Wednesday 13th
September 2023
Director: Catherine Southon
Specialists: Tom Blest
Victoria Clay
Hans Pugh MRICS
Sale Administrator: Fenella Muldoon
Auction Enquiries
and Information: 0208 468 1010 07808 737694
Email: info@catherinesouthon.co.uk
Farleigh Court Golf Club, Old Farleigh Road, Warlingham, CR6 9PE. We will be situated at Farleigh Court from Wednesday 13th September from 10.00am
Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com
All payments should be made by bank transfer, debit card or through www.the-saleroom.com
Please note that we are no longer taking credit cards or Business debit cards as payment.
In addition to bidding via telephone, absentee and the-saleroom.com, we are now delighted to offer bidding through our own website catherinesouthon.co.uk
All you have to do is visit the website and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid!
Items can be collected from the auction venue, Farleigh Golf Club, on Wednesday 13th 10:00am – 6pm, Thursday 14th 9.30am – 6pm, Friday 15th 9am – 2.30pm. LARGE ITEMS (W lots): Must be collected from the Auction venue by 1pm Friday 15th. Please arrange transport before this deadline. Uncollected lots marked with a W will be transported to our offsite storage facility and collection can be arranged by appointment only. Additional fees may apply. Non Warehouse Lots can be collected from our office by appointment from Monday September 19th from 10.00am at Chislehurst Business Centre, 1 Bromley Lane, Chislehurst, Kent BR7 6LH by appointment only. We are able to post small non-breakable items.
SHIPPING
Mail Boxes Etc.
Tel: +44 (0) 208 649 9777
Email: info@mbecroydon.co.uk
Pack & Send
Tel: +44 (0) 203 818 1980
Email: croydon@packsend.co.uk
Jentel
Tel: 012687 76777
Email: enquiries@jentelpacking.co.uk
The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.
(LOTS 1-678)
Wednesday 13th September
at 10.00am
1. W A William and Mary walnut oyster veneered chest of drawers
late 17th century, the laburnum veneered later top above four long graduated drawers, each side geometric veneered with central roundels, on bun feet, height 88cm, width of top 90cm, depth 54.5cm £500-£800
2. A Flemish 17th century style tortoiseshell mirror
19th century, the bevelled plate within cushion red tortoiseshell and ebony ripple mouldings, height 60cm, width 51cm £150-£250
3. W A South German walnut and marquetry cabinet on stand circa 1600, the ebonised stand late 19th century, inlaid throughout with entwined strapwork, foliage and scroll motifs, the veneered sides and back with ebony and boxwood stringing, the central architectural inlaid door with an arch, tower and swan, the top with a central musical trophy motif including lutes, flutes and horns, the central door enclosed by nine drawers, the lower left drawer modelled as two drawers, height overall 115cm, cabinet height 43cm, width 68.5cm, depth 37cm £1,200-£1,800
4. W A George III oak side table late 18th century, the twin plank top above a central drawer and fan corners, flanked by two deep drawers above pierced heart spandrels, on square tapered legs, height 75cm, width 92cm, depth 49cm £150-£250
5. W A George III oak dresser base, North West adapted, with parquetry and burr wood bandings, the top with outset mouldings above four terminals enclosing three central drawers and a pair of arched cupboard doors, on stile feet, height 81cm, width 177cm, depth 56cm £200-£400
6. A small Flemish embossed brass mirror 17th century style, the cresting headed by a shell above foliate scrollwork and berries, the central bevelled plate within canted margin plates divided by foliate scrollwork and flowerheads, height 59cm, width 32.5cm £70-£90
113cm, width 71cm
£200-£300
51cm, depth 35cm
£50-£80
circa 1780, of small proportions, the moulded top above a brushing slide and four long graduated drawers, on bracket feet, height 75cm, width 76cm, depth 47cm
£300-£400
11.
A
inlaid with stringing and thuya wood banding, the rounded drop flap top above a drawer, opposing dummy drawer and pleated work bag, on turned tapered legs ending in brass cappings and castors, height 73.5cm, width 36cm, 72cm when open, depth 46cm
£150-£250
12. W An Irish George III and later
corner cupboard in one piece, with some later inlay, the later cornice with shell inlay and above a dentil cut frieze, the twin panel multi glazed door above a lower shell inlaid cupboard door, on bracket feet, height 226cm, width 69cm, depth 48cm
£150-£250
late 19th century, in the Renaissance Revival style, ornately carved throughout, the etched gilt metal 26cm dial, within a mask carved glazed door, the cornice with shield and dragon carvings and upheld on male and female caryatids ending in a separate base section with dart moulded edges, pilasters and a central mask, the plinth of inverted breakfront form, with pendulum and two gilt metal covered weights, striking on a gong, height 240cm, width 63cm, depth at base 36cm
£800-£1,200
14. W George IV mahogany canterbury the three divisions enclosed by turned corner columns with bun finials, on short turned legs with brass cappings and castors, height 54cm, width 42cm, depth 37cm £100-£150
15. W A George IV mahogany library table circa 1820, of freestanding form, the later tooled green leather inset top with a moulded edge above two drawers, lateral slides and two opposing dummy drawers, on waisted reeded end supports with shaped scroll platform feet and concealed castors, height 75.5cm, width 122cm, depth 75cm £800-£1,200
16. W An Empire flame mahogany and marble topped gueridon centre table circa 1830, the dished mottled marble top on columnar supports joined by a triform undertier with parquetry motif, on wooden castors, height 78cm, diam. 82cm £100-£200
17. W A mid 19th century oak convex mirror the circular plate within a reeded ebonised slip and outer concave ball surround, diam. 59cm £100-£150
18. W A William IV rosewood card table circa 1830, the foldover top revealing a blue baize playing surface, the tapered column with a lotus leaf collar, on a quatreform base with scroll feet and castors, height 74cm, width 91cm, depth 45cm £150-£250
19. W A William IV mahogany roll top bureau, circa 1830 inlaid with ebony stringing, the tambour above a drawer sliding out to reveal an interior with seven satinwood drawers, sliding doors, pigeonholes and a ratchet adjustable writing surface, below are a pair of cupboard doors flanked by spiral columns, on bun feet, height 99cm, width 107cm, depth 56cm £400-£600
circa 1830, the swivel foldover top revealing a baize inset, the reeded and acanthus carved stem on a quatreform base with hairy paw feet and concealed castors, height 75cm, width 92cm, depth 45cm
£200-£300
circa 1830, of serpentine outline, the moulded apron raised on ring turned beaded and fluted legs, height 48cm, width 40cm £80-£120
circa 1840, of freestanding kneehole form, the ratchet adjustable top above an arrangement of five dummy drawers folding down to reveal a sliding leather lined section with ratchet adjustable surface, below is an arrangement of lidded boxes, the pedestal sections each with three drawers and the bases with castors, height 91cm, width126cm,depth62cm £500-£700
circa 1840, each twin panel fold with later green fabric, height 183cm, width of each panel 63cm £100-£150
circa 1850, with four long graduated drawers and a plinth base, height 34cm, width 28cm, depth 21cm £100-£200
26. W A Victorian
and
of serpentine outline and covered in foliate patterned fabric, on shell carved cabriole legs with brass castors, height 41cm, length 109cm, depth 64cm
£200-£300
27. W A
with white unmatched marble tops above mirror veneered drawers on baluster supports, below are quarter veneered cupboard doors and bun feet (2), height 77cm, wide 42cm, depth 39cm
£100-£150
28. W A French Louis XV style rosewood bijouterie table late 19th century, freestanding and of bombe form, with brass bandings and foliate and shield cast mounts, the bevelled lid above a front dummy drawer with escutcheon and side drawer, on cabriole legs with scroll toes, height 79cm, wide 40cm, depth 40cm £300-£500
29. W A Louis XV style beechwood and caned bergère late 19th century, with carved flowerhead details, the moulded frame with a cartouche form back and double caned panel arms, the bowed seat on cabriole legs, height 89cm, depth 48cm, width 56cm £50-£80
30. W A Louis XV style kingwood and rosewood commode late 19th century, of bombe form and with gilt metal mounts, the veined white marble top above rosewood banding, diamond parquetry and inlaid ribbon tied flowers, the drawers above a shaped apron and cabriole legs, height 87cm, width 77cm, depth 42cm £200-£300
31. W A French Louis XV style rosewood and marquetry games table with brass mounts, the quarter veneered swivel and foldover top inlaid with a central bouquet enclosed by scrolling foliage, the edges brass moulded and the shaped apron on cabriole legs with brass paw feet, together with associated games elements, to include a late 19th century box of gambling counters, height 79cm, width 82cm, depth 58cm £200-£300
32. W A German Empire style jardinière
early 20th century, the triform mahogany top with gilt swags and with laurel leaf bands to the base, on reeded gilt metal supports, bearing brass inscription plaque dated 1906, height 99.5cm, width 34cm £50-£80
33. W A Louis XVI style kingwood, harewood and marquetry commode
late 19th/early 20th century, of breakfront outline and with gilt metal mounts, the marble top above two drawers inlaid with a musical trophy motif within kingwood bandings, the sides with floral motifs, on tapered legs ending in brass paw feet, height 86cm, wide 92cm, depth 46cm £200-£300
34. W A Louis XVI style rosewood bijouterie table late 19th century, brass strung and with lappet and mask mounts, the oval bevelled glazed top on slender cabriole legs, height 76cm, width 54cm, depth 39cm £100-£150
35. W A Victorian mahogany pedestal ship’s desk late 19th century, the three quarter gallery hinging at its corners and enclosing a later gilt tooled leather inset, the long upper drawer above a kneehole enclosed by six graduated drawers, all with countersunk handles, on short turned feet, height 83cm, width 100cm, depth 55cm £100-£200
36. A Victorian camphorwood campaign chest brass bound and with brass side carrying handles, height 39cm, width 91cm, depth 47cm £100-£150
37. An Indian brass topped folding table 1900s, the dished circular tray top with embossed geometric and foliate motifs, together with a large copper circular tray, with central foliate medallion, and a smaller copper circular tray, the X-frame folding stand with six legs and small mashrabiya panels (3). Brass tray diam. 59cm, height 51cm £80-£120
38. A Kashmiri carved hardwood occasional table c.1900 in the manner of Jubbar Khan & Son, Srinagar, in two parts, the outer border relief carved with two entwined scaled dragons each with an animal in their jaws, the raised shaped centre panel on a hatched ground, the folding base with four pierced dragon form supports, height 61cm, width 65cm £200-£300
39. An Edwardian oak framed set of tubular bells in the Art Nouveau style, the arched cornice carved with a stylised flowerhead, the uprights enclosing eight tubular chimes, the base with platform feet, together with a small rosewood striker, height 182cm, width 49cm £100-£150
40. A French Art Deco brass and mahogany standard lamp the metal shade above two further bulb sockets, on a reeded stem ending in a mahogany base with lobed collar and brass feet, height 175cm £50-£80
41. A Globe Wernicke oak sectional bookcase early 20th century, the concave cornice above five sections with upsliding glazed panels, base shaped, bearing maker’s label, height 178cm, width 86cm, depth 30cm £120-£180
42. A Globe Wernicke oak sectional bookcase early 20th century, dark stained, the concave cornice above five sections with glazed upsliding panels, on a plinth base, bearing maker’s label, height 168cm, width 86cm, depth 27cm £120-£180
43. A 1930s chromed metal bedside cabinet of tubular form and with black glass top, sides and base, height 83cm, width 34cm, depth 26cm £60-£90
44. A Prince of Wales Investiture chair, 1969 in red stained ash, plywood and elm, designed by Anthony Armstrong-Jones, Carl Toms and John Pound, manufactured by Remploy, impressed to backrest in gilt with Prince of Wales feathers and motto ‘Ich Dien’, with upholstered seat cover in red wool mix fabric, stamped to underside, height 8.5cm, width 54cm, depth 48cm £300-£400
45. A George III mahogany knife box ebony and boxwood strung and of breakfront form, the hinged lid revealing a later stationary fitted interior, height 36.5cm, width 22cm wide £50-£80
48. A 19th century Tunbridge Ware rosewood stamp box rectangular, the pull off micromosaic cover depicting the young head of Queen Victoria framed by stars and with geometric border, length 8cm £80-£120
50. A Regency cream lacquered and gilt chinoiserie table top sewing cabinet the hinged top enclosing a fitted interior over a pair of doors enclosing three drawers with turned bone handles, height 21cm, width 25cm, depth 19.5cm £150-£250
46. A mid 19th century Irish Killarney ware arbutus box inlaid with chevron banding, leaves and scrolling shamrocks, also to the back, the lid with a view of Muckross Abbey, the reverse of the lid with an inlaid harp above fitted with compartments, width 22.5cm, depth 18cm £150-£250
47. A Duresco painted cribbage board 1920s, made of layered colour stone/plaster, one side of marbled colour with scoring sections, the edges of layered colours, the other side with the company name, length 40cm, width 13.5cm
Duresco were a paint making firm, known fully as the Silicate Paint Company, based at 46 Cannon Street, London £80-£120
49. An Austrian Jugendstil Secessionist brass, copper and enamel jewellery casket of rectangular form with riveted corner bracket supports, embossed with stylised motifs and inset with coloured enamel panels to front and hinged lid, velvet lined interior, indistinct monogram to underside numbered 3, height 11.5cm length 17cm, depth 11cm £200-£300
51. A 19th century Italian pietra dura and marble paperweight depicting a finch on a flowering convolvulus bough, length 12.5cm, height 7.9cm £100-£150
52. A Victorian Irish Killarney ware pocket watch stand Mid 19th century, of shaped outline and inlaid with a thistle, shamrock and rose, hinging to reveal a watch aperture, together with a 19th century mahogany pocket compass with paper dial, a Mauchline ware lidded box with a central image of Lower Sandgate Road Folkestone, a thuyawood stamp box, interior with four divisions, and. hexagonal paper covered box (5), width largest box 12cm, watchstand 8.5cm high £80-£120
BB 4727, height 57cm £100-£150
in wood and hammered stapled copper, one with a central diamond form face within an outer arch, rear domed, on an openwork stem with wound wire, the other of arched dished form and with a face to either side, on an openwork stem (2), largest height 39cm £120-£180
56. Three Swiss Black Forest linden wood carvings of bears and a desk blotter late 19th/early 20th century, the three carvings seated and of varying sizes (4), largest height 14cm £100-£150
58.
Shan States, Eastern Burma, 19th century or earlier, cylindrical waisted form, tympanum with a central star within concentric bands, the edge with four pairs of frogs, the sides with pairs of loop handles, height 45.5cm, diameter 59.8cm £400-£600
19th century, the largest polychrome terracotta of St Joseph with child, bears label ‘ Direcion Biblioteca Y Museos Santiago - Chile Exportation Obra de Art, dated 1989’, a smaller polychrome terracotta figure of a saint and two polychrome carved wood figures (4), first height 42.5cm, second height 26.5cm £200-£300
Shan States, Eastern Burma, 19th century or earlier, cylindrical waisted form, tympanum with a central star within concentric bands with a repeated motif of stylised owls, fish, birds and rosettes, the edge with four frogs, the sides with pairs of loop handles, height 38cm, diameter 51.5cm £300-£400
60. Robert ‘Mouseman’
Kilburn, Four mouseman napkin rings octagonal from with carved mouse signatures (4), length 5cm £60-£90
61. A pair of mid century Italian blue glazed pagoda from table lamps of hexagonal faceted form arranged in three graduating tiers with conforming base, incised star mark, printed mark ‘Made in Italy’, height including fitting 41cm £100-£150
62. A 1930s Art Deco coloured glass inkstand probably Czech, the oval stepped base in blue and marbled glass on feet, mounted with a an orange frosted glass seated French Bulldog on plinth and a pair of clear glass inkwells with swivel covers, length 29.5cm £70-£90
63. An Edwardian brass reading standard lamp in the manner of W A S Benson, the S-scroll swing arm with an associated cranberry glass shade with etched details, height adjustable and on a tubular stem ending in a whiplash open work triform base, height 149cm £80-£120
64. A 1950s studded polished aluminium cabin trunk interior lined in blue satin fabric with lift out tray, leather carrying handles, with key, length 92cm, width 54cm, height 37cm £80-£120
65. An Edwardian brass banker’s lamp the adjustable hood with an applied garland, on an S-scroll adjustable support swivelling in a lobed circular weighted base, together with an Edwardian brass Pullman lamp, the facetted baluster stem on a triple cabriole leg base (2), height of banker’s lamp to top of stem 37cm, base diam. 19.5cm £80-£120
66. A Victorian brass oil lamp with a chimney and frosted shade with waved edge and etched with flowering vases, the brass burner above a moulded pink glass reservoir, on a brass Corinthian column and stepped weighted plinth base, height with shade 68cm, shade width 20cm £80-£120
67. A boxed 1930s Bayard desk fountain pen, a French brass inkstand and other items first lever fill, black and bronze marble, stamped Bayard Stylo Sans Reproche fitted with nib stamped 18ct, the rotating cap attached to a veined black marble base, in original box, together with a brass inkstand with twin inks, a mirrored easel back photograph frame, crocodile embossed leather box the lid applied with a brass panel repoussé embossed with a peacock and hardstone cabochons, silk lined and a chinoiserie decorated gilt and black lacquer pen tray (5), first pen length uncapped 19cm £80-£120
68. A pair of late 19th Century Japanese silk embroidered pictures of pheasants with long thread silk and silver wire and glass eyes, against black backgrounds, the birds on rocky bases with stylised trees and flowerheads, in gilt gesso moulded glazed frames (2), height 21cm, width 61cm, inside frame 38.5cm, 46.5cm £200-£300
69. An early 19th century embroidered silk picture of a flower basket the basket stitched in gold thread and sequins containing finely stitched roses, lily, tulip and cornflowers, on cream silk, period plain gilt frame, 39 x 39.5cm £100-£150
70. A 19th century brass studded leather fire bucket height 31.5cm £50-£80
71. A late 19th century gilt bronze plaque of the performing circus horse Black Eagle relief cast depicting the horse in circus bridle and reins walking on a scroll base title ‘Black Eagle’, leaf spandrels to corners, against red velvet, mounted, period grained moulded frame, within mount 39 x 55cm, overall 65.5 x 82cm £100-£150
74. A large Chinese green glazed storage jar c.1900 of tapering form with ribbed decoration to shoulder and upper body, height 55cm, diam. 40.5cm £100-£150
75. Natural History. A collection of large seashells to include a large conch (8), first length 29cm £80-£120
76. Five Victorian copper haystack measures, ale jugs and other copper comprising Gallon, half gallon, 3 pint, 2 pint and 1 pint, a large late Georgian large ale jug with scroll handle with heart shaped terminal, a small ale jug engraved with initials, an other with hinged cover and a copper banded brass quart tankard, engraved Northumberland Arms, Goodge Street (10), largest height 26cm £80-£120
79. An early 19th century mahogany desktop document tray rectangular, gilt brass moulded mount, length 37.6cm £50-£80
72. A leaded stained glass and painted panel c.1930, the central panel depicting two children and a dog seated on a bench, within an outer green glass panelled frame, height 29cm, width 25cm £80-£120
73. Surrey. Jansson, Jan. Surria Vernacule Surrey, Amsterdam, c.1648 an engraved map with bright contemporary outline hand colouring, title cartouche, Royal arms seven armorial shields and three blank and mileage scale, Latin text on verso, mounted framed, within mount 39 x 51cm, overall 57.5 x 68.5cm £150-£250
77. Three late Georgian century copper coffee pots, a brandy pan and four kettles the coffee pots of various sides with turned wooden side handles, the brandy pan with pull off cover with acorn finial, together with large seamed kettle with trefoil handle, two similar smaller examples and another with amber glass handle (8), largest height 23cm £100-£150
78. A group of six French copper and brass kitchenware items 19th century, to include two large waisted pans with wrought iron swing handles, two smaller similar examples, a lidded handled copper pot, initialed, a jam pan with maker’s stamps and a copper bowl (7), large pans 53cm diam. 25cm deep, jam pan 44cm diam £100-£150
80. A large Victorian copper jam pan of low circular form with brass handles, diam. 43cm £50-£80
84. Auguste Carli (French, 1868-1930) An Art Deco painted terracotta figure of a nude reclining female figure and a recumbent dog signed A. Carli 2135 Made Belgium, on a black veined marble base, height 29.5cm £100-£150
85. An early 20th century Italian Renaissance style patinated bronze satyr oil lamp in the form of a horned satyr, length 13.5cm £80-£120
86. After Eutrope Bouret (French, 1833-1906) A late 19th century patinated bronze figure of the composer Jean-Baptiste Lully (1632-1687)
holding a violin, and standing on a parquet floor, square base signed Bouret, height 59cm £150-£250
81. Juan Clara (1875-1958) a bronze figure of a young girl standing on a stool holding a boot in her left hand, signed to the edge of the stool, ‘juan clara’, height 20cm £120-£180
82. A French bronze figure of a putto 19th century, modelled reclining on a tree stump and holding a dove, formerly mounted, height 13cm, length 19cm £70-£90
83. After Josef Lorenzl (1892-1950) an Art Deco painted spelter figural table lighter modelled as a scarf dancer, on a marble base, height 27cm, width 16cm £80-£120
87. Edouart Drouot (1859-1945)
‘Souvenir’, a patinated bronze figure standing in flowing drapery, holding a posy of flowers in her outstretched hands, on a naturalistic base bearing title plaque signed E Drouot, bearing foundry stamp and signed Pinedo Bronzier Paris, height 41cm £600-£800
88
91. A bronze sculpture 1960s, probably Scandinavian, with virdigris colour finish, initialled ‘D.S’ to the underside on a square tapered mahogany plinth, height 33.5cm £50-£80
88. After the Antique. A 19th century French patinated bronze figure of the Venus de Milo signed Rolland Fondeur Paris, bears foundry stamp, height 34.5cm £250-£350
89. An early 19th century French bronze group, ‘The Archery Lesson’ c.1820 the two figures on a mottled black marble triform base, with loose arrow, height 40cm, base width 24cm £300-£500
90. After Antoine Louis Barye (1796-1875)
French, a bronze model of a seated hare, rear of base signed, ‘BARYE’, height 9.5cm £100-£150
92. A carved wood novelty owl clock 1930s/40s, the eyes moving when the mechanism is in motion, together with an Ansonia clock, in the form of a painted brass mammy, eyes moving, on a plinth base and a 1910/20s walnut alarm clock, striking on a bell (3). Owl clock height 24.5cm, figural clock 28cm, alarm clock diam. 16cm £60-£90
93. A Matthew Norman brass carriage clock the white enamel face within a engine turned mask, the case with four bevelled glass sides, rear signed, ‘Matthew Norman AE London 1754’, with winding key. Dial diam. 4.5cm, height 11cm £60-£90
94. A late 19th century French verre eglomise dial wall clock circular reverse painted black dial with gold Roman numerals and minute markers, signed Franques & Julhe, conforming reverse painted border with black and gold foliate panels, diameter 40cm £80-£120
95. A French gilt bronze Persian style mantel clock, designed by Geoffroy-Dechaume (1816-1892) the 9cm dial with enamel Arabic numerals and twin winding arbors, with a twin train 8 day movement striking on a bell, movement by Vincent et Cie, the case with twin dragons and a pierced crest with smaller dragons, the domed base of cartouche outline and on paw feet, signed to the apron, ‘Geoffroy Dechaume’, raised on a white marble inset plinth with openwork feet, height 35cm, width 31cm £300-£400
96. A French Art Deco sienna and black portoro mantel clock garniture c.1930
circular white enamel dial with black Arabic numerals, two train brass 8 day drum movement with pass strike on a bell, stamped Societe Clusienne S.C.A.P.H. Cluses, numbered 16186, arched case, accompanied by a pair of side urns (3), clock height 24cm £80-£120
97. A mid 19th century French brass inlaid rosewood mantel clock
circular white enamel dial with black Roman numerals, minute track, blued steel hands signed Delettrez Paris, 8 day brass drum movement with passing strike striking on a bell stamped Delletrez A Paris, the case with brass stringing and canted corners, height 34cm £80-£120
98. Antiquities. An Egyptian faience beaded mummy mask and a necklace
Late period c.664-332 BC, formed of turquoise, cream, dark blue, green, and red beads, stylised face with large eyes, border with tubular beads, the necklace formed of turquoise tubular faience beads and amulets and glass beads, coloured glass (2), first 16 x 15.5cm £200-£300
99. ‡ Piera Luisoio (Italian, B. 1973)
‘Profumeria’, mixed media collage, signed lower right, mounted and framed, within mount 35 x 30.5cm, overall size 51 x 45cm £100-£200
100. ‡ Piera Luisoio (Italian, B. 1973)
‘Model with mirror’, mixed media collage, signed lower right, mounted and framed, within mount 31 x 19.3cm, overall size 51 x 38.5cm £80-£100
101. ‡ Piera Luisoio (Italian, B. 1973)
‘Ricettario’, mixed media collage, signed within image, mounted and framed, within mount 48 x 68.5cm, overall size 68 x 87.5cm £200-£300
102. After Antonio Cavallucci (1752-1795)
‘St Labre, the patron saint of the homeless’, oil on canvas, framed, within frame 60.5 x 47.5cm overall size 70 x 57cm £200-£400
103. British School, 19th Century
‘Portrait of a young boy’, oil on board, framed, within frame 31.5 x 25.5cm, framed size 46 x 40cm £80-£120
104. Flemish School, 18th Century
‘A penitent Mary Magdalene’, oil on panel, framed, within frame 11.5 x 8cm, framed size 24.5 x 20.5cm £100-£150
105. Charles Martin Powell (British, 1775-1824)
‘Norwegian boats in rough seas’, oil on board, framed, within frame 14.3 x 19.7cm, overall size 33 x 38.5cm £200-£300
106. Auguste Bohm (Belgian, 1819-1891)
‘A farmhouse by a river’, oil on board, signed lower right, framed, within frame 31 x 24cm, overall 52 x 45cm £150-£250
‘Dutch shipping in rough seas’, oil on board, signed lower left, framed, within frame 17.3 x 22.6cm, overall size 37 x 42.5cm £100-£150
109.
‘Shepherds in a woodland clearing’, oil on panel, framed, within frame 33.3 x 27cm, overall size 51 x 44.4cm £200-£300
‘View in the Shants between Bombay (Mumbai) & Poonah’, watercolour and pencil, framed, within frame 22.5 x 16.5cm, framed size 37 x 31.2cm £80-£120
‘A view of a Chateu’, oil on canvas, signed lower left, framed, within frame 43.5 x 53cm, overall size 63 x 72.5cm £100-£150
‘Shipping off River Dender’ oil on canvas, framed, within frame 38.7 x 53.3cm, overall size 54.3 x 69.3cm
‘A portrait of a Persian gentleman’, watercolour and gouache, signed lower left, mounted and framed, within frame 45.5 x 36.5m, overall 64 x 52.2cm
‘A view of a street; possibly Paris’, oil on board, signed lower right, framed, within frame 15 x 21cm, overall size 42.2 x 48.5cm £400-£600
‘A view of the French countryside’, oil on canvas, signed lower right, framed, within frame 53 x 33cm, overall size 81 x 61cm
‘Promenade au Rouge Cloitre, Auderghem, Belgium’, oil on board, signed lower right, framed, within frame 27.6 x 39.5cm, overall size 36.7 x 49cm
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
‘Le jardin de la Rue de Malines’, oil on board, signed lower left, dated to reverse ‘1925’, inscribed to reverse ‘Maidon de memee - A termonde / mire Charles Van de Voorde / Belgique’, framed, within frame 39 x 49cm, overall size 44.5 x 54.5cm £100-£150
118.
‘A view of a church’, oil on panel, inscribed to lower left, framed, within frame 21 x 15cm, overall size 47.5 x 42cm £100-£200
122. ‡ Costumes designs for Ballet Folklorico de Mexico dated 1976, eight individual costume designs framed in pairs, signed to mounts, inscribed “Ballet Folklorico de Mexico - Ballet Totonacacor. Amalia Hernandes 1976” mounted and framed (4), approx design size 27.7 x 21.2cm, overall framed size 38.5 x 51cm £200-£300
‘Greenwich from the Park’, oil on canvas, signed lower right, framed, within frame 52 x 34cm, overall size 70 x 52.5cm
A photocopy of a Walker Galleries Ltd. receipt attached to the reverse £400-£600
‘A still life of flowers’, oil on canvas, signed lower left, framed together with another by the same hand (2), illustrated 44.7 x 32cm, overall size 63 x 50cm £200-£300
‘Off the Eddystone Lighthouse’, water and gouache, signed lower left, framed, within frame 31 x 49cm, overall size 51 x 68.5cm £80-£100
‘Sketch of a lady in a fur stole’, charcoal and grey wash, mounted and framed, within mount 11 x 8.7cm, overall size 34 x 26.5cm
Abbott and Holder label to the reverse
‘A Shipping scene, most likely Brazil’, oil on canvas, signed lower left, framed, within frame 39 x 29cm, framed size 56.6 x 46.6cm £200-£300
125. British School, 20th Century
‘A landscape with deer’, oil on board, signed lower left ‘E R**chartz’, framed, within frame 35 x 53.5cm, overall size 43.5 x 62cm £200-£300
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
126. ‡ Sir Robin Darwin (British, 1910-1974)
‘Ballet dancers’ oil on canvas, signed lower left, framed, within frame 24.4 x 34cm, overall 40.5 x 50.5cm
Michael Parkin Gallery label to reverse £200-£300
127. ‡ Colin Orchard (British, B.1935)
‘A view in a gallery’ oil on board, artist monogram lower right, inscribed to the reverse “Tate Gallery, St Ives, Springshow ‘95”, framed, within frame 17 x 16.5cm, overall size 27.7 x 27.7cm £200-£300
128. ‡ Diana Armfield R.A. R.W.A. M.S.I.A (British, B.1920)
‘The lamps in San Marco, Venice’ watercolour and gouache, intialled lower left, mounted and framed, within mount 22 x 15cm, overall size 38.5cm
Exhibited at the Royal Watercolour Society Exhibition 1994
£200-£300
129. ‡ Colin Orchard (British, B.1935)
‘Arundel Castle’, oil on board, monogrammed lower left, framed, within frame 44 x 43.5cm, overall size 63.5 x 64cm £200-£300
130. ‡ Bruce Yardley (British, B.1962)
‘A still life of flowers and a bottle of champagne’, oil on canvas, signed lower left, framed, within frame 60 x 49cm, overall size 84 x 73.3cm £300-£400
131. ‡ D. Love (Active 1974)
‘A view of the Scottish countryside’ oil on canvas, signed lower right, framed, within frame 39.2 x 49.2cm, overall size 49 x 59cm £100-£150
132. ‡ A group of three abstract works including attributed to Hilda Lask, ‘A green woodland’, oil on board, framed, together with two prints by Minne Fry (British, B.1933) (3) 37 x 27cm, 39.6cm x 30.2cm £150-£250
133. ‡ Deborah Jones (British, 1912-2021)
‘A character portrait: A King’, oil on canvas, signed lower right, framed, within frame 60 x 36cm, overall size 71 x 48.5cm £150-£250
134. ‡ Deborah Jones (British, 1912-2021)
‘An abstract still life’, oil on canvas, signed to the centre of the painting, framed, within frame 59.5 x 102cm, overall size 68 x 107.5cm £100-£200
135. ‡ Louis Dali (French, 1905-2001)
‘A view of a Parisian street, with the Sacre-Coeur in the background’, oil on canvas, signed lower left, framed, within frame 20.6 x 25.6cm, overall size 34 x 39cm £200-£300
136. Modern British School (20th Century)
‘A view of woodland clearing’, oil on canvas, framed, within frame 90cm x 50cm, overall size 104.5cm x 74cm £80-£100
137. ‡ Bert Wright (British, B.1930)
‘Royal Exchange, London’ watercolour, signed lower left, mount and framed, within mount 25 x 34.7cm, overall size 45.5 x 55.5cm £200-£300
138. British School, Late 20th Century
‘A view of a street…’, print with later hand colouring, written in pencil below image ‘serigraph inkline drawing with original watercolour 31/75’ edition number 31/75, signed lower right ‘Sharon ‘79’, within mount 43 x 30.5cm, overall size 59 x 49cm £80-£100
139. ‡ Clive Madgwick (British, 1935-2005)
‘Fountains Abbey’, oil on canvas, signed lower right, framed, within frame 50 x 75cm, overall size 67.5 x 93cm £200-£300
140. ‡ Lawrence Coulson (British, B. 1962)
A pair of beach scenes; ‘Sun Rise’ and ‘Dusk’, oil on canvas, both monogrammed lower left, framed (2), both size within frame 18 x 18cm, both overall size 39 x 39.5cm Artist has verified the presented works £250-£350
141. ‡ David Abercrombie Donaldson (Scottish, 1916-1996)
‘A mandolin player’, pastel on paper, signed lower left, mounted and framed, within mount 15.5 x 15.5cm, overall size 35.3 x 33.2cm £150-£200
142. Herbert Raine (Canadian, 1875-1951)
‘Buildings, St Paul Street, Montreal, P.Q.’, etching and dry point, signed lower right, mounted and framed, approx plate size 212 x 113mm, overall size 42.8 x 30.3cm £100-£150
143. French School, Mid 20th Century
‘A dove in black and white’, lithograph, dated in pencil lower right ‘1957’, edition 1/1, mounted and framed, plate size 260 x 322cm, framed size 41.6 x 46cm £150-£250
144. ‡ Ethelbert White (British, 1891-1972)
‘The Shipyard’, woodblock print, monogrammed to print ‘EW’, mounted and framed, block size 13.7 x 17.5cm, overall size 28.5 x 32.2cm £200-£300
145. ‡ Ethelbert White (British, 1891-1972)
‘A view of a coastal town’, woodblock print, mounted and framed, block print size 17 x 22cm, overall size 31.5 x 36.5cm £200-£300
146. ‡ Ethelbert White (British, 1891-1972)
‘A view of a street, possibly in London’, etching and drypoint, mounted and framed together with another by the same hand ‘A View of a lake’, watercolour, signed lower left, mounted (2), the first; plate size 145 x 195mm, framed size 29.5 x 34.5cm, the second; within mount 22 x 29.5cm, mount size 35.3 x 42.2cm £150-£250
147. Zacharias Dolendo (Dutch, 1561-1600)
After Karel Van Mander I
‘The Powers that rule the World - Women, plate 3, copper engraving, published by Claes Jansz Visscher togther with; Benard Direx (French, Circa 1740) ‘A depiction of a Goddess, most likely Venus’, taken from the series Antiquites, engraving, inscribed to lower right ‘Benard Direx / A / 10’, inscribed top right corner ‘suppl. Pl 1’ (2), the first approx. plate size 211 x 292mm, overall size 37 x 43.5cm, the second approx plate size 348 x 208mm, overall size 48 x 34.5cm
Bibliographic References: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (7.II), New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (36.II) £80-£120
148. George Vertue (British, 1684-1756)
Thomas Hardy Earl of Arundel and Surrey and Aletha Talbot Countess of Arundel and Surrey with their family, dated 1743, engraving, unframed, figures include [left to right] Lady Katherine daughter of Henry Lord Maltravers / Alethea Talbot Countess of Arundel and Surrey / Thomas Howard Earl of Arundel and Surrey / Sr Henry ord Maltravers Knt of ye Bath / Thomas Howard Esq. Ob. S. P. / Gilbert Howard Esqr. Ob. S. P. / Sr William Howards Ld. Stafford Knt Bath ancestor to the pt. Earls Stafford. / Charles Howard ob. S. P. / a Dwarf Domestick together with another rendition of the same plate at a later date, with an ink inscription ‘‘this copy was given……..me by his Grace the Duke of Norfolk, in whose profession the original plate ….. 2nd August 1763’, featuring Hans Holbein the Younger’s portrait of Thomas Howard, Third Duke of Norfolk (1473-1554) etching engraving, mounted on linen, after Sir Anthony Van Dyke original oil painting (2), the first approx plate size 425 x 568mm
The print was a commission from the Duke of Norfolk and never sold publicly, according to Walpole. Similar later examples can be seen in the British Museum Archive. Museum number: P,2.148 £150-£250
‘A view of the courts of wards and liveries, with the officers, servants and other persons there assembled’, most likely date 1747, copper engraving, mounted on linen, plate size approx 460 x 480mm
George Vertue, was employed by the Society of Antiquaries for this task. Examples of this print are featured in the Scottish National Gallery
£80-£100
150. George Vertue (British, 1684-1756)
The Royal Procession of Queen Elizabeth to Blackfriars, 1742, Queen Elizabeth in a litter, surrounded by courtiers in procession to Blackfriars, plate from Vertue’s series of nine “historic prints” from paintings of Tudor period miscalled ‘Visit to Lord Hunson, after the original oil painting attributed to Robert Peake the Elder, plate approx size 458 x 565mm
£150-£250
151. George Vertue (British, 1684-1756)
‘A double portrait showing Mary Tudor and her second husband Charles Brandon, Duke of Suffolk’, production date 1748, copper engraving, laid on linen, unframed, after a portrait by an unknown artist, in the collection of the Earl of Yarborough, plate approx size 484 x 575mm
Similar examples can be seen in the British Museum archive; museum number Y,5.143
£100-£200
152. After Anthony Van Dyck (Flemish, 1599-1641)
‘Marriage portrait of Charles I and Henrietta Maria’, engraving by Robert Van Voerst (1597-1635), this third state re-published by George Vertue in 1742, plate approx size 423 x 567mm
Antony Grittiths, ‘The Print in Stuart Britain, BM 1998, cat 42’:, “This is Voerst’s masterpiece, and by far the largest plate he ever engraved. It was not made on commission from Charles, and does not bear the address of any London publisher. Voerst must therefore have published it himself, and he must have obtained the royal privilege that is mentioned in the lettering in the centre of the bottom margin. In 1742 the engraver and antiquarian George Vertue acquired the plate, and published it again after re-working it.” £100-£150
153. After Hans Holbein the Younger ‘Henry VII, Elizabeth of York, Henry VIII and Jane Seymour’, published by George Vertue (British 1684-1756), production date 1743, line engraving, unframed, laid on linen, after Remee van Leemput etching, plate approx size 480 x 580mm £150-£250
154. Simon Francois Ravenet (French 1706-1774)
‘Sophonisba accepting the Nuptial Present sent by her Husband Masinissa’, production date 1872, copper engraving, unframed, laid on linen, after Luca Giordano, plate approx size 427 x 533mm £80-£100
155. George Vertue (British 1684-1756)
‘The Memorial of Lord Darnley’, group portrait of James I and his relatives kneeling in prayer before an altar and the tomb of Henry Stuart, Lord Darnley, in the chapel of Holyrood Palace. On the altar is a figure of Christ supporting the cross. The group consists of Matthew, Earl of Lennox, his wife, Margaret Douglas, Countess of Lennox and Charles Stuart, Earl of Lennox, production date 1743, copper engraving, laid on linen, unframed, after Livinus de Vogelaare ‘Magnates et heroes Regali Scotiae et Angliae Prognati’, plate approx size 440 x 578mm £100-£200
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
156. Four late 19th century framed Japanese woodblock prints late Edo / Meiji period, formed of a diptych of Kabukio actors by Toyohara Kunichika, and a samurai and two ladues by Utagawa Kunisada (Toyokuni III), mounted, framed, each within mount 23 x 34cm, overall 89 x 67cm £150-£250
157. A Japanese Meiji Period satsuma vase by Gyokuzan of hexagonal tapering form, decorated with a host of immortals, signed Gyokuzan, height 21cm £100-£150
158. A Japanese Meiji Period cloisonné enamel vase in the manner of Hayashi Kodenji (1831-1915) of square tapering shouldered form, silver wire decorated with trailing wisteria, two baskets of chrysanthemums flowers and a songbird, by a stream with irises, on a midnight blue ground, height 15.7cm £100-£150
160. A 19th century Japanese lacquer (Ju-Kobako) four tiered box, cover and stand Edo/Meiji period, the four tiered rectangular box with a black lacquer roiro ground decorated in gold takamaki-e, togidashi maki-e, and kirikane with a river landscape with pine trees, flowering prunus and clouds, interior of nashiji, the cover similarly decorated, on a stand raised on ogee bracket feet, height 23cm, width 27cm, depth 17cm £400-£600
161. A 19th century Japanese gold lacquer box with interior tray and two fitted boxes
159. A 19th century Japanese Edo Period carved wood netsuke of a rat naturalistically carved tightly coil into a ball, it wrapped round its body and its nose tucked behind its right foot, eyes inlaid with dark horn, bearing oval reserve with signature, length 4cm £300-£400
Edo/ Meiji period, of rectangular form decorated in takamaki-e, togidashi maki-e, and kirikane, the exterior decorated with scattered cards variously depicting flora, fauna and objects, against a foliate ground, lid interior decorated with a picturesque misty landscape view of Mount Fuji with pine trees and house, containing a tray decorated with a riverscape with birds, boxes decorated profusely with flowers and the lid interiors with river scenes with a boat and cormorants and a jetty, interiors of nashiji, height 6.7cm, length 18.5cm, depth 13.7cm £600-£800
162. A 19th century Japanese silver ashtray netsuke of bowl form, the exterior repoussé decorated with scrolling foliage on a stippled ground, double walled with plain interior, diameter 4.5cm £200-£300
166. A Japanese Somada School black lacquer and shell inlaid four case inro Edo period, cylindrical from, inlaid with horse tethered to a tree trunk issuing a branch in blossom, height 10cm £200-£300
167. A Japanese Somada School black lacquer and shell inlaid three case inro Edo period, oval body inlaid with a watery landscape with trees, buildings and boats, unsigned, height 9.8cm £100-£150
163. A Japanese Edo period Tsuishu red lacquer two part manju netsuke carved with Chinese sages and attendants in a landscape with trees on both sides, black interior with metal cord attachment, diameter 4.8cm £200-£300
164. A Japanese Edo period reticulated Hirado porcelain koro double walled drumm form with pierced cover and floral encrusted finial, on ruyo shaped feed, pale blue glazed with gilt decorated landscape panels and borders, height 8.5cm £80-£120
168. Ø A Japanese Meiji Period hardwood and ivory inlaid box rectangular, the pull off cover mounted with an animated mask with moving eyes and protruding tongue and various monograms, length 10.4cm
IMPORTANT NOTICE: This item will be registered from the UK Ivory Act 2018. Ivory declaration submission number reference: F7X3Q42W £150-£250
169. A Japanese Meiji period dark hardwood and shakudo box rectangular, the lid inset with a shakudo panel depicting coastal landscape with cranes and pine trees, signed, the box and rim with silver rims, length 13.9cm £100-£150
170. A 19th century Japanese gold lacquer ground rectangular tray Edo/Meiji Period, the centre decorated takamaki-e, togidashi maki-e, and kirikane with a floral spray of peony and chrysanthemum, maple leaves, seeds and a butterfly, the raised border with butterfly and scrolling decoration, signed Takanobu, length 20.8cm, 15cm wide £400-£600
171. A Japanese hanging scroll painting of a cat c.1900 ink and watercolour on silk, signed, red seal mark, panel 88 x 35.5cm, overall 174 x 48cm £80-£120
165. Two 19th Japanese Hirado porcelain netsuke Edo/Meiji period, first in the form of seated shishi, with raised head and open mouth with a lose ball in its mouth, second in the form of a polychrome decorated seated monkey holding a peach (2), first length 4cm, second height 3.5cm £200-£300
172. A collection of Japanese buttons, plaques and mounts comprising a silver and gilt shishi mask button, a silver dragon button, a shakudo button, decorated in relief with an old man, a mixed metal depicting Fuji and a dragon, signed, button a lunette shaped shibuichi plaque depicting a crouching man and two fighting cocks, a shakudo menuki, two shakudo drop handles etc (qty), first width 3cm £100-£150
173. A 19th century Japanese silver chatelaine scent bottle
Edo Period, unmarked, of shaped form repoussé decorated with objects, screw fitting cover attached to a swing handle, suspended on a fine chain stamped sterling, height 4cm £100-£150
176. Two Japanese two case wooden inro carved in the form of aubergines
Meiji Period, both with gilt interiors (2), length 10.5cm £100-£150
Late Edo / Meiji period, diameter 4.2cm, diameter £150-£250
175. A 19th century Japanese coconut shell two case inro Edo period, of flattened ovoid form, carved both sides in low relief with shaped reserve containing a dragon in a storm, interior gilt, signed, wood ojime carved with clouds, ebony netsuke carved in the form of a rope bound sack, length 8.5cm £200-£300
177. A Japanese Meiji Period cloisonné tray rectangular, decorated with vase of peonies and chrystanthemums on a stand, on a turquoise ground within a border, first length 33.2cm, x 20.cm £100-£150
178. A Japanese Meiji Period pair of gold lacquer boxes and a tray both rectangular with pull off cover decorated with Three Wise Monkeys (3), length 18.6cm £50-£80
179. A late 19th century Japanese Samurai Class woman’s embroidered purse (hakoseko) and other items
Meiji period, first black velvet embroidered with peonies and foliage in coloured and gold metallic thread together with a small black lacquer gunbai war fan decorated in gilt with a dragon, a small black lacquer rectangular fubako decorated in gilt with mon and with pink silk cords attached, an antler case with hinged lid, signed, a kiseru tobaco pipe with bamboo shaft and silver mounts and raised decoration and an oval silvered copper box with cloisonné lid (qty), first length 16.5cm £80-£120
180. An early 19th century Chinese export gilt and black lacquer painted fan finely painted to both sides, one with a pair of figures seated by a table with attendants in an esturine landscape, verso figures by a bridge in a similar setting, the tips of the sticks painted animals and with dragons and phoenixes, the guards with dragons and phoenixes, length 19.5cm, width open 34cm £300-£400
181. A Chinese amber red Peking glass bottle vase plain bulbous body with a slight fared cylinder neck, raised on a short flared foot, four character Qianlong seal mark to base, height 23.3cm £600-£800
184. A late 18th century Chinese export blue and white armorial dish of oval form with shaped petal edge raised sides and rim, painted to centre with an armorial for Braithwaite, of Yorkshire and Westmorland with motto ‘Generoso Germine Germo’, underglaze blue Fitzhugh type borders with honeycomb border beneath, length 29.5cm £200-£300
185. A late 18th century Chinese export famille rose ‘double peacock’ porcelain tureen and cover of octagonal tapering form with twin rabbit mask handles, the domed cover with pomegranate finial, decorated with a peacock and hen, rockwork and peony blossom and flowering branches, foliate borders, handle to handle 35cm, height 21.5cm £400-£600
182. A Chinese dark green mottled jade dish late 19th / early 20th century, the leaf shaped bowl issuing openwork branches with leaves and buds, one leaf with caterpillar, length 21cm £200-£300
186. A late 18th century Chinese export ‘Mandarin palette’ blue and white porcelain chocolate pot cylinder shouldered body with leaf capped moulded side handle, the domed cover with peach moulded finial, decorated with three shaped reserves painted with figures in landscapes with buildings, underglaze blue borders with dense gilt scroll decoration, height 19cm £200-£300
183. A Chinese famille rose porcelain landscape plaque Republican, painted with a mountainous river landscape with pavilions, tress and figures, hardwood frame, mounted in a modern gilt frame, bears label Julkus G. Haas Fine Arts New York, plaque 24.5 x 46cm, overall 33.5 x 53.5cm £200-£300
187. A pair of 19th century Chinese powder blue ginger jars ovoid tapering from decorated in Kangxi style with three round, fan and lobed shaped reserves painted with flowering prunus branches, lotus, and sprays of flowers and insects, double ring mark, fitted with pierced and prunus carved rosewood covers (2), first height 21cm £200-£300
188. A mid 18th century Chinese export Meissen style ‘European Subject’ famille rose mug of bell shape with moulded loop handle scroll handle with ruyi shaped terminal, decorated with a shaped gilt framed reserve painted with a European coastal landscape with a church, figures and a ship within a frame of floral sprays and a gilt scrolling border, height 12.2cm £200-£300
189. A late 18th century Chinese export famille rose porcelain plate painted with five goldfish swimming amongst weed, the rim with four floral sprays, bears label verso ‘Diane Knight Fine Porcelains Locust Valley, N.Y’, diameter 22.8cm £150-£250
190. A late 18th century Chinese Export Armorial porcelain coffee cup and saucer crested with a rampant lion supporting an arrow in pale downwards over the initials CE, bears label ‘The Art Exchange, New York City’, on stand, saucer diameter 13.8cm £60-£80
191. A pair of Chinese blue and white vases
19th century, of shouldered baluster form, decorated with twin dragons within foliate, prunus and chrysthanemum backgrounds, undersides with four character Kangxi marks (2), height 23cm £150-£250
192. Four Chinese blue and white porcelain vases and a ginger jar
19th century, of shouldered baluster form, all with four character Kangxi marks, the first with figures in a landscape with two buildings and a bridge, the second with a pair dragons chasing the flaming pearl, the third with prunus, chrysthanemums and birds, the fourth with two figures holding a vase and the last a small ginger jar (5) £100-£150
193. Three 18th century Chinese export blue and white octagonal plates
Qianlong, decorated in underglaze blue with a landscape with peony sprays, bamboo and other flowers, one bearing hand written label verso ‘Clara M. Orr Part of a dinner set given to your great great great grandmother Grizel Hamilton (Mrs MacAlpine) by her brother Capt Alex Hamilton in 1688. Brought from India, Northfield 1882’, diameter 22.3cm En suite with the following lot £100-£150
194. An 18th century Chinese export blue and white Qianlong, canted rectangular form with rabbit mask handles, the cover with scrolled knop finial, decorated in underglaze blue with a landscape with peony sprays, bamboo, rockwork and other flowers, height 23cm, handle to handle 35cm £200-£300
195. A late 19th century Chinese famille verte child’s barrel form ceramic garden seat painted with figures standing by a tent in a landscape, height 32cm £200-£300
196. (Chinese School) Eight watercolour and gouache paintings on pith paper depicting the emperor and empress sitting on the dragon throne holding ruyi sceptres, four others of courtiers and two depicting processions, in gilt and dark brown chinoiserie lacquered frames (8), first 22.5 x 32.5cm £500-£700
197. A pair of large Chinese porcelain Imari style chargers 18th century, the central roundels enclosed by chrysanthemums, scrolling foliage and stylised flowerheads, undersides with floral sprays to each side and central marks within blue double rings (2), 39cm diam £400-£600
198. A late 18th century Chinese export famille rose and underglaze blue ‘Mandarin’ mug with bamboo handle, decorated in underglaze blue with foliate panels framing an interior scene with figures and a smaller landscape panel, height 11.8cm £80-£120
199. Am 18th century Chinese export blue and white Nanking Cargo bowl decorated with a watery landscape with pine tress and figures, interior with a geometric band, bears Christies paper lot number label and sold with certificate of authenticity issued by Spink, diameter 15cm £80-£120
200. Four 19th century Chinese silver ingots three boat shaped with seal marks, the other of shaped form engraved with a symbol and bats (4), Fair condition, each weight approx. 36.2g, 33.5g, 34.6g, 36.9g £100-£150
201. A set of four Chinese carved soapstone inlaid wooden wall panels c.1920 each inlaid with birds and flowering branches, some bearing paper label for Chuinghai, Wenchou (4), 36.5 x 155cm £200-£300
202. A late 19th century Chinese embroidered silk damask pleat skirt the front and back main panels embroidered with butterflies and peonies and dense foliage, on a cream ground with precious objects and clouds, densely floral embroidered black satin borders, overall 104.6 x 99.6cm £200-£300
203. A Chinese plaster model of bound foot and a pair of lotus shoes late 19th / early 20th century, first naturalistically cast and bound wearing a lotus shoe, together with a pair of embroidered silk lotus shoes and an velvet evening bag (2), first height 20cm £70-£90
205. A Chinese mutton fat jade pendant necklace and five plaques first with shaped pendant carved in low relief with a vase of flowers suspended on jadeite bead necklace together with four celadon and russet plaques with pierced and carved decoration and a pedant (6), various £100-£150
204. A 19th century Chinese coconut shell bowl carved in low relief with precious objects and fret borders, gilt lacquered, interior, diameter 11.7cm £150-£250
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
206. A 19th century Persian Qajar lacquered paper mâché Qalamdan (pen box) of typical form with sliding compartment decorated with Islamic script and gilt and red dense foliate decoration, length 25cm £80-£120
207. A set of sixteen glass apothecary bottles early 20th century, of shouldered form, all with recessed gilt and red banded labels, and with stoppers, to include four large examples and twelve smaller (16), largest height 22cm, others 19cm high £100-£150
208. A part suite of late 19th century Belgian lens cut crystal glasses possibly Val St Lambert, comprising six champagne coupes, seven water, three white wine, eight port and five clear stemmed uranium sweet wine glasses (29), coupe height 12cm £100-£150
209. Geoffrey Baxter for Whitefriars tangerine bark vase bearing damaged label, ‘as selected for the Design Centre London’, height 19.5cm £60-£80
210. Two Geoffrey Baxter for Whitefriars tangerine bark vases a large and a small example (2), one 19.5cm, the other 15.5cm £80-£100
211. A pair of Bohemain flash-cut ruby table lustres late 19th century, the scalloped tops etched with trailing vine, the baluster stems with stags in wooded landscapes, with facetted drops and on domed feet, together with a late 19th century pink and gilt table lustre, with pear form and longer drops (3), the pair height 22cm, the other 24cm £80-£120
212. A set of eleven French cut crystal champagne coupes on hexagonal stems and radial star cut feet (11), height 12cm £100-£150
213. A German silver mounted glass claret jug late 19th century, in the Renaissance Revival style, formerly gilt, the shaped lidded spout above a tapered body with scroll handle, etched with entwined foliage and harebells, together with two Bohemian flash glass jugs, circa 1900, one red and one green, the ovoid stoppers above tapered cut glass bodies (3), height 36cm, height 23cm £100-£150
214. A large Orrefors glass vase by Vicke Lindstrand designed 1937, of tapered cylindrical form, with an etched galleon and seabirds on moulded waves, the foot rounded, underside signed, ‘Orrefors Lindstrand 1462. B8.42’, height 28cm, diam. 18cm £100-£150
215. A set of eleven American Steuben crystal wine or water goblets each with bucket bowls on short stems with disc knops, etched signature, each contained in a baize pouch in a fitted box, height 14.5cm £100-£150
216. Three mid 18th century air twist wine glasses c.1750 first bell shaped bowl on a multi spiral stem with shoulder knop, second round funnel bowl on a multi spiral stem with shoulder and central knops, third bell shaped bowl on a multi spiral stem with shoulder knop, on conical feet (3), first height 17.1cm, second height 14.5cm £250-£350
217. A mid 18th century airtwist cordial glass c.1745 ogee shaped bowl on a multi spiral stem with central knop, on a firing foot, height 13.3cm £150-£250
218. An 18th century air twist ratafia glass or flute c.1760 tall slender trumpet bowl with moulded section, on a multi spiral airtwist stem raised on a plain conical foot, polished pontil, height 22.5cm £150-£250
219. A mid 18th century pan top airtwist wine glass c.1755 the round funnel bowl on a multiple spiral single series stem with central knop, on a conical foot, height 14.2cm £150-£250
220. A mid 18th century moulded pedestal stem sweetmeat glass c.1750 the rib moulded double ogee lipped bowl over an eight sided hollow pedestal stem with diamonds on the shoulders, resting on a basal collar and raised on a domed moulded folded foot, height 16.4cm £100-£150
221. Two 18th century opaque twist wine glasses c.1760 with ogee shaped bowls raised on central knopped stems, one double series with a central gauze and a pair of outer tapes, the other single central gauze stem, on conical feet (2), first height 14.7cm £150-£250
222. Three 18th century opaque twist wine glasses c.1760-5 first ogee shaped bowl on a single series containing a multi-ply corkscrew edged with heavy threads, second ogee shaped bowl moulded with basal flutes on a double series stem with a pair of tapes enclosing a central gauze, third ogee shaped bowl on a double series stem with a gauze encircled by a pair opaque tapes (3), first height 16.1cm, second height 15.8cm £200-£300
223. A mid 18th century toasting glass c.1740 of typical elongated from with drawn trumpet bowl on a very slender stem, on a conical foot, height 17.5cm £100-£150
224. A mid 18th century engraved small ale glass c.1760 the drawn trumpet bowl engraved with ears of barley and hops on a plain stem enclosing two teardrops, on a conical folded foot, height 16.9cm £100-£150
225. Two late 18th century facet stem ale glasses c.1780 first with tall plain round funnel bowl with basal facets, the stem cut with diamonds, second plain funnel bowl with basal facets, on an hexagonal facet stem, on conical feet (2), first height 18.6cm, second height 16cm £80-£120
226. A mid 18th century wine glass c.1750 round funnel bowl on an incised twist stem and conical foot, height 15cm £100-£150
227. An 18th century double series opaque twist stem wine glass c.1765 pane l-moulded ogee shaped bowl on a stem with central gauze and two pairs of tapes, on a conical foot, height 14.1cm £150-£250
228. Three 18th century double series opaque twist wine glasses c.1765 with round funnel shaped bowls moulded with basal flutes, two with central gauze corkscrews and pair of tapes, the other with a pair of six-ply outer bands enclosing two pairs of white spiral tapes, on conical feet (3), tallest 15.7cm £200-£300
229. 19th century and later drinking glasses comprising a plain stem wine glass with drawn trumpet bowl engraved with ‘OXO’ border, a Stevens & Williams rock crystal style tall stemmed engraved glass c.1910, a petal moulded ale glass, a small wine glass with engraved drawn trumpet bowl on a folded foot, a Victorian goblet probably Richardson, engraved with Greek key and raised on a twisted stem, a pair of small wine glasses with funnel bowls and an 18th century style facet stem wine glass with ogee bowl engraved with a bird and a floral spray (8), first height 18.9cm £70-£90
230. An 18th century airtwist stem wine glass c.1760 ogee shaped bowl part honeycomb moulded on a double series stem with a central cable a pair of outer spiral threads, on a conical foot, height 15cm £150-£200
231. An armorial engraved wine glass c.1760, and two other pieces of engraved glass first with drawn trumpet bowl engraved with a dexter arm in armour holding a broken spear, on a multi series artwist stem and conical foot, together with an early 19th century opaque twist loving cup c.1830, with lipped ogee shaped bowl engraved with initials on short a double series opaque twist stem and a conical foot and a beaker engraved with a view of the Crystal Palace and titles ‘’The Palace of Glass for the Great Exhibition’ (3), first height 16.3cm £100-£150
232. Two mid 18th century mercury twist wine glasses c.1750 first drawn trumpet bowl engraved with fruiting vine on four spiral thread stem, second drawn trumpet bowl with a pair of corkscrews, both on conical feet (2), height 16.9cm, second height 15.6cm £150-£250
233. Two 18th century airtwist single series wine glasses c.1745 first round funnel on a stem with a pair of spiral cables, second round funnel bowl on a multi-spiral stem (2), first height 16.5cm £100-£1,500
234. Two mid 18th century airtwist wine glasses c.1745 first with bell shaped bowl on a multi spiral stem second drawn trumpet bowl on a multi-spiral stem, both on a conical folded foot (2), first height 16.5cm £100-£150
235. An early 19th century ‘Sunderland Bridge’ engraved rummer c.1825 tapering bucket bowl engraved with a titled view of a brigg sailing beneath the old iron bridge over the Wear within a square frame, verso initialled DPW, on a knopped stem and conical foot, height 13.7cm £150-£250
236. An early 19th century engraved decanter and stopper of Prussian shape with faceted triple ring neck slice cut shoulder and row of basal flutes, engraved with a brig with a wreath and ‘Success to the Sarah & Mary verso R & J Edmond, radial cut stopper, height 24.5cm £100-£150
237. Mid 20th century Rowland Ward ‘Safari’ glassware to include a jug, six tumblers and six liqueur glasses, etched with various African animals, the glasses in their original boxes, some glasses bearing ‘Rowland Ward Nairobe Kenya’ labels and West German maker’s labels (13), height of jug 21cm, tumblers approx. 11cm £200-£300
240. Seven pieces of contemporary studio glass comprising three vases and a seaweight signed Jane Charles, a vase signed and titled Winter 2006, a vase signed Tom Petit, and paperweight signed Anthony Stern (7), largest 16.5cm £80-£120
241. A collection of contemporary studio glass comprising a freeform vase signed M Andrews and dated 1999, a mottled bowl and a small vase signed Peter Tysoe, a Mdina paperweight, signed, a Nailsea satin blue and white Venetian stripe crimped dish, a Caithness ‘Tempest’ paperweight etc (10), first height 12cm £50-£80
242. Two contemporary studio glass bowls first a bowl by Brian Marks, etched signature B S Marks 2006 second a matte green bowl with wavy edged rim and blue and white crazed interior by Malcolm Sutcliffe (2), First diameter 21cm £80-£120
243. Peter Layton (b.1937) Three pieces of contemporary studio glass comprising a marble effect vase of ovoid tapering form with folded rim, a scent bottle and stopper and a paperweight, all signed (3), first height 20cm £80-£120
244. Seven pieces of contemporary iridescent studio glass comprising a vase and a paperweight by Norman Stuart Clarke, etched signature and dated 97, a perfume bottle and stopper and a vase of compressed form signed Siddy Langley dated 82, a rectangular bottle vase and stopper signed George Elliott, a paperweight signed C V Ramsey 96 and a squat vase (7), first height 18cm £100-£150
245. Peter Layton (b.1937) a contemporary studio glass dropper signed dated 28.11.2008, height 21.5cm £100-£150
246. Peter Layton (b.1937) a contemporary studio glass Dropper vase and another both in decorated with internal ochre whiplash lines over a deep blue ground, first etched signature and dated 2009, second of squat compressed form, etched signature and dated 28/11/05 (2), first height 19.5cm £100-£150
247. Peter Layton (b.1937) Three pieces of contemporary studio glass comprising a tall trumpet shaped vase, and two other vases, all bearing etched signatures (3), first height 26.8cm £80-£120
248. A collection of 19th century coloured glassware comprising a green glass loving cup, a Bristol green club style decanter with lozenge shaped stopper, a Bristol blue double lipped rinser, amethyst and green finger bowls, a red flashed finger bowl, and a selection of green and amethyst wine glasses (qty), first height 13.2cm £80-£120
249. A collection of early 19th century coloured glass bottle shaped decanters comprising a Bristol green wrythen moulded example, three wrythen moulded Bristol blue bottles, another with slice cut neck and base, together with plain green, amethyst and orange bottles (9), first height 30.7cm £150-£250
250. Three early 18th century onion shaped green glass wine bottles with applied rims and high kicked bases with snapped pontils, one dark / olive green, the other two slightly paler (3), tallest height 20cm £150-£250
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
255. Two Belleek flower encrusted jugs and two vases first, relief moulded baluster ewer form with scroll handle, encrusted with iridescent glazed roses, carnations and other flowers, black second period mark, together with later similar encrusted jug, 6th mark, a basket weave moulded posy holder encrusted with roses and on branch feet, fifth mark and a stem vase (4), first height 24cm £80-£120
256. A Royal Worcester Coronet pattern tea and dinner service tooled gilt borders, comprising six dinner plates, six dessert plates, six twin handled soup cups and saucers, nine side/tea plates, eight teacups and saucers, a milk jug and a sugar basin, printed mark (51), dinner plate diameter 26.5cm £100-£150
257. A KPM Berlin ‘konigsglatt’ cabinet plate and four Dresden cabinet plates late 19th century, first pierced border moulded with forget me knots and scrolls, painted with floral spray and butterflies, underglaze blue sceptre mark, impressed 28, together with a basketweave moulded cabinet plate with pierced lattice border decorated in Kakiemon Yellow Tiger Tree of Life pattern, underglaze crossed swords mark with cancellation mark together with three cabinet plates with pierced lattice borders, painted with a spray of flowers and three scattered sprigs, underglaze blue mark for Meyer & Sohn (5), first diameter 24.6cm £150-£250
258. A Meissen porcelain plate mid 20th century, gilt decorated and with three rocaille cartouches with flowers and fruit, the centre with grapes and a lemon, underside with blue crossed swords mark, twice impressed with numerals and painted shape mark, ‘154 h 69’, the Dresden plate with gilt decoration and a reticulated border enclosing an 18th century courting couple, blue crossed swords mark (2), diam. 29.5cm, diam. 25cm £80-£120
259. A late 19th century Meissen porcelain figure group of two children in the 18th century style, the boy playing a flute and the girl holding grapes and seated on a goat, on an oval naturalistic base, underside with blue crossed swords mark, painted model mark 29, impressed 113, the other Meissen figure, late 19th century, of a boy feeding ducks, on a gilt scrollwork base, underside with blue cross swords mark, model number 56 and impressed C41 42 (2), height 16cm, width approx. 15cm, height 13cm £100-£150
260. Two late 19th century Helena Wolfson Dresden twin handled chocolate cups and saucers and a cabinet cup and saucer of quatrefoil form painted with two panels with a courting couple in a landscape alternating with blue ground panels of flowers, underglaze blue Augustus Rex marks (3), height 10cm £80-£120
261. A Moorcroft Macintyre florian pattern salad bowl
1920s, tube lined, with a silver plated rim and of squat bulbous form, underside signed and bearing stamp and monogram, ‘JMc Macintyre Burslem England’, height 13cm, diam. 21cm £150-£250
262. A Moorcroft pomegranate pattern vase
1920s, of baluster form, underside stamped, ‘Made in England Moorcroft 189’, height 15.5cm, diam. 8cm £100-£150
263. A Moorcroft pomegranate pattern vase
1920s, of twin handled trumpet shaped form, underside with painted signature and stamped, ‘Moorcroft Burslem England 160’, height 21.5cm, diam.12cm £150-£250
264. A Moorcroft Queens Choice pattern vase
tube lined and of baluster outline, underside stamped, ‘Moorcroft Made in Stoke on Trent England’, dated ‘2000 WM’, heioght 26cm, diam. 9cm £100-£150
265. A Moorcroft ‘Mackintosh’ pattern vase designed by Rachel Bishop in 1995, tube lined and of slender baluster form, underside stamped, ‘Moorcroft made in Stoke on Trent England’ with a leaf and initials ‘Jo’ and ‘JH’, also with painted marks ‘WM 95’, height 28cm, diam. 7cm £80-£120
1920s, with flowerhead pattern, the twin open curved handles above a spreading base, underside signed and stamped indistinctly ‘Moorcroft Made in England’, height 18.5cm, diam. 13.5cm £100-£150
267. A Moorcroft anemone pattern small bowl 1920s, with a dark blue ground and low foot, underside stamped, ‘Moorcroft Made in England’ and with painted signature, together with a small anemone pattern baluster base, underside with a painted ‘H’ and stamped, ‘Moorcroft Made in England’ (2), bowl diam. 18.5cm, vase height 10.5cm, diam. 5.5cm £100-£150
269. A Moorcroft ‘Queen’s Choice’ pattern vase tube lined and of baluster form, underside stamped, ‘Moorcroft Made in Stoke on Trent England,’ painted marks ‘WM’ ‘2000’, together with an ovoid Moorcroft vase, foxglove pattern, designed by Rachel Bishop, stamped ‘Moorcroft Made in England’ with other initials including an eye motif, and a small Moorcroft slender baluster vase, underside stamped ‘Moorcroft Made In Stoke on Trent England’ dated ‘99 WM KDM’ (3), 1st vase height 15cm, diam. 9.5cm, 2nd vase height 18.5cm, 3rd vase height 21cm £100-£200
272. An early 19th century creamware twin handled chestnut basket c.1800 oval with latticework sides and scalloped rim, the interior painted with a band of trailing of leaves and flowers, applied twig handles, dark brown rims, length 20.5cm £50-£80
stamped, ‘Made in England Tudric Moorcroft 01313’, dish also stamped for Moorcroft, height 16cm, diam. 22cm £150-£250
270. A Moorcroft anemone pattern vase 1920s, of bulbous form, underside with painted signature and stamped ‘Moorcroft Made in England’, height 13.5cm, diam. 13cm £100-£150
273. An early 19th century Grainger Worcester painted porcelain Botanical plaque painted with a flower filled Warwick vase on a marble ledge with a passion flower, modern gilt frame, panel 31.5 x 41cm, overall 48 x 57.5cm
Christie’s London, 11th February 1991, lot 149 £200-£300
274. A Royal Crown Derby limited edition Unicorn paperweight gold stopper, numbered 169/ 2000 with certificate, boxed, height 13.5cm £80-£120
271. A 19th
jasperware twin handled urn of ovoid form with twin Bacchus mask handles, decorated with Grecian bacchantes, on a square base, impressed Wedgwood, height 19cm £50-£80
275. A pair of F & R Pratt prattware terracotta candlesticks c.1860 polychrome enamel decoration, gilt bands (2), height 17.5cm £50-£80
276. An early 19th century Davenport Stone China No 6 ‘Flying Bird’ pattern part dinner service c.1820 comprising thirteen dinner plates, eleven soup plates, nine side plates, a small side plate, five dessert bowls, a large soup tureen and cover with lion mask handles, a pair of square vegetable serving dishes and covers, an oval serving dish and cover, a sauce tureen and cover with lion mask handles, an oval serving dish, a comport, a/f dessert tureen and cover and six graduated meat platters (52), tureen handle to handle 33cm £250-£350
277. A pair of 19th century Staffordshire pottery sheep spill vases and two others to include a large ram and ewe and two smaller rams, on oval naturalistic bases (4), height 20cm, height 13cm £50-£80
278. A collection of Royal Doulton stoneware comprising a large inverted baluster form Lambeth vase by Eliza Simmance (restored), a spitoon impressed ‘Made only for Claudius Ash & Sons Ltd London, a pair of vases, impressed 8565B, a silver mounted miniature beaker, a vase, a bowl and a small jug (8), first height 34.5cm £100-£150
279. A Royal Doulton stoneware altar vase Louisa Wakely of bulbous form with flared neck, tubeline decorated with scrolling fruiting vines and bearing IHS cypher, impressed 1120 and with factory marks, incised LW, height 27cm £80-£120
280. A Royal Doulton stoneware Commemorative Lord Nelson mug and Queen Victoria Diamond Jubillee jug first moulded with a portrait bust of Nelson, naval scenes and the dates 1758-1805, captioned “England Expects Every Man Will Do His Duty, blue ground, impressed factory marks, X6424, second bulbous body relief moulded with portraits of Queen Victoria and bearing “She Wrought Her People Last Good’ impressed Doulton Lambeth (2), first height 9.2cm, second 23cm £80-£120
281. A First Period Worcester blue and white ‘Three Flowers’ Pattern tea bowl and saucer c.1770 the teabowl with blue hatched crescent mark with an E, the saucer with W mark, saucer diameter 12.3cm £60-£80
1109, painted with flowers, puce factory marks, date code for 1890 (3), first height 8cm, second height 15.5cm £80-£120
285. Clarice Cliff Coral Firs pattern inkwell and an Umbrellas and Rain pattern plate first shape 457, printed Bizarre mark, second printed Fantasque mark verso second shape 457, together with a Carltonware orange preserve pot and a stand and an orange jug (4), first height 7cm, second diameter 22.6cm £80-£120
286. Harry Nixon for Royal Doulton. An Art Deco vase c.1930 of tapering form, decorated with geometrically half in black and with line borders and a rectangular ‘Caprice’ patterned reserve of fruit and flower in vibrant colours, impressed 3234 printed factory marks flambe, painted hn monogram, height 16.5cm £80-£120
287. A Troika pottery wheel vase both sides with geometric motifs, underside painted ‘Troika Cornwall’ initialled ‘HP’, probably Honor Perkins, together with a Troika cylindrical vase, with twin banding, underside painted, ‘Troika CWLL. England’ maker’s monogram, and a Troika slab sided vase, decorated to both sides, underside with painted mark, ‘Troika V’, Vicky Drew (3), diam.16.5cm, largest height 19cm, height 17cm
£150-£250
288. Three Troika pottery vases comprising a coffin vase by Jane Fitzgerald, signed Troika and monogrammed JF, a square vase by Linda Taylor, signed Troika England and monogrammed LT and a cylinder vase witha singles band of circles by Ruth Larret, signed Troika Cornwall, England and monogrammed RL (3), first height 17.4cm
£140-£180
289. Constance Spry (1886-1960) for Fulham Pottery
A mantel vase unglazed buff earthenware, elongated oval part form with twin loop handles, on a shaped pedestal foot, white glazed interior, impressed Constance Spry facsimile signature, height 21.5cm, length 47.5cm
£200-£300
290. A Fulham Pottery vase designed by Charles West, model FWF unglazed. buff earthenware oval footed form with twin foliate scroll handles, clear glazed interior, incised FWF, impressed factory marks, height 16.5cm, length 42cm
£150-£250
291. A late 19th century French painted porcelain portrait plaque of Napoleon Bonaparte as First Consul after Masquerier circular, turned wood frame, bears old paper collection label verso, ‘Sir James Yoxall Collection Bonaparte Frist Consul p.77(Recorded), diameter 10cm £80-£120
292. An early 19th century cut steel travelling sheath corkscrew and gilt metal peg and worm corkscrew c.1800 first with faceted mounting ring and shank and panelled sheath (2), first length 9cm, second length closed 11.2cm £100-£150
294. A collection of silver and other sewing items comprising an Edwardian novelty pin cushion in the form of a lace up shoe or boot Birmingham, 1910, Levi & Salaman, stamped RD 477079, a continental embossed silver needle case, silver thimbles to include six enamelled thimbles decorated with song birds by James Swann, a Zodiac thimble etc, together with a Tunbridge ware pin cushion / thread waxer, an egg shaped vegetable ivory thimble case, two mother of pearl thread winders, a obelisk form needle case painted with Art Nouveau floral decoration and two bone bodkins (qty), first length 4.4cm £100-£150
295. A collection of early 20th century buckles to include a gilt metal snake buckle, a chrome and bakelite buckle stamped LW Paris, cut steel, paste, enamelled, mother of pearl and celluloid examples (qty), various £70-£90
296. Late 19th century polished mammoth tooth knife handles comprising a set of twelve, and a shorter handle (13), of which twelve length 9.6cm £100-£150
297. An Elizabeth II silver engine turned silver cigarette case Birmingham, 1957, Mappin & Webb Ltd, rectangular canted form, interior gilt, contained in a silk case, 14 x 8.5cm weight approx. 7.04ozt £80-£120
299. A 9ct lady’s cigarette case stamped ‘9.385’, hallmarked, approx diameter 8cm, approx total weight 68.4g
£700-£900
300. A 9ct gold cigar piercer plain design with sprung action steel blade and suspension ring, hallmarked for Chester, makers mark E.B, length 6.6cm, total weight approx. 14g
£150-£200
301. A 9ct gold cigarette holder hallmarked, inscribed to mouth piece ‘Dunhill’ together with; a 9ct mounted folding stainless steel pocket knife, a 9ct gold cigar piercer, hallmarked, a silver gilt cigarette holder (4), approx length of the first 12.5cm, approx total weight (excluding silver gilt item) 40.5g
£250-£310
293. Two 19th century desk seals, a silver gilt dog whistle and matching case first gold, unmarked with circular vacant bloodstone matrix, second tortoiseshell handled inlaid with piquework and foliate chased silver rectangular matrix bearing initials, together with a gilt fog whistle and a matching small oval case with pull off cover, initialled (4), first length 2.8cm £100-£150 298
298. A 9ct gold lady’s compact by Kurt Weiss engine turned design, hallmarked, approx diameter 8cm, approx weight (without mirror) 113g £1,500-£2,000
302. A 9ct gold cigarette case engine turned design to case, Birmingham hallmarks, inscribed to interior ‘1955’, approx length 13cm, total approx weight 171.1g £2,200-£2,500
303. A 9ct gold cigarette case with engine-turned design, stamped ‘9.375’ with London hallmarks complete with suede case, total approx weight 158.6g, approx diameter 12.7cm £1,800-£2,500
304. A 9ct gold Parker ball point pen stamped ‘9.375’, hallmarked, inscribed ‘Parker Made in England’ together with a 9ct gold Eversharp propelling pencil, hallmarked, inscribed ‘Eversharp’, a Parker Sonnet lacquer mounted with 9ct gold collar, inscribed ‘Parker Sonnet Made in France’ with Parker nib stamped ‘18k’ (3), approx length of the first 12.5cm £100-£150
305. A collection of moulded frosted coloured glass animal charms c.1930 to include French bulldogs, rabbits, cats, a monkey, all seated most with a metal collars and suspension (qty), various £50-£80
306. A mid Victorian fitted tray of silver-gilt tools from a dressing box comprising a double ended medicine spoon, London, 1863, Thomas Johnson I, a folding pocket corkscrew, an ear scoop with tweezer handle, a bodkin, a needle case a napkin clip, a pencil lead case, a silver-gilt and tortoiseshell propelling pencil with yellow stone set and slide actionterminal, two pairs of steel scissors, a tortoiseshell handled pocket knife, a button hook and a file, some items stamped Leuchars Piccadilly, various £200-£300
307. A Victorian fitted tray of tools from a dressing box retailed by Apsrey the blue velvet fitted tray containing a silve r-gilt hexagonal propelling pencil with foliate engraved decoration and terminal set with purple stone and a mother of pearl handled both stamped S Mordan & Co. ear scoop with tweezer handle, two pairs of gilt handled steel scissors stamped Asprey Bond Street, a mother of pearl letter opener with folding steel blade, a small gilt folding cork screw and four various mother of pearl handled tools, various £200-£300
308. A mid Victorian fitted tray of mostly silver-gilt tools from a dressing box foliate engraved decoration, comprising a Victorian double ended medicine spoon, London, 1878, Chawner & Co, a dip pen stamped S. Mordan & Co, a folding knife, Sheffield, no date letter, Brookes & Crookes, a needle case, a napkin clip, a ribbon threader, a bodkin, four assorted tools, a steel ear scoop with tweezer handle steel folding corkscrew and two pairs of steel scissors stamped Edwards, contained in a fitted tray, various £200-£300
309. An American silver matchbox holder and a Chinese nephrite jade ashtray
first stamped Sterling Farmer, rectangular with engraved borders and mounted with a Chinese carved carnelian panel, second of octagonal form with as relief carved border with birds and flowers, mounted with a carved agate figure of a dog (2), first length 5.9cm, second length 14cm £70-£90
310. An Edwardian silver ring box, a pin dish and prize medals first, London, 1903, William Comyns, rectangular, the hinged lid embossed with winged cherub masks, fitted interior, second London, 1896, William Comyns, of lobed form embossed with cherubs masks and foliate scrolls, together with an early Victorian prize medal engraved ‘Northumberland Cricket Club Athletic Exercises July 1845 and another engraved “Presented by George Youg Es. Mp. to Dux at Stranraer Academy 1866, awarded to James Guthrie’ (4), first length 10.2cm, total weight approx. 5.93ozt £80-£120
311. A German Art Nouveau.800 silver cigarette case and matching vesta case stamped 800, makers mark M & p, of rectangular cushion form, embossed with thistles, gilt interiors (2), first length 9.8cm, weight approx. 2.98ozt £80-£120
312. An early 20th century continental silver-gilt cigarette case and a.935 silver cigarette case first indistinct marks, of square cushion form with round corners, engine turned and blue enamel decoration, the push button set with blue cabochon stone, second stamped 935, of rectangular curved cushion form with ribbed decoration, bears inscription to gilt interior Homburg Three Stroke Competition First Prize Won by Charles F. Gardner, 19th August 1912 (2), first 8.3 x 7.4cm, weight approx. 6.77ozt £100-£150
313. A Victorian Sampson & Mordan folding double ended scent bottle, together with items of silver and vertu first silver gilt mounts stamped S Mordan & Co, facet cut ruby body, together with an Indian Colonial Kashmiri kang form salt cellar, with all over foliate repoussé decoration, an American silver pepper pot engraved ‘Boston Baked Beans’ stamped A. Stowell & Co, a Balinese silver oval pill box, and a gold pique inlaid tortoiseshell purse (5), first length 12.6cm, silver weight approx. 2.72ozt £100-£150
& Charles, naturalistically modelled standing, German presentation inscription, green velvet pad, length 6.7cm £100-£150
317. An Edwardian silver mounted cut glass scent bottle other items first with stopper together with an .800 oval pill box mounted with green hardstone and gilt interior, a Mexican silver oval pill box mounted with a carved hardstone Aztec mask, a Chinese figure of a seated Buddhist lion dog, a late Victorian silver locket and two Peruvian hardwood boxes with planished silver mounted glazed lids inset with textiles (7), first height 11.5cm, weighable silver total weight approx. 16ozt £50-£80
315. An Elizabeth II large silver engine turned cigarette case Birmingham, 1960, W H Manton Ltd, rectangular form with rounded sides, the front with a single rose coloured band and reserve bearing initials, slide action, interior gilt with inscription, length 12.9cm, weight approx. 7.59ozt £100-£150
316. An early Victorian silver toothpick case London, 1852, Charles Rawlings & William Summers, rectangular with hinged cover and shaped thumbpiece, all over foliate engraved decoration, interior gilt, length 6.9cm, weight approx. 0.98ozt £80-£120
318. A William IV silver-gilt vinaigrette, an early Victorian vinaigrette and a George III miniature book snuff box first Birmingham, 1836, Nathaniel Mills, of rectangular cushion form, engine turned and foliate chased decoration, gilt interior with hinged engraved pierced foliate scroll grille, rectangular reserve bearing initials, second, Birmingham, 1843, Joseph Willmore, rectangular with bright cut decoration, raised foliate chased borders and reeded sides, gilt interior with hinged foliate pierced grille, suspension ring attached, third Birmingham, 1843, Matthew Linwood (3), first length 3.9cm, weight approx. 1.39ozt £150-£250
319. Two George III silver patch boxes, and other later pill boxes first Birmingham, 1796, Samuel Pemberton, circular with pull off cover, bright cut engraved with a heart and initials, and dated 1802, second, Birmingham, 1811, makers mark IT, circular with wriggle work engraved with leaves, together with a silver-gilt Hanau oval box set blister pearl, and red and green paste stones, a George V pill pox with pull off cover decorated in pink and white guilloché enamel, a plain tonneau shaped pill box and a hexagonal pill box with chased decoration stamped 925 (6), first diameter 28mm, weight approx. 2.69ozt £80-£120
320. Silver to include caddy spoons, a stamp case and other items comprising: a silver George III fiddle pattern caddy spoon with shell bowl, London, 1819 William Eley & William Fearn, initialled, a caddy spoon with gilt shell bowl and cross handle, London, 1924, J Wipell & Co, a foliate engraved hinged stamp case, a Mabie Todd Fyne Poynt engine turned silver propelling pencil another silver pencil, boxed spare pencil leads, a curblink Albert watch chain graduating to either end, a long curblink guard chain with spider watch key attached, a cased National Trust silver medal;, a pair of pique inlaid tortoiseshell silver lidded glass pots and a small circular easel back photograph frame, a charm bracelet (qty), first length 9.7cm, weighable silver approx. 6ozt £80-£120
321. A pair of George III silver sprung feather edge sugar tongs and other items first lion passant and makers mark IB only, probably John Booth, pivot spring hinge together with a late Victorian silver and hardstone set novelty dagger page marker, Birmingham, 1898, Adie & Lovekin Ltd and a cheroot cutter, Chester, 1900, William Neale (3), first length 13.5cm, weighable silver approx. 136ozt £50-£80
322. A George V silver and gold vesta case
London, 1912, Goldsmiths & Silversmiths Co., of rounded rectangular form with engine turned and applied linear gold banded decoration, concealed push clasp, interior gilt double holder and striker, stamped RdNo 406089, 5.9 x 5cm, weight approx. 2.17ozt £100-£150
323. A collection of mostly French electroplate to include cocktail shakers, trays, flatware etc. comprising a Christofle cocktail, a large cocktail shaker, a cased Art Deco christening set comprising a rosewood handle sauce pan, egg cup and spoon, beaker, napkin ring, plate (lacking three items of cutlery), a twelve setting canteen of cutlery in three cases, cased sets of twelve table and dessert knives with horn handles and stainless steel blades, a cased set of twelve teaspoons, Art Deco oyster forks, a large twin handled rectangular tray, a boxed Christofle serving dishes, other serving dishes, a pair Christofle double salts with blue glass liners, Christofle punch ladle with turned ebony handle, twelve Ercuis berried leaf pattern tablespoons, forks, teaspoons and serving items, a set of twelve fish knives and forks and servers, assorted matched fiddle and thread pattern flatware, a pair of dwarf Corinthian column candlesticks, a pair of bottle coasters etc (qty), various £100-£150
324. A large Victorian electroplated meat dome and other silver plated items first by Elkington and Co, of lobed form with detachable flower finial, crested, together with a large French twin handled tray, an oval salver and a spirit kettle on stand with burner, all three by Christofle, two entrée dishes and covers, a circular chafing dish and a pair of asparagus servers (8), first length 39.8cm £80-£120
325. A Mappin & Webb electroplated canteen of Queen Anne pattern flatware comprising eighteen table forks, eighteen dessert forks, eighteen dessert spoons, six soup spoons, eleven tablespoons, a sauce ladle, seventeen table knives and seven dessert knives, both with stainless steel blades (qty), table fork length 24.5cm £80-£120
326. An Elizabeth II cased silver six piece cruet set Birmingham, 1953, Garrard & Co Ltd, of plain octagonal design with gadrooned rims on spreading feet, comprising a pair of pepper pots, a pair mustard pots with hinged domed covers and a pair of salts, both pairs fitted with blue glass liners and with associated spoons, weight approx. 7.69ozt £80-£120
327. Silver teaspoons and other items comprising an Edwardian matched set of six teaspoons with lawn bowl terminals, a set of six Art Deco teaspoons, a cased set of six tea knives with leaf capped pistol grip handles and stainless steel blades, a pair of Belgian.800 sugar tongs with lion paw terminals and two German.800 napkin rings and two others (qty), weight approx. 7.95ozt £100-£150
328. Cased Sets of French silver spoons and other silver various dates, makers marks, to include an early 19th century set of eight.950 teaspoons, Paris, Edmond Jamet, a cased set of twelve silver-gilt coffee spoons, a pair of French sugar tongs with lion paw terminals, another pair, a christening fork and spoons engraved Janine, cased set of six George V apostle coffee spoons, a pair of fiddle and thread pattern salt spoons, a pair of dwarf candlesticks with weighted bases, a cigarette case etc (qty), various weighable silver approx. 24.95ozt
£300-£400
329. Two George V silver sauce boats Birmingham, 1927 and 1928, Asprey & Co Ltd, of typical boat form with wavy edged rims and flying scroll handles, on legs with stepped hoof feet, initialled (2), length 15.3cm, weight approx. 8ozt
£100-£150
330. A collection of silver various dates, makers marks, to include a pierced and embossed bonbon dish, a sauce boat a/f cruet, a pierced mustard pot lacking liner, a dwarf candlestick, a cased pirze spoon, part sets of coffee spoons (qty), various, weight approx. 21.86ozt £250-£350
331. A collection silver to include cased sets, toast racks and other items various dates, makers marks, comprising, an Edwardian hexagonal tapering spill vase with weighted base, London, 1903, William Comyns, a late Victorian cut glass globular table scent with screw fitting lobed cap and internal stopper, a pair of George V ogee form baluster pepper pots in George III style, a George VI Art Deco christening mug engraved Jill, two four division toast racks, a late 19th century mahogany cased set of ten Dutch teaspoons, a cased pair of late Victorian napkin rings pierced with flowers, crested and numbered, a cased set of six demitasse coffee spoons, a cased egg cup with weighted base and soon, a cased engine turned Art Deco napkin ring, five assorted napkin rings, an electroplated tea canister and a continental plated Art Nouveau design oval slat with blue glass liner (qty), first height 15.2cm, weighable silver approx. 17.75ozt £250-£350
332. An American silver pierced dish and other silver various dates, makers marks, first stamped Sterling by Webster Co. together with a set of seven Edwardian Hanoverian Rattail Teaspoons, London, 1903, Mackay & Chisholm, initialled, an oval dish with pierced border, a cased christening fork and spoon, a presentation twin handled trophy cup, an a/f hand mirror stamped sterling Birks, odd spoons, napkin rings etc. (qty), first length 29cm, weighable silver approx. 20ozt £250-£350
333. A late George III silver fiddle pattern fish slice, a Scottish quaich and other silver first London, 1819, William Nixon, the pierced with a fish and with bright cut engraving, second Edinburgh, 1920, Brook & Sons, of plain typical twin handled form, engraved with initials and dated 1921, a late Victorian butter knife with filled silver handled, a late Victorian half gadrooned mustard pot with clear glass liner, an Elizabeth II Coronation spoon, Sheffield, 1953, Mappin & Webb in a fitted card box assorted napkin rings, a French serving slice with filled silver handle, four matching late Victorian napkin rings variously numbered, a French plated set of seven coffee spoons and cased set of matching serving utensils by Christofle (qty), first length 29.5cm weighable silver approx. 15.74ozt
£180-£220
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
334. A George VI cased silver and enamel commemorative 1937 coronation spoon and other silver first Birmingham, 1936, Turner & Simpson, the bowl with the double portraits facing left in relief titled George VI and Elizabeth Crowned 1937, the terminal decoration in enamel with St George and the dragon and the Royal Coat of Arms, in a fitted case stamped Coronation 1937 together with a pair of French rock crystal handled silver butter knives and other silver, first .950 Minerva mark, makers mark indistinct, together with an early 19th century silver mounted cut glass cruet bottle and stopper, unmarked with reed scroll handle and a set of six Edwardian bright cut engraved coffee spoons, Sheffield, 1905, Joseph Rogers & Sons, Ltd (qty), first length 21.3cm, weighable silver approx. 6.55ozt
£100-£150
335. Assorted silver to include cased items various dates, makers marks, comprising a German .800 silver beaker of tapering form engraved with Latin inscription from Horace’s Ode, a case Tower of London 1078-1978 commemorative dish, a cased baby’s spoon and pusher set, Birmingham, 1933, by Robert Pringle & Sons, a cased egg cup and spoon set, initialled, a cased Elizabeth II Silver Jubilee commemorative sugar spoon, three William IV fiddle pattern teaspoons, a rectangular mustard pot and spoon fitted with a blue glass liner two pairs of sugar tongs, a Burmese napkin ring and six assorted napkin rings (qty), weight approx. 19.74ozt £250-£350
336. A late Victorian silver butter shell, a cream boat and assorted silver various dates and makers, first Birmingham, 1895, William Henry Leather, a cream boat by Mappin and Webb, a pair of shell shaped salts, a cased baby’s pusher and spoon set (qty), first length 12.8cm £100-£150
337. A George V silver engine turned silver table cigarette box and other silver first London, 1912, D & J Welby Ltd, rectangular with canted corners, interior gilt with presentation inscription and cedar lined, together with a George III feather edge Old English pattern sauce ladle, London, 1767, maker mark W.C, a pair of pierced drum mustard pots with blue glass liners, two napkin rings one with an applied brass elephant the other initialled, etc. (qty), first length 13.5cm, total weight approx. 23.15ozt £200-£250
338. A cased pair of mid century Norwegian silver bonbon dishes and cased sets of twelve coffee spoons and tea knives first stamped 925 Sterling by Norsk Filigransfabrikk, of plain oval design on an oval beaded foot, together with a cased set of twelve Louis Seize pattern coffee spoons and tongs, London 1915, Francis Stebbings and a cased set of twelve tea knives with plated blades and filled handles (3), first length 10.6cm, weighable silver approx. 11.82ozt £140-£180
339. Silver to include a Burmese lidded pot, cased sets of spoons and other items first unmarked, of cylinder form with repoussé decoration and pull off cover, interior gilt underside with inscription, together with an Indian silver pepper pot and salt, Cutch, cased sets of six grapefruit spoons and teaspoons, both initialled, a cased set of six cocktail sticks red bakelite ball terminals, and two easel back circular photograph frames, etc.(qty), first height 6cm, weighable silver total weight approx. 16.64ozt £140-£180
340. An Elizabeth II silver photo frame Sheffield, 2013, Carr’s of Sheffield Ltd, in original box, a George V silver toastrack, 1922, William & Hutton Sons Ltd, and an Elizabeth II silver handled pie server, Sheffield 1978 (3), frame 18.5, wide 13.5cm £80-£120
341. Three George III Old English pattern tablespoons and other silver various dates, makers, one tablespoon Exeter, 1802, Richard Ferris the other two London together with an Edwardian twin handled pedestal bonbon dish on a weighted foot, an octagonal baluster pepper pot, a matched three piece cruet set with blue glass liners etc. (qty), weighable silver approx. 13.64ozt £150-£250
342. A group of silver items to include a George III pair of silver tongs, London, 1813, William Eaton, an Elizabeth II set of six silver teaspoons, Sheffield, 1978, Francis Howard Ltd, boxed, a set of five silver coffee bean spoons, Sheffield, 1970, boxed, an Elizabeth II silver teaspoon, 1976, Francis Howard Ltd, boxed, a pair of Victorian belt buckles, Birmingham, 1971, maker’s mark SGW, and three silver Elizabeth II spirit labels, Birmingham, 1984/85, Douglas Pell Silverware, brandy, port, sherry (qty), weight overall approx. 8.63ozt £100-£150
343. A group of silver items to include a late Victorian silver pocket watch by J G Graves of Sheffield, a smaller silver example, boxed, a Victorian silver vesta case, Birmingham, 1887, a pair of late George III silver sugar tongs, a pair of silver sugar tongs, no date letter, a silver spoon marked Sterling and cased, a silver Raker’s Pointer Pencil, a silver handled button hook, a silver stamp box, Birmingham, 1903, three silver thimbles, various makers, a Victorian silver napkin ring, a necessaire, Birmingham 1927, some silver elements, two silver commemorative tea spoons, Birmingham, 1969, and a brass sovereign holder on chain (qty), weighable silver approx. 5.82ozt £100-£150
344. A late 19th century Indian Cutch silver three piece cruet set and other silver first unmarked, of typical form with foliate chased decoration on feet, an ogee baluster form cream jug in Georgian style, a coronation anointing spoon, a cased set of Hanoverian Rattail teaspoons and a pair of sugar tongs with claw terminals (qty), various, weight approx. 11.28ozt £140-£180
345. A William IV silver snuff box and three silver cigarette cases first Birmingham, 1827, maker’s mark T S, rectangular with engine turned decoration and reeded sides, initialled, together with two large engine turned cigarette cases, a curved cigarette case with linear engraved decoration, initialled and a small silk lined box engraved Jussie on ball feet (5), first length 6.2cm, total weight approx. 16.22ozt £180-£220
346. Seven early Victorian silver-gilt mounted cut glass toilet bottles and jars
London, 1841, Charles Rawlings & William Summers, the lids with dense foliate engraving centred with applied gold buttons engraved with a barons coronet over initial AET, comprising three bottles with internal stoppers, and three jars of various sizes (7), weighable silver approx. 5.86ozt
£300-£400
347. A George IV silver-gilt mounted travelling ink and four other toilet jars
London, John Douglas Archibald Douglas, the mounts with engine turned decoration, comprising a travelling inkwell with screw down hinged cover, a larger pot with screw hinged cover, a pair of jars and a small jar (5), various, weighable silver approx. 3.24ozt
£200-£300
348. Seven mid 19th century French .950 silver mounted cut glass toilet jars
Minerva guarantee, maker poincon J.C, engine turned and foliate engraved fittings, initialled F.A. comprising a travelling inkwell with screw fitting hinged cover, a jar with hinged cover, three bottles of various sizes with internal stoppers, and two further jars (7), various weighable silver approx. 6.38ozt
£200-£300
349. Three late George III silver-gilt toilet boxes / pots
London, 1810/ 1815, John Douglas, comprising a circular larger box and pair smaller pots, the pull off lids with bright cut border and crested with a wheatsheaf and three crossed arrows, larger diameter 8.3cm, weight approx. 6.31ozt
By repute Sir Richard Ottley (1782-1845), appointed Chief Justice of Grenada in 1814 and appointed Chief Justice of Ceylon in 1827 and held that post until 1833
£200-£300
350. A Victorian set of silver-gilt lidded glass toilet jars retailed by Leuchars
London, 1870, Thomas Johnson, comprising a silver-gilt rectangular box with pull off cover, a pot with a hinged lid and push button, and four other jars of various sizes, each applied with a circular button with raised red guilloché enamel monogram, some stamped Leuchars 38 & 39 Piccadilly London, contained in a fitted blue velvet tray, various, weighable silver approx. 9.83ozt £150-£250
351. A pair of late Victorian silver mounted cut glass inks and a lidded jar
London, 1877, Thomas Whitehouse, the square inks with mitre cut decoration and internal stoppers, fitted with screw fitting silver caps with foliate engraved decoration (3), various, weight approx. 1.72ozt £70-£90
352. A Victorian silver gilt beaker and nesting lidded glass jar
London, 1868, James Vickery, the beaker plain with raised monogram, interior gilt, the clear glass jar with pull off lid also with raised monogram (2), height 10.4cm £200-£300
353. A mid Victorian set of ten silver-gilt lidded cut glass toilet jars retailed by Asprey London, 1867, Jane Brownett, the lids engine turned with strapwork borders, mounted with a gold button engraved with a monogram, the jars of various shaped and sizes to include an inkwell and a pot mounted with a button release hinged cover, mostly stamped Asprey 166 Bond St (10), various, weighable silver approx. 11,78ozt
£400-£600
354. Three late 18th century French silver-gilt lidded cut glass toilet jars and a inkwell unofficial control mark used by Association des Orfevres 1795-97, maker mark P.L, circular, the plain domed lids with milled rims, on cover pierced, the jars cut with a row flutes (4), various, weight approx. 2.4ozt
£100-£150
355. Seven late Victorian silver topped cut glass toilet jars
London, 1880, George Betjemann & Sons, the lids finely engraved with strapwork dense foliate scrolling decoration, bearing a monogram, various size, one with button release hinged cover (7), various, weighable silver approx. 6.1ozt
£150-£250
356. Five George IV silver mounted cut glass toilet bottles and jars
London, 1821, John & Archibald Douglas, silver mounts with bright cut borders, initialled MGC, comprising rectangular cut glass bottles of varying size and a pair of jars (5), height of bottles approx. 10.5cm, weight approx. 2.74ozt £150-£250
357. Ø A set of late George III silver toilet boxes an inkwell and a shaving mug
London, 1813/14, William Parker, each piece engraved with a Greek key border and initialled, comprising a cylindrical campaign shaving mug with hinged cover with reeded border detachable turned ivory handle, interior gilt, together with a travelling inkwell with screw fitting hinged cover, a silver lidded glass jar with an engraved band and cut over a row of flutes, and five silver boxes of various sizes with hinged lids and gilt interiors, of which two with pierced lids (8), various, weight approx. 24.8ozt
IMPORTANT NOTICE: This item will be registered from the UK Ivory Act 2018. Ivory declaration submission number reference: 9KWL9YXW £400-£600
358. An Elizabeth II silver table cigarette box
Birmingham, 1952, maker’s mark indistinct, plain rectangular form with hinged slightly domed lid with engine turned decoration, cedar lined interior, width 16.5cm, depth 11cm, overall weight approx. 15.6ozt £100-£150
359. An American silver covered copper table cigarette box by Sweetser & Co early 20th century, rectangular, the lift off silver cover stamped sterling, with raised scrolling borders to top and buildings in a landscape to sides, plain cedar lined base, on bracket feet, length 14.5cm, weight of cover approx. 6.11ozt £80-£120
360. A George V silver cigarette case Birmingham, 1923, Robert Pringle & Sons, engine turned and of curved form, upper cartouche initialled ‘M L W 1924’, side stamped Pd 701473, length 10cm, weight approx. 4.21ozt £60-£80
361. A Danish silver table cigarette box and a late Victorian cigar case first Copenhagen, 1949, assayer Johannes Siggaard, Stampe Ela, of plain rectangular cushion form with hinged lid fith fluted edge, on conforming bracket feet, cedar lined, second Sheffield, 1901, Walker & Hall of plain rectangular curved form, interior gilt (2), first length 18cm, total weight approx. 12.21ozt £100-£150
362. A pair of late Victorian silver Corinthian column candlesticks Sheffield, 1899, by Lee & Wigfull, fluted columns, square swept bases embossed ribbon tied swags and acanthus with gadrooned borders, weighted, height 23.5cm £100-£150
363. A Colombian.900 silver three branch candelabrum and a set of four Canadian dwarf candlesticks first stamped 0.900, issuing three lights on cast scroll supports on a domed base, initialled, second stamped Birks sterling, plain design with weighted bases (5), weighable silver approx. 11.43ozt £150-£250
364. A pair of George II silver candlesticks
London, 1759, William Cafe, with circular detachable drip pans (one lacking), the reel shaped capitals on slender tapering octagonal waisted stems with gadrooned knops, on square bases with gadrooned borders, crested, numbered, height 26cm, weight approx. 43.44ozt
£700-£800
365. A pair of late Victorian silver dwarf Corinthian column candlesticks
Sheffield, 1887, Hawksworth, Eyre & Co. Ltd, detachable shaped drip pans with beaded rims, stop fluted columns, on swept square weighted bases with beaded borders (2), height 15cm £100-£150
366. A pair of Edwardian silver dwarf column candlesticks
Sheffield, 1907, Thomas A Scott, detachable circular beaded drip pans, the columns and swept square bases embossed with bands of scroll decoration, height 13cm £100-£150
367. A continental silver candlestick in Louis XIV style unmarked, octagonal capital and inverted baluster stem with panels with chased panels of strapwork, flowers and scrolls over an acanthus knop, on a square based with incurved corners with shell and acanthus leaf border, height 25.5cm, weight approx. 23ozt £300-£400
368. A pair of late Victorian silver dwarf column candlesticks
London, 1892, Charles Boyton, with beaded decoration, the stop fluted columns on square stepped weighted bases, together with a pair of Edwardian silver dwarf candlesticks, Birmingham, 1907, Asprey & Co. Ltd, on domed circular weighted bases, a George V small circular photograph frame, London, 1920 and a George V silver napkin ring, Birmingham, 1926 (6), height 13cm £100-£150
369. A pair of late Victorian silver Corinthian column candlesticks
Sheffield, 1897, James Dixon & Sons, shaped beaded detachable drip pans, stop fluted columns, square swept weighted bases embossed with husk swags and foliate scrolls, monogrammed (2), height 22cm £200-£300
370. An early George III cast silver candlestick
London, 1766, maker mark indistinct, probably William Cafe, spool shaped sockets and knopped stems, raised on shaped spreading square base with shell corners, height 20.2cm, weight approx. 13.93ozt £180-£220
371. A pair of Elizabeth II cast silver tapersticks in George I style London, 1964, markers mark S G, having octagonal knopped stems on spreading bases (2), height 11.2cm, weight approx. 8.44ozt £100-£150
372. An Italian silver salver in early 18th century style
Italian control marks stamped 925 sterling, of plain octagonal form with raised border and moulded rim, engraved with an armorial, engraved verso with inscription dated 1973, diameter 26cm, weight approx. 17.99ozt £200-£300
373. A George IV Scottish silver presentation salver
Edinburgh, 1825, Charles Bendy, circular with raised moulded border and leaf border, engraved Jun Esq, Their Secretary in Acknowledgement of his Services and in Testimony of their Regards April XIII MDCCXXXVI, within scrolling foliate border, on three acanthus paw feet, diameter 25.5cm weight approx. 24.88ozt £350-£450
374. An Elizabeth II cased large silver salver
Sheffield, 1991, C J Vander Ltd, of circular form with piecrust border and gadrooned rim, on scroll feet, in a fitted case, diameter 36.5cm weight approx. 45.85ozt £500-£800
376. Ø A George IV silver teapot London, 1828, makers mark indistinct, of squat circular tapering form with hinged domed cover and leaf capped scroll handle with ivory insulators, all over engraved with flower filled urns and a flower basket, framed by rocaille scrolls and flowers, on as circular foot, crested, accompanied by a later matching twin handled electroplated twin handled sugar vase (2), teapot handle to spout 28cm, weight of teapot only approx. 22.55ozt
IMPORTANT NOTICE: This item will be registered from the UK Ivory Act 2018. Ivory declaration submission number reference: 6T33UQHF £300-£400
377. A George V silver teapot Birmingham, 1921, Joseph Gloster Ltd, of plain oblong bellied form, with hinged domed cover, ebonised scroll handle and finial, on feet, length handle to spout 25.5cm, weight approx. 13.38ozt £150-£200
378. A late Victorian silver four piece tea and coffee service London, 1891, Walter & John Barnard, of tapering half fluted form, comprising a teapot and pedestal coffee pot with ebonised handles and finials, a twin handled sugar basin and a jug with gilt interiors, crested (4), teapot handle to spout 25.5cm, weight approx. 47.27ozt £600-£800
23.04ozt £250-£350
379. An Edwardian silver bachelor’s teapot Chester, 1908, William Neale & Sons, of circular squat form with a central band and scroll handle, 22cm long, weight overall approx. 9.51ozt £100-£150
382. A George V silver twin handled basket Sheffield, 1915, William Hutton & Son, of circular tapering form with pierced sides and gadrooned rim and c scroll handles, on pierced foliate bracket feet, handle to handle 22.5cm, weight approx. 7.15ozt £100-£150
380. An American Arts and Crafts Kalo Shop planished silver bowl stamped sterling, of squat circular lobed tapering form with applied wavy edged rim, stamped ‘Hand Wrought At The Kalo Shops Chicago And New York E463’, diameter 24cm, weight approx. 21.2ozt £300-£400
383. A German.800 silver twin handled silver pedestal bowl c.1900 stamped 800 Wilhelm Binder Hessenberg, of plain elongated oval form with beaded rim, interior gilt and fitted with clear glass liner, on a pierced pedestal and a spreading foot, handle to handle 36.5cm, weight approx. 14.89ozt £180-£220
381. A late 18th century Spanish colonial silver twin handled bowl unmarked, probably Guatemala, of circular bellied lobed form with twin scroll handles, the everted rim engraved with flowers alternating with various naive animals to include a turkey, a fish, a bear, a hound, a cat, on a short tapering foot, handle to handle 23cm, weight approx. 18.5ozt £400-£600
384. A George IV silver cream jug London, 1829, William Batemen II, of circular bellied form with beaded rim and scroll handle, on a circular foot, embossed with rocaille scrolls and flowers, interior gilt, handle to spout 14cm, weight approx. 7.09ozt £100-£150
385. A mahogany cased late 19th century Dutch .883 silver part canteen of Hanoverian pattern flatware
Rotterdam, 1871, Jan De Groot, comprising twelve table forks, six tablespoons and thirteen dessert spoons, contained in mahogany cutlery canteen with hinged domed lid, red silk lined interior with three fitted tiers, together with a mahogany cased set of nine non matching Dutch teaspoons (40), table fork length 20.2cm, weight approx. 55.82ozt £700-£900
386. Four Victorian and later cased christening sets comprising an early Victorian Kings pattern knife with filled handled, fork and spoons set, London, 1865, George Adams, a late Victorian foliate engraved spoon and fork, London, 1895, Charles Boyton, initialled a long shell pattern knife and spoon, Sheffield, 1895, Atkin Brothers, and another set, initialled (4), various, total weight approx. 7.6ozt £100-£150
387. A collection of silver souvenir, commemorative and other spoons to include a late Victorian Novelty Lee Metford Rifle Anglo Boer War 1899-1900 Souvenir teaspoon, London, 1899, Cornelius Desormeaux Saunders & James Francis Hollings Shepherd, in the form of a rifle with gilt bowl, a Hey! Diddle Diddle Nursery Rhyme Christening Spoon, Birmingham, 1900, Levi & Salaman, a Norwegian caddy spoon with leaf bowl and twisted and curled handle by Marius Hammer, others with enamelled terminals, a continental silver-gilt coffee spoon with enamellled bowl painted with the crested for Edinburgh, an Egyptian spoon with coin bowl and embossed pharoah terminal another Egyptian spoon set with blue stone and with coin bowl, two Indian spoons with coin bowls and elephant terminals, a cast scorpion salt spoon, other unmarked eastern coffee spoons, etc (qty), various weight of silver spoons approx. 11ozt £150-£250
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
388. A pair of George IV fiddle pattern sauce ladles, pair of George III Scottish Celtic point toddy ladles and other silver
first London, 1833 A B Savory & Sons, initialled second, Edinburgh, 1806, Matthew Craw, crested with motto, a large George V coronation anointing spoon, London, 1910, Charles Boyton & Sons, a caddy spoon with shell bowl, Sheffield, 1899, James Dixons 7 Sons and a pair of caddy spoons, with bright cut decoration, Sheffield, 1909 W S Savage & Co (8), first length 17.7cm, weight approx. 9.86
£100-£150
389. Assorted silver spoons and other items various dates, makers marks, comprising a twin handled tea strainer on stand, Birmingham, 1974, William Suckling, a napkin ring, initialled, a jam spoon, assorted spoons, etc (qty), various, weighable silver approx. 11.79ozt
£140-£180
390. A late Victorian silver sifter spoon and other silver
first Sheffield, 1880, Martin Hall & Co having pierced shell bowl and tiwsted stem, a commemorative spoon with enamel decorated Royal Coat of Arms terminal, Birmingham, 1911 Levi and Salaman, a Canadian Niagara Falls enamlled souvenir spoon, assorted spoons and a napkin rings (qty), length 15.2cm weight approx. 9.63 £100-£150
391. A set of eight Dutch.833 silver coffee spoons and other silver
first single sword mark and makers mark only, having twisted stems and engraved handles together, initialled, with a bread fork, Sheffield, 1915, Mappin & Webb, initialled, a pair of elliptical napkin rings, Chester, 1913, Haseler Brother, with engraved decoration and bearing initials, two other napkin rings, initialled, and a butter knife (qty), first length 11.5cm, weight approx. 8.36ozt £100-£150
392. Early 19th century French silver.950 fiddle pattern flatware
French control marks, some marked mark G.J. others G Juge, comprising six table forks and six tablespoons, initialled L. D (12), table fork length 20cm, weight approx. 27.54ozt £350-£450
393. Nine George V silver Hanoverian Rattail pattern dessert spoons and forks
Sheffield, 1929, Mappin & Webb (18), fork length 17.6cm, weight approx. 30.03ozt £400-£500
394. A matched set of seven George III Irish bright cut Celtic Point tablespoons of which five Dublin, 1790 John Pittar, together with a later matched George IV spoon Dublin, 1829, Thomas Farnett, crested with an eagle, and a near matching tablespoon, marks partially rubbed (7), length 24.7cm,. weight approx. 13.34ozt
£200-£300
395. A set of six late Victorian Irish silver bright cut Celtic point dessert spoons
Dublin, 1899, John Smyth & Sons (6), length 17.5cm, weight approx. 5.85ozt
£80-£120
396. A pair of George III Irish fiddle pattern tablespoons and other assorted later mostly Irish flatware
first Dublin, 1808, makers mark J.K. initialled, together with three fiddle pattern table forks, Dublin, 1829, William Ward, a near matching fork, all crested with a Phoenix, a pair of fiddle pattern tablespoons, Dublin, an Old English pattern tablespoon, Dublin, 1783, John Laughlin Senior, crested, etc (qty), firts length 22.7cm, weight approx. 21.93 £250-£350
397. A set four Victorian cast silver salt spoons and a serving spoons
London, various dates, c.1860 George Adams, with leaf bowls and fruiting vine cast handles, the salts with gilt bowls (5), first length 10.2m, weight approx. 4.49ozt £80-£120
398. An early 20th century Canadian Cello pattern part canteen of flatware
stamped Sterling by Northumbria, comprising, five table fork five dessert forks, eight salad forks, four dessert spoons, eight soup spoons, ten teaspoons, eight five o’clock teaspoons, a butter knife, cold meat fork, serving fork, sauce ladle and sugar spoon, eight table knives, eight dessert knives, seven butter spreaders, a pair of wooden salad servers and a serving slice all with filled silver handles and stainless steel blades (qty), fork length 18.8cm, weighable silver approx. 61ozt £800-£1,000
399. A collection of twenty five Turkish silver and silver-gilt repoussé clad wedding mirrors some stamped silver 900, others unmarked, mostly of oval lobed shape of various sizes, to include a square, rectangular and circular example, various embossed with floral decoration, suspended on chains (25), largest length 21cm £600-£800
London, 1975, John Pinches, the finial of each spoon set with silver gilt medallion of a different bird, in original fitted teak case bearing plaque ‘RSPB The Royal Society For The Protection of Birds Spoon Collection’, length 13.5cm, weight approx. 10.32ozt £140-£180
401. A George V cased set of twelve Queen Anne pattern silver pastry forks Sheffield, 1912, Mappin & Webb, length 14.8cm, weight approx. 11.24ozt
£140-£180
402. A Victorian novelty silver bird pepper pot London, 1884, Jane Brownett, naturalistically modelled standing with pull off pierced head and textured feathers, height 4.7cm, weight approx. 2.03ozt
£100-£150
403. An American Art Deco silver cocktail shaker stamped Sterling, stamped for F W. Smith Co., of plain cylinder form with pull off stopper, engraved with commemorative inscription dated 1937, height 30.5cm, weight approx. 16.42ozt
£200-£300
404. An American silver coffee pot in George II style stamped Ensko New York, of plain tapering from with faceted spout, hinged domed cover and fruitwood scroll handle, engraved with initials, engraved to underside Reproduction Thomas Evesdon Circa 1725, height 20.5cm, weight approx. 20.21ozt
£300-£400
405. An early 20th century Mexican silver serving dish stamped Sanborns Mexico Sterling, of plain oval design with petal edge border and single division, length 32.6cm, weight approx. 22.55ozt
£300-£400
406. A set of nine mid 20th century Mexican silver small plates stamped Sanborns Mexico Sterling, plain circular design with raised petal edge borders (9), diameter 16cm, weight approx. 50.46ozt
£600-£800
407. A Mexican silver silent butler crumb pan, a sauce ladle and two spoon straws first stamped 925 G.H. Villa, plain circular form, the hinged lid with raised scroll border and thumb piece, turned wooden handle, together with a pea and blossom pattern sauce ladle stamped 925 Sanborns, the straws stamped 925 Anton Plata with leaf shaped bowls (4), first length 23cm, weight approx. 10.62ozt
£100-£150
408. A late 18th century Danish silver beaker and various items of novelty miniature silver first unmarked, of tapering form, the base inset with a 4 mark / Krone dated 1724, decorated with a finely stippled band, engraved with coronet and initials and date 1771 together with a novelty miniature items to comprising two pepper pots, one in the form of a teapot the other a dredger, Chester, 1898 and 1905 both Cornelius Desormeaux Saunders & James Francis Hollings Shepherd, an eastern lidded pot and a zither, swing handled pail embossed with figures and a staved barrel form cup, all Hanau (7), first height 7.4cm, weight approx. 5.82ozt £100-£150
409. An Edwardian cased eleven piece silver mounted manicure set Birmingham, 1902, E. S. Barnsley & Co, comprising two silver pots with embossed lids, a nail buffer, tweezers, brush, two pairs of scissors, file, folding knife, etc, various £50-£80
410. A South American Spanish Colonial silver mate cup and bombilla straw unmarked, probably Peruvian late 19th century, the gourd shaped bowl embossed with a band of foliate scrolls on paired eagles supports on circular dish with domed centre, on ball and claw feet, accompanied by a straw (2), height 19cm, weight approx. 19.49ozt £200-£300
411. An Elizabeth II and Prince Philip Silver Wedding Anniversary cased silver goblet London, 1972, Garrard & Co Ltd, engraved with Crown over Royal Cypher and Silver Wedding, interior gilt, Numbered 1535, in a Garrad case, height 14.9cm, weight approx. 6.34ozt £100-£150
412. Two late Victorian silver mounted claret jugs both London, 1898 Francis Higgins II, acanthus and scroll embossed mount and handle with hinged cover and foliate scroll finial, clear wrythen fluted body, second mount and handle embossed in Louis XV style with acanthus leaf, tambourine and crossed horn, flower basket and swags, clear body with cut and engraved with trailing harebells (2), first height 23cm £200-£300
413. A late Victorian silver capstan inkwell and two Edwardian letter/ document holders
London, 1892, Goldsmiths & Silversmiths Co., having hinged domed cover, glass liner and five quill / pen holders, the holders both London, 1904, William Arthur Clare, of plain clip form (3), diameter 8.9cm, weight approx. 8.54ozt £100-£150
414. A late Victorian silver sugar caster and a butter shell first Chester, 1899, George Nathan & ridley Hayes, of ogee baluster form, embossed with scrolls and flowers, pierce domed cover with flame finial, initialled second London, 1874, makers marks indistinct, on a spreading foot, crested (2), weight approx. 7.76ozt £100-£150
415. A pair of Edwardian silver pin dishes, a dish and a silver mounted ribbed glass match striker first London, 1908, Edwards & Sons, one mounted with the cast figure of a pheasant, the other a grouse, second, Birmingham 1892, John Grinsell & Sons, of plain circular form with lobed petal edged rim, retailed by Asprey 166 New Bond Street, third Birmingham, 1907, Charles May (4), first diameter 8.5cm, weighable silver approx. 6.8ozt
416. A George III silver mug London, 1777, Samuel Meriton II, of barrel form with reeded bands and scroll handle, interior gilt, initialled, height 6.7cm, weight approx. 2.6ozt £80-£120
417. A late Victorian silver travelling soap box London, 1893, Thomas Whitehouse, of plain rectangular hinged design, monogrammed, length 8.5cm, weight approx 4.25ozt £80-£120
418. A pair of Edwardian silver cream jugs and a silver and tortoiseshell trinket box London, 1907, George Perkins, of plain bellied form and loop handle, crested, retailed by H Davison 148 Strand, second, Birmingham,1915, Mappin & Webb, circular the hinged domed lid with pique inlaid decoration, velvet lined, on feet (3), first height 5.2cm, weight of jugs only approx. 6.1ozt £100-£150
419. An early Victorian cast silver caddy spoon and a George III silver caddy spoon first London, 1853, George Adams, silver gilt acanthus leaf cast bowl, naturalistic branch handle with foliate terminal, second no town mark but London, 1819, George Wintle, the bowl with flowers (2), length 13.5cm £80-£120
420. A large late Victorian silver mounted heavily cut glass salad bowl London, 1899, Martin Hall & Co., the rim chased with scrolls and foliage, height 13.5cm £50-£80
421. A pair of late Victorian silver mounted imari decorated ceramic salt and pepper pots Birmingham, 1886, Saunders & Shepherd, bottle form (2), height 8.5cm £60-£80
422. A late 19th century Chinese export silver goblet stamped Wang Hing 90, artisan marks, the urn shaped bowl finely chase with birds, lotus blooms and foliage, supported on a naturalistic stem formed of gathered lotus leaves, on domed circular foot with conforming repoussé decoration, height 21.1cm, weight approx. 9.01ozt £500-£700
423. A late 19th century Indian Colonial silver mug and other items first probably Kashmir, of tapering form engraved in “Shawl pattern” with snake handle, bearing shield shape reserve initialled J.M.G L.J.G. together with a small milk jug embossed with a hunting scene of dogs chasing a deer in a wood landscape, and a pair of hinged cuff bracelets, pierced and embossed with foliate design with beaded borders (4), first height 8.5cm, weight approx. 11.66ozt
£150-£250
424. A large 19th century Ottoman Islamic silver bowl unmarked, of circular tapering form the interior engraved to centre with a medallion containing Arabic calligraphy within bands of scrolling decoration containing a signature, the exterior with a conforming band, diameter 25.7cm, weight approx. 29.44ozt
£400-£500
425. A pair of Chinese export silver twin handled wine cups artisan marks only, of circular tapering form with everted rim and engraved with double happiness symbol, having twin branch and ruyi fungus handles on a circular foot, handle to handle 8cm, weight approx. 3.3ozt
£100-£150
426. A South East Asian small silver tray stamped 925MD, circular, the raised border repoussé embossed with flowers and foliage, diameter 20.5cm, weight approx. 7.39ozt £80-£120
427. A collection of nine South East Asian silver betel boxes unmarked, comprising a Burmese half moon shaped with hinged lid and foliate engraved decoration, another of elliptical form with pull off cover, a covered box signed with a flower and dated 1921, a small covered box embossed with a lion, a Straits Chinese barrel shaped double boc engraved with prunus, a Cambodian pumpkin shaped box and cover of compressed lobed form with foliate finial and hen shaped box, a hexagonal box, two tribal Vietnamese Hmong hoop earrings, etc (12), first length 8cm, weight approx. 15.75ozt £250-£350
428. Four late 19th century South East Asian silver rice bowls probably Malaysian, repoussé decorated with scroling foliate decoration, the underside with a roundel containing a crossed Kris and scabbard (4), diameter 10.5cm, weight approx. 5.14ozt £80-£120
429. A late 19th century Indian Kasmiri silver teacup and Cutch silver first Kashmir, unmarked, of tapering from with everted rim, snake handle raise don a foot, chased in Shawl pattern interior gilt together with a repoussé trinket box of shaped form with and hinge decorated with dense foliate decoration and birds, a snuff box of compressed ovoid form a pair of small circular dishes a cauldron salt, all with similar decoration (6), first height 6.5cm, weight approx. 15.89ozt £180-£220
430. A Japanese Meiji period silver repoussé cigarette case jungin mark, rectangular curved form, decorated front and back with irises on a finely stippled ground, 8.4 x 7.6cm, weight 3.74ozt £100-£150
431. A Japanese Meiji Period silver table cigarette box c.1900 signed, rectangular, the hinged lid repoussé decorated with a dragon and flames against a finely stippled ground, hardwood lined, height 4.5cm, length 13.5cm, depth 10.2cm, total weight approx. 9.16ozt £100-£150
432. A Japanese Meiji period silver vase c.1900 Jungin stamp, Yokohama, Konoike, of compressed tapering form with a fluted band below the rim, repoussé decorated with a lotus pond against a finely stippled ground, on a circular foot, height 6.2cm, weight approx. 3.85ozt £100-£150
433. Two pairs of early 20th century Burmese silver figural menu holders early 20th century unmarked, comprising a pair in the form of peacocks on domed bases, the other pair in the form of a temple dancer wearing a mask and another in the form of a man, on coin bases (4), weight approx. 7.63ozt £100-£150
434. Two Japanese Meiji period silver trinket boxes and other silver first square with canter corners, the pull off cover with raised chrysanthemum, the sides engraved with cranes and pine trees, raised on four splayed feet, a circular box with pull off cover engraved with crane and turtle, a silver heaxagonal pot with pull off mushroom cap repoussé embossed with chrystanthemum on a stipple ground stamped Samurai Shokai Yokohama Sterling, a double walled pepper pot with screw fitting cover and pierced and embossed decoration, selection of coffee spoons with leaf and flower shaped bowls, a Chinese coin dish inset with Chihli Pei Yang Arsenal Dollar (5), first 6 x 6cm, weight approx. 10.29ozt £150-£250
435. An 18ct gold open faced keyless pocket watch circular white enamel dial with black Roman numeral, s minute track and blued steel hands, movement signed Jays No 12819, 142&144 Oxford Street London, plain case hallmarked for London, 1899, case diameter 35mm, gross weight approx. 43.4g
£250-£350
436. An early Victorian 18ct gold open faced pocket watch
circular gilt engine turned dial with black Roman numerals, blued steel hands and foliate engraved decoration to centre, movement signed Barruads’ & Lund Cornhill, London, engine turned caseback, case hallmarked for London, 1840, case diameter 42mm, gross weight approx. 57.2g
£300-£400
437. An Omega silver cased open face keyless pocketwatch
circular white enamel dial with black Roman numerals, minute track subsidiary seconds dial and gold hands, movement signed omega and numbered 4480049, case stamped yellow glass, case stamped Omega, London import marks for 1914, engine turned caseback with buckle reserve, case diameter 47mm
£80-£120
438. A Mobilis gunmetal openface one minute tourbillon pocket watch c.1910
asymmetrical silvered dial with foliate engraving, Arabic numerals and outer minute markers, blued steel hands, aperture beneath with large tourbillon carriage with lever escapement, silvered backplate stamped Mobilis 30754 and numbered 10578, dial diameter 46mm, case diameter 55mm
£800-£1,200
439. A continental 1930s keyless gold pocketwatch gold coloured dial with luminous Arabic numerals, minute track subsidiary seconds dial and luminous hands, elongated shaped hexagonal case stamped 9ct Patent 7121, with engine turned decoration to caseback, attached a swivel suspension frame stamped 9ct, length 5.6cm, gross weight approx.49.3g
£200-£300
440. A lady’s 18K gold open face pocket watch engine turned circular gilt dial with blued steel hands, and foliate engraved decoration to centre, lever movement, base metal dust cover engraved John Bennett, Cheapside, London, engine turned case back bearing initials, case diameter 39mm, gross weight approx. 45g
£200-£300
441. A late 19th century Swiss 18K gold ladies half hunter pocket watch
circular white enamel dial with black Roman numerals minute track and blued steel hands, lever movement, inner dust cover engraved To the Queen Dobson & Sons 32 Piccadilly London, plain case stamped 18K with outer guilloché enamel chapter with blue Roman numerals, to ring to front cover, engraved with initials verso, case diameter 36mm, gross weight approx. 37.2g
£250-£350
442. An 18ct gold half hunter keyless pocket watch circular white enamel dial with black Roman numerals, minute track and subsidiary seconds dial, movement signed Syren, plain case with outer blue enamel chapter to ring to front cover, hallmarked for Chester, 1924, case diameter 49mm, gross weight approx. 103g
£800-£1,200
443. A lady’s Swiss 14k open faced keyless fob watch
circular cream enamel dial with black Arabic numerals and gold dot minute markers, case with chased decoration, case back decorated with green translucent enamel and diamond set, stamped K14, case diameter 26mm, gross weight approx. 16.4g
£100-£150
444. A late Victorian 18ct gold half hunter keyless pocket watch circular white enamel dial with black Roman numerals, minute track, subsidiary second dial and blue steel hands, signed Bryer & Sons, serial number 12758, movement signed by Bryer & Sons, 12758, the case hallmarked for London 1888, the plain case with black enamel chapter ring to front cover, case diameter 45mm, total approx gross weight 93.5cm
£600-£800
445. An 18ct gold Patek Phillipe full hunter keyless one button lever chronograph pocket watch late 19th century, c.1878, circular white enamel dial with black Roman numerals, minute track, outer 1/5 seconds track and subsidiary seconds dial, blued steel hands and gilt sweep stopwatch hand, hinged dust cover numbered 47406 and signed Patek Philippe & Co Geneve, interior of hinged case back stamped 0.750 also numbered 47406, full hunter yellow gold case with chronograph button engraved with initials and foliate scrollwork, dial diameter 44mm, case diameter 50mm, total weight approx. 120.5g
£1,000-£1,500
446. A 9ct gold Benson half hunter keyless pocket watch
circular white enamel dial marked J.W.Benson, with black Roman numerals, subsidiary seconds dial and blued steel hands, 16 jewels movement signed J.W. Benson, the plain case with outer black enamel Roman numerals to chapter ring, hallmarked for Chester 1925, in fitted case, diameter of case approx 5cm, total weight approx 93g
£300-£500
447. A 9ct Benson keyless full hunter pocket watch the enamel dial signed J.W.Benson with Roman numerals and subsidiary seconds, spade minute hand, movement covered with plate signed JWBenson 62 & 64 Ludgate Hill, No V5016, monogram to front of case of interlaced initials, diameter 4.8cm, approx total weight 88g
£350-£450
dial, gilt Arabian numerals, subsidiary numerals, 17 jewel movement numbered 19023, hallmarked London 1938, reverse with personal inscription, in fitted Mappin & Webb case, diameter of case 4cm approx, weight approx 37.6 £200-£300
449. A
wind
wristwatch
silvered dial with Arabic numerals and subsidiary seconds, 19 jewel movement, case number 42924 hallmarked London 1968, with presentation inscription to the reverse, in contemporary Zenith case, diameter of dial 3.4cm
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 96.
450. A 9ct gold Avia manual wind wristwatch the champagne dial with alternating Arabic and baton markers, 15 jewel movement, case hallmarked Edinburgh, with presentation inscription to the reverse, diameter of case approx 3cm, total weight approx 27g £100-£150
451. A Gentleman’s 9ct gold automatic wristwatch by Garrard circular brush steel sunburst dial with raised gilt hour batons, outer minute track, date aperture at 3 o’clock and gold hands with centre seconds, on gilt metal expandable bracelet, in original box, dial diameter 32mm, case diameter 34mm £250-£350
452. A stainless steel automatic Omega Seamaster de Ville wristwatch the silvered dial with baton numerals and date aperture and Omega deployant strap, diameter of dial approx 3.3cm £200-£300
453. A Gentleman’s Parnis Marina Militare GMT stainless steel automatic wristwatch
circular black striped dial with luminous hour batons and Arabic numerals 12, 6 and 9 and minute markers, magnified date aperture at 3, luminous hands, centre sweep seconds and GMT hand, twenty four hour bezel, black leather bracelet, associated box, dial diameter 37mm, case diameter 44mm £100-£150
454. A Gentleman’s Ulysse Nardin stainless steel automatic calendar wristwatch
Michelangelo Big Date ref (233-48) 100M No 1490, c.2002, black dial with alternating silver filled black batoon and Arbaic numeral hour markers, inner minute track with luminous dot five minute markers, luminous dagger hands and centre seconds, date aperture at 2 o’clock, tonneau shaped case, leather strap with deployant butterfly buckle clasp, in box stamped Ulysee Nardin, case width 35mm
£1,000-£1,500
455. An IWC for Stauffer & Co WWI Officers 18ct gold Borgel cased Trench wristwatch white enamel dial with luminous Arabic numerals and dot markers, subsidiary seconds dial, minute track and luminous cathedral hands, Peerless manual wind cal. 64 movement stamped S&C and Peerless numbered 622130, plain Borgel case with wire lugs, case stamped FB 18.75 and bearing London import marks for 1914, engraved verso M.S.R. to T.P.W.B 20th July 1914, leather bracelet, dial diameter 30mm, case diameter 34mm
£300-£400
456. A vintage 9ct gold Rotary manual wind wristwatch the silvered dial with baton numerals and textured square case, 21 jewel movement, on gilt metal expandable strap, the case numbered 922127, diameter of dial width 2.8cm
£200-£300
457. An Omega Seamaster 300 stainless steel ‘Staybrite’ automatic divers wristwatch case ref 14755-62 SC, c.1962 black dial with luminous dart markers and Arabic quarters, polished broad arrow hands with luminous inserts and centre seconds, 24 jewels cal 552 automatic movement, numbered 19364421, brushed polished tonneau shaped case with, bi-directional rotating military style bezel with black calibrated insert, screw down back stamped Omega watch Co, stainless steel bracelet with foldover clasp numbered 7912, dial diameter 31mm, case diameter 40mm £4,000-£6,000
458. A vintage quartz Omega de ville wristwatch the rounded dial with gold coloured dial, baton numerals and date aperture, with paperwork, diameter of case approx 3.2cm £100-£200
459. A 1940s steel Longines Acier Inox wristwatch with Arabic numerals, subsidiary seconds and expandable bracelet, movement numbered 6624664, stamped inside the case 22508 25, diameter of dial approx 3cm £100-£150
460. A 1950s 9ct gold manual wind Omega wristwatch the champagne coloured dial with Arabic numerals and subsidiary seconds, marked on the lugs .375, presentation inscription to the reverse, in fitted leather cover case with suede lining, replaced leather strap, diameter of dial approx 3.5cm £150-£250
461. A 1960s automatic Omega automatic chronometer constellation gentleman’s wristwatch the gold plated case with champagne pie pan dial, baton numerals, date aperture, sword hands, observatory logo to the reverse, replaced strap, contained within a fitted leather case and card out case, diameter of case 3.2cm £400-£600
462. An 18ct gold 1930s manual wind wristwatch the engine turned dial with Arabic numerals, moon hands and subsidiary seconds, with 16 jewel movement, with later black leather strap, dial diameter approx 3cm, total weight approx 31g £200-£300
463. A 9ct gold Kendal & Dent 1930s manual wind wristwatch the champagne dial with subsidiary dial, 15 jewel movement, case hallmarked Birmingham 1938, with a gold plated expandable wristwatch, diameter of dial 2.8cm, total weight 39g £100-£150
464. A lady’s Rotary bracelet watch with champagne dial, baton numerals and heart shaped case to an integral 9ct gold flexible link bracelet stamped to clasp ‘9.375’ and safety chain, approx weight including movement 15g £200-£300
465. A lady’s 9ct gold half hunter manual wind wristwatch white enamel dial with black Roman numerals, minute track and gold hands, case with black enamel Arabic chapter ring and bearing London import marks for 1908, case back with engraved with date 28th January 1915, attached a gatelink bracelet with push clasp and safety chain stamped 9, case diameter 29m, total weight approx. 32.1g £250-£350
466. Two lady’s wristwatches the first 18ct gold lady’s wristwatch, the steel coloured dial with Arabic numerals, stamped ‘18’ to the inside of the case, on a stainless steel strap inscribed ‘stainless montal steel’, the second 9ct gold lady’s wristwatch, the circular white dial with black Arabic numerals, the inside of the case stamped ‘9.375’ on a stainless steel bracelet, inscribed ‘rolled gold, stainless steel back’, and 18ct gold watch head with roman numerals, stamped ‘18’ to the inside of the case (3), approx weight of 18ct (including movements) 27.4g, approx weight of 9ct 18.8g
£150-£250
467. A lady’s open faced fob watch gold inner dust cover, inside case No. 9925, inscribed ‘Cylindre Huit Rubis’, with French horses head control marks, enamel dial with Roman numerals, reverse of case with a chased design and enamel details, key wound, total approx weight 23.7g
£200-£300
468. A lady’s 9ct gold manual wind wristwatch
circular white enamel dial with black Roman numerals, and manual track, expandable sprung bracelet stamped 9ct, together with fine multi-link chain stamped 9ct (2), total weight approx. 17.5g
£80-£120
469. A silver twisted torque necklace designed by Vivenne Torun for Georg Jensen with cultured pearl ends, stamped ‘925 S Denmark / Georg Jensen / 286 Torun’, approx width 15.9cm, approx weight 27cm £200-£300
470. A lady’s 9ct gold Longines wristwatch circular brushed steel dial with raised gilt hour batons signed Longines, manual wind 17 jewels movement signed Longines and numbered, fancy link 9ct gold bracelet with fold over clasp, dial diameter 0.8mm, total weight approx. 14g £100-£150
471. George Jensen. A Danish Modernist silver collar necklace stamped Denmark 925 2 George Jensen, attributed to Hans Hansen, formed of stylised curved and twisted leaf shaped panels, hook fastener, length 40cm, weight approx. 105.8 £300-£400
472. An Asprey London watch fob bracelet engraved to toggle clasp ‘Asprey London’, together with a Tiffany and Co. heart charm, engraved ‘Tiffany & Co.’ and marked ‘925’ (2), approx length 18cm, approx total weight 1.70ozt £80-£100
473. A mid/late 19th century garnet-set flexible link bracelet comprising graduated clusters of faceted garnets, the central three of tiered design, closed back setting, with safety chain, length 16.5cm, 18.6g £100-£150
474. An 19th century painted porcelain and cut steel bracelet the three graduated oval porcelain plaques, depicting a violin player, a lady reading, and a lady with a fan, within a cut steel border, with floral cluster open-work cut steel connectors, safety chain, approx diameter of central plaque 1.5cm, fits a wrist of 16cm £100-£150
477. A Victorian gold cable link bracelet with push clasp safety chain, approx weight 17.4g £300-£400
475. A Continental double curblink chain bracelet stamped ‘750’ to push clasp, suspending assorted unmark charms including a crucifix, a blue hard stone set charm, and a green paste set charm, approx weight 18g, approx length 17.5cm £400-£500
478. A Chinese gold curb link bracelet stamped to clasps, thread bolt fastener, approx weight 18.1g, approx length 17cm £600-£800
479. A 9ct gold gate bracelet stamped ‘375’ to bolt ring, heart padlock clasp, hallmarked to reverse, safety chain, total approx weight 22g, fits a 16cm wrist £250-£350
476. A 9ct gold charm bracelet suspending an assortment of charms including a Edward VII 1907 half sovereign, bare head facing right, a stork, a hard stone swivel fob, 18ct gold castle charm set with coloured paste, stamped to bail ‘750’, a pair of dice, and a padlock heart, all variously stamped ‘9.375’ with a safety chain, approx weight 77.7g
£900-£1,100
480. A 9ct gold fancy link charm bracelet suspending various 9ct gold charms including a fish, three wise monkey charm, a boot, mostly hallmarked, thimble charm unmarked, with a 9ct gold heart padlock, approx weight 56.7g
£500-£600
481. A double row cultured pearl necklace the cultured pearls of even size and with 9ct gold clasp fastening with pearl cluster detail, length of shortest row approx. 42cm £80-£120
Arabic numerals
single-cut diamond-set bezel with engraved sides, the case interior stamped ‘All Platinum’, to the double mesh strap and deployant clasp, bezel maximum length 2.8mm, width 10.0mm, 11g (without movement)
£200-£300
483.
diamond-set flexible link bracelet of pierced geometric and scrolling design, set throughout with brilliant-cut, old-cut and single-cut diamonds, engraved link sides, the concealed clasp stamped ‘PLAT’, SAFETY CHAIN, length 17cm, width 1.4cm, 30.8g £5,000-£8,000
5782-2274 and dated July 2022 stating that the sapphire measuring 10.2 x 13.6 x 9.7mm originates from Ceylon and with no indication of heat treatment, necklace length 37.5cm
Founded by Wilhelm Stoess in 1886 in Berlin, and transferring to Wiesbaden in 1946 following the destruction of that city, the family jewellers of Stoess has been renowned for their fine designs and high quality workmanship, enjoying the patronage of many European and international clients including Czar Nicholas II (1868-1918) and, more recently, Middle Eastern Royal families. Wolfgang Alexander Stoess, the current managing director, has kindly confirmed that this necklace was handmade in their atelier in the 1960s. At this time, Bulgari’s Serpenti jewellery, first introduced in the late 1940s, was all the rage. It is thought that the great-aunt of the current owner and her husband, both pharmacists in Wuppertal and lovers of fine jewellery, may have commissioned this representation of eternal love
£30,000-£40,000
486. A 1970s 9ct gold and garnet set bangle stamped ‘375’, with safety chain, approx diameter 6.3cm, approx weight 12.9g
£100-£150
487. A Victorian silver hinged bangle applied two-coloured floral and foliate motifs with chased abstract design and chased floral and foliate details together with a matching brooch with similar design, both stamped (2), approx diameter 5.5cm, approx weight 46.8g
£100-£150
488. A 9ct gold hinge bangle an embossed floral design to one half, Birmingham hallmarks, safety chain, total approx weight 15.2g, fits a wrist of 16cm £200-£250
489. Three ‘M’Ama Non M’Ama’ 18ct rose gold bangles by Pomellato a blue topaz and 18ct rose gold bangle, stamped ‘750’, inscribed ‘Pomellato C170061251’; an amethyst and 18ct rose gold bangle, stamped ‘750’, inscribed ‘C170075861’, a peridot and 18ct rose gold bangle, stamped ‘750’, inscribed ‘C180024084’, complete with Chinese lacquer box and care cards (3), approx. diameter 5.4cm, total approx weight 16.1g £400-£500
490. An Edwardian trace link chain box clasp set with three half pearls, approx weight 10.3g, approx length 94.5cm £150-£250
491. A 9ct gold chain stamped to link ‘9.375’, approx length 61cm, approx weight 15.5g £150-£200
492. Two 9ct fancy link gold chains both stamped ‘375’, both complete with boxes, approx weight 24.2g, approx length 45cm £200-£300
493. A 9ct gold fancy link chain stamped ‘9ct’ to clasp, suspending Edward VII 1909 half sovereign, sovereign in a loose mount, suspending t-bar, stamped ‘9ct’, approx length 36cm, approx total weight 18.5g £280-£320
494. An Edwardian fancy link chain suspending a locket, chased with a floral and foliate design, approx length 52.5cm £200-£300
495. A group of 9ct gold chains, 9ct gold boxlink chain stamped to tag ‘375’; 9ct gold snake link chain, stamped to tag ‘375’; another 9ct gold snake link chain and 9ct gold fringe necklace, of graduating design, stamped ‘375’ to clasp, approx lengths in order of cataloguing: 49.7cm, 45cm, 50.2cm, 40cm, approx weight 37g £450-£550
496. A group of three chains all stamped ‘9c’ (3), the largest approx length 57cm £180-£220
497. A collection of chains and bracelets a trac e-link chain, stamped ‘12k’ to clasp; a fancy link chain bracelet suspending a pig chain; 9ct gold heart padlock, hallmarked and a chain (4), approx total weight of 12k 4.8g, approx total weight of the lot 25g £300-£350
498. A 9ct gold chain stamped ‘9.385’ to links, suspending t-bar also stamped ‘9.375’, approx length 33.5cm, approx weight 41.7g £500-£600
499. A 18ct bi-coloured fancy link chain stamped to clasp ‘18’, total approx weight 11.4g, approx length 31cm
£250-£350
500. A diamond-set floral spray brooch the two flowerhead clusters and elaborate ribbon bow set with brilliant-cut diamonds, case for Davidson, Henderson and Sorley, Glasgow, max length 5.2cm, max width 2.8cm, 12.7g Davidson was the present owner’s grandfather £1,000-£1,500
501. A cultured pearl and diamond-set brooch the central cultured pearl measuring 8mm in diameter to the floral and foliate surround set with single-cut diamonds, partially closed back scallop setting, width 4.3cm, 4.2g £100-£200
502. A sapphire and diamond-set crescent brooch composed of floral and foliate motifs, and set with circular-cut sapphire collets with old-cut diamond detail, safety chain, max width 4cm, 5.7g £400-£600
503. An Art Deco diamond-set brooch of geometric pierced design, centrally-set with a old brilliant-cut diamond collet to the surround of baguette- and old brilliant-cut diamond-set border, max width 2.9cm, width 2.0cm, 8.1g £400-£600
504. A 19th century rock crystal heart-shaped pendant to the yellow gold suspension loop and later ring, width 1.6cm, 4.1g £200-£300
505. A mid 19th century diamond-set brooch/pendant of openwork scrolling foliate design with articulated pendant drop and detachable suspensory loop, set throughout with old brilliant-cut and old-cut diamonds, the centre stone estimated to spread 0.40-0.45cts, mounted in silver and yellow gold, detachable brooch fitting, with contemporary fitted blue velvet fitted case, total length 5.8cm, width 5.2cm, 9.0g £1,000-£1,500
506. A diamond pendant the two old brilliant-cut diamond collets linked by a tapering line of graduated rose-cut diamonds and suspended from a trace link chain necklace, the box clasp stamped ‘750’, pendant length 2.5cm, chain length 44.5cm, combined gross weight 3.0g
£200-£300
508. A diamond-set and cultured pearl brooch/pendant the flowerhead cluster with central rotating floral cluster, set throughout with variously-cut diamonds and six cultured pearls, detachable necklace, the clasp stamped with foreign marks, brooch width 3.4cm, necklace length 46.5cm, 23.4g
£250-£350
512. A 1920s opal bar brooch the oval white opal cabochon allied to a yellow gold bar brooch, stamped ‘15CT’, fitted gilt tooled fitted case, opal: 12.8mm x 10.0mm x 4.3mm, gross weight 4.0g £150-£200
507. An Art Nouveau yellow gold brooch with diamond detail modelled as three undulating textured petals, one applied with an old brilliant-cut diamond collet, and holding at the centre the head of a young lady with coiffed hair, a diamond rivière at her neck, later safety chain, width 3.2cm, 18.8g £300-£400
509. Two turquoise-set brooches the first of tiered oval design and set with calibré-cut turquoise and cannetille work, closed back setting, chain pendant fitting; the second of cusped cannetille and sphere design (a/f) with four suspension loops, each filigree dome set with a turquoise pinnacle (2), length (excluding pendant loop) 2.8cm and 3.7cm respectively, combined gross weight 16.0g
£400-£600
510. A Victorian garnet and yellow gold brooch of ope n-work design, centrally set with a half pearl and garnet floral cluster, with safety chain together with; a stylised daisy brooch/pendant with a half pearl centre (2), total approx weight of garnet brooch 6g
£150-£250
511. A group of pearl accessories a floral spray brooch, set with half pearls, indistinctly marked ‘9ct’; a half pearl bar brooch with two applied swallows set with half pearls throughout, unmarked, and caged pearl terminal and caged pearl drop suspended by a flattened curb link chain attached to a pin (3), approx lengths 4cm, 4cm, 5.5cm, approx weight of spray brooch: 3.6g
£150-£250
513. Two Georgian brooches a Georgian rectangular brooch with plaited hair beneath a central glazed compartment to the centre and a half pearl and red paste border; a Georgian rectangular brooch with central glazed compartment to the centre and a half pearl inner border and a purple paste border to the obverse (2), approx width 2.3cm £100-£150
514. A mid Victorian amethyst and citrine double heart brooch each quartz heart collet-set above a yellow gold twisted rope chased frame beneath a coronet, the reverse with an applied plaque stamped ‘9ct’ with a safety chain, approx length 2cm, approx total weight 3.6g £80-£120
515. A late 19th century/early 20th century gem-set insect brooch the dragonfly with outstretched engraved yellow gold double wings and legs, the baroque seed pearl thorax and oval opal (untested) cabochon, closed back setting, width 4.0cm; 3.5g £150-£250
518. An early/mid 19th century yellow gold, enamel and gem-set brooch of oval openwork scrolling design with floral and foliate polychrome enamel decoration throughout, the central plaque applied with pink sapphires and half pearls, the surround applied with turquoise and pink sapphire collets, width 4.3cm, 8.2g £200-£300
521. A pair of 9ct gold filigree droop earrings with screw fittings, stamped ‘9ct’ (2), droop length approx 3cm, approx weight 4.2g £100-£150
516. A Edwardian half pearl set star pendant/brooch having integral suspension loop and brooch fastening, stamped ‘18ct’, approx diameter 2.2cm, total approx weight 5g £100-£150
519. An Australian Southern Cross constellation brooch the pin brooch with centrally mounted map of Australia, the five pointed constellation set with peridot, diamond and tourmaline, total weight 3.7g £150-£250
522. Four pairs of Victorian jet ear-pendants a pair of oval jet ear pendants with a bunch of grapes motif; pair of drop ea r-pendants with cameo motifs, with two other pairs (8), the largest 5cm length £100-£150
517. Victorian style garnet brooch and ear pendants a 9ct gold scrolling floral and foliate mount set with a central garnet cabochon and a half pearl either side, suspending a garnet cabochon drop, stamped ‘9.375’, with brooch and suspension loop fittings; a pair of 9ct gold earrings set with a central garnet cabochon (3), approx length of brooch 5.5cm, approx diameter of brooch 4cm, approx length of ear pendants 3cm, total approx weight 20g £250-£350
520. An Edwardian peridot and half pearl brooch/pendant a centrally set peridot in an ope n-work frame with suspension loop and pin, Total approx weight 4.3g, total approx diameter 3cm £100-£150
523. Two pairs of gem-set ear studs: the first set with a two circula r-cut rubies opposite two brilliant-cut diamonds in a square; the second each coronet-set with a brilliant-cut diamond (2), combined gross weight 2.7g £150-£250
524. A 9ct gold St. Christopher medallion stamped ‘9.375’ and hallmarked, suspended on a chain, drop length not including pendant 39cm, approx weight 15.5g £100-£200
525. A ‘Notes’ disc pendant by Tiffany & Co. chased to the surface ‘Tiffany & Co. 727 Fifth Avenue 10022’, stamped to reverse ‘Tiffany & Co. 925’, the chain tag stamped ‘925’ and ‘Tiffany & Co.’, with maker’s pouchette and outer box, approx weight 25.5g, disc diameter approx 4cm £100-£150
526. A group of chains suspending various pendants including a large unmarked religious pendant attached a fine trace link chain (tests higher carat), a fine flat curblink link chain stamped 750 chain suspending a crucifix pendant marked to tag ‘750’ and a 9ct gold flattened curb link chain suspending an unmarked St Christopher medallion (3), total weight approx 17.4g chain lengths are as follows 65cm, 49.5cm, 46cm £350-£450
527. A chrysoberyl and gem-set brooch/pendant, the oval cat’s eye cabochon pendant set with two brilliant-cut diamonds and two lines of circular-cut rubies, the mount stamped ‘750 18K’, suspended from a 9ct yellow gold box link chain necklace, pendant length 2.9cm, max width 1.9cm, 5.5g; necklace length 46cm, 4.6g £150-£250
528. An early 20th century moonstone and yellow gold pendant of bead and textured wirework and hexafoil design and set with eight moonstone cabochons, and plaque stamped ‘9ct’ applied to the reverse (replacement suspensory loop), length including loop 5.4cm, 6.0g £100-£150
529. A diamond crucifix pendant on an 18K gold chain the crucifix with brilliant cut diamonds on a bright cut 18K chain, total weight 4g £200-£300
530. A ruby, diamond-set and 18ct yellow gold pendant the pear-shaped ruby collet set above a surround of brilliant-cut diamonds, London hallmark; together with a 9ct yellow gold trace link chain necklace, pendant length (excluding bail) 1.5cm, gross weight 2.4g; necklace length 46cm, 3.6g £400-£600
531. Two Edwardian pendants on chains and another the first 9ct foliate pendant with set blue stone and blue stone drop suspended from a fine 9ct gold chain; a 9ct pendant with garnet set to centre suspended from 9ct belcher chain, together with a pierced 9ct gold pixie pendant with 9ct chain (3), total weight 24g £200-£350
532. An Edwardian diamond and seed pearl starburst pendant/ brooch the pendant stamped ‘15ct’, central diamond and seed pearl cluster within pearl set star points, matching suspension loop and suspended on chain, approx. length 40cm, approx. weight of pendant 7.1g £300-£400
533. A Masonic spherical ball pendant with four articulated arms opening to reveal pyramids in the form of a cross engraved with Masonic symbols, stamped 9ct & Sil, length 5cm, weight approx. 8g £80-£120
534. A 9ct gentleman’s signet ring stamped ‘9.375’ and hallmarked, set with a green hard stone, approx weight 12.4g, ring size W £100-£150
535. A sapphire and diamond-set ring the navette-shaped cluster centrall y-set with two addorsed pea r-shaped sapphires to the border of brilliant-cut and single-cut diamonds, the plain shank stamped ‘18CT PLAT’, ring size M, length 1.8cm, width 1.0cm, 4.3g £200-£300
536. A diamond single stone ring the cushion-s haped old brilliant-cut estimated to spread 0.8 0-0.90cts to the yellow gold band, the interior engraved with presentational inscription and dated ?1867, ring size K/L, 4.9g £800-£1,200
537. A diamond single stone ring the cushion-s haped old brilliant-cut diamond estimated to spread 0.50ct to the plain tapering shank, ring size H1⁄2, 1.9g £300-£400
538. A single stone diamond ring marked ‘385k’, together with a 22ct gold ring, stamped ‘22’ (2), sing stone ring size J, 22ct gold ring size I/J, total approx weight of 22ct gold ring 3.3g, total approx weight (including diamond ring) 5.2g £120-£180
539. A ruby and diamond-set cluster ring the central mixe d-cut ruby measuring approximately 5.8mm x 5.7mm, diameter (culet inaccessible) within a two tier surround of brilliant-cut diamonds, the wirework shank stamped ‘750’, A verbal opinion from GCS Laboratory London (August 2023) is that the central stone is a Burma ruby with no indications of heat treatment, ring size M/N, 9.1g £1,000-£1,500
540. A ruby and diamond-set ring set with two oval ruby cabochons to the diamond-set openwork ‘S’ scroll surround, the shank stamped ‘18K’, ring size M, 4.0g £80-£100
541. A mid 20th century malachite and diamond-set ring by George Weil the central navette-shaped malachite plaque with five brilliant-cut diamonds to either side, collet-set within a high tiered wavy textured setting, the inner shank signed in script ‘G.Weil’ and ‘18ct PLAT’, ring size K/M, 20.3g, length 3.7cm Escaping from Vienna to London at the start of World War II, Georg Weil studied sculpture at St Martin’s School of Art, producing portrait busts including those of Winston Churchill and Sammy Davis Jr. He then trained in jewellery design and manufacture but retained his strong love of sculpture, as exemplified by this ring. Weil was a contemporary of Andrew Grima, who also influenced his work. He closed his jewellery studio in 1979 and emigrated to Israel. A diamond-set, gold and platinum asymmetric abstract ring by Weil is held in the V&A Collection (M.2-1993) £600-£800
542. A diamond-set cluster ring of tired oval form, and set with brilliant-cut diamonds to the tapering 18ct yellow gold shank, hallmark rubbed, ring size I1⁄2, 5.4g £400-£600
543. A three stone diamond ring the brilliant-cut diamonds coronet-set to the plain tapering shank stamped ‘18CT PLAT’, ring size I, 2.1g £150-£250
544. A sapphire and diamond ring set with alternate lines of circula r-cut sapphires and brilliant-cut diamonds, the bifurcated shoulders and plain shank stamped ‘18CT’, ring size N, 5.0g £150-£250
545. A 22ct gold ring with a chased design stamped ‘22’, together with a 9ct gold ring, stamped ‘375’ (2), 22ct gold ring size O/P, 9ct ring size P, approx weight of 22ct gold 3.9g, approx weight of 9ct gold 1.3g £100-£150
546. A tourmaline and diamond-set ring the central mixe d-cut green tourmaline within a single-cut diamond-set hexagonal border, to the 18ct plain shank, Birmingham hallmark, ring size N1⁄2, plaque width 1.2cm, 2.9g £200-£300
547. An ‘alexandrine’ ring the synthetic corundum collet set above the shaped plaque with raised ruby-set collets, the shank stamped ‘14K’, ring size P, 4.2g £200-£300
548. Three gem-set rings the first set with an oval blue topaz to the white stone stepped shoulders, 9ct yellow gold shank, Birmingham hallmark; the second set with an amethyst cabochon to the stylised dicotyledon 9ct yellow gold mount, Birmingham hallmark; the third blue (possibly synthetic beryl) and white stone cluster (3), ring size P, K, and P respectively, combined gross weight 13.2g
£150-£200
553. A group of three gem set rings three old-cut diamond ring, stamped ‘18ct Plat’; a diamond-set floral cluster ring, stamped ‘Pt and 18ct’; an amethyst and 9ct gold ring, set with three circular-cut amethysts with diamond points between, scrolling pierced gallery and shoulders, 9ct hallmark (3), ring sizes: L/M, I/J, N/O, approx weight of 9ct 2.6g, approx weight of 18ct and platinum rings 4.0g £100-£150
549. A late Victorian opal ring the three graduated opal cabochons with diamond points between to the scrolling pierced gallery and ornate shoulders, the shank stamped ‘18CT’, ring size L, 5.7g £200-£300
550. A group of gold rings two 2ct gold wedding bands stamped ‘22’; a 22ct gold signet ring; an 18ct gold signet ring chased with initials, stamped ‘18’; 9ct band stamped ‘9.375’ with a chased design; 9ct gold signet ring stamped ‘9.375’ with chased design; 9ct gold band stamped ‘9.375’; a colourless paste ring, marked ‘9ct gold’ and a red paste set ring with indistinct marks (9), approx weight of 22ct gold 7.2g, approx weight of 18ct 6.7g, approx weight of 9ct gold (excluding red paste ring) 7.4g £200-£300
551. A group of three 22ct rings each stamped ‘22’, approx weight 10.5g, ring sizes P, M/N, I/J £300-£400
552. A mid Victorian 15ct yellow gold and gem-set ring set with five white stones (probably white topaz) to the ornate heart motif gallery and shank, Chester hallmark; together with a four half pearl collet-set ring (2), ring size N1⁄2 and K, 1.7g and 2.6g respectively £200-£300
554. A diamond-set full hoop eternity ring set all round with brilliant-cut diamonds (one deficient) to the engraved gallery, ring size, O, 3.1g £100-£150
555. A diamond-set plaque ring the central marquise diamond collet-set above a surround of calibré-cut tapering baguette-cut diamonds, the outer surround of brilliant-cut diamonds, the shank stamped ‘18K’ and numbered, ring size N1⁄2, length 23.5mm, width 15.8mm, 10.9g
£800-£1,200
556. A diamond single stone ring the old brilliant-cut diamond measuring approximately 5.0mm x 4.8mm x 3.5mm, claw-set to the yellow gold ridged shank, ring size O, 3.3g £600-£800
557. A diamond five stone ring the tapering line of graduated old brilliant-cut diamonds, the largest estimated to spread 0.50cts, each claw-set to the plain shank, ring size P, 3.1g £800-£1,200
558. An Edwardian diamond-set ring the openwork oval plaque centrall y-set with an old brilliant-cut diamond to the old-cut diamond-set foliate and border, bifurcated shoulders with a tied motif and ridged shank, stamped ‘18’ and ‘H.J’, rings size I, 2.8g £300-£400
An early 20th century diamond two stone and plaque ring the central openwork shaped rectangle millegrain-set with old cut diamonds with two old brilliant-cut diamonds measuring approximately 5.8mm x 6.1mm x 3.9mm and 5.8mm x 6.0mm x 4.0mm above and below, to the plain tapering shank, ring size H, 4.1g £2,500-£3,500
560. A star sapphire and diamond-set cluster ring the circular cabochon star sapphire claw-set above the surround of brilliant-cut and baguette-cut diamonds, ring size S, 11.6g £600-£800
561. A diamond five stone ring set with old brilliant-cut diamonds and brilliant-cut diamonds to the plain shank stamped ‘PLAT’, ring size M, 2.8g £800-£1,200
562. A three stone oval cabochon opal ring the pierced scrolling gallery and indistinctly stamped plain shank, ring size R, 2.3g £250-£350
563. A diamond single stone ring the cushion-s haped old brilliant-cut diamond estimated to weigh 0.80cts to the reeded shank, the interior engraved with clasped hands, initials and indistinctly dated, ring size O1⁄2, 3.4g £1,000-£1,500
564. A diamond five stone ring the graduated brilliant-cut diamonds with diamond points between, scrolling gallery, the plain shank stamped ‘18CT’ and with engraved initials, ring size O, 2.5g £200-£300
565. A black opal ring
the oval black opal cabochon, claw set to the plain tapering shank, stamped ‘9ct’ together with an opal ring, claw set to the plain tapering shank with indistinct marks (2), Ring sizes M, K/L £100-£200
566. Five rings
a brillant-cut single stone diamond ring, claw set to the plain tampering shank, 9ct gold and convention hallmarks; an opal ring, set with a cabochon, hallmarked indistinctly ‘625’; a turquoise ring, set with five circular graduating cabochons; a opal and turquoise ring, set with 4 oval cabochons and one turquoise cabochon and a colourless paste ring, indistinctly stamped (5), Ring sizes: K, Q, K, O/P, N £150-£250
567. Three 18ct gold rings an 18ct gold ring, stamped ‘18’, hallmarked; an 18ct gold ring with a chased foliate design, stamped ‘18’, hallmarked; 18ct gold wedding band, stamped ‘750’ (3), total approx weight 16.1g, ring sizes P, K/L, X £400-£500
568. A diamond single stone ring the old brilliant-cut diamond estimated to spread 0.6 0-0.65cts claw-set to the plain yellow gold tapering shank stamped ‘18’, ring size L, 3.7g £400-£600
569. A diamond single stone ring the cushion-s haped old brilliant-cut diamond measuring approximately 6.6mm x 6.3mm x 4.8mm to the heavy tapering shank engraved ‘9ct’, ring size P, 6.3g £1,500-£2,500
570. An emerald and diamond five stone ring the three rectangula r-cut emeralds each separated by an old brilliant-cut diamond, pierced and scrolling gallery, engraved shoulders to a plain tapering shank, ring size K/L, approx weight 2.2g £100-£150
571. An 18ct gold band with chased abstract design and London hallmarks, approx total weight 4.7g, ring size S £100-£150
572. An early 19th century gem-set and yellow gold ring the three graduated rectangular foiled green stones (probably emerald) separated by two pairs of rose-cut diamonds, all closed back-set, blind arcaded gallery (a/f) to the floral and scrolling engraved shank, ring size K1⁄2, 1.8g £150-£200
573. A ruby and diamond two stone ring the centre collet-set with a circula r-cut ruby and old brilliant-cut diamond, to the oval openwork surround set with old-cut diamond detail, the shank stamped ‘18K’, ring size K1⁄2, 2.4g £100-£150
574. Four rings including a 22ct wedding band, a 9ct yellow gold wedding band, and a 9ct gold, sapphire and diamond-set cluster ring (4), the first ring size I/J, 5.4g; the second ring size Q, 1.5g, the third ring size N1⁄2, 3.7g £200-£300
575. An Edwardian ruby and diamond five stone ring the three mixe d-cut rubies separated by a brilliant-cut diamond, to the 18ct yellow gold scrolling gallery and plain shank, Birmingham hallmark 1906, ring size N, 2.6g £100-£150
576. An Edwardian pearl and diamond ring the central pearl (untested) to the diamond-set quatrefoil surround, each set with old-cut diamond collet to the tapering spiralling shank, ring size M1⁄2, 4.2g £150-£250
577. A diamond two stone cross over ring each of the two clusters centrall y-set with a radiant-cut diamond, a brilliant-cut diamond to each corner separated by a baguette-cut diamond, baguette-cut diamond shoulders, ring size N, 5.5g £400-£600
578. A diamond three stone ring the three slightly graduated brilliant-cut diamonds coronet-set to the plain tapering yellow gold shank, stamped ‘PLAT 18ct’, ring size N, 3.2g £400-£600
579. A carnelian set signet ring chased with Islamic text to surface, ring size O, approx weight 10.4g £100-£150
580. A diamond single stone the cushion-s haped old brilliant-cut diamond estimated to spread 0.40cts, to the plain tapering shank stamped ‘18CT’, ring size U, 4.8g £200-£300
581-582. No lots
583. A 18ct gold wedding band Birmingham hallmarks, ring size K/L, approx weight 5g £100-£150
584. A group of assorted jewellery a ram pendant marked ‘K14’; 9ct gold cross pendant, stamped ‘9.375’; 9ct gold twist rope ring stamped ‘375’; 9ct gold elephant ring, stamped ‘375’; a colourless paste set 9ct gold ring stamped ‘9.375’; an opal and sapphire chip set 9ct gold ring, stamped ‘375’; a sapphire and diamond chip 9ct gold ring, stamped ‘375’ and a Continental bull pendant (8), approx weight of marked K14 2g, approx weight of 9ct 14.4g, total approx weight 16.6g, ring sizes O/P, N, R, O, Q £100-£200
585. A group of gold pendants a 9ct gold sapphire and gem set flexible clown pendant, stamped ‘375’; a blue and colourless paste 9ct gold pendant, stamped ‘9.375’; a ruby chip 9ct gold pendant, stamped ‘375’; a colourless paste set pendant stamped ‘9K’ together with a pair of pink paste set ear pendants, hook stamped ‘9.375’ and pair of twisted ear pendants (8), total approx weight (excluding ear pendants) 12g £100-£200
586. An assortment of lady’s accessories 9ct gold wedding band, stamped ‘375’; 9ct gold flexible link chain, stamped to tag ‘9.375’, suspending a St. Christopher pendant, stamped ‘9.375’; a five bar gate bracelet, stamped indistinctly to link with a padlock heart clasp and safety chain; padlock clasp, stamped ‘375’ and a hinged bangle chased with a scrolling foliate design, with a safety chain, marked ‘1/5th 9ct, bronze core’ (4), approx length of chain 40cm, approx total weight (excluding bangle) 12.1g, ring size O £80-£120
587. A group of hinge bangles and assorted items two silver hinge bangles, both chased with a scrolling foliate design and both hallmarked; a hinge bangle with a chased design; an open work hinge bangle in a floral design, stamped ‘925’; an open work hinge bangle in a latticework design, stamped ‘925’; together with a colourless paste set cluster ring, stamped ‘silver’; a tortoise shell purse; a miniature hand mirror with suspension ring and red, blue and green paste brass card holder, stamped ‘czechoslovakia’ (9), ring size K, approx bangle diameter 6.5cm, 6cm, 5.5cm, 5.5cm and 5.5cm £80-£120
588. A 9ct gold lady’s wristwatch by Everite circular white dial with raised gilt Arabic numerals, with expandable bracelet, marked ‘9ct’ together with a 9ct gold and resin cheroot holder, stamped ‘9.375’ and a horse shoe stick pin, unmarked (3), total weight of the wristwatch (including movement)14.2g
£100-£150
589. A mid 20th century garnet cluster ring to the 9ct yellow gold bark textured shank, Edinburgh hallmark; together with a pair of opal cabochon ear studs (2), ring size M1⁄2, 2.7g; ear studs 1.5g
£100-£150
590. A pair of 9ct gold and cultured pearl cufflinks stamped ‘9.375’, together with a collection of stick pins including; a green hard stone set stick pin and a floral half pearl stick pin, stamped 15ct (6), approx weight of 9ct cufflinks 11g
£140-£180
591. Four rings and two brooches: a 1950s zircon and diamond-set ring the rectangular cu t-cornered zircon (untested) within an ornate surround of single-cut and baguette-cut diamonds; a 1970s garnet and seed pearl cluster ring to the hallmarked 9ct yellow gold setting; an oval synthetic corundum ring; a tiger’s eye ring; a circular cultured pearl and beadwork brooch/pendant; and a cultured pearl and hallmarked 9ct yellow gold openwork foliate spray brooch (6), ring sizes L, L, G, and K1⁄2 respectively; brooches diameter 3.9cm and length 5.3cm, combined gross weight 37.1g
£200-£300
592. A pair of Continental 14ct yellow gold and diamond-set ear pendants each of circular design, the centre set with a rose-cut diamond to the centre within applied sphere and rope twist decoration, suspended from addorsed scrolling ‘C’s and articulated rose-cut diamond-set surmount, hook fittings, Portuguese ‘585’ control mark and Convention hallmark; together with a 19th century yellow gold circular brooch, rose-cut diamond to the centre and applied decoration (a/f) to the border, glazed compartment to the reverse, ear pendants: length 3.7cm s, 3.9g; brooch width 3.1cm, 9.2g
£180-£220
593. A group of gold accessories
a 9ct gold fancy link bracelet, stamped ‘375’ to link; 9ct gold flexible link tri-coloured bracelet, stamped ‘375’ to tongue; 9ct gold fetter and three link chain, stamped ‘375’ and 9ct gold St Christopher charm, stamped ‘375’ (4), approx length of chain 72cm, approx total weight 24.2g
£300-£400
594. A group of accessories a micro mosaic brooch depicting the Pantheon; two hard stone fobs; a red hard stone Maosnic swivel fob inscribed ‘Catherine’ suspended on a trace link chain and a Bohemian garnet set bar brooch and a fancy link bracelet (6), approx chain length 61cm £100-£150
595. A group of mostly late 19th century jewellery including two coral brooches, two yellow gold stick pins, one set with a garnet cabochon and the other with a cabochon turquoise; and a citrine and half pearl cluster ring (qty) £100-£200
596. Three ruby items: a pendant and pair of earrings en suite, all centrally set with a pear-shaped ruby (untested but probably synthetic) within a white stone surround; together with a ring, set with three rows of oval rubies (untested but probably synthetic), the shank stamped ‘925’ (4), earring length 1.7cm, ring size K1⁄2, combined gross weight 14.7g £150-£200
597. A 9ct gold bi-coloured fancy link necklace with matching bracelet both stamped ‘375’ to push clasp and both marked to tongue ‘9K, approx weight 39.7g, approx length of necklace 42cm, approx length of bracelet 19cm £450-£550
598. A group of lady’s accessories, 9ct gold ruby cluster pendant stamped ‘375’ to reverse suspended on a fine curb link chain; 9ct gold ring a pair of small hoop earrings marked ‘9c’; a pair of ruby and opal cluster earrings, indistinctly marked to stem; a pair of Etruscan style ear pendants, indistinctly stamped to stem; a pair of simulated half pearl ear studs, stamped indistinctly to stem and three unmarked gem set rings (9), total approx weight 16.4g, ring sizes M/N, J/K, K/L, K £250-£350
599. A collection of jewellery, 9ct gold and half pearl brooch in a foliate style, Birmingham hallmarks; a pair of black opal and 9ct gold ear studs, Birmingham hall marks; a single row of cultured pearls with a 9ct gold pearl cluster clasp, stamped ‘375’; a Bohemian garnet crescent and star bar brooch; a twisted bar brooch; a magnifier; a garnet and blister pearl open work brooch; a cameo brooch and a crucifix suspended on a chain, stamped ‘9ct on silver’ (8), approx total weight of 9ct gold 7.3g, approx length of pearls 44cm, approx length of chain 40.5cm £100-£150
600. A group of 9ct gold accessories a lady’s 9ct gold Rotary wristwatch, stamped ‘9.375’; 9ct gold watch head, stamped ‘9.375’; a case 9ct gold square pendant; an orange gem set ring marked ‘K18’ and a cultured pearl cluster pendant suspending on a fine flattened curb link chain (5), total approx weight including watch movements (excluding cased pendant and ring) 31g
£150-£250
601. A selection of gold items 9ct gold cased watch head, stamped ‘375’; 9ct gold and red paste bar brooch, stamped ‘9.375’; 9ct gold red and colourless paste set bar brooch, stamped ‘9ct’; one 9ct gold cufflink stamped ‘9.375’; a circular pendant chased with ‘2nd Class P.Gordon 89-14=75 / April 1901’ set within a loose mount marked ‘15ct’ suspended on a chain and three pieces of chain and a red paste set gypsy ring (9), approx weight (excluding pendant, ring and chain pieces) 18g
£250-£350
602. A group of jewellery, 9ct gold and diamond set bar brooch stamped ‘9ct’; 9ct gold crucifix, Birmingham hallmarks; 9ct gold heart shaped locket, Birmingham hall marks, set to the centre with a half pearl; an amethyst set bar brooch; a white and blue gem set bracelet; a pendant of a man; a white gem set ring, unmarked and a single cultured pearl ring, unmarked (8), approx weight of 9ct gold 8.5g, approx length of bracelet 18cm
£250-£350
603. A blue topaz and half pearl pendant and matching pair of ear studs each of flowerhead cluster design set in 9ct yellow gold, London hallmark, the pendant suspended from a fancy link chain necklace stamped ‘9K’; together with a flexible oval beaten plaque necklace by Tane, stamped ‘925’, maker’s pouchette and case; a mother of pearl pendant suspended from a chain necklace; a green quartz spherical bead necklace, and a pair of fuschia-inspired ear pendants, gross weight of pendant and ear studs: 9.5g; Tane necklace length 53.5cm, weight 44.4g £100-£150
604. A leather jewellery case and contents to include 19th century coral bead horseshore, cross and target brooches set with coral beads, a graduated branch coral necklace, tow other coral necklace, a lady’s 9ct gold Omega manual wind wirstwatch on an expandable gilt metal bracelet, a Mexican Aztec design fringe necklace stamped ANB?, a silver filigree cape clasp. ETC (Qty), Various £100-£150
605. A group of lady’s accessories
a 9ct gold and citrine ring, stamped ‘9ct’; 9ct gold and citrine ring, stamped ‘9ct Sil Set’; a 9ct gold leaf brooch, stamped ‘9.375’; a tigers eye brooch; a hard stone brooch with suspension loop; a cameo brooch; a green hard stone and marquisette brooch; a silver bangle with a chased abstract design, hallmarked; a bangle inscribed ‘Sterling Silver’; 9ct gold trace link chain suspending a cultured pearl, inscribed ‘9ct’; a silver Concord brooch, hallmarked; a matching pair of silver ear clips and brooch, hallmarked and makers mark ‘ART’ (qty)
£100-£150
606. A group of 9ct gold wristwatches and other accessories
a 9ct gold lady’s Rotary wristwatch, champagne dial with baton numerals, stamped ‘375’, on an expandable gold plated bracelet inscribed ‘excalibur’; 9ct lady’s wristwatch, circular dial with Arabic numerals, stamped ‘9.375’, on an expandable bracelet; 9ct gold gate bracelet with heart padlock, chased with a floral design, stamped ‘9ct’ to heart padlock; a lady’s wristwatch, champagne dial with baton numerals on a leather strap; 9ct gold lady’s wristwatch head, stamped ‘9.375’, together with watch strap pieces, half a stick pin, and two rings (9), approx weight of 9ct (including movements and straps) 60.3g £250-£350
607. A group of Victorian lockets and brooches
an oval turquoise and half pearl set locket, with a chased star of david to reverse; an oval pendant with a glazed compartment to the centre, chased with an abstract design to the reverse; a pink paste cabochon tassel pendant; a banded agate stick pin; a half pearl open work brooch, with indistinct marks; a pink and colourless paste bar brooch (6), total approx weight 23.1g, the largest 6.5cm £300-£400
608. Five items of jewellery an oval sapphire and diamond-set bar brooch; a circula r-cut sapphire ring (untested but possibly treated); the three stone white topaz and pale green/yellow sapphire (untested) ring; an oval cabochon agate collet-set closed back bar brooch; and an oval citrine bar brooch, stamped ‘9ct’ (5), Brooches: width 5.6cm, 3.9cm, 7.6cm respectively; ring sizes O and K respectively; combined gross weight 28.1g £200-£300
609. Two memorial black enamel items of jewellery: a late Victorian ring with half pearl decoration applied to the black enamel top section (a/f) to the pierced engraved shank containing woven hair (a/f), Chester hallmark, 1893; together with an oval locket, the obverse with a floral and foliate motif, the suspensory loop stamped ‘9CT’ (2), ring size O/P, 2.6g; locket length including loop 4.5cm, 11.4g £100-£150
610. A collection of lady’s jewellery Including; a 9ct gold band, stamped ‘375’ and hallmarked; a 9ct box link chain, stamped to tag ‘375’; a pair of 9ct ear pendants with heart charms, stamped ‘375’, hallmarked; a pair of ear pendants, stamped ‘375’; a shield brooch, stamped ‘9ct’; a pair of ear pendants, stamped ‘9ct’, a fine flattened curb link chain, stamped ‘9ct’ to clasp, and a selection of unmarked jewellery (qty), ring size K/L, approx. total weight of jewellery marked 375 7.7g, approx total weight of jewellery marked 9ct 8.1g, approx. total weight of unmarked jewellery 6.8g
£200-£250
611. A 9ct gold curblink chain stamped ‘9ct’ to clasp and links, with a separate piece of chain (2), approx length 15.5cm, approx total weight 21.1g
£250-£350
612. A group of 9ct earrings and others a pair of 9ct gold oval ear pendants with an open work floral design, stamped ‘9.375’, hallmarked; a pair of 9ct gold abstract open-work ear pendants, stamped to stem ‘375’ with indistinct hallmarks; a pair of 9ct gold avian ear studs, hallmarked; a pair of 9ct gold leaf ear studs, hallmarked to stem; a pair of 9ct gold open-work floral ear studs, stamped ‘9.375’ with indistinct hallmarks; a pair of floral ear studs, stamped ‘9ct’; a pair of clover ear pendants, variously stamped (qty), total approx weight of 9ct gold 17.8g £250-£350
613. A group of 9ct jewellery and others 9ct gold band, stamped ‘9.375’, Birmingham hallmarks; two 9ct gold fancy link chains, both hallmarked to bolt ring; a fancy link chain, stamped ‘9k’ to clasp; a chain suspending a pendant depicting a city, stamped ‘9ct’ to clasp; an Egyptian hieroglyph pendant *** ask tom about marks’; two pieces of chain (8), approx weight of hallmarked items 13.7g, approx weight of variously marked items 26g, ring size W £550-£650
614. A selection of garnet jewellery a garnet and 9ct gold oval cluster ring, indistinctly stamped ‘9.375’; a garnet and 9ct gold pendant, stamped ‘375’; a tracelink chain, stamped ‘9ct’ to clasp; a pair of pear-cut garnet drop ear pendants, stamped ‘9.375’ to stem (5), total approx weight 17.5g, ring size L, approx chain length 55cm £150-£250
615. A collection of gem-set jewellery
a pair of 9ct white gold sapphire and diamond cluster earrings, stamped ‘375’, hallmarked to stem; a box link chain, indistinctly stamped ‘375’ to clasp, suspending a lilac coloured gem; a fine box link chain, stamped ‘9K’; blue gem set pendant in an open-work frame, stamped ‘14K’ to suspension loop, a blue and colourless paste set pendant, and a pair of simulated pearl ear studs (8), total approx weight 17g, weight of sapphire cluster earrings 2.1g £100-£200
616. A collection of combs and hair pins including a 19th century tortoiseshell and gilt metal mounted comb set with a shell cameo comb, two paste set horn combs, with other various combs, and an interesting selection of hair pins (qty) £80-£120
617. A collection of Chinese jewellery a Kingfisher feather pendant with applied floral and foliate design; a pair of coral cluster floral earrings with screw fitting; a pair of coral earrings with screw fittings; a carved coral set ring, indistinctly marked (6), approx total weight 21.1g £80-£100
618. A group of lady’s accessories
Etruscan style 15ct gold bar brooch, stamped ‘15’ with safety chain; purple gem set ring, stamped to band ‘9ct’; an open work avian pendant, with a half pearl set swallow holding a turquoise bed in its beak, indistinctly stamped, suspended on a fine twisted rope chain indistinctly stamped to clasp (3), approx. length 36.5cm, ring size M/N £100-£200
619. An amethyst and cultured pearl pendant on chain
the pea r-shaped amethyst to the 9ct yellow gold engraved ‘C’ scroll border with cultured pearls, suspended from a 9ct yellow gold faceted curb link chain necklace, import hallmark; together with two pairs of amethyst and cultured pearl ear pendants, pendant length 3.4cm s, chain length 47cm, combined gross weight 11.4g £150-£250
620. 18ct gold bi-coloured curb-link chain
stamped to tag ‘18’ and stamped to clasp ‘18’ together with a 9ct gold Masonic charm, stamped ‘9.375’ with Birmingham hallmarks and a 9ct gold, red and white enamel City of London cross shield, stamped ‘9ct’, total approx length 35.5cm, approx weight of chain 9.7g, approx weight of 9ct 5.7g
£200-£250
621. An 18ct gold hardstone signet ring, an 18ct wedding band and a pair of cufflinks
first oval band agate set engraved with a crest, plain gold shank hallmarked, London, 1918, Brook & Sons and bearing inscription to M 4th Oct. 1918, second hallmarked Edinburgh, 1916, Mackay 7 Chisholm, engraved with date 4th Oct 1917 and a pair of cufflinks with rectangular engine turned engraved with initials R B, stamped Birks 10K (3), 18ct total weight approx. 11.7g, 10K weight approx. 4g £300-£400
622. Kurt Weiss. A pair mid 20th century gentleman’s of 9ct gold cufflinks
London, 1959, Kurt Weiss Ltd, with engine turned square fronts and bar fittings, weight approx. 7.7g £100-£150
623. A pair of engine-turned 9ct gold cufflinks stamped ‘9.375’, hallmarked, total approx. weight 7.1g, approx. 1.6cm length £80-£120
624. A pair of 9ct engine turned oval cufflinks by Mappin & Webb stamped ‘375’, hallmarked (2), total approx weight 11.9g, approx length 1.7cm £150-£250
625. A pair 9ct gold cufflinks of circular form with chains, stamped ‘9.375’ with London hallmarks (2), total approx weight 10.5g, approx diameter 1.4cm £120-£180
626. A gentleman’s 9ct gold and enamel Masonic swivel signet ring and chains
first the swivel centre with black enamel compass and set square, the reverse initialled N, together with a continental flat curb figaro chain stamped 9KT, a fine belcher chain a/f, the bolt ring stamped 9k, attached a silver fob (3), first size V/W, total weight approx. 18.5g £150-£250
627. A collection of gentleman’s accessories a dress set including four dress buttons, a pair of cufflinks and one matching stud; a pair of 9ct gold oval cufflinks with a chased scrolling foliate design to one half, stamped ‘’9.375’ with Birmingham hallmarks;, a pair of studs, stamped 9ct; an incomplete dress set including a pair of cufflinks, two studs and one dress button, stamped ‘9ct’ together with other items (qty), total approx weight of 9ct gold 27.2g £100-£150
628. A pair of carnelian set cufflinks with a rope twist border, chased with Islamic text, stamped ‘14’, total approx weight 12g, approx diameter 2cm £80-£120
629. A pair of 18ct gold cufflinks by Windsor for BOAC in oval form, with chains, stamped 18 with Birmingham hallmarks, comes with original box and outer card case, approx weight 10.8g, approx length 2.9cm £200-£300
630. A pair of Chinese cufflinks of rectangular form, with open work design of a dragon, stamped ‘14K 585’ (2), approx total weight 8.1g £120-£180
631. A pair of 9ct cufflinks in oval form, chased to surface ‘NCR Club’, with chains, stamped ‘9.375’, total approx weight 8g, total approx diameter 2cm £100-£150
632. A pair of cuffinks in the form of a shanti headrests, with chains (2), approx weight 7.4g £150-£200
633. An Elizabeth II gold full sovereign pendant, 1957, set in a 9ct gold loose mount, stamped ‘375’, suspended on a curb link chain, total approx weight 11.2g, approx length 48cm £300-£400
634. A collection of costume jewellery
A Victoria 1890 Jubilee crown, old head facing left, rev George slaying the dragon, in a loose pendant fitting with suspension loop; a large purple paste set cross pendant; a cameo stick pin; a hard stone cameo seal fob; a jet and half pearl bar brooch; a yellow gem pendant; a cultured pearl brooch and a oval locket (8), approx. weight of crown (incl. mount) 35g £80-£120
635. A bakelite cherry amber graduated bead necklace approx length 86.5cm £100-£150
636. A collection of costume jewellery
two Scottish hardstone brooches, one set with orange paste; three agate brooches and one loose drilled oval agate disc; a caged amber bead necklace; simulated tortoise shell chain suspending maple leaf charms; an amber bead bar brooch; a cultured half pearl bar open work bar brooch; a blue paste set bar brooch; two other bar brooches; a coral brooch and a selection of gilt jewellery (qty), approx length of amber necklace 35cm, approx length 39cm
£80-£120
637. A group of costume jewellery including; a pair of coral ear pendants, stamped ‘9ct’ to back; a pair of paste cluster ear pendants, stamped ‘9ct’; a selection of five paste necklaces, a marcasite set bracelet, stamped ‘silver’ to reverse, 1980 Queen Mother 80th Birthday Commemorative coin, with enamel, suspended on a chain, three paste set brooches, two cameo rings, a carved shell heart pendant, a silver cheroot case, hallmarked; a fancy link charm bracelet suspending gem set charms and other items (qty) £80-£120
638. A group of costume jewellery
three silver chains marked ‘925’; a silver fancy link chain suspending a large blue paste pendant; two silver gate bracelets, both with silver heart padlocks, hallmarked; George V three pence coin bracelet; a pair of simulated earrings with screw fittings; Norwegian silver and enamel butterfly brooch; Scottish silver brooch set with a central citrine; a magnifying glass suspended on chain, stamped ‘18k’ and other items (qty), approx weight of gate bracelets 33.1g, approx weight of marked chains 48.2g £80-£120
639. An impressive collection of jet costume jewellery including strings of jet beads in various forms and other pieces, a string of jet and banded agate beads, a pair of jet panel bracelets both featuring three slightly graduated oval panels chased with a floral design, a jet padlock charm and other items (qty)
£100-£200
640. A collection of silver and costume jewellery
a blue and colourless paste art deco style bracelet; a pair of blue and colourless paste ear-clips; a blue and colourless paste duet clip; a marcasite panel bracelet; a colourless paste necklace; three pairs of marquisette ear pendants with screw fittings and a selection of other colourless paste and marcasite items
£100-£200
641. A large collection of 19th century and later costume jewellery to include a Georgian agate brooch, an Art nouveau carved horn insect moth brooch, a silver and paste floral spray brooch, a gold stick pin with carved coral boars head terminal, a carved coral floral spry brooch, a Persian silver and painted mother of pearl panel bracelet, Art deco glass necklace, a set of four hardstone buttons set with half pearls, paste ear pendants, etc, together with a box of 1950s jewellery contained in a Regency penwork sycamore box (qty), various £200-£300
642. A Louis Vuitton Saint Cloud cross body monogram canvas bag with vachetta leather strap and snap closure to the front, with original dust bag, and shoulder strap (unused), width of bag 25cm £300-£500
643. A Louis Vuitton evening Damier Vernis Ange PM bag circa 2000 number CA0090, black patent with chequer board design and Louis Vuitton logo to square on front and reverse, chrome strap, with push opening and single compartment to interior, in vintage brown draw string dust bag, with 11.8cm, height 10cm £250-£350
644. A Mulberry camomile Bayswater handbag and matching purse no 20006053, with postman’s lock closure, dual rolled handles, the interior with a zipped pocket and two pockets, and dove grey contrast piping, the bag and purse with dust covers (2), height of bag with handles 41cm, width 38cm approx, purse width 19cm £200-£300
645. Jeffries David. A Treatise on Diamonds and Pearls in which their importance is considered: and Plain Rules are exhibited for ascertaing the value of both and the True Method of Manufacturing Diamonds. London, 1751, second edition with large improvement, woodcut initials and head and tail pieces, 30 b&w engraved plates, 12mo, later bound in half calf with cloth boards £150-£250
646. A novelty Lucifer Golfing Society plated car mascot nickelled bronze, modelled as a devil in plus-fours smoking a pipe with gold club over his shoulder and a caddy of clubs at his feet, engraved ‘Lucifer Golfing Society Empire Meeting 1952’ around base, stamped Goldsmith & Silversmiths Company 112 Regent Street, mounted on an ebonsied socle base, height 16.5cm £300-£400
647. A Royal East African Automobile Association chrome car badge numbered L9490, height 11.8cm £40-£60
648. A 1930s chalk plaster and painted advertising figure of a kneeling boy holding a glass fish tank, on a plinth base, rear bearing impressed numerals, ‘OP375 Rd817899, height 53cm, depth of plinth 26cm £70-£100
649. After Vladimir Tretchikoff (1913-2006)
‘Tretchikoff / Colour prints / Reproduced from original paintings’, published by Howard Timmins, including variously signed prints including ‘Blue Monday’, ‘The Herb Seller’, ‘The Dying Swan’, ‘The Lotuses’, ‘Fighting Cocks’, ‘Cock-Fighter’, ‘Red Cannas’, ‘The Weeping Rose’, ‘Cape Malay Bride’, ‘The Dying Swan’, ‘Self Portrait’, ‘Zulu Couple’, ‘Woman of the NDebele’, coloured prints, complete with souvenir catalogue and cover (qty), prints of various sizes, total approx size 36 x 27.5cm £80-£100
650. A group portrait of Edward Prince of Wales and company taken at The British Embassy Berlin 1913 the black and white silver gelatin photograph mounted against brown paper with pen annotations, from left to right top ‘Benjy’ Bruce 2nd Secretary, Lord Granville councillor, Thomas 3rd Secretary, ‘Bunt’ Goschen Hon. Attache, Harold Beresford-Hope third Secretary’ bottom row Major Cadogan Equerry to P.O.W, Lady Granville, Prince of Wales, and ‘Professor fielder Tutor to P.O.W, mounted with enlargement above, framed, photograph 7.2 x 8.9cm, overall 36.6 x 27.1cm £100-£150
651. A 1920s Egyptian Assuit hammered silver and cream lace shawl of geometric design, 200 x 83cm £100-£150
652. A large pre-war dark mohair teddy bear possibly Bing, straw filled with two colour glass eyes, pointed nose with clipped muzzle, stitched mouth, swivel head, hump to back, jointed long shaped limbs, growler, stitched claws and felt pads, length 52cm £80-£120
653. An early Victorian short police truncheon painted black and decorated with a crown over V I R Cypher, ribbed grip, length 28cm £70-£90
654. A collection of twenty two Halcyon days Enamel Easter Eggs comprising eggs dated from 1975-1996, variously decorated, on stands, mostly with certificates (22), height 5.5cm £100-£150
655. A 1930s Brexton Motoring picnic hamper black rexine covered case with fitted interior containing a blue The Cube teapot, and four matching plates, two beakers, a tea cup, four saucers, two jars, pepper pot and covered pot, kettle, sandwich tin, another tin, spirit cannister, cane wrapped tea and sugar cannisters, pair of square bottles and a flask, and a four piece cutlery set, case length 55.5cm £50-£80
By repute purchased from Sotheby’s 25th April 1990 lot 187 where the then vendor obtained the signatures from the group whilst they visited the BBC studios where the vendor worked £4,000-£6,000
657. An Edward VII 1897 pattern Infantry Officers sword
321⁄4” straight tapering partially fullered blade etched with foliate scroll panels, Royal Coat of Arms and ER VII cypher, ricasso with brass ‘proved’ plug, pierced nickelled steel basket guard and hilt, wire bound black leather grip, plated steel scabbard with twin suspension rings, Overall length 102cm £100-£150
658. An American Civil War reproduction model 1860 light cavalry Sword
33 3⁄4” curved fullered steel blade, stamped to the ricasso Ames MFG Co Chicopee Mass, brass three bar hilt stamped 13421 with domed pommel, leather bound grip wrapped in wire, steel scabbard with twin suspension rings, stamped ADK, Overall length 107cm £80-£120
659. A collection of fountain pens to include De la Rue Onoto the Pen in black with De la Rue nib stamped 14k, together with Conway Stewart, 27 and No 55, R Esterbrook Relief N 22-L, ‘Swan’ Mabie Todd selffiller, Omas extra, Conway Stewart etc, together with various others, most with nibs stamped 14K (qty), First length 13.9cm £100-£150
660. A Great War ‘family pair’ of Bronze Memorial plaques to brothers. Lieu William James Burt Middlesex Regiment died 18th August, 1918 and Lieu Owen Lyndon Royal Flying Corps, 23rd July 1917
accompanied by tow Felstead School electroplated sporting prize trophies awarded to W J Burt and two cased prize medals awarded to both brothers (7), various £100-£150
661. A collection of Cambridge University silver and bronze sporting prize medals awarded N.F Burt Jesus College comprising a silver medal awarded 120Yds Hurdles, 1919, in fitted case with silver presentation shield shaped plaque, another cased medal for Throwing & hammer, 1921, cased Victor Ludorum Medal by Peters, 1920, another by Peters with the motto ‘Creber Utraque Manu’ to the reverse and two silver medals for boxing, together with two cased bronze medals (8), first diameter 5.2mm, weight approx. 10.36ozt £140-£180
662. A WWII five medal group awarded to Thomas James Russel Barty Black Watch (Royal Highlanders) formed of 1939-45 star, the Burma Star, Defence Medal, War Medal, on ribbons with dress miniatures, mounted with Uganda Independence Medal, 1962, accompanied by WWI 1914-1918 War Medal awarded to Lieut. R. G. Russel. R.N.V.R (3)
£80-£120
663. Egypt - Order of the Nile Fourth Class, Officer silver and enamel badge hallmarked for 1925-6, suspended from a blue and yellow ribbon with rosette and accompanied by miniature and bar, in a fitted gilt tooled leather case stamped for J. Lattes, Cairo, length 10.9cm
£100-£150
664. Franklin Mint. The history of Belgium in 100 silver gilt medals titled “L’Histoire de La Belgique en Medailles” commemorating the 150th, anniversary of he independence of Belgium, contained in two volumes, once containing the coins the other text, in a slipcase, weight approx. 43.4ozt
£550-£650
665. Belgium. Silver proof and other coins comprising cased 50 years Benelux, 1994 three coin set formed of Belgium 250 francs, Netherlands 10gulden and Luxemburg 250 francs, x 2, 250 francs, 1994 in capsules x2, 5 Ecu 1987, Baudouin 1930-1990 three 500francs, 1990 coin set in capsules and 20 and 10 Ecu, 1990, in capsules, and Germany Deutsche -Deutche doppelmark, 1989 and Offizielle Sonderpragung zugunsten “Aktion Gemeinsinn” 1989-1990, both cased with certificates (qty), weight approx. 9.3ozt
£100-£150
666. A George III crown, 1818 and other silver coins together with Victoria crown, 1893 x 2, USA Kennedy half dollar 1964, 1920-1946 half crowns shillings and sixpences, etc (qty), first diameter 38mm, silver coin weight approx 3.37ozt 1920-1946 coin weight approx. 1.84ozt
£70-£90
667. A collection of proof coin sets and other coins to include 2016 Commemorative Proof Coin Set, 2016 silver proof £1 and Team GB 2016 silver proof 50p, in capsules with certificates, various proof coin sets: 1976, 983 x2, 1984x 2, 1986, 1990, 1993, 1994, 1998 Deluxe set x2, 1999 Deluxe set, 2001 Deluxe set, 2002, 2015 Definitive Coin Set, 2015 Definitive Coin album x6, 2016 Annual Coin set together Australia gold plated 2015 50th Anniversary of the Royal Australian Mint proof set, Whitman albums of Shillings, Farthings and pennies. Berlin Airlift Philatelic Medallic Cover etc (qty), various £100-£150
668. Royal Mint. Beatrix Potter 150th Anniversary silver proof 50p coins and other related coins comprising 150th Beatrix Potter silver prooof 50p coin and four colourised silver 50p proof characters Peter Rabbit, Squirrel Nutkin Mrs Tiggy-Winckle, all boxed together with nine uncirculated 50p coins and a quantity approx. 85 of 50p coins and a First Day cover (qty), various £100-£150
669. India, East India Company, Bengal Presidency, Murshidabad (1825-1830) gold mohur soldered lugs, coin diameter 27cm, weight approx. 8.8g
£250-£300
670. An Elizabeth II gold proof sovereign 1980 complete with certificate from Royal Mint, in capsule, in presentation box, approx weight 7.98g
£300-£350
671. An Elizabeth II gold proof half sovereign 1980 young head facing right, rev George slaying the dragon, in capsule in a presentation box with certificate from Royal Mint, approx weight 3.99g
£140-£180
672. A George V gold half sovereign, 1913 bare head left, rev George slaying the dragon, diameter approx 20mm, approx weight 3.9g £140-£180
673. Belgium. 50 Ecu, 1987 .900gold coin diameter 29mm, weight approx. 17.3g
£500-£700
674. Belgium. 50 Ecu, 1987.900gold coin diameter 29mm, weight approx. 17.3g
£500-£700
675. Belgium. Baudouin I 1976 commemorative .900 gold medal diameter 22mm, weight approx. 6.4g
£180-£200
676. A Edward VII full sovereign, 1904 bare head facing right, rev George slaying the dragon, diameter approx 23mm, approx weight 7.9g £300-£350
677. A Edward VII full sovereign, 1910 bare head facing right, rev George slaying the dragon, diameter approx 23mm, approx weight 7.8g £300-£350
678. A George V full sovereign, 1912 Bare head facing left, rev George slaying the dragon, diameter approx. 23mm, approx. total weight 8g
£300-£350
Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required
All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business
Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT
All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate
A buyer’s premium of 24% is applicable to all the lots in this sale. The buyer’s premium is inclusive of VAT at the current standard rate (20%), Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers
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All auctions are on public view the day before the sale and on the morning of the sale
All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information
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Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom), It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business
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Ø - IMPORTANT NOTE:
This lot contains elephant ivory and is therefore subject to both CITES regulations and the UK Ivory act 2018. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. It is the buyers responsibility to obtain any export or import licenses, certifications and any other required documentation. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. The Ivory declaration submission reference number can be found in the catalogue description of the lot.
All Lots marked with the Y symbol are sold in compliance with CITES regulations. The Cites Transaction Specific Certificate number can be found in the catalogue description of the lot.
For more information visit http://www.defra.gov.uk/ahvla- en/import-exports/cites
When exporting outside the UK, Regulations maybe found at: https://www.gov.uk/guidance/cites-imports-and-exports#how-to-apply
Furniture made of Brazilian Rosewood (Dalbergia Negra)
To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.
If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.
It is the responsibility of commercial buyers to ensure a copy of the certificate is obtained from Catherine Southon Auctioneers.
Where a work is catalogued with the name(s) or recognized pseudonym(s) of an artist, it is our opinion that it is a work by the named artist.
In other instances, the following expressions are used:
“Attributed to…” denotes that in our opinion the work is probably by the named artist or the named artist has made a contribution to the work.
“Circle of…” denotes that in our opinion the work shows the stylistic influences of the named artist and dates from the period of the named artist.
“Follower of…” denotes that in our opinion the work shows the stylistic influences of the named artist but probably dates from a later period to that of the named artist.
“Manner of…” denotes that in our opinion the work is a copy or pastiche of a work or works by the named artist and dates from a later period to that of the named artist.
“After…’ denotes that in our opinion the work is a copy by another artist or a printed reproduction of a known work by the named artist.
The terms “signed” and/or “dated” denote that in our opinion the work has been signed and/or dated by the named artist.
The terms “bears signature” and/or “bears date” denote that in our opinion the work has been signed and/or dated by a hand other than that of the named or quoted artist.
Measurements of pictures are given height before width.
The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers.
Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.
“Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate)
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“Hammer Price” is the highest bid for the Property accepted by the auctioneer
“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company
“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.
“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction
“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer
“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable
(a) The Seller warrants to The Company and the Buyer that:-
(i) the Seller is the owner of the Property or is properly authorised to sell it;
(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;
(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;
(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.
(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller
(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.
(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot
(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties
(d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces
(e) The Company will charge a Buyer’s Premium on the sale of the Property at The
Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it
(f) Sellers are prohibited from bidding on their own Property.
(a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”),
(b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason.
(c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a), If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.
(a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c),
(b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses
(c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited
(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-
(i) risk passes to the Buyer; or
(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or
(iii) 6 months after receipt of the Property by The Company, if not consigned for sale
(b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be:
(i) the Hammer Price of the Property, if sold;
(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or
(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);
less Seller’s Commission and Expenses
(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination
If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques
If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.
(a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company.
(b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.
(a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:-
(i) be reconsigned for sale; or
(ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses.
(b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-
(i) transfer the Property to independent storage at the Seller’s expense; or
(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the
(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:
(i) these Conditions of Business for Buyers;
(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd;
(iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement
(b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot
“Bidder” is any person making, attempting or considering making a bid, including Buyers;
“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;
“Seller” is the person offering a lot for sale, including their agent, or executors;
“THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd., registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183;
“Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer;
“Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 24% (inc VAT);
“Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;
“Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses;
“Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot
The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable
re-sale plus all relevant Expenses
(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address
The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control
(a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law.
(b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a),
(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect
b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.
(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions
(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion
(a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit
(b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot
(c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses
(d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller
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(a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained)
(b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form
(c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded
THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)
(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable
(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer
(d) Any post-auction sale of lots shall incorporate these Conditions of Business
(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”)
(b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above
(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a)
(d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.
(e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers
Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:-
(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense;
(b) cancel the sale of the lot;
(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot;
(d) reject future bids from the Buyer;
(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;
(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original
Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;
(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien;
(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;
(i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings
(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage
(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction
(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law
(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)
(a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY
(b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives
(c) The materials listed in Condition 1(a) set out the entire agreement between the parties
(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect
(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.
From 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue.
It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk.
All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.
The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.
For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk.
catherinesouthon.co.uk
