Catherine Southon 10 June 2020 by Park Communications

Antiques & Collectables Wednesday 10th June at 11.00am An on-line live auction

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Antiques & Collectables Wednesday 10th June at 11.00am VIEWING By strict appointment Please telephone the office directly on 0208 313 3655 or 07808 737694 for further information

Please note that in line with Government restrictions this is not a public auction, bidding will take place on-line, by telephone or by leaving absentee bids in advance of the auction

Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX Valuation days held here every Tuesday, Wednesday and Thursday between 10am and 2pm

Welcome to Catherine Southon Auctioneers & Valuers Director:

Catherine Southon MA

Specialists: Sale Administrator:

Tom Blest Prudence Hopkins Barbara Dixon Nicola Minney

Auction Enquiries and Information:

0208 313 3655 07596 332978 07808 737694 Email: info@catherinesouthon.co.uk

I M P O R TA N T N O T I C E S Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.thesaleroom.com. All payments should be made by bank transfer, debit card or through www.thesaleroom.com. Please note that we are no longer taking credit cards as payment.

COLLECTIONS Items will be available for collection at Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX until Friday 19th June and can be collected by strict appointment. After this time they will be stored in our warehouse. We are able to post small non-breakable items.

SHIPPING We are happy to ship non-breakable items. Please call 07808 737694 or 0208 313 3655 for a quote.

Mail Boxes Etc. Tel: +44 (0) 208 649 9777 Email: auctionlogisticsenquiries@mbe.uk

Pack & Send Tel: +44 (0) 203 818 1980 Email: croydon@packsend.co.uk

Overseas Shipping: AMS Tel: +44 (0) 1689 800 688 email: amsinternational@msn.com

AUCTIONS The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

www.thesaleroom.com

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A N T IQU ES & COL L ECTA BL ES

1. An Art Deco 1930s ‘Playball’ amusement pinball coin repeat machine with penny slot, contained within an oak case, key to door but not drawer, 69 x 52cm £400-£600

4. A 19th century Anglo-Indian carved hardwood rectangular occasional table the top and twin graduated side tiers with scrolling foliate borders, having pierced panelled ogee sides and an undertier, width 75cm, depth 35.5cm, height 72cm £150-£250

2. A pair of Arts and Crafts oval hammered copper wall mirrors repoussé decorated with Art Nouveau whiplash design and stylised flowerheads, height 46cm £80-£120 3. A late Victorian silver plated wall mirror the rectangular plate within a silver plated ribbon and reed surround, 51 x 69cm £100-£200

5. An early 20th century Indian brass dished tray on folding base probably Jaipur, the shaped brass tray with central scalloped well within a strapwork embossed border, on foliate carved folding stand with panels pierced and carved with berried leaves, height 53.5cm, diameter 60.5cm £80-£120

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9. A pair of late Victorian patinated spelter photograph frames of pierced rococo design cast with a reclining maiden and a putto, having strut supports, numbered 1007. A and 1007. P (2), height 34cm £40-£60 6. Ernest Rancoulet (1879-1915), a pair of late 19th century French patinated bronze figures of ‘Diana the Huntress’ and ‘Young Triton’ signed Rancoulet on domed sienna marble bases (2), height 22cm £100-£200

10. A pair of early 20th century Austrian cold painted bronze and green onyx circular ashtrays mounted with a cock and hen pheasant (2), diameter 12cm £80-£120

7. After Isidore Bonheur (1827- 1901), Racehorse with mounted jockey, bronze with brown and black patination, approx. 84cm high, 104cm wide £400-£600 8. A pair of late 19th century patinated spelter figural candlesticks cast as soldiers in period dress, having drip pans and weighted socle bases (2), height 36cm £60-£80

11. An Arts & Crafts enamel on copper portrait roundel in a circular silver frame the roundel depicting a profile portrait of a maiden with flowing auburn hair, the plain frame, Birmingham, 1911 by H. V. Pithey & Co, having easel strut support, enamel diameter 6.9cm, height 10cm £100-£200

A N T IQU ES & COL L ECTA BL ES 12. A Victorian burr walnut sewing box, a 19th century mahogany writing slope and two other boxes first having brass shield shaped mount and escutcheon, the fitted interior red silk lined having lift out tray, together a plain mahogany writing slope, a walnut brass inlaid box and a fall front oak stationary box (4), first width 28cm £60-£80

13. A late 19th century French Napoleon III animalier gilt bronze jewellery casket of oval from, the hinged lid cast naturalistically with a wading bird signed J. Moigniez, the sides cast in relief with hunting dogs, mounted with ribbon tied garlands, interior velvet lined, length 14.5cm £70-£80

17. An Edwardian silver mounted tortoiseshell tea caddy marked for Birmingham, 1909 by Henry Bourne, modelled in the form of a knife box, the hinged lid with loop handle, interior cover fitted with cover with ball finial, bright cut silver mounts with a shield shaped escutcheon, height 10cm, width 9cm, depth 9cm £250-£350

14. A Victorian Tunbridgeware rosewood pocket watch stand having micromosaic border and watch chain holder, height 6.5cm, width 9.2cm £60-£80 15. Two tribal spears or javelins with metal tips, the shafts with scorched decoration (2), length approx. 196cm £100-£200

16. A George III copper and brass tea urn of vase form, having lion mask ring handles, reeded borders, brass tap and domed cover with urn finial, on a square stepped base and turned feet, retaining original warmer, height 37cm £40-£60

18. A late 19th century Continental ivory and tortoiseshell bound photo album with applied tortoiseshell mounts decorated with piqué work, with velvet spine, length 15cm, width 11cm £100-£150

16 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 8 0 .

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19. An Art Nouveau tortoiseshell and silver easel back photo frame the tortoiseshell frame with applied embossed silver decorations of florals, and lute playing figures on bugs, with makers initials HBA, height 23cm, width 19cm £60-£100

21. A contemporary wooden picture of three butterflies on a branch indistinctly signed in pencil, mounted framed, within mount 46 x 39.5cm, overall 60.8 x 52.8cm £60-£80

22. An early 20th century display of South American butterfly specimens laid on cotton wadding and in a glazed wooden display case, 35.5 x 25.5cm £60-£80

20. A Victorian tortoiseshell and mother-of-pearl veneered tea caddy with caddy top and shaped front and sides with alternating tortoiseshell and mother-of-pearl, with two compartments, metal loop handle to lid and key, raised on bun feet, width of box 19.5cm £100-£150

23. A white silk piano shawl embellished with floral embroidery and macramé knotted fringe edging, approx. 158cm x 153cm excluding fringe. Fringe measures approx at each side: 43cm £100-£150

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24. A small collection of textiles to include a black silk piano shawl highly embroidered with floral motifs and with a macramé fringe circa 1920s, an Indian pale yellow silk panel highly embroidered with silver metallic threads and peacock motifs, on a cotton backing and two further Indian pieces of textiles to include a chiffon panel embroidered with gold metallic and silk threads (4), piano shawl excluding fringe approx: 107cm x 112cm Fringe each side approx: 40cm, Indian silk panel: 90cm x 52cm, chiffon panel approx. 82cm x 82cm, silk panel approx: 49.5cm x 74.5cm £60-£80 25. An early 20th century French gilt brass four pane carriage clock the white enamel dial with Roman numerals and subsidiary alarm dial, indistinctly signed Paris retailed by S. Leighton & Sons Lancaster, in an associated case, height 12cm £60-£80 26. A late 19th century French large ormolu carriage timepiece having white enamel dial with Roman numerals and minute track, the 8 day movement with platform lever escapement, back plate numbered 6654, five pane bevelled glass case, winding key present, height 15cm £100-£200 27. A late 19th century French gilt brass carriage timepiece retailed by J.W. Benson having cream enamel dial with Arabic numerals and minute markers, signed To the Queen J. W. Benson Ltd London & Paris Non Magnetic, 8 day movement with platform lever escapement, five pane bevelled glass case with fluted pilasters, winding key present, height 12cm £80-£120

28. A 20th century French repeating brass alarm carriage clock having white enamel dial with Roman numerals, minute markers, outer Arabic numerals and subsidiary alarm dial, 11 jewel movement with platform lever escapement with passing half hour strike on a coiled gong, five pane bevelled glass case, winding key present, height 13.5cm £100-£200 29. Fortunino Matania RI (Italian, 1881-1963) A group of four studies ‘Standing female nude’, pencil and wash, signed, ‘Standing female in Grecian tunic holding a water jar’, signed and dated Jan 1953 together with two portraits possibly of the artists wife, framed or mounted (4), largest 37.5 x 24.2cm £60-£80 30. ‡ Sydney Robert Jones (British, 1881-1966) ‘St Giles Cripplegate’, pencil, signed, mounted, 35.5 x 25.4cm, overall 51.5 x 40cm £100-£150 31. John White Abbott (British, 1763-1851) ‘Study of a horse’s head, pencil, unsigned, mounted, Provenance, The Artist’s family and by descent, together with Richard Henry Nibbs (1816-1893), ‘View of the stern of tall ship’, pen and ink, unsigned, mounted framed (2), First within mount 8.6 x 10cm, second within mount 10.2 x 6.7cm £80-£120

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32. In the manner of Alfred Egerton Cooper (British, 1883-1974) ‘Portrait of Winston Churchill, seated with a cigar and newspaper’, pencil, unsigned, framed, within mount 34.8 x 29.2cm, overall 66 x 60.5cm £100-£150

35. ‡ Attributed to William Dennis Dring (1904-1990) ‘Lady fisherman’, charcoal drawing of a figure standing, pencil portrait to bottom left, framed and mounted, 21 x 31cm £80-£120

33. ‡ Bernard Hailstone (British, 1910-1987) ‘Portrait of Mary Soames’, pastel, unsigned, mounted framed, approx. 30 x 40cm Provenance: The artist’s studio, Hadlow Castle £60-£80 34. ‡ William Dennis Dring (1904-1990) ‘Portrait of a woman’, head and shoulders pencil portrait signed and dated 1928?, together with two others attributed to Dring including a pastel of a young girl, and a portrait of a gentleman, all framed and mounted (3), the former 12.5 x 10cm £80-£120

36. ‡ Attributed to William Dennis Dring (1904-1990) ‘Portrait of a woman’, a charcoal portrait of a woman gazing downwards, mounted and framed, 21 x 14cm £80-£120

A N T IQU ES & COL L ECTA BL ES 37. ‡ William Dennis Dring (1904-1990) ‘Two nude portraits’ and another attributed to Dring, the first pencil and pen signed by William Dring depicting a female nude leaning, the second pencil drawing depicting three nudes, and another of a nude (3), the former 35 x 22cm £100-£200

(1 of 5) 38. ‡ William Dennis Dring (1904-1990) ‘Five sketches of figures’, the first a pastel and pencil sketch of a young bending over to lace her shoe and two other pastel sketches, a pen and wash and a pencil sketch, another of a figure standing signed and dated William Dring 1926 (5), the first 28 x 38cm £80-£120

39. Fortunino Matania RI (Italian, 1881-1963) ‘Portrait of Blossom’, oil on board, signed lower left, framed, with studio address and title to the reverse in ink, 23 x 35cm £100-£150

40. Fortunino Matania RI (Italian, 1881-1963) ‘Beryl at her easel’, oil on canvas, signed lower left and dated, with hand written dedication from Fortunino to reverse, framed, 43cm x 27cm £200-£300

41. Fortunino Matania RI (Italian, 1881-1963) ‘Beryl’, oil on board in the round, unsigned, framed, board diameter 40.5cm, overall diameter 55.5cm £100-£150

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43 42. Early 19th century Flemish School ‘Cockerel and hens in a landscape’ a pair, oil on panel, gilt gesso frame (2), panel 28 x 34.4cm, overall 42 x 48cm £200-£300 43. ‡ Edwin St John (British, 1868-1961) ‘Cairo’ and ‘A Mosque, Cairo’, watercolour, signed bottom right, titled and dated 1910 to mount, framed (2), overall 43 x 63.5cm £80-£120 44. William Aiken Walker (American, 1828-1921) ‘A cabin scene with children’, signed W.A.Walker lower left, oil on board, framed, 23.4 x 30cm approximately Acquired by the current owner's father. £3,000-£5,000 45. ‡ James Noble (British, 1919-1989) ‘Study of two pink roses’, oil on board, signed, Stacey-Marks paper label verso dated 1970, framed, board 25.5 x 20.5cm, overall 39.3 x 34.1cm £80-£120

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49. ‡ James Noble (British, 1919-1989) ‘Chianti with cheese and apple’, oil on canvas, signed, Stacey-Marks paper label verso dated 1979, framed, canvas 41 x 51cm, overall 55 x 65cm £200-£300 46. ‡ James Noble (British, 1919-1989) ‘Red and yellow roses’, oil on canvas, signed, Stacey-Marks paper label verso dated 1969, framed, canvas 25.5 x 20.5cm, overall 39.3 x 34.1cm £100-£150

47. ‡ James Noble (British, 1919-1989) ‘Freshly picked’ and ‘Scent and colour’, oil on canvas, signed, Stacey-Marks paper label verso dated 1963, framed (2), each canvas 25.7 x 18cm, overall 32 x 25cm £100-£150 48. ‡ James Noble (British, 1919-1989) ‘Fragrance of summer’, oil on canvas, signed, Stacey-Marks paper label verso dated 1961, framed, canvas 30.5 x 35.5cm, overall 39.5 x 44.7cm £100-£150

50. Rudolf Helmut Sauter (German, 1895-1977) ‘Portrait of Viola Sauter reading, wife of the artist’, oil on canvas, signed and dated lower right R.H.Sauter 1925, framed, 60 x 50cm, with frame 79 x 69cm An exhibitor at the RA, Many of Seuter’s paintings were destroyed by a fire in the 1980s at the National Portrait Gallery. £600-£800

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51. ‡ Cecil D’Oyly John (British, 1906-1993) ‘St.Tropez, French Riviera, South of France’, oil on canvas, signed lower right, framed, titled verso with applied label, canvas: 34.5cm x 70cm, overall measurements: 44cm x 79cm D’oyly John was wounded and temporarily blinded during World War II, during his period of convalescence he took up painting and proved to be a natural artist. A number of his paintings have been acquired by H.M the Queen's Royal collection and seen in galleries and other notable collections around the world. £400-£600

54. ‡ Philip Needell (British, 1886-1974) ‘Cadgwith, Cornwall’, oil on canvas, signed lower left, 32 x 40cm £200-£300

52. ‡ Christopher Daynes (British b.1946) ‘Banks of the Rother’, oil on board, signed lower left, framed, 29 x 38cm £100-£200

53. ‡ Thomas Bromley Blacklock (British, 1863-1903) ‘Hyacinths and Sloe’, oil on board, signed lower right, framed, 30 x 35cm £350-£550

55. Henryk Gotlib (Polish, 1890-1966) ‘White Ox with farm worker’, oil on canvas, signed lower left, 44 x 34cm £500-£700

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56. Nael Hanna (Scottish/Iraqi, b.1959) ‘Fishing boats Ballachulish’, Oil on canvas, 2004, signed lower left, 28.5 x 38.5cm £300-£400

60. ‡ Padraig Macmiadhachain R.W.A (Irish, b.1929) ‘Pale Atlantic Landscape’, oil on canvas, signed lower left, framed, 24 x 29cm £300-£500

57. ‡ George Hardy (British, 1822-1909) ‘Interior scene’, oil on panel signed lower left 1839, framed, 11 x 17cm £200-£300

58. ‡ Kirsty Wither (Scottish, b.1968) ‘Heading East’, oil on canvas, signed lower left, framed and mounted, 43 x 59cm without frame £400-£600

61. ‡ David Mcleod Martin RSW RGI (Scottish, b.1922) ‘Study of yellow roses in a vase’, oil board, signed bottom right, framed, board 43.3 x 41cm, overall 52.2 x 50cm £300-£500

59. ‡ Padraig Macmiadhachain R.W.A (Irish, b.1929) ‘Misty Morning in the harbour’, oil on canvas, signed in pencil lower right, framed, 19 x 24cm £200-£300

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65. Bruce Yardley (British, b.1962) ‘Midi, Maxi, Glyndebourne’, oil on canvas, 24 x 29cm £200-£300

62. ‡ Lin Pattullo (British, b.1949) ‘Crail’, oil on canvas, signed lower left, framed, 21.5 x 21.5cm £200-£300 63. ‡ William Selby (British, b.1933) ‘Holiday Cottage II’, oil on canvas, signed by the artist lower right, framed and mounted, 28 x 38cm £200-£300

64. ‡ William Watt Milne (Scottish, 1865-1949) ‘River landscape with trees’, oil on canvas, signed bottom right, framed, canvas 47 x 57cm, overall 66 x 76cm £400-£600

66. ‡ John Horsewell (British, b.1956) ‘Deserted beach’, oil on canvas, signed bottom right, framed, canvas 61 x 91.5cm, overall 76.5 x 107cm £150-£250 67. ‡ Arthur Rigden Read (British, 1879-1955) ‘The Christmas goose’, a woodblock print, signed and titled in pencil, mounted, framed, within mount 22 x 17.5cm £80-£120

68. ‡ Eric Gill (British, 1882-1940) ‘Crucifix’, Cleverdon edition, 1929, wood engraving, mounted, framed, within mount 15 x 12cm, overall 23.3 x 20cm £80-£120

A N T IQU ES & COL L ECTA BL ES 69. Herbert Dicksee (British, 1862-1942) ‘Marauders’, ‘The Challenge’ and ‘Lion drinking’, dry point etchings, framed (3), impression size 17.5 x 24.6cm, overall 29 x 39.4cm £100-£200

72. Eric Hesketh Hubbard (British, 1892-1957) ‘Hay Cutters’, signed in pencil lower right, woodcut, mounted and framed, 23 x 27cm £80-£120

70. ‡ Chloe Cheese (British, b.1952) ‘My House’, lithograph, limited edition numbered 166/195, titled and signed in pencil, mounted framed, within mount 55.5 x 40cm, overall 75 x 59cm £80-£120

73. ‡ William Giles (British, 1872-1939) ‘Midsummer Night’, wood cut, published November 1st 1919 by Bromhead Cutts & Co Ltd, zinc relief metalcut, signed in pencil W Giles, blindstamp bottom left, mounted, framed, within mount 37 x 26.5cm, overall 51 x 37cm £100-£200

71. ‡ Bernard Dunstan (British, 1920-2017) ‘Nude studies’, two limited edition colour lithographs, numbered 188/195 and 108/195, both singed in pencil, mounted, framed (2), within mount 39.5 x 38.5cm, overall 65.5 x 64cm £80-£120

74. ‡ John Piper (British, 1903-1992) ‘Blenheim Palace’, lithograph, 39/100 signed in pencil lower right, mounted and framed, 51 x 90cm, in frame 75 x 113cm £1,500-£2,500

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75 75. A small collection of 20th century Meissen and Samson porcelain figures comprising a flower seller from the Cris De Paris series, incised 60249 and impressed 739D, a Meissen ballad seller from the Cries of London series, impressed 142C and incised 73224, a Meisen group of a dancing lady and gentleman, impressed 139E and incised 73216, all three with underglaze blue cross swords marks, together with two pairs of small Samson ‘Chelsea’ figures of fruit and flowers sellers, each marked with a pseudo Chelsea gold anchor mark, and another (8), height 14cm £100-£150

76. A set of four 19th century Meissen style allegorical porcelain figures of the seasons modelled as Winter standing by a brazier, Spring, bearing flowers in her apron, Summer with a sheaf of corn and Autumn with a basket of grapes, on shaped moulded bases, underglaze blue crossed swords mark, two impressed A.B (4), height 18.5cm £200-£300 77. A first edition Royal Worcester figure, ‘Goosie Goosie Gander’, modelled by Freda Doughty and two Worcester blush ivory vases the figure model 3304, printed puce mark, c.1940, the first vase Grainger’s Worcester, of ovoid form with flying scroll handles, painted with a garland of flowers and pair of blue tits, the second Locke & Co Worcester vase painted with a bullfinch, both with printed marks (3), first height 14cm £100-£150

78. A large contemporary Moorcroft Meknes pattern vase designed by Beverley Wilkes the baluster shaped vase with tube lined decoration, with signature to base and dated 29:10:01, height approx 43cm £200-£300

79. Ray Finch for Winchcombe Pottery (1914-2012) the brown glazed earthenware bowl, slip decorated with a cream snake, impressed marks, diameter 21cm £60-£80 80. A Batty’s Indian Chutney pottery jar and a late 18th century Whieldon plate the former with transfer printed decoration to front and reverse, together with a Whieldon pottery plate with mottled green pattern decorated with green (a.f) (2), height 12.5cm £60-£80

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81. Four late 18th century A.M. Leboeuf Paris rue Thiroux Porcleiane de la Reine Paris porcelain coffee cans and saucers painted with red and gilt leaf borders, and bearing intials M, A and D, each piece marked in red with a crowned A, one cup and saucer signed Balwdin (8) £60-£80

82. An early 20th century continental Dresden style porcelain cabaret coffee service decorated with alternate panels of courting couples in a landscape and floral sprays against a yellow ground within gilt borders, overglaze blue painted initials L R, comprising a coffee pot and cover, twin handled sucrier and cover, milk jug, four coffee cups and saucers and a twin handled tray (12), height of coffee pot 25cm, tray diameter 42.5cm £100-£150

83. An early 20th Century Dresden matched porcelain tete a tete cabaret tea service decorated with alternate panels of Watteauesque courting couples and floral sprays on an duck egg ground within gilt borders, underglaze blue Augustus rex mark, comprising teapot and cover, milk jug and cover, sucrier and cover and rectangular tray together with two matched tea cups and saucers decorated on a pink ground (6), width of tray 35cm £100-£200 84. A small selection of 19th century and later ceramics decorated in the Imari palette to include Royal Crown Derby comprising a Royal Crown Derby oval dessert dish and a triple leaf serving dish, both pattern 2451, printed marks, an early Victorian Mason’s Patent ironstone china dinner plate and two matching side plates and an early 19th century teapot stand (6), first length 25.8cm £60-£80

85. A late 19th century Royal Crown Derby porcelain ‘Imari’ part dessert service decorated in blue, red, green and gilt, pattern no 1126, with moulded gadroon borders and red factory marks, comprising a pair of lozenge shaped dishes and five plates (7), diameter of plates 22.5cm £150-£250

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86. A collection of twelve 19th century Prattware pot lids to include ‘The Sportsman’, ‘The Village, Teniers Pinx’, ‘Belle Vue Pegwell Bay’, ‘Holborn Viaduct’, other subjects to include seashells, ice skating, etc, framed (12), largest overall diameter 19cm £80-£120

87. A large collection of 19th century Prattware and other pot lids to include ‘Dr. Johnson’, ‘On Guard’ x 2, ‘Uncle Toby’, ‘That No Jealous Rival Shall Laugh Me To Scorn’, ‘A Pair’, ‘War’, ‘The Residence of Anne Hathaway, Shakspeares Wife Shottery nr Stratford On Avon’, ‘The Village Wedding Teniers Pinx’, ‘Lend A Bite’, “The Enthusiast’, ‘Wimbledon July 2nd 1860’, ‘Shakspeares House Henley St Stratford on Avon’, ‘The Chin Chew River’, ‘Royal Harbour Ramsgate’, ‘Landing The Fare, Pegwell Bay’, together with sixteen other assorted Prattware and toothpaste pot lids etc. (qty), various £80-£120 88. An Italian polychrome decorated majolica plaque possibly 18th century, painted with a biblical scene, framed, 26 x 34.4cm, overall 32 x 40cm £100-£200 89. A Royal Worcester oval plaque featuring Worcester Cathedral by R. Rushton signed lower right, in a gilt oval frame, with puce mark to reverse, total diameter 38cm £400-£600

90. A large 19th century continental KPM Berlin type porcelain plaque finely painted with a reclining semi-nude maiden on a fur covered bed, behind her a putto bearing a smouldering torch peering round a curtain, signed Meindel, impressed 324 otherwise unmarked, framed, plaque 22 x 14.7cm £200-£300

91. A rare Sèvres Art Deco porcelain ‘Athlétisme’ vase decorated with designs by Gaston Goor (1902-1977) c.1936 the shape, ‘‘Fontaine No. 2” of cylindrical form with flared choked neck and raised on a circular foot, decorated with the Olympic rings and athletes against a blushed ground, gilt borders, printed marks Sèvres Manufacture Nationale France, P.G. d’ap. Goor 67-35, incised 4326 PN, height 27.2cm Provenance: This vase was originally produced as part of a series, ‘Sports d’hiver’, ‘Athlétisme’ and ‘Natation’ by Sèvres and it is believed that only six ‘Athlétisme’ vases were sold. Presented to local running group Blackheath Harriers (now Blackheath and Bromley Harriers) in February 1937 by French Athletic Club ‘Club Olympic d’Auberville’. The French team came to England to run and be entertained by the local running club. Their visit was recorded in the club’s documentation which reads ‘Who has ever heard before of a team coming to this country from abroad for a training spin with members from an English club!’. During the visit gifts were exchanged, Blackheath gave them a silk pennant in the clubs colours and d’Auberville gave a vase. The vase was presented as a trophy for future competitions in the club. The vase has recently been re-discovered by the club and will be sold to raise money for the running club’s new premises. £6,000-£8,000

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92. A Welsh Ewenny pottery glazed earthenware figure of a parrot incised in Welsh ‘Polly Fach Bert’ (Little Pretty Polly), and ‘Jones Bridgend’, height 23cm £100-£200 93. A late 19th century Conta and Boehme novelty porcelain tobacco jar and cover modelled as a bespectacled old man wearing a dressing gown and reading The Times newspaper, incised 2557, height 25cm £40-£60 92

96. A collection of Royal Dux stylised animals each painted in blue and various features to a white glazed background most with gold applied stickers including a dog, rabbit, monkey, elephant and a bear cub (14), dog measures approx: 11.2cm, cockerel measures: 8.2cm £100-£200

94. A pair of mid 18th century English polychrome Delft plates London, probably Lambeth or Southwark c.1740, painted in red, yellow, blue and green and decorated to centre with a basket of flowers, within an alternating border of panels of diapers and flowers (2), diameter 22.2cm £80-£120

95. A late 19th century Wileman & Co Foley vase and a wall plate designed by Frederick Rhead the vase of twin handled double gourd form no 3084, decorated with a frieze of white geese and foliate bands, printed marks, RdNo 330400, the wall plate no 3067 decorated with sunflowers, printed marks, RdNo 330399 (2), first height 30.5cm, second diameter 31.5cm £150-£250

97. A Chinese famille rose porcelain panel decorated in the Qianlong manner well painted in coloured enamels and gilt with a procession entering through the archway of city walls, with attendants and courtiers, a/f, carved giltwood frame, 47.8 x 36.5cm £200-£300

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100. Two late 19th Century Japanese Imari chargers one painted with various garden scenes to each quarter section with a blue under-glazed decorative section to the centre with Japanese marks to base and another example with Imari colourway decorated with lotus and chrysanthemums, width 47cm, width: 39cm £100-£200

98. A Japanese blue and white Arita porcelain umbrella stand c.1900 of cylinder form, decorated in underglaze blue and green with carp and flowering branches within stylised borders, height 60cm £80-£120

99. A pair of late 19th century Japanese Imari chargers and two others the pair painted to the centre with vases of flowers, with fluted rims, together with another in the Imari palette with similar decoration and a plainer example (4), first diameter 33.1cm £40-£60

101. A large Chinese famille rose twin-handled ceramic vase of baluster form, painted with Chinese figures carrying out various activities, with scripts of Chinese characters in various motifs including a peach to a white background, painted with scrolling lizards and dogs of Fo handles, height approx: 62cm £100-£150

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102. A Chinese polished and carved banded agate brush washer in the form of a curled lotus leaf with blossom, carved with a snail and molluscs on the rim, length 12cm £100-£150 105. A contemporary Osiris Studios glass vase by Iestyn Davies of compressed sleeve form, cased in mottled lilac with aventurine highlights over deep amethyst, acid cut decorated with, a geisha standing in a window, signed Iestyn Davies and dated 1987, height 30cm £100-£200

103. A Chinese spinach green jade bowl of mottled colour having everted rim, on a circular foot, diameter 12.5cm £200-£300

106. A George III cut glass pot and cover, a pair of early 19th century spirit decanters and a Victorian decanter the circular pot with fluted sides and a band of diamonds, the cover spiral fluted with knop handle, the spirit decanters with canted corners, and mitre cut decoration, stoppers absent, the decanter and stopper possibly continental, facet cut with flat mushroom stopper (4), diameter of pot 12.5cm £60-£80 104. A Lalique frosted crystal glass sculpture of a polar bear 1980s, signed on the base of the paw Lalique France, length approximately 18cm £100-£200

107. An early 20th century French Vergo silvered glass witches ball the metal mount stamped V G 1721, diameter approx. 15.5cm £40-£60

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108. A pair of Victorian clear cut glass lustre vases suspended with buttons and rule shaped prism drops (2), height 23cm £40-£60

110. A Stuart and Sons Art Nouveau Tadpole glass vase the clear vase of waisted form with applied trailing green decoration, height 31cm £60-£80

109. A set of six 19th century cut crystal tumblers and other 19th century glass the tumblers of tapering form and slice cut together with a Bohemian ruby flash pickle jar, a George III diamond cut table salt and a drinking glass (9), height of tumblers 9.5cm £60-£80

111. An Art Nouveau Bohemian silver overlay small vase attributed to Carl Goldberg of swollen form with flared neck, green fading to clear with a matte surface, decorated with an owl perched on a branch in silver, height 11cm £60-£80 112. A Finnish Wartsila Arabia art glass vase of shaped bulbous pear from and in the female form, clear and white marbled ground with applied red trailing necklace and detail, bears original label, height 33cm £80-£120

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113. A 19th century Chinese polished bronze censer having twin upright lug handles on three stump feet, bearing a large circular character seal mark within a dragon and phoenix, height to handle 16.5cm £300-£500

116. A small collection of mostly early 20th century Japanese cloisonne items comprising a rectangular white ground table cigarette box, a lobed small vase and cover on associated stand, a small squat ovoid vase and cover, a small ovoid form vase, an oval box and a Chinese gilt metal and cloisonne enamel trinket pot in the form of an apple (6), first length 11.5cm £80-£120

114. A 19th century Chinese polished bronze vase of baluster form with a flared neck, raised on a domed base and feet, height 26.7cm £200-£300 115. A Japanese Meiji period cloisonne vase of ovoid form, decorated with silver wire and coloured enamels with a songbird perched on a magnolia in blossom against a gold flecked bronze coloured ground, height 18.5cm £80-£120

117. Two late 19th/early 20th century Japanese Meiji period carved ivory netsuke first carved as rabbit with a smaller rabbit sat on its back, signed, second carved as two anthropomorphic rats seated with a bowl, signed (2), first length 4.8cm £80-£120

118. A late 19th/early 20th century Japanese carved bone tanto having 19.5cm blade, the slightly curved handle and sheath profusely carved with figures, length 43cm £60-£80

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119. A late Victorian silver handled magnifying glass Birmingham, no date letter by Adie & Lovekin Ltd, having silver plated mount marked German silver and foliate embossed tapering handle, length 30.1cm £40-£60

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120 120. A George V silver and ivory perpetual calendar paper knife, a Sampson Mordan silver mounted ivory combination pencil letter opener and another letter opener first Birmingham, 1933 by G W Lewis & Co, having a hexagonal handle with twist action black enamel calendar, second stamped S. Mordan & Co Sterling silver, third having engraved and foliate pierced mount (3), first length 19.7cm £140-£180

121. A large and impressive late Victorian silver page turner with walrus tusk handle and a silver mounted ivory page turner with taxidermy Red Fox pad handle first London, 1896 by Edmund Bennett, second London, 1899 by J Batson & Sons (2), first length 44.5cm, second length 32.5cm £100-£200

122. A George V silver perpetual calendar hand seal, a silver mounted boars tusk pin cushion and fob watch stand and a mother of pearl mounted knife rest the seal, Birmingham, 1932, by Mappin & Webb, of hexagonal design with twist action black enamel calendar and blank seal matrix, second, Chester, 1915, makers mark worn, etc (3), first height 5.7cm £100-£150

123. A pair of mid Victorian gold cased lorgnettes with scrolling engraved with a vacant cartouche and scrolling floral decoration and a spring catch together with a small Victorian gold banded agate seal charm and a 9ct gold hollow heart shaped pendant with repoussé floral decoration (3), lorgnettes total weight approx: 17.8g seal total weight approx: 2.5g length excluding jump ring: 1.7cm pendant toal weight approx. 2.1g £100-£200

124. An 18th /19th century Indo-Portuguese Goanese carved ivory figure of the infant Christ length 6cm £100-£200

A N T IQU ES & COL L ECTA BL ES 125. A small selection of mostly silver items of vertu to include a cigarette case, a chain mesh evening bag and gold stick pins comprising an engine turned cigarette case, bearing London import marks for 1927 by Cohen Charles, of oblong form having cabochon sapphire set push thumbpiece releasing a hinged lid enclosing an interior fitted for seven cigarettes, a chain mesh evening bag, bearing London import marks for 1923 by London Chain Bag Co, the frame engraved “Spring Meeting 1930’, two 15ct gold sticks pin, a yellow metal stick pin and another in a leather case, an a/f silver hand mirror embossed with Art Nouveau floral design, a set of eleven white metal cage toggle buttons, possibly Maltese and a silver plated nurses buckle formed of reproduction Roman coins (qty), first length 7.6cm, weighable silver approx. 8.7g £100-£150

126. A set of six Edwardian Art Nouveau silver buttons Birmingham, 1902 by Lawson, Ward & Gammage, of petal shape, embossed with a maiden playing a lyre (6), diameter 12mm, weight approx. 0.28ozt £60-£80 127. An interesting collection of vertu to include a large 19th century horn snuff box comprising a rectangular horn snuff box, a pietra dura inlaid marble paperweight, a novelty plated elephant head vesta case, a carved bone umbrella needle case with Stanhope of Broadstairs, an egg shaped gilt metal mounted shell sewing case, a glazed heart shaped metal trinket box, a hand seal, a small novelty metal mounted blue velvet case in the form of valise, a pair of continental ruby flashed cut glass scent bottles with enamel and gilt decoration, a moulded clear and frosted glass Eiffel tower bottle and stopper and a gilt tooled red leather sewing box (qty), first length 9.6cm £60-£80

128. A late 18th/early 19th century gold and silver piqué work tortoiseshell snuff box possibly French, of circular form, the lift off cover inlaid with a central twin handled vase of flowers, against a field of stars within a star and c scroll border, the sides similarly decorated with stars, bears old paper label ‘Tortoiseshell box belonging to Emily Paso Villiers? 1825’, diameter 7cm £150-£250

129. A small collection of 19th century tortoiseshell and piqué work items to include a pair of French lorgnettes with gold frames comprising a pair of French folding sprung lorgnettes, the frames marked with French 18ct gold guarantee mark, the handle inlaid with mother of pearl and gold and silver piqué work, attached a foliate embossed gilt metal split ring, an early Victorian silver and tortoiseshell propelling pencil, having foliate piqué work inlaid shaft, screw fitting foliate embossed terminal set with hardstone bearing initials and sliding action, a Victorian visiting card case of rectangular from with hinged lid having silver stringing and central embossed floral spray, and a gilt metal purse mounted with tortoiseshell and piqué work panels, initialled and having pink silk interior with divisions (4), first length 12.5cm £150-£150

130. A 19th Century mother of pearl, gold and tortoiseshell inlay card case of rectangular form, the centre inlaid with gold urns and mother of pearl butterflies and a floral spray to a tortoiseshell background with an engraved mother of pearl border, the reverse similar with a floral and bird motifs, side hinged with push button release to the right side opening to reveal an ivory and red velvet interior, engraved Mr Ripley to a gold plaque with leather outer case, length 10.7cm x 7.8cm £80-£120

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131. A 19th Century gold and tortoiseshell aide-memoire travelling case of rectangular form, with a central oval gold inlaid plaque and decorative oval border, hinged to one side and opening to reveal an ivory page with a silver engine turned articulated pencil, 10.6cm x 7.3cm £80-£120 134. An early 19th century British School ‘Portrait miniature of young woman wearing an Empire-line dress and an orange shawl’, oval, watercolour on ivory, unsigned, unmounted under glass, bears Sotheby’s paper labels, 5.4 x 4.5cm £60-£80

132. A 19th century tortoiseshell and silver inlay card case of rectangular form, the centre inlaid with a silver basket and swags of floral garlands to a tortoiseshell background and a silver raised border, hinged to one side with a taffeta lined interior, total weight approx. 128.1g, 10.3cm x 7.3cm £100-£150

133. A George IV silver mounted agate snuff box London, 1822 by Charles Rawlings, of oval form, the hinged mounted with a panel of banded agate, having reeded borders and gilt interior, length 5.1cm, total weight approx. 1.41ozt £100-£200

135. John Cox Dillman Engleheart (1784-1872) ‘Portrait of Miss Curzon’ seated by a piano in a dark blue dress with lace collar and cuffs and wearing a royal blue embroidered shawl, watercolour on ivory, signed Engleheart pinxit, also signed verso J. D. Engleheart Pinxit 1820, C***?, Newman St, London, glazed and in a good original ormolu frame, aperture 10.6 x 13.8cm, overall 19.1 x 16cm £300-£500

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136. A mixed lot of silver to include an Edwardian Art Nouveau five piece cruet set and napkin rings the cruet set, Birmingham, 1906 by Joseph Gloster, of petal lobed baluster form comprising a mustard pot with blue glass liner and spoon, a pair of pepper pots and a pair of salts together with a pair of Edwardian foliate engraved napkin rings in a fitted case retailed by Spink & Son, a miniature Guernsey milk can, marked sterling, two other napkin rings and a glass cruet bottle with plated mount (qty), height of pepper pots 9cm, total weight approx. 8.48ozt £80-£120

140. An Edward VII twin handled silver wine bottle or syphon stand Sheffield, 1903 by The Goldsmiths and Silversmiths Company, having pierced sides and wavy edged foliate and gadrooned rim, raised on a domed foot, height 17.5cm, weight approx. 19ozt £150-£250

137. An Islamic white metal filigree dish, possibly Sudanese and other silver items the dish, unmarked having a petal edge rim, raised on legs together with a foliate engraved Victorian christening spoon and a plain heavy napkin ring bearing initials (3), first diameter 14.2cm, weight approx. 7.94ozt £60-£80 138. A late Victorian silver mounted cut glass scent bottle together with a small collection of 20th century silver to include a WMF Art Nouveau silver plated pot and cover the scent bottle Birmingham, 1901 by William Hutton & Sons, having a spherical hobnail cut body mounted with a wrythen fluted hinged mushroom lid with internal stopper, together with a trumpet shaped vase with pierced rim and weighted base, marks rubbed, an engine turned ladies powder compact, marked silver, an engine turned cigar piercer bearing London import marks, a small oval pill box marked 925, Norwegian Aksel Holmsen green enamelled silver plate sugar cube tongs and a WMF Art Nouveau silver plated circular pot and cover embossed with a design of fish and flowers (7), first height 11.5cm, second height 23cm £100-£150

142. A George V silver bread basket London, 1913 by Stewart Dawson & Co Ltd, of reticulated oval design, length 33cm, weight approx. 9.34ozt £80-£120

139. A George V silver salver in George III style London, 1925, by The Goldsmiths & Silversmiths Company, of circular form having piecrust border, raised on scroll feet, diameter 31cm, weight approx. 32ozt £280-£320

143. A George V silver dish Sheffield, 1925 by Thomas Bradbury & Sons, of oblong form having a raised petal edge rim, raised on scroll legs, length 28cm, weight approx. 25ozt £200-£250

141. Liberty & Co, An Arts and Crafts silver wine bottle stand Birmingham, 1922 by Liberty & Co., of circular plannished form, the border with foliate engraved panels broken by five pierced flowerhead bosses, numbered 5845, diameter 13.8cm £100-£150

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144. A pair of Elizabeth II silver commemorative rhytons or drinking horns 1000 Years of English Monarchy Edgar to Elizabeth 973-1973 each of plain design having bands chased with an inscription and Celtic decoration, with serpent head terminal, raised on paw feet, gilt interior, one stamped A.D.1028, the other A.D.1029, in fitted presentation boxes (2), height 15.2cm, weight approx. 33.19ozt £300-£500

145. An Elizabeth II silver commemorative alms dish 1000 Years of English Monarchy Edgar to Elizabeth 973-1973 Birmingham, 1972 by A E Jones, in a presentation case, diameter 25.3cm, weight approx. 17.69ozt £140-£180

146. An Edwardian ladies silver travelling dressing table set London, 1908 by William Comyns, scrolling foliate embossed decoration and initialled I.N.K, comprising a hand mirror, a pair of hair brushes, a pair of clothes brushes, a comb, a pair of scent bottles, six various jars and pots, a shoe horn, a button hook, a manicure and other and other items in a wallet, a leather stationary wallet with dip pen, an ink well, a vesta case and a sewing set with silver thimble, in a peach moire silk lined fitted green morocco case with outer canvas storm jacket, retailed by Edwards & Sons, 161 & 159 Regent Street London, case width 47cm £150-£250

147. An early Victorian ladies coromandel and brass inlaid dressing box with silver mounted fittings the blue velvet and leather lined box fitted with a mother pearl handled manicure set and steel scissors in a lift out tray, a needle case and nine silver mounted jars and bottles, marked for London, 1852 by Thomas Johnson I, each with foliate engraving, having a mirror to lid and button release fitted jewellery drawer to side, the lock stamped S Mordan & Co, key present, width 31cm, silver weight approx. 5.03ozt £100-£200

A N T IQU ES & COL L ECTA BL ES 148. A selection of Victorian and Edwardian silver items comprising a pair of small liqueur goblets, London, 1907 by the Goldsmiths & Silversmiths Co, a pair of Georgian style cauldron salts with gadrooned rims, London 1897 by Charles Stuart Harris, a Victorian silver pepper pot, Birmingham, 1888 by Stokes and Ireland, a pair of oval pierced bonbon dishes, a set of three cauldron salts and a heavy plain silver napkin ring engraved with a monogram (11), first height 8cm, total weight approx. 13.32ozt £80-£120 149. A selection of early 20th century mostly silver items of vertu and mostly silver dressing table items to include a foliate engraved curved hip card case bearing initials, Birmingham, 1903 by Smith & Bartlam, a chatelaine pencil, a cheroot holder having mother of pearl mouthpiece, a pocket knife, a pair of ivory glove stretchers, stamped sterling, a gilt metal aide-memoire, a sewing etui, a foliate engraved silver mounted cut glass pump action atomiser, a Victorian silver gilt lidded cut glass hat pin jar, various cut glass dressing table pots with silver and plated fittings to include two with tortoiseshell lids and one engraved ‘‘Hair Tidy”, a silver backed hair brush and matching comb etc. (qty), weighable silver approx. 3.67ozt £80-£120

151. A Stuart Devlin silver and parcel gilt paper knife hallmarked London 1976, with cork screw handle, in presentation box with anniversary presentation card from Van Lessen, Richardson & Co, length approximately 25cm £150-£250

152. A George III silver wine funnel and a Scottish fiddle pattern sauce ladle first, London, no date by Hester Bateman, of plain design with beaded borders, in three parts, the detachable strainer with shaped thumbpiece and slip in muslin ring, the sauce ladle, Edinburgh, 1782, makers mark LT (2), first length 9cm, weight approx. 4.33ozt £80-£120

150. A George II silver cream jug and later silver items the cream jug, London, date letter worn, by John Muns, of baluster form, having leaf capped scroll handle and foliate embossed decoration with a vacant scroll framed cartouche, raised on trefid feet, together with a pair of Victorian half fluted and foliate embossed salts, Birmingham, 1889 by Thomas Hayes, a twin handled wrythen fluted and foliate embossed sugar basin, Sheffield, 1889 by Martin, Hall & Co and a set of six embossed silver handled tea knives in a fitted case (5), first height 10cm, weighable silver approx. 6.86ozt £80-£120

153. An early Victorian silver tankard London, 1868 by George Adams (Chawner & Co.), of baluster form, having embossed decoration and leaf scroll handle, on a domed spreading foot, height 13cm, weight approx. 9.58ozt £100-£200

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154. An early George III silver salver London, 1764 by Thomas Hannam & Richard Millls, of circular from with piecrust border and gadrooned rim, raised on hood feet, engraved to centre with a crest, armorial and motto ‘Dum, Vivo, Spero”, diameter 30.2cm, weight approx. 27ozt £300-£400

156. A George V silver coffee pot Sheffield, 1919 by George Howson, of oblong baluster form with domed cover and ebony scroll handle, on compressed ball feet, height 22cm, weight approx. 24.21ozt £200-£250

155. An Edwardian silver tea caddy London, 1905 by Mappin & Webb, of oblong bombe form, having hinged domed cover with wavy edged thumbpiece and gadroon borders, all over decorated with bright cut foliate engraving, stamped Mappin & Webb, height 7.5cm, weight approx. 5.26ozt £100-£200 157. An early George III silver coffee pot London, 1766, Thomas Whipham & Charles Wright, of ogee baluster form, having hinged domed cover with flame finial and gadrooned rim, fluted scroll and leaf cast spout, and ebonised scroll handle, raised on a domed spreading gadrooned foot, height 29cm, weight approx. 34.38ozt £500-£700

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158. An Elizabeth II George I style silver coffee pot and matching hot water jug both London 1961 by Mappin & Webb, of plain tapering form, having hinged dome covers and wooden scroll handles on a spreading stepped foot, height 22cm £300-£400

160. A late George III silver mustard pot London, 1817 by Charles Fox I, of oblong bellied from, having gadrooned rim and domed hinged cover with shell thumbpiece and knop finial, raise don ball feet, fitted with a blue glass liner, accompanied by a Victorian fiddle pattern mustard spoon (2), height 8.5cm, weight approx. 5.31ozt £60-£80

161. A Victorian silver beaker London, 1870 by Barnard & Sons, of plain circular tapering form, gilt interior crested with a cockerel standing on a trumpet for Acheson Earls of Gosford, height 7.5cm, diameter 6.7cm, weight approx. 6.75ozt £150-£250

159. A Victorian Grecian style silver coffee pot London, 1872, by Edward & John Barnard, of tapering ovoid vase form, having hinged domed cover with Greek crested helmet finial and scroll loop handle with ivory insulators terminating with a maidens mask on the body, raised on a domed pedestal foot, the body engraved with panels of figures in horse drawn chariots framed by foliate scrolls borders, an engraved band of anthemions to neck, height 30.5cm, weight approx. 28.31ozt £300-£400

162. A William IV silver tobacco box London, 1833, makers mark T.D, of plain rectangular form with rounded corners, the lid crested with a cockerel standing on a trumpet for Acheson Earls of Gosford, length 10.2cm, weight approx. 5.68ozt £150-£250

A N T IQU ES & COL L ECTA BL ES 165. An early 20th century Indian .935 silver presentation card tray or waiter and other silver items first Madras by Orr & Sons, of circular form having pie crust border, engraved ‘Samalkot, 1935’ and beairng facsimile signatures, together with an Indian prize spirit measure, Dass & Dutt, Bhowanipore, Calcutta, engraved ‘Madras Regatta Open Sculls, won by F.E.H Power Calcutta R.C. 19th August 1902, a late Victorian cream jug, Birmingham, 1892, makers mark worn, of ovoid from having reeded loop handle, and a half fluted bachelor’s milk jug (4), first diameter 2.2cm, weight approx. 17.71ozt £140-£180

163. A late Victorian silver card case Birmingham, 1887 by George Unite, of rectangular form, all over embossed with flowers and shells, having central a shield shaped plaque engraved with initials, blue silk interior with concertina card pockets, height 10.2cm, weight approx. 3.36cm £80-£120

164. A Chinese export silver card case by Wang Hing chased and cased with dragons and prunus blossom, to the centre a shield cartouche with engraved initials, stamped WH, OG, length approx. 9.9cm x 6.4cm, total weight approx. 84.7g £100-£200

166. A mixed lot of mostly 19th century silver and plated items to include pocket watches comprising a Victorian letter opener with spiral fluted handle, London, 1888 by Sampson Mordan & Co, a George IV silver lidded glass jar, London, 1827 by Archibald Douglas, a George V cigarette box, London, 1919 by Blackmore & Fletcher Ltd having horizontal engine turned decoration engraved with initials and cedar lined interior, retailed by Mappin & Webb, a silver mounted ivory page turner with magnifier, a silver plated, leather and glass hip flask with hinged mushroom cap and detachable cup, a Swiss .935 cased open faced Waltham traveller keyless pocket watch, an early Victorian open faced pocket watch, the movement signed R.R. Rowell, Oxford, and another (qty), first length 11.7cm £80-£120

167. A small selection of late Victorian and Edwardian dressing table sliver to include a trinket box, a scent bottle and a five piece dressing table set comprising a trinket box, Birmingham, 1903 by Henry Matthews, of plain rectangular wavy edged from, having hinged lid with scroll border and gilt interior raised on legs, a small silver mounted spherical hobnail cut glass scent bottle, Birmingham, 1905 by James Deakin & Sons, having foliate embossed mushroom top and internal stopper, a six piece foliate embossed silver backed dressing table set, Birmingham, 1906 by William Harrison Walter and foliate embossed hat pin jar with frosted glass liner (9), first length 10.7cm, weighable silver approx. 6.83ozt £80-£120

A N T IQU ES & COL L ECTA BL ES 168. A mixed lot of silver and silver plated items comprising a late George III fiddle pattern sauce ladle, probably London, 1816 by William Eley & William Fearn, a pair of William IV Old English pattern tablespoons, London, 1830 by Adey Bellamy Savory, the bowls later gilt and wrythen fluted, the stems with foliate chased decoration, souvenir coffee spoons, two silver handled Kings pattern pie servers in original cardboard boxes, a three piece plated tea service of hexagonal tapering form with engraved ribbon decoration and a pair of plated grape shears, etc. (qty), length of tablespoons 22cm, weighable silver approx. 5.79ozt £60-£80 169. Two engine turned silver three piece dressing table sets and an Edwardian silver mounted green velvet jewellery box first of Art Deco design, London, 1944 by Mappin and Webb, second, Birmingham 1964, by Albert Carter, third Birmingham, 1906 by Henry Williamson, the box of square shaped form, the silver mount embossed with a woman and child feeding lambs (7), length of Art Deco hand mirror 24.6cm £70-£90

172. An Anglo Indian large silver cigarette case, a late Victorian silver mounted cut glass scent bottle and an Art Deco engine turned silver cigarette case first, unmarked probably Kashmiri, of curved rectangular form, chased with boteh and a foliate design with central shield shaped shield reserve engraved with initials, second Birmingham, 1897 by Elkington & Co, having foliate embossed wrythen fluted mushroom cap and spherical glass body cut with relief diamonds (3), first length approx. 13cm, weighable silver approx. 9.31ozt £80-£120

170. An Edward VII silver pocket cigar case and an Edward VIII Art Deco silver cigarette case first, Chester, 1908 by Stokes and Ireland, of curved oblong form with horizontal engine turned linear bands, initialled, presentation inscription to gilt interior, second, Birmingham 1936 by A Wilcox, presentation inscription to interior (2), first height 12.8cm, weight approx. 12.73ozt £100-£150

171. A George IV silver-gilt engine turned vinaigrette Birmingham, 1828 by Ledsam, Vale & Wheeler, of rectangular form, the hinged cover with vacant cartouche, gilt interior with foliate engraved pierced grille, length 4cm, weight approx. 0.79ozt £80-£120

173. A mixed collection of mostly late Victorian silver to include two rattles, a vesta case and a pair of napkin rings comprising a combination whistle rattle Birmingham 1897 by Hilliard & Thomason, foliate embossed with four bells and a silver ring, another rattle, Birmingham 1935 by Crisford & Norris, having twin bells, a mother of pearl teether and ivorine ring, a vesta case Birmingham, 1884 by Hilliard & Thomason, of rectangular form with rounded corners, all over engraved with leaves, initialled and a large pair of napkin rings, London, 1895 by Mappin & Webb, embossed with Green man masks and foliate decoration with beaded rims in a fitted box (5), first length 9cm, total weighable silver approx. 4.39ozt £60-£80

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174. Three late Victorian silver photograph frames first, Birmingham, 1901, of plain rectangular form crested with a tied ribbon and having an easel strut support, together with a plain heart shaped photograph frame and another similar smaller foliate embossed example (3), first height 16.5cm £100-£150

175. An Edwardian silver heart shaped ornate dressing table mirror with makers mark for William Comyns, dated London 1903, the bevelled mirror with pierced silver mount decorated with exotic birds, mythological creatures, flowers and scrolls, surmounted with cartouche initialled C, with easel back, height 28cm, width 24cm £300-£400

177. A Victorian silver card case and an Edwardian silver ring box first no town mark, probably Birmingham 1878 by Hilliard & Thomason, of rectangular form, engraved with foliate decoration, moire silk lined interior, initialled, second, London, 1903 by the Goldsmiths and Silversmiths Co, of elongated plain oval from, the hinged engine turned lid with central vacant reserve and raised wavy edged scroll border, fitted velvet interior (2), height 10cm, length 16.6cm £80-£120

178. A set of six early 20th century Italian .800 silver plates marked 800, indistinct makers mark, ACC, each of circular form with raised petal shaped border with moulded rim (6), diameter 22.6cm, total weight approx. 50.48ozt £500-£600

176. A contemporary silver and parcel gilt wine taster by Stella Campion London, 1990 by Payne & Sons, of circular form with plannished finish, the centre embossed with the head of Bacchus, the handle formed of pierced naturalistic vine leaves, handle to rim 10.5cm, weight approx. 3.32ozt £60-£80

A N T IQU ES & COL L ECTA BL ES 179. An Art Deco silver table cigarette box, together with a small selection of silver smoking items to include a cigarette case and ashtrays comprising a table cigarette box, c.1940 stamped sterling Spritzer & Fuhrmann, of rectangular form, having ribbed sides and hinged engine turned lid engraved with a map of Aruba and engraved with a presentation inscription, the interior wood lined with divisions, a George V square cigarette box, Birmingham, 1925, having domed hinged lid with linear engine turned decoration and cedar lined interior, a square engine turned cigarette case, initialled, a square engine turned ashtray and a pair of .900 Brazilian Pedro II 1000 Reis coin ashtrays (6), first length 19.5cm, weighable silver including largest cigarette box without wood lined interior approx. 22.75ozt £200-£300 180. A pair of late Victorian silver heart shaped bon bon dishes and four other later bon bon and pin dishes comprising a pair of heart shaped footed bonbon dishes, London, 1892 by William Comyns, pierced and embossed with scrolls and ribbons, a George V bon bon dish Sheffield, 1924 by Lee & Wigful, of circular form having gadroon rim and raised on three scroll handles forming the supports, a small pierced and embossed heart shaped pin dish, a contemporary heart shaped pin dish with embossed rim and another circular (6), first length 11.2cm, weight approx. 12.09ozt £100-£200 181. A George V silver backed five piece dressing table set London, 1922/23/24 by Charles & Richard Comyns, comprising hand mirror, pair of clothes brushes, a comb and a hair brush, of plain design and bearing initials (5), hand mirror length 27.5cm £40-£60

184. A contemporary silver armada dish London, 1994 by Mappin & Webb, of plain design having feature hallmarks, diameter 12cm, weight approx. 3.87ozt £50-£70

185. Aviation interest: A George V silver prize pint tankard awarded to Captain Stanley Cockerell AFC (1895-1940) for the Royal Aero Club Circuit of Britain Air Race 1922 London, 1922 by C S Harris & Sons, of plain baluster form, having scroll handle on, spreading circular foot, engraved ‘The Royal Aero Club The King’s Cup Circuit of Britain Air Race 1922 Capt Stanley Cooper, Captain Stanley Cockerell (1895-1940) was a World War I flying ace credited with seven aerial victories. He later became a test pilot for Vickers and attempted the first flight from Cairo to Cape Town, height 12cm, weight approx. 12.06ozt £100-£150

182. A late Victorian silver pint tankard and a pair of contemporary silver goblets first, Sheffield, 1901 by Atkin Brothers, of plain circular bellied form, having loop handle and raised on a circular foot, initialled, second Birmingham, 1973 by Frank Hawker Ltd, having tapering gilt bowls and circular stepped bases, engraved with fruiting vine bands (3), first height 11.5cm, second height 17.5cm, approx. 21.54ozt £180-£220 183. Two contemporary silver bottle coasters first, Birmingham, 1983 by W I Broadway & Co, second London, 1985 by M C Hersey & Son Ltd, both of plain circular design, having feature hall marks and turned mahogany base, the second bearing presentation inscription (2), first diameter 12.1cm, second diameter 12.5cm £70-£90

186. An early 20th century Chinese export silver table cigarette box marked for Shanghai, Tuck Chang & Co, of rectangular form, engraved with a linear design of plain and stippled bands, monogrammed, cedar lined, width 16.1cm, depth 8.9cm, height 6.2cm £200-£300

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187. A contemporary Danish Hans Hansen limited edition silver box designed by Karl Gustav Hansen marked Anno 1985 Hans Hansen Denmark Sterling 925 S, struck for Karl Gustav Hansen Exspl. 53/100, of plain oval form, the pull off lid, also marked, of concave form and mounted to either side with black hardstone set oval thumb pieces, presentation inscription to underside ‘Jil Eva fra Gunnar Julen 1988’, length 12.1cm, weight approx. 9.57ozt £200-£300

190. An early 18th century silver mounted tortoiseshell oval Queen Anne portrait snuff box marked to the interior M J?, the hinged lid mounted with a central oval relief profile portrait plaque of Queen Anne in full Garter robes possibly by Jean Obrisset, within a pressed tortoiseshell border, having gilt interior and stand away hinge, height 8cm £400-£600

188. A pair of Edwardian silver mounted tortoiseshell and piqué work dressing table trinket boxes and a similar pin dish the trinket boxes, both London, 1905 and 1908 by William Comyns, of oval form, the hinged lids with piqué work panels and tied ribbon and garland borders, having velvet lined interior on cabriole legs, the circular pin dish, London, 1917, makers mark C & A (3), length of trinket boxes 7.1cm £100-£150

189. A late Victorian silver mounted tortoiseshell oval jewellery box London, 1899 by George Fox, the hinged lid mounted with central cartouche within a frame of floral garlands and instruments, the sides mounted with twin lion mask ring handles and putti bearing floral garlands, mounted on pierced rocaille bracket feet, fitted with a lock, key not present, length 17cm £200-£300

191. A late 19th/early 20th century continental silver mounted tortoiseshell carriage clock apparently unmarked, having circular white enamel dial with Roman numerals and minute track, French brass movement, the case with pierced and embossed silver mounts, raised on compressed bun feet, dial diameter 5cm, height 10cm £250-£350 192. An Edwardian silver mounted tortoiseshell and piqué work jewellery box London, 1909 by William Comyns, of circular from, having plain spreading sides and hinged domed tortoiseshell lid inlaid with central piqué work fan paterae and trailing garlands, raised on pierced and foliate embossed bracket feet, fitted velvet interior, diameter 12cm £100-£200

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193. Two George V silver mounted tortoiseshell and piqué work jewellery boxes first Birmingham, 1915 by Mappin and Webb, of plain oval form, the hinged lid with foliate rim mounted with a tortoiseshell panel inlaid with piqué work trailing roses, enclosing a velvet lined interior, raised on pierced foliate scroll bracket feet, second, Birmingham, 1918 makers mark ESB?, of similar plainer design mounted with a domed tortoiseshell lid inlaid with piqué work fan paterae and, ribbon tied floral garlands, on cabriole legs (2), first width 12.8cm, second width 13.7cm £100-£200

196. A pair of George V silver and tortoiseshell menu holders London, 1911 by William Comyns, of oval design the tortoiseshell panel with piqué work decoration, each numbered 10481, in fitted case retailed by Wilson & Gill (2), length 3.8cm £80-£120 197. A pair of George V Art Deco candlesticks Sheffield, 1933 by Sydney Hall & Co, of plain octagonal form with reeded borders, having vase shaped nozzles and detachable drip pans, on tapering stems and spreading weighted bases (2), height 29cm £100-£200

194. A pair of late Victorian silver mounted tortoiseshell dwarf candlesticks London, 1895 by J Batson & Son, having detachable drip pans with foliate embossed borders, on domed circular base with pierced foliate embossed mounts (2), height 10.2cm £100-£200

195. A set of four George V silver and tortoiseshell menu card holders Birmingham, 1913 by William Comyns, of rectangular form, the tortoiseshell panel with piqué work decoration, each numbered A2443, in fitted case retailed by Hamilton & Inches (4), each width 3.9cm £200-£300

198. A pair of late Victorian silver stop fluted Corinthian column candlesticks London, 1898 by William & Gibson & John Lawrence Langman, with detachable drip pans, on foliate embossed square bases, weighted (2), height 21.7cm £100-£200

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202. A George III silver three piece tea service London, 1812, by Naphtali Hart, comprising, teapot, twin handled sugar basin and milk jug, of oblong bellied form, having bright cut engraved foliate decoration and gadroon rim, fitted with scroll handles and raised on ball feet, initialled C (3), teapot length handle to spout 28.5cm, total weight approx, 37.15ozt £350-£450 199. A pair of late Victorian George II style silver candlesticks London, 1898 by R & W Sorley, having detachable drip pans and reel shaped nozzles on knopped stems and spreading square loaded bases with shells to corners, height 24.5cm £100-£200 200. A late Victorian silver presentation teapot London, 1901 by William Hutton & Sons, of tapering oval half fluted form, having domed cover, angular downswept rosewood handle, engraved ‘ To P.C. John Downing, on his retirement From the Officials of Westminster Police Court, Aug. 1901’, length handle to spout 26cm, total weight approx. 16.8ozt £100-£200

201. A George V silver three piece tea service London, 1934 by J B Chatterley & Sons, of plain oval form with a raised central band, comprising teapot having ebonsied scroll handled and knop finial, twin handled sugar basin and milk jug (3), length of teapot handle to spout 26cm, total weight 30.09ozt £250-£350

203. A George V silver four piece tea service London, 1925 by The Goldsmiths & Silversmiths Company, comprising teapot, hot water jug, twin handled sugar basin and milk jug, of plain octagonal bellied form with scroll handles (4), teapot handle to spout 25.5cm, total weight approx. 70.89ozt £600-£800

204. A George VI silver four piece tea service Birmingham, 1938 by Elkington & Co, of oblong tapering form with gadroon borders, raised on compressed ball feet, comprising tea pot and hot water jug having ebonised down swept handle and finial, twin handled sugar basin and milk jug (4), teapot handle to spout 28cm, approx. 48.7ozt £400-£600

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205. An Edward VII silver twin handled bowl Birmingham, 1902 by Marston & Baylis, of plain circular design, having twin flying scroll handles, reeded girdle and border, raised on a spreading foot, bears presentation inscription ‘The Rev. S. H. Lushington. For 2nd September 1902 from R. and E. D.’, handle to handle 21.5cm, weight approx. 12.94ozt £80-£120

207. A late 19th century German .800 silver oval bowl German marks, the sides pierced and embossed with scrolling foliage, rose garlands and pairs of doves, the centre embossed with putti in a rustic setting, on foot rim, length 27cm, weight approx. 13.02ozt £140-£180

208. An Edwardian silver pedestal bon bon dish and an Edwardian silver bonbon basket first Chester, 1903 by George Nathan & Ridley Hayes, of pierced lozenge form, the bowl embossed with garlands and with rose rim, on a domed foot, second London, 1907 by William Comyns, pierced with flying handle (2), first height 9cm, total weight approx. 10.58ozt £100-£150

206. An early 18th century Maltese silver sugar bowl and cover, Perellos period (1697-1720) struck twice MA with an eight pointed star, PP and PP?, cover also marked, of circular bellied form, stipple engraved and embossed with shells, c scrolls and foliate decoration, fitted with a domed pull off cover with flower bud finial, on a spreading circular foot, height 12cm, overall, weight approx. 5.33ozt £300-£500

209. A George II silver cream jug and an Elizabeth II George II style sparrow beak cream jug first London 1749, makers mark partially rubbed H.*?, of baluster form, having wavy edged rim and leaf scroll handle, on legs with trefid feet, contemporary initials I*W, later initialled to body, second, London, 1961 by Mappin & Webb, of plain baluster form, having scroll handle, on a domed spreading foot (2), height 9cm, weight approx. 6.58ozt £80-£120

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211 210. A Victorian silver wine ewer London, 1876 by Elkington & Co., of ovoid form, having a waisted neck, hinded over and foliate scroll handle, on a circular pedestal foot, the body with twin reeded girdles engraved with foliate decoration, bearing initials, height 31.5cm, weight approx. 23.32ozt £400-£600 211. An early 20th century Chinese export silver three piece cruet set marked W.O. Co Ltd, comprising pepper pot, salt with clear glass liner and spoon, and mustard pot and cover with clear glass liner and spoon, of cauldron form with raised relief flowering prunus branch decoration, raised on tripod feet (5), height 2cm, total weight approx. 3.65ozt £100-£150

213 212. An impressive early 20th century Chinese export silver seven piece silver tea service Shanghai, by Tuck Chang & Co, comprising teapot of compressed circular form, the stippled body chased with a pearl chasing dragon, having hinged domed cover engraved with bamboo and simulated bamboo finial, handle with ivory insulators and spout, matching twin handled sugar basin and cover, milk jug, spirit kettle on stand with burner, sugar tongs, cake slice with filled handle, and oval twin handled tray. The tray bearing presentation inscription to centre ‘Presented to Miss M. Chasty and R. L. Sarjeant Esq on the occasion of their marriage by Members of the Staff of The Asiatic Petroleum Co (North China) Ltd, 1923) (7), tray handle to handle 62.4cm, total weight excluding cake slice approx. 149ozt £2,500-£3,500

213. An early 20th century Chinese export christening mug, egg cup and spirit measure the christening mug, Shanghai by Tuck Chang & Co, of bellied form on a spreading foot, having stippled decoration and vacant circular reserve, a similar egg cup, makers mark in Chinese only, initialled, the measure Shanghai by Zee Wo, of plain tapering form with scroll handle (3), first height 8cm, weight approx. 7.19ozt £100-£150 214. An early 20th century Chinese export silver vase apparently unmarked, of trumpet form with wavy edged rim, chased with flowering prunus branches, on a turned rosewood base, height of vase only 20.6cm, weight only 3.01ozt £100-£200

A N T IQU ES & COL L ECTA BL ES 215. A set of four foreign white metal bowls together with a set of three white metal dishes first, marked silver, of circular form having gadroon embossed sides and wavy edged beaded rim, second marked silver, of circular form having wavy edged foliate embossed and beaded rims (7), first diameter 11.3cm, weight approx. 15.4ozt £80-£120

216. A Victorian and later matched Old English bead pattern part canteen of flatware mostly London, 1861 by Chawner and Co, matched later flatware London 1899 by Francis Higgins III, comprising twelve dinner forks, twelve dessert forks, six dessert spoons, a pair of tablespoons, three teaspoons, three coffee spoons, pair of sauce ladles and a sifter spoon (40), length of forks 21cm, weight approx. 85ozt £700-£800

217. A William IV / early Victorian silver fiddle and thread pattern part canteen of flatware London, dated between 1839-1850 by Chawner & Co, the matched tablespoons mostly London, 1837 by William Eaton, comprising twelve dinner forks, ten dessert forks, ten dessert spoons, six matched tablespoons and a pair of sauce ladles, initialled (40), length of dinner forks 20.6cm, weight approx. 100ozt £900-£1,100

218. An early Victorian silver fiddle pattern fish slice London, 1842 by Samuel Hayne & Dudley Carter, foliate pierced blade, crested, 6ozt £60-£80 219. A selection of George III and Victorian silver flatware comprising a pair of Irish celtic point pattern bright cut engraved dessert spoons, Dublin, 1786 by John Power, initialled, a pair of bright cut engraved Old English pattern tablespoons, 1805 by Peter & Ann Bateman, initialled, a matched set of six bright cut engraved teaspoons, most London, 1786 by Thomas Liddiard, and a set of five fiddle and thread pattern teaspoons, London, 1839-41, by William Eaton, initialled (qty), length of tablespoons 22cm, weight approx. 13.82ozt £100-£150

220. A selection of Georgian and Victorian silver fiddle pattern flatware and other silver items to include EPNS comprising a set of five Victorian fiddle pattern dessert forks, London 1860 by Chawner and Co, a George III sauce ladle, a pair of George IV silver fiddle pattern tablespoons, a pair of fiddle pattern sugar tongs, an Edwardian silver handled mother of pearl caviar knife, a late Victorian foliate engraved christening fork and spoon etc. together with a pair of nickel silver salad servers, a 19th century plated skimmer with turned ebony handle etc (qty), length of desert forks 17.5cm, weighable silver approx. 17.87ozt £140-£150

A N T IQU ES & COL L ECTA BL ES 225. A small selection of mostly 20th century silver and a Mappin and Webb ivory handles three piece carving set comprising a set of six old English pattern soup spoons, Sheffield, 1925 by Thomas Bradbury and Sons, a set of six late Victorian napkin rings with crimped rims, Birmingham, 1901, a set of six coffee spoons with coffee bean terminals, etc, together with a Mappin and Webb ivory handled steel three piece carving set and a pair of oak handled silver plated salad servers (qty), first length 9.8cm, weighable silver approx. 18.95ozt £140-£180

221. A George IV silver fiddle pattern part canteen of flatware London, 1821 by William Eley & William Fearn, comprising twenty one table forks, ten dessert forks, ten dessert spoons, five tablespoons, fifteen teaspoons, a pair of basting spoons, a pair of sauce ladles, a fish slice, a mustard spoon, and a matched sifter spoon, London, 1843 by Henry Holland and a matched Victorian salt spoon, crested with a cockerel standing on a trumpet for Acheson Earls of Gosford (74), total weight approx. 125.75ozt £1,000-£1,500 222. A mixed collection of mostly early 20th century silver comprising a George V set of six silver fish knives and forks, the blades and tines Sheffield, 1919 by Sutherland & Roden, having silver ferules and ivory handles, in a fitted oak case, together, with a pair of late Victorian silver napkins rings, other assorted napkin rings to include an unmarked white metal set of four with pierced decoration, a butter knife, three coffee spoons, a pair of Victorian mother of pearl handled silver plated fish servers and a pair of French Peugeot Freres silver plated capstan pepper grinders (qty), knife length 21.5cm, weighable silver approx. 4.3ozt £70-£90 223. A set of six Victorian silver seal end top coffee spoons and other spoons London, 1860 by Francis Higgins II, having talon stem, initialled together with a set of six German .800 silver gilt coffee spoons with sprig terminals, an apostle sifter spoon, etc (qty), first length 10.4cm, weight approx. 6.89ozt £60-£80 224. A small selection of mostly 19th century silver and plated flatware comprising an early Victorian christening fork and spoon, London, 1854 by Mary Chawner, initialled, an Old English pattern sifter spoon, 1885, by Charles Boyton, a condiment spoon, a George II sixpence 1758 whip-end salt spoon, a pair of Old Sheffield plate Kings pattern asparagus servers and a pair of silver plated Kings pattern sardine tongs (qty), weight approx. 6.14ozt £60-£80

226. An extensive Italian .800 silver Art Deco design twelve setting canteen on flatware marked 800, Bologna by Fabbrica Argenteria Clementi di Giovanni Mantel & C S.P.A, comprising twelve dinner forks, twelve tablespoons, twelve dessert forks, twelve teaspoons, twelve silver handled table knives with stainless steel blades, twelve dessert silver handled dessert knives with stainless steel blades, a soup ladle, a serving spoon, a serving fork and two additional silver table knife handles (101), length of dinner forks 20.5cm, weighable silver approx. 85ozt £800-£1,000 227. A set of twelve early 20th century German .800 silver teaspoons with matching sugar tongs and another set of twelve continental .800 silver teaspoons first with German marks having raised tied ribbon decoration to terminals, engraved with a coronet, second, possibly Italian, marked 800 and bearing makers mark CC with garland husk decoration to terminals (25), first length 13cm, weight approx. 12.99ozt £100-£150

228. A set of fourteen late Victorian silver Joan of Arc pattern oyster forks London, 1894 by Holland, Aldwinckle & Slater, initialled (14), length 12cm, weight approx. 10.93ozt £100-£200

A N T IQU ES & COL L ECTA BL ES 233. A late Victorian silver and enamel scissor/ needle purse and a selection of silver thimbles the purse London, 1898 by Sampson Mordan & Co, stamped RD 235418, of shield shaped, the front with central enamel reserve of red cross against white, interior silk lined with scissors and needles, together with a selection of five silver thimbles, two marked for Charles Horner, two by James Fenton, the other stamped sterling (6), first height 6.8cm £50-£70

229. 19th century and later silver flatware and sugar tongs comprising a pair of George III Old English pattern berry tablespoons, London, 1824 by William Bateman I, the bowls later embossed and gilt, a set of a matched set of six Edwardian apostle coffee spoons, of which five marked Sheffield, 1902 by John Round & Sons, two Norwegian silver spoons with twisted stems and ball terminals, both bearing Birmingham import marks for 1900, a pair of William IV silver sugar tongs, London, 1834 by Jonathan Hayne, crested and other various spoons etc. (qty), first length 22.5cm, approx. 15.7ozt £140-£180 230. A selection of 20th century silver to include two small rectangular photograph frames, a Yard O Led pencil and coffee spoons first Birmingham, 1910 by Henry Matthews, having foliate embossed borders, oak back and easel strut support, second, Sheffield, 1991 by Carrs, together with an engine turned Yard O Led pencil in fitted case, a set of eleven coffee spoons, the terminals engraved with a lawn bowls player and other assorted spoons (qty), first height 12cm, weighable silver approx. 6.24ozt £80-£120 231. A George V silver jewellery box, a silver manicure set in a fitted case and a pair of silver blue guilloche enamel clothes brushes the jewellery box, Chester, 1914 by Henry Matthews, of shaped form, having domed velvet covered lid and fitted interior, raised on feet, the manicure set, Birmingham, 1914, by Henry Matthews, embossed with ribbon tied bellflowers, in a fitted leather case, the clothes brushes, Birmingham, 1928 by Adie Brothers, stamped Asprey London (4), width of jewellery box 12.5cm £100-£150 232. A small selection of silver to include assorted spoons and other items comprising a late Victorian sifter spoon in fitted case, London, 1899 by Josiah Williams & Co, a pair of novelty egg shaped pepper pots, Chester 1898 by Saunders & Shepherd, a Victorian foliate engraved combination bright cut engraved folding knife and button hook with suspension ring, a cased set of six Art Deco coffee spoons, various assorted spoons, a leather cased etui with mother of pearl handled tools, etc. (qty), weighable silver approx. 8.36ozt £80-£100

234. A collection of silver items to include three silver vesta cases including an Art Nouveau example with raised relief design of an insect and flower, a tonneau shaped example with engraved cartouche and decoration, a French silver pocket watch, a Swiss silver keyless pocket watch and a Continental white metal lipstick holder and mirror with coral-coloured cabochon marked 800 (6) £100-£200

235. A mixed lot of sliver and plated items comprising a George III strainer and muslin ring from a wine funnel, London, 1794 maker mark partially rubbed J.S.?, A George III toddy ladle with shell bowl and twisted baleen handle, date letter only, another similar smaller plated toddy ladle, a pair of late 19th century Indian Cutch silver foliate embossed pepper pots, a George III silver mounted cut glass cruet bottle, unmarked, a continental probably Dutch spoon with twisted stem and figural terminal, the bowl engraved ‘Ein Guot Erlig Jon’, Chester import marks, 1901, a thistle shaped pot, an embossed photograph frame, a pierced and embossed bon bon dish, a pair of pepper pots, cocktail swizzle stick, stamped sterling, a counter pot made from antique half crowns, a pair of Old Sheffield plate snuffers on a plated tray and a small Old Sheffield plate chamber stick and snuffer (qty), length of figural spoon 16.1cm, weighable silver approx. 12ozt £100-£150

A N T IQU ES & COL L ECTA BL ES 239. A large selection of Victorian and later electroplated items to include a plain rectangular tray by Hukin & Heath, numbered 194, a table gong, a pair of café au lait pots with a matching sugar basin, two pairs of sauce tureens and covers, two entrée dishes and covers, a teapot, etc (qty), first 39. 5 x 28.5cm £80-£120 240. A contemporary silver on copper twin handled wine cooler together with a French Modernist design silver plated two light candelabrum c.1960 first of partly fluted campana form with gadrooned rim, second of asymmetrical design, French marks (2), first height 25cm £60-£80 236. A George V silver mounted tortoiseshell and piqué work trinket box and a collection of silver vertu first Birmingham, 1911 by Ollivant & Botsford, of shaped plain oval form with blue velvet interior, raised on splayed bracket feet, together with a purse of plain rectangular form with rounded corners, engraved with initials and having leather interior with divisions, suspended on a chain with finger ring, a continental .835 foliate embossed oval pill box with gilt interior, a George V silver stamp case, Birmingham, 1920 by Crisford & Norris, of envelope form, enamelled ‘Stamps’, two compacts, one rounded with horizontal engine turned decoration, the other of pain elongated oval from and bearing initials, two silver handled manicure items, etc. (qty), first length 10.1cm £100-£150

237. A mixed lot of silver vertu to include a Victorian silver snuff box comprising a snuff box, Birmingham, 1876 by George Unite, of plain rectangular cushion form with sunken hinge and raised thumbpiece, bearing initial together with a 19th century filigree card case of book form, an Edwardian silver vesta with foliate decoration, a rattle with large spherical bell with four smaller bells and mother of pearl teether and an engine turned lighter stamped sterling (5), first length 6.2cm, weighable silver approx. 3.8ozt £80-£120 238. A late Victorian oak cutlery canteen box having brass carrying handles to sides, the blue baize lined fitted interior with two lift out trays, contents to include a set of six dinner and dessert knives accompanied by a carving knife and fork with crested carved ivory handles and assorted EPNS flatware and ivory handled knives, width 47.5cm, depth 35cm, height 17cm £40-£60

241. A late Victorian silver plated and cut glass rectangular biscuit box having swing handle and chased decoration, height 16.5cm, length 18cm £70-£90

242. A mid 20th Century Italian Modernist design three piece coffee service comprising a coffee pot of plain baluster form, having domed cover with triangular finial and angular wooden handle, together with a matching milk jug and sugar basin and cover, stamped made in Italy (3), height of coffee pot 27.5cm £40-£60 243. Archibald Knox (1864-1933) for Liberty and Co. Tudric pewter comprising a covered hot water jug model no 0278, a teapot, model 025 and a covered milk jug model 0306, all with stylised decoration and rattan handles, together with a Art Nouveau Orivit pewter teapot (4), first height 15.5cm £80-£120

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244. A Victorian 18ct gold open faced key wound pocket watch signed Arnold white enamel dial with Roman numerals, subsidiary seconds dial and gold spade hands, the back plate engraved ‘J. R. Arnold, Charles Frodsham, 84 Strand London no. 14603, with an engraved cock plate and diamond rose cut endstones, movement in a 18ct gold engine turned case, dial approx: 4cm case approx: 4.4cm total weight including movement approx. 68.2g £300-£500

246. A 9ct gold open face top wind pocket watch with white enamel dial, roman numerals, blue spade hands and a seconds aperture, movement signed Waltham no. 28970131 to a plain polished case, total weight approx. 83.6g £150-£250

245. An 18ct gold keyless fob watch signed Cartier c.1900 a French gold ladies fob watch with silvered dial, with a raised scalloped pattern to the dial, Arabic numerals, dial signed Cartier with blue Breguet shaped hands and keyless top winder, dial diameter approx: 2.6cm, case diameter approx: 3cm, total weight including movement: 21.8g £100-£200

247. Four assorted fob watches to include an 18ct gold ladies top wound fob watch, a gold star framed dial with roman numerals and a highly engraved case, a 14ct gold fob watch, a silver key wound fob watch, with star framed white enamel dial and roman numerals and another silver example (4), 18ct fob: 24.2g, 14ct fob: 24.0g, silver fobs: 74.1g £100-£200

A N T IQU ES & COL L ECTA BL ES 248. Three silver assorted open face pocket watches and a silver fob watch comprising a silver open faced pocket watch with cream coloured dial signed J. W. Benson, Roman numerals, blue spade hands and a seconds aperture dated Birmingham, 1949. Another silver open faced pocket watch, white enamel dial and roman numerals, dated London 1881, a continental silver ladies fob watch, white enamel dial painted with a colourful floral decoration and another larger silver open face pocket watch (4), total weight approx: 358.1g £100-£150 249. A gentleman’s 1920s Omega silver wristwatch the circular white enamel dial with luminous Arabic numerals, luminous hands, minute track and subsidiary seconds dial, 15 jewel movement numbered 7661173, signed Omega Watch Co, in a square cushion case, the back marked for Birmingham, 1929 by Dennison, numbered 584335, engraved verso 1931 on a leather bracelet, dial diameter 27mm, case width 30mm £80-£120

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250. A ladies 9ct gold Rotary mechanical bracelet watch and a gentleman’s 9ct gold Marvin strap watch the Rotary ladies watch with a silvered dial and gold baton markers, round bezel to an integral 9ct gold bracelet. The Mavin gentleman’s watch with a silvered dial and gold baton markers (2), total weight of Rotary: 17.7g, total weight of Marvin: 29.1g £150-£200 251. A stainless steel gentleman CWC military automatic strap watch black dial with luminous Arabic numerals and hands. Case stamped 6BB-6645-99 523-8290, 857/79 with broad arrow on a later expanding bracelet, dial approx. 3.1cm, case 3.4cm £150-£200

254. A ladies’ 18ct gold Omega mechanical bracelet watch, c.1960 with a cushion champagne dial, with raised black hands and batons with an integral textured bracelet with a ladder snap clasp, total weight including movement: 46.0g. Case 14.3mm wide £600-£800 255. A ladies 9ct gold Bentina mechanical bracelet watch and a ladies 9ct gold Accurist mechanical bracelet watch the Bertina with a cushion shaped case and champagne dial signed ‘Bertina Star’, with gold baton markers, diamond-cut engraving to the case with a square link bracelet and ladder snap clasp and the Accurist with a tonneau shaped case and champagne dial signed Accurist, with a floral shaped bracelet and ladder snap clasp (2), total weight including movement 25.2g £140-£180

252. A 9ct gold ladies wristwatch with silvered dial and Arabic numerals at each quarter point on a gold wheat link bracelet marked 585, total weight approx. 16.5g £80-£120 253. A ladies 9ct gold Omega mechanical bracelet watch circular champagne dial, with raised gold baton makers, on a replaced tapering milanese bracelet with ladder snap clasp, dial diameter 15mm, case diameter 18mm, total weight including movement 21.2g £150-£250 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 8 0 .

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A N T IQU ES & COL L ECTA BL ES 261. A charming Continental white gold diamond necklace with matching bracelet the centrepiece composed of three sprays of eight-cut diamonds and textured beads to a two row brazilian snake chain with concealed clasp, marked 750 (2), necklace approx. 44cm, bracelet approx. 8cm, total weight approx. 91.4g £1,800-£2,500 262. An attractive two-colour gold reversable synthetic sapphire, emerald and diamond necklace and matching bracelet the centrepiece composed of an oval cut synthetic sapphire and to the reverse an oval cut emerald, each set with a single brilliant cut diamond, claw set between two tapering shoulders to a two colour gold bar link chain with box clasp fitting stamped 585 and a matching bracelet (2), necklace approx. 50cm, bracelet approx. 18.5cm, total weight approx. 29.8g £500-£800 263. A Victorian gold belcher watch chain a single row long facetted link belcher chain, with applied tag to chain marked 9ct, total weight: 30.8g, approx. 154cm £300-£400 264. A gold rope chain necklace with lever clasp fitting marked 14k, total weight approx. 27.4g £300-£500

261 256. A 9ct gold ladies Rotary mechanical bracelet watch having a circular champagne dial with raised gilt and black baton markers, to an integral milanese bracelet, ladder snap clasp, total weight approx. 45.3g total length: 18.7cm £300-£400 257. Five assorted gold necklaces and three with pendants to include a 9ct gold ingot pendant on a gold chain, a 9ct zodiac pendant on a fine gold chain, a circular cubic zirconia bead pendant on 9ct gold curb link necklace, a 9ct gold prince of Wales chain and another 9ct gold rectangular link necklace (5), total weight approx: 22.0g £180-£220 258. Four assorted gold chains to include a 9ct gold rope chain, a 9ct gold belcher link chain, a two row plain polished and textured curb link bracelet and a 9ct gold box link chain. (4), rope chain:6.9g approx. 72cm, belcher link chain 6.0g approx. 80g, curb link bracelet. 4.6g approx. 22cm, box link chain: 4.1g approx. 47cm £180-£220 259. A Victorian full sovereign with a shield back dated 1866 claw set to 9ct acron and leaf pendant mount suspended on a 9ct gold curb link chain, total weight approx. 24.3g £300-£400 260. A George V half sovereign dated 1918 channel set to a 9ct gold pendant mount suspended on a gold trace chain, total weight approx. 8.3g £100-£150

265. A gold single row facetted belcher link watch chain with swivel clip marked 375, total weight: 22.6g, approx. 80cm £200-£300

266. An 18ct gold gold long fancy link neck chain terminating with a hinge claw and jump ring clasp marked 18ct, length approx: 198cm. Total weight approx: 73.8g £1,400-£1,800 267. An Italian gold barrel shaped belcher chain necklace with lever clasp marked UnoAErre 750, total weight approx. 14.0g £300-£500

268. An unusual Portuguese gold necklace having hoop and three row wire links with lever clasp, stamped with Portuguese gold convention mark 800, total weight approx. 37.9g length approx 41.5cm £800-£1,000

A N T IQU ES & COL L ECTA BL ES

269. An 18ct gold bark textured oval link necklace, circa 1970s with concealed box clasp and figure of eight safety clasp, total weight approx. 47.5g £1,000-£1,500 270. A Victorian enamel, seed pearl and diamond pendant on chain composed of a central boss with a diamond and split pearl five point star to a royal blue guilloche enamel background, with an Etruscan twisted wire border and twisted knot accent with a glazed locket verso suspended on a belcher chain, pendant length approx. 3.1cm, chain length 41cm, total weight approx. 13.5g £250-£350 271. A delicate Edwardian gold amethyst and seed pearl open pendant necklace a central cluster composed of an amethyst and seed pearls with three further seed pearl and amethyst floral sprigs, all set to an open frame with a further seed pearl and amethyst suspended drop, on a trace chain stamped 9ct, total weight approx. 5.7g £100-£180

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272. An exquisite Edwardian diamond necklace converting to a tiara designed as a series of graduated fleur-de-lys drops and scroll surmounts, each drop set with brilliant and old cut diamonds and terminating with a further brilliant cut diamond suspended on from a knife-edge bar, all set in silver backed in gold mounted to a knife-edge back chain set evenly with old Swiss cut diamonds in cut down collets with a diamond set box clasp and safety chain, the front section converting to a tiara with a tiara frame and extra links concealed in a fitted brown leather fitted box, length approx: 37cm, total weight approx. 21.4g £3,500-£4,000 273. A beautiful mid Victorian amethyst, seed pearl and enamel shield pendant a large amethyst cabochon, claw set to a white and black spot enamel shield border decorated with split pearls to the bow accent and shield, suspended from a trace chain having rub set amethysts and seed pearls interspersed along the bottom section of the chain with a bolt ring clasp marked 15k, total weight approx. 17.7g, length including bale approx. 4.8cm £600-£800

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275 274. A delicate Edwardian graduated pearl fringe necklace suspended graduated seed pearls (untested) to a fine chase chain with bolt ring clasp £80-£120

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275. An exquisite mid-Victorian gold, diamond, coral and blue enamel suite, circa 1860s the suite comprising of a necklace, bangle, pair of earrings and a brooch, each star set to the centre, with an old rose cut diamond surrounded by four coral cabochons and further rose cut diamonds to each point of the star, on a blue enamel dome, all set to a bead and decorative wire surround and gold mount. The necklace comprising of three drops suspended to a cobra chain with swags between each drop, in a fitted case by Bright & Sons Scarborough (4) £2,000-£3,000 276. A gold modern design abstract pendant and matching ring, circa 1970s a carved marquise shaped ebony centrepiece depicting an animal, claw set with a plain mount, to a circular and abstract designed pendant on a trace link chain and a matching gold marquise shaped carved ebony ring (2), total weight approx. 27.8g, pendant length excluding bale: 8.4cm £500-£600 277. A gold two row graduated omega link necklace with box clasp fitting and figure of eight safety chain, total weight approx: 33.8g, length approx. 45cm £600-£800 278. A single row graduated amber bead necklace graduated butterscotch and cherry coloured amber beads of various shapes plain strung to a lever clasp, total weight approx. 147.5g, length approx. 90cm £200-£400

280 279. Two costume bead necklaces to include a six row silvered beads, facetted beads, simulated pearls and glass bead necklace with a large diamante and bronzed leaf clasp and a three row pink simulated pearl and facetted bead necklace with matching earrings (2) £40-£60

A N T IQU ES & COL L ECTA BL ES 280. A Continental delicate gold bead necklace a three row bead chain with scalloped centre and facetted white gold beads to each point, terminating to a lever clasp marked 750, total weight approx. 10.0g £180-£200

281. An Indian high carat gold single row bead necklace a single row of gold facetted barrel beads, gold spacers and diamond-cut decorated beads suspended on a double wire with a hook and ring fitting, total weight approx. 25.6g £600-£800 282. An Italian 18ct gold belcher chain necklace with bolt ring clasp, total weight approx. 4.1g £80-£120

284. An attractive Indian gold emerald and seed pearl suite comprising a pendant on chain, a ring and matching earrings. The pendant consisting of circular cut emeralds and split pearls in a floral spray design suspended on a facetted belcher link chain with hook clasp, a matching emerald and split pearl cluster band ring and stud earrings stamped 22k (4), total weight approx. 36.3g £800-£1,200 285. A gold single row necklace with bead pendant a facetted bead with applied textured white circles suspended on a box link chain marked 916. 22ct, total weight approx. 7.9g £180-£220 286. A small collection of charming gold jewellery to include a pair of 18ct gold enamel ladybird drop earrings with post and butterfly fittings, an 18ct gold safety pin brooch with enamel ladybird pendant and another gold heart shaped charm with enamel ladybird to centre and a gold cobra link necklace marked 14k (3), earrings: total weight approx: 0.5g, brooch: total weigth approx. 1.6g, necklace: total weight approx. 6.6g £80-£120

283. A delicate Indian high carat gold cubic zirconia pendant and matching earrings the pendant with two princess cut cubic zirconia’s claw set, and two scrolls set with brilliant cut cubic zirconia’s with a fixed bale on a two colour gold chain and matching earrings with post and screw fittings, marked 22k (2), total weight approx. 10.0g £300-£500

287. An attractive Victorian paste set panel bracelet formed of seven emerald coloured and clear paste set oval clusters with floral paste cluster between, part closed setting, invisible push clasp fastening, approx. 19.5cm £50-£80 288. A 9ct gold hollow curb link bracelet suspended with padlock and ten assorted gold charms the hollow curb link bracelet with ten mainly 9ct gold charms including a 9ct gold horses head, a 9ct gold heart charm, a 9ct concorde, 9ct gold football and a 9ct gold car, total weight approx.: 30.5g, approx. length: 18cm £250-£350

A N T IQU ES & COL L ECTA BL ES 294. A Norwegian silver and enamel butterfly brooch and an enamel bracelet a Aksel Holmen white silver enamel butterfly brooch marked Norway Sterling 925S and a silver gilt blue enamel panelled bracelet, all joined by jump rings and a bolt ring clasp (2), butterfly width as widest point: 2.3cm bracelet length approx: 18.5cm £50-£80 295. A small collection of 9ct bracelets to include a 9ct gold three row gate link bracelet, a 9ct gold curb link bracelet with padlock, three fine curb link chain bracelets, an Italian gold curb link bracelet marked 9ct and another three row curb link bracelet marked 375 (7), total weight approx: 16.9g £140-£180

289. A gold fancy link charm bracelet with padlock the fancy link bracelet suspended with a large variety of mainly 9ct gold articulated and other charms and a 1918 full gold sovereign in removable pendant mount, charms to include spinning “I Love You”, wishing well, various dogs including a poodle, keys, rings and others, 9ct gold heart padlock fastening, approx. 77.79g £800-£1,000 290. An attractive Edwardian gold turquoise and split pearl three row gate link bracelet with four charms a three-row gold gate bracelet, with a centrepiece of alternating rub set turquoise cabochons and claw set split pearls, marked 9ct suspended with four charms including a 9ct gold mother-of-pearl red stone ‘lucky star’ charm, a gold Kiwi bird marked 9ct and a rolled gold heart shaped locket, total weight approx: 19.9g, length approx: 18cm £200-£300

296. An attractive Victorian gold Etruscan revivial style garnet cabochon bracelet a gold two row floral fancy link chain set with two oval spitch set garnets with a futher larger oval garnet spitch set to an ornate pierced scroll and floral clasp with a vacant glazed locket verso, length approx. 20.2cm total weight approx. 21.0g £300-£400

291. A 9ct gold charm bracelet with packlock and fifteen assorted mainly 9ct gold charms including a Saint Christopher charm marked 9ct, a 9ct gold shamrock, a 9ct gold fleur de lye, a spider charm marked 9ct, a 9ct gold gardening charm, a 9ct gold key charm, a 9ct gold champagne bucket charm, a knife and folk charm marked 9ct, a 9ct horse charm and a high carat arabic charm, a shell charm marked 14k, a gold church charm and three other gold charms, total weight approx: 31.7g, length approx. 18.5cm £280-£320 292. A 9ct gold five row gate link bracelet with padlock three plain polished bar between two wider plain polished bars, total weight approx. 19.0g £150-£200 293. A 9ct gold two row curb link bracelet with padlock and seventeen assorted mainly 9ct gold charms including a 9ct gold football, a pair of 9ct gold slippers, a 9ct gold fish, a 9ct gold zodiac charm and a 9ct gold elephant etc, total weight approx: 44.8g £400-£450

297. A rare and attractive Georgian garnet bracelet decorated with flat cut garnets set in the form of a flower, rub set to domed plaques each with gilded roses and engraved flowers to the reverse, between rolled gold jump rings with a matching open hinge locket and a concealed clasp, approx 17.5cm, 26.5g £200-£300

A N T IQU ES & COL L ECTA BL ES 298. A white gold synthetic ruby line bracelet step cut synthetic rubies, all channel set to a concealed box clasp, length approx: 17cm £150-£200

301. A tri-coloured gold lozenge-shaped link bracelet with hinge buckle clasp decorated with diamond-cut decoration, marked 750, length approx 19.8cm, total weight approx. 82.9g £1,600-£1,800 302. A 9ct gold opal set bar link bracelet five polished hollow curved bar links each rub set with an opal cabochon, articulated with jump rings and terminating with a lever clasp, total weight approx. 22.3g, length approx. 18cm £240-£280

299. A gold oversized hollow curb link bracelet with concealed clasp with figure of eight safety clasps stamped 585, length approx: 21.5cm, total weight approx. 68.6g £950-£1,000

303. An attractive gold three row fancy link bracelet, circa 1970s with a concealed box clasp and figure of eight safety clasp, marked 750, total length approx. 19.1cm total weight approx. 44.1g £800-£1,200

300. A gold milanese bracelet marked 858 with a concealed box clasp and figure of eight safety clasps, length approx. 18.2cm, total weight approx: 59.9g £800-£1,000

301

304. A gold four row belcher link chain bracelet with padlock four rows of reeded belcher chain, terminating into two polished bars with jump ring and padlock clasp, total weight approx. 20.0g £200-£250

305. A 9ct gold curb link charm bracelet with padlock with a gold smokey quartz fob, total weight approx. 36.3g £300-£500

A N T IQU ES & COL L ECTA BL ES 311. A three row omega link bracelet having three rows of textured and polished omega link chains with concealed box clasp and figure of eight safety chain, marked 585, total weight approx. 20.5g £300-£400

306. A high carat gold five coin bracelet five “prize jewellery modern flower” coins channel set between with jump rings, terminating screw pin and catch fitting, heart shaped charm and safety chain. Chinese character marks to the clasp, total weight approx. 52.5g, length 15.5cm £1,200-£1,800 307. Two gold charm bracelets with assorted charms a belcher link bracelet both with eight assorted charms including a horseshoe, key and bell etc, total weight approx. 10.4g £100-£150 308. A delicate silver gilt trace link charm bracelet with ten blue and white enamel fan charms, total weight total: 9.2g £60-£80 309. An attractive American gold two row fancy circular link chain bracelet with circular gold San Francisco’ pendant charm and concealed box clasp, marked 14k, total weight approx. 40.8g £500-£700 310. A gold open panel cabochon bracelet each panel set 309 with a rub over set cabochon possibly apatite with a concealed clasp fitting and figure of eight safety clasp, stamped as 750 however tests for 14ct, total weight approx. 22.0g £200-£300

312. A 9ct gold abstract scalloped edge bracelet having sandblasted textured gold curved panels with a abstract scalloped polished edge, each section hinged with a lever clasp, total weight approx: 14.3g £140-£180 313. A gold sapphire chain bracelet seven graduating round cut sapphires, claw set in cut down collets suspended between two rows of wheat link chain tapering towards a concealed box clasp marked 585, total weight approx: 15.4g £200-£300

314. A gold two row curb link bracelet with concealed box clasp and figure of eight safety clasp, marked 585, total weight approx. 22.7g £350-£450 315. A delicate high carat gold heart link bracelet and a gold necklace the bracelet having curb links with applied textured heart plaques, to a hook clasp marked 916 and a 9ct gold single row cobra link necklace (2), high carat weight approx: 5.7g, 9ct gold weight approx. 4.0g £200-£300 316. A gold diamond set bar link bracelet having eleven brilliant cut diamonds, rub set between polished bar links with a lever clasp, marked 375, total weight approx. 10.4g £200-£300

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A N T IQU ES & COL L ECTA BL ES 317. A Portuguese two colour gold bracelet a white gold fox tail link bracelet with yellow gold spacers set evenly along the chain with a box clasp and a figure of eight clasp. Stamped with Portuguese 800 gold marks, total weight approx. 16.2g £300-£400 318. Two high carat gold bracelets a two row twisted curb link bracelet with hook fitting and another single row tapering facetted bead bracelet marked 22k (2), total weight approx. 13.7g £300-£500 319. A high carat gold twisted curb link bracelet with a high carat gold heart shaped pendant the heart pendant with central roundel engraved Happy Birthday and diamond-cut decoration to the surround, total weight approx. 12.3g £200-£300

322. A two colour gold diamond hinged stiff bangle a textured yellow gold top section set with five diamonds, the centre being a tension set princess cut diamond and the others all brilliant cut diamonds grain set to white gold sections, to a tapering polished bottom hinged section with a concealed clasp, stamped 750, total weight approx. 21.7g £400-£500 323. A collection of Victorian and later hinge bangles include a Victorian flat section hinge bangle with engraved decoration and scrolling end sections, Birmingham 1884, another Victorian silver hinge bangle with engraved floral decoration marked sterling, and a silver hinge slave bangle and other bangles (qty), the former approx 7cm in diameter £80-£120

320. An attractive gold abstract design hinged bangle a female and male figure symbolically bound by chains and standing on lobster claws, the chains graduating round to form the bangle, terminating with a hole and pin clasp with figure of eight safety clasp, signature to a link, total weight approx. 48.8g £800-£1,200

321. A pair of high carat Chinese tension set bangles with diamond cut decoration to the top section, two applied hoops creating a clasp, the interior stamped with Chinese character marks, total weight approx. 25.0g £600-£800

324. Four decorative 22ct gold bangles with diamond-cut decoration to the exterior (4), total weight approx. 53.5g £1,200-£1,800 325. A Indian high carat gold cubic zirconia open bangle a plain polished bangle with two round cut cubic zirconias finals, total weight approx. 16.3g £350-£450

326. Two Indian high carat slave bangles with diamond cut decoration to the exterior (2), total weight approx. 20.6g £400-£500

A N T IQU ES & COL L ECTA BL ES

327. A Victorian paste set silver cicada brooch and two other paste brooches the cicada brooch mark for Birmingham 1894, maker H.S, together with an unusual Continental silver, paste set Alsatian brooch with red enamel tongue, stamped 935 to reverse, together with a silver, marcasite and paste set dragonfly brooch (3), cicada brooch approx. 4.25cm £100-£150

330. A late Victorian diamond set crescent brooch a closed crescent with a single row of old European, cushion cut and rose cut diamonds, all claw set to silver cut down collets, with a gold scalloped gallery, all backed in gold, plain pin and a lever ‘C’ scroll clasp, with optional pendant fitting, total weight approx. 5.2g principal diamond measurements: 5.48 x 5.02 x 4.07mm £800-£1,200

328. An unusual Continental silver gilt enamel blackamoor pin brooch having an enamel figure wearing an enamel and red paste stone turban, to a bar brooch rub set with pink paste stones and terminating with conical shaped finals, pin and C scroll catch, approx 3cm £50-£80

329. A beautiful Edwardian natural pearl and diamond set brooch having a natural salt water baroque pearl to either end, each set in a rose diamond set conical mount having central natural button pearl to centre and two diamonds to either side, mount tests gold and silver, the brooch is accompanied by the Gem & Pearl Laboratory certificate stating that the pearls are natural (saltwater), pearls measuring 8.7-9.3 x 12-14mm, 9.2-10 x 11-13mm, button pearl 6.9-7 x 3-4mm, brooch approx. 6cm £600-£800

331. A silver and facetted paste twelve pointed star brooch a central facetted oval shaped paste stone in a raised star boss to a twelve pointed star, each point set with graduated facetted paste stones with brooch and optional pendant fitting (pin deficient), total weight approx. 26.6g, length approx: 6.2g £60-£80 332. A Royal Engineers sweetheart pin and other gold and silver brooches the sweetheart pin stamped 9ct to reverse, together with a 15ct gold mesh two tone ribbon brooch, a 9ct gold simulated pearl pin, a paste set duck brooch, tests silver and two other paste set brooches, test silver, associated box (6), 15ct bow brooch approx. 5.5cm, 15ct brooch approx 5.14g £80-£120

A N T IQU ES & COL L ECTA BL ES 333. A gold single stone opal cabochon bar brooch and two other brooches a opal cabochon millegrain set to a three row bar with pin and ‘C’ scroll catch marked 18ct, a Victorian 9ct gold citrine bar brooch and a gold single stone diamond stick pin claw set to a lozenge mount marked 9ct (3), total weight approx: 8.8g £80-£120

334. A Georgian flat cut garnet and seed pearl memorial brooch having a central hair locket with seed pearls frame set within a border of circular flat cut garnets, engraved inscription to reverse dated 4th Feb 1868, approx. 3 x 2.5cm £100-£150

336. A Victorian gold Etruscan revivial style shield brooch and matching earrings, circa 1860 a raised boss, star set, split pearl cluster to a royal blue enamel star, an elliptical border decorated with lines of twisted wire, bead and granulations, pendant bar, vacant glazed locket verso, brooch fitting with C scroll clasp and a matching pair of drop earrings, all with matching registration marks in a fitted ‘Muirhead & Arthur’ of Glasgow case (2), total weight approx. 18.6g £200-£300

335. A beautiful Victorian gold, enamel and diamond hinge bangle an old European diamond set to blue enamel star surround on a raised circular boss, with twisted wire and bead detailing, four further diamond and blue enamel stars and a twisted wire border, all to the top section of the hinged bangle with polished under section, in a ‘J.J Durrant & Sons’ fitted case, total weight approx. 22.7g £350-£400

337. A Victorian Gothic-style amethyst spray and tassel brooch, c.1860 circular and drop cut amethysts all spitch set with bead finals, set amongst a spray of four fern leaves, to a scalloped shell background, with a graduated bead accent and tassel drops in a fitted Nathan & Co box, length excluding tassels appox 4.5cm, total weight approx. 9.9g £200-£400 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 8 0 .

A N T IQU ES & COL L ECTA BL ES

338. A Victorian gold green stone and seed pearl shield brooch, c.1860 a raised boss, star set with a single split pearl to a circular background, set with green stones and split pearls with a cut-away section revealing an articulated tapering tassel with vacant glazed locket verso, brooch fitting and ‘C’ scroll catch in a fitted case, total weight approx. 13.0g £150-£200

339. Two gold gemstone fobs including an Etruscan style fob rub set on each quarter side with a blue synthetic spinel, with further beads and twisted rope decoration and another similar example of tapering form set with concentric bands of turquoise cabochons, cultured pearls and rub set garnets terminating with a foiled-back amethyst final (2), Syn. Spinel fob total weight: 9.4g, gemstone fob total weight: 10.4g £200-£300

340. A decorative Indian silver gilt ruby and emerald peacock brooch/pendant a peacock with raised body set with rubies to a spray of feathers, all set with round cut emeralds and rubies with a pin and catch fitting and a with optional pendant fitting, total weight approx. 31.8g, length 4.5cm £400-£600

341. An unusual and delicate 19th Century tortoiseshell and coloured paste set butterfly brooch the outstretched tortoiseshell wings highlighted with gilt leaf-shaped panels, to a filigree body mounted with red cabochon eyes, with a suspended filigree flower set with a pink cabochon and a further tortoiseshell and filigree heart. Single strand trace-link swags and a green cabochon accent, length approx. 7.5cm, total weight approx. 6.4g £300-£500

A N T IQU ES & COL L ECTA BL ES 342. A gold single stone aquamarine bar brooch a single stone oval cut aquamarine, double claw set to a plain polished bar with pin and ‘C’ scroll fitting, total weights approx. 4.1g £60-£80 343. A small collection of Chinese and other jewellery items to include a high carat gold green paste spray brooch, a white gold jade floral and spray brooch, a gold jade pin, two gold pendants, three hardstone rings and a bangle, a silver brooch with Chinese characters to the centre, a platinum wedding ring, a pair of green hardstone earrings and a silver ring with an opal mosaic centre (qty), brooch with paste leaves: 16.5g, white gold spray brooch: 5.3g, jade pin brooch: 3.1g, platinum ring: 3.0g, gold pendants: 2.7g £150-£250

344. A Victorian Etruscan revival style circular shell cameo brooch a beautifully carved shell cameo of a young maidens head, rub set to a gold brooch mount, embellished with bead and scalloped twisted wire decoration with a further twisted wire border and a pin and ‘C’ scroll catch, total weight approx: 9.1g (pin not gold) £100-£150

345. Twelve assorted Victorian and later stick pins to include a single stone diamond stick pin, an old European cut diamond claw set to a crown head, a single pearl (pearl untested) stick pin, a 9ct gold pheasant stick pin, a three stone citrine and diamond stick pin, a seed pearl and demantoid garnet set stick pin stamped 15ct, a 9ct fox head stick pin set with ruby eyes, a Victorian Masonic stick pin marked 15ct and five other stick pins (12), total weight approx. 8.3g £100-£200

346. A pair of beautiful diamond drop earrings comprising a two floral clusters of old-cut diamonds set around a pierced scrolling frame, with three diamond set articulated foliate drops terminating with a single diamond bud in cut down collets, suspended from diamond-set sprays, mounted in silver and backed in gold with a hook fitting in a Lanson & Sons Ltd fitting box, length approx. excl. fitting 7cm, total weight approx. 15.49g £500-£800

347. A pair of attractive emerald and cultured pearl earrings a navette shaped emerald rub set to a border of eight cut diamonds, above three graduating rows of cultured pearls terminating with an omega fitting marked with continental hallmarked for 18ct gold, total weight approx: 8.6g £200-£300

A N T IQU ES & COL L ECTA BL ES

348. A pair of 9ct gold single cultured pearl floral earrings a single cultured button pearl peg set to a scalloped floral surround with post and butterfly fittings, total weight approx: 4.0g, length approx. 1.6cm £80-£120

352. A pair of gold pierced drop earrings a pear-shaped drop pierced with a Greek key design suspended from a triangular plaque with a matching pattern with clip on fittings, length approx. 4.2cm, total weight approx. 9.0g £150-£180 353. A good collection of stud earrings to include a pair of gold emerald stud earrings, a pair of gold opal cabochon earrings, a pair of white gold drop earrings and a pair of nephrite cabochon earrings (qty) £50-£80

349. A pair of attractive Victorian emerald and diamond earrings having rectangular cut emeralds within old cut diamond fancy scroll settings, test for gold and silver, associated leather box, approx. 1.25cm at widest point £500-£700

354. A pair of attractive Chinese diamond spray earrings four graduated brilliant-cut diamonds, all claw set to scroll and ribbon accents, highlighted with facetted cut gold decoration, with screw fittings marked with Chinese characters, total weight approx. 11.3g, length approx 2.2cm, diamond approx weight: 0.85ct each earring £600-£800 350. A pair of Victorian gold diamond, coral and blue enamel earrings a rose cut diamond and coral cluster, set to a blue enamel background with bead and twisted rope border, set to triple bead and hook fitting in fitted “John Alton of Pimlico” box, total weight approx 7.7g £100-£200 351. A pair of gold diamond stud/spray earrings a single stone brilliant cut diamond claw set to a post fitting, with a second yellow fitting in the form of a three row scroll set with four further brilliant cut diamonds marked 14k, total weight approx. 3.3g, principal diamond weight approx. 0.20ct each £100-£150

355. A pair of 18ct gold diamond and pearl drop earrings a single cultured pearl and brilliant cut diamond drop suspended from a yellow trefoil shaped plaque grain set with brilliant cut diamonds to post fittings, total weight approx. 5.1g length approx: 2.2cm £300-£500

A N T IQU ES & COL L ECTA BL ES 356. A pair of gold opal and diamond floral earrings and a similar opal and diamond pendant a brilliant cut central diamond claw set to five pear shaped opals petals with two curved sprays of graduated brilliant cut diamonds to post fittings and a pear shaped opal cabochon pendant with a surround of brilliant cut diamonds, all claw set with a tapering bale, marked 585 (2), good condition £200-£300 357. A pair of gold pearl and diamond earrings and a two colour single row gold necklace a single cultured pearl, peg set to a diamond set polished yellow gold curved bar with post fittings marked 375 and a two colour gold single row necklace, having yellow ‘kiss’ links between white textured graduating circular links with a lever clasp marked 375 (2). Earrings total weight approx: 3.1g. Necklace: total weight approx: 8.3g £100-£200

358. A pair of attractive gold ruby and diamond spray earrings and a matching pendant an oval cut ruby, four claw set to a spray terminating with a single brilliant cut diamond to a gold polished leaf and a gold, ruby and diamond matching pendant (2), total weight total: 11.4g £200-£300

359. A pair of gold cultured pearl earrings and matching pendant on a gold chain a single button pearl set to a scalloped edge and post fitting, a matching pendant on a twisted curb link chain bracelet (3), total weight approx: 7.3g £80-£120

360. An Edward VII sovereign dated 1904 claw set to a 9ct gold pierced, bead and scrolling pendant mount, total weight approx. 15.7g £200-£300 361. A gold African filigree pendant an African bust applied to a oval filigree background with bead detailing, set to a polished frame and bale, total weight approx. 11.2g, length excluding bale approx 4.1cm £200-£300

362. An early 20th Century sterling silver enamel pendant watch a blue guilloche enamel and gilt detailing dome pendant, a circular silvered dial signed Ebel with Arabic numerals and black crescent style hands, with a twist centre to reveal a movement signed ebel W. Co. Swiss mark for 925, total weight approx. 19.5g, length approx. 2.5cm £100-£200

363. An ingot in pendant mount a Suisse ingot marked 999.9, with a maiden relief figure to the reverse claw set to a decorative pendant mount marked 875, total weight approx. 24.0g £600-£800

A N T IQU ES & COL L ECTA BL ES 364. A delicate single stone aquamarine pendant a single stone octagonal step cut aquamarine, four claw set to a open mount and bale £80-£120

369

365. A delicate gold blue topaz and diamond pendant an oval cut blue topaz, claw set in a surround of fourteen brilliant cut diamonds to a scalloped gallery back and bale fitting, marked 18k, total weight approx. 3.4g, length excluding bale 1.5cm £80-£120 366. A Chinese gold jade circular pendant four jade roundels with Chinese characters applied to the centre of each, and larger Chinese characters to the centre with a Greek key circular border and split bale, marked 18k, total weight approx. 29.7g, length excluding bale 5.5cm £200-£300

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367. A gold diamond set cross pendant and a gold leopards head ring a gold cross with an open oval centre, set with brilliant cut diamonds opposite a yellow polished section with a tapering bale marked 750 and a gold leopards head ring, set with sapphire eyes and diamonds to it’s white gold collar, with a pierced decorative neck (a/f) marked 750 (2), pendant total weight approx: 5.0g Ring total weight approx. 5.3g £100-£150 368. A diamond and ruby set fox head charm/pendant on chain the fox’s head set with rose-cut diamonds and ruby cabochon eyes, all in silver and backed in gold suspended on a gold box link chain marked 585 (2), chain total length: 8.3g Fox: total weigh approx: 1.4g £80-£120

371

369. A gold five stone diamond ring with a graduated row of old European and cushion cut diamonds, claw set to a scalloped gallery, scrolling shoulders and a reeded polished shank, total weight approx. 3.6g, finger size O £300-£500 370. A large 9ct gold mounted amethyst set dress ring having a scroll mount set with a large rectangular cut amethyst, marked for 9ct gold, size N/O £200-£300

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374

371. A delicate Art Deco sapphire and diamond cluster ring the lozenge shaped step cut sapphire set within a surround of old cut diamonds, grain set to a white pierced head, chenier shoulders and a polished shank, finger size: R, total weight approx: 3.5g £500-£800 372. A beautiful single stone diamond ring a brilliant cut diamond claw set to chenier shoulders and a plain polished shank, total weight approx. 4.7g diamond weight approx 0.80ct, ring size O1/2 £400-£600 373. A gold single stone pearl and diamond crossover ring a cultured pearl peg set, together with a wave of five eight-cut diamonds claw set with a plain polished shank, ring size K1/2, total weight approx. 6.0g £80-£120 374. An attractive five stone graduated diamond ring five graduated brilliant cut diamonds claw set to a graduated open scalloped head, tapering shoulders and a plain shank stamped with Arabic gold marks to the shank, ring size: N, total weight approx. 6.1g £180-£280

375

A N T IQU ES & COL L ECTA BL ES 375. An attractive gold marquise shaped diamond cluster ring with graduated cushion cut and old European cut diamonds, grain and milligrain set to a yellow plate. Yellow gallery and underbezel with split shoulders and a plain polished shank marked 18ct, ring size K, total weight approx. 3.8g £180-£280 376. A gold two row diamond set band ring two tapering yellow bands, with three white gold tapering diamond set ‘ribbons’ woven between the bands marked 750, ring size: leading edge M. Total weight approx 9.5g £200-£300

376

377. A gold lapis lazuli and diamond ring an elipitical lapis lazuli cabochon between two white pear-shaped drops set with eight cut diamonds to a plain polished shank marked K18, ring size N, total weight 5.9g £100-£150 378. A black opal triplet and diamond cluster ring a large oval shaped black opal triplet, four claw set to a single row of eight-cut diamonds mounted on a white plain polished shank marked 18k, ring size: leading edge N, total weight approx. 11.4g £150-£180

377

379. A 9ct five stone graduated peridot ring five graduated round cut peridots claw set to a scrolling gallery and a plain polished shank, ring size: M £60-£80 380. A two colour gold sapphire and diamond ring, circa 1970s step-cut sapphires claw set to a textured gold abstract form intertwined with a polished white abstract design set with three eight-cut diamonds to open shoulders and a reeded shank, marked 750, ring size J, head length approx. 3.6cm x 1.8cm £300-£500 381. A gold opal spray ring six oval shaped opal cabochons, claw set between a spray of three leaves and abstract branches mounted to a plain polished shank marked 18k, ring size: N, total weight approx. 9.2g £200-£300

378

382. A Victorian three stone opal and diamond ring three graduated oval shaped opal cabochons set between four old cut diamonds, all claw set to a scroll mount and a plain shank marked 18ct, ring size N, total weight approx. 3.6g £200-£300 383. A gold peridot and amethyst cross over ring A trillion cut peridot and a trilliant cut peridot rub set in a crossover setting to a tapering polished shank. marked 750, ring size O, total weight 3.6g £100-£150

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A N T IQU ES & COL L ECTA BL ES 384. A decorative white gold sapphire and diamond stylised crossover ring a central round cut sapphire in a surround of diamonds and sapphires, all claw set to a reeded polished shank, ring size: leading egde N, total weight approx. 9.4g £280-£380 385. A gold single stone emerald ring an emerald-cut emerald, four claw set to a scrolling abstract mount and a plain polished shank, marked 750, ring size: N, total weight approx. 9.2g, approximate emerald size 2.23ct £600-£800

384

386. A gold single stone marquise shaped diamond ring a single stone marquise shaped diamond, rub set to ‘wishbone’ shaped shoulders and a polished shank, measurements: 10.21 x 4.13 x 2.37mm carat weight approx. 0.50ct, total weight approx. 4.0g £200-£300 387. A gold diamond cluster crossover ring two old European diamonds claw set to a raised mount, with a surround to each of nine old-cut diamonds in a crossover setting marked 18ct, ring size: L1/2, total weight approx. 4.1g £250-£350

385

388. A two stone diamond crossover ring two brilliant cut diamonds, claw set in a crossover setting, the shoulders channel set with two baguette cut diamonds and a polished shank, ring size: N1/2, total weight approx. 2.5g £150-£250 389. A 9ct gold graduated five stone opal cabochon ring with scalloped gallery, carved shoulders and a polished shank, total weight approx. 3.1g £100-£150 390. Two decorative dress rings including a single stone round cut citrine, claw set to a open mount and polished shank marked 9ct and a single stone oval cut amethyst ring, claw set to chenier shoulders and a silver shank, citrine total weight approx. 11.1g, amethyst total weight approx 13.0g £80-£120

386

391. An impressive single stone diamond ring a single brilliant cut diamond four claw set to a white mount and a yellow gold plain polished shank, marked 18ct, total weight approx. 3.2g, diamond measurements: 6.66mm x 6.67mm x 3.95mm, total carat weight approx 1.05ct £2,500-£3,000

392. An attractive jade and diamond cluster ring an oval shaped jade cabochon with a surround of fifteen brilliant-cut diamonds, with trifurcated shoulders and a polished shank stamped PLAT, total weight approx. 7.6g, jade cabochon measures: 17.15mm x 12.03mm £600-£800

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391

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396

393. A rare Georgian agate and garnet mourning ring the central oval agate set with a surround of flat cut garnets, mounted in silver with trifurcated and bead shoulder and a reeded shank (a/f), head length 2.8cm, total weight approx. 15.4g, leading edge N1/2 £200-£300

399. An white gold aquamarine and diamond ring an emerald cut aquamarine with two eight-cut diamonds franked to get side, all claw set to split shoulders and a polished shank, total weight approx: 4.9g, 12.95mm x 9.18mm x 15.71mm £300-£400

394. An attractive 18ct gold ruby and diamond cluster ring an oval cut ruby, claw set within a white surround of twelve brilliant- cut diamonds, between chenier shoulder and a tapering plain polished shank, ring size R, total diamond weight approx. 0.60ct, total weight approx. 5.3g ruby approx. 6.82 x 4.96 x 2.98mm £800-£1,200

400. A decorative 18ct gold pearl and diamond crossover ring having two cultured pearls set to a white gold collar of eight cut diamonds, in a crossover setting to a yellow plain polished shank, total weight approx: 3.9g £120-£180

395. A delicate single stone square shaped step cut sapphire millegrain set to a polished and pierced gallery, between knife-edge shoulders and a plain polished shank. Marked 18ct, total weight approx: 2.6g. Ring size P1/2, measurements: 6.14mm x 6.14mm x 3.79mm £100-£150 396. An gold amethyst and diamond ring a emerald cut amethyst, franked between two rows of brilliant cut diamonds, all claw set to trifurcated shoulders and a reeded shank marked 18k, ring size: M, total weight approx. 7.3g £100-£200 397. A 9ct gold cultured pearl and diamond ring a single cultured pearl, peg set to raised scrolls and graduated eight-cut diamond set shoulders to a plain polished shank, ring size: leading edge P1/2. total weight approx. 3.9g £60-£80 398. A two colour gold diamond set ring having two open ovals, both set with eight-cut diamonds to a three row rose and white gold reeded band, ring size approx. R. Total weight approx. 5.2g, tested as approx 9ct gold £70-£90

399

401. An 18ct gold single stone diamond scalloped edge ring a single brilliant cut diamond, tension set to the centre of graduating scallops to a plain polished shank, ring size approx: N1/2. Total carat weight approx 0.40ct. Total weight approx. 6.6g £400-£500 402. A gold single stone opal cabochon ring an oval shaped opal cabochon, rub set to a decorative pierced head and shoulders to a plain polished shank, total weight approx. 7.3g £200-£300 403. An unusual gold diamond and garnet ring possibly German an eight-cut diamond, set to a white central plaque, flanked by two step cut garnets, rub set to a trefoil scalloped head, with raised split shoulders and a plain polished shank, marked 9k, ring size: P total weight approx. 6.2g £80-£120 404. A 22ct gold court shaped wedding ring with engraving to the interior, ring size: 01/2, total weight approx. 7.2g £150-£200

400

401

A N T IQU ES & COL L ECTA BL ES 405. An old cut single stone diamond set ring and a wedding band the old cut diamond in high claw yellow gold mount, tests for gold, together with a 22ct gold wedding band (2), diamond ring O/P, 22ct band J, approx. 4.33g £70-£90 406. A 22ct gold court shaped wedding ring ring size: leading edge N, total weight approx. 5.4g £80-£120 410. A 22ct gold wedding ring and a pair of 9ct engine turned decorated cufflinks with chain and torpedo backs in fitted case (2), wedding ring total weight approx. 3.9g, cufflinks total weight approx. 4.8g £80-£120

407. Three 9ct gold gentleman’s rings to include a 9ct gold three stone paste signet ring, a 9ct gold wedding ring and another 9ct wedding ring with engraved decoration (3), total weight approx. 17.6g £150-£200 408. A 22ct gold wedding ring and another gold wedding ring including one with an engraved inscription “When fortune will I shall”, ring size: L & L1/2. total weight 9.1g £150-£200

411. An opal set five stone half hoop ring and a wedding ring the opal ring having five oval opals in a scroll setting, marked 18ct, together with a 22ct gold wedding band, marks rubbed (2), opal ring size O, wedding band K £100-£150

412. An good 18ct gold single stone illusion set diamond ring and another cross over diamond ring a single brilliant cut diamond, illusion set to a white head with chenier shoulders and a plain polished shank and a two stone diamond and white stone cross over ring (a/f), single stone ring weight approx: 2.5g, two diamond crossover weight approx: 2.3g £150-£250

409. Two 22ct gold wedding bands together with a 9ct gold wedding band and a pair of scroll engraved cufflinks, tests for gold, associated cufflink box (4), approx. weight 22ct gold bands 8.55g, 9ct band approx. 3.09g £150-£250

413. Three gold and opal set rings and a diamond set dress ring to include an Edwardian opal and diamond plaque ring marked 18ct PLAT, A 9ct gold opal and sapphire cluster ring, a 9ct gold seven stone opal ring and a 9ct gold diamond floral band ring (4), total weight approx. 13.1g £100-£150

A N T IQU ES & COL L ECTA BL ES 414. A collection of five assorted gold dress rings to include an 18ct gold three stone diamond ring, a 9ct gold signet ring with green quartz insert, a 9ct gold diamond crossover ring, a 9ct ruby and diamond ring and green paste stone ring marked sil & gold (5), total weight approx 13.9g £150-£200 415. An unusual pair of Victorian gilt hair pins in the form of a golf club and putter in a fitted leather case, length approx. 22cm £40-£60 416. An attractive Chinese filigree work panel bracelet and a collection of other jewellery the bracelet having central seated Buddha panel and with further intricate pierced filigree oval panels and similar push clasp fastening, Chinese character signature to reverse and with French .800 marks to clasp, tests silver gilt, together with an Art deco marcasite and cultured pearl set ring, tests for gold and silver, a large Indian jargoon set turban pin, a Continental .750 cultured pearl set foliate brooch, maker E Ld, a Victorian yellow metal and grosgrain silk ribbon fob, a carved lava cameo brooch, an Austro-Hungarian pendant a.f, and three other brooches (qty), bracelet approx. 17.5cm £200-£250

416

417. An interesting collection of costume jewellery to include a Jewelcraft red paste and gilt brooch, a Trifari silver-coloured leaf brooch, a paste stone gardinette brooch, a silver and enamel violet brooch, Art Deco paste clip brooches and a paste stone brooch by Exquistite (qty) £40-£60

417

418. An interesting collection of gold and costume jewellery to include a 18ct gold single stone paste ring, a 15ct gold five stone ring, a front and back heart shaped locket, a gold framed picture locket, a shell cameo brooch, a single row cultured pearl necklace with marcasite clasp, two facetted glass bead necklace, a panel bracelet with painted flower motifs and a paste stone brooch (qty), ring 6.4g, 15ct ring: 1.9g £80-£120 419. A 9ct gold rope chain necklace and similar items including a 1970s 9ct gold linked concentric circular pendent on chain, a 9ct gold open spray leaf brooch, a 9ct gold open textured stylised brooch, a 9ct gold foxtail link necklace, an Italian bar and curb link necklace marked 375, a 9ct gold three row open panel link necklace and a foiled pendant in a gold frame signed Mercier. (qty), total weight excluding pendant 39.1g, pendant weight 2.49g £350-£450

418 420. Three wedding rings and a collection of jewellery comprising of 22ct two colour gold facetted wedding ring and two 9ct gold wedding rings and a collection of silver jewellery to include a silver court section hinge bangle with engraved decoration, a silver fan shaped brooch and a Victorian silver Royal Highlander brooch (qty), 22ct ring weight approx: 2.1g, 9ct wedding rings weight approx: 3.6g £100-£150

A N T IQU ES & COL L ECTA BL ES

421. A collection of interesting cameo and banded agate jewellery to include a gold cameo ring, an oval carved agate cameo of a young maiden, a banded agate panel bracelet, two banded agate brooches, rub set to split shoulders and a plain polished shank marked 9ct, a large gilt metal cameo brooch of an young maiden surrounded by a simulated pearl border, a Victorian gilt metal carved shell cameo of the three graces with a scrolling border, a silver carved agate brooch, a carved shell cameo panelled bracelet and two other cameos (11), ring: 5.7g £100-£200

424. A collection of decorative silver and marcasite jewellery to include a silver flat section hinge bangle with engraved detailing, a sterling silver racehorse brooch stamped ‘Mrs. e. Goldsons, Pappa Fourway’, a commemorative coin in a silver mount on a silver belcher chain, a Victorian silver brooch, a red enamel heart circular brooch together with assorted marcasite and silver jewellery (qty) £40-£60

425. A collection of gold jewellery to include a ladies gold Cyma mechanical bracelet watch with integral bracelet, a gold panther pendant, a gold swizzle stick marked 9ct, a gold picture locket market 10k and another gilt metal example (5), panther pendant: tested as approx. 14ct gold but bale tested as approx. 18ct £150-£200 422. An assorted collection of 19th Century and later jewellery to include a gold filigree brooch marked 18ct, a Regency gold onyx and seed pearl brooch, a Victorian seed pearl and lapis lazulli horseshoe and bar brooch, a pair of Regency drop earrings with applied twisted wire and bead detailing, a Victorian 9ct gold sapphire and seed pearl brooch, a pair of filigree drop earrings, a single stone tab pendant marked 18k, a good twisted wire and bead brooch, a gilt metal sapphire brooch, a pair of 9ct gold single seed pearl dress studs and another single 18ct gold example together with three pairs of paste earring, five further brooches and a pink stone open pendant. (qty) £200-£300 423. A collection of Victorian and later jewellery to include a gold Masonic agate keystone watch fob on an unrelated 9ct gold swivel clip and ribbon fob, an Edwardian 9ct gold commemorative shooting watch fob, a rolled gold picture locket engraved to the reverse with imagery of crystal palace, a pair of 9ct gold oval chain back cufflinks, three assorted ladies mechanical bracelet watches, a gilt metal seal fob, a gilt metal Masonic ‘Yorkshire N&E Ridings’ medal with engraved date 9th April 1874 in original box, a mother of pearl Masonic keystone watch fob, a circular piqué inlaid brooch (a/f) (qty) £150-£200

426. A collection of attractive Victorian and later jewellery to include a Art Nouveau gold open pendant set with a single turquoise cabochon, a 9ct gold shell cameo ring, a Victorian gold six stone diamond curb chain brooch (a/f), a good thistle bar brooch, another shell cameo ring and brooch, a front and back seed pearl locket and a bohemian garnet cluster brooch (qty), 18ct gold brooch: 2.2g, pendant 1.6g length 2.7cm, cameo rings total weight: 6.3g £100-£200

A N T IQU ES & COL L ECTA BL ES

427. A collection of gold jewellery to include a 9ct gold rope chain necklace, a pair of 9ct gold cufflinks, two 9ct gold pendants, a 9ct gold cross, two 9ct gold ladies watch heads and a silver ladies fob watch (qty), rope chain: 14.9g, pendants: 6.0g, cufflinks: 5.9g £300-£400 428. A white gold cultured pearl and diamond pendant and two pairs of earrings a single cultured pearl, peg set to a diamond set mount suspended on a box link chain marked 9k, a pair of diamond set earrings in the form of a cross with post and butterfly fittings and a pair of diamond and sapphire cluster earrings with post fittings (butterfly deficient) (3), pendant total weight approx: 5.5g, earrings total weight 4.3g £100-£150

429. An interesting collection of gold jewellery to include a miniature of a small boy in a sailors suit in a gold frame marked 9ct, a 9ct gold oval locket with engraved decoration to the front on a prince of Wales chain, a 9ct gold picture locket on a 9ct gold belcher chain (3), oval locket: 14.4g, miniature: 10.9g, picture locket: 11.3g £150-£200

430. A collection of gold jewellery to include an Edwardian gold seed pearl circular pendant marked 15ct suspended on a 9ct gold trace chain, a gold nugget pendant marked 9ct, two Victorian bar brooches, a gold curb link bracelet with padlock and zodiac charm, three front and back lockets, a cross pendant marked 9ct and a gold swivel fob with roman coin (qty), total weight approx. 39.1g £300-£400 431. A small collection of gold jewellery items to include a ladies 9ct gold mechanical bracelet watch, tonneau shaped dial with Arabic numerals on an expanding gold bracelet marked 9ct, a gold wedding band, a gold fern leaf brooch marked 750 (3), total weights approx: watch: 16.0g, ring: 1.3g, brooch: 2.9g £150-£200 432. A collection of mixed jewellery to include a texture silver band ring, a silver abstract ring set with green stones possibly emeralds, a silver band ring signed Luce, a gilt metal cameo, a collection of silver amber jewellery including two silver amber cabochon bracelets, an amber fish brooch, a gilt metal smokey quartz pendant with engraved pagoda, a single row graduated malachite bead necklace and a single row graduated ‘hawk eye’ quartz bead necklace (qty), textured ring size: T. Emerald ring size N £50-£80

433. A small collection of jewellery to include a pair of silver red enamel fleur-de-lye earrings suspended from scrolling head set with paste stone with post and butterfly fittings, a gold bloodstone swivel fob suspended on a jump ring, a gilt and steel penknife and similar articulated pencil (a/f), a pair of bead drop earrings with engraved detail and a pair gilt metal paste drop earrings (qty) £100-£200

A N T IQU ES & COL L ECTA BL ES

434. A collection of gemstone jewellery to include three row garnet bead necklace with silver clasp, a silver blue gemstone and marcasite centrepiece necklace and matching earrings, a Italian gold shell cameo pendant, marked 375, a silver hinged bangle, a silver rose quartz brooch, a single row aventurine bead necklace and a single row rose quartz, rhodochrosite and black bead necklace (qty), cameo brooch: 4.4g, length approx. 3.2cm £100-£200

435. A collection of gold jewellery to include a pair of 9ct gold twisted hoop earrings, a pear of gold studs marked 9ct, a gold hollow hinge bangle with diamond-cut decoration and a cobra link chain marked 375 (4), total weight approx: 17.3g £150-£200

436. A collection of Victorian jewellery to include a Victorian gold and silver piqué tortoiseshell inlay bangle, the top section an inlaid cross with a circular border, with silver engraved plaques, scrolls and floral motifs tapering to the hinged bottom section also inlaid together a Victorian gold cased eye glass, the frame highly decorated with flowers, a Georgian agate and flat cut garnet cluster brooch and a silver pink stone cluster ring (4), bangle total weight approx: 24.9g. Diameter: 4.2cm x 5.7cm Ring size approx: P. Brooch measures approx. 2.2cm x 1.9cm £180-£200 437. A large collection of silver, gemstone and amber jewellery to include a blue enamel circular panel bracelet marked silver, a silver abstract design bracelet set with amethyst cabochons and a similar example set with labradorite, a silver charm bracelet with assorted charms, a silver eight row gate link bracelet, an amethyst fringe necklace together with a collection of amber cabochon jewellery including bracelet and brooches and a pair of silver citrine screw back earrings (qty), enamel bracelet length: 17.5cm, silver charm bracelet total weight: 49.7g £60-£80 438. A small collection of Victorian jewellery to include a pair of 9ct white gold and diamond earrings, a two row graduated cultured pearl necklace, strung knotted to a 9ct gold amethyst and cultured pearl clasp, an Italian millefiori marquise shaped brooch, a silver diamante paste buckle brooch, two gold brooches marked 9ct including a Royal Artillery example, a reverse cameo brooch, an Art Deco green hardstone and enamel brooch, a rolled gold articulated pencil (a/f) and other items (qty), pencil weight: 16.7g, 9ct gold broochs: 3.4g, earrings: 4.3g £80-£120 439. A collection of gemstone and pearl jewellery to include a small quantity of crucifixes and cross pendants, a 9ct gold diamond set cross pendant, a Victorian garnet and seed pearl cross pendant, a pair of silver diamond set earrings marked 925, a gold pink stone pendant marked 375, a 9ct gold topaz pendant, a 9ct gold opal pendant, several cultured and cultured freshwater pearl necklaces, a pair of silver and pearl earrings in the form of calla lilies, cufflinks and other items (qty), cross pendant: 3.0g, pendants: 3.7g £80-£120

A N T IQU ES & COL L ECTA BL ES

440. A large collection of silver brooches, pendants and lockets to include an Arts and Crafts sterling silver brooch, with a blue chalcedony with a floral border in the style of Bernard Instone, a silver brooch in the form of an orchid, a silver brooch in the form of a Scottie dog, a Victorian silver oval locket with ivy leaf engraved decoration, a large silver and amethyst pendant with applied orchid motif, a silver Art Nouveau style brooch and other items (qty), Arts and Craft brooch: 1.2cm x 3.4cm £80-£120

441. A collection of gold jewellery to include two colour gold hoop chain bracelet with lever clasp marked 750, a 9ct gold diamond set slave tension bangle and a 9ct gold cobra link necklace (3), total 9ct gold weight: 9.0g, total 18ct gold weight: 5.4g £180-£220 442. A small collection of gold jewellery to include two 9ct gold snake chain necklaces, a gold shell cameo pendant marked 750 and a gold shell cameo ring (4), 9ct gold approx. 7.9g, ring weight approx. 5.2g, brooch approx. 4.3g £80-£120

443. A collection of 9ct gold jewellery to include a single row curb link bracelet with padlock, a single stone paste ring, a four stone diamond cluster ring, a garnet bar brooch, a gold sapphire and pearl bar brooch marked 9ct, a gold belcher chain bracelet and a front and back heart shaped locket (7), 9ct gold bracelet: 46.8g, belcher chain bracelet: 0.5g, diamond ring: 2.2g £400-£600

444. A collection of interesting jewellery and items a Victorian gold banded agate brooch, a single row Venetian glass bead necklace, Victorian and later silver brooches, a two row graduated cultured pearl necklace with blue enamel clasp, an miniature green enamel penknife, two silver gilt garnet pendants marked 925, a silver tabacco case of hinged form engraved 1914. E. Fulks with imagery of a castle and a George V five shilling coin (qty), victorian brooch: 6.2g and 2.9cm in length £40-£60

A N T IQU ES & COL L ECTA BL ES

445. An Edward VII naval sword by Miller & Sons London & Southampton the damascened blade engraved R.N.R and bearing ERVII insignia, the hilt having shagreen grip and lion head pommel with guard and tassel, in a gilt brass mounted leather scabbard, blade length 79.5cm, overall 95cm £100-£150 446. A large pair of 13-inch vintage tailors/ dressmakers scissors overall length 33cm £40-£60 447. A 19th century south German violin having one piece maple back and carved lion head scroll peg box, length 29cm £80-£120

449.  Defoe, Daniel, A Tour Thro’ the Whole Island of Great Britain, Divided into Circuits or Journies in four volumes, 1762, sixth edition, London, 8vo. full gilt tooled marbled calf with raised bands, blind stamp ex libris Belfast Library Linen Hall 1788 (4), 8 vo £100-£200

448. A collection of Victorian and later walking sticks and an early 20th century Paragon S. Fox & Co umbrella comprising a malacca cane with foliate embossed silver terminal engraved with a Masonic square and compass and presentation inscription, apparently unmarked, an ivory handle malacca stick with plated collar, a holly walking stick 447 with horn handle and gilt metal collar and presentation inscription, a swagger stick with bone terminal carved with a dogs head, a shooting stick with leather handle stamped Mills Munitions ltd and a Paragon S. Fox & Co umbrella with black canopy (6), first length 88.5cm £80-£120

450.  Bewick, Thomas, A General History of Quadrupeds 1811, sixth edition, Newcastle, B & W copper engravings, 8vo. half red calf with marbled boards pp. 525. together with Bewick, Thomas, History of British Birds, in two volumes, Newcastle, 1804, B & W copper engravings, 8vo. blue cloth, pp. 346 + pp. 400 (3), 8vo £100-£150

448

451.  Tolkien, J.R.R, The Lord of the Rings Trilogy 1955, London, Allen & Unwin, The Fellowship of the Ring, first edition fourth impression, The Two Towers, first edition second impression, The Return of the King, first edition, 8vo. original red cloth, dust jackets (3), 8vo £200-£300 452.  William Figg, Map of the County of Sussex from an Actual Survey Made in the Years 1823 & 1824 by William Figg. F.S.A. Surveyor Presented to the subscribers to The Sussex Express, Surrey Standard & Kent Mail. By the proprietor William Edwin Baxter. 1861 a lithograph folding map in twenty four linen backed sections with original outline colouring, vignette of Chichester Cathedral, green cloth 4to, each section 37.2 x 32.5cm £200-£400

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453.  Ordnance Survey folding maps All Sussex c.1860, together with Margary H. ed. 250 Years of Map Making in the County of Sussex 1575-1825 first Map Nos. VI, V, VI, VIII, IX, XI, each in nine folding sections backed on Linen, green slip case, second, 1970, large folio (2), first each section of folding maps 31 x 20.5cm £80-£120 454.  John Piper (British, 1903-1992), English Scottish & Welsh Landscape 1700-c.1860 and Piper’s Places John Piper in England & Wales first 1944 1st edition, London Curwen press, illustrated with twelve colour lithograph illustrations, 8vo, original decorated cloth, no d.j, second, 1983 first edition, London, Chatto & Windus, dust jacket, signed by John Piper together with ‘Rose Arch’, a colour lithograph by John Piper from Richards, J. M. The Castles on the ground, 1946, mounted, framed (3), various £80-£120

455.  A selection of illustrated books to include The Wood-engravings of John O’Connor comprising The Wood-engravings of John O’Connor with a commentary by Jeannie O’ Connor, 1983, Whittington Press, Andoversford, numerous b&w and colour illustrations, in a slip case, Cobbett, William, Rural Rides edited G.D.H and Margaret Cole, 3 vols, 1930, unnumbered limited edition of 1000 copies, illustrated by John Nash, 8vo, original cloth backed marbled boards, Blackadder, Elizabeth, Favourite Flowers, 1994, limited edition 72/100 signed and with orignal etching with aquatint ‘Iris’ 22/50, singed in pencil, Holme G ed. The water-colour Drawings of John Sell Cotman with a Commentary by A. P. Oppe, 1923, green cloth, numerous tipped in colour plates, Ellison, Norman Over the Hills with Nomad, 1948 1st edition signed by the author and Roving with Nomad, 1949 both with dust jackets and illustrated by C.F. Tunnicliffe etc. (qty), various £100-£150

A N T IQU ES & COL L ECTA BL ES

457. A collection of regimental badges to include a Scottish provincial silver clan badge, Medlock and Craik of Inverness, a gold Royal Artiliary bar brooch marked 9ct, a gold brooch with applied heart, an anchor and cross motifs, a Swedish silver cap pin marked 171, three enamel Royal Engineers bar brooches including two silver examples, a silver ‘toujours priest’ brooch, a Scottish silver brooch and other military bar brooches (qty), 9ct brooch: 1.6g £50-£80 458. Two Royal Antediluvian Order of the Buffalos silver and silver gilt enamelled jewels and a small selection of mostly post 1920 George V and George VI silver half crowns the Primo and Grand Council medals with ribbons, West Croydon Lodge, 1435 engraved ‘Presented to Primo T.P. Cooper 16, Sep. 72’ (qty), weight of silver coins approx. 13.43ozt £60-£80

456. Two albums of albumen prints relating to the Boer War c. 1900 to include prints published by Jan Van Hoepen, Pretoria, M. Bennett, and Van Nes, subjects to include ‘Paul Kruger’, ‘Mr Moir’, ‘Kimberley Offciers at 14 Streams’, ‘General L. Botha’, ‘De Beers workshop during siege of Kimberely’, General Lucas Meijer’, ‘One of the Boer Fortifications near Colseno’, ‘Boers Waiting for the Enemy’, ‘Railway Guard Dorlog 1900’, ‘How Mr Boer Looks When He Has His Photo Taken’, ‘Smashing Railways’, ‘Attaches of Lord Roberts’, ‘Boer Bridge across Tugela’, ‘Boers in Battle’, ‘Battlefield of Colenso’, ‘General Schalk Burger’, ‘A Boer Convoy’, ‘Vetriver Bridge Destroyed’, ‘Colonel Blake Irish Brigade’ ‘Star Shells… At Night’, ‘Trucking Boer Guns at Kroonstad’, ‘General Tobias Smuts’,’Lancers at the Relief of Kimberley’, ‘Shrapnel Hotel, Siege of Kimberley’, etc (2), each print 15.2 x 21.7cm £300-£500

459. A three medal India and Boer war medal group awarded to 4481 Pte Joseph Downey Highland Light Infantry formed of India Medal, 1895 with Punjab Frontier 1897-98 bar (A Co 2nd H.L.I), Queens South Africa Medal with Wittergen, Paardeberg and Cape Colony bars (1st H.L.I.) and King’s South Africa Medal with 1901 and 1902 bars (H.L.I. 2 COY) with ribbons (3) £200-£300

A N T IQU ES & COL L ECTA BL ES

460. A Victorian two medal Baltic and Second China War medal group awarded to Daniel Downey formed of 1854-55 Baltic medal, H.M.S Neptune and Second China War medal with Taku Forts 1860 bar, H.M.S. Magicienne, on ribbons (2) £200-£300 461. Two WWI medal groups awarded to 14213 DVR. H.W.H. Emblin. R.A. and 118299 PNR. H. Emblen. R.E. both comprising 1914-15 campaign star, 1914-1918 British war medal and Victory Medal, with ribbons, together with a Victory medal awarded to 8788 PTE. J.D. Downey Herts. R. (7) £60-£80

463. Two late 19th/early 20th century four medal groups to include Boer war medals first group awarded to 2991 Pte H. Holdaway 1st Battalion, Queen’s Own Cameron Highlanders, formed of Queens Sudan medal, A Queens South Africa Medal with Wittebergen, Diamond Hill, Johannesburg and Cape Colony, a Kings South Africa Medal with 1901 and 1902 bars, and a Khedive’s Sudan medal with Khartoum and The Atbara bars, second group warded to 1128 Sjt. Holdaway, 3rd (City of London) Battalion, London Regiment (Royal Fusiliers) late 71300 G Battery Royal Horse Artillery, formed of Queens South Africa Medal with Diamond Hill Johannesburg, Driefontein, Paardeberg and Relief of Kimberley bars, 1914-15 campaign star, 1914-1918 British war medal and Victory Medal, all with ribbons, each mounted and framed (8) £600-£800 464. A small collection of commemorative silver and other proof coins to include Elizabeth II 1953 Coronation ten coin proof set in presentation case, 1951 Festival of Britain crown, 2 x 1977 Silver Jubilee crown, silver proof piedfort 1982 20 pence coin, Netherlands “2 and half Guilders” of Willem II, 1848, Willem III, 1871 and Wilhelmina, 1930 etc (qty), weight of silver coins approx. 6.78ozt £40-£60 465. A Victoria half sovereign and a selection British silver coins the half sovereign dated 1887 together with a William III half crown, date worn, Victoria florin, 1887, Victoria shillings, 1887 x 2, an Elizabeth II 1981 Charles and Diana proof silver crown, and other pre and post 1920 silver coins, some drilled (qty), half sovereign weight approx. 4g, weight of pre 1920 silver coins approx 6.15ozt £100-£150

462. Three World War II medal groups the first formed of The 1939-1945 Star, The Africa Star, The Italy Star, The Defence Medal and War Medal, the second formed of The Defence Medal, The Civil Defence long Service Medal and a Red Cross Voluntary Medical Service Long and Efficient Service Medal with four bars, third formed of The Defence Medal and War Medal, all with ribbons (10) £60-£80

466. A collection of mostly 19th century and later British silver coins comprising a 1588-1988 The Spanish Armada commemorative medallion, a limited edition Waterloo commemorative 175th Anniversary medal, 34275/37500, a Festival of Britain silver crown in fitted case, a Latvian 5 lati, 1931, a selection of pre 1920 silver threepences and other coins, church tokens etc (qty), various £60-£80

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467. A Victoria full sovereign Melbourne mint, 1881, young head facing left, weight approx. 7.9g £180-£220 468. A Victoria full sovereign Melbourne mint, 1887, young head facing left, weight approx. 7.9g £180-£220 469. A Victoria full sovereign and an Edward VII full sovereign first 1895, Melbourne mint, second 1906, Melbourne mint (2), weight approx. 16g £400-£500 470. Three George V full sovereigns all dated 1913, head facing left (3), weight approx. 24g £600-£800 471. A George V full sovereign and a two George V half sovereigns the full sovereign, 1914, the half sovereigns 1912 and 1914 (3), weight approx. 16g £400-£500 472. A French gold rooster 20 franc coin dated 1909 21mm diameter, 6.1g £180-£200

473. A gold Leopold II 20 Franc coin dated 1875 length 2.1cm, 6.5g £180-£220 474. A gold Serbian 10 dinara coin dated 1882 and a gold 10 franc coin dated 1859, Dinara weight: 3.2g, Franc weight: 3.1g £180-£200 475. A Malaysia 200 ringgit coin dated 1976-1880 marked 900/1000 fine gold channel set to a gold bead and bar pendant mount, total weight approx. 12.3g £200-£300 476. Royal Australian mint - two hundred dollar coin dated 1985 10.4g, 24mm in box and a Canada fine gold 10 dollar coin dated 1988 £300-£500 477. A cased set of ‘100 Greatest Cars’ 925/1000 silver miniature ingots by John Pinches ltd each ingot depicting a different iconic automobile, in a fitted presentation case, approx. 5.5ozt £60-£80 478. A large trench art lift arm table lighter set with a restruck Marie-Therese Thaler 1780, height 11cm £30-£50 479. A Cotswold Heritage ‘Ariel’ vertical model steam engine numbered AO 28, on circular mahogany base, height 29.5cm £200-£300

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TERMS & CONDITIONS

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required CONDITIONS OF BUSINESS All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business

ESTIMATES AND RESERVES

PAYMENT

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate

DEBIT CARD BUYER’S PREMIUM AND VAT

We are pleased to accept Debit Cards

A buyer’s premium of 24% is applicable to all the lots in this sale. The buyer’s premium is inclusive of VAT at the current standard rate (20%), Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium Lots marked with a  will be exempt from VAT PRE-SALE EXHIBITION All auctions are on public view the day before the sale and on the morning of the sale CONDITION REPORTS All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information

STERLING BANKER’S DRAFT OR BUILDING SOCIETY CHEQUE We are pleased to accept a Sterling Banker’s Draft or a Building Society cheque drawn on a recognised UK bank or building society STERLING CHEQUE OR CASH Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd. Cash payments will not be accepted above the amount of £6,000 ELECTRONIC AND WIRE TRANSFERS Wire transfers can be made directly to our bank: National Westminster Bank plc 33 High Street West Wickham Kent BR4 0WH Sort Code: 60-23-22

BIDDING IN PERSON

Account Number: 79995810

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

Account Name: Catherine Southon Auctioneers & Valuers Ltd

ABSENTEE & TELEPHONE BIDDING

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTHON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom), It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business

IBAN: GB47 NWBK 6023 2279 9958 10 Swift Code: NWBKGB2L BIC: NWBK GB 2L

TERMS & CONDITIONS

CONDITIONS OF BUSINESS FOR SELLERS The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers. Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer. DEFINITIONS “Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate) “The Company” means Catherine Southon Auctioneers & Valuers Ltd., Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number “Seller’s Commission” is the commission The Company charges Sellers of Property. “Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts “Buyer’s Premium” is the commission The Company charges Buyers of Property “Hammer Price” is the highest bid for the Property accepted by the auctioneer “Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company “Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses. “Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction “Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable

1. SELLER’S WARRANTIES (a) The Seller warrants to The Company and the Buyer that:(i) the Seller is the owner of the Property or is properly authorised to sell it; (ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims; (iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property; (iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property. (b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller

Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it (f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY (a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”), (b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason. (c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a), If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY (a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c), (b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses (c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited

5. LOSS OR DAMAGE TO PROPERTY (a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:(i) risk passes to the Buyer; or (ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or (iii) 6 months after receipt of the Property by The Company, if not consigned for sale (b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be: (i) the Hammer Price of the Property, if sold;

2. SALE PREPARATION

(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or

(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.

(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);

(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot

less Seller’s Commission and Expenses

(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties (d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces (e) The Company will charge a Buyer’s Premium on the sale of the Property at The

(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination

6. VAT If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques

TERMS & CONDITIONS 7. POST AUCTION SALES

re-sale plus all relevant Expenses

If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address

8. PAYMENT OF NET SALE PROCEEDS (a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company. (b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY (a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:(i) be reconsigned for sale; or (ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses. (b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

10. RESCISSION OF SALES The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control

11. DATA PROTECTION (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a),

12. MISCELLANEOUS

(i) transfer the Property to independent storage at the Seller’s expense; or

(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

CONDITIONS OF BUSINESS FOR BUYERS 1. INTRODUCTION

3. EXAMINATION OF LOTS

(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions

(i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd; (iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement (b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent; “Seller” is the person offering a lot for sale, including their agent, or executors; “THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd., registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183; “Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 24% (inc VAT); “Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable

(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS (a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit (b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot (c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses (d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller

continued over page

TERMS & CONDITIONS 5. BIDDING AT AUCTION (a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained) (b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded

Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale; (g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien; (h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings

10. FAILURE TO COLLECT PURCHASES

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS

(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage

THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)

(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction

7. CONDUCT OF THE AUCTION

11. DATA PROTECTION

(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable

(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)

(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer (d) Any post-auction sale of lots shall incorporate these Conditions of Business

8. PAYMENT AND COLLECTION (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”) (b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a) (d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers. (e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers

9. REMEDIES FOR NON-PAYMENT Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) cancel the sale of the lot;

12. MISCELLANEOUS (a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY (b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives (c) The materials listed in Condition 1(a) set out the entire agreement between the parties (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTIST’S RESALE RIGHTS From 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue. It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk. All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.

(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;

The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.

(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original

For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk.

(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot; (d) reject future bids from the Buyer;

Ripley Arts Centre, 24 Sundridge Avenue, Bromley BR1 2PX Tel: 0208 313 3655 07596 332 978 www.catherinesouthon.co.uk