Agas partial flipbook oct 2015-woodson

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2613 Fairmount Street Dallas, TX 75201 214. 720. 4044 www.daviddike.com Bill Bomar (Am. 1919-1990), Ezekiel’s Wheels, oil on panel, 20 x 15, signed lower corners: B, B



Mark Singer, Mime in a Window

LITTLEHOUSE GALLERIES

2915 LINDEN ROAD BIRMINGHAM, ALABAMA LITTLEHOUSEGALLERIES.COM 205.879.4186

2 Art Galleries&Artists of the South

Volume 12 Issue 3


ArtGalleries&ArtistsoftheSouth CONTENTS 4 6 8 10 12 14 16 18 20 22 24 26

28 30 32 34 36 38 40 42 44 46

David Dike Fine Art Robert Lange Studios Soren Christensen Galleries Christopher Martin Gallery The Vendue LeMieux Galleries Huff Harrington Fine Art LuminArte Afterimage Gallery Boswell Mourot Fine Art Horton Hayes Fine Art Stellers Gallery

48 50 52 54 56 58 60 62 64 67 79 103

Greg Thompson Fine Art Mason Fine Art H + K Gallery Rick Reinert Fine Art Studio Solitario Browns’s Fine Art Annesdale Park Gallery Davis Gallery Gallery 202 Julie Silvers Art

Justus Fine Art Arceneaux Gallery Bennett Galleries District Gallery Littlehouse Galleries Rebecca Thompson Studios Atchison Gallery Carolina Gallery Ellen Golden Antiques Emerging Artists Of Interest... Destinations

Christopher Martin, Laci, 96x96, acrylic on canvas Shown at Christopher Martin Gallery, Dallas, Texas

ArtGalleries&ArtistsoftheSouth-an art magazine for the right-brain

SUBSCRIPTIONS U.S. $28 (4 issues + App) P.O. Box 130538, Birmingham, AL 35213 Subscription hotline: 850-217-6584 www.AGASart.com Advertising hotline: 334-467-6717 Volume 12 Issue 3

DOWNLOAD THE APP! visit our website: www.AGASART.com All rights reserved AGAS Publishing, llc. does not warrant the accuracy of material contained in this publication. All participants agree to indemnify the publisher, its employees, agents, etc. from any claim or action based on unauthorized use of any person(s), names, photographs, etc or copyright material. No part of this magazine can be reproduced in print or electronically without the written permission from the publisher. Copyright 2013, AGAS Publishing, LLC.

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DAVID DIKE FINE ART D A L L A S, T E X A S

Ancel E. Nunn (Am. 1929-2000) ,The Distant Whistle, 1973, acrylic on masonite, 12 x 40, signed lower right: Ancel E Nunn 73

avid Dike Fine Art was established in1986 in the Arts District of Uptown Dallas where it resides today. The gallery specializes in late 19th and early 20th century paintings with an emphasis on the Texas regionalists and Texas landscape painters. The gallery provides a compilation of traditional and distinctive works for both the new and mature collector. The gallery offers expert art consultancy services including fne art appraisal by an ISA accredited member appraiser. Visit www.DavidDike.com to view more works of art and information on upcoming events and exhibits.

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David Dike Fine Art presents the Annual Texas Art Auction each year, which has become an anticipated and celebrated tradition in Texas art collecting. The January 23, 2016 sale will mark the 20th year of this sale. In the 2016 auction, DDFA will have between 200 and 300 lots of early Texas to mid-century modern Texas art. These images are a preview of a few of the exclusive and fresh items for the 2016 auction. For more information on the auction, or to be added to their mailing list for a catalogue, please visit their website or contact the gallery.

DeForrest H. Judd (Am. 1919-1993), Red Boats, 1952, oil on Masonite, 24 x 30, signed lower right: DeForrest Judd ‘52 4 Art Galleries&Artists of the South

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Dawson Dawson-Watson (Am. 1864-1939), Early Summer,1929, oil on canvas, 22 x 28, signed lower right: Dawson-Watson

Julian Onderdonk (Am. 1882-1922),Overlooking Lower Bay-from Dongan Hills-Staten Island, NY, 1907, oil on canvas, 33 ½ x 47, signed lower right: Julian Onderdonk 1907 Volume 12 Issue 3

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ROBERT LANGE STUDIOS C H A R L E S T O N, S O U T H C A R O L I N A

Joshua Flint, Muybridge’s Daughters, 48” x 48”, oil on canvas

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Matthew Bober, Clockworks, 16” x 16”, oil on panel

ocated at 2 Queen Street in the historic French Quarter District of downtown Charleston, Robert Lange Studios represents painters and photographers who exemplify the best in contemporary American Realism and Abstraction. The work exhibited comprises a wide diversity of styles and subject matter. These artists stand out for their imagination and distinctive personal approach. All of the artists represented have had formal training and are dedicated to expanding their art knowledge with continued education.

Gallery owners Megan and Robert Lange are committed to providing a forum for art based on individual, subjective style and awareness. This dedication has created a reputation for the gallery of consistently fnding new and interesting artists, many of whom live in Charleston. RLS joined Charleston Fine Art Dealers Association (CFADA) and the French Quarter Gallery Association shortly after opening.

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Nathan Durfee, Tall Tales Among the Turns, 48” x 72”, oil on panel

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Nathan Durfee,&Clarence Inside, 16” Nathan Durfee Gregg L. Wanted Carr,TheWhat Look Was On Elizabeth, 24”xx 20”, 16”, oil oil on on panel giclee Kerry Brooks, Cascade, 24” x 36” colored pencil on panel


SOREN CHRISTENSEN GALLERY N E W O R L E A N S, L O U I S I A N A

Ed Smith, Fall from Grace, 46x46, oil on canvas

oren Christensen Gallery, located in the heart of the New Orleans Arts District, features contemporary art by local, national, and international artists, including a large inventory of Southern art. With a roster of over 30 artists, every medium and aesthetic style is represented. The gallery provides complementary consultation services to ensure that clients’individual needs are met, including space planning, design, and budget. To assist in visualizing a potential purchase in the space, they also offer digital renderings to both private clients and the trade. Upcoming exhibits include Thomas Swanston, Melissa Herrington, Dana Chapman, and Jamali. Visit www.sorengallery.com for artist information and available inventory.

S Jason Horton, Hephaestus, 70x46, oil on panel

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Cass Roth-Retz, Landscape No 43, 10x20

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Gretchen Weller Howard, To Higher Ground, 48x48, mixed media/panel

Melissa Herrington, Chalk cliffs, sea salt-Times of the fading light I-II, 30x30, mixed media/canvas, diptych

Above: Josephine Cardin, From the Same Cocoon, digital photography Right: Harry Paul Ally, Figure 31, Figure with Wheels, 2006, mixed media Below: Thomas Swanston, Cold A.M. LIGHT, 54x106, mixed media

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CHRISTOPHER MARTIN GALLERY D A L L A S, T E X A S

Basilio to Amalio 2, 40” x 74” , acrylic on honed acrylic

My artwork takes an interpretive view of natural patterns. Through my paintings I seek to create an organic development of form, depth and color working together to create a unique expression. “Organic Expressionism,” is a succinct way to describe my process.

I start with a clear acrylic panel and apply heat, wind, water, brush and pigment in a reverse order to create my paintings. In reverse glass the artist works from foreground to the background, the initial strokes being the most imperative and the fnal being of very little consequence; inverse of a canvas. By engaging forms of interlaced ovals, linear movement, arcs and felds of color, I seek to produce a unique visual expression in each painting.”-Christopher H. Martin Visit the gallery online at www.christopherhmartin.com.

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Vesta 2, 60” x 72”, acrylic on acrylic

Athena, 72” x 72”, acrylic on acrylic

Aragonite, 64” x 48”, acrylic on acrylic

Laci, 96” x 96”, acrylic on canvas Volume 12 Issue 3

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THE VENDUE C H A R L E S T O N, S O U T H C A R O L I N A

Jessica Dunegan,Surrender,10x10” resin/acrylic, and transparency on panel-represented by RLS Gallery

Karin Jurick, High as a Kite, 12 x 12”, oil on panel

he Vendue is the frst and only hotel in Charleston dedicated to the arts – in all forms. Their goal is to inspire guests at every turn. The hotel’s public areas feature 2-3 different exhibits per year. At the end of each exhibit, the current art is removed and the hotel becomes a “blank canvas” for their curators (Robert and Megan Lange of Robert Lange Studios) to create the next exhibit. In addition, all corridors and their Gallery Rooms also feature a collection of original art.

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Joshua Flint, The Long, Bright Wind, 30 x 40”, oil on wood panel


Mickey Williams, Storm Passing (Sullivan’s Island) 48 x 60”, oil on canvas

But they just don’t display art. The Vendue is also home to Charleston’s only Artist in Residence Program. Their fully functional artist studio is found just off the lobby of 26 Vendue. Guests and visitors alike are invited and encourage to stop by the studio and meet their resident artist, Fred Jamar. They also offer a full-time art docent that provides daily tours and is available to answer any questions about the exhibit throughout the day or during their evening Art Reception. Visit them in person or online at www.TheVendue.com.

Volume 12 Issue 3

Casey Krawczyk, Insoluble, 27 x 40”, oil on linen

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