Rogers Jones by Park Communications

SUPER SATURDAY/ DYDD SADWRN MAWR 24.7.21

AUCTION 1: The Welsh Sale / Yr Arwerthiant Cymreig 9.30am AUCTION 2: Selections & Collections / Dewisiadau a Chasgliadau 4.30pm

& The View / Bwrw Golwg

Obsession; I believe what is important is obsession. A talent means you can do something easily without thinking. Obsession means that you are moved to do something, and you can in fact do it if your obsession is great enough. I have the obsession because of my background – I knew the people, I knew the landscape, and there was never any question about me doing something else. SIR KYFFIN WILLIAMS

SUPER SATURDAY/ DYDD SADWRN MAWR 24.7.21 AUCTION 1: 9.30am The Welsh Sale / Yr Arwerthiant Cymreig AUCTION 2: 4.30pm Selections & Collections / Dewisiadau a Chasgliadau IMPORTANT: THERE IS NO ‘ROOM BIDDING’ AT EITHER AUCTION THE OFFICES & SALEROOM ARE CLOSED ON AUCTION DAY VIEWING BY APPOINTMENT PLEASE ENQUIRE

Buyer’s Premium for both auctions: 24% + VAT (28.8%) on all lots up to a hammer price of £19,999 16% + VAT (20%) on all lots of a hammer price £20,000 and over 10% + VAT (12%) on all lots of a hammer price £60,000 and over Droit de Suite applicable (please see terms at back of catalogue)

South Wales Saleroom / Ystafell Werthu De Cymru 17 Llandough Trading Estate, Penarth Road, Cardiff, CF11 8RR 17 Ystad Masnachu Llandochau, Ffordd Penarth, CF11 8RR Tel / Ffôn: 02920 708 125 Cardiffinfo@rogersjones.co.uk www.rogersjones.co.uk *Please see full terms & conditions at the back of this publication

THE VIEW

Welcome to the second edition of 2021

Ben Rogers Jones

We are delighted to bring you another excellent selection of lots wrapped up in our Super Saturday package once more. Again, there are some big stars in the two auctions which will ensure Super Saturday is another fascinating and intriguing event which I am sure will deliver a day of entertaining digital home-entertainment! The big stars this time, include five monumental oil paintings by Sir Kyffin Williams. I sense a new chapter commencing in the story of Sir Kyffin. His market has followed a reasonably steady horizontal line in the last ten or so years, but now there appears to be new interest emerging in his work and prices seem to be on the up. This was on show in April’s Welsh Sale in which there was very healthy competition and some remarkable results. Sir Kyffin Williams’ appeal has never been in doubt; he is a very commercial painter, and his paintings speak very clearly to us about Wales. Often described as ‘Wales’ favourite artist’ or Wales ‘most popular painter’ it is curious that Kyffin was rarely recognised as the important Welsh artist of the twentieth century. Instead, this moniker was more frequently given to Ceri Richards. Perhaps it was Sir Kyffin’s mainstream popularity that discouraged art historians in placing Kyffin in such a bracket. But I do feel that the perception is changing and that currently the significance of Sir Kyffin and his body of work is in a process of review. As the years roll by, there is a wider recognition of Sir Kyffin Williams’ legacy, that he painted the essence of twentieth century Wales, or in romantic terms the soul of Wales with the chapels, farmers, sheepdogs, humble farmsteads, and generational villages. Fifteen years after Kyffin’s death, and twenty-one years after the beginning of the new century, many would argue that this ‘soul of Wales’ is at its most vulnerable point and that the traditional Welsh way of life, especially in rural communities is under critical threat. Sir Kyffin Williams’ work is an artistic and poignant reminder of where we have come from and what may well be lost. As this era of dramatic change continues onwards, I think we will see that Kyffin’s work is considered even more powerful and important. I hope that you enjoy browsing the catalogue. We are immensely grateful to all our vendors who have entered items into both our auctions. We wish good fortune to those bidding and do remember to seize the day! Best Wishes Ben Rogers Jones

REVIEW: The Market so far in 2020/21 The overall market for antiques and fine art is as lively as it has been for many years. The pandemic has curtailed our lives in so many ways, but it has not quashed our appetite for buying art and antiques online, quite the contrary. The stay-at-home message, the focus on our personal living environment, the increase in internet searches and the restrictions on travel and leisure have acted as the perfect storm for the industry. Visits to our website in the first quarter of May 2021 are 13% over 2020 and 15% above 2019, while registered online bidders to our auction in the same period are up by 26% from 2019. There was a marked increase in searches within our digital catalogues for collectables, vintage watches, memorabilia, and gold coins as well as increased interest in Welsh art. One brand that really made it tick in 2020 was Rolex, the most searched word across UK auction websites - with a 14% increase in searches year-on-year. Similar interest was shown on other watch brands including Patek Phillipe, Breitling and Seiko. It really is a good time to dig out those classic wristwatches and we have superb pedigree in this department. According to analysis conducted by ATG Media, prices achieved at auction in 2020 remained robust with 30% of lots selling above higher estimate versus 26% in 2019 – an increase of 16%. We saw spectacular successes of previously unfashionable objects that were achieving poor prices in 2019 leaping in value in 2020. For example, the average price achieved for tea sets such as Royal Albert Old Country Roses increased by 15%. Now really is a perfect time to discuss with us an auction of your collectables, art, watches, jewellery…and Old Country Roses teasets!

1 Rolex Daytona ‘Big Red’. Sold at our Selections & Collections auction in March 2019 for £46,000 2 The highly popular Old Country Roses. Sold £850 in April 2

Rogers Jones & Co • The View / Bwrw Golwg

BWRW GOLWG

Croeso i ail rifyn 2021 Pleser yw cyflwyno detholiad rhagorol arall o eitemau yn ein pecyn Dydd Sadwrn Mawr unwaith yn rhagor. Unwaith eto, mae yna ambell seren fawr yn y ddau arwerthiant, felly bydd y Dydd Sadwrn Mawr yn ddigwyddiad hynod ddiddorol arall – diwrnod o adloniant digidol difyr yn y cartref, yn ddi-os! Mae’r sêr mawr y tro hwn yn cynnwys pump o baentiadau olew gan Syr Kyffin Williams. Rwy’n synhwyro bod pennod newydd ar ddechrau yn hanes Syr Kyffin. Mae’r farchnad ar gyfer ei waith wedi bod yn weddol sefydlog yn ystod y deg mlynedd diwethaf, ond nawr, mae’n ymddangos bod yna ddiddordeb o’r newydd yn ei waith ac mae’r prisiau fel pe baen nhw’n dechrau codi. Roedd hyn i’w weld yn yr Arwerthiant Cymreig ym mis Ebrill, lle gwelwyd cystadleuaeth iach iawn a rhai canlyniadau anhygoel. Dydy apêl Syr Kyffin Williams erioed wedi bod dan amheuaeth; mae’n arlunydd masnachol iawn, ac mae ei baentiadau’n cyfleu Cymru yn glir iawn i ni. Yn aml, caiff ei ddisgrifio fel ‘hoff arlunydd Cymru’ neu fel ‘arlunydd mwyaf poblogaidd’ Cymru; ond yn rhyfedd ddigon, pur anaml y caiff ei gydnabod fel arlunydd pwysicaf Cymru yr ugeinfed ganrif. Yn hytrach, caiff y disgrifiad hwn ei ddefnyddio’n amlach wrth gyfeirio at Ceri Richards. Efallai mai poblogrwydd Syr Kyffin a barodd i haneswyr celf beidio â chynnwys Kyffin mewn dosbarth o’r fath. Ond rwy’n credu bod y farn yn newid a bod arwyddocâd Syr Kyffin a’i waith yn cael ei bwyso a’i fesur o’r newydd. Wrth i’r blynyddoedd fynd heibio, caiff gwaddol Syr Kyffin Williams ei gydnabod yn fwy eang – ei fod wedi darlunio hanfod Cymru yn yr ugeinfed ganrif neu, mewn termau rhamantaidd, ei fod wedi darlunio enaid Cymru gyda’r capeli, y ffermwyr, y cŵn defaid, y tyddynnod diymhongar a’r pentrefi cenedliadol. Bymtheg mlynedd ar ôl marwolaeth Kyffin, ac un mlynedd ar hugain ar ôl dechrau canrif newydd, byddai llawer o bobl yn dadlau bod ‘enaid Cymru’ ar ei fwyaf bregus a bod y ffordd draddodiadol Gymreig o fyw, yn enwedig mewn cymunedau gwledig, dan fygythiad mawr. Mae gwaith Syr Kyffin Williams yn atgoffâd artistig a theimladwy o’n tarddiad a’r hyn rydym o bosibl wedi’i golli. Wrth i’r cyfnod hwn o newid dramatig barhau, credaf y bydd gwaith Kyffin yn cael ei ystyried fel gwaith pwysicach a mwy pwerus fyth.

ADOLYGIAD: Y Farchnad hyd yn hyn yn 2020/21 Mae’r farchnad gyffredinol am hen greiriau a chelfyddyd gain yr un mor fywiog ag y bu hi ers sawl blwyddyn. Mae’r pandemig wedi cyfyngu ar ein bywydau mewn cynifer o ffyrdd, ond nid yw wedi lleihau ein harchwaeth am brynu celf a hen greiriau ar-lein – i’r gwrthwyneb, yn wir. Mae’r neges y dylai pawb aros gartref, y canolbwynt ar ein hamgylchedd byw personol, y cynnydd o ran chwilio ar y rhyngrwyd a’r cyfyngiadau ar deithio a hamddena wedi esgor ar sefyllfa berffaith i’r diwydiant. Yn ystod chwarter cyntaf mis Mai 2021, gwelwyd cynnydd o 13% yn yr achosion o ymweld â’n gwefan o’i gymharu â 2020, ac mae’r ffigur hwn 15% yn uwch na’r hyn a welwyd yn 2019. O ran cynigwyr arlein yn ein harwerthiant o fewn yr un cyfnod, gwelwyd cynnydd o 19% o’i gymharu â 2019. Gwelwyd cynnydd mawr yn yr arfer o chwilio trwy ein catalogau digidol am eitemau casgladwy, oriorau vintage, eitemau cofiadwy a darnau aur, ynghyd â diddordeb cynyddol mewn celfyddyd Gymreig. Un brand a lwyddodd i daro deuddeg yn 2020 oedd Rolex. Dyma’r gair y chwiliwyd amdano amlaf ar wefannau arwerthiannau’r DU – cynnydd o 14% yn y chwiliadau o un flwyddyn i’r llall. Gwelwyd diddordeb tebyg mewn brandiau eraill o oriorau, yn cynnwys Patek Phillipe, Breitling a Seiko. Yn wir, dyma amser gwych i chwilota trwy eich cypyrddau am hen oriorau clasurol ac mae gennym brofiad arbennig yn yr adran hon. Yn ôl dadansoddiad a gynhaliwyd gan ATG Media, mae’r prisiau y llwyddwyd i’w cael mewn arwerthiannau yn 2020 yn dal i fod yn gryf, gyda 30% o lotiau’n gwerthu uwchlaw eu hamcanbrisiau uchaf, o gymharu â 26% yn 2019 – cynnydd o 16%. Yn ystod 2020, gwelsom lwyddiant eithriadol ymhlith eitemau a oedd gynt yn anffasiynol ac y cafwyd prisiau gwael amdanynt yn 2019, ac fe gynyddodd eu prisiau’n fawr. Er enghraifft, gwelwyd cynnydd o 15% yn y pris cyfartalog am lestri te ‘Old Country Roses’ Royal Albert. Rŵan yw’r amser perffaith i drafod gwerthu gyda ni eich eitemau casgladwy, eich celf, eich oriorau a’ch gemwaith… heb anghofio eich llestri te ‘Old Country Roses’!

Gobeithio y cewch chi flas ar bori trwy’r catalog. Rydym yn ddiolchgar dros ben i’r holl werthwyr sydd wedi cynnwys eitemau yn ein dau arwerthiant. Pob lwc i’r rhai a fydd yn gwneud cynigion – a chofiwch wneud yn fawr o’r cyfle! Ben Rogers Jones

1 Rolex Daytona ‘Big Red’. Sold at our Selections & Collections auction in March 2019 for £46,000 2 The highly popular Old Country Roses. Sold £850 in April 2 3

The View / Bwrw Golwg • Rogers Jones & Co

REVIEW The Welsh Sale: April 17 2021 Lots: 414 Sold: 389 (93.96%) Total: £352,710 April 2021’s Welsh Sale recorded the highest percentage of sold lots in the twenty-year history of the auction. The strong market, a passionate and determined audience and an auction packed full of appeal was the successful recipe. The highlight in the first section - Welsh Antiques, Welsh Pottery & Porcelain was the largest waterworn Welsh gold nugget discovered in Wales which sold for £16,000 to Clogau Gold of Wales Ltd, the famous jewellery company. There were lovely ceramics, but it was the splendid Nantgarw dessert plate from the Mackintosh service which took the eye of many a collector. Despite the restoration the plate tripled the auction guide price (1).

1 a new era seems to be emerging. Also, in this section was a vivid landscape by John Elwyn in gouache (7), which also demolished our estimate of £1500-2000 to realise £9,400. The oils section carried on where the works on paper finished with Sir Kyffin again taking the top prize, and in doing so leaving his estimates a long way behind. ‘Valley in the Dordogne’ was a small oil for Sir Kyffin, but the vivid colours and the tranquil French landscape, perhaps evoking holiday memories, was hugely satisfying. The painting sold for £23,000 against an estimate of £10,000-15000.

2 In the prints and multiples section, Sir Kyffin Williams examples were the hot cakes of the day (2), but there were also exceptional prices across several artists including Josef Herman, Kim Atkinson and Paul Peter Piech. The works on paper section in April’s Welsh Sale was also buoyant throughout. Highlights included a stunning moonlit John Knapp Fisher with characteristic contrasts of whitewashed cottage, white moon, and black night sky, starring at £2700. There was a colourful Donald McIntyre of Moelfre village, unusually executed in pastel, which realised £3700. While Ogwyn Davies’ ‘Hen Wlad Fy Nhadau’ calligraphy appealed to many of our patriotic collectors and was hammered down at £2200 against an estimate of £600-800. Other lots to leave their auction estimates in the dust included a Moses Griffiths watercolour which took £1700 against an estimate of £200-300 – we were very pleased to see strong interest in Welsh 19th Century watercolours again. There were several works on paper by Ceri Richards which came from the Betty Evans Collection, all finding new homes at their estimates or above. But it was Sir Kyffin who stole the show in this section and two examples in particular; Lot 152 was a 1972 inkwash of old stone buildings, titled ‘Hendre Waelod’ (5). The estimate I felt was a sensible one at £2000-3000 but two telephone bidders battled it out to a sensational £10,400. This was a sign of things to come as a few minutes later another mixed media by Kyffin took £10,600 against an estimate of £3000-5000 (6). Very few works on paper by Sir Kyffin have made over £10,000 over the years at any auction anywhere -

The most famous painting in April’s Welsh Sale was by Swansea artist Gordon Stuart and it was his most acclaimed work (3). Stuart was fortunate enough to paint Dylan Thomas just before the poet’s untimely death in New York in 1953. The murky and mournful sideprofile portrait of the poet had an ominous feel, and it breathed poignancy. We are delighted to say that the painting, which sold for £15,000 was purchased by Carmarthenshire County Council and will be on show at The Boathouse in Laugharne in due course. It will be going to its rightful home. Elsewhere in the final section of April’s Welsh Sale, there were notably strong prices for a John Knapp Fisher of Tenby (4), taking £9200, for Kevin Sinnott’s oils, an Arthur Giardelli construction, Christopher Williams, Donald McIntyre, Carey Morris, Maurice Cockrill and Frances Richards. David Barnes work also performed exceptionally well with two works realising over £1000 for only the seventh and eighth time at auction. Sadly, less than a month later David Barnes died (please see our News section).

Rogers Jones & Co • The View / Bwrw Golwg

ADOLYGIAD Yr Arwerthiant Cymreig: 17 Ebrill 2021 Lotiau: 414 Gwerthwyd: 389 (93.96%) Cyfanswm: £352,710 Yn yr Arwerthiant Cymreig ym mis Ebrill 2021, cofnodwyd y ganran uchaf o eitemau a werthwyd yn hanes ugain mlynedd yr arwerthiant. Y farchnad gref, cynulleidfa angerddol a phenderfynol ac ocsiwn llawn apêl oedd y rysáit lwyddiannus. Yr uchafbwynt yn yr adran gyntaf – Hen Bethau Cymreig, Cerameg a Phorslen Gymreig oedd y cnepyn dŵr-dreuliedig mwyaf o aur a ddarganfuwyd yng Nghymru a werthodd am £16,000 I’r cwmni gemwaith enwog, Aur Clogau. Roedd cerameg hyfryd ar werth, ond plât pwdin ysblennydd Nantgarw o set Mackintosh a dynnodd sylw sawl casglwr (1). Er gwaethaf y gwaith adfer, fe dreblodd y plât yr amcanbris. Yn yr adran printiau a lluosog, enghreifftiau Syr Kyffin Williams oedd ffefrynnau’r dydd (2), ond roedd prisiau eithriadol hefyd ar draws sawl arlunydd gan gynnwys Josef Herman, Kim Atkinson a Paul Peter Piech. Roedd yr adran gwaith ar bapur yn Arwerthiant Cymreig mis Ebrill hefyd yn fywiog drwyddo draw. Ymhlith yr uchafbwyntiau roedd darlun trawiadol gan John Knapp Fisher yng ngolau’r lleuad gyda chyferbynnu nodweddiadol o fwthyn gwyngalchog, lleuad wen, ac awyr ddu yn y nos, yn serennu am £ 2700. Roedd yna ddarlun lliwgar gan Donald McIntyre o bentre Moelfre, un anarferol am ei fod mewn pastel, a werthwyd am £3700. Roedd gwaith caligraffeg ‘Hen Wlad Fy Nhadau’ Ogwyn Davies wedi apelio at lawer o’n casglwyr gwladgarol hefyd ac fe syrthiodd y morthwyl ar £2200, tipyn uwch na’r amcanbris o £600-800. Ymhlith yr eitemau eraill i werthu tipyn yn uwch na’u hamcangyfrif roedd dyfrliw gan Moses Griffiths a werthodd am £1700, tra bod yr amcanbris yn £200-300 - braf iawn gweld diddordeb cryf unwaith eto mewn dyfrliwiau Cymreig o’r 19eg Ganrif. Roedd sawl gwaith ar bapur gan Ceri Richards a ddaeth o Gasgliad Betty Evans, pob un yn dod o hyd i gartrefi newydd am eu hamcanbris neu uwch. Ond Syr Kyffin a lwyddodd i ddwyn yr holl sylw yn yr adran hon, a hynny gyda dwy enghraifft yn arbennig. Golch inc o hen adeiladau cerrig, o’r enw ‘Hendre Waelod’ (1972), oedd Lot 152 (5). Roedd yr amcanbris yn un rhesymol, sef £2000-3000, ond bu dau gynigydd yn brwydro drosto ar y ffôn gan beri i’r pris gyrraedd £10,400. Roedd hyn yn arwydd o beth oedd i ddod, oherwydd rai munudau’n ddiweddarach llwyddodd gwaith cyfrwng cymysg arall gan Kyffin i gyrraedd £10,600 ar sail amcanbris o £3000-5000 (6). Ychydig iawn o weithiau ar bapur gan Syr Kyffin sydd wedi gwerthu am fwy na £10,000 dros y blynyddoedd mewn unrhyw arwerthiant yn unrhyw le - ymddengys fod pennod newydd yn hanes ei waith ar y gorwel.

4 Hefyd, yn yr adran hon roedd yna dirlun trawiadol gan John Elwyn mewn gouache (7), a llwyddodd hwn hefyd i chwalu ein hamcanbris o £1500-2000, gan gyrraedd £9400 yn y diwedd. Ar ôl i’r gweithiau ar bapur ddod i ben, aeth yr adran paentiadau olew yn ei blaen, a drachefn llwyddodd Syr Kyffin i esgyn i’r brig a rhagori’n fawr ar yr amcanbrisiau. Paentiad olew bach gan Syr Kyffin oedd ‘Valley in the Dordogne’, ond roedd y lliwiau llachar a thirwedd dawel Ffrainc - a lwyddai i ddeffro atgofion o wyliau, o bosibl - yn atyniadol dros ben. Gwerthwyd y paentiad am £23,000 ar sail amcanbris o £10,000-15,000. Y paentiad mwyaf ei fri yn Arwerthiant Cymreig mis Ebrill oedd gwaith gan yr artist Gordon Stuart o Abertawe, a hwn oedd ei waith mwyaf adnabyddus. Bu Stuart yn ddigon lwcus i baentio Dylan Thomas yn union cyn marwolaeth gynamserol y bardd yn Efrog Newydd ym 1953. Roedd naws fygythiol yn perthyn i’r darlun tywyll ac alaethus hwn o broffil y bardd, ac roedd yn eithriadol o ingol. Pleser yw cael dweud bod y paentiad, a werthodd am £15,000, wedi cael ei brynu gan Gyngor Sir Gâr ac y bydd yn cael ei arddangos yn y Tŷ Cwch yn Nhalacharn maes o law. Caiff drigo yn ei wir gartref, felly. Yn rhan olaf Arwerthiant Cymreig mis Ebrill, llwyddwyd i gael prisiau da iawn am waith John Knapp Fisher o Ddinbych-y-pysgod (£9200) (4), paentiadau olew Kevin Sinnot, adeiladwaith gan Arthur Giardelli, yn ogystal â gweithiau gan Christopher Williams, Donald McIntyre, Carey Morris, Maurice Cockrill a Frances Richards. Llwyddodd gwaith David Barnes yn eithriadol o dda hefyd, gyda dau o’i weithiau’n gwerthu am fwy na £1000 am y seithfed a’r wythfed tro yn unig mewn arwerthiant. Yn anffodus, lai na mis yn ddiweddarach bu farw David Barnes (gweler ein hadran Newyddion).

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The View / Bwrw Golwg • Rogers Jones & Co

REVIEW Selections & Collections April 17 2021 Lots: 151 Sold: 126 (83.44%) Total: £156,090 April’s Selections & Collections auction followed straight after The Welsh Sale as it will do once again in July. We take careful consideration with the quality control of this auction, and April’s auction was of high quality from start to finish. It was flavoured with fine port, prestigious watches, stunning 3 jewellery, eternally buoyant Chinese ceramics, rare books, and a very exciting rugby section.

Other Auctions since April’s Super Saturday By the time you receive this catalogue, we will have conducted around ten auctions from our stations in Cardiff and Colwyn Bay. The Colwyn Bay saleroom have been offering all manner of furniture and collectables under the umbrella ‘Antiques & Vintage’. While the Cardiff auction room alternate between an auction of ‘Interiors’ and ‘Jewellery & Collectables’. Below are a few highlights from our auctions since April. 4 Dan Llywelyn Hall ‘The Last Dambuster’. Sold £2500 5 Queen Ann walnut chest on stand. Sold £3500 6 Banksy X Love Welcomes Mat. Sold £1200 7 Silver canteen. Sold £1900 8 Rowland Ward antlers. Sold £3800

The Birkett Rugby Collection was a consignment I will never forget. It was an honour to handle sporting memorabilia of such historical importance. The entire collection realising £57,000 for the descendants of the Birkett rugby dynasty. The top price of the day was £18,000 for John Guy Gilberne Birkett’s England International jersey (1). His England cap (2) realised £6000 as did his father Reg’s pocket-book. As mentioned in our introduction, classic watches are very much the buoyant market presently and so it follows that the third highest price in the Selections & Collections auction, carried the famous Rolex name. The 1974 iconic Submariner diving watch (3) ascended to the surface at £7600.

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Rogers Jones & Co • The View / Bwrw Golwg

ADOLYGIAD Dewisiadau a Chasgliadau 17 Ebrill 2021 Lotiau: 151 Gwerthwyd: 126 (83.44%) Cyfanswm: £156,090 Cafodd arwerthiant Dewisiadau a Chasgliadau mis Ebrill ei gynnal yn syth ar ôl yr Arwerthiant Cymreig, a dyna fydd y drefn ym mis Gorffennaf hefyd. Rhoddwn sylw mawr i reoli ansawdd yn yr arwerthiant hwn, ac roedd arwerthiant mis Ebrill yn cynnwys eitemau o’r radd flaenaf o’r dechrau i’r diwedd. Cafwyd port blasus, oriorau nodedig, gemwaith ysblennydd, crochenwaith ceramig Tsieineaidd sydd â marchnad fythol fywiog, llyfrau prin, ac adran gyffrous iawn yn ymwneud â rygbi. Roedd Casgliad Rygbi Birkett yn rhywbeth na wnaf byth bythoedd mo’i anghofio. Braint ac anrhydedd oedd cael trin a thrafod eitemau cofiadwy sydd mor bwysig yn hanes y byd chwaraeon. Llwyddwyd i gael £57,000 am y casgliad cyfan ar gyfer disgynyddion llinach rygbi Birkett. Prif lwyddiant y dydd oedd sicrhau £18,000 am grys rhyngwladol John Guy Gilberne Birkett (1). Llwyddwyd i gael £6000 am y cap Lloegr a enillodd (2), a chyrhaeddwyd yr un pris am lyfr poced ei dad, Reg. Fel y soniwyd yn ein cyflwyniad, mae marchnad fywiog iawn i’w chael ar hyn o bryd ar gyfer oriorau clasurol, felly nid yw’n syndod fod pris uchaf ond dau yr arwerthiant Dewisiadau a Chasgliadau yn ymwneud ag oriawr Rolex. Llwyddodd yr oriawr blymio ‘Tanforwr’ eiconig hon a wnaed ym 1974 (3) i esgyn i’r wyneb ar £7600.

Arwerthiannau eraill ers Dydd Sadwrn Mawr mis Ebrill Erbyn ichi dderbyn y catalog hwn, byddwn wedi cynnal oddeutu deg arwerthiant yn ein hystafelloedd arwerthu yng Nghaerdydd a Bae Colwyn. Mae ystafell arwerthu Bae Colwyn wedi bod wrthi’n cynnig dodrefn ac eitemau casgladwy o bob lliw a llun dan yr ambarél ‘Hen Greiriau ac Eitemau Vintage’. Tra bod ystafell arwerthu Caerdydd yn gwerthu ‘Eitemau Tu Mewn’ a ‘Gemwaith ac Eitemau Casgladwy’ bob yn ail. Isod, ceir rhai o uchafbwyntiau ein harwerthiannau ers mis Ebrill. 4 Dan Llywelyn Hall ‘The Last Dambuster’. Sold £2500 5 Queen Ann walnut chest on stand. Sold £3500 6 Banksy X Love Welcomes Mat. Sold £1200 7 Silver canteen. Sold £1900 8 Rowland Ward antlers. Sold £3800

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The View / Bwrw Golwg • Rogers Jones & Co

PREVIEW The Welsh Sale We are genuinely astonished and hugely grateful for the quality and quantity of lots being offered at the July Welsh Sale. It is the largest Welsh Sale we have offered with over 500 lots which is incredible considering the closing date for the auction was but eight weeks after April’s event.

The Gwyneth & Ieuan Evans Collection We were very sorry to hear of the death of one of our most passionate Welsh Sale customers recently. Ieuan Evans was a proud Welshman, hefted to the soil of his beloved country, from north to south, but particularly his native Carmarthenshire and then Breconshire where he came to work in 1960 remaining there for the rest of his life. In his early years at home in Llanedi, Carmarthenshire, 1 he learned much from his grandparents about craftsmanship as he descended from a long line of carpenters, inheriting their tools of the trade. He was knowledgeable about all things Welsh – art, literature, ceramics, and became a very enthusiastic collector of Swansea pottery and porcelain, Ewenny Pottery and to a lesser extent Llanelly. He was generous in sharing his knowledge, when asked to give a talk, he did not repeat the old one, but on each occasion tailored it to his audience, taking along examples of the precious wares to illustrate his points. He relished researching the story of each item and made important discoveries. Last year saw not only the publication of the second edition of his and Ieuan’s widow Gwyneth’s book on Ewenny Pottery, but also an article in Brycheiniog, the Journal of the Brecknock Society, written together with David Jones Powell of a very rare documentary mug commissioned by a farming family in Breconshire. His enthusiasm for collecting ceramics and art took off in the early 1980s when he ‘discovered’ antique fairs, following the making of a dresser and wishing to fill it with Welsh blue and white wares. Many friends were made with the same interests during this time of great activity of Fairs and Art Exhibitions. This is the first part of the Gywneth & Ieuan Evans collection in our July Welsh Sale and this time it comprises an array of interesting Welsh porcelain with a focus on rarely seen academic examples and sought-after landscape decorated wares from Swansea and Nantgarw. The highlight from the collection is most likely the 1832 dated Ewenny Wassailing bowl (1). These unusual and rare communal bowls are part of the Welsh folk-tradition with the ancient New Year practice of wassailing conducted in Glamorgan. Parties would progress from house to house with greetings of health and prosperity and the bowls were generally filled with spiced ale to share.

Sir Kyffin Williams We have been selling works by Sir Kyffin Williams, with frequency since we opened our doors for the first time in 1992. Since then, by our calculation, we will have sold approximately 250 oil paintings and several hundred works on paper. Due to this close association and experience with Sir Kyffin it was an honour for us as Welsh auctioneers to value the artist’s estate in 2006. This July Welsh Sale auction brings together probably the finest collection of works by the artist that we have offered to the market in one sale. Each oil painting resonates differently and demonstrates remarkable painterly qualities and Sir Kyffin’s total possession of the subject matter.

Selections & Collections Our objective for the Selections & Collections auction is to deliver an auction full of high quality, together with iconic designers and brands. But we also aim to showcase items of exceptional rarity. I do believe we have managed to stay on this course for July’s auction. If it is rarity that excites, then there are two items which are very deserved a special mention: Lot 518 is a Grana military wristwatch that forms part of a strong watch section (2) including the more famous names of Rolex, Cartier and Boucheron. The Grana watch is one of the ‘Dirty Dozen’ wristwatches made by 12 Swiss manufacturers for an order from the British Ministry of Defence during the tail-end of the Second World War for issue to army personnel. The acronym WWW to the case back stood for ‘Watch, Wrist, Waterproof’. Twelve different brands were commissioned to make the watches in c.1945: Buren, Cyma, Eterna, Grana, International Watch Co, Jaeger-Le-Coultre, Lemania, Longines, Omega, Record, Timor and Vertex. The Grana is considered the Holy Grail of the Dirty Dozen with perhaps as few as 1500 produced. Excitement is expected when the action begins on this incredible watch. The second and third phenomenally rare objects are the two Daisy Makeig Jones Wedgwood ‘Leaping Chamois’ bowls - Lot 577 and 578 (3 & 4). Susannah Margaretta Makeig-Jones aka ‘Daisy’ (1881-1945) was one of the most important designers for Wedgwood but is mainly recognised for her fantastical children’s story inspired ‘Fairyland Lustre’. Daisy’s ‘Fairyland Lustre’ work appears on the market with some regularity, although superior examples are not so common. However, ‘Leaping Chamois’ is somewhat of an enigma. The pattern is known but is exceptionally rare, with only one example having been auctioned, in the last twenty-years. The design of the bowl is influenced by earlier Islamic designs of Muslim-Spain thus demonstrating the worldly nature of some of Daisy Makeig-Jones’ designs, as opposed to the otherworldly nature of fairylands, to which she was more commonly associated with. As well as Daisy Makeig-Jones the auction is full to the brim with iconic designers and famous brands, from Rolls Royce to Mouseman, to Lalique glass, Rolex, Martin Brothers, Doulton, Clarice Cliff, L S Lowry, Matisse and even J K Rowling. We are looking forward to some auction magic.

Due to the bowls being produced in small quantities regionally and because of the vulnerable nature of the bowls, coupled with their celebratory use, early examples are extremely rare survivors. 2 8

Rogers Jones & Co • The View / Bwrw Golwg

RHAGOLWG Yr Arwerthiant Cymreig

Dewisiadau a Chasgliadau Ein nod ar gyfer yr arwerthiant Dewisiadau a Chasgliadau yw cynnig arwerthiant o’r radd flaenaf, ynghyd â chynllunwyr a brandiau eiconig. Ond hefyd, anelwn at arddangos eitemau eithriadol o brin. Credaf ein bod wedi llwyddo yn hyn o beth yn arwerthiant mis Gorffennaf.

Mae ansawdd a nifer y lotiau sydd wedi’u cynnig ar gyfer Arwerthiant Cymreig mis Gorffennaf wedi ein llorio’n llwyr, ac rydym yn ddiolchgar dros ben amdanynt. Dyma’r Arwerthiant Cymreig mwyaf rydym wedi’i gynnig, a cheir mwy na 500 o lotiau - mae hyn yn anhygoel o gofio bod dyddiad cau’r arwerthiant hwn wyth wythnos yn unig ar ôl arwerthiant mis Ebrill.

Os mai pethau prin sy’n mynd â’ch bryd, mae yna ddwy eitem y dylem dynnu sylw arbennig atynt.

Casgliad Gwyneth ac Ieuan Evans Trist iawn oedd clywed am farwolaeth un o gwsmeriaid mwyaf brwd yr Arwerthiant Cymreig. Roedd Ieuan Evans yn Gymro balch. Roedd yna gwlwm annatod rhyngddo ef a thir ei annwyl wlad, o’r gogledd i’r de, ond yn enwedig felly ei sir enedigol, sef Sir Gaerfyrddin, ac yna Sir Frycheiniog lle’r aeth i weithio ym 1960 a lle’r arhosodd am weddill ei oes. Yn ystod ei flynyddoedd cynnar gartref yn Llanedi, Sir Gaerfyrddin, dysgodd lawer am grefftwaith gan ei deidiau a’i neiniau, oherwydd roedd yn hanu o linach hir o seiri, ac etifeddodd eu hoffer a’u crefft. Roedd yn wybodus iawn ynglŷn â phethau Cymreig o bob math - celf, llenyddiaeth, crochenwaith ceramig, a daeth yn un o gasglwyr brwd crochenwaith a phorslen Abertawe, Crochenwaith Ewenni ac, i raddau llai, Crochenwaith Llanelli. Rhannai ei wybodaeth yn hael. Pan fyddai’n cael gwahoddiad i draddodi sgwrs, ni fyddai byth yn ail-bobi hen un; yn hytrach, byddai’n teilwra pob sgwrs yn ôl ei gynulleidfa, gan fynd ag enghreifftiau o grochenweithiau gwerthfawr gydag ef i egluro’i bwyntiau. Ymhyfrydai yn y gwaith o ymchwilio i hanes pob eitem, a llwyddodd i wneud darganfyddiadau pwysig. Y llynedd, cyhoeddwyd ail argraffiad o’r llyfr ar Grochenwaith Ewenni a ysgrifennwyd ganddo ef a’i weddw Gwyneth, a hefyd cyhoeddwyd erthygl yn ‘Brycheiniog’, cyfnodolyn Cymdeithas Brycheiniog, a ysgrifennodd ar y cyd â David Jones Powell yn sôn am fẁg hynod brin a gomisiynwyd gan deulu ffermio o Sir Frycheiniog. Taniwyd ei frwdfrydedd mewn casglu celf a chrochenwaith ceramig yn nechrau’r 1980au pan ddigwyddodd ‘ddarganfod’ ffeiriau hen greiriau ar ôl gwneud dresel a phenderfynu ei llenwi â chrochenwaith glas a gwyn Cymreig. Yn ystod ei gyfnod yn mynychu Ffeiriau ac Arddangosfeydd Celf, gwnaeth gyfeillion â llu o bobl a oedd yn rhannu’r un diddordebau. Dyma ran gyntaf o gasgliad Gwyneth ac Ieuan Evans yn ein Harwerthiant Cymreig ym mis Gorffennaf. Y tro hwn, cynhwysir llu o eitemau porslen Cymreig diddorol, gan gynnwys, yn arbennig, enghreifftiau academaidd na welir mohonynt yn fynych, o grochenwaith Abertawe a Nantgarw, wedi’u haddurno â thirweddau, y mae galw mawr amdanynt. Uchafbwynt y casgliad yn ôl pob tebyg yw Powlen Wasael Crochenwaith Ewenni (1832). Mae’r powlenni cymunol prin ac anarferol hyn yn rhan o draddodiad gwerin Cymru, pan arferai pobl gymryd rhan yn y traddodiad ‘gwaseilio’ hynafol ym Morgannwg adeg y Flwyddyn Newydd. Byddai pobl yn mynd o dŷ i dŷ i ddymuno iechyd da a ffyniant i’r trigolion, ac fel arfer byddai’r powlenni’n cael eu llenwi â chwrw sbeislyd i’w rannu.

Oriawr arddwrn filwrol ‘Grana’ yw Lot 518. Mae hi’n rhan o adran oriorau eithriadol o dda (2), sydd hefyd yn cynnwys enwau enwocach fel Rolex, Cartier a Boucheron. Mae’r oriawr Grana yn un o blith y ‘Dirty Dozen’ a wnaed gan 12 o wneuthurwyr o’r Swistir ar gyfer archeb gan Weinyddiaeth Amddiffyn Prydain tua diwedd yr Ail Ryfel Byd, gyda’r bwriad o’u rhoi i bersonél y fyddin. Ystyr yr acronym WWW ar gefn y cas yw ‘Watch, Wrist, Waterproof’. Cafodd deuddeg o wneuthurwyr gwahanol eu comisiynu i wneud yr oriorau oddeutu 1945, sef: Buren, Cyma, Eterna, Grana, International Watch Co, Jaeger-Le-Coultre, Lemania, Longines, Omega, Record, Timor a Vertex. Caiff y Grana ei hystyried fel Greal Sanctaidd y ‘Dirty Dozen’, oherwydd mae’n bosibl mai 1500 yn unig a gynhyrchwyd. Rhagwelir y bydd y lle’n gyffro i gyd wrth i arwerthiant yr oriawr anhygoel hon ddechrau. Eitemau eraill hynod brin yw dwy bowlen ‘Leaping Chamois’ Wedgwood gan Daisy Makeig-Jones - sef Lot 577 a Lot 578 (3 & 4). Susannah Margaretta Makeig-Jones, a elwid hefyd yn ‘Daisy’ (1881-1945), oedd un o gynllunwyr pwysicaf Wedgwood, ond caiff ei chydnabod yn bennaf am ei llestri gloyw ‘gwlad y tylwyth teg’ rhyfeddol (Fairyland Lustre) a ysbrydolwyd gan stori i blant. Mae gweithiau ‘Fairyland Lustre’ Daisy yn ymddangos yn weddol reolaidd ar y farchnad, ond mae enghreifftiau o’r radd flaenaf yn llai cyffredin. Fodd bynnag, mae ‘Leaping Chamois’ yn dipyn o ddirgelwch. Gwyddys am y patrwm, ond mae’n eithriadol o brin, a dim ond un enghraifft arall a werthwyd mewn arwerthiant yn ystod yr ugain mlynedd diwethaf. Mae cynllun y bowlen dan ddylanwad cynllunwyr Islamaidd cynharach o ardal Foslemaidd Sbaen, lle caiff natur fydol rhai o gynlluniau Daisy Makeig-Jones ei harddangos, yn hytrach na’r natur arallfydol a thylwyth tegaidd y cysylltir Daisy â hi yn fwy cyffredin. Yn ogystal â Daisy Makeig-Jones, mae’r arwerthiant yn llawn dop o gynllunwyr eiconig a brandiau enwog, yn cynnwys Rolls Royce, Mouseman, gweithiau gwydr Lalique, Rolex, Martin Brothers, Doulton, Clarice Cliff, L S Lowry, Matisse, a hyd yn oed J K Rowling. Edrychwn ymlaen at weld rhywfaint o hud a lledrith yn yr arwerthiant.

Gan mai nifer fechan o’r powlenni a gynhyrchwyd yn y rhanbarth, ac oherwydd eu natur fregus a’r modd y’u defnyddiwyd yn y dathliadau, mae enghreifftiau cynnar o’r powlenni hyn yn eithriadol o brin.

Syr Kyffin Williams Rydym wedi gwerthu gweithiau Syr Kyffin Williams yn fynych ers inni agor ein drysau am y tro cyntaf ym 1992. Ers hynny, credwn ein bod wedi gwerthu oddeutu 250 o’i baentiadau olew a channoedd o’i weithiau ar bapur. Oherwydd ein profiad a’r cysylltiad agos hwn gyda Syr Kyffin, braint ac anrhydedd i ni fel arwerthwyr yng Nghymru oedd cael prisio ystâd yr artist yn 2006. Mae’r Arwerthiant Cymreig hwn ym mis Gorffennaf yn dwyn ynghyd mewn un arwerthiant y casgliadau gorau o weithiau’r artist a roddwyd ar y farchnad gennym. Mae pob paentiad olew yn creu ymdeimlad gwahanol ac yn arddangos nodweddion arluniol eithriadol a meistrolaeth lwyr Syr Kyffin ar ei bwnc.

The View / Bwrw Golwg • Rogers Jones & Co

SPOTLIGHT ON SIR KYFFIN WILLIAMS WITH BEN ROGERS JONES It will be no surprise that paintings by Sir Kyffin Williams regularly command the highest prices at our Welsh Sales. In March 2020, The Royal Academy exhibited oil painting ‘Evening Llangwyfan’ realised £40,000. For the collectors, this painting ‘ticked several of the Kyffin boxes’ – a vivid yellow sunset, an old Anglesey farm and Kyffin’s boxshaped cattle. The picture radiated positivity with the custard-yellow of the sunset shocking against the lush green shadowy land. In recent months, Kyffin’s prices seems to have picked up again, with two works on paper in April astounding us all, by realising over £10,000. But, what is it is about Sir Kyffin Williams which keeps on delivering from Welsh Sale to Welsh Sale, year to year? And why do his prices appear to be on the move once more. The painterly quality of Kyffin’s work is plain to see. His oil paintings are typically applied with strikes of palette knife in a bold efficient manner, the confidence of this technique is appealing. While Kyffin’s watercolours and inkwash pictures have a freedom about them, they are studied but not constrained by the subject matter. He also has a keen eye for character which can be seen in the old farmer’s arthritic hand, the concentrated pose of the working sheepdog and the shafts of light and dark storms in his rugged landscapes and old buildings. There is humility in his compositions, the generational villages, the dry-stone walls, and small stone dwellings. His work and life have been well documented with so many books on Kyffin that there should be a sub-section under ‘K’ in every Welsh art enthusiast’s library. Many of these writers knew the artist well, but none more so than the artist himself. If you want to understand more about Kyffin’s character, then the autobiographical accounts ‘Across the Straits’ and ‘A Wider Sky’ are surely the best starting points. They are two easy-reading biographies with absurd self-deprecating humour, personal awkwardness, and a quirky view of the world. Kyffin was well known as the consummate raconteur. These characteristics – the humour, awkwardness, the storytelling, his 1 suffering (Kyffin had epilepsy) and his solitude were just as important to his work as the trademark sunset, the farmhouse, the mountains and coasts, and the old farmers.

We knew Sir Kyffin Williams socially in his later life and after he died Rogers Jones & Co were honoured to be instructed as the valuer of his estate. But it is through our work as auctioneers that we have got to know him more. By handling and understanding his paintings and by talking to vendors who knew him or understood his work. Kyffin’s paintings continue to be the object of ambition and the reasons have never been clearer at this peculiar and uneasy moment in our history. Kyffin’s paintings are documentaries. They are nostalgic vignettes of Wales in a world that is becoming progressively less Welsh in the traditional sense. Holiday homes are on the rise and many of the village chapels are converted to homes, generations who inhabited these villages are being replaced. Only Kyffin’s Snowdonia peaks are unaffected. They remain resolute behind the old dry-stone walls. His paintings combine a sense of timelessness with a sense of nostalgia, both as powerful as each other. Kyffin connects us to our land - he is our earth wire. Through Kyffin we remember old aunties and grandparents, old family farms, fields now built on and chapel hymns. Kyffin paints a time and place before the busy fast roads changed the demographics. The market for Sir Kyffin’s work has been following a straight but healthy line since his death in 2006. But this follows a common pattern for many artists. The market commonly flatlines for a decade or so but if the artist remains popular there will be a time when the market begins to climb once again. We are now seeing this pattern in practice for Wales most popular painter. 1 Fox Shoot. Sold for £60,000 (current auction record) 2 Penrhyn Du. Sold £50,000

3 Llangwyfan. Sold for £40,000 4 Penrhyn Du. Sold for £46,000

News We were sad to hear that one of our stalwart Welsh Sale artists David Barnes died in May. David Barnes (1942-2021) was born and spent his formative years in South Africa, he worked as a chartered accountant and later as a financial tutor. It was not until he retired in 2006, that his art hobby took serious intent and he progressed quickly as a professional and had many successful gallery-shows around the UK (5). Two years ago, we lost another Welsh artist whose work we sell regularly. Gareth Thomas was born in Swansea in 1955 and began painting in 1979. His landscape paintings (6) are loved for their sense of sunlight and tranquillity, and he was a master of twinkling waves, shimmering haze, and peaceful dusk skies. We are privileged to be entrusted with bringing all the residual paintings from the Gareth Thomas studio to the market. As there are almost 150 paintings in total, we have decided to offer the pictures in a one-off auction. The auction, titled The Studio Paintings of Gareth Thomas (1955-2019) will be in the form of a ‘timed auction’ starting on August 16th. For explanation about the auction please contact us or see details on our website. Later this year we will be supporting the launch of Gwyneth and Ieuan Evans new edition of ‘Ewenny Pottery, Potters and Pots’. The book is the Bible for Ewenny collectors or those with an interest in Welsh pottery, and events will be held in the Autumn. More details to follow in the November Welsh Sale catalogue.

Rogers Jones & Co • The View / Bwrw Golwg

GOLWG AR: SYR KYFFIN WILLIAMS GYDA BEN ROGERS JONES

Nid yw’n fawr o syndod fod paentiadau Syr Kyffin Williams yn llwyddo i gyrraedd prisiau uchel yn ein Harwerthiannau Cymreig. Ym mis Mawrth 2020, arddangosodd yr Academi Frenhinol baentiad olew o’r enw ‘Evening Llangwyfan’, a werthwyd am £40,000. I’r casglwyr, roedd y paentiad hwn yn bodloni nifer o ofynion - machlud haul melyn llachar, hen fferm ar Ynys Môn, a’r gwartheg ‘siâp bocsys’ sy’n nodweddiadol o Kyffin. Roedd rhyw naws gadarnhaol yn llewyrchu o’r llun, gyda lliw cwstard y machlud haul yn cyferbynnu â’r tir gwyrdd iraidd, dylach ei liw. Yn ystod y misoedd diwethaf, ymddengys fod prisiau gweithiau Kyffin wedi dechrau codi; yn wir, ym mis Ebrill cawsom ein llorio gan ddau o’i weithiau ar bapur, a werthwyd am fwy na £10,000. Ond beth yn union ynglŷn â Syr Kyffin Williams sy’n llwyddo dro ar ôl tro i gyrraedd y nod, o’r naill Arwerthiant Cymreig i’r llall ac o’r naill flwyddyn i’r llall? A pham mae’r prisiau fel pe baen nhw’n codi unwaith yn rhagor? Mae ansawdd yr arlunio yng ngwaith Kyffin yn amlwg i bawb. Caiff ei baentiadau olew eu creu fel arfer trwy grafu’r paent ar y canfas gyda chyllell balet mewn modd effeithiol a beiddgar; mae hyder y dechneg hon yn ddeniadol. Mae rhyw ryddid yn perthyn i luniau dyfrlliw a golch inc Kyffin; rhoddant sylw mawr i’r pwnc, ond ni chânt eu cyfyngu ganddo. Hefyd, mae’n wych am gyfleu cymeriad, a chaiff hyn ei amlygu yn nwylo arthritig yr hen ffermwr, yn safiad dwys y ci defaid, ac yn y llafnau o olau a’r stormydd tywyll a welir yn ei dirweddau geirwon a’i hen adeiladau. Mae gwyleidd-dra’n perthyn i’w gyfansoddiadau y pentrefi cenedliadol, y waliau cerrig sych a’r anheddau cerrig bach. Mae ei waith a’i fywyd wedi’u cofnodi’n helaeth - yn wir, gan fod cynifer o lyfrau i’w cael am Kyffin, dylai’r selogion celf yn ein plith fod ag isadran arbennig ar ei gyfer dan y llythyren ‘K’ yn ein llyfrgelloedd. Roedd nifer o’r awduron hyn yn adnabod yr artist yn dda, ond neb yn fwy felly nag ef ei hun. Os ydych eisiau deall mwy am gymeriad Kyffin, y man cychwyn gorau yw ei hunangofiannau ‘Across the Straits’ ac ‘A Wider Sky’. Dyma hunangofiannau hawdd eu darllen. Maent yn cynnwys hiwmor hunanfychanol absẃrd, lletchwithdod personol a golwg hynod ar y byd. Câi Kyffin ei gydnabod fel storïwr campus. Roedd y nodweddion hyn - yr hiwmor, y lletchwithdod, yr adrodd storïau, ei ddioddefaint (roedd Kyffin yn dioddef o epilepsi) a’i unigedd - yr un mor bwysig i’w waith â’r machlud haul nodweddiadol, y ffermdai, y mynyddoedd a’r arfordiroedd, a’r hen ffermwyr. Yn hwyrach yn ei oes, daethom i adnabod Syr Kyffin Williams yn gymdeithasol; ac ar ôl iddo farw, Rogers Jones a’i Gwmni a gafodd y fraint a’r anrhydedd o brisio’i ystâd. Ond trwy ein gwaith fel arwerthwyr y daethom i’w adnabod go iawn - trwy drafod a deall ei baentiadau a thrwy siarad gyda gwerthwyr a oedd yn ei adnabod ef neu’n deall ei waith. Mae paentiadau Kyffin yn parhau i fod yn destun uchelgais, ac nid yw’r rhesymau am hyn erioed wedi bod yn gliriach nag yn ystod y cyfnod rhyfedd ac anesmwyth hwn yn ein hanes. Llwydda paentiadau Kyffin i ddogfennu. Maent yn bortreadau hiraethlon o Gymru mewn byd sydd bellach yn troedio llwybr llai Cymreig yn yr ystyr draddodiadol. Mae tai haf ar gynnydd ac mae nifer o gapeli pentref wedi’u troi’n gartrefi; caiff y cenedlaethau a arferai fyw yn y pentrefi hyn eu disodli. O ran lluniau Kyffin, dim ond copaon Eryri sydd wedi aros yn ddigyffwrdd. Saif y rheini’n ddiysgog y tu ôl i’r waliau cerrig sych. Mae ei baentiadau’n cyfuno ymdeimlad o natur ddigyfnewid gydag ymdeimlad o hiraeth - y ddwy elfen yr un mor rymus â’i gilydd. Mae Kyffin yn ein cysylltu â’n gwlad - mae’n cadw ein traed ar y ddaear.

Trwy Kyffin, cofiwn hen fodrybedd a theidiau a neiniau, hen ffermydd teuluol, caeau sydd bellach ag adeiladau arnynt, ac emynau. Mae Kyffin yn paentio cyfnod a lle cyn i ffyrdd cyflym a phrysur weddnewid ein demograffeg.

Ben Rogers Jones

Mae’r farchnad ar gyfer gwaith Syr Kyffin wedi bod yn wastad, ond yn iach, ers ei farwolaeth yn 2006. Dyma batrwm cyffredin yn hanes sawl artist. Yn aml, ni welir fawr o gynnydd yn y farchnad am ryw ddegawd; ond os yw’r artist yn dal i fod yn boblogaidd, yn hwyr neu’n hwyrach bydd y farchnad yn dechrau cryfhau unwaith eto. Mae’r patrwm hwn bellach ar waith yn achos un o arlunwyr mwyaf poblogaidd Cymru. 1 Fox Shoot. Sold for £60,000 (current auction record) 2 Penrhyn Du. Sold £50,000

3 Llangwyfan. Sold for £40,000 4 Penrhyn Du. Sold for £46,000

Newyddion Trist iawn oedd clywed bod un o hoelion wyth ein Harwerthiannau Cymreig wedi marw ym mis Mai. Ganwyd David Barnes (1942-2021) yn Ne Affrica ac yno y treuliodd 5 ei flynyddoedd cynnar. Gweithiai fel cyfrifydd siartredig ac yna fel tiwtor ariannol. Dim ond ar ôl iddo ymddeol yn 2006 y trodd ei ddifyrrwch mewn celf yn ddiddordeb mwy difrifol, ac yn fuan datblygodd yn artist proffesiynol a chynhaliodd lu o sioeau llwyddiannus mewn orielau ledled y DU (5). Ddwy flynedd yn ôl, collwyd artist Cymreig arall yr arferem werthu ei waith yn rheolaidd. Ganwyd Gareth Thomas yn Abertawe ym 1955 a dechreuodd baentio ym 1979. Mae pobl yn dotio at ei baentiadau o dirweddau (6) oherwydd eu hymdeimlad o heulwen a llonyddwch, ac roedd yn feistr ar greu tonnau disglair, tes crychdonnog ac awyr lonydd y cyfnos. Braint ac anrhydedd yw cael y cyfrifoldeb o roi gweddill paentiadau Gareth Thomas ar y farchnad. Gan fod yna bron i 150 o baentiadau i gyd, rydym wedi penderfynu cynnwys y lluniau mewn arwerthiant unigryw. Bydd yr arwerthiant, sy’n dwyn y teitl Paentiadau Stiwdio Gareth Thomas (1955-2019), yn cael ei gynnal ar ffurf ‘arwerthiant amseredig’, gan ddechrau ar 16 Awst. I gael esboniad, cysylltwch â ni neu darllenwch y manylion ar ein gwefan. Yn ddiweddarach eleni, byddwn yn cefnogi lansiad argraffiad newydd o ‘Ewenny Pottery, Potters and Pots’ gan Gwyneth ac Ieuan Evans. Dyma’r ‘Beibl’ i gasglwyr crochenwaith Ewenni neu i bwy bynnag sy’n ymddiddori mewn crochenwaith Cymreig, a bydd digwyddiadau’n cael eu cynnal yn ystod yr Hydref. Cewch fwy o fanylion yng nghatalog Arwerthiant Cymreig mis Tachwedd. 6 11

Rogers Jones & Co

TOP 10 WELSH SALE PRICES FROM APRIL 17 2021 1. Sir Kyffin Williams RA Oil ‘Valley in the Dordogne’

£23000

2. The 'Prince of Wales' Welsh Gold Nugget

£16000

4. Sir Kyffin Williams RA Mixed Media

£10600

3. Gordon Stuart Oil ‘Portrait of Dylan’

£15000

8. Sir Kyffin Williams RA Oil ‘Winter landscape at Nant Peris’

£8800 12

5. Sir Kyffin Williams RA Inkwash ‘Hendre Waelod’

£10400

6. John Elwyn Gouache ‘Fernhill No.8’

7. John Kanpp-Fisher Oil ‘Tenby’

£9400

£9200

9. Sir Kyffin Williams RA Inkwash

£6200

10. Sir Kyffin Williams RA Mixed Media ‘Old Cottage at Rhiw’

£6000

Rogers Jones & Co

TOP 10 SELECTIONS & COLLECTIONS SALE PRICES FROM FROM APRIL 17 2021

1. 1906 England Rugby Jersey

£18000

2. Early 20th Century Rugby Union Photograph Album

£12500

4. 1870s Journal Relating to Clapham Rovers

5. Cartier 18CT Gold & Diamond Bracelet

£6000

£5800

3. Rolex Submariner

£76000

6. Fifteen Stone Diamond Bracelet

£5400

8. Chinese Hawthorn Jardinieres

£3400

7. Chinese 'Audience' Baluster Jar

9. Harlequins Rugby Jersey

10. Rolex Air-King Wristwatch

£3600

£3100

£3000 13

Rogers Jones & Co

ROGERS JONES

About Us Selling at Rogers Jones & Co As internationally respected auctioneers, we provide the highest level of service to buyers and sellers alike. We operate in a transparent, straightforward and friendly way, ensuring your experience is as enjoyable and profitable as possible. We achieve the best market prices at our busy and popular salerooms, which attract buyers from across the UK and abroad. We are passionate about presenting your goods in the best way possible. This includes expert research and descriptions coupled with professional digital photography which may include multiple images when required. For complete peace of mind, you can take advantage of our collection service from anywhere in the UK, whatever the item(s) may be. Once your item is sold, we will pay you directly into your bank within 14 working days of the last lot being sold from your consignment.

Valuations

Online Valuations We can often provide an informal pre-auction valuation by email. Please send images to info@rogersjones.co.uk please also include your telephone number, your geographical location and other details about the item which may be relevant such as sizes.

Rogers Jones & Co offer a full range of valuation services, both verbal (informal) and written (formal), which include:

Probate / Insurance Valuations

• identification and appraisal of a broad range of antiques, fine art and collectables

Rogers Jones & Co can provide you with accurate professional written valuations for single items, specialist collections, and whole and partial house contents.

• appraisal and advice on individual items, house contents and collections for sale purposes • written valuations for:

Up-to-date valuations offer peace of mind and confidence to families and individuals, forming an important part of your financial planning.

• inheritance tax (Probate)

Our valuation services (where chargeable) have a clear and competitive fee structure, based on an hourly rate of £100+VAT per hour.

• insurance

• Valuations are prepared for a variety of purposes including:

• family division

• Insurance - an invaluable record in the event of theft, loss or damage

We provide a tailored service to meet the requirements of all our customers, which includes private individuals, insurers and solicitors.

• Family and Matrimonial Division

Our formal valuation services (where chargeable) have a clear and competitive fee structure, based on an hourly rate of £100 per hour.

• Probate/Inheritance Tax - for executors and trustees

We do not charge for informal valuations which provide predicted values if selling items at auction. These valuations can often be conducted by emailing images to us. Alternatively, we offer valuation sessions for clients by arrangement at the saleroom and at various venues across Wales and further afield. We can also visit you in your home anywhere in the UK. We have valuers based in North Wales, South Wales and West Wales but we are often making trips further afield. If you would like to discuss your valuation requirements further please contact us.

• For fair distribution and impartial advice • Tax Planning • Accurate retrospective valuations • Willing Buyer / Willing Seller • Mutually beneficial current market values Written professional valuations are an integral part of our business, and we are trusted to carry out several hundred valuations for private and corporate clients each year. We can provide you with a confidential, clear and precise valuation tailored to your individual needs.

Rogers Jones & Co

BIDDING & PURCHASE TERMS Buyer’s Premium for both auctions: 24% + VAT (28.8%) on all lots up to a hammer price of £19,999 16% + VAT (20%) on all lots of a hammer price £20,000 and over 10% + VAT (12%) on all lots of a hammer price £60,000 and over Droit de Suite applicable (Please see page 170 for more details)

Bidding Presently there is no bidding ‘in the room’ for any of our auctions. Bidding needs to be by the following methods:

1. COMMISSION BIDS

Commission bids must be placed on our website or by a form supplied by 4pm the day before auctions. (Copy of our commission bidding form is found at the back of the catalogue or can be emailed / posted). Please note that we will not be answering our office phones on July 24th. If you have cause to contact us urgently on the day of the auction, please do so by email: cardiffinfo@rogersjones.co.uk but note that we do not guarantee a reply

2. TELEPHONE BIDDING

Telephone bids must be arranged by receipt of our forms by 1pm the day before auctions. (Copy of our telephone bidding form is found at the back of the catalogue, digital form is available to download from our website). Lines are available on all lots but on a first come first served bases. There is a limit to how many lines can be operating at one time.

3. FREE ONLINE LIVE BIDDING WITH ROGERS JONES

Free online Live Bidding with Rogers Jones LIVE at www.rogersjones.co.uk Other platforms such as the-saleroom.com do charge for using their system.

Payment Terms Payment is required by BACS (bank transfer) within eleven days of the auctions. Please use your bidding number and sale date as reference. Presently cheques, chip and pin and cash are not acceptable. For clients who do not use online banking, payments can be made at their bank over the counter. Please see your banking terms.

Condition Reports The onus rests on prospective bidders to satisfy themselves as to the condition of items in this auction. Most items have a condition report note with the description, this does not imply that items are without fault. We advise requesting further images /condition reports on all lots and this will be provided by us by e-mail only. All pictures are framed unless stated and in our opinion are ready for display unless stated. Condition reports are declared on some items of pottery / porcelain but are an opinion only. It is usual for us to declare if there is a problem with the condition of picture(s). But we advise that all prospective purchasers enquire / examine lots as ‘items are bought as seen’.

Carriage to North Wales / Carmarthen Office / Storage & Postage ALL COLLECTIONS OF PURCHASED GOODS MUST BE BY PRE-ARRANGED APPOINTMENT. COLLECTIONS ARE NOT PERMITTED ON THE DAY OF THE AUCTION. STRICTLY NO ACCESS ON AUCTION DAY. ALL ITEMS MUST BE PAID FOR PRIOR TO ARRANGING COLLECTION. COLLECTIONS FROM CARDIFF SALEROOM MUST BE PRIOR TO AUGUST 6TH TO AVOID STORAGE CHARGES. All purchased lots in this auction may be shipped to our Colwyn Bay & Carmarthen offices without charge for collection from August 9th. This service is offered providing that payment is complete prior to August 1st and that they are then collected from Colwyn Bay / Carmarthen by 5pm August 6th (BY APPOINTMENT). Please note that this delivery will be the one free carriage to Colwyn Bay & Carmarthen undertaken by Rogers Jones & Co for items purchased at this auction. Purchases must be collected from the Cardiff saleroom by August 6th to avoid charges. Free carriage excludes furniture items. Rogers Jones & Co does not offer a P&P service for this auction unless items are of a non-fragile nature and can be posted in a Jiffy bag. Postage of these items are undertaken at a cost and at the buyer’s risk. We can recommend associates for a fully insured P&P service.

OUR VALUING & APPRAISING TEAM Ben Rogers Jones BA (Hons) Ben Rogers Jones has been with the company since 2001. Ben now manages the triannual Welsh Sale of Welsh Art, Welsh Antiques and Welsh ceramics. He is also the appraiser and cataloguer for sporting antiques. He is based out of the Cardiff Saleroom but visiting clients UK wide. Welsh Speaking.

Charles Hampshire FNAVA LLB (Hons) Based out of Carmarthen, Charles is our regional auctioneer and valuer for West Wales and visits clients in Swansea, West Wales and up to Aberystwyth. Charles is also our appraiser for jewellery, diamonds, silver, coins, watches, wine and whisky.

Philip Keith BSc (Hons) Based out of our Cardiff saleroom, Philip is our regional auctioneer and valuer for South Wales, east of Swansea and into the borders and England. Philip is also our specialist for Oriental works of art and ceramics and tribal art.

David Rogers Jones David Rogers Jones started the company in 1992 and has been an auctioneer and valuer for 60 years. He now works as a regional auctioneer out of the Colwyn Bay auction room, dividing his appointments with Stephen Roberts and John Rogers Jones. Welsh Speaking.

John Rogers Jones John works out of the Colwyn Bay auction room as a regional valuer and appraiser, dividing his appointments with David Rogers Jones and Stephen Roberts. John conducts all the auctions in Colwyn Bay while also acting as our Financial Controller for the whole company.

Stephen Roberts Stephen works out of the Colwyn Bay auction room as a regional valuer and appraiser, dividing his appointments with David Rogers Jones. He has been involved in the antique trade for 35 years and has wide-reaching experience in all facets of the trade. OFFICE PERSONNEL Cardiff: Alys Lloyd & Sian Russ Colwyn Bay: Dawn Sandham & Lisa Lamb Carmarthen: Morganna Hampshire 15

Rogers Jones & Co

THE WELSH SALE / SELECTIONS & COLLECTIONS: CONTENTS & INDEX OF ARTISTS / CYNNWYS A MYNEGAI ARTISTIAID Welsh Antiques, Welsh Pottery & Porcelain Hen Bethau Cymru, Cerameg Cymru a Phorselen Lots 1-81 Welsh Prints & Multiples Printiau & Lluosog Lots 83-175

• HICKS-JENKINS, Clive (b. 1951)

• CARPANINI, David (b. 1946) 86, 135, 150 251 • CECIL, Roger (1942-2015) CHAPMAN, George (1908-1993) 264 • 223, • CLEAL, John (1929-2007)

• HIND, Audrey (b. 1936) 384 122, 123, • HOLLAND, Harry (b. 1941)

287, 397

D 378, 381 • DAVID, Dai (b. 1968) • DAVIES, Anna (contemporary) 415 • DAVIES, Ivor (b. 1935) 467 • DAVIES, Ogwyn (1925-2015) 497 DE SAEDELEER, Valerius (1867-1941)

• DELAHAYE, Muriel (1937-2021)

588, 589

• 19TH CENTURY ENGLISH SCHOOL • 19TH CENTURY FRENCH SCHOOL

590 592

118, 119, 120, 121

• DONOVAN, James (b. 1974)

154

DUNCAN, Edward (1803-1882)

289

• EDWARDS • EDWARDS, Malcolm (b. 1934) • ELWYN, John (1916-1997)

212 244, 245

166, 262, 263, 278, 295, 321, 324, 340, 451, 479

• ANDREW, Keith (b.1947)

299

• BALA, Iwan (b. 1956)

198, 199, 203, 274, 281

• BARNES, David (1942-2021) • BEARD, Leonard (1942-2007)

442, 474, 461

250, 354 222 • BELL, Seren (b. 1950) 385, 405 • BOWEN, Keith (b. 1950) • BRANGWYN, Sir Frank RA (1867-1956)

137,144, 148, 149, 210, 237, 238, 239, 240

• BRITISH / WELSH SCHOOL • BROWN, William (1953 -2008)

297 158, 202

• BURT, Charles Thomas (1823-1902) 343

• GANZ, Valerie (1936-2015) 283, 291, 301 • GERRARD, Tom (b. 1923) 452 256 • GIARDELLI, Bim (1917-2011) GILL, Eric (1882-1940) 164 • GREEN, Bernard (b. 1931) 108, 109, 110, •

136, 193, 194, 205, 475

124, 125

• HOLLOWAY, Edgar (1914-2008)

142

382, 411, 484 • HOLLY, Nick (b. 1968) • HUGHES, Tom (1923-1988) 498 377, 440 • HUGHES, Wyn (b. 1965) HUNTLY, Moira (b. 1932) 192 • J

• JAMES THOMAS, Sally (b. 1973) 408 • JANES, Alfred (1911-1999) 413 145 • JOHN, Augustus (1878-1961) 83, • JONES, Aneurin (1930-2017)

429, 431, 432

386, 387 • JONES, Bryan (20th Century) • JONES, Elfyn (b.1939) 356 • JONES, Glyn (b. 1936) 466 • JONES, Huw Gareth (b. 1959) 473 211, • JONES, Jack (1922-1993)

401, 459, 465

• JONES, Martyn (b. 1955)

252

• JONES, Meirion (b. 1966) 441 143 • JONES, Shirley (b. 1934) K

111, 112, 113, 114, 115, 116, 117

• GRIFFIN, Chris (b. 1975) • GRIFFITH, David Lloyd (b. 1956)

131, 132, 133, 249, 253, 254, 255, 296, 380 KNIGHT, Alan (b. 1949)

332, 333

• KNIGHT, David (b. 1965) 485

427, 464

L 180 • LEK, Karel (1929-2020) 368, 369 • LEWIS, Edward (1936-2018) • LLEWELLYN, Martin (b. 1963) 328 • LLOYD JONES, Mary (b.1934) 258, 259, 271 376, 410 • LOVEGROVE, Wendy (b.1941) • LOWRY, Laurence Stephen (1887-1976)

H HADFIELD CUBLEY, Henry (1858-1934) 480

• HALL, Christopher (1930-2016) 455 347, 428 • HARRIES, Hywel (1921-1990) • HASKETT, Thomas (contemporary) 349, 350,

• KNAPP-FISHER, John (1931-2015)

351, 353, 409, 478

GRIFFITHS, David MBE (b. 1939) 398, •454

ALL PICTURES ARE FRAMED UNLESS STATED IN THE DESCRIPTION 16

167

• 18TH CENTURY VENETIAN SCHOOL

146, 169, 170, 172, 173, 196 (Attr), 206, 208, 265, 266, 268

• CARLILL, Bernice (d. 2000)

CUTHBERT SALMON, John (1844-1917) 329, 330, 331

Selections & Collections Dewisiadau a Chasgliadau Lots 510-615

• HERMAN, Josef OBE RA (1911-2000)

• COCKRILL, Maurice (1936-2013) 325 • COWDRY, David (b. 1970) 430

Welsh Oil Paintings & Other Medium Paentiadau Olew & Chyfryngau Eraill Lots 315-502

200, 236

496

Welsh Works on Paper Dyfrlliwiau & Gwaith ar Bapur Lots 180-310

• BURTON, Charles (b. 1929)

449, 450, 476

598, 599

• LOWE, Ronald (1932-1985) 471 • LUXTON, Vivienne (b. 1942) 365

Rogers Jones & Co

• MALTHOUSE, Eric (1914-1997)

168

MANDER, William Henry (1850-1922) 468

• MATISSE, Henri (1869-1954) • McBEAN, Angus (1904-1990) • McCOMB, Leonard William Joseph

600

(1930-2018)

597

McDOUGAL, John (1851-1945)

246

147

• McEVOY, Arthur Ambrose (1887-1927) 591 • McGILL, Sian (b. 1973) 373 • McINTYRE, Donald (1923-2009) 389, 487,

488, 489, 490, 491, 492, 493, 494, 495

335, 367 • McINTYRE, Sion (b. 1975) • MELEGARI, Carl (b. 1959) 414 134 • MILES, Gordon (b. 1947) • MONAGHAN, Mike (contemporary) 363 138 • MOORE, Henry (1898-1986) 234, 235, • MORGAN, Glyn (1926-2015)

338, 339

280 • MORGAN, Robert (1921-1994) • MORRIS, Mike (20th Century) 352 286, 292 • MULLER, Sigrid (b. 1962)

• PRITCHARD, Arthur (1927-1993) 360 155, 156 • PRITCHARD, Ben (b. 1956) PUGH, Ieuan Meirion (b. 1939) 433 • 375, 462 • REES, Paul (b. 1971) • RICHARDS, Ceri CBE (1903-1971) 161, 171 195 • RICHARDS, Frances (1903-1985) 140, 141 • RILEY, Harry (1895-1966) 443, 472 • ROBERTS, Gwyn (b. 1953) 342 • ROBERTS, J Glyn • ROBERTS, Wilf (1941-2016) 157, 159, 160,

207, 379, 445, 458, 460

• ROBERTS, Will (1907-2000)

230, 231, 232, 322, 348, 358, 359, 416, 420

163 • ROSENTHAL, Stan (b. 1933) • ROWLANDS, Will (b.1948) 383 S

• NASH, David (b. 1945)

282

294 436, 437

P 334, 438, 439, • PARRY, Gareth (b. 1951) • PIECH, Paul Peter (1920-1996) 98, 99, 100,

101,102, 103, 104, 105, 106, 107

279 • PIERCY, Rob (b. 1946) 87, 139, 152 • PIPER, John (1903-1992) 153 • PORTEUS BUTLER, David (b. 1945) 344, 417, • POVEY, Edward (Ed) (b. 1951)

418, 463, 501

• POWELL, Michael (20th Century) • PRICE, David (20th century) • PRICHARD, Gwilym (1931-2015)

165 284, 285

204, 261, 267, 272, 323, 341, 419, 453

• PRICHARD-JONES, Aled (b. 1945)

302

• UJVARY, Ferenc (1898-1971) • UZZELL EDWARDS, John (1937-2014)

596

233, 470 V

• VAUGHAN JONES, MARTYN (B. 1957)

298

• WALTERS, Evan (1893-1951) 336, 337, 346 • WATERLOW, Sir Ernest Albert (1850-1919)

243

• WATSON, Arthur Sydney (1881-1932) • WATTS, Meryl (1910-1992) • WILCOX, James (1785-1865)

595 242 257

WILLIAMS, Christopher RBA (1873-1934)

201

• OSTLE, Roy (1930-1992) • OWEN, Stephen John (b. 1959)

• SELWAY, John (1938-2017) • SELWYN, William (b. 1933)

604, 605, 606

• NICOL, Phil (b. 1953) 390 162, • O’CONNOR, Liam (b.1981) 370

189, 190, 191

WILLIAMS, Alan (contemporary) 391, 392, 393, 394, 395

126, 127, 128, 129, 130, 181, 186, 187, 188, 270, 275, 448

NASH, Tom (b. 1931) 276, 277, 425, 426, 481, 482, 483

174, 182, 183, 184, 185, 224, 225, 226, 227, 228, 229, 269

• SAMUEL, Mark (b. 1956) 421 • SEARLE, Ronald (b. 1920) 601, 602, 603,

(1901-1979)

• TYDEMAN, Naomi (b.1957)

• TUNNICLIFFE, Charles Frederick OBE RA

• SHANAHAN, David (contemporary)

326, 327

444, 486 • SINNOTT, Kevin (b. 1947) • SMITH, Lara (contemporary) 403 • SPAFFORD, Iola (b. 1930) 84, 85, 88, 435 197 • SPRIGGS, Peter (b.1963) 424, 434 • STEELE, Matt (contemporary) STEPNEY GULSTON, Alan (1844-1919) 247, 248

• WILLIAMS, Alex (b. 1942) 422 273

• WILLIAMS, Claudia (b. 1933)

241, 320 446, 447 • WILLIAMS, Evelyn (1929-2012) • WILLIAMS, Laurie (1924-2007) 374 • WILLIAMS, Sir Kyffin RA (1918-2006) 89, 90,

91, 92, 93, 94, 95, 96, 97, 304, 305, 306, 307, 308, 309, 310, 315, 316, 317, 318, 319

WILLIAMS, William Morgan (aka Ap Caledfryn) (1837-1915) 469 260 • WILLIAMS, Vivienne (b. 1955) • WIMPERIS, Edmund Morison (1835-1900) 594 • WOODFORD, David (b. 1938) 423

STUART, Gordon (1924-2015) 214, 215, 216, 217, 218, •219, •220, •221, 357, 361, 362, 364, 371, 372, 402

WORTHINGTON, Alfred (1834-1927) 404

• SUTHERLAND, Graham (1903-1980) • SYER SR, John (1815-1885)

138

345, 355, 396, 399, 400, 457, 477

593 Y

• THOMAS, Elwyn (b. 1932) • THOMAS, Gareth (1955-2019)

• WRIGHT, John (1931-2013) 412 • WYATT WARREN, Charles (1908-1993)

151

499, 500 • YEADON, Darren (b.1970) • YOUNG, William Weston (Attr) (1776-1847)

209, 288, 293, 300, 406, 407, 502 (no ARR)

213

• TOMOS, Gwyneth (b. 1937) 456

• ZOBOLE, Ernest (1927-1999) 366

• Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions). 17

Rogers Jones & Co

NEXT WELSH SALE / SELECTIONS & COLLECTIONS NOVEMBER 6 Entries invited NOW and by October 1 but please call earlier to ensure entries are confirmed.

VINTAGE & ANTIQUES IN COLWYN BAY Every 2 weeks INTERIORS IN CARDIFF Every 6 weeks VINTAGE & ANTIQUES IN CARDIFF Every 6 weeks Please see schedule on our website Appraisals conducted by email or by appointment at the salerooms or at your home. South Wales Saleroom 17 Llandough Trading Estate, Penarth Road, Cardiff, CF11 8RR Tel: 02920 708 125 cardiffinfo@rogersjones.co.uk VAT no: 560 0387 62

HOW TO BID!

www.rogersjones.co.uk

Please ensure you have read our terms for viewing the auction by appointment and bidding for these two auctions on Page 15.

COMMISSION BIDDING

TELEPHONE BIDDING

About: commission bids are when you leave us your highest price to bid on your behalf. We will bid up to your price(s) and you will win items if another bidder drops out before your maximum price. If there is no other bidder then you may win the item at the bottom estimate / reserve.

About: we phone you a few minutes prior to the lot you have booked a phone line on. Our operator will communicate the price and ask whether you want to bid.

Commission bids must be received by 4pm the day before the auction. We are not answering the phones on auction day! How: this can be done on our website by clicking on the lot(s) you are interested in and then clicking ‘REGISTER / LOG IN TO BID’. Or you can complete a copy of the bidding form at the back of this catalogue and send a clear image of the form to us by email. Tips: there is little point in bidding below the bottom of the auction estimate and enter as high as you can so as not to regret missing out. It is always a good chance you may win the item at a smaller price.

North Wales Saleroom The Auction Rooms, 33 Abergele Road, Colwyn Bay, North Wales, LL29 7RU Tel: 01492 532 176 info@rogersjones.co.uk VAT no: 560 0387 62

How: as with ‘Commission Bids’ a form be completed and returned to us BUT by 1pm the day before the auction. Forms can be emailed, posted or are at the back of this publication. Telephone lines are limited so are on a first come first serve basis. Tips: calculate or ask us at approximately what time you are likely to receive a call from us and ensure you are available on the line with a good signal, you can leave a back-up line on the form in case of any problems. It is better to have a good sense of what prices you are likely to go up to before-hand as there may be no time for indecisions!

LIVE INTERNET BIDDING About: the auction is broadcast live on www.the-saleroom.com where you will see a video and hear the sale. You will also see the bidding numerically. You can bid with your keyboard providing you have registered. There is a surcharge on each lot for using the-saleroom.com platform. How: Very simply ‘click bid’ but remember that your bid is binding when successful! Tips: ensure that you your device’s speaker is switched to ‘on’, bid quickly as there may be a slight delay and remember the auctioneer cannot see you!

The Welsh Sale / Yr Arwerthiant Cymreig 9.30am 24.7.21

Lot 430

Lots

1-81

THE WELSH SALE / YR ARWERTHIANT CYMREIG (9.30am)

Welsh Antiques, Welsh Pottery & Porcelain Hen Bethau Cymru, Cerameg Cymru a Phorselen

SUPER SATURDAY/ DYDD SADWRN MAWR

The Welsh Sale • Rogers Jones & Co 1 1866 CONWY VALLEY WELSH WOOL SAMPLER with alphabetical and religious content, by thirteen year old Hannah Roberts of ‘Gwern Rhisgl’, Llanrwst, Conwy Valley, 71 x 65cms (including frame)

3 VICTORIAN WELSH HIS & HER HATS the ladies in familiar traditional tall form with black fur, possibly mole, having a tapered chimney with wide ribbon and wide brim, interior lining printed for Carver and Co, 22cms high, the rarer gent’s hat, shorter, bearing narrow ribbon and with narrow shaped brim, 26cms long

Provenance: private collection Hampshire, purchased by vendor in Llanrwst, north Wales in 1970s Auctioneer’s Note: Gwern-yRhisgl appears as a group of houses in the circa 1900 OS Map of the Llanrwst area but not in modern map. In the 1881 census the Roberts family were recorded as living at 1 Gwern Rhisgl - with father Lewis Roberts, a general labourer and wife Elizabeth Roberts, both 49 years old, together with sons Rowland, Williams and James Roberts who was a 62 year old widower. The 1861 census records Hannah Roberts as being daughter of James and Margaret Roberts, when the house was listed as Gwern Rhisk. It is believed therefore that the dwelling was split into smaller houses between 1866 and 1881.

Condition Report: discolouration especially to left of sampler, old frame £150-250

Provenance: to accompany a facsimile of the original owners of the two hats, Thomas and Elinor Morgan, entered for auction by Mr Morgan of Warwickshire, to him by descent Condition Report: ladies in reasonable condition, some wear and marks but not significant, gent’s is complete, top is coming away from base, tears to lining, no labels £200-300 4 COLLECTION OF EARLY 20TH CENTURY EISTEDDFOD RELATED ITEMS comprising nine purses of varying design and two ribbons marked Eisteddfod Gadeiriol and Eisteddfod Pentregwenlais ‘Buddugol’ (11) Provenance: private collection Ceredigion, consigned via our Carmarthen office Auctioneer’s Note: Eisteddfod competition winners were sometimes presented monetary prizes in ornamental purses which were worn for the remainder of the Eisteddfod

2 19TH CENTURY NEEDLEWORK SAMPLER BY JANE JONES, AGED 12, DATED 1843, CARNARVON, 32 x 30cms Provenance: private collection, consigned via our Cardiff office

Condition Report: all the examples are in good overall condition, wear and fraying, minor rips, tears commensurate with age £80-120

Presentation & Condition: some damage, small hole near centre, and loose in frame £100-150 2

4 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

5 5 GROUP OF PONTYPOOL OR USK JAPANNED TRAYS comprising pair of circular floral painted trays with pierced galleries, probably Usk, 21cms diam, red lacquered circular tray with centre floral spray and ridged gallery with gilded edge, 29cms diam and a large pierced gallery circular tray having a painted interior with harbour and castle, figures and boats, possibly Newport, Gwent, 41cms diam (4) Provenance: the collection of Gwyneth & the late Ieuan Evans Condition Report: largest has holes to interior and slight damage to piercing, superficial damage to others including craquelure £100-200 6 A GOOD EARLY 19TH CENTURY PONTYPOOL WARE OVAL TIN TRAY having a centred painting of a view of ‘Neath Abbey’ with figures and river, titled, and within a gilded border, further gilding to inside rim, 75 x 62cms Provenance: private collection Newport, consigned via our Cardiff office Condition Report: surface marks and small dents, areas of misshape, excellent overall £300-500 7 AN 18TH CENTURY WROUGHT IRON RUSH LIGHT HOLDER the iron work in two sections joined by a single rivet, both sections twisted for decoration and mounted to a primitive carved elm base of square and conical form, 27cms high Provenance: private collection Gwent Condition Report: excellent example, no damage of note, please see images £200-300

8 A SILVER PIN BROOCH TO COMMEMORATE THE 1894 ALBION COLLIERY DISASTER engraved with a detailed scene of the colliery, flanked by raised flowers either side, inscribed ‘A SOUVENIR ALBION COLLIERY DISASTER JUNE 23rd 1894’, complete with case for A Fuhrer Treorchy & Pentre, hallmarks for Birmingham 1894 Provenance: by family descent, consigned Cardiff office Auctioneer’s Note: Cilfynydd is a village just South of the town of Pontypridd in South Wales. In the Victorian era it was an archetype Welsh pit village built around the Albion Colliery which was sunk in 1884. Before there was no settlement of note, just a few scattered farms supporting a population of less than 100. Within a few years of coal production starting, terraced houses clung to the valley hillsides running north-south in a series of parallel rows and the local population had grown to over 3,000. There was a school, several chapels, pubs and a workmen’s hall forming the traditional building blocks of a typical tight-knit community But the Albion survives in the memory of more than just the local population. It is more widely remembered for the devastating explosion which took place there in 1894, a disaster which claimed the second worst loss of life in any British colliery accident, only the Senghenydd explosion of 19 years later took a greater toll For 7 years after the colliery was opened, Cilfynydd flourished until disaster struck in June, 1894. Like many collieries in South Wales, the Albion’s coal produced large amounts of fire-damp, a highly inflammable gas. On Saturday, 23rd June, 1894 at around 3.50pm two loud explosions were heard at the surface of the colliery. Dust, debris and smoke rushed out of the two shafts and men at the surface were blown over. No one knew for sure how many men were underground initially. It took until the inquest later that summer, for the authorities to establish that 290 men and boys had been killed out of 295 working underground. Such a traumatic event could have killed the village but, with remarkable resilience, the people rebuilt their shattered lives and by September 1894 the pit was back in full working order producing nearly 45,000 tons of coal a month. It was to stay at the heart of the community until its closure in September 1966. The box for the brooch is marked for Adolph Fuhrer who was a well-known south Wales valleys jeweler Condition Report: slightly misshapen at back, original and commensurate with age £100-200

The Welsh Sale • Rogers Jones & Co

9 A TWO SECTION JOINED HEAVY WEIGHT ANTIQUE WELSH BLANKET having narrow multicoloured stripes to a flecked ground, cotton edged in green, circa 1900, 183 x 238cms

12 TWO HEAVY WEIGHT ANTIQUE WELSH BLANKETS with varying brown stripes and varying blue stripes, circa 1900s, 166 x 160cms and 180 x 193cms

Provenance: private collection consigned via Carmarthen office

Provenance: private collection consigned via our Carmarthen office

Condition Report: good condition overall, small repair and holes only £300-500

Condition Report: brown striped blanket has repaired area, tears to edges, good overall considering age, blue striped blanket repaired areas and sewn together centrally £200-300

10 A TWO SECTION JOINED HEAVY WEIGHT ANTIQUE WELSH BLANKET having narrow dark blue flecked stripes circa 1900, 174 x 174cms Provenance: private collection consigned via Carmarthen office Condition Report: threadbare and repaired in places £200-300 11 A TWO SECTION JOINED HEAVY WEIGHT ANTIQUE WELSH BLANKET having narrow blue stripes with off-white edges, circa 1900, 177 x 265cms Provenance: private collection consigned via Carmarthen office

13 MID 20TH CENTURY CAERNARFON BLANKET depicting Aberystwyth College under the words ‘Cymru Fydd’ (Wales to be), above an image of Caernarfon Castle under the words ‘Cymru Fu’ (Wales that was), all within borders of leeks, daffodils and dragons, 224 x 204cms, probably made at Trefriw wollen mill in Conwy Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: some stains to reverse side of blanket, no obvious major holes or losses £200-300

Condition Report: good condition £300-500

13 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

14 A 1908 EISTEDDFOD BARDIC CHAIR AWARDED TO REVEREND WILLIAM ALFA RICHARDS (1875-1931) in carved oak, the back-stretcher inscribed MEIRION CALAN 1908 (Dolgellau), the top rail inscribed EISTEDDFOD GADEIRIOL, the back of the chair inscribed OWEN TUDOR carver DOLGELLAU Provenance: from the grandson of Reverend William Alfa Richards Auctioneer’s Note: Reverend Richards won in excess of 100 x Eisteddfod chairs and in 1905 was awarded a chair at the London Welsh Eisteddfod held at the Royal Albert Hall Condition Report: good, colour and patina commensurate with age £200-250 14

15 A 1918 EISTEDDFOD BARDIC CHAIR AWARDED TO REVEREND WILLIAM ALFA RICHARDS (1875-1931) in carved oak, the arched top rail inscribed Y DDRAIG GOCH DDYRY CYCHWYN 1918, bottom rail inscribed EISTEDDFOD GADEIRIOL SILOH ABERDARE RHODD ARGLWYDD RHONDDA Provenance: from the grandson of Reverend William Alfa Richards Auctioneer’s Note: Reverend Richards won in excess of 100 x Eisteddfod chairs and in 1905 was awarded a chair at the London Welsh Eisteddfod held at the Royal Albert Hall

Condition Report: arched top section split and chipped, colour and patina commensurate with age £150-200

16 A SMALL CHARACTERFUL OAK NORTH WALES CUPBOARD-BASE WELSH DRESSER early to mid-18th Century, having a base of two panelled cupboards and three upper drawers on stile feet, the boarded rack with two shelves over flanking cupboards, centre cavity with unusual carved fretwork and four spice drawers with brass swan-neck handles, possibly Llyn Peninsula, Caernarfonshire, 199h x 135w x 51cms Provenance: private collection Caernarfonshire, historic ownership by vendor’s family traced to farmhouse in Clynnog Fawr, Caernarfonshire Condition Report: some old repairs and losses, old worm holes to back, possibly later sections, commensurate with age, inspection recommended £600-1000

The Welsh Sale • Rogers Jones & Co 17 EARLY EIGHTEENTH CENTURY SNOWDONIA CWPWRDD TRIDARN early to mid-18th Century, the two cupboard base with arched fielded panels and three drawers on stile feet, the middle section with flanking panelled cupboards and globular pendants with unusual three panel frontage, all below an open canopy top containing later shelves and with smaller decorative pendants, 212h x 136w x 51cms Provenance: private collection Caernarfonshire, historic ownership by vendor’s family traced to farmhouse in Clynnog Fawr, Caernarfonshire Condition Report: later elements including one drawer’s lining and interior boards in left base-cupboard, some losses and repairs, paint marks, commensurate with age, inspection recommended £1000-1500

18 A CAERNARFONSHIRE OAK & PINE CWPWRDD BARA CAWS / FOOD CUPBOARD, early to mid-18th Century, having a two cupboard base on stile feet with two centre drawers and a two door upper cupboard with spindled ventilation panels, one unusual scrumbled side, 189h x 96w x 52cms

19 A RARE 19TH CENTURY MONMOUTHSHIRE LIPWORK BEEHIVE ARMCHAIR of wicker composition, wooden structure with canopy, the interior with padded upholstery in buttoned green fabric, 153cms high x 83cms Provenance: from the descendants of ‘Pysgodlyn’ or Fishpool Farm in Dingestow, Monmouthshire, to accompany a copy of a newspaper article, circa 1963, written by Fred J Hando about his visit at Fishpool Farm, with the farm’s then owner Mr Robert Ballinger, the father of our vendor, quoted as saying ‘it is a Welsh wicker beehive chair two centuries old from the croft on the main road. We have another of the same type from Kilgwrrwg. We have one of the same type in the Newport Museum. For comfort, for shelter from draughts, these chairs are to be commended’. Also, a copy of a receipt to Miss Ballinger for repair of chair in 1989 Auctioneer’s Note: such chairs are found regionally in Wales, Yorkshire and Scotland. The chairs are shaped in the manner of a porter’s chairs which were used widely in great houses. In Wales, the chairs were latterly known as ‘cadair telynor’ (harpist’s chair). According to Christopher Gilbert in Selected Writings on Vernacular Furniture, 1966-98, ‘In Monmouthshire easy chairs with hoods, like porter’s chairs in gentleman’s halls, are constructed of straw matting on a frame or wooden rods or stout iron wire’. In Richard Bebb’s Welsh Furniture 1250-1950 (Saer Books 2007), ‘the insides of chairs were covered in padding and fabric, and this treatment became more common in the 19th Century as upholstery in general became more widespread’ (page 290 / 291 with images of various examples) Condition Report: later elements, old wood-worm, inspection recommended £1000-1500 20 AERONWY THOMAS 1994 letter on ‘Book of Hours’ illustrated notepaper thanking Rev. Davies for the funeral service of Caitlin Thomas (wife of Dylan Thomas), signed Aeron Thomas

Provenance: private collection Caernarfonshire, historic ownership by vendor’s family traced to farmhouse in Clynnog Fawr, Caernarfonshire

Provenance: private collection consigned via our Carmarthen office, bequeathed to current owner by Rev Davies

Condition Report: side cornices missing, later hinges, inspection recommended £300-500 18

Presentation & Condition: in neat condition with fold, no problems £100-150

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 21 GREGYNOG PRESS VOLUME OF POEMS BY HENRY VAUGHAN No.331, dated 1924, printed by Robert Ashwin Maynard with designs by Maynard and Walter Bray Provenance: private collection Ynys Mon Condition Report: complete, some slight marks to front, foxing on edges but interior excellent £70-100 22 GREGYNOG PRESS VOLUME OF CANEUON CEIRIOG DETHOLIAD No.56, dated 1925, printed by Robert Ashwin Maynard with designs by Maynard and Walter Bray, with original postal envelope bearing Gregynog label and dated 1930 Provenance: private collection Ynys Mon Condition Report: complete, severe wear to binding, foxing to edges £70-100 23 GREGYNOG PRESS VOLUME OF PSALMAU DAFYDD YN OL WILLIAM MORGAN 1588, No.62 dated 1929, printed by Robert Ashwin Maynard, typesetting by John Hugh Jones and Idris Vaughan Jones, woodcuts by Horace Walter Bray Provenance: private collection Ynys Mon Condition Report: complete, some foxing mainly to initial pages and edges, surface marks to binding £70-120

25 HENRY ROWLANDS’ MONA ANTIQUA RESTAURATA ‘An Archaeological Discourse on the Antiquities Natural and Historical of the Isle of Anglesey, the Ancient Seat of the Druids’, printed in Dublin by Aaron Rhames, 1723, panelled calf binding Provenance: private collection Ynys Mon Condition Report: all plates appear to be present, holes to leaves which are larger near end leaves £70-100

26 SIR KYFFIN WILLIAMS RA five hardback publications - ‘Across the Straits’ 1973, with signed dedication to Beryl and sketch to fly-sheet, ‘A Wider Sky’ with signed dedication, ‘Kyffin Williams’ with signature, together with ‘Boyo Ballads’ and ‘Kyffin Williams Drawings’ Provenance: from the family of the Late Mrs Beryl Stockbridge, a former employee at Tegfryn Gallery with whom the artist had close ties

24 GREGYNOG PRESS VOLUME OF CANIADAU GAN W J GRUFFYDD, dated 1932, No. 134, illustrations and letters by Blair Hughes-Stanton, typeset by John Hugh Jones, printed on Barcham Green paper

Presentation & Condition: no significant problems £200-300 27-29 No lots

Provenance: private collection Ynys Mon Condition Report: complete, some fading marks to binding £100-150 26

The Welsh Sale • Rogers Jones & Co

30 30 A PAIR OF SWANSEA CREAMWARE PLATES DECORATED BY THOMAS PARDOE with gilded silver-shaped rim, the border painted in sepia, iron red and gold with a trail of fruiting vine to meet a tied ribbon, the interior painted by Thomas Pardoe in sepia with a view of ‘Tintern Abbey’ and ‘View Near Llanthony Abbey’, the bases titled as such in Pardoe’s script, 1803-1806, 20cms diam Provenance: from the collection of Gwyneth and the late Ieuan Evans, views after William Gilpin’s ‘Observations on the River Wye’ published 1782 Condition Report: no apparent problems, slight wear, excellent examples of rare Pardoe creamware £1000-1500

31 SWANSEA PEARLWARE COMPORT STAND FROM THE ‘NELSON SERVICE’ BY THOMAS PARDOE circa 1802, marquise shaped, border decorated in deep blue reserve with gilded florettes and with repeated gilt decoration, the interior with centred iron red and gilt Garter Star, impressed SWANSEA to base, 28cms Provenance: from the collection of Gwyneth and the late Ieuan Evans Auctioneer’s Note: Nelson was awarded the freedom of Swansea after a visit in 1802 when he visited the Cambrian Pottery factory and where he is believed to have met Thomas Pardoe. Nelson later wrote to Haynes, Dillwyn and Co. ‘Gentlemen, I should be very happy to receive your pottery…’. (Morton Nance ‘The Pottery & Porcelain of Swansea and Nantgarw’). This item is from the service known as ‘The Nelson Service’ but confusingly it bears the Garter Star when Nelson was not a Knight of the Garter. This motif is associated with the work of Thomas Pardoe. Condition Report: restored £100-200 32 AN UNUSAL PAINTED SWANSEA WICKER BORDER PLATE circa 1820-1830 in typical lime green and purple border, the interior unusually painted with a full scene of shepherd and dog in a landscape with cottage, attributed to Swansea Cambrian, 20cms diam Provenance: from the collection of Gwyneth and the late Ieuan Evans

Condition Report: believed professionally restored to a high standard £500-1000

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 33 SIX SWANSEA PEARLWARE BOTANICAL PLATES BY THOMAS PARDOE circa 1802-1810, each botanical study after Curtis’ Botanical Magazine, each within chocolate rim and each with Latin titles to the base in Pardoe’s distinct red script, 21cms diam Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: varying degree of damage to each of chips, cracks, crazing and repairs, considerable damage overall £300-400 34 A SWANSEA POTTERY 1802-1810 PEARLWARE CHARGER DISH of lobed form, the interior painted with a naive view of two fishermen and Dolbadarn Castle, north Wales after compositions by Richard Wilson, the border with repeated fern garlands, 33cms diam

Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: localised browning, possibly burn, small flake, excellent overall £300-500 35 A SWANSEA POTTERY 1802-1810 PEARLWARE CHARGER DISH of lobed form, the interior painted in deep blue, green and ochre enamels with a naive view of a building and landscape, the border with a trails of flowers alternating with leaves 33cms diam

Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: surface marks only, excellent overall £300-500 36 A SWANSEA EARTHENWARE CANARY YELLOW POLITICAL JUG enamel decorated with motto, crest and coat-of-arms and inscribed ‘John Owen Esq MP for Pembroke’ the reverse with ‘Health And Success to the Independent Representative of the People and the friend to Civil and Religious Liberty; Owen for ever’, 13cms high Provenance: from the collection of Gwyneth and the late Ieuan Evans, see Morton Nance Plate LI

Condition Report: decoration loss, fading of enamels, wear £200-300 29

The Welsh Sale • Rogers Jones & Co 37 A BLUE & WHITE POTTERY PUNCH POT & COVER POSSIBLY UNRECORDED SWANSEA CAMBRIAN circa 1800, of bellied form with straight tapering spout, curvaceous neck, ear-shaped loop handle, Chinoiserie transfer decorated with two fishermen and exotic buildings, the rim of the neck detailed in brown, typical of Swansea in in particular Thomas Pardoe, concentric circles to base, 22cms high, 34cms from spout to handle Provenance: from the collection of Gwyneth and the late Ieuan Evans Auctioneer’s Note: possibly unrecorded, attributed to Swansea / Pardoe with the characteristic ‘chocolate rim’

Condition Report: large chip to back of neck, repaired chip and flake to spout, firing cracks including star to base £200-400

38 38 AN EXCEPTIONALLY RARE SWANSEA PEARLWARE JUG OF CORNISH INTEREST circa 1813, underglaze blue decoration, the body with the fifteen besants of the Duchy of Cornwall and a primitive representation of a tin-mine, a fish, copper ingots and a shield with the Cornish toast ‘Fish, Tin & Copper’ together with a scroll inscribed ‘One & All’ being the Cornish motto, the neck with floral border and ‘Succes to the Trade of the County of Cornwall’, 12.5cms high, together with another similar jug which is blackened purportedly due to being burnt in a house fire caused by the Plymouth blitz in the Second World War Provenance: from the collection of Gwyneth and the late Ieuan Evans, illustrated in Morton Nance ‘The Pottery & Porcelain of Swansea & Nantgarw’ and described as rare, page 106 Plate XLIX Condition Report: no apparent problems such as repairs or damage, other jug completely black £1000-1500 39 GLAMORGAN POTTERY PART TEA SERVICE IN THE BRIDGE & TOWER TRANSFER printed in brown, comprising oval moulded teapot, similar jug, tea-cup and saucer and footed bowl, marked Opaque China BB&I Provenance: private collection, consigned via our west Wales office Condition Report: repaired knop and chip to rim of teapot, no other notable damage, localised crazing and browning but not extensive £100-120 39

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 40 A RARE SWANSEA PEARLWARE CASSOLETTE elevated by three tall tapering legs with moulding and lion-head terminals, over a triangular base, finely painted below the rim with a band of black monochrome flowers by Thomas Pardoe, the remainder in slate-blue, circa 1806-1807, 24.9cm high Provenance: private collection London, illustrated by Jonathan Gray ‘The Cambrian Company’ (Fig 6.84) and similar model in Morton Nance ‘The Pottery & Porcelain of Swansea & Nantgarw’ (XVII) Auctioneer’s Note: The blue ground to the base was intended to be lustre decorated, the cover would have been reversible to double as a cover and candle-holder. Likely to have been been sold in The Cambrian Warehouse or at the dispersal sales conducted by Christie’s in 1808 Condition Report: hairlines to rim but overall excellent considering age £200-400 41-43 No lots

44 EWENNY SLIPWARE POTTERY TREE OF LIFE VASE of baluster form with flared bottle neck, the body moulded with a four branch tree terminating in five roundels of plants and vegetation, the trunk and branches in brown glaze, inscribed Ewenny Pottery to base, circa 1930s, 38cms high Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: base has chips and substance applied, no problems otherwise, excellent order £200-300

45 EWENNY CLAYPITS POTTERY SLIPWARE JARDINIÈRE BY EVAN JONES of bellied form, with crimped rim and four scroll handles, yellow glaze over red earthenware body and with sgraffito decoration of leaves, berries and flowers, the body inscribed ‘Gobeithio yn yr Arglwydd A’th holl galon’ (Hope in the Lord And all your heart), the base signed Jones Bridgend, circa 1900, 23cms high, 34cms diam Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: restored handle £500-800

The Welsh Sale • Rogers Jones & Co 46 A RARE EWENNY POTTERY SLIPWARE WASSAIL BOWL & COVER, DATED 1832-33 glazed in yellow over red with sgraffito decoration, the base with eighteen plain strap handles decorated with circles and zig-zags, repeated interlocking circles below the rim and the inscription ‘WIM Clay Pits - 1833’ below the handles, the domed cover topped with a figure kneeling before a round table of objects and surrounded by chickens and two foxes, one fox with a mouse in its mouth, inscribed ‘William James Tonyrevil Jany 12th 1832’, 39cm high

46 Provenance: from the collection of Gwyneth and the late Ieuan Evans, with Bonhams Auctioneer’s Note: Wassail bowls were used in an ancient custom in south Wales around New Year, when groups of revellers would travel from house to house wishing happiness, health and well-being to their neighbours. In Glamorgan the wassail tradition was closely associated with The Mari Lwyd ritual, where a horse’s skull was fixed to a ribbondecorated pole and promenaded around the well-wishers. The bowls were usually filled with spiced ale. The communal nature of the wassail custom is highlighted by the multiple handles which may have been decorated with ribbons for the event. The bowls were normally made for the village as a whole and the inscriptions, William James in this case, referred to the donor of the bowl rather than a custodian or owner. In the South Wales News of April 30th 1892 a report refers to William Williams, a potter at Claypits who made wassail bowls in the 1820s for parishes at a cost of one guinea each Condition Report: restoration including to head of figure, damage to extremities commensurate with age and nature of bowl and its usage, firing cracks, this is a superb example of an original iconic Welsh ceramic folk-object £3000-5000

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

47 A SMALL 19TH CENTURY EWENNY SLIPWARE POTTERY JARDINIÈRE BY EVAN JONES with crimped neck and twisting twin-handles, yellow glaze over red earthenware body, inscribed ‘Hardd Flodau’ to one side and ‘i mi’ to the other (Beautiful flowers.....to me), impressed mark JONES BRIDGEND and Ewenny incised in script, circa 1895, 16cms high

51 A 19TH CENTURY SLIPWARE POTTERY TWIN HANDLED VASE with elongated neck and two loop handles, clear glaze with white slip, decorated with impressed fern fronds and birch leaves, inscribed in Welsh and English ‘Fydd Gobaith Cariad - Faith Hope Charity’ no marks but likely Ewenny, 41cm high

Provenance: from the collection of Gwyneth and the late Ieuan Evans

Provenance: from the collection of Gwyneth and the late Ieuan Evans, illustrated in Ewenny Potteries, Pottery & Pots by Gwyneth and Ieuan Evans (Old Bakehouse Publications, 2001) Fig 133

Condition Report: no problems other than scrapes £100-150 48 EWENNY SLIPWARE POTTERY BOTTLE VASE BY EVAN JONES having a serrated knopped neck, green glaze with sgraffito decoration of branches of leaves to the body and hops to the neck, inscribed Jones to base, circa 1900, 35cms high

Condition Report: handles restored, flakes and knocks to body £300-400

Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: no problems £200-300 49 EWENNY SLIPWARE POTTERY TWIN HANDLED MEAD CUP square based, mottled lime green glaze, with inscription ‘Cwppan Medd yr Hen Gymry’ (sic), translating as Old Welsh Mead Cup, based signed by Evan Jones, Ewenny, 8.75cms high

Provenance: private collection west Wales Condition Report: no problems £70-100 50 LARGE EWENNY POTTERY MODEL OF A SEATED CAT in green glaze, incised decoration, geometric design collar, indistinctly titled ‘Fy Noarth Bert’ (sic), signed ‘E. Jenkins’ and dated 1900, 38.8cms high Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: significant chip to right ear, multiple smaller chips to left ear, areas of glaze loss to right hand side of body, back of head, neck and paws £400-600 51

The Welsh Sale • Rogers Jones & Co 52 A RARE 19TH CENTURY SLIPWARE POTTERY MODEL OF AN OLD WELSH LADY IN COSTUME attributed to Pill Pottery, the lady seated on a plinth with hands raised before her with palms facing possibly praying, wearing a bonnet, long skirt and apron, 21.5cms high Provenance: from the collection of Gwyneth and the late Ieuan Evans Auctioneer’s Note: Pill slipware pottery was produced in the Pillgwenlly district of Newport, Monmouthshire in the 19th century and reclining lions seem to have formed the greater part of the figure and model production, however the factory was better known for utilitarian production including bricks and tiles Condition Report: damage to back of head and extremities of fingers £150-250 53 A RARE LLANELLY POTTERY BREAD PLATE WITH DEDICATION having a brown twig border extending with leaves and purple and yellow flowers into the body of mottled green sponged decoration, centre reserved panel inscribed ‘A Present For Marth Leams 1885’, 37cms long Provenance: private collection consigned via our west Wales office Condition Report: excellent example without damage, decoration fresh £300-400

54 54 A LLANELLY POTTERY PLATE BY SHUFFLEBOTHAM of circular form with a figure of Mari Jones of Bala in Welsh costume within green and red circular bands, ‘Wales’ inscribed to border, signed with initials ‘SWS’, stencilled Llanelly to base, 25cms diam Provenance: private collection, consigned via our west Wales office Auctioneer’s Note: rare to see a signed Samuel Shufflebotham example

Condition Report: good example, localised crazing and browning commensurate with age £500-1000

55 A LLANELLY POTTERY DUTCH BOYS PLATTER the children in a landscape with two windmills beyond, within green and red banding, 40cms Provenance: private collection, consigned via our west Wales office Condition Report: no problems other than crazing, firing crack to base £400-600

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Rogers Jones & Co • The Welsh Sale

56 56 A PAIR OF LLANELLY POTTERY PURPLE TRANSFER COMMEMORATIVE JUGS with printed pictorial representations for the mourning of Prince Albert showing a weeping Britannia and a solemn lion at Her feet and with a portrait of The Prince Consort, the loop handles with thumb-spurs and with wide elevated spouts, marked ALBERT to base of larger, 21cms and 18.5cms high Provenance: private collection, consigned via our west Wales office Condition Report: scrapes to spout of both, larger has scrapes to foot and one small chip to foot with hairline at foot £70-100 57 No lot 58 TWO STAFFORDSHIRE PORCELAIN PLATES DECORATED WITH SWANSEA VIEWS comprising Copeland with unusual moulded border in green and gilt, titled to base ‘Swansea Bay’, 22cms diam, and a Garrett & Copeland twin-handled breadplate, titled to base ‘Swansea Bay’ and ‘Loch Ard’, 25cms diam Provenance: private collection London Condition Report: no problems £100-150

58 59 A PORCELAIN PLATE DECORATED & INITIALLED BY WILLIAM WESTON YOUNG of circular form, having five oval landscapes to the border, the interior with a river landscape and two figures, initialled ‘W Y’, scrolling gilt decoration and gilt rims, possibly Swansea, unmarked, 21cms diam Provenance: private collection mid-Wales Auctioneer’s Note: exceptionally rare to see porcelain signed by William Weston Young Condition Report: no problems other than slight wear to gilding £300-400

60 A WELSH LANDSCAPE ENGLISH PORCELAIN VEILLEUSE (tea-pot and warming stand) comprising miniature teapot over a tapered castle turret heating-stand and with circular base, gilded and decorated with views including Oystermouth Castle and Mumbles Head and Glenmire Bridge, Cork (titles to base of teapot) possibly painted by Philip Ballard at the London workshop of J Bradley & Co, circa 1820, 22cms high (assembled) Provenance: private collection London, 1953 dated letter to accompany from J Kyrle Fletcher Ltd antique dealers advising his client W Butt Esq of Bristol to purchase the veilleuse at £42 (letter with us) Auctioneer’s Note: similarities to Ballard’s decoration on the Swansea porcelain ‘Biddulph Service’ which is on display at the Glynn Vivian Gallery, Swansea Condition Report: hairlines to circular base, faint small hairlines to bottom of stand £200-300

The Welsh Sale • Rogers Jones & Co

61 A FINE SWANSEA LONDON DECORATED PORCELAIN PLATE of small size and having a moulded border with c-scrolls, painted in London by J Bradley and Co with ‘Grey-Headed Green Woodpecker’ and titled as such in red itallics to the base, the bird perched on a tree-stump with a rustic fence beyond, the border painted with fruit and flower sprigs within a gilt dentil rim, 20cms diam, Provenance: from the collection of Gwyneth and the late Ieuan Evans Auctioneer’s Note: decorated after 1821 at the Bradley workshop Pall Mall. Examples from the service are in the National Museum of Wales, Cardiff and at the Andrews Collection at Plas Glyn y Weddw, Llanbedrog. The bird paintings for this service were after George Edwards’s ‘Natural History of Uncommon Birds’ Condition Report: no problems, very fine example £1000-1400

62 62 A SMALL SWANSEA PORCELAIN PLATE FOR THE ‘LYSAGHT’ SERVICE the interior decorated with a large basket of garden flowers on a pedestal by Henry Morris within a cobalt blue and gilded pattern border, stencilled SWANSEA to base, 20.5cms diam Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: very slight wear to gilding and decoration, excellent example £500-700

63 63 TWO SWANSEA PORCELAIN DISHES DECORATED IN LANDSCAPES BY GEORGE BEDDOWS comprising fluted oval dish, 29cms and circular dish, 20cms diam, both with gilded borders and interior landscapes, ‘Nr Southampton’ and ‘St Albans Abbey, Herts’, corresponding script titles in red to bases, SWANSEA impressed mark to circular and Swansea trident mark to oval Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: no apparent problems other than surface marks, wear to gilding £300-500

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 64 A SWANSEA PORCELAIN OVAL DISH WITH CREST ‘Duw ar fy Rhan’, of lobed form with typical moulding of c-scrolls, ribbons and flowers, crest to centre in iron red and gold with motto as ‘Duw ar fy Rhan’ (God on my behalf), within a solid gold rim, 26cms Provenance: from the collection of Gwyneth and the late Ieuan Evans Auctioneer’s Note: the motto of sheep or goat with flag is that of the Bruce-Pryce family of Monknash, Glamorgan and later Dyffryn

Condition Report: no apparent problems £200-300 65 A SWANSEA PORCELAIN DESSERT PLATE WITH LANDSCAPE SCENE London decorated, having a salmon-pink and gilded border, the interior with an exaggerated landscape in the Grand Tour style with snow covered mountains and river smack, titled to base in iron red script ‘Severn & Clay Hill’, unmarked, 20cms diam Provenance: from the collection of Gwyneth and the late Ieuan Evans, similar with Sotheby’s Leslie Joseph auction 1992 (Lot 179), see W D John for another example from this service (Pl. 62c) Condition Report: no problems other than wear to gilding £200-300 66 A SWANSEA GLASSY PORCELAIN CUP & SAUCER BY WILLIAM BILLINGSLEY the saucer painted with a scene of figure relaxing in landscape, the cup with similar figure walking in trees with basket, saucer 14cms diam

Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: chips to saucer, wear to both £100-150 67 A SWANSEA PORCELAIN BREAKFAST CUP & SAUCER the cup of London shape with ogee handle, the cup painted with a landscape panel of bridge, two houses and mountains beyond, the saucer with a medieval great house, inscribed to the base Aldham Hall Essex, probably by George Beddows Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: impact crack to cup but stable, wear to gilding £100-150

The Welsh Sale • Rogers Jones & Co

68 A PAIR OF SWANSEA PORCELAIN EGG CUP PLATES & MATCHING EGG CUP & ANOTHER non-matching egg-cup, the plates with wavy rim and embossed basket weave and elongated spiral moulded cartouches, the egg-cup of plain form, all three items decorated with gilt flower posies within solid gilt rims, iron red Swansea script marks to base of saucers Provenance: from the collection of Gwyneth and the late Ieuan Evans, collection labels for Harry Sherman and Sidney Heath Condition Report: matching egg-cup has chips to rim, faint hairline to one plate, no other apparent damage £150-250 69 A SWANSEA PORCELAIN GILDED TUREEN, COVER & STAND, the tureen of circular pedestal form with rectangular upturned handles and pinecone finial each picked out in gold and with floral, scroll and wreath moulding, the stand with similar moulding, gilt rim and of alternating lobed form, red SWANSEA stencilled mark to base of tureen, 19cms diam, tureen 13.5cms high Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: handles repaired, localised crazing and browning £200-300 70 A SWANSEA PORCELAIN CUP & SAUCER of London shape, painted by George Beddow, the saucer with a landscape and the cup painted with a fisherman and bridge, saucer titled to base ‘Thorp Cloud Derby’ (similar scene in Lot 74) with Swansea script mark, 15cms diam

71 A SWANSEA PORCELAIN PLATE DECORATED BY WILLIAM WESTON YOUNG with centred Glynneath waterfall within a solid gilt rim, inscribed to the base ‘Ysgwd Eineon Gamm’ (Eineon’s crooked shoulder), 23cms diam

72 A SWANSEA PORCELAIN LANDSCAPE DECORATED TEA BOWL of footed form with flared body, London decorated with two oval landscapes of an Abbey ruins and a loch with buildings, all over foliate and feather gilding, 16cms

Provenance: private collection London, recent label referring to Christie’s ‘Marandaz’ auction in 1958 which more likely refers to Captain D.M.K. Marendaz (1898-1989) who was originally from Swansea and became a famous specialist sports car manufacturer, auction of his Nantgarw and Swansea collection in 1958

Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: no problems, fresh decoration, excellent example £200-300

Condition Report: no problems £200-300

Provenance: from the collection of Gwyneth and the late Ieuan Evans, Sir Leslie Joseph collection label, illustrated in Sotheby’s 1992 catalogue (Lot 247) Condition Report: restored handle, hairline cracks £200-300

72 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

73 A SWANSEA GLASSY PORCELAIN PLATE DECORATED BY HENRY MORRIS of non-moulded circular form, floral painted with a large spray and smaller posies within a gilt scroll border, 22cms diam Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: small repaired chip to rim £100-150

74 A SWANSEA PORCELAIN SPILL VASE & CABINET CUP STAND the spill vase with flared rim and with ridged and footed base, the body decorated with bands of geometric and foliate gilding, inscribed Swansea to base, 7.5cms high, the stand with landscape scene by George Beddow, titled to base ‘Thorp Cloud Derby’ (similar scene by Beddows in Lot 70) inscribed Swansea in iron red script, 15cms diam Provenance: from the collection of Gwyneth and the late Ieuan Evans Condition Report: vase extensively restored, saucer repaired £100-150

75 A SWANSEA PORCELAIN DISH FROM THE BURDETT-COUTTS SERVICE painted by James Turner at the Sims workshop, London, centred with a wicker basket of flowers and scattered flowers in the grassy foreground, within a border gilded with scrolls and stipple-effect, two brightly enamelled insects in flight inside the gilded dentil rim, 23cms diam Provenance: from the collection of Gwyneth and the late Ieuan Evans, label to base for Christies auction of Burdett-Coutts Collection, May 9 1922 Auctioneer’s Note: the Christies auction label relates to the sale of effects from the late Baroness Burdett-Coutts, Lady of Grace of the Order of St. John of Jerusalem, of 1 Stratton Street and Holly Lodge, Highgate, sold by auction at Christie, Manson & Woods at King Street, St. James’s Square, London, on Tuesday, May 9, 1922 Condition Report: wear to gilding, centre decoration fresh, super example with excellent provenance £300-500

76 A SWANSEA PORCELAIN CABINET CUP footed with flared rim and gryphon handle picked out in gold, finely decorated with a reserve of heaped garden flowers on a mantel, probably by William Billingsley, inscribed Swansea to base in gilt, 10cms high Provenance: private collection London, see Jones & Joseph ‘Swansea Porcelain’, page 224 Condition Report: restored at rim £200-400 77 No lot 76

The Welsh Sale • Rogers Jones & Co

78 78 RARE NANTGARW PORCELAIN TOPOGRAPHICAL PART DESSERTSERVICE in three parts, comprising two circular plates and oval dish, each of lobed form and having moulded borders picked out in gold with c-scrolls, tied ribbons and flowers, the interiors with castles in landscapes, the dish with two fishermen on a bank, probably London decorated, plates 22cms diam, dish 30cms, impressed NANT GARW CW to each base 79

Provenance:from the collection of Gwyneth and the late Ieuan Evans, likely to be originally from the Lord Lonsdale Collection, Lowther Castle, Cumberland Auctioneer’s Note: Nantgarw porcelain with landscape decoration is rarely seen Condition Report: dish has a restored break, no problems with plates, each with slight wear commensurate with age £800-1400

80 NANTGARW PORCELAIN OVAL DISH of lobed form, typically moulded with trailing flowers, the border painted with flowers and strawberries, under gilt fern fronds and between gilt ribbons, within a solid gilt border, manner of William Pollard, impressed NANT GARW CW to base, 30cms Provenance: private collection London, old collector’s labels to underside for O’Byrne Condition Report: no problems other than wear to gilded border, excellent example £180-250 81 NANTGARW PORCELAIN CRESTED OVERSIZE BREAKFAST CUP & SAUCER together with a coffee-can from the same set, circa 1818-20, each decorated with an emblem of speared otter in gold and red, being the Homfray Family crest of Penllyne Castle, Vale of Glamorgan, cup 11cms diam

79 NANTGARW PORCELAIN UNGLAZED & NON DECORATED OVAL DISH typically moulded with c-scrolls, ribbons and flowers, impressed NANT GARW CW to base, 26cms

Provenance: from the collection of Gwyneth and the late Ieuan Evans

82 No lot

Condition Report: each item has been restored professionally £200-400

Condition Report: no problems £200-400

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Lots

83-175 THE WELSH SALE / YR ARWERTHIANT CYMREIG (9.30am)

Welsh Prints & Multiples Printiau & Lluosog

SUPER SATURDAY/ DYDD SADWRN MAWR

The Welsh Sale • Rogers Jones & Co

85 IOLA SPAFFORD limited edition (21/75) colour etching - pencil title to margin ‘Barley and Poppies’, signed, 37 x 27cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84

Presentation & Condition: discolouration of paper with age, framed and glazed £100-120

86 DAVID CARPANINI artist’s proof etching - portrait of Sir Kyffin Williams in flatcap and raincoat, entitled verso on Attic Gallery Swansea ‘Kyffin IX’ signed, 32 x 31cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84 Presentation & Condition: no problems, framed and glazed £100-120

87 JOHN PIPER limited edition (62/70) lithograph - entitled verso on Attic Gallery Swansea ‘Eastnor Castle’, signed in pencil, 47 x 67cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84 Presentation & Condition: slight discolouration of paper in margin with age, framed and glazed £700-1000

83 ANEURIN JONES monoprint - figures and horses at a horse fair, 19 x 37cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed, scuff to frame £80-120 84 IOLA SPAFFORD limited edition (37/100) colour etching - title in pencil to margin ‘Tide-Mill’, signed, 31 x 24cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent. John Wilstead was the Minister of Hill United Reformed Church, Swansea and a lecturer and author on porcelain, he was the ceramics adviser to the City and County of Swansea Museum Service Presentation & Condition: no problems, framed and glazed £100-120

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 88 IOLA SPAFFORD limited edition (9/75) coloured etching - title in pencil to margin ‘Suffolk Farm’, signed, 25 x 31cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84 Presentation & Condition: discolouration to paper with age, framed and glazed £100-120

89 SIR KYFFIN WILLIAMS RA limited edition (11/150) colour print - entitled verso ‘Nant Ffrancon’, signed fully in pencil, 42 x 52cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £250-350 91

90 SIR KYFFIN WILLIAMS RA limited edition (111/150) colour print - Porth Cwyfan at sunset, signed fully in pencil, 39 x 47cms Provenance: private collection consigned via our Cardiff office

92 SIR KYFFIN WILLIAMS RA rarely seen limited edition (19/350) lithograph Ynys Mon coastline with Penmon, signed with initials, 42 x 60cms Provenance: private collection Cornwall

Presentation & Condition: no problems, framed and glazed £300-400

Presentation & Condition: no problems, framed and glazed £500-700

91 SIR KYFFIN WILLIAMS RA limited edition (78/150) colour print - farmer in snow, signed fully in pencil, 65 x 53cms

93 SIR KYFFIN WILLIAMS RA artist’s proof colour print - Penrhyn Du farm, Aberffraw, signed fully in pencil, 59 x 75cms

Provenance: private collection consigned via our Cardiff office

Provenance: private collection London

Presentation & Condition: no problems, framed and glazed £300-400

Presentation & Condition: no problems, framed and glazed £1000-1500

The Welsh Sale • Rogers Jones & Co

94 SIR KYFFIN WILLIAMS RA Gwasg Gregynog linocut - entitled ‘Hunting the Fox’, 30 x 38cms Provenance: private collection mid-Wales Auctioneer’s Note: printed by Gerard O’Shea at Gwasg Gregynog (Press), Newtown from the original lino block which was gifted by the artist to the press. The impression is on hand-made watermarked Gwasg Gregynog paper. Similar composition in oils stands as one of Sir Kyffin’s most famous paintings, ‘Farmers on Glyder Fach’ and is held by the National Library of Wales Presentation & Condition: no problems, framed and glazed £400-600

96 95 SIR KYFFIN WILLIAMS RA limited edition (113/500) two colour linocut of circular format - ancient Celtic standing stones, Ynys Mon coast, signed fully in pencil, 30cms diam Provenance: private collection Ynys Mon (Anglesey) Presentation & Condition: no problems, square mount and frame, glazed £150-250 96 SIR KYFFIN WILLIAMS RA unsigned print - entitled ‘Snow in Nant Peris’, unsigned, 37.5 x 37cms Provenance: private collection, possibly National Library of Wales lithograph Presentation & Condition: no problems, framed and glazed £100-150 97 SIR KYFFIN WILLIAMS RA thirteen greeting cards or similar - various typical subject matter including horses, figures and landscape, six with message from artist and signed, various sizes Provenance: from the family of the Late Mrs Stockbridge, a former employee at Tegfryn Gallery with whom the artist had close ties Presentation & Condition: no significant problems, some creases / browning and pin-holes, two framed £200-400

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 98 PAUL PETER PIECH two coloured screen print - repeat dragon motifs in red and green, signed and dated 1995, 28.5 x 13cms Provenance: private collection mid-Wales

100 PAUL PETER PIECH two colour linocut poster ‘Human Rights and Justice for Aborigines’ with Aboriginal poem, signed and dated 1988, 75 x 50cms

Provenance: private collection Kent

Provenance: private collection overseas based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech’s work for Amnesty International

Presentation & Condition: slight creases but excellent overall, framed and glazed £150-250

Presentation & Condition: no problems, fresh example, unframed. £150-250

Presentation & Condition: very slight aging to paper, framed and glazed £80-120 99 PAUL PETER PIECH limited edition (57/100) monoprint in blue - the famous passage spoken by John of Gaunt from Shakespeare’s Richard II, Act II, Scene I, ‘This Royal throne of Kings, this scepter’d isle....’ signed and dated 1971, 49 x 18cms

101 101 PAUL PETER PIECH two colour linocut poster - Alexander Solzhenitsyn ‘It’s High Time to Remember That We Belong First’, signed in pencil and dated 1988, 60 x 43cms 100

Provenance: private collection overseas, see lot 100 Presentation & Condition: no problems, fresh example, unframed. £150-250

102 102 PAUL PETER PIECH two colour limited edition (967/150) lithograph poster - depicting Christ on the cross, ‘Treat other people exactly as you would like to be treated by them, this is the essence of all true religion’, signed in pencil and dated 1970, 46 x 64cms Provenance: private collection overseas, see lot 100 Presentation & Condition: no problems, fresh example, unframed. £100-200

The Welsh Sale • Rogers Jones & Co 103 PAUL PETER PIECH two colour linocut poster - ‘Abolish Torture’, signed and dated 1987, 76 x 50cms Provenance: private collection overseas, see lot 100 Presentation & Condition: unframed, there are pinholes and tape marks to bottom corners. £100-150

103

104 PAUL PETER PIECH two colour linocut poster - ‘Man in Calcutta’ (after Yannis Ritsos) a poem by John Gimblett, signed and dated 1988, 64 x 45cms

105 PAUL PETER PIECH two colour linocut poster - advert for Amnesty International, depicting their logo, signed and dated 1988, 76 x 50cms

Provenance: private collection overseas, see lot 100

Presentation & Condition: no problems, fresh example, unframed £150-250

104

105 106 PAUL PETER PIECH two colour linocut poster - relating to the USA colonisation of Latin America, signed and dated 1992, 76 x 51cms Provenance: private collection overseas, see lot 100 Presentation & Condition: no problems, fresh example, unframed £150-250

107 PAUL PETER PIECH four colour linocut poster - relating to the exploitation of the American Sioux, signed and dated 1987, 76 x 51cms Provenance: private collection overseas, see lot 100 Presentation & Condition: unframed, pinholes to all corners and tape marks £100-150

106

107 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 108 BERNARD GREEN limited edition (8/55) linocut print - entitled ‘Boats at Lower Fishguard’, signed, 37 x 47cms Provenance: private collection consigned via our west Wales office Presentation & Condition: paper showing signs of aging but good overall £100-150

109 BERNARD GREEN limited edition (30/45) linocut - entitled in pencil ‘St. David’s, Pembrokeshire’, signed and dated 1992, 37 x 47cms

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Provenance: private collection, consigned via our west Wales office Presentation & Condition: no problems, framed and glazed £150-250

110 BERNARD GREEN limited edition (47/50) linocut - entitled in pencil ‘Garden at Night’, signed and dated 1986, 48 x 36cms Provenance: private collection, consigned via our west Wales office Presentation & Condition: no problems, framed and glazed £150-250

111 BERNARD GREEN limited edition (5/75) linocut - entitled in pencil ‘St. David’s, Cathedral at Night’, signed and dated 1988, 47 x 36cms

112 BERNARD GREEN test print linocut entitled in pencil ‘St. David’s Cathedral, Winter Dawn, Pembrokeshire’, signed and dated 1986, 32 x 62cms

113 BERNARD GREEN artist’s proof linocut - entitled in pencil ‘Abereiddy, Late Summer’, signed and dated 1989, 37 x 73cms

Provenance: private collection, consigned via our west Wales office

Presentation & Condition: no problems, framed and glazed £150-250

Presentation & Condition: no problems, framed and glazed £200-300

112

113 47

The Welsh Sale • Rogers Jones & Co

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116 114 BERNARD GREEN limited edition (4/60) linocut - entitled in pencil ‘Laugharne Castle & Dylan Thomas’s Boathouse’, signed and dated 1990, 32 x 63cms Provenance: private collection, consigned via our west Wales office Presentation & Condition: discoloured, framed and glazed £100-150

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117

115 BERNARD GREEN limited edition (7/30) linocut - entitled in pencil ‘Porthgain Harbour, Pembs’, signed and dated 1997, 37 x 46cms Provenance: private collection, consigned via our west Wales office Presentation & Condition: no problems, framed and glazed £150-250

119

116 BERNARD GREEN limited edition (29/50) linocut entitled in pencil ‘Evening, Ffynon Faedog, White Sands, Pembs’, signed and dated 1993, 37 x 47cms

117 BERNARD GREEN limited edition (42/70) linocut entitled in pencil ‘Finding Light at Carn Llidi, Pembrokeshire II’, signed and dated 1987, 32 x 61cms

Provenance: private collection, consigned via our west Wales office

Presentation & Condition: no problems, framed and glazed £150-250

118 MURIEL DELAHAYE limited edition (93/275) colour print ‘Frozen Bathers’, signed in pencil, 45 x 37cms

119 MURIEL DELAHAYE limited edition (33/275) colour print ‘The Prawn Catcher’, signed in pencil, 37 x 45.5cms

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Presentation & Condition: no apparent problems, mounted, unframed £200-300

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 120 MURIEL DELAHAYE limited edition (62/275) colour print - ‘Bank Holiday Monday’, signed in pencil, 37 x 43.5cms Provenance: private collection Ceredigion, consigned via our Carmarthen office Presentation & Condition: no apparent problems, mounted, unframed £200-300 120

121

121 MURIEL DELAHAYE limited edition (7/195) colour print ‘The Visitors’, signed in pencil, 39.5 x 50cms

122 HARRY HOLLAND artist’s proof monochrome print on cream paper - semi-abstract, signed, 65 x 50cms

123 HARRY HOLLAND artist’s proof monochrome print on cream paper - semi-abstract, signed, 66 x 51cms

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no apparent problems, mounted unframed £200-300

Presentation & Condition: no problems, unframed £100-150

122

123 124 HARRY HOLLAND two artist’s proof mono prints - figures, signed, 38 x 28cms and 37.5 x 38cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, unframed £100-150

124 125 HARRY HOLLAND two artist’s proof mono prints - figures, signed, both 28 x 38cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, unframed £100-150

125

The Welsh Sale • Rogers Jones & Co

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127

126 WILLIAM SELWYN limited edition (34/300) print - rocky outcrop on remote Welsh island, in calm sea with dark clouds, entitled verso on Albany Gallery label ‘Enlli’, signed in pencil, 30 x 40cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

127 WILLIAM SELWYN limited edition (38/300) print - waves crashing onto rocky coastline, entitled verso on Albany Gallery label ‘Trwyn Clogwyn’, signed in pencil, 29 x 40cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

128 WILLIAM SELWYN three limited edition (74/500) colour prints - sheep-dog, signed fully in pencil, 42 x 56cms

129 WILLIAM SELWYN three limited edition (127/300) colour prints - farmer on tractor signed fully in pencil, 34 x 43cms

130 WILLIAM SELWYN three limited edition (125/300) colour prints - shepherd, signed fully in pencil, 34 x 43cms

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: later framed, small mark bottom left, no other problems £100-150

Presentation & Condition: framed, no problems, minor damage to frame £100-150

Presentation & Condition: framed, no problems £100-150

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131 JOHN KNAPP-FISHER limited edition (145/500) print - entitled ‘Moored Fishing Boats’, signed, 16 x 42cms Provenance: private collection, consigned via our west Wales office Presentation & Condition: no problems, framed and glazed £100-150

131

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 133 JOHN KNAPP-FISHER limited edition (457/500) print - entitled ‘Farmhouse in Landscape’, signed, 27 x 33cms Provenance: private collection, consigned via our west Wales office Presentation & Condition: no problems, framed and glazed £100-150

133 132 134 GORDON MILES limited edition (2/100) monocolour etching - titled in pencil ‘Welsh Cob’, signed, 20 x 29cms

132 JOHN KNAPP-FISHER limited edition (33/500) colour print titled ‘Girl in a Rape Field’, signed, 56 x 76cms

Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84

Provenance: private collection Kent Presentation & Condition: original frame and glazed, no problems £400-600

Presentation & Condition: no problems, framed and glazed £70-100 134

135 135 DAVID CARPANINI limited edition (5/50) etching - portrait of Sir Kyffin Williams in flat-cap and raincoat, signed, 32 x 31cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-120

136 136 CLIVE HICKS-JENKINS monoprint - entitled verso ‘Unmasked Mari Lwyd 2001’, signed and dated 2000, 14 x 12cms Provenance: private collection consigned via our Carmarthen office Auctioneer’s Note: the artist produced a number of works on the subject of Mari Lwyd from 1999 to 2001 culminating in the Newport Museum Exhibition ‘The Mare’s Tale’ in 2001 Presentation & Condition: no problems, framed and glazed £100-150

137 137 SIR FRANK BRANGWYN RA 1911 etching - entitled ‘The Beggar Musician’ signed in pencil, 24 x 18cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

The Welsh Sale • Rogers Jones & Co

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139

138 GRAHAM SUTHERLAND / HENRY MOORE two lithograph covers for issues of Poetry London magazine - 1943 cover with Sutherland image ‘Lyre Bird’ and Henry Moore later edition, similarly titled, 24 x 18cms

139 JOHN PIPER believed screen print on cotton - design for furnishing fabric for Arthur Sanderson & Sons Ltd, entitled ‘Stones of Bath’, 40 x 57cms

Provenance: private collection, consigned via our Cardiff office

Provenance: private collection West Country

Presentation & Condition: some creases especially on Sutherland, later framed and glazed £100-150

Presentation & Condition: no problems, later framed and glazed £300-400

140 HARRY RILEY colour poster - British Rail (Western Region) advertisement for Aberystwyth ‘Where Holiday Fun Begins’, featuring crowds on a fictitious sandy beach (Aberystwyth does not have sand), circa 1961, published by Fleming & Humphreys (Bayliss), 100 x 62cms Provenance: private collection London Presentation & Condition: folds, no notable damage, later framed £700-1000 141 HARRY RILEY colour poster - British Rail (Western Region) advertisement for Aberystwyth ‘Where Holiday Fun Begins’, featuring crowds on the promenade feeding seagulls and a fictitious sandy beach (Aberystwyth does not have sand), circa 1960, printed by Charles & Read Ltd, 100 x 62cms Provenance: private collection London Presentation & Condition: folds, creases, no notable damage, later framed £700-1000

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* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 142 EDGAR HOLLOWAY limited edition (24/50) etching - titled in pencil ‘Capel-y-Ffin’, signed, 20 x 27cms Provenance: private collection, Powys Presentation & Condition: neatly framed, glazed, no problems £100-150

143 SHIRLEY JONES limited edition (39/70) lithograph - Cwm Parc Colliery, Rhondda, entitled ‘Nocturne for Wales IV’, signed, 46 x 33cms Provenance: private collection mid-Wales Presentation & Condition: no problems, framed and glazed, limited edition details, title and signature under the mount but recorded verso £200-300 142 144 SIR FRANK BRANGWYN RA print on brown paper - a cooper rolling a barrel, 21 x 25cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84 Presentation & Condition: no problems, framed and glazed £100-150

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144

145 AUGUSTUS JOHN RA single volume of ‘Fifty-Two Drawings’ - introduction by Lord David Cecil, printed by George Rainbird, dated 1957 Provenance: private collection, consigned via our Cardiff office

145

Presentation & Condition: overall fairly good, pages in good order, marks and signs of use, library stamps £100-150

The Welsh Sale • Rogers Jones & Co

146

147

149 146 JOSEF HERMAN OBE RA limited edition (62/150) colour print - figure seated in village with church, signed, 44 x 53.5cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no apparent problems, framed and glazed £100-150

150 147 ANGUS McBEAN large black and white Silver Gelatin studio photograph - of Shirley Bassey, by the iconic Welsh photographer, hand signed and dated ‘59, also signed verso, 42 x 32cms Provenance: private collection, consigned via our Cardiff office Auctioneer’s Note: the photograph was used on the back cover of the 1959 LP ‘The Fabulous Shirley Bassey’ Presentation & Condition: no apparent problems, framed and glazed £100-200

148 SIR FRANK BRANGWYN RA drypoint etching - entitled ‘Fish Market Bruges’, signed in pencil, 42 x 32cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed £150-250 149 SIR FRANK BRANGWYN RA drypoint etching - busy street scene with street vendors, signed in pencil, 27 x 32cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed £150-250

148

151 150 DAVID CARPANINI limited edition (3/50) etching - wooded valley at dawn, entitled verso on Attic Gallery label ‘Dawn in the Vallombrosa’, signed in pencil, 32 x 20cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed £100-120 151 ELWYN THOMAS monochrome print - colliery pit head with trams and figures standing, signed and dated 1973, 52 x 37cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed £100-150

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 152 JOHN PIPER three prints - (1) titled St. Mary Le Port, Bristol 1940, 49 x 39cms (2) titled Walberswick Tower, 76 x 40cms (3) print laid to board of the Glyder mountains, Eryri, 55 x 73cms Provenance: private collection Kent Presentation & Condition: unframed, some discolouration tear to corner of (1) £100-150 153 DAVID PORTEUS BUTLER limited edition (63/75) Curwen Chilford print - standing portrait of Sir Kyffin Williams, entitled ‘Kyffin’, signed with initials, 38 x 29cms Provenance: private collection Kent Presentation & Condition: no problems, unframed £70-120 154 JAMES DONOVAN limited edition (8/10) linocut - rugby player scoring a try, entitled ‘Yn y Gornel’, signed with initials and dated 2017, 17 x 17cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

152

155 BEN PRITCHARD limited edition (3/50) etching with aquatint - title to margin ‘Another Cheat’, signed and dated 2005, 23 x 27cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £150-250 156 BEN PRITCHARD limited edition (6/24) etching with aquatint - title to margin ‘At Last a Kiss’, signed and dated 2005, 20.5 x 27cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

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156 55

The Welsh Sale • Rogers Jones & Co 157 WILF ROBERTS limited edition (5/20) colour print - Ynys Mon landscape and houses with title to margin ‘Tan-y-Terfyn’, signed, 38 x 29cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £150-250 158 WILLIAM BROWN limited edition (15/17) monoprint - titled ‘Un Chat Peut Regarder un Roi’ (A Cat can Watch a King), signed and dated 2006, 38 x 51cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

157

158

159 WILF ROBERTS limited edition (8/10) colour print - Ynys Mon farmstead, title to margin ‘Ty Newydd’, signed, 28 x 40cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150 160 WILF ROBERTS artist’s proof screenprint - Ynys Mon landscape, title to margin ‘Glan-y-Gors’, signed, 55 x 72cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £300-400

159

160

161 CERI RICHARDS limited edition (2/60) screenprint entitled ‘Promotheus II - from Beethoven Suite with Variations’, signed and dated 1970, 75 x 54cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £400-600

162 LIAM O’CONNOR limited edition (73/100) colour print - titled to margin ‘Amy’, signed in pencil, 43 x 62cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

161

162 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 163 STAN ROSENTHAL limited edition (95/250) print & accompanying sculpture - entitled ‘Storm over the Preseli Hills’, print signed, 49 x 69cms, sculpture, 32cms high Provenance: private collection, consigned via our west Wales office Presentation & Condition: no problems, print framed and glazed £100-150

163 164 ERIC GILL pair of wood engravings framed together - entitled ‘Circular Device’, circa 1916, 4 x 4cms Provenance: private collection consigned via our Carmarthen office, label verso outlining the inclusion of these engravings in ‘The Game A Monthly Magazine’ Auctioneer’s Note: 34 issues were produced between 1916 and 1923 of The Game by St. Dominic’s press, featuring works by David Jones and Eric Gill, including ‘The Song of Solomon and Such-Like Songs’, ‘Note on Divorce’, and ‘Custard’ under his nom-de-plume Philippa McDougall Presentation & Condition: marks to the corners of both, later framed and glazed £100-150

164

165

165 MICHAEL POWELL framed quartet of limited edition prints - South Wales valley scenes, signed and numbered, all four prints 10 x 20cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £50-80

166 JOHN ELWYN limited edition (184/300) lithograph - Laugharne Estuary from Dylan Thomas’ Boathouse, signed, 42 x 60cms (unframed) Provenance: private collection, mid-Wales Presentation & Condition: no problems, pristine copy £150-250

167 VALERIUS DE SAEDELEER limited edition (of 200) etching and aquatint épreuve d’artiste - entitled ‘Winter Landscape, Etikhove’, signed in the plate and in pencil by Armand Apol, 51 x 57cms Provenance: private collection mid-Wales

166

167

Presentation & Condition: slight foxing, framed and glazed £300-400

The Welsh Sale • Rogers Jones & Co

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169 168 ERIC MALTHOUSE limited edition (5/20) triptych lithograph entitled ‘The Wounded Soul’, ‘Flowers’ and ‘The Journey’, each image signed, 54 x 77cms Provenance: private collection Swansea

170

Presentation & Condition: water damage to paper, framed and glazed £100-150

169 JOSEF HERMAN OBE RA limited edition (52/150) colour lithograph - entitled verso on Goldmark Gallery label ‘Two Grey Figures’, signed, 46 x 32cms

170 JOSEF HERMAN OBE RA Curwen Press limited edition (95/100) colour lithograph - entitled ‘Four Fisherwomen’, blindstamp, signed, 56 x 77cms

Provenance: private collection Swansea

Presentation & Condition: no problems, framed and glazed £200-400

Presentation & Condition: slight marks to paper, framed and glazed £200-400

171 CERI RICHARDS boxed set of seven limited edition (15/100) Curwen Press coloured lithographs - to illustrate the text by the artist’s associate Roberto Sanesi, entitled ‘Viaggio Verso Il Nord’, each individually signed, fully in pencil, 44 x 32cms Provenance: private collection Swansea Presentation & Condition: light surface marks to some pages and front of box £400-700 171

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 172 JOSEF HERMAN OBE RA limited edition (9/100) colour print - cropfield with figure in cart pulled by mule, signed, 34 x 49cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed £200-300 172

174 CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) limited edition monochrome wood engraving on Japan paper - resting goshawk, limited edition, signed, 36 x 14cms Provenance: private collection south of England Auctioneer’s Note: believed first edition of 50, signed in 1945

173 173 JOSEF HERMAN OBE RA limited edition (104/150) colour print - three cockle-picker figures and boats, 53 x 66cms

Presentation & Condition: frame is loose but glazed £700-1000

Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed £300-500

174

175 JOHN PETTS monoprint - Welsh cottage, signed in pencil and dated 1959, 29 x 41cms Provenance: private collection Kent Presentation & Condition: no problems, unframed but mounted £200-300 176-179 No lots 175

SUPER SATURDAY/ DYDD SADWRN MAWR

Lots

180-310 THE WELSH SALE / YR ARWERTHIANT CYMREIG (9.30am)

Welsh Works on Paper Dyfrlliwiau & Gwaith ar Bapur

Rogers Jones & Co • The Welsh Sale

180

181

180 KAREL LEK mixed media - lady pushing child in a pram, entitled verso ‘Buggy’, signed, 24 x 17cms

181 WILLIAM SELWYN watercolour - three potato pickers, Oriel Tegrfyn Gallery label verso, signed, 36 x 53cms Provenance: private collection, consigned via our Colwyn Bay office

Provenance: private collection, consigned via our Colwyn Bay office

Presentation & Condition: framed and glazed £500-800

Presentation & Condition: framed and glazed £100-150

182 CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) seven watercolour studies of British birds - bullfinch, peregrine falcon, lapwings, swallows, shell duck with young and two others, all signed with original mounts, 20 x 12cms (7) Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: all framed and glazed, discolouration to the mounts, cracked glass to lapwings £600-1000 182

The Welsh Sale • Rogers Jones & Co

183 CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) pencil and mixed media - set of eighteen mid 20th Century studies of farming life, each illustration framed within the outline of a potato sack, each illustration 22 x 17cms Provenance: previously in the ownership of Dorothy Tunnicliffe, sold previously by Rogers Jones & Co, 29 October 2011 Welsh Sale, consigned via our Colwyn Bay office

183

Presentation & Condition: no problems, mounted, framed and glazed £600-800

184 184 CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) pencil and mixed media - four illustrations of farming life, all approximately 20 x 24cms Provenance: previously in the ownership of Dorothy Tunnicliffe, sold previously by Rogers Jones & Co, 29 October 2011 Welsh Sale, consigned via our Colwyn Bay office Presentation & Condition: mounted, framed and glazed £150-200

185 CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) pencil and tint - five illustrations of mid 20th Century farming life, all 13 x 22cms Provenance: previously in the ownership of Dorothy Tunnicliffe, sold previously by Rogers Jones & Co, 29 October 2011 Welsh Sale, consigned via our Colwyn Bay office Presentation & Condition: all mounted, framed and glazed £200-250

185

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

186 186 WILLIAM SELWYN watercolour - four figures at work, entitled verso ‘Potato Harvesters’, signed, 14 x 20cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: framed and glazed £300-400

189

187

188

187 WILLIAM SELWYN watercolour - two standing ponies, signed, 5.5 x 5.75cms

188 WILLIAM SELWYN watercolour - two walking figures, signed, 7.5 x 5.5cms

Provenance: private collection, consigned via our Colwyn Bay office

Presentation & Condition: framed and glazed £300-400

Presentation & Condition: framed and glazed £200-300

190

191

189 NAOMI TYDEMAN watercolour - wooden doorway on Venetian canal, signed, 22 x 17cms

190 NAOMI TYDEMAN watercolour - view over cliff top at Barafundle Bay, signed, 30 x 53cms

191 NAOMI TYDEMAN watercolour - view over water towards the Gower peninsula, 36 x 58.5cms

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no problems, framed and glazed £150-250

Presentation & Condition: no problems, framed and glazed £250-350

192 MOIRA HUNTLY pastel - North Anglesey farmstead, signed and entitled verso on original John Blockly Gallery label verso, 22 x 35cms Provenance: purchased at Rogers Jones Welsh Sale, 25 April 2009. private collection, consigned via our Colwyn Bay office Presentation & Condition: framed and glazed £150-250

192

The Welsh Sale • Rogers Jones & Co

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194

193 CLIVE HICKS-JENKINS pastel - figure with Mari Lwyd hobby-horse, 23 x 28cms Provenance: private collection consigned via our Carmarthen office, exhibited at artist’s retrospective at National Library of Wales 2011 Auctioneer’s Note: the artist produced a number of works on the subject of Mari Lwyd from 1999 to 2001 culminating in the Newport Museum Exhibition ‘The Mare’s Tale’ in 2001 Presentation & Condition: no problems, framed and glazed £250-350 194 CLIVE HICKS-JENKINS ink, wash and wax crayon - entitled verso ‘Mari Lwyd in the Mansions of the Dead II’, signed and dated 1999, 27 x 27cms Provenance: private collection consigned via our Carmarthen office Auctioneer’s Note: the artist produced a number of works on the subject of Mari Lwyd from 1999 to 2001 culminating in the Newport Museum Exhibition ‘The Mare’s Tale’ in 2001 Presentation & Condition: no problems, framed and glazed £300-400

195

195 FRANCES RICHARDS pencil drawing - female group, signed with initials, 30 x 39cms Provenance: private collection consigned via our Carmarthen office, purchased from Abbott & Holder, London 1990s, exhibited at Frances Richards: An Artist Apart at Glynn Vivian Museum, Swansea, 2019 Presentation & Condition: discolouration, restored (details verso), framed and glazed £150-200

197 PETER SPRIGGS gouache - figure at a piano, being a homage to Ceri Richards and Picasso, signed and dated 2002, 37 x 27cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £150-250

198 IWAN BALA ink on paper - entitled verso ‘Haunted by Ancient Gods’, signed and dated 1997, 20 x 14cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £80-120

196 ATTRIBUTED TO JOSEF HERMAN OBE RA inkwash on paper - tree lined street with figures, entitled verso ‘Jerusalem’, signed, 31 x 50cms Provenance: purchased in Jerusalem, signature has been viewed by David Herman who says it looks authentic but there are serious reservations around the composition, while further doubts have been expressed from other experts Presentation & Condition: unusual light mark to centre on tree, later framed £300-500

196 199 IWAN BALA pastel - satirical illustration relating to the threat to Welsh language, signed and dated 1998, 17 x 23cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

197

198

199 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

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201

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200 CHARLES BURTON ink on paper - study of chrysanthemums, signed, 31.5 x 46cms

202 WILLIAM BROWN mixed media on paper - entitled verso ‘Venus of Blaengwynfi / Mari Lwyd’, dated verso 2002, 12.5 x 21cms

205 CLIVE HICKS-JENKINS gouache - entitled verso on Attic Gallery Swansea label ‘Easter Road’, 15 x 22.5cms

Provenance: private collection consigned via our Cardiff office

Provenance: private collection, consigned via our Cardiff office

Provenance: private collection consigned via our Cardiff office

Presentation & Condition: no problems, framed and glazed £150-250

Presentation & Condition: no problems, framed and glazed £200-300

203 IWAN BALA ink on paper entitled verso ‘Mae’r Ysbryd Mawr yn Cerdded’ (The Great Spirit is Walking), signed and dated 2000, 21 x 15cms

206 JOSEF HERMAN OBE RA inkwash - seated figure cradling infant, signed, 24 x 13.5cms

Presentation & Condition: no problems, framed and glazed £150-250 201 JOHN SELWAY watercolour and mixed media - homage to Dylan Thomas’ poem ‘Our Eunuch Dreams’, with inscription, signed and dated 2003, 49 x 69cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £400-600

Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £80-120

202

Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £150-200

204 GWILYM PRICHARD mixed media - entitled verso ‘Rocks and Boat’, signed, 13 x 18cms

207 WILF ROBERTS watercolour and pencil - view across farmland with mountains in background, signed in pencil, 12.5 x 13cms

Provenance: private collection consigned via our Cardiff office

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no problems, framed and glazed £300-500

Presentation & Condition: no problems, framed and glazed £150-250

206

207

The Welsh Sale • Rogers Jones & Co

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209

208 JOSEF HERMAN OBE RA inkwash - crouching workman, unsigned, 9 x 9.5cms

209 GARETH THOMAS pastel and watercolour - titled verso ‘Near Claviers - Evening’, signed, 25 x 37cms

Provenance: private collection, consigned via our Cardiff office

Provenance: private collection Powys

Presentation & Condition: no apparent problems, framed and glazed £150-250

Presentation & Condition: no problems, framed and glazed £200-300

210 SIR FRANK BRANGWYN RA watercolour and ink on note paper - title verso ‘Colonnade with Pots and Cherub’, signed with initials, 19.5 x 15cms Provenance: printed label verso stating ‘William de Belleroche (No.108)’, private collection Powys Presentation & Condition: no problems, later framed and glazed £150-250 211 JACK JONES mixed media title to margin ‘Self-Portrait, Aged 55’, signed and dated March 1991, 24 x 17.5cms Provenance: private collection Powys, Attic Gallery Swansea Presentation & Condition: no problems, framed and glazed £200-300

211

212

212 EDWARDS watercolour portrait of Augustus John in old age, with beret, pipe and a portrait on an easel, indistinctly signed, 31 x 24.5cms

210 213 ATTRIBUTED TO WILLIAM WESTON YOUNG pencil on brown paper, laid down - view of the ruins of Neath Abbey with two small standing figures (one apparently in Welsh costume), circa 1800-1820, 25 x 41cms Provenance: private collection Powys, label verso ‘Neath Abbey Wm Weston Young’, drawing removed by us from frame for investigation, margin has old inscription of ‘£65’ but no other inscriptions or labels, unsigned Presentation & Condition: later framed and glazed £150-250 214 GORDON STUART crayon on paper - two ladies in conversation, signed, 25 x 22cms Provenance: estate of Mair Gordon deceased Presentation & Condition: some cracking to the paper, framed and glazed £80-120

Provenance: private collection Powys Presentation & Condition: no problems, framed and glazed £100-150

213

214

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

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217

215 GORDON STUART pencil sketch - two seated figures entitled ‘Watching Boules Near Grasse, 1993’, signed with initials, 34 x 27cms Provenance: estate of Mair Gordon deceased Presentation & Condition: no problems, framed and glazed £100-150 216 GORDON STUART crayon on paper two seated orchestral musicians, entitled ‘Brangwyn’, signed, 43 x 31cms

218

Provenance: estate of Mair Gordon deceased Presentation & Condition: framed and glazed £80-120 217 GORDON STUART mixed media - still life of cut flowers in a glass vase, signed, 55 x 43cms Provenance: estate of Mair Gordon deceased Presentation & Condition: no problems, framed and glazed £100-200

219

218 GORDON STUART watercolour - seated gentleman with walking stick, signed, 35 x 42cms

219 GORDON STUART watercolour - seated male on bench with packed lunch, entitled verso ‘Late Lunch and Tide’, signed in full, 36 x 40cms

Provenance: estate of Mair Gordon deceased

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no problems, framed and glazed £100-200

Presentation & Condition: framed and glazed, some scuffing to frame £100-200

220 220 GORDON STUART mixed media on paper - three-quarter portrait of the artist Will Roberts, titled ‘Will R’, signed, 46 x 28cms Provenance: from the estate of the artist Gareth Thomas deceased Presentation & Condition: no problems, framed and glazed £200-300

The Welsh Sale • Rogers Jones & Co

221

222

221 GORDON STUART watercolour - study of a cello player, signed with initials, 30 x 23cms

222 SEREN BELL mixed media - entitled verso ‘Gloucester Old Spot with Piglets’, signed, 47 x 46cms

Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent. John Wilstead was the Minister of Hill United Reformed Church, Swansea and a lecturer and author on porcelain, he was the ceramics adviser to the City and County of Swansea Museum Service

Provenance: private collection Somerset

Presentation & Condition: no problems, framed and glazed £100-150

Presentation & Condition: no problems, framed and glazed £500-700

223 223 JOHN CLEAL watercolour and ink West Wales village street with washing line and cottages, entitled verso on Workshop Wales Gallery label ‘Farm Near Puncheston’, dated 1998, 23 x 15cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no apparent problems, framed and glazed £100-200

224 CHARLES FREDERICK TUNNICLIFFE OBE RA watercolour - study of a chirping song-thrush on a flowering branch, monogrammed, 25 x 20cms Provenance: private collection Lancashire Presentation & Condition: no problems, neatly framed and glazed £800-1400

224

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 225 CHARLES FREDERICK TUNNICLIFFE OBE RA preliminary drawing in mixed media - ponies in a garden of a large residence, 43 x 63cms Provenance: private collection Lancashire Presentation & Condition: no problems, mounted not framed £400-700 225 226 CHARLES FREDERICK TUNNICLIFFE OBE RA preliminary drawing in mixed media - fox in undergrowth, 43 x 66cms Provenance: private collection Lancashire

227

Presentation & Condition: no problems, mounted not framed £400-700

226 227 CHARLES FREDERICK TUNNICLIFFE OBE RA preliminary drawing in mixed media - ponies in a landscape, signed, 44 x 63cms Provenance: private collection Lancashire Presentation & Condition: no problems, mounted not framed £500-800

228 CHARLES FREDERICK TUNNICLIFFE OBE RA preliminary drawing in mixed media - study of a panda, 47 x 70cms Provenance: private collection Lancashire Presentation & Condition: no problems, mounted not framed £400-700

229 CHARLES FREDERICK TUNNICLIFFE OBE RA preliminary drawing in charcoal - stag in woodland, signed, 37 x 52cms Provenance: private collection Lancashire Presentation & Condition: no problems, mounted not framed £300-500 228

229

230 WILL ROBERTS pastel - still life of tulips in a black jug, unsigned, 40 x 28cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed. £200-300 231 231 WILL ROBERTS mixed media with ink and watercolour wash - standing farmer and farm buildings, signed with initials, dated ‘97, 29 x 40cms Provenance: private collection Kent

230

Presentation & Condition: image has moved slightly in mount, revealing sketch pad perforations, framed and glazed £200-400

The Welsh Sale • Rogers Jones & Co 232 WILL ROBERTS mixed media / pastel - still life of mixed flowers in a squat jug, signed with initials, 29 x 39cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed £200-300

233 JOHN UZZELL EDWARDS pen and ink drawing - south Wales valley street scene, entitled verso ‘Deri’, signed ‘John’, 34 x 68cms Provenance: private collection Kent Presentation & Condition: original frame with loose backing, glazed £200-300

234 GLYN MORGAN pencil drawing - study of a seated nude female, signed and dated ‘82, 28 x 19cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed £100-150

235 GLYN MORGAN pencil drawing - study of a standing female (possibly a preliminary drawing for a later work), signed and dated ‘54, 24 x 16cms Provenance: private collection Kent Presentation & Condition: slight discolouration to the top, framed and glazed £100-150 236 CHARLES BURTON pastel - entitled verso on Ffin-y-Parc Gallery label ‘Mother and Child, 1958’, signed and dated November ‘58, 32 x 24cms Provenance: private collection Kent

232

Presentation & Condition: no problems, framed and glazed £200-300

233

237 SIR FRANK BRANGWYN RA pen and ink drawing Fire of London, unsigned, 6.5 x 6.5cms Provenance: private collection Kent Presentation & Condition: no problems, mounted but unframed £80-120 238 SIR FRANK BRANGWYN RA pencil sketch - entitled ‘Bookplate Design’, unsigned, 9.5 x 8cms 234

235

236

Provenance: private collection Kent Presentation & Condition: mounted but unframed £80-120 239 SIR FRANK BRANGWYN RA two pencil sketches man working at press and another, both 6 x 5cms Provenance: private collection Kent

237

238

239

Presentation & Condition: mounted but unframed £80-120

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 240 SIR FRANK BRANGWYN RA (1867-1956) pencil sketch - believed to be a preliminary drawing for later work, figures at a doorway, unsigned, 20 x 11cms Provenance: private collection Kent Presentation & Condition: mounted but unframed £100-150

241

242

241 CLAUDIA WILLIAMS pastel - study of a reclining female nude, entitled verso ‘Looking Towards the Light’, signed lower right, 22.5 x 29.5cms Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Presentation & Condition: no apparent problems, some wear to frame, framed and glazed £300-500

242 MERYL WATTS mixed media on newspaper - entitled verso ‘North Wales Harbour View’, together with multiple labels 27 x 37cms Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Presentation & Condition: no apparent problems, one label has become detached but is available, framed and glazed £100-150

240

243 SIR ERNEST ALBERT WATERLOW RA (1850-1919) watercolour ‘Ogmore Castle, South Wales’, river landscape with cattle and castle ruin, signed lower left ‘E A Waterlow’, title and information labels verso along with possibly old stock numbers, 25 x 46.5cms Provenance: Carmarthenshire private collection, consigned via our Carmarthen office Presentation & Condition: some wear and minor losses to gilt mount and frame, backboard loose, framed and glazed £300-500

244 244 MALCOLM EDWARDS watercolour - Scottish Highland farm with farmer and two sheep-dogs, entitled verso ‘Croft near Scourie’, signed, 33 x 38cms Provenance: private collection London Presentation & Condition: no problems, framed and glazed £600-800 243

The Welsh Sale • Rogers Jones & Co 245 MALCOLM EDWARDS watercolour - derelict upland farm, entitled verso ‘Pencarreg’, signed, 23 x 36.5cms Provenance: private collection London Presentation & Condition: no problems, framed and glazed £600-800 246 JOHN MCDOUGAL watercolour - fishing village, probably Ynys Mon, signed, 24 x 34cms Provenance: private collection London Presentation & Condition: no problems, framed and glazed £100-150 245

246

247

248

247 ALAN STEPNEY GULSTON watercolour Killarney Lakes, signed, 31 x 51cms

248 ALAN STEPNEY GULSTON watercolour landscape, signed, 22 x 27cms

249 JOHN KNAPP-FISHER watercolour landscape with trees, signed, 11.5 x 16cms

Provenance: Sotheby’s 15th September 1998, information verso, Capt. Stepney Gulston formerly of Derwydd Mansion, Carmarthenshire

Provenance: Sotheby’s 15th September 1998, Capt. Stepney Gulston formerly of Derwydd Mansion, Carmarthenshire

Provenance: private collection consigned via our Colwyn Bay office

Presentation & Condition: no problems, later framed and glazed £200-300

Presentation & Condition: no problems, later framed and glazed £100-150

Presentation & Condition: no problems, framed and glazed £400-700

250 LEONARD BEARD oil on paper - farmyard with trees and gate, signed, 25 x 25cms Provenance: private collection consigned via our Colwyn Bay office Presentation & Condition: no problems, framed and glazed £100-200 249

250

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

251

251 ROGER CECIL mixed media - abstract, entitled verso on Kooywood Gallery label ‘In the Valley of the Shaman’, signed, 13 x 12cms

252 MARTYN JONES mixed media with oils on paper - abstract entitled ‘Slotermeer, Amsterdam’, signed and dated 2003, 56 x 75cms

Provenance: private collection consigned via our Cardiff office

Presentation & Condition: no problems, framed and glazed £150-250

Presentation & Condition: no problems, framed and glazed £200-300

252

253 JOHN KNAPP-FISHER mixed media house and fishing boats, signed and dated 1994, 14 x 22cms Provenance: private collection, consigned via our west Wales office Presentation & Condition: no problems, framed and glazed £1000-1500

253

254

255

254 JOHN KNAPP-FISHER mixed media - Continental buildings with figures, signed and dated 1981, 12.5 x 20cms

255 JOHN KNAPP-FISHER mixed media - church towers, signed and dated 1985, 10 x 12cms

Provenance: private collection, consigned via our west Wales office

Presentation & Condition: no problems, framed and glazed £700-1000

Presentation & Condition: no problems, framed and glazed £500-1000 73

The Welsh Sale • Rogers Jones & Co 256 BIM GIARDELLI watercolour - interior scene with jardinière of flowers on a table, signed, 69 x 48cms Provenance: private collection, consigned via our west Wales office Presentation & Condition: no problems, framed and glazed £300-400

257 JAMES WILCOX (1785-1865) watercolour - entitled ‘The Mumbles Light and Bracelet Bay, South Wales’, with a figure on the cliff edge surveying the scene through a telescope, very faintly signed and dated 1837 (bottom left), 25 x 42cms Provenance: private collection, consigned via our Carmarthen office, later label verso stating the title and date is also on the back of the paper Presentation & Condition: no problems, later framed and glazed £100-150

256

257

258

259 258 MARY LLOYD JONES watercolour - silver lead mine and landscape, entitled verso on Martin Tinney Gallery label ‘Ponterwyd I’, signed and dated 2011, 28 x 40cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £300-400

259 MARY LLOYD JONES mixed media - farmhouse and buildings, signed in full, dated ‘75, 34 x 53cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £400-700

260 VIVIENNE WILLIAMS mixed media - still life of roses in a red bowl, entitled verso on Martin Tinney Gallery label ‘Roses’, dated 2011, signed, 25 x 25cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £250-350

260

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 261 GWILYM PRICHARD gouache on paper - entitled verso ‘San Gimignano, Tuscany’ and dated 1963, signed, 24 x 48cms Provenance: private collection mid-Wales Presentation & Condition: no problems, later framed and glazed £300-500

261

262

263

262 JOHN ELWYN acrylic on paper - landscape, entitled verso on Ash Barn Gallery label, ‘Mid Wales Farm’, dated 1984, 37 x 36cms Provenance: private collection mid-Wales by descent, with Bonhams 2004, Ash Barn Gallery, original details from back of picture recorded verso

263 JOHN ELWYN gouache and acrylic on paper - whitewashed barns, circa 1978, signed, 26.5 x 36cms Provenance: private collection mid-Wales Presentation & Condition: no problems, later framed and glazed £700-1000

Presentation & Condition: no problems, later framed and glazed £1000-1500

264 GEORGE CHAPMAN pencil on paper - Rhondda street, circa 1964, 27 x 40cms Provenance: private collection Aberystwyth Auctioneer’s Note: inscribed beneath mount ‘drawing for Brian’s painting’, that painting being Miner Moving Past, Chapman’s largest canvas which was exhibited at Zwemmer Gallery, London in 1965, the painting was reproduced in The Times and The Telegraph. Purchased by the vendor from an exhibition of Chapman drawings, Aberystwyth 1997 Presentation & Condition: foxing, slight staining, later framed and glazed £100-200

264

The Welsh Sale • Rogers Jones & Co 265 JOSEF HERMAN OBE RA mixed media - seated figure, 21 x 14cms Provenance: with Burstow & Hewett Auctioneers 2016, letter to accompany from the auction house outlining the provenance as being entered to auction by Siobhan O’Hanlon, former studio assistant to Herman and friend of Nini Herman Presentation & Condition: no problems, simply framed for preservation £200-300

265

266

266 JOSEF HERMAN OBE RA inkwash - five infant choir boys, indistinctly signed, 29 x 40cms Provenance: private collection Swansea Presentation & Condition: no problems, framed for protection only, for reframing £100-200

267 267 GWILYM PRICHARD mixed media possibly on linen - Irish landscape, entitled verso ‘Cleggan’, signed, 39 x 49cms Provenance: bequeathed to vendor by neighbour in Worcestershire, the neighbour knew the artist well as their children were taught by him at Friars School, Bangor Auctioneer’s Note: proceeds to be kindly donated by vendor to North Wales Wildlife Trust Presentation & Condition: no problems, original frame in tired condition with marks, glazed £700-1000 76

268

268 JOSEF HERMAN OBE RA inkwash - entitled verso ‘The Goat’, 18 x 24cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazed £300-400 269 CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) watercolour painted on Japanese silk - buzzard resting on tree, signed with monogram, 70 x 38cms Provenance: private collection south of England Auctioneer’s Note: one of numerous Tunnicliffe Bird studies shown at Greatorex Exhibition, London, 1938 Presentation & Condition: framed and glazed, mounted, some marks to background £700-1000

269

Rogers Jones & Co • The Welsh Sale

270 WILLIAM SELWYN mixed media - fishermen on boat, signed, 27 x 41cms Provenance: private collection Worcestershire Presentation & Condition: paper slightly wrinkled, no problems otherwise, framed and glazed £700-1000

271 271 MARY LLOYD JONES mixed media - landscape, entitled verso on Martin Tinney gallery label ‘Rhosdir’, signed and dated 2001, 59 x 78cms Provenance: private collection Worcestershire

270

272 GWILYM PRICHARD early watercolour whitewashed coastal farm, titled verso in pencil ‘Llyn Peninsula’, signed verso of card inside frame ‘Gwilym P’ (see online image), circa 1950s, 34 x 43cms Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Presentation & Condition: slight foxing and surface scratches, framed and glazed, tired mount £300-400

272

Presentation & Condition: no problems, framed and glazed £1000-1500

273 CHRISTOPHER WILLIAMS RBA watercolour - landscape, entitled verso ‘Solitude’ and with further inscription ‘Christopher Williams, Maesteg House, Maesteg, S Wales, watercolour - a scene from Festiniog’, signed verso, 47 x 68cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: no problems, £200-300

273

274 IWAN BALA mixed media on paper - head with speech bubble, entitled ‘Dim Ond Geiriau’ (Nothing but words), signed and dated ‘07, 27 x 38cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £200-300

274

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275

276

277

275 WILLIAM SELWYN mixed media - Eryri winter landscape, entitled verso ‘Drws y Coed’, signed, 13 x 19cms

276 TOM NASH watercolour - three quarter portrait of a lady in Arles, France, signed, 18 x 13cms

277 TOM NASH watercolour - study of a lady from the rear in Arles, France, signed, 23 x 15cms

Provenance: private collection consigned via our Colwyn Bay office

Provenance: directly from the artist’s family

Presentation & Condition: no problems, good quality frame, glazed £350-450

Presentation & Condition: very slight foxing, framed and glazed £120-180

Presentation & Condition: no problems, framed and glazed £150-200

278

279

278 JOHN ELWYN watercolour - expansive landscape with downward sloping road and trees on a bank, signed, 25 x 35cms

279 ROB PIERCY watercolour - expansive scene looking down the Llanberis Pass, signed and dated 1993, 37 x 55cms

Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: framed and glazed £1500-2000

Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: framed and glazed, painting has slipped in mount slightly £500-1000

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 280 ROBERT MORGAN wax crayon drawing - entitled ‘Pit Buildings No.1’, signed and dated 1960, with further signature, title and original price of eight guinea’s verso, 22.5 x 13cms

281 IWAN BALA large mixed media - political work concerned with the colonisation of Wales, entitled ‘Y Castell, Y Gwn’ (The Castle, The Gun), signed and dated 2001/2002, 90 x 120cms

Provenance: private collection, consigned via our Colwyn Bay office

Provenance: private collection Cardiff

Presentation & Condition: framed and glazed £250-350

Presentation & Condition: impressively framed and glazed £500-1000 282 No lot

280

281 283 VALERIE GANZ mixed media - tuba player and jazz instrumentalists in a crowded park, possibly Brecon Jazz Festival, signed, 37 x 26cms Provenance: private collection Cotswolds Presentation & Condition: no problems, framed and glazed £400-600

285

284 DAVID PRICE pastel - entitled verso on Attic Gallery Swansea label ‘A Touch of Winter’, signed, 30 x 41cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: no problems, framed and glazed £70-100 285 DAVID PRICE pastel - entitled verso on Attic Gallery Swansea label ‘On a Sunny Afternoon’, signed, 32 x 45cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221

283

Presentation & Condition: no problems, framed and glazed £70-100 286 SIGRID MULLER mixed media - entitled verso on Attic Gallery Swansea label ‘Amaryllis Study’, signed, 40 x 29.5cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221

284

286

Presentation & Condition: no problems, framed and glazed £400-600

The Welsh Sale • Rogers Jones & Co

287

288

287 BERNICE CARLILL pastel - entitled verso on Attic Gallery Swansea label ‘Trees in the Park’ signed, 52 x 37cms

288 GARETH THOMAS watercolour - Gower coastline, signed and dated 1986, 33 x 41cms

Provenance: Attic Gallery, Swansea label verso, from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221

Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221

Presentation & Condition: no problems, framed and glazed £70-100

Presentation & Condition: no problems, framed and glazed £200-300 289

289 EDWARD DUNCAN pencil on brown paper - portrait of a standing gentleman with rifle, signed with initials, 14.5 x 8cms Provenance: Abbott & Holder label verso, from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: paper has aged, later framed and glazed £200-300 290 No lot 291

292

291 VALERIE GANZ mixed media - entitled verso on Attic Gallery Swansea label ‘Yellow Duet 1989’, signed, 35 x 26cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221

293

Presentation & Condition: no problems, framed and glazed £400-600

292 SIGRID MULLER mixed media - ‘Amaryllis’, signed, 34 x 24cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: no problems, framed and glazed £300-400 293 GARETH THOMAS watercolour - entitled verso on Attic Gallery Swansea label ‘Venice from Rio del Gardiani’, signed, 11 x 37cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: no problems, framed and glazed £100-150

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 294 ROY OSTLE pastel - village scene, signed, 52 x 35cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: no problems, framed and glazed £100-150

295 JOHN ELWYN watercolour landscape, entitled verso on Attic Gallery Swansea label ‘Between Seasons’, signed, 20 x 25cms

296 JOHN KNAPP-FISHER mixed media - figures and boats in harbour, entitled verso on Attic Gallery Swansea label ‘Porthgain’, signed, 12 x 20cms

Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221

Presentation & Condition: no problems, framed and glazed £700-1000

294

295

296

298 297 BRITISH / WELSH SCHOOL pencil with colour entitled verso ‘Old Man from Merthyr’, unsigned, 26 x 11cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221

297

Presentation & Condition: no problems, framed and glazed £70-100

298 MARTYN VAUGHAN JONES three early watercolours - Welsh landscapes comprising ‘Carew Castle, Dyfed’, signed with initials and dated 1986, 9.5 x 12cms, ‘Babel Chapel, Cwmfelinfach’ signed with initials and dated 1987, and ‘Highland Terrace, Gwent’, signed and dated 1982, 9.5 x 36cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: no problems to any, each framed and glazed £100-150

The Welsh Sale • Rogers Jones & Co 299 KEITH ANDREW watercolour - still-life, entitled verso on Attic Gallery Swansea label ‘Daisy Jar’, signed, 53 x 36cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: no problems, framed and glazed £100-150

300 GARETH THOMAS watercolour - Pembrokeshire coast, entitled verso ‘Cottage at Whitesands’, signed and dated 1984, 12 x 19cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221

299

Presentation & Condition: no problems, framed and glazed £100-130

300

302

301

301 VALERIE GANZ mixed media colliery-worker with pony, entitled verso on Attic Gallery Swansea label ‘Prince Going Home’, signed, 24.5 x 17cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: no problems, framed and glazed £500-700

302 ALED PRICHARD-JONES pastel - Eryri landscape, entitled verso ‘Winter Llyn Gwynant’, signed with initials, 24 x 34cms Provenance: private collection Somerset Presentation & Condition: no problems, framed and glazed £200-300 303 No lot

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

Even though I never say to myself how much I love what I paint, nevertheless I must know deep down that I am indulging in a lifelong crusade to record the land in which I was born and brought up. 83

The Welsh Sale • Rogers Jones & Co

304

304 SIR KYFFIN WILLIAMS RA watercolour - old Eryri farmstead with trees, circa 1970, signed with initials, 38 x 58cms Provenance: label verso for Mrs Stockbridge, a former employee at Tegfryn Art Gallery in Menai Bridge with whom Sir Kyffin had close ties, entered for sale by the Late Mrs Stockbridge’s family Presentation & Condition: no problems, contemporaneous frame and glazed £3000-5000

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 305 SIR KYFFIN WILLIAMS RA mixed media - head portrait of a young girl, circa 1970s, entitled on Tegfryn Gallery label verso ‘Sioned’, 33 x 26.5cms Provenance: Tegfryn Gallery label, private collection London Presentation & Condition: no problems, original frame, glazed £1500-2500

305

306 SIR KYFFIN WILLIAMS RA mixed media Ynys Mon (Anglesey) coastal sunset with Twr Mawr lighthouse on Ynys Llanddwyn, signed with initials, 23 x 36cms Provenance: private collection Ynys Mon, loan label for Oriel Kyffin Williams exhibition Presentation & Condition: no problems, framed and glazed £2000-3000

306

307 SIR KYFFIN WILLIAMS RA early inkwash cottages at Gorslwyd, Llanddona, signed with initials, 20 x 29.5cms Provenance: private collection Ynys Mon, loan label to Oriel Kyffin Williams

307

Presentation & Condition: discolouration and marks, slight foxing / blemishes, framed and glazed £700-1000

308 SIR KYFFIN WILLIAMS RA inkwash - Ynys Mon coastline, entitled ‘Fedw Fawr’, signed with initials, 36 x 56cms Provenance: private collection Kent Presentation & Condition: no problems, later framed and glazed, original handwritten title salvaged and applied verso £2500-3500

308 309 SIR KYFFIN WILLIAMS RA inkwash on grey paper - Conwy Castle and bridge, signed with initials, 27 x 45cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: no problems other than slight creasing, framed and glazed £1500-2000

309

310 SIR KYFFIN WILLIAMS RA inkwash - house with trees, entitled verso on Thackeray Gallery label ‘Penybryn’, signed with initials, 29 x 41cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 221 Presentation & Condition: discolouration of paper with lighter areas near top border, may benefit from repositioning in frame, original frame and glazed £1500-2000 310

311-314 No lots * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Lots

315-502 THE WELSH SALE / YR ARWERTHIANT CYMREIG (9.30am)

Welsh Oil Paintings & Other Medium Paentiadau Olew & Chyfryngau Eraill

SUPER SATURDAY/ DYDD SADWRN MAWR

The Welsh Sale • Rogers Jones & Co

315

315 SIR KYFFIN WILLIAMS RA oil on canvas - Ynys Mon (Anglesey) landscape with farmer and dog walking on a lane from the village of Rhoscolyn, with the village chapel centre to the composition, signed with initials, 50 x 110cms Provenance: purchased in circa 1982 by the parents of the Welsh vendor from Tegfryn Gallery, Menai Bridge, the painting had been delivered to the gallery the day prior by Sir Kyffin, thus the painting has never been seen by the market Auctioneer’s Note: the painting features the ‘Holy Trinity’ for collectors of Sir Kyffin Williams’ work, that being a chapel, a farmer with dog and a village landscape. To see these three elements in a single composition is rare and raises the level of importance in the context of Kyffin William’s body of work. The chapel in Rhoscolyn, which takes centre-stage to the composition, was built in 1906, and would have been central to the lives of the villagers for more than half a century before a considerable change in recent times to the demographic of the area Presentation & Condition: no problems, strong fresh colours, original frame, marks to frame £50000-70000

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over, or Buyer’s Premium of 12% inclusive of VAT @ 20% on hammer prices £60,000 and over.

Rogers Jones & Co • The Welsh Sale

316 SIR KYFFIN WILLIAMS RA oil on canvas Rhoscolyn village, Ynys Mon, with chapel in centre of composition, signed with initials, 50 x 60cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: original frame, scuffing and marks to the frame, no obvious signs of damage or repair £25000-30000

316 89

The Welsh Sale • Rogers Jones & Co

317 317 SIR KYFFIN WILLIAMS RA oil on canvas - dramatic and expansive scene featuring Bryn Cader Faner Harlech, being a bronze age prince’s burial cairn, over four thousand years old, 60 x 90cms Provenance: private collection north Wales, sold to the present owner’s parents by the artist during an exhibition of his work held at Oriel Plas Glyn y Weddw, Llanbedrog in November 2002, the painting featured on the cover of the exhibition catalogue Presentation & Condition: believed in original frame by ‘Joints’, no apparent damage or repair to the canvas, some minor gilt loss to frame edge £25000-35000

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

318 318 SIR KYFFIN WILLIAMS RA oil on canvas - head and shoulders portrait, entitled verso ‘Willie’, signed with initials, 75 x 74cms Provenance: private collection Powys Auctioneer’s Note: Willie is purported to be Willy Lee of Ynys Mon (Anglesey) and formed part of a local support group for epileptic sufferers together with Sir Kyffin who was himself also an epileptic. If Kyffin Williams had not developed epilepsy he might never have become a painter. Kyffin recalled that in 1937 after a St David’s Day dinner at the Anglesey Arms, Menai Bridge: ‘I went to bed at about 12.30 happy and sober. I don’t know when I woke, but I remember lying beside the open window. It was unbearably cold and I was covered in snow. There was a taste of blood in my mouth and my tongue was terribly painful…. I must have lost consciousness, for the next thing I remember was waking up in bed…. My tongue was agony, but I got up, dressed and unsteadily made my way downstairs to breakfast. I don’t think I ever got there, because once again I found myself in bed, my tongue was worse and everything was unbelievably vague. A few weeks later he was taken to see Dr Henry Cohen in Liverpool ‘He told me that I had had an attack of grand mal epilepsy, that the pupil of my left eye was fixed and I had no reaction to light, and that I had no reflexes in my knees. He prescribed luminal and a foul tasting mixture of belladonna and Irish moss. A few days later again in April 1937 Kyffin received his commission in the 6th Battalion Royal Welch Fusiliers but six months after the first attack of grand mal he had a second one: ‘In the morning I felt reasonably well but was found unconscious on the pavement near Pwllheli station while on my way to lunch. I regained consciousness twenty four hours later. Again there was the taste of blood in my mouth and my tongue was unbelievably sore’. In August 1938, on the return from summer camp as the train left Prestatyn, he had another attack of grand mal, and further attacks followed. The last while still in the army occurred while buckling on his Sam Browne belt prior to a company inspection. He was sent to Moston Hall Hospital, Cheshire, for two weeks; then followed investigations at a military hospital in Oxford, under the supervision of Dr (later Sir) Hugh Cairns. Kyffin describes these as follows, ‘… first test was the inevitable lumbar puncture. This was followed a few days later by the electro-encephalogram, the first machine of its kind to be assembled in this country. I sat in a wire-netting rabbit hutch and a strange permanent-wave machine hung above my head as terminals were attached to my ether-soaked hair. At the other end of the room a girl pressed a switch, and a large metal hand started to draw a crazy graph on some paper pinned to the wall. The next day in came my doctor. ‘What are you going to do when you leave the army? … as in fact you are abnormal,’ he announced. ‘I think it would be a good idea if you took up art’. Rogers Jones & Co have decided to donate 5% of the price from the commission to Epilepsy Research UK Presentation & Condition: no problems, framed £15000-25000

The Welsh Sale • Rogers Jones & Co

319 319 SIR KYFFIN WILLIAMS RA early oil on canvas - Cemaes Bay, Anglesey harbour scene with cottages, boats and two figures on the quay, signed with initials, 50 x 75cms Provenance: private collection north Wales Presentation & Condition: in original frame, minor scuffing and scratches to the frame, no apparent damage or repair to the painting. £20000-25000

320 CLAUDIA WILLIAMS oil on board - group portrait of the artist’s three sons, signed verso and dated 1963, 110 x 78cms Provenance: private collection consigned via our Carmarthen office Presentation & Condition: no problems, framed £2000-3000

320

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

321 JOHN ELWYN oil on canvas - landscape with lane, trees and buildings, signed and dated 1993, 40 x 50cms Provenance: private collection mid-Wales, exhibited Martin Tinney Gallery 1996

321

322 322 WILL ROBERTS oil on canvas - entitled verso ‘Men With Newspapers’, signed with initial lower left and verso dated 1997, 49 x 59cms Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Presentation & Condition: no apparent problems, appears as if title was changed at some point to back of canvas, framed £1500-2000

Presentation & Condition: no problems, white painted moulded frame £3000-4000

323 323 GWILYM PRICHARD early career oil on board - entitled verso ‘Yellow Sky Anglesey’, signed and dated 1957, 57 x 68cms Provenance: private collection Swansea, artist’s Llangefni home address verso Presentation & Condition: no problems, framed £1000-1500

The Welsh Sale • Rogers Jones & Co

324 JOHN ELWYN oil on canvas - disused quarry in landscape, signed and dated 1979 lower right and verso, 28.5 x 49cms Provenance: private collection Gower, consigned via our Carmarthen office Presentation & Condition: no apparent problems, signature slightly smudged, framed £800-1200

324 326 DAVID SHANAHAN oil on canvas Pembrokeshire harbour, entitled verso ‘Solva’, signed, 49 x 59cms Provenance: private collection consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £100-150 326

327 DAVID SHANAHAN oil on canvas - entitled verso ‘Pembrokeshire Coast’, signed, 49 x 59cms Provenance: private collection consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £100-150

325 325 MAURICE COCKRILL oil on canvas - abstract in red, green, blues and cream, signed verso, 60 x 50cms

327

Provenance: private collection Cumbria Presentation & Condition: no problems, neat box frame, copy of signature from back of canvas applied verso £1000-1500

328 MARTIN LLEWELLYN oil on board - evening sun reflecting over Eryri lake, entitled verso on Albany Gallery label ‘Reflections, Welsh Landscape’, signed, 50 x 60cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £500-700

328

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

329 329 JOHN CUTHBERT SALMON RBA RCA oil on canvas - dramatic mountain ridge with weather closing and river below, signed, 70 x 90cms Provenance: private collection, consigned via our Cardiff office Auctioneer’s Note: prolific and widely exhibited artist, member of the Royal Cambrian Academy, exhibited at the Royal Academy Presentation & Condition: no problems, framed £400-600

331 331 JOHN CUTHBERT SALMON RBA RCA oil on canvas - woodland with grazing cows, signed, 44 x 60cms Provenance: private collection, consigned via our Cardiff office Auctioneer’s Note: prolific and widely exhibited artist, member of the Royal Cambrian Academy, exhibited at the Royal Academy Presentation & Condition: no problems, framed £400-600

330 330 JOHN CUTHBERT SALMON RBA RCA oil on canvas - autumnal woodland with stream, signed, 45 x 60cms Provenance: private collection, consigned via our Cardiff office Auctioneer’s Note: prolific and widely exhibited artist, member of the Royal Cambrian Academy, exhibited at the Royal Academy Presentation & Condition: no problems, framed £400-600

332 332 ALAN KNIGHT thick impasto oil on canvas - colourful landscape with farm and building, entitled verso ‘Near Dulas’, signed with initials, 44 x 59cms Provenance: private collection consigned via our Cardiff office, with Kooywood Gallery, Cardiff Presentation & Condition: no problems, framed £400-600

The Welsh Sale • Rogers Jones & Co

333

334

333 ALAN KNIGHT thick impasto oil on canvas - colourful Ynys Mon landscape with farm and building, entitled verso ‘Mynydd Bodafon’, signed with initials, 60 x 69cms

334 GARETH PARRY oil on canvas - the River Taff and Cardiff skyline, entitled verso on Kooywood Gallery label ‘The Taff in Winter (Y Taf yn y Gaeaf), signed, 60 x 75cms

Provenance: private collection consigned via our Cardiff office, with Kooywood Gallery, Cardiff

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no problems, framed £700-1000

Presentation & Condition: no problems, framed £500-800

335 SION MCINTYRE oil on card - waterfall over cliff face, entitled verso ‘Tresaith Waterfall, Ceredigion’, signed, 38 x 38cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £350-450

335 336 EVAN WALTERS oil on canvas - reclining female nude in woodland, 37 x 52cms Provenance: private collection Kent Auctioneer’s Note: original study for the important Evan Walters oil ‘Primavera’, which is held by the National Museum Wales, painted for 1951 Royal Academy Exhibition Presentation & Condition: some paint loss to the canvas, framed £100-150 337 EVAN WALTERS oil on canvas - group of standing figures, unsigned, 37 x 52cms Provenance: private collection Kent Presentation & Condition: no problems, framed £100-150 338 GLYN MORGAN oil on canvas - entitled verso ‘Owl Over a Lily Pond’, signed ‘Morgan’, dated 1978, 113 x 126cms Provenance: private collection Kent

336

337

Presentation & Condition: no problems, framed £700-1000 339 GLYN MORGAN oil on canvas - Greek mythology, entitled verso ‘Maenad and Owl in the Forest’, unsigned, dated 1984, 90 x 90cms Provenance: private collection Kent Presentation & Condition: light surface marks to bottom of canvas, framed £400-600

338

339

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

340 340 JOHN ELWYN oil on canvas - neo-Romantic composition with horse and undergrowth, entitled ‘A Nocturne’, circa 1970s, signed verso, 61 x 92cms Provenance: private collection mid-Wales Auctioneer’s Note: believed to have been inspired by Dylan Thomas’ ‘Fernhill’ and the lines ‘All the moon long I heard, blessed among stables, the nightjars, Flying with the ricks, and the horses, Flashing into the dark’ Presentation & Condition: no problems, unframed £500-1000

341

341 GWILYM PRICHARD oil on canvas - whitewashed farms and figure under pink sky, entitled ‘Y Parrog’, circa 2001, signed, 39 x 31cms Provenance: private collection mid-Wales Presentation & Condition: no problems, framed £1000-1500 342 J GLYN ROBERTS oil on board - Eryri river with footbridge, signed, 29 x 54cms Provenance: private collection mid-Wales Presentation & Condition: no problems, framed £100-150

342

343 CHARLES THOMAS BURT oil on canvas - dramatic Welsh landscape with drovers on horse and foot moving cattle, Llanberis Pass, signed and dated 1873, 70 x 87cms Provenance: private collection Helsinki Presentation & Condition: no problems, later framed £400-600

343

The Welsh Sale • Rogers Jones & Co

346 346 EVAN WALTERS oil on canvas - head and shoulders portrait of Winifred Coombe Tennant and unfinished portrait of a lady verso, 41 x 29cms Provenance: private collection consigned via our Carmarthen office Auctioneer’s Note: Winifred Coombe Tennant was the artist’s most important patron, they met at the artist’s first solo exhibition in 1920, and commissioned him to paint her portrait and portraits of her husband and children, she described him as ‘A young dark typical Welshman. Very intelligent and pleasant… He has genius’ Presentation & Condition: craquelure, later framed £300-500

344 344 ED POVEY oil on canvas - entitled ‘Starvation’, signed and dated 2008, 78 x 56cms Provenance: purchased by the vendor directly from the artist, immediately following completion of work, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £4000-5000

347 345 345 CHARLES WYATT WARREN oil on board - tree lined mountain river, entitled verso ‘Mynydd Mawr Near Snowdon’, signed, 29 x 75cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, in original frame £500-600

347 HYWEL HARRIES oil on board - view of Fferm Pwll Bo near Llanwrtyd Wells with Afon Irfon (River Irfon), signed with initials and dated 1981, 33 x 39cms Provenance: believed to have been commissioned by a friend of the artist Auctioneers’ Note: the location is known to nature lovers and walkers for leaping salmon on the Irfon Presentation & Condition: no problems, later framed £700-1000

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

348 WILL ROBERTS oil on canvas - entitled verso ‘Man with Scythe’, signed with initials and verso, dated 1989, 24 x 29cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed £1000-1500

349 THOMAS HASKETT oil on board landscape with hay bales, entitled verso ‘Round Bales near Penrhos’, signed with initials, 13 x 35cms Provenance: private collection Devon Presentation & Condition: no problems, framed £100-150 350 THOMAS HASKETT oil on board landscape with trees and sheep, entitled verso ‘Autumn Sunset’, signed with initials and dated 2014, 28 x 34cms Provenance: private collection Devon Presentation & Condition: no problems, framed £150-200

348 351 DAVID LLOYD GRIFFITH oil on panel - entitled verso ‘Thunderstorm Pensarn Beach’ and dated 2007, signed with initials, 12 x 15.5cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £150-200

349

350

352 MIKE MORRIS oil on board - the heads of three country gentlemen, signed, 24 x 29.5cms

353 DAVID LLOYD GRIFFITH oil on panel - winter landscape with lane, entitled verso ‘Dyffryn Ogwen’, signed with initials, 13.5 x 29cms

Provenance: private collection consigned via our Cardiff office

Presentation & Condition: no problems, framed £200-300

Presentation & Condition: no problems, framed and glazed £250-350

353

351

352

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354

355 354 LEONARD BEARD oil on card - cottage at sunset, signed with initials, 23 x 29cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

355 CHARLES WYATT WARREN oil on board expansive view of lake and snow capped mountains, entitled verso ‘Snowdon from Llyn Mymbyr in Winter’, signed in full, 37 x 90cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: in original frame, with some marks to frame £600-800 356 ELFYN JONES oil on canvas - semiabstract head and shoulders portrait of a male, entitled and signed verso ‘Cafe Society’, 40 x 30cms Provenance: private collection, consigned via our Cardiff office

357

356

Presentation & Condition: no problems, framed £100-120 357 GORDON STUART oil on board - still life of fruit in a bowl, 24 x 42cms Provenance: estate of Mair Gordon deceased Presentation & Condition: no problems, framed £80-120

358 WILL ROBERTS oil on board - figure leading pony, entitled verso ‘White Pony, Penclawdd’, signed with initials, dated 1980, 24 x 29cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no apparent problems, framed £800-1200

358

100

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 359 WILL ROBERTS oil on board standing figure, entitled verso ‘The Boatman’, signed verso with initials and dated 1975, 29 x 24cms

363 MIKE MONAGHAN oil on board - abstract skyline with cloudy sunshine, signed, 20 x 23cms Provenance: private collection, consigned via our Cardiff office

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no problems, framed £100-150

Presentation & Condition: no apparent problems, framed £800-1200

364 GORDON STUART oil on board group of watching figures, entitled verso ‘Spectators’, dated 2011, signed, 26 x 29cms

360 ARTHUR PRITCHARD oil on board - Ynys Mon village street, signed, 19 x 26cms

Provenance: estate of Mair Gordon deceased Presentation & Condition: no problems, framed and glazed £200-300

Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no apparent problems, framed £100-200 361 GORDON STUART oil on board - view from window with flowers, unsigned, 23 x 29cms Provenance: estate of Mair Gordon deceased Presentation & Condition: no problems, framed £60-100

359 362 GORDON STUART oil on canvas board - head and shoulders portrait of Bernice Rubens, Booker prize-winning Welsh novelist, signed, 26 x 28cms Provenance: estate of Mair Gordon deceased Presentation & Condition: no problems, framed £200-300

360

363

365 VIVIENNE LUXTON oil on board fisherman and figures in harbour at low tide, entitled verso on Albany Gallery label ‘Fishermen at Tenby’, signed, 37 x 44cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £300-400

361

364

362

365

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366 ERNEST ZOBOLE oil on canvas - entitled verso on Martin Tinney gallery label ‘Painter and Surroundings’, signed verso and dated 1998, 40 x 30cms Provenance: private collection mid-Wales Presentation & Condition: no problems, framed, marks losses to frame only £1500-2500

367 SION MCINTYRE oil on paper - coastal scene with rocky outcrop, entitled verso on Albany Gallery label ‘Stormy Coast’, signed, 27 x 38cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £250-350 368 EDWARD LEWIS (1936-2018) oil on canvas - mountain landscape, entitled verso ‘Rhigos’, signed and dated 2005, 24 x 29cms Provenance: private collection, consigned via our Cardiff office Auctioneer’s Note: Edward Lewis entered the Slade School of Fine Art in 1960 through the intervention of Myfanwy and John Piper and the encouragement of Ceri Richards Presentation & Condition: no apparent problems, framed £100-150

366

369 EDWARD LEWIS (1936-2018) oil on canvas - seated dog looking across the valley, entitled verso ‘Sunday Morning, South Wales’, dated 2004, 35 x 45cms Provenance: private collection, consigned via our Cardiff office Auctioneer’s Note: Edward Lewis entered the Slade School of Fine Art in 1960 through the intervention of Myfanwy and John Piper and the encouragement of Ceri Richards 367

368

Presentation & Condition: no apparent problems, framed £100-200 370 LIAM O’CONNOR oil on canvas - head portrait, signed verso and dated 2008, 38 x 55cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, unframed £150-200

369 102

370 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 371 GORDON STUART oil on board - woodland with sky, remnant of a Royal Academy Summer Exhibition label (no date) verso, signed, 40 x 47cms Provenance: estate of Mair Gordon deceased Presentation & Condition: no problems, framed £100-150 372 GORDON STUART oil on board - semiabstract trees in woodland, entitled verso ‘Entry’, signed, 34 x 34cms

371

Provenance: estate of Mair Gordon deceased

372

Presentation & Condition: no problems, framed £100-200 373 SIAN MCGILL oil - sandy cove with rocky cliffs, entitled verso on Albany Gallery label ‘Mewslade, Incoming Tide’, 39 x 29cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £200-300 374 LAURIE WILLIAMS oil on canvas - semiabstract church interior with animals and figures, ascending upward to waiting angels, entitled verso ‘Everybody Goes to Heaven’, signed and dated ‘96, 60 x 60cms Provenance: private collection, consigned via our Cardiff office

373

376

Presentation & Condition: contemporary frame, some scuffing to frame £100-150 375 PAUL REES oil on board - seated female figure on a bench, entitled verso on Attic Gallery label ‘Backstage Bench’, signed verso, 20.5 x 20cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, modern frame £100-150 376 WENDY LOVEGROVE oil on card - group of standing figures in gallery, entitled verso ‘Sara’s First Preview’, unsigned, 17 x 14.5cms

374

375

Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-150

103

The Welsh Sale • Rogers Jones & Co 377 WYN HUGHES oil on board - whitewashed cottage, entitled verso ‘Cae Bach’, signed, 30 x 24cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed £150-200 378 DAI DAVID acrylic - boys in swimming trunks at harbour with yacht, signed with initials, 27 x 46cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £200-300

379 WILF ROBERTS acrylic - entitled verso on Attic Gallery Swansea label ‘Snow, Isle of Anglesey’, signed and dated 2000, 16 x 29cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent. John Wilstead was the Minister of Hill United Reformed Church, Swansea and a lecturer and author on porcelain, he was the ceramics adviser to the City and County of Swansea Museum Service Presentation & Condition: no problems, framed and glazed £400-600

377

378

380

379

381

380 JOHN KNAPP-FISHER miniature oil on card - entitled verso ‘Snow’ with message, signed and dated 2007, 4.25 x 3.5cms

381 DAI DAVID oil on card - view across the lagoon towards Santa Maria della Salute, Venice at sunset, entitled verso on Albany Gallery label ‘A Venetian Sunset’, signed with initials, 20 x 19.5cms

Provenance: private collection mid-Wales

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no problems, framed and glazed £100-150

Presentation & Condition: no problems, framed and glazed £150-200

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382 382 NICK HOLLY acrylic on canvas - final goal, Real Madrid v Cardiff City European Cup 1971, entitled verso, signed, 24 x 29cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £300-500

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

383

384

385

383 WILL ROWLANDS acrylic on board landscape, entitled verso ‘Cysgod Hir’, signed with initials, 25 x 30cms

384 AUDREY HIND oil on board / card - Ynys Mon landscape with farm, entitled verso ‘Cemlyn’, signed, 21 x 30cms

385 KEITH BOWEN oil on canvas - ewe with feeding lamb, signed and dated 1990, 20 x 29.5cms

Provenance: private collection consigned via our Cardiff office

Provenance: private collection consigned via our Colwyn Bay office

Provenance: private collection mid-Wales

Presentation & Condition: no problems, framed and glazed £300-400

Presentation & Condition: excellent frame, glazed, no problems £300-400

Presentation & Condition: no problems, later framed, ready to hang £350-450

386 BRYAN JONES acrylic on canvas - two sunflower heads, entitled verso on Attic Gallery label ‘Sunflower Halo’, signed with initials, 33 x 31cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £100-150 386 387 BRYAN JONES acrylic on paper - entitled verso ‘Sunflowers 1’, signed with initials, 45 x 32cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £100-150 388 No lot

389 389 DONALD MCINTYRE mixed media - study of four ladies, ‘Belle Demoiselles’, signed in full and with artist’s original Bangor address verso with price 12 guineas, 46 x 46cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: framed and glazed £800-1200

387 105

The Welsh Sale • Rogers Jones & Co 390 PHIL NICOL oil on board urban view with parked cars and light reflection on office block, 16 x 16.5cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, neatly framed £100-150

393 ALAN WILLIAMS acrylic - row of whitewashed cottages, entitled verso ‘Farm Aberystwyth’, signed, 34 x 50cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, neatly framed and glazed £250-350 394 ALAN WILLIAMS acrylic - village street scene with figures and tethered pony, entitled verso ‘Llanarth, Dyfed’, signed, 34 x 50cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, neatly framed and glazed £250-350

390 391 ALAN WILLIAMS acrylic - whitewashed cottages with grazing sheep in foreground, entitled verso ‘Cottages, Gwynedd’, signed, 28 x 38cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, neatly framed and glazed £200-300

391

395 ALAN WILLIAMS acrylic - harbour scene with fisherman and boats, entitled verso ‘Little Haven, Dyfed’, signed, 30 x 53cms

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no problems, neatly framed and glazed £200-300

Presentation & Condition: no problems, neatly framed and glazed £250-350

392

394

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392 ALAN WILLIAMS acrylic - road bridge and cottages, entitled verso ‘Little Mill, Dyfed’, signed, 25 x 35cms

393

395

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

396

399

398 DAVID GRIFFITHS MBE oil on board - portrait of Sir Kyffin Williams, 60 x 50cms Provenance: private collection, consigned via our Cardiff office Auctioneer’s Note: in 1993, Sir Kyffin spent a week in Cardiff sitting for a series of portraits by his friend David Griffiths, one portrait is in the National Library of Wales and another in Oriel Ynys Mon. A chapter on Sir Kyffin will appear in David Griffiths’ autobiography to be published later this year

397 396 CHARLES WYATT WARREN oil on board whitewashed cottage and Eryri mountains, entitled verso ‘Farm near Mynydd Mawr’, signed, 18.5 x 33cms

398

Provenance: consigned via our Colwyn Bay office Presentation & Condition: may benefit from light clean, typical original frame which is tired £200-300 397 BERNICE CARLILL oil on paper - still-life of onions, cabbage and bowl, signed, 52 x 37cms Provenance: Attic Gallery, Swansea label verso, from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 379

Presentation & Condition: no apparent problems, framed £700-900

399 CHARLES WYATT WARREN oil on board entitled verso ‘The Glaslyn Near Nant Gwynant’, signed, 24 x 54cms

400 CHARLES WYATT WARREN oil on board stone single arched bridge over mountain stream with woodland, signed, 24 x 54cms

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no problems, framed £300-400

Presentation & Condition: several paint chips left hand side near frame, in original frame £300-400

Presentation & Condition: no problems, framed and glazed £100-120

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The Welsh Sale • Rogers Jones & Co

401

402

401 JACK JONES oil on board - head of Christ, signed and dated 1977, 25 x 29cms Provenance: private collection consigned via our Carmarthen office Presentation & Condition: no problems, later framed £200-300

403

402 GORDON STUART oil on board - still life of brushes in a pot, entitled verso ‘Studio Pots’, dated 1997, signed in full, 29 x 29cms

403 LARA SMITH oil on canvas - expansive coastline with sandy bay, entitled verso on Albany Gallery label ‘Pembrokeshire Coast I’, signed, 46 x 61cms

Provenance: estate of Mair Gordon deceased

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: framed and glazed £250-350

Presentation & Condition: no problems, framed £250-350

405 405 KEITH BOWEN mixed media on board - Afon Eigiau rapids, Eryri, signed, with original Oriel Tegfryn Gallery label verso, 48.5 x 68.5cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £300-400 404 404 ALFRED WORTHINGTON oil on board - primitive school, historic view of Llanbadarn Church near Aberystwyth with The Black Lion public house with a lady in Welsh costume feeding chickens, circa 1890, 38 x 49cms Provenance: private collection Aberystwyth Presentation & Condition: no problems, later framed £800-1200

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* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 406 GARETH THOMAS oil on board - view across estuary with standing figures and boat, signed, 24.5 x 29cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £100-150 407 GARETH THOMAS oil on board - Welsh harbour scene, entitled verso ‘Cemaes Bay’, signed, 23.5 x 28cms

406

407

Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £100-150 408 SALLY JAMES THOMAS mixed media comprising acrylic, linocut, stitch and found object on collage - abstract, entitled verso on Martin Tinney Gallery label ‘Somnium II’, signed, 73 x 52cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £300-500 409 DAVID LLOYD GRIFFITH oil on panel - entitled verso ‘Dusk Over Conwy Valley’, signed with initials, 12 x 34cms

408

410

Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £250-350 410 WENDY LOVEGROVE oil on card - interior with figure at a window, signed with initials, dated verso 2003, 13 x 9cms Provenance: private collection consigned via our Cardiff office

409

Presentation & Condition: no problems, framed and glazed £100-150 109

The Welsh Sale • Rogers Jones & Co 411 NICK HOLLY oil - Egyptian pyramid with tour buses, camels and figures, signed, 28 x 28cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: framed and glazed, slight lifting of work in frame £400-600 412 JOHN WRIGHT acrylic on board Pembrokeshire landscape with River Teifi, near Cilgerran, signed, 38 x 39cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, later professionally framed £300-500

413 413 ALFRED JANES oil on board - standing portrait of Iain Macleod, titled on 1974 Welsh Arts Council label verso, with ownership noted as The Constitutional Club, London, signed, 94 x 73cms Provenance: private collection Essex, Welsh Arts Council, Constitutional Club Auctioneer’s Note: Iain Macleod (1913-1970), Conservative politician, former leader of the House of Commons

411

414 414 CARL MELEGARI large impasto oil on box canvas - head portrait, entitled ‘Ernesto’, 100 x 75cms Provenance: private collection Somerset Presentation & Condition: no problems, impressively framed and glazed £600-1000

412

415 415 ANNA DAVIES mixed media on board entitled verso on Kooywood Gallery label ‘Portrait of a Woman’, signed and dated 2015 verso, 32.5 x 24cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £200-300

Presentation & Condition: no problems, framed £300-500

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* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 416 WILL ROBERTS oil on canvas - figure in field, entitled verso on Tegfryn Gallery label ‘The Cloud over the Moon’, signed verso and dated 1978, 39 x 49cms Provenance: private collection mid-Wales, Tegfryn Gallery to a ‘Miss Pass’ Presentation & Condition: no problems, framed £2000-2500

416

417 417 ED POVEY oil on canvas - entitled label verso ‘Permanence’, signed and dated 2002, 33.5 x 23.5cms Provenance: purchased by the vendor directly from the artist immediately following completion of the work by him, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £1500-2000 418 ED POVEY oil on canvas - entitled ‘Guarding Your Sources’, 44.5 x 39.5cms Provenance: purchased by the vendor directly from the artist immediately following completion of the work by him, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £2500-3000 418 111

The Welsh Sale • Rogers Jones & Co

419 GWILYM PRICHARD early oil on board - farmhouse and figure in landscape, entitled verso ‘Anglesey Farm’, signed, 35 x 60cms Provenance: private collection Worcestershire Presentation & Condition: no problems, framed £2000-3000

419

421

420 420 WILL ROBERTS oil on canvas entitled verso ‘Gower Coastline, 1983’, signed verso, 50 x 59cms Provenance: private collection Cornwall, purchased from Attic Gallery by present owner Presentation & Condition: no problems, original frame £1000-1500

112

421 MARK SAMUEL oil on panel - Cardiff street scene, Castle Street looking towards The Angel Hotel, entitled verso on Martin Tinney Gallery label ‘Opposite the Castle’, dated 1997, 30 x 61cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £200-300

422 ALEX WILLIAMS oil on canvas - series of six compositions arranged on a canvas, signed and dated 1989, 91 x 65cms Provenance: private collection Somerset Presentation & Condition: no problems, framed £400-600

422 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale 423 DAVID WOODFORD oil on canvas - southern Eryri landscape with gorse fires below the crags at Craig Cywarch, near Dolgellau, signed, 70 x 90cms Provenance: private collection Suffolk, purchased by vendor from Phillips in 2001, to accompany is a letter from artist, replying to vendor and explaining the location and drama of Cwm Cywarch. Woodford recalls that the painting was at the first exhibition with Meirioneth Art Society and that he ‘...walked with it most of the way from Dinas Mawddwy to Barmouth!’ Also present a catalogue from a 1994/95 David Woodford exhibition sent to the vendor by the artist and a letter to the ‘new owner’ from the vendor and relating the title as ‘Fires in the Valley’ Presentation & Condition: original frame, slight surface marks and may benefit from superficial clean £500-1000

423 424 MATT STEELE oil on canvas - view of Llandaff Cathedral from the South, signed, 50 x 73cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no apparent problems, framed £150-250 424

425 TOM NASH acrylic - Provence landscape at Mont Ventoux, signed, 33 x 43cms

427

Provenance: directly from the family of the artist Presentation & Condition: no problems, framed and glazed £400-600 426 TOM NASH acrylic - port and sea, signed, 42 x 32cms 425

Provenance: directly from the family of the artist Presentation & Condition: no problems, framed and glazed £400-600 427 CHRIS GRIFFIN oil - whitewashed farmhouse and buildings on mountainside, entitled verso ‘Y Fferm’, signed, dated verso 1984, 27 x 36cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £200-300 426

428 428 HYWEL HARRIES oil on board - unknown coastal scene with figure on horse drawn cart, signed and dated 1960, 57 x 70cms Provenance: private collection Aberystwyth Presentation & Condition: no problems, framed £1400-1700

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The Welsh Sale • Rogers Jones & Co

429

430

429 ANEURIN JONES oil on board - Welsh landscape with sheep and distant farm, 37 x 57cms

430 DAVID COWDRY oil on board - kingfisher perched in snowy river-landscape, signed lower right and dated 2010, 59.5 x 100.5cms

Provenance: private collection mid-Wales, artist’s address verso

Provenance: private collection, consigned via our Carmarthen office

Presentation & Condition: no problems, framed £700-1000

Presentation & Condition: good overall condition, no apparent problems, framed £500-800

431 ANEURIN JONES acrylic two farmers in a field observing, signed, 28 x 20cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: framed and glazed £700-1000 432 ANEURIN JONES acrylic Welsh cob and handler, signed, 38 x 28cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £1000-1500 431

432 433 IEUAN MEIRION PUGH oil on canvas - valley landscape, signed, 48 x 71cms Provenance: private collection Powys Presentation & Condition: no problems, unframed £200-400

433

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434

434 MATT STEELE mixed media on canvas - interior of Llandaff cathedral with Jacob Epstein’s ‘Christ in Majesty’, signed, dated verso 2012, 43 x 41cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed £300-500

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

435

436

435 IOLA SPAFFORD oil on board - still-life, entitled verso ‘Barley’, signed, 48 x 39cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 379 Presentation & Condition: original framing, may benefit from light clean £100-150

437

436 STEPHEN JOHN OWEN oil on board terraced houses, signed with initials, 29.5 x 21cms

437 STEPHEN JOHN OWEN oil on board - terraced houses, signed with initials, 28 x 18cms

Provenance: private collection consigned via our Cardiff office

Presentation & Condition: no problems, framed £200-300

Presentation & Condition: no problems, framed, surface marks to frame only £200-300

438

439

438 GARETH PARRY oil on canvas - two gentleman walking, entitled ‘Am Dro Mewn Hen Chwarel’ / ‘For a Walk in Old Quarry Dinorwic’, signed, 50 x 60cms

439 GARETH PARRY oil on canvas - three standing gentleman in jolly conversation, entitled ‘Tri Ffrind (Dweud Stori) / Three Friends Telling a Tale’, signed in full, 50 x 60cms

Provenance: private collection, consigned via our Colwyn Bay office

Presentation & Condition: no problems, framed £700-1000

Presentation & Condition: no problems, framed £700-1000 115

The Welsh Sale • Rogers Jones & Co 440 WYN HUGHES oil on board coastal cliffs and waves, signed with initials, 21.5 x 19cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed £100-150 441 MEIRION JONES oil on board figures on a village road with landscape, signed, 27 x 29cms Provenance: private collection consigned via our Cardiff office 440

441

Presentation & Condition: no problems, neatly framed £400-600 442 DAVID BARNES oil on board coastal hamlet of whitewashed cottages, signed verso, 29 x 50cms Provenance: private collection consigned via our Cardiff office

442

443

Presentation & Condition: no problems, framed £300-500 443 GWYN BROWN oil on board - entitled verso ‘Cottages, Amlwch’, signed, circa 1970s, 48 x 80cms Provenance: private collection Cheshire Auctioneer’s Note: Gwyn Brown was the owner of Tegfryn Art Gallery in Menai Bridge, Ynys Mon which had a close association with Sir Kyffin Williams - he and the Brown family were very close friends. In this painting one can see Sir Kyffin’s influence in regards to the heavy impasto and earthy colour and it is highly likely that Sir Kyffin tutored Gwyn during the artist’s many visits to Tegfryn Gallery

444 444 KEVIN SINNOTT oil on canvas - artist sketching a reclining nude model, signed with initials, 56 x 69cms

Presentation & Condition: no problems, contemporaneous frame which is tired £300-500

Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed £1500-2500

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Rogers Jones & Co • The Welsh Sale

445 WILF ROBERTS oil on board whitewashed cottage in a landscape with trees, signed and dated 1997, 45 x 49cms Provenance: private collection Cornwall Presentation & Condition: no problems, framed £3000-4000

445

446

446 EVELYN WILLIAMS oil on paper - series of four, entitled ‘Watching Myself Sleep I’, dated 1993, 102 x 73cms

449 THOMAS HASKETT oil on board - landscape with cornfield, signed with initials, 11 x 30cms

Provenance: private collection consigned via our Carmarthen office, purchased from the artist. Please see P.127 of Evelyn Williams ‘Work and Words 1998’ edited by Derek Birdsall and Bruce Bernard

Provenance: private collection Devon

Presentation & Condition: framed and glazed, may benefit from clean £700-1000

Presentation & Condition: no problems, framed £100-150

447 EVELYN WILLIAMS oil on paper - series of four, entitled ‘Watching Myself Sleep II’, dated 1993, 102 x 73cms Provenance: private collection consigned via our Carmarthen office, purchased from the artist. Please see P.127 of Evelyn Williams ‘Work and Words 1998’ edited by Derek Birdsall and Bruce Bernard Presentation & Condition: framed and glazed, may benefit from clean £700-1000

448

448 WILLIAM SELWYN oil on paper - four fisherman on the Menai Straits, entitled ‘Pysgodwyr ar y Menai (2)’, signed in full and entitled label verso, 20 x 32cms 447

Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: framed and glazed £250-350

449

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450 452 TOM GERRARD oil on board - Anglesey landscape, entitled ‘Ffriddoedd’, signed and dated verso 1966, 24 x 38cms

450 THOMAS HASKETT oil on board - landscape with cows entitled verso ‘Cows at Llawhaden’, signed with initials, 12 x 29.5cms

451 JOHN ELWYN oil on board - colourful chickens in a farmyard with buildings in the background, entitled ‘Farm Yard Strollers’, signed and dated 1952, on label verso, with the artist’s Hampshire address, 16.5 x 22cms

Provenance: private collection Devon

Provenance: private collection, consigned via our Colwyn Bay office

Presentation & Condition: no problems, framed £100-150

Presentation & Condition: no problems, framed £1500-2000

Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £200-300 453 GWILYM PRICHARD early oil on board - entitled ‘Bwrdd Arthur’, 24 x 34cms Auctioneer’s Note: early period when the artist signed Gwilym Pritchard as opposed to Prichard Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £400-600 454 DAVID GRIFFITHS MBE oil on board - two boxers, signed and with Mall Galleries label verso, giving the date 1989, the artist’s Cardiff address and with a written question mark Frank Bruno v Frank Tyson, 34 x 44cms

451

Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £300-400

452

453

455 CHRISTOPHER HALL oil on board - back of south Wales terraced houses with three children at play, signed and dated 1989, 28 x 43cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed £300-400 454

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Rogers Jones & Co • The Welsh Sale

456

457

456 GWYNETH TOMOS oil on board - Eryri landscape, signed, 24 x 34cms Provenance: private collection London Presentation & Condition: no problems, framed £100-120 457 CHARLES WYATT WARREN oil on board - Llyn Gwynant with silver birch trees, signed, 23 x 54cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: no problems, typical Hessian type mount and wooden frame, artist’s home address stamp verso £250-350 458 WILF ROBERTS oil on canvas - Ynys Mon landscape with houses, entitled verso on Attic Gallery, Swansea label ‘Uwch y Gors’, signed and dated 2000, 30 x 25cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 379 Presentation & Condition: no problems, original frame £1000-1500

458

459 JACK JONES three early period oil on boards - surreal landscapes, two signed and dated 1952/53, 56 x 44cms, 38 x 61cms and 50 x 60cms Provenance: private collection consigned via our Carmarthen office Presentation & Condition: unframed, surface scratches, losses and chips £200-300 459 119

The Welsh Sale • Rogers Jones & Co

461

462

460 WILF ROBERTS oil on board - titled on plaque mounted to frame ‘Hafod Tan Graig A’r Wyddfa yn Nyferyn Gwynant’, signed and dated 1997, 61 x 45cms Provenance: private collection, consigned via our north Wales office

460

Presentation & Condition: original framing, neat box type frame with Hessian mount £2500-3500 464 461 DAVID BARNES oil on board - still-life of tulips in a blue jar, signed with initials, 29 x 24cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, typical black wide frame £300-400 462 PAUL REES oil on canvas - entitled verso on Ffin-y-Parc gallery label ‘Ryan’s Monologue III’, signed verso and dated 2008, 27 x 27cms

464 CHRIS GRIFFIN oil on canvas - whitewashed Welsh water-mill, signed and dated 1977, 55 x 43cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: slight craquelure, framed £150-250

Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed £150-250 463 ED POVEY oil on canvas - entitled ‘Brideshead’, signed and dated 2004, 33.5 x 23.5cms Provenance: purchased by the vendor directly from the artist immediately following completion of the work by him, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed £1500-2000

463 120

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Rogers Jones & Co • The Welsh Sale

465

466

469

465 JACK JONES oil on board - three standing figures in a Parisian street, entitled verso ‘26 Rue Des Vinaigriess’ on label for Attic Gallery Swansea, signed and dated 1982, 24 x 19cms Provenance: private collection Cornwall, purchased by vendor from the owners of Attic Gallery Presentation & Condition: no problems with painting, original framing may need attention £500-1000

467

468 WILLIAM HENRY MANDER oil on canvas - river with cottage, entitled verso ‘Sketch at Towyn, N. Wales’, signed, 29.5 x 43cms

466 GLYN JONES mixed media on board - flowers, entitled verso ‘Festival’, signed on edge of board and verso, dated 1990, verso with artist’s Cardiff address, 36 x 27cms

Provenance: private collection, consigned from Sweden Presentation & Condition: fine quality antique gilt foliate type frame £300-500

Provenance: private collection, consigned via our Cardiff office

469 WILLIAM MORGAN WILLIAMS aka ‘AP CALEDFRYN’ oil on canvas - half-portrait of a bearded Victorian gentleman, inscribed verso ‘Ap Caledfryn 85’, 60 x 48cms

Presentation & Condition: no problems, in heavy quality frame with deep mount £400-600

Provenance: private collection, consigned via our Cardiff office

467 IVOR DAVIES oil on board entitled verso ‘Fifteen Quinces XII’, signed and dated 1987, 29.5 x 38cms

Presentation & Condition: no problems, later framed and relined £200-400

Provenance: private collection consigned via our Cardiff office, inscribed in pencil verso Windsor Art Centre, Sept ‘89 Presentation & Condition: no problems, framed £600-800

468

470 JOHN UZZELL EDWARDS oil on board - red chapel with broken gate, signed and dated ‘63, 79 x 46cms 470

Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, later framed £700-1000 121

The Welsh Sale • Rogers Jones & Co

471

473

474

471 RONALD LOWE large oil on canvas - expansive landscape, entitled verso ‘Misty and Golden Flight’ and dated 1970, signed, 91 x 131cms Provenance: private collection Derbyshire Presentation & Condition: large canvas unframed, no problems, ready to hang £300-400

475 472 GWYN ROBERTS large oil on canvas - Ynys Mon coastal scene with historic lighthouse, entitled verso ‘Ynys Llanddwyn’, signed with initials, 100 x 100cms Provenance: private collection, Vale of Glamorgan Presentation & Condition: no problems, framed and ready to hang £1500-2000

476 473 HUW GARETH JONES oil on board farm at night, entitled verso ‘Nant y Gors’, signed, 26 x 38cms

475 CLIVE HICKS-JENKINS varnished acrylic on Arches paper - entitled verso ‘Mari Lwyd Unmasked’ signed and dated 1999, 32 x 37cms

Provenance: private collection London

Provenance: private collection consigned via our Carmarthen office, exhibited at artist’s retrospective at the National Library of Wales, 2011

Presentation & Condition: no problems, framed £100-150 474 DAVID BARNES oil on canvas board - Ynys Mon with whitewashed cottages on cliff tops, entitled verso ‘West Coast of Anglesey’, signed verso, 30 x 40cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed £250-350

Auctioneer’s Note: the artist produced a number of works on the subject of Mari Lwyd from 1999 to 2001 culminating in the Newport Museum Exhibition ‘The Mare’s Tale’ in 2001 Presentation & Condition: no problems, framed and glaze £500-800 476 THOMAS HASKETT oil on card - Cardigan Bay coastline, signed with initials, 25 x 33cms Provenance: private collection Devon Presentation & Condition: no problems, framed and glazed £80-120

472

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Rogers Jones & Co • The Welsh Sale

477 477 CHARLES WYATT WARREN oil on board - lake with mountains in background, entitled verso ‘Snowdon from Fachwen’, signed, 24 x 54cms Provenance: private collection Kent Presentation & Condition: no problems, original frame and glazed £250-350

478 478 DAVID LLOYD GRIFFITH oil on card - entitled verso ‘Pensarn Beach’, signed with initials, 11 x 15.5cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazed £100-200

480

479 JOHN ELWYN gouache - landscape with road, signed, 34 x 47cms Provenance: private collection mid-Wales Presentation & Condition: no problems, framed and glazed £1800-2500

479 480 HENRY HADFIELD CUBLEY oil on canvas - figure feeding poultry beside Welsh cottage, entitled verso ‘Old House, Arthog’ and dated 1917, signed, 35 x 45cms Provenance: private collection consigned via our Colwyn Bay office Presentation & Condition: no problems, later framed £200-300 481 TOM NASH acrylic - figure with cow in red and blue, signed, 47 x 36cms

481

Provenance: directly from the family of the artist Presentation & Condition: no problems, framed and glazed £400-600 123

The Welsh Sale • Rogers Jones & Co

482

483

482 TOM NASH acrylic - two standing ballet dancing figures in the wings as another leaps on stage, signed, 35 x 48cms

483 TOM NASH acrylic - Camargue cattle in orange and yellow, signed, 36 x 48cms

Provenance: directly from the family of the artist

Presentation & Condition: no problems, framed and glazed £300-400

485 485 DAVID KNIGHT oil on board - nude with white sheet, signed, 74 x 58cms Provenance: private collection, consigned via our Cardiff office

484 484 NICK HOLLY oil on canvas - village terraces at dusk, with two red shirted children and two others playing, signed, 80 x 100cms

Presentation & Condition: no problems, framed, slight damage to frame £500-800

Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: in contemporary frame £1800-2200

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Rogers Jones & Co • The Welsh Sale

486 486 KEVIN SINNOTT enormous oil and charcoal on linen - entitled verso on Flowers gallery label ‘The Boxing Field, Pontycymmer c.1920’, signed with initials, 178 x 220cms Provenance: private collection consigned via our Cardiff office. The painting is from Kevin Sinnott’s ‘History’ series which was exhibited at the launch of the artist’s own gallery - Studio 18, in 2016. It was then transported to London and sold through Flowers to the vendor’s late husband Presentation & Condition: no problems, ready to hang £10000-15000

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The Welsh Sale • Rogers Jones & Co

487 DONALD MCINTYRE acrylic - fishing boats on the shore, entitled verso on artist’s handwritten label ‘Blue Boat (3195)’, signed with initials, 29 x 38cms Provenance: private collection, consigned via our north Wales office Presentation & Condition: no problems, original framing, glazed £3000-4000

487 488 DONALD McINTYRE oil on board - entitled verso ‘Cottages, Anglesey’, signed, 43 x 50cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no apparent problems, framed £1800-2500

488

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Rogers Jones & Co • The Welsh Sale 489 DONALD MCINTYRE acrylic entitled verso ‘Dark Sea Iona’, signed, 49 x 60cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 379 Presentation & Condition: no problems, original frame and mount, glazed, very fine example £4000-7000

489 490 DONALD MCINTYRE oil on board - interior, entitled verso ‘Still Life with Flowers’, circa 1970, signed with initials, 31 x 20cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: contemporaneous frame with fabric mount, no problems £2000-3000

490

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The Welsh Sale • Rogers Jones & Co

491 DONALD MCINTYRE acrylic entitled verso ‘Cottages Cullen No.6’, signed verso to label, 17 x 26cms Provenance: Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 379 Presentation & Condition: no problems, framed and glazed £1000-1500

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491

492

493

494

492 DONALD MCINTYRE acrylic entitled verso on Attic Gallery Swansea label ‘Pembs Coast No. 2’, signed with initials, 25 x 36cms

493 DONALD MCINTYRE acrylic - whitewashed cottage in landscape, entitled verso ‘Holyhead Mountain’, signed with initials, 29 x 39cms

494 DONALD MCINTYRE acrylic - entitled verso on Attic Gallery Swansea label ‘Storm Headland’, signed with initials, 19 x 27cms

Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, please see Lot 379

Presentation & Condition: no problems, framed and glazed £1500-2000

Presentation & Condition: no problems, framed and glazed £1500-2500

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • The Welsh Sale

495 495 DONALD MCINTYRE acrylic - coastal scene with whitewashed cottage, entitled verso on artist’s handwritten label ‘Dolan (4527)’ signed, 53 x 78cms Provenance: private collection, consigned via our north Wales office Presentation & Condition: no problems, original frame £6000-9000

496 JOHN CLEAL bronze - profile of a Roman Goddess, entitled ‘Juno’, 28cms high Provenance: certificate of provenance from Workshop Wales Gallery signed by artist, private collection consigned via our west Wales office Condition Report: no problems £400-600

497 497 OGWYN DAVIES clay and wood construction - with inscribed fish symbol and the lettering ‘IXOYE’ above, entitled verso ‘Ichthus 2000 AD’ verso, signed and dated ‘00, 10 x 23cms Provenance: private collection, consigned via our Cardiff office Auctioneer’s Note: the word ‘IXOYE’ is an acronym comprised of the first letter of five Greek words, Iesous Xristos, Theou, Yios, Sotare which means Jesus Christ, Son of God, Saviour. Ichthys is a symbol consisting of two intersecting arcs, the ends of the right side extending beyond the meeting point so as to resemble to the profile of a fish. The symbol was adopted by the early Christians as a secret symbol

496

Presentation & Condition: no problems, framed £150-250 129

The Welsh Sale • Rogers Jones & Co 499 DARREN YEADON carrara marble sculpture - fish with openwork lattice carving, 38cms high Provenance: consigned by artist via our Cardiff office Presentation & Condition: no problems, unmounted £800-1000

499

500 DARREN YEADON carrara marble sculpture - fish, 38cms high

498

Provenance: consigned by artist via our Cardiff office

498 TOM HUGHES bronze and steel sculpture - rampant dragon with one leg raised on a steel square base, signed and dated ‘78, 23cms tall x 22cms 500

Provenance: private collection, consigned via our Cardiff office

Presentation & Condition: no problems, unmounted £800-1000

Presentation & Condition: no apparent damage £300-500

Rogers Jones & Co will be offering the remaining paintings from the estate of Gareth Thomas in a ‘timed auction’ format which will be available to view and bid online from August 16th as The Studio Paintings of Gareth Thomas (1955-2019)

501

501 ED POVEY limited edition (8/51) patinated hollow bronze sculpture entitled ‘A Woman Searching the Skies’, approximately 55 x 55cms Provenance: consigned via our Colwyn Bay office, original advertised price £4700

502 502 GARETH THOMAS oil on canvas - entitled verso ‘Looking towards Snowdon from Anglesey’, signed, 39 x 57cms Provenance: from the late artist’s estate Presentation & Condition: no problems, neatly framed £400-600 503-509 No lots

Condition Report: no problems £700-1000

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Selections & Collections / Dewisiadau & Chasgliadau 4.30pm 24.7.21

Selections & Collections / Dewisiadau & Chasgliadau (4.30pm)

SUPER SATURDAY/ DYDD SADWRN MAWR

Selections & Collections • Rogers Jones & Co

Jewellery, Watches & Coins – Lots 510-541 511 FINE SHEFFIELD GOLDSMITHS COMPANY VICTORIAN 18CT GOLD FULL HUNTER POCKET WATCH WITH POWER RESERVE, by VICTOR KULLBERG, numbered 4746, London hallmark for 1885, frosted gilt 3/4 plate movement with helical steel balance spring, cut and compensated balance, white enamel dial with black Roman numerals and outer five minute divisions, subsidiary seconds and up-down dials, blued steel spade hands, polished round hinged case with monogrammed front and back, EW case maker’s mark possibly for Ebenezer White, dial and movement signed, 50mm 510

Provenance: private collection south Wales, consigned via our Cardiff office

510 LATE 18TH CENTURY DUFALGA GENEVA GOLD & ENAMEL OPEN FACE POCKET WATCH, gilt full plate fusee verge movement, white dial with black Roman chapter ring, black outer minute markers with Arabic five minute markers, winding aperture at 2 o’clock, enamel initials ‘E W’ to reverse, movement signed

Auctioneer’s Note: No. 4746 is specifically referred to in the hand-written entry in the Day Book of Victor Kullberg, where the Sheffield Goldsmiths Company returned the watch insisting the name of the firm be printed on the dail and engraved on the plate, presumably instead of Victor Kullberg. Victor Kullberg is recorded as making some of the finest chronometers and he was one of the most successful horologists of the 19th century. He was born in Visby, Sweden in 1824 and worked for LU Jurgensen in Copenhagen, moving to London in 1851. He gained many top medal awards around the world, including nine gold medals with diplomas of honour. Kullberg came top of the Greenwich trials twelve times and was granted the Cross of the Legion of Honour in 1889. He died in 1890. With thanks to Mr Jon Campbell for help in attributing this fine watch. Condition: very minor wear to case, dial with small hairline at 7, minute hand slightly corroded, otherwise super. £2000-3000

Provenance: private collection Cheshire, consigned via our Colwyn Bay office Condition: chip and loss around winding aperture, clock hands are loose, inner back cover looks to be marked ‘HF’ although rubbed, surface wear and scratches, not tested or running (see further images online) £400-600

511

512 WALTHAM 18CT GOLD FULL HUNTER POCKET WATCH, the white enamel dial having Roman numeral chapter ring and subsidiary seconds dial, the 17 jewel movement marked ‘The “Russell” Model W.W.Co., Waltham, Mass, U.S.A.’, numbered 22104149, Chester 1923, 103.8gms Provenance: private collection north Wales, consigned via our Colwyn Bay office Condition: some scuffs and scratches around rims located at the cover openings, minor surface wear as expected, seconds hand is ticking but not tested long term, a few minor dents £1300-1500

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Rogers Jones & Co • Selections & Collections

513 513 OMEGA 9CT GOLD LADIES WRISTWATCH having integrated 9ct gold strap, the inner back cover marked ‘Omega Watch Co’ and numbered ‘977 27048’, in Omega clam shell box, 24.6gms overall Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition: repair to back of bracelet, appears in complete overall condition, not tested as running, wear and light marks / scratches, box scuffed and hinge loose, comes with 1990 insurance valuation document £200-400 514 OMEGA 9CT WHITE GOLD LADIES WRISTWATCH, the inside back cover marked ‘Omega Watch Co’ and numbered 7115698, having 9ct white gold integrated strap, 33.9gms, in vintage Omega red square box Provenance: private collection Newport, consigned via our Cardiff office Condition: appears in good overall condition, some surface wear and light scratches, part of one of the clasps on latch is broken but still working well, not tested as running, box has some minor wear commensurate with age £300-500

514

515

515 MUST DE CARTIER TANK VERMEIL MID-SIZE WRISTWATCH, ref. 590005, serial. no.28xxx, CIRCA 1989, signed off white dial with Roman numerals and blued steel hands, sapphire cabouchon crown, Cartier 690 8-jewell quartz movement, tan crocodile grain leather strap stamped Cartier, non-Cartier gold tone buckle, screwdown caseback signed and stamped, 23mm x 30mm, with red Must de Cartier box and guarantee booklets Provenance: private collection consigned via our Cardiff office Condition: case with some scratches, dial, hands all good, glass with minor scratches, crown adjusting correctly. Strap worn and creased, wear considered acceptable and in fair condition £300-500 516 BOUCHERON 18K GOLD & DIAMOND GENTLEMAN’S ‘REFLET’ BRACELET WATCH, the signed, rectangular twotone champagne dial set with 4 diamonds, in gold case set with a further 99 diamonds, the signed back numbered AL 440***, quartz movement, gold brick link bracelet with double deployant clasp, caseback, link and clasp all signed and stamped 18K/750, 29 x 43mm, gross weight 172.6g Provenance: north Wales solicitors instructions Condition: dial excellent, glass case and bracelet with minor scratches, links still tight, generally very good allover. £3000-5000 516

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Selections & Collections • Rogers Jones & Co 516A BUECHE GIROD 9CT GOLD GENTLEMAN’S WRISTWATCH, square enamel dial with Roman chapter ring, seventeen jewel movement, with integrated 9ct gold bracelet. 87.5gms overall in original box Provenance: private collection Vale of Glamorgan Condition: in good overall condition appearing complete, surface wear and scratches commensurate with 516A age. Runs when wound, not tested for accuracy. Closing button clasp on exterior of box missing. £800-1200 517 FINE & RARE ROLEX 18K THREE COLOUR GOLD & DIAMOND AUTOMATIC CALENDAR BRACELET WATCH, Oyster Perpetual Day Date, Tridor, Ref. 18948, case no. K552***, circa 2001, Cal. 3155 31-jewel movement adjusted for position and temperature, champagne dial with diamond numerals, apertures for date and day of week, gold hands, the bezel of the substantial case set with 50 round diamonds, screw down back and crown, fitted yellow, pink and white gold bracelet with deployant clasp, 72748 stamped end pieces and clasp, case, dial and movement signed, case 38mms diam., with green Rolex velvet slip case Provenance: north Wales solicitor’s instructions Condition: excellent condition. ready to wear £12000-18000

517 518 RARE GRANA WWII BRITISH MILITARY ISSUE WRISTWATCH, stainless steel case with manual wind movement, one of the famous ‘Dirty Dozen’, the circular black dial bearing broad arrow mark, luminous ‘pencil’ hands and Arabic numerals, railroad minute track and subsidiary seconds dial at 6 o’clock, reverse stamped with broad arrow above ‘W. W. W.’ and ‘M 18540’, replicated to the inner back cover along with additional number 552078, movement marked ‘15 jewels’ and ‘K.F. 320’, with dust cover, case 36mms diam. (excluding crown) with later strap Provenance: consigned via our Carmarthen office Auctioneer’s Note: the ‘Dirty Dozen’ consisted of twelve Military Issue wristwatches produced in the mid 1940s to be rugged, accurate and reliable. The ‘W W W’ engraved on the rear of the watch simply stands for ‘Watch, Wrist, Waterproof’ with approximately 1000-1500 examples of the Grana edition produced resulting in it being the rarest and often the most coveted Condition: lume missing to 6, lume aged to brown, tiny scratch to seconds dial, generally appears in good overall condition with no obvious or major damage, scratches and surface wear as expected, seconds hand ticking, a very good example, small screw missing to smaller wheel in movement £5000-10000

518

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Rogers Jones & Co • Selections & Collections

519

520

521

519 YELLOW METAL DIAMOND & RUBY SET COCKTAIL WATCH, the dial marked ‘A E C Watch’, set with a border of square cut rubies, accentuated with six diamonds totalling 0.7cts overall approximately, together with a matched pair of yellow and white metal diamond and ruby set earrings, 26.7gms overall (3) Provenance: private collection south Wales, consigned via our Cardiff office Condition: all three items appear to be unmarked, various inclusions to diamonds, all stones present £600-1000 520 9CT GOLD CURB LINK T-BAR ALBERT CHAIN having various attachments including three gold sovereigns dated 1901, 1907 and 1959, two half sovereigns dated 1871 and 1912, 9ct gold Beetle charm, enamel cherub heart shaped charm and yellow metal ring of keys spelling ‘MADRID’, 63.5gms overall Provenance: private collection Aberystwyth, consigned via our Carmarthen office Condition: appears in good overall condition with light wear and scratches commensurate with age, enamel charm is not gold £1000-1500

521 9CT GOLD ALBERT WATCH CHAIN, having curb links with ‘T-bar’, 45.5cms long, 58.6gms Provenance: private collection North Wales, consigned via our Colwyn Bay office Condition: appears in very good overall condition, no apparent problems £700-1000 522 9CT GOLD ENGINE TURNED VESTA CASE of rectangular shape with 9ct gold oval link Albert chain with ‘T-bar’, the chain 33.5cms long, 62.3gms overall Provenance: private collection Cheshire, consigned via our Colwyn Bay office Condition: appears in very good overall condition, minor wear only, clasp working well £700-1000

522

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Selections & Collections • Rogers Jones & Co 523 GEORGE V 9CT GOLD VESTA CASE, of slightly curved shape, Birmingham 1919, Deakin & Francis, 30.1gms Provenance: private collection north Wales, consigned via our Colwyn Bay office

523

526 18CT GOLD PINK SAPPHIRE & DIAMOND RING, the central pink sapphire (6 x 5mms approx.) flanked by two diamonds (0.1cts each approx.), ring size I / J, 2.7gms Provenance: private collection Aberystwyth, consigned via our Carmarthen office

Condition: minor dent to top, otherwise appears good with only minor wear £350-500

Condition: appears in good overall condition, light wear and scratches £200-400

524 18CT GOLD DIAMOND RING, the central stone (0.7cts approx.) flanked by diamond tapering baguette shoulders, ring size K, 2.4gms

527 18CT WHITE GOLD SAPPHIRE & DIAMOND CLUSTER RING, the central sapphire (10 x 6mms) surrounded by sixteen diamonds (0.05cts each approx.), ring size N, 6.6gms, in Jeffries jewellery box

Provenance: private collection Powys, consigned via our Carmarthen office Condition: central diamond has feather / crack extending from girdle part way into ‘table’, black mineral inclusions to one of baguette diamonds £600-1000

Provenance: private collection Newport, consigned via our Cardiff office Condition: appears in good overall condition, diamonds are well matched, various inclusions £500-800

525 YELLOW & WHITE METAL DIAMOND CRESCENT BROOCH, set with nineteen graduated diamonds, 7.8gms

528 14CT GOLD EMERALD & DIAMOND LEAF BROOCH, 5.5cms wide, 18.6gms, in Jeffries of Newport jewellery box

Provenance: private collection Powys, consigned via our Carmarthen office

Provenance: private collection Newport, consigned via our Cardiff office

Condition: appears in good overall condition with all stones present, bar slightly misshapen, unmarked £400-700

Condition: appears in good overall condition with no stones missing, there appears to be a split / loss in the connecting bars between the two leaves £350-450

524

529 18CT GOLD AMETHYST & DIAMOND DRESS RING, the large square cut amethyst (12 x 12mms) flanked by a trio of diamonds to each shoulder, ring size L, 9.8gms, in Charles De La Jonchere ring box Provenance: private collection Newport, consigned via our Cardiff office

527

Condition: appears in good overall condition, all stones present, black mineral inclusions present to diamonds £300-500

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* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections

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530 18CT GOLD THREE STONE DIAMOND RING, the three primary stones (totalling 1.0cts approximately) on a twist shank with diamond chip shoulders, ring size N, 5.5gms Provenance: private collection Newport, consigned via our Cardiff office Condition: central stone has feather / crack partially visible through ‘table’, one of flanking stones has small chip to ‘girdle’ area £600-1000

531 18CT GOLD TWO STONE DIAMOND RING, the two primary stones (totalling 0.7cts approximately) illusion set on a twist shank, ring size M, 4.8gms Provenance: private collection Newport, consigned via our Cardiff office Condition: some small black mineral deposits, otherwise appears good overall £400-600 532 YELLOW METAL DIAMOND & RUBY FLORAL BROOCH, the small central diamond surrounded by five rubies, 16.2gms Provenance: private collection south Wales, consigned via our Cardiff office Condition: appears to be unmarked, all stones present, minor wear and light surface scratches £200-400 533 CARVED CHINESE JADEITE LEAFY GOURD PENDANT, later mounted with three rows of tiny diamonds and two primary diamonds totalling 0.3cts overall approximately, on white metal chain Provenance: private collection south Wales, consigned via our Cardiff office Condition: pendant looks good overall with a couple of minor nibbles, white metal setting unmarked £300-500

533 534 18CT GOLD LOCKET ON 9CT GOLD CHAIN, the locket decorated with enamel, seed pearl and diamond (0.1ct approx.) North Star, the double chain measuring 74cms long approx., 54.3gms overall Provenance: private collection Cheshire, consigned via our Colwyn Bay office Condition: appears in good overall condition, surface wear and light scratches as expected, minor dent to back of locket, anchor points for North Star visible to interior of locket as well as old glue £800-1200

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Selections & Collections • Rogers Jones & Co 538 CASED MOONSTONE & DIAMOND STICK PIN, yellow metal set, in original vintage box marked ‘Mrs. Newman, 10, Savile Row, W.’, 2.1gms Provenance: private collection Monmouthshire, consigned via our Cardiff office

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539

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535 18CT WHITE GOLD SAPPHIRE & DIAMOND CLUSTER RING, the four central sapphires (5 x 5mms each approx.) surrounded by twenty diamonds, ring size M, 6.9gms

537 CASED SET OF SIX OPAL DRESS BUTTONS of circular shape in original vintage jewellery box marked ‘Mrs Newman Goldsmith & Court Jeweller 10. Savile Row W.’

Provenance: private collection Cheshire, consigned via our Colwyn Bay office Condition: appears in good overall condition, minor surface wear and light scratches £300-500 536 GARNET SET RIVIERE NECKLACE, the thirty graduated oval-shaped stones closed set in yellow metal, 38.5cms long, together with similar bow design 9ct gold earrings, 29.3gms overall Provenance: private collection Cheshire, consigned via our Colwyn Bay office Condition: no visible hallmarks on necklace, all stones are very included, clasp in working order, in black jewellery box £300-500

Provenance: private collection Monmouthshire, consigned via our Cardiff office Auctioneer’s Note: Charlotte Isabella Newman (1836-1920), also known as Mrs Philip Newman is often credited as the first important female studio jeweller, pupil and assistant to the noted jeweller John Brogden, she won a médaille d’honneur for her collaboration with Brogden at the 1878 International Exhibition in Paris Condition: all appear in good overall condition, surface wear and light scratches, box in good order with only light wear £200-400

Auctioneer’s Note: Charlotte Isabella Newman (1836-1920), also known as Mrs Philip Newman is often credited as the first important female studio jeweller, pupil and assistant to the noted jeweller John Brogden, she won a médaille d’honneur for her collaboration with Brogden at the 1878 International Exhibition in Paris Condition: appears in good overall condition, appears to be a tension crack to right hand side of moonstone, box good overall with light wear and minor scuffs. £150-250 539 YELLOW & WHITE METAL SET DIAMOND & RUBY BAR BROOCH of naturalistic bow, scroll and leaf design, 11.3gms Provenance: private collection South Wales, consigned via our Cardiff office Condition: all stones are present, no obvious or significant damage £400-600

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* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

540 ART DECO DIAMOND ENCRUSTED PENDANT ON CHAIN, having diamond drop (1.0ct approx.) below the pierced geometric fan shaped pendant, set with circular and baguette shaped diamonds, 10.7gms overall, in fitted ‘Russells Ltd’ of Liverpool and Manchester jewellery box Provenance: private collection Cheshire, consigned via our Colwyn Bay office Condition: a fine example which appears in good overall condition, all stones present, unmarked probably platinum £7000-8000

540 541 POBJOY MINT ISLE OF MAN 1973 GOLD FOUR COIN SOVEREIGN SET comprising £5 coin, £2 coin, sovereign and half sovereign, in original green box, 68.2gms overall approximately Provenance: private Pembrokeshire collection, consigned via our Carmarthen office Auctioneer’s Note: The Royal Mint did not produce a sovereign in 1973, this set produced by The Pobjoy Mint features Queen Elizabeth II and a striking design of a Norse warrior on horseback

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Condition: appears in good overall condition with no obvious damage, minor wear and marks £1500-2500

Non-European Antiques & Fine Art – Lots 542-551 542 PAIR OF CHINESE POWDER BLUE & GILT PORCELAIN JARDINIÈRES, 19th/20th Century, decorated in gilt with a continuous frieze depicting three ladies greeting a travelling scholar with horse and attendant, in a terraced garden with three boys and pavilion, above and below diaper borders, bases with underglaze blue double circles, 20cms high x 23.5cms diam. (2) Provenance: private collection, north Wales Condition: one with gilt slightly worn, the other with area scratched to shoulder, some areas gilt worn. £600-800 542

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Selections & Collections • Rogers Jones & Co 543 CHINESE BLUE & WHITE PORCELAIN BRUSHPOT, 19th/20th Century, painted with two confronting 5-clawed dragons amid flowering peony, lotus and camellia, 12.7cms high x 14cms diam Provenance: deceased estate, west Wales Condition: no apparent problems £200-300

544 CHINESE BLUE & WHITE PORCELAIN SQUARE FLASK, probably 18th Century, painted with four panels of different flowering plants including plum and chrysanthemum within diaper borders, arched shoulder with triple lozenges and lotus stems, short waisted neck, unglazed base, 27cms high Provenance: deceased estate, west Wales Condition: neck chipped, with cracks extending to shoulder £500-700

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545 CHINESE BLUE & WHITE PORCELAIN ‘HAWTHORN’ JAR AND COVER, late Qing Dynasty or later, painted with two lobed panels of vases of lotus and of peony and with Chinese antiques, reserved on a cracked ice and flowerhead ground, 25.5cms high Provenance: deceased estate, west Wales Condition: no apparent problems, cover possibly associated £300-500 546 CHINESE BLUE & WHITE PORCELAIN SQUARE FLASK, 19th/20th Century, arched shoulders and countersunk panels with indented corners, painted in the Kangxi-style with lotus scrolls above panels depicting an elegant lady beside furniture in a garden with banana, willow, maple and prunus, possibly denoting the seasons, later applied plated metal neck, glazed base, 25cms high Provenance: deceased estate, west Wales 544

546

Condition: neck broken, minute fritting and surface wear to corners/edges, pin pricks to glaze. £500-700 547 CHINESE BLUE & WHITE PORCELAIN JAR, Kangxi mark but later, painted with a long-tailed pheasant on a rock issuing flowering peony and prunus branch, below a bold lotus decorated cloud collar, short neck with double lined border, base with 6-character mark within double circles, 24cms high Provenance: consigned via our Colwyn Bay saleroom Condition: glaze with scattered ‘pin pricks’ and iron oxide blemishes £400-600

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547 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections 549 CHINESE BLUE & WHITE PORCELAIN VEGETABLE TUREEN & COVER, late Qianlong/Jiaqing, of shaped oval form, painted to the inside and cover with pavilions nestling on tree-strewn river banks, diaper borders, grooved twisted strap handles with foliate terminals, pierced bud knop, unglazed base, 32cms wide Provenance: private collection Cardiff Condition: minor glaze scratches £100-150 549 550 PAIR OF CHINESE BLUE & WHITE PORCELAIN VASES, Kangxi mark but later, baluster form with straight necks, the body painted with confronting fourclawed dragons on a flowering ground of chrysanthemum, lotus, palm, fruit etc., cloud collar shoulder band and lappet foot, base with four-character Kangxi mark, 30.5cms high (2) 548 548 CHINESE POWDER BLUE GROUND PORCELAIN ROULEAU VASE, six-character Kangxi mark but 19th/20th Century, painted with two large reserves depicting Xiwangmu with flower basket and hoe, riding a deer beside an attendant holding a large peach of immortality, beneath a gnarled pine tree, four other smaller fan-shaped and pomegranate-shaped reserves painted with fish and with flowering iris respectively, base with apocryphal reign mark within a double circle, 43cms high Provenance: Cardiff based merchant seaman, thence by descent to the present owner Auctioneer’s Note: compare with a smaller powder blue rouleau vase sold at Rogers Jones & Co, Cardiff, lot 162, 26 March 2021 with similar shaped panels Condition: no apparent damage £700-1000

Provenance: private collection, north Wales Condition: both with fritting to rim and foot, one with crack to neck £300-500

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551 CHINESE BLUE & WHITE PORCELAIN ‘SCHOLARS AND LANDSCAPE’ JAR, Kangxi, of ovoid form, painted with a broad continuous frieze depicting two figures in an extensive mountainous landscape with river and pavilions, cloud collar to the shoulder, base with double circle, later pierced hardwood cover, 22cms high, 25cms with cover Provenance: private collection, consigned via our Cardiff office Condition: small firing crack extending to small hairline, tiny foot-ring nibbles £2000-3000

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Selections & Collections • Rogers Jones & Co

European & British Antiques & Fine Art – Lots 552-615 552 TWO GEORGIAN GLASSES, comprising an ale glass with flute moulded funnel bowl engraved with hops and barley, on double series opaque twist stem and conical foot, 19.5cms high, and a wine glass with large ogee bowl on a double series opaque twist stem, conical foot, 16cms high (2) Provenance: private collection south Wales, consigned via our Cardiff office Condition: wine with several chips to foot. two small bubbles in the foot, grain of grit in the bowl. Ale with chipped bubble to pontil, footrim ground. £200-300

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553 THREE GEORGIAN WINE GLASSES, comprising a single series air twist cable wine with rounded funnel bowl, 14.3cms high, a double series opaque twist wine with flute moulded waisted ogee bowl, 15cms high and a double series opaque twist wine with tulip bowl, 16cms high, all on conical feet (3) Provenance: private collection south Wales, consigned via our Cardiff office Condition: all three with chips to feet £200-300

554

556 554 PAIR LATE 18TH CENTURY PORCELAIN CANDLESTICK FIGURES, probably Chelsea-Derby c. 1770, she holding posies in her apron, he with posy in his hand, 27cms high (2) Provenance: private collection south Wales, consigned via our Cardiff office Condition: lady with re-stuck head, gentleman with re-stuck hand, chips to flowers, both lack sconces £150-200

555 555 RARE NAMED & DATED PRATTWARE POTTERY NOVELTY COILED PIPE, dated 1810 and named “T.Woosnam Esq.” with moulded boys on the bowl and foliate decoration to the coils, 33 x 16.5cms Provenance: collection of Gwyneth and the late Ieuan Evans Auctioneer’s Note: although Woosnam is a name common to mid-Wales particularly Llandinam and Llanidloes area, we believe this pipe could possibly have been a christening present for a certain T. Woosnam born in 1810 in Old Swinford, Worcester Condition: restoration to mouthpiece, bowl stem, some discolouration to the coils and bowl £300-500 144

556 19TH CENTURY SHERRATT TYPE STAFFORDSHIRE PEARLWARE FIGURAL GROUP, ‘The Proposal’ or ‘Courtship’, brightly coloured in puce, yellow, orange-red and green with a gentlecouple seated on a bench before an arbour in period costume with a dog and plant pot at their feet, 18.5 x 11 x 19cms Provenance: private collection south Wales Auctioneer’s Note: For similar models see Rosalie Wise Sharpe, Ceramics, Ethics and Scandal (2002), p. 99; Myrna Schkolne, People, Passions, Pastimes and Pleasures (2006), p. 66., and Myrna Schkolne, Staffordshire Figures 1780-1840, vol 4, ill. 138.3a) Condition: chips to top edge of arbour, plant stem broken, reglued chip to side of base £500-700

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections 557 TWO ENGLISH BONE CHINA CABINET PLATES comprising (1) Royal Worcester plate 1875, painted by Robert Perling with King Charles spaniels, cavaliers hat and cockspur on a velvet covered table, pierced, jewelled and gilt border, titled in brown script verso, ‘The Cavalier’s Pets, after Sir E. Landseer RA by R F Perling’, red printed and impressed marks, 23cms diam; (2) a Rockingham plate, circa 1826-30, centre painted with titled view ‘ Ferry House at Bunaur’ within primrose leaf moulded border and gilt cavetto and rim, red printed griffin and impressed B marks, 25cms diam (2) Provenance: private collection, South Wales

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Auctioneer’s Note: Robert Perling began as a painter at Chamberlains and became Royal Worcester’s foremost animal painter, compare with a Chamberlains basket painted with Queen Victoria’s Cavalier King Charles spaniel ‘Dash’, after Landseer, sold at Bonhams 8 March 2006 Condition: (1) reverse with slight discolouration of body at the edges (2) paint flakes to trees in centre £200-300 558 19TH CENTURY ENGLISH BONE CHINA VEILLEUSE & PAIR OF ROCOCO VASES, possibly Minton, teapot painted in gilt with rococo scroll designs on a green ground, upon a castellated funnel painted with a continuous rural scene depicting a gypsy encampment beside a gnarled tree and stone bridge with donkey and rider, river valley in the distance, on circular base containing a pastille bowl, gilt rims, 21.5cms high, vases of rococo form with quatrefoil foliate rims, twin loop handles, painted with exotic birds on branches and butterflies bordered with encrusted flowers, gilt highlights, 22.5cms high (3)

558 559 19TH CENTURY TERRACOTTA BUST OF ITALIAN POLITICIAN Niccolò da Uzzano (1359-1431) a politician of the old Florentine Republic, life-size half bust in red robe on a rectangular base with curved front, his head turned to the left shoulder, titled on the front of the base ‘Busto di Niccolò da Uzzano. Opera di Donatello’ (Bust of Niccolò da Uzzano. Work of Donatello), 56cms high, 46cms wide

Provenance: vases - Herbert M. Vaughan MA FSA JP, Plas Llangoedmor, Cardigan, High Sheriff of Cardiganshire

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

Auctioneer’s Note: vase with handwritten notes associating them with H M Herbert, and referring to them as ‘Worcester’

Auctioneer’s Note: after a Renaissance bust attributed to Donatello (c.1386-1466), dated to the 1430s, today in the National Museum of Bargello, Florence

Condition: vases - one with restuck rim and hairline crack to one handle, both with chips to the encrusted flowers; teapot - regilded chip to spout £300-500

Condition: significant paint loss overall, multiple chips to base rim. impressed marks to inside and numbered 233, pencil number to back ‘125’ £400-600 559

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Selections & Collections • Rogers Jones & Co 560 TWO SEVRES-STYLE BLEU CELESTE PORCELAIN PLATES, 19th Century, centres painted with sprays of flowers and fruit, borders with three vignettes of exotic bird pairs, between raised gilt floral garlands, gilt rocaille cavettos and shaped dentil rims, backs with spurious blue enamel interlaced Ls, one plate with old paper label, 24cms diam. (2) Provenance: private collection south Wales Condition: raised gilt rubbed in places, both underside with worn glaze patches £200-300

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561 FOUR SEVRES-STYLE PORCELAIN BLEU CELESTE TEA CUPS AND SAUCERS, 19th Century or later, decorated with with raised tooled gilt rococo bordered vignettes of exotic bird pairs, comprising a cabinet cup stand decorated with interlaced Ls to the centre, base with spurious interlaced Ls with letter A, small star and paper label inscribed ‘From Earl of Lonsdale (Collection) Lowther Castle April 1947’ 14.4cms diam., saucer with MA monogram, 13.7cms diam., teacups and saucer with spurious blue enamel interlaced Ls and Trianon marks, saucer with additional typed label revering to Lonsdale collection (4)

562 SEVRES-STYLE PORCELAIN BLEU CELESTE MILK JUG & CHOCOLATE CUP, 19th Century or later, jug decorated with with raised tooled gilt rococo bordered vignettes of flowers and fruit, gilt dentil rim, crabstock handle and legs, with further raised gilt floral ornament, spurious gilt interlaced Ls to base, 9.5cms high; chocolate cup and cover decorated with exotic bird pairs within raised gilt rococo borders, gilt dentil rims and floral knop finial, spurious blue enamel crowned interlaced Ls with letter B and numeral, 8cms high, both with paper label inscribed ‘From Earl of Lonsdale (Collection) Lowther Castle April 1947’ (2)

Provenance: private collection south Wales

Provenance: private collection South Wales

Condition: gilding worn in places £150-250

Condition: gilding worn in places £220-280

563 RARE WEDGWOOD ‘GOLCONDA’ WARE VASE, circa 1885, of globular bottle form with flared rim, the Queen’s ware body with latticed pale green ground, tube line decorated in the Indian style with lotus flowers in peach and gilt, textured gilt collar to the neck with blue and peach spots, brown printed Portland vase mark, incised numerals (M.22 & S.689), 41.6cms high Provenance: private south Wales collection Auctioneer’s Note: Golconda Wares were designed and produced for Wedgwood by George Marsden, as indicated by the incised numeral M.22 on the base. Marsden’s designs, particularly on tiles can be found at Wedgwood and other factories during the late 19th Century, Golconda is a town in India, now famous for its diamond mine Condition: minor chips to raised tube lining £300-500

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections 564 TWO MEISSEN PORCELAIN MODELS OF PARROTS, 20th Century, perched on tree stumps with sprouting leaves, impressed and incised numerals (H29), 14.5cm high (2) Provenance: private collection, Ynys Mon, consigned via our Colwyn Bay office Condition: some leaves chipped/broken, one hollow base £250-350 565 ZSOLNAY PECS FLAMBE LUSTRE JAR & COVER, c.1924-1970, painted with sunflowers in puce and orange on a chocolate ground, red flambe base with printed and impressed marks, 10.5cms high Provenance: private collection consigned via our Cardiff office Condition: firing colours slightly varied in tone £200-300

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566 MARTIN BROTHERS STONEWARE FLASK, of square section with loop handle to shoulder, decorated all around with barley stalks in brown on a buff ground, base incised ‘11-1896 Martin Br London & Southall’, 18.7cms high

567 THREE CLARICE CLIFF ITEMS comprising ‘Forest Glen’ preserve jar & cover, 7.5cms high; ‘Coral Firs’ tea plate, 14.9cms diam; and a bridge landscape shallow preserve jar & cover, 10.1cms diam, all with black printed Bizarre marks (3)

Provenance: private collection London

Provenance: private collection, Ynys Mon, consigned via our Colwyn Bay office

Condition: no apparent faults £400-600

Condition: Forest Glen cover restored / remade, Coral Firs plate with minor scratches to border £200-400

567

568 RARE CLARICE CLIFF ‘MAY AVENUE’ PRESERVE JAR, with associated cover, daffodil shape, printed factory marks, 13cms high Provenance: private collection Cardiff Condition: small chip to foot, tiny glaze imperfection to buff ground, slight wear to line decoration at rim £500-700

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569 RENÉ LALIQUE OPALESCENT ‘RAMPILLON’ GLASS VASE, pre-War, design introduced in 1927, press-moulded clear, frosted and polished protruding lozenge bosses to a floral ground, Marcilhac no. 991, base with wheel-carved ‘R.LALIQUE FRANCE’ and engraved ‘No. 991’, 12.6cm high

570 ROYAL DOULTON ‘CHANG’ VASE by Charles Noke, Harry Nixon and Fred Allen, of slightly waisted shape having thick layers of craquelure glaze, marked and signed to base, 18cms high

571 RARE DOULTON BURSLEM ‘LACTOLIAN’ WARE VASE, by Robert Allen in the Art Nouveau taste, signed ‘R. Allen’, printed mark to base and numbered ‘RA. 3430’, 13.3cms high

Provenance: private collection South Wales, consigned via our Carmarthen office

Provenance: private collection, Ynys Mon, consigned via our Colwyn Bay office Condition: rim possibly ground down £500-700

Condition: Restored rim and foot, body also possibly restored, sounds a little ‘dull’, firing flaws as expected £250-350

Condition: appears in good overall condition, some minor wear to gilding and on signature, no obvious or major damage £300-500 572 DOULTON LAMBETH SALT-GLAZED STONEWARE MUSICIAN by George Tinworth, depicting a seated young boy playing the violin, monogram to reverse, incised marks to underside, 11.5cms high Provenance: private collection South Wales, consigned via our Carmarthen office Condition: appearing to have some restoration to hat, minor nibble to foot rim, otherwise ok £250-350 572A RARE DOULTON LAMBETH STONEWARE FIGURE OF ‘THE REAPER’, H68 by Leslie Harradine circ 1912, impressed mark and numerals 8666, 18.5cm high Provenance: private collection South Wales, consigned via our Carmarthen office Auctioneer’s Note: Cf. Desmond Eyles & Louise Irvine, The Doulton Lambeth Wares, Richard Dennis Publications, p. 216 Condition: glaze frits to crown of hat, restored scythe handles. £150-250

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572A * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections 573 DOULTON LAMBETH TOBACCO JAR & COVER attributed to George Tinworth, the lid with seated mouse smoking a pipe on a blue cushion, the body with applied moulded fruiting branches, impressed marks to base, 18cms high Provenance: private collection South Wales, consigned via our Carmarthen offices Condition: Restoration to mouse finial, cover rim, jar rim and foot, interior and base sprayed, body also possibly restored, a couple of minor nibbles to underside rim of lid and one minor nibble to upper rim of body £150-250

574 THREE DOULTON & WATTS SALT-GLAZED STONEWARE REFORM FLASKS comprising one modelled with characters ‘Mr & Mrs Caudle’ and Mrs Prettyman verso, impressed marks to base, 14.5cms high, another modelled as William IV inscribed ‘William IVths Reform Cordial’, impressed marks verso, 18cms high, and another modelled as Lord Grey holding pamphlet, impressed marks verso, 18.5cms high (3) Provenance: private collection South Wales, consigned via our Carmarthen office Condition: all appear in good overall condition, William IV example has a chip near opening at top and indentation at elbow, firing flaws and surface wear commensurate with age, no stoppers £200-300 573

575

574 575 RARE DOULTON LAMBETH RUGBY ITEMS comprising novelty table vesta modelled as a rugby ball with impressed stitching, impressed marks to base and numbered ‘1553’, together with single handled jug decorated with applied rugby players in action, impressed marks to base and dated 1884, 12cms high (2) Provenance: private collection South Wales, consigned via our Carmarthen office Condition: vesta case missing silver rim but otherwise good, jug with restored spout, firing flaws around areas where handle joins body, minor loss to leaf border £200-300 576

576 RARE ROYAL DOULTON MOTORING ‘WILLOW PATTERN’ PLATE, depicting humorous motoring scenes including motorist stranded in water, car ‘blowing-up’ on a bridge and another crashing into a pagoda flinging both driver and passenger from the vehicle, pattern number D3625, 26.3cms diameter, circa 1912, having Royal Doulton lion and crown mark, pattern number and number ‘10’ to underside Provenance: private collection South Wales, consigned via our Carmarthen office Condition: appears in good overall condition with no obvious damage, a nice example of a rare plate £200-300

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Selections & Collections • Rogers Jones & Co 577 DAISY MAKEIG-JONES FOR WEDGWOOD a fine and exceptionally rare ‘Leaping Chamois’ lustre imperial large bowl, circa 1925, the exterior decorated with a band of leaping antelope in orange, red and blue, against a mother-of-pearl lustre ground and between ‘Persian-Celtic’ bands at the rim and foot, interior with mother-of-pearl lustre ground with bulls with oxpeckers on their backs in blue and orange scrolled cusped panels with red/black birds, central well with Rhages pattern faun within Armargh pattern knotwork circle, gilt rim, Portland vase mark, 23cms diam x 10.4cms high Provenance: private collection West Wales Auctioneer’s Note: pattern confusingly called ‘Leaping Chamois’ despite the antelopes being clearly Oryx. Cf. Una des Fontianes, Wedgwood Fairyland Lustre, fig. 118 for details of this pattern Condition: no apparent damage £3000-5000

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578 DAISY MAKEIG-JONES FOR WEDGWOOD exceptionally rare ‘Leaping Chamois’ lustre imperial small bowl, circa 1925, the exterior decorated with a band of leaping antelope in orange, red and blue, against a mother-of-pearl lustre ground and between ‘Persian-Celtic’ bands at the rim and foot, interior also with mother-of-pearl lustre ground with fauns in scrolled cusped panels with birds, central well with faun medallion with Celtic border, gilt rim, Portland vase mark, 16.1cms diam x 7.5cms high

579 TWO BESWICK 818 SHIRE HORSES, rocking horse grey and brown, both early unmarked models with holes to feet, 21.5cms high (2) Provenance: private south Wales collection Condition: grey with reglued ear £300-500

Provenance: private collection West Wales Auctioneer’s Note: pattern confusingly called ‘chamois’ despite the antelopes being clearly Oryx-like Condition: no apparent damage £800-1200

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* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections

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580 VICTORIAN SILVER HUNT MASTERS HORN, London 1881 by Kohler & Sons, engraved ‘C.T. from J.G. & H.G - 1882’, appr. wt. 3 ozt, 24.4cms long Provenance: consigned via our Colwyn Bay saleroom Condition: a few tiny dints only, marks very slightly worn £300-500 581 FINE VICTORIAN SILVER TABLE SNUFF BOX, London 1842 by Edward Edwards II, with engine turned sides, base and top with deeply chased oak-leaf and acorn border, the central panel engraved with monogram ‘RWFH’ and later dated ‘December 1900’, gilded interior, 11 x 8 x 3.5cms, appr. 12.5 ozt Provenance: Robert William Frederick Harrison (1848-1945), barrister and secretary to the Royal Society (1896-20) and thence by descent Condition: part of engraved inscription erased £500-700

582

582 CANTEEN OF AUSTRO-HUNGARIAN.800 STANDARD SILVER CUTLERY, late 19th Century, maker WB and CsP, complete for twelve place settings, handles engraved monogram, overall weighable silver approx. 160 ozt (in five trays, no box) Provenance: private collection south Wales Condition: generally a little worn £1800-2200 583 GROUP MID-19TH CENTURY RUSSIAN ENGRAVED SILVER FLATWARE, various makers and dates, including a near pair of niello fiddle pattern dessert spoon and fork with foliate decoration, a dessert spoon with rococo decoration, and a knife with niello handle with foliate decoration, weighable silver appr. 3.2 ozt (4) Provenance: private collection south Wales Condition: knife handle separated from blade which is corroded, rococo spoon stem repaired and slightly worn decoration and bowl, fork tines slightly bent tips £250-350

151

Selections & Collections • Rogers Jones & Co 584 RUSSIAN SILVER GILT & NIELLO SPOON, Moscow 1844, makers mark AK, bowl engraved with an architectural view within foliate scroll border, spiral twist handle and knop finial, 19cm long, 2.1 ozt Provenance: private collection, south Wales Condition: gilding worn, esp. to handle £250-350

584

586 586 VICTORIAN GILT METAL MOUNTED OAK PAGODA TOP BRACKET CLOCK, silvered arched Roman dial with subsidiary Slow / Fast dial, twin train Winterhalder & Hoffmeier movement Ting Tang striking the quarter hours, case with pierced cast foliate brass side grilles and and pierced sheet back door grille, gilt metal urn finial, caryatid herm and foliate swag angles, bracket feet, 43cms high Provenance: private collection south Wales Condition: good and clean £200-300 585 585 LARGE RUSSIAN ROYAL PRESENTATATION NEOCLASSICAL SILVER CUP, St Petersburg 1831, makers mark PM probably for M. A Muller, with flared rim and scrolled handle with centurion headed knop, applied with three canted rectangular vignettes above a continuous frieze of classical dancers, amorini and maidens playing lyres at the base, engraved inscriptions: ‘Presented to WALTER HARRISON by the Princess Catherine Dolgorouky 1852’ and reversed with ‘And by his Widow to ROBERT HARRISON Novr. 25th 1880’, 16.3cm high, 10.2 ozt

587 19TH CENTURY MAHOGANY & BRASS STRUNG DROP DIAL CLOCK, Wood, London, 30cms, signed and painted Roman, moon hands, single fusee movement, 43cms high

Provenance: Walter Harrison, tutor to the Russian Court, and thence by descent, South Wales Auctioneer’s Note: Ekaterina Mikhaïlovna Dolgoroukova (1847-1922) was a noblewoman who became the mistress of Tsar Alexander II, with whom she bore four illegitimate children in the 1870s. Walter Harrison was tutor to the four illegetimate children. Ekaterina subsequently married the Tsar in 1880. Cf. Christie’s 18 April 2008 lot 107 for a similar cup Condition: applied decoration rubbed, handle spine rubbed to a small hole, interior gilding rubbed, marks good £2500-3500

152

Provenance: private collection south Wales Condition: minor restoration to case £300-500 587

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections 588 18TH CENTURY VENETIAN SCHOOL brown ink and grey wash on paper - a classical architectural cappriccio, 19.8 x 26.9cms Provenance: private collection consigned via our Cardiff office Presentation & Conditon: paper slightly browned, framed ready to hang £700-1000

588

591 589

589 18TH CENTURY VENETIAN SCHOOL brown ink and grey wash on tinted paper - Classical figures conversing in a courtyard, with donkey and dog, 20 x 32.9cms Provenance: private Cardiff collection Presentation & Condition: trimmed, paper slightly browned, framed ready to hang £500-700

590 EARLY 19TH CENTURY ENGLISH SCHOOL oil on canvas - portrait of Reverend Thomas Sotheby, as a young man in black coat and cravat with pearl pin, titled verso, 58 x 46cms Provenance: portrait remained within the family and thence by descent to the present Cardiff owner Auctioneer’s Note: Reverend Thomas Hans Sotheby (1809-1888), the son of Admiral Thomas Sotheby, Admiral of the Blue (1758-1831), and grandson to Col. William Sotheby (1688-1766) Presentation & Condition: cleaned, retouched, some paint cracking £250-350 591 ARTHUR AMBROSE MCEVOY (British, 1887-1927) oil on canvas - bust length portrait of a lady in pink coat and hat, indistinctly inscribed (on a label attached to the stretcher), 68 x 49cms Provenance: with Christie’s, labels verso, private collection London

590

Presentation & Condition: no problems, later framing £2500-3500 153

Selections & Collections • Rogers Jones & Co

593

592 592 LATE 19TH CENTURY FRENCH SCHOOL oil on canvas - portrait of a girl in white cap and blue frock, holding a daisy garland, unsigned, 81 x 63cms

593 JOHN SYER SENIOR (British, 1815-1885) oil on canvas - woodcutter in rocky landscape believed to be Llanberis Pass in Snowdonia, signed lower left ‘J Syer’, in quality ornate gilt c-scroll frame, 25 x 39.5cms

Provenance: private collection consigned via our west Wales office

Provenance: purchased by current owner at Sotheby’s auction at Margam Park on October 19th 1999 (Lot 162), lot number and date verso, consigned via our Carmarthen office

Presentation & Condition: framed, tear repaired, relined, re-touched £500-700

Presentation & Condition: appears in good overall condition, minor cracks and losses to frame £400-600

594 EDMUND MORISON WIMPERIS (British,1835-1900) oil on canvas - A Lock on the Ockment, Dartmoor, extensive landscape with cattle watering and cart to the fore, 72 x 139cms Provenance: private collection, west Wales Presentation & Condition: relined, areas of repainting and restoration to tear upper right side, apparently titled and signed with initials EMW verso and under the lining £800-1200 594

154

* Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections

595 595 ARTHUR SYDNEY WATSON (British, 1881-1932) oil on canvas misty Scottish riverscape with sheep on bank, signed lower right ‘S Watson Arthur’, in ornate gilt frame, 40 x 60.5cms Provenance: Carmarthenshire private collection, consigned via our Carmarthen office Presentation & Condition: overall good condition with some craquelure to paint surface, slip appears to be later replacement, minor losses to frame as well as perimeter crack to frame £500-800

596 596 FERENC UJVARY (Hungarian, 1898-1971) oil on canvas Gleaners, signed, 30 x 41cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: paint cracking, minor paint flake loss £300-500

597 LEONARD WILLIAM JOSEPH McCOMB RA (British, 1930-2018) oil on canvas Tuscan landscape with trees to the fore, signed lower right, inscribed Regional College of Art (Manchester) label verso, 40 x 50cms Provenance: private collection consigned via our Colwyn Bay saleroom Presentation & Condition: corners of the canvas with pinholes, further holes top left, slightly loose in the frame £600-800

597

155

Selections & Collections • Rogers Jones & Co 598 LAURENCE STEPHEN LOWRY RA (British, 1887-1976) limited edition (of 750) colour lithograph - The Contraption, signed in pencil lower right, Fine Art Trade Guild blind stamp lower left, 31.5 x 29.8cms Provenance: purchased by vendor in a Fishguard art gallery in the 1970s, consigned via our Carmarthen office Presentation & Condition: no apparent problems, some scuffs / minor losses to frame, framed and glazed £2500-3500

598

599 LAURENCE STEPHEN LOWRY RA (British, 1887-1976) limited edition (of 850) colour lithograph - The Cart, signed in pencil lower right, Fine Art Trade Guild blind stamp lower left, 49.5 x 40cms Provenance: purchased by vendor in a Fishguard art gallery in the 1970s, consigned via our Carmarthen office Presentation & Condition: no apparent problems, blind stamp slightly hidden under mount, framed and glazed £4000-6000

156

599 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections

601

600

602 600 HENRI MATISSE (French, 1869-1954) colour lithograph on Arches - Fleur de Lys variation 45, one plate from Les Poèmes de Charles d’Orléans, 1950 (the entire edition was 1,200), published/ printed by Tériade/Ateliers Mourlot Frères, Paris (I) 39 x 24.7cms Provenance: with Park West Gallery certificate Presentation & Condition: paper slightly bowed in the frame, otherwise excellent, in later frame with textured fabric mount. £300-400

601 RONALD SEARLE (British, b. 1920) Hors D’Commerce colour lithograph on wove - The Mysterious Object, signed, titled, inscribed HC and dated 1973 in pencil, printed by Michel Casse lithographs with the blindstamp, published by Edition RS Paris with the blindstamp, Cartoon Gallery Ltd. label verso, 47 x 63cms Provenance: private collection north Wales, consigned via our Colwyn Bay office Presentation & Condition: excellent, framed ready to hang £300-400

603 602 RONALD SEARLE (British, b. 1920) limited edition (71/99) colour lithograph on wove - Bouquet Garni, signed, titled, numbered and dated 1975 in pencil, printed by Michel Casse lithographs with the blindstamp, Cartoon Gallery Ltd. label verso (I) 60 x 45cms Provenance: private collection north Wales, consigned via our Colwyn Bay office Presentation & Condition: excellent, framed ready to hang. £200-300

603 RONALD SEARLE (British, b. 1920) ink on paper ‘Thank You’ note/letter with cartoon of a two headed man, inscribed, signed with initials ‘M & R’ and dated 1978, Cartoon Gallery Ltd. label verso, 20.5 x 22.5cms Provenance: private collection consigned via our Colwyn Bay office Presentation & Condition: creased twice as usual for a letter, framed ready to hang £100-150

157

Selections & Collections • Rogers Jones & Co

604 604 RONALD SEARLE (British, b. 1920) ink on paper ‘Le Percepteur’ and ‘SAVED’ two notes / letters with cartoons of a man peering into a hole, and an angel saving a man from falling into a hole respectively, signed and dated 1993, Cartoon Gallery Ltd. labels verso, 29 x 21cms (2), Provenance: private collection north Wales, consigned via our Colwyn Bay office Presentation & Condition: both creased twice as usual for a letter, address etc inkjet-printed at the top, framed ready to hang. £200-400

605 605 RONALD SEARLE (British, b. 1920) set of nine colour lithographs on wove from an edition of 50 - Bouquets Garnis / Le langage des fleurs 1-9, printed by Michel Casse lithographs 1975, no.1 titled verso, 14.3 x 21.5cms (9) Provenance: private collection north Wales, consigned via our Colwyn Bay office Presentation & Condition: creased down the centre, opposite side to print stained, framed £400-600

Rogers Jones & Co • Selections & Collections

607

606 2010 HONDA SHADOW VT750 CS-A MOTORCYCLE CRUISER, reg. WN60 WVM, only 1,699 miles, in two tone grey and red detailing and American styling including Highway Hawk panniers and pillion backrest, Puig cruiser screen, tankmounted speedo, front footplates, chrome bars, shaft-driven V-twin 4-stroke liquid cooled petrol engine, 5-speed gearbox, disc brakes. Provenance: Deceased estate Condition: stats on cataloguing, good all round used condition, first registered Nov 2010, MOT due. £2500-3500

608

607 UNUSUAL VICTORIAN SHELL GROTTO, modelled as a fantastic cathedral-like interior with arches, mirrors and staircases, with cutout lithographed figures including skeleton, knight sarcophagus, nun, medieval courtier, Madonna, angelic statues amongst shells, coral, seaweed, silk flowers, feathers, minerals, gravestones, windows, pennants etc, the whole dusted in mica flakes, within ebonised reeded case, 34 x 33cms Provenance: by repute, made by Admiral Sir Edward Southwell Sotheby (1813-1892), thence by descent Condition: some interior elements loose, papered sides with losses, moulding to left side base missing £200-400

608 ROWLING (J. K.) Harry Potter and the Philosopher’s Stone, first edition, first issue, London Bloomsbury, 1997, paperback, print line on copyright page reads ‘10 9 8 7 6 5 4 3 2 1’, ‘1 wand’ appears twice on p.53, ‘Philosopher’s’ is misspelled ‘Philospher’s’ to rear cover, ‘Wizardry and Witchcraft’ to rear cover Provenance: private collection consigned via our Carmarthen office Condition: a good example overall, cover vibrant and in good condition overall with some minor wear and folds to extremities, normal faint discolouration to page ends, some foxing / marks / discolouration to inside title page (see additional images), spine in good overall condition and appears fairly tight (possibly unread) £1000-2000

159

Selections & Collections • Rogers Jones & Co

609 KLINGENTHAL SCHOOL VIOLIN, circa late 18th/early 19th Century, LOB 359mms, two-piece back of faint grain with ebony banded button, pain scroll, ribs of narrow curl, table of medium grain, varnish transparent brown, together with two bows, one stamped ‘TOURTE, GERMANY’, all in grained wood case Provenance: South Wales collection; Phillips London Auction early 1970s Condition: table with repaired splits, scratches, ribs and scroll back slightly worn £500-700

610 FRENCH ‘PAN THE FAUN’ CAR MASCOT, 20th Century, silver plated bronze, the standing figure holding his pipes beside a tree stump, base signed ‘Gregoire’, on later ebonised socle base, mascot 13.4cms high Provenance: private collection West Country Condition: no apparent damage £300-500 611 ROLLS ROYCE PHANTOM 11 ‘SPIRIT OF ECSTASY’ MASCOT, circa 1931-1935, cast nickel silver with copper mounting bolt, base signed ‘Charles Sykes R.R.LTD 6-2-11’, underside of wings ‘REG US PAT OFF’ and ‘TRADE MARK REG’, on later ebonised plinth, mascot 15cms high Provenance: private collection West Country Condition: silvering and high points slightly worn £300-500 610

160

611 * Buyer’s Premium of 28.8% inclusive of VAT @ 20% on hammer prices up to £19,999, or Buyer’s Premium of 20% inclusive of VAT @ 20% on hammer prices £20,000 and over.

Rogers Jones & Co • Selections & Collections

613

612

614

612 BOXED ‘ROLLS-ROYCE’ RADIATOR DECANTER BY RUDDSPEED, 1960s, chromed with shutters, enamel badge and Spirit of Ecstasy mascot, 20cms high, contained in original presentation box Provenance: private collection West Country Condition: minor scratches, mascot silvering slightly worn, box with torn lid corner and broke silk ribbon, and restuck ribbon £300-500 613 TWO ROBERT ‘MOUSEMAN’ THOMPSON OAK ASHTRAYS, one carved as a horseshoe, the other of canted rectangular shape, both with left-facing ‘signature’ mouse carved in relief to the rear, 11 and 10.1cms long (2) Provenance: Consigned via our Colwyn Bay Saleroom Condition: horseshoe darkly stained, chip to base at rear, other of medium colour, tiny chip to left ear £250-350 614 ROBERT ‘MOUSEMAN’ THOMPSON OAK NUT BOWL, adzed outside with ‘signature’ mouse carved in relief, 16cms diam Provenance: consigned via our Colwyn Bay Saleroom Condition: no apparent damage £300-400

615 615 ROBERT ‘MOUSEMAN’ THOMPSON OAK PINTRAYS, of rectangular shape, middle with ‘signature’ mouse carved in relief between two oval depressions, 12.5 x 10cms Provenance: consigned via our Colwyn Bay office Condition: of medium colour, tiny chips to tail and ears £200-300

161

Rogers Jones & Co

HAMMER PRICES FOR THE WELSH SALE APRIL 17 2021 TOTAL: £352,710 Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

£300

£120

106

£400

159

£340

209

£180

261

£800

312

£480

372

£3000

£250

£400

107

£200

160

£260

210

£800

262

£550

313

£170

373

£2400

£90

£440

108

£110

161

£460

211

£9400

263

£400

314

£420

374

£1800

£1000

£340

109

£500

162

£280

212

£1400

265

£1100

315

£300

375

£550

£16000

£320

111

£480

163

£650

213

£300

266

£900

316

£360

376

£500

£700

£380

112

£360

164

£360

214

£80

267

£3900

317

£200

377

£550

£270

£140

113

£550

165

£240

215

£200

268

£200

318

£190

380

£150

£160

£300

114

£200

166

£100

216

£180

269

£360

319

£260

381

£800

£80

£180

116

£130

167

£320

217

£2000

270

£460

320

£400

382

£1300

£80

£290

117

£150

168

£800

218

£120

271

£420

321

£400

383

£23000

£700

£220

118

£140

169

£3500

219

£210

272

£4200

322

£260

384

£2250

£340

£300

119

£110

170

£2500

220

£320

273

£1300

323

£180

386

£3800

£170

£150

120

£120

171

£380

221

£460

274

£2300

324

£2500

387

£460

£110

£400

121

£110

172

£260

222

£320

275

£1100

325

£700

388

£550

£260

122

£120

173

£90

223

£400

276

£900

326

£500

389

£2000

£290

£200

123

£120

174

£300

225

£320

277

£200

327

£170

390

£400

£170

£210

124

£70

175

£130

226

£440

278

£600

328

£260

392

£2000

£90

£320

125

£210

176

£100

228

£220

279

£1700

329

£1500

393

£540

£340

£170

126

£200

177

£230

229

£420

280

£1700

332

£2400

394

£460

£220

£420

127

£550

178

£130

230

£2500

281

£850

333

£460

395

£220

£320

£270

128

£420

179

£140

231

£380

282

£160

334

£700

396

£1700

£290

£130

129

£420

180

£200

232

£320

283

£15000

337

£1000

397

£1000

£420

£150

130

£340

181

£120

233

£440

284

£500

338

£1000

398

£180

£290

£130

131

£2700

182

£600

234

£270

285

£600

339

£650

399

£340

£150

£270

132

£340

183

£6200

235

£600

286

£300

340

£1500

400

£750

£320

£550

133

£3700

184

£650

236

£320

287

£340

341

£550

401

£240

£170

£70

134

£6000

185

£110

237

£9200

288

£190

342

£340

402

£220

£280

£70

135

£900

186

£460

238

£1000

289

£260

343

£300

403

£300

£200

£230

136

£300

187

£70

239

£250

290

£350

349

£320

404

£260

£120

£150

137

£80

188

£2800

240

£460

291

£460

350

£140

405

£340

£700

£150

139

£200

189

£1700

241

£210

292

£340

351

£220

406

£240

£500

£340

140

£170

190

£500

242

£750

293

£440

353

£900

407

£1000

£110

£90

141

£200

191

£270

243

£460

295

£2500

354

£420

408

£800

£440

£70

142

£100

192

£250

244

£400

296

£8800

356

£1200

409

£270

£360

£80

143

£100

193

£750

245

£420

297

£2700

357

£1900

410

£550

£700

£1500

144

£200

195

£2600

246

£2000

298

£420

358

£3600

411

£420

£190

£500

145

£500

196

£600

248

£160

299

£290

359

£1500

412

£650

£460

146

£70

197

£2200

249

£1400

300

£250

360

£200

413

£700

£1500

£950

147

£500

198

£700

250

£80

301

£600

361

£250

414

£1500

£360

£700

148

£550

199

£650

251

£460

302

£560

362

£230

416

£260

£650

£160

150

£2000

200

£1800

252

£80

303

£360

363

£400

417

£4200

£300

£320

151

£260

201

£1900

253

£600

304

£220

364

£180

418

£500

£300

£550

152

£10400

202

£360

254

£180

305

£1000

365

£420

419

£320

£420

100

£320

153

£2400

203

£460

255

£270

306

£1200

366

£300

420

£2200

£650

101

£440

154

£1700

204

£400

256

£280

307

£500

367

£220

421

£460

£570

102

£1200

155

£130

205

£600

257

£400

308

£800

368

£600

422

£400

£550

103

£150

156

£380

206

£10600

258

£360

309

£250

369

£200

£400

104

£230

157

£480

207

£3300

259

£250

310

£150

370

£200

£620

105

£360

158

£2400

208

£2200

260

£440

311

£260

371

£200

163

Rogers Jones & Co

HAMMER PRICES FOR THE SELECTIONS & COLLECTIONS AUCTION APRIL 17 2021 TOTAL: £156,090 Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

441

£750

460

£1100

480

£900

501

£1100

521

£650

543

£100

565

£380

583

£260

442

£1100

461

£1100

481

£750

502

£460

522

£1000

544

£700

566

£320

584

£200

443

£600

462

£5400

482

£420

503

£650

526

£290

548

£300

567

£250

585

£220

444

£600

463

£900

483

£1400

504

£300

527

£500

549

£1500

568

£150

586

£420

445

£320

464

£2700

485

£3600

506

£3000

529

£500

550

£150

569

£400

587

£260

446

£300

465

£130

486

£340

507

£300

531

£2000

551

£400

572

£6000

588

£3100

447

£300

466

£5800

487

£1200

509

£300

532

£420

552

£280

573

£650

589

£380

448

£500

467

£1400

488

£600

510

£1000

533

£600

553

£650

574

£6000

591

£1800

449

£400

469

£360

489

£750

511

£360

534

£290

554

£600

575

£18000

592

£500

450

£1800

470

£360

490

£280

512

£180

535

£290

555

£500

576

£400

593

£850

451

£1400

471

£200

491

£500

514

£850

536

£200

556

£300

577

£2600

594

£750

454

£320

472

£300

492

£650

515

£550

537

£340

559

£360

578

£12500

595

£300

455

£280

473

£300

494

£3400

516

£700

538

£1700

561

£380

579

£650

596

£360

456

£1000

475

£380

495

£700

517

£950

539

£900

562

£2600

580

£2300

598

£800

457

£3000

476

£440

497

£750

518

£1000

540

£260

563

£160

581

£2600

458

£7600

479

£420

500

£450

520

£2300

542

£260

564

£800

582

£460

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YOU CAN PHOTOGRAPH THE FULLY COMPLETED FORM AND EMAIL THE IMAGE TO US MAKE SURE YOUR PHOTO IS CLEAR & COMPLETE

TELEPHONE BIDDING FORM

You are required to read all conditions, tick all boxes and sign before your bids are placed Telephone bidding requests must be submitted by 1pm the day prior to the auction without exception. Telephone lines are available on a first-come, first served basis PLEASE NOTE: CALLS TO OUR OFFICE PHONES WILL NOT BE ANSWERED ON THE AUCTION DAY. IF YOU HAVE AN URGENT ENQUIRY ON AUCTION DAY PLEASE EMAIL cardiffinfo@rogersjones.co.uk Name �� Address �� Telephone: _____________________________________ Email: �� Bidding Telephone no:___________________________ Back up telephone no: �� LOT NO

LOT NO

continued overleaf

I wish to bid during the auction on telephone number supplied & agree to full terms and conditions as explained in the catalogue / on www.rogersjones.co.uk I will notify Rogers Jones & Co as soon as possible, if I am unable to bid as requested I am aware of the current rate of buyer’s premium (+VAT) and other charges which may be applicable I am prepared to bid above the lower estimate(s) If successful, I will either pay by bank transfer within 5 days of the auction

Signed: _________________________________ Date:___________________________ Sale Date: ��

For use by Rogers Jones & Co Bid Submission Date:______________________ Time:___________________________ Bidding No: ��

LOT NO

ABSENTEE / COMMISSION BIDDING FORM

YOU CAN PHOTOGRAPH THE FULLY COMPLETED FORM AND EMAIL THE IMAGE TO US MAKE SURE YOUR PHOTO IS CLEAR & COMPLETE

Bidding forms should be submitted by 4pm the day prior to the auctions. You are required to read all conditions, tick all boxes and sign before your bids are placed. PLEASE NOTE: CALLS TO OUR OFFICE PHONES WILL NOT BE ANSWERED ON THE AUCTION DAY. IF YOU HAVE AN URGENT ENQUIRY ON AUCTION DAY PLEASE EMAIL cardiffinfo@rogersjones.co.uk

I instruct Rogers Jones & Co to bid up to the values I have indicated below. No commission bids accepted under £30. Bids accepted in increments of £5 to £100 / £10 to £300 / £20 to £1000 / £100 at £1000+ Please ensure that your bids are not below estimates. Name �� Address �� Telephone: _____________________________________ Email: �� Bidding Telephone no:___________________________ Back up telephone no: �� LOT NO

BID UP TO

LOT NO

BID UP TO

LOT NO

BID UP TO

LOT NO

BID UP TO

£ continued overleaf

I am aware of, and agree to all bidding and purchase / payment terms for this auction (stated in catalogue or on website) I am aware that the onus is mine to ascertain the outcome of my bids I am aware of the current rate of buyer’s premium (+VAT) and other charges which may be applicable I am prepared to bid above the lower estimate(s) I am aware that saleroom bids and earlier commission bids take precedence when raised /left at the same price

Signed: _________________________________ Date:___________________________ Sale Date: ��

For use by Rogers Jones & Co Bid Submission Date:______________________ Time:___________________________ Bidding No: ��

LOT NO

BID UP TO

LOT NO

BID UP TO

LOT NO

BID UP TO

LOT NO

BID UP TO

NOTES

Rogers Jones & Co

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Rogers Jones & Co

COMPANY TERMS & CONDITIONS These conditions of business for auctions held at our premises consist of: (1) Information for Buyers; (2) Terms of Sale (for bidders and buyers). (1) INFORMATION FOR BUYERS AT AUCTIONS 1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. 2. Methods of Payment. Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm within five working days following the sale. We accept cash to an upper limit of 1,000 euros equivalent. We do not accept credit card payments. We are unable to accept debit-card payments when the card holder is not present. Cheques will need to be cleared before you can take the goods away. 3. Collection and storage. All lots should be paid for and collected by 5pm within five working days following the auctions in this catalogue. Absentee bidders should check the success of their bids and arrange payment and collection within this time. Please note the Terms of Sale concerning collection and storage. Items not removed in the timescale stated will be removed at the purchaser’s expense and storage charges of £10 as an administration fee and £5 per lot per day may be charged (plus VAT). 4. Dispatch. We do not offer postage for lots sold at auction in this catalogue unless they can be packed within a Jiffy-bag. We can recommend agents who can undertake packing and postage. 5. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. 6. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive. 7. Buyer’s Premium. The Terms of Sale oblige you to pay 24% + VAT (28.8%) on all lots up to a hammer price of £19,999, 16% + VAT (20%) on all lots of a hammer price £20,000 and over, 10% + VAT (12%) on all lots of a hammer price £60,000 and over on

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each purchased lot in the auctions contained within this catalogue. In addition, VAT is charged on the premium (see below). 8. VAT. VAT is payable by the buyer on the buyer’s premium at either the standard rate depending upon the legal requirements relating to that lot. 9. Artist’s Resale Right/Droit De Suite. EU & UK law states that the artist or artist’s estate are entitled to a royalty known as ‘artist’s resale right’ when any lot created by the artist is sold. We identify these lots with the symbol next to the lot number. If these laws apply to a lot, you must pay us an extra amount equal to the royalty. We will then pay the royalty to the appropriate authority on the seller’s behalf. The royalty applies if the hammer price of the lot is 1,000 euros (British Sterling equivalent) or more. The total royalty for any lot can not be more than 12,500 euros. The percentages are as follows: 4% up to 50,000 / 3% between 50,001 and 20,000. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4%

Up to €50,000

€50,000.01 - 200,000

€200,000.01 - 350,000

0.5%

€350,000.01 - 500,000

0.25%

In excess of €500,000

Up to a maximum levy of €10,000 10. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale on our website and www.the-saleroom.com 11. Condition Reports. We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. In many cases condition reports are stated in the catalogue description but this does not act as a guarantee that the report is factually correct and it must not be taken as guaranteed that items without condition reports stated in the description are free from issues, such as damage, restoration or other problems. 12. Electrical goods. These are sold as “objects” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. 13. Export of goods. If you intend to export goods you must find out: 1. whether an export licence is needed; and 2. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory. 14. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to

the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. 15. Absentee bidding. You may leave absentee bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute absentee bids as economically as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical absentee bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving absentee bids online via our website. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute absentee bids received after this time. 16. Telephone Bidding. If you are unable to come to the auction it may be possible to bid on the telephone for some lots at our discretion. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. 17. Online Bidding. Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with rates specified by the online service. If bidding through the-saleroom.com this will be charged at 5% plus VAT. The charges will be payable to us on top of the hammer price and the buyer’s premium.

(2) TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions. 1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means, Rogers Jones & Co, a company registered in England and Wales registered office is located at 33 Abergele Road, Colwyn Bay, LL29 7RU or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made

Rogers Jones & Co

with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers;

auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute absentee bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable. Where two or more absentee bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained). 3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute. 3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party. 3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

“Terms of Sale” means these terms of sale, as amended or updated from time to time;

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

“Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale;

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

“Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;

4. The purchase price As Buyer, you will pay: 1. the Hammer Price; 2. a premium of 24% plus VAT on all lots up to a Hammer Price of £19,999, and 16% plus VAT on all lots of a hammer price £20,000 and over;

“VAT” means Value Added Tax or any equivalent sales tax; and

3. any artist’s resale right royalty payable on the sale of the Lot; and

“Website” means our website available at www.rogersjones.co.uk

4. any VAT due.

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise. 2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website. 2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8. 2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9. 2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13. 2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale. 2.7 If you have any complaints, please send them to us directly at the address set out on our Website. 3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid. 3.2 We strongly recommend that you attend the

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information. 5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable

to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in any way that we agree to accept payment. Note there is an upper limit of 1,000 euros equivalent for payments in cash. 7.2 If you owe us any money, we may use any payment made by you to repay these debts. 8. Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 7 days following the auction. 8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. 9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

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Rogers Jones & Co 10. Health and safety

13. Deliberate Forgeries

15.3.2 by email:

Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 21 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

1. to us, by sending the notice to the following email address: info@rogersjones.co.uk

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

2. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 i f sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

16. Data Protection

14. Our liability to you

17. General

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. 11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded. 12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977);

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

14.4.2 fraudulent misrepresentation; or

12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

15.2 Any notice referred in Clause 15.1 may be given:

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

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14.4.3 any liability which cannot be excluded by law. 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient. 15.3 Notices must be sent: 15.3.1 by hand or registered post: 1. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and 2. to you, at the last postal address that you have given to us as your contact address in writing; or

We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the British law and British courts. These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers.

NEXT SUPER SATURDAY NOVEMBER 6 ENTRIES INVITED BEFORE OCTOBER 1

rogersjones.co.uk 17 Llandough Trading Estate, Penarth Road, Cardiff, CF11 8RR 17 Ystad Masnachu Llandochau, Ffordd Penarth, CF11 8RR Tel / FfÔn: 02920 708 125