 cm, sign. i dat. d. l. Mladen Srbinovic (1925–2009), Miracle of Fruits, 1974, oil on canvas, 97x147 cm, signed and dated lower left-hand corner 59

Branko Filipović Filo (1924–1997), Bez naziva, ulje na platnu, 100x140 cm, sign. d. d.

Branko Filipovic Filo (1924–1997), Untitled, oil on canvas, 100x140 cm, signed lower right-hand corner

Branko Filipović Filo (1924–1997), Bez naziva, ulje na platnu kaširanom na lesonit, 62x73 cm, sign. d. d. Branko Filipovic Filo (1924–1997), Untitled, oil on canvas laminated on hardboard, 62x73 cm, signed lower right-hand corner 60

Branko Filipović Filo (1924–1997), Bez naziva, ulje na platnu, 160x125 cm, sign. d. d.

Branko Filipovic Filo (1924–1997), Untitled, oil on canvas, 160x125 cm, signed lower right-hand corner

Milorad Bata Mihailović (1923–2011), Nojeva barka, 1959. ulje na platnu, 150x200 cm, sign. i dat. d. s.

Milorad Bata Mihailovic (1923–2011), Noah’s Ark, 1959, oil on canvas, 150x200 cm, signed and dated lower middle

Delo je publikovano u: Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR (II) Arte Media, Beograd, 2013, 322

The work was published in: Group of authors COLLECTOR AS A CURATOR AND SELECTOR (II) Arte Media, Belgrade, 2013, 322

Petar Omčikus (1926-2019), Bez naziva, 1957. ulje na platnu, 73x93 cm sign. i dat. d. d. Delo je publikovano u: Anđela Maletić, Čedomila Marinković, PETAR OMČIKUS – STVARALAČKA SPIRALA, Arte Media, Beograd, 2021. 123, kat. br. 58. Petar Omcikus (1926-2019), Untitled, 1957, oil on canvas, 73x93 cm, signed and dated lower right-hand corner The work was published in: Anđela Maletić, Čedomila Marinković, PETAR OMČIKUS–CREATIVE SPIRAL, Arte Media, Belgrade, 2021, 320, cat. no. 58 62

Petar Omčikus (1926-2019), Drvo II, 1961. ulje na platnu, 258x150 cm, sign. i dat. d. d. Delo je publikovano u: Anđela Maletić, Čedomila Marinković, PETAR OMČIKUS – STVARALAČKA SPIRALA, Arte Media, Beograd, 2021. 133, kat. br. 64. Petar Omcikus (1926-2019), Tree II, 1961, oil on canvas, 258x150 cm, signed and dated lower right-hand corner The work was published in: Anđela Maletić, Čedomila Marinković, PETAR OMČIKUS– CREATIVE SPIRAL, Arte Media, Belgrade, 2021, 133, cat. no. 64 63

Petar Omčikus (1926-2019), Beograd, 1996. ulje na platnu, 150x150 cm, sign. i dat. d. d; dat. na poleđini; zapis na poleđini Delo je publikovano u: – Čedomila Karanović, Petar Omčikus, SANU, Beograd 1998, 255, kat. br. 201. – Lidija Merenik, Ješa Denegri, PETAR OMČIKUS, Fondacija Vujičić kolekcija, Beograd, 2018, 255, kat. br. 201. – Anđela Maletić, Čedomila Marinković, PETAR OMČIKUS – STVARALAČKA SPIRALA, Arte Media, Beograd, 2021. 320, kat. br. 191

Petar Omcikus (1926-2019), Belgrade, 1996, oil on canvas, 150x150 cm, signed and dated lower right-hand corner; dated verso; inscription verso

The work was published in: - Čedomila Karanović, Petar Omčikus, SANU, Belgrade 1998, 255, cat. no. 201, - Lidija Merenik, Ješa Denegri, PETAR OMČIKUS, Vujičić Foundation Collection, Belgrade, 2018, 255, cat. no. 201, - Anđela Maletić, Čedomila Marinković, PETAR OMČIKUS–CREATIVE SPIRAL, Arte Media, Belgrade, 2021, 320, cat. no. 191

Petar Omčikus (1926-2019), Ex-voto, 1991-1992. kombinovana tehnika (ulje i drvo) na platnu, 74x120x10 cm Delo je publikovano u: Milija Belić, Omcikous - L’Age d’Homme, Lausanne, 2004 Petar Omcikus (1926-2019), Ex-Voto, 1991-1992, combined technique, (oil and wood) on canvas, 74x120x10 cm The work was published in: Milija Belić, Omcikous–L’Age d’Homme, Lausanne, 2004

Petar Omčikus (1926-2019), Pekara II, 1991. ulje na platnu, 246,5x201 cm, sign. i dat. d. d.

Petar Omcikus (1926-2019), Bakery II, 1991, oil on canvas, 246,5x201 cm, signed and dated lower right-hand corner

Delo je publikovano u: – Lidija Merenik, Ješa Denegri, PETAR OMČIKUS, Fondacija Vujičić kolekcija, Beograd, 2018, 186, kat. br. 140. – Anđela Maletić, Čedomila Marinković, PETAR OMČIKUS – STVARALAČKA SPIRALA, Arte Media, Beograd, 2021. 252, kat. br. 146.

The work was published in: - Lidija Merenik, Ješa Denegri, PETAR OMČIKUS, Vujičic Collection Collection, Belgrade, 2018, 186, cat. no. 140 - Anđela Maletić, Čedomila Marinković, PETAR OMČIKUS–CREATIVE SPIRAL, Arte Media, Belgrade, 2021, 252, cat. no. 146

Miodrag Mića Popović (1923–1996), Noge, 1974. ulje na platnu, 165x165 cm, sign. i dat. d. d.

Miodrag Mica Popovic (1923–1996), Legs, 1974, oil on canvas, 165x165 cm, signed and dated lower right-hand corner

Delo je publikovano u: Miodrag Pavlović, NOVE SLIKARSKE GODINE MIĆE POPOVIĆA, Merkur, Apatin 1979. 80 Lazar Trifunović, SLIKARSTVO MIĆE POPOVIĆA, Galerija SANU, Beograd, 1983. kat. br. 120

The work was published in: Miodrag Pavlović, NEW PAINTING YEARS OF MIĆO POPOVIĆ, Merkur, Apatin 1979, 80 Lazar Trifunović, PAINTING BY MIĆO POPOVIĆ, SANU Gallery, Belgrade, 1983, no. 120

Miodrag Mića Popović (1923–1996), Oštra kritika crnog talasa, 1974. kombinovana tehnika na platnu (asamblaž), 60x50 cm, sign. i dat. g. d. Miodrag Mica Popovic (1923–1996), Sharp Critique of the Black Wave, 1974, combined technique on canvas (assembly), 60x50 cm, signed and dated upper right-hand corner

Miodrag Mića Popović (1923–1996), Bez naziva, 1962. ulje na platnu, 92x147 cm, sign. i dat. d. l.

Miodrag Mica Popovic (1923–1996), Untitled, 1962, oil on canvas, 92x147 cm, signed and dated lower left-hand corner

Vladimir Veličković (1935–2019), Cri Fig IX, 1983. tuš i tempera na papiru kaširanom na platno, 120x160 cm, sign. i dat. d. d.

Vladimir Velickovic (1935–2019), Cri Fig IX, 1983, ink and tempera on paper laminated on canvas, 120x160 cm, signed and dated lower right-hand corner

Delo je publikovano u: Grupa autora, OMAŽ VLADIMIRU VELIČKOVIĆU, Arte Media, Beograd, 2020, 148-49

The artwork is published in: Group of authors, OMAŽ VLADIMIRU VELIČKOVIĆU, Arte Media, Belgrade, 2020, 148-49

Vladimir Veličković (1935–2019), Kompozicija, 1967. kombinovana tehnika na marufleu (tuš i akvarel), 112x147 cm, sign. i dat. na sredini Delo je publikovano u: Grupa autora, OMAŽ VLADIMIRU VELIČKOVIĆU, Arte Media, Beograd 2020, 64

Vladimir Velickovic (1935-2019) Composition, 1967, combined technique on marufle (ink and watercolor), 112x147 cm, signed and dated in the middle The artwork is published in: Group of authors, OMAŽ VLADIMIRU VELIČKOVIĆU, Arte Media, Belgrade, 2020, 64

Vladimir Veličković (1935–2019), Dečije igre, 1967. tuš na papiru, 73x220 cm, sign. i dat. d. s. i d. d. Delo je publikovano u: – Alain Jouffroy, VLADIMIR VELIČKOVIĆ, crteži / drawings 1965 - 1975, Galerija Rima, Kragujevac 2014. 22, 23 – Grupa autora, OMAŽ VLADIMIRU VELIČKOVIĆU, Arte Media, Beograd 2020, 41

Vladimir Velickovic (1935–2019), Children’s Games, 1967, ink on paper, 73x220 cm, signed and dated lower middle and lower right-hand corner The work was published in: Alain Jouffroy, VLADIMIR VELIČKOVIĆ, drawings 1965–1975, Gallery Rima, Kragujevac 2014, 22, 23 Group of authors, OMAŽ VLADIMIRU VELIČKOVIĆU, Arte Media, Belgrade, 2020, 41

Milić Stanković – Milić od Mačve (1934–2000), Istočna slika u znaku zemlje, vode, vazduha i vatre, 1972. ulje na platnu, 125x150 cm, sign. i dat. d. d.

Milic Stankovic – Milic od Macve (1934–2000), Eastern Painting in the Sign of Earth, Water, Air and Fire, 1972, oil on canvas, 125x150 cm, signed and dated lower right-hand corner

Milić Stanković – Milić od Mačve (1934–2000), Vrhovi izgubljenog sveta – Planina Ararat, 1971-1972. ulje na dasci, 122x82 cm, sign. i dat. d. d. i na poleđini Delo je izlagano u galeriji Albert Premier u Briselu.

Milic Stankovic – Milic od Macve (1934–2000), The Peaks of the Lost World – Mount Ararat, 1971-1972, oil on board, 122x82 cm, signed and dated lower right-hand corner and verso The work is exhibited in Albert Premier Gallery in Brussels 71

Igor Vasiljev (1928–1954), Baz naziva, 1952. ulje na platnu/kartonu, dimenzije različite: 23x27 cm, 17x25,5 cm, 20x25 cm, 22x26 cm, 26x19 cm sign. i dat. Igor Vasiljev (1928–1954), Untitled, 1952, oil on canvas / cardboard, different dimensions: 23x27 cm, 17x25,5 cm, 20x25 cm, 22x26 cm, 26x19 cm signed and dated

Miodrag Dado Đurić (1933–2010), Bez naziva, 1962. ulje na platnu, 113x195 cm

Miodrag Dado Djuric (1933–2010), Untitled, 1962. oil on canvas, 113x195 cm

Poreklo: kolekcija Danijela Kordijea

Provenance: Daniel Cordier Collection

Miodrag Dado Đurić (1933–2010), Homme assis (Čovek koji sedi), 1964. ulje na platnu, 130x97 cm, sign. i dat. d. d. Miodrag Dado Djuric (1933–2010), Homme assis (Sitting Man), 1964, oil on canvas, 130x97 cm, signed and dated lower right-hand corner

Ljubomir Ljuba Popović (1934–2016), Les champignons empoisonnés, 1971. ulje na platnu, 81x54cm, sign. i dat. na poleđini Delo je izglagano na retrospektivnoj izložbi slika Ljuba Popović (1934–2016), u Galeriji SANU, Beograd, 4. septembar – 20. oktobar 2019. Ljubomir Ljuba Popovic (1934–2016), The Champignons Empoisonnés, 1971, oil on canvas, 81x54cm, signed and dated verso The work was exhibited at a retrospective exhibition of paintings by Ljuba Popović (1934–2016), in the Gallery of SANU, Belgrade, September 4 – October 20, 2019

Miloš Šobajić (1945–2021), Bez naziva, 1976. ulje na platnu, 163x237 cm

Milos Sobajic (1945–2021), Untitled, 1976, oil on canvas, 163x237 cm

Edo Murtić (1921–2005), Tri crna puta, 1978. ulje na platnu, 146x114 cm, sign. i dat. d. d. i d. l; zapis na poleđini; nalepnice na poleđini

Edo Murtic (1921–2005), Three Black Times, 1978, oil on canvas, 146x114 cm, signed and dated lower right-hand corner and lower left-hand corner; inscription verso; stickers verso

Edo Murtić (1921–2005), Apstraktna kompozicija, 1978. ulje na platnu, 60x120 cm, sign. i dat. d. d.

Dušan Džamonja (1928–2009), CRTEŽ BA-IX, 2002. kineski tuš i sepija na kartonu, 140x300 cm

Edo Murtic (1921–2005), Abstract composition, 1978, oil on canvas, 60x120 cm, signed and dated lower right-hand corner

Dusan Dzamonja (1928–2009), Drawing BA-IX, 2002, chinese ink and sepia on cardboard, 140x300 cm

Dragoš Kalajić (1943–2005), Kompozicija sa desnim profilom, oko 1963/64. ulje na platnu, 170x80 cm, sign. na poleđini

Dragos Kalajic (1943–2005), Composition with Right Profile, cca. 1963/64, oil on canvas, 170x80 cm, signed verso 80

Dragoš Kalajić (1943–2005), Aneksija, 1964. ulje na platnu, 145x90 cm, sign. na poleđini

Dragoš Kalajić (1943–2005), Kompozicija sa tačkama i zarezom, oko 1963-64. ulje na platnu, 145x90 cm, sign. na poleđini

Dragos Kalajic (1943–2005), Annexation, 1964, oil on canvas, 145x90 cm, signed verso

Dragos Kalajic (1943–2005), Composition with Dots and Commas, cca. 1963-64, oil on canvas, 145x90 cm, signed verso

Dušan Otašević (1940), Thales complex, 1981, bojeno drvo, platno, otpaci, (6x) 148 x 64 cm

Dusan Otasevic (1940), Thales complex, 1981, painted wood, canvas, wastes, (6x) 148 x 64 cm

Delo je publikovano u: katalog izozbe u MSU Grupa autora, OTAŠEVIĆ, Fondacija Trajković kolekcija, Beograd, 2015, str. 168/169

The work was published in: Group of authors, OTAŠEVIĆ, Fondation Trajković Collection, Belgrade, 2015, p. 168/169

Dušan Otašević (1940), More! More!, 1984, bojeno drvo, 73x77 cm Delo je publikovano u: Grupa autora, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Beograd, 2021, 228 , kat. br. 102 Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Beograd, 2021, 155, kat. br. 107 Dusan Otasevic (1940), Sea! Sea!, 1984, painted wood, 73x77 cm The work was published in: Group of authors, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Belgrade, 2021, 228, cat. no. 102 Group of authors, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Belgrade, 2021, 155, cat. no 107

Predrag Peđa Nešković (1938), Bez naziva, 1969. ulje na platnu, 38x35 cm, sign. i dat. g. l. Predrag Pedja Neskovic (1938), Untitled, 1969, oil on canvas, 38x35, cm, signed and dated upper left-hand corner

Predrag Peđa Nešković (1938), Bez naziva, 1974. ulje na platnu, 100x120 cm, sign. i dat. d. d.

Predrag Pedja Neskovic (1938), Untitled, 1974, oil on canvas, 100x120 cm, signed and dated lower right-hand corner

Dušan Otašević (1940), Pet godišnjih doba, 1970, bojeno drvo, poliptih (16 komada), 95x95x10 cm

Delo je publikovano u: Grupa autora, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Beograd, 2021, 226-227 , kat. br. 101 Grupa autora, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Beograd, 2021, 226-227 , kat. br. 101

Dusan Otasevic (1940), Five Seasons, 1970, painted wood, polyptych (16 pieces), 95x95x10 cm

The work was published in: Group of authors, KOLEKCIJA MARJANOVIĆ / THE MARJANOVIĆ COLLECTION, Nikola Marjanović, Belgrade, 2021, 226-227, cat. no. 101 Group of authors, KOLEKCIONAR KAO KUSTOS I SELEKTOR (III) / COLLECTOR AS A CURATOR AND SELECTOR (III), Arte Media, Belgrade, 2021, 156-157, cat. no 108

Radomir Damnjanović Damnjan (1935), Peščana obala, 1960. ulje na platnu, 70x80 cm, sign. i dat. na poleđini

Radomir Damnjanovic Damnjan (1935), Sandy shore, 1960, oil on canvas, 70x80 cm, signed and dated verso

Radomir Damnjanović Damnjan (1935), Slika, ulje na platnu, 60x80 cm Radomir Damnjanovic Damnjan (1935), The painting, oil on canvas, 60x80 cm

Radomir Damnjanović Damnjan (1935), Slika, 1969. ulje na platnu, 85x81 cm, sign. i dat. na poleđini Radomir Damnjanovic Damnjan (1935), The painting, 1969, oil on canvas, 85x81 cm, signed and dated verso

Marija Dragojlović (1950), Ogledalo u ramu sa cvetnim ornamentima, 1994. kombinovana tehnika na platnu (ulje, srebrna boja, bojeni drveni ram), 216x160x12 cm, sign. i dat. na poleđini

Marija Dragojlovic (1950), Mirror in a Frame with Floral Ornaments, 1994, combined technique on canvas (oil, silver color, painted wooden frame), 216x160x12 cm, signed and dated verso

Delo je publiovano u: Mileta Prodanović, INVENTARSKA KUTIJA MARIJE DRAGOJLOVIĆ, Fondacija Vujičić kolekcija, Beograd, 2016, str. 180

The work was published in: Mileta Prodanović, THE INVENTORY BOX OF MARIJA DRAGOJLOVIĆ, Fondation Vujičić Collection, Belgrade, 2016, p. 180

Mileta Prodanović (1959), Canticum Canticorum, 1982. akril na platnu, 285x190 cm

Mileta Prodanovic (1959), Canticum Canticorum, 1982. acrylic on canvas, 285x190 cm

Delo je publiovano u: Lidija Merenik, MILETA The work was published in: Lidija Merenik, PRODANOVIĆ: BITI NA NEKOM MESTU BITI SVU- MILETA PRODANOVIĆ: BITI NA NEKOM MESTU DA BITI, Fondacija Vujičić kolekcija, BITI SVUDA BITI, Fondation Vujičić Collection, Beograd, 2011, str. 171. Belgrade, 2011, str. 171.

Mileta Prodanović (1959), Polja marta / polja Marsa, 1991. triptih, škriljac, akrilik i pozlata na drvetu 200x122x20 cm, 200x122x2 cm, 200x122x40 cm

Delo je publiovano u: Lidija Merenik, MILETA PRODANOVIĆ: BITI NA NEKOM MESTU BITI SVUDA BITI, Fondacija Vujičić kolekcija, Beograd, 2011, str. 70/71 Ješa Denegri, TEME SRPSKE UMETNOSTI – SRPSKA UMETNOST 1950 – 2000, ‘70, ‘80, ‘90, Fondacija Trajković kolekcija, Beograd, 2019, str. 204

Mileta Prodanovic (1959), Fields of March / Fields of Mars, 1991 triptych, slate, acrylic and gilding on wood 200x122x20 cm, 200x122x2 cm, 200x122x40 cm

The work was published in: Lidija Merenik, MILETA PRODANOVIĆ: BITI NA NEKOM MESTU BITI SVUDA BITI, Fondation Vujičić Collection, Belgrade, 2011, str. 70/71 Ješa Denegri, TEME SRPSKE UMETNOSTI – SRPSKA UMETNOST 1950 – 2000, ‘70, ‘80, ‘90, Fondation Trajković Collection, Belgrade, 2019, p. 204

Bora Iljovski (1942–2013), Opasna igra, 1973. ulje na platnu, 130x251 cm, sign. i dat. na poleđini; zapis na poleđini

Bora Iljovski (1942–2013), Dangerous Game, 1973 oil on canvas, 130x251 cm, signed and dated verso; inscription verso

Bora Iljovski (1942–2013), Razvijanje, 1977. ulje na platnu, 75x90 cm, sign. i dat. na poleđini Bora Iljovski (1942–2013), Development, 1977, oil on canvas, 75x90 cm, signed and dated verso

Bora Iljovski (1942–2013), Konflikt, ulje na platnu, 140x200 cm

Bora Iljovski (1942–2013), Conflict, oil on canvas, 140x200 cm

Delo je publikovano u: Branislav Dimitrijević, PONOVO I UVEK – BORA ILJOVSKI – SLIKE I CRTEŽI 1967-2005, MSU, Beograd, 2006.

The work was published in: Branislav Dimitrijević, AGAIN AND AGAIN–BORA ILJOVSKI–PAINTINGS AND DRAWINGS 1967-2005, MSU, Belgrade, 2006

Branko Miljuš (1936–2012), Meta, 1968/69. ulje na platnu, 190x90 cm Delo je publikovano u: Ljiljana Slijepćević, BRANKO MILJUŠ, Arte Media, Beograd, 2014, str. 98. Branko Miljus (1936–2012), Meta, 1968/69, oil on canvas, 190x90 cm The work was published in: Ljiljana Slijepćević, BRANKO MILJUŠ, Arte Media, Belgrade 2014, p. 98.

Branko Miljuš (1936–2012), Povratak Ulisa, 1971/72. ulje na platnu, 145x145 cm Branko Miljus (1936–2012), Return of Ulysses, 1971/72, oil on canvas, 145x145 cm

Branko Miljuš (1936–2012), Povratak Ulisa / Sinbad moreplovac, oko 1970. ulje na platnu, 145x145 cm Branko Miljus (1936–2012), Return of Ulysses / Sinbad Sailor, cca. 1970, oil on canvas, 145x145 cm

Miroslav Šutej (1936–2005), Bez naziva, 1984. mastilo i kolaž na kartonu, 192x192 cm Miroslav Sutej (1936–2005), Untitled, 1984, ink and collage on cardboard, 192x192 cm

Miroslav Šutej (1936–2005), Bez naziva, 1984. mastilo i kolaž na kartonu, 119x119 cm Miroslav Sutej (1936–2005), Untitled, 1984, ink and collage on cardboard, 119x119 cm

Mrđan Bajić (1957), Ja volim Ameriku, Amerika voli mene, 2012. kombinovana tehnika (mermer, metal), 68x25x35 cm Mrdjan Bajic (1957), I love America, America loves me, 2012, combined technique (marble, metal), 68x25x35 cm

Dušan Džamonja (1928–2009), SKULPTURA DP– XI, 1989. drvo, poliester (5/6), 75x81x81 cm Dusan Dzamonja (1928–2009), SCULPTURE DP– XI, 1989, wood, polyester (5/6), 75x81x81 cm

Ana Bešlić (1912–2008), Dvobojna skulptura 2, 1970. bojeni poliester, 45x40x40 cm Ana Beslic (1912–2008), Two-color sculpture 2, 1970, dyed polyester, 45x40x40 cm

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Mrđan Bajić (1957), Novi poredak, 1991. kombinovana tehnika (terakota, poliester, drvo, gvožđe, mesing, aluminijum, tkanina, koža, akrilne i emajlne boje), najveća mera preko 400 cm Rad je publikovan u: MRĐAN BAJIĆ: BACKUP, urednik: Zoran L. Božović, Cicero, Beograd 2006. 54 Rad je izlagan na izložbi Trigon 1991. godine u Neue Galerie Am Landesmuseum Joanneum, Graz

Mrdjan Bajic (1957), New Order, 1991, combined technique (terracotta, polyester, wood, iron, brass, aluminum, fabric, leather, acrylic and enamel paints), maximum size over 400 cm The work was published in: MRĐAN BAJIĆ: BACKUP, editor: Zoran L. Božović, Cicero, Belgrade 2006, 54 The work was exhibited at the Trigon exhibition in 1991 at the Neue Galerie Am Landesmuseum Joanneum, Graz

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NOVOGODIŠNJA AUKCIJA ARTE TUTORIJAL

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1. Nakon što pristupite sajtu: aukcije.arte.rs kliknite na polje “REGISTRUJ SE” (u gornjem desnom uglu). 1. After accessing the website: aukcije.arte.rs, click on the “REGISTER” field (in the upper right corner).

NOVOGODIŠNJA AUKCIJA

2. Nakon što popunite sve tražene podatke i kliknete “Registruj se”, članovi ARTE tima ćе proveriti da li imamo Vaše informacije u bazi podataka.

2. After you fill in all the required information and click “Register”, the ARTE team members will check if we have your information in the database.

1) Ukoliko ste ranije učestvovali na našim aukcijama registracija ćе Vam biti odobrena i stići ćе Vam е-mail dobrodošlice.

1) If you have previously participated in our auctions, your registration will be approved and you will receive a welcome e-mail.

2) Ukoliko niste ranije sarađivali sa nama, stići ćе Vam e-mail sa instrukcijama koje treba slediti.

2) If you have not collaborated with us before, you will receive an e-mail with instructions to follow.

3. Kada Vam stigne e-mail sa tekstom: “Vaš nalog je odobren” moći ćete da se prijavite i učestvujete u licitiranju. 3. When you receive an e-mail with the text: “Your account has been approved”, you will be able to login and participate in the bidding.

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4. Као prijavljeni korisnik, pored razgledanja Lot-ova, možete napraviti svoj lični katalog sa opcijom “DODAJ U МОЈ IZBOR”. 4. As a registered user, in addition to viewing Lots, you can create your personal catalogue with the option “ADD TO WATCHLIST”.

U okviru “МОЈ IZBOR” menija možete brzo pristupiti Lot-ovima koje ste obeležili, takođe možete pratiti i svoje aktivne/osvojene/ izgubljene ponude. Within the “WATCHLIST” menu, you can quickly access the Lots you have marked, you can also track your Active / Won / Lost Bids.

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5. Da biste postavili ponudu kliknite na zeleno dugme “POTVRDI CENU”. 5.Click the green “BID” button to place an offer.

6. Zatim ćе se pojaviti prozor u kome treba da potvrdite svoju odluku klikom na dugme “OK”. Zatim ćе se pored polja “Trenutna ponuda” pojaviti “MOJ BID”. 6. Then a window will appear in which you need to confirm your decision by clicking the “OK” button. Then “WINNING” will appear next to the “Current bid” field.

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7. Ukoliko drugi korisnik nadmaši Vašu ponudu pojaviće Vam se oznaka “TUĐI BID” pored роlја u kome je naznačena trenutna ponuda, a dugme “POTVRDI CENU” ćе se ponovo pojaviti. 7. If another user exceeds your bid, the “LOSING” mark will appear next to the field in which the current bid is indicated, and the “BID” button will reappear.

* Ukoliko nova ponuda bude uneta u poslednjem minutu pre kraja aukcije, nadmetanje ćе se automatski produžiti za 3 minuta. Na taj način imaćete vremena da odlučite da li želite da nastavite nadmetanje. Vreme kraja aukcije biće jasno istaknuto za svaki Lot pojedinačno. ** Е-mail obaveštenje ćе Vam stići svaki put kada Vaša ponuda bude nadmašena. Molim Vas imajte u vidu da sistem može biti opterećen u poslednjih 5 minuta aukcije, iz tog razloga savetujemo da se ne oslanjate isključivo na e-mail obaveštenja. *** Ukoliko Vam je potrebna tehnička podrška koja se odnosi na aukciju ili Vašu registraciju, možete nas kontaktirati preko e-mail-a: info@arte.rs ili putem telefona +381 63 638 962. * If a new bid is entered in the last minute before the end of the auction, the bidding will be automatically extended for 3 minutes. That way you will have time to decide if you want to continue bidding. The end time of the auction will be clearly highlighted for each Lot individually. ** An e-mail notification will arrive every time your offer is exceeded. Please note that the system may be overloaded in the last 5 minutes of the auction, for this reason we advise you not to rely solely on e-mail notifications. *** If you need technical support related to the auction or your registration, you can contact us via e-mail: info@arte.rs or by phone +381 63 638 962.

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Arte Media Media doo d.o.o. Arte Takovska 20 29 Svetogorska 11000 Beograd

AUKCIJA ARTE Potvrda o učešću na aukciji NOVOGODIŠNJA AUKCIJA ARTE datum: 16.12.2021.

Način kupovine Kupci mogu pismenim nalogom (poseban obrazac Arte Media d.o.o.) ovlastiti Arte Media d.o.o. ili treće lice da u njihovo ime i za njihov račun na aukciji ističe ponude i na takav način mogu kupiti predmet ili više njih. Arte Media d.o.o. može od svakog nalogodavca tražiti dokaze o bonitetu i solventnosti, kao uslov prihvatanja naloga. Prihvatanje naloga Arte Media d.o.o. potvrđuje u pismenoj formi. Kupci mogu biti zastupani putem: 1. Zatvorene ponude (kupac navede maksimalni iznos koji želi da plati za određeni Lot, aukcijska kuća/ovlašćeno lice licitira umesto kupca do tog iznosa); 2. Telefonskim pozivom (član aukcijske kuće/ovlašćeno lice Vas zove u toku aukcije, obaveštava Vas o toku nadmetanja i nadmeće se uz Vaše instrukcije); 3. Online registracijom (član aukcijske kuće/ovlašćeno lice registruje nalog u Vaše ime i reaguje u skladu sa Vašim instrukcijama). Ime i prezime

Ovim ovlašujem Ime i prezime

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AUCTION ARTE

Arte Media Media doo d.o.o. Arte Takovska 20 29 Svetogorska 11000 Beograd

Auction Registration Form XV NEW YEAR’S AUCTION ARTE Date: December 16, 2021

Users may authorize Arte Media LLC or a Third Party by written order (special Arte Media LLC form), to bid on their behalf and for their account at auction, and in that way purchase the item or more of them. Arte Media LLC may request proof of solvency from each ordering party, as a condition for accepting the order. Acceptance of the Arte Media LLC representation shall be confirmed in writing. Users can be represented through closed offers, telephone bids or online registration. Customers can be represented through: 1. Closed bids (the buyer states the maximum amount he wants to pay for a certain Lot, the auction house bids instead of the buyer up to that amount); 2. Telephone bid (a member of the auction house calls you during the auction, informs you about the bidding process and competes with your instructions); 3. Online registration (a member of the auction house registers an account on your name and responds in accordance with your instructions). Name and Surname

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Date: 108

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GALERIJA

ARTE galerija Beograd, Andrićev venac 12 109

ARTE galerija Beograd, Kralja Milana 3

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ARTE galerija Beograd, Svetogorska 29

ARTE galerija Aranđelovac, Hotel Izvor, Mišarska 2b

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ARTE Media d.o.o. je osnovana 2006. godine, od kada se aktivno i uspešno bavi prikupljanjem, izlaganjem, publikovanjem i prodajom umetničkih dela, kao i medijacijom i konsaltingom na polju kulture. Svoj fokus usmerili smo na umetničku scenu ovih prostora XX veka. Naš osnovni cilj je afirmacija i promovisanje domaće kulturno-umetničke scene u svetu.

ARTE Media d.o.o. LLC was founded in 2006 and since then it has been actively and successfully collecting, exhibiting, publishing and selling works of art, as well as engaging in mediation and consulting in the field of culture. We have been focused on the art scene of this area of the 20th century. Our main goal is the affirmation and promotion of the domestic cultural and artistic scene in the world.

ARTE galerija, u sastavu firme Arte Media, obuhvata četiri izložbeno – prodajna prostora u starom jezgru Beograda (Andrićev venac 4, Andrićev venac 12, Kralja Milana 3, Svetogorska 29), i jedan u Aranđelovcu (Hotel Izvor). U proteklih 15 godina organizovano je preko 40 izložbi koje su praćene katalogom, promovisale i informisale o radu velikana domaće umetnosti kao i mlađih stvaralaca. Izložbe su propraćene medijskom pažnjom što dodatno afirmiše podizanje kulturne svesti. Svaka izložba propraćena je katalogom, a obimnije izložbe prate i studijske monografije, sve pisane od strane istaknutih istoričara umetnosti i likovnih kritičara ovih prostora. Pored knjiga koje prate projekat “Kolekcionar kao kustos i selektor”, a kojih do sada ima tri, izdvajaju se retrospektivne monografije o Branku Miljušu i Petru Omčikusu.

ARTE Gallery, within the company Arte Media, includes four exhibition and sales spaces in the old town of Belgrade (Andrićev venac 4, Andrićev venac 12, Kralja Milana 3, Svetogorska 29), and one in Arandjelovac (Izvor hotel). In the past 15 years, over 40 exhibitions have been organized, which have been accompanied by catalogues, promoting and informing about the work of great local artists as well as younger artists. The exhibitions have received significant media attention, which further affirms the raising of cultural awareness. Each exhibition is being accompanied by a catalogue, and more extensive exhibitions are accompanied by study monographs, all written by prominent art historians and art critics of this area. In addition to the books that accompany the project “Collector as Curator and Selector”, of which there are three so far, retrospective monographs on Branko Miljuš and Petar Omčikus stand out.

Aukcijskom delatnošću Arte galerija intenzivno se bavi od decembra 2009. godine. U proteklih nekoliko godina organizujemo čak dve godišnje izložbe, prolećnu i novogodišnju. To su prilike da kupcima omogućimo nadmetanje za dela čiji značaj zadovoljava kako tržišni, tako i istorijski ili estetski aspekat želje za posedovanjem umetničkih dela. Pored aukcijske, naša okupacija proširuje se na mnoga druga polja kulturne delatnosti. Naš tim sačinjen od istoričara umetnosti i art menadžera pruža usluge procene autentičnosti i tržišne vrednosti umetničkih dela. Prodaja i otkup umetnina - Ukoliko želite da prodate ili kupite umetničko delo u okviru privatne ili aukcijske prodaje pozivamo Vas da nas kontaktirate. Galerija Arte sarađuje sa svim značajnim aukcijskim kućama u svetu kao i sa privatnim kolekcionarima. Procena autentičnosti i tržišne vrednosti dela - Tim Arte galerije čine art menadžeri i istoričari umetnosti koji za potrebe klijenata, osiguranja, ostavinskih rasprava i carinjenja, vrši analizu, procenu i izdavanje sertifikata o autentičnosti i tržišnoj vrednosti umetničkih radova. Konsalting - Za potrebe klijenata Arte pruža pomoć pri izboru dela za formiranje umetničke zbirke – privatne kolekcije. Stručno selektovanje radova i realne procene tržišnih vrednosti osiguravaju našim klijentima sigurnu investiciju. Nudimo savete za opremanje umetničkih dela, uređnje privatnog ili poslovnog prostora. Portal ARTE- Sadrži osnovu za sakupljanje, arhiviranje, prezentaciju i proučavanje vizuelne umetnosti. Na portalu se nalaze portfolia umetnika i institucija, sekcija vesti i aktuelnosti, servis za trgovinu umetninama i informacije o uslugama u sferi vizuelnih umetnosti. Posetite www.arte.rs.

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ARTE Gallery has been intensively engaged in the auction activity since December 2009. Over the past few years, we have been organizing as many as two annual exhibitions, one in spring and one for New Year’s. These are opportunities to enable customers to compete for works whose significance satisfies both the market and the historical or aesthetic aspect of the desire to own works of art. In addition to the auctions, our interests extend to many other fields of cultural activity. Our team of art historians and art managers provides services to assess the authenticity and market value of works of art. Sale and purchase of works of art - If you want to sell or buy a work of art privately or at an auction, we invite you to contact us. Arte Gallery cooperates with all major auction houses in the world as well as with private collectors. Assessment of the authenticity and market value of works - Arte Gallery team consists of art managers and art historians who, for the needs of clients, insurance companies, probate proceedings and customs clearance, analyze, evaluate and issue certificates of authenticity and market value of works of art. Consulting - For the needs of clients, Arte provides assistance in choosing a work to form an art collection - a private collection. Professional selection of works and realistic assessments of market values ensure our clients a safe investment. We offer tips for furnishing works of art, arranging them in private or business spaces. ARTE portal – Contains a basis for collecting, archiving, presenting and studying visual art. The portal contains portfolios of artists and institutions, a news and current affairs section, an art trade service and information on services in the field of visual arts. Please visit www.arte.rs.