Rogers Jones

Lot 565: Was an old pitcher in a cupboard in Kansas City… now an arts & crafts jug in The Welsh Sale

of Esther’,

Welcome to the third & final edition of The View for 2022

Here we are again, the final double-bill of the year. Where does the time go? I am sure being in our profession increases the speed of time, with its perennial timetable of deadlines and auction dates, the year is so quickly and easily consumed. Either that or it is simply the advancement of my years.

Anyway, here we are, 19 November is the date when we take the rostrum for The Welsh Sale in the morning and the Selections & Collections auction in the afternoon. And again, a big thank you to everyone’s support and especially those vendors in these two upcoming auctions. The consignments have come in thick and fast since the summer, and we could not be more excited about the content of the two sales.

Every auction has a different personality. July’s Welsh Sale was coloured by very commercial paintings from some of our most popular Welsh artists, while in this November Sale, rarity is the name of the game. Especially in the picture department.

Brenda Chamberlain (1912-1971) is an artist whose work rarely comes to auction. But in this Welsh Sale we have six examples. A seventh example ‘Island Man (Bardsey Boy)’ was sold by us by private treaty before the auction. Chamberlain’s contribution to Welsh art cannot be overstated. She was a poet, playwright, novelist, publisher, and painter. As a painter, she twice won the Gold Medal in Fine Art at the National Eisteddfod.

Another female artist whose work rarely comes to auction is Evelyn Williams (1929 -2012). Again, we have several works by Williams, three of which have been entered by the trust in her name which does important work to support women artists. Her work is concerned

with the subtleties and complexities of human relationships and is personal, tender, intimate and emotional. Her body of work is biographical, mirroring her progress through life as child, lover, mother, and grandmother.

We are also privileged to offer some rare examples by Ceri Richards (1903-1971) in this November Welsh Sale. Notably an early career portrait of the artist’s sister from 1931, which was just as the artist’s career was to take-off with his first one-man exhibition at the Glynn Vivian Gallery, in his hometown of Swansea.

Further rarities in The Welsh Sale include an oil painting by Sir Kyffin Williams of Welsh black cattle, one of five oils by the palette knife master this time. We are used to seeing landscapes, coastal views, and portraits, but it is not often that we see an oil by Kyffin of animals so prominent in the composition.

We are also blessed on this occasion with an antiquarian book section with fascinating provenance - from the library of Henry Tobit Evans (1844-1908) and consigned by his grandchildren.

Born at Fron-felen-ganol, Penbryn, Cardiganshire, Tobit Evans was educated at the Bangor Normal College, he was headmaster of Llechryd British school for seven years and became a journalist and politician. He learned to print from a press which he set up at his home (Neuadd Llanarth, Cardiganshire), and ran his own weekly newspaperY Brython Cymreig, 1892-1902. He was also editor of the Carmarthen Journal from June 1898.

But Tobit Evans is better known for writing ‘Rebecca and her Daughters’ in 1910, the book was a thorough account of the Rebecca Riots, the rural disturbances for tax and toll reform in the early part of the 19th Century.

The Selections & Collections auction follows hot on the heels of The Welsh Sale.

The auction includes the ‘St John Perrot Stimson Collection of Treen & British Folk Art’ which comprises intriguing folk-art objects that were previously on show in a west Wales museum.

Also in the Selections auction, Britain’s favourite artist, L S Lowry features strongly with the inclusion of six limited edition lithographs and one original drawing.

There is also super jewellery highlighted by wonderful diamonds and a section of Royal Worcester too. We hope you enjoy the catalogue! The two sales are awash with quality, decorativeness, and rarities. Happy bidding!

Best Wishes

Ben Rogers Jones

HENRY TOBIT EVANS

of Wind. Departure No.2’,

Ben Rogers Jones

Croeso i drydydd rhifyn a rhifyn olaf

Bwrw Golwg 2022

Dyma ni unwaith eto, bil dwbl olaf y flwyddyn. I ble mae amser yn mynd? Rwy’n siŵr bod gweithio yn ein proffesiwn ni’n cyflymu amser, gydag amserlen barhaus o derfynau amser a dyddiadau arwerthiannau, mae’r flwyddyn yn hedfan. Un ai hynny neu efallai mai fy oed yw’r rheswm.

Beth bynnag, dyma ni, 19 Tachwedd yw’r dyddiad pan fyddwn yn yr ystafell arwerthu ar gyfer yr Arwerthiant Cymreig yn y bore a’r arwerthiant Dewisiadau a Chasgliadau yn y prynhawn. Hoffwn unwaith eto ddiolch yn fawr i bawb am gefnogi'r ddau arwerthiant yma sydd ar y ffordd, yn enwedig y gwerthwyr. Mae’r eitemau wedi bod yn llifo i mewn ers yr haf, ac rydym yn gyffrous iawn am gynnwys y ddau arwerthiant.

Mae gan bob arwerthiant wahanol bersonoliaeth. Yn Arwerthiant Cymreig Gorffennaf roedd paentiadau masnachol iawn gan rai o artistiaid mwyaf poblogaidd Cymru yn flaenllaw iawn, tra yn Arwerthiant mis Tachwedd eleni, pethau prin fydd yn mynd â’n sylw. Yn enwedig yn yr adran luniau.

Artist yw Brenda Chamberlain (1912-1971) na ddaw ei gwaith i arwerthiant yn aml. Ond yn y Arwerthiant Cymreig hwn y mae i ni chwech o enghreifftiau. Gwerthwyd seithfed enghraifft ‘Island Man (Bardsey Boy)’ gennym ni trwy gytundeb preifat cyn yr arwerthiant. Ni ellir gorbwysleisio cyfraniad Chamberlain i gelfyddyd Gymreig. Roedd hi'n fardd, dramodydd, nofelydd, cyhoeddwr, ac arlunydd. Fel peintiwr, enillodd y Fedal Aur mewn Celfyddyd Gain ddwywaith yn yr Eisteddfod Genedlaethol.

Arlunydd benywaidd arall nad yw ei gwaith yn cael ei weld yn yr ystafell arwerthu’n aml yw Evelyn Williams (1929-2012). Eto, mae gennym sawl darn o waith Williams, mae tri ohonynt wedi’u cyflwyno gan yr ymddiriedolaeth yn ei henw, sy’n gwneud gwaith pwysig i gefnogi arlunwyr benywaidd.

Mae ei gwaith yn ymwneud â manylion bach a chymhlethdodau perthnasoedd dynol ac mae’n bersonol, yn dyner ac yn emosiynol. Mae ei gwaith yn fywgraffyddol, gan adlewyrchu ei datblygiad trwy fywyd plentyn ac fel cariad, mam a nain.

Rydym hefyd yn ffodus i gynnig enghreifftiau prin o waith gan Ceri Richards (1903-1971) yn Arwerthiant Cymreig mis Tachwedd. Yn nodedig, portread o ddechrau ei yrfa o’i chwaer o 1931, pan oedd gyrfa’r artist ar fin dechrau o ddifrif gyda’i arddangosfa un dyn gyntaf yn Oriel Glynn Vivian, Abertawe, ei dref enedigol.

Mae’r eitemau prin eraill yn yr Arwerthiant Cymreig yn cynnwys paentiad olew gan Syr Kyffin Williams o wartheg duon Cymreig, un o bump paentiad olew gan y meistr cyllell balet sy’n rhan o’r arwerthiant y tro hwn. Rydym wedi arfer gweld tirweddau, golygfeydd arfordirol a

phortreadau, ond nid ydym yn aml yn gweld paentiad olew gan Kyffin gydag anifeiliaid mor amlwg yn y cyfansoddiad.

Fel gŵr o Fôn, rhaid i mi sôn am eitem brin arall, sef blwch snisin corn sy’n llawn hanes diddorol am Ynys Môn.

Rydym hefyd yn ffodus ar yr achlysur hwn i gael adran hen lyfrau gyda tharddiad hynod ddiddorol - o lyfrgell Henry Tobit Evans (1844-1908), wedi’u cyflwyno gan ei wyrion a’i wyresau.

Wedi’i eni ym Mron-felen-ganol, Penbryn, Ceredigion, cafodd Tobit Evans ei addysg yng Ngholeg Normal Bangor. Bu’n brifathro yn Ysgol Brydeinig Llechryd am saith mlynedd cyn gweithio fel newyddiadurwr a gwleidydd. Dysgodd argraffu gyda gwasg yr oedd wedi’i gosod yn ei gartref (Neuadd Llanarth, Ceredigion) a bu’n cyhoeddi ei bapur newydd wythnosol ei hun, sef y Brython Cymreig, 1892-1902. Ef hefyd oedd golygydd y Carmarthen Journal o fis Mehefin 1898.

Ond mae Tobit Evans yn fwyaf adnabyddus am ysgrifennu ‘Rebecca and her Daughters’ yn 1910. Roedd y llyfr yn gyfrif trwyadl o Derfysgoedd Beca, y terfysgoedd gwledig yn erbyn tollbyrth ar ddechrau’r 19eg ganrif.

Bydd yr Arwerthiant Dewisiadau a Chasgliadau yn cael ei chynnal ar ôl yr Arwerthiant Cymreig.

Bydd yr arwerthiant hwn yn dechrau gyda ‘Casgliad St John Perrot Stimson o Wrthrychau Pren a Chelf Werin Brydeinig’ sy’n cynnwys gwrthrychau celf werin diddorol a oedd yn cael eu harddangos mewn amgueddfa yng ngorllewin Cymru yn flaenorol.

Mae un o hoff artistiaid Prydain, L. S. Lowry hefyd yn rhan fawr o’r Arwerthiant Dewisiadau. Bydd yr arwerthiant yn cynnwys chwech o’i lithograffau argraffiad cyfyngedig ac un llun gwreiddiol.

Mae yna hefyd emwaith bendigedig yn cynnwys diemwntau rhagorol yn ogystal ag eitemau Royal Worcester.

Rydym yn gobeithio y byddwch yn mwynhau’r catalog. Mae’r ddau arwerthiant yn llawn eitemau o ansawdd, addurnoldeb a pherlau prin. Hwyl ar y bidio!

Cofion Gorau

Ben Rogers Jones

SIR KYFFIN WILLIAMS ‘Two Welsh Black Cattle in a Landscape’, £14,000-18,000

ST JOHN STIMSON’S THE MUSEUM OF THE HOME

A SELECTION OF ROYAL WORCESTER, estimates from £200

REVIEW

The Welsh Sale

16 July 2022

Lots: 458 Total: £533,845

The auction on 16 July generated a hammer total of £525,160, surpassing the house record set only last November by over £25,000.

With 87% of the 437 lots selling, it also posted the highest average lot value for any Welsh Sale (£1,371 compared to the next highest at £1,106). While we saw records set for several artists.

Aneurin Jones’ body of work captured the timeless nature of the Welsh landscape and people, evoking pangs of nostalgia lot 389 was a glorious example. The large canvas included two farmers handling their Welsh cobs in the foreground, beyond them a crowd of ghostly farmers to arouse our senses and hiraeth. A healthy online bidding battle was played out until the hammer eventually dropped at the price of £9,500. A new record for Aneurin Jones.

There was also an auction record for Valerie Ganz whose paintings of miners and collieries is highly sought after. Lot 394 in oils, showed a group of miners in orange overalls and illuminated headtorches, marching in a group from right to left, but with one figure, in true

ANEURIN JONES' canvas included two farmers handling their Welsh cobs in the foreground, beyond them a crowd of ghostly farmers to arouse our senses and hiraeth. Sold for £9,500, a new artist’s record

L S Lowry fashion, ‘facing the canvas’. The amusing title ‘Hi There!’ emphasised the importance of this individual and one can just imagine the artist sketching as the miner’s walked passed and the camaraderie between them. The hammer price of £5,000 exceeded the previous record of £3,000, set by us in 2021.

Another very Welsh scene set an artist’s record in the July auction; a view of a south Wales valley with terraced houses and a colliery by Heinz Koppel. Koppel was a Jewish refugee who left Germany and moved to London (via Prague) before settling in Merthyr Tydfil in 1944.

Koppel, whose father established a zip factory on the local Treforest Industrial Estate, studied in London and in 1956 co-founded the 56 Group. Although he exhibited widely, his work has never had much prominence on the auction market, so we were very pleased to see this example in oils from 1954. The painting featured a steep road with a child to the left side climbing a lamppost with a toy bow and arrow. It drew good interest and sold online at £2400 to a Cardiff collector. Another record broken.

The biggest surprise in July’s Welsh Sale was the outstanding success of Lot 279, by Sir Kyffin Williams. The oil painting of Lleyn from 1976 was a wonderful painting, but I do not think anyone was expecting it to double its estimate to £52,000. The painting was won by a private collector in Scotland, whose commission bid withstood pressure from a persistent room bidder. Pleasingly all seven oil paintings by Sir Kyffin sold in the July’s Welsh Sale.

VALERIE GANZ, a group of miners in orange overalls and illuminated headtorches. The hammer price of £5,000 exceeded the previous record of £3,000, set by us in 2021

ADOLYGIAD

Yr Arwerthiant Cymreig

Gorffennaf

Cynhyrchodd yr arwerthiant ar 16 Gorffennaf gyfanswm o £525,160, oedd dros £25,000 yn uwch na’r record a osodwyd fis Tachwedd diwethaf.

Gwerthwyd 87% o’r 437 eitem, gwelwyd hefyd y gwerth cyfartalog eitem uchaf yn unrhyw Arwerthiant Cymreig (£1371 o’i gymharu â’r uchaf nesaf, sef £1106). Gwelsom hefyd prisiau record ar gyfer sawl artist.

Mae gwaith Aneurin Jones yn dal natur dragwyddol tirwedd a phobl Cymru, sy’n ysgogi teimladau o nostalgia ac roedd eitem 389 yn enghraifft wych o hyn. Roedd y cynfas mawr yn cynnwys dau ffermwr yn trin eu cobiau Cymreig yn y tu blaen, y tu hwnt iddynt mae yna dorf o ffermwyr sy’n edrych fel ysbrydion sy’n ysgogi ein synhwyrau a theimladau o hiraeth. Cafwyd brwydr fidio ar-lein dda gyda’r morthwyl yn taro yn y diwedd ar bris o £9,500. Record newydd i Aneurin Jones.

Cafwyd record arwerthiant hefyd am waith Valerie Ganz. Mae yna alw mawr iawn am ei phaentiadau o lowyr a phyllau glo. Roedd eitem 394, paentiad olew, yn dangos criw o lowyr yn gwisgo oferôls oren a lampau pen wedi’u goleuo, yn gorymdeithio o’r dde i’r chwith, gydag un ffigwr, yn arddull L. S. Lowry, yn ‘wynebu’r cynfas’. Mae’r teitl digrif ‘Hi there!’ yn pwysleisio pwysigrwydd yr unigolyn a gall rhywun ddychmygu’r artist yn braslunio wrth i’r glöwr gerdded heibio a’r gyfeillach rhyngddynt. Gwnaeth y pris morthwyl o £5,000 ragori ar y record flaenorol o £3,000, a osodwyd gennym ni yn 2021.

Gosodwyd record arall i artist gan olygfa arall Gymreig iawn yn arwerthiant mis Gorffennaf, sef golygfa o gwm yn ne Cymru gyda thai teras a gwaith glo gan Heinz Koppel. Roedd Koppel yn ffoadur

HEINZ KOPPEL’S ‘a view of a south Wales valley with terraced houses and a colliery’ set an artist's record of £2,400 in July

Iddewig a adawodd yr Almaen a symud i Lundain (trwy Prague) cyn ymgartrefu ym Merthyr Tudful yn 1944. Sefydlodd tad Koppel ffatri sipiau ar Ystâd Ddiwydiannol Trefforest. Astudiodd Koppel yn Llundain ac yn 1956 cyd-sefydlodd 56 Group. Er iddo arddangos ei waith yn eang, nid yw erioed wedi cael llawer o amlygrwydd yn y farchnad arwerthu, felly roeddem yn falch iawn i weld yr enghraifft hon mewn olewau o 1954. Roedd y paentiad yn dangos ffordd serth gyda phlentyn gyda bwa a saeth tegan ar yr ochr chwith yn dringo polyn lamp. Denodd sylw da a gwerthodd ar-lein am £2,400 i gasglwr o Gaerdydd. Record arall a gafodd ei thorri.

Y syrpréis fwyaf yn Arwerthiant Cymreig mis Gorffennaf oedd llwyddiant rhyfeddol Eitem 279 gan Syr Kyffin Williams. Roedd y paentiad olew o Lŷn o 1976 yn baentiad hyfryd, ond nid ydw i’n meddwl bod neb wedi disgwyl iddo ddyblu ei amcangyfrif a gwerthu am £52,000. Prynwyd y paentiad gan gasglwr preifat o’r Alban, gwnaeth ei fid comisiwn wrthsefyll pwysau gan gynigiwr taer yn yr ystafell arwerthu. Roedd hi’n braf iawn gweld y saith paentiad olew gan Syr Kyffin yn gwerthu yn Arwerthiant Cymreig Gorffennaf.

SIR KYFFIN WILLIAMS RA’s oil painting of Lleyn doubled its estimate to £52,000

REVIEW

Selections & Collections

16 July 2022

Lots: 141 Total: £149,230

With just under 90% of lots selling with an average price of just over £1000, the July auction was statistically what we aim for with this type of auction. The auction is all about iconic names, rare items and objects of high demand.

The shock of the day came from a paperback volume of J K Rowling’s ‘Harry Potter and the Chamber of Secrets’ which realised an unfathomable £11,000 against an estimate of £5,000-7,000. It was a remarkable price considering only twelve months before, a similar volume realised £7,500. It demonstrated the upwards movement in this exceptionally dynamic market. Rare editions of Harry Potter are on the rise, year by year. One of the objectives of the Selections sale is to focus on the luxury sector and this was on show in July

J K ROWLING’S ‘Harry Potter and the Chamber of Secrets’ realised £11,000 against an estimate of £5,000-7,000

A RARE ROLEX GMT-MASTER FROM 1959 sold for £12,500 and a gent’s GLASHUTTE WRISTWATCH made £3,500

with 62 x lots of wine and champagne on offer. The market for vintage bottles is thriving and many lots exceeded their estimates by significant margins. Overall, the wine section realised a total of £20,600, with the highlight being a cased trio of Richebourg 2002 Domaine de la Romanee-Conti, which was knocked down at £7,500.

Another luxury market which is abuzz is the watch market. And top price of the July Selections & Collections auction was a rare Rolex GMT-Master from 1959, taking a hammer price of £12,500.

Two ladies Rolex watches realised £5000 and £4000 respectively and a gent’s Glashutte wristwatch made £3,500. The watch market continues to tick along nicely.

In the decorative arts field, a good garden bronze of Mercury made £6,200 and after the auction we were able to secure £11,000 for Inuit artist Kenojuak Ashevak’s print ‘Rabbit Eating Seaweed’.

Other iconic names sold well to put the icing on the July cake, including a Baccarat glass paperweight at £2,800 and two Kremlin service porcelain plates selling for £4,600.

INUIT ARTIST KENOJUAK ASHEVAK’S print

‘Rabbit Eating Seaweed’ sold for £11,000

ADOLYGIAD Dewisiadau a Chasgliadau

Gorffennaf

Eitemau:

Gydag ychydig o dan 90% o’r eitemau’n gwerthu gyda phris cyfartalog o ychydig dros £1000, roedd arwerthiant Gorffennaf yn ystadegol yr hyn rydym yn anelu amdano gyda’r math hwn o arwerthiant. Mae’r arwerthiant hwn yn ymwneud ag enwau eiconig, eitemau prin a gwrthrychau gyda galw mawr amdanynt.

Sioc y diwrnod oedd cyfrol clawr papur o ‘Harry Potter and the Chamber of Secrets’ a werthwyd am swm annirnadwy o £11,000 o’i gymharu â’r amcan o £5,000 - £7,000. Roedd yn bris rhyfeddol o ystyried bod cyfrol debyg wedi cyrraedd £7,500 dim ond deuddeg mis ynghynt. Mae’n dangos y symudiad tuag i fyny yn y farchnad hynod ddeinamig hon. Mae pris cyfrolau prin o lyfrau Harry Potter yn codi blwyddyn ar ôl blwyddyn.

Un o amcanion yr arwerthiant Dewisiadau yw canolbwyntio ar y sector moethus a gwelwyd hyn ym mis Gorffennaf gydag 62 eitem o win a siampên ar gael. Mae’r farchnad am boteli vintage yn ffynnu

a phasiodd nifer o’r eitemau'r amcanbris, a hynny o gryn dipyn. Cododd yr adran win gyfanswm o £20,600, yr uchafbwynt oedd triawd o Richebourg 2002 Domaine de la Romanee-Conti mewn cas, a werthodd am £7,500. Marchnad foethus arall sy’n ffynnu yw’r farchnad oriorau. Pris uchaf arwerthiant Dewisiadau a Chasgliadau Gorffennaf oedd £12,500 am oriawr Rolex GMT-Master prin o 1959. Gwerthodd dwy oriawr Rolex i fenyw am £5000 a £4000 a gwerthodd oriawr arddwrn dyn Glashutte am £3,500. Mae’r farchnad oriorau yn parhau i wneud yn dda iawn. Yn y maes celfyddydau addurnol, gwerthodd delw efydd o Mercury ar gyfer yr ardd am £6,200 ac ar ôl yr arwerthiant llwyddom i gael £11,000 am brint gan yr artist Inuit Kenojuak Ashevak yn dwyn y teitl ‘Rabbit Eating Seaweed’. Gwerthodd enwau eiconig eraill yn dda ym mis Gorffennaf hefyd, gan gynnwys pwysau papur gwydr Baccarat a werthodd am £2,800 a dau blât porslen o’r Gwasanaeth Kremlin a werthodd am £4,600.

KREMLIN

StJohn Perrott Stimson, who died earlier this year, was a former architect with a passion for design. This passion was the spark that drove he and his wife Judith to amass a collection of almost 4,000 domestic items dating back 300 years. Some of which were displayed at their very own ‘Museum of the Home’ in Westgate Hill, opposite Pembroke Castle.

Since opening in 1986, more than 70,000 visitors to the museum viewed their cucumber straighteners, Edwardian carpet sweepers, and all manner of quirky household objects from the 17th Century to the 20th. In this Selections & Collections auction we are delighted to offer some of the artefacts from the Museum of the Home as well as many items from the family's private collection. These include a wonderful collection of treen, Mauchline Ware, puzzles, games, and curios.

Treen has wonderful terminology; muffineers, pounce pots, goosewings, go-to-beds, pigs in clover, bilboquets, fids, costrels, snuff shoes, mangle boards, dish slopes, pill silverers, flummery moulds, revolving cats, fleam mallets, clickets, piggins, bickers, goffering irons, rush-nips and coggies….!

They may sound like the mumblings of Roald Dahl’s Big Friendly Giant..but these are in fact all domestic objects from a bygone era, mostly crafted and carved from wood - or what we call in the trade ‘treen’. The term is derived from an old English word meaning “turned” as in “turned on a lathe”.

Many small wooden domestic objects from Elizabethan times to the end of the Victorian period were made by skilled rural craftsmen or local amateurs, using a lathe, or carved by hand. Some have survived into the 21st Century and collectors with an interest in domestic or rural history began taking notice of these relatively modest objects.

The vast diversity of objects can be matched by a vast range of the wood specimens used. Treen objects are often in fruitwood such as apple, plum, pear and cherry. Sometimes forest-woods such as sycamore, holly, box, alder, walnut, birch, elm etc. And occasionally,

SPOTLIGHT ON TREEN

By Ben Rogers Jones

if available, special items were crafted from exotic woods such as cedar, teak, coconut, coquille nut, arbutus, and lignum vitae. Good, authentic antique treen is characterised by patina, which is the impression of sheen and depth on a wooden item after years of handling through the item’s use and through polishing. Collectable treen items are wonderfully tactile, the wood is smooth and soft to the touch, it is worn down – the richer the patina then the more desirable the object and the better it will likely perform at auction.

Treen objects were made to be used, they were not made simply for display, however many objects were given a decorative finish by the craftsmen, perhaps with basic carved motifs, initials and hopefully for the collector - inscribed dates. Having functional objects with decoration around one’s house would have been a way of showingoff the owner’s craft-skills or show visitors that one could afford to purchase items that had been finely crafted.

Treen can make a whole spectrum of prices at auction. Interesting period items can be acquired for as little as £30 while rare early and interesting examples can make considerable sums at auction.

Positive factors which contribute to the price is carving with a date, the item having novelty factor and if it comes with good provenance relating to the region of origin and ownership.

Treen items transport us to a simpler way of life where objects were crafted or woven in a style that was local to the area. It is quite poignant to think of the craft skills that were passed between generations but in many cases lost during the passage of time.

It is a fascinating collecting-field in which collectors can accumulate items at every price point. The St John Perrott Stimson collection offers an opportunity to begin a collection or to add to your existing collection. We are looking forward to this section of the auction immensely.

SBOTOLAU AR WRTHRYCHAU PREN (TREEN)

Gan Ben Rogers Jones

Roedd

St John Perrott Stimson, a fu farw yn gynharach eleni, yn gyn-bensaer ag angerdd am ddylunio. Yr angerdd hwn oedd y sbarc a yrrodd ef a'i wraig Judith i gasglu bron i 4,000 o eitemau domestig yn dyddio'n ôl 300 mlynedd. Cafodd rhai ohonynt eu harddangos yn eu ‘Amgueddfa’r Cartref’ eu hunain yn Westgate Hill, gyferbyn â Chastell Penfro.

Ers agor yn 1986, daeth mwy na 70,000 o ymwelwyr i’r amgueddfa i weld eu sythwyr ciwcymbr, ysgubwyr carpedi Edwardaidd, a phob math o wrthrychau cartref hynod o’r 17eg ganrif i’r 20fed ganrif. Yn yr arwerthiant Dewisiadau a Chasgliadau hwn mae’n bleser gennym gynnig rhai o’r arteffactau o Amgueddfa’r Cartref yn ogystal â llawer o eitemau o gasgliad preifat y teulu. Mae'r rhain yn cynnwys casgliad gwych o wrthrychau pren, eitemau Mauchline, posau, gemau, a chreiriau.

Mae gan Treen derminoleg fendigedig; ysgeintwyr siwgr (muffineers), potiau panlwch (pounce pots), adain ŵydd (goosewings), blychau cadw matsis (go-to-beds), y pos “pigs in clover”, y tegan cwpan a phêl (bilboquets), gweill (fids), costreli (costrels), esgidiau snisin (snuff shoes), byrddau mangl (mangle boards), “dish slopes”, gwrthrych ariannu pils “pill silverers”, mowldiau llymru (flummery moulds), stand dysglau (revolving cats), morthwylion pren fflaim (fleam mallets), clicedi (clickets), pail yfed pren (piggins), llestr yfed gwirod (bickers), heyrn cwicio (goffering irons), “rush-nips” a llestri yfed mawr (cogies)….!

Efallai eu bod yn swnio fel mwmial Cawr Mawr Cyfeillgar Roald Dahl..ond mewn gwirionedd mae’r rhain i gyd yn wrthrychau domestig o oes a fu, wedi’u crefftio a’u cerfio o bren yn bennafneu’r hyn a alwn yn y busnes yn ‘treen’. Mae’r term yn deillio o hen air Saesneg sy’n golygu “turnio” fel yn “wedi’i durnio ar durn”. Roedd llawer o wrthrychau domestig pren bach o’r cyfnod Elisabethaidd hyd at ddiwedd oes Fictoria wedi’u gwneud gan grefftwyr gwledig medrus neu amaturiaid lleol, gan ddefnyddio turn, neu wedi’u cerfio â llaw. Mae rhai wedi goroesi i'r 21ain Ganrif a dechreuodd casglwyr â diddordeb mewn hanes domestig neu wledig gymryd sylw o'r gwrthrychau cymharol ddiymhongar hyn. Gellir cyfateb yr amrywiaeth eang o wrthrychau gan yr ystod eang o'r sbesimenau pren a ddefnyddir. Mae gwrthrychau Treen yn aml wedi’u creu o bren ffrwythau fel afal, eirin, gellyg a cheirios. Weithiau mae pren o goedwigoedd fel sycamorwydden, celyn, bocs, gwernen, collen Ffrengig, bedw, llwyfen ac ati yn cael eu defnyddio. Ac yn achlysurol, os oeddynt ar gael, roedd eitemau arbennig yn cael eu crefftio o goed egsotig fel cedrwydd, tîc, palmwydden goco, cnau coquille, llwyn mefus, a lignum vitae.

Nodweddir gwrthrychau Treen hynafol da, dilys gan y llathredd, sef yr argraff o sglein a dyfnder ar eitem bren ar ôl blynyddoedd o drin trwy ddefnydd yr eitem a thrwy sgleinio. Mae eitemau pren casgladwy yn rhyfeddol o gyffyrddadwy, mae'r pren yn llyfn ac yn feddal i'r cyffyrddiad, mae wedi treulio - po gyfoethocach yw'r llathredd yna'r mwyaf dymunol yw'r gwrthrych a gorau oll y bydd yn debygol o berfformio mewn arwerthiant.

Gwnaed gwrthrychau Treen i'w defnyddio, ni chawsant eu gwneud i'w harddangos yn unig, fodd bynnag rhoddwyd gorffeniad addurniadol i lawer o wrthrychau gan y crefftwyr, efallai gyda motiffau cerfiedig sylfaenol, llythrennau blaen a gobeithio ar gyfer y casglwr - y dyddiad wedi’i

arysgrifio. Byddai cael gwrthrychau ymarferol gydag addurniadau o amgylch eich tŷ wedi bod yn ffordd o ddangos sgiliau crefft y perchennog neu ddangos i ymwelwyr y gallai rhywun fforddio prynu eitemau a oedd wedi'u crefftio'n gain.

Gall Treen gyrraedd sbectrwm cyfan o brisiau mewn arwerthiant. Gellir prynu eitemau cyfnod diddorol am gyn lleied â £30 tra bod enghreifftiau cynnar a diddorol prin yn gallu gwneud symiau sylweddol mewn arwerthiant.

Ffactorau cadarnhaol sy'n cyfrannu at y pris yw cerfiad gyda dyddiad, eitem gyda ffactor hynod ac os yw'n dod â tharddiad da yn ymwneud â’r rhanbarth a pherchnogaeth.

Mae eitemau Treen yn ein cludo i ffordd symlach o fyw lle'r oedd gwrthrychau’n cael eu crefftio neu eu gwehyddu mewn arddull a oedd yn lleol i’r ardal. Mae’n eithaf trist meddwl am y sgiliau crefft a drosglwyddwyd rhwng cenedlaethau ond a gollwyd mewn sawl achos yn ystod treigl amser.

Mae'n faes casglu hynod ddiddorol lle gall casglwyr gasglu eitemau am bob pris.

Mae casgliad St John Perrott Stimson yn cynnig cyfle i ddechrau casgliad neu ychwanegu at eich casgliad presennol. Rydym yn edrych ymlaen yn fawr at yr adran hon o'r arwerthiant.

THE WELSH SALE / SELECTIONS & COLLECTIONS: CONTENTS & INDEX OF ARTISTS / CYNNWYS A MYNEGAI ARTISTIAID

‡ CARROLL, Leo (Contemporary) 290

Welsh Prints & Multiples Printiau Cymreig & Lluosog Lots 1-64

Welsh Works on Paper Dyfrlliwiau & Gwaith ar Bapur Lots 65-206

Prints & Paintings by Sir Kyffin Williams RA Printiau a Phaentiadau gan Syr Kyffin Williams RA Lots 207-239

Oils, Sculpture & Other Works Paentiadau olew, Cerfluniau a Chelf Arall Lots 240-501

Welsh Porcelain & Pottery Porslen Cymreig & Crochenwaith Lots 502-568

Welsh Antiques & Books Hen bethau & Llyfrau Cymreig Lots 569-608

Selections & Collections Dewisiadau a Chasgliadau Lots 620-756

‡ CECIL, Roger (1942-2015) 181, 309, 310, 368

‡ CHAMBERLAIN, Brenda (1912-1971) 150, 161, 173, 174, 183, 335

CHAPMAN, George (1908-1993) 26, 27, 28, 43, 55, 56, 57, 78, 79, 98, 105, 125, 138, 196a, 287, 321, 341, 363, 367, 380, 392, 393, 416, 432, 450, 461, 462

‡ CHAPPLE, Carl (Contemporary) 269

CHARLTON, Arthur (1917-2010) 20, 42, 81, 365

‡ CHARLTON, Evan (1904-1984) 433, 481

‡ CHEMIAKIN, Mikhail (b.1943) 663

‡ CLAY, Andie (Contemporary) 160

‡ CLEAL, John (1929-2007) 289

COLLIER, John (1850-1934) 403

‡ CORSELLIS, Jane (b.1940) 472

‡ COUR, Glenys (b.1924) 149

‡ COWDRY, David (Contemporary) 340 COX, David (1783-1859) 85, 151

‡ CRUTCHLEY-MACK, Theo (b.1994) 73

D

‡ D’OYLY-JOHN, Cecil Rochfort (1906-1993) 664-668

‡ DARLINGTON, Kerry (b.1974) 399

‡ DAVIES, Alun (Contemporary) 75

‡ DAVIES, Anthony (Contemporary) 48

‡ DAVIES, Gareth Hugh (b.1962) 387

‡ DAVIES, Howell (Contemporary) 277

‡ DAVIES, Ivor MBE (b.1935) 314, 374

G

‡ GANZ, Valerie (1936-2015) 36, 37, 412

GAUDEZ, Adrien-Etienne (1845-1902) 682

‡ GERRARD, Tom (b.1923) 417

‡ GIARDELLI, Arthur (1911-2009) 104a, 131

‡ GIARDELLI, Bim (1926-2011) 132

GILBERT-JESPERSEN, Anne Marie (1849-1925) 669

‡ GINSBERG, Meirion 453

‡ GORSUCH, Peter (Contemporary) 369, 370

‡ GRAINGER, Ian (1942-2007) 60

‡ GRIFFIN, Chris (b.1975) 4, 102, 357

‡ GRIFFITH, David Lloyd (b.1956) 331

‡ GRIFFITHS, David MBE (b.1939) 295, 338, 391

‡ GROSVENOR, David (b.1956) 69, 104, 129, 319, 326, 443, 444

‡ GWILLIAM, Mavis (Contemporary) 325

‡ GWYN PARRY, Iwan (b.1970) 255, 408

HAINES, Elizabeth (b.1945) 110

‡ HAMER, Jan 496

‡ HARRIES, Hywel (1921-1990) 14

‡ HEATON, Warren S (Contemporary) 261, 264, 265, 376

‡ HERMAN, Josef OBE RA (1911-2000) 147, 169, 170, 182, 184, 187, 201

‡ HICKS-JENKINS, Clive (b.1951) 31, 66, 67, 122, 157, 198, 396, 448

‡ HIND, Audrey (b.1936) 252

Keith (b.1947)

Diana

(b.1920)

Sir Stanley (1928-1976)

Iwan (b.1956)

(1824-1896)

BIRCH, Samuel

(1869-1955)

Elin Sian

BOWEN, Keith (b.1950)

Owen (1873-1967)

John

John (1933-2014)

BURNS, Brendan Stuart (b.1963)

C

Ray (Contemporary)

(b.1946)

(b.1949)

‡ DAVIES, Karl (Contemporary) 306, 362, 382

‡ DAVIES, Paul (1947-1993) 279

DE BREANSKI, Alfred (1852-1928) 670

‡ DELAHAYE, Muriel (1937-2021) 200, 475

‡ DONOVAN, James (b.1974) 337, 418

‡ DOUGLAS-FORBES, Andrew (Contemporary) 80, 126, 282

E

‡ ECKLEY, Esther (Contemporary) 266

‡ EDWARDS, Malcolm (b.1934) 87, 88, 107

‡ ELWYN, John (1916-1997) 172, 175, 180, 191, 197, 381, 401, 431, 447, 482, 486

‡ EVANS, Elinor (b.1982) 76

‡ EVANS, Eurgain (b.1936) 388

‡ EVANS, Ray (1920-2008) 83, 93, 307, 308

F

‡ FELLOWS, Ann 84

FRIPP, George Arthur (1813-1896) 162

‡ HOLLAND, Harry (b.1941) 15, 135, 404, 487

‡ HOLLOWAY, Edgar (1914-2008) 58

‡ HOLLY, Nick (b.1968) 349, 356, 446

‡ HOWARD JONES, Ray (1903-1996) 145, 383, 389

‡ HOWELL, Catrin (b.1969) 498

HOWELLS, Neale (b.1965) 250, 378, 379, 411

HUGHES CLAYTON, Joseph (1891-1929) 127

‡ HUGHES, Wyn (b.1965) 258, 272, 288, 298, 323, 324

‡ HUNTER, George Leslie (1877-1931) 674

‡ HUNTER, Robert (1920-1996) 267, 434

HUSON, Thomas (1844-1920) 322

J

‡ JAGGAR, Margaret Leah (1907-1996) 253

‡ JARVIS, S (Contemporary) 334

‡ JENKINS, Wynne (1937-2019) 426

‡ JONES, Aneurin (1930-2017) 458, 459

‡ JONES, Berwyn (b.1942) 22

‡ JONES, Fred (Contemporary) 71

‡ JONES, Jack (1922-1993) 65, 70, 189

‡ JONES, Martyn (b.1955) 353, 390

‡ JONES, Mike (1941-2022) 120, 123, 133, 143, 153, 155, 159, 164, 185, 352, 386, 420

JONES, Richard (1767-1840) 320

K

‡ KNAPP-FISHER, John (1931-2015) 29, 44, 158, 166, 177, 193, 196, 465

L

‡ LEK, Karel (1929-2020) 19, 40, 68, 128, 372, 373, 437

‡ LEWIS, Elfyn (b.1969) 317, 318

‡ LEWIS, Gomer (1921-1994) 377

LEWIS, Saunders (1893-1985) 598

‡ LINES, John (b.1938) 291

‡ LITTLE, George (1927-2017) 92, 112, 165

‡ LLEWELLYN, Martin (b.1963) 421, 428

‡ LLOYD JONES, Mary (b.1934) 139, 144, 167, 177a

‡ LLOYD, Wendy (Contemporary) 348

‡ LLOYD-HUGHES, Nia (Contemporary) 89

‡ LOWE, Ronald (1932-1985) 281

‡ LOWRY, Laurence Stephen RBA RA (1887-1976) 653-659

M

‡ MACDONALD, Robert (b.1935) 119

‡ MALTHOUSE, Eric (1914-1997) 1, 45, 49, 384

‡ MANNER OF PHILIPS WOUWERMAN (1619-1668) 672

‡ MATTHEWS, Barbara (Contemporary) 72

McDOUGAL, John (1851-1945) 106

‡ McINTYRE, Donald (1923-2009) 491-495

‡ MEILIR, Owen (Contemporary) 300, 301

‡ MELEGARI, Carl (b.1959) 358, 385, 454, 456

‡ MOORE, Leslie (1913-1976) 178, 179, 469

‡ MOORE, Sally (b.1962) 471

‡ MORGAN, Glyn (1926-2015) 304, 305

‡ MORGAN, Sue (Contemporary) 292

MORRIS, Attributed to W 77

‡ MORRIS, John (b.1922) 82

‡ MULLER, Sigrid (b.1962) 101

N

‡ NASH, Tom (b.1931) 302

‡ OLIVER, Alfred (1868-1943) 248

‡ OSMOND, Ozi Rhys (1942-2015) 395

‡ OWEN, Stephen John (b.1959) 242, 243, 244, 294, 296, 297, 299

P

PARKMAN, Alfred (1852-1930) 91

‡ PARRY, Gareth (b.1951) 38, 124, 402

‡ PAYCE, S 247

‡ PAYNE, Michael Gustavius (b.1969) 111, 303, 315, 316, 336

‡ PEARCE, Karen (Contemporary) 345

‡ PICASSO, Pablo (1881-1973) 652

‡ PIECH, Paul Peter (1920-1996) 3, 4a, 10, 11, 12, 13, 34, 35

‡ PIERCY, Rob (b.1946) 140, 202, 361

‡ PIPER, John (1903-1992) 39, 50, 51, 52, 54, 63

‡ POVEY, Edward (Ed) (b.1951) 397, 398

POWNELL BROMET, Mary (1862-1937) 685

‡ PRENDERGAST, Peter (1946-2007) 23, 141, 152, 176, 192, 206

‡ PRICHARD, Gwilym (1931-2015) 151a, 168, 360, 422, 436, 442, 445, 455, 464, 470, 473

‡ PRICHARD-JONES, Aled (b.1945) 117

‡ PRITCHARD, Ifor (1940-2010) 414

PRYTHERCH, Thomas (1864-1926) 188, 474

R

‡ REDFERN, Allan (Contemporary) 256

‡ REES, Jean ARWA (1914-2004) 413

‡ REES, Paul (b.1971) 246

‡ RHYS JAMES, Shani MBE (b.1953) 195, 457

RICHARDS, Bryn (b.1922) 240, 241, 270, 271, 293

‡ RICHARDS, Ceri CBE (1903-1971) 16, 46, 47, 61, 64, 199, 203, 488

‡ RICHARDS, Frances (1903-1985) 30

‡ ROBERTS, Wilf (1941-2016) 41, 156, 163, 435, 439, 479

‡ ROBERTS, Will (1907-2000) 134, 137, 440, 460, 466, 477, 478, 485

‡ ROPER, Frank (1914-2000) 499

‡ ROSENTHAL, Stan (1933-2012) 8, 25, 33

‡ RUSSELL, Gyrth (1892-1970) 99, 100, 452

‡ RUSSELL, Josie (b.1987) 251

S

‡ SALISBURY, Alan (b.1946) 274, 275 SALMON, John Cuthbert (1844-1917) 130

‡ SANDERSON, Archibald (1901-1972) 425

‡ SASH, Cecily (1925-2019) 711

‡ SELWYN, William (b.1933) 21, 142, 146, 190, 194, 204

SIMONETTI, Achille (1838-1900) 676

‡ SINNOTT, Kevin (b.1947) 441

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

‡ SHONE, Keith (b.1931) 364

‡ SMITH, David (Contemporary) 438

‡ SPILLER, Ralph (1934-2011) 32, 259, 260, 262, 263

‡ STILL, Gillian (b.1939) 497

‡ STUART, Gordon (1924-2015) 118

‡ SUTTON, Jacob (Contemporary) 121

T

‡ TAYLOR, Ivan (b.1946) 339, 350

‡ THOMAS, Gareth (1955-2019) 93a, 148

‡ THWAITES, Sarah (b.1959) 254

‡ TOMOS, Gwyneth (Contemporary) 347

‡ THOMAS, Robyn (Contemporary) 90

‡ TUDUR, Dewi (b.1957) 346

‡ TUNNICLIFFE, Charles Frederick OBE RA (1901-1979) 86

‡ TURLEY, Pete (Contemporary) 257

U

‡ UHLMAN, Fred (1901-1985) 430, 467

‡ UZZELL EDWARDS, John (1937-2014) 74

W

‡ WALTERS, Prudence (b.1949)

94, 95, 96, 97, 113, 114, 115, 116, 268, 280

WATSON ARTHUR, Sydney (1881-1932) 327

‡ WATTS, Meryl (1910-1992) 103

‡ WHITE, Charles (1928-1997) 371

WILLIAMS, Alan (Contemporary) 276, 283, 284, 285, 286

‡ WILLIAMS, Archie (1922-1993) 249

WILLIAMS, Christopher (1873-1934) 354, 355

‡ WILLIAMS, Claudia (b.1933) 483

‡ WILLIAMS, David T 17

‡ WILLIAMS, Evelyn (1929-2012) 186, 205, 427, 476, 480, 484

‡ WILLIAMS, Sir Kyffin RA (1918-2006) 207-229, 230-234, 235-239 WILLIAMS, Warren (1863-1941) 154

WILSON, Follower of Richard RA 449

‡ WOODFORD, David (b.1938) 312, 328, 329, 330, 332, 333

WORTHINGTON, Alfred (1834-1927) 424

‡ WRIGHT, Frank Lloyd (1867-1959) 53

‡ WYATT WARREN, Charles (1908-1993) 313, 342, 351, 405, 406, 407, 409, 423, 463

‡ WYNN, Geoffrey (b.1949) 400

Y

YEADON, Darren (b.1970) 500, 501

‡ YOUNG, Stephen (b.1946) 343, 375

Z

‡ ZOBOLE, Ernest (1927-1999) 311, 489

Over 120 years of combined experience & knowledge serving the whole of Wales & UK

Our Auctioneers & Valuers

Richard Hughes

NORTH WALES / NORTH WEST REGIONAL AUCTIONEER & VALUER

Based in Wrexham and our Colwyn Bay auction house. Regional valuer for North Wales & North West England incl. Anglesey, North Wales coast, Cheshire, Liverpool, The Wirral, Shrops & Borders. T:07593 181017 | richard.hughes@rogersjones.co.uk

Stephen Roberts

NORTH WALES REGIONAL AUCTIONEER & VALUER

Based at our Colwyn Bay auction house. Regional valuer for North Wales. Specialist valuer for jewellery, silver & collectables.

T: 07464 355648 | stephen.roberts@rogersjones.co.uk

Ben Rogers Jones

REGIONAL VALUER FOR RURAL / MID-WALES & BORDERS

Specialist valuer for Welsh art, Welsh ceramics, and all items for The Welsh Sale, together with a specialist valuer worldwide for sporting antiques including rugby union jerseys, caps, and rugby memorabilia.

T: 07760 261023 | brj@rjauctions.co.uk

Charles Hampshire

WEST WALES REGIONAL AUCTIONEER & VALUER

Based at our Carmarthen office & Cardiff auction house. Regional valuer for South West Wales incl. Carmarthenshire, Pembrokeshire, Swansea & Vale of Glamorgan. Specialist valuer for jewellery, coins, watches, whisky & wine.

T: 07732 434120 | charles.hampshire@rogersjones.co.uk

Philip Keith

SOUTH WALES & WEST COUNTRY REGIONAL AUCTIONEER & VALUER

Based at our Cardiff auction house. Regional valuer for South Wales incl. Cardiff, Newport, Monmouthshire & South East England incl. Bristol, Bath, Somerset, Devon & Cotswolds. Specialist valuer for Chinese & Asian antiques & fine art, tribal artefacts.

T: 07876 255060 | philip@rjauctions.co.uk

HAT TRICK!

1

‡ ERIC MALTHOUSE

artist’s proof - entitled ‘286’, signed (80 x 60cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: unframed £100-120

2

‡

IWAN BALA limited edition (11/40) colour print - titled to mount ‘Byd Bach - ein byd ni / Small World - our world’, signed and dated ‘05 (46 x 64cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £100-120

3

‡ PAUL PETER PIECH three-colour lithograph - anti apartheid slogan, signed and dated 1988 (76 x 50cms)

Provenance: private collection South East of England, consigned via our Cardiff office

Condition Report: unframed, some damage discolouration to the upper left edge of print £100-150

4

‡ CHRIS GRIFFIN limited edition (10/750) print - chapel front with terrace of houses behind, entitled ‘Chapel’, signed (23 x 36cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £100-120

4a

‡ PAUL PETER PIECH limited edition (18/25) nine-colour print - entitled ‘Over the mountain tops is peace’, signed and dated 1994 (64 x 45cms)

Provenance: by descent, consigned via our Cardiff office, this print was given by the artist to vendor’s grandfather, Ewart Alexander, Welsh dramatist (1931-2019)

Condition Report: unframed £100-150

5

4a

‡ JOHN BRUNSDON limited edition (104/150) print - entitled verso on Attic Gallery label ‘Helmsley Castle’, signed (14 x 31cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £100-150

6

‡ KEITH ANDREW limited edition (19/90) etchingentitled ‘Rhosneigr, Low Tide’, signed (33 x 21cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £100-150

7

‡ DAVID CARPANINI limited edition (28/30) monochrome etching - three figures standing on a pavement casting long shadows, entitled ‘Tomorrow’s Dust’, signed (28 x 17cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £100-150

8

‡ STAN ROSENTHAL limited edition (96/450) print - entitled verso ‘Coedmor From Rhossili’, signed, dated verso 1997 (18 x 25cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £100-120

9

‡ DAVID CARPANINI limited edition (9/25) monochrome etchingfigure leading horse with cart, entitled ‘Different Times’, signed and dated 1997 (24 x 17cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £100-150

Provenance:

Provenance:

Condition

Provenance:

Condition Report:

Provenance:

Condition Report:

14

‡ HYWEL HARRIES printThe Dyfi Bridge at Machynlleth, signed and dated ‘88 (22 x 32cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: framed and glazed, no issues £100-200

15

‡ HARRY HOLLAND limited edition (4/30) lithograph - entitled verso on Martin Tinney Gallery label ‘Homage to Electricity, 1980’, signed (30 x 27cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £100-150

16

‡ CERI RICHARDS CBE lithographfrontispiece for ‘The Graphic Works of Ceri Richards’ by Robert Sanesi (43 x 30cms)

Provenance: private collection Surrey, consigned via our Cardiff office Condition Report: framed and glazed £100-120

17

‡ DAVID T WILLIAMS limited edition (34/500) print - entitled verso ‘Llanddwyn’, signed (18 x 27cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed, no problems £100-120

18

‡ KEITH BOWEN limited edition (175/850) print - Dolbadarn Castle, signed in pencil (16 x 25cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £100-120

‡ KAREL LEK limited edition (13/13) printseated male with pint glass and cigarette, signed in pencil (33 x 26cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems

ARTHUR CHARLTON etching - head and shoulders portrait of a young girl, signed on mount, circa 1980 (42 x 32cms)

Provenance: directly from the artist’s family, consigned via our Cardiff office

Condition Report: framed and glazed, no problems

‡ WILLIAM SELWYN limited edition (92/500) colour print - four fisherman manoeuvring a rowing boat on the Menai Straits, signed fully in pencil (28 x 42cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed £100-150

BERWYN JONES artist’s proof (1/30) linocut - entitled ‘Tyddyn Caled’, signed in full (37 x 50cms)

‡

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed £100-150

‡ PETER PRENDERGAST black and white photograph - with pencil annotation to mount ‘Peter Prendergast at Tan y Graig January 2006’ (28 x 21cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed £100-120

‡

JOHN BRUNSDON limited edition (14/15) coloured artist’s proof - entitled ‘Village on the Hill’ on Attic Gallery label verso, signed in pencil (64 x 48cms)

Provenance: private collection Scotland, consigned via our Carmarthen office Condition Report: framed and glazed, no problems £100-150

‡ STAN ROSENTHAL coloured print - harbour scene with anchored boats, unsigned (18 x 25cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £100-120

GEORGE CHAPMAN etching with aquatintfigures on a street adorned with flags and with two sheep crossing the road (76 x 40cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: unframed £100-200

GEORGE CHAPMAN etching - head portrait of husband and wife, signed in pencil (33.5 x 36cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: unframed £100-120

GEORGE CHAPMAN two etchings - life study, seated females (2) (50 x 46cms and 45 x 39cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: unframed £100-120

‡ JOHN KNAPP-FISHER limited edition (455/500) print - cottage at night with light inside, signed in pencil (14 x 14cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed £100-150

‡

FRANCES RICHARDS artist proof lithograph - figures on a hillside looking towards the moon, entitled ‘Mystic’, signed in full (23 x 28cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed and glazed, no problems £100-150

‡ CLIVE HICKS-JENKINS third state artist proof linocut (04/2000) - geometric puzzle designs with distant tower, signed (22 x 25cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed and glazed £100-150

‡ RALPH SPILLER coloured print - Tenby Harbour, unsigned (29 x 39cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Report: framed and glazed £100-120

‡ STAN ROSENTHAL limited edition (24/250) coloured print - entitled ‘Pen Caer’, signed in full (49 x 70cms)

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £100-200

‡

PETER PIECH limited edition (8/25) three-colour lithograph - homage to R S Thomas, signed and dated 1993, signed (53 x 44cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Report: framed and glazed £150-250

‡

PETER PIECH three-colour limited edition (9/50) lithograph - with verse from Martin Luther King, signed and dated 1978 together with artist’s blind stamp to bottom left (81 x 55cms)

Provenance: private collection South East of England, consigned via our Cardiff office

Condition Report: framed, ready to hang £150-200

‡

GANZ limited edition (4/50)

- head and shoulders study of four miners entitled ‘Leaving the Coalface’, signed (18 x 38cms)

Provenance: private collection South East of England, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £150-200

‡

GANZ artists proof (3/30)

- sitting miner taking a break with thermos flask, entitled ‘Tomos’, signed (51 x 43cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £150-200

PARRY

edition (9/150)

- two farmers in conversation on mountainside, signed in pencil (52 x 58cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report:

and glazed, no problems

WILF ROBERTS limited edition (21/200) print - mountain road leading to cottages, signed in pencil (26 x 38cms)

private collection Gwynedd, consigned via our Colwyn Bay office

and glazed,

PIPER screenprint on cottonlabel verso David Whitehead 191961, entitled ‘Foliate Head’ (34 x 24cms)

private collection Cheshire, consigned via our Colwyn Bay

and glazed,

LEK artist proof linocut - two gentleman sharing a joke, signed (18 x 12cms)

private collection Gwynedd, consigned via our Colwyn Bay

framed and glazed,

CHARLTON linocut proof no. 1seated clown playing a violin, entitled verso ‘Boom Boom’, signed in pencil (56 x 37cms)

Provenance: directly from the artist’s family, consigned via our Cardiff office

Note: this print of a circus clown was exhibited at ‘Some Swansea Artists’

at the Glynn Vivian Art Gallery, Swansea in 1957. Part of the exhibition catalogue is

framed and glazed,

CHAPMAN etching - life study of a seated female, signed fully in pencil (76 x 56cms)

vendor is the grandson of the artist,

unframed

from a

(1754-1832)

and 7/50) etching and aquatint, 1982,

of 22 - two scenes from the narrative tale by George

‘The Borough’, both signed (19 x 22cms)

collection

of Glamorgan, consigned via our Cardiff

’The Borough’ was a collection of poems, published in 1910,

couplet being “Peter Grimes” which inspired the Benjamin Britten opera of the same name.

and glazed, sl. discolouration

Rogers Jones & Co • The Welsh Sale

‡ JOHN PIPER screenprint on cotton, Sanderson 1960 - entitled verso ‘The Glyders’ (70 x 50cms)

Provenance: private collection Cheshire, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems

GEORGE CHAPMAN etchingfigures walking in the rain along a road with lopped trees and street lamp, signed fully in pencil (67 x 76cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: unframed £200-400

GEORGE CHAPMAN etchingSouth Wales valley street scene with figures, entitled in pencil ‘Old Men at Gossip’ (50 x 76cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: unframed £200-400

GEORGE CHAPMAN FOR W S CRAWFORD LTD

graphic design educational print on linen - for ‘Transmission and Distribution of Electricity on behalf of the Electrical Association for Women Inc (20 Regent Street, SW1)’, printed signature K G Chapman top right (76 x 102cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: vertical reinforcements top and bottom to be rolled

‡ EDGAR HOLLOWAY limited edition (27/50) etching - entitled ‘Self Portrait No. 25: Goodbye to all that!’, etching after a 1947 drawing, signed fully in pencil (21 x 17cms)

Provenance: private collection Ceredigion, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £200-300

‡ JOHN BRUNSDON limited edition (72/125) etching and aquatint - titled margin bottom left ‘Red Wharf Bay’, signed (47 x 63cms)

Provenance: private collection Bridgend, consigned via our Cardiff office

Condition Report: in original condition, both frame and paper in super condition

‡ IAN GRAINGER limited edition (5/10) etching - title to mount ‘A Flute’, signed (42 x 52cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed, excellent condition £250-350

‡ CERI RICHARDS CBE limited edition (92/130) lithographs published by Curwen Press - ‘Elegaic Sonnet I’ and ‘Elegaic Sonnett II’, both signed and dated 1970, in Vernon Watkins / Ceri Richards M-Arte Edizioni Folder (38 x 28cms)

Provenance: private collection Caerphilly, consigned via our Cardiff office

Condition Report: lithographs are framed and glazed, folder in cardboard box £400-600

‡ ELIN SIAN BLAKE limited edition (68/999) colour print - titled ‘The Greatest Try’ to commemorate the upcoming 50th year anniversary of the famous rugby try by Sir Gareth Edwards in 1973 for Barbarians v New Zealand, signed by artist and Sir Gareth (67 x 87cms)

Provenance: consigned by ‘The Greatest Try’ charitable organisation, the painting from the print was unveiled by Sir Gareth Edwards CBE at Cardiff RFC on July 6th 2022 during a press conference for Sir Gareth’s 75th birthday and the upcoming 50th anniversary of ‘the greatest try’ in the ‘greatest ever match’

Condition Report: framed and glazed £700-1,000

63

‡ JOHN PIPER limited edition (8/20) coloured print - entitled verso on Attic Gallery label ‘Ruined Chapel, Isle of Mull’, signed (67 x 87cms)

Provenance: private collection Scotland, consigned via our Carmarthen office, accompanied by numerous newspaper and other articles relating to the artist attached to back board

Condition Report: framed and glazed £800-1,200

‡ CERI RICHARDS CBE artist’s proof lithograph - handwritten by artist on back of paper ‘A first print from set of lithographs Homage to Dylan Thomas’ with Christmas and new year wishes from Frances (Richards’s) and Ceri (38 x 44cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed and glazed, with glazed back showing important correspondence from artist £1,000-2,000

65

‡ JACK JONES group of sketches - portraits, some with titles as ‘Needham FRS’, two ‘Edith Sitwell’ portraits dated 1980 and 1988, ‘Lord Birkett’, ‘Sir Cyrill Smith’ (7) ((6) 22.5 x 26.6cms and (1) 15 x 10cms)

Provenance: private collection Swansea, consigned via our Cardiff office, purchased at auction from artist’s residual effects

Condition Report: unframed, overall good condition £100-200

66

‡ CLIVE HICKS-JENKINS mixed media on cut paper - head of a boy, signed with initial (15 x 15cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office Condition Report: framed and glazed £100-120

67

‡ CLIVE HICKS-JENKINS charcoal on cut-out papertwo figures, entitled verso ‘Study for the Celibate Couple Pursued’ (16 x 15cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office Condition Report: framed and glazed £100-140

68

‡ KAREL LEK dry brush and ink on paper - entitled verso on Attic Gallery label ‘Anglesey Man II’, signed (11 x 8.5cms)

Provenance: private collection Lancashire, consigned via our Colwyn Bay office

Condition Report: framed and glazed, ready to hang £100-150

69

‡ DAVID GROSVENOR watercolour - still-life of vase of flowers, signed and dated 1996 (68 x 49cms)

Provenance: private collection Cheshire, consigned via our Colwyn Bay office

Condition Report: framed and glazed, ready to hang £100-150

‡ JACK JONES charcoalself-portrait, signed and dated 1985 (27.5 x 19cms)

Provenance: private collection South West England, consigned via our Cardiff office, purchased from former close friend / neighbour of the artist

Condition Report: framed and glazed, faint fold mark bottom left corner £100-120

‡

FRED JONES gouache - rain clouds over Monmouthshire landscape at sunset, signed (14 x 18cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang

‡

BARBARA MATTHEWS construction with steel, wire and slatewith printed paper of shrubbery and imposed on a quartered circle, entitled verso ‘Soar y Mynydd’ (42 x 42cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed £100-150

‡

THEO CRUTCHLEY-MACK pencil drawing - street scene, entitled ‘Llandeilo’, signed and dated 2019 (14 x 14cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £100-150

‡ JOHN UZZELL EDWARDS gouache on paper - entitled verso ‘Head of a Girl’ (36 x 37cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-150

Rogers Jones & Co

Welsh

76

‡ ELINOR EVANS pen and ink wash - figure on horseback, entitled verso ‘Y Tywysog Llywelyn’ (40 x 30cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £100-150

77

ATTRIBUTED TO W MORRIS watercolourcoastalscape, Cemaes, Anglesey (27 x 36cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £100-200

78

GEORGE CHAPMAN preliminary drawingfigures and a public house, unsigned (36 x 13cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office

Condition Report: framed and glazed £100-120

79

75

‡ ALUN DAVIES watercolour - sheep grazing on headland above a bay with mountainous background, signed (32 x 48cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £100-150

GEORGE CHAPMAN pencil drawingpreliminary studies of figures (27 x 22cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office

Condition Report: framed and glazed, paper is marked and generally scruffy £100-120

80

‡ ANDREW DOUGLAS-FORBES mixed media - entitled verso ‘Morning Light, Three Cliffs Bay’, signed (24 x 24cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £100-150

ARTHUR CHARLTON aquatintfemale figures on Hartlepool beach collecting washed up coal to sell, signed and dated ‘48 in pencil (17 x 25cms)

Provenance: directly from the artist’s family, consigned via our Cardiff office

Condition Report: framed and glazed £100-150

‡ JOHN MORRIS watercolourtwo anchored fishing boats in an estuary, entitled ‘Segurdod’, signed (31 x 23cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £100-200

‡ RAY EVANS watercolour - ‘Hampshire Farm’, signed and dated 1972 with Mall Gallery verso (13 x 10cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office Condition Report: framed and glazed, no problems £100-200

‡ ANN FELLOWS mixed media - three farmers walking on Snowdonia mountain path, signed (46 x 65cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office Condition Report: framed and glazed, no problems £100-200

DAVID COX watercolour with pencil - female figure standing outside stone cottage with hens feeding, pencil annotation top right ‘At Dolbenmaen, Caernarfonshire’ (17 x 27cms)

Provenance: private collection France, consigned via our Cardiff office Condition Report: framed and glazed, no problems £100-200

Rogers Jones

87

‡

MALCOLM EDWARDS

watercolour - entitled verso ‘Pewter Sky, Dolbenmaen’, signed and dated 1981 (14 x 19cms)

Provenance: private collection Cornwall, consigned via our Cardiff office

Condition Report: framed and glazed £100-150

‡

MALCOLM EDWARDS

watercolour - entitled verso ‘Cottages Llanberis’, signed and dated 1981 (15.5 x 26cms)

Provenance: private collection Cornwall, consigned via our Cardiff office

Condition Report: framed and glazed £100-150

89

‡

CHARLES FREDERICK TUNNICLIFFE OBE RA pen and ink - study of a kingfisher in flight, artist’s studio stamp verso (8 x 6cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, copy of back of paper showing studio stamp verso to frame £100-150

‡ NIA LLOYD-HUGHES

watercolour - two figures leaning on a gate looking across the horizon, signed (28 x 45cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, some water staining £100-150

‡ ROBYN TOMOS pastelsemi-abstract drawing of a bird, signed (51 x 63cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £100-200

91

ALFRED PARKMAN watercolour - view of Tintern Abbey from the River Wye, signed and dated 1912 (29 x 46cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed and glazed £100-200

‡ GARETH THOMAS watercolour - landscape with ridge, signed (9.5 x 32cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed

‡

PRUDENCE WALTERS mixed media - abstract, signed left ‘Walters’ (76 x 56cms)

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office

Report: framed and glazed £100-200

‡

‡

LITTLE watercolour - entitled ‘Lower Swansea Valley Works III’, signed (32 x 32cms)

Provenance: consigned by the artist’s family, via our Carmarthen office

Condition Report: framed and glazed, no problems

‡

EVANS watercolour and ink - entitled ‘Ludlow’, signed (23 x 15cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems

‡ PRUDENCE WALTERS acrylic - abstract, entitled verso ‘Blue Sky I’, signed and dated 2003 (23 x 27cms)

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £100-150

PRUDENCE WALTERS mixed mediaabstract landscape, signed (56 x 76cms)

Provenance: deceased estate

consigned via our Carmarthen office

Report: framed and glazed, no problems

‡

PRUDENCE WALTERS mixed media - entitled verso ‘Laugharne Sunrise’, signed (38 x 50cms)

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £100-200

98

GEORGE CHAPMAN preliminary pencil drawing on gridded paper - South Wales village or town with church and figure (26 x 41cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office

Condition Report: framed and glazed, paper with surface marks (possibly the artists’ paints), creases and damage to paper at corner £120-180

99

‡ GYRTH RUSSELL watercolour - mountain landscape, signed (23 x 32cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: in good antique style moulded and gilded frame, glazed £150-200

100

‡ GYRTH RUSSELL watercolour - cottage beside estuary, signed (27 x 37cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: later framed and glazed £150-200

102

‡ CHRIS GRIFFIN acrylic on paper - two rows of valleys terraced house, entitled verso ‘Two Terraces’, signed (12 x 19cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £150-200

103

‡ MERYL WATTS pencil and crayonentitled ‘Carreg Wen am Moel y Gest (Farmstead Near Borth y Gest and Morfa Bychan)’, signed (39 x 54cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Auctioneer’s Note: home during old smuggling days of Dafydd Owen Harpist and Composer, this painting was developed into a monochrome postcard

Condition Report: framed and glazed, no problems £150-250

101

‡

SIGRID MULLER mixed media - fine study, entitled on Martin Tinney Gallery label ‘Dandelion Clock’, signed (14 x 15cms)

Provenance: private collection Gwent, consigned via our Cardiff office

Condition Report: framed and glazed £150-200

‡ DAVID GROSVENOR watercolourstill life cherries and cut flowers in vases, signed (65 x 40cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, no problems £150-250

104a

‡ ARTHUR GIARDELLI watercolourentitled verso ‘Carew Castle’, monogrammed and signed verso with date 1974 (36 x 57cms)

Provenance: private collection Buckinghamshire, consigned via our Cardiff office

Condition Report: framed and glazed £150-250

105

GEORGE CHAPMAN preliminary drawing on gridded paper - street scene with figures, stamped with ‘George Chapman Studio’ (35 x 27cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office

Condition Report: framed and glazed, surface marks (probably the artists’ paint) £150-200

106

JOHN McDOUGAL watercolourentitled verso ‘Trearddur Bay, Near Holyhead’, signed and dated 1924 (20 x 32cms)

Provenance: private collection Cheshire, consigned via our Colwyn Bay office

Condition Report: framed and glazed £150-250

‡ MALCOLM EDWARDS watercolour - mountain scene, entitled verso ‘Esgair’, signed (30 x 37cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £150-200

‡ KEITH ANDREW watercolour - entitled verso on Oriel Tegfryn Gallery label ‘Caeau Gwynion’, signed and dated 2008 (14 x 18cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £150-250

‡ JANE CARPANINI watercolourview through trees towards a red tiled roof and whitewashed villa, entitled verso on Bankside Gallery label ‘Vignacci’, signed (18 x 12cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £150-250

110

ELIZABETH HAINES pastel - entitled verso ‘Sunset Towards St David’s’, signed (23 x 30cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £150-250

111

‡

112

‡

‡

MICHAEL GUSTAVIUS PAYNE pencil and charcoal - entitled ‘Fall From Grace’, signed with initials (57 x 39cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £150-250

GEORGE LITTLE mixed media, pastel and ink - closure of Mardy colliery, signed and dated 1990 (36 x 53cms)

Provenance: consigned by the artist’s family, via our Carmarthen office

Condition Report: framed and glazed, no problems £150-250

PRUDENCE WALTERS mixed media

paper - abstract orange square with lines (58 x 78cms)

Provenance: deceased estate

consigned via our Carmarthen office

Condition Report: framed and glazed £150-250

114

‡

PRUDENCE WALTERS acrylic on

- abstract, vertical stripes, entitled ‘The Living Air’, signed and dated 2003 (43 x 57cms)

Provenance: deceased estate

consigned via our Carmarthen office

Condition Report: framed and glazed £150-250

PRUDENCE WALTERS acrylic on paperabstract, signed ‘Walters’ (70 x 103cms)

‡

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £150-250

‡

PRUDENCE WALTERS acrylic on paper - abstract red and blue stripes in sunlight, signed (105 x 102cms)

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems £150-250

‡ ALED PRICHARDJONES pastelwaves and headland, entitled verso

‘Rhosneigr’, signed with initials (23 x 34cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £200-300

118

‡ GORDON STUART pastel - estuary at sunset, signed (top left) (50 x 59cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £200-300

119

‡ ROBERT MACDONALD watercolourtitled top right ‘Llyn-y-Fan Fach’, signed and dated 2003 (58 x 76cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed and glazed £200-300

120

‡ MIKE JONES crayon and wash on paperentitled verso ‘Figures in Street, Cwmtawe 2’, signed (20 x 25cms)

Provenance: private collection Lancashire, consigned via our Colwyn Bay office

Condition Report: framed and glazed, ready to hang £200-400

‡

JACOB SUTTON charcoal - entitled verso on Albany Gallery label ‘Boat and Rope, Tintern, Monmouthshire’ also partial title bottom left, signed and dated 1996 (76 x 56cms)

Provenance: private collection Cheshire, consigned via our Colwyn Bay office, invoice from Plas-Glyn-YWeddw Gallery, Gwynedd

Condition Report: framed and glazed £200-300

‡ CLIVE HICKS-JENKINS oil on paper - still-life of chalice, signed verso (10 x 10cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £200-300

‡ MIKE JONES pencil and washtwo seated females in conversation, entitled verso ‘Seated Ladies Talking’, signed (23 x 25cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £200-300

‡ GARETH PARRY pencil drawinghead and shoulders of Arthur Williams Glo (coalman), signed with initials (27 x 19cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £200-300

125

GEORGE CHAPMAN mixed media - two and possibly more figures huddled together (40 x 37cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office

Condition Report: framed and glazed, losses to left-hand side of work £200-400

126

‡ ANDREW DOUGLAS-FORBES mixed media with gouache - entitled verso ‘My Flat, With Ewenny Pottery’, signed (30 x 29cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £200-300

JOSEPH HUGHES CLAYTON watercolour - entitled verso ‘On the Shore, Cemaes, Anglesey’, signed (28 x 56cms)

Provenance: private collection Cheshire, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £200-300

128

‡ KAREL LEK mixed media - two ladies in conversation, titled ‘Gossip’, signed (27 x 19cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £200-400

‡ DAVID GROSVENOR mixed media - view across bay with headland, signed (36 x 54cms)

Provenance: private collection France, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £200-300

JOHN CUTHBERT SALMON

watercolour laid to canvas - expansive woodland scene with footpath, believed to be Bodysgallen Woods (75 x 100cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed £200-400

131

133

ARTHUR GIARDELLI watercolourautumnal garden view from window with potted cyclamen, unsigned (37 x 55cms)

‡

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems £200-300

‡

BIM GIARDELLI watercolour - rocky beach scene with mother and children paddling, signed (37 x 54cms)

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

Condition Report: framed and glazed £200-300

‡ MIKE JONES ink wash - farmer with a stick leaning over fence, signed (23 x 18cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £200-400

‡ WILL ROBERTS pencil sketchfigures walking along roadway, signed and dated ‘96 (20 x 29cms)

Provenance: private collection Powys, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £200-300

‡ HARRY HOLLAND charcoal - study of a young lady at a mirror, signed (31 x 40cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £200-400

‡ JOHN VIVIAN ROBERTS etching - a circus troupe at Barnum’s Circus, Earl’s Court, entitled ‘Backstage’, signed, circa 1949. (36 x 32cms)

Provenance: private collection Ceredigion, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £200-300

LLOYD JONES watercolourentitled verso ‘Hillside Ebbw Vale’, signed

pencil, dated

140

‡ ROB PIERCY watercolour - expansive scene looking down the Llanberis Pass, signed and dated 1993 (37 x 55cms)

Provenance: private collection North Wales, consigned via our Colwyn Bay office

Condition Report: framed and glazed, painting has slipped in mount slightly £300-400

141

‡ PETER PRENDERGAST pen and watercolourlandscape with church steeple, signed (13.5 x 13cms)

Provenance: private collection Pembrokeshire / London, consigned via our Carmarthen office

Condition Report: framed and glazed £300-500

142

‡ WILLIAM SELWYN watercolour - entitled verso ‘Sunset’, Albany Gallery label verso (14 x 19cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £300-500

143

‡ MIKE JONES crayon on paper - entitled verso on Ffin-y-Parc Gallery label ‘Lady II’, signed (19 x 12.5cms)

Provenance: private collection Gwent, consigned via our Cardiff office

Condition Report: framed and glazed £300-400

144

‡ MARY LLOYD JONES mixed media - entitled verso on Martin Tinney Gallery label ‘Rhos y Gell II’, signed and dated 2011. (20.5 x 25cms)

Provenance: private collection Gwent, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £300-400

145

‡ RAY HOWARD JONES ink and watercolourentitled verso ‘Island of the Monks (Gateholm from Mewston Head)’, signed and dated 1955 (43 x 57cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed and glazed £300-400

149

146

‡

WILLIAM SELWYN mixed media - entitled on Tegfryn Gallery label verso ‘Meeting’, signed (12.5 x 19cms)

Provenance: private collection Lancashire, consigned via our Colwyn Bay office

Condition Report: framed and glazed, ready to hang £300-400

147

‡ JOSEF HERMAN OBE RA ink, wash and pencil - entitled verso ‘Nudes I, circa 1960’ (22 x 16cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed, aging to paper £300-400

148

‡ GARETH THOMAS oil on paper - entitled verso on Fountain Fine Art Gallery label ‘Carreg Cennen Early Evening’, signed (22 x 26cms)

Provenance: private collection South East of England, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £300-400

‡ GLENYS COUR mixed media and construction - entitled verso ‘Golden Garden’, signed, dated 1996 and stating ‘from the artist’s studio’ (58 x 38cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £300-400

‡ BRENDA CHAMBERLAIN ink on paper on card - entitled verso on Martin Tinney Gallery label ‘Dove’, signed and dated 1970 (41 x 49cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £300-500

151

DAVID COX sepia watercolour - entitled verso on Spink & Son Ltd label ‘Harlech Castle’, unsigned (20 x 29cms)

Provenance: private collection France, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £300-500

153

‡ MIKE JONES ink and wash - entitled verso on Fountain Art Gallery label ‘Two Men Talking’, signed (19 x 22cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £300-500

151a

‡ GWILYM PRICHARD pastelentitled verso ‘Abereiddu’, signed (14 x 19cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £300-400

152

‡ PETER PRENDERGAST pencil drawing - head and shoulders self portrait of the artist, signed (25 x 20cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office Condition Report: framed and glazed, no problems £300-400

WARREN WILLIAMS watercolourthe Conwy River with sheep on the banks and the distant Carneddau mountains, signed (33 x 52cms)

Provenance: private collection Cardiff, consigned via our Cardiff office, purchased Phillips, Chester in 1989 (receipt retained with us)

Condition Report: framed and glazed £300-400

155 ‡ MIKE JONES mixed media, colourwash and ink - seated gentleman with legs crossed, signed (22 x 17cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems

Jones

157

‡ CLIVE HICKS-JENKINS mixed media on paper - entitled verso on Martin Tinney Gallery label ‘Delft Cup in a Welsh Landscape’, signed and dated 1999 (20 x 21cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems £300-400

158

‡ JOHN KNAPP-FISHER watercolour - distant figures on a beach, signed and titled verso ‘Look Out BeachPlettenberg Bay - South Africa’, signed and dated to front 1977 (16.5 x 23.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £300-500

156

‡ WILF ROBERTS mixed media - Snowdonia mountain scene with cloud covered moon, entitled ‘Rhos Tir’, signed and dated 1998 (21 x 20cms)

Provenance: private collection Powys, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £300-400

159

‡ MIKE JONES mixed media - entitled verso ‘Front Step’, signed (15 x 20cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £300-500

160

‡ ANDIE CLAY pastel - entitled verso ‘Light Across St Brides Bay’, signed and dated ‘03 (62 x 45cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £300-500

‡ BRENDA CHAMBERLAIN mixed media on paper laid to cut out panels and applied to board - signed ‘Chamberlain 1968’ (71 x 100cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed

GEORGE ARTHUR FRIPP watercolour - view across estuary toward Laugharne Castle with figures on the shoreline, signed and dated 1840 (17.5 x 30cms)

Provenance: private collection Somerset, consigned via our Cardiff office

Condition Report: framed and glazed, some loss to gilt on frame £300-500

‡ WILF ROBERTS mixed media - whitewashed cottages in the shadows of Snowdonia, signed (13 x 18cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, ready to hang £300-500

‡ MIKE JONES inkwash on paper - entitled verso on Ffin y Parc Gallery label ‘Lady Seated, Green Hat’, signed (25 x 21cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed and glazed, ready to hang £300-500

‡ GEORGE LITTLE pastel and acrylic - entitled verso ‘Industrial Composition, Girders’, signed (52 x 52cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, purchased from Barry Library ‘Art Central’ exhibition 2014

Condition Report: framed and glazed, no problems

166

‡ JOHN KNAPP-FISHER

watercolour - figures walking on a beach, signed and dated 1978 (10 x 19cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed £350-450

167

‡ MARY LLOYD JONES

gouache - entitled verso ‘Mustard Seed Sun’, unsigned (36 x 53cms)

Provenance: private collection Devon, consigned via our Carmarthen office, purchased in the 1960s in an Aberaeron Gallery, owner’s family knew Mary & John Lloyd Jones

Condition Report: framed and glazed, label verso ripped £400-600

168

‡ GWILYM PRICHARD watercolour on cottonSnowdonia landscape, signed (55 x 74cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed £400-600

169

‡

JOSEF HERMAN OBE RA pen and ink with pencil - figure driving an oxcart, entitled verso on Albany Gallery label ‘Cart and Oxen’, unsigned (19 x 24cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: framed and glazed £400-600

170

‡

JOSEF HERMAN OBE RA watercolour and pencilentitled verso on Albany Gallery label ‘Village Church’, unsigned (19 x 25cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: framed and glazed, no problems £400-600

171

‡ KEITH BOWEN pastel - smartly dressed farmer beside gate between stone wall leading to mountainside, signed and dated 1988 (60 x 75cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, no problems £400-600

174

175

172

‡ JOHN ELWYN gouache on paper - entitled verso ‘Storm Approaches (The Quiet Village No. 6)’, signed, circa 1958 (27 x 36cms)

Provenance: private collection Ceredigion, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £400-600

‡

BRENDA CHAMBERLAIN

pen and inkentitled verso ‘Line Drawing No.35 1970’, signed and dated October 1970 (40 x 58cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office Condition Report: framed and glazed £500-700

‡ BRENDA CHAMBERLAIN

pen and inkentitled verso ‘Line Drawing No.45 1970’, signed and dated June 1970 (41 x 57cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office Condition Report: framed and glazed £500-700

‡ JOHN ELWYN gouache - entitled verso ‘Farm Buildings with Black Cloud’, signed and dated 1958 (32 x 47cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £500-700

Jones

‡ MARY LLOYD JONES mixed media - entitled verso on Martin Tinney Gallery label ‘Cwm Ystwyth’, signed and dated 2008. (30 x 45cms)

Provenance: private collection East Sussex, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £500-700

‡ LESLIE MOORE mixed media - entitled verso ‘Road to the Beach - San Remo’, signed and dated ‘57 (47 x 63cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed and glazed £500-700

‡ LESLIE MOORE watercolour and inkentitled ‘Spring Orchard with Fallen Tree’, signed and dated ‘50 (54 x 72cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed and glazed £500-700

‡ PETER PRENDERGAST watercolourhead and shoulders self portrait of the artist, signed and dated ‘92 (57 x 40cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £500-800

‡ JOHN KNAPP-FISHER watercolourentitled verso ‘Wood and Water’, signed and dated ‘95 (16 x 17cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems £500-700

180

‡ JOHN ELWYN oil on paper - interior view of a bedroom, entitled verso ‘Bedroom at Emlyn Mills, Newcastle Emlyn (the artist’s home)’, signed and dated 1938 (37 x 54cms)

Provenance: private collection Ceredigion, consigned via our Cardiff office

Condition Report: framed and glazed £500-700

‡ ROGER CECIL mixed mediaentitled verso ‘Abstract Mountain Landscape’, signed (53 x 43cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, receipt verso for Big Sky Fine Art Condition Report: slight discolouration bottom right, framed and glazed £600-800

‡ JOSEF HERMAN

OBE RA mixed media with pencil, pen and inkentitled verso on Roland, Browse & Delbanco label ‘The Family’ (25 x 19cms)

Provenance: private collection Cardiff, consigned via our Cardiff office, purchased Kooywood Gallery (receipt retained with us)

Condition Report: framed and glazed £600-800

‡

BRENDA CHAMBERLAIN black and rust wax on cardentitled verso ‘Greek Dance’ on 1973 Welsh Arts Council exhibition label, signed and dated September 1965 (67 x 95cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: sl. discolouration with age, laid to board and presented in contemporaneous clip frame, glazed £700-1,000

‡

JOSEF HERMAN

OBE RA watercolour and ink - working figure bending over, red background (21.5 x 29cms)

Provenance: private collection Pembrokeshire / London, consigned via our Carmarthen office

Condition Report: framed and glazed £700-1,000

‡ MIKE JONES mixed media - rear view of a female leaning on wall, entitled verso on Albany Gallery label ‘Over the Wall II’, signed and dated 1998 (30 x 25cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £700-1,000

Jones

186

‡ EVELYN WILLIAMS mixed media and collage - entitled verso ‘Wall of Faces’, signed and dated 1980 (57 x 35cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed and glazed £800-1,200

187

‡ JOSEF HERMAN OBE RA pen and washentitled verso on Martin Tinney Gallery label ‘Three Miners’ and circa 1944-45. (19.5 x 25cms)

Provenance: private collection Bridgend, consigned via our Cardiff office, label verso for National Museum of Wales exhibition of Josef Herman works, May / July 1992

Condition Report: framed and glazed, without issues £800-1,200

THOMAS PRYTHERCH large watercoloura smoggy Trafalgar Square, London with its famous landmarks including one of the lions, St Martins-in-the-Fields church, statues and horse-drawn carriages, together with numerous figures including children and a seated flower-seller, signed and dated 1902 (66 x 116cms)

Provenance: deceased estate Merthyr-Tydfil CBC, consigned via our Cardiff office

Condition Report: some foxing, discolouration with age, restoration and damage, original quality gilt frame, glazed £800-1,200

189

‡ JACK JONES mixed media - figures walking on pavement in conversation, entitled verso on Attic Gallery label ‘Prince of Wales, Clydach, 1970’, signed and dated (19 x 25cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed £800-1,200

190

‡ WILLIAM SELWYN mixed mediaentitled verso ‘Gwawr’, signed (40 x 56cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed and glazed £800-1,200

191

‡ JOHN ELWYN acrylic on paper - whitewashed farm buildings with cart and figures in foreground, entitled ‘Dyfed Farm’, signed bottom right and verso, circa 1978 (44 x 59cms)

Provenance: private collection Ceredigion, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £800-1,200

192

‡ PETER PRENDERGAST mixed media - entitled on Martin Tinney Gallery label ‘View from Tal-yBont Field towards Llanllechid’ dated 1994 (55 x 73cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £1,000-2,000

193

‡ JOHN KNAPP-FISHER watercolour - entitled verso ‘Sunflower’, signed and dated 1989 (36 x 29cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed £1,000-1,500

‡ WILLIAM SELWYN mixed media - view over Penmon Point towards Puffin Island, entitled verso on Albany Gallery label ‘Penmon I’, signed (26 x 35cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £1,000-1,200

195

‡ SHANI RHYS JAMES MBE charcoal on paper - two head drawings of the artist, entitled ‘Facing the Self’, unsigned, dated 1997 (53 x 66cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office, purchased from the artist via Wales Drawing Biennale 1997

Auctioneer’s Note: This is a rare double self portrait by the artist, the title for which was also that of the 1997 touring show originated by Oriel Mostyn, Llandudno as referenced in the notes to lot 396, Welsh Sale 16 July 2022

Condition Report: framed and glazed, no problems £1,000-1,200

196

‡ JOHN KNAPP-FISHER watercolour - figures walking along the pavement at lower town Fishguard, signed and dated 1975. (13 x 10cms)

Provenance: private collection Monmouthshire, consigned via our Cardiff office

Condition Report: framed and glazed £1,000-1,500

196a

GEORGE CHAPMAN black portfolio containing large quantity of preliminary drawings and other related material - many showing annotations in pencil and on gridded paper, also including framed and glazed drawing of figures and a George Chapman exhibition poster

Provenance: vendor is the grandson of the artist, by descent

Condition Report: please examine / see further images online £1,000-1,500

197

‡ JOHN ELWYN oil on paper - self-portrait of artist working, circa 1937, signed and titled under mount (24 x 27cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed and glazed, tired frame £1,100-1,300

198

‡ CLIVE HICKS-JENKINS acrylic on paper - entitled verso ‘The Welsh Shepherdess’, signed and dated 2001 (54 x 71cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office Condition Report: framed, glazed, ready to hang £1,200-1,800

‡ JOSEF HERMAN OBE RA watercolour - titled in artist’s hand verso ‘A Group of Miners’, signed verso (19 x 25cms)

Provenance: private collection Sussex, consigned via our Cardiff office, label verso Leonie Jonleigh Studio with title and date of 1979, letter (retained with us) from the artist to the vendor recalling his time in Ystradgynlais

Condition Report: framed and glazed £1,500-2,500

202

‡ ROB PIERCY mixed media including oil and construction on paper - Eryri Ridge at sunset, signed (67 x 51cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: neatly framed and glazed, no problems

199

‡ CERI RICHARDS CBE pen and ink, crayon and gouache - entitled verso on Thomson’s Gallery label ‘Lyre Birds’ (22 x 20cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office, produced for poetry magazine 1943 but not used, copy of letter from artist verso Condition Report: framed and glazed £1,500-2,000

‡ MURIEL DELAHAYE charcoaldepicting Maelgwn, 6th Century King of Gwynedd, who issued a challenge to all kings to see who could remain seated in their chairs for the longest time, entitled verso ‘Maelgwn’, signed (80 x 116cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed £1,500-2,000

‡ CERI RICHARDS CBE pen and inkentitled verso on Goldmark Gallery label ‘Portrait of Pearly King of Hamstead’, also on other labels, signed with initials and dated 1939 (40 x 32cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office, label states Sheila Chester’s estate 2004

Condition Report: framed and glazed £2,000-3,000

‡ WILLIAM SELWYN mixed media - four fishermen bringing in their boat at the end of the day, entitled verso on Albany Gallery label ‘Fisherman at Sunset’, signed (50 x 68cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £2,000-4,000

‡ EVELYN WILLIAMS charcoal -

asleep

‘The

‡ PETER PRENDERGAST exceptionally large mixed media - self portrait of the artist in

view out of the

3’,

‘77 (133 x

Provenance:

Condition Report:

verso ‘Self Portrait and Landscape

Provenance: private collection Anglesey,

(152 x 200cms)

via our Colwyn Bay

Condition Report: framed and glazed,

has

and some creasing £8,000-10,000

Jones

‡ SIR KYFFIN WILLIAMS RA limited edition (57/100) coloured print - Ogwen Falls, Snowdonia, signed with initials (80 x 30cms)

Provenance: private collection Powys, consigned via our Cardiff office Condition Report: framed and glazed, no problems £700-1,000

‡ SIR KYFFIN WILLIAMS RA limited edition (50/150) print - head portrait of Tehuelche girl Norma Lopez (28 x 23cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-200

209

‡ SIR KYFFIN WILLIAMS RA limited edition (13/75) print - Caernarfonshire coast with the rivals at moonlight and seven-line poem by Welsh novelist Kate Roberts, signed in full, accompanied by a signed Christmas card by the artist with thanks for a book token (2) (55 x 44cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-200

210

‡ SIR KYFFIN WILLIAMS RA artist proof print - head portrait of Tehuelche girl Norma Lopez, signed in full (27 x 22cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £100-200

‡ SIR KYFFIN WILLIAMS RA artist proof linocut - farmer and dog on mountain path, signed with initials (25 x 23cms)

Provenance: private collection London, consigned via our Cardiff office Condition Report: framed and glazed, image faded £100-120

‡ SIR KYFFIN WILLIAMS RA handwritten and signed Christmas message on a cardalso bearing an image of a Patagonian horseman (2) (48 x 33cms incl frame.)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-120

‡

SIR KYFFIN WILLIAMS RA limited edition (96/150) print - St Cwyfan Church, Aberffraw, signed fully in pencil (produced in support of Ynys Mon National Eisteddfod, 1999) (41 x 52cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £150-250

‡ SIR KYFFIN WILLIAMS RA limited edition (122/250) print - moonlit Anglesey Church, signed in full (25 x 30cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £150-250

‡

SIR KYFFIN WILLIAMS RA limited edition (124/150) print - storm clouds above Snowdonia, signed fully in pencil (30 x 33cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £150-250

‡

SIR KYFFIN WILLIAMS RA limited edition (53/150) coloured printAnglesey coastline, signed in full (40 x 52cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £150-250

217

‡

SIR KYFFIN WILLIAMS RA limited edition (39/150) printAnglesey farmstead, entitled ‘Penrhyn Du’, signed in full (39 x 57cms)

Provenance: private collection Cardiff, consigned via our Cardiff office, newspaper cutting from the Daily Post, July 1998 with image of the artist gifting the print in order to raise funds for the 1999 National Eisteddfod at Llanbedr Goch Condition Report: framed and glazed £200-300

218

‡

SIR KYFFIN WILLIAMS RA limited edition (60/500) printPatagonian horse rider, signed in full (38 x 50cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £200-300

219

‡

SIR KYFFIN WILLIAMS RA monochrome print - farmer leaning on stick in a storm (59 x 38cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office, print produced to commemorate the centenery of the Royal Welsh Agricultural Society. The image was used on the front cover of the Farming and Welsh Landscape exhibition Condition Report: framed and glazed £200-300

220

221

‡

SIR KYFFIN WILLIAMS RA limited edition (54/75) print - sunset over Snowdonia, signed in full (35 x 50cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: framed and glazed £200-300

‡

SIR KYFFIN WILLIAMS RA original run poster - standing farmer leaning on stick with poetry by John ‘Ceiriog’ Hughes (1832-1887), ‘Aros Mae’r Mynyddau Mawr’, a Welsh language poem regarding the enduring mountains standing through changing times (75 x 50cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed and glazed £200-300

‡

‡

SIR KYFFIN WILLIAMS RA coloured print - three standing Welsh mountain ponies, signed with initials (24 x 34cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems £250-350

‡

SIR KYFFIN WILLIAMS RA artist proof print - farmer on mountaintop accompanied by two sheepdogs, signed in full (55 x 39cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed, slightly faded £300-500

224

‡

SIR KYFFIN WILLIAMS RA linocutresting kestrel, signed with initials (23 x 25cms)

Provenance: private collection Powys, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £300-400

SIR KYFFIN WILLIAMS RA limited edition (274/350) print - Anglesey farm buildings, signed with initial (53 x 60cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: framed and glazed £300-400

226

‡

SIR KYFFIN WILLIAMS RA limited edition (213/500) printPatagonian horse rider, signed in full (36 x 46cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed £400-600

‡ SIR KYFFIN WILLIAMS RA Curwen Studios limited edition (130/150) colour print - entitled ‘Gower’, signed with initials (65 x 65cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed and glazed, ready to hang £500-700

‡

SIR KYFFIN WILLIAMS RA limited edition (78/100) linocutgrazing ponies on mountainside, signed with initials (38 x 48cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed £500-600

‡

SIR KYFFIN WILLIAMS RA artist proof coloured print - ‘Mott the Sheepdog’, signed in full (20 x 49cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office, this print was given by Sir Kyffin to the cameraman who was filming ‘Reflections in a Gondola’ for the BBC. The artist asked if the cameraman could open the boot of his car which had been jammed for years, the boot was full of prints and he was given one as a token of thanks for managing to open it. Included is written evidence and photos relating to the story verso.

Condition Report: framed and glazed

‡

SIR KYFFIN W ILLIAMS RA ink and wash - Eryri upland dwelling, titled verso ‘Blaen Nant, Nant Peris’, circa 1980s, signed with initials, 56 x 37cms

Provenance: private collection Carmarthenshire, by descent

Condition Report: excellent condition, framed and glazed, ready to hang £3,000-4,000

‡ SIR KYFFIN WILLIAMS RA early period ink and wash - portrait, entitled verso ‘Head of a Boy’, signed fully in pencil and dated 1949 (39.5 x 31cms)

Provenance: private collection West Sussex, consigned via our Cardiff office, labels verso for The Arts Council of Great Britain ‘Portraits of Children’ exhibition, label with the artist’s Bisham Gardens address, label for Observer Exhibition 1950

Condition Report: localised discolouration sl. framed and glazed £1,500-2,500

‡

SIR KYFFIN WILLIAMS RA ink wash on grey paper - entitled verso ‘Chapel at Bethesda’ on Howard Roberts Gallery label, circa 1960s, signed with initials (29.5 x 22cms)

Provenance: private collection Gwynedd, consigned via our Cardiff office Condition Report: framed and glazed £2,000-2,500

‡

SIR KYFFIN WILLIAMS RA pen and ink wash - view across headland out to sea with cottage, signed with initial (25 x 34cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed, some slight foxing marks £2,000-3,000

‡

SIR KYFFIN WILLIAMS RA mixed media pencil and watercolour - mountainscape ‘Creigiau Eryri’, signed with initials (37 x 49cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed, en plain air paint marks £6,000-8,000

Rogers Jones & Co

Welsh

235

‡ SIR KYFFIN WILLIAMS RA oil on canvas - two Welsh Black cattle in a landscape (54.5 x 75cms)

Provenance: private collection of Mr and Mrs C MacFarlane-Barrow, Scotland. Mrs Mary Anne MacFarlane-Barrow, nee Grisewood, shared a house with the artist in Maida Vale, London, between 1955 and 1958. Sir Kyffin was teaching at Highgate School and the vendor was studying at St Thomas’s Hospital. The painting was given as a personal gift to the vendor by the artist

Condition Report: framed, ready to hang £14,000-18,000

KYFFIN

on canvas - still-life of

from the artist’s ‘Bowl Series’ (49 x

Provenance: consigned by the artist’s

Report:

ready to

collection

on canvas - still-life of red apples and silver

from the artist’s ‘Bowl Series’ (40.5 x 40.5cms)

consigned by the artist’s

Report: ‘floating type’ frame, surface marks to

of Llangwyfan

with

on panel -

cottages

Provenance: private collection Cardiff, consigned via

Cardiff

and glazed

and

-

with

‡ PAUL REES oil on board - entitled verso on Attic Gallery label ‘Props Room’, signed verso (30.5 x 30cms)

Provenance: private collection Gwent, consigned via our Cardiff office

Condition Report: framed and ready to hang £100-150

S PAYCE oil on board - view of Tintern Abbey, signed (26 x 46cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, restored £100-120

‡ ALFRED OLIVER oil on board - snow in mountains, signed (38 x 55cms)

Provenance: private collection Buckinghamshire, consigned via our Cardiff office

Report: framed £100-150

‡ ARCHIE WILLIAMS collage and gouache - entitled verso ‘Frozen Fragments’, signed (15 x 20.5cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Report: framed and glazed £100-150

‡ NEALE HOWELLS emulsion on glass in polished cast aluminium frame - untitled lettering ‘UFKC’ (26 x 21cms incl. frame)

Provenance: private collection Cardiff, consigned via our Cardiff office

Report: light scratches to aluminium £100-120

251

‡ JOSIE RUSSELL fabric collage - mountainscape with stream, signed with initials (19.5 x 24.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Auctioneer’s Note: the fabric collages are made almost entirely from recycled materials sourced locally from charity shops, family and friends.

Condition Report: framed and glazed £100-120

252

‡ AUDREY HIND oil on linen laid to board - view across bay to farm buildings and mountains, entitled verso ‘Cemlyn Gors’, signed (22 x 30cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £100-200

253

‡ MARGARET LEAH JAGGAR oil on boardwhitewashed farm buildings with bay beyond, entitled verso ‘Church Bay’, signed verso and dated 1971 (34 x 45cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, no problems £100-150

254

‡ SARAH THWAITES oil on card - entitled verso ‘Winter Landscape 2’, dated 2004 (5.5 x 15cms)

Provenance: private collection London, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £100-150

256

‡ ALLAN REDFERN oil on cardexpansive beach scene, entitled verso ‘Treath Llanddwyn Study I’, signed with initials (20 x 29cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office, purchased from the artist’s studio 2013

Condition Report: framed and glazed, no problems £100-200

255

‡ IWAN GWYN PARRY oil on board - entitled verso on Martin Tinney Gallery label ‘A55 Coastline Near Colwyn Bay with Passing Plane’, signed and dated verso 2003 (35 x 35cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: unframed but ready to hang £100-200

‡ PETE TURLEY oil on cardsheep grazing on Snowdonia hillside, signed (16 x 16cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £100-200

‡ WYN HUGHES oil on board - view of Anglesey coastal cottage, entitled verso ‘Ty’n Towyn, Ynys Mon’, signed (17 x 24cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £100-200

‡

RALPH SPILLER acrylic on board - entitled verso ‘Gelli Gaer Common’, signed with initials and dated ‘92 (18.5 x 23cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Report: framed, no problems £100-150

‡

RALPH SPILLER acrylic on board - entitled verso ‘Student Path VII’, signed with initials and dated ‘92 (24 x 18cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, no problems

‡

RALPH SPILLER acrylic on board - entitled verso ‘Brynmill From Singleton’, signed with initials and dated ‘92 (24 x 18cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, no problems

‡

WARREN S HEATON oil on panel - entitled verso ‘Stackpole Woods’, signed (21 x 30cms)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: framed £100-200

Provenance:

‡

WARREN S HEATON

on panel - entitled verso ‘Freshwater East’,

(31

28cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Report: framed,

‡

WARREN S HEATON oil on canvas - entitled verso ‘Stackpole Lakes, Clear Evening’,

(30 x

Provenance: private collection Swansea, consigned via our Carmarthen

Condition Report:

‡ ESTHER ECKLEY oil on panelentitled ‘Cae Melyn Dan Awyr Las I’, unsigned (30 x 30cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed £100-150

267

‡ ROBERT HUNTER oil on boardentitled ‘Flood at Johnstown, Carmarthen 1955’, signed ‘Hunter ‘55’ (29 x 43cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office Condition Report: framed £100-150

268

‡ PRUDENCE WALTERS acrylic on paperabstract, entitled verso on Attic Gallery label ‘Blue Waters III’, signed (23 x 28cms)

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office Condition Report: framed and glazed £100-150

269

‡ CARL CHAPPLE oil on panel - figure, entitled ‘Alfredo 3’, signed verso to label (22 x 17.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, ready to hang £150-250

270

BRYN RICHARDS oil on canvas - still-life entitled ‘Avocado, Grapes and Peppers’, from the artist’s ‘Bowl Series’, dated verso 2008 (40 x 40cms)

Provenance: consigned by the artist’s family Condition Report: framed, ready to hang £150-200

271

BRYN RICHARDS oil on canvas - entitled ‘Red Mullet with Kiwi Fruit’, from the artist’s ‘Bowl Series’, dated verso 2009 (40.5 x 40.5cms)

Provenance: consigned by the artist’s family Condition Report: ‘floating type’ frame, surface marks to frame £150-200

272

‡ WYN HUGHES oil on board

- whitewashed cottage, signed (22.5 x 22.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £150-200

lot

‡

ALAN SALISBURY

tempera on boardentitled verso ‘Near Llangynidr’, signed with initials and dated 1986 (21.5 x 29cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed, ready to hang £150-250

275

276

277

278

‡

ALAN SALISBURY tempera on boardentitled verso ‘Rain Across the Vale’, signed with initials (18 x 24.5cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed, ready to hang £150-250

‡ ALAN WILLIAMS acrylic on board - entitled verso ‘Mountain Cottages’, signed (49 x 39cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and ready to hang £150-200

‡ HOWELL DAVIES oil on board - valleys street scene at dusk with corner shop, figures and two standing ewes, signed and dated ‘75 (51 x 74cms)

Provenance: private collection Bridgend County Borough, consigned via our Cardiff office

Condition Report: framed, ready to hang £150-250

‡ RAY CADWELL oil on canvas - The Moelwyns from Ynys, signed with initials (30 x 60cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: framed, discolouration, slight damage £150-250

‡ PAUL DAVIES (Beca Group) mixed mediaentitled verso on Attic Gallery label ‘LlechfainChwalfa (dispersal Welsh Communities)’, signed ‘Beca’ (19 x 27cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £150-250

‡

PRUDENCE WALTERS acrylic - semi abstract, entitled verso ‘Dream II’, with Attic Gallery label, signed (33 x 26cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £150-250

‡

RONALD LOWE mixed media - entitled verso on Attic Gallery label ‘Sea Cave Interior’, signed and dated ‘63 (18 x 44cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: framed and glazed £150-200

‡

ANDREW DOUGLAS-FORBES oil on board - semi-abstract, Llandeilo under bridge (25 x 35cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed £150-250

ALAN WILLIAMS acrylic on panelcocklepicker with her donkey, signed (28 x 40cms)

Provenance: consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £150-250

ALAN WILLIAMS acrylic on panelwhitewashed cottages on hillside, entitled verso ‘Hill Cottages’, signed (27 x 37cms)

Provenance: consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £150-250

Jones & Co

285

285

ALAN WILLIAMS acrylic on panelwhitewashed cottages with path, entitled verso ‘Long Cottage, Dyfed’, signed (45 x 60cms)

Provenance: consigned via our Cardiff office Condition Report: framed, ready to hang £150-250

286

ALAN WILLIAMS acrylic on panelcockle pickers with horse and cart, signed (31 x 47cms)

Provenance: consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £150-250

287

286

GEORGE CHAPMAN oil on canvas - large female figure with shopping bags, unsigned (39 x 29cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office Condition Report: framed, light surface scratch and surface marks £150-200

288

‡ WYN HUGHES oil on card - whitewashed hillside cottage, entitled verso ‘Bwthyn Dolgarrog’, signed (19 x 31cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed, no problems £150-250

289

‡ JOHN CLEAL oil on card - entitled verso ‘Beach of their Own’, signed (13.5 x 22cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £150-250

‡ LEO CARROLL oil on board - figure standing alongside fishing boat, entitled verso ‘Safe Harbour’, signed (36 x 43cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed, no problems £150-250

291

‡ JOHN LINES oil on canvas - standing figure at the back of terraced houses, entitled verso ‘Wondering Mrs Jones’, signed (28 x 28cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, ready to hang £200-300

292

‡ SUE MORGAN acrylic - figure, dog and vase (21 x 35.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £200-300

293

BRYN RICHARDS oil on board - still-life of plant, signed and dated January 1999 (45 x 45cms)

Provenance: consigned by the artist’s family Condition Report: framed and ready to hang £200-300

‡ STEPHEN JOHN OWEN oil and mixed media on board - upland Welsh cottages, signed with initials (48 x 48cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed, ready to hang £200-300

295

‡ DAVID GRIFFITHS MBE oil on board - entitled verso ‘The Waverley Leaving Penarth’, signed (39 x 49.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Auctioneer’s Note: built in 1946, PS Waverley is the last seagoing passenger-carrying paddle steamer in the world. Named after Sir Walter Scott’s first novel, she was built to replace the first PS Waverley that was built in 1899 which served in the Second World War as a minesweeper and was sunk in 1940 while helping to evacuate troops from Dunkirk. The Waverley, currently in maintenance for a new boiler, makes passenger excursions from various British ports including the Bristol Channel and was once a common site off the coast of Penarth.

Condition Report: framed and ready to hang £200-300

296

297

298

‡ WYN HUGHES acrylic

- St Cwyfan church, Ynys Mon, signed (15.5 x 31cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £200-300

299

‡

‡

STEPHEN JOHN OWEN oil and mixed media on board - whitewashed cottages, signed with initials (18.5 x 27cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and ready to hang £200-300

‡

STEPHEN JOHN OWEN oil and mixed media on boardterraced town houses with tall chimneys, signed with initials (27 x 20cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and ready to hang £200-300

STEPHEN JOHN OWEN oil and mixed media on boardwoodland with bluebells, signed with initials (34 x 38.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, ready to hang £200-300

‡ OWEN MEILIR oil on canvas - homage to Welsh artist Ifor Pritchard with figures in the snow, signed (44 x 34.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and ready to hang £200-300

‡ OWEN MEILIR oil on canvas - homage to Sir Kyffin Williams RA, view of Eglwys St. Cwyfan, Ynys Mon (Anglesey), signed (39 x 48cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and ready to hang £200-300

‡ TOM NASH oil on board - landscape, entitled verso ‘Static Gower Forms’, signed and dated 1962 (82 x 120cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, ready to hang £200-400

MICHAEL GUSTAVIUS PAYNE oil on canvasentitled verso ‘Dai the Singer’, signed with initials (30 x 25cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, ready to hang £200-250

‡ GLYN MORGAN mixed media with possibly gold leaf on board - entitled verso ‘The Flying of Marsyas IV, 1977’, signed and dated 1977 (44 x 48cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: unframed £200-250

305

‡ GLYN MORGAN mixed media on board - entitled verso ‘Marsyas; Variation VII, 1977’, signed and dated 1977 (47 x 51cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: unframed £200-250

306

‡ KARL DAVIES oil on hardboard - entitled verso ‘Autumn Landscape’, signed verso (60 x 121cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and ready to hang £200-400

307

‡ RAY EVANS acrylic on paper - coastal scene with sailing boats, signed and dated 3/66 (32 x 74cms)

Provenance: private collection Buckinghamshire, consigned via our Cardiff office

Condition Report: framed and glazed £200-300

308

‡ RAY EVANS watercolour - entitled bottom right ‘Llanhilleth, Ebbw Vale’, and on Musselwhite Gallery label verso, signed (33 x 44cms)

Provenance: private collection Buckinghamshire, consigned via our Cardiff office

Condition Report: later framed and glazed £200-300

309

‡ ROGER CECIL mixed media on card - semi-abstract, entitled ‘A Butterfly Kiss for Angharad’, signed verso on RCA label and dated 2003 (14.5 x 10cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, label verso for Royal Academy ‘Secret Postcard’ exhibition

Condition Report: framed and glazed, no problems £200-300

305

306

313

‡ CHARLES WYATT WARREN oil on boardSnowdonia lake scene, entitled verso ‘Llyn Gwynant’, signed (24 x 54cms)

Provenance: private collection Nottinghamshire, consigned via our Cardiff office

Condition Report: framed £200-400

314

‡ IVOR DAVIES MBE oil on canvas - still life of single stemmed rose in a vase, entitled verso ‘Blodyn’, signed (39 x 22cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, ready to hang £200-300

310

‡ ROGER CECIL mixed media on card - semi-abstract, entitled verso ‘A Night of Butterfly Kiss and the Winter Moor’, signed verso and dated 2013 (14 x 10cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, from the Royal Academy ‘Secret Postcard’ exhibition Condition Report: framed and glazed, no problems £200-300

311

‡ ERNEST ZOBOLE oil on card - entitled verso ‘Moonlit Sea’ (21 x 29cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £200-300

312

‡ DAVID WOODFORD oil on card - entitled verso ‘Winter SunsetTryfan’ (13 x 29cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: framed and glazed, no problems £200-300

315

‡ MICHAEL GUSTAVIUS PAYNE oil on canvas - entitled verso ‘A Journey Begins’, signed with initials (45 x 45cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed, ready to hang £200-300

‡ MICHAEL GUSTAVIUS PAYNE oil on canvas - figure holding a sword under apple tree, entitled verso on West Wales Art Centre Fishguard label ‘Fruit Tree’, signed with initials (44 x 34cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, ready to hang £200-300

‡ ELFYN LEWIS oil on canvasabstract, entitled verso ‘Dol Fair’ (20 x 14cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £200-300

‡ ELFYN LEWIS oil on canvas - abstract with yellow streak (21 x 20cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £200-300

‡ DAVID GROSVENOR oil on canvas - coastal scene with stormy skies, signed (19 x 37cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, no problems £200-400

320

RICHARD JONES oil on board - half portrait of a seated Saunders Lewis (Welsh political activist, poet, dramatist, historian and literary critic and prominent Welsh nationalist), holding a book and spectacles, signed and dated ‘73 (83 x 68cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, some light scratching to surface £200-400

321

GEORGE CHAPMAN early oil on cardlandscape with hill, signed (32 x 48cms)

Provenance: consigned by the granddaughter of the artist, consigned via our Cardiff office

Condition Report: framed and glazed, slight studio damage to the work £200-300

322

THOMAS HUSON oil on card - entitled verso ‘Tyn Towyn, Anglesey’, unsigned (14 x 22cms)

Provenance: private collection Denbighshire, consigned via our Colwyn Bay office

Condition Report: framed and glazed £200-300

‡ WYN HUGHES oil on canvas - hillside farm with snow, signed (25 x 29cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed, no problems £200-400

324

WYN HUGHES oil on board - entitled ‘Above Llanllyfni’, signed (30 x 30cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed, no problems £200-400

325

‡ MAVIS GWILLIAM acrylic

board - cliffs at Rhoscolyn, Anglesey, signed (39 x 49cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed £200-400

‡ DAVID GROSVENOR oil on board - entitled verso ‘Harlech Beach’, signed (13.5 x 37cms)

Provenance: private collection France, consigned via our Cardiff office

Condition Report: framed, no problems £200-300

SYDNEY WATSON

ARTHUR oil on boardwinter scene with sheep and trees, entitled verso on old artist’s label ‘Hillside, Betws-y-Coed, North Wales’, signed bottom left (under frame) (24 x 35cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed £200-300

328

‡ DAVID WOODFORD oil on card - entitled verso ‘Cwm Bochlwyd’, signed and dated ‘96 (14 x 22cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems £200-300

329

‡ DAVID WOODFORD oil on card - entitled verso ‘Evening Sky’, signed and dated 1997 (12 x 22cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems £200-300

330

‡ DAVID WOODFORD oil on card - entitled verso ‘Gwynant Warm Purples’, signed and dated 1997 (16 x 16cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems £200-300

331

‡ DAVID LLOYD GRIFFITH oil on cardentitled verso ‘Sunset Study’, signed with initials (13 x 29cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems £200-300

332

‡

DAVID WOODFORD oil on cardentitled verso ‘Cwm Caseg’, signed (13 x 18cms)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: framed and glazed, no problems £200-300

333

‡

DAVID WOODFORD oil on cardentitled verso ‘Rays’, signed and dated 1997 (10 x 16cms)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: framed and glazed, no problems £200-300

334

‡ S JARVIS oil on canvas - entitled verso ‘Fox Lane’, signed and dated ‘06 (40 x 40cms)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: framed, no problems £200-300

335

‡ BRENDA CHAMBERLAIN oil on canvas - entitled verso on Arts Council Great Britain Welsh Committee label ‘Golden Breast’, unsigned, dated 1962 (36 x 30cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed £200-400

336

‡ MICHAEL GUSTAVIUS PAYNE oil on canvas - entitled verso ‘The Cruelty of Common Sense’, signed with initials (45 x 29cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed £200-300

337

‡

JAMES DONOVAN oil on panelfigure running with a sweeping brush, entitled verso ‘The Morning Run’, signed with initials verso and dated ‘99 (23 x 18cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed £200-300

Jones

‡ DAVID GRIFFITHS MBE oil on canvas - entitled verso ‘Gimble Rock, Pwllheli’, dated verso 1977, signed (39 x 49cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and ready to hang £250-350

‡ IVAN TAYLOR oil on boardentitled verso ‘Caernarfon Castle and Harbour’, signed (39 x 59cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: good painted and moulded frame, ready to hang £250-350

‡ DAVID COWDRY oil on canvasriverside vegetation and flowers with nesting ducks, signed and dated 2004 (40 x 50cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed, no problems £250-350

341

GEORGE CHAPMAN oil on canvasfigure crouched with bucket, unsigned (29 x 29cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office

Condition Report: framed, ready to hang £250-350

‡ CHARLES WYATT WARREN oil on board - mountain stream flanked by trees, entitled verso ‘Pool in the River Conwy’, signed (19 x 34cms)

Provenance: private collection Derbyshire, consigned via our Colwyn Bay office Condition Report: original frame, no problems £250-350

344

‡ BRENDAN STUART BURNS mixed media, oil, wax, graphite and thread on board - entitled verso ‘Liquid Light Series 2006’, unsigned (25 x 29cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Auctioneer’s Note: Brendan Stuart Burns was awarded the National Eisteddfod Gold Medal for Fine Art in 1998. He is currently represented by Osborne Samuel Gallery, London; Rosenberg & Co, New York; Artis Gallery, Auckland, New Zealand and Caldwell Snyder, California

Condition Report: framed and glazed £250-350

‡ KAREN PEARCE oil on canvas - harbour wall and view out to sea, signed verso (40 x 50cms)

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

Condition Report: framed, no problems £250-350

343

‡ STEPHEN YOUNG oil on canvas - entitled verso on Martin Tinney Gallery label ‘The Steep Path’, dated 2009, signed with initials (40 x 36cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed, no problems £250-350

346

‡ DEWI TUDUR mixed mediaentitled verso on Martin Tinney Gallery label ‘Cawod o Eira / Snow Shower’, signed and dated 2004 (20 x 42cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £250-350

347

‡ GWYNETH TOMOS oil on canvas - coastal landscape at Nant Gwrtheyrn, Gwynedd, signed (60 x 75cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed £300-400

348

‡ WENDY LLOYD acrylicentitled verso ‘Welsh Hill Farm 2’, signed with initials and dated 2011 (37 x 54cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £300-400

HOLLY acrylic -

verso ‘Newport

Bridge’, signed (28 x 27.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang

TAYLOR oil on

- entitled verso

Pembrokeshire’, signed (29 x 38cms)

private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, slight surface marks to frame

on board

Llyn Ogwen, Eryri

trees,

with silver

x 33.5cms)

Provenance: private collection Cardiff

Report: later

ready to

-

tree-line,

(38.5 x 58cms)

Provenance: private collection Cardiff, consigned via

Report:

and glazed

354

CHRISTOPHER WILLIAMS oil on board - entitled verso ‘Tresaith, Cardigan’, in believed artist’s handwriting with date of 1917 (34 x 50cms)

Provenance: deceased estate Ceredigion, consigned via our Carmarthen office Condition Report: framed £300-500

355

CHRISTOPHER WILLIAMS oil on canvas - entitled verso ‘Moonlit Stream’, in handwriting and on label, with artist’s address, signed (41 x 45cms)

Provenance: deceased estate Ceredigion, consigned via our Carmarthen office Condition Report: framed, craquelure £300-400

‡ NICK HOLLY oil on canvas - New York City with yellow cab figures and tenements, signed (28 x 28cms)

Provenance: private collection Gwent, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £300-400

357

‡ CHRIS GRIFFIN oil on canvas - village scene with mountainous background, entitled verso ‘Landscape - Black Mountains’, signed (45 x 59cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed, ready to hang £300-400

‡ CARL MELEGARI oil on canvas - head and shoulders portrait of miner with helmet and lamp, entitled ‘Miner’ (25 x 20cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang

‡ GWILYM PRICHARD mixed media - landscape, entitled verso ‘Powys Mountain’, signed (18 x 28cms)

Provenance: private collection France, consigned via our Cardiff office

Condition Report: framed and glazed £300-500

‡ ROB PIERCY oil on board - Snowdon valley with escarpment and stream, signed (19 x 24cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed £300-500

362

‡ KARL DAVIES oil on board - landscape, signed and dated 2009 (60 x 121cms)

Provenance: private collection London, consigned via our Cardiff office

Condition Report: framed, ready to hang £300-500

GEORGE CHAPMAN oil on board (unfinished) - two figures in a street with truck, signed (40 x 54cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office

Condition Report: framed £300-400

364

KEITH SHONE oil on canvas - entitled ‘Spring, Snowdonia’ (59 x 49cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed, no problems £300-500

365

ARTHUR CHARLTON acrylic on board - Caswell Bay at low tide, signed (66 x 80cms)

Provenance: directly from the artist’s family, consigned via our Cardiff office

Condition Report: framed, no problems £300-400

366

370

‡ PETER GORSUCH oil on board - entitled verso ‘Hen Lantrisant (Old Llantrisant)’, signed with initials (37 x 28cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed, no problems £300-500

‡

ARTHUR PRITCHARD oil on boardAnglesey cottages, signed (34 x 56cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed, no problems £300-400

367

GEORGE CHAPMAN oil on boardlandscape with distant trees (26 x 18cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: framed, ready to hang £300-400

368

‡ ROGER CECIL mixed media with oil on card - entitled verso on Gordon Hepworth Fine Art label ‘Celtic Land II’ and dated 1998 (20 x 16cms)

Provenance: private collection Cornwall, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £300-400

369

‡ PETER GORSUCH oil on boardentitled verso ‘Awyr Goch / Red Sky After the Storm’, signed with initials (44 x 58cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed, no problems £300-500

371

‡ CHARLES WHITE oil on board - farmer on tractor ploughing field, entitled verso on Royal Society of Arts 1966 label ‘Early Ploughing’, signed and dated ‘62 (120 x 58cms)

Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office

Condition Report: framed £300-500

372

‡ KAREL LEK oil on canvas - couple walking with child in a pushchair, signed (29.5 x 29.5cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed, ready to hang £300-400

373

‡ KAREL LEK oil on canvas - entitled verso ‘March - Mumbles’, signed (29 x 39cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed £300-400

‡ IVOR DAVIES MBE oil on canvas - still life, entitled verso on Bruton Gallery label ‘Anemones’, signed and dated ‘94 (28 x 28cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Auctioneer’s Note: Ivor Davies was awarded the National Eisteddfod Gold Medal for Fine Art in 2002, and the retrospective of his work in the National Museum, Cardiff in 2015 was the largest exhibition of the work of a contemporary artist in Wales

Condition Report: framed, no problems £300-400

375

‡

STEPHEN YOUNG oil on canvas - entitled verso on Martin Tinney Gallery label ‘Red Tie’, signed with initials, dated 1993 (56 x 45cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed, no problems £300-400

376

‡ WARREN S HEATON oil on canvas - woodland with tall trees, entitled ‘Woodland Giants’, signed (100 x 100cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, no problems £300-400

377

‡ GOMER LEWIS oil on canvas - semi-abstract coastal scene, entitled ‘Behind the Shore’, signed (90 x 122cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, no problems £300-400

378

NEALE HOWELLS oil on panel in four sectionsabstract graffiti, signed on panel verso (51 x 51cms)

Provenance: consigned by the artist

Condition Report: unframed £300-500

NEALE HOWELLS oil on panel and frame - entitled verso ‘What Do I Know About Me ‘22’, signed and dated verso (45 x 54cms)

Provenance: consigned by the artist

Condition Report: framed £300-500

380

‡ GEORGE CHAPMAN oil on board - entitled verso on Zwemmer Gallery and Goldmark Gallery labels, ‘Two Men Passing’, signed (41 x 50cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, some rubbing and damage to outer frame £300-500

Rogers Jones & Co

381

‡ JOHN ELWYN acrylic on card - still life of mixed flowers in a vase, unsigned, John Elwyn Studio stamp verso (22 x 22cms)

Provenance: private collection Ceredigion, consigned via our Cardiff office

Condition Report: framed, ready to hang £300-400

382

383

‡

KARL DAVIES oil on board - entitled verso on Albany Gallery label ‘Old Farmer’, signed and dated verso 2017 (35 x 39.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office, proceeds to go to City Hospice Condition Report: framed and ready to hang £400-600

‡ RAY HOWARD JONES oil on boardisland coastal scene, entitled verso ‘The Rocks Remain - Scalmeye’, signed verso with artist’s London address (46 x 53cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, ready to hang £400-600

384

‡ ERIC MALTHOUSE oil on canvas - titled verso on Dillwyn Gallery & Studio label ‘Subtraction Nine’, signed verso (127 x 102cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed in a ‘floating’ metal surround, some scratching and indentations to canvas £400-600

385

‡ CARL MELEGARI oil on canvas - head and shoulders portrait of a male and female, entitled ‘Duo’ (40 x 30cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £400-600

386

‡ MIKE JONES mixed mediaentitled verso ‘Gardener (Planting)’, signed (23 x 29cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed and glazed, no problems £400-600

387

‡ GARETH HUGH DAVIES oil on canvas - male in cap watching three sailing boats at sea (24 x 90.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: sl. surface marks, localised craquelure, framed £400-600

388

‡ EURGAIN EVANS oil on board - industrial landscape with colliery buildings and standing figures, entitled verso on Industrial Wales Exhibition label ‘Cwm Parc’ (68 x 63cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office Auctioneer’s Note: the artist was born in Betws-y-Coed and studied at The Royal Academy, this painting was exhibited at the 7th exhibition of Contemporary Welsh Paintings, Drawings and Sculpture, 1966, organised by the Arts Council of Great Britain - Welsh Committee Condition Report: framed £400-600

389

‡ RAY HOWARD JONES oil on board - reclining nude in an artist’s studio, signed and dated 1942 (24 x 34cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: framed £400-600

390

‡ MARTYN JONES oil on canvas - entitled verso ‘Overland 2007 Scenes - Overland Eden V’, signed verso (102 x 102cms)

Provenance: private collection Surrey, consigned via our Cardiff office, exhibition catalogue and posters (retained with us)

Condition Report: ready to hang £400-600

391

DAVID GRIFFITHS MBE oil on canvasentitled verso ‘Bracelet Bay, Mumbles’, signed (50 x 75cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, ready to hang £400-600

392

GEORGE CHAPMAN oil on panellandscape with fields and trees on a hill, signed with initials (29 x 41cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office

Condition Report: framed and glazed, ready to hang £400-600

393

GEORGE CHAPMAN four oils on canvas - unfinished compositions including figure walking, colliery, lady with shopping bag and figure with umbrella in the rain (4) (various sizes largest 51 x 61cms)

Provenance: vendor is the grandson of the artist, by descent

Condition Report: in good antique-style frame £400-600

392

‡ OWEN BOWEN oil on boardlandscape with tall trees and sheep, signed (44 x 33cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: in good antique-style frame £400-600

‡ OZI RHYS OSMOND oil on canvas - landscape, entitled verso ‘Hwyrgan (Nocturne)’, signed verso (48 x 58cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed £400-500

‡ CLIVE HICKS-JENKINS acrylic on paperentitled verso on Martin Tinney Gallery ‘Chapel at Cwm Camlais II’, unsigned, dated 2004 (26 x 25cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed and glazed, no problems

‡ EDWARD (ED) POVEY oil on canvas - entitled verso ‘A Woman With a Crown of Thorns and a Table’, dated September ‘98 (38 x 33cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office, purchased directly from the artist October 1998, cleaned and conserved by Rachel Howells Painting Conservation Studio

Condition Report: framed and glazed, no problems

‡ EDWARD (ED) POVEY oil on canvas - entitled verso on Martin Tinney Gallery label ‘Couple Dancing’, signed and dated ‘95 (80 x 64cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Report: framed £400-600

‡ KERRY DARLINGTON acrylic, layered and relief resin, unique edition (264/295) - entitled ‘Rapunzel’, together with COA (65 x 74cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed £400-600

‡ GEOFFREY WYNN oil on canvasportrait of seated figure with hands together, entitled verso ‘Hawkey (Andrew Hawkey, Llanidloes)’, signed with initial (117 x 88cms)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: framed, no problems £400-600

Rogers Jones

Co

401

‡ JOHN ELWYN oil on canvas - dead tree in woodland, unsigned (40 x 51cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: unframed on stretcher only £400-600

402

403

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, surface marks, benefit from cleaning £500-800

GARETH PARRY acrylic - expansive view of the artist’s hometown of Blaenau Ffestiniog, Gwynedd, signed (34 x 49cms)

‡

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £500-700

JOHN COLLIER large oil on board - figures in coal-mining town with colliery, entitled bottom left and verso on The New Art Centre, London label ‘Bus Stop’, signed and dated 1966 (90 x 121cms)

404

‡ HARRY HOLLAND oil on board - figure, possibly titled ‘White Drape Back’, circa 1992-1994, signed (43 x 56cms)

Provenance: private collection Bridgend, consigned via our Cardiff office, printed correspondence between artist and vendor verso

Condition Report: framed, ready to hang £500-1,000

405

‡

CHARLES WYATT WARREN oil on boardLlyn Cwm Ffynnon and Yr Wyddfa (Snowdon), signed (28 x 74cms)

Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Condition Report: in original frame typical of the artist, frame in very good condition for its age, ready to hang £500-800

406

‡

CHARLES WYATT WARREN oil on board - entitled verso ‘Llyn Cwm Bychan’, signed (23 x 53cms)

Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Condition Report: in original frame typical for artist, frame and mount, mount in very good condition for age, surface marks to frame, ready to hang £500-800

407

‡

CHARLES WYATT WARREN oil on boardEryri (Snowdonia) stream with silver birches, signed (23 x 54cms)

Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Condition Report: in original frame typical of artist £500-800

408

‡

IWAN GWYN PARRY oil on canvas - entitled verso ‘Meeting Point’, signed and dated verso 2007/08 (71 x 102cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: unframed £500-800

‡

CHARLES WYATT WARREN oil on board - Eryri (Snowdonia) landscape with whitewashed farm buildings and barns with nearby stream, signed (36 x 90cms)

Provenance: private collection Nottinghamshire, consigned via our Cardiff office Condition Report: framed, ready to hang £500-800

‡ NEALE HOWELLS polystyrene, wood and oil paints - titled ‘Baby Andre’ (71 x 69cms incl. frame)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: ready to hang £500-700

‡ VALERIE GANZ oil on cardhead and shoulders portrait of violinist Heather Badke at the Brecon Jazz Festival, signed (24 x 34cms)

Provenance: private collection Powys, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £500-800

‡ JEAN REES ARWA oil on board - entitled verso ‘The Harbour, Aberystwyth’, signed (22 x 42cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed, no problems

‡

IFOR PRITCHARD oil on canvasline of quarrymen walking on a path above village, ‘Wending Home’, signed (40 x 60cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed, no problems

415

‡ ARTHUR PRITCHARD oil on canvas - roadside cottages, signed (30 x 40cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed, no problems £500-700

416

GEORGE CHAPMAN oil on canvas - street scene with two figures at the foreground and a figure with an umbrella in the distance (90 x 58cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: framed £500-800

417

‡ TOM GERRARD oil on board - mountainside hamlet in Snowdonia with slate fences, signed (51 x 88cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: framed, no problems £500-700

418

‡ JAMES DONOVAN oil on canvas - blue boat, signed with initials and dated ‘97 verso (97 x 80cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed, no problems £500-700

419

‡ MARTIN LLEWELYN oil on canvas - entitled verso ‘Llyn Crafnant’, signed with initials (39 x 39cms)

Provenance: private collection North West England, consigned via our Colwyn Bay office

Condition Report: framed £500-800

420

‡ MIKE JONES oil on paper - entitled verso ‘Two Men, Godre’r Graig’, signed (23 x 25cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £500-700

421

‡ MARTIN LLEWELLYN oil on canvas - still life, entitled verso on Ffin y Parc Gallery label ‘Pot of Daisies’, signed with initials (59 x 59cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed, ready to hang £500-800

422

‡ GWILYM PRICHARD mixed media with oilswreck of boat, entitled verso ‘Carcass’, signed (33 x 48cms)

Provenance: private collection France, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £600-800

423

424

‡

CHARLES WYATT WARREN oil on board - coastal scene, entitled verso ‘Beach Near Rhosneigr, Anglesey’, signed (24 x 55cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed £600-800

ALFRED WORTHINGTON oil on board - view of Llanbadarn Church, Aberystwyth, with The Black Lion public house and lady in traditional Welsh costume (19 x 31cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: framed £600-800

425

‡ ARCHIBALD SANDERSON oils on canvas, mounted to board - both depiciting farm buildings, Pembrokeshire, one signed (29 x 38cms and 29 x 39cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Auctioneer’s Note: Sanderson was an art tutor at the Slade School of Art and friends with the brothers John and Paul Nash.

Condition Report: framed, no problems £600-800

426

‡ WYNNE JENKINS oil on canvas - entitled verso ‘Fferm Llanddyfnan Sir Fon’, signed (30 x 40cms)

Provenance: private collection Powys, consigned via our Cardiff office Condition Report: framed, no problems £600-800

427

‡ EVELYN WILLIAMS oil on canvas - nude couple in an embrace, signed and dated verso 1992 (61 x 51cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office, purchased from the artist

Auctioneer’s Note: This painting is illustrated p. 117 of the monograph ‘Evelyn Williams - Works and Words’, 1998

Condition Report: framed £600-800

428

‡ MARTIN LLEWELLYN oil on canvas - entitled verso ‘Chapel Road’, signed with initials (60 x 60cms)

Provenance: private collection North West England, consigned via our Colwyn Bay office

Condition Report: framed £600-900

429

RICHARD BEAVIS oil on canvas - cattle on Welsh mountainside with horse and rider, with Spink of London label verso, signed (20 x 30cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed £650-850

UHLMAN oil on board - coastal scene depicting boats and dwellings, entitled verso ‘The Blue Boat, Corfu’ on Attic Gallery label (24 x 29cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Report: framed and glazed £700-1,000

‡ JOHN ELWYN oil on board - south Wales industrial landscape with terraced houses, entitled verso ‘In the Rumney Area’, signed and dated 1960 (43.5 x 53.5cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: v. sl losses, marks, framed ready to hang £700-1,000

GEORGE CHAPMAN oil on canvas - portrait of a standing miner in overalls and helmet, leaning against a wall with a sign above ‘Warning’ (115 x 59cms)

Provenance: consigned by the granddaughter of the artist via our Cardiff office

Condition Report: framed, ready to hang £700-1,000

EVAN CHARLTON oil on board - Gothic

with objects on table, entitled verso ‘The Lamp’, signed verso (90 x 60cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Report: framed, ready to hang £800-1,200

ROBERT HUNTER mixed media on board - figure despondent with arm in sling, signed and dated 1955 (80 x 50cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, ready to hang £800-1,200

435

‡ WILF ROBERTS oil on board - entitled verso on Attic Gallery label

‘The Bridge, Aberffraw (Y Bont, Aberffraw)’, signed and dated 2015 (24 x 24cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £800-1,000

‡ KAREL LEK oil on canvas - shepherd holding crook in sunlight, entitled verso ‘Shepherd’, signed (60 x 92cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed, no problems £800-1,000

438

‡ DAVID SMITH oil on board - view across bay with stormy clouds, signed (98 x 123cms)

Provenance: private collection Denbighshire, consigned via our Colwyn Bay office

Condition Report: framed, no problems £800-1,200

439

‡

GWILYM PRICHARD oil on board - entitled verso on Cheltenham Fine Arts Gallery label ‘Cornfields 1’, signed (25 x 45cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed, no problems £800-1,000

‡ WILF ROBERTS oil on panel - lane with whitewashed buildings, entitled verso on Oriel Tegfryn label ‘Y Garn’, signed and dated 2006 (20 x 20cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office, together with an exhibition catalogue entitled ‘Familiar Paths’ Condition Report: framed, ready to hang £800-1,000

‡ WILL ROBERTS oil on board - farmer leaning on shovel, signed with initials (26 x 20cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Report: framed, no problems £800-1,000

‡ KEVIN SINNOTT oil on board - two seated figures under a tree in an embrace, entitled ‘Study for Sacred Love’, signed with initials, dated 1996 (29 x 39cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office, purchased from the artist

Auctioneer’s Note: the first full scale version of ‘Sacred Love’ (56” x 68”) was shown in the artist’s catalogued solo show at the Bernard Jacobson Gallery, London in 1990. This study was for a large version, in a sylvan setting, painted after the artist’s return to Wales in 1993.

Condition Report: framed, no problems £800-1,200

‡ GWILYM PRICHARD oil on canvasentitled verso ‘Ice on Llyn Ogwen’, signed and dated ‘81 (40 x 50cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed, ready to hang £800-1,200

GROSVENOR oil on canvasshoreline with distant headland, signed (75 x 75cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

‡ DAVID GROSVENOR oil on canvas - rocky coast with distant headland, signed (75 x 75cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and ready to hang £900-1,200

Condition Report: framed and ready to hang £900-1,200

‡ GWILYM PRICHARD oil on board - entitled verso ‘Rocks Penmon’, signed (35.5 x 50.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Auctioneer’s Note: signed ‘Pritchard’ which was used in the artist’s early work before the later use of ‘Prichard’

Condition Report: later framed, ready to hang £900-1,200

‡ NICK HOLLY oil on canvas - village terraces at dusk, with two red shirted children and two others playing, signed (80 x 100cms)

Provenance: private collection North Wales, consigned via our Colwyn Bay office

Condition Report: in contemporary frame £1,000-1,500

‡

JOHN ELWYN oil on board - entitled verso ‘The Mourners’, signed and dated 1952 (21 x 24cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, ready to hang £1,000-1,500

‡ CLIVE HICKS-JENKINS acrylic on panel - entitled verso ‘Welsh Congregational Chapel 2004’, signed verso (82 x 62cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, ready to hang £1,000-1,500

FOLLOWER OF RICHARD WILSON RA oil on canvas - expansive landscape with distant fortification, headland with small church and kneeling figures, the foreground with figure on horseback (64 x 77cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: in period gilt frame (some losses and damage), slight paint loss and surface scratches to the canvas, craquelure, relined £1,000-1,500

GEORGE CHAPMAN oil on board - two standing figures, signed (31 x 19cms)

Provenance: consigned by the daughter of the artist, via our Cardiff office

Condition Report: framed, ready to hang

RUSSELL oil on board - entitled verso ‘Farm Cottages, Anglesey’, signed (52 x 75cms)

Provenance: private collection Swansea, consigned via our

framed, no problems

‡

MEIRION GINSBERG oil on

- entitled verso on Oriel Tegfryn Gallery label ‘Bird and Window’, signed and dated 2018 verso (40 x 30cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition

framed, ready to hang

‡

MELEGARI oil on box canvas - head and shoulders

entitled verso ‘Giraldo’ (45 x 35cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition

floating frame, ready to hang

‡ GWILYM PRICHARD oil on canvasmountainscape with stream, entitled verso ‘Y Rhiniog’, signed and dated verso 1999. (50 x 72cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Report: framed and ready to hang

‡ CARL MELEGARI oil on box canvasentitled verso ‘Miner with Pick’ (59 x 44.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Report: box canvas floating in heavy quality frame, glazed, ready to hang

‡ SHANI RHYS JAMES MBE oil on gesso - entitled verso on Martin Tinney Gallery label ‘Mother’s Head II’ (24 x 20.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office, purchased by vendor from Martin Tinney Gallery as per label and enclosed catalogue and exhibition invitation

Report: would benefit from light clean, framed

‡

JONES

on

- standing farmer rolling

cigarette,

verso on

Fine Art Gallery label

Provenance:

(50 x

Glamorgan,

collection

JONES

on

- standing farmer with

with sun

Provenance:

(45 x

Glamorgan,

on his

collection

‡ WILL ROBERTS oil on canvas - entitled verso ‘Man with Scythe’, signed with initials in full verso, dated ‘89 (25 x 30cms)

Provenance: private collection London, consigned via our Cardiff office

Condition Report: framed £1,500-2,000

461

GEORGE CHAPMAN oil on canvas - expansive landscape with the roofs of terraced houses, entitled verso ‘Tonypandy’, signed (74 x 123cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: framed £1,500-2,000

462

GEORGE CHAPMAN oil on board - figures in motion with South Wales Valley landscape and buildings, unsigned (60 x 73cms)

Provenance: vendor is the grandson of the artist, by descent Condition Report: framed, no problems £2,000-3,000

‡ CHARLES WYATT WARREN oil on board - Llyn Nantlle, Snowdonia with lakeside cottages, signed (75 x 105cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, no problems £1,500-2,000

‡ GWILYM PRICHARD oil on board - farmstead (44.5 x 75cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: later framed, ready to hang £1,800-2,500

‡

KNAPP-FISHER

on board - expansive

across valley with

buildings and fields,

and dated 1964.

‡

x

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed

ROBERTS

- sun hidden by

and figure walking,

with initials, dated

(40 x

Provenance: private collection London,

via

Condition Report:

467

‡

UHLMAN

on canvasentitled verso ‘Cemetary of Lancieux (Brittany)’, signed and dated ‘49 (46 x 61cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report:

‡

Provenance:

Condition

Provenance:

Provenance:

Provenance:

Provenance:

Condition

Rogers Jones

EVELYN WILLIAMS large oil on canvas - entitled ‘Apparition’, signed and dated verso 2002 (122 x 91.5cms)

Provenance: instructed by the Director Trustees of the Evelyn Williams Trust. Proceeds will help fund The Trust’s biennial Evelyn Williams Drawing Award made in conjunction with Drawing Projects UK and the Trinity Buoy Wharf Drawing Prize exhibition. The current award holder Penny McCarthy is showing the exhibition of her drawings Cloud falls in Love with Mortal at Hastings Contemporary 8 October 2022 to 12 March 2023

Condition Report: no problems, unframed, ready to hang £2,500-3,500

477

‡ WILL ROBERTS oil on board - figure amongst buildings and trees West Wales farm, signed verso and dated 1966/1970 (60 x 75cms)

Provenance: private collection Neath Port Talbot, consigned via our Cardiff office Condition Report: framed (frame a little tired and marked), ready to hang £2,500-3,500

478

‡ WILL ROBERTS oil on canvas - figure wearing red with horse or mule, entitled verso ‘The Cockle Cart’, signed with initials and verso with date 1980 (25 x 29cms)

Provenance: private collection Neath Port Talbot, consigned via our Cardiff office Condition Report: framed, ready to hang, fine example £2,500-3,500

‡ WILF ROBERTS oil on canvas - entitled verso ‘Porth Twyn Mawr, Anglesey’, signed front and verso, dated 2009 (50 x 50cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Condition Report: framed £2,500-3,500

‡ EVAN CHARLTON oil on boardentitled verso ‘Refugees from the Snowstorm, 1982’, signed verso (75 x 120cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed £2,800-3,500

480

EVELYN WILLIAMS oil on canvas - entitled ‘Gust of Wind. Departure No.2’ (121 x 122cms)

Provenance: instructed by the Director Trustees of the Evelyn Williams Trust. Proceeds will help fund The Trust’s biennial Evelyn Williams Drawing Award made in conjunction with Drawing Projects UK and the Trinity Buoy Wharf Drawing Prize exhibition. The current award holder Penny McCarthy is showing the exhibition of her drawings Cloud falls in Love with Mortal at Hastings Contemporary 8 October 2022 to 12 March 2023, exhibited Freedom to Create: A Centenary Exhibition of Summerhill School Institute of Education August / September 2022

Condition Report: unframed, ready to hang £2,800-3,500

482

‡ JOHN ELWYN oil on canvas - expansive south-west Wales landscape, entitled verso ‘No. 33 Dyfed on a Wet Day’ on artist’s address label, signed lower right and verso (90 x 90cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: very good overall condition, framed £3,000-4,000

483

‡ CLAUDIA WILLIAMS oil on canvas - entitled verso in artist’s handwriting ‘Le Bain / The Bath’ and dated 1987, signed with initials (71 x 52cms)

Provenance: private collection Cheshire, consigned via our Colwyn Bay office

Condition Report: framed, ready to hang £3,000-4,000

484

EVELYN WILLIAMS oil on canvas - entitled ‘Remember Me’, dated 2005 (122 x 153cms)

Provenance: instructed by the Director Trustees of the Evelyn Williams Trust. Proceeds will help fund The Trust’s biennial Evelyn Williams Drawing Award made in conjunction with Drawing Projects UK and the Trinity Buoy Wharf Drawing Prize exhibition. The current award holder Penny McCarthy is showing the exhibition of her drawings Cloud falls in Love with Mortal at Hastings Contemporary 8 October 2022 to 12 March 2023

Condition Report: unframed, sl. marks to corner and edges of canvas, no major issues £3,000-5,000

‡ WILL ROBERTS large oil on board - landscape with cart of milk churns, farm and lane beyond with red sky over horizon, entitled verso ‘Setting Sun, 1963’, signed with initials (80 x 112cms)

Provenance: private collection Cardiff, consigned via our Cardiff office, non-written provenance but said to have been in the ownership of the artist’s family for some time as the artist was particularly fond of the work

Auctioneer’s Note: the largest Will Roberts work to have appeared in any Welsh Sale

Condition Report: framed and ready to hang £4,000-6,000

JOHN ELWYN

oil on boardlandscape with roses, entitled verso ‘Roses’, signed and dated

Cardiff office

Rogers Jones & Co • The Welsh Sale

‡ CERI RICHARDS CBE oil on canvas - entitled verso ‘Portrait of Esther (artist’s sister)’, circa 1931, signed (60 x 50cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: framed, ready to hang £5,000-7,000

487

‡ HARRY HOLLAND oil on panel - female in red dress leaning forward, entitled verso on Martin Tinney Gallery label ‘Shade’, signed and dated verso 2001 (60 x 50cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed, no problems £4,000-6,000

Rogers Jones

491

492

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DONALD McINTYRE oil on board - Snowdonia landscape with lake, entitled verso ‘Snowdon’, signed (39 x 100cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed £2,000-3,000

493

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DONALD McINTYRE oil on board - entitled verso ‘Holyhead Mountain’, signed (39 x 74cms)

Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office

Condition Report: believed original frame, ready to hang £1,500-2,500

DONALD McINTYRE acrylic - entitled verso ‘Grey Sea, Anglesey 2’, signed with initials (18 x 25cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £2,000-3,000

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DONALD McINTYRE oil - entitled verso on label referring to Howard Roberts Gallery ‘Port Eynon, The Gower’, signed (46 x 72cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £3,500-4,500

‡

DONALD McINTYRE oil on board - row of whitewashed stone cottages, entitled verso on Attic Gallery label ‘Anglesey Cottages’, signed with initials (35 x 44cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed and glazed £4,000-6,000

Rogers Jones

496

‡ JAN HAMER stoneware - model of a speckled duck, studio mark to base (20cms high)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: no issues £100-120

497

‡ GILLIAN STILL ceramic - entitled ‘Homage to Dali and Braque’ (22.5cms high)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: no problems £100-120

498

‡ CATRIN HOWELL ceramic study - of a raven’s head (17 x 20cms wide)

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

Condition Report: no issues £100-120

499

‡ FRANK ROPER painted bronze on marble - hollow-work, entitled ‘Etruscan Bull’ (28cms long)

Provenance: private collection Vale of Glamorgan, by descent, consigned via our Cardiff office, purchased by late husband from Cardiff gallery

Condition Report: small chips to base of marble believed to have been present at purchase by vendor’s husband £150-200

500

DARREN YEADON Carrara marble sculpture - stylized fish with head turned to the right (36 x 35cms)

Provenance: consigned by artist, via our Cardiff office

Condition Report: no issues £800-1,20

501

DARREN YEADON Carrara marble sculpture - stylized fish with open lattice design (40 x 60cms)

Provenance: consigned by artist, via our Cardiff office

Condition Report: no issues £1,000-1,500

SWANSEA PORCELAIN TRIO OF PLATE, CUP & SAUCER circa 1815-1817, decorated in the ‘Kingfisher’ pattern with the bird perched on a stem of blossom, plate 21cms diam

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: faint small hairline to saucer # £100-150

SWANSEA PORCELAIN PART BREAKFAST SET circa 1817-1820, comprising milk jug and trio, the milk jug with wide spout and spurred handle, each with basket weave moulding over spiral cartouches, painted with individual pink roses, the milk jug also with four colourful insects

Provenance: private collection Swansea, consigned via our Cardiff office, label to milk jug stating ‘Lady Llanover’s Service’, no items are marked Swansea Condition Report: wear to gilding # £100-150

SWANSEA PORCELAIN JAPAN TEACUP & SAUCER circa 1817-1820, Pattern No.219

Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: no structural problems, wear commensurate with age # £100-150

SWANSEA PORCELAIN CABINET CUP STAND circa 1815-1817, centre painted by George Beddow with figure and cottage in river and mountain landscape, within border of gilt plumes and foliage to a deep blue ground, titled to base in Beddow’s hand ‘In Wales’

Provenance: consigned by family of pre-eminent Welsh porcelain collector Sir Leslie Joseph, bears his label, consigned via our Cardiff office Condition Report: without damage or restoration, fresh # £100-150

THREE SWANSEA TABLEWARES in the Marino Ballroom pattern, comprising oval dish and two circular, Swansea trident mark to base (plates 23cms diam)

Provenance: deceased estate Gwent, consigned via our Cardiff office

Condition Report: overall good, wear, small flake to underside of plate rim # £100-150

THREE SWANSEA PORCELAINS IN LIME GREEN GROUND circa 1815-1820, comprising twig-handled dish and a pair of circular plates, decorated with outer sprays of flowers and scattered sprigs, centred reserve with gilt rosette, solid gilt border

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: wear only # £200-300

PAIR OF SWANSEA GLASSY PASTE PORCELAIN PLATES circa 1815, of circular non-moulded form, painted with sprays of flowers within solid gilt borders, one plate impressed with Swansea trident mark, 20cms diam

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: appear to be no issues # £150-250

509

SWANSEA PORCELAIN FAN HANDLED DISH circa 1815-1817, decorated in the ‘Kingfisher’ pattern with the bird perched on a stem of blossom, with gilded rim and moulding, Swansea script mark to base, 21cms diam

Provenance: private collection Neath-Port Talbot, consigned via our Cardiff office

Condition Report: fine condition # £150-200

510

SWANSEA PORCELAIN TWIG-HANDLED DISH circa 1817-1820 with lime-green reserve border, painted with sprays of flowers and scattered sprigs within a solid gilt rim, the centre with gold motif within a rectangular gold scroll and solid border (32cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office, label referring to Harold Davies

Condition Report: without structural issues, wear commensurate with age # £150-250

GROUP OF SWANSEA PORCELAIN PARIS FLUTE

CUPS & SAUCERS circa 1815-1820, comprising cup and saucer decorated with trails of open pink roses, a trio having gilded boar’s head crest within gilded border of interlocking shell motifs and another with gilded floral motif

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: repaired handle (roses) #

512

THREE SWANSEA PORCELAIN SET-PATTERN

TRIOS comprising (1) Pattern No.248 with pink roses in octagonal yellow ground reserves to a wide border of gold, (2) Pattern No.405 with underglazed deep blue border with gilt foliate scrolls and reserves of gilt rosettes, (3) Pattern No.419 with border of orange lozenges and gilt pendant foliage and gilt anthemions, each trio with base marks

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: overall in good condition, wear # £200-300

SWANSEA OR COALPORT PORCELAIN PLATE FROM THE LYSAGHT SERVICE circa 1820 with lobed rim, fully painted by Henry Morris with a basket of flowers resting on a stone plinth, including roses, forget-me-nots, morning glory and chrysanthemum, the plinth hung with a garland of flowers, the deep blue border richly gilded with scrollwork, unmarked 24.5cms diam

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: chip to underside foot, wear # £200-400

514

SWANSEA PORCELAIN TEAPOT & COVER IN THE MANDARIN PATTERN circa 1814-1822, rounded and bellied rectangular form with moulded knop, infill transfer with village scenes in the Chinese famille-rose style, includes figures and seated Mandarin, the border with panels of exotic birds and panels of iron-red landscapes within gilt scrollwork frames, surrounded by profuse gilding (spout to handle 26cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office, old label for ‘Davies, Cwm’

Condition Report: faint localised crazing, minor faint hairlines # £200-300

515

RARE SWANSEA PORCELAIN SQUARE DISH circa 1815-1822, of lobed form, decorated with a garland of of blooming pink roses and leaves, to the interior a large spray of colourful flowers, all within a gilt motif decorated ground, wide solid gilt decorated rim, impressed SWANSEA and trident to base (23cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: restoration to corner section, wear # £200-300

516

SWANSEA PORCELAIN PART TEA SERVICE circa 1817-1820, Pattern No. 259, comprising twin-handled sucrier and cover, a pair of trios and a circular bread-plate, each in Japan pattern of deep orange ground with white scalloped reserves containing orange and green foliage and with grotesque heads in purple, Swansea stencilled and script marks

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: one cup with broken handle and hairline, repair to cover of tureen, possible regilding in areas # £300-500

517

SWANSEA PORCELAIN JAPAN PATTERN PART-DESSERT SERVICE circa 1815-1817, comprising twig-handled footed centre dish, 32cms, twin-handled tureen with stand and cover applied with pineapple finial, three circular plates, 21cms diam, impressed SWANSEA mark

Provenance: consigned by family of pre-eminent Welsh porcelain collector Sir Leslie Joseph, bears his labels and that of well-known collector Harry Sherman, consigned via our Cardiff office Condition Report: excellent, faint crazing possible hairline to centre-dish, no other notable damage or restoration, wear to gilding on tureen stand, very fresh overall # £300-500

518

RARE SWANSEA PORCELAIN TOPOGRAPHICAL PLATE circa 1815-1817, circular non-moulded, the interior fully painted with a titled scene ‘Ackworth School’ within a solid gilt frame and with salmon pink band to the border rounded by solid gilt rim, impressed Swansea trident mark, 23cms diam

Provenance: private collection Swansea, consigned via our Cardiff office, to accompany a 1942 letter from headmaster of Ackworth School to then owner Louis Goldstone of 21 Richardson Street, Swansea, this responding letter relates to a request from Mr Goldstone for information regarding former pupils with the surname Bevington

Auctioneer’s Note: founded in 1779, Ackworth School, near Pontefract is still in operation. It was originally a boarding school for Quaker children. Mr Goldstone would have been enquiring as to whether the plate was so decorated, as Timothy and John Bevington (the partners in Cambrian Pottery), were alumni of the school. T & J Bevington were also Quakers so it may have been likely. The headmaster’s response in the letter was inconclusive.

Condition Report: slight impact mark over and to right of main house, fresh decoration # £400-600

519

SWANSEA PORCELAIN

PART DESSERT SERVICE circa 1815-1820, comprising twin-handled sauce tureen, (19cms handle to handle) cover and stand, square dish, circular dish and plate, each with typical c-scroll and floral moulding, decorated by William Pollard with colourful flowers and with gilt work scrolling and green enamel fern fronds, stencilled SWANSEA to some elements

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: one plate restored, hairline to another, wear but overall excellent # £500-700

520

SWANSEA PORCELAIN

TEAPOT & STAND circa 1815-1817, of rectangular form with a distinctive rectangular moulded knop and spurred moulded handle, copied from a Georgian silver prototype, painted in outline and hand coloured with the ‘Parakeets in a Tree’ pattern within a gilt dentil rim, Swansea script mark to base, 25cms handle to spout

Provenance: private collection South West England, consigned via our Cardiff office Condition Report: very small hairline to knop, crazing to stand # £500-800

521

FINE SWANSEA PORCELAIN TWIG-HANDLED DISH circa 1815-1817, rectangular shape with gilded twig handles, painted by David Evans with bouquets of circling flowers tied with purple ribbons within a solid gilt rim, Swansea script mark to base, 28cms handle to handle

Provenance: private collection Neath-Port Talbot, consigned via our Cardiff office

Condition Report: gilding wear, enamelling fresh, no structural damage # £500-800

522

SWANSEA PORCELAIN PEN TRAY circa 1815-1817, having twin handles in the form of swans with outstretched wings and with repeated raised ovals above the foot rim, the interior base with large full spray of flowers, deep blue reserves to the exterior and interior sides, containing cartouches of flowers to the interior, and floral gilding to the exterior, the swans and other areas picked out in gold, 25.5cms

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: neck of one swan restored # £700-1,000

523

SWANSEA PORCELAIN PART SERVICE circa 1815-1817, comprising tureen with cover and stand, oval teapot with cover and stand, milk-jug, sugar basin, twig-handled dish and teacup, all printed in outline and painted in bright enamels with the ‘Mandarin’ pattern featuring figures and waterside buildings and with smaller outer panels of birds, stencilled SWANSEA to base of stand and tureen, script mark to twig-dish sugar basin (6+2)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: in good structural condition overall, repair to teapot stand, decoration is fresh, cover of tureen does not sit flush # £700-1,200

524

RARE SWANSEA PORCELAIN

CHAMBER CANDLE STICK circa 1814-1826, having a dish base of unusual wide diameter, the bell-shaped nozzle with flared rim and with scrolling serpent-head handle, painted by David Evans with roses, convolvulus and speedwell within a continuous gilt foliage border, Swansea script mark to base (13cms diam)

Provenance: private collection Swansea, consigned via our Cardiff office, purchased Sotheby’s

Leslie Joseph Collection auction in 1992 (Lot 421), labels verso including for Manheim Collection (dealers in London and New York), label for exhibition at the Glynn Vivian exhibition 1969, loaned by Sir Leslie Joseph

Condition Report: wear to decoration only, light localised crazing # £700-1,000

525

FINE & RARE SWANSEA PORCELAIN TAZZA circa 1815-187, circular with lobed rim, upturned double-curve twin handles, border typically moulded with c-scrolls and flowers, raised over a lavishly gilded fluted pedestal and circular foot, large botanical study to interior, six outer studies of fruit and flowers, the exterior unusually decorated with two large floral specimens, base titles relating to interior and exterior ‘Rose bay, Willow Herb’, ‘Larkspur’ and ‘Purple Dahlia’, 26cms diam

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: excellent condition, decoration and gilding fresh, minor losses to gilding, surface marks etc # £2,500-3,000

FINE & RARE SWANSEA PORCELAIN VASE circa 1817-1820, of slender ovoid shape with a round pedestal base mounted on a square plinth, moulded lotus flower handles with small floral embossed medallions, the base of the handles terminating with embossed acanthus leaves, the body decorated with a vignette of three figures in a landscape being a pastiche of Jean-Honoré Fragonard’s ‘The Swing’, to the reverse a large spray of colourful flowers, further floral decoration to foot and to neck, 26.5cms high

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: professionally restored, decoration and gilding fresh # £3,000-3,500

FINE SWANSEA PORCELAIN TOPOGRAPHICAL CABINET

CUP & STAND OF TENBY INTEREST, circa 1815-1817, the cup with everted rim and raised over three paw feet, the mask-head handle scrolling to a floral disc terminal, with deep blue ground lavishly gilded, reserves painted with named scenes ‘Tenby from the East’ and ‘Tenby from the Hotel’, stencilled SWANSEA mark (cup 11cms high)

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: in fine condition # £4,500-5,500

# condition reports in this section do not act as a guarantee and later amendments to condition reports may have been applied to the online listing. Please examine / enquire prior to bidding.

FINE SWANSEA PORCELAIN SAUCE TUREEN, COVER & STAND circa 1817-1820, circular based, non-moulded body, upturned spindle handles with rosette disc terminals, dome top with pineapple finial, finely painted all round with sprays of flowers, and with handle, rim and finial picked out in gold, impressed and scripted Swansea marks, handle to handle 18cms

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: fresh, possible areas of regilding, excellent overall # £1,500-2,500

AN EXCEPTIONAL & RARE ‘OVERSIZE’ SWANSEA PORCELAIN CABINET CUP & STAND circa 1815-1817, the cup with everted rim and raised over three paw feet, the mask-head handle scrolling to a floral disc terminal, the rim, handle and paws picked out in gold and lavishly decorated by Robins & Randall, Islington. To the exterior of the cup an overflowing basket of flowers and an arrangement of fruit and flowers with wild growing flowers in between to a continuous country-landscape and sky, the decoration repeated on the border of the stand, the interior of the cup with a continuous wreath of open roses and gilt decoration and a spray of colourful flowers centred in the bottom, cup 12cms high x 9cms diam, stand 16cms diam

Provenance: private collection South West England, consigned via our Cardiff office, old label to base for Steele & Garrett collection

Condition Report: slight hairline star to base, restoration to feet, please examine # £5,000-6,000

530

NANTGARW PORCELAIN SOUP PLATE, circa 1817-1820, circular non-lobed or moulded, painted with three large sprays of colourful flowers and three sprigs, impressed NANT GARW CW to base (22cms diam)

Provenance: private collection Gwent, consigned via our Cardiff office

Condition Report: sl. localised crazing, wear commensurate with age # £100-150

NANTGARW PORCELAIN CUP & SAUCER circa 1818-1820, painted with colourful posies including open pink roses (saucer 14cms diam)

Provenance: private collection Neath-Port Talbot, consigned via our Cardiff office

Condition Report: fresh example # £150-250

NANTGARW PORCELAIN

PLATE circa 1818-1820, typically moulded with c-scrolls, flowers and tied ribbons, painted with six outer pink open roses and a posy of three centred open pink roses, impressed NANT GARW CW to base (22cms diam)

Provenance: private collection Gwent, consigned via our Cardiff office

Condition Report: excellent, without issues # £150-200

NANTGARW PORCELAIN

PLATE circa 1817-1820, of lobed form, non-moulded, the border decorated with six outer posies and seven further posies to the interior, gilt dentil rim, impressed NANT GARW CW to base (24cms diam)

Provenance: private collection Gwent, consigned via our Cardiff office

Condition Report: wear commensurate with age # £150-250

NANTGARW PORCELAIN

CENTRE DISH circa 1817-1820, cruciform, typically moulded with c-scrolls, flowers and ribbons, the border with six studies of flowers and wild strawberries, solid gilt rim, impressed NANT GARW CW to base (26cms diam)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: wear only, esp gilding # £150-250

NANTGARW PORCELAIN OVAL DISH

circa 1815-1817, of lobed form, typically moulded with c-scrolls, flowers and ribbons, the interior with three posies and scattered sprigs, one sprig to the border, solid gilt rim, impressed NANT GARW CW to base (30cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: no structural issues, only slight wear # £150-250

NANTGARW PORCELAIN PLATE circa 1818-1820, decorated with four colourful posies and a scattering of sprigs and four insects including ladybird, all within a gilt dentil rim (21.5cms diam)

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: no problems, slight wear to some areas of gilding # £200-300

NANTGARW PORCELAIN PLATE circa 1818-1820, having a wavy border, painted with six scattered flower studies, impressed NANT GARW CW to base (24cms diam)

Provenance: consigned by family of pre-eminent Welsh porcelain collector Sir Leslie Joseph, bears his label, consigned via our Cardiff office

Condition Report: small foot chip, unevenly fired # £200-300

NANTGARW PORCELAIN PLATE circa 1818-1820, having an apple-green border reserved with three panels of wildflowers within gilt foliate and scroll frames, centred with large spray of wildflowers, impressed NANT GARW CW to base (23.5cms diam)

Provenance: consigned by family of pre-eminent Welsh porcelain collector Sir Leslie Joseph, bears his label, consigned via our Cardiff office

Condition Report: wear only # £200-300

NANTGARW PORCELAIN PLATE circa 1818-1820, slightly undulating rim, decorated with formal arrangement of centre floral spray, three outer sprays interspersed with three sprigs, within solid gilt rim, impressed NANT GARW CW to base (23cms diam)

Provenance: consigned by family of pre-eminent collector Sir Leslie Joseph, bears his label together with The Manning Collection label, consigned via our Cardiff office

Condition Report: without damage or restoration, fresh, gilding not overly worn #

NANTGARW PLATE DECORATED WITH ROSES circa 1817-1820, in the Derby style centred with three roses and leaves, the borders with groups of seven roses within a profuse gilt border, impressed NANT GARW CW to base (24cms diam)

Provenance: private collection Gwent, consigned via our Cardiff office, see W D John, Nantgarw Album, Plate 40, the Derby flower painter James Turner is recorded as working at the Sims workshop, alongside James Plant

Condition Report: wear only, good example #

NANTGARW PORCELAIN PLATE circa 1820, lobed form, painted with small flying insects two ladybirds and scattered flower sprigs within feathered blue and solid gilt border, impressed NANT GARW CW to base (23cms diam)

Provenance: private collection Gwent, consigned via our Cardiff office

Condition Report: without structural problems, wear and wear to gilding but not excessively, overall very good #

NANTGARW PORCELAIN TEA BOWL circa 1817-1820, of circular footed form, the exterior finely decorated with a garland of vibrant flowers flanked by bands of diamond tiling joined by four-spoked motifs within birds-egg blue reserves, the interior with seeded and scrolling gilt-work and with a central posy of flowers (17.5cms diam)

Provenance: private collection Gwent, consigned via our Cardiff office, photographed reference to this decoration in ‘Nantgarw Porcelain’ by W D John, Illustration 32a

Condition Report: wear, esp. interior decoration # £200-300

NANTGARW PORCELAIN PLATE circa 1817-1820, lobed form, unmoulded, decorated with seven scattered sprigs of colourful flowers within double segmented blue lined borders and gilt dentil rim (23cms diam)

Provenance: private collection Gwent, consigned via our Cardiff office

Report: super condition, without issues # £200-300

NANTGARW PORCELAIN OVAL DISH

1818-1820, of lobed form and typically decorated with c-scrolls, flowers and forget-me-knots, the border painted with five flower sprigs and a sprig of wild strawberries under gilt scrolls with green enamel fronds, impressed NANT GARW CW to base with ‘B’, 30cms

Provenance: private collection South West England, consigned via our Cardiff office Condition Report: surface marks, wear only # £250-350

545

NANTGARW PORCELAIN CRUCIFORM DISH circa 1815-1817, of circular form, the border with a continuous link of colour flowers, roses and foliage to a stippled background, centred with a spray of flowers, impressed NANT GARW CW to base (23cms diam)

Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: wear # £250-350

546

NANTGARW PORCELAIN PLATE PROFUSELY GILDED circa 1818-1820, of lobed form, the border with six panels of seven graduated open pink roses within foliate and stippled gilding and gilt dentil rim, the interior with three larger open pink roses and a single colourful moth, impressed NANT GARW CW to base, 24cms diam

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: no structural issues, decoration loss and surface marks # £300-400

547

NANTGARW PORCELAIN OVAL DISH circa 1818-1820, of lobed form, painted with twelve outer posies connected by giltwork foliate trail, and with a centred larger spray, all within a gilt dentil rim, impressed NANT GARW CW to base, 29cms

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: in fine condition # £300-500

548

NANTGARW PORCELAIN SAUCE TUREEN & COVER circa 1818-20, circular based with typical c-scroll moulding, the twin-handles scrolling downwards and with pineapple finial, lavishly painted and gilded with sprays of flowers and roses interspersed with laurels and butterflies, repeated gilt fern fronds to foot, handles and finial picked out in gold, 18cms handle to handle

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: in beautiful fresh condition, discreet repair to finial # £400-700

549

NANTGARW PORCELAIN PLATE

IN ROYAL BLUE GROUND circa 1818-1820, of slightly lobed form, central circular reserve of flower spray rounded by a floral garland and a formal arrangement of posies, gilt dentil rim, impressed NANT GARW to base, 24cms diam

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: no structural problems, wear to gilding and slight losses elsewhere # £400-600

550

SUBSTANTIAL NANTGARW PORCELAIN TAZZA circa 1817-1820, of lobed circular form over a knopped pedestal base with spreading foot, twin handles curving downwards, in apple-green ground and with centred floral spray to the interior within a border of repeating gilt scrolls and foliage to match stem, solid gilt rims, 30.5cms handle to handle

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: in good structural condition, wear and minor losses to gilding / decoration # £400-600

551

RARE NANTGARW PORCELAIN PLATE WITH LANDSCAPE SCENE circa 1815-1817, of lobed form, moulded borders picked out in gold, interior painted with Italianate landscape with Corinthian ruins, gilt vine cavetto, impressed NANT GARW CW to base with label attributing the decoration to Thomas Pardoe (22cms diam)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: no structural issues, wear # £400-600

552

PAIR OF NANTGARW PORCELAIN PLATES circa 1815-1817, of lobed form, typically moulded with c-scrolls, ribbons and flowers, decorated with a formal arrangement of blue flower sprays within a dentil gilt rim, impressed NANT GARW CW to base (25cms diam)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: no structural issues, very good overall # £400-500

553

PAIR OF NANTGARW PORCELAIN PLATES circa 1818-1820, of lobed form, the border richly gilded with scrolling horns of plenty and foliage interspersed with delicate sprays of colourful flowers, the interior with large spray of flowers, impressed mark NANT GARW CW to base of one, 22cms diam

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: no structural problems, wear and surface marks, but gilding overall excellent # £700-1,000

GOOD NANTGARW PORCELAIN PLATE circa 1818, of lobed form, typically moulded with c-scrolls, forget-me-knots and flowers, centred with a large spray of wildflowers and two insects within a segmented blue frame, all within a gilt dentil rim, impressed NANT GARW CW to base, 25cms diam

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: excellent condition overall, enamels fresh, wear to gilding, surface marks # £800-1,200

RARE NANTGARW PORCELAIN PLATE circa 1818-1820, the interior decorated with a formal arrangement of pink roses surrounded by elaborate gilding, the border with a series of seven colourful birds on an intense black background alternating with tinted panels with gilded foliage, 23cms diam

Provenance: private collection South West England, consigned via our Cardiff office, see W D John ‘Nantgarw Porcelain Album’ ill. 74

Condition Report: in excellent condition # £1,500-2,000

NANTGARW PORCELAIN DESSERT PLATE circa 1818-1820, of lobed form and typically moulded, to the interior a titled view ‘Brough House, Yorkshire’, the border with six sprigs inside a solid gilt rim, impressed NANT GARW CW to base, 22cms diam

Provenance: private collection South West England, consigned via our Cardiff office

Auctioneer’s Note: landscape painting is relatively uncommon on Nantgarw porcelain and named views are rarer still, this view is probably after an engraving by William Angus (1752-1821).

Brough House, later Brough Hall is located in North Yorkshire near the ancient parish of Catterick, originally built in the 15th Century it was in ownership of the de Burgh family, later it was the Sir John Lawson family seat.

Condition Report: fine, surface marks, slight wear # £1,000-1,500

557

NANTGARW PORCELAIN PLATE FROM THE DUKE OF CAMBRIDGE SERVICE circa 1818-1820, London painted with a border of eight panels and reserved on a ground of red drapery, two panels painted with exotic birds on branches, two with still lives of fruit and four with ruinous castles, spray of flowers to the centre, the cavetto edged with gilt scrollwork, and the border with gilt scrollwork inside the dentil rim, 23.5cms diam, impressed NANT GARW CW

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: excellent overall, wear # £1,500-2,000

FINE NANTGARW PORCELAIN SQUARE DISH circa 1818-1820, of lobed form, typically moulded with c-scrolls, foliage and ribbons, the moulding extending around the rim to connect the corners, all moulding then picked out in gold, each side of the border painted separately with three posies and a single colourful jay perched on a twig, the interior with large spray of colourful flowers and two insects, 24 x 24cms

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: very fine # £1,500-2,000

FINE NANTGARW PORCELAIN SQUARE DISH circa 1818-1820, of lobed form, typically moulded with c-scrolls, foliage and ribbons, the moulding extending around the rim to connect the corners, all moulding then picked out in gold, each side of the border painted separately with three posies and a single colourful jay perched on a twig, the interior with large spray of colourful flowers and three insects including large butterfly, 24 x 24cms

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: very fine, surface marks only # £1,500-2,000

NANTGARW PORCELAIN OVAL DISH circa 1818-1820, of lobed form, painted with a formal arrangement of four outer flower sprays and four larger interior sprays, within a blue broken-line frame and gilt dentil rim, impressed NANT GARW CW to base (29cms)

Provenance: consigned by family of pre-eminent Welsh porcelain collector Sir Leslie Joseph, bears his label, consigned via our Cardiff office

Condition Report: hairline crack, overall fresh, gilding not overly worn # £100-150

VERY FINE NANTGARW PORCELAIN TAZZA circa 1818-1820, the lobed bowl with typical moulding to the border, over a ridged pedestal to a ridge circular foot, painted border, exterior and foot with a series of flower sprays, the interior with large spray of wildflowers including open pink rose and with hovering insect, all within gilt dentil rim, 28.5cms diam

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: very fine # £3,000-4,000

RARE NANTGARW PORCELAIN CABINET CUP & STAND circa 1818-1820 the cup having an exaggerated flared rim, inverted foot and gryphon handle with split terminal, finely decorated with a series of floral posies within oval cartouches surrounded by a blue pin-stripe reserve and profuse gilding, cup 7.5cms high

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: slight hairline to border of stand # £3,000-4,000

RARE NANTGARW PORCELAIN TEAPOT, COVER & STAND circa 1818-1820, of bellied rectangular form with overhanging rim, a distinctive rectangular knop and fin to the handle, copied from the Georgian silver prototype, formally decorated with a series of individual open pink roses on a bed of gilt foliage, knop, handle and borders gilt decorated, 25cms handle to spout

Provenance: private collection South West England, consigned via our Cardiff office

Condition Report: faint firing fault, crazing, surface marks # £3,000-5,000

SOUTH WALES POTTERY LITHOPHANE circa 1850-1855 unglazed porcelain, rectangular with image moulded in relief of a young woman reaching through a fence to pick a bunch of grapes from low down on a vine climbing up the left side, impressed mark, 16.5 x 13cms

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: discolouration, surface marks # £100-150

AN IMPORTANT ARTS & CRAFTS SLIPWARE POTTERY JUG BY HORACE ELLIOTT, yellow glaze and brown slip, of baluster form tapering to a circular spreading foot, with angel wing-form handle and wide curved spout, sgraffito feathers to wing and to the body ‘Here is a mixture, of Earth and Heaven, An Angel’s wing to a pitcher given, Take hold of the wing, for a handle, pray! Or the vessel of earth may fly away’. signed at foot ‘Copyright Horace Elliott’ and at base ‘Elliott, London 1893’ (28cms high)

Provenance: private collection Kansas City, USA, consigned via our Cardiff office

Condition Report: minor losses to glaze, crazing / stress marks from use as a vase but excellent overall # £700-1,000

RARE SWANSEA PEARLWARE COVERED VASE circa 1810, of baluster shape with spreading foot, domed lid having acorn finial, inner cover with bun finial, decorated by Thomas Pardoe with Mandarin scene of figures, buildings and exotic birds, chocolate rims, 30cms high

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: professionally restored at neck, slight star crack to base # £350-450

567

SWANSEA PEARLWARE PART DINNER SET decorated by Thomas Pardoe in the Imari style, comprising large soup tureen, cover and stand, tazza, circular footed centre-dish, two platters, sauce tureen, two platters, small plate, fanhandled dish and small dish, Swansea script marks

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: small elements of damage, restoration, wear, but good overall, examination recommended # £300-500

568

AN IMPORTANT SWANSEA PEARLWARE CABARET SET

circa 1805, comprising twin-handled oval tray, teapot and cover, sucrier and cover, slop bowl, milk jug, tea-cup and saucer, finely painted by William Weston Young with sepia landscapes of the Swansea area, including views of the Marino residence (Vivian family), Swansea Bay and Mumbles, reserved on a mottled chocolate ground and gilded by Thomas Pardoe, the teapot spout and handle bearing Pardoe’s trademark gilt Garter Star (Tray 38cms)

Provenance: private collection Swansea, loaned by vendor to Swansea Museum, Swansea Pottery Collectors’ Exhibition 2006 (see the catalogue by Helen Hallesy), related set with similar views illustrated in ‘The Cambrian Company’ by Jonathan Gray Condition Report: tray repaired, bowl has hairline and sl. impact to interior, small chip repair to cover of sucrier, small nicks elsewhere # £6,000-8,000

ANTIQUE WELSH QUILT

late 19th / early 20th Century, repeated rose and leaf decoration (166 x 137cms)

Provenance: private collection Gloucestershire, previously Gwent, consigned via our Cardiff office

Condition Report: very good overall £100-150

EXCELLENT HEAVY QUALITY WELSH WOOL

woven with flecked multicolour chequer pattern with border and fringe, bears label for ‘Amgueddfa Werin Cymru’ (St. Fagan’s Folk Museum), with another blanket (2) ((1) 236 x 190cms approx, (2) 158.5 x 188cms)

Provenance: private collection Caerphilly, consigned via our Cardiff office

Condition Report: (1) no apparent issues, (2) slight fraying to edges £100-200

VINTAGE WELSH TAPESTRY

‘CAERNARFON’ BLANKET, of geometric reversible design, pink ground with purple and black details, fringe (235 x 193cms)

Provenance: private collection Devon, consigned via our Carmarthen office

Condition Report: very good overall condition, very minor issues only £150-250

LATE VICTORIAN SILVER CYMMER EISTEDDFOD MEDAL, 1895, to Lewis Davies, Esq, J.P., 1.2ozt, together with ephemera and books by Lewis Davies including hand-written song sheet entitled ‘Llaty Rhys’, two copies of ‘The Romance of Local History’, 1911; Drama Competition programme, 1931; ‘Ystoriau Siluria’, 1921; and ‘Y Geilwad Bach’, 1929 (7) (5.6 x 3.2cms)

Provenance: private collection South Wales, consigned via our Cardiff office

Condition Report: one pamphlet with loose cover with adhesive residue and torn edges £100-150

WILLIAM IV WELSH NEEDLEWORK SAMPLER by Rachael John, aged 14, Narberth, December 3 1832, decorated with alphabet, numbers, four-line poem, birds, trees, house, Adam & Eve under the tree of life etc (40 x 41cms)

Provenance: deceased estate South Wales, consigned via our Cardiff office

Condition Report: framed and glazed, faded and browned £200-300

GILT METAL MEDALLION FOR THE ANGLESEY DRUIDS SOCIETY circa 1780, of oval form with laurel ring suspension, relief decorated with a bust of a capped Druid between branches of oak, to the reverse a branch of an oak with fifteen acorns and inscribed NIS GWYR.

NAMYN DIWYD DDERWYDDON (Druids are known less diligently), designed in the manner of Thomas Pingo (4cms)

Provenance: private collection North Wales, consigned via our Colwyn Bay office Auctioneer’s Note: The Anglesey Druidical Society (1772-1844) was established by a group of gentlemen to make benefactions and rewards for life saving around the dangerous coast and busy port of Holyhead, the improvement of agriculture and other worthy aims. Its convivial monthly meetings were held at a Beaumaris inn when members were obliged to wear the Society’s uniform and medal, or be fined. The design of the Druid’s head is taken from an engraving of ‘The Chief Druid, in the 1766 edition of Henry Rowlands’ Mona Antiqua Restaurata.

Condition Report: good overall £200-300

575

A DAVID LLOYD GEORGE (1863-1945) SIGNED LETTER on ‘Brynawel, Criccieth. N. Wales’ two-fold headed paper and dated November 1st, 1892, ‘Dear Sir, I regret that there is no prospect of my being able to attend a Disestablishment meeting in your city during the month of November, Yours Very Truly David Lloyd-George’ (17 x 11cms)

Provenance: private collection Porthmadog, Gwynedd

Auctioneer’s Note: at the time that the letter was written Lloyd George was a Liberal MP for Caernarfon Boroughs (now Caernarfon), narrowly winning the by-election on 10 April 1890, where he would remain an MP for the same constituency until 1945. As a backbench member of the House of Commons, he was not paid as a politician, so Lloyd George supported himself and his growing family by continuing to practise as a solicitor. He opened an office in London under the name of Lloyd George and Co. and continued in partnership with William George in Criccieth. In 1897, he merged his growing London practice with that of Arthur Rhys Roberts (who was to become Official Solicitor). Lloyd George campaigned on behalf of Wales for disestablishment and disendowment of the Church of England of which he said; ‘I am deeply impressed with the fact that Wales has wants and inspirations of her own which have too long been ignored, but which must no longer be neglected. First and foremost amongst these stands the cause of Religious Liberty and Equality in Wales. If returned to Parliament by you, it shall be my earnest endeavour to labour for the triumph of this great cause’

Condition Report: discolouration, back has sun damage, sl. foxing £100-120

‡ SIR STANLEY BAKER (1928-1976) rare signed studio publicity photograph ‘Regards and best wishes...’, head and shoulder portrait of the Welsh actor and producer of Zulu, wearing jacket, shirt and tie (45 x 39.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £100-150

RICHARD BURTON CBE (1925-1984) signed black and white matte finish studio publicity portrait of the actor as Henry VIII in ‘Anne of a Thousand Days’, handwritten message to costume designer Monty Berman (19132006) ‘Dear Monty, twenty-seven years and you’re still dressing me - Richard Burton’ (40 x 35cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed £100-150

HARRY SECOMBE’S BACKSTAGE SILK ROBE circa 1950s, bearing embroidered ‘HS’ to breast-pocket, Austin Reed of Regent Street label, burgundy with turned cuffs, tasselled belt and collar in brown (large)

Provenance: Swansea family ownership, since donated to charity to sell by auction, the gown was gifted to the donor’s grandfather by Harry Secombe. The donor recalls that her grandfather was very proud of the dressing gown and would often wear it for breakfast, as both grandfather and Secombe had similar ‘short and stocky’ build

Condition Report: good condition, surface marks and wear only £200-300

WELSH INTERNATIONAL RUGBY UNION JERSEY, 1920s, bearing black cloth No.14 to white panel, embroidered Prince of Wales feathers with blue ribbon, label to inside of collar for D L Davies, Swansea and ‘J E Tucker’.

Provenance: consigned by family of the England International hooker John Samuel ‘Sam’ Tucker (1895-1973), the label to the interior refers to Sam Tucker’s son. Sam Tucker swapped the jersey after one of six International matches with Wales in the 1920s (when Wales used a player number rather than letter system). The jersey No.14 would have been worn by a back-row forward.

Condition Report: red dye has run to white parts, tears / losses particularly to sleeves and number £350-400

580

RARE WELSH JOINED OAK CHILD’S ARMCHAIR early 18th Century and later, believed Carmarthenshire, carved top rail and stretcher, cushioned stuff-over seat (87cms high)

Provenance: private collection Gloucestershire, consigned via our Cardiff office, purchased from Richard Bebb, Country Antiques (Wales) Ltd, 1997 (receipt)

Condition Report: good overall £200-300

1907 WELSH EISTEDDFOD OAK ARM CHAIR, square panel to back with dragon and inscribed ‘Y DDRAIG COCH A DDYRY CYCHWYN’, above ‘FY PHIOL SYDD LAWN’, the shaped pediment inscribed ‘EISTEDDFOD ANNIBYNWYR. BL. FFESTINIOG.’ (121h x 62w x 55cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: fair gap to seat panels and split, evidence of old worm, dry and scuffed in places, one arm slightly loose, structurally solid overall £500-700

582

WELSH OAK STANDING DOUGH BIN early 19th Century, lift-up cover, on splayed legs. h-stretcher (77cms wide)

Provenance: private collection Gloucestershire, previously Pembrokeshire farmhouse, consigned via our Cardiff office

Condition Report: good overall £150-250

PENRHYN SLATE CARVED DONATION BOX early to mid 19th Century, Ogwen Valley, north Wales as characterised by raised flower and sun motifs in chip carved circle and typical concentric circles, mounted with period furniture handles to both sides, and with money slot to top (28w x 17.5d x 12cms high)

Provenance: private collection Oxfordshire, consigned via our Cardiff office

Condition Report: some adaptations eg. later screws, chips incl lge at corner, scratches

Jones

VINTAGE ENAMEL DIRECTIONAL SIGN, black lettering on a white background ‘To the Cymro’ printing works, with directional figure pointing (46 x 122cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: some loss of enamel, chips and securing holes £800-1,200

585

RARE WELSH FOLK-ART HORN SNUFF BOX WITH MASONIC EMBLEMS in believed sheep-horn, probably generational, oval lidded form, sgraffito decoration to base of farmhouse and ‘D P 1777 LATE

TENANT of cae evan lloyd’, sgraffito decoration to lid with ‘LLANVAIR BACH HOLYHEAD’ and marriage initials ‘AP-AV’ around an earlier scrolled monogram carved amongst a flowering vase, axe and wheat-sheaf, both sides featuring Masonic square and compass (9cms)

Provenance: vendor purchased from house clearance in Cheshire, circa 1992, consigned via our Colwyn Bay office

Auctioneer’s Note: according to The List of Historic Place Names Wales ‘Cae Evan Lloyd’ is a field located in the parish of Llanfair-yn-neubwll, near Holyhead and the neighbouring farm was called Cae Ifan, probably a derivative of ‘Cae Evan’, the area is now part of the village of Caergeiliog and a new complex of eco-houses were built in 2021 and was named by Ynys Mon County Council as ‘Cae Ifan’

Condition Report: in overall very good condition without splits or repairs, very minor losses to rim of lid £200-400

586

WELSH ELM TREEN DAIRY PRESS

OR CAKE MOULD, Conwy Valley, north Wales, late 19th Century, of circular form with protruding handle, pressing the words ‘Y Nhadog Dolyddelen’ around a circular rosette motif and within a carved dial (10.5cms diam)

Provenance: private collection Oxfordshire, consigned via our Cardiff office

Auctioneer’s Note: Dolyddelen believed to be a derivative of Dolwyddelan in Conwy, north Wales and a Y Nhadog being a remote farming area nearby

Condition Report: no structural problems, surface marks £100-150

CARVED TREEN KNITTING SHEATH believed Welsh, early 19th Century, chip carved all round and with two ball and cages, looped terminal connected to interlocking chain and hook (57cms long)

Provenance: private collection Denbighshire, consigned via our Colwyn Bay office

Condition Report: in good condition £200-400

GOOD WELSH ANTIQUE TREEN GROUP comprising sycamore turned dairy-bowl, 34.5cms diam, cawl bowl, 13cms diam, shallow circular lidded snuff-box, 9cms diam, ebony turned salt, primitive rolling-pin, circular table-box, coopered cheese drainer, 14cms diam, and a goose-wing knitting sheath etc (9)

Provenance: private collection Gloucestershire, consigned via our Cardiff office

Condition Report: overall good, please examine £300-500

588

SMALL TREEN WELSH LOVE SPOON circa 1800, having a pointed bowl to a tapered handle with a series of three carved hollows with chip-carved edges (16.5cms long)

Provenance: private collection Denbighshire, consigned via our Colwyn Bay office

Condition Report: very minor losses, excellent overall £200-300

589

TREEN WELSH LOVE SPOON dated 1804, the stem with ball and cage, handle with open work and crown, inscribed ‘1804 N’ (24.5cms)

Provenance: private collection Denbighshire, consigned via our Colwyn Bay office

Condition Report: in good condition £300-400

591

LATE 18TH CENTURY CARVED TREEN WELSH LOVE SPOON having a pointed bowl to an unusual openwork stem to the arched handle, profusely carved with opposing geometric shapes, panels and hearts with the letters ‘N’ and ‘S’ to flank a centre spoked wheel (25.5cms long)

Provenance: private collection Denbighshire, consigned via our Colwyn Bay office

Condition Report: good overall, old repair and splits to decoration, small chips as one would expect £500-700

592

LARGE WELSH LOVESPOON, early 19th Century, pointed bowl, long-handle with dome top having geometric piercework carving and inlay within sgraffito-line frame and painted sgraffito initials ‘A J’ (35.5cms)

Provenance: private collection Denbighshire, by descent, consigned via our Colwyn Bay office

Condition Report: small nicks to bowl tip, split in terminal £1,000-1,500

593

RARE WELSH YEW DOUBLE BOWL

LOVESPOON, late 18th Century, having pointed bowls with pierce-work handle of centre triskele (trisgel), flanking hearts and flowers, repeated piercework at terminal (23cms long)

Provenance: private collection Denbighshire, by descent, consigned via our Colwyn Bay office, labels to underside for W J Shephered Collection

Condition Report: restored break £1,500-2,000

594

BOUND VOLUMES OF Y GLOCH A’R AMSERAU EGLWYSIG Newddiadur Annibynol at Wasanaeth yr Eglwys yn Nghymru (The Bell and the Church Times Independent Newspaper for the Service of the Church in Wales), rare believed full series from May 6th, 1898, to June 17th 1898, printed in Caerfyrddin (Carmarthen) by the Journal Company, St. Mary Street

Provenance: from the residual library of Henry Tobit Evans. Instructions received from his descendants

Condition Report: please examine / see further images online £100-200

595

PLANS OF THE PRINCIPAL HARBOURS, BAYS & ROADS IN THE ST GEORGE’S & THE BRISTOL CHANNELS by Lewis Morris (Shrewsbury 1801), later bound (with non-related items at back), containing approximately 33 charts (mainly Welsh) harbours, including Liverpool, Chester, Red Wharf Bay, Dulas Bay, Amlwch, Cemlyn Bay, Conwy, Beaumaris, Holy Head Bay, Malltraeth Bay, Caernarfon Bay, Porth Dinllaen, Bardsey Sound, Aberdaron Road, St Tudwal’s Road, Pwllheli, Barmouth Bay, Aberdyfi, Aberystwyth, Aberaeron, New Quay, Cardigan, Newport (Pembrokeshire), Fishguard, Ramsey Sound, Solfach, St. Bride’s Bay, Milford Haven, Tenby, Carmarthen, Burry Port, Swansea and Dublin. Includes soundings and information on currents, anchorages, drying banks, rocks and other navigation hazards and aids

Provenance: from the residual library of Henry Tobit Evans. Instructions received from his descendants

Condition Report: please examine / see further images online £100-200

596

GROUP OF WELSH HISTORY

ANTIQUARIAN BOOKS including ‘Topographical Dictionary of Wales’, ‘Annals of Counties & County Families of Wales’ (Vol 1-2), ‘The History of the Literature of Wales’, ‘Lives of the Cambro British Saints’, ‘Cardiganshire…’ by George Eyre Evans, ‘The History & Antiquities of the County of Cardigan’ by Samuel Rush Meyrick, ‘Jones’ History of Brecknockshire’ (vols 1-2) and a reproduction of ‘The Taylors Cussion’ by George Owen (London 1906)

Provenance: from the residual library of Henry Tobit Evans. Instructions received from his descendants

Condition Report: please examine / see further images online £100-200

597

CAPTAIN G COLLINS

ANTIQUARIAN COLOURED CHART WITH PARISHES ON THE MENAI STRAITS WITH CARNARVANSHIRE & PART OF THE ISLE OF ANGLESEY, dedicated to the Right Worshipful Sir William Williams Baronet, with smaller inset bottom right (46 x 58cms)

Provenance: private collection Anglesey, consigned via our Colwyn Bay office

Condition Report: framed and glazed, some crease marks and discolouration £100-120

598

SAUNDERS LEWIS limited edition (324/450) Gregynog Press volume - ‘Cerddi Saunders Lewis’, dated 1986, in quarter grey cloth and light blue boards, title in gold to spine and with gold oval head portrait cameo of Saunders Lewis in profile to the cover

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: discoloration to boards £100-150

OWEN M EDWARDS & WILLIAM MCCANCE

1933 Gregynog Press limited edition (374/385) in original Welsh sheepskin, brown-stamped graphic design with title to both covers, with eight wood engravings by William McCance (1874-1970), outer cardboard case

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: discoloration and staining to boards commensurate with age, pages appear to be good £100-120

600

RICHARD MORRIS / MORYS PREPARED WELSH BIBLE dated 1746, printed by Joseph Bentham, Cambridge (Caer- Grawnt), leather bound, together with a small 1799 ‘Y Patriarchiaid’

Provenance: private collection Glasgow, consigned via our Cardiff office

Condition Report: Bible good considering age, other book - board loose £100-120

601

FIVE WELSH RELATED ANTIQUARIAN BOOKS comprising (1) William Baxter (of Montgomeryshire, 1650-1723) ‘Glossarium Antiquitatum Britannicarum’, with note bt Edward Lhuyd as appendix (London, Wm Bowyer 1719), in good tooled full calf binding, gilded and ribbed spine, with library label for Henry Godfrey Faussett of Heppington, (2) Robert Southey (1774-1843) ‘Madoc’ (London 1853), finely bound in quarter calf and marble boards, (3) John Hughes Vols 1 & 2 ‘Horae Britanicae: Studies in Ancient British History’ (London 1819), finely bound in diced full calf, gilt spines, bears label for J H Morgan, bookbinder of Abergavenny (4) Robert Burton (1577-1640) ‘The History of Wales in Three Parts’, with frontispiece illustration of Edward Black Prince (London, c.1730)

Provenance: private collection Swansea, consigned Carmarthen office Condition Report: (4) binding loose, other volumes good overall but please examine £100-150

WELSH RELATED ANTIQUARIAN BOOKS

comprising (1) Thomas Churchyard (1520-1604) ‘The Worthines of Wales: A Poem’ (London 1776), original full calf, gilt and ribbed spine, (2) Sir John Doddridge (1555-1628) ‘An Historical Account of the Ancient and Modern State of the Principality of Wales, Dutchy of Cornwall and Earldom of Chester’ (London 1714), later finely bound full calf, (3) John Walters (1760-1789) ‘A Dissertation on the Welsh Language’ (Cowbridge 1771), full calf, (4) Rice Vaughan (d. circa 1672) ‘Practica Walliae: Or the Proceedings in the Great Sessions of Wales’ (London 1672), original binding

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: please examine £100-150

THREE WALES RELATED ANTIQUARIAN BOOKS comprising (1) Dr Williamson ‘John Downman ARA: His Life & Works’, excellent reference book for the artist from The Coinnoisseur periodicals, with many illustrations (Otto Ltd, London 1907) later bound quarter calf, (2) John Lloyd of Brecon (1833-1915) ‘The Great Forest of Brecknock’ (London 1905), finely bound, quarter calf, ribbed gilt spine, (3) John Jones ‘The History of Wales’ (London 1824)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: overall good, please examine £100-150

604

GOOD GROUP OF WALES

RELATED ANTIQUARIAN BOOKS each with good bindings, including Amy Dillwyn’s novel ‘The Rebecca Rioter’ (vols 1-2) (London 1880) being the story of a famous attack on the Pontardulais toll gate by the Rebecca Rioters, and written from a rioter’s perspective. The author’s support to their cause is evident; also ‘The Civil War in Wales’ (vols 1-2), ‘Geiriadur Charles’ (Wrexham 1875) finely bound, and ‘Memoirs of Owen Glyndower (Owain Glyndwr)’ (Haverfordwest 1822), (8 x books total)

Provenance: from the residual library of Henry Tobit Evans. Instructions received from his descendants

Condition Report: please examine / see further images online £150-250

BOUND VOLUMES OF Y BRYTHON CYMREIG NEWYDDIADUR WYTHNOSOL (The Brython Welsh Weekly Newspaper), bound in four parts with dates to three spines as 1892-1894, 1895-1897, 1898-1900 and another smaller volume for part 1901, printed and published by Welsh Press Company Limited, College Street, Lampeter, later by the Journal Company, St. Mary Street, Carmarthen

Provenance: from the residual library of Henry Tobit Evans. Instructions received from his descendants

Condition Report: please examine / see further images online £150-250

LLEWELYN WYN GRIFFITH & SIR KYFFIN WILLIAMS RA limited edition display volume (350)`Pryderi`, illustrated and designed by Sir Kyffin Williams RA with eight lino-cut prints on Velin Arches pure cotton mould-made paper, bound at Gregynog Press, 1998, signed by the artist in pencil

Provenance: private collection Cardiff, consigned via our Cardiff office, receipt from Clarendon Books, Leicester

Condition Report: good condition

FINELY BOUND WELSH LANGUAGE ANTIQUARIAN

BOOKS including (1) Dafydd Ab Gwilym ‘Barddoniaeth’, fine volume in full-calf having panelled and speckled boards and with gilt decorated spine, Morocco title band, gilt date and four embossed Prince of Wales feathers’ London 1789, the text being in Welsh with a thirty-three page introduction in English by William Owen, this volume being the first accessible print of this major canon of Welsh poetry; (2) ‘Gweithiau Samuel Roberts’ in three volumes, half-calf; (3) ‘Gweithiau Twm o’r Nant’ in gilt panelled polished full-calf; (4) Blodau Dyfed; etc

Provenance: from the residual library of Henry Tobit Evans. Instructions received from his descendants Condition Report: please examine / see further images online

608

DR KATE ROBERTS ‘TWO OLD MEN’ & SIR KYFFIN WILLIAMS

RA Gregynog limited edition (216/265) volume printed on Zerkall mould-made paper, illustrated with linocuts by Sir Kyffin Williams RA, 1981

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: in good condition

620

18CT GOLD FIVE STONE DIAMOND RING, the five graduated stone totalling 0.5cts approx., engraved ‘From H.E.S. to A.E.P 11/02/07’, ring size M, 3.3gms, in vintage R L Christie of Edinburgh ring box

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: inclusions to diamonds £200-400

621

YELLOW & WHITE METAL OPAL & DIAMOND CLUSTER PENDANT, the central pear shaped opal (22 x 10mms) within border of twenty-three diamonds, 6.2gms (3.6cms long)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: crack along left side of opal £350-450

622

18CT WHITE GOLD DIAMOND CLUSTER RING, set with an arrangement of seventeen round and baguette cut diamonds, ring size M, 4.3gms, in vintage ring box

Provenance: deceased estate Cardiff, consigned via our Cardiff office

Condition Report: appears in good overall condition, all stones present, all opinions are subjective and not guarantees, we encourage viewing in person if possible £300-400

623

WHITE METAL DIAMOND ENCRUSTED BROOCH of floral spray design, overall set with diamonds of various size, 11.2gms (5cms wide)

Provenance: deceased estate Cardiff, consigned via our Cardiff office

Condition Report: appears in good overall condition, all stones present £300-500

624

PAIR OF WHITE METAL PEARL & DIAMOND CLUSTER EARRINGS, the central pearls (8mm diameter) each surrounded by eight round brilliant cut diamonds, 8.4gms gross (2)

Provenance: deceased estate Denbighshire, consigned via our Colwyn Bay office

Condition Report: appear in good overall condition, all stones present, unmarked £400-600

625

18CT GOLD DIAMOND SOLITAIRE RING, the single claw set diamond measuring 0.5cts approx., ring size N, stamped ‘750’, 2.7gms, in modern Crouch of Cardiff ring box

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office

Condition Report: small inclusions / black mineral deposits to ‘table’ £400-600

626

EMERALD & DIAMOND DOUBLE HALO PENDANT, yellow and white metal, the central emerald measuring 3.60cts approx., surrounded by forty-four round cut diamonds, stamped ‘GT&S’, 10.6gms, in Milano Diamond Gallery box

Provenance: deceased estate Swansea, consigned via our Carmarthen office

Condition Report: appears in good overall condition, no stones missing, fractures to emerald £500-800

627

14CT GOLD CORAL, DIAMOND & EMERALD PENDANT, the large central cabochon coral (28 x 17mms) within border of sixteen diamonds and ten emeralds, stamped ‘585’, 22.3gms (4.4cms long)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: appears in very good overall condition £500-700

18CT GOLD EMERALD & DIAMOND CLUSTER RING, the central emerald (1.60ct approx.) surrounded by fourteen round cut diamonds totalling 0.7cts approx., ring size N / O, 6.1gms, in modern ring box

Provenance: deceased estate Swansea, consigned via our Carmarthen office

Condition Report: excellent overall with little to no wear £700-1,000

LATE 17TH / EARLY 18TH CENTURY GOLD POSY RING, of lobed design, engraved ‘Not for riches but for love’, circa 1700, ring size L 1/2, 5.9gms

Provenance: private collection Ceredigion, consigned via our Carmarthen office, with Christie’s Antique Jewellery Auction 09/11/2004 Lot 2

Condition Report: minor wear overall, engraving clear £700-1,000

VICTORIAN CORAL, DIAMOND & ENAMEL HINGED BANGLE, the three graduated blue enamel domes set with coral, old brilliant and rose-cut diamond star motifs to the centre, to a surround of applied bead and rope twist detailing, compartment to reverse, circa 1870, inner diameter 5.5cms, 49.8gms, in vintage horseshoe box with velvet interior

Provenance: private collection Ceredigion, consigned via our Carmarthen office, with Bonhams Knightsbridge 30/06/2004 Lot 62

Condition Report: good condition overall, wear and marks commensurate with age, all stones present, enamel good £700-1,000

PAIR OF 14KT GOLD DIAMOND STUD EARRINGS, the two round brilliant cut stones measuring 2.0cts overall approx., 1.6gms gross (2)

Provenance: deceased estate Denbighshire, consigned via our Colwyn Bay office

Condition Report: clarity SI1, colour H/I, diamonds are bright and well matched, all opinions are subjective and not guarantees, we encourage viewing in person if possible £1,500-2,500

9CT GOLD THREE STONE DIAMOND RING, the three round brilliant cut stones measuring 2.0cts overall approx., ring size N, 5.1gms, in modern ring box

Provenance: deceased estate Cardiff, consigned via our Cardiff office

Condition Report: clarity I2/I3, colour H/I, all opinions are subjective and not guarantees, we encourage viewing in person if possible £1,500-2,500

14K YELLOW GOLD DIAMOND SOLITAIRE RING, the single round brilliant cut stone measuring 1.5cts approx., ring size M, 3.2gms

Provenance: deceased estate Denbighshire, consigned via our Colwyn Bay office

Condition Report: clarity VS2/SI1, colour H/I, good ‘brilliance’ and ‘fire’, all opinions are subjective and not guarantees, we encourage viewing in person if possible £2,500-3,500

YELLOW & WHITE GOLD THREE STONE DIAMOND RING, the three round brilliant cut stones measuring 3.0cts overall approx., ring size L 1/2, stamped ‘14 - 18K’, 6.3gms

Provenance: deceased estate Denbighshire, consigned via our Colwyn Bay office

Condition Report: clarity SI1, colour H/I, diamonds are bright and well matched, all opinions are subjective and not guarantees, we encourage viewing in person if possible £3,000-4,000

18CT YELLOW GOLD & PLATINUM DIAMOND SOLITAIRE RING, the single round brilliant cut stone measuring 2.0cts approx., ring size J 1/2, 4.1gms

Provenance: deceased estate Denbighshire, consigned via our Colwyn Bay office

Condition Report: clarity VS2/SI1, colour H/I, good ‘brilliance’ and ‘fire’, all opinions are subjective and not guarantees, we encourage viewing in person if possible £3,000-4,000

PLATINUM DIAMOND SOLITAIRE RING, the asscher cut single stone measuring 2.0cts approx., ring size U, 6.7gms, in modern ring box

Provenance: private collection Conwy, consigned via our Colwyn Bay office

Condition Report: clarity VS2, colour H/I, good symmetry, all opinions are subjective and not guarantees, we encourage viewing in person if possible £4,000-5,500

18CT GOLD OMEGA DE VILLE LADIES’ WRISTWATCH, the dial having pointed baton hour markers, stamped ‘750’ to back cover and numbered ‘54508200’, leather strap with Omega buckle, International Warranty card and other booklets in Omega holder, with Omega inner and outer boxes

Provenance: private collection Bridgend County Borough, consigned via our Cardiff office

Condition Report: appears in good clean overall condition, minor wear £250-350

ROLEX SUBMARINER ‘KERMIT’ STAINLESS STEEL WRISTWATCH, ref. 16610LV, serial number D10****, circa 2005, the black dial with white baton and circular hour markers, outer seconds track in white, white and steel ‘Mercedes’ hands, date aperture at 3 o’clock, ‘Kermit’ green bezel, 41mm case diameter, Rolex stainless steel Oyster bracelet with foldover clasp, with Rolex box, Rolex wallet with date card and guarantee, two booklets and outer sleeve

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: in very good clean overall condition, ticking, minor wear and scratches to bracelet as expected £15,000-20,000

LACQUERED BRASS & PERSPEX JAEGER LE COULTRE ‘CLASSIC V’ ATMOS CLOCK, c.1971, in original case, movement no. 32**01, circular 4 1/2 inch dial with Arabic and baton hours, the movement contained within a gilt-brass case with perspex plates, the front plate signed JAEGER-LE-COULTRE raised on a bracket feet, with Jaeger le Coultre cream leatherette covered hinged presentation case, guarantee booklet dated 18-8-71 (clock 22h x 16w x 12.5cms d outer case 25.5h x 21w x 16cms d)

Provenance: private collection Conwy, consigned via our Colwyn Bay office

Condition Report: plinth side with patch of scratch marks, presentation case tired, missing some hinges £300-500

640

WILLIAM IV SILVER GILT ‘CASTLE TOP’ VINAIGRETTE, Nathaniel Mills, Birmingham 1837, depicting Abbotsford House, Melrose (home of Sir Walter Scott), with hinged lid and foliate pierced grille, engine turned base with rectangular cartouche engraved ‘CJE 7 April 1849’ (3.7 x 2.6cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: very good £300-500

CASED SET ELIZABETH II & DUKE OF EDINBURGH

LIMITED EDITION SILVER WEDDING ANNIVERSARY COMMEMORATIVE GOBLETS, Garrard, London 1973, no. 2384/2500, with baluster stems, decorated with fruiting grape vines and engraved with the Royal cyphers, anniversary dates and numbered bases, with accompanying certificates, tot appr wt 36ozt (6) (15.6cms high)

Provenance: private collection Bridgend, consigned via our Cardiff office

Condition Report: excellent, probably unused £800-1,200

641a

CHRISTOPHER DRESSER FOR JAMES DIXON & SONS: electroplated toast rack, c.1885, in the form of a double row of hexagons set on an openwork rectangular frame, the triangular handle rising from the centre to form a lozenge (16w x 10d x 13.5cm h)

Provenance: private collection North Wales Condition: rubbed, end bars slightly bent £600-800

‡ PAIR STUART DEVLIN SILVER & SILVER-GILT CANDLEHOLDERS, London 1968, each with removable cylindrical cage work shade on polished circular base, tot appr wt 20ozt (2) (19.5cms high)

Provenance: consigned via our Cardiff office, thought to have been commissioned by the vendor’s parents in 1973 from Devlin at Collingwoods to match Lot 643

Condition Report: excellent £800-1,200

STUART DEVLIN AO CMG (1931-2018) ranks as one of the greatest contemporary gold and silversmiths and has been acclaimed by the Worshipful Company of Goldsmiths as the designer with ‘the Midas touch’.

Stuart Devlin was born in Geelong, Australia in 1931. He trained at the Royal Melbourne Institute of Technology and, in 1958, won a number of scholarships including one to study silversmithing under Professor Robert Goodden at the Royal College of Art, London. After spending a two year fellowship at Columbia University in America in 1962, he returned to Australia to teach and rose to become an inspector of art schools. In 1964, Stuart Devlin won a competition to design Australia’s first decimal coinage. Devlin went on to be an accomplished coin designer, designing coins for over 36 countries worldwide and many more medallions, including the medals for the founding awards of the Australian honours system in 1975.

On his return to London, in January 1965, Devlin set up a small workshop in Clerkenwell and the following year he employed his first craftsman. Devlin created new techniques and produced a wide variety of textures, filigree forms and gilding to create his distinctive style. Devlin aimed to design pieces that added ‘delight, surprise, intrigue, and even amusement’, this especially can be seen in his commercially successful limited edition novelty eggs and boxes. In 1972 Devlin transferred his retail gallery to the ground floor of his St. John Street workshop in Clerkenwell. After a sell-out collection at Asprey, Collingwoods of Conduit Street (in London’s West End) set aside an entire floor exclusively for his work, in order to hold regular exhibitions. Between 1979 and 1985, in partnership with the Duke of Westminster, he set up a prestigious showroom in Conduit Street almost opposite Collingwoods. Devlin closed his London showroom in 1987.

Devlin was made a freeman of the Goldsmiths’ Company by special grant in 1966 and elected a liveryman in 1972. In 1980 he was made a Companion of the Order of St Michael and St George ‘for services to the art of design’ and in 1982 was granted the Royal Warrant of Appointment as Goldsmith and Jeweller to Queen Elizabeth II. He was Prime Warden of the Goldsmiths Company 1996-1997.

The Goldsmiths’ Centre situated in Clerkenwell, was developed from a discussion in 2006 between Stuart Devlin, Hector Miller and Grant Macdonald. They proposed the visionary idea of establishing a creative institute for the goldsmith’s craft. Devlin’s initiative also had the additional aspect of managed workshops and facilities for exhibitions, corporate hospitality and catering.

Stuart Devlin was Postgraduate Programme Director at the Goldsmiths’ Centre, and while there passed on his inspiration, skills and ethic to enrich the way people live and work. The torch for the 2012 London Olympics was designed as a tribute to Stuart Devlin’s retro style and British craftsmanship by Edward Barber and Jay Osgerby, and won the Design Museum’s Design of the Year Award.

In 2011 his wife Carole and sister-in-law Victoria Kate Simkin started to assemble his archive. It became the basis for a book which was published in 2018 shortly before Stuart Devlin died - Stuart Devlin: Designer Goldsmith Silversmith, published by ACC Art Books Ltd, 2018.

‡ PAIR STUART DEVLIN SILVER & SILVER-GILT CANDLESTICKS, London 1973, each with removable cylindrical cagework shade and polished textured stem and plain circular foot, total approximate wt 28ozt (2) (34cms high)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office Condition Report: excellent £2,000-3,000

DOCUMENTARY VICTORIAN TIFFANY SILVER PEPPERETTE WITH ROYAL PROVENANCE, 1879, in the Aesthetic taste, from the ‘Harlequin’ set, tapering quatre-lobed form with lateral rib, engraved with foliage, pierced push-on cover with copper knop, strap handle with foliate pierced copper grille, raised on four short bracket feet, the base stamped ‘Tiffany & Co Sterling Silver and Other Metals’, pattern no. 5141, order no. 9720, etching design no. 153, also engraved presentation inscription ‘GIVEN BY T.R.H. PRINCE & PRINCESS OF WALES, XMAS 1879’ (9.2cms high)

Provenance: inherited within the family of a private collection North Wales, consigned via our Colwyn Bay office, family records do not record how the pepperette came into the family

Auctioneer’s Note: inscription refers to Prince Albert Edward & Princess Alexandra of Denmark, later King Edward VII & Queen Consort. Tiffany Archive records the entry for order 9720 for a ‘5141’ Pepper, in the Silver Manufacturing Ledger no.3. costing 10.00 for making and 14.00 for etching. Etching design is illustrated in appendix 2 of the archive, and the 1879 Blue Book, p. 89, documents H.R.H The Prince of Wales at the top of the purchaser list. Accompanying the lot is the Tiffany research certificate dated November 2021.

Condition Report: small ding to base, knop slightly skewed £1,800-2,500

18K GOLD MASTERS BADGE FOR THE INCORPORATED GUILD OF HAIRDRESSERS, WIGMAKERS AND PERFUMERS, blue enamel worded bezel with gold colour Medusa head relief applied to centre surmounted with rose cut diamond of approx. 0.25ct, engraved ‘The Master’ verso, ring and pin mount, punchmarked 18 to ring and frame, approx. 85.8g gross, blue sash ribbon accompanies. (69mm diameter)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: small enamel chip to the lettering, otherwise very good £800-1,200

TWO CHROME PLATED RADIATOR MASCOTS, comprising Bentley flying ‘B’, with incuse stamp EB3601/FC & encircled D, and Rolls Royce kneeling ‘Spirit of Ecstasy’, Reg. Trade mark stamps under wings, 11cms high (2) (9cms and 11cms high respectively)

Provenance: private collection Gloucestershire, consigned via our Cardiff office

Condition Report: minor surface scratches, ecstasy chrome worn under wings £400-600

TWO VINTAGE HERMÈS SILK SCARVES comprising ‘Les Voitures A Transformation’, designed by Francoise de la Perriere originally in 1965, together with ‘The Astrologie’ designed by Francoise Faconnet originally in 1963, together with vintage Hermès ‘knot’ scarf ring stamped ‘Hermès’ (3) (88 x 88cms each)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: some minor marks to ‘Voitures’ scarf, no major losses £200-400

TWO VINTAGE HERMÈS SILK SCARVES comprising ‘Les Oiseaux Des Champs Et Des Bois’, designed by Hugo Grygkar originally in 1953, together with ‘L’Hiver’ designed by Philippe Ledoux originally in 1968 (2) (88 x 88cms)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: ‘L’Hiver’ has some marks but no significant damage £150-300

649

19TH CENTURY CONTINENTAL GILT BRONZE & AGATE TAZZA, the oval polished banded stone dish mounted with foliate engraved rococo rim, above slender engraved baluster column and domed engraved C-scrolled base (8cms wide x 8cms high)

Provenance: deceased estate Gwent, consigned via our Cardiff office

Condition Report: inner gilt edge worn at top, stone with slight wear to centre and edge £150-250

650

GLENFARCLAS ALL MALT SCOTCH WHISKY, 21 years old, bottled by Grant Bonding Co Ltd, Ballindalloch, Banffshire, Scotland, 26 2/3 fl oz, 75.7cl. 70 proof, in original box

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: sealed, liquid level upper shoulder, some scuffs to label and creases to box £150-250

RARE METHUSELAH OF 1983 MAS DE DAUMAS GASSAC (6ltr) Vin de Pays de L’Herault, Languedoc, presented in its original wooden case complete with a magazine article of the estate by Connoisseur Magazine dated May 1985, one of just twelve 1985 Methuselah bottled by the estate

Provenance: private collection from Vale of Glamorgan, passive storage, consigned via our Cardiff office

Auctioneer’s Note: first planted by the Romans, the vineyards of Languedoc-Roussillon have enjoyed a chequered history. By the 1980s, when this extraordinary wine was made, the area was infamous for growing vast amounts of commercial, over-cropped fruit, producing coarse, dilute wines often bolstered with more robust wines from Algria and Spain. At its qualitative nadir, the region was responsible for staggering 10% in the planets wine production! Encouraged by a geology report from Professor Henri Enjelbert, Veronique Guilbert de la Vassiere and husband Aime, new owners of an abandoned farmhouse (Mas) once owned by the Daumas family and close to the Gassac river, embarked on a journey to create a ‘Grand Cru’ wine of the region. Slowly, around 8 hectares were planted with Cabernet Sauvignon, Merlot, Malbec, Tannat, Cabernet Franc, Syrah and Pinot Noir, and with the aid of oenologist Emile Peynaud the first fruit was harvested in 1978. By the early 80s the wine started to appear in Parisian bistros, and just a few years later in 1982 the influential French magazine Gault & Millau described Mas de Daumas Gassas as ‘the Lafite of the Languedoc’, with Jane MacQuitty proclaiming ‘actually, more like Latour’. The rest, as they say, is history.

Condition Report: damage to wax seal and minor signs of seepage, however the ullage level is excellent at in-neck. Both front and rear labels are in good condition £250-350

‡ PABLO PICASSO, 1953, lithograph printed in coloursNature Morte A L’Aubergine (Czwiklitzer 74), signed in the stone, printed signature in the margin instead of pencil, numbered in pencil 85/100 ((I) 37 x 48cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: slight tinting, framed and glazed £1,000-1,500

‡

LAURENCE STEPHEN LOWRY RBA RA, 1973, offset lithograph printed in colours - ‘Deal’, sketch of boats at harbour, signed in blue biro, from the edition of 850, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp (17.4 x 25cms)

Provenance: private collection France, consigned via our Cardiff office

Condition Report: minor scuffs to frame £500-600

‡

LAURENCE STEPHEN LOWRY RBA RA, 1972 offset lithograph printed in colours on wove - ‘The Harbour’, signed in pencil, from an edition of 850, printed and published by Venture Prints Ltd, with Fine Art Guild blindstamp (43.5 x 56cms)

Provenance: private collection Bridgend County Borough, consigned via our Cardiff office

Condition Report: finely preserved under ‘museum glass’, frame in polished chrome, no apparent fading or damage, ready to hang £1,500-2,000

‡

LAURENCE STEPHEN LOWRY RBA RA, 1975, offset lithograph printed in colours on wove - ‘The Notice Board’, figures regarding a sign on a hill, signed in pencil, from the edition of 500, Fine Art Trade Guild blindstamp (40 x 50.2cms)

Provenance: private collection Denbighshire, consigned via our Colwyn Bay office

Condition Report: foxing, gilt gesso frame damaged in areas

‡

LAURENCE STEPHEN LOWRY RBA RA, 1973, offset colour lithograph on wove - ‘The Meeting Point’, signed in pencil, from an edition of 850, printed by Chorley & Pickersgill, published by Adam Collection Ltd, with the Fine Art Trade Guild blindstamp (49 x 72cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no obvious fading or discolouration £1,800-2,500

‡

LAURENCE STEPHEN LOWRY RBA RA, 1972, offset lithograph printed in colours on wove - Ferry Boats, signed in pencil, from the edition of 500, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, with margins ((I) 30.5 x 40.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: excellent, framed and glazed, ready to hang £2,000-3,000

658

‡ LAURENCE STEPHEN LOWRY RBA RA, 1975, offset lithograph printed in colours on wove - ‘Sailing Boats’, signed in pencil, published by Venture Prints Ltd, Fine Art Guild blindstamp (32 x 35.5cms)

Provenance: private collection Bridgend County Borough, consigned via our Cardiff office

Condition Report: finely preserved under ‘museum glass’, frame in polished chrome, no apparent fading or damage, ready to hang £2,000-3,000

659

‡

LAURENCE STEPHEN LOWRY RBA RA pencil on paper - ‘Seascape - Low (Tide) / Sea’, signed and dated 1945, titled on gallery label verso (12.5 x 18cms)

Provenance: Phillips London 1983; Phyllis Gorlick King Gallery; sold to Hugh Mitchley, Cardigan, 12.12.85; Hefin Jones, Lampeter; private collection West Wales

Letter accompanying from Phyllis Gorlick King Gallery on headed paper to Hugh Mitchely dated 12.12.85 explaining that this drawing is one of tree similar studies executed in 1945 in addition to a fourth which was a watercolour (dated 1952), all of similar size. All four purchased from Phillips London in 1985. Offered by current vendor at Christie’s 12.12.08 but withdrawn on their instruction (label verso)

Auctioneer’s Note: despite the immediate association of Lowry as a painter of the hard industrial landscape, he did step outside of this urban world from time to time to depict different environments such as the countryside and sea. The seaside itself held a particular draw for Lowry and he visited regularly throughout his life, starting with holidays to Lytham St Anne’s and Rhyl in North Wales as a young boy and later in retirement. Indeed, some of the earliest known works created are drawings of the coast. The absence of figures in this compostion reflects the relative calmness of coastal towns like Rhyl at this time as compared with the bustle of the post war years. Lowry’s works on paper of the pre-war period show a true understanding of successful draughtsmanship as reflected in this simple and serene composition.

Condition Report: minor foxing to centre and margins, paper raised at edges, modern frame, ready to hang £2,500-3,500

‡ JOHN BRATBY pastel - The Gondola & Gondolier, signed and titled in pencil (51 x 37cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: slight tinting, framed and glazed ready to hang £200-300

‡ DIANA ARMFIELD RA mixed media, pastel - entitled verso ‘Cabin Among the Aspens’, signed with initials (18 x 26cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, no problems £250-350

662

‡ JOHN BRATBY two pastels - Notre Dame, front elevation and from the side, signed and titled (2) (49 x 35cms)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: excellent, framed and glazed, ready to hang £300-500

664

‡ CECIL ROCHFORT

D’OYLY JOHN oil on canvas - titled verso ‘Cagnes sur Mer, near Nice, S of France’, artist’s label verso (24.5x 34cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, requires cleaning (nicotine) £200-400

665

‡ CECIL ROCHFORT

D’OYLY JOHN oil on canvas - titled verso ‘near Port of Spain, Trinidad - W. Indies, small fishing point’, artist’s label verso (23.5 x 33.5cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, requires cleaning (nicotine) £200-400

666

‡ CECIL ROCHFORT

D’OYLY JOHN oil on canvas - titled verso ‘dawn fishermen off French coast at Cap d’Antibes’, artist’s label verso (24 x 34cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, requires cleaning (nicotine) £200-300

667

‡ CECIL ROCHFORT D’OYLY JOHN oil on canvas - titled verso ‘Villefranche, near Nice, French Riviera’, artist’s label verso (34 x 70cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, requires cleaning (nicotine) £600-1,000

668

‡ CECIL ROCHFORT D’OYLY JOHN oil on canvas - titled verso ‘Cannes Bay, French Riviera’, artist’s label verso (34 x 70cms)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: framed, requires cleaning (nicotine) £600-1,000

ANNE MARIE GILBERT-JESPERSEN oil on canvas - river landscape with boy angler entitled ‘Fisherman in a landscape’ on Trinity Fine Art gallery label verso, signed with monogram and dated 188* (41 x 46cms)

Provenance: private collection, Swansea, consigned via our Cardiff office

Condition Report: minor retouching to sky, old restoration by C H T Wolckow (Odense) with conservator’s

verso dated 1959, canvas patched lower right and retouched, cleaned, ready to hang

670

ALFRED DE BREANSKI oil on canvas - cattle watering in a Perthshire landscape at sunset, signed with monogram and dated 1870 (29 x 49cms)

Provenance: private collection Caerphilly, consigned via our Cardiff office

Condition Report: compare with a very similar painting, possibly its pair, sold Mallams 19-10-16 lot 497

‡ DIANA ARMFIELD RA oil on boardstill life of flowers in a vase, entitled verso ‘Nasturtiums’, signed with initials (17 x 20cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang

MANNER OF PHILIPS WOUWERMAN oils on panel, a pair - battle scenes with 17th Century Ottoman vs. Christian cavalry at dawn and at dusk, city in the distance, probably depicting the last battle of Vienna in 1683, early 18th Century (22.5 x 30.5cms)

Provenance: private collection Monmouthshire, by descent, consigned via our Cardiff office

Condition Report: generally very good with minor surface dirt £1,500-2,500

675

19TH CENTURY BUILDER’S HALF-BLOCK MODEL of steel screw steamer ‘Fantee’ No 235’, buillt by Alexander Stephens & Sons, with paper label ‘Alex Stephens & Sons, Shipbuilders & Engineers Glasgow’,

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: some areas of loss £200-300

676

ACHILLE SIMONETTI (Italian/ Australian, 1838-1900) marble bas-relief - profile portrait a gentleman in classical robes, signed and dated ‘A. Simonetti F.in Sydney 1876’, tondo, later oak frame (23cms diameter)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Auctioneer’s Note: Simonetti was born in Rome, the son of a sculptor. In 1871 James O’Quinn, Roman Catholic Bishop of Brisbane, persuaded Simonetti to immigrate to Brisbane, Queensland. By 1874 he had moved to Sydney establishing a studio in Balmain district, where he undertook many important commissions. Simonetti died after a two-week illness on 23 March 1900 at home in Sydney, and was buried in the Roman Catholic section of the Rookwood Cemetery. At the time of his death, he was designing a statue of the late Queensland Premier, Thomas Joseph Byrnes. Although there was a proposal that Simonetti’s former pupil James White might continue the work, the commission was given to Melbourne sculptor Bertram Mackennel, who completed the work in 1902.

Condition Report: frame with crack £300-500

677

VIENNESE GILT METAL & ENAMEL MINIATURE SALON SUITE, early 20th Century, comprising settee and two armchairs, with figural painted backs and seats, reversed with pin foliate backs, jewelled frames, 8cms high (3)

Provenance: deceased estate Gwent, consigned via our Cardiff office

Condition Report: one chair back chipped border, other with chipped red enamel seat edge, settee with damaged arm join and chipped blue line £400-600

THREE 19TH CENTURY

TORTOISESHELL, GILT METAL & MINIATURE MOUNTED SNUFF BOXES, comprising early 19th Century circular box with painted portrait of a young man in white cravat by Charles Dusaulchoy (1781-1852), signed, 6.5cms diameter, an early 19th shaped box with oval miniature portrait of a young lady in white dress, 6.5cms wide; and larger circular box with a gentleman proposing to a lady beside her companion, 9cms diameter. (3)

Provenance: deceased estate Gwent, consigned via our Cardiff office

Condition Report: first slightly shrunk lid, second loose frame, third cracked lid under miniature £400-600

679

DUTCH HEEMSKERK BRASS BALUSTER CANDLESTICK, the nozzle with two extracting holes above wide drip pan, circular base, believed 16th Century (20.5cms high)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: good overall condition considering age, small areas out of shape £500-800

680

FLEMISH BRONZE ‘KNOT’ CANDLESTICK, the nozzle with two extracting holes above slender column with four rings, drip pan above circular conical base, believed 15th/16th Century (25cms high)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: appears in good overall condition, wear and mis-shapen commensurate with age £800-1,200

681

AFTER THE ANTIQUE: 19TH CENTURY BRONZE GROUP OF THE LAOCOÖN, depicting the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by the sea serpent, on integral shaped base, raised on an rouge marble rectangular plinth, the bronze, 43.5cms high, 56cms high including plinth base (the bronze 17cms high, including plinth 25cms high)

Provenance: deceased estate Gwent, consigned via our Cardiff office

Condition Report: well patinated, some surface rubbing revealing chocolate bronze, plinth with chips to corners, repaired section at rear £800-1,200

682

ADRIEN-ETIENNE GAUDEZ bronze - Patineurs Watteau, sculpture of a young belle epoque couple ice skating, signed on the base and titled to the plinth in a cartouche (59cms high)

Provenance: private collection Caerphilly, consigned via our Cardiff office Condition Report: excellent overall £800-1,200

683

SWISS ‘BLACK FOREST’ LINDENWOOD BEAR, seated with open mouth revealing painted details, painted nose, glass inset eyes, and well defined fur detailing (49cms)

Provenance: deceased estate Ceredigion, consigned via our Carmarthen office Condition Report: two incisiors chipped, surface wear to pads and back £1,500-2,500

AFTER THE ANTIQUE, two late 19th Century Neapolitan patinated bronze Grand Tour figures of the Farnese Antinous, and Narcissus, modelled in the manner of Chiurazzi, each standing on circular plinth base (2) (61.5cms high, and 63cms high)

Provenance: deceased estate. consigned via our Carmarthen office

Condition Report: extensive verdigris patination, no apparent damage £2,000-3,000

MARY POWNALL BROMET bronze - large bust of a Greek warrior, wearing eagle-crested, winged Chalcidian-type Hellenic helmet, animal mask to his chest, on square section socle and stepped plinth, signed ‘M. Pownall, Feb 17th 1891’ (92.5cms high)

Provenance: deceased estate Ceredigion, consigned via our Carmarthen office

Auctioneer’s Note: Mary Pownall Bromet was among the leading British sculptors in the early 20th century. Her style was influenced by Rodin whom she studied under in Paris from 1897-1900. Her technical ability made her a popular choice for portrait bust and statuette commissions and her work was exhibited throughout Europe with one of her most important commissions being the Watford War Memorial.

Born near Leigh in Lancashire, she returned after her European studies to be married in 1902 to Alfred Bromet. From 1902-1937 she lived and worked in their house, Lime Lodge in Oxhey. Alfred Bromet was a friend of Stanley Baldwin and the house often hosted Conservative gatherings. It was also close to the sculptor and artist Hubert von Herkomer’s school in Bushey, and not far from London, where she exhibited at the RA. She was President of the Society of Women Artists.

Condition Report: small crack to plinth £2,000-4,000

CROWN DERBY GILT ‘REPOUSSE WARE’ VASE, c.1877-1890,

globular form with Islamic-style narrow neck with angled twin handles, moulded floral relief decoration, fractional painted number 667/1876, red printed mark with registered no. 123631 (25cms high)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: overgilt footrim chips, neck rim repaired, handles rubbed £100-200

SET MINTON BONE CHINA BOTANICAL CABINET PLATES, painted by Arthur Holland with a named species set within Swiss Alpine landscape, within gilt decorated peach borders, comprising no.2 Anemone vernalis, no. 3 Primula viscosa, no. 7 Viola calcarata, no. 9 Lilium bulbiferum, no. 10 Primula veris, & no.12 Geum montanum, impressed dates 53 & 56, gilt Minton & Thomas Goode printed marks (6) (26.8cms diameter)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Report: excellent overall £100-150

DOULTON LAMBETH SILVER MOUNTED STONEWARE TYG, c.1894, decorated by Florence Barlow, glazed in green and blue with three vignettes featuring pheasants (16cms high)

Provenance: private collection Conwy, consigned via our Colwyn Bay office

Report: excellent, silver rim tarnished

ROYAL WORCESTER PORCELAIN CABINET PLATE, painted by Harry Davis with two sheep in a misty highland landscape, within gilt ornamented mazarine blue border, gilt rim, signed, pattern no. C2094, printed marks for H.C. Stephenson Ltd Manchester, date cypher for 1922 (23.5cms diameter)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: cracked and restored, front overpainted £100-200

TWO ROYAL WORCESTER POT POURRI COVERED VASES & MEISSEN HAUSMALERAI COVERED BOWL, first two of shapes H291 and H175, painted with roses and with slipper orchids, pierced covers, early 20th Century, 16cms & 11.5cms high respectively; third item painted with chickens and with pheasants, beneath gilt rim and line base, shallow domed cover with rose knop, cancelled blue crossed swords mark, 19th Century, 10h x 11cms d (3)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: Worcester covers both restored £200-300

691

ROYAL WORCESTER FINE BONE

CHINA POT POURRI JAR & COVER, hand-painted with a still life of fruit on a mossy bank within gilt borders, pierced cover, indistinctly signed ‘Roberts’, shape No. H/175, printed mark in black to base (12cms high)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: appears in very good condition £200-300

692

ROYAL WORCESTER FINE BONE

CHINA POT POURRI JAR & COVER, hand-painted with a still life of fruit on a mossy bank within gilt borders, pierced cover, indistinctly signed ‘Roberts’, shape No. H/279, printed mark in black to base (14cms high)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: appears in very good condition £200-300

693

ROYAL WORCESTER FINE BONE

CHINA POT POURRI JAR & COVER, hand-painted with a still life of fruit on a mossy bank within gilt borders, pierced cover, indistinctly signed ‘Roberts’, shape No. H 277, printed mark in black to base (13.5cms high)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: excellent £200-300

694

ROYAL WORCESTER FINE BONE CHINA

TWIN-HANDLED VASE & COVER, by Brian Leaman, hand-painted with a still life of fruit on a mossy bank within gilt borders, signed, shape No. 2701/1, printed mark in black to base (21cms high)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: appears in very good condition £250-350

695

ROYAL WORCESTER FINE BONE CHINA

CYLINDRICAL VASE, by Christopher Hughes, hand-painted with a still life of fruit on a mossy bank, pierced gilt neck, raised on four knurl feet, signed, shape No. G42, printed mark in black to base (22cms high)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: appears in very good condition £300-500

696

ROYAL WORCESTER FINE BONE CHINA

CYLINDRICAL VASE, by John Reed, hand-painted with a still life of fruit on a mossy bank, pierced gilt neck, raised on four knurl feet, signed, shape No. G42, printed mark in black to base (22cms high)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: excellent £300-500

697

ROYAL WORCESTER FINE BONE CHINA CABINET PLATE, by John Freeman, hand-painted with a still life of fruit on a mossy bank within a gilt gadroon border, signed, printed mark in black to base (27cms diameter)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: appears in very good overall condition £300-500

698

ROYAL WORCESTER FINE BONE CHINA GINGER JAR & COVER, by John Freeman, hand-painted with fallen fruits in a naturalistic setting within gilt borders, signed, shape No. 2826, printed mark in black to base (17.5cms high)

Provenance: private collection Swansea, consigned via our Carmarthen office

Condition Report: appears in very good condition £600-1,000

699 TWO ROYAL WORCESTER FINE BONE CHINA CABINET PLATES, by Harry Ayrton, both hand-painted with a still life of fruit on a mossy bank within a gilt gadroon shaped border, signed, printed marks in black to bases (2) (22.5cms diameter)

Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: both appear in very good condition £500-800

700

CHRISTOPHER DRESSER FOR AULT POTTERY, c.1890, vase of flaring cylindrical form with tall neck, surrounded by four smaller conical forms, each moulded with owls, the body further moulded with stars and clouds, glazed in red, yellow and green, applied and impressed marks, ‘Ault England 365’ (38cms high)

Provenance: private collection Newport, consigned via our Cardiff office Auctioneer’s Note: Ault Faience was founded in 1887 by William Ault, and became Ault’s English Art Pottery in 1910. Dresser’s connection with the pottery ran from 1891-1896. Although this shape was produced after the termination of Dresser’s contract it is believed that the design is Dresser’s and was with Ault before March 1896. Cf. Lyons, Harry Christopher Dresser: The People’s Designer: 1834-1904, Woodbridge, 2005, pp.80-4.

Condition Report: chip to spout £600-800

701

CLARICE CLIFF ‘FOREST GLEN’ LOTUS JUG, ribbed body, plain loop handle, printed marks (28.5cms high)

Provenance: deceased estate Conwy, consigned via our Colwyn Bay office

Condition Report: crack to rim £300-500

RARE PRATTWARE MODEL OF A COCKEREL, c.1790-1810, brightly coloured and well modelled facing slightly to destra, on domed base (21cms high)

Provenance: contents of Machen House, Lower Machen in the County Borough of Caerphilly

Auctioneer’s Note: for a comparison to similar hen, see Rogers Jones auction, 12 Sept 2020, lot 36.

Condition Report: base broken and reglued, minor losses to column £300-500

LARGE NAILSEA JUG, c.1800, globular form with slightly waisted neck and pinched spout, applied scroll handle with kick base, of olive-green tint with splashed opaque-white inclusions (23.5cms high)

Provenance: deceased estate Ceredigion, consigned via our Carmarthen office Condition Report: crack to body at base of handle £400-600

ROYAL CROWN DERBY BONE CHINA VASE

& COVER, painted by George Jessop, twin handled with roses and summer flower spray within raised and tooled gilt border to the front, reserved on a mazarine blue ground, date cypher for 1931 (37.5cms high)

Provenance: contents of Machen House, Lower Machen in the County Borough of Caerphilly Condition Report: excellent £400-600

MOORCROFT FOR LIBERTY: PAIR

TUDRIC CANDLESTICKS, c.1910, in the ‘Wisteria’ pattern, hammered pewter mounts, stamped ‘Liberty Tudric 01362’ (2) (9.5cms high)

Provenance: private collection Powys, consigned via our Cardiff office

Condition Report: one with slightly bent sconce £600-800

PARAGON BONE CHINA TEA SERVICE, for six place settings, colour printed with flowers sprays and richly gilt, the pattern a reproduction of the service made for Her Majesty Queen Mary (22)

Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: excellent £700-900

WINE & WATER EWERS, no. 16 of 25, shoulders modelled respectively with a satyr grasping the horns of a goat hung with swags of fruiting vine and a triton grasping a dolphin mask hung with swags of water plants, above bands of stiff leaves, jewelling and Greek key type band, on square bases, impressed Wedgwood, Made in England with gold Masterpiece backstamp and number, with certificate and presentation cases (2) (42cms high)

Provenance: private collection South Wales, consigned via our Cardiff office

Auctioneer’s Note: John Flaxman Snr provided Wedgwood with the models of the originals in 1775 which were often entitled ‘Sacred to Bacchus’ and ‘Sacred to Neptune’ and were produced in Black Basalt at 2 guineas and Jasper Ware at 5 guineas.

Condition Report: excellent, as new, one box cover inscribed in biro £1,500-2,000

PAIR LIMITED EDITION WEDGWOOD MASTERPIECE SAGE JASPER

FLEMING (IAN)

Thunderball, first edition, publisher’s cloth, dust-jacket, 8vo, Jonathan Cape, [1961]

Provenance: private collection Carmarthenshire, consigned via our Cardiff office

Condition Report: excellent, a fine copy

CHRISTIE (AGATHA) T he Mysterious Affair at Styles; Murder on the Links, Two Detective Stories in One Volume, signed US edition, Dodd, Mead & Company, New York, 1940, Red Badge printed endpaper signed by the author in blue ink, with additional owner’s signature dated 1945, original red cloth, 4to.

Provenance: private collection North Wales, consigned via our Colwyn Bay office

Condition Report: fades, spine faded and torn along one seam

MOROCCAN KOUMMIYA, c.1900, 9in curving double edged blade with traces of foliate engraving, characteristic white metal mounted horn hilt (presumed rhinoceros) decorated with panels of foliage, matching white metal scabbard with two rings for attachment, silver makers marks (41cms long overall)

Provenance: contents of Machen House, Lower Machen in the County Borough of Caerphilly

Condition Report: blade with rubbing partially erasing engraving, rust to tip, scabbard polished and retains some residue

‡ CECILY SASH oil on alabastine on board - Predatory Women, signed and dated ‘64 (76 x 76cms)

Provenance: private collection Powys, consigned via our Cardiff office

Condition Report: surface dirt, chip lower right, scratch middle right, hairline cracks

The St John Perrott Stimson Collection of Treen & British Folk Art – Lots 712-756

712

FOUR ITEMS OF TREEN comprising an oat-cake slice or riddleboard, 43cms, a sycamore wood treen lovespoon with pierced handle, 20.5cms, a lovespoon with double heart handle with glass locket insert, inscribed ‘PED’, 21cms, and a Zulu carved spoon with crowned finial, 14cms (4)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: riddleboard cracked handle, lovespoon cracked handle £140-180

713

19TH CENTURY

CARVED PAP BOAT, probably French Cherry wood, decorated with leaf motifs, and shallow punched guilloche bands (13cms long)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: small cracks to tip and handle £40-60

714

FOUR CARVED TREEN ‘SHOES’, comprising a bone inlay double clog snuff box, shoe snuff box with sliding lid, shoe pipe tamper, and model shoe (4)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: minor wear to extremities £40-60

RARE BOODY WARE FLASK, probably Northumberland c.1880, the yellow slipware flask applied all over with sherds of porcelain and coloured pottery, loop handle, 16cms high

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: a few sherds lost. See Ruth Kenny et al. British Folk Art, 2014, p. 108-9 £40-60

716

FIVE MAUCHLINE WARE WRITING ACCESSORIES, comprising of a ruler with Newbiggin Church print, page turner with Denby Castle print, paper knife with Melrose Abbey print, pen-wipe with Ilfracombe prints, and boat shaped dish with phototransfer of Pembroke (5)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: Melrose paper knife with edge chips £40-60

FOUR TURNED FRUITWOOD SPINNING TOPS, three with ebony and mother of pearl/abalone shell inlay, one a humming top with handle, all about 4cms high (4)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: all very good £50-100

718

FIVE VARIOUS TREEN SPINNING TOPS, including one parquetry humming top with handle, rosewood humming top with handle, engine turned humming top with bone finial and small pair inscribed John P Harthan, largest 11cms high (5)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: bone handled spin top with chips to apex £50-100

719

ASSORTED TREEN LOVE SPOONS & UTENSILS, comprising sycamore love spoon with pierced heart finial, cawl spoon, tongs, copper conical tool etc. (6)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: all generally good £50-70

720

19TH CENTURY SEAMAN’S

‘BOX OF LETTERS’, sliding cover painted with RN ship of the line, and containing square pine blocks, lettered, numbered and painted with nautical flags, roman numerals, animals, etc (18h x 29w x 10cms)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: chips to sliding cover and surface dings, general wear £50-80

721

FOUR 19TH CENTURY SAIL MAKERS LINERS, wedge shaped points and facet carved handles (4) (largest 12.5cms long)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: all good with normal wear £50-70

722

19TH CENTURY YORKSHIRE ‘GOOSE WING’ KNITTING SHEATH, with plaited string handle, star and heart carved waist and zigzag border (24cms long)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: good overall £50-70

723

ASSORTED TREEN DENTAL & APOTHECARY’S ACCESSORIES, including pill silverer, two double measures, mortar, massage roller, dental spiral mouth gag and set of six concentric pill boxes (7)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: double measure with old cracks, mortars both with old cracks, otherwise all generally good £60-100

724

SIX ASSORTED TREEN BOXES, comprising Tudor rose box, ‘book’ box, oval puzzle box, octagonal burr wood puzzle box, reeded circular box, printed top & ebonised box (6)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: book box with chips, loose cover, rose box cracked lid £60-100

COQUILLA NUT CARVED ‘ACORN’ NUTMEG GRATER, 6cms

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: cracks and chips, lacks metal grater £60-80

ASSORTED TREEN ITEMS including early 19th century teacher’s ‘snapper’ or ‘cricket’, child’s cage rattle, lemon juicer, shoehorn, fork/marrow scoop and nutcracker (6)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: juicer with handle crack, snapper / cricket with old chips, nutcracker cracked hinge £70-100

727

TWO TREEN NUTCRACKERS, comprising an 18th Century chip carved mortice nutcracker 14cms long, and a 19th Century screw nutcracker, 8.5cms (2)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’

Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: both very good £80-120

728

CARVED SHEEP HORN ITEMS, including oval snuff box incised ‘William Dixon, Coniston’, 6.7cms long, Scottish white metal mounted rams horn snuff box 8cms wide, Scottish turned quaich 14cms long, spoon, 19.7cms long, butter curl (5)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: good overall, please examine £80-120

729

ASSORTED TREEN WIND & PERCUSSION INSTRUMENTS, including slide recorder, two tone pipe, novelty pierced pipe with ring, and two rattles (5)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: paddle rattle old chips to handle, novelty pierced pipe with cracked ringholder £80-120

730

FIVE SPLINTWORK ITEMS, including three money boxes, one of cathedral form, 32cms high, a box rattle, 16cms high, easel back frame, 22.5cms high (5)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: one money box with tip on one splint broken but present, another restored; rattle with tip of one splint broken, a few other tips chipped £80-120

731

FIVE ITEMS OF TARTAN WARE, comprising of a Stuart tartan notebook and ribbon box, W. & A. Smith Victoria tartan ‘Go-to-Bed’ calendar vesta holder/striker, McDonald tartan ruler, and Caledonia tartan circular box and cover (5)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: ruler chipped ends and damaged, calendar worn gilt top, notebook minor chips £80-120

732

TRAMP ART BOX & FRAME, c.1900, box chip carved with hinged top and panelled sides ornamented with porcelain bosses, interior lined in printed pictorial paper, ball feet, 25w x 15d x 14cms h; frame similar and containing valentine paper cutouts and silk flowers, c.1850, 19 x 24cms (2)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: box replaced hinges, minor restorations frame - interior box replaced, glass replaced £80-120

733

THREE 19TH CENTURY FOX & GEESE GAMES, including oak board with engraved inscription verso ‘J.C.Twistleon, Milton, March I 1876’ below crucifix and animals, another with handle inscribed in ink verso ‘Wm Haggett’, and boxbase gameboard with wood counters (3)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: solitaire with crack to base £80-120

734

CARVED & PAINTED JIGGING FIGURE, wearing cotton shirt and woollen britches tied with leather belt, mother of pearl buttons, metal pinned joints, mounted on modern doll stand, 40cms high

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: one arm with loose elbow joint, paint worn, clothes with tears, holes, stains £80-120

735

SEVEN MAUCHLINE WARE SEWING ACCESSORIES & OTHER COLLECTIBLES, including egg shaped thimble/thread holder with Martello tower and ground, Clapton on Sea print; needle case with Edinburgh Castle print; thread box with Crystal Palace print, and spherical wool holder with prints of Alloway Old Kirk, Burns cottage, Cullean Castle, and legend ‘Made of wood...Alloway Kirk...Banks of the Doon’; cigar case with Burns’ Monument/ Alloway Kirk prints, 12.5cms high; card case with Old Colwyn prints, 11.5cms high; and hinged box with tartan corners and New Haven fish wife print, 9.5cms long (7)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: one foot replaced, box with retailers label/E.Rimel Ltd London & Paris £80-120

736

MAUCHLINE WARE & SCOTTISH TREEN ITEMS, comprising two boxes, mystery box, pill box, pin cushion, and ruler, all decorated with ferns, shells or coloured transfers, the largest being 10.5cms wide; together with ‘Memorial of Walter Scott’ quaich made from wood from Abbotsford & Dryburgh Abbey, 9cms wide; Melrose Abbey sewing case, 9cms; penwork snuffbox, 9cms wide (9)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: ruler cracks to end, Melrose sewing case silk closure shattered, otherwise general light wear £80-120

737

VICTORIAN GREEN GLASS FLORAL DUMP, internally decorated with six foiled flowers in a vase, 15cms high

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: minor surface scratches £80-120

738

LIGNUM VITAE POUNCE POT, MUFFINEER & OAK BOX, pounce pot ot turned capstan form, 6.2cms high; muffineer of baluster form with pierced domed cover and acorn knop; box of tapering circular section carved with two guilloche and chip carved type lateral bands, cover with sliding compartment under, 10cms high (3)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: muffineer with a few old worm holes, corner damaged and reglued, pounce pot with old cracks, box good £100-200

739

ELEVEN MAUCHLINE WARE COLLECTIBLES, comprising five booklets including of an album of Manchester Zoological Gardens, 13cms high; notebook with Ilfracombe print, 8.5cms high; and Common Prayer book with Clevedon prints, 9.5cms high; pillar box shaped money box with Skegness print, 11cms high; and watch stand with Folkestone print, 12cms high; two boxes with Aberystwyth prints; cylindrical box with Lover’s Seat print; two napkin rings with Hastings and Llandudno prints, and a snuff box (11)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: prayer book dated 1871 to end paper. Money box with owner’s inscription and date, 1898 £100-150

740

TWO SETS CARD GAMING TOKENS comprising rosewood cased set of 48 one guinea tokens, inscribed ‘Fattorini & Sons Bradford / Wholesale Jewellers Established 1831’, with 12 rectangular Chinese mother of pearl token, 6 bone dice, pair note pens, case 20.2 x 11.5cms; together with a box of half-guinea tokens with label ‘One Gross Spade Half-Guinea Card Counters No. 5034’, each inscribed with legend ‘In Memory of the Good Old Days 1788’ (2)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: first set with some dice replaced, clasp missing, pens stained £100-150

PEDDLER DOLL, with cloth body, dressed in headscarf, shawl, apron and skirt, selling a variety of wares from a basket and with slipware pottery at her feet, under later glass dome with ebonised plinth, overall 29.5cms

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: generally very good £100-150

742

PAIR CARVED BEECH ‘HAND’ GLOVE STRETCHERS, with sliding sections on turned bases (2) (30cms high)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: both with some old worm holes £100-150

743

TWO ANTIQUE GAMES BOARDS, comprising an 18th Century carved cribbage board with floral carved central rib, underside with later (?) metal feet and indistinctly inscribed and dated ‘George I 1727’ in ink, and a late 19th Century boxwood & mahogany game of Halma, 16 x 16 complete with coloured Halma pawns, sliding cover, 30 x 30cms (2)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: Halma board corner dented £100-150

744

MIXED GROUP OF TREEN & FOLK ART, including large plumber’s turnpin, 14cms h, castle tower money box, 9.5cms h, butter press with cow, 12.5cms d., smoothing iron (?), 14cms w, and a mystery morocco cased metal money box 9cm h, lignum vitae mystery sphere box, egg cup, metal tool, ring rattle, burrwood tobacco box, tumbling cup etc. (14)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: money box leather split at base, butter press large crack, turnpin with old crack, octagonal items with end chip £100-150

COLLECTION OF TREEN TOYS, mainly fruitwood, including turned yoyo, canon and barrel games (14)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: good overall, please examine £100-150

TWO FOLK ART WALKING STICKS, comprising one with twisted snake, heart, anvil, etc carved stem (snakes with glass bead eyes), 90cms long and thornwood stick with carved bird handle, 127cms long (2)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: birds stick with cracks and chipped beak. other with minor cracks and scuffs to old varnish £100-150

747

WELSH OR NORTH COUNTRY CARVED CHAIN LOVE TOKEN, with double ball caged link between hook and tongs finial, 34cms long

Provenance: ‘The St John Perrott Stimson

Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: tong handle loose £100-200

748

ASSORTED WELSH & OTHER TURNED AND CARVED KNITTING SHEATHS, in fruit wood, and other indigenous woods, largest 22cms high (18)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: some with splits £150-200

749

CARVED & JOINTED FRUITWOOD HAND MANNEQUIN, on tapering circular base, 30cms high

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: painted base worn, tips of fingers with small dints £200-300

750

19TH CENTURY INCISED DOUBLE GOURD FLASK, with turned wood lip and stopper, decorated with vignettes of Old Testament stories with Italian titles (25cms high)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: chip to base of spout, old chip to edge of stopper £200-300

751

19TH CENTURY TREEN BURLWOOD SNUFF BOX, probably Scottish, the hinged top applied with Victoria Two Penny red stamp, tinned interior (11 x 8 x 6cms)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: good overall £200-300

752

WELSH OR NORTH COUNTRY CARVED CHAIN LOVE TOKEN, with caged ball terminal above 10 links and pipe tamper finial, 38.5cms long

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art –Rogers Jones Co (EN)

Condition Report: good overall £200-300

MALE PEDDLER DOLL, with kid leather body, dressed in top hat and coat selling coloured wallets and jars from a tray, marble paper base under later glass dome with ebonised plinth, overall 29.5cms

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: some packets loose, feet paint worn

EARLY 19TH CENTURY WHALEBONE WALKING CANE, wrythen carved stem with crosshatched and fluted top, 83cms long

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: tip with old chip, minor age cracks, slightly bowed £200-300

INTERESTING BOX-FRAMED TREEN COLLAGE & PHOTOGRAPH OF THOMAS JONES, c.1900, collage includes carved pine motifs of female figures, rifles, tool etc, apparently carved only with a penknife, 76 x 63cms, photograph of carver, Thomas Jones, on bench with wooden leg, printed label verso ‘Gwyufryur near Wrexham 1900...... ‘ etc. with historical details relating to Jones and the collage, 30 x 24cms (2)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: frame with scuffs, lining good, photo mount tinted £400-600

FINE MAUCHLINEWARE

GAMES BOX, Striven of Laurencekirk, lid decorated with title view ‘Castle from the mound, Edinburgh’ soldiers and women, on broad plaid ground, opening to reveal five further sycamore hinged-lid boxes for cards/counters, each with initial “M”, stamped mark, lock and key (31 x 18cms)

Provenance: ‘The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art – Rogers Jones Co (EN)

Condition Report: top and sides with some minor scratches, edges with some loss of decoration, interior excellent

About Us

Selling at Rogers Jones & Co

As internationally respected auctioneers, we provide the highest level of service to buyers and sellers alike. We operate in a transparent, straightforward and friendly way, ensuring your experience is as enjoyable and profitable as possible.

We achieve the best market prices at our busy and popular salerooms, which attract buyers from across the UK and abroad.

We are passionate about presenting your goods in the best way possible. This includes expert research and descriptions coupled with professional digital photography which may include multiple images when required.

For complete peace of mind, you can take advantage of our collection service from anywhere in the UK, whatever the item(s) may be.

Once your item is sold, we will pay directly into your bank within 14 working days of the last lot being sold from your consignment.

Valuations

Rogers Jones & Co offer a full range of valuation services, both verbal (informal) and written (formal), which include:

• identification and appraisal of a broad range of antiques, fine art and collectables

• appraisal and advice on individual items, house contents and collections for sale purposes

• written valuations for:

• inheritance tax (Probate)

• insurance

• family division

We provide a tailored service to meet the requirements of all our customers, which includes private individuals, insurers and solicitors.

Our formal valuation services (where chargeable) have a clear and competitive fee structure, based on an hourly rate of £100 per hour.

We do not charge for informal valuations which provide predicted values if selling items at auction. These valuations can often be conducted by emailing images to us. Alternatively, we offer valuation sessions for clients by arrangement at the saleroom and at various venues across Wales and further afield.

We can also visit you in your home anywhere in the UK. We have valuers based in North Wales, South Wales and West Wales but we are often making trips further afield. If you would like to discuss your valuation requirements further please contact us.

Online Valuations

We can often provide an informal pre-auction valuation by email.

Please send images to info@rogersjones.co.uk please also include your telephone number, your geographical location and other details about the item which may be relevant such as sizes.

Probate / Insurance Valuations

Rogers Jones & Co can provide you with accurate professional written valuations for single items, specialist collections, and whole and partial house contents.

Up-to-date valuations offer peace of mind and confidence to families and individuals, forming an important part of your financial planning.

Our valuation services (where chargeable) have a clear and competitive fee structure, based on an hourly rate of £120+VAT per hour.

• Valuations are prepared for a variety of purposes including:

• Insurance - an invaluable record in the event of theft, loss or damage

• Family and Matrimonial Division

• For fair distribution and impartial advice

• Probate/Inheritance Tax - for executors and trustees

• Tax Planning

• Accurate retrospective valuations

• Willing Buyer / Willing Seller

• Mutually beneficial current market values

Written professional valuations are an integral part of our business, and we are trusted to carry out several hundred valuations for private and corporate clients each year. We can provide you with a confidential, clear and precise valuation tailored to your individual needs.

BIDDING & PURCHASE TERMS

Buyer’s Premium for the Welsh Sale: 24% + VAT (28.8%) on all lots up to a hammer price of £19,999 15% + VAT (18%) on all lots of a hammer price of £20,000 and over Droit de Suite applicable (Please see page 214 for more details)

OFFICE PERSONNEL

Cardiff: Alys Lloyd & Sian Russ

Colwyn Bay: Dawn Sandham & Lisa Lamb Carmarthen: Morganna Hampshire

BIDDING

Bidding other than room bidding:

1. Commission Bids

Commission bids must be placed on our website or by a form supplied by 4pm the day before auctions. (Copy of our commission bidding form is found at the back of the catalogue or can be emailed / posted).

Please note that we will not be answering our office phones on 19 November

If you have cause to contact us urgently on the day of the auction, please do so by email: cardiffinfo@rogersjones.co.uk but note that we do not guarantee a reply

2. Telephone Bidding

Telephone bids must be arranged by receipt of our forms by 1pm the day before auctions. (Copy of our telephone bidding form is found at the back of the catalogue, digital form is available to download from our website). Lines are available on all lots but on a first come first served bases. There is a limit to how many lines can be operating at one time.

3. Free Online Live Bidding With Rogers Jones

Free online Live Bidding with Rogers Jones LIVE at www.rogersjones.co.uk Other platforms such as the-saleroom.com do charge for using their system.

Payment Terms

Payment is required by BACS (bank transfer) within five working days from the auctions. Please use your bidding number and sale date as reference. Presently cheques, chip and pin and cash are not acceptable.

For clients who do not use online banking, payments can be made at their bank over the counter. Please see your banking terms.

Condition Reports

The onus rests on prospective bidders to satisfy themselves as to the condition of items in this auction. Most items have a condition report with the description; this does not imply that items are without fault. We advise requesting further images / condition reports on all lots and this will be provided by us by e-mail only. Comments on condition are declared on some items of pottery / porcelain but are an opinion only. It is usual for us to declare if there is a problem with the condition of picture(s). But we advise that all prospective purchasers enquire / examine lots as ‘items are bought as seen’.

Carriage to North Wales / Carmarthen Office / Storage & Postage

ALL COLLECTIONS OF PURCHASED GOODS MUST BE BY PRE-ARRANGED APPOINTMENT.

COLLECTIONS ARE NOT PERMITTED ON THE DAY OF THE AUCTION. STRICTLY NO ACCESS ON AUCTION DAY.

ALL ITEMS MUST BE PAID FOR PRIOR TO ARRANGING COLLECTION.

COLLECTIONS FROM CARDIFF SALEROOM MUST BE PRIOR TO 30 NOVEMBER TO AVOID STORAGE CHARGES.

All purchased lots in this auction may be shipped to our Colwyn Bay & Carmarthen offices without charge for collection from 5 December. This service is offered providing that payment is complete prior to 25 November and that they are then collected from Colwyn Bay / Carmarthen by 5pm, 9 December (BY APPOINTMENT).

Please note that this delivery will be the one free carriage to Colwyn Bay & Carmarthen undertaken by Rogers Jones & Co for items purchased at this auction. Free carriage excludes furniture items.

Rogers Jones & Co does not offer a P&P service for this auction unless items are of a non-fragile nature and can be posted in a Jiffy bag. Postage of these items are undertaken at a cost and at the buyer’s risk. We can recommend associates for a fully insured P&P service.

Lot

Lot Price

£950

Lot Price

£500

£100

£300

£140

£420

£200

£160

£180

£220

£280

£100

£100

£120

£220

£1,800

£150

£120

£180

£100

£260

£160

£120

£160

£250

£1,100

£380

£300

£280

£320

£220

£260

£200

£440

£650

£650

£680

£500

£350

£420

£400

£650

£400

£550

£1,900

£360

£620

£1,500

£380

£380

£440

£500

£300

£2,200

£340

£650

£440

£800

£500

£900

£1,000

£750

£1,600

£950

£1,400

£700

£1,300

£1,800

£850

£4,800

£1,000

£3,000

£5,000

£60

£4,000

£7,500

£650

£500

£500

£440

£360

£280

£160

£650

£340

£340

£80

£90

£300

£420

£120

£140

£200

£200

£340

£160

£800

£100

£150

£140

£180

£4,000

£260

£320

£280

£240

£240

£5,500

£2,800

£3,400 268 £4,000 269 £4,600 270 £9,000

£5,500 274 £20,000 275 £26,000 276 £18,000 277 £18,000 278 £19,000 279 £52,000 280 £32,000 283 £550 284 £3,600 285 £160 286 £160 287 £1,100 288 £100 289 £160 290 £180 291 £220 292 £100 293 £900 294 £140 295 £150 296 £170 297 £240 298 £320 300 £440 301 £120 302 £1,500 303 £700 304 £170 305 £200 306 £260 307 £440 308 £280 309 £200 310 £160 311 £520 312 £420 313 £180 314 £360 316 £200 317 £180 318 £300 319 £180 320 £320 322 £280 323 £300 326 £220 327 £320 328 £400

Lot Price 329 £320 332 £340 334 £420 335 £550 336 £400 337 £280 338 £230 339 £300 340 £250 341 £360 342 £420 343 £800 345 £900 346 £600 347 £380 349 £1,300 351 £1,200 352 £480 353 £650 354 £600 355 £460 356 £550 357 £1,700 358 £600 359 £650 361 £650 362 £2,400 363 £1,500 364 £900 365 £1,400 366 £820 367 £1,000 368 £1,000 369 £1,600 370 £1,500 371 £1,400 372 £1,900 373 £1,300 374 £1,500 375 £2,000 376 £2,600 377 £1,800 378 £2,000 379 £1,300 380 £1,800 381 £2,800 382 £3,600 383 £3,800 385 £2,200 386 £2,000 387 £2,000 388 £5,000 389 £9,500 390 £3,800 391 £2,250 392 £3,600

Lot Price 393 £3,800 394 £5,000 395 £10,000 396 £18,000 398 £4,400 399 £100 402 £1,300 403 £1,700 404 £1,500 405 £3,200 406 £3,200 407 £2,800 408 £3,800 410 £2,500 411 £2,000 412 £4,200 413 £1,200 414 £1,300 416 £500 418 £850 420 £200 421 £200 422 £800 423 £950 426 £1,500 427 £1,300 429 £280 430 £160 431 £180 432 £200 433 £220 434 £260 436 £90 437 £60 438 £3,600 439 £2,800 440 £140 441 £280 444 £200 445 £90 447 £250 448 £140 449 £260 450 £100 451 £200 452 £240 453 £320 454 £200 455 £420 456 £500 457 £480 458 £900

£620

£680

£700

£1,000

£380

Lot

£360 547 £380 548 £360 549 £300 550 £280 551 £380 552 £300 553 £320 554 £460 555 £380 556 £500 557 £120 558 £220 559 £550 560 £750 561 £280 562 £1,200 563 £1,100

Lot Price 564 £220 565 £340 566 £460 567 £460 568 £720 569 £280 570 £480 571 £400 572 £320 573 £700 574 £950 575 £580 576 £1,300 577 £950 578 £850 579 £950 580 £180 581 £240

Lot Price 582 £320 583 £220 584 £900 585 £300 586 £2,200 587 £2,400 588 £120 589 £2,800 592 £1,000 593 £200 594 £240 595 £600 596 £1,700 597 £300 598 £800 600 £260 601 £260 602 £420

Lot Price 603 £500 604 £11,000 605 £400 606 £600 609 £460 610 £400 611 £420 614 £600 615 £5,500 616 £280 618 £6,200 619 £800 620 £1,400 622 £400 626 £11,000

South Wales Saleroom

17 Llandough Trading Estate, Penarth Road, Cardiff, CF11 8RR

Tel: 02920 708 125

no: 560 0387

COMMISSION BIDDING

About: commission bids are when you leave us your highest price to bid on your behalf. We will bid up to your price(s) and you will win items if another bidder drops out before your maximum price. If there is no other bidder then you may win the item at the bottom estimate / reserve.

Commission bids must be received by 4pm the day before the auction. We are not answering the phones on auction day!

How: this can be done on our website by clicking on the lot(s) you are interested in and then clicking ‘REGISTER / LOG IN TO BID’.

Or you can complete a copy of the bidding form at the back of this catalogue and send a clear image of the form to us by email.

Tips: there is little point in bidding below the bottom of the auction estimate and enter as high as you can so as not to regret missing out. It is always a good chance you may win the item at a smaller price.

North Wales Saleroom

The Auction Rooms, 33 Abergele Road, Colwyn Bay, North Wales, LL29 7RU Tel: 01492 532 176 info@rogersjones.co.uk

no: 560 0387 62

TELEPHONE BIDDING

About: we phone you a few minutes prior to the lot you have booked a phone line on. Our operator will communicate the price and ask whether you want to bid.

How: as with ‘Commission Bids’ a form be completed and returned to us BUT by 1pm the day before the auction. Forms can be emailed, posted or are at the back of this publication. Telephone lines are limited so are on a first come first served basis.

Tips: calculate or ask us at approximately what time you are likely to receive a call from us and ensure you are available on the line with a good signal, you can leave a back-up line on the form in case of any problems. It is better to have a good sense of what prices you are likely to go up to before-hand as there may be no time for indecisions!

ROGERS JONES LIVE INTERNET BIDDING

About: the auction is broadcast live on our website www.rogersjones.co.uk where you will see a video and hear the sale. You will also see the bidding numerically. You can bid with your keyboard providing you have registered. There is a surcharge on each lot for using the-saleroom.com platform to bid.

How: Very simply ‘click bid’ but remember that your bid is binding when successful!

Tips: ensure that you your device’s speaker is switched to ‘on’, bid quickly as there may be a slight delay and remember the auctioneer cannot see you!

HOW TO BID! Please ensure you have read our viewing and bidding terms for these two auctions on Page 205.

ABSENTEE

BIDDING FORM

ENSURE YOU’RE INSURED

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Park works to the EMAS standard and its Environmental Management System is certified to ISO 14001.

This publication has been manufactured using 100% offshore wind electricity sourced from UK wind. 100% of the inks used are vegetable oil based, 95% of press chemicals are recycled for further use and, on average 99% of any waste associated with this production will be recycled and the remaining 1% used to generate energy.

This document is printed on Galerie Satin made of material from well-managed, FSC®-certified forests and other controlled sources.

This is a certified climate neutral print product for which carbon emissions have been calculated and offset by supporting recognised carbon offset projects. The carbon offset projects are audited and certified according to international standards and demonstrably reduce emissions. The climate neutral label includes a unique ID number specific to this product which can be tracked at www.climatepartner.com, giving details of the carbon offsetting process including information on the emissions volume and the carbon offset project being supported.

COMPANY TERMS & CONDITIONS

These conditions of business for auctions held at our premises consist of:

(1) Information for Buyers; (2) Terms of Sale (for bidders and buyers).

(1) INFORMATION FOR BUYERS AT AUCTIONS

1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. Methods of Payment. Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm within five working days following the sale. We accept cash to an upper limit of 1,000 euros equivalent. We do not accept credit card payments. We are unable to accept debit-card payments when the card holder is not present. Cheques will need to be cleared before you can take the goods away.

3. Collection and storage. All lots should be paid for and collected by 5pm within five working days following the auctions in this catalogue. Absentee bidders should check the success of their bids and arrange payment and collection within this time. Please note the Terms of Sale concerning collection and storage. Items not removed in the timescale stated will be removed at the purchaser’s expense and storage charges of £10 as an administration fee and £5 per lot per day may be charged (plus VAT).

4. Dispatch. We do not offer postage for lots sold at auction in this catalogue unless they can be packed within a Jiffy-bag. We can recommend agents who can undertake packing and postage.

5. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

6. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

7. Buyer’s Premium for both The Welsh Sale and Selections & Collections: The Terms of Sale oblige you to pay 24% + VAT (28.8%) on all lots up to a hammer price of £19,999, 15% + VAT (18%) on all lots of a hammer price of £20,000 and over on each purchased lot in the auctions contained within

this catalogue. In addition, VAT is charged on the premium (see below).

8. VAT. VAT is payable by the buyer on the buyer’s premium at either the standard rate depending upon the legal requirements relating to that lot.

9. Artist’s Resale Right/Droit De Suite. EU & UK law states that the artist or artist’s estate are entitled to a royalty known as ‘artist’s resale right’ when any lot created by the artist is sold. We identify these lots with a ‡ symbol. If these laws apply to a lot, you must pay us an extra amount equal to the royalty. We will then pay the royalty to the appropriate authority on the seller’s behalf. The royalty applies if the hammer price of the lot is 1,000 euros (British Sterling equivalent) or more. The total royalty for any lot can not be more than 12,500 euros. The percentages are as follows: 4% up to 50,000 / 3% between 50,001 and 20,000.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 - 200,000

1% €200,000.01 - 350,000

0.5% €350,000.01 - 500,000 0.25% In excess of €500,000

Up to a maximum levy of €10,000

10. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods.

You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale on our website and www.the-saleroom.com

11. Condition Reports. We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. In many cases condition reports are stated in the catalogue description but this does not act as a guarantee that the report is factually correct and it must not be taken as guaranteed that items without condition reports stated in the description are free from issues, such as damage, restoration or other problems.

12. Electrical goods. These are sold as “objects” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

13. Export of goods. If you intend to export goods you must find out:

1. whether an export licence is needed; and

2. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

14. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in

a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

15. Absentee bidding. You may leave absentee bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute absentee bids as economically as possible having regard to the reserve (if any) and competing bids.

If two buyers submit identical absentee bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving absentee bids online via our website. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute absentee bids received after this time.

16. Telephone Bidding. If you are unable to come to the auction it may be possible to bid on the telephone for some lots at our discretion. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance.

Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

17. Online Bidding. Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with rates specified by the online service. If bidding through the-saleroom.com this will be charged at 5% plus VAT. The charges will be payable to us on top of the hammer price and the buyer’s premium.

(2) TERMS OF SALE

Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

1. Definitions and interpretation

1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning:

“Auctioneer” means, Rogers Jones & Co, a company registered in England and Wales registered office is located at 33 Abergele Road, Colwyn Bay, LL29 7RU or its authorised auctioneer, as appropriate;

“Bidder” means a person participating in bidding at the auction;

“Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer;

“Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification;

and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

“Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer;

“Lot(s)” means the goods that we offer for sale at our auctions;

“Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4;

“Reserve” means the minimum hammer price at which a Lot may be sold;

“Sale Proceeds” means the net amount due to the Seller;

“Seller” means the persons who consign Lots for sale at our auctions;

“Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers;

“Terms of Sale” means these terms of sale, as amended or updated from time to time;

“Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale;

“Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;

“VAT” means Value Added Tax or any equivalent sales tax; and

“Website” means our website available at www.rogersjones.co.uk

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2. Information that we are required to give to Consumers

2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3. Bidding procedures and the Buyer

3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that

you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute absentee bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable. Where two or more absentee bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

4. The purchase price

As Buyer, you will pay:

1. the Hammer Price;

2. a premium of 24% plus VAT on all lots up to a Hammer Price of £19,999, and 16% plus VAT on all lots of a hammer price £20,000 and over;

3. any artist’s resale right royalty payable on the sale of the Lot; and

4. any VAT due.

5. VAT

5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6. The contract between you and the Seller

6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment

7.1 Immediately following your successful bid on a Lot you will:

7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and

7.1.2 pay to us the Total Amount Due in any way

that we agree to accept payment. Note there is an upper limit of 1,000 euros equivalent for payments in cash.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8. Title and collection of purchases

8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 7 days following the auction.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot.

8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

9. Remedies for non-payment or failure to collect purchases

9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:

9.1.1 take action against you for damages for breach of contract;

9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you;

9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

9.1.4 remove, store and insure the Lot at your expense;

9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due;

9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

10. Health and safety

Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

11. Warranties

11.1 The Seller warrants to us and to you that:

11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction;

11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and

11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12. Descriptions and condition

12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13. Deliberate Forgeries

13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 21 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

14. Our liability to you

14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.

14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:

14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977);

14.4.2 fraudulent misrepresentation; or

14.4.3 any liability which cannot be excluded by law.

15. Notices

15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given:

15.2.1 by delivering it by hand;

15.2.2 by first class pre-paid post or Recorded Delivery; or

15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

15.3 Notices must be sent:

15.3.1 by hand or registered post:

1. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and

2. to you, at the last postal address that you have given to us as your contact address in writing; or

15.3.2 by email:

1. to us, by sending the notice to the following email address: info@rogersjones.co.uk

2. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received:

15.4.1 if delivered by hand, on the day of delivery;

15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or

15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

16. Data Protection

We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

17. General

17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the British law and British courts.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers.