ARTS NC STATE | Spring insert #3

Spring 2013 | Issue 3 | April 4-April 13, 2013 A3 NINETY MILES, FEATURING STEFON HARRIS,

NICHOLAS PAYTON AND DAVID SÁNCHEZ

A8 THE HEIDI CHRONICLES A11

RALEIGH CIVIC SYMPHONY

A14

AN EVENING WITH FRANK VIGNOLA

A15

HUMANATURE: PHOTOGRAPHS OF THE UNNATURAL WORLD

BY PETER GOIN

A16

CELEBRATE! ARTS NC STATE GALA AND AUCTION

A18

GREGG MUSEUM EVENTS IN APRIL

SPRING 2013 | issue 3

A4 NC STATE CHOIRS CONCERT

contents

ARTS NC STATE

NCSU CENTER STAGE presents

ninety miles

THURSDAY, April 4, 2013 AT 8PM | FRIDAY, April 5, 2013 AT 7PM & 9PM TITMUS THEATRE Stefon Harris, vibes, marimba David Sánchez, tenor sax Nicholas Payton, trumpet Edward Simon, piano David Sánchez

Four-time Grammy nominated vibist Stefon Harris has been heralded as “one of the most important young artists in jazz” by the Los Angeles Times, and the New York Times said, “He swings; and when he plays, he makes you feel good.” His most recent album and Concord debut, Urbanus, was nominated for a Grammy and received praise from fans and critics alike.

The Wall Street Journal called it “brilliant,” while People Magazine gave it 3 out of 4 stars.

A recipient of Lincoln Center’s Martin E. Segal Award, Harris earned a B.M. in Classical Music and a M.M. in Jazz Performance from Manhattan School of Music. Harris teaches at New York University and has been Artist-in-Residence at Fontana Chamber Arts (Kalamazoo), The Lied Center (Lincoln, NE), and San Francisco Performances. He has served on the Executive Board of Directors for Chamber Music America and was the first musician elected to the WBGO-FM Board of Directors. Harris tours worldwide with his band Blackout and the San Francisco Jazz Collective.

David Sánchez The Puerto Rico-born Sánchez has been hailed as “the most profound young tenor saxophonist working today.” World-renowned jazz critic Howard Reich saluted the young bandleader saying, “Technically, tonally and creatively, he seems to have it all. His sound is never less than plush, his pitch is unerring, and his rapid-fire playing is ravishing in its combination of speed,

accuracy and utter evenness of tone.” Such is the acclaim and respect that Grammy Awardwinning Sánchez has engendered from critics, music lovers and fellow artists throughout the world as he continues to push the frontiers of mainstream jazz to incorporate a compelling and rich array of Latin and Afro-Caribbean influences, while remaining true to the tenets of the jazz genre.

Nicholas Payton Hailed as a virtuoso before he was even out of high school, Nicholas Payton’s prodigious talent has earned him praise as one of the most important artists of our time. In 1994, Nicholas Payton made his recording debut as a leader with From This Moment (Verve), where he was immediately recognized as a “young lion.”

Born in New Orleans, Louisiana, into a musical family, Nicholas received his first trumpet at age four, and by the age of 12 he was a member of the All Star Brass Band that performed and toured extensively. He has toured with scores of musicians including Clark Terry, Marcus Roberts, Ray Brown, Elvin Jones, and Roy Haynes and is credited on well over 120 recordings as a composer, arranger, special guest or sideman. As a leader, Payton has recorded eight albums under his own name, including Doc Cheatham and Nicholas Payton, a 1997 Grammy Award-winning collaboration with the legendary trumpeter. He also released Dear Louis, Nick @ Night, Gumbo Nouveau, Sonic Trance, Payton’s Place, and Into The Blue.

During the performance:  Silence your cell phone  No texting

 No photography  Thank You! Spring 2013 » Issue 3 » A3

Stefon Harris

| ninety miles

In May 2010 history was made in a small recording studio in Havana when three of the most brilliant young jazz artists on the planet – Stefon Harris, David Sánchez and Christian Scott – joined forces to record what would become one of the most defining new works of music to hit the streets in 2011. The result of those sessions, a stellar album titled Ninety Miles, was released in June 2011 on Concord Records and was named to year end lists of 2011 Best CDs by NPR among others. For the 2013-14 season, Grammy Award-winner Nicholas Payton has joined the band.

Stefon Harris

Nicholas Payton

Ricky Rodriguez, bass Henry Cole, drums Eddy Mauricio Herrera, percussion

P r o g r am n o t e s

featuring Stefon Harris, Nicholas Payton and David Sánchez

Music @ NC State presents

nc state choirs concert Friday, April 5, 2013 | Holy Trinity Evangelical Lutheran Church Vox Accalia The Singing Statesmen The NC State Chorale Dr. Nathan Leaf, conductor Dr. Tom Koch and Dr. John Noel, accompanists

PROGRAM to be selected from the following The Singing Statesmen Homeland.......................................................................................................... Z. Randall Stroope (b. 1953) Die Nacht, Opus 17, No. 4............................................................................... Franz Schubert (1797-1828) Daemon Irrepit Callidus......................................................................................... György Orbán (b. 1947) Crossing the Bar.................................................................................................. Gwyneth Walker (b. 1947) Goin’ Up to Glory.................................................................................................André J. Thomas (b. 1952) Traditional Songs of the Men’s Chorus

When Good Men Sing....................................................................... David T. Plank (1920-2005)

Old King Cole............................................................................................ traditional, arr. Grigsby

Kiss the Girl........................................................................................................Menken, arr. Shaw

There is Nothin’ Like a Dame.......................................................................Rodgers, arr. Stickles

Photos by Becky Kirkland

Vox Accalia Bring Me Little Water Silvy......................................................................................... Ledbetter, arr. Smiley Sing a New Song to the Lord.........................................................................................Paul Basler (b. 1963) Nigra Sum............................................................................................................... Pablo Casals (1876-1973) No, Di Voi Non Vo’ Fidarmi................................................................................ G. F. Handel (1685-1759) Hymn to Vena, from Choral Hymns of the Rig-Veda....................................... Gustav Holst (1874-1934) Father William, from Three Choruses from Alice in Wonderland...................... Irving Fine (1914-1962) Ain’t No Grave Can Hold My Body Down............................... traditional Spiritual, arr. Caldwell/Ivory On the Sunny Side of the Street................................................................................. McHugh, arr. Caviani The NC State Chorale Salmo 150..................................................................................................................Ernani Aguiar (b. 1949) Justorum animae, from Three Motets, Opus 38............................ Charles Villiers Stanford (1852-1924) An Die Heimat.............................................................................................. Johannes Brahms (1833-1897) O Adonai, et Dux domus Israel...................................................................... Roderick Williams (b. 1965) Shakespeare Songs, Book IV................................................................................ Matthew Harris (b. 1956)

1. Blow, Blow Thou Winter Wind

2. And Will A’ Not Come Again

3. When Daffodils Begin to Peer Two American Songs

Am I Born to Die?................................................... traditional Appalachian, arr. Dwight Bigler

Turkey in the Straw............................................. traditional American tune, arr. Dwight Bigler Two Spirituals

We Shall Walk Through the Valley in Peace.................traditional spiritual, arr. Moses Hogan

John the Revelator..................................................traditional Gospel blues, arr. Caldwell/Ivory

during the performance:  Silence your cell phone  No texting A4 « ncsu.edu/arts

 No photography  Thank You!

teXTS & TRANSLATIONS

Wie schön bist du, Freundliche Stille, himmlische Ruh! Schweigend naht des Lenzes Milde sich der Erde weichem Schoβ, Kränzt den Silberquell mit Moos und mit Blumen die Gefilde.

How beautiful you are Friendly calm, heavenly peace!

Silently the mild spring joins to the soft lap of the earth, Crowning the silver spring with moss And the fields with flowers.

DAEMON IRREPIT CALLIDUS (sung in Latin) Daemon irrepit callidus, Allicit cor honoribus, Ponit fraudes inter laudes, cantus, saltus.

Quidquid amabile Daemon dat, Cor Jesu minus aestimat.

The Devil speaks expertly, Tempting the honorable heart; He sets forth trickery amidst praise, song, and dance.

However appealing the Devil is, It is still worth less than the heart of Jesus.

Caro venatur sensibus; Sensus adhaeret dapibus; Inescatur, impinguatur, dilatatur.

Quidquid amabile Daemon dat, Cor Jesu minus aestimat.

The Flesh is tempted by sensuality; Gluttony clings to our senses; It overgrows, it encroaches, it stretches.

However appealing the Devil is, It is still worth less than the heart of Jesus.

Adde mundorum milia, Mille millena gaudia; Cordis aestum non explebunt, non arcebunt.

Quidquid amabile Daemon dat, Cor Jesu minus aestimat.

Though the Universe may confer Thousands upon thousands of praises, They neither fulfill nor put out the desire of the heart.

However appealing the Devil is, It is still worth less than the heart of Jesus.

NIGRA SUM (sung in Latin) Nigra sum sed formosa filia Jerusalem Ideo dilexit me Rex Et introduxit me in cubiculum suum Et dixit mihi: surge amica mea et veni.

Jam hiems transiit, imber abiit et recessit, Flores apparuerunt in terra nostra, Tempus putationis advenit. Alleluia

Vespers antiphon I am a dark-skinned but comely daughter of Jerusalem, Therefore have I pleased the Lord And he has brought me into his chamber And said to me: arise my love and come.

For now the winter is past, the rain is over and gone, The flowers have appeared in our land, The time of pruning is come. Alleluia

NO, DI VOI NON VO’ FIDARMI (sung in Italian) No, di voi non vo’ fidarmi.

Cieco amor, crudel beltà!

Troppo siete menzognere, lusinghiere Deità.

by Ortensio Mauro No, I do not want to trust you.

Blind love, cruel beauty!

You lie too much, flattering gods.

SALMO 150 (sung in Latin) Laudate Dominum in sanctis eius.

Laudate eum in firmatentovirtutis eius Laudate eum in virtutibus eius.

Laudate eum secundum multitudinem magnitudinis eius.

Laudate eum in sono tubae Laudate eum in psalterio et cithara.

Laudate eum in timpani et choro.

Laudate eum in chordis et organo.

Laudate eum in cymbalis benesonantibus.

Laudate eum in cymbalis jubilationis.

Omnis spiritus laudet Dominum.

Psalm 150 Praise God in his holiness.

Praise him in the firmament of his power.

Praise him in his noble acts.

Praise him according to his excellent greatness.

Praise him with the sound of the trumpet.

Praise him with the psaltery and harp.

Praise him with the timbrel and dance.

Praise him with strings and pipes.

Praise him with high-sounding cymbals, Praise him with cymbals of joy.

Let everything that has breath praise the Lord.

Spring 2013 » Issue 3 » A5

| nc state choirs concert

THE NIGHT, by Friedrich A. Krummacher How beautiful you are Friendly calm, heavenly peace!

See how the clear stars wander in the fields of heaven, and look down upon us Silently out of the distant blue.

P r o g r am n o t e s

DIE NACHT (sung in German) Wie schön bist du, Freundliche Stille, himmlische Ruh! Sehet, wie die klaren Sterne wandeln in des Himmels Auen, Und auf uns herniederschauen schweigend aus der blauen Ferne.

TEXTS & TRANSLATIONS (cont) JUSTORUM ANIMAE (sung in Latin) Justorum animae in manu Dei sunt, Et non tangent illos tormentus malitiae.

Visi sunt oculis insipientium mori, Illi autem sunt in pace.

Book of Wisdom The souls of the just are in the hand of God, And the torment of malice shall not touch them.

In the eyes of the unwise they seemed to die, But they are in peace.

AN DIE HEIMAT (sung in German) Heimat! Wunderbar tönendes Wort!

Wie auf befiederten Schwingen Ziehst du mein Herz zu dir fort.

Jubelnd, als müβt ich den Gruβ Jeglicher Seele dir bringen, Trag ich zu dir meinen Fuβ, Freundliche Heimat!

TO MY HOMELAND, by Otto Inkermann Homeland! Wonderful sounding word!

As if on feathered wings You draw my heart toward you.

Rejoicing, as if I must bring the greeting of each soul to you, step by step I come to you, Friendly homeland!

Heimat! Bei dem sanft Klingenden Ton Wecken mich alte Gesänge, Die in der Ferne mich flohn; Rufen mir freudenvoll zu Heimatlich lockende Klänge, Du nur allein bist die Ruh, Schützende Heimat!

Homeland! The softly sounding music of old songs awakens in me songs I had forgotten in far-off lands.

Beckoning sounds of my homeland call joyfully to me; you alone calm me, Sheltering homeland!

Heimat! Gib mir den Frieden zurück, Den ich im Weiten verloren, Gib mir dein blühendes Glück!

Unter den Bäumen am Bach, Wo ich vor Zeiten geboren, Gib mir ein schützendes Dach, Liebende Heimat!

Homeland! Return to me the peace that I lost in faraway places; Grant me your bountiful happiness!

Under the trees by the brook where I was born so long ago, give me a sheltering roof, Loving homeland!

O ADONAI, ET DUX DOMUS ISRAEL (sung in Latin) Advent antiphon O Adonai, et Dux domus Israel O Lord, leader of the house of Israel Qui Moysi in igne flammae rubi apparuisti Who appeared to Moses in the fire of the burning bush, Et ei in Sina legem dedisti: And gave the law on Sanai: Veni, veni ad redimendum nos in brachio extent.

Come, come and redeem us with outstretched arms.

Vox Accalia Nathan Leaf, Conductor | John Noel, Accompanist Cara Adrian+, Biology Cassandra Backman, Zoology Charlie Belk, International Studies Ariana Betts, Animal Science Janet Boone, English Amanda Burns, Biochemistry Olivia Chen, First Year College Stephanie Contestable-Grudier, Biological Sciences Katy Costigan, Psychology Emma Eble, Graphic Design Brenna Garner, Environmental Technology Anna Griffin, Religious Studies Victoria Hale, Social Work Kerry Hancock, Chemical Engineering Virginia Hoffman, Criminology Jacqueline Iadicicco, Zoology Marygrace Knight, Natural Resources

Ellen Koerner, Biological Sciences/German/Forensics Hayley Lemmons, English Lucia Malaver, Transition Program Rachel Mann, Business Administration Ayana McLemore, International Studies Emily Padvorac, Meteorology Holly Reynolds, International Studies Angie Rodriguez, Biology Tiana Salas-Ali, Environmental Engineering Anna Solini, Physics & Nuclear Engineering Katie Stanton^, Psychology & Design Studies Leanne Stoltzfus, Textile Technology Jasmin Telfer+*, Animal Science Temina Troncone, Nutrition Science Ashleigh Wayland, Animal Science Haley Wells, Polymer and Color Chemistry

^music minor | +section leader | *member of Mu Beta Psi National Musical Fraternity

A6 « ncsu.edu/arts

The Singing Statesmen Nathan Leaf, Conductor | John Noel, Accompanist Stephen Lai, Engineering Aaron Martin, Electrical Engineering Christopher Miller, Political Science Jeffrey Nesbit*, Animal Sciences Stephen Odom, Environmental Technology Taylor Russell^, Biochemsitry Nathan Schnoor^, Computer Science Walker Sherk, Textiles/Business Administration James Stanley, Meteorology Will Wooten, Horticultural Sciences/Spanish Kenny Yi^, Communication

P r o g r am n o t e s

Zachary Bostick, Engineering Arthur Calloway, Biology Corey Campbell, Mathematics Michael Cartwright, Microbiology Sergey Efuni, Biological Sciences Andrew Farkas, Engineering Calvin Ferguson, Engineering Nate Gay, Undergraduate Studies Matthew Hursey, Chemistry Teylor Jenkins, Computer Science Josh Johnstone, Mathematics

The North Carolina State University Chorale Nathan Leaf, Conductor | Tom Koch, Accompanist

ALTO Stefanie Borrelli, Social Work Elisabeth Byrd, Veterinary Medicine Lauren Frederick, Industrial Engineering Amanda Gross+, Animal Science Ellyse Hampshire, Marketing Georgina Ishak, Human Biology Jeanne Lunsford+, Electrical Engineering Laura McCusker+, History Cailin Moore, Biology Kayla Noble, Zoology Maree Pascall, Zoology Jasmin Telfer*, Animal Science Haley Wells, Polymer and Color Chemistry

TENOR Logan Buchanan, Business Administration Zach English, Mathematics Wilson Harris+, Criminology Bobby Keefe, Textile Technology Aaron Martin, Electrical Engineering Jack McGuinn, Mechanical Engineering Jeffrey Nesbit*, Animal Sciences Kevin Quick, Sociology & Psychology Eric Wilbanks+, Spanish Education

| nc state choirs concert

SOPRANO Rebekah Givens+, Environmental Science Amanda Holton, Education Megan Hood^+, Animal Science Kathryn Hornaday+, Biological Sciences Megan Lomonaco, Engineering Kallie McNamara, Spanish Education Paulina Ragunas^, International Studies Amy Stewart, Chemical Engineering Nicole Stoudt, Communications-Public Relations Beth Ann Tidemann-Miller, Statistics Arielle Vari, Nutrition Science Clare Vestal, History Emily White*, Zoology

BASS Michael Brews+, Chemical Engineering Scott Clouse, Electrical Engineering Alexander Craft, First Year College Thomas Grimes, Tech. Eng. & Design Ed. Nicolai Gritta, First Year College Teylor Jenkins, Computer Science Joshua Johnstone+, Mathematics Marshall Newberry, Computer Engineering Christopher Nowlan, Computer Engineering John Nurney, Mechanical Engineering Stephen Odom, Environmental Technology

^music minor | +section leader | *member of Mu Beta Psi National Musical Fraternity

Spring 2013 Âť Issue 3 Âť A7

University Theatre presents

the heidi chronicles

by Wendy Wasserstein Director Allison Bergman Scenic & Projection Design Jayme Mellema Costume Design Maggie Briggs Hair Design Em Rossi Lighting & Sound Design Joshua Reaves Technical Direction David Jensen Dramaturg Meghan Leonard Professional Staff Em Rossi, Costume Shop Manager Laura Parker, Costume Technician Aaron Bridgman, Assistant Technical Director Rachel Klem, Acting Coach Kevin Wright, Sound Engineer Projection Engineer, Joshua Reaves Nancy Breeding, Marketing Ronald A. Foreman*, Marketing, Graphics & Photography

FRIDAY-SATURDAY, APRIL 5-6, 2013 | 7:30PM SUNDAY, APRIL 7, 2013 | 2PM WEDNESDAY-SATURDAY, APRIL 10-13, 2013 | 7:30PM SUNDAY, APRIL 14, 2013 | 2PM WEDNESDAY-SATURDAY, APRIL 17-20, 2013 | 7:30PM SUNDAY, APRIL 21, 2013 | 2PM KENNEDY-McILWEE STUDIO THEATRE Playwrights Horizons, New York City, first produced THE HEIDI CHRONICLES Off-Broadway in 1988 following a workshop production by the Seattle Repertory Theatre.

Produced on Broadway by the Shubert Organization, Suntory International Corp., and James Walsh in association with Playwrights Horizons.

THE HEIDI CHRONICLES is produced by special arrangement with Dramatists Play Service, Inc.

Setting: Various American cities, 1965-1989 Act 1 Prologue: A lecture hall, New York, 1989 Scene 1: Chicago, 1965 Scene 2: Manchester, New Hampshire, 1968 Scene 3: Ann Arbor, Michigan, 1970 Scene 4: Chicago, 1974 Scene 4: New York, 1977 There will be one fifteen minute intermission

Act 2, All scenes take place in New York Prologue: A lecture hall, 1989 Scene 1: An apartment, 1980 Scene 2: A TV studio, 1982 Scene 3: A restaurant, 1984 Scene 4: The Plaza Hotel, 1986 Scene 5: A pediatrics ward, 1987 Scene : An apartment, 1989 * Indicates member of Alpha Psi Omega Honorary Theatre Fraternity

Please during the performance:  Silence your cell phone  No photography  No texting Thank You! A8 « ncsu.edu/arts

CAST (in order of appearance by story) P r o g r am n o t e s

HEIDI...................................................................................................................................................................................... Diana Quetti* SUSAN...................................................................................................................................................................................... Blair Downs* CHRIS/STEVE.....................................................................................................................................................................William Stewart PETER...................................................................................................................................................................................... Patrick Narmi SCOOP............................................................................................................................................................................Jason Tyler Corder JILL/MOLLY.....................................................................................................................................................................Allison McAlister FRAN...................................................................................................................................................................................Brittney Stinnett BECKY/DENISE....................................................................................................................................................................... Erica Abed* DEBBIE/APRIL..............................................................................................................................................................Alexandra Hubbell CLARA/BETSY.......................................................................................................................................................................... Natalie Tita MARK/WAITER/RAY..........................................................................................................................................................Michael Taylor LISA ...............................................................................................................................................................................Elizabeth Lemmons

| the heidi chronicles

Production Crew Stage Manager............................................................................................................................................................... Anthony Scialabba* Assistant Stage Managers........................................................................................................................ Nico Peaks*, Paige Broadaway* Master Carpenter.................................................................................................................................................................Chris Bradsher* Scenic Carpenters....................................................................................... Nathaniel D. Conti*, Brandon Mooney, Autumn Stephens Set Crew.........................................................................................................................................................Jenae Harrington, Jake Laxer,

........................................................................................................Charlotte Ballentine, Nick Fedora, Rachel Hopler, Phillip Lin Properties Artisans.....................................................................................................................Brittney Dockery*, Elizabeth Lemmons Props Crew............................................................................................................................................ Meghan Leonard, Lauren Pearce* Sound Board Operator...........................................................................................................................................................Logan Adams Sound Assistant..................................................................................................................................................................Kenny Hertling* Light Board Operator............................................................................................................................................................Lauren Davis* Lighting Assistant...............................................................................................................................................................Kenny Hertling* Projection Operator............................................................................................................................................................Chris Bradsher* Wardrobe Supervisors................................................................................................................................Yamila Monge, Morgan Piner* Costume Crew.................................................Adrienne McKenzie, Talia Barlaz*, Kelsey Beal, Maggie Briggs*, Gabrielle Pittman,

................................................ Glenn Billups, Mary Kneivem, Sarah Meany, Brittny Sanders, Hnou Vang, Kaitlyn Yarbraugh Dressers.....................................................................................................................................................Allison Sitwell, Calvin Ferguson Makeup Crew...............................................................................................................................Talia Barlaz*, Kelsey Beal, Kyle Bullins,

........................................................................................Joyska Nunez Medina, Lea Rhynehardt, Alex Thompson, Misha Tobar Wig Crew..................................................................................................................................................... Glenn Billups, Haley Spalding House Manager.........................................................................................................................................University Theatre House Crew Ushers.................................................................................................................University Theatre House Crew and THE 103 students * Indicates member of Alpha Psi Omega Honorary Theatre Fraternity

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CAST BIOS Erica Abed, Becky/Denise, is a senior in psychology, criminology and English. Erica’s previous credits include supporting roles in The Arabian Nights and Alice in Wonderland, both of which are beloved childhood stories of hers. She is passionate about human rights and hopes to someday help in the improvement of prison conditions in Lebanon. Erica would like to thank her family for their support and encouragement, especially her brother Richard, who particularly embraces her “quirkiness.”

Jason Tyler Corder, Scoop, is a sophomore in chemistry. Jason is making his college stage debut in The Heidi Chronicles. He has appeared in numerous productions including Scars and Stripes and Orin Scrivello, DDS in Little Shop of Horrors. Upon graduation Jason plans to pursue a Ph.D. Blair Downs, Susan, is a sophomore in zoology. Blair has been involved in theater for nearly ten years. Some of her more prominent roles include Mrs. Venable in Suddenly Last Summer and Jessie Cates in ‘night Mother.

She was a puppeteer in University Theatre’s production of Alice in Wonderland last semester. Blair is incredibly thankful for her family, friends, and University Theatre for this amazing opportunity!

Alexandra Hubbell, Debbie/April, is a junior in English. Alexandra has participated in theater since middle school and was inducted into the International Thespian Society in high school. University Theatre credits include lead roles in Garden District and The Philadelphia Story, and she had an incredible experience as a member of the Rent ensemble. “I am excited to work under Allison Bergman’s direction for the first time and thrilled to be acting alongside such a talented cast and crew.”

Elizabeth Lemmons, Lisa, is a freshman in art+design and textile technology. “After being in the cast of Dirty Rotten Scoundrels and working behind the scenes during Alice in Wonderland, I am looking forward to being a part of University Theatre again this semester!” Elizabeth would like to thank her friends and family for being so supportive and to encourage anyone interested in theater to “get involved in the community!”

Allison McAlister, Jill/Molly, is a graduate student in mathematics.

Allison’s previous credits include Mrs. Holly in Suddenly, Last Summer.

Currently in the third year of her Ph.D program, she is excited to be a part of The Heidi Chronicles cast.

Patrick Narmi, Peter, is a freshman in the First Year College.

Patrick is making his debut in The Heidi Chronicles. “I am very thankful and humbled to be a part of a show here at NC State and look forward to many more auditions in the future!”

Diana Quetti, Heidi, is a junior in communication media. Previous credits include Edna in An Inspector Calls, Mrs. White/White Queen in Alice in Wonderland, Renee in Dirty Rotten Scoundrels, and a member of the ensembles of The Arabian Nights and Rent. Diana also performed the NCSU Libraries “Red, White & Banned” (2011 & 2012). “I am so excited to be a part of The Heidi Chronicles. Thank you Dad, Mom, Rachel, Jackie and the rest of my family and friends for their continuous support!”

William Stewart, Chris/Steve, is a freshman in electrical engineering.

William’s previous credits for University Theatre include the Caterpillar and Tweedle Dee in Alice in Wonderland. He is very excited for the opportunity to perform on stage any chance he is given. When William is not giving his life to theater, he can be found studying, singing, dancing, playing guitar, writing poetry, obsessing over music, and using the Oxford comma.

Brittney Stinnett, Fran, is a freshman in business administration with a minor in health medicine and human values. Though this is Brittney’s first production with University Theatre, she is not at all new to the stage.

Her previous involvement with theater includes productions of The Wizard of Oz, Night of the Living Dead, A Charlie Brown Christmas and The Princess Bride. After taking time off from the arts to focus on schoolA10 « ncsu.edu/arts

work, Brittney is ready to jump back into theater and “let the good times roll!” She is so excited to be a part of this phenomenal cast!

Michael Taylor, Mark/Waiter/Ray, is a junior in animal science. Michael has been performing for audiences since he was five years old, and finds the challenge of a live show thrilling. He made his University Theatre debut in Rent, and most recently portrayed The March Hare in Alice in Wonderland. Michael is excited to be working with such a great cast, and he would like to thank his family and friends for their continued support!

Natalie Tita, Clara/Betsy, is a freshman in the First Year College.

“I am very glad that I get to work on this great production with all these amazing people. Very excited.” Natalie is making her stage debut in The Heidi Chronicles.

Production Bios Allison Bergman, Director, is the assistant director of University Theatre and a veteran stage director of more than thirty theatre productions in Los Angeles, Boston, Pittsburgh, and New York City. She holds a BFA in theatre studies from Boston University and an MFA in directing from Carnegie Mellon University where she was a Steven Bochco Scholar.

She studied acting, dance and voice at L.A. City College Theatre Academy, American National Academy of Performing Arts, and Southern California Conservatory of Music, and has won a Drama-Logue Award for Directing. In tandem with her directing career, Allison is a dramaturgical consultant with several projects in development in New York and Los Angeles. She is the former artistic director of Broadway On Sunset and co-founder of The West Coast Musical Theatre Conference. She has also co-authored ACTING THE SONG – Performance Skills for the Musical Theatre, and penned the libretto for a new musical, Ancient City.

Before moving to the East Coast, she had been named Outstanding Woman in Theatre in Los Angeles. Other University Theatre productions Allison has directed include Dirty Rotten Scoundrels, Little Women, Dancing at Lughnasa, Urinetown, It’s A Wonderful Life: A Live Radio Play, and The Arabian Nights. For TheatreFest, Spider’s Web, WMKS:Where Music Kills Sorrow, and The Sunshine Boys.

Anthony “Tony” Scialabba, Stage Manager, is a sophomore in history with a teaching concentration. Tony’s previous contributions to University Theatre include serving as assistant stage manager for Rent and Dirty Rotten Scoundrels, as well as performing in Alice in Wonderland. This is his debut as a stage manager and he’d like to thank his friends and family, his director Allison, and his wonderful cast and crew. He’d also like to thank each person reading this bio for attending this performance of The Heidi Chronicles with hopes that “you will enjoy my first ever production as a stage manager.”

Nico Peaks, Assistant Stage Manager, is a sophomore in secondary science education-biology. His seventh production with University Theatre, Nico’s past credits include roles in The Arabian Nights and Dirty Rotten Scoundrels; stage manager for Little Women and Alice in Wonderland; stagehand and production assistant. Nico would like to thank the cast, crew, his family and friends for their support, as well as a special thanks to Simba, Aniki, and Ane. “This has been a really fun show to work on and all the people are so amazing. This experience is what makes being involved in UT so great.”

Paige Broadaway, Assistant Stage Manager, is junior in criminology.

This is Paige’s third production with University Theatre having served as a crew member for Dirty Rotten Scoundrels and an assistant stage manager for Alice in Wonderland. She has been involved in theatre since high school, and is excited to continue her passion at State. Paige would like to thank her family and friends for their continual support.

Music @ NC State in conjunction with the Raleigh Civic Symphony Association presents the

SUNDAY, APRIL 7, 2013 at 4:00 PM | JONES AUDITORIUM, MEREDITH COLLEGE Eduardo Vargas, guest conductor

OFF THE PATH

The Wood Dove, Op. 110 (1898)......................................................................................................................................... Antonín Dvořák

............................................................................................................................................................................................... (1841-1904) intermission Symphony in D minor (1886-88).............................................................................................................................................. César Franck

............................................................................................................................................................................................... (1822-1890)

1. Lento – Allegro non troppo

2. Allegretto

3. Allegro non troppo

Notes Off the Path All of the works on today’s program are off the path of standard orchestral repertoire, each in a different way. Yet as a group, they render a picture of 19th-century music – a time when the full orchestra was the pinnacle of composition. This age is full of overtures and tone poems based on literary sources, stories often known to the listener. Then there were symphonies that were the epitome of abstract thought and much drama.

John Knowles Paine – Overture to Shakespeare’s As You Like It John Knowles Paine stands as an American composer and somewhat pedantic teacher (and founder of the Music Department at Harvard).

Before Paine, a serious American composer was a cultural oddity; after him serious composers were the source of interest and national pride (Struble: The History of American Classical Music, 33).

Paine was born and raised in Maine and then studied organ and composition in Berlin for three years. European study (in Germany in the 19th century) became common, even expected for American composers seeking both to gain credibility and to connect with the source of the tradition. On returning to America, Paine settled in the

Please during the performance:

Boston area in 1861, where he delivered talks on musical style, form, and composition as well as played several organ recitals. The recitals, talks and compositions were all well-received for years, and finally he was rewarded with a faculty appointment at Harvard. Paine taught also at Boston College and New England Conservatory.

The Overture to As You Like It reflects well the German compositional ideals – Mendelssohn, Haydn and even Bach serve as models.

It stands with Paine’s other overtures and his Mass in D as among the most performed works, particularly favored by the Boston Symphony which Paine helped form.

Dvorˇák – The Wood Dove Dvořák’s life and career has been compared by musicologist Ray Longyear to that of Joseph Haydn: humble peasant beginnings, struggling musical apprenticeship, slow growth of an international reputation with great acclaim in later life, a deeply fervent religious faith, and growing acceptance among the mass of audience based on late works. Dvořák is one of the few 19th-century composers who not only wrote programmatic music – tone poems, operas, songs, choral works – but also had great success in the “absolute” music genres of string quartets, concertos and symphonies. He is now considered one of the most important musicians of the 19thcentury if not among the forefront of Czech musicians. On hearing Dvořák’s Moravian Duets, Johannes Brahms became a champion and friend of the composer, furthering his career especially in Germany.

 Silence your cell phone  No photography  No texting  Thank You!

Spring 2013 » Issue 3 » A11

| raleigh civic symphony

Overture to Shakespeare’s .............................................................................................................................................. John Knowles Paine

As You Like It, Op. 28......................................................................................................................................................... (1839 -1906)

P r o g r am n o t e s

raleigh civic symphony of nc state

NOTES (cont) The tone poem The Wood Dove (Wild Dove -1898) comes at the end of Dvořák’s life, when in 1896-8 he presented himself in a new and surprising guise as a composer of program music. Taking his subjects from ballads by the Czech poet K.J. Erben, he wrote the symphonic poems Vodník (‘The Water Goblin’, b195), Polednice (‘The Noon Witch’, B196), Zlatý kolovrat (‘The Golden Spinning-Wheel’, b197) and Holoubek (‘The Wild Dove’, b198). It is not as surprising as was generally supposed that Dvořák should turn to the symphonic poem at that time: the literary element in his musical language was always strong.

The story of The Wood Dove, from the poem of K.J .Erben, is a story of grief and deception. It begins with a funeral march – a young, fun-loving woman has poisoned her husband, and we are at the grave. By the grave is a tree, in which nests a wild dove. The young woman marries a young peasant, but the wild dove seems to reproach her. She is driven to despair and commits suicide.

The Vienna first performance in 1899 was conducted by none other than Gustav Mahler, who recognized the tone-poem’s forward-looking traits.

This most “modern” of Dvořák’s tone poems include variation techniques and instrumental effects that are both realistic and magical.

Franck – Symphony in D minor Belgian-born César Franck led a movement re-establishing French art and sensibility in a Germanic-dominated European tradition. His true influence lies in a long list of notable students, and he excelled at composition even though his appointment to the faculty of the Paris Conservatoire was in organ. Franck wrote tone poems and organ works, but it is for his Piano Quintet (1879), Violin Sonata (1886), and the sole Symphony in D minor (1886-88) that he is remembered and revered. All of his works contain a French reserve and a spirituality that promoted emulation for decades.

The Symphony in D, however, evokes a Germanic world dominated

by Wagner, Beethoven, and even Bach. Even the D minor key evokes Beethoven 9, but the theme raises his spiritual aspects of the late music – string quartets and late piano sonatas. The common thread is the spiritual search for a meaning for life.

The Franck Symphony has been in decline in recent decades. Once a pillar of the orchestral repertoire, his sincerity has stood in sharp contrast to the irony of our age and the growing appreciation of Shostakovich, for example.

But the Franck Symphony’s star is rising in recent years.

The first movement, almost 20 minutes long, known for its Wagnerian chromaticism, wriggles its way through struggles and pain to ultimate triumph, overcoming fierce adversity along the way. Also along the way also are moments of tranquility – welcome spiritual repose among the struggle.

The middle movement (there are only three!) is a spiritual respite, noted by the plaintive English-horn solo, always colored by subtle figuration by the violas and second violins. The middle section of the movement with its magical clarinet solo is a welcome respite and calm port in a storm.

The Finale stands as a model – the 19th-century expectations of representation of ultimate triumph over adversity, through its D Major tonality and a triumphal ending. This has long been a model since Beethoven. The Finale is also a model of the cyclical recap of adversity and triumph, revisiting themes and snippets from earlier movements. Either way, the listener feels a renewed connection with the best of the human spirit and the divine.

Raleigh Civic Symphony Association Randolph Foy, Music Director Mary Sherk, Executive Director Adam Burke, President www.raleighcivicsymphony.org

WE THANK OUR SPONSORS The Raleigh Civic Symphony and Chamber Orchestra are student-community orchestras sponsored jointly by ARTS NC STATE, through Music @ NC State and the Raleigh Civic Symphony Association (RCSA), a nonprofit organization. RCSA is supported by the United Arts Council of Raleigh and Wake County, with funds from the United Arts Campaign and the Grassroots Arts Program of the North Carolina Arts Council, and agency funded by the State of North Carolina and the National Endowment for the Arts. RCSA is funded in part by the City of Raleigh, based upon the recommendations of the Raleigh Arts Commission.

THANKS ALSO TO: Annabelle Lundy Fetterman Concertmaster Endowment Matching Employee Contributions from: Art Tech, Hewlett-Packard, IBM Corporation, and Wachovia

A12 « ncsu.edu/arts

Notes by Dr. Randolph Foy

Raleigh Civic Symphony Association – Donors CONDUCTOR $500 PLUS

SECTION LEADER $100-299

IBM Corporation - Community Grant Qualcomm Incorporated J. Russell & Linda Hill

CONCERTMASTER $300-499 Ann Wheeler Grigg John & Nancy Lambert Triangle United Way

Mara Shea Mary & Eric Sherk Munindar Singh Kathy Silbiger Deborah & Theodore Wagner

MUSICIAN Under $100

Michael & Kimberly Bridgers Patrick Haggerty Francine Hunter Robert Upchurch

Raleigh Civic Symphony Viola

Lindi Wang, Annabelle Lundy Fetterman Concertmaster chair Anna Eusebio Nicholas Freeman Sarah Katherine Hudson Andrew Jeon Tim Leimer Melissa McLeod Angelina Song Divya Tangella

Brant Johnson, principal Lydia Allen Morgan Elfelt Alex James Jonathan Simonson Jennifer Stanley Laura Weiser Kenny Yi

Violin II Meera Venkataraman, principal Julie Halatek Madison Hargreaves Francine Hunter Andrew Kocha Michael Mugrage Minori Ohashi Will Payne Molly Puente Michael Ruggiero Lewis Stocks Sean Wells Jackie Valett

Cello David Oh, principal Michael Bridgers Ethan Clark Ann Grigg Kristen Larsen Taylor Threatt Joe Thai

Bass Adam Burke, principal Jessie Birckhead

Flute

Oboe

Trumpet

Maggie Rahmoeller, principal Ryan Cinoman Janet Shurtleff

Dave Goodman Elora Forgie

English horn

Brandon Cashion, principal Peter Lin Aaron Winesett

Ryan Cinoman

Clarinet

Trombone

Joan Blazich, principal Merida Negrete

Tuba

Bass Clarinet

Timpani

Shirley Violand-Jones

Candy Pahl

Bassoon

Percussion

Russ Hill, principal Cynthia Bally Martens

Patrick Litterst Matt Vooris

Horn

Harp

Clarissa Nameth, principal Mary Ruth Roth James Rudisill Michael Scanlan

Winifred Garrett

David Williams

Erin Munnelly, principal Cindy Chastang

NC State Students and Majors Lydia Allen, Mathematics Education Brandon Cashion, Accounting Ryan Cinoman, Mathematics Ethan Clark, Engineering Christina Defrancesco, Environmental Engineering Morgan Elfelt, Grad student, Fisheries &Wildlife Science Elora Forgie, Animal Science Nicholas Freeman, Computer/Aerospace Engineering Madison Hargreaves, Agricultural Business Management Philip James, Engineering Andrew Jeon, Engineering Andrew Kocha, Business Management Timothy Leimer^, Natural Resources Cheng-Hsun Lin, Industrial Engineering Melisa McLeod, Biological Sciences Michael Mugrage, Marine Sciences William Payne, Criminology

Maggie Ramoeller, Grad Student – Mathematics Michael Ruggiero, Aerospace Engineering Michael Scanlan, Meterology Angelina Song, Biological Sciences Lewis Stocks, Business Jennifer Stanley, Grad student, Plant Biology Divya Tangella, Biological Sciences Joseph Thai, Engineering Taylor Threatt, Computer/Electrical Engineering Jacqueline Valett, Environmental Sciences Meera Venkataraman, Statistics Sean Wells, Computer Engineering Laura Weiser, Grad student, Chemical Engineering David Williams^, Chemical Engineering Kenny Yi^, Communication ^denotes Music Minor

Spring 2013 » Issue 3 » A13

| raleigh civic symphony

Violin I

P r o g r am n o t e s

Anonymous (2) Adam Burke Jeff Cates Allison Fluitt Denise Franz Hans Kellner Patricia Kirkpatrick Alan & Janice Lipson Patrick Liu Ghazala Sadiq

NCSU Center Stage presents

an evening with

frank vignola

Friday & Saturday, April 12 & 13, 2013 at 8pm | Titmus Theatre Vignola was 27 when, in 1993, he signed with Concord Jazz and recorded his first Concord session as a leader, Appel Direct. Many more Concord releases followed in the 1990s, as well as three releases for the Telarc label as co-leader of the group Travelin’ Light. The early 2000s found Vignola recording a solo guitar CD for Acoustic Disc as well as performing regularly with guitarist, Les Paul. This also marked the time that he began working with record producer Joel Dorn as well as making featured appearances on Atlantic, Sony and Warner Brothers Records with the likes of Donald Fagen, Queen Latifah, Mark O’Connor and Wynton Marsalis. Vignola also recorded a collection of Gershwin pieces for Mel Bay Records titled Vignola Plays Gershwin, which was number two in NPR radio airplay charts. In recent years, Vignola has recorded two important collaborative CDs, Just Between Frets with Tommy Emmanuel on Solid Air Records, and Frank ‘N’Dawg, Melody Monsters with mandolinist David Grisman on Acoustic Disc Records.

Frank Vignola

Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, Wynton Marsalis, Tommy Emmanuel, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his “Five Most Admired Guitar List” for the Wall Street Journal. Vignola’s jaw-dropping technique explains why the New York Times deemed him “one of the brightest… stars of the guitar.”

Born on suburban Long Island on December 30, 1965, Vignola was raised in the New York area. The Italian-American started playing the guitar at the age of six and grew up admiring a variety of guitarists. Far from a jazz snob, Vignola never listened to jazz exclusively and was also a major fan of classical, rock, R&B, and pop. The guitarists that he admires range from Django and Les Paul to rock icons like Frank Zappa and Eddie Van Halen. As a young adult, Vignola studied at the Cultural Arts Center of Long Island and went on to enjoy an enormous amount of sideman gigs in the 1980s, including recording and touring with the likes of Madonna, Leon Redbone, Ringo Starr as well as coming into his own as a leader in 1988 with his famed Hot Club of France tribute, which was hailed in the New York Times as one of the top ten acts in New York City in 1988, and forged the way for the many Django Hot Club groups that followed.

Frank Vignola has written 18 guitar instruction books for Mel Bay Publications and has recorded six educational DVDs for Truefire.com.

He has performed hundreds of clinics and master classes at major universities and colleges throughout the world including Julliard and Boston University. Currently, Vignola is touring worldwide.

Vinny Raniolo Even though his career in music is only at the beginning, Vinny Raniolo has already had many opportunities that take most players a lifetime to achieve. Raniolo has already toured 14 countries with more to come.

Now playing guitar alongside many of the finest musicians in the world, he is very excited to see where his musical career will take him.

Currently, Raniolo is touring as a duo with one of the world’s finest guitarists, Frank Vignola. He also plays with many notable musicians such as Tommy Emmanuel, Bucky Pizzarelli and David Grisman, to name a few. This year a show titled Four Generations of Guitar will be aired internationally on the PBS network; Raniolo is honored to be a part of this program representing the younger generation.

Please

during the performance:

 Silence your cell phone  No photography  No texting Thank You!

A14 « ncsu.edu/arts

GREGG MUSEUM OF ART & DESIGN

P r o g r am n o t e s

HUMANATURE: photographs of the unnatural world by peter goin Screening: In Search of Ritual: The Burning Man Wednesday, April 10, 6pm | Artist’s talk: Thursday, April 11, 6pm Nevada-based photographer Peter Goin once spent much of a year in North Carolina making vivid, large-format color photos that explore the quirky spaces where the fakery of the so-called “natural world” becomes painfully obvious. The inverse of landscape photographers like the famed Ansel Adams – who wouldn’t hesitate to doctor a photo in order to remove a discarded beer can, paint out a power line, or cover up graffiti in order to create the illusion that nature still includes pristine wilderness – Goin instead “goes behind the scenes” to show how nearly all the scenery we see now is really an artificial human construct. In photos that are as funny as they are disturbing, he documents swamps with drain valves, “virgin” forests that come complete with posted safety instructions, fake falcon nests, manmade beaches, designer landscaping and supposedly “natural” rivers that have been carefully planned with the use of elaborate miniature models.

In fact, according to Goin, by now the whole world has become a human artifact, where we’re all living in a kind of “Truman Show” existence while fooling ourselves that we’re still surrounded by Mother Nature. Thanks to pollution, species extinction and global warming, nothing has escaped the human touch, but the increasing demands of the urban environment may keep us from facing the truth.

Goin’s photos encourage lively public debate on how nature is managed and culturally received. In his current exhibition at the Gregg Museum, Humanature, he offers photographic evidence that in North Carolina and elsewhere nature has become a fiction, but one that is dramatically reinforced through environmental management.

Peter Goin’s books of landscape photographs include Black Rock, Changing Mines in America, Humanature, Nuclear Landscapes, and Stopping Time: A Rephotographic Survey of Lake Tahoe.

His images have also appeared in environmental design journals such as Landscape and Space & Society, and have been exhibited at the Baltimore Museum of Art, Phoenix Art Museum, the Indianapolis Museum of Art, and the National Museum of American Art, among others. They are included in more than 43 major collections ranging from the Whitney Museum of Art and the Museum of Modern Art in New York to the San Francisco Museum of Modern Art. Meanwhile his video work is Emmynominated; his most recent program, on adolescence, also won Best Experimental Documentary Video at the New York International Film and Video Festival. Goin teaches in the Art Department at the University of Nevada at Reno, where he is the Foundation Professor of Photography and Videography.

On Wednesday April 10, the Gregg Museum will be screening Goin’s Emmy-nominated film, In Search of Ritual: The Burning Man, which interprets the well-known annual “alternative event” in Nevada’s Black Rock Desert. Beginning in 1986 as a simple campfire ritual, it’s become a gigantic international phenomenon. It is also, for one week each year, the third largest city in the state.

The following evening (Thursday, April 11) Goin will discuss nature, landscape, the images in Humanature and his more recent photographic work. Both presentations begin at 6pm and are free and open to the public.

Spring 2013 » Issue 3 » A15

| humanature: photographs by peter goin

Exhibition: January 17-April 26, 2013

The 16th annual

celebrate!

ARTS NC STATE gala and auction Saturday, April 27, 2013, beginning at 6pm The McKimmon Center

A16 ÂŤ ncsu.edu/arts

Join more than 400 members of the NC State and greater Triangle communities as we celebrate NC State’s six visual and performing arts programs! The special evening will include cocktails, entertainment provided by NC State students, and a seated dinner. Guests will use their BidPal devices to bid on more than 100 silent auction items, and area auctioneer Benjamin Farrell of Custom Benefit Auctions will lead the live auction.

Join us, support ARTS NC STATE, and take home something special from the auction – all in one night!

More about the Auction: • Last year’s silent and live auctions raised more than $40,000!

• Money raised from the silent and live auctions benefits the ARTS NC STATE endowment and NC State students by: – Ensuring that extraordinary opportunities in the visual and performing arts thrive in perpetuity at NC State.

– Granting NC State students the chance to pursue off-campus arts opportunities, such as concert tours, competitions, and conferences.

• In 2013, our goal is to raise $45,000 from the silent and live auctions.

Join us at the Gala, and help us meet our goal! You could take home: – Artwork and crafts by artists and craftspeople such as Ben Owen III, Kathy Myers Reece, Mary Ann Scherr, and Susan Woodson.

– Beach and mountain vacation experiences.

– Performing arts and dining packages, unique gift baskets, and more!

THANK YOU to the 2013 Auction Committee and to the many auction donors from throughout the community for their support of ARTS NC STATE! How to attend the Gala: Tickets to the Gala are $150 ($70 is tax-deductible). Table sponsorships begin at $1,200 for a table of eight ($560 is tax deductible).

For more information on tickets and table sponsorships, contact Katherine Fuller, director of Ticket Central, at 919-515-1408 or katherine_fuller@ncsu.edu.

Sneak peek!

Catch a sneak peek of the more than 100 items in 2013 Auction, by visiting our Facebook page!

Go to facebook.com/ANCSGala2013, or scan the QR code to the left.

Photos (top to bottom): 2012 Gala. From left: Linda Wharton, Sharon Perry, and Robert Cooper admire pottery by Mark Hewitt and NC State graduate student, Adam Attarian.; 2012 Gala. From left: Johnny Burleson and Mayor Nancy McFarlane pause for a photo while perusing auction items.; 2012 Gala. Eva Feucht and Jason Horne use their BidPal devices to bid on Donna Belt’s painting, Nest.; 2012 Gala. Guests raise their hands for live auctioneer, Ben Farrell. Facing Page 2012 Gala.

Susan Woodson’s painting, Over the Hill on view before the live auction. (Photos by: Becky Kirkland)

Spring 2013 » Issue 3 » A17

Farfetched: Mad Science, Fringe Architecture and Visionary Engineering

UPCOMING EVENTS in April our last semester in talley student center

Don’t miss the other upcoming April programs at the Gregg Museum – our last semester in Talley Student Center!

Thursday, April 4, 6pm // Film: Metropolis One of the earliest and greatest (and weirdest) sci-fi films ever made, Fritz Lang’s 1927 German expressionist masterpiece is set in a futuristic Art Deco Dystopia of 2026. Robots, arise!

Thursday, April 18, noon-8pm // Film: Charlie Chaplin’s Modern Times Drop in and de-stress at semester’s end with this great 1936 comedy, written and directed by Charlie Chaplin.

His iconic “Little Tramp” struggles hilariously to cope with life in a modern factory. Continuous screenings all afternoon and evening.

Wednesday, April 24, 6-8pm // Closing reception and catalog release party/book signing for Farfetched: Mad Science, Fringe Architecture and Visionary Engineering. The last BIG event before the Gregg moves out of Talley!

A18 « ncsu.edu/arts