THAILAND
ASIAN FILM AWARDS ACADEMY
The Asian Film Awards Academy (AFAA), a non-profit organisation, was founded by Busan, Hong Kong and Tokyo International Film Festivals with the shared goal of celebrating excellence in Asian cinema. Aiming to promote and recognise Asian films and its talents, the AFAA highlights, strengthens and develops Asian film industry through the annual Asian Film Awards and several year-round initiatives.
Our year-round events and programmes are held with the objectives to promote Asian films to a wider audience, expand the film market within Asia, and build and sustain connections among Hong Kong and international film professional. Masterclass Series – in conversation with filmmakers, Journey to the Fest – Student Visit to International Film Festivals, Asian Cinerama – Film Roadshow, and Young Film Professionals Programme – overseas training and work-placement, are examples of our year-round programmes. These programmes could not have held successfully without the financial support of Cultural and Creative Industries Development Agency (CCIDAHK), formerly known as Create Hong Kong, and Film Development Fund (FDF) of the Hong Kong Special Administrative Region (HKSAR) Government. The AFAA has worked to promote, educate, inform and develop knowledge, skills and interest in Asian cinema among the industry, students and audiences in Asia and beyond with the support of film festivals and cultural organisations.
สถ�บันร�งวัลภ�พยนตร์เอเชีย
(เอเอฟเอเอ / AFAA)
และโตเกียว โดยมีเป้�หม�ยร่วมกันในก�รเฉลิมฉลองคว�มเป็นเลิศในภ�พยนตร์เอเชีย มีเป้�หม�ย ที่จะส่งเสริมและตระหนักถึงภ�พยนตร์เอเชียรวมถึงศักยภ�พ เอเอฟเอเอจึงเน้นย้ำ�
อุตส�หกรรมภ�พยนตร์เอเชียผ่�นร�งวัลภ�พยนตร์เอเชียประจำ�ปีและโครงก�รต่�งๆ ตลอดทั้งปี ง�นและโครงก�รต่�ง ๆ ตลอดทั้งปีของเร�มีวัตถุประสงค์เพื่อส่งเสริมภ�พยนตร์เอเชียให้เป็นที่รู้จักในวง กว้�งม�กขึ้น ขย�ยตล�ดภ�พยนตร์ในเอเชีย
HONG KONG
FILM GALA PRESENTATION
The Hong Kong Film Gala Presentation, presented by the Asian Film Awards Academy, with the financial support from the Cultural and Creative Industries Development Agency, formerly known as Create Hong Kong, and Hong Kong Film Development Fund, is a roving film programme that showcases the exceptional creative talents of Hong Kong filmmakers to diverse audiences across different regions. Our mission is to establish strong relations and bring together film professionals from ASEAN countries and Hong Kong for an in-depth discussion of the art of cinema and collaboration. Since 2021, we have been to international cities such as Singapore, Kuala Lumpur, Jakarta, Phnom Penh and so on.
คว�มสัมพันธ์อันแน่นแฟ้น
CULTURAL AND CREATIVE INDUSTRIES DEVELOPMENT AGENCY (CCIDAHK)
CCIDAHK, formerly known as Create Hong Kong is established in June 2024 and is a dedicated office set up by the HKSAR Government under the Culture, Sports and Tourism Bureau. It provides one-stop services and support to the cultural and creative industries with a mission to foster a conductive environment in Hong Kong to facilitate the development of arts, cultural and creative sectors as industries.
FILM DEVELOPMENT FUND
The FDF was first set up by the Government in 1999 to support projects conducive to the long-term development of the film industry in Hong Kong. Since 2005, the HKSAR Government has injected a total of $1.54 billion into FDF to support Hong Kong’s film industry along four strategic directions, namely nurturing talent, enhancing local production, expanding markets and building audience. In the past, FDF has supported a number of film productions and other film-related projects through various film production funding schemes and other film-related project schemes.
2005 รัฐบ�ลเขตบริห�รพิเศษ ฮ่องกงได้จัดสรรเงินทั้งหมด 1.54 พันล้�นดอลล�ร์ให้กับกองทุนพัฒน�ภ�พยนตร์เพื่อสนับสนุน อุตส�หกรรมภ�พยนตร์ของฮ่องกงต�มทิศท�งเชิงกลยุทธ์ 4 ประก�ร ได้แก่
กับภ�พยนตร์ม�กม�ยผ่�นโครงก�รระดมทุนก�รผลิตภ�พยนตร์ต่�ง
HONG KONG ECONOMIC AND TRADE OFFICE IN BANGKOK (BANGKOK ETO)
The Bangkok ETO is the official representative of the HKSAR Government in Thailand, Cambodia, Myanmar and Bangladesh. The Bangkok ETO commenced operation in February 2019 and is responsible for promoting bilateral economic and trade relations, and cultural exchanges between Hong Kong and the four countries.
(Bangkok ETO)
Bangkok ETO เป็นตัวแทนอย่�งเป็นท�งก�รของรัฐบ�ลเขตบริห�รพิเศษฮ่องกงในประเทศไทย กัมพูช� เมียนม�ร์ และบังกล�เทศ
Bangkok ETO เริ่มเปิดดำ�เนินก�รในเดือนกุมภ�พันธ์ 2019 รับผิดชอบในก�รส่งเสริมคว�มสัมพันธ์ท�งเศรษฐกิจและก�รค้�ทวิภ�คี รวมถึงก�รแลกเปลี่ยน ท�งวัฒนธรรมระหว่�งฮ่องกงและทั้งสี่ประเทศ
SCREENING SCHEDULE
Stand Up Story Twilight of the Warriors: Walled In* Customs Frontline* Time Still Turns the Pages*
TICKETING INFORMATION
*Post-screening Q&A session will be held.
All films are shown in the original Cantonese language with Thai, Chinese and English subtitles.
All films are screened at HOUSE Samyan. Each ticket is priced at 160 THB.
For detailed information, please refer to the official websites and Instagram of the Asian Film Awards Academy and HOUSE Samyan.
Dir: Soi CHEANG
OF THE WARRIORS: WALLED IN
九龍城寨之圍城
Action 126 min Cantonese
Cast นักแสดง:
Louis KOO กู่
Raymond LAM หลิน ฟง
Terrance LAU เทอเรนซ์ เล�
Philip NG ฟิลลิป
Tony WU Tsz Tung โทนี่ อู๋
German CHEUNG เจอร์แมน จ�ง
Set in the eighties inside the dangerous and enigmatic Kowloon Walled City, which was a de jure Chinese enclave within British colonial Hong Kong, Twilight of the Warriors: Walled In follows troubled youth Chan Lokkwun as he accidentally enters the Walled City, discovers the order amidst its chaos, and learns important life lessons along the way. In the Walled City, he becomes close friends with Shin, Twelfth Master and AV. Under the leadership of Cyclone, they resist against the invasion of villain Mr. Big in a series of fierce battles. Together, they vow to protect the safe haven that is Kowloon Walled City.
DIRECTOR'S BIOGRAPHY
Born in Macau in 1972, the Hong Kong filmmaker, actor and screenwriter made his directing debut with Our Last Days. His films have been screened at numerous festivals: Motorway screened at the Locarno Film Festival, SPL2: A Time For Consequences screened at the Toronto International Film Festival and Accident was in competition at the Venice International Film Festival. His greatest commercial success, The Monkey King series, achieved total box office returns of over 440 million US dollars.
Twilight of the Warriors: Walled In เป็นเรื่องร�วของ ฉั่น
หนุ่มวัยรุ่นผู้มีปัญห�ซึ่งบังเอิญเข้�ไปใน Walled City และค้นพบระเบียบท่�มกล�งคว�มสับสนวุ่นว�ยและ เรียนรู้บทเรียนชีวิตที่สำ�คัญระหว่�งท�ง ใน Walled City เข�กล�ยเป็นเพื่อนสนิทกับ ชิน,
Dir: Herman YAU
Crime, Action 117 min Cantonese
Cast นักแสดง:
Jacky CHEUNG
Nicholas TSE
Karena LAM หลินเจียซิน
Yase LIU หลิวหย่�เซ่อ
Francis NG
Hong Kong Customs and Excise Department officers CHOW Ching-lai and CHEUNG
Wan-nam share a close mentor-student relationship. On a case involving seized smuggled arms, Ching-lai is sent to take part in a joint operation with Interpol to capture a reclusive arms dealer. However, Wan-nam makes a drastic decision that complicates the case even further.
พ่อค้�อ�วุธผู้หลบซ่อนเก็บเนื้อเก็บตัว ทว่�ก�รตัดสิน ใจที่หุนหันพลันแล่นของหว�นหน่ำ�ทำ�ให้คดีมีคว�มซับ ซ้อนม�กยิ่งขึ้น
DIRECTOR'S BIOGRAPHY
Herman YAU studied Film at Hong Kong Baptist University. He is known for his prolific output, having directed over 70 films in 30 years. The Untold Story (1993) and Ebola Syndrome (1996) both became notable for their violence. In 2001 he directed Master Q 2001, which was the first Chinese language film to combine live action and computer animation. Sara (2014) was nominated for the Grand Prize at Osaka Asian Film Festival and was selected as a Film of Merit at the Hong Kong Film Critics Society Award. Shock Wave (2017) won him first Best Director award at the Hong Kong Film Awards and was nominated for Best Film. The White Storm 2: Drug Lords (2019) was selected as the Hong Kong entry for the Best International Feature Film at the 92nd Academy Awards.
30 ปี The Untold Story (1993) และ Ebola Syndrome (1996) คือภ�พยนตร์ที่ขึ้นชื่อในเรื่องเกี่ยวกับคว�มรุนแรง ในปี 2001 เข�ได้กำ�กับเรื่อง Master Q 2001 ซึ่งเป็นภ�พยนตร์ภ�ษ�จีนเรื่องแรกที่
Dir: AU Cheuk Man
說笑之人 STAND UP STORY
Drama 104min Cantonese
Cast นักแสดง:
Ben YUEN เบน หยูน
NG Siu Hin อึ้งสิวฮิ้น
NG Wing Sze อึ้งเหว่งซี
Since he was young Mancer has always known that his father Wah is different from other adults; he speaks illogically, he has slow comprehension and he is easily deceived. After growing up, Mancer finally understands that Wah is intellectually disabled. After his mother ran away from home, Mancer is forced to become his father’s primary caregiver. By chance, Mancer joins a stand-up comedy competition for the cash prize and becomes instantly hooked. He’s addicted to the joy he feels from making people laugh. However, after the competition, Mancer cannot make people laugh again. While searching for inspiration, Mancer realizes that his best jokes seem to come from his hardships – the ridicule he received at school, his difficulties at work, his struggles in caring for his father, and even the worldwide pandemic. Perhaps misery can also be the best source of comedy after all.
DIRECTOR'S BIOGRAPHY
AU Cheuk-man, a Hong Kong film director, screenwriter, and actor, obtained an acting diploma from the Hong Kong Academy for Performing Arts before studying directing at the New York Film Academy and completed a one-year Fine Arts program at Blake College in London. He was formerly a host and actor on Hong Kong Cable Television, as well as an ambassador for World Vision Friends of China, and has also worked in Israel as a volunteer. AU is well-known to the audience as the i-CABLE Children’s Channel host. He later participated in the frontscreen performances of many TV programs, movies, and commercials. In 2022, he played the role of a juror in “The Sparring Partner” in which he drew the audience’s attention again. AU served as the art director of Beautiful Production Limited between 2009 and 2010, founded by CHEUNG King Wai, who won the Best New Director award at the Hong Kong Film Awards. As the performance director and chief production manager of CHEUNG’s short film “Crimson Jade,” AU was nominated for “The Best Short Film” at the 47th Golden Horse Awards. In 2013, he was the executive director and actor of Philip YUNG Chi-Kwong’s “May We Chat”. In 2015, he filmed “The Gigolo” for the first time as a film director. The film’s box office in Hong Kong and Macau exceeded 6 million dollars, making it a successful hit. In 2019, he directed the film “Paws Man” on animal protection. “Stand Up Story” is his third feature film, and he also served as a screenwriter and actor.
เข�เสพติดคว�มสุขที่ตนรู้สึกได้จ�กก�รทำ�ให้คนอื่นหัวเร�ะ ทว่� อย่�งไรก็ต�มหลังก�รแข่งขัน หม่�นซัตก็ไม่ส�ม�รถทำ�ให้ผู้คน
ประวัติผู้กำ�กับ
ผู้เขียนบท และนักแสดงช�วฮ่องกง
Dir: HO Miu Ki
LOVE LIES
我談的那場戀愛
Drama 116 min Cantonese
Sandra
CHEUNG Tin
Stephy TANG
“Love, once believed, is real.” Despite being swindled out of a large sum of money, the well-known gynecologist Yu still insisted that she was in love. Yu, who had been widowed for several years, met Joe, who was disguised as a middle-aged French petroleum engineer and widower, on a dating app, not knowing that he was part of an online scam group. Not only was Yu immersed in the online romance, but Joe also found pleasure and satisfaction in creating romantic experiences for Yu. Two initially unlikable people gradually changed through this online romance that began with deception.
DIRECTOR'S BIOGRAPHY
Miu HO started working as a film screenwriter in 2008. She has written screenplays for films such as “La Comédie humaine”, “Naked Ambition 2” and “The Mermaid”.She was nominated for Best Screenplay at the 36th Hong Kong Film Awards for “The Mermaid”. “Love Lies” is her directorial debut.
“La Comédie humaine”, “Naked Ambition 2” และ “The Mermaid” เธอได้รับก�ร
“The Mermaid” “Love Lies”
Dir: Nick CHEUK
Drama 95 min Cantonese ดร�ม่� 95 น�ที กว�งตุ้ง
Cast นักแสดง: LO Chun Yip หลกจันหยิบ
Ronald CHENG เจิ้งจงจ
Hanna CHAN แฮนน� ช�น
Rosa Maria VELASCO โรซ่� ม�เรีย เวล�สโค
Sean WONG ฌอน หว่อง
Nick CHEUK’s directorial debut looks into debilitating childhood trauma and redemption. High school teacher Mr. CHENG finds an anonymous suicide note in the classroom. Having lived under the shadow of his abusive father and been incapable of protecting his mother, he understands the desperate sadness and desire of committing suicide... He strives hard to prevent another tragedy from happening while facing a series of family problems, including his broken marriage and dying father.
Childhood traumas are real and can keep haunting us, but only we can save ourselves.
ตนเองก็ต้องเผชิญกับปัญห�ครอบครัวหล�ยเรื่อง
ถึงก�รชีวิตคู่ที่ล่มสล�ยและพ่อที่กำ�ลังจะต�ย คว�มบอบช้ำ�ท�งจิตใจในวัยเด็กมีอยู่จริงและส�ม�รถ หลอกหลอนเร�ได้แต่ตัวเร�เท่�นั้นที่จะส�ม�รถช่วย ตัวเองได้
หนังผลิตโดยผู้กำ�กับชื่อดังเอ๋อตงเซิน
DIRECTOR'S BIOGRAPHY
Nick CHEUK is a member of the Hong Kong Screenwriters’ Guild, he is also the scriptwriter of Paradox and Zombiology: Enjoy Yourself Tonight. He is the Creative Director of the 38th Hong Kong Film Awards. In 2022, Nick wrote his directorial debut Time Still Turns the Pages. The film received the Golden Horse Audience Choice Award at the 60th Golden Horse Awards and five nominations. Nick also earned the honour of Best New Director.
Dir: Lawrence KAN
Drama
白日之下 IN BROAD DAYLIGHT
Cast นักแสดง:
Jennifer YU เจนนิเฟอร์
David CHIANG เดวิด เจียง
Bowie LAM หลินเป่�อ
Rachel LEUNG ร�เชล เหลียง
If karma does not exist, would you still choose kindness?
Based on true events, In Broad Daylight reveals a little-known truth about residential care homes for the disabled that hides beneath the headlines. A news organization’s investigative journalism unit receives a tip about the abuse of residents in Rainbow Bridge Care Home. To expose the home’s wrongdoings, reporter Kay goes undercover to expose the inhumanity inside, searching for the cruel truth under broad daylight. ห�กว่�กรรมไม่มีจริงคุณจะยังเลือกคว�มเมตต�รึไม่?
In Broad Daylight
อยู่อ�ศัยของบ้�นดูแลผู้ป่วย Rainbow Bridge เพื่อ เปิดโปงก�รกระทำ�ผิด
DIRECTOR'S BIOGRAPHY
Lawrence KAN graduated from Vancouver Film School. His first film, When C Goes with G7 (2013), was selected for the “Hong Kong First” section of Hong Kong Asian Film Festival 2013. In 2021, he directed his first TV series In Geek We Trust, whose lead actors LING Man-lung and Kaki SHAM were nominated for Best Rising Star and Best Supporting Actor, respectively, at Busan International Film Festival’s Asia Contents Award. LING won the Best Rising Star.
When C Goes with G7 (2013)
阮玲玉
CENTER STAGE (4K RESTORED VERSION)
Dir: Stanley KWAN
Drama 150 min
Cantonese, Mandarin, Shanghainese ดร�ม่� 150 น�ที
Cast นักแสดง:
Maggie CHEUNG จ�งม่�นอว
Tony LEUNG Ka Fai เหลียงเจียฮุย
Chin Han ฉินฮั่น
Carina LAU Ka Ling หลิวเจียหลิง
Lawrence NG Kai Wah
Center Stage, the film that won Hong Kong actress Maggie CHEUNG the Silver Bear for Best Actress at the Berlin International Film Festival, retraces the life of 1930s Shanghai silent cinema diva RUAN Lingyu. It would be fair to say RUAN was a victim of society. Having struggled in despair with marriage and love, Ruan finally chose to take her own life at the peak of her career. Director Stanley KWAN boldly breaks the fourth wall to create a dialogue across time and space, intercutting the main narrative with black-and-white footage of RUAN’s works, his own interviews with the cast members and behind-the-scenes footage of the film itself. Art director Pan LAI, on the other hand, takes inspiration from Swiss-German painter Paul KLEE and applies KLEE’s expressive use of colour in the design of CHEUNG’s qipao costumes, making it almost impossible for the audience to take their eyes off the actress. LAI further borrows from the techniques of printmaking and uses sharp contour lines to shape CHEUNG’s qipaos (and even her eyebrows) just so to make CHEUNG/ RUAN evermore memorable.
DIRECTOR'S BIOGRAPHY
Stanley KWAN is a Hong Kong film director and producer. His works include Rouge, Center Stage, Lan Yu and Everlasting Regret. He has won Best Director at the Hong Kong Film Awards for Rouge, Best Director at the Golden Horse Awards for Lan Yu. For Center Stage, he won Best Director at the Chicago International Film Festival and Maggie CHEUNG won the Silver Bear for Best Actress at the Berlin International Film Festival.
Dir: Nick CHEUNG
贖夢 PEG O’ MY HEART
Thriller 97 min Cantonese
Nick CHEUNG
Terrance LAU
Fala CHEN
Ben YUEN
DR. MAN, an unorthodox psychiatrist, is skilled at extracting the deepest secrets of his patients. One day, he hops into a random cab and encounters CHOI, the cab driver. MAN finds CHOI’s condition deeply disturbing but is unable to express his concern during the short cab ride.A few days later, the two men cross paths again. CHOI has been ordered to undergo a psychiatric evaluation due to his alleged involvement in reckless driving, and MAN is assigned to his case. MAN quickly realizes that CHOI struggles to differentiate between dreams and reality. He constantly sees “devils”. Awake or not, his mind can never rest; his body continues to waste away. As hopeless as CHOI’s condition seems, MAN is determined to get to the bottom of his story. As CHOI’s story unfolds, MAN begins to experience disturbing and perplexing dreams. These dreams are vivid and unsettling. The deeper MAN delves into CHOI’s past, the more intense and haunting his nightmares become. MAN becomes increasingly suspicious of what is causing his condition. Are his night terrors a result of repressed memories, or is there a price to pay for uncovering the ghosts hidden in CHOI’s closet?
DIRECTOR'S BIOGRAPHY
Nick CHEUNG, a distinguished Hong Kong actor and director, began his acting career in 1989 with the film “Thank You, Sir”. He then appeared in over 30 television dramas. Transitioning from television to the silver screen, CHEUNG initially made a name in comedic roles, starring in films such as “The Conman” (1998) and “He Is My Enemy, Partner and Father-in-law” (1999). His breakthrough came with Dante Lam’s “Beast Stalker” (2008), where his performance earned him 7 Best Actor awards including but not limited to Hong Kong Film Awards, Golden Horse Award and Hong Kong Film Critics Society Awards. In 2014, he received his second Hong Kong Film Awards and Hong Kong Film Critics Society Awards as well as his first Huading Awards for Best Actor; making a total of 7 Best Actor awards with the Movie “Unbeatable” (2013). Beyond acting, CHEUNG ventured into directing. After his directorial debut “Hungry Ghost Ritual” (2014), he went on to direct “Keeper of Darkness” (2015) and “The Trough” (2018). “Peg O’ My Heart” is his latest directorial work.
เข�นำ�แสดงในภ�พยนตร์อย่�งเช่น “The Conman” (1998) และ “He Is My Enemy, Partner and Father-in-law” (1999) คว�ม ก้�วหน้�ของเข�ม�พร้อมกับก�รแสดงภ�พยนตร์ของดันเต้ แลมเรื่อง “Beast Stalker” (2008)
Dir: Nate KI
Drama, Horror 102min Cantonese
七月返歸 BACK HOME
Cast นักแสดง:
Anson Ip Sang KONG แอนสัน กง
Bai Ling ไป๋หลิง
Yee Chun Jessica CHAN เจสสิก้�
Heung Wing has been sensitive to paranormal activity and keeps seeing ghosts since he was a kid, while he pretends to be ignorant even though he knew their existence.
One day, Heung Wing has been told that his mother is in coma by committing suicide, which forces him to return to the old home, everything looks strange and weird. What’s more horrifying is, a series of suicide cases happened in his neighbourhood, and ghosts start to appear in front of him again. The situation is deteriorating beyond his imagination.
DIRECTOR'S BIOGRAPHY
Nate KI is a novelist, scriptwriter and director, has directed a few horror short films including “Horror Short Film in Hong Kong” and award winning “Once Upon A Time In...Sai Wan”, which has been selected in several international film festivals overseas. After winning the “mm2 Movie Maker Awards” in 2017, he started developing his directorial feature debut BACK HOME.
HONG KONG FILMS EXHIBITION
Hong Kong is a small city with a robust and storied film industry, it is no exaggeration to say that Hong Kong itself is literally one big film studio. The Dynamic Cityscapes of Hong Kong Films exhibition is a celebration and demonstration of Hong Kong’s diverse landscapes, featuring recreations of the most memorable Hong Kong sights that have been memorialised in various films.
STAGE TO SCREEN: REGIONAL NEW ACTOR’S FORUM
ฮ่องกงเป็นเมืองเล็กๆ ที่มีอุตส�หกรรมภ�พยนตร์ที่แข็งแกร่งและมีเรื่องร�ว ม�กม�ย ไม่ใช่เรื่องเกินจริงที่จะกล่�วว่�ฮ่องกงเองก็คือสตูดิโอภ�พยนตร์ ขน�ดใหญ่แห่งหนึ่ง
นิทรรศก�ร
Dynamic Cityscapes of Hong Kong Films เป็นก�รเฉลิมฉลองและส�ธิตภูมิทัศน์ที่หล�กหล�ยของฮ่องกงซึ่งนำ�เสนอก�ร จำ�ลองสถ�นที่ท่องเที่ยวฮ่องกงที่น่�จดจำ�ที่สุดซึ่งถูกบันทึกไว้ในภ�พยนตร์
HOUSE Samyan
TICKETS Free Admission
LANGUAGE English and Thai
Twilight of the Warriors: Walled In THE EXHIBITION ภ�ยในนิทรรศก�ร
A set of old-style televisions and a tenement building recreation of Kowloon Walled City, a notorious urban enclave that has recently returned to the spotlight because of the action blockbuster Twilight of the Warriors: Walled In.
Skyscrapers alongside the Victoria Harbour is the most celebrated scenery of Hong Kong, the Pearl of the Orient, which also set backdrop for intense quarrels in Customs Frontline.
บรรด�ตึกระฟ้�ข้�งอ่�ววิคตอเรียคือทิวทัศน์ที่ โด่งดังที่สุดของฮ่องกง
ซึ่งยังเป็นฉ�กหลังของฉ�กทะเล�ะกันอย่�ง รุนแรงในเรื่อง Customs Frontline.
An interactive installation of a bank vault and banknotes reveals the Hong Kong as depicted in The Goldfinger, a land of opportunity where any ambitious and driven entrepreneur can amass their own fortune, even for the crooked ones.
ก�รติดตั้งตู้นิรภัยและธนบัตรแบบอินเทอร์
ภ�พยนตร์เรื่อง The Goldfinger ดินแดนแห่ง
A classroom filled with books, signifies the heavy burden and the stress faced by students, which resonates with the characters in Time Still Turns the Pages.
ซึ่งสอดคล้องกับตัวละครในเรื่อง Time Still Turns the Pages
A traditional Hong Kong Chinese restaurant, where the family members in Fly Me to the Moon share a dim sum meal.
Hong Kong-style teahouse (Cha Chaan Teng) and neon light signs are two elements that cannot be omitted when we talk about iconic representation of Hong Kong’s urban cityscapes, which are often featured in Hong Kong films. At the same time, we must not forget the amazing bamboo theatres, the temporary architecture for Chinese opera performances and rituals, traditional cultural space unique to Hong Kong.
