Woolley & Wallis Auctioneers by Park Communications

MODERN BRITISH & 20TH CENTURY ART WEDNESDAY 13TH DECEMBER 2023

Lot 229

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below PAINTINGS

VALUATIONS FOR INSURANCE & PROBATE

Victor Fauvelle Ed Beer Sarah Bennie

446961 446962 446970

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART | ANTIQUITIES Will Hobbs Molly O’Reilly Georgina Way

339752 446980

424506 424583 424589 +44 (0)7812 601098 424571 424591 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Michelle Yu

424589 424571

Mark Yuan-Richards 411854 Neil Grenyer MRICS 446974 Jim Gale 339161 Sarah Stone 339161 Victoria Elwell 339161

JAPANESE WORKS OF ART 424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Megan Corbett Beth Reardon

Ruth Pike (Office Manager) Gemma Pointer Nicola Young Lynda Cummins

424500

Sally Litherland

MARKETING Chloe Davie Lucinda Phillips

446951 446981

ACCOUNTS Sharon Ringwood Ania Antkowiak

424565

BOARD OF DIRECTORS John Axford MRICS Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS

FURNITURE, WORKS OF ART & CLOCKS

Alexandra Aguilar

GENERAL OFFICE

OLD SARUM GALLERIES RECEPTION

ASIAN ART John Axford MRICS Alexandra Aguilar Freya Yuan-Richards Jeremy Morgan Michelle Yu Sophie Moore Nelson Chui

Jeremy Lamond MRICS FRSA 424502 Neil Grenyer MRICS 446972 Amanda Lawrence 424509 Archie Swann (Trainee valuer) Hannah Farthing (Trainee valuer)

424595 424504 424586

Alexandra Aguilar Ed Beer Clare Durham Victor Fauvelle Will Hobbs Samuel Hug FGA DGA Michael Jeffery Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan-Richards Mark Yuan-Richards

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly Georgina Way

341469 446980

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

ILLUSTRATIONS Front Cover: Lot 95 (detail) Back Cover: Lot 101 (detail) Catalogue £12.00 (£15.00 by post)

MODERN BRITISH & 20TH CENTURY ART WEDNESDAY 13TH DECEMBER 2023 9.30am AT OUR CITY CENTRE SALEROOMS, SP1 3SU

VIEWING AT OUR OLD SARUM GALLERIES Unit 1B, Castle Gate Business Park Old Sarum, Salisbury SP4 6QX

Victor Fauvelle +44 (0)1722 446961 vf@woolleyandwallis.co.uk

Ed Beer +44 (0)1722 446962 eb@woolleyandwallis.co.uk

VIEWING Saturday 9th December Monday 11th December Tuesday 12th December Wednesday 13th December

PAINTINGS

10.00am– 1.00pm 10.00am– 4.00pm 10.00am– 4.00pm By appointment

DIRECTIONS TO THE OLD SARUM GALLERIES

Sarah Bennie +44 (0)1722 446970 sbe@woolleyandwallis.co.uk

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES Unit 1B, Castle Gate Business Park Old Sarum, Salisbury SP4 6QX Client Parking Available Saturday 9th December Monday 11th December Tuesday 12th December Wednesday 13th December

10.00am– 1.00pm 10.00am– 4.00pm 10.00am– 4.00pm By appointment

THE AUCTION ON 13TH DECEMBER WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS 51-61 Castle Street, Salisbury SP1 3SU

BUYER’S PREMIUM See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices. TELEPHONE BIDDING Requests for telephone bidding cannot be accepted after 5pm on Tuesday 12th December. ARTIST’S RESALE RIGHT / DROIT DE SUITE Φ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details. COLLECTION OF LOTS Collections will be from Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 01722 424500 to make an appointment. Please instruct carriers accordingly. Collection of sold and unsold lots must be within 21 days of the sale – failure to collect within this time may result in storage fees.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 • www.woolleyandwallis.co.uk

LIVE ONLINE BIDDING - FREE OF CHARGE

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1Φ SIR ALFRED JAMES MUNNINGS PRA 1878-1959

Study for ‘The Fortune Teller’ Signed, dated and inscribed A.J.MUNNINGS/1913/light on top of shoe (lower right) Pencil 28.6 x 20.5cm Provenance: By descent to the present private collector The present work is a preparatory sketch for Alfred Munnings’ The Fortune Teller, formerly in The Bunting Collection. The setting for the painting might be St. Buryan Races in Cornwall, and the model used in this sketch was Evelyn Castier (1892-1979) who Munnings used on several occasions when living in Lamorna. We are grateful to Dr Bill Teatheredge of the Munnings Art Museum for his assistance cataloguing the present work. £2,000-3,000

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

2Φ ERIC KENNINGTON RA

3Φ ERIC KENNINGTON RA

Study of the interior of a Russian shop

Study of Russians standing before the cross

1888-1960

Signed E.KENNINGTON (lower right) Pen and black ink within black framing lines 48.5 x 33.8cm

Signed E KENNINGTON (lower left) Pen and black ink 32.1 x 25.1cm

Provenance: Property of Eric Kennington; And by family descent £200-300

1888-1960

Provenance: Property of Eric Kennington; And by family descent £200-300

4Φ ERIC KENNINGTON RA

5Φ ERIC KENNINGTON RA

6Φ ERIC KENNINGTON RA

Study of a Russian market

Study of Russian peasants praying

Study of a Russian peasant standing in a doorway

Signed E.KENNINGTON (lower right) Black ink within black framing lines 25.4 x 32.4cm

Signed E.KENNINGTON (lower right) Pen and black ink 32.6 x 20.5cm

1888-1960

Signed E.KENNINGTON (lower left) Pen and black ink within black framing lines 31.6 x 47.7cm Provenance: Property of Eric Kennington; And by family descent £200-300

1888-1960

Provenance: Property of Eric Kennington; And by family descent £200-300

1888-1960

Provenance: Property of Eric Kennington; And by family descent £200-300

6 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

7Φ ANDRÉ DERAIN French 1880-1954

Figure from Les Femmes de Bonne Humeur With artist’s atelier stamp (to verso) Pencil and watercolour heightened with bodycolour 27.5 x 21.3cm Provenance: M. Knoedler & Co, New York; Cassirer Fine Art, Johannesburg, where purchased in the 1980s £600-800

8 CHARLES CONDER 1868-1909

9 CIRCLE OF SIR FRANK BRANGWYN

10 Φ FRANK DOBSON RA

11 Φ PHILIP NAVIASKY

Studies of Stella (the artist’s wife) wearing a hat

Study of a mother and two children

Seated female nude

Study of a young woman

Blue chalk 36.9 x 25.5cm

Signed with initials and dated CS 1917 (lower left) Red chalk 28.8 x 24.9cm

Signed and dated F DOBSON 1931 (lower right) Red chalk 33 x 25.5cm

Signed Philip Naviasky (lower right) Charcoal 31.3 x 26.2cm

Provenance: Christie’s, South Kensington, British Art on Paper including Original Book Illustrations, 4 December 2002, lot 320

£250-350

Provenance: Mrs Pawson (the artist’s niece); J S Maas & Co, London; The Collection of Robin and Rupert Hambro THIS LOT IS OFFERED WITHOUT RESERVE £400-600

Provenance: A private collection, Salisbury £120-180

1888-1963

1894-1983

£400-600

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

12 Φ RAFAEL ARGELES ESCRICHE Spanish 1894-1979

Portrait of a young woman, bust-length Signed R.ARGELES (lower right) Oil on canvas 35.4 x 26.4cm £200-300

13 ALLAN DOUGLAS DAVIDSON RBA, ROI, RMS 1873-1932

Portrait of a young lady Signed Allan Davidson (lower right) Oil on board 24.7 x 17.2cm £250-350

14 Φ LÉA LAFUGIE

French 1890-1972

Portrait of a child monk Signed Monastere de Moulbeck/7 Juin 1926/ L.Lafugie (lower right) Charcoal and watercolour heightened with white 18.9 x 19.4cm £300-500

15 Φ EDMUND BLAMPIED 1886-1966

Portrait of a Lady Signed Blampied (lower right) Watercolour, oval 36.6 x 27.5cm Unframed £200-300

16 ARTHUR H. BUCKLAND 1870-1948

A girl on a beach surrounded by seagulls Signed and dated ArthurHBuckland/1934 (lower left) Watercolour 31.7 x 50.4cm Unframed £150-250

16 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

17 JOSEPHINE H. J. WHITE exh.1887-1940

The village fête Signed J H J White (lower right) Pastel 48.8 x 60cm £1,500-2,000

18 BRITISH SCHOOL Early 20th Century

Portrait of a young girl holding a posy of flowers Indistinctly signed with monogram (lower left) Oil on canvas 61.7 x 51cm Unframed £150-250

19 BRITISH SCHOOL Early 20th Century

A lady painting in a gallery Oil on canvas 35.8 x 25.5cm £200-400

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

20 Φ ARTHUR HENRY KNIGHTON-HAMMOND 1875-1970

In the Parson’s Orchard, Youlgreave, Derbyshire; Evening in Spring, Lathkill Dale, Derbyshire A pair, the former signed Arthur Hammond (lower right), and further signed, inscribed and dated In the parson’s orchard-Youlgreave - Derbyshire/Spring 1908. Arthur Hammond (to reverse); the latter signed Arthur Hammond (lower right) and further signed, inscribed and dated Evening in Spring - Lathkill Dale - Derbyshire/1908 Arthur Hammond (to reverse) Both oil on canvasboard Each 24.5 x 34.5cm (2) £300-500

21 Φ ARTHUR HENRY KNIGHTONHAMMOND 1875-1970

A Spring Morning, Middleton, Derbyshire Signed Arthur H Hammond (lower right) and further signed with initials, inscribed and dated A SPRING MORNING/MIDDLETON/ DERBYSHIRE/AH 1908 (to reverse) Oil on canvas 45.8 x 76.3cm

22 JAMES ELLIOT act.1882-1897

Landscape with a shepherd and his flock by a stream Signed JElliot (lower right, JE in ligature) Oil on canvas 40.8 x 61.2cm £300-500

23 JAMES HERBERT SNELL 1861-1935

A woman feeding chickens and ducks by a pond Signed JHerbert Snell (lower right) and inscribed JHerbert Snell R.O.I (to the reverse) Oil on canvas 46 x 61cm Unframed £150-250

£400-600

23 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

24 ALBERT GOODWIN RWS 1845-1932

View of Stonehenge at dawn Signed and dated Albert Goodwin 1925 (lower right) and inscribed Stonehenge (lower left) Gouache, and pen and black ink 23.6 x 36.2cm £1,500-2,500

25 ALBERT GOODWIN RWS 1845-1932

26 SIR DAVID YOUNG CAMERON RA, RSA, RE

Published by Chris Beetles Ltd, 1986, signed by Chris Beetles, no.222/1000, marbled boards, quarter-bound in Morocco leather and with slipcase 30.9 x 43.8cm

Ganavan Bay, Oban

Together with John F Richardson (ed), The Director’s Collection: Survival Wildlife Encounters - Out of Africa; a promotional copy from the edition of 1250, published by The Director’s Collection, Botswana, 1990, leather boards and slipcase with gilt lettering; 32 x 42.8cm (slipcase) (2)

Scottish 1865-1945

Signed D Y Cameron (lower right) Pen and watercolour 12.9 x 21.3cm Provenance: M. Newman Ltd, London £400-600

£60-80

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

27 MARK WILLIAM FISHER 1841-1923

Landscape with cattle and a village in the distance Signed Mark Fisher (lower right) Oil on canvas 20.5 x 36.5cm Unframed £150-250

28 BENJAMIN FISHER

act.1889-1938

River landscape with a moored boat Oil on canvasboard 12.2 x 19.8cm £200-300

29 Φ EMILE BARTOSCHEK Polish 1889-1969

Autumn landscape with a tree-lined pond Signed E.Bartoschek (lower right) Oil on canvas 70.8 x 80.4cm Unframed £200-300

30 Φ JOHN HODGSON LOBLEY

31 EVELYN HARKE

Landscape with sheep grazing below trees in bloom, and a village beyond

Ploughing the field

1878-1954

Signed J Hodgson Lobley (lower left) Oil on canvas 36.6 x 53.3cm Unframed £150-250

1899-1930

Signed Evelyn Harke (lower right) Oil on board 42.5 x 33.7cm Unframed £100-150

31 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

32 ARTHUR ELLIS

1856-1918

Children in cornfield, with the sea beyond Signed ARTHUR ELLIS (lower right) Oil on canvas 63.8 x 76.5cm £400-600

33 MARY MCCROSSAN

34 ARTHUR HENRY JENKINS

Yachts leaving the harbour

A garden in bloom

Signed and dated M.McCrossan/1933 (lower left) Oil on canvas 51.3 x 61.2cm Unframed

Signed A H JENKINS (lower left) Oil on canvas 39.6 x 38.3cm

1865-1934

1871-1940

£300-500

£400-600

35 Φ NINA HILL

36 Φ NINA HILL

Still life with rhododendrons

Still life with rhododendrons in a bowl

1877-1970

Signed Nina Hill (lower right) Oil on canvas 56.1 x 76.1cm £200-300

1877-1970

Signed Nina Hill (lower right) Oil on canvas 51 x 61.2cm £300-500

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

37 Φ JOHANNES EMBROSIUS VAN DE WETERING DE ROOIJ Dutch 1877-1972

River landscape with a windmill in the distance Signed Wetering de Rooij (lower right) Oil on canvas 30.8 x 50.5cm £300-500

38 Φ EMMANUEL GUYOT French 1888-1977

Sailboats in a harbour Signed Emmanuel Guyot (lower right) Oil on board 43.2 x 96cm £150-250

39 FRENCH SCHOOL Early 20th Century

Landscape with a shepherd and his flock under the trees Oil on canvas 71.5 x 91cm £250-350

39 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

40 PIERRE-EUGÈNE MONTÉZIN French 1874-1946

Pique-nique au bord du Loing Signed Montezin (lower left) Oil on canvas 59.1 x 72.5cm Provenance: Christie’s, South Kensington, Impressionist/Modern & Picasso Ceramics, 6 February 2015, lot 115 At the time of the 2015 sale, Cyril Klein-Montézin confirmed the authenticity of this work. £3,000-5,000 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

41 HENRY SCOTT TUKE RA, RWS

42 EDWARD ATKINSON HORNEL

John Jackett at the Sheets

Burmese girls on the banks of the Irrawaddy

Oil on panel 13.8 x 23.3cm

Signed and dated E A Hornel/1922 (lower right) Oil on canvas 153.4 x 122.3cm

1858-1929

Scottish 1864-1933

Provenance: Private Collection, Gloucestershire Exhibited: London, David Messum, British Impressionism Exhibition, 1988

Provenance: Private Collection, Yorkshire £10,000-15,000

£8,000-12,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

43 PHILIP WILSON STEER

44 PHILIP WILSON STEER

The Severn Valley

Boats on the water, Maldon, Essex

Signed P.W.Steer 1925 (lower right) Watercolour 21.9 x 33cm

Watercolour 22.8 x 30.2cm

1860-1942

Provenance: William R. Douglas Exhibited: London, National Gallery Millbank, Exhibition of Works by P. Wilson Steer, 1929

1860-1942

Provenance: Ronald Gray; Browse & Darby, London £200-300

£250-350

45 PHILIP WILSON STEER

46 PHILIP WILSON STEER

47 PHILIP WILSON STEER

Coastal landscape under cloudy skies

Dover Harbour, Kent

Landscape with trees and fields under a cloudy sky

Signed and dated P. W. Steer 1921 (to verso) Watercolour heightened with white 23.8 x 32.4cm

Signed and dated P.W Steer 1918 (lower left) Pencil, watercolour and white chalk 23.8 x 34cm

Signed P.W.Steer (lower right) Watercolour 13.2 x 17.5cm

£200-300

1860-1942

£150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

48 PHILIP WILSON STEER

49 PHILIP WILSON STEER

Chepstow Castle

View of Porchester, Hampshire

Signed and dated PWSteer 1905 (lower left) Watercolour 25.1 x 37.1cm

Signed and dated P W Steer 1913 (lower right) Watercolour and bodycolour 22.8 x 33.5cm

Provenance: Carfax & Co, London

Provenance: The Palser Gallery, London; Charles A. Jackson, Manchester

1860-1942

£250-350

1860-1942

Exhibited: Birkenhead, Festival of Britain, Williamson Art Gallery, Wilson Steer Exhibition, July-September 1951; Bury, Bury Art Gallery, Steer, Sickert, Epstein Exhibition, February-March 1954 £250-350

50 PHILIP WILSON STEER

51 PHILIP WILSON STEER

52 PHILIP WILSON STEER

Boats at Harwich

River landscape

Watercolour 20.9 x 29.5cm

Signed and dated P H Steer 1919 (lower left) Watercolour 17.5 x 23.9cm

Study of two figures seated in an interior

1860-1942

Provenance: The Fine Art Society, London, July 1943 £150-250

1860-1942

Provenance: J. R. Cookson, Kendal

1860-1942

Signed P.W.Steer (lower left) Black chalk 14.6 x 14.3cm £100-150

£200-300

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

53 Φ PERCY HAGUE JOWETT

54 WALTER TAYLOR

Garden Under Snow, Putney

Palais du Luxembourg, Paris

Dated 9.1.24 (lower left) Pencil and watercolour 33 x 24.7cm

Signed Walter Taylor (lower left) Watercolour and chalk heightened with white 30.2 x 38.4cm

1882-1955

Provenance: Michael Parkin Fine Art, London Christie’s, South Kensington, 20th Century British Art, 16 September 1998, lot 79 Exhibited: London, 7 & 5 Society, 1925 £80-120

1860-1943

Provenance: Abbott & Holder London Exhibited: London, The Mayor Gallery £150-250

55 THOMAS ROBERT WAY

56 DOUGLAS FOX PITT

View of The London Opera House, later The Stoll Theatre, at night

The Norfolk Bridge, Shoreham

1862-1913

Signed T R Way (lower left) Pastel 45 x 58.7cm Unframed £150-250

1864-1922

Watercolour and coloured chalks 30 x 38.3cm Provenance: Abbott & Holder, London £80-120

57 MALCOLM DRUMMOND 1880-1945

The Fireplace Pencil 22.2 x 26cm Provenance: Mrs Malcolm Drummond; D. Cooke Esq; Woolley & Wallis, Salisbury, 20th Century & Contemporary Art, 16 July 2008, lot 68

Exhibited: London, Maltzahn Gallery, May 1974

£80-120

57 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

58 PATRICK WILLIAM ADAM Scottish 1854-1929

The Oak Room Signed and dated P W Adam 1923 (lower right) Oil on canvas 72.9 x 61cm £1,500-2,500

59 SOPHUS VERMEHREN Danish 1866-1950

An interior with a woman sewing Signed S Vermehren (lower right) Oil on canvas 59.4 x 48.3cm £300-500

60 ELLIOTT SEABROOKE 1886–1950

Wooded landscape Signed ELLIOTT SEABROOKE (lower right) Oil on board 106.3 x 80cm £600-800

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

61 WILFRID GABRIEL DE GLEHN RA 1870-1951

The Harbour, Saint-Tropez Inscribed and dated ST TROPEZ 1925 (to reverse), and with the artist’s studio stamp (to stretcher) Oil on canvas 55.4 x 71.3cm Provenance: Christie’s, London, Modern British and Irish Paintings, Watercolours and Drawings, 12 March 1993; Private Collection, Gloucestershire When he first visited Saint-Tropez in the early 1920s, Wilfred de Glehn wrote to his niece saying ‘how lovely our little harbour is. Just like Venice without the palaces, churches or gondolas! But what peace and quiet and no one bothers you when you are painting…I am wild about this place’. £10,000-15,000

61 (framed) See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

62 WILFRID GABRIEL DE GLEHN RA 1870-1951

Antibes Signed W G de Glehn (lower right), and with the artist’s studio stamp (to stretcher) Oil on canvas 46.5 x 65.6cm Provenance: The artist’s studio; Christie’s, London, Modern British Pictures, 6 March 1992, lot 19A; Private Collection, Gloucestershire Exhibited: London, David Messum, Wilfrid Gabriel de Glehn: A Collection of 25 Paintings, October 1989, no.16 £5,000-8,000

62 (framed)

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

63 WILFRID GABRIEL DE GLEHN RA 1870-1951

The Avon, Wiltshire Inscribed The Avon Wilts (to reverse) and with the artist’s studio stamp (to stretcher) Oil on canvas 51.4 x 76.5cm Unframed £3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

64 WILFRID GABRIEL DE GLEHN RA 1870-1951

Wittenham Clumps, Vale of the White Horse, Wiltshire With the artist’s studio stamp (to stretcher) Oil on canvas 51.2 x 76.8cm £2,500-3,500

64 (framed)

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

65 Φ PAUL SIEFFERT French 1874-1957

Reclining female nude Signed P.Sieffert (lower left), and further signed and inscribed P.Sieffert No 391 (to reverse) Oil on canvas 50.5 x 74cm £2,000-3,000

66 Φ HAROLD WILLIAMSON 1898-1972

Reclining female nude Signed H WILLIAMSON (lower right) Oil on board 48.5 x 57cm £500-800

66 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

67 Φ JEAN-GABRIEL DOMERGUE French 1889-1962

Lady with blue gloves Signed Jean/Gabriel/Domergue (lower left) Oil on panel 60.7 x 45.5cm £1,500-2,500

68 Φ JEAN-GABRIEL DOMERGUE French 1889-1962

Bébé Signed Jean Gabriel Domergue (lower right) Oil on board 32.9 x 23.8cm £1,800-2,200

68 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

69 Φ JOHN BUCKLAND WRIGHT

70 Φ GWEN RAVERAT

Psyche and her Sisters

February

Signed, dated and numbered 5/12 John Buckland Wright 36 (in pencil to margin) Etching, from The Marriage of Cupid and Psyche 13 x 9cm (plate)

Signed, inscribed and numbered 35 February G Raverat (in pencil to margin) Wood engraving 5.3 x 10.4cm (image)

£100-150

1897–1954

71 Φ LEONARD SQUIRREL

72 Φ ERIC HESKETH HUBBARD

Notre Dame, Paris

The Gateways of Salisbury Cathedral Close, comprising S. Anne’s Gateway from the East; S. Anne’s Gateway from the West; The Close Gateway from the South; Harnham Gateway from the East; and Exeter Gateway from the East

1893-1979

Signed Leonard Squirrel (in pencil to margin) Mezzotint 28.3 x 41cm (plate) £150-250

1885-1957

1892-1957

Five, each signed Hesketh Hubbard and inscribed with title (in pencil to margin), and further signed Hesketh Hubbard (in black ink to text) Each woodcut in colours, framed, together with bound text, within grey paper-covered boards with signed letter pasted to the inside Largest 22.3 x 27.5cm; Smallest 24.7 x 16.5cm (image) (6) £300-500

72 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

73 ERIC GILL ARA 1882-1940

Female Nude, Seated Wood engraving, 1937, from Twenty-five Nudes (P953) 21.9 x 13.4cm £100-150

74 ERIC GILL ARA 1882-1940

Eve Wood engraving, from the edition of 480 printed from the original block published by Douglas Cleverdon, 1929 (P380) 23.5 x 11.5cm (image) Provenance: Sally Hunter Fine Art London Exhibited: London, Sally Hunter Fine Art, British Design and Illustration, December 2000 £250-350

75 ERIC GILL ARA

76 ERIC GILL ARA

77 ERIC GILL ARA

Sculpture II

Madonna and Child

Christmas Gifts: Dawn

Signed Eric G (lower centre) Woodcut, 1924 (P228) 12.1 x 9cm Unframed

Signed EricG (in pencil to margin) Woodcut in black ink, 1919 (P154) 16.7 x 9.8cm (image)

Wood engraving, 1916 (P81) 7.6 x 9.3cm (image)

1882-1940

Provenance: Macmillan & Perrin Gallery, Vancouver

1882-1940

£100-150

1882-1940

£80-120

£150-250 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

78 SYLVAN G BOXSIUS 1878-1941

Autumn; Winter A pair, both woodcut in colour 35.5 x 28cm; 36 x 27cm (image) (2) Provenance: Woolley and Wallis, Salisbury, 20th Century and Contemporary Art, 16 July 2008, lot 132 £300-500

79 THOMAS TODD BLAYLOCK

80 Φ CHARLES FOLKARD

1876-1929

1878-1963

Spring; Spring Flowers

A sprite

Two, both woodcut on black silk, the former possibly with hand tinting 36.2 x 22.8cm, 27.5 x 28.2cm (image) (2)

Signed CHARLES/FOLKARD (lower right) Pencil, watercolour and gouache 27.2 x 16.3cm

£300-500

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

81 Φ JOHN E. NICHOLLS

82 Φ JOHN E. NICHOLLS

Still life with flowers in a green glass vase

September

1855-1955

Signed John E Nicholls (lower left) Oil on board 49.5 x 39.2cm Provenance: Mary Cockburn, London £600-800

1855-1955

Signed John E Nicholls (lower left) Oil on board 49.2 x 39.2cm Provenance: Mary Cockburn, London £600-800

83 Φ LESLIE ROY HOBDELL 1911-1961

Flowers and butterflies in a landscape Signed Giles Farquharson (lower right) Oil on board 46.5 x 37.8cm Leslie Roy Hobdell occasionally signed his works with the names of his two cats, Giles and Emma Farquharson. £500-700

83 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

84 FRITZI ULREICH

Austrian 1865-1936

Still life of lilac in a vase Signed F. Ulreich (lower right) and inscribed Fliederblüthe/ Org. von Fr. Ulreich (to reverse) Oil on board 62.4 x 55cm Unframed £200-300

85 FOLLOWER OF AUGUSTUS JOHN Still life of flowers in a terracotta pot Bear a signature John (lower right) Oil on panel 53.3 x 43.5cm

£500-800

86 ELLY ARNHEIM

87 Φ ORLANDO GREENWOOD

Still life with spring flowers

Still life of roses

German 1877-1945

Signed Arnheim (lower right) Oil on canvas 82.8 x 99.4cm £200-300

1892-1989

Signed Greenwood (top right) Oil on canvas 58.5 x 50.8cm Unframed £150-250

88 Φ FREDERICK GEORGE TROTT 1884-1957

Still life of flowers in a blue vase Signed F.G.TROTT (lower right) Oil on board 43.6 x 35.1cm £150-250

88 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

89 Φ JOHN BULLOCH SOUTER Scottish 1890-1972

Primroses Signed J.B.SOUTER (lower left) Oil on board 35 x 26.3cm £600-800

90 PIERRE AUGUSTE BELLET French 1865-1924

Still life with peonies in two vases Signed P. Bellet (upper right) Oil on canvas 62.3 x 44.6cm Provenance: Woolley & Wallis, Salisbury, 20th Century & Contemporary Art, 3 June 2015, lot 40 £800-1,200

91 FRANZ GRAF

92 Φ LEO BAUR

93 Φ REG GAMMON

Wild hollyhocks

Still life with a teapot

Still life of roses in a Chinese vase

Signed and dated Franz Graf 1932 (lower left) Oil on board 99.7 x 71.8cm Unframed

Inscribed Leo Baur (to the reverse) Oil on canvas 56.4 x 36.4cm Unframed

Signed GAMMON (lower right) Oil on canvas 44.5 x 32.8cm Unframed

£200-300

£150-250

£200-300

German 1880-1950

German 1872-1960

1894-1997

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

94 FRANCIS CAMPBELL BOILEAU CADELL RSA, RSW Scottish 1883-1937

Tea Table Signed F C B Cadell (lower right) Oil on panel 35.8 x 44.2cm Provenance: Alex Reid & Lefevre, London; Christie’s, Edinburgh, Fine Paintings and Drawings, 13 May 1993, lot 950; Private Collection, Gloucestershire Exhibited: Edinburgh, Royal Scottish Academy Festival Exhibition, Peploe-Cadell-Hunter, 1949 Tea Table probably dates from c.1913, and Francis Cadell’s reputation is based on the paintings from this period immediately before the war, along with his work of the 1920s. By this stage he had fully absorbed the lessons of the modern French artists, above all Edouard Manet, and had developed a palette based on whites and creams, punctuated by splashes of vivid colour painted with rapid darts from a thickly loaded brush. £80,000-120,000

94 (framed)

“It seems to me… that your forte lies in a gift of colour and light” Letter from James Pittendrigh Macgillivray to Francis Campbell Boileau Cadell, 1915

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

95 GEORGE LESLIE HUNTER Scottish 1877-1931

The Mill Dam, Fife Oil on canvas, with a portrait of Tom Honeyman (1891-1971) (to the reverse) 63.3 x 76.6cm Provenance: Dr Tom J. Honeyman (1891-1971); By descent; Sotheby’s, Gleneagles, Scottish and Sporting Pictures and Sculpture, 5 September 2001, lot 1377; Sotheby’s, West Lothian, Scottish Pictures, 15 April 2002, lot 228; Private Collection, Gloucestershire George Leslie Hunter first visited Fife in 1919, and this mill was a favoured and recurring theme, the subject of a series of paintings from the early 1920s. The present work, painted c.1923, demonstrates how he had absorbed the influence of French art, including Matisse and above all Cezanne. The landscape and buildings are executed in rapid brushstrokes of strong colour across the canvas. It is a painting which demonstrates how Hunter would use colour from across the spectrum to build up form. On the reverse of the work is a portrait of Tom Honeyman (1891-1971), which was probably painted seven years after the landscape. Honeyman was originally a doctor but in 1929 abandoned the medical profession to pursue his passion for art, becoming first a dealer, and later the director of Kelvingrove Art Gallery. He was a great supporter of the Scottish Colourists and, above all, of his close friend Hunter. Honeyman wrote the first monograph dedicated to Hunter’s work in 1937, and the latter painted the former on several occasions. £40,000-60,000

95 (reverse)

95 (framed)

“Everyone must choose his own way, and mine will be the way of colour” George Leslie Hunter

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Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

96 GEORGE LESLIE HUNTER

97 GEORGE LESLIE HUNTER

The Quayside, Fife

Torcello

Signed Leslie Hunter (lower left) Pencil, watercolour and bodycolour 44.1 x 56.4cm

Signed L Hunter (lower right) Oil on board 68.1 x 48.6cm

Provenance: Pearson and Westergaard, Glasgow; Sotheby’s, Glasgow, Scottish and Sporting Paintings, Drawings and Watercolours and Wemyss Ware, 4 December 1991, lot 231; Private Collection, Gloucestershire

Provenance: Sotheby’s, Glasgow, Scottish and Sporting Paintings - Drawings and Watercolours and Wemyss Ware, 4 December 1991, lot 218; Private Collection; By whom sold, Sotheby’s, London, Scottish Art, 29 September 2010, lot 87; Private Collection, Gloucestershire

Scottish 1877-1931

£10,000-15,000

Scottish 1877-1931

George Leslie Hunter’s first visit to Venice came in 1922, the same year he also painted in Paris and Florence. It was during his visit to Paris that he encountered the latest work of Henri Matisse, which had a profound effect on the development of Hunter’s style. Torcello is one of only twenty-three Venetian oils to survive, and is typical of the period, with its short sharp brushstrokes of vivid colour, and areas of exposed board. £20,000-30,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

97 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

98 Φ JOHN MACLAUCHLAN MILNE RSA

99 Φ ADRIAN ALLINSON ROI

100 Φ ETHELBERT WHITE RWS

Blossom over Cottages, Arran

Brickworks near Plymouth

Signed Maclauchlan Milne (lower right) Oil on canvas 49.5 x 60cm

Signed Allinson (lower left) Oil on board 36.6 x 41cm

Landscape with figures in a horse and cart travelling past a barn

Provenance: Sotheby’s, Hopetoun House, Scottish Pictures, 15 April 2002, lot 225; Private Collection; By whom sold, Sotheby’s, London, Scottish Art, 29 September 2010, lot 89; Private Collection, Gloucestershire

Provenance: Mr Jackson, Bristol

Scottish 1885-1957

1890-1959

1891-1972

Signed Ethelbert White (lower left) Pencil and watercolour 33.5 x 42.5cm £500-800

£1,500-2,500

John MacLauchlan Milne visited Arran almost every summer to paint, and for many years his wife held an art school at their cottage for students visiting from Glasgow. £12,000-18,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

100 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

101 Φ JOHN NASH RA 1893-1977

Winter in a Beechwood Signed John Nash (lower left) Oil on canvas 66.4 x 76.1cm Together with two signed letters from John Nash, dated 2nd January 1967 and 31st January 1967 (3) Provenance: Purchased by Mr Massey in Harrow-on-the-Hill, in the 1950s, either from a junk shop, or a house sale of a Mr Acton-Davies; His mother, Mrs Massey, by 1967; By family descent to the previous owner; By whom sold Bonhams, Knightsbridge, Modern Pictures including East Anglian Pictures, 15 November 2011, lot 83, where purchased by the present private collector Literature: Andrew Lambirth, John Nash: Artist & Countryman (Norwich, Unicorn Press, 2019), p.262 Exhibited: London, Royal Academy, Exhibition of paintings and drawings by John Nash, 1967, no.9 The present work was painted by John Nash at Whiteleaf, Buckinghamshire, c.1930, and is described by the artist himself as ‘a good example of a certain period’, in the accompanying letters. The letters are written to a Mrs Massey, whose son Nash had met at The Crown at Long Melford, where the present work had been hanging. The first letter is a request from Nash to borrow Winter in a Beechwood, for the retrospective of his work that was held at the Royal Academy in 1967. The second letter conveys an offer from a collector friend of Nash’s, to purchase the work for £200 ‘in the event of your ever wishing to sell’. In fact, Nash’s annotated copy of the Royal Academy exhibition catalogue reveals that this friend was Robert Alexander Bevan (1901-1974), often known as Bobby Bevan, and who was the son of Robert Polhill Bevan (1865-1925). Nash writes that the painting ‘Used to hang in the Crown, Long Melford. Her son bought it in a junk shop in Harrow! Much coveted by RA Bevan who tried to buy it from her. She refused offer’. Although Nash mentions a junk shop, the 2011 auction catalogue suggested that the painting instead came from a house sale in Harrow. The beech woods at Whiteleaf, in the Chilterns, became a favourite subject of Nash after the First World War. He first painted them in 1919, and he became known for his depictions of the area. Robert Polhill Bevan once wrote to his son Bobby, ‘I see the Chilterns quite differently since John Nash started painting them. And that doesn’t happen with many landscape painters’. £20,000-30,000

101 (framed)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

102

102 JULIUS OLSSON RA 1864-1942

Waves against the rocks at sunset Signed Julius Olsson (lower left) Oil on canvas 45.8 x 61.5cm £2,000-3,000

102 (framed) See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

103 JULIUS OLSSON RA 1864-1942

The sea at sunset Signed Julius Olsson (lower right) Oil on canvas 51.8 x 69.2cm £2,000-3,000

103 (framed) Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

104

105 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

106

104 JULIUS OLSSON RA

105 JULIUS OLSSON RA

106 JULIUS OLSSON RA

A ship in calm waters

Landscape with stooks in a field and the coast beyond

Moonlit coastal landscape

1864-1942

Signed Julius Olsson (lower right) Oil on panel 35.1 x 45.8cm Provenance: J. A. Cooling & Sons, London

1864-1942

Signed Julius Olsson (lower right) Oil on panel 31.7 x 39.8cm £600-800

1864-1942

Signed Julius Olsson (lower right) Oil on canvas 87.2 x 112.3cm £5,000-7,000

£600-800

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

107

107 FRANK PATON 1855-1909

Portrait of Ramper; Portrait of Tomahawk Two, both signed and dated FRANK PATON 1909 (lower right), the former inscribed “RAMPER.” (lower left), the latter inscribed “TOMAHAWK” (lower left) and with extensive notes to reverse Both pencil and watercolour heightened with white and gum arabic 26.2 x 36cm; 27.7 x 37.1cm One unframed (2)

108

£500-800

108 JOHN ALEXANDER HARINGTON BIRD 1846-1936

Portrait of Twinkle Toes outside a stable; Portrait of Summer Lightening by Sandiway Lightning outside a stable; Portrait of Quicksilver Three, each signed Harington Bird, one dated 1920, and each inscribed with subject’s name Each pencil and watercolour heightened with white Largest 29 x 37.4cm; Smallest 26 x 35.7cm (3) £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109 Φ RAOUL MILLAIS 1901-1999

Portrait of Bill Scott of the Portman Hunt on horseback in a landscape with a pack of hounds Signed and dated Raoul/Millais/39 (lower right) Oil on canvas 51.2 x 61.4cm £1,500-2,500

109

110 Φ LEESA SANDYS-LUMSDAINE 1936-1985

Portrait of Rheingold with Lester Piggott up Signed and dated L.SANDYSLUMSDAINE ‘73 (lower right), and inscribed RHEINGOLD (to the reverse) Oil on canvas 61.7 x 70.7cm Rheingold was an Irish racehorse, who won the Prix de l’Arc de Triomphe under Lester Piggott. £600-800

110 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

111

111 Φ EDMUND BLAMPIED 1886-1966

Study for ‘The White Horse’; The White Horse (Appleby 81) Two, the former signed E.Blampied (lower centre), the latter signed E. Blampied (in pencil to margin) The former pencil, the latter drypoint, from an edition of 100 21.4 x 26.1cm; 20.1 x 25.2cm (plate), framed as one (2) £600-800

112 Φ LUCY ELIZABETH KEMP-WELCH RA 1869-1958

Study of two carthorses; Study of a horse and foal Two, the former signed with initials and dated L.K-W/1898 (lower left), the latter signed with initials and dated L.K-W/1898 (lower right) Both watercolour and bodycolour 13 x 18.9cm; 13.1 x 19.2cm Together with Lucy Elizabeth Kemp-Welch; Horse and foal; Signed L.Kemp-Welch (in pencil to margin); Etching; 23 x 17.2cm (3) £400-600

112 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113 Φ PETER BIEGEL 1913–1987

Pulling Up Signed Peter Biegel (lower right) and inscribed Pulling up (centre right) Pencil and watercolour 22.6 x 28.4cm Provenance: The Tryon Gallery, London; By descent to the present owner £300-500

113

114

115

114 Φ PETER BIEGEL

115 Φ PETER BIEGEL

Going Down Steady

Lester Piggot on Merry Madcap and Sailing at Newbury Racecourse

Signed and inscribed Going Down Steady/Peter Biegel (lower left) Pencil and watercolour 22.1 x 28.2cm

Signed and inscribed Sailing/Peter Biegel (lower right) and further inscribed and dated L. Piggot Merry Madcap/Newbury 28 June ‘65 (lower left) Pencil and watercolour 17.5 x 24cm

1913–1987

Provenance: The Tryon Gallery, London; By descent to the present owner £300-500

1913–1987

Provenance: The Tryon Gallery, London; By descent to the present owner £200-300

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

116 Φ OSKAR KOKOSCHKA CBE Austrian 1886-1980

Woman reclining Signed with initials OK (lower right) Black ink 28.6 x 39.1cm Provenance: Property of a nobleman £1,000-1,500

116

117

117 LOUIS ICART

French 1888-1950

Studies of a female nude from behind; Study of a woman reading Two, both signed Louis Icart (lower right) Both charcoal and pastel 35 x 44.8cm; 35 x 44.8cm Unframed (2) £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

118 Φ CLARE LEIGHTON 1898-1989

Weeds Signed, numbered and inscribed 9/30 Weeds Clare Leighton (in pencil to margin) Woodcut 17.4 x 12cm (image) £80-120

119 Φ GERTRUDE HERMES OBE, RA 1901-1983

Trees Signed, dated, numbered and inscribed Trees 2/12 Gertrude Hermes 1933 (in pencil to margin) Woodcut 22.3 x 14.8cm (image) £100-150

119

118

120

121

120 Φ EDWARD BURRA

121 Φ ROBIN TANNER

122 Φ ROBERT GIBBINGS

Café

Wiltshire Roadmaker

Signed with initials and numbered 35/45 EB (in pencil to margin) Woodcut, from the 1971 edition 10.1 x 15.1cm (image)

Signed Robin Tanner (in pencil to margin) Etching 9.8 x 14.8cm (plate)

Toucans (One Can’t) La Guaira

1905-1976

£200-300

1904-1988

£150-250

Irish 1889-1958

Signed and numbered 7.20 Robert Gibbings (in pencil to margin) Wood engraving 20.2 x 18.1cm (image) £150-250

122 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

123

123 Φ LAURENCE STEPHEN LOWRY RA, RBA

124 Φ LAURENCE STEPHEN LOWRY RA, RBA

Level Crossing

Street Scene

Signed L S Lowry (in pencil to margin) Reproduction print 46 x 56cm (image)

Signed L S Lowry (in pencil to margin), and with Fine Art Trade Guild blindstamp Reproduction print 25.7 x 20.5cm (image)

1887-1976

£1,500-2,500

1887-1976

£800-1,200

125 Φ LAURENCE STEPHEN LOWRY RA, RBA

126 Φ LAURENCE STEPHEN LOWRY RA, RBA

Landscape with Farm Buildings

The Pond

Signed L S Lowry (in pencil to margin), with Fine Art Trade Guild blindstamp Reproduction print 40.4 x 50.2cm (image)

Signed L.S.Lowry (in pencil to margin) and with Fine Art Trade Guild blindstamp Reproduction print 43 x 57.5cm (image)

1887-1976

£2,000-3,000

1887-1976

£1,500-2,500

124 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

126 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

127

128

129

130

127 Φ OWEN BOWEN

128 Φ STEPHEN BONE

129 WILLIAM WALLS

130 WILLIAM WALLS

The mill

Boats at Folly Bridge, Oxford

A crofters cottage

Sleeping baby gorilla

Signed Owen Bowen (lower right) Oil on canvas 43.5 x 53.5cm

Signed and dated Stephen Bone 1938 (lower left) Oil on board 26 x 33.9cm

Signed W Walls (lower right) Oil on canvasboard 21.9 x 29.3cm

Oil on canvasboard 21.4 x 28.6cm

Welsh 1873-1967

£300-500

1904–1958

Provenance: The Leicester Galleries, London, where purchased by Miss Donald Gunary, August 1945

1860-1942

Provenance: Wimbledon Fine Art, London £150-250

1860-1942

Provenance: Wimbledon Fine Art, London £150-250

Exhibited: London, The Leicester Galleries, Artists of Fame and Promise, August 1945, no.72 £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

131

132

133

134

131 BRITISH SCHOOL

132 Φ WALTER H. NESSLER

133 Φ PHILIP GREGORY NEEDELL

134 JOHN WILLIAM GILROY

A harbour under cloudy skies

Roofs, Bayeux

A Quiet Street, Montreuil sur Mer

The docks

Oil on board 33.6 x 46cm

Signed Nessler (lower right) Oil on panel 60.9 x 51cm

Signed P G NEEDELL (lower left) and further signed and inscribed a quiet street. montreuil sur mer P G Needell (to the reverse) Oil on board 36 x 45.8cm

Early 20th Century

£200-300

German 1912-2001

Provenance: Twenty Brook Street, London, where purchased by Charles Schomberg; And by descent

1886-1974

1868-1944

Signed J W Gilroy (lower left) Oil on canvas 50.9 x 63.6cm £200-300

£150-250

Exhibited: London, Twenty Brook Street, Paintings by H.H.Newton and Walter H.Nessler, no.55 £150-250

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

135 CONTINENTAL SCHOOL

136 VICTOR YEFIMENKO

Rustics working in the field

The boat trip

20th Century

135

136

137

138

137 KARL HANS TAEGER

German 1856-1937

Winter woodland scene Signed H. Taeger (lower right) Oil on canvas 87.3 x 71cm £200-300

Ukrainian b.1952

Indistinctly signed ****mann (lower right) Oil on canvas 95.2 x 95.2cm Unframed

Signed in Cyrillic (lower right) and inscribed in Cyrillic (to the reverse) Oil on canvas 73.3 x 60.2cm Unframed

£150-250

£250-450

138 Φ WALTER KOPP

139 HANS LINDNER

Snow covered landscape

Winter forest scene

German 1877-1953

German 1883-1944

Signed Walter Kopp (lower left) Oil on board 27.4 x 36cm

Signed H.LINDNER (lower left) Oil on canvas 60.8 x 75.7cm Unframed

£200-300

£200-400

139 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

140

141

140 VINCENT MANAGO French 1880-1936

French quayside Signed V.Manago (lower left) Oil on canvas 38 x 45.8cm Unframed £200-300

141 ANGELO ROSSOTTI MATTEODA Italian 1865-1934

Marine scene Signed Rossotti Matteoda (lower right) Oil on board 52.6 x 64.8cm Unframed

142

143

£300-500

142 Φ RUDOLF MÜLLERGERHARDT German 1873-1962

Spring Upper Bavaria Oil on board 60.8 x 75.6cm £200-300

143 ARTHUR NIELSEN

144 JAQUES MADYOL

Danish 1883-1946

Belgian 1871-1950

Figures walking along the shore at Bogen

St Paul, vue de la route de Vence

Signed, inscribed and dated Arthur Nielsen/Bogen 1913 (lower right) Oil on canvas 39.4 x 48.3cm

Signed Jaques Madyol (lower right) and inscribed “St PAUL/VUE DE LA ROUTE DE VENCE/A.M./ JAQUES MADYOL/PINXIT (to the reverse) Oil on canvas 38.5 x 55.2cm Unframed

Provenance: C. A. Reissmann, Denmark £100-150

£100-150

144

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

145 Φ MARC CHAGALL

Russian/French 1887-1985

Rahab and the spies of Jericho; Job in Despair Two, both lithograph, from Drawings for the Bible, unsigned edition 35.3 x 26cm; 35.5 x 26.3cm (sheet) Unframed (2) £250-450

145

146

147

146 Φ SALVADOR DALÍ

147 Φ SALVADOR DALÍ

The Great Paranoiac

Aries

Signed and numbered 104/300 Dali (in pencil to margin) Lithograph 68.6 x 56.1cm (image)

Signed and numbered 204/250 Dali (in pencil to margin) Lithograph 64.2 x 47.4cm (image)

£200-300

Spanish 1904-1989

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

148 Φ FÉLIX ANAUT Spanish b.1944

Flight Signed Fx Anaut (lower right) Acrylic on paper 75.8 x 55.9cm Provenance: The Otter Gallery, Belfast, 1987 £300-500

149 Φ DENIS MITCHELL 1912-1993

Trewey Signed, dated and numbered 19/50 Denis Mitchell/79 (in pencil to margin) Screenprint 45.9 x 32cm (image) £150-250

148

149

150

151

150 Φ DENIS MITCHELL

151 Φ JOHN CHRISTOPHERSON

Dancers

Entrance to a Garden

Screenprint 20.1 x 22.3cm (image)

Signed with initials JC (lower right), and further signed and numbered 359/CHRISTOPHERSON (to reverse) and inscribed and dated ENTRANCE TO A GARDEN/ COMPLETED 11TH SEPTEMBER 1966 (to label) Oil on board 15.3 x 13.5cm

1912-1993

£150-250

1921-1996

£250-350

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

152

153

154

152 Φ MICHAEL ROTHENSTEIN RA

153 Φ NORMAN ACKROYD CBE, RA

154 Φ HAROLD COHEN

Farm landscape with horses; Farm landscape with a plough

East India Dock

Close-Up III

Signed, dated, numbered and inscribed 6/20 East India Dock Norman Ackroyd 1961 (in pencil to margin) Etching and aquatint 45.5 x 60.4cm (plate)

Signed and dated Harold Cohen 1967 (in pencil lower right), and numbered #3 69/75 (in pencil lower centre) Lithograph 57.6 x 57.6cm (image)

£150-250

£100-150

1908-1993

b.1938

Two, both signed with initials M.R (lower right) Both coloured chalk and gouache, 1941 13.1 x 22.9cm; 10.7 x 16.2cm, framed as one (2) Provenance: Both Redfern Gallery, London, where purchased by Ian Read, June 1988

1928–2016

£500-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

155

155 Φ TONY O’MALLEY Irish 1913-2003

Earth Marks Signed with initials and dated OM 1980 (lower right) Mixed media on paper 21.1 x 28.7cm Provenance: The Collection of George and Maura McClelland; By whom sold, Whyte’s, Dublin, Irish and International Art, 27 February 2017, lot 93

156

£800-1,200

156 Φ TONY O’MALLEY Irish 1913-2003

Beach Music Signed with initials and dated OM 8/1969 (lower right) Gouache 30.3 x 22.7cm Provenance: The Collection of George and Maura McClelland; By whom sold, Whyte’s, Dublin, Irish and International Art, 27 February 2017, lot 34 Exhibited: Dublin, Irish Museum of Modern Art, Selected Works from the McClelland Collection, 2000-2001 £800-1,200

157 Φ TONY O’MALLEY Irish 1913-2003

Self-portrait Signed with initials and dated om - 2/77 (lower centre) Gouache and pastel 25.3 x 18.1cm Provenance: The Collection of George and Maura McClelland; By whom sold, Whyte’s, Dublin, Irish and International Art, 27 February 2017, lot 33 £800-1,200

157

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

158 Φ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Blue Form Signed and dated Gear/83 (lower right) and further signed, dated and inscribed Gear/”BLUE FORMS”/FEB ‘83 (to reverse) Oil on canvas 81.2 x 50.7cm £1,000-1,500

159 Φ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Untitled Signed and dated Gear ‘75 (lower right) Mixed media on paper 27.4 x 38.1cm £300-500

160 Φ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

China Signed, dated and inscribed Gear ‘87 (CHINA) (lower right) Watercolour 28.7 x 39.4cm £250-350

158

159

160

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

161 Φ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Yellow Pointers Signed and dated Gear 95 (lower right) Oil and ink on paper 53.4 x 35.8cm £300-500

162 Φ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Untitled Signed and dated Gear ‘51 (lower right) Black ink 26.8 x 22.8cm £200-300

163 Φ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Untitled Signed and dated Gear/May 9th ‘63 (to verso) Oil pastel 37.6 x 27.5cm £300-500

161

162

163

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

164

165

164 Φ RAOUL MILLAIS

165 Φ NEIL FORSTER

166 Φ NEIL FORSTER 1939-2016

167 Φ KURT MEYEREBERHARDT

Study of greyhounds

Study of a Pekingese

German 1895-1977

Signed Raoul Millais (lower left) Charcoal heightened with white 19.7 x 21.8cm

Signed Neil Forster (lower right) Pastel 20.4 x 25.6cm

Portrait of a Jack Russell

Portrait of a Pekingese

Signed Neil Forster (lower right) Pastel 28.8 x 20.2cm

Signed and inscribed Original etching v Meyer Eberhardt (in pencil to margin) Drypoint 37.1 x 28.1cm (plate)

1901-1999

Provenance: The Collection of Robin and Rupert Hambro THIS LOT IS OFFERED WITHOUT RESERVE £100-150

166

1939-2016

Provenance: The Collection of Robin and Rupert Hambro

THIS LOT IS OFFERED WITHOUT RESERVE

£150-250

167

168 Φ EUGEN VON LEDEBUR Austrian 1909-1973

Provenance: The Collection of Robin and Rupert Hambro

A Pekingese dog Signed and dated E Ledebur 35 (lower left) Black ink 38.2 x 28.9cm Provenance: Martin Gregory, London; The Collection of Robin and Rupert Hambro Exhibited: London, Martin Gregory, A Foray into the 20th Century: Works by British Artists, no.39

THIS LOT IS OFFERED WITHOUT RESERVE

£70-100

£100-150

168

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

169

170

169 Φ HENRY MAYO BATEMAN 1887-1970

The Taxgatherer Signed H. M./BATEMAN (lower right) Pencil, pen and black ink, and watercolour 31.7 x 26.5cm £600-800

170 Φ SIR MAX BEERBOHM 1872–1956

Caricature of Henry Labouchere (1831-1912) Signed Max (lower centre) and inscribed m. Labouchere (lower right) Watercolour and black ink 20.6 x 19.1cm Provenance: Leicester Galleries, London, where purchased by John Murray Esq, 1952 Literature: Rupert Hart-Davis, A Catalogue of the Caricatures of Max Beerbohm (Massachusetts, Harvard University Press, 1972), p.89, no.880 Exhibited: London, Leicester Galleries, Exhibition of Works by Sir Max Beerbohm, May 1952, no.20 £700-1,000

171

171 Φ SIR CECIL BEATON CBE 1904-1980

Rose and lavender Signed BEATON (lower right) Watercolour and bodycolour 46.4 x 75.8cm Provenance: Private Collection, Salisbury £400-600

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

172 Φ PETER GREENHAM CBE, RA 1909-1992

Magdalen Bridge Signed with initials PG (lower right) Oil on canvasboard 30.6 x 35.8cm £600-800

172

173

174

173 Φ PETER GREENHAM CBE, RA

174 Φ PETER GREENHAM CBE, RA

Wooded driveway with a house beyond

The Cherwell, Oxford

Oil on board 30.5 x 40.3cm

Indistinctly signed with initials P* (lower right) Oil on board 30.1 x 41.5cm

1909-1992

£400-600

1909-1992

Exhibited: London; New English Art Club £400-600 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

175

176

175 Φ DAVID HUTTER

176 Φ DAVID HUTTER

Extensive Italian landscape with poplars

Landscape on Aigina, near the Temple of Aphaia

With studio stamp (to reverse) Oil on canvas 68.9 x 91.6cm

Signed David Hutter (lower right) Oil on board 20.9 x 28.3cm

£300-500

£200-300

1930-1990

177

178

177 Φ DAVID HUTTER

178 Φ DAVID HUTTER

The Beach at Walberswick

Italian landscape with a villa at dusk

Signed David Hutter (lower right) Oil on panel 70.4 x 103.2cm

Signed David Hutter (lower right) Oil on board 29 x 38.9cm

Provenance: John Whibley Gallery, London, where purchased by Ian Angus, October 1969

£150-250

1930-1990

£300-500

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

179

180

179 Φ CLIFFORD HALL ROI, NS

180 Φ CLIFFORD HALL ROI, NS

Wrapped Bather No.1

Seated female nude

Signed and dated Clifford Hall ‘67 (lower left) Acrylic and sand on board 74.3 x 99.8cm

Signed and dated Clifford Hall/27.10.52 (lower right) Black and brown conté 48.1 x 36.5cm

Provenance: Purchased directly from the artist by George Melly (1926-2007), July 1967, and hung between two works by René Magritte (according to the artist’s journal); Christie’s, South Kensington, Interiors, 8 April 2008, lot 441

Provenance: Christie’s, South Kensington, 20th Century British Art, 28 April 2000, lot 111

1904-1973

181

1904-1973

We are grateful to Geraint Hall for his assistance cataloguing the present work. £120-180

We are grateful to Geraint Hall for his assistance cataloguing the present work. £400-600

181 Φ CAREL WEIGHT

182 Φ RUSKIN SPEAR CBE, RA

The harvest

Billiards Saloon

Signed Carel Weight (upper left) Oil on canvas 25.4 x 41.7cm

Reproduction print 65.1 x 96.6cm

1908-1997

£300-500

1911-1990

Provenance: Property of a nobleman £150-250

182 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

183 Φ DORIS ZINKEISEN Scottish 1898-1991

Ballroom Dancers Signed Doris Zinkeisen (lower right) Oil on canvas 50.6 x 40.7cm £600-800

183

184 Φ ANNA ZINKEISEN Scottish 1901-1976

Still life of flowers in a tankard Signed A.Zinkeisen (lower left) Pencil and watercolour 44.5 x 33.5cm Provenance: Bonhams, London, Modern Pictures, 24 May 2005, lot 199; where purchased by the present private collector £300-500

184 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

185 Φ LIONEL BULMER 1919–1992

The Corner House Oil on canvas, with a study of bathers in a landscape to the reverse 50.7 x 66.1cm £600-800

186 Φ LIONEL BULMER 1919–1992

Fireplace Oil on board 22.8 x 16.6cm £300-500

187 Φ LIONEL BULMER 1919–1992

Still life with a kingfisher in a glass dome and a hanging carpet beyond Signed with initials LB (lower right) Oil on board 25.3 x 20.8cm

185

186

£300-500

187

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

188

188 Φ CATHLEEN MANN 1896-1959

Portrait of a lady, traditionally identified as the Duchess of Marlborough, half-length, wearing a purple dress Signed and dated CATHLEEN/MANN/1943 Oil on canvas, with an oil sketch of a lady to the reverse 76.3 x 63.5cm £2,500-3,500 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

189 Φ HANS BELLMER German 1902-1975

Mode D’Emploi The deluxe book, comprising seven etchings on BFK Rives papers, together with a duplicate suite on Japon Hosekawa papers, each signed Bellmer (in pencil to margin) No.122 of 165, published by Editions Georges Visat, Paris, 1967, loose in original paper wrappers, boards and slipcase 25.1 x 17.9cm (slipcase) Provenance: Sotheby’s, London, Old Master, Modern & Contemporary Prints, 10 October 2002, lot 2, where purchased by the present private collector £1,000-1,500

189

190

191

190 Φ GRAHAM SUTHERLAND OM

191 Φ SIR EDUARDO PAOLOZZI CBE, RA

Thorn Cross (Tassi 66)

Study for Turing (September 1998)

Signed Graham Sutherland (in pencil to margin) Lithograph 46.5 x 64.5cm (image)

Inscribed For Ann Edwards (in pencil lower right) Reproduction print, possibly with hand colouring 39.2 x 28cm (image)

£600-800

£250-350

1903-1980

Scottish 1924-2005

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

192 Φ DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Agamemnon at the Lion Gate (Wiseman 154) Signed and numbered 6/70 Frink (in pencil to margin), with Kelpra Studio blindstamp Etching and aquatint, from the Children of Gods series, 1988 72.8 x 55.3cm (sheet) £400-600

193 Φ DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Horse and Rider I (Wiseman 43) Signed and numbered 32/70 Frink (in pencil to margin) Lithograph, 1970-71, from the Horse and Rider series 58.1 x 77.7cm (sheet) £300-500

194 Φ MARY NEWCOMB 1922-2008

Canal at Bath Signed with initials MN (lower right) Pencil 13.9 x 18.8cm Provenance: The artist; Crane Kalman Gallery, London; Where purchased by Dr Daniel Catowsky, April 1988 £300-400

192

193

194

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

195

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

196

195 Φ MARY FEDDEN OBE, RA, RWA

196 Φ MARY FEDDEN OBE, RA, RWA

The Black Teapot

Ben’s Flowers

Signed and dated Fedden 1989 (lower right) Oil on board 60.4 x 51.5cm

Signed and dated Fedden 1994 (lower left) and inscribed Ben’s Flowers (to label) Oil and sand on canvas 50.9 x 61cm

1915-2012

Provenance: Sotheby’s, London, 20th Century Art, 24 October 1997, lot 196, where purchased by the previous owner; From whom purchased by the present private collector £8,000-12,000

1915-2012

Provenance: Purchased directly from the artist by the present private collector Mary Fedden admired the work of Ben Nicholson throughout her life, and said that ‘I found the early Ben Nicholsons fascinating as were the paintings of his wife Winifred’. In 1994, she visited the retrospective of Nicholson’s work at the Tate, and started incorporating motifs from his work into her own, which she acknowledged in her titles such as Ben’s Mug, Ben’s Box, or Ben’s Flowers. £7,000-10,000

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

197 Φ DAVID STRACHAN Australian 1919-1970

Still life with fruit and an oil lamp Signed and dated DStrachan’53 (lower left) Oil on canvas 54.5 x 73cm Together with Lou Klepac (ed.), David Strachan (Beagle Press, Sidney, 1993) (2) Provenance: Private Collection, Wiltshire Literature: Lou Klepac (ed.), David Strachan (Beagle Press, Sidney, 1993), pp.53, 126, pl.28 £1,000-1,500

197

198 KHENA BRAGIN Russian 1917-1998

A kneeling miner Signed in Cyrillic (lower right), and further signed in Cyrillic and dated 1950 (to reverse) Oil on canvas 77.3 x 58.4cm £200-300

199 BRITISH SCHOOL 20th Century

Portrait of Dylan Thomas Signed and inscribed Dylan Poet / Rowley (lower right) Oil on paper laid on board 73.2 x 55.1cm Unframed £120-180

198

199

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

200 ROSS STEFAN

American 1934-1999

A Glimpse of the Patio Signed Ross/Stefan (lower left) Oil on canvas 42.9 x 52.4cm £1,000-1,500

201 Φ ROSE HILTON 1931-2019

In the Conservatory Inscribed In the Conservatory (to verso) Watercolour 26.7 x 20.5cm £400-600

202 Φ ROSE HILTON 1931-2019

Cornish Palms Signed Rose Hilton (lower right) Pastel 27 x 18.2cm Provenance: Belgrave Gallery, St Ives £600-800

201

200

202

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

203

203 Φ ERIC SLATER

204 Φ ERIC SLATER

205 Φ GERALD JUDAH OSOSKI

A Downland Mill

The Coastguards Station

The Fair

Signed and inscribed A DOWNLAND MILL Eric Slater (in pencil to margin) Woodcut 21.5 x 32.8cm (image)

Signed and inscribed THE COASTGUARDS STATION Eric Slater (in pencil to margin) Woodcut 22.4 x 32.6cm (image)

Signed and dated GERALD J OSOSKI 1930 (lower right) Pen and ink, and watercolour 35.5 x 53.5cm

Provenance: Bernard J. Stone, Newcastle on Tyne

£400-600

£200-300

1896-1963

1903-1981

£500-800

204

205 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

206

206 Φ ROWLAND HILDER 1905-1993

Sepham Barn, Shoreham Signed - ROWLAND HILDER - (upper left) Pen and black ink, and watercolour 34.8 x 49.4cm Sepham Barn was depicted by Rowland Hilder on several occasions. As a student, he travelled to Shoreham to photograph the landscape that had inspired Samuel Palmer. He subsequently discovered that the barn had also been depicted by Palmer. It was later knocked down and replaced, but Hilder couldn’t ‘bring myself to include that modern version in my paintings of Shoreham’. £3,000-5,000

206 (framed) Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

207 Φ SUZANNE EISENDIECK German 1906-1998

On the river Signed SUZANNE EISENDIECK (lower right) Oil on canvas 54.3 x 73.1cm £500-700

207

208 Φ SYLVIA BERGIN ROWLEY

209 Φ ROWLAND HILL

Village with pigsties

Cottages on The Atlantic Drive, Co Donegal

Signed and dated SYLVIA BERGIN/APRIL 1932 (lower right) Pencil and watercolour 27.8 x 38cm

Signed Rowland Hill (lower right) Oil on board 34.4 x 44.5cm

Provenance: Studio Art House, Surrey

£300-500

1904-1999

Northern Irish 1919–1979

£200-300

208

209

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

210

210 Φ FREDERICK GORE CBE, RA 1913-2009

Isle-sur-Sorgue Signed F Gore (lower right), and inscribed and dated FREDERICK GORE RA ISLE-SUR-SORGUE 1984 (to overlap) Oil on canvas 76.7 x 92.2cm Provenance: Christie’s, London, Modern British and Irish Paintings, Watercolours and Drawings, 6 March 1992, lot 129; Private Collection, Gloucestershire £4,000-6,000

210 (framed) Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

211

211 MICHAL MOROZ

Ukrainian 1904-1992

Mountainous landscape at dusk; Mountainous landscape under cloudy skies; Sunset in Chornohora; Figures resting by a stream

212

Four, two signed and dated indistinctly Each oil on board Largest 21 x 31.9cm; Smallest 16.6 x 22.9cm (4) £600-1,000

212 MICHAL MOROZ

Ukrainian 1904-1992

Mountainous landscape at dusk; River landscape at dusk; Figures resting in a field by a hay stook Three, one indistinctly signed (lower left) Each oil on board Largest 18 x 26.3cm; Smallest 13.8 x 21.4cm (3) £400-600

213 Φ ARNOLD VICTOR BEAUVAIS 1886-1982

213

Sainte Baume; Cottage Two, both signed Arnold B (lower left) and the former inscribed Sainte Baume/ guillet 1912 Arnold Beauvais (to reverse) Both oil on board 32.7 x 23.6cm; 26.4 x 35.5cm Unframed (2) £120-180 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

214 Φ GEORGES HOSOTTE French b.1936

French landscape at dawn Signed and dated Hosotte 71 (lower left) Oil on canvas 60.4 x 73.3cm £1,000-1,500

214

215 Φ PAUL MAZE

French 1887-1979

The beach Signed Paul Maze (lower right) Gouache 37 x 53.8cm Provenance: Thompson’s Gallery £500-700

215 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

216

217 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

218

216 Φ EDWARD BAWDEN CBE, RA

217 Φ EDWARD BAWDEN CBE, RA

218 Φ EDWARD BAWDEN CBE, RA

Christmas card for The Twentieth Century

Studies of street sellers and performers

Carsaig Cliffs, Isle of Mull

Linocut 15.1 x 18.8cm

Inscribed To Catriona/with best wishes for Christmas/from Charlotte & Edward (lower right) Pen and ink 29 x 38.6cm

Signed Edward Bawden (lower right) Pencil and watercolour 55.1 x 74.9cm

1903-1989

Provenance: By descent to the present owner £1,000-1,500

1903-1989

Provenance: Given by the artist to the present owner The present studies were drawn when Edward Bawden was a war artist in North Africa. £800-1,200

1903-1989

Provenance: By descent to the present owner In 1969 Edward and Charlotte Bawden stayed on the Isle of Mull with the family of the owner of the present work. The present owner drove Bawden around Mull, so he could find places to paint. £3,000-5,000

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

219

220

219 Φ EDWARD BAWDEN CBE, RA

220 Φ EDWARD BAWDEN CBE, RA

Marine Parade

Owl

Signed, inscribed and dated Proof print taken by Philip Bawden 1987 ‘Marine Parade’/ by Edward Bawden/1927 (in pencil to margin) Engraving 11.2 x 17.8cm (plate)

Collage with linocut heightened with white, pencil, pen and wash 29.9 x 35.9cm

£500-800

£400-600

1903-1989

Provenance: By descent to the present owner

221 Φ EDWARD BAWDEN CBE, RA 1903-1989

Cover design for ‘Henry and Eliza’ by Jane Austen Collage with linocut 36.3 x 27.3cm Provenance: Commissioned from the artist; And by descent to the present owner £300-500

222 Φ EDWARD BAWDEN CBE, RA 1903-1989

Cover design for ‘The Adventures of Peregrine Pickle’ by Tobias Smollett Linocut with hand-colouring 26.2 x 18.2cm

221

222

Provenance: Commissioned from the artist; And by descent to the present owner £500-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

223

224

223 Φ EDWARD BAWDEN CBE, RA

224 Φ EDWARD BAWDEN CBE, RA

The Market Place (The Corn Exchange), Saffron Walden

Tyger! Tyger! Burning Bright in the Forests of the Night…

Signed and numbered Edward Bawden 18/50 (in pencil, lower right) Linocut 56.3 x 77.8cm

Linocut 20.2 x 63.5cm (image)

1903-1989

Provenance: By descent to the present owner £1,000-1,500

1903-1989

Provenance: By descent to the present owner £800-1,200

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

225

226

225 Φ RONALD SYDNEY EMBLETON

226 Φ RONALD SYDNEY EMBLETON

227 Φ JAMES HULL

Cornish Landscape I

Landscape IV

Golden House

Signed Ronald Embleton (lower right) Oil on board 61.6 x 51.2cm

Oil on canvas 76.4 x 101.5cm

Signed and dated HULL 48 (lower right) Gouache 49.5 x 26.6cm

1930-1988

£300-500

£200-300

1921-1990

Provenance: Twenty Brook Street, London, where purchased by Charles Schomberg; And by descent Exhibited: London, Twenty Brook Street, Modern Masters and Artists of Today, no.22 £200-300

228 Φ JOHN PIPER CH 1903-1992

Huish-Episcopi (Levinson 382) Signed and inscribed A/P John Piper (in pencil to margin) Screenprint, 1986 68.2 x 46.1cm (image) £800-1,200

227

228 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

229

229 Φ JOHN PIPER CH 1903-1992

St Mary’s, Adderbury Signed John Piper (lower left) and inscribed and dated 25 vi 73/ Adderbury Oxon (lower right) Ink, watercolour, gouache, pastel and bodycolour 58.2 x 76cm Provenance: Stephan Welz & Co, Cape Town, 5 October 2021, lot 395 Literature: Jennifer Sherwood, A Guide to the Churches of Oxfordshire (Robert Dugdale, 1989), illustrated on the cover £6,000-8,000

229 (framed) Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

230

231

232

233

230 Φ ANTHONY THORN

231 Φ GLYNN BOYD HARTE

232 Φ ROBYN DENNY

233 Φ ROBYN DENNY

Abstract in green

Tablescape with Zoffany

Colour Box IV

Untitled

Signed and dated Anthony Thorn 67 (lower right) Oil on canvas 41 x 56cm

Signed and dated Glynn Boyd Harte 1977 (lower right) Pencil and coloured crayons 41.1 x 59cm

Inscribed Happy Christmas love Robyn (in pencil to margin) Screenprint 19.9 x 25.5cm (image)

£100-200

Provenance: Thumb Gallery, London

Signed, dated and inscribed Denny III/XII Artists Proof/Colour Box (2nd Series)1969/73 (to backing board) Screenprint and collage, from the Colour Box Series, 2nd edition, 1973 60.3 x 50.5cm

1927–2014

1948-2003

£200-300

1930-2014

£200-400

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

234 Φ ROBYN DENNY 1930–2014

Study of a male nude, three-quarter length Signed Robyn Denny (upper right), and further signed Denny (to reverse) Oil on board 108.9 x 50cm Provenance: The Estate of Joe and Mary Hope; Aldridge’s, Bath, Fine Art and Antiques, 29 January 2019, lot 142, where purchased by the present private collector Joe Hope was Head of Fine Art at the Bath Academy of Art, Corsham Court from 1968-1981, where Robyn Denny also taught. £1,500-2,500

235 RUSSIAN SCHOOL 20th Century

Townscape at night Oil on board 54.7 x 71.2cm £120-180

236 GERMAN SCHOOL 20th Century

The Erlkönig and his daughters chasing the father and son Oil on canvas 110.1 x 140.2cm Unframed £150-250

234

235

236

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

237

238

237 Φ GEORGE DANNATT

238 Φ GEORGE DANNATT

239 Φ GEORGE DANNATT

Portland - Arid Noon

Lugano, Nightfall Impressionism (On Red, White, Grey and Blue)

Study for Figure from the Sea

1915-2009

Signed, inscribed and dated PORTLAND - ARID NOON/ George Dannatt July ‘94 (to backing board) Gouache on card 18.2 x 21.8cm Provenance: Osborne Samuel, London £400-600

Signed and dated GD.’94 (lower left) and further inscribed Lugano, Nightfall impressionism/(on red, white, grey, blue)/ George Dannatt/1994 (to backing board) Gouache and watercolour 17 x 17cm £250-350

1915-2009

Signed with initials GD ‘75 (lower left), and further signed, dated and inscribed George Dannatt/Study for Figure from the Sea 1975 (to backing board) Concentrated inks 43.2 x 29.6cm £300-500

240 Φ GEORGE DANNATT 1915-2009

Figure from the Sea No 1 (Miniature Version Project) Signed and dated GD 75 (lower left) and further signed, inscribed and dated Figure from the Sea No1/(miniature version project)/George Dannatt, 1975 (to backing board) Pencil and black ink 12.5 x 9.8cm £150-250

239

240

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

241 Φ EARDLEY KNOLLYS 1902-1991

Hills, Dorset Signed Knollys (lower right), and inscribed and dated Hills, Dorset/ 1962 (to reverse) Oil on canvas 51.2 x 76.4cm £1,000-1,500

241

242 Φ EARDLEY KNOLLYS 1902-1991

Still life with flowers in a jug Signed Knollys (lower left) Oil on board 45.8 x 32.8cm £600-800

243 Φ EARDLEY KNOLLYS 1902-1991

Still life with chrysanthemums in a vase Signed Knollys (lower right) Oil and gouache on paper 55.8 x 40.5cm £400-600

242

243

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

244

244 Φ CECIL ROCHFORT D’OYLY-JOHN

245 Φ CECIL ROCHFORT D’OYLY-JOHN

246 NERINE DESMOND

Street scene in the south of France, with the sea in the distance

A Corner of Juan-les-Pins, Near Nice

The Malay Quarter, Cape Town

Signed indistinctly Doyly John (lower left) and inscribed a corner of Juan les Pins/near NICE/ French Riviera (to reverse) Oil on canvas 30.8 x 41.6cm

Signed Nerine Desmond (lower right) Oil on board 34.5 x 49.6cm

1906-1993

Signed Doyly-John (lower right) Oil on canvas 29.3 x 74.8cm £600-800

245

1906-1993

South African 1908-1993

£800-1,200

246

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

247 Φ JOHN BRATBY RA 1928-1992

The Masked Harlequin, Venice Signed and dated JOHN BRAT** 1984 (lower right) Oil on canvas 61.1 x 76.9cm Provenance: The Simon Carter Gallery; Their sale, Bonhams, Chelsea; Pictures from the Simon Carter Gallery, 21 January 1998, lot 338, where purchased by Dr McKee; The McKee Collection; By whom sold, Whytes, Dublin, Art of Christmas, 6 December 2008, lot 66; Private Collection, UK £1,000-1,500

247

248

249

248 ESTMIN SMITH

249 Φ RENÉ DULIEU

Salisbury Cathedral in the snow

Street scene in a French town

Signed and dated ESTMIN SMITH 1947 (lower left) Oil on canvas 36.8 x 51.5cm Unframed

Signed René Dulieu (lower right) Oil on canvas 54.3 x 64.9cm

act.1944-1947

£200-300

French 1903-1992

Provenance: E. Stacy-Marks £300-500

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

250

250 Φ EDWARD SEAGO RBA, ARWS, RWS

251 Φ EDWARD SEAGO RBA, ARWS, RWS

A Grey Day near Salisbury

Street in Wan Chai, Hong Kong

Signed Edward Seago (lower right) Oil on panel 38.7 x 54.2cm

Signed Edward Seago (lower right) and inscribed STREET IN WAN CHAI/HONG KONG (to reverse) Oil on board 61.1 x 45.5cm

Provenance: Colnaghi, London

Provenance: Wyfold Galleries, 2001; Portland Gallery, London, 2002

1910-1974

£6,000-8,000

1910-1974

Literature: Ron Ranson, Edward Seago (London, David & Charles, 1987), p.40 (illustrated); James W. Reid, Edward Seago: The Landscape Art (London, Sotheby’s Publications, 1991), pp.72, 230, pl.79; Edward Seago, exh. cat. (London, Portland Gallery, 2002), pp.6-7, cat. no.10 (illustrated) Exhibited: London, Portland Gallery, Edward Seago, April-May 2002, cat. no.10 £25,000-30,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

251 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

100

252

253

252 BRITISH SCHOOL 20th Century

Welsh landscape with a farm Traces of signature (lower right) Oil on board 39.3 x 68.5cm £150-250

253 Φ MARGARET GREEN 1925-2003

Interior at Elm Park Gardens Signed with initials MG (lower left) Oil on canvas 51 x 61.9cm Provenance: Bonhams, London, 20th Century British Art, 11 July 2006, lot 61 Exhibited: Nottinghamshire Education Committee, no.154 (according to inscription to reverse) £500-800

254 Φ MARGARET GREEN 1925-2003

Ice cream by the beach Signed M Green (lower right) Oil on canvas laid on board 27.7 x 20.4cm £300-500

254

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

256

255

257

255 MIKHAIL MITROFANOVICH YESIN Russian b.1922

The Hungry Steppe Signed in Cyrillic (lower left) Oil on canvas 78 x 118.5cm Provenance: Caelt Gallery, London, November 2005 £200-400

258

256 Φ EDWARD HERSEY

257 Φ PETER GILMAN

258 Φ CHRISTOPHER SANDERS RA

The old farmhouse

Walberswick

The fountain

Signed E Hersey (lower left) Oil on canvas 46.3 x 61.5cm

Signed Peter Gilman (lower left) Oil on canvasboard 21.4 x 28.6cm

Signed Sanders (lower right) Oil on canvas 81.7 x 81.2cm

Provenance: A. R. Whibley & Son, Worthing

£100-150

£150-250

b.1948

1928-1984

1905-1991

£300-500

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

102

259 Φ CHRISTOPHER SANDERS RA 1905-1991

Lilies Signed Sanders (lower right) Oil on canvas 71 x 61cm Provenance: Woolley & Wallis, Salisbury, 20th Century & Contemporary Art, 9 December 2015, lot 111 £150-250

260 BRITISH SCHOOL Early 20th Century

Still life with roses

259

Signed and dated Simon / 08 (lower left) Oil on canvas 72.4 x 59cm

260

£200-300

261 Φ FELIX J GARDON

262 BRITISH SCHOOL

Still life with anemones and daffodils

Still life with daisies

act.1924-1972

Signed and dated F.Gardon/ 1939 (lower right) Oil on board 51.2 x 55.7cm Unframed

20th Century

Signed and dated P.M.7* (lower right) Oil on board 48 x 58cm Unframed £150-250

£150-250

261

263 Φ JACQUES-HENRI LARTIQUE

French 1894-1986

Still life with daffodils Signed J.H.LARTIQUE (lower right) Oil on board 54.8 x 45.7cm Unframed £120-180

262

263 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

264 Φ MARY REMINGTON 1910-2003

Still life with fuchsias in a vase Signed and dated Mary Remington/1987 (lower right) Oil on board 61 x 40.8cm Unframed £200-300

265 Φ MARY REMINGTON 1910–2003

Still life with a vase of flowers on a tabletop Signed MARY REMINGTON (lower left) Oil on canvas 61.2 x 46.1cm £100-150

264

266 Φ STUART SCOTT SOMERVILLE

267 Φ HERBERT GURSCHNER

Still life with marsh marigolds in a vase

Sunflowers

1908-1983

Signed Stuart Somerville (lower left) Oil on canvas 51.2 x 40.9cm Unframed £150-250

265

Austrian 1901-1975

Signed H.GURSCHNER/TIROL (lower left) Oil on canvas 60.3 x 70.3cm Unframed £200-300

266

268 T. HEINEMAN 20th Century

Still life with roses in a glass vase Signed T.HEINEMAN (lower left) Oil on canvas 60.2 x 50cm Unframed £200-300

267

268

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

104

269 Φ VERNON WARD 1905-1985

Seagulls at the beach Signed and dated -Vernon Ward -34- (lower left) Oil on canvas 55.8 x 71.2cm Unframed £400-600

270 Φ VERNON WARD 1905-1985

Swans taking flight Signed and dated Vernon Ward/49 (lower left) Oil on canvas 56 x 86.8cm £400-600

269

271 Φ VERNON WARD 1905-1985

Swans under a willow tree Signed Vernon Ward (lower left) Oil on canvas 29.4 x 34.4cm £150-250

272 Φ VERNON WARD 270

271

1905-1985

Deer in a woodland; A family of ducks on a riverbank Two, the former signed Vernon Ward (lower right); the latter signed Vernon Ward (lower left) Both oil on board 35.7 x 30.5cm; 35.7 x 30.3cm Unframed (2) £300-500

272 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

273 Φ VERNON WARD 1905-1985

Still life with primroses and violets Signed and dated Vernon Ward/ 1978 (lower left) Oil on board 28.9 x 33.7cm £150-250

273

274

274 Φ VERNON WARD

275 Φ VERNON WARD

Still life of arranged flowers

A butterfly and roses

Signed Vernon Ward (lower right) Oil on canvas 61 x 48.8cm Unframed

Signed -Vernon Ward- (lower left) Oil on board 33.7 x 29cm

1905-1985

£150-250

275

276 Φ VERNON WARD 1905-1985

Still life with primroses; Still life with primroses and lavender Two, the former signed and dated Vernon Ward-/1978 (lower left), the latter signed -Vernon Ward- (lower left) Both oil on board 30.2 x 40.5cm; 35.3 x 25.3cm (2) Unframed £250-350

276 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

106

277 Φ ROSEMARY SARAH WELCH b.1946

Horses watering Signed Rosemary Sarah Welch (lower right) Oil on canvas 51 x 61cm £500-700

277

278 Φ MARIAN KRATOCHWIL Polish 1906-1997

Study of a horse’s head Signed M.Kratochwil (lower right) Pencil, c.1929 8 x 12.5cm Provenance: The artist’s estate; By descent to Robert Knight; Abbott and Holder, London; Private Collection, UK £50-100

278

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

279 Φ CHARLES FREDERICK TUNNICLIFFE OBE, RA 1901-1979

A flock of curlews taking flight Signed C F Tunnicliffe (lower right) Pencil, watercolour and bodycolour 41.2 x 63.8cm Provenance: Christie’s, London, Watercolours and Pictures of Birds, 15 March 1994, lot 116; David Joel (1928-2019); And by family descent £300-500

279

280 Φ KEITH SHACKLETON 1923-2015

Ducks flying in over a river Signed and dated Keith Shackleton 63 (lower right) Oil on board 59.6 x 120.6cm Provenance: The Kennedy Gallery, New York, 1965; Christie’s, South Kensington, Wildlife Art, 16 November 2000, lot 45 £400-600

280

281 Φ KEITH SHACKLETON 1923-2015

Swallows in flight Signed and dated Keith Shackleton 48 (lower right) Oil on canvas 64.4 x 76.2cm Unframed £150-250

281 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

108

282 Φ JACK COX 1914-2007

283 Φ ERIC HAYSOM CRADDY

284 Φ WALTER JOHN BEAUVAIS

Harbour scene

1913-2007

Signed COX (lower right) Oil on board 60.9 x 86.2cm Unframed

Harbour scene

1942-1998

A day at the beach

Signed CRADDY (lower right) Oil on board 49 x 63.2cm

£300-500

£100-150

Signed with monogram (lower left) Oil on board 50 x 47cm Unframed £200-300

282

283

284

285 Φ JOHN STANTON WARD RA 1917-2007

Study for Florians; Cafe Greco Rome; Studying Three, the first signed John Ward (lower left); the second signed, inscribed and dated John Ward/Rome ‘89 (lower right) Two pencil and watercolour, one pen and black ink Largest 30.7 x 22.6cm; Smallest 23.8 x 19.3cm (3) £200-300

285 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109

286 Φ JOHN STANTON WARD RA 1917-2007

October Apples No. 2 Signed and dated John Ward October 1970 (lower right) Pencil and watercolour 31.5 x 46.5cm Provenance: J. S. Maas & Co, London, March 1971 £300-500

287 Φ JOHN STANTON WARD RA 1917-2007

Breakfast Time Pencil and watercolour 23.1 x 36.9cm Exhibited: London, J. S. Maas & Co, John Ward R.A. Exhibition of Drawings and Watercolours, May 1974, no.43 £150-250

286

288 Φ JOHN STANTON WARD RA 1917-2007

Study for an illustration of Daniel Deronda Signed and dated John Ward/1971 (lower left) Pencil and watercolour 29.2 x 47.8cm Provenance: J. S. Maas & Co, London, March 1971 £200-300

289 Φ JOHN STANTON WARD RA 1917-2007

Charlotte (the artist’s daughter) Signed and inscribed Charlotte Artist’s proof John Ward (in pencil to margin) Etching 22.4 x 30.3cm (plate) £120-180

288

287

289

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

110

290 Φ DONALD HAMILTON FRASER RA 1929-2009

Gregoriou Clearing Storm

20th Century

Still life with fruit Oil on board 8.3 x 19.2cm

Signed Fraser (lower left) Oil on paper 45.6 x 58.4cm

Provenance: From the collection of Phillip Allen (1938-2022)

Provenance: Bohun Gallery, Henley-on-Thames

THIS LOT IS OFFERED WITHOUT RESERVE

£1,500-2,500

292 Φ JIM STURGEON 1931-2006

Three Sails Signed J Sturgeon (lower right) and inscribed THREE SAILS/J Sturgeon (to reverse) Oil on canvas 35.8 x 45.8cm

290

291 BRITISH SCHOOL

£150-250

£80-120

293 Φ GORDON BRYCE RSA

Scottish b.1943

Fruit and Red Peppers Signed and inscribed FRUIT AND RED PEPPERS/ BRYCE ARSA RSW (to reverse) Oil on board 34.2 x 51.8cm Provenance: Thackeray Gallery, London, November 1989 £300-500

291

292

293

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

294 Φ BRYAN PEARCE 1929-2007

Cloth from Sind Signed Bryan Pearce (lower centre), and further signed, inscribed and dated Bryan Pearce/Cloth from Sind/1998/conté (to reverse) Conté 47.5 x 53.5cm £2,000-3,000

295 Φ DAVID HOCKNEY OM, CH, RA b.1937

Hockney’s Alphabet Signed by the artist and the editor David Hockney/Stephen Spender (to preliminary leaf) With 26 reproduction prints, in yellow cloth and grey cloth slipcase, published by Faber & Faber for the Aids Crisis Trust 34.5 x 25.1cm (slipcase) The book was published to support the Aids Crisis Trust and raise money for those suffering from AIDS. It was edited by Stephen Spender, and contains written contributions by himself, Joyce Carol Oates, Iris Murdoch, Paul Theroux, Gore Vidal, Norman Mailer, Seamus Heaney, Martin Amis, Erica Jong, Ian McEwan, Nigel Nicolson, Margaret Drabble, Craig Raine, William Boyd, V.S. Pritchett, Doris Lessing, William Golding, T.S. Eliot, Arthur Miller, Ted Hughes, Kazuo Ishiguro, Julian Barnes, John Updike, Susan Sontag, Anthony Burgess, Douglas Adams and Patrick Leigh Fermor. Each contribution is paired with an illustration by Hockney.

294

£800-1,200

296 Φ JOSEF HERMAN OBE, RA Polish 1911-2000

Silence Signed and numbered 13/50 Josef Herman (in pencil), and with Curwen Press blindstamp Lithograph from Song of the Migrant Bird series 30 x 21.2cm (sheet) £50-100

295

296

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

112

297

298

297 Φ FRED YATES

298 Φ FRED YATES

Flowers from Provence

Darling We Love You

Signed FRED YATES (lower right) Oil on board, with an oil sketch of horses to the reverse by another hand 77.1 x 40.3cm

Signed FRED YATES (lower left) Oil on board 91.2 x 45.4cm

£1,000-1,500

£1,500-2,500

1922-2008

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

299 Φ FRED YATES 1922-2008

Dancing in the Street Signed FRED YATES (lower right), and inscribed Painted at/ DARTINGTON HALL COLLEGE/ DEVON (to reverse) Oil on board 59.2 x 89.7cm Provenance: Purchased directly from the artist by Galerie Eric Franck, 1982; The Emer Gallery, Belfast, 2003; Taylor Gallery, Belfast; By whom sold, Whytes, Dublin, Important Irish Art, 26 May 2014, lot 165 £1,500-2,000

299

300 Φ FRED YATES 1922-2008

A Happy Shipwreck Signed and inscribed Fred Yates/ A Happy Shipwreck/because I don’t paint/sadness/they were all/ saved! (to reverse) Oil on canvas 60.9 x 91.3cm £1,500-2,000

300

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

114

301

302

301 Φ FRED YATES

302 Φ FRED YATES

River landscape with a bridge

A coastal village with figures out for a stroll

1922-2008

Signed YATES (lower right) Oil on board 26.7 x 38.2cm £600-800

1922-2008

Signed FRED YATES (lower left) Watercolour 27.4 x 39.3cm £200-300

303 Φ FRED YATES 1922-2008

Stockport High School Pen and ink heightened with white 31.5 x 27.2cm Literature: Joyce Irwin, What Ever Happened to Sunday Best? (Book Guild, 1984), p.22 (illustrated) £200-300

303

304 Φ FRED YATES 1922-2008

La Danse du Jardin Inscribed La Danse du jardin (lower right) and signed F Yates (to label) Ballpoint pen 9.7 x 18.7cm Provenance: Key West Editions, Plymouth £200-300

304 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

305 Φ FRED YATES 1922-2008

A Bit of Fun Traces of a signature (lower right) Watercolour 55.8 x 75.6cm Provenance: Bonhams, Oxford, Fine Art and Antiques Including Silver, 3 December 2014, lot 203 (where signed and dated Fred Yates 89) £800-1,200

305

306

307

306 Φ FRED YATES

307 Φ FRED YATES

11 The Parade, Lostwithiel

Cap d’Antibes

Inscribed and dated BIRTHDAY PRESENT FROM FRED YATES/TO THE OWNER OF THE HOUSE-/11 THE PARADE, LOSTWITHIEL/1985 (to reverse) Oil on board 46.7 x 49.9cm

Watercolour 54.7 x 74.1cm

1922-2008

£1,000-1,500

£600-800 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

116

308

309

308 Φ EDWARD BEALE

309 Φ EDWARD BEALE

Flower Study with Quinces

White Cyclamen against Green and Blue

Signed, dated and inscribed 5 Oct 2009/Flower study with quinces/ Edward Beale (to backing board) Oil on panel 53.5 x 50.8cm

Signed, dated and inscribed Edward Beale 3/1/05/White Cyclamen/against Green + Blue (to backing board) Oil on panel 48.5 x 56cm

Provenance: Private Collection; And by family descent

Provenance: Petley Fine Art, London, where purchased by the previous private collector; And by family descent

£600-800

£400-600

1950-2017

310 Φ EDWARD BEALE 1950-2017

Green Trees and Fields in the Loxton Valley Oil on panel 40.5 x 50.4cm Provenance: Petley Fine Art, London, where purchased by the previous private collector; And by family descent £500-700

310 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

117

311

311 Φ FRED CRESS 1938-2009

Lily Pond Signed, dated and inscribed Cress ‘08/CRESS/”LILY POND” 3.2008 (to reverse) Acrylic on canvas 50.3 x 65.2cm £2,000-3,000

311 (framed) Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

118

312

313

312 Φ DAVID TINDLE RA

313 Φ DAVID TINDLE RA

Easel Painting

Lucca Bride

Signed, dated and inscribed David Tindle /01/Title - Easel Painting (to backing board) Tempera on canvas laid on board 30.6 x 22.8cm

Signed with initials DT (upper right) and further signed, dated and inscribed Dec 2000/David Tindle/ LUCCA BRIDE (to backing board) Tempera on canvas laid on board 32.8 x 22.2cm

b.1932

£400-600

b.1932

£300-500

314 Φ DAVID TINDLE RA b.1932

Open Sketchbook To One Way Street

314

Signed with initials DT (lower right) and further signed, inscribed and dated David Tindle 07-08/Open Sketchbook to one way street (to reverse) Tempera on board 35.8 x 46.3cm £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

119

315 Φ CRAIGIE AITCHISON CBE, RSA, RA Scottish 1926-2009

Red Berries, Montecastelli Signed, inscribed and dated “Red Berries”/ Montecastelli 2000/Craigie Aitchison (to reverse) Oil on board 17.8 x 12.8cm Provenance: Advanced Graphics London, where purchased by the present private collector, 2015 Literature: Cate Haste, Craigie Aitchison: A Life in Colour (Lund Humphries, 2014), p.192, pl.181 Exhibited: New York, Galeria Ramis Barquet, in association with Timothy Taylor Gallery, London and Waddington Galleries, London, Craigie Aitchison, April-May 2000, no.27 £10,000-15,000

315

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

120

316

317

316 BRIAN RICE

317 BRIAN RICE

Tocsin

Zarrona

Signed RICE (lower right), and signed, inscribed and dated ‘Tocsin’/Brian Rice/ May 2003 (to backing board) Acrylic and mixed media on canvas 41 x 51.3cm

Signed RICE (lower right) and further signed, inscribed and dated ‘Zarrona’/ Brian Rice/May 2014 (to backing board) Acrylic and mixed media on canvas 40.5 x 50.9cm

Literature: Adam Lambirth, Brian Rice Catalogue Raisonné of Paintings, Drawings, Collages and Studies, 1952-2016 (Sansom, 2016), no.572

Literature: Adam Lambirth, Brian Rice Catalogue Raisonné of Paintings, Drawings, Collages and Studies, 1952-2016 (Sansom, 2016), no.887

Exhibited: St Ives, Belgrave Gallery, Winter Exhibition, 2012

Exhibited: Child Okeford, The Art Stable, Then and Now, 2021

£500-800

£400-600

b.1936

318 Φ PAM POSKITT b.1924

Landscape II Mixed media and collage on board 34.8 x 45.8cm £120-180

319 Φ PAM POSKITT b.1924

Landscape IV Signed Pam (lower left) Mixed media and collage on board 76.5 x 60.8cm

318

319

£150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

121

320

321

320 Φ CLYDE HOPKINS

321 Φ CLYDE HOPKINS

Dusk and Sculpture

Potato Head

Signed, dated and inscribed ‘DUSK & SCULP/TURE’/Clyde Hopkins/1991 (to reverse) Oil on canvas 41 x 30.5cm

Signed, dated and inscribed Clyde Hopkins/1992/Summer/ Autumn.’POTATO HEAD’ (to reverse) Oil on canvas 35.3 x 30.5cm

Provenance: Francis Graham Dixon Gallery, London; The Collection of Bob and Elisabeth Boas

£400-600

£300-500

1946-2018

322 Φ STEPHEN JAQUES Contemporary

Interlock Signed, inscribed and dated Stephen Jaques/1.10.98/INTERLOCK (to reverse) Acrylic on canvas 107 x 76.4cm Unframed Provenance: The Tom Watkins Collection £100-150

322 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

122

323 Φ JOHN MILLER 1931-2002

Cornish Beach Oil on canvas 91.5 x 50.8cm No. KN/2241/2141 in the artist’s catalogue (according to inscription to reverse). £2,000-3,000

324 Φ JOHN MILLER 1931-2002

Scilly Isles Stamped signature (to mount) Gouache 37 x 52.8cm Artist’s ref no. KN/2127/2191 (according to inscription to backing board). £700-1,000

323

324 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

123

325 Φ JOHN MILLER 1931-2002

Figure on Beach Gouache 54.2 x 53.6cm Artist’s ref no. KN/2168/2110 (according to inscription to backing board). £1,000-1,500

325

326 Φ JOHN MILLER 1931-2002

Horizon Oil on canvas 76.2 x 90.5cm No.MCG/12/98 in the artist’s catalogue (according to inscription to reverse). £1,500-2,500

326 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

124

327

328

327 Φ ZSUZSI ROBOZ

328 Φ ZSUZSI ROBOZ

Portrait of Mick Rooney RA

Spring

Signed and inscribed Mick Rooney by Roboz (to reverse of frame) Oil on canvas 76.7 x 61.5cm

Signed with initials ZR (lower right) Photocollage and mixed media 36.4 x 54.7cm

Hungarian 1929-2012

£500-800

Hungarian 1929-2012

£200-300

329 Φ ZSUZSI ROBOZ

Hungarian 1929-2012

Wooded landscape in autumn Oil on canvas 61 x 76.4cm £150-250

329

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

330 Φ DAVID ABERCROMBIE DONALDSON Scottish 1916-1996

Landscape with a village church in the distance Signed Donaldson (lower right) Oil on canvas 59.4 x 73.8cm Provenance: The artist’s family; Cyril Greber Fine Art; Duncan R. Miller Fine Arts; Private Collection, Yorkshire £700-1,000

330

331 SERGEY MIKHAILOVICH SKUBKO

332 TATIANA KONOVALOVA-KOVRIGINA

Sunflowers

Still life with Dahlias

Signed in Cyrillic and dated 89 (lower left) and further signed, inscribed and dated (to reverse) Oil on canvas 78.3 x 99cm

Signed in Cyrillic (lower right) and further inscribed in Cyrillic and dated 1949 (to reverse) Oil on canvas 74.8 x 72cm

Provenance: Roy Miles, London; Private Collection, Yorkshire

Provenance: The artist’s studio; Roy Miles, London; Private Collection, Yorkshire

Russian 1922-2007

£300-500

331

Russian 1915-2008

£300-500

332

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

126

333 Φ LESLIE S. DUNCAN 1932-2018

The Patchwork Hat Signed with initials LSD (lower right) Oil on canvas 71.5 x 50.8cm £200-300

334 Φ IGOR TALWINSKI Polish 1907-1983

Portrait of a young woman with a red ribbon in her hair Signed I Talwinski (lower left) Oil on canvasboard 59.7 x 49.5cm £200-300

335 Φ TOM W. QUINN Irish 1918-2015

Female nude in a broad brimmed hat Signed Tom Quinn (lower right) Oil on board 35.7 x 25.4cm £100-150

333

334

335 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

336 Φ NEALE WORLEY RP, NEAC b.1962

A Figure By The Sea Signed and dated N.Worley/2014 (to reverse) Oil on canvas 36.3 x 46.5cm £800-1,200

336

337 FRITZNER ALPHONSE Haitian 1935-2006

Woman reclining Signed Fritzner Alphonse (lower right) Oil on canvas 60.8 x 90.2cm Provenance: Property of a nobleman £200-400

337

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

128

338

339

338 Φ NICO VRIELINK

339 Φ NICO VRIELINK

Portrait of Jeane with her eyes closed

Portrait of Jeane

Dutch b.1958

Signed Nico Vrielink (lower left) Oil on canvas 79 x 39cm

Signed and dated Nico Vrielink/1999 (lower left) Mixed media on canvas 70 x 40cm

£800-1,200

£400-600

340 Φ NICO VRIELINK Dutch b.1958

Study of Jeane Signed and dated Nico Vrielink 1999 (lower right) Charcoal 40.8 x 51.6cm £300-500

340

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129

341 Φ NICO VRIELINK Dutch b.1958

Jeane Asleep Signed and dated Nico Vrielink 1993 (lower right) Mixed media on paper 48 x 34cm £800-1,200

341

342 Φ NICO VRIELINK Dutch b.1958

Portrait of pensive Jeane Signed Nico Vrielink (lower centre) Oil and charcoal on canvas 35.8 x 25.2cm £700-1,000

342 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

130

343 Φ KEN HOWARD 1932-2022

Mousehole Harbour Signed Ken Howard (lower right) Oil on board 29.4 x 19.5cm Provenance: Brian Sinfield, Burford; Philip Serrell, Malvern, 6 July 2017, lot 234 £800-1,200

344 Φ ANDREW MACARA b.1944

Yellow and Green Windbreak, Cap d’Agde Signed and dated ANDREW MACARA 2001 (lower right) and further inscribed and dated Cap d’Adge/South of France/Aug 2001 (to reverse) Oil on canvas 35.5 x 45.9cm Provenance: The Contemporary Fine Art Gallery, Eton £300-500

345 Φ RICHARD PIKESLEY RWS, NEAC b.1951

Byzantium and Nicotiana Signed Richard Pikesley (lower right) Oil on canvas 81.3 x 76.8cm Provenance: Bob and Elizabeth Boas; Chiswick Auctions, London, Interiors, 24 March 2020, lot 205 Exhibited: London, New Grafton Gallery, October 1990, no.6

343

344

£400-600

345 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

131

346

346 Φ FRED CUMING RA 1930-2022

First Light Signed Cuming (lower left) Oil on canvas 61 x 61cm £3,000-5,000

346 (framed) Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

132

347

348 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

133

349

347 Φ DONALD MCINTYRE RCA

348 Φ DONALD MCINTYRE RCA

349 Φ DONALD MCINTYRE RCA

Craster

Unloading Fish

Signed with initials DMc (lower left) Oil on board 30.8 x 40.4cm

Signed with initials DM (lower right) Oil on board 28.1 x 38.8cm

Coastal landscape with waves crashing against the rocks

£1,500-2,500

1923-2009

Signed with initials DMc (lower left) Oil on board 29 x 39cm £2,000-3,000

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

134

350 CONSTANTIN MEUNIER

Belgian 1831-1905

Miner Signed Meunier (upper right) and dated 1895 (upper left) Bronze 33.6 x 28.9 x 2.5cm Provenance: By descent to the present owner £400-600

351 Φ IVOR ABRAHAMS RA 1935-2015

Stretching figure Signed with monogram, numbered 8/10 and with foundry stamp to base, and numbered 22 (to underside) Bronze with green patina, no.22 from the ‘Trente-six series’ 7.5 x 12.2 x 5.7cm £200-300

352 Φ NEIL WOOD b.1963

Figure Signed with initials and dated NW XIX (to inside of foot) Welded metal 56 x 25.5 x 15.8cm Provenance: Katherine House Gallery, Marlborough, where purchased by the present private collector £150-250

350

351

352 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135

353 Φ MICHAEL AYRTON 1921-1975

Penetrator II Numbered 2/9 (to reverse) Bronze with gold and dark brown patina, 1969 43.4 x 57.5 x 38.7cm Provenance: Christie’s, New York, 20 November 2001, lot 201; Bonhams, London, 20th Century British Art, 29 June 2011, lot 122 Literature: Justine Hopkins, Michael Ayrton: A Biography (Andre Deutsch, 1994), pp.347, 379; Peter Cannon-Brookes, Michael Ayrton: An Illustrated Commentary (Birmingham Museums and Art Gallery, 1978), no.205, p.115 (another cast illustrated); Jacob E. Nyenhuis, Myth and the Creative Process: Michael Ayrton and the Myth of Daedalus, the Maze Maker (Wayne State University Press, 2003), no.664, pl.163 We are grateful to Dr Justine Hopkins for her assistance cataloguing the present work. £4,000-6,000

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

136

354 MUSTAFA ALI Syrian b.1956

Warrior Head Signed, dated and numbered M.Ali 2/8 2011 and further inscribed in Arabic (to side) Bronze 30 x 14.8 x 18.8cm Provenance: Ayyam Auctions, Dubai, 15 May 2012 £1,500-2,500

137

355 MOHAMMAD AL-FAYOUMI Egyptian b.1963

Omda Signed in Arabic, dated and numbered 03 4/8 (to reverse) Bronze 41 x 28 x 27cm Provenance: Artspace, Dubai £3,000-4,000

138

356

357

356 Φ ARAM STEPHAN

357 Φ HENRI WACQUIEZ

Seated male nude

Rabat

Signed ARAM STEPHAN (to right-hand edge), and inscribed BRONZE Srisse Fis Fondis Paris cire perdue (to back edge) Bronze 42.9 x 33.1 x 33.7cm

Signed HWACQUIEZ and with foundry mark (to base) and inscribed original RABAT (to edge) Bronze 43.8 x 22 x 12cm

£1,000-1,500

£800-1,200

20th Century

French b.1907

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

139

358 Φ GEOFFREY DASHWOOD b.1947

Tawny Owl Signed and numbered Dashwood 1/12 (to lower edge) Bronze with brown patina 50.2 x 15.3 x 15.3cm Provenance: Purchased from the artist by the present private collector, February 2010 £4,000-6,000

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

140

359 Φ JONATHAN KENWORTHY b.1943

The Migration Signed, dated and numbered Kenworthy 1993 5/9 and with foundry stamp (to base) Bronze with dark brown patina 21.5 x 120 x 14.2cm Provenance: Private Collection, Gloucestershire £8,000-12,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

141

360 Φ JONATHAN KENWORTHY b.1943

Seated Tigress Signed, dated and numbered Kenworthy/2003/4/9 (to base) Bronze with a dark brown patina on a bronze base 41 x 38.5 x 26.6cm (including base) Provenance: Private Collection, Gloucestershire £5,000-8,000

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

142

361 Φ JONATHAN KENWORTHY b.1943

The Master Hand Signed, dated and numbered KENWORTHY ‘80 3/7, and stamped with Meridian Bronze foundry mark (to base) Bronze with a brown patina 35 x 30.4 x 18.4cm Exhibited: New York, Coe Kerr Gallery, Jonathan Kenworthy: Horsemen of the Hindu Kush: Bronzes & Drawings, October-December 1979 In 1977 Jonathan Kenworthy travelled to Afghanistan, and in the mountains of the Hindu Kush was captivated by a society where the horse was integral to their way of life. Kenworthy produced a series of bronzes depicting the game of Buzkashi, where the horsemen have to snatch an object from the ground, carry it over a two-mile course and return to deliver it into a target circle. Of the present work, Jonathan Kenworthy wrote ‘For men who live on horses the saddle is as much an armchair as it is a driving seat. With an eloquent expression of appreciation this expert Afghan rider watches the action’. £4,000-6,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

143

362 Φ JONATHAN KENWORTHY b.1943

Girls Out Walking - Kabul Signed, dated and numbered Kenworthy 2003 8/9 (to base) Bronze with a brown green patina on a bronze base 39.5 x 30.1 x 50.7cm (including base) Provenance: Private Collection, Gloucestershire £4,000-6,000

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

144

363 Φ JONATHAN WYLDER b.1957

Kneeling dancer wearing a leotard Signed, dated and numbered JWylder 1st/9 2006 (to right leg) Bronze with brown and green patina 57 x 26.2 x 56.5cm £400-600

363

364 Φ JONATHAN WYLDER b.1957

Kneeling female nude Signed, dated, numbered and inscribed 1/4 2000 Wylder FOR/EDWARD NEGAR/LOVE/JONATHAN/&HEATHER (to underside of left leg) Bronze with brown patina 49 x 28.5 x 29cm £400-600

364 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

145

365 † JULIAN WILD FRSS b.1973

Stripping the Willow 5 Painted and lacquered bronze, unique 59.5 x 42.7 x 14.8cm To be sold on behalf of Horatio’s Garden, who will receive the proceeds from the sale. £1,200-1,500

366 Φ ROBERT INDIANA American 1928–2018

Love (Red) Brushed aluminium, 2009, an authorised replica from an open edition co-published by the Morgan Art Foundation and Artist Rights Society, New York for the Indianapolis Museum of Art 8 x 7.7 x 3.8cm Together with Manner of Robert Indiana, Love Lightbulb, 12cm high (2) £400-600

367 Φ ROGER STEPHENS MRSS Contemporary

Seed Signed Roger Stephens/”Seed” (to underside of base) Marble on a wooden base 54.5 x 16.1 x 14.1cm (including base) £300-500

365

366

367

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

146

368 Φ GUS CUMMINS RA b.1943

Component Parts Signed Gus Cummins (lower left) Mixed and collage on paper 69 x 96.6cm £500-1,000

369 Φ SAM KAPRIELOV (SAM STURIS) Latvian b.1971

Vintage Cars Charcoal on gessoed board 45.7 x 89cm Provenance: Peter Nahum at the Leicester Galleries, London; Property of a Nobleman £150-250

370 Φ SAM KAPRIELOV (SAM STURIS) Latvian b.1971

368

Shore II Charcoal on gessoed board 46.8 x 88.8cm Provenance: Peter Nahum at the Leicester Galleries, London; Property of a Nobleman £150-250

371 Φ NEIL BOUSFIELD Contemporary

Before My Helpless Sight (Dulce et Decorum Est) Signed, numbered and inscribed 35/50 Before my helpless Sight Neil Bousfield (in pencil to margin) Wood engraving, from the ‘Wilfred Owen Series’, 2018 22.4 x 32.3cm (image)

369

370

£100-150

371 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

147

372 Φ MICK ROONEY RA b.1944

Into the Hands of Strangers Signed and dated Rooney 89 (lower right) Oil on board 128 x 101cm Provenance: Christie’s, London, 20C British Art, 4 June 1999, lot 74 Exhibited: London, Festival Hall, After Auschwitz; Responses to the Holocaust in Contemporary Art, FebruaryApril 1995, no.53, fig.73: this exhibition travelled to Manchester, City Art Gallery, May-July 1995; Nottingham, Angel Road Gallery, July-August 1995; Sunderland, Northern Centre for Contemporary Art, September-October 1995; Edinburgh, NovemberDecember 1995; and Germany, Potsdan, 1996. £2,000-3,000

372

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

148

373

374

373 Φ SARA ROSSBERG b.1952

Dark Green Male Signed with monogram and dated 1994 (lower left) Acrylic and pigment over pencil 44.2 x 44.2cm Provenance: Property of a Nobleman £400-600

374 Φ TREVOR BELL 1930-2017

Nomad Signed, inscribed and dated NOMAD/Trevor Bell/2002 (to reverse) Oil on board 30.1 x 30.1cm Unframed Provenance: Market House Gallery, Cornwall; Private Collection, UK £600-800

375 CHRISTO COETZEE

South African 1929-2000

Abstract with gold Signed and dated Christo Coetzee/63 (lower right) Ink, watercolour, mixed media and collage on paper 40.6 x 29.1cm £200-300

375 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

376 Φ PETER JOYCE b.1964

Tyneham Cap Signed with initials and dated PJ ‘91 (lower left), and further signed, inscribed and dated ‘Tyneham Cap’/June PJ ‘91/1991 Peter Joyce (to reverse) Oil on canvas 121.9 x 91.2cm Provenance: Anthony Hepworth Fine Art, Bath £800-1,200

376

377

378

377 Φ MERLIN JAMES

378 Φ SANDRA BLOW RA

Conveyor

Four Lithographs

Signed with initial and dated M.9-7 (lower left), and signed, inscribed and dated Merlin James/’conveyor’/95’7 (to reverse) Acrylic and mixed media on canvas 57 x 102cm Unframed

Lithograph with screenprint 25.4 x 30cm (sheet)

Welsh b.1960

Provenance: Francis Graham-Dixon Gallery, London; Property of a nobleman

1925-2006

Provenance: Given by the artist to the previous private collector; By descent to the present owner £100-150

£600-800 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

150

379 Φ MICHELE ROCCOTELLI Italian b.1946

Rari Nantes Oil and collage on canvas 130.2 x 180cm Unframed £600-800

379

380

381

380 Φ KURT JACKSON

381 Φ RICHARD WALKER

Voulas Tomato Patch Under The Olives

Floating Technology No.4

Signed and dated 8/05/KurtJ (lower right) and inscribed Voulas tomato patch under the olives (lower centre) Acrylic on board 27.8 x 27.2cm

Signed and dated Richard Walker 93 (lower right) Mixed media on paper 100.5 x 100.5cm

b.1954

b.1961

£800-1,200

Provenance: Jill George, London: Property of a Nobleman £200-400

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

151

382

382 Φ PETER APOLONIUS ETZER Austrian b.1944

Autumn trees Signed with initials PAE (lower right) and further signed and dated Peter A. Etzer 2005 (to stretcher) Oil on canvas 40 x 49.8cm £3,000-5,000

382 (framed) Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

152

383

384

383 Φ ANN ORAM RSW

384 Φ ANN ORAM RSW

Lilies and Tulips

Brignogan-Plages I

Signed and dated Ann Oram ‘91 (lower right) Watercolour heightened with bodycolour 115 x 145cm

Signed and dated Ann Oram ‘04 (lower right) Oil on canvas 61.2 x 91.5cm

Provenance: Private Collection, Yorkshire

£300-500

£250-350

Scottish b.1956

385 Φ RICHARD TUFF b.1965

Fishing boats in a harbour Signed Richard Tuff (lower right) Gouache 46.5 x 21.2cm £200-300

386 Φ RICHARD TUFF b.1965

Fishing boats on the shore with a village beyond Signed Richard Tuff (lower right) Gouache 46.5 x 21.5cm

385

386

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

153

387

388

389

390

387 Φ JOHN KINGSLEY RSW, PAI

388 Φ JOHN KINGSLEY RSW, PAI

389 Φ JOHN KINGSLEY RSW, PAI

390 Φ JOHN KINGSLEY RSW, PAI

Landscape, Montalcino

Corner Shop, Montfrin

Sunlit Trees, Cap d’Agde

Port Grimaud

Signed Kingsley (lower left) Oil on canvas 51 x 51cm

Signed Kingsley (lower left) Oil on canvas 71.2 x 76cm

Signed Kingsley (lower left) Oil on canvas 35.8 x 35.8cm

Signed Kingsley (lower right) Oil on canvas 40.7 x 40.7cm

Provenance: The Contemporary Art Gallery, Eton

£700-1,000

£600-800

Provenance: The Contemporary Fine Art Gallery, Eton

£500-700

£400-600

Scottish b.1956

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

154

391

391 Φ SHEILA TOLLEY RWA b.1939

Botallack Blue (Cornwall); Incoming Tide, Cornish Coast Two, the former signed sheila tolley (lower left), the latter signed with monogram (lower left) The former watercolour and bodycolour, the latter watercolour 7.1 x 16.9cm; 9.2 x 16.2cm (2) £200-300

392 Φ SHEILA TOLLEY RWA b.1939

Edge of a cornfield, St Buryan, Cornwall Signed with monogram (lower left) Oil on board 15.2 x 20.2cm

392

£150-250

393 Φ SHEILA TOLLEY RWA b.1939

St Michael’s Mount; Marazion Morning Two, the former signed with monogram (lower left), the latter signed with monogram (lower right) Both pencil and watercolour 9.9 x 17.9cm; 12.4 x 8.6cm (2) £200-300

393

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

155

394

395

396

394 Φ SHEILA TOLLEY RWA

395 Φ SHEILA TOLLEY RWA

Porthleven Harbour

Near Botallack, Cornwall

Signed with monogram (lower left) Oil on board 18.2 x 23cm

Signed with monogram (lower left) Oil on board 12.4 x 23.3cm

£200-300

£150-250

396 Φ SHEILA TOLLEY RWA

397 Φ SHEILA TOLLEY RWA

Sennen Morning, Cornwall; Lamorna Trees, Moonlight

Cornish Blue - Land and Sea

b.1939

Two, both signed with monogram (lower left) The former gouache, the latter watercolour 8.2 x 10.8cm; 9.9 x 8.2cm (2) £200-300

b.1939

Signed with monogram (lower left) Mixed media on board 19.8 x 14.9cm £150-250

397

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

156

398 Φ MARK GODWIN b.1957

Drift; Drift II Two, the former signed and inscribed DRIFT/Mark Godwin (to reverse); the latter signed GODWIN (lower right), and further signed, inscribed and dated DRIFT II/ Mark Godwin/2010 (to backing board) Both acrylic on canvas Each 46.1 x 51.1cm (2) Provenance: The Tom Watkins Collection £200-300

398

399 Φ JEAN AXATARD French b.1931

The village square with a game of pétanque; A village fête Two, both signed XATARD (lower centre) Both oil on board Each 21 x 25.9cm (2) Provenance: Both Omell Galleries, London £200-300

399

400

401

400 Φ MICHAEL WARREN

401 Φ DAN LLYWELYN HALL

The Yellow Bird

Fire Blossom

Oil on canvasboard 49.6 x 60.5cm Provenance: Example Art, London

Signed, dated and inscribed Dan Llywelyn Hall/’Fire Blossom’/2014 (to backing board) Pencil and watercolour 34.3 x 48.8cm

£100-150

£120-180

20th Century

Welsh b.1980

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

157

402

403

402 Φ FRASER TAYLOR b.1960

Containing Nothing Signed and dated Fraser Taylor 93 (lower left) Mixed media and collage on paper 83.5 x 113.7cm Provenance: Jill George Gallery, London; The Tom Watkins Collection £700-1,000

403 Φ FRASER TAYLOR b.1960

Rowing boat in a boathouse Signed and dated Fraser Taylor 88 (lower centre) Mixed media on card 114.2 x 99.6cm Provenance: The Tom Watkins Collection £500-700

404

405

404 Φ FRASER TAYLOR

405 Φ FRASER TAYLOR

Seated nude, seen from behind

Running figure

Signed and dated Fraser Taylor - 90 (lower right) Oil and charcoal on paper 83.3 x 57.8cm

Signed and dated Fraser Taylor 84 (lower right) Acrylic and charcoal on paper 38.2 x 28.1cm

Provenance: The Tom Watkins Collection

£300-500

£200-300

b.1960

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

158

406 Φ LUBEN DIMANOV Bulgarian b.1933

Shakespeare Sonnets Six, each signed, inscribed and dated Shakespeare Sonnets L Dimanov 1977, four inscribed A/E and two numbered 6/20 (in pencil to margin) Each etching and aquatint Each 21.2 x 14.1cm (plate) (6) £100-200

406

407

407 Φ CELIA WARD b.1957

Fantasia in Blue; Sleeping servant through the window; 58 February Garden, Bilting Three, each signed and dated Celia Ward January 1990; Celia Ward 89 and Celia Ward Feb 84 respectively Each pencil and watercolour Largest 52.3 x 64cm; Smallest 15.9 x 23.1cm (3) Provenance: Each with J. S. Maas & Co., London £250-350

408 Φ ANDREW FESTING b.1941

Portrait study of two Chelsea Pensioners, RSM Loat and RSM Daley Inscribed R.S.M/ Daley/Welsh/ Guards/RSM/Loat/ R.E.M.E (to reverse) Oil on canvas 50.8 x 76.2cm A study for the portrait of HM Queen Elizabeth II (1926-2022), in The Royal Hospital Chelsea. £200-400

408 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

159

409

410

409 Φ ANDREW FESTING

410 Φ BERNARD DUNSTAN

Coast by the Pagana, near Portofino, Genoa III

Nude I

b.1941

Signed with initials AF (lower left) Oil on canvasboard 30.4 x 40.5cm £200-300

1920-2017

Signed and inscribed AP Bernard Dunstan (in pencil to margin) Lithograph 35 x 33cm (image) Unframed £50-100

411 Φ STEPHEN CROWTHER 1922–2007

Sheltered Waters, Hartlepool Marina Signed and dated Stephen Crowther ‘91 (lower left) Oil on canvas 61 x 93.2cm £300-500

411

412 ALEX LOWERY b.1957

Topsham Signed, dated and inscribed Alex Lowery/20/9 - 23/-Topsham- (to reverse) Oil on canvas 30.3 x 65.5cm Unframed To be sold on behalf of Horatio’s Garden, who will receive the proceeds from the sale. £1,000-1,500

412

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

160

413

414

415

416

413 Φ ORLANDO GREENWOOD

414 Φ PIERRE ROUSSELL

415 M. WEBER

Still life with delphiniums in a vase by a window

Still life with vases of flowers and fruit on a tabletop

Still life with fruit on a salver and a rose in a jug

1892-1989

French 1927-1996

Signed Greenwood (top right) Oil on canvas 84 x 71.4cm Unframed Provenance: Christie’s, South Kensington, Paintings, Watercolours, Drawings and Artist’s materials from the studio of Orlando Greenwood, 11th October 1990, lot 235

Signed Roussell (lower right) Oil on canvas 50.2 x 61cm Unframed £150-250

20th Century

Signed M Weber (lower right) Oil on canvas 56 x 66cm Unframed £200-300

416 CONTINENTAL SCHOOL 20th Century

Still life with flowers in a vase Indistinctly signed and dated 1933 (lower left) Oil on canvas 86.8 x 74.6cm Unframed £200-300

£150-250 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

161

417

418

417 Φ ETHEL WALKER Scottish b.1941

Daylilies, Blue & Gold Signed Walker (lower right) Oil on board 51.3 x 43.6cm Provenance: The Contemporary Fine Art Gallery, Eton £800-1,200

419

418 Φ JANET DAVIES

419 Φ CHRISTINA HART-DAVIES

Still life with sunflowers in a vase

Red admiral and apple; Snowdrops; Chrysanthemum; Red admiral and daisy; Primroses

Signed Janet Davies (lower right) Oil on board 75.8 x 63.4cm Unframed

Five, each signed CHD (lower right) and Snowdrops and Primroses further signed Christina Hart Davies (lower left) Each watercolour Largest 37.5 x 54.5cm; Smallest 27 x 25cm Unframed (5)

20th Century

£120-140

20th Century

£200-300

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

162

420

421

420 Φ JEFFREY PRATT

421 Φ JEFFREY PRATT

Still life with lilies

Goldfish and lily pads

Signed JPratt (lower right) Oil on board 60.8 x 76.3cm

Signed JPratt (lower right) Oil on canvas 45.5 x 60.8cm Unframed

b.1940

£500-800

£200-300

422 Φ JEFFREY PRATT

423 Φ JEFFREY PRATT

Still life with fruit, flowers and a jug

A pond with waterlilies

b.1940

422

b.1940

Signed JPratt (lower right) Oil on canvas 60.3 x 76.1cm Unframed

Signed and inscribed Commission/sketch for Dr. Fareley/just north of Bicester/jPratt (to the reverse) Oil on board 76 x 60.8cm Unframed

£150-250

424 Φ JEFFREY PRATT b.1940

Landscape with figures walking by a canal Signed JPratt (lower left) Oil on board, with studies of horses’ heads to the reverse 35.5 x 46.3cm Unframed £150-250

423

424

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

163

425 Φ JEFFREY PRATT

426 Φ KEN MORONEY

Landscape with water lilies on a pond

Water lilies

Signed JPratt (lower left) and inscribed Bruern Abbey/(from life)/JPratt (to reverse) Oil on board 61 x 81cm Unframed

Signed Moroney (lower left) Oil on canvas 60.8 x 91.3cm

b.1940

1948-2018

£400-800

£300-500

427 Φ KEN MORONEY

428 Φ KEN MORONEY

Water lilies in dawn light

Harvesting; Farmyard

Signed MORONEY (lower right) Oil on canvas 51.1 x 76.2cm Unframed

Two, both oil on board, the former with a study of a horse and groom in a landscape to the reverse 16.3 x 22.8cm; 16.4 x 22.8cm (2)

£200-300

£500-800

1949-2018

425

426

427

428 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

164

429

430

431

429 Φ NANCY ROSE TAPLIN

430 BRITISH SCHOOL

431 Φ TIM SCOTT BOLTON

20th Century

b.1947

Sanderling

Two Irish terriers

Loch Hope, Sutherland

Signed Nancy Rose Taplin (in pencil to mount) Gouache on card and collage 27.5 x 22cm

Indistinctly signed R.***in (lower right) Oil on board 48.4 x 68.6cm

£400-600

£200-300

Signed, dated and inscribed T Scott Bolton 1991/LOCH HOPE IHO (lower left) Watercolour and bodycolour 63.1 x 102.8cm

Contemporary

Provenance: Malcolm Innes, Gallery The Collection of Robin and Rupert Hambro THIS LOT IS OFFERED WITHOUT RESERVE £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

165

432

433

434

435

432 Φ TAKIS MORAITIS

433 LUTE VINK

434 LUTE VINK

435 LUTE VINK

Ancient Theatre of Epidaurus

South of the Sticky Water

The Bandar-Log Howled with Triumph

All the Beasts Together

Signed LUTE VINK (lower left) Oil on canvas 68.4 x 48.1cm

Signed Lute Vink (lower right) Oil on canvas 75 x 86.7cm

Signed Lute Vink (lower right) Oil on canvas 77.4 x 97.2cm

Literature: Rudyard Kipling with illustrations by Lute Vink, The Jungle Book (Books Illustrated Ltd, 2015), p.75 (illustrated)

Together with Rudyard Kipling with illustrations by Lute Vink; The Jungle Book; Signed Lute Vink (to page 2); no.65/200, published by Books Illustrated Ltd, 2015, red leather covers with gilt embossed depiction of Shere Khan, within a red cloth presentation box; 32.2 x 32.7cm; The Bandar-Log illustrated p.35 (2)

Literature: Rudyard Kipling with illustrations by Lute Vink, The Jungle Book (Books Illustrated Ltd, 2015), p.117 (illustrated)

Greek b.1944

Signed in Greek and dated 2012 (lower right) Oil on canvas 80.3 x 100.7cm £200-300

South African b.1971

£300-500

South African b.1971

£300-500

South African b.1971

£300-500

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

166

436 Φ PETE HAWKINS

437 Φ GARY M. JAMES

E-Type

An Interrupted Dig

Signed and dated PHawkins/2012 (to reverse) Oil on reclaimed panel 60 x 122cm Unframed

Signed and dated GARY M.JAMES 7.6.92-27.3.93 (lower left) Acrylic on panel 91.6 x 122.3cm

Contemporary

£300-500

b.1941

Provenance: The Collection of Robin and Rupert Hambro THIS LOT IS OFFERED WITHOUT RESERVE £300-500

436

438 HENNIE GRISEL

South African 1931-2015

Horse riders on the highveld Signed and dated HENNIE/GRIESEL 74 (lower right) Oil on board 61 x 91.4cm £200-300

439 Φ LESLIE GOODAY OBE 1921-2013

The Brown Egg Signed L GOODAY (lower right) Acrylic and collage on board 28 x 40.7cm Provenance: The Collection of Robin and Rupert Hambro Exhibited: London, The Mall Galleries, RSBA Exhibition, 1997 THIS LOT IS OFFERED WITHOUT RESERVE £120-180

437

438

439 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

167

440 Φ CHARLIE MACKESY b.1962

Playing with baby Signed and dated C.P.Mackesy 86 (lower right) Pencil and watercolour 24.1 x 34cm Provenance: Addison-Ross Gallery, London £300-500

441 Φ MARY NELSON Contemporary

Basking

440

Signed and inscribed ‘Basking’ Mary Nelson (to mount) Black chalk 23.5 x 22cm £100-150

442 Φ ALAIN GAUDIN French b.1951

A man sitting on the beach with his dog; A figure and cattle in a marsh, Guérande Two, the former signed and dated Gaudin 85 and indistinctly inscribed in French (lower right); the latter signed and dated Gaudin 60 and indistinctly inscribed in French (lower right) Both watercolour heightened with bodycolour 24.2 x 33.1cm; 25.7 x 23.2cm (2) £200-300

441

442 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

168

443 Φ ROBIN ARMSTRONG b.1947

Birch Stand, Chagford Signed, inscribed and dated Robin Armstrong 2020 Birch Stand CHAGFORD (along lower edge) Pastel and watercolour 71.4 x 53.1cm £100-150

444 Φ ROBIN ARMSTRONG b.1947

Sunset over the Cliffs of Moher

443

Signed, dated and inscribed Ireland ‘98 cliffs of mother pre-study for Irish sunset. We have been staying at/Dublin and came out to see the sunset just up from pub Robin Armstrong ‘98 (along lower edge) Pastel 37.9 x 28.3cm

444

£100-150

445 Φ ROBIN ARMSTRONG b.1947

A kingfisher with a fish Signed Robin Armstrong (lower right) Watercolour heightened with white 30.6 x 24.1cm £100-150

446 Φ JOHN WALKER b.1939

Landscape

445

446

Signed and dated Walker 04 (lower right) Oil on paper 57 x 39.2cm £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

169

447

448

447 Φ PADRAIG LYNCH

448 Φ PADRAIG LYNCH

Moonlight on The Boyne

Moonrise

Signed PADRAIG/LYNCH (lower right) Oil on canvas laid on board 24.2 x 29.8cm

Signed PADRAIG/LYNCH (lower right) Oil on canvas board 19.6 x 24.6cm

Exhibited: Stockbridge, The Wykeham Gallery, The Irish Show, March-April 2005, no.52

Exhibited: Stockbridge, The Wykeham Gallery, The Irish Show, March-April 2003, no.24

£500-700

£400-600

Irish b.1936

449 Φ COLIN CARRUTHERS Contemporary

Light on the Beach, Islay Oil on canvas 50.4 x 60cm With artist’s certificate of authenticity to backing board £200-300

449 Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

170

450

451

450 Φ SUZAN HOUCHING Contemporary

Hair salon Signed and dated Suzan Houching 87 (lower right) Acrylic on canvasboard 49.9 x 60cm £100-150

451 Φ CHARLES WILLIAMS b.1965

Girls Night In Signed with initials CW (lower centre) Oil on canvas 25.4 x 30.4cm Provenance: Bonhams, London, Modern Pictures, 13 July 2010, lot 62 £200-300

452 Φ BRENDA KING 1934-2011

Cottages at Trebarwith Strand; Cottage garden in Épagne Two, the former signed and dated Brenda King 76 (lower right), the latter signed and dated Brenda/King 75 (lower right) Both oil on board 15.2 x 20.4cm; 14.8 x 20.3cm (2) £150-250

452 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

171

453 Φ TESSA NEWCOMB b.1955

Behind the Scenes, Newquay, Wales Signed with initials and dated TN97 (lower right) Oil on board 29.3 x 29.8cm Provenance: The artist; Crane Kalman Gallery, London; Where purchased by Dr Daniel Catowsky, April 1988 £300-400

453

454

454 Φ STEPHANIE AXTELL

455 Φ SIMON QUADRAT

456 Φ RELTON MARINE

Flowers in the Window

White Still Life with Orchid

Iris and Fish

b.1971

b.1946

Signed with initials SA (lower right) Oil on board 30.1 x 30.1cm

Signed S Quadrat (lower left) Oil on canvas 50 x 59.7cm

Provenance: Caroline Horn, Contemporary; The Collection of Robin and Rupert Hambro

Provenance: The Collection of Robin and Rupert Hambro THIS LOT IS OFFERED WITHOUT RESERVE

THIS LOT IS OFFERED WITHOUT RESERVE

£300-500

£150-250

Christine Relton and Tom Marine

Signed, dated and inscribed IRIS & FISH C Relton T Marine 2018 (to backing board) Mixed media on paper 84.8 x 99cm Provenance: The Collection of Robin and Rupert Hambro THIS LOT IS OFFERED WITHOUT RESERVE £100-150

455

457 Φ RELTON MARINE Christine Relton and Tom Marine

Oranges and Pears Signed, dated and inscribed ORANGES & PEARS CRelton TMarine 2018 (to backing board) Mixed media on paper 82 x 110.3cm Provenance: The Collection of Robin and Rupert Hambro THIS LOT IS OFFERED WITHOUT RESERVE £100-150

456

457

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

172

458 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

173

459

458 Φ MR BRAINWASH

459 Φ DAVID SPILLER

Work Well Together

Love Waits For You

Signed, dated and numbered 2022/Mr Brainwash/no U42773489A (to reverse) Mixed media over screenprint, 2022 76.5 x 58.8cm

Signed, inscribed and dated Love Waits for YOU/1998/David Spiller (to reverse) Acrylic and crayon on canvas 132.4 x 134.6cm Unframed

With certificate of authenticity.

Provenance: Beaux Arts, London, where purchased, August 1998; The Tom Watkins Collection

French b.1966

£3,000-5,000

1942-2018

£5,000-7,000

Lots marked Φ may be subject to an additional fee - please see ARR information on page 181 • Framed images of each lot are available on www.woolleyandwallis.co.uk

174

460 HEIN-KUHN OH

South Korean b.1963

Jiyoung, in the Itaewon Barbecue Ramen House, February 1993 Photographic print, from an edition of 8 90 x 72.3cm (image) Provenance: Kukje Gallery, Seoul, where purchased by the present private collector, December 2017 £700-1,000

461 Φ TONI CATANY

Spanish 1942-2013

Natura Morta 23; Natura Morta 112 Two, the former signed, numbered and inscribed Natura Morta n 23 Neg.1983Post. 2001 6/6 de 40 x 40 Toni Catany (in pen to margin); the latter signed, numbered and inscribed Natura Morta n 112 Neg.1983.-Post.2001 6/6 de 40 x 40 Toni Catany (in pen to margin), and each with artist blindstamp Both photograph 35.8 x 36.3cm; 37 x 37cm (image) (2) Provenance: The Collection of Robin and Rupert Hambro THIS LOT IS OFFERED WITHOUT RESERVE £100-150

460

461

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

175

INDEX OF ARTISTS A

British School

18, 19, 131, 199,

Abrahams, Ivor

351

252, 260, 262, 291, 430

Ackroyd, Norman

153

Bryce, Gordon

293

Adam, Patrick William

Buckland, Arthur H.

Aitchison, Craigie

315

Buckland Wright, John

Al-Fayoumi, Mohammad

355

Bulmer, Lionel

185-187

Ali, Mustafa

354

Burra, Edward

120

Allinson, Adrian

Alphonse, Fritzner

337

Anaut, Félix

148

Cadell, Francis Campbell Boileau 94

Armstrong, Robin Arnheim, Elly

443-445 86

Axatard, Jean

399

Axtell, Stephanie

454

Ayrton, Michael

353

B Bartoschek, Emile

Bateman, Henry Mayo

169

Baur, Leo

Bawden, Edward

216-224

Beale, Edward

308-310

Beaton, Cecil

171

Beauvais, Arnold Victor

213

Beauvais, Walter John

284

Beerbohm, Max

170

Bell, Trevor

374

Bellet, Pierre Auguste

Bellmer, Hans

189

Bergin, Rowley Sylvia

208

Biegel, Peter

113-115

Blampied, Edmund

15, 111

Cameron, David Young

Carruthers, Colin

449

Catany, Toni

461

Chagall, Marc

145

Christopherson, John

151

Coetzee, Christo

375

Cohen, Harold

154

Conder, Charles

Continental School

135, 416

Duncan, Leslie S.

333

Dunstan, Bernard

410 H Hall, Clifford

Hamilton Fraser, Donald

290

Elliot, James

Harke, Evelyn

Ellis, Arthur

Harington Bird, John Alexander 108

Embleton, Ronald Sydney 225-226

Hart-Davies, Christina

419

Escriche, Rafael Argeles

Hawkins, Pete

436

Etzer, Peter Apolonius

382

Heineman, T.

268

Herman, Josef

296

Hermes, Gertrude

119

Hersey, Edward

256

Hesketh Hubbard, Eric

F Fedden, Mary

195-196

Festing, Andrew

408-409

Fisher, Benjamin

Fisher, Mark William

Folkard, Charles

283

Fox Pitt, Douglas

Cress, Fred

311

French School

Crowther, Stephen

411

Frink, Elisabeth

192-193

Cuming, Fred

346

Cummins, Gus

368

165-166

G Gammon, Reg

Gardon, Felix J

261

Dalí, Salvador

146-147

Gaudin, Alain

442

Dannatt, George

237-240

Gear, William

158-163

Dashwood, Geoffrey

358

Davidson, Allan Douglas

Davies, Janet

418

De Glehn, Wilfrid Gabriel

61-64

Denny, Robyn

232-234

Derain, André

Bone, Stephen

128

Desmond, Nerine

246

Dimanov, Luben

406

Dobson, Frank

179-180

207

Eisendieck, Suzanne

Craddy, Eric Haysom

127

267

Guyot, Emmanuel

Forster, Neil

378 371

Gurschner, Herbert

282

Blow, Sandra

Bowen, Owen

249

Cox, Jack

Blaylock, Thomas Todd

Bousfield, Neil

Dulieu, René

German School

236

Gibbings, Robert

122

Gill, Eric

73-77

Hilder, Rowland

206

Hill, Nina

35-36

Hill, Rowland

209

Hilton, Rose

201-202

Hobdell, Leslie Roy

Hockney, David

295

Hopkins, Clyde

320-321

Hornel, Edward Atkinson

Hosotte, Georges

214

Houching, Suzan

450

Howard, Ken

343

Hull, James

227

Hunter, George Leslie Hutter, David

95-97 175-178

I Icart, Louis

117

Indiana, Robert

366

Gilman, Peter

257

Gilroy, John William

134

Godwin, Mark

398

Gooday, Leslie

439

Jackson, Kurt

380

Goodwin, Albert

24-25

James, Gary M.

437

Gore, Frederick

210

James, Merlin

377

Jaques, Stephen

322

Boxsius, Sylvan G

Boyd Harte, Glynn

231

Donaldson, David Abercrombie

Graf, Franz

Bragin, Khena

198

330

Green, Margaret

253-254

Jenkins, Arthur Henry

D’Oyly-John, Cecil Rochfort

Greenham, Peter

172-174

John, Follower of Augustus

244-245

Greenwood, Orlando

87, 413

Jowett, Percy Hague

Drummond, Malcolm

Grisel, Hennie

Joyce, Peter

376

Brainwash, Mr Brangwyn, Circle of Frank Bratby, John

458 9 247

Domergue, Jean-Gabriel

67-68

438

176

INDEX OF ARTISTS K Kaprielov, Sam

369-370

Moroney, Ken

426-428

Rothenstein, Michael

152

Moroz, Michal

211-212

Roussell, Pierre

414

Ulreich, Fritzi

Russian School

235

Kemp-Welch, Lucy Elizabeth

112

Müller-Gerhardt, Rudolf

142

Kennington, Eric

2-6

Munnings, Alfred James

Kenworthy, Jonathan

359-362

King, Brenda

452

Kingsley, John

387-390

V S

Sanders, Christopher

van de Wetering de Rooij, Johannes 258-259

Embrosius 37

Nash, John

101

Sandys-Lumsdaine, Leesa

110

Vermehren, Sophus

Knighton-Hammond, Arthur Henry

Naviasky, Philip

Scott Bolton, Tim

431

20-21

Needall, Philip Gregory

133

Vink, Lute

Seabrooke, Elliott

Knollys, Eardley

Nelson, Mary

441

von Ledebur, Eugen

Seago, Edward

250-251

Nessler, Walter H.J.

132

Shackleton, Keith

280-281

Kokoschka, Oskar

241-243 116

Konovalova-Kovrigina, Tatiana 332

Newcomb, Mary

194, 453

Kopp, Walter

138

Nicholls, John

81-82

Kratochwil, Marian

278

Nielsen, Arthur

143

L Lafugie, Léa

Oh, Hein-Kuhn

Lartique, Jacques-Henri

263

Olsson, Julius

460 102-106

Leighton, Clare

118

O’Malley, Tony

155-157

Lindner, Hans

139

Oram, Ann

383-384

Llywelyn Hall, Dan

401

Ososki, Gerald Judah

Lobley, John Hodgson

Lowery, Alex

412

205

Lowry, Laurence Stephen 123-126

Paolozzi, Eduardo

191

Lynch, Padraig

Paton, Frank

107

Pearce, Bryan

294

Pikesley, Richard

345

447-448

M Macara, Andrew

344

Piper, John

228-229

Mackesy, Charlie

440

Poskitt, Pam

318-319

Madyol, Jaques

144

Pratt, Jeffrey

420-425

Manago, Vincent

140

Mann, Cathleen

188

Marine, Relton

456-457

Quadrat, Simon

455

Maze, Paul

215

Quinn, Tom W.

335

McCrossan, Mary

McIntyre, Donald

347-349

350

Raverat, Gwen

Meyer-Eberhardt, Kurt

167

Remington, Mary

Skubko, Sergey Mikhailovich

331

Slater, Eric

203-204

Smith, Estmin

248

Snell, James Herbert

Somerville, Stuart Scott

266

Souter, John Bulloch

Spear, Ruskin

182

Spiller, David

459

Squirrel, Leonard

71 43-52

Stefan, Ross

200

Stephan, Aram

356

Stephens, Roger

367

Strachan, David

197

Sturgeon, Jim

292

Sutherland, Graham

190

70 264-265

Vrielink, Nico

59 433-435 168 338-342

W Wacquiez, Henri

357

Walker, Ethel

417

Walker, John

446

Walker, Richard

381

Walls, William

129-130

Ward, John Stanton

285-289

Ward, Celia Ward, Vernon

407 269-276

Warren, Michael

400

Way, Thomas Robert

Weber, M.

415

Weight, Carel

181

Welch, Rosemary Sarah

277

White, Ethelbert

100

White, Josephine H.J.

Wild, Julian

365

Williams, Charles

451

137

Williamson, Harold

Talwinski, Igor

334

Wood, Neil

352

Tanner, Robin

121

Worley, Neale

336

Taplin, Nancy Rose

429

Wylder, Jonathan

Taeger, Karl Hans

Meunier, Constantin

Sieffert, Paul

Steer, Philip Wilson

Taylor, Fraser

402-405

Taylor, Walter

Thorn, Anthony

230

Yates, Fred

363-364

297-307

Millais, Raoul

109, 164

Rice, Brian

316-317

Tindle, David

312-314

Yefimenko, Victor

Miller, John

323-326

Roboz, Zsuzsi

327-329

Tolley, Sheila

391-397

Yesin, Mikhail Mitrofanovich

136 255

Roccotelli, Michele

379

Trott, Frederick George

149-150

Rooney, Mick

372

Tuff, Richard

Montézin, Pierre-Eugène

Rossberg, Sara

373

Tuke, Henry Scott

Zinkeisen, Anna

184

Moraitis, Takis

432

Rossotti Matteoda, Angelo

141

Tunnicliffe, Charles Frederick

279

Zinkeisen, Doris

183

Milne, John Maclauchlan Mitchell, Denis

88 385-386

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 6TH MARCH 2024

ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Evelyn De Morgan (1855-1919) Study of the upturned head of a young woman Pastel and chalk on brown paper 30.1 x 20.6cm; 11¾ x 8in Estimate £2,000 - 3,000*

FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 17TH & THURSDAY 18TH JANUARY 2024

A Regency rosewood and brass mounted centre table attributed to Marsh and Tatham Estimate £3,000 - 4,000*

ENQUIRIES Mark Yuan-Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

CLARICE CLIFF, ART DECO & DESIGN WEDNESDAY 20TH & THURSDAY 21ST MARCH 2024

John Maltby Ancient King, 2013 Estimate £800 - 1,200* Provenance: Private collection of John Maltby Pottery

ENQUIRIES Michael Jeffery | +44 (0)1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

180

AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9.00am – 5.00pm Castle Gate Offices Monday to Friday 9.00am – 5.00pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. REGISTERING WITH US All first time buyers need to register with us. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or email copies. PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us. BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

ZIXIS Fine Art Limited

+44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier. EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

181

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name and address and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, debit and credit cards. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay Where practical, payment can be made and purchases collected during the auction. We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a Φ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/ purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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ROYAL INSTITUTION OF CHARTERED SUREYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a)

You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

183 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a)

You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque six weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate. 2.

BIDDING PROCEDURES AND THE BUYER

(a)

Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3.

INCREMENTS

THE PURCHASE PRICE

Bidding increments shall be at the auctioneer’s sole discretion. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter. 5.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

(c)

TITLE AND COLLECTION OF PURCHASES

(a)

The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges. (c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8.

REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a)

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

184 liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a)

Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b)

Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. 22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated. BOOKS AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a Φ symbol are potentially subject to the levy.

185

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: •

•

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: - other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information. We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers. In this respect we will provide your data to the following: • • • • •

our professional advisors; the-saleroom.com; debt collection agencies; third parties who assist us with our marketing; our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

186 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

Printed by Park Communications, a carbon neutral company. Park works to the EMAS standard and its Environmental Management System is certified to ISO 14001. This publication has been manufactured using 100% offshore wind electricity sourced from UK wind. 100% of the inks used are vegetable oil based, 95% of press chemicals are recycled for further use and, on average 99% of any waste associated with this production will be recycled and the remaining 1% used to generate energy. This document is printed on Magno Satin and Magno Gloss, both made of material from well-managed, FSC®-certified forests and other controlled sources.

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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Woolley and Wallis valuations are accepted by all leading insurance companies.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

WOOLLEY & WALLIS Clifford Street, Mayfair

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.02998482 VAT No: 631 9832 29

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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ABSENTEE BID FORM

MODERN BRITISH & 20TH CENTURY ART

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

WEDNESDAY 13TH DECEMBER 2023 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 26% plus VAT at 20%

Billing Name (please print) �� Address �� ___________________________ Postcode �� Daytime Telephone �� Email �� ID may be required even if you have bid with us before. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500

Brief Description of lot

Price excluding buyer’s premium & VAT

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR UPCOMING AUCTIONS AUCTION CALENDAR 2023 NOVEMBER 28th

Medals & Coins, Arms & Armour

29th & 30th British Art Pottery

DECEMBER 13th

Modern British & 20th Century Art

2024 JANUARY 17th & 18th Furniture, Works of Art & Clocks 24th & 25th Fine Jewellery 30th & 31st Silver & Objects of Vertu

FEBRUARY Michael Ayrton (1921-1975) 20th

Arts of Africa, Oceania and the Americas

End Maze I

21st

British and Continental Ceramics & Glass

SOLD FOR £5,000*

MARCH 6th

Old Masters, British & European Paintings

20th & 21st Clarice Cliff, Art Deco & Design Dates may be subject to change +44 (0)1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium