Woolley & Wallis Auctioneers

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962 Hannah Farthing 446970

20TH CENTURY DESIGN

Michael Jeffery 424505 Zoe Smith 446955

AFRICAN & OCEANIC ART | ANTIQUITIES

Will Hobbs 339752 Molly O’Reilly 446980

ASIAN ART

John Axford MRICS ASFAV 424506

Alexandra Aguilar 424583

Freya Yuan-Richards 424589

Jeremy Morgan +44 (0)7812 601098 Michelle Yu 424571 Sophie Moore 424591 Nelson Chui 424591

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan-Richards 424589 Michelle Yu 424571

ENGLISH & EUROPEAN CERAMICS & GLASS

Clare Durham 424507 Hollie Morrison 446964

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan-Richards 411854

Neil Grenyer MRICS 446972 Jim Gale 339161 Sarah Stone 446974

JAPANESE WORKS OF ART

Alexandra Aguilar 424583 Michelle Yu 424571

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Samuel Hug FGA DGA 424586 Megan Corbett 424562

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469 Molly O’Reilly 446980

SILVER

Rupert Slingsby 424501 Lucy Chalmers 424594

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS ASFAV FRSA 424502 Neil Grenyer MRICS 446972 Amanda Lawrence 424509 Archie Swann (Trainee valuer)

GENERAL OFFICE

Ruth Pike (Office Manager) 424500 Sarah Bennie Leyanne Hind Nicola Young Serena Tandy-Cockram

CASTLE GATE RECEPTION

Sally Litherland

MARKETING Chloe Davie 446959

ACCOUNTS

Sharon Ringwood 424565 Anna Gentleman

BOARD OF DIRECTORS

John Axford MRICS ASFAV Chairman

Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS

Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby

Marielle Whiting FGA Freya Yuan-Richards Mark Yuan-Richards

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU

Tel: +44 (0)1722 424500 • www.woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTURY ART

WEDNESDAY 14TH DECEMBER 2022

9.30AM

at our Castle Street Salerooms, SP1 3SU

VIEWING AT OUR EXHIBITION SPACE AT CASTLE GATE

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury SP4 6QX

VIEWING

Saturday 10th December 10.00am – 1.00pm

Monday 12th December 10.00am – 4.00pm

Tuesday 13th December 10.00am – 4.00pm

Wednesday 14th December By appointment

PAINTINGS

Victor Fauvelle +44 (0)1722 446961

vf@woolleyandwallis.co.uk

Ed Beer +44 (0)1722 446962 eb@woolleyandwallis.co.uk Hannah Farthing +44 (0)1722 446970 hf@woolleyandwallis.co.uk

DIRECTIONS TO THE EXHIBITION SPACE AT CASTLE GATE

THE VIEWING OF THIS SALE WILL TAKE PLACE AT

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury SP4 6QX

Client Parking Available

Saturday 10th December 10.00am – 1.00pm

Monday 12th December 10.00am – 4.00pm

Tuesday 13th December 10.00am – 4.00pm

Wednesday 14th December By appointment

THE AUCTION ON 14TH DECEMBER WILL TAKE PLACE AT CASTLE STREET

51-61 Castle Street, Salisbury SP1 3SU

BUYER’S PREMIUM

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices.

TELEPHONE BIDDING

Requests for telephone bidding cannot be accepted after 5pm on Tuesday 13th December.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply for this lot –please see our Terms & Conditions, Section 21, for details.

COLLECTION OF LOTS

Collections will be from Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 01722 424500 to make an appointment. Please instruct carriers accordingly.

Collection of sold and unsold lots must be within 21 days of the sale –failure to collect within this time may result in storage fees.

LIVE ONLINE BIDDING - FREE OF CHARGE

bid.woolleyandwallis.co.uk

Please register by 5pm on Tuesday 13th December.

Instagram: @woolleyandwallispaintings @woolleyandwallissalerooms

Facebook: @woolleyandwallis

Twitter: @woolleywallis

Pinterest: Woolley and Wallis

ILLUSTRATIONS

Front Cover: Lot 238 (detail)

Back Cover: Lot 217

Catalogue £12.00 (£15.00 by post)

LOTS 1-80

THE COLLECTION OF BOB AND ELISABETH BOAS

The following lots, from the collection of Bob and Elisabeth Boas, were previously hanging at 22 Mansfield Street, London, a house designed and decorated by Robert Adam (1728-1792). Over the last twenty years the house’s opulent interiors, boasting eighteen foot high ceilings, have served perfectly to accommodate the Boas’ musical evenings and their keen interest in collecting paintings, sculpture and works on paper. Works offered in the current sale range from the figuration of south-east London painter Ray Richardson (lot 58), to the playful abstraction of Clyde Hopkins (lots 47-48), and the soft classical forms of sculptor Emily Young (lot 73). At the heart of the collection, however, are paintings by members of the New English Art Club, including such leading lights as Tom Coates (lots 10-15), William and Jason Bowyer (lots 35&32), Fred Dubery (lot 36), Ken Howard (lot 6), Andrew Macara (lots 19-20), Bernard Dunstan (lot 5) and Ruskin Spear (lot 59). These painters’ typically harmonious subject matter, muted palettes and refined brush strokes have offered the perfect accompaniment to the serene sounds of the music making which, over the past two decades, has been in their midst.

1

ROBERT

BEVAN

1865-1925

POLHILL

A London Church (Dry 38)

Signed and numbered 32/45 Robert P Bevan (in pencil to margin) Lithograph, 1924 25.5 x 29.5cm (image)

Provenance: The Collection of Bob and Elisabeth Boas

This work depicts St Johns Church on Waterloo Road, London. £1,500-2,500

1

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

2 ‡

DIANA ARMFIELD RA, PS, NEAC b.1920

Poppies in the corn, France

Signed with initials DMA (lower left) Pastel 21 x 21cm

Provenance: Browse & Darby, London, where purchased by the present owners, 1987; The Collection of Bob and Elisabeth Boas £300-500

3 ‡

DIANA ARMFIELD RA, PS, NEAC b.1920

Aspen trees by the log cabin

Signed with initials DMA (lower left) Pastel and pencil 22 x 17cm

Provenance: The Collection of Bob and Elisabeth Boas £200-300

4 ‡

JACK MILLAR RBA 1921-2006

Lady coming up the garden steps

Signed J Millar (lower right) Oil on board 33.8 x 28.7cm

Provenance: The Collection of Bob and Elisabeth Boas £200-300

5 ‡

BERNARD DUNSTAN RA

1920-2017

Bathroom Mirror, Venice II

Signed with initials BD (lower left) and inscribed and dated BATHROOM/ MIRROR,/VENICE II/10.88 (to reverse) Oil on board 34.5 x 26.7cm

Provenance: The Collection of Bob and Elisabeth Boas

Exhibited: London, Mall Galleries, NEAC Exhibition, 1989 £1,000-1,500

5

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

6 ‡

KEN HOWARD OBE, RA b.1932

View of an Alpine village in winter

Signed Ken Howard (lower right) Oil on canvasboard 22 x 16cm

Provenance: The Collection of Bob and Elisabeth Boas £600-800

7 ‡

SUSAN RYDER RP, NEAC b.1944

Bedroom, Early Evening

Signed Ryder. (lower right) Oil on canvas 34.5 x 62cm

Provenance: W. H. Patterson, London; The Collection of Bob and Elisabeth Boas £700-1,000

8 ‡

FRED CUMING RA

1930-2022

Old Harry Rocks, Dorset Signed Cuming (lower left) Oil on board 20.6 x 30.2cm

Provenance: The Collection of Bob and Elisabeth Boas

Exhibited: London, New Grafton Gallery, November-December 1993, no.49 £800-1,200

9 ‡ ANNA MACMIADHACHAIN

20th Century

Dorset Landscape

Signed and dated 99 ANNA MACMIAHACHAIN (lower left) Acrylic on board 29.5 x 34.5cm

Provenance: Thompson’s Gallery, London; The Collection of Bob and Elisabeth Boas £200-300

10 ‡

TOM COATES RBA b.1941

Quarry at Mount Abu 1

Signed with monogram (lower left) Oil on canvas 61 x 75.5cm

Provenance: The Collection of Bob and Elisabeth Boas Exhibited: London, New Grafton Gallery, June 1989, no.6 £600-800

11 ‡

TOM COATES RBA b.1941

Evening of La Boheme at the English National Opera, 1993

Signed with monogram (lower left) and inscribed Evening of La Boheme at the ENO, 93. (to stretcher)

Oil on canvas 56 x 40.5cm

Provenance: The Collection of Bob and Elisabeth Boas £500-700

12 ‡

TOM COATES RBA b.1941

The recital Signed with monogram (lower left) Oil on board 35 x 24.2cm

Provenance: The Collection of Bob and Elisabeth Boas £300-500

13 ‡

TOM COATES RBA b.1941

Street scene in Venice Signed with monogram (lower left) Oil on canvas 60.5 x 70.5cm

Provenance: The Collection of Bob and Elisabeth Boas £600-800

14 ‡

TOM COATES RBA b.1941

Outside the Louvre, Paris

Signed with monogram (lower right) Oil on canvasboard 29.8 x 39.2cm

Provenance: The Collection of Bob and Elisabeth Boas £400-600

15 ‡

TOM COATES RBA b.1941

French street scene with a figure at a corner Signed with monogram (lower right) Watercolour 25 x 29.5cm

Provenance: The Collection of Bob and Elisabeth Boas £150-250

17 ‡

RICHARD PIKESLEY RWS, NEAC b.1951

Trees against the light, Stanmore Common Oil on linen laid on panel 15 x 20.4cm

Provenance: The Collection of Bob and Elisabeth Boas £250-350

16 ‡

RICHARD PIKESLEY RWS, NEAC b.1951

Concordia and Salute

Signed Richard Pikesley (lower right) Oil on canvas 58.5 x 63.5cm

Provenance: The Collection of Bob and Elisabeth Boas Exhibited: London, Mall Galleries, NEAC Exhibition, 1995 £600-800

18 ‡

RICHARD PIKESLEY RWS, NEAC b.1951

Landscape with a house beyond a field

Signed with initials RP (lower right) Oil on linen laid on panel 15 x 20.5cm

Provenance: The Collection of Bob and Elisabeth Boas £200-300

19 ‡

ANDREW MACARA b.1944

Yellow Surfboard, Palais-sur-Mer

Signed and dated ANDREW/MACARA 1990 (lower right) and further inscribed and dated Palais sur Mer/ ROYAN/FRANCE/July ‘90/7.00pm (to reverse)

Oil on canvas 40.5 x 50.2cm

Provenance: The Collection of Bob and Elisabeth Boas

Exhibited: London, Mall Galleries, NEAC Exhibition, 1990 £1,000-1,500

19

20

20 ‡

ANDREW MACARA b.1944

Allestree Park, Derby (Study 1)

Signed and dated ANDREW MACARA 1987 (lower right)

Oil on canvas 56 x 153cm

Provenance: The Collection of Bob and Elisabeth Boas £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

21 ‡

CAREL WEIGHT 1908-1997

Turner goes to Heaven

Signed and numbered 7/15 AP. Carel Weight. (in pencil to margin) and with blindstamp Screenprint 79 x 61.2cm (sheet)

Provenance: The Collection of Bob and Elisabeth Boas

This work was used to illustrate the poster of the RA Summer Exhibition, 10 June - 20 August 1989, now in the RA Collection (no.RAA/PRE/5/1/52). £120-180

22 ‡

JOHN BRUNSDON 1933-2014

La Digue; Banana Plant

Two, both signed, titled and numbered respectively 5/100 and AP 4/4 (in pencil to margin)

Both etching and aquatint Each 54.2 x 37.8cm (sheet) (2)

Provenance: The Collection of Bob and Elisabeth Boas £120-180

23 ‡

KEN ERSSER b.1940

Cat sleeping Mixed media 42.8 x 59.3cm

Provenance: The Collection of Bob and Elisabeth Boas £30-50

24 ‡

ELIEEN HOGAN b.1946

Shadows Lithograph 37 x 30cm Provenance: The Collection of Bob and Elisabeth Boas £50-80

25 ‡

PATRICK

1936-2003

PROCKTOR RA

Back of Zoo, Regent’s Park

Signed and numbered 23/75

Patrick Proctor (in pencil to margin) Etching and aquatint, 1971 69 x 82.4cm (sheet)

Provenance: The Collection of Bob and Elisabeth Boas £300-500

26 ‡

PATRICK PROCKTOR RA 1936-2003 Mirrors

Signed and inscribed Patrick Proctor PP (in pencil to margin)

Aquatint, 1969, from the ‘Invitation to a Voyage’ series 67.5 x 98cm (sheet)

Provenance: The Collection of Bob and Elisabeth Boas £150-250

27

ALBERT MARQUET

French 1875-1947

The Ring, Vienna Numbered 71/100 (in ballpoint pen to margin)

Lithograph, 1947, from ‘Dix Estampes Originales’ published by Éditions Rombaldi, Paris 25.2 x 34.6cm (sheet)

Provenance: The Collection of Bob and Elisabeth Boas £200-300

28 ‡

JOHN

HUBBARD

American 1931-2017

After Rubens No.3

Signed and numbered 7/25 John Hubbard (in pencil to margin) Drypoint, 2000 50 x 66cm (sheet)

Provenance: Marlborough Graphics Ltd, London; The Collection of Bob and Elisabeth Boas £60-80

29 ‡

LUCY DYNEVOR b.1934

The Thames and Oliver’s Island from Strand-on-the-Green

Signed with initials and dated LD 89 (lower left) Oil on canvas 50.5 x 76cm

Provenance: The Collection of Bob and Elisabeth Boas £200-300

30 ‡

MARY JACKSON b.1936

Going Home

Signed with initials MJ. (lower left) Oil on board 23 x 33.8cm

Provenance: The Collection of Bob and Elisabeth Boas £250-450

31 ‡

HANS BENDIX PEDERSEN

Danish 1915-2006 Skagen

Signed Bendix P. (lower right) and inscribed Skagen (lower left) Oil on canvas 70 x 81cm

Provenance: The Collection of Bob and Elisabeth Boas £80-120

32 ‡

JASON

BOWYER

1957-2019

Beach Huts, Walberswick, August

Signed J.R.Bowyer ‘91 (lower right) Oil on board 27.7 x 41.5cm

Provenance: The Collection of Bob and Elisabeth Boas Exhibited: London, New Grafton Gallery, September 1991, no.23 £200-300

33 ‡

JOHN

STANTON WARD RA

1917-2007

The artist sketching at a table with a figure seated below a tree beyond

Signed John Ward ‘76 (lower right) Oil on board 25 x 30.5cm

Provenance: The Collection of Bob and Elisabeth Boas £400-600

33

35 34

34 ‡

DEREK MYNOTT NEAC

1926-1994

The Old Palace, Morocco

Signed with initial M (lower right) Oil on canvasboard 51 x 60.5cm

Provenance: The Collection of Bob and Elisabeth Boas £300-500

THE COLLECTION OF BOB AND ELISABETH BOAS

35 ‡

WILLIAM

1926-2015

BOWYER RA

A Suffolk beach Oil on board 44 x 50cm

Provenance: The Collection of Bob and Elisabeth Boas £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

36 ‡

FRED DUBERY

1926-2011

Still life with a bouquet of flowers, a bottle of oil and jugs on a windowsill

Signed Fred Dubery (lower right)

Oil on canvasboard 28.7 x 38.8cm

Provenance: Alpine Gallery, London, June 1988; The Collection of Bob and Elisabeth Boas £200-300

37 ‡

PAUL RILEY 1963-2020

Reflecting Objects, 1991

Signed, dated and inscribed 20/1991 Paul Riley/ REFLECTING/OBJECTS (to reverse)

Oil on canvas 56 x 66cm

Provenance: The Collection of Bob and Elisabeth Boas Exhibited:

London, New Grafton Gallery, Paul Riley: First One-Man Exhibition, October 1991, no.20 £400-600

38 ‡ MICHAEL

ROTHENSTEIN RA 1908-1993

Still life with a bowl of fruit Signed and dated Michael/Rothenstein/1987 (upper right) Watercolour and charcoal 75 x 56cm Provenance: The Collection of Bob and Elisabeth Boas Exhibited:

London, New Grafton Gallery, Smaller Paintings for Christmas and the New Year, December 1989 £400-600

39 ‡

PAMELA KAY RWS, RBA, NEAC b.1939

Hellebores in a vase

Signed with initials PK (lower left)

Oil on board 24.7 x 21.8cm

Provenance: Chris Beetles Ltd, London; The Collection of Bob and Elisabeth Boas £250-350

42 ‡

CHARLES JAMES MCCALL 1908-1989

The City from the South Bank Signed McCall ‘65 (upper left) Oil on canvas 25 x 30.7cm

Provenance: The Collection of Bob and Elisabeth Boas £400-600

43 ‡

GEOFFREY CHATTEN RBA b.1938

Evening and the Cattle Marsh Signed and dated Chatten 1982 (lower right) and further signed and inscribed Evening and the cattle marsh/G Chatten (to reverse) Oil on canvas 60.5 x 92cm

Provenance: The Collection of Bob and Elisabeth Boas £400-600

44 ‡

PETER WELLS NEAC,

20th Century Open Skies Oil on canvas 60.3 x 81.5cm

ROI

Provenance: The Collection of Bob and Elisabeth Boas Exhibited: London, Mall Galleries, NEAC Exhibition, 1995 £300-500

46 ‡

JANE CORSELLIS NEAC, RWS b.1940

After the Rain

Signed Corsellis (lower right) Oil on canvas 19.5 x 29.5cm

Provenance: The New Academy Gallery, London; The Collection of Bob and Elisabeth Boas £300-500

THE COLLECTION OF BOB AND ELISABETH BOAS

45 ‡

JANE CORSELLIS NEAC, RWS b.1940

Frari, Venice

Signed Corsellis (lower right) Oil on canvas 101.4 x 66cm

Provenance: The New Academy Gallery, London; The Collection of Bob and Elisabeth Boas £800-1,200

47 ‡

CLYDE HOPKINS

1946-2018

Dusk and Sculpture

Signed, dated and inscribed ‘DUSK & SCULP/TURE’/ Clyde Hopkins/1991 (to reverse) 41 x 30.5cm Oil on canvas

Provenance: Francis Graham Dixon Gallery, London; The Collection of Bob and Elisabeth Boas £400-600

48 ‡

CLYDE HOPKINS

1946-2018

Potato Head

Signed, dated and inscribed Clyde Hopkins/1992/ Summer/ Autumn.’POTATO HEAD’ (to reverse) Oil on canvas 35.3 x 30.5cm

Provenance: Francis Graham Dixon Gallery, London; The Collection of Bob and Elisabeth Boas £300-500

49

HSIAO-MEI LIN

Taiwanese Contemporary Mountainous landscape with a waterfall

Signed and dated Hsiao Mei Lin /97 (to reverse) Oil on panel 59 x 59cm

Provenance: The Collection of Bob and Elisabeth Boas £100-200

50 ‡

MONAIR HYMAN

20th Century Blue Parchment

Oil, acrylic and old monoprint on canvas 122 x 122cm

Provenance: The New Academy Gallery, London; The Collection of Bob and Elisabeth Boas

Exhibited: Leeds, Leeds Polytechnic, Graduate Exhibition, 1992 £120-180

51 ‡

HUGHIE

b.1953

Benedict

O’DONOGHUE RA

Signed and dated O’Donoghue 1998 (lower right) and further inscribed and numbered Benedict 7/35 (lower left)

Carborundum print, from ‘On the Rapids’ series 52.4 x 60cm

Provenance: Purdy Hicks Gallery, London; The Collection of Bob and Elisabeth Boas £400-600

52 ‡

53 ‡

HUGHIE

O’DONOGHUE RA b.1953

On the Rapids

Signed and dated O’Donoghue 1998 (lower right) and further inscribed and numbered On the Rapids 7/35 (lower left)

Carborundum print, from ‘On the Rapids’ series 52.4 x 60cm

Provenance:

Purdy Hicks Gallery, London; The Collection of Bob and Elisabeth Boas £400-600

MICHAEL

b.1948

Five Stones

PORTER

Signed, dated and inscribed Five stones/M Porter 1995 (to reverse) PVA, collage and oil pigment on canvas 80 x 87cm

Provenance: The Collection of Bob and Elisabeth Boas £150-250

55 ‡

CHRISTOPHER THOMPSON b.1969

Hercules

Signed, dated and inscribed HERCULES/C. THOMPSON 1995 (to stretcher)

Oil on canvas 51.2 x 43cm

Provenance: The Collection of Bob and Elisabeth Boas £200-300

54 ‡

ALEXANDRA ‘SANDIE’ GARDNER

Scottish b.1945

Reclining female nude

Signed Gardner (upper left) Oil on canvasboard 28.5 x 23.7cm

Provenance: Duncan Miller Contemporary Arts, London; The Collection of Bob and Elisabeth Boas £120-180

56 ‡

JASON M.

b.1961

SPIVACK

Composition with the torso of a female nude

Signed with initials and dated JMS 93 (lower right) Oil on canvas 30.2 x 30.7cm

Provenance: The Collection of Bob and Elisabeth Boas £120-180

57 ‡

SALLIANN

PUTMAN NEAC b.1937

Red with Black Spots

Signed with initials SP (lower right)

Oil on board 26.8 x 25.4cm

Provenance: The Collection of Bob and Elisabeth Boas Exhibited: London, Mall Galleries, NEAC Exhibition, 2004 £150-250

58 ‡

RAY RICHARDSON

b.1964 Goodfellas Signed, dated and inscribed “GOODFELLAS”/DEDICATED TO/ROBERT DE NIRO/R Richardson 1990/91/RAY

RICHARDSON (to reverse) Oil on canvas 46 x 121.5cm

Provenance: The Collection of Bob and Elisabeth Boas £1,000-1,500

59 ‡

RUSKIN SPEAR CBE, RA 1911-1990 Study for ‘High Society’ Oil on board 18.7 x 17.4cm

Provenance: The Collection of Bob and Elisabeth Boas £600-800

61 ‡

ANNA GARDINER

b.1966 Butterfly

Signed twice, inscribed and dated ‘BUTTERFLY’/1999/ Anna Gardiner (to reverse)

Oil on canvas 40 x 40cm

Provenance: Art First Gallery, London; The Collection of Bob and Elisabeth Boas £300-500

60 ‡

ANA MARIA PACHECO RCA

Brazilian b.1943 Dachshund; Crocodile; Weasel; Goat

Four, each signed, titled and numbered 16/25 (in pencil to margin) and with Pratt Contemporary blindstamp

Each screenprint, from ‘A Modern Bestiary’, 2004

Each 35 x 29cm (sheet) (4)

Provenance: Purdy Hicks Gallery, London; The Collection of Bob and Elisabeth Boas £500-800

62 ‡

ANNA GARDINER

b.1966

Post-Raphaelite

Signed twice, inscribed and dated ‘POST-RAPHAELITE/1999/ Anna Gardiner (to reverse) Oil on canvas 30 x 30cm

Provenance: The Collection of Bob and Elisabeth Boas £120-180

63 ‡

JONATHAN

TROWELL 1938-2013

Before the Teatro La Fenice, Venice; By the Mercato Nuovo, Florence

Two, the former signed Trowell (lower right), the latter signed Trowell (lower left)

Both oil on board 15.5 x 21.5cm; 15 x 21.8cm (2)

Provenance: Both W. H. Patterson, London; The Collection of Bob and Elisabeth Boas £300-500

64 ‡

MARZIA COLONNA MRBS

Italian b.1951

Landscape composition

Signed Colonna (lower right) Collage and mixed media 50 x 60.8cm

Provenance: The Collection of Bob and Elisabeth Boas £200-300

65 ‡

ANNABEL GAULT b.1952

Blue Sea, Jura II Oil on canvasboard, 1993 14 x 21.5cm

Provenance: Anna Bornholt Gallery, London

The Collection of Bob and Elisabeth Boas £120-180

66 ‡

BEN LEVENE

RA 1938-2010

Winter Light

Signed with monogram (lower right) and inscribed Ben Levene/RA/’WINTER LIGHT’ (to reverse)

Oil, tempera and silver leaf on board 91.5 x 77cm

Provenance: The Collection of Bob and Elisabeth Boas Exhibited: London, Royal Academy, 1992, no.42 £600-800

67 ‡

BEN LEVENE RA 1938-2010 Passing Cloud

Signed with monogram (lower right) and further signed and inscribed Ben Levene/RA/Passing Cloud (to reverse)

Oil on board 40.5 x 48.5cm

Provenance: The Collection of Bob and Elisabeth Boas Exhibited: London, Royal Academy, 1993, no.926 £400-600

68

FRITZ JOHANNES BENTZEN-BILKVIST

Danish 1865-1934

Landscape near Grønnemose with a boat beached among reeds

Signed B-BILKVIST (lower right)

Oil on canvas 33.4 x 44.8cm

Provenance: The Collection of Bob and Elisabeth Boas £80-120

69 ‡

SARGY MANN 1937-2015

Tree-lined country lane Oil on canvas 61 x 45.5cm

Provenance: The Collection of Bob and Elisabeth Boas £400-600

70 ‡

PHILIP SUTTON RA b.1928

View of Oberbillig, Germany

Signed with initials, dated and inscribed Oberbillag/Germany/1982/P.S (lower right) Watercolour 12.5 x 16.7cm

Provenance: The Collection of Bob and Elisabeth Boas £150-250

71 ‡

MARGARET GREEN

1925-2003

The Hungry Bird Oil on board 30 x 29.8cm

Provenance: The Collection of Bob and Elisabeth Boas £600-800

74 ‡

JAKE HARVEY Scottish b.1948 Column Granite 126 x 27 x 27cm

Provenance: The Collection of Bob and Elisabeth Boas £1,000-1,500

75 ‡

DAVID JACOBSON

b.1951

Undulating fountain Marble on a stone base 180.5 x 60.5 x 60.5cm

Provenance: The Collection of Bob and Elisabeth Boas £500-1,000

76

JAMES ABBOTT MCNEILL WHISTLER RBA

American 1834-1903

Billingsgate (Kennedy 47) Etching, 1859 15.1 x 22.8cm (plate)

Provenance: The Collection of Bob and Elisabeth Boas £200-300

77

78

SIR FRANK SHORT RA 1857-1945

The old steaming-box at King’s Lynn

Signed Frank Short (in pencil, lower left) Etching, 1894 16 x 28cm

Provenance: The Collection of Bob and Elisabeth Boas £120-180

SIR

DAVID YOUNG CAMERON RA

Scottish 1865-1945

View of the Thames

Signed D.Y.Cameron (in pencil to margin)

Etching 19.4 x 30.6cm (plate)

Provenance: The Collection of Bob and Elisabeth Boas £150-250

79

ROBERT WALKER MACBETH RA 1848-1910

The Ferry Etching, 1880 15.5 x 28.4cm (plate)

Provenance: The Collection of Bob and Elisabeth Boas £60-100

80

AFTER EDWARD LEAR

Cervara di Roma, Italy

Lithograph 23.9 x 37.7cm (image)

Provenance: The Collection of Bob and Elisabeth Boas £40-60

OTHER PROPERTIES

81

HENRI DE TOULOUSE-LAUTREC

French 1864-1901

Les Vieux Messieurs Lithograph, 1894 27.2 x 17.6cm £300-500

82

JAMES

ABBOTT MCNEILL

WHISTLER

RBA

American 1834-1903

Little Draped Figure, Leaning (Levy 82)

Lithograph 28.7 x 18.6cm £800-1,200

83

EUGENE KIRCHNER

German 1865-1938 November Etching with aquatint, 1896 36.7 x 27.9cm (sheet)

Provenance: William Weston Gallery, London £100-200

84

PAUL CÉSAR HELLEU

French 1859-1927

Portrait of a lady leaning on a chair

Signed Helleu (to margin)

Drypoint 34.3 x 26cm (plate) £500-700

85

PAUL CÉSAR HELLEU

French 1859-1927

Le Noeud Bleu

Signed Helleu (in pencil, lower left) Drypoint 54.2 x 33.4cm (plate) £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

86 ‡

DAVID BOMBERG 1890-1957

Embrace

Signed and dated Bomberg /19 (lower left)

Pencil, pen and ink, and wash 26.4 x 20.2cm

Provenance: The Redfern Gallery, London, where purchased by Dr Peter Mangold, March 1985; And by family descent £1,500-2,500

87

EDVARD MUNCH Norwegian 1863-1944

Mädchen im Hemd am Fenster (Girl in her Nightdress at the Window) (Schiefler 5v)

Signed Edv Munch (in pencil to margin), and further signed by the printer Otto Felsing (German b.1854) (in pencil, lower left in the plate) Drypoint, 1894, this impression from the edition printed by Felsing c.1898/99 21.9 x 15.8cm (plate)

Provenance: William Weston Gallery, London, where purchased by the present private collector, 2005 £15,000-20,000

88

EDYTH RACKHAM NÉE

1867-1941

STARKIE

Portrait of a lady, wearing a dress with white sleeves

Signed and dated Edyth Rackham/13 (lower right) Oil on canvas 76.9 x 51.6cm Unframed £300-500

89

BRITISH SCHOOL

Early 20th Century

Portrait of a young girl wearing a pink top Oil on canvas 38.1 x 46cm Unframed £150-250

GIANNINO MARCHIG

Italian 1897-1983

Portrait of a lady by a piano wearing a pink dress and holding a fan

Signed G Marchig (lower right)

Oil on board 40.6 x 36.5cm

Provenance: Christie’s, London, Modern Paintings, Drawings and Sculpture, 21 February, 1989, lot 130 £1,500-2,500

91

FLORIS ARNTZENIUS

Dutch 1864-1925

Head of a Rabbi

Signed F Arntzenius (lower left)

Oil on canvas 42.3 x 32.2cm

Provenance: Vendu Notarishuis, Rotterdam, Kunst en Antiekveiling, 20 April 1999, lot 253 £200-300

92

92

HENRY HARRIS BROWN RP, NPS 1864-1948

Portrait of Constance Farquhar (née Capell) (1891-1963), three-quarter length, wearing a green dress and holding a peacock feather fan, seated in an interior

Signed and dated Harris Brown/1922 (upper left) Oil on canvas 152.8 x 108.7cm

Provenance: Redlynch House, Salisbury, Wiltshire £800-1,200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

93

93

GEORGE HENRY RA

1858-1943

Head of a young girl wearing a red scarf

Signed and dated GEORGE HENRY/1888 (upper right)

Watercolour and bodycolour 39.3 x 31.9cm £5,000-7,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

94 ‡

GIOVANNI MARIA MOSSA

Italian 1896-1973

Portrait of a young lady wearing a brown coat

Signed, dated and inscribed G.M. Mossa/Milano 1956 (lower right) Oil on board 49.1 x 39.1cm

£300-500

95 CHARLES A. BUCHEL 1872-1950

Portrait of Captain Arthur George Coningsby Capell (1879-1915), bust-length, wearing a brown coat

Signed and dated CHARLES BUCHEL 1915 (lower left), and charged with sitter’s coat of arms (upper right)

Oil on board 49.5 x 39.5cm

Provenance: Redlynch House, Salisbury, Wiltshire

The sitter was killed in action at the Battle of Neuve Chapelle, March 1915. £400-600

96 ‡

GUY LIPSCOMBE

1881-1952

Interior with a chest on chest with flowers on top

Signed GUY LIPSCOMBE (to overlap) Oil on canvas 48.2 x 37.4cm

£200-300

97

LEON SPRINCK

Russian 1862-1948

Portrait of Lieutenant Harold Lister Farquhar KCMG, MC (1894-1954) in service uniform; Portrait of Lieutenant Rupert Farquhar MC (1897-1917), in service uniform

A pair, the former signed and dated Leon Sprinck/1915 (lower right) and inscribed by a later hand Lieut. Harold Lister Farquhar/2nd Life Guards/aged 21 1915 (to reverse); the latter signed and dated Leon Sprinck/1915 (lower right) and inscribed by a later hand Lieut

Rupert Farquhar/grenadier guards/Aged 18/1915/ Died in action/Sept 17th 1917 (to reverse) Both oil on canvas Each 76.2 x 63.9cm (2)

Provenance: Redlynch House, Salisbury, Wiltshire £600-800

98

LEON SPRINCK

Russian 1862-1948

Portrait of Ernest Farquhar (1853-1930), half-length, standing in a landscape holding a shotgun; Portrait of Maria Theresa Farquhar (née Lister), half-length, wearing a blue and white dress, fur wrap and pearl necklace

A pair, both signed Leon Sprinck (lower right), the former dated 1917, the latter dated 1916 Both oil on canvas 92 x 71.8cm (2)

Provenance: Redlynch House, Salisbury, Wiltshire £600-800

99 ‡

AUGUSTUS JOHN OM, RA Welsh 1878-1961 Study of three men (recto); Two studies of a bearded old man (verso) Charcoal 18.4 x 27.2cm

Provenance: Tristan de Vere Cole, the artist’s son; From whom purchased by the present owner, c.1999 £700-1,000

100 ‡

AUGUSTUS JOHN OM, RA Welsh 1878-1961 Study of a male nude Signed John (lower left) Black chalk 61 x 38.8cm £600-1,000

101

101

ROBERT POLHILL BEVAN 1865-1925

The Plantation (Dry 37)

Signed and numbered 24/40 Robert P Bevan (in pencil to margin) Lithograph, 1922 30.9 x 35.5cm (image)

Provenance: William Weston Gallery, London, where purchased by the present private collector, 1978 £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

102 ‡

HENRY LAMB RA 1883-1960

Cambridge Punts

Signed Lamb (lower right) Oil on board, 1925 40.8 x 51cm

Provenance: J. L. Behrend; Leicester Galleries, London; Where purchased by M. Finelli, May 1962

Exhibited: London, Leicester Galleries, The J.L. Behrend Collection, May 1962, no.12 £2,000-3,000

105

PAUL NASH 1889-1946

Design of Arches

Signed, dated, numbered and inscribed 24/25/ Design of Arches Paul Nash/1926 (in pencil to margins) Wood engraving 29.2 x 19.2cm (sheet) Unframed £400-600

106

PAUL NASH 1889-1946

Abstract 2

Signed, dated, numbered and inscribed 25/25/ Abstract, 2. Paul Nash/1926 (in pencil to margins) Wood engraving 25 x 17.7cm (sheet) Unframed £250-450

107

PAUL NASH 1889-1946

Winter 1921 Woodcut 15.3 x 11.5cm (sheet) Unframed £200-300

108

PAUL NASH 1889-1946

Exit Northern Muse

Signed and dated Paul Nash/1923 and inscribed extensively with notes (in pencil to margins) Wood engraving 25.4 x 19.1cm (sheet) Unframed £200-300

109

PAUL NASH

1889-1946

Winter Wood

Signed, dated and inscribed Hilda for Christmas 1941/from edition 50/Winter Wood/Paul Nash 1921 (in pencil to margins)

Wood engraving 24 x 17.7cm (sheet)

Unframed £600-800

110 ‡

GWEN RAVERAT

1885-1957

Girl resting

Signed and numbered 12/26 G Raverat (in pencil to margin)

Lithograph 31.6 x 40.5cm (sheet)

Unframed £150-250

111 ‡

GWEN RAVERAT

1885-1957

Sleepers

Signed and numbered 7/10 G Raverat (in pencil to margin)

Lithograph 27.4 x 30.4cm (sheet) Unframed £150-250

LEON UNDERWOOD

1890-1975

Banjo Player; Mermaid; Nudes in a landscape

Three, each signed Leon Underwood, the former two dated 28, and each numbered or inscribed 5/50, 1/50, Artist’s proof respectively (all in pencil to margin)

Each woodcut

Largest 34.5 x 23cm; Smallest 11.5 x 16cm (sheet) Unframed (3)

£200-300

LEON UNDERWOOD

1890-1975

The Diver; Daphne

Two, each signed and dated Leon Underwood/1926, the former inscribed and numbered The Diver/30/50, the latter inscribed and numbered Daphne/28/50 (all in pencil to margin)

Both woodcut 23 x 15.8cm; 23 x 15.5cm Unframed (2) £200-300

114 ‡

LEON UNDERWOOD

1890-1975

The Music; Supplication; A lest glorious moment at the burning of Whitehaven on the English coast

Three, each signed Leon Underwood, dated 26, 25, 27 respectively, two inscribed with title, and the former two numbered 1/25 and 1/12 (all in pencil to margin)

Each woodcut Largest 26.6 x 40.8cm; Smallest 25 x 17.7cm (sheet) Unframed (3) £200-300

115 ‡

LEON UNDERWOOD

1890-1975

Three Peasants Lose a Shilling; Genius; Nativity

Three, each signed Leon Underwood and inscribed with title, Genius numbered and dated 18/20 25 (all in pencil to margin)

Each woodcut Largest 35.1 x 23cm; Smallest 22.8 x 13.1cm (sheet) Unframed (3) £200-300

116

BRITISH SCHOOL

Early 20th Century

A girl seated on a fence reading Indistinctly signed (lower right) Oil on canvas 45.9 x 59cm

Provenance: Private English collection, acquired no later than c.1920; And by descent £400-600

117 ‡

KARL HAGEDORN RBA, RI, RSMA, NEAC, NS German 1889-1969

Gypsy encampment

Signed and dated Karl Hagedorn/47 (lower left) Oil on canvas 60.8 x 81.3cm £300-500

118

BRITISH SCHOOL

Early 20th Century

Portrait of a child wearing a broad brimmed hat, sitting on a fence in front of a thatched barn Signed with monogram (lower left) Oil on board 44.3 x 32.9cm £200-300

Hereford Cathedral Signed C.GINNER (lower right) Pen and ink, and watercolour, within black framing lines 39.7 x 31.4cm Unframed £1,500-2,500

SIR ALFRED JAMES MUNNINGS PRA 1878-1959

The Dutch Garden, Ascott House, Buckinghamshire Signed A J MUNNINGS (lower right) Oil on canvas 51.7 x 61.5cm

Provenance: Ian MacNicol, Glasgow, January 1970, where purchased by the present owner; English private collection, West Yorkshire, formed in the 1970s and 1980s

By 1922, when the present work was painted, Sir Alfred Munnings was in great demand from wealthy patrons on both sides of the Atlantic, who wished to commission equine portraits from him. One such was from Anthony de Rothschild (1887-1961), who asked Munnings to stay at Ascott House and paint his horses at Southcourt Stud. Munnings stayed at Ascott for several months, writing to his wife that ‘the grounds and blossoms are lovely’. Throughout his career, when undertaking these lengthy commissions, it was to landscape painting that Munnings turned for pleasure. His biographer, Reginald Pound, wrote that ‘His pure landscapes would of themselves have made a reputation. In form, colour and craftsmanship, those leading characteristics of the English school of painting, the best of them showed Munnings to be in the line of direct succession to the English masters’. We are grateful to Dr Bill Teatheredge of the Munnings Art Museum for his assistance cataloguing the present work. £15,000-20,000

Chestnuts in Calcot Park

Signed A J MUNNINGS (lower left) Oil on canvas 51 x 61.5cm

Provenance: James D. Connell, by 1928; English private collection, West Yorkshire, formed in the 1970s and 1980s

Exhibited: Norwich, Norwich Castle Museum, Loan Collection of Pictures illustrating the work of A. J. Munnings, R.A, Aug-Sept 1928, no.114

Landscape painting was Sir Alfred Munnings’ first love, a genre he turned to when he wished to paint purely for pleasure. Chestnuts in Calcot Park was probably painted in 1917, when Munnings was working at the Remount Centre, Calcot Park, Berkshire. Having lost the sight in his right eye as a young man, he was unable to enlist as a soldier when the First World War broke out. Instead, with the help of fellow artist Cecil Aldin, he found a position at Calcot as a ‘strapper’, which involved checking the health of thousands of horses that were arriving from Canada, before they were deployed to the front. Munnings obviously found respite and joy in painting the landscape at Calcot, as at least one other depiction of the park’s chestnut trees is known. We are grateful to Dr Bill Teatheredge of the Munnings Art Museum for his assistance cataloguing the present work. £15,000-20,000

122 ‡

ALFRED KINGSLEY LAWRENCE 1893-1975

Portrait study of Joseph Duveen, 1st Baron Duveen (1869-1939)

Signed and dated ak Lawrence/26 IX 29 (lower left) Pastel 34.6 x 27cm £200-300

123

LOUIS SAUL LANGFIER 1859-1916

Portrait of Joseph Duveen, 1st Baron Duveen (1869-1939)

Signed Langfier (lower right) Photographic print 74.5 x 49.2cm

Provenance: Elsie, Lady Duveen (1881-1963) (according to label) £150-250

124

DUVEEN BROTHERS

Duveen Pictures in Public Collections of America

Inscribed To Lady Duveen/as a Tribute to and in Memory of/Lord Duveen, Duveen Brothers Numbered 2 from the edition of 500, William Bradford Press, New York, 1941 Together with Duveen Brothers; Duveen Sculpture in Public Collections of America; Inscribed To The Hon. Mrs Bryan N Burns,/in tribute to Lord Duveen/and with the compliments of/Duveen Brothers; Numbered 20 from the edition of 500; William Bradford Press, New York, 1944; J.B. Manson; The Tate Gallery; Inscribed To Miss Dorothy Duveen/With best wishes from/the Author/J.B.Manson/July 23rd 1931; T.C & E.C. Jack; London; Martin Conway; The Van Eycks and their Followers; Inscribed For my dear Dorothy/on her marriage/with affectionate good wishes/from her old friend the/author Martin Conway/ 1 July 1931; John Murray, London, 1921; and A Catalogue of Paintings in the Collection of Jules S. Bache; Inscribed To Mrs Marshall Field/with kind regards/Joseph Duveen/Le Touquet/April 1930; New York, 1929 (5)

£150-250

125

BRITISH SCHOOL 20th Century

Study of a hand holding a cigar Oil on canvas 28.5 x 23.4cm £100-150

126 ‡

FRANK O. SALISBURY 1874-1962

Sweetening the Hay Signed Frank O Salisbury (lower right), and further signed and inscribed SWEETENING THE HAY/FRANK O. SALISBURY (to reverse) Oil on canvas 108 x 194cm

Provenance: By descent from the artist to the previous owner; By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 11 December 2019, lot 24, where purchased by the present owner £10,000-15,000

127 ‡

CLARA KLINGHOFFER

1900-1970

Repose; Seated woman; Contemplation

Three, one signed Clara Klinghoffer (lower right), one signed C Klinghoffer (lower left)

Two pen and ink with wash, one charcoal Largest 32.5 x 27.6cm; Smallest 32.7 x 23.5cm Unframed (3)

£150-250

128

CHRISTIAN BÉRARD ‘BEBÈ’

French 1902-1949

Study of a young woman

Signed and dated C Berard 29 (lower right)

Pen and ink 32.1 x 18.3cm £100-150

129

THÉOPHILE ALEXANDRE STEINLEN French/Swiss 1859-1923

Portrait of a lady

Signed Steinlen (lower right)

Pencil 16.5 x 13cm £200-300

130 ‡

SIR CECIL BEATON CBE 1904-1980

Floral fabric design

Signed Beaton and with studio sale stamp (lower right) Watercolour heightened with white 47 x 71.2cm

Provenance: Christie’s, London, Cecil Beaton Studio Sale, the property of Miss Eileen Hose, 7 June 1984 £500-700

131

JOSEPH EDWARD SOUTHALL RWS, NEAC, RBSA

1861-1944

Two ladies walking

Signed with monogram and dated 10.VIII.1918 (lower right) Pencil and coloured crayon 23.3 x 17.9cm

Provenance: The Fine Art Society, London, November 1980 £500-700

132 ‡

FRANCIS MARSHALL

1901-1980

Mannequin (Fashion show); Sunday after Bagatelle; Twink in bed; Girl with lambs

Four, two signed in initials FM, one dated and inscribed Twink Paris Aug 1930/ Sunday after Bagatelle, one inscribed and dated Twink in Paris Aug 1930 Black ink heightened with white; pencil and watercolour; pencil and watercolour; pastel Largest 54.4 x 44.9cm; Smallest 26.3 x 19.5cm (4) £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

133 ‡

NORBERTINE VON BRESSLERN-ROTH Austrian 1891-1978 Kittens at play

Signed and inscribed Kanddruck Bresslern-Roth (in pencil to margin)

Linocut 25.9 x 27.8cm (sheet) Unframed £400-600

134 CECIL ALDIN 1870-1935

For What We Are About to Receive

Signed and numbered 89/100 Cecil Aldin (in pencil to margin) Etching 24.2 x 16.7cm (plate) £300-500

135 LOUIS WAIN 1860-1939

Cat rubbing its paws

Signed Louis Wain (lower left) Black ink 31.7 x 26cm Unframed £300-500

136

JACOBUS HENDRIK

PIERNEEF

South African 1886-1957

Kremetartboom Signed and dated J.H.Pierneef impr 1922 (in pencil to margin) Linocut 28.9 x 39.9cm £1,500-2,000

137

ERIC GILL ARA 1882-1940

Crucifix

Wood engraving in red ink, 1919 (P151), this impression published by Douglas Cleverdon, 1929 13.2 x 10.2cm (image)

Provenance: Katharine House Gallery, Marlborough £150-250

138 ‡

CLARE LEIGHTON

1898-1989

Santa Claus shoulders his load Signed Clare Leighton (in pencil to margin)

Wood engraving 21.7 x 15.8cm (sheet) Unframed £80-120

139

SIR WILLIAM ROTHENSTEIN

1872-1945

War Desolation: The Flanders Front

Drypoint 25.8 x 38.3cm (sheet) Unframed £100-150

141 ‡

ALLAN GWYNNE-JONES CBE, RA

1892-1982

Southwold Fair, 1912

Signed and dated Allan Gwynne-Jones 1927 (in pencil to margin) Engraving 20.1 x 29.1cm (plate)

Provenance: The Redfern Gallery, London, where purchased by Surgeon Lt. Comm. E. B. McDowall, June 1943 £200-300

140 ‡

LEONARD SQUIRRELL

1893-1979

Carter’s Mill, Wrentham; Young boy on a country path; Quiet Noon, Southwold; Children on the beach; Road on the Heath

Five, each signed Leonard R Squirrell, two inscribed with title and one numbered 1740 (in pencil to margin)

Each etching Largest 20.3 x 31.6cm; Smallest 16.4 x 21.1cm Three unframed (5) £100-150

142 ‡

ETHELBERT WHITE NEAC, RWS, LG, SWE

1891-1972

The Hamlet

Signed, numbered and inscribed Ethelbert White The Hamlet 12/50 (in pencil) Woodcut 20.3 x 27cm (sheet) Unframed £150-250

143 ‡

ETHELBERT

WHITE NEAC, RWS, LG, SWE 1891-1972

The Pond Signed and inscribed Ethelbert White The Pond (in pencil to margin)

Etching 28.4 x 34.8cm (sheet) Unframed £250-350

144 ‡

ETHELBERT WHITE NEAC, RWS, LG, SWE 1891-1972

The Hurdle Maker; Decoy Pond Two, both signed Ethelbert White, the latter numbered 6/50 (in pencil to margin)

Both woodcut 25 x 30.9cm; 28.1 x 34.5cm (sheet) Unframed (2) £200-300

145 ‡

ETHELBERT WHITE NEAC, RWS, LG, SWE 1891-1972

Landscape with figures on a path and a tree-lined road

Signed with initials EW (lower right)

Charcoal 30.5 x 34.8cm Unframed £150-250

143

146 ‡

ETHELBERT WHITE NEAC, RWS, LG, SWE 1891-1972

The Old Barn Signed, numbered and inscribed Ethelbert White The Old Barn 27/50 (in pencil to margin) Woodcut 20.1 x 26.7cm (sheet) Unframed £150-250

147

ALBERT MARQUET

French 1875-1947 Hamburg

Signed indistinctly and numbered 71/100 (in ink to margin) Drypoint, 1946 17.9 x 23.7cm (plate)

Provenance: William Weston Gallery, London, where purchased by the present private collector, 1973 £300-500

148

THÉO VAN RYSSELBERGHE

Belgian 1862-1926

Flotille de Pêche (The Fishing Fleet)

Signed with monogram and inscribed épreuve d’essai - no 1 (in red crayon to margin)

Etching and aquatint, c.1984 22.7 x 28.2cm (plate)

Provenance: William Weston Gallery, London, where purchased by the present private collector, 1999 £200-300

149

KURT LÖWENGARD

German 1895-1940

Coastal landscape with fishing boats in the distance

Signed and indistinctly dated Lowengard/193* (lower right) Watercolour 30.3 x 44cm £200-300

150

ARTHUR BRISCOE

1873-1943

Sending the Fore T’Gallant Yard Aloft

Signed, inscribed and dated Sending the Fore T’gallant yard aloft “Lnow” A Briscoe /27 (lower right) Watercolour 51.4 x 33.3cm

Provenance: Aitken Dott & Son, Edinburgh; Royal Exchange Art Gallery, London £800-1,200

151 ‡

ARTHUR BRISCOE

1873-1943

Orford

Signed, dated and inscribed Orford A Briscoe 39 (lower right) Watercolour 25.2 x 35.5cm

Together with Douglas Ion Smart (1879-1970); Orford Castle; Signed and inscribed D I Smart/Orford Castle (in pencil to margin); Etching; 46 x 35.7cm; Unframed (2) £100-150

152 ‡

SIR DAVID MUIRHEAD BONE RWS

Scottish 1876-1956

Syracuse from the deck of RMS Viceroy of India

Signed and inscribed Muirhead Bone/Syracuse (lower right) Watercolour, pastel and pencil 24 x 36.3cm

Provenance: T. & R. Annan & Sons, Glasgow £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

153 ‡

PAUL MAZE

French 1887-1979

River landscape with sailboats and a church beyond Signed Paul Maze (lower right)

Watercolour and bodycolour 27.9 x 48.1cm £200-300

154

WILLIAM FLETCHER THOMAS 1863-1938

Figure walking over the bridge at Walberswick

Signed and inscribed W.Fletcher Thomas/ SOUTHWOLD (lower left)

Pencil and watercolour heightened with white 16.7 x 28.4cm Unframed £200-300

155

WILLIAM FLETCHER THOMAS 1863-1938

Landscape at dusk with a hunter in a field and Southwold in the distance; A shepherd and his flock in a field at Walberswick; Figures in a field by a stream at Southwold

Three, each signed and inscribed W-Fletcher Thomas/Southwold and dated 99, 09 and 09 respectively (lower right)

Each watercolour One 18.5 x 26.3cm; Two 20.9 x 28cm (3) £150-250

156

DUTCH SCHOOL

Early 20th Century

Townscape with a figure by a canal at dusk

Indistinctly signed (lower right) Oil on canvas 50.5 x 60.5cm

£500-800

157 ‡

PHILIP HUGH PADWICK ROI, RBA

1876-1958

Extensive landscape with cattle, and a cottage, windmill and church in the distance

Signed Padwick (lower left)

Oil on canvas 61.2 x 92cm

£200-300

158 ‡

CHARLES JOHNSON PAYNE, ‘SNAFFLES’

1884-1967

Andsome Is - Wot Andsome Does

Signed Snaffles (in pencil to backing sheet)

Coloured print with hand colouring, on backing sheet with printed remarques and blindstamp 47.3 x 43.3cm

£200-300

ISMAEL DE LA SERNA

Spanish 1897-1968

The Entrance to the Plaze de Toros, Ronda Signed and dated DE LA SERNA/24 (upper right) Oil on canvas 91 x 72.9cm

Together with C. Rodriguez-Aguilera, Ismael de la Serna (Éditions Cercle d’Art, Paris, 1977) (2)

Provenance: Galerie Zak, Paris; Brook Street, Gallery, London; Private Collection, UK; By whom sold, Lyon & Turnbull, Modern Made, 29 October 2021, lot 80 £1,000-1,500

160 ‡

WALTER BAYES

1869-1956

Woman and children on the beach

Signed with monogram (lower left) Oil on canvasboard 23 x 33.2cm £1,500-2,500

161

ATTRIBUTED TO ANNIE SWYNNERTON 1844-1933

View along a garden path with a mountain in the distance Indistinctly signed and inscribed To Lady L**rs from An** Ston (to stretcher)

Oil on canvas 41 x 51cm

Although faded, the signature appears consistent with Annie Swynnerton’s.

£400-600

162

HENRY TONKS

1862-1937

Kensington Gardens, London

Signed with initial T (lower right) Pencil and watercolour 24.5 x 35.8cm

Provenance: J. S. Maas, London £400-600

163

W. H. NEWTON

Early 20th Century

A hot air balloon race

Signed W H Newton (lower left) Oil on canvas 35.5 x 50.8cm £200-300

164 ‡

NORMAN WILKINSON CBE, RI 1878-1971

A British SS Class Airship; SS 40 (The Black Ship); Willows No.4 (His Majesty’s Airship No.2)

Three, each signed NORMAN WILKINSON (lower right), two dated 17, one dated 18 Each watercolour and bodycolour Each 14.9 x 22.5cm, framed as one (3) £500-700

166

REGINALD PERCY GOSSOP

1856-1951 Wooded landscape at Aldeburgh Signed, dated and inscribed Aldeburgh 1900 R P Gossop (in pencil to mount) Watercolour 40.2 x 33.2cm £150-250

167

YERVAND NAHPETIAN

Iranian 1913-2006 View of the Madrasa Chahar Bagh, Isfahan

Signed and dated Y.NAHPETIAN/ Isfahan 1940 (lower right) Pencil and watercolour 17.4 x 24.1cm £300-500

168 ‡

WILLY EISENSCHITZ

Austrian 1889-1974 Paysage avec arbres Signed W. Eisenschitz (lower right) Pastel 29.5 x 39cm £200-300

169 ‡

WILLY EISENSCHITZ

Austrian 1889-1974

Paysage avec petit bateau

With artist’s studio stamp (lower left) Pastel 34.5 x 45.5cm £200-300

170 ‡

WILHELMINA

BARNS-GRAHAM CBE

Scottish 1912-2004

Extensive landscape with hills in the distance

Signed W.BARNS-GRAHAM (lower left) Watercolour and gouache 22.3 x 32.4cm £600-800

171

RANDOLPH SCHWABE

1885-1948

Shiplake Rise

Signed R Schwabe (lower left) and inscribed Shiplake Rise (lower right) Pencil and watercolour 27.2 x 33cm

£300-500

172 ‡

ROWLAND HILL

Irish 1915-1979

Mountain landscape with a lake and cottages on the far shore

Signed ROWLAND HILL (lower left)

Oil on canvasboard 29.3 x 42.4cm

Provenance: Deighton’s Strand Gallery, London £250-350

174

TOM VAN OSS

1901-1941

A barge on the River Blythe

Signed and dated TOM VAN OSS 1932 (lower left) Oil on board 26.1 x 34.1cm

Provenance: M. H. Farebrother, 1961 £150-250

173 ‡

BERRISFORD HILL

20th Century Grouse in flight over the moor

Signed BERRISFORD HILL (lower left) Oil on board 59.5 x 90.4cm £300-500

175

BUCHEL

20th Century

Landscape with a country house by a river

Signed Buchel (lower right) Oil on board 50.2 x 76.3cm

Provenance: Redlynch House, Salisbury, Wiltshire £200-400

176

JOHN RUNDLE

New Zealander 1933-2014

View of Mount Cook, New Zealand

Signed and dated JOHN RUNDLE 77 (lower left)

Oil on canvasboard 55.7 x 76.2cm

£200-300

178 ‡

PAUL NICOLAI

French 1876-c.1952

Landscape in Bou Saâda, Algeria

Signed, inscribed and dated PNicolai/Bou Saâda/1922 (lower left)

Oil on board 31 x 39.8cm

£200-300

177 ‡

TOM SHANKS RSW, RGI Scottish 1921-2020

View of Loch Lomond with Ben Lomond beyond

Signed T H SHANKS (lower right)

Oil on board 38.9 x 74.5cm

Provenance: Ewan Mundy Fine Art, London £250-450

179 ‡

LETITIA MARION HAMILTON RHA Irish 1878-1964

Early Morning, Bantry Bay, Ireland

Signed with initials LMH (lower left)

Oil on board 12 x 17.2cm

Provenance: Waddington, Dublin, where purchased by the previous private collector, 1938; And by family descent £1,000-1,500

180 ‡

RICHARD EURICH OBE, RA 1903-1992

Blue Landscape

Signed R. EURICH (lower right)

Oil on canvasboard, c.1925 17.8 x 23.3cm

The present work is included in the online catalogue raisonné of Eurich’s work. The painting may be the one mentioned in the artist’s diary: “In the evening began a small Nocturne also for the Sketch Club” (19 February 1925). £800-1,200

182

ANTHONY AYSCOUGH

1910-1939

Saint Nicholas, Mykonos Oil on canvas 40.7 x 50.8cm

Provenance: The Lefevre Galleries, London; Woolley and Wallis, Salisbury, Paintings, 7 December 2011, lot 438, where purchased by the present private collector £200-300

183

GIUSEPPE CASCIARO

Italian 1861-1941

La Torre di Dante

Signed and dated Casciaro 30 (lower left) Pastel 42.3 x 52cm

Provenance: Purchased in Rome by the previous private collector, 1947; And by family descent £200-300

184 ‡

GIUSEPPE LUCIETTI

Italian 20th Century

Italian landscape with farm buildings in rolling hills

Signed and dated Lucietti’72 (lower right), and further signed, dated and indistinctly inscribed Colline Ba***/Lucietti Giuseppe/1972 (to reverse) Oil on canvas 59.7 x 69.2cm £200-300

185 ‡

LOUIS NEILLOT

French 1898-1973

Extensive landscape with trees and a cottage

Signed L NEILLOT (lower left) Oil on canvas 55.5 x 46.5cm

£800-1,200

186 ‡

RUSKIN SPEAR CBE, RA 1911-1990

Landscape with a field of stooks, Essex

Watercolour and bodycolour 21.9 x 32cm

Provenance: Given to the previous owner by Mary and Ruskin Spear, April 1978 (according to inscription to backing board)

£150-250

187 ‡

SHEILA MACLEOD

ROBERTSON

Scottish b.1927

Summer Blue, Porthmeor

Signed SMRobertson (lower left) Oil on board 29 x 39.1cm

£300-500

188

EDWARD LESLIE BADHAM 1873-1944

Street scene with laundry hanging on the line

Signed and dated Leslie Badham 1936 (lower left)

Oil on canvas 40.5 x 51cm £400-600

189 ‡

DERYCK FOSTER 1924-2011

Boats in the harbour at Yarmouth

Signed and dated DERYCK FOSTER 71 (lower right) Oil on canvasboard 40.7 x 60.8cm

Exhibited: London, Mall Galleries, Royal Society of Marine Artists £400-600

190 ‡

REV ARTHUR BATEMAN 1883-1970

Coastal landscape with fishing village and harbour Indistinctly inscribed ARTHUR BAt*MAN (to frame) Oil on canvas 46 x 61.7cm £300-500

191 ‡

ERNEST F. EDWARDS 1914-2006 Summer Morning

Signed and dated Ernest Edwards 82 (lower right) Oil on canvas 51 x 76.5cm £250-450

192 ‡

GYRTH RUSSELL

Canadian 1892-1970

The Quay at Mevagissey, Cornwall

Signed Gyrth Russell (lower right) Oil on canvas 53.6 x 76.7cm £1,500-2,500

192

193

193 ‡

SYDNEY SMITH

1912-1982

Hammersmith Bridge

Signed and dated Sidney Smith 56 (lower left) Oil on board 38.3 x 50.4cm

Provenance: Bonhams, Bury St Edmunds, The Autumn Athenaeum, 11 September 2008, lot 423

£400-600

194

194 ‡

JOSEPH

1896-1963

EDWARD HENNAH

View of Caerleon, on the banks of the River Usk

Signed J HENNAH (lower right)

Oil on canvas 50.8 x 61.3cm £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

195 ‡

SAMUEL JOHN LAMORNA BIRCH RA, RWS 1869-1955

Fishing on the Nadder

Signed S J Lamorna Birch (lower right) Oil on canvas 25.8 x 35.7cm £600-800

196 ‡

SAMUEL JOHN LAMORNA BIRCH RA, RWS 1869-1955

Bodmin Moor with farm buildings in the distance

Signed S J Lamorna Birch (lower right) Oil on canvas 30.4 x 40.9cm £800-1,200

197 ‡

CHARLES CAMOIN French 1879-1965

Le Golfe de Saint-Tropez Signed Ch Camoin (lower right) Oil on canvas, 1948 73.5 x 92.5cm

Provenance: Christie’s, London, Impressionist & Modern Paintings & Sculpture, 31 March 1987, lot 68; Private Collection, South Africa; By whom sold, Russell Kaplan, Johannesburg, 3 December 2016, lot 174, where purchased by the present owner At the time of the 2016 sale, the Archives Camoin confirmed that the present work will be included in their forthcoming catalogue raisonné.

£30,000-50,000

198 ‡

EDWARD BAWDEN CBE, RA 1903-1989 St. Paul’s

With stamped signature and title, and inscribed To Gwyneth from (in pencil to margin) Lithograph 35.2 x 48.1cm (image) £200-300

199 ‡

EDWARD BAWDEN CBE, RA 1903-1989 Interior of the old Lloyd’s building

Signed and numbered 24/100 Edward Bawden (in pencil to margin) Lithograph 41 x 45.3cm (image) £300-500

LAURENCE

STEPHEN LOWRY RA, RBA 1887-1976

A Street Scene (St Simon’s Church)

Signed and numbered 286/300 L S Lowry (in pencil to margin)

Reproduction print 38.1 x 27.9cm (image) £1,000-1,500

201 ‡ CLIFFORD FISHWICK 1923-1997 Fishermen with their boat under a full moon Signed and indistinctly dated Clifford Fishwick ‘5* (lower right) Oil on board 71 x 91.3cm £4,000-6,000

202 ‡

IVON HITCHENS

1893-1979

Orange and yellow lillies Signed Hitchens (lower right) Oil on canvas 56.3 x 85.2cm

Provenance: Lefevre Gallery, London; Anonymous sale; Sotheby's, London, 9 June 1958, lot 126, where purchased by Stobart; Mallams, Oxford, 26 May 2017, lot 658, where purchased by the present private collector

203 ‡

JULIAN TREVELYAN RA

1910-1988

Henley (Turner 223)

Signed, numbered and inscribed 12/75 Henley Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1969, from the ‘Thames Suite’ 57.8 x 78.9cm (sheet) Unframed £600-800

204 ‡

JULIAN TREVELYAN RA 1910-1988

Boules Players (Turner 131)

Signed, numbered and inscribed 36/50 Boules Players Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1961 46 x 58.4cm (sheet) Unframed £500-800

205 ‡

JULIAN TREVELYAN RA

1910-1988

St James’ Park (Turner 234)

Signed, numbered and inscribed 58/75 St James’ Park Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1969-1970, from the ‘London Parks Suite’ 59.3 x 77.7cm (sheet) Unframed £400-600

206 ‡

JULIAN TREVELYAN RA

1910-1988

Notre Dame (Turner 357)

Signed, numbered and inscribed 15/50 Notre Dame Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1980 34.5 x 48cm (plate)

Provenance: Bohun Gallery, Henley-on-Thames, where purchased by the present private collector, 2013 £700-1,000

207 ‡

JULIAN TREVELYAN RA

1910-1988

Richmond (Turner 226)

Signed, numbered and inscribed 56/76 Richmond Julian Trevelyan (in pencil to margin) Etching and aquatint, 1969, from the ‘Thames Suite’ 79.2 x 58.5cm (sheet)

Unframed

£500-800

208 ‡

JULIAN TREVELYAN RA

1910-1988

Oxford (Turner 224)

Signed, numbered and inscribed 43/75 Oxford Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1969, from the ‘Thames Suite’ 58 x 78.6cm (sheet) Unframed £500-800

209 ‡

JULIAN TREVELYAN RA

1910-1988

Kensington Gardens (Turner 231)

Signed, numbered and inscribed 57/75 Kensington Gardens Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1969-1970, from the ‘London Parks Suite’ 59.3 x 77.3cm (sheet) Unframed £500-800

210 ‡

JULIAN TREVELYAN RA

1910-1988

The Thames (Turner 160)

Signed, numbered and inscribed 52/75 The Thames Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1964, from the ‘London Suite’ 35.1 x 47.8cm (plate) £500-800

211 ‡

JULIAN TREVELYAN RA

1910-1988

Cretan Windmills (Turner 155)

Signed, numbered and inscribed 29/30 Cretan Windmills Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1964 44.3 x 51cm (sheet)

Unframed £600-800

212 ‡

JULIAN

TREVELYAN RA

1910-1988

Dream Scaffold I (Turner 42)

Signed and inscribed Artists Proof Dream Scaffold 1936 Julian Trevelyan (in pencil to margin)

Etching with hand colouring, from the 1971 edition for the ‘Surrealist Prints I’ series 28.7 x 39.7cm

Unframed £400-600

213 ‡

JULIAN

TREVELYAN RA

1910-1988

Spain (Turner 37)

Signed, numbered and inscribed 1/25 Spain 1936 Julian Trevelyan (in pencil to margin)

Etching with hand colouring, from the 1972 edition for the ‘Surrealist Prints II’ series 28.6 x 39.8cm (sheet)

Unframed £250-350

MARY FEDDEN OBE, RA, RWA 1915-2012

Mediterranean mountain landscape Signed and dated Fedden 1977 (lower left) Gouache 17 x 19.5cm £1,000-1,500

215 ‡

MARY FEDDEN OBE, RA, RWA 1915-2012

Still life with fruit in a bowl and butterflies in a landscape Signed and dated Fedden 1987 (lower left) Pencil 56 x 76cm

Provenance: Bonhams, London, Modern Pictures and Illustrations, 22 May 2007, lot 224 £2,000-3,000

216 ‡

MARY FEDDEN OBE, RA, RWA

1915-2012

The Sleeping Poet

Signed and dated Fedden 1999 (lower right) Oil on canvas 40.7 x 51.2cm

Provenance: Acquired from the artist by the previous owner; By whom sold, Bonhams, London, 3 December 2002, lot 94 £5,000-7,000

217 ‡

MARY FEDDEN OBE, RA, RWA 1915-2012

Fruit

Signed and dated Fedden 01 (lower left), and further signed and inscribed Mary Fedden/Fruit (to label) Oil on canvasboard 49 x 38.8cm £10,000-15,000

218 ‡

WILLIAM GEAR

RA, FRSA, RBSA Scottish 1915-1997

Yellow Structure

Signed and dated Gear ‘70 (lower right) Acrylic on paper 37 x 57.5cm

£200-300

219 ‡

WILLIAM GEAR

RA, FRSA, RBSA Scottish 1915-1997 Blue Feature

Signed and dated Gear ‘75 (lower right) Acrylic on paper 57 x 38.4cm

£200-300

220 ‡

WILLIAM GEAR

RA, FRSA, RBSA Scottish 1915-1997 Untitled

Signed and dated Gear 75 (lower right) Acrylic on board 57.9 x 43.1cm £200-300

222 ‡

DONALD FRIEND

Australian 1915-1989 Four youths

Signed Donald Friend (lower right) Watercolour, bodycolour and black ink 74.5 x 55.1cm £400-600

223 ‡

DONALD FRIEND

Australian 1915-1989 Nude playing a guitar

Signed and dated Donald Friend 39 (lower left)

Pencil, pen and ink, and watercolour 31.7 x 26.5cm Unframed £500-800

224 ‡

DAVID TINDLE RA b.1932

Portrait of John Minton (1917-1957), seated Signed with initials and dated DDT, 51 (lower right) Pencil 37.4 x 27.3cm

Provenance: John Gawsworth (1912-1970), 1953 (according to inscription to verso) £800-1,200

225 ‡

KEITH VAUGHAN

1912-1977

Figure in Trafalgar Square

Signed with initials K.V. (lower centre)

Pencil, 1964 23.7 x 17.6cm

Provenance: Austin Desmond Fine Art, Ascot, March 1987; Anthony Hepworth Fine Art, Bath £1,000-1,500

225

226 ‡

KEITH VAUGHAN 1912-1977

Man with arm outstretched (Johnny Walsh)

Pencil 10.8 x 14.9cm

Provenance: Irvin Gross; Anthony Hepworth Fine Art, Bath £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

227 ‡

PATRICK PROCTOR RA 1936-2003

My Gardenia

Signed Patrick Proctor (in pencil, upper right) and inscribed My Gardenia 42/100 (in pencil, upper left)

Lithograph, 1969 57.5 x 76.2cm (sheet)

Provenance: Redfern Gallery, London, April 1969 £100-150

228 ‡

PATRICK PROCKTOR RA 1936-2003

And ice, mast-high, came floating by, As green as emerald; The very deep did rot

Two, both signed and inscribed Artist’s Proof Patrick Procktor (in pencil to margin)

The former aquatint, the latter etching and aquatint, 1976, from ‘The Rime of the Ancient Mariner’ series

Each 65.5 x 49.9cm (sheet) Unframed (2) £150-250

229 ‡

PATRICK PROCKTOR RA 1936-2003

Samuel Taylor Coleridge; The charmed water burnt alway A still and awful Red; Two of the Polar Spirit’s fellow daemons; I pass, like night, from land to land

Four, each signed and inscribed APIV Patrick Procktor (in pencil to margin)

Two etching and aquatint, two aquatint, 1976, from ‘The Rime of the Ancient Mariner’ series

Three approx 32 x 24cm; one 24.2 x 31.5cm (sheet) Unframed (4) £200-300

230 ‡

MAURICE COCKRILL RA, FBA

1936-2013

Abstraction

Signed Maurice Cockrill (lower right)

Ink, watercolour, wax crayon and gouache 56.7 x 76.2cm Unframed

Provenance: Abbott and Holder, London £300-500

231 ‡

MAURICE COCKRILL RA, FBA

1936-2013

Villeret Charente

Signed, dated and inscribed Maurice Cockrill 1994/Villeret-Charente (to reverse)

Oil on board 20.5 x 25.6cm Unframed £200-300

232 ‡

MAURICE COCKRILL RA, FBA

1936-2013

‘Dilation’ Earth

Signed, dated and inscribed Maurice Cockrill 97/‘Dilation’ Earth (to overlap) Oil on canvas 25.4 x 20.3cm Unframed £200-300

233 ‡

CERI RICHARDS CBE Welsh 1903-1971 Landscape

Signed, inscribed and dated Artists proof Ceri Richards 67 (in pencil to margin) Screenprint 68 x 64.8cm (sheet) £200-300

234 ‡

CERI RICHARDS CBE Welsh 1903-1971

Origin of a Rose; And I Am Dumb to Tell the Crooked Rose My Youth Is Bent by the Same Wintry Fever Two, the former signed, dated and inscribed Artists proof Ceri Richards 67 (in pencil to margin); the latter signed and inscribed A/P Ceri Richards (in pencil to margin)

The former screenprint; the latter lithograph, from ‘Twelve Lithographs for Six Poems by Dylan Thomas’, 1965 57.6 x 77cm; 59.2 x 81.5cm Unframed (2) £150-250

235 ‡

CERI RICHARDS CBE Welsh 1903-1971

The Crooked Rose; And Death Shall Have No Dominion Two, both signed and inscribed Proof Ceri Richards (in pencil to margin)

Both lithographs, from ‘Twelve Lithographs for Six Poems by Dylan Thomas’, 1965 Each 59.2 x 81.6cm Unframed (2) £150-250

236

236 ‡

CERI RICHARDS CBE

Welsh 1903-1971

The White Piano

Signed and dated Ceri Richards 1945 (lower left)

Pen and black ink, watercolour and bodycolour 35.8 x 52.7cm

Provenance: The Redfern Gallery, London, where purchased by R. Hartley, December 1947; And by family descent £2,500-3,500

237 ‡

CERI RICHARDS CBE

Welsh 1903-1971

Bagatelle

Signed, dated and inscribed A/P Ceri Richards 70 (in pencil to margin)

Screenprint, from the ‘Beethoven Suite with Variations’ 40.4 x 58.2cm (image) £200-300

WILLIAM SCOTT RA 1913-1989

Still Life Green Blue Theme ‘H C’ 5 Signed W. SCOTT 74 (upper right to recto), and inscribed ‘H C’ 5/This original signed gouche [sic]/is from the limited edition of 55 copies of/William Scott: Drawings, 1975 (to verso) Gouache 21.9 x 26.9cm

Unframed

This work is recorded in the William Scott Archive as number 2360. Together with Lou Klepac (ed.), William Scott: Drawings (David Anderson, New York, 1975), one of five Hors Commerce copies; inscribed ‘H C’ 5/To Ron/William Jan 1975 (to colophon) (2)

Provenance: Given by the artist to Ron Costley; And by family descent

The picture is signed and dated 1974. There is an inscription on the verso, written in William Scott’s hand: ‘H C 5’. The work is one of fifty-five original gouaches executed to accompany specially designated copies of Lou Klepac (ed.), William Scott: Drawings (David Anderson, New York, 1975). These copies of the book, and the corresponding gouaches, were marked ‘l/L’ to ‘L/L’, and five marked ‘H C’. Ron Costley, whom William Scott thanks in the acknowledgments, designed the book for Shenval Press.

£10,000-15,000

WILLIAM SCOTT RA 1913-1989

Black and White Coffee Pot

Signed W.SCOTT (lower right) Oil on canvas, 1955 40.8 x 51.2cm

Provenance: Hanover Gallery, London, June 1955; Acquired from the above by Mrs Stuart Crinsley, February 1958; deVeres, Dublin, 17 April 2018, lot 33, where purchased by the present private collector

Literature: Sarah Whitfield (ed.), William Scott Catalogue Raisonné of Oil Paintings, vol. 4 (London, 2013), p.349, no.A82 (untraced) £40,000-60,000

240 ‡

HENRY MOORE OM, CH 1898-1986

Mother and Child XXX (Cramer 700)

Signed, inscribed and numbered PLXXX 59/65 Moore (in pencil to margin) Etching, 1983, from ‘Mother and Child’ series 24.6 x 16.1cm (plate)

Provenance: Berkeley Square Gallery, London, where purchased by the present owner, July 1998 £1,000-1,500

241 ‡

GERTRUDE HERMES OBE, RA 1901-1983

Henbane

Wood engraving, from an edition of 150 33.4 x 23.3cm (sheet)

Unframed

Provenance: Sally Hunter Fine Art, London, where purchased by the present private collector, November 2003

Exhibited: London, Sally Hunter Fine Art, British Design and Illustration, November 2003, no.64

Originally commissioned to illustrate Irene Gosse, A Florilege Chosen from the Old Herbals (Swan Press, 1931).

£400-600

242 ‡

GERTRUDE HERMES OBE, RA 1901-1983

The Ram

Signed, dated, numbered and inscribed “The Ram” 2nd Edt. 1965 5/30 Gertrude Hermes 1958 (in pencil to margin) Woodcut with linocut 92.6 x 60.5cm (sheet)

Provenance: From the collection of Dr Jonathan Mirsky (1932-2021)

Dr Jonathan Mirsky was an American journalist and historian of China. £700-1,000

243 ‡

JOHN PIPER CH

1903-1992

Blenheim Palace (Levinson 417)

Signed and numbered 87/100 John Piper (in pencil to margin)

Screenprint, 1988 47.3 x 86.6cm (image) £800-1,200

244 ‡

JOHN PIPER CH

1903-1992

St Nicholas, Alcester (Levinson 383)

Signed and numbered 76/100 John Piper (in pencil to margin)

Screenprint in colours, 1986 50.4 x 65.8cm (image) £500-700

246 ‡

JOHN PIPER CH

1903-1992

St Kew, Cornwall: Church in a Hilly Landscape (Levinson 127)

Signed John Piper (in pencil to margin)

Lithograph, 1964, from ‘A Retrospect of Churches’ 50.3 x 69.9cm (image)

£300-500

245 ‡

JOHN PIPER CH 1903-1992

Lewknor, Oxfordshire: Textured Walls, Traceried Windows (Levinson 133)

Signed John Piper (in pencil to margin)

Lithograph, 1964, from ‘A Retrospect of Churches’ 52.6 x 70.6cm (image) £400-600

247 ‡

JOHN PIPER CH

1903-1992

St Anne’s, Limehouse, London: by Nicholas Hawksmoor (Levinson 141)

Signed and numbered 48/70 John Piper (in pencil to margin)

Lithograph, 1964, from ‘A Retrospect of Churches’ 81.7 x 59.3cm (sheet) Unframed £200-300

248

248 ‡

JOHN PIPER CH 1903-1992

View of Tetbury

Signed John Piper (lower right) and inscribed and dated Tetbury, 1958 (to verso) Pencil, watercolour and bodycolour 58.2 x 79.7cm

Provenance: Phillips, London, Modern British Paintings, Drawings and Sculpture, 7 March 1989, lot 86; William Weston Gallery, London £7,000-10,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

249 ‡

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Osprey (Wiseman 114)

Signed and numbered 9/50 Frink (in pencil to margin), and with White Ink blindstamp

Etching and aquatint, from the ‘Birds of Prey’ series, 1974 91.7 x 65cm (sheet)

£600-800

250 ‡

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Lying Down Horse (Wiseman 57)

Signed and numbered 243/250 Frink (in pencil to margins), and with Christie’s Contemporary Art blindstamp Lithograph, 1972 57.2 x 77.3cm (sheet)

£600-800

251 ‡

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

The Miller’s Tale II (Wiseman 29)

Signed, numbered and inscribed 15/70 The Miller’s Tale II Frink (in pencil to margin)

Etching and aquatint, from ‘The Canterbury Tales I’ series, 1970 59.5 x 39.6cm (sheet)

£250-350

252 ‡

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Spinning Man II (Wiseman 3)

Signed and dated Frink 56 (in pencil, lower right) and numbered 36/50 (in pencil, lower left)

Lithograph, from the ‘Spinning Man’ series, 1965 57.5 x 80.5cm (sheet)

£500-800

253

253 ‡

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

The Canterbury Tales II (Wiseman 58-76)

Signed and numbered Elisabeth Frink/B 94 (in black ink to p.191)

The complete set of 19 etchings with aquatint, 1972, on J. Barcham Green wove paper, with title, text and justification, from the edition of 50 (there was also a deluxe edition of 50, bound in vellum, and a further 175 unbound), published by Leslie Waddington Prints, London, the full sheets, bound (as issued), in the original olive-green cardboards, with title and motif in gilt on the spine and front, with cloth-covered slipcase 68.5 x 49 x 9.5cm (overall)

254 ‡

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

The Reeve’s Tale (Wiseman 62)

Signed, numbered and inscribed 26/50 The Reeve’s Tale Frink (in pencil to margin), and with Waddington Prints blindstamp Etching and aquatint, from ‘The Canterbury Tales II’ series, 1972 79.3 x 58cm (sheet)

£300-500

255 ‡

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

The Nun’s Priest’s Tale (Wiseman 66)

Signed, numbered and inscribed 50/50 The Nun’s Priest’s Tale Frink (in pencil to margin)

Etching and aquatint, from ‘The Canterbury Tales II’ series, 1972 79.4 x 58.1cm (sheet)

Provenance: Possibly Waddington & Tooth Galleries, London (their label as ‘The Pardoner’s Tale’); Redlynch House, Salisbury, Wiltshire £250-450

256 ‡

JOSEF HERMAN OBE, RA Polish 1911-2000

The Cockle Gatherers Oil on canvas 38.5 x 55cm

Provenance: Roland, Browse and Delbanco, London; Private Collection, by 1984; By family descent to the previous private collector;

By whom sold, Sworders, Stansted, Modern British & 20th Century Art, 10 June 2020, lot 147, where purchased by the present private collector £3,000-5,000

257 ‡

MICHAEL AYRTON 1921-1975 Colloquy

Signed and inscribed Proof michael ayrton (in pen to margin) Lithograph 47.7 x 63.3cm (image) £150-250

259 ‡

MAUREEN ALDERMAN

20th Century Alpha and Omega

Signed MAUREEN ALDERMAN (lower right) Conté crayon 31 x 27.3cm

Together with Ian Armour-Chelu (1928-2000); Duckling resting; Signed Ian Armour-Chelu 1977 (lower right); Brown ink and wash heightened with white; 12.8 x 20.3cm; and Barry Jardine Robertson (Contemporary); Twyford Down; Signed, inscribed and dated TWYFORD DOWN/B Jardine Robertson/12’93 (lower right); Pen and black ink; 25.5 x 40.5cm; Unframed (3) £100-150

260 ‡

MICHEL MORENO

French b.1945

Le violoncelliste

Signed M. Moreno (lower left) and further signed and inscribed LE VIOLONCELLISTE/M.Moreno (to reverse) Oil on canvas 63.5 x 52.5cm £200-300

261 ‡

AFTER PABLO PICASSO

Lines and Dots

Screenprint on cotton, for Bloomcraft Fabrics, c.1964 84.5 x 53.5cm

Provenance: Woolley and Wallis, Salisbury, Design, 25 August 2021, lot 829, where purchased by the present private collector £200-300

262 ‡

NEIL CANNING

b.1960

Echo

Signed, dated and numbered 55/75 Neil Canning 02 (in pencil to margin) with Advanced Graphics London blindstamp Screenprint with woodblock 74.5 144.5cm (sheet) £300-500

263 ‡

FREDA WADSWORTH 1918-2003

The Cube

Signed FW (lower right) Gouache 40.1 x 78.3cm £150-250

264 ‡

265 ‡

CASIMIR

ZIELENKIEWIC

CAZIEL Polish 1906-1988

Composition #33

Signed and dated Caziel 50 X (lower right) Gouache 48 x 63cm

Provenance: Whitford Fine Art, London £200-300

ELISABETH

COLLINS 1904-2000

Praying in the Tent

Signed indistinctly E.C (lower right) Black ink, watercolour and bodycolour 28.7 x 22.2cm

Exhibited: London, England & Co, Elisabeth Collins: Paintings 1936-1996, September-October 1996, no.15 £150-250

266 ‡ JOHN WELLS 1907-2000 99/1D

Signed and dated John Wells 7 7 79 (lower right) and inscribed 99/1D (lower left) Pencil, watercolour and pastel 24 x 34.7cm £2,000-3,000

267 ‡ ANDREW LANYON b.1947 Horizon Oil on card 8.2 x 8.5cm £150-250

268 ‡

PETER LANYON 1918-1964 Cove Signed and dated Peter Lanyon/50 (lower right) Mixed media on paper 28.3 x 16.3cm

Provenance: Anthony Hepworth Fine Art, Bath £2,000-3,000

269

ROBERT KELLY

American b.1956

Gaiole in Chianti XIV

Signed indistinctly (lower right) and inscribed XIV (lower left) Gouache, 1988 31.3 x 23cm

Provenance: Victoria Munroe Gallery, New York £200-400

270 ‡

ALAN LOWNDES 1921-1978

An Elongated White Anvil Is Sailing not Wanting to Be a Symbol

Inscribed An elongated white/anvil/is sailing/Not wanting/ to be a symbol. (centre right)

Pen and ink, charcoal and wash 21.5 x 16.3cm

The title is taken from a line from W. S. Graham’s poem ‘Enter a Cloud’.

£150-250

271 ‡

PHILIP JONES 1933-2008 Gozo

Signed, inscribed and dated Gozo Philip Jones 06 (lower left) Mixed media on board 33 x 33cm £200-300

272 ‡

SIMON POOLEY b.1955

The harbour master’s domain Signed and dated S.Pooley 96 (lower right) Oil on board 20.2 x 25.4cm £200-300

273 ‡

SIR TERRY FROST RA

1915-2003

Red and Black Solid II (Kemp 39)

Signed and numbered 38/75 Terry Frost (in pencil to margin) Lithograph, 1967 62 x 43.2cm (image)

Provenance: The Fine Art Society, London £700-1,000

274 ‡

GEORGE DANNATT

1915-2009

Aquatint with Deep Bite

Signed, inscribed and dated A/P George Dannatt, 1995 (in pencil to margin)

Etching and aquatint 37.5 x 28.6cm (sheet)

Provenance: Pallant House Gallery, Chichester £120-180

275 ‡

ROY TURNER DURRANT

1925-1998 Headpiece

Signed with initial and dated D 56 (lower right) Mixed media on paper 17.1 x 12.7cm

Provenance: Market House Gallery, Cornwall £250-350

PAUL FEILER 1918-2013

Campo Santi Giovanni e Paolo, Venice Signed and dated FEILER 54 (lower right) and inscribed Campo SS Giovanni e Paolo Venice (lower centre) Mixed media on paper 24.3 x 32.8cm £3,000-5,000

277

277 ‡

PAUL FEILER

1918-2013 Related Forms IV

Signed, dated and inscribed PAUL FEILER/RELATED FORMS IV 1966/67 (to reverse) Oil on canvas 46 x 46cm

Provenance: Geoffrey Harley (1937-2016); His posthumous sale, Woolley and Wallis, Salisbury, Modern British Art from the Estate of the Late Geoffrey Harley, 7 February 2018, lot 175, where purchased by the present private collector £12,000-18,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

278 ‡

CECIL COLLINS MBE 1908-1989 Angel

Signed, numbered, inscribed and dated “Angel” 15/45 Cecil Collins 1977 (in pencil to margin) Etching and aquatint 21.2 x 11.8cm (plate)

279 ‡

CECIL COLLINS MBE 1908-1989 A vase of flowers

Signed and inscribed To Clif and Yoma from Cecil and Elisabeth. (in black ink, lower centre) Monotype 18.5 x 23.1cm

Provenance: Abbott and Holder, London £200-300 280 ‡

ANNE REDPATH OBE, ARA

Scottish 1895-1965

Still life with fruit

Signed Anne Redpath (in pencil, lower right) and numbered 75/75 (in pencil, lower left)

Lithograph 28.3 x 46.5cm (image) £300-500

Provenance: Katherine House Gallery, Marlborough £300-500

281

281 ‡

DAME ELIZABETH BLACKADDER DBE, RA, RSA

Scottish 1931-2021

Still life with sweets

Signed and dated E V BLACKADDER 1968 (lower right) Oil and pencil on canvas 35.5 x 46cm

Provenance: Lyon & Turnbull, Edinburgh, 31 May 2012, lot 152 £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

282 ‡

BARBARA RAE CBE, RA, FRSE

Scottish b.1943

Downpatrick Storm

Signed, numbered and inscribed 1/75 Downpatrick Storm Rae (in pencil to margin)

Lithograph 78.4 x 77cm (sheet) £400-600

283

DICK ROBERTS

American b.1930

Abstract in reds and blues

Signed and dated D Roberts/3/3/94 and further inscribed (to reverse) Acrylic on canvas 76.2 x 101.6cm

Provenance: Redlynch House, Salisbury, Wiltshire £300-500

284 ‡

STANLEY WILLIAM HAYTER CBE 1901-1988

Floating Figure

Signed, dated, numbered and inscribed 21/50 Floating Figure SW Hayter 64 (in pencil to margin) Etching 68.3 x 51cm (sheet) Unframed £200-300

285 ‡

JOHN COPNALL 1928-2007 Abstract

Signed and dated john copnall 75 (upper right) Acrylic on canvas 57.5 x 36.5cm £500-800

286

286

JEAN

MCEWEN RCA

Canadian 1923-1999

Abstract in green, orange and black Signed and dated MCEWEN 52 (lower left) and further signed and dated McEwen/52 (to reverse) Oil on canvas 24.2 x 41.2cm

Provenance: Gallery Moos, Toronto; By family descent to the present owner £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

287 288

287 ‡

PETER GEE 1932-2005

Harvard Target #5

Signed and numbered Peter Gee 29/100 (lower right)

Screenprint 55.5 x 55.5cm (sheet)

Provenance: Axiom Gallery, London £200-300

288 ‡

PETER GEE 1932-2005

Harvard Target #3

Signed and numbered Peter Gee 22/100 (lower right)

Screenprint 55.5 x 55.5cm (sheet)

Provenance: Axiom Gallery, London £200-300

289 ‡

BOB CROSSLEY 1912-2010

Double image

Signed, dated and numbered 20/75 Bob Crossley 69 (in pencil to margin)

Screenprint 44.6 x 58.7cm £70-100

290 ‡

VICTOR VASARELY

Hungarian/French 1906-1997 Lava

Signed and numbered 148/175 Vasarely (in pencil to margin) Screenprint 64.9 x 64.9cm (sheet)

Provenance: André and Michèle Vasarely; By whom sold, Christie’s, South Kensington, Victor Vasarely: Prints and Multiples, 19 July 2007, lot 118; Robert Sandleson, London £500-700

291

JUDY PFAFF

American b.1946 Cathedral Disc

Signed and dated J Pfaff/2017 (to reverse)

C-Type Print, roundel 38.2cm (diameter)

Unframed

Provenance: Messums, Wiltshire, where purchased by the present owner, December 2017

£100-150 292 ‡

ANTHONY FROST b.1951

Ten of diamonds in pink, red, orange and yellow; Ten of diamonds in blue, green, red and orange Two, both acrylic on card Both 17.2 x 12.3cm, framed as one (2) £200-300

294 ‡

RICHARD SMITH CBE

1931-2016

Proscenium

Signed and numbered R Smith A.P. 7/15 (in pencil, centre right) 4 leaf lithograph, 1969 39.6 x 37.3cm £150-250

293 ‡

RODNEY GLADWELL 1928-1979

Bored Sailors, Long Beach

Signed and dated Gladwell 64 (lower centre) and inscribed Bored Sailors, Long Beach (lower left) Gouache 76.4 x 100.5cm £120-180

295 ‡

EVIN NOLAN

Irish 1930-2016 White Relief

Signed and dated Evin Nolan 86 (lower right) and inscribed and numbered White Relief 6/6 (lower left) White paper on brown card 53 x 53cm

Provenance: The Grafton Gallery, Dublin £150-250

297

AVEL DE KNIGHT

American 1923-1995 Sleeping boy Signed de Knight (lower left) Gouache 26.8 x 28.5cm £200-300

298 ‡

299

SIR

SIDNEY NOLAN OM, AC, CBE, RA

Australian 1917-1992

Shakespeare Sonnet No.1 Signed, dated and inscribed Proof/nolan/10 June 1988 (in pencil to margin) Reproduction print 75.5 x 56cm (sheet) Unframed £200-300

AFTER SIR SIDNEY NOLAN OM, AC, CBE, RA

Australian 1917-1992 Deserted Township, Dawn Reproduction print, no.35/2000 86.3 x 66.8cm (sheet) Unframed

Together with After Sam Fullbrook (Australian 1922-2004); Emu and Aeroplane; Reproduction print, no.1635/2500; 86 x 68.5cm (sheet); Unframed; and After Kevin Charles ‘Pro’ Hart MBE (Australian 1928-2006); Captain Cook Bi-Centenary 1770-1970; Reproduction Print, no.987; 50.6 x 75.6cm (sheet); Unframed (3) £150-250

EDWARD SEAGO RBA, ARWS, RWS 1910-1974

A horse and rider in a paddock Signed and dated Seago 34 (lower left) Oil on canvas 76.6 x 102.5cm £12,000-18,000

EDWARD SEAGO RBA, ARWS, RWS

1910-1974 Place de la Concorde, Paris Signed Edward Seago (lower left) Oil on canvas 74.5 x 112.5cm

Provenance: Christie’s, London, Modern British and Irish Paintings, 1 July 1993, lot 139; Richard Green, London, where purchased by the previous private collector; And by family descent £25,000-35,000

303 ‡

KEN HOWARD OBE, RA 1932-2022

Afternoon Light from the Ponte degli Scalzi, Venice

Signed Ken Howard (lower right) Oil on board 22.8 x 28.9cm

Provenance: Fosse Gallery, Stow-on-the-Wold £1,500-2,500

304 ‡

KEN HOWARD OBE, RA 1932-2022 Evening at Sampford Spiney

Signed Ken Howard (lower right)

Oil on canvasboard 35.4 x 25.4cm

Provenance: Possibly purchased from the artist by the previous private collector, 1987; And by family descent £400-600

305 ‡

KEN HOWARD OBE, RA 1932-2022 The Duomo Florence II

Signed Ken Howard (lower right) Oil on board 21.7 x 15.6cm

Provenance: Jonleigh Gallery, Guildford, where purchased by he previous private collector, April 1985; And by family descent £500-700

306 ‡

SIR WILLIAM RUSSELL FLINT RA, ROI Scottish 1880-1969

Alicante

Signed W. RUSSELL FLINT (lower left) Watercolour heightened with bodycolour 47.4 x 66cm

Provenance: Sir Robert Rankin, 1st Baronet (1877-1960)

Literature: Arnold Palmer, More than Shadows: A biography of W. Russell Flint (London, The Studio, 1943), pp.30, 70, plate 36 £4,000-6,000

306 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

307 ‡

PETER GREENHAM CBE, RA 1909-1992

Wood Ferry near Oxford

Signed with initials PG (lower left) Oil on board 24.6 x 29.6cm

Provenance: Jonleigh Gallery, Guildford, where purchased by the previous private collector, November 1986; And by family descent £400-600

308 ‡

PETER GREENHAM CBE, RA 1909-1992

Figures on Mundesley Beach, Norfolk

Signed with initials PG (lower left) Oil on board 19 x 26.8cm

Provenance: Jonleigh Gallery, Guildford, where purchased by the previous private collector, March 1985; And by family descent £600-800

309 ‡

PETER GREENHAM CBE, RA 1909-1992

Lake Annecy

Signed with initials PG (lower left) Oil on board 14.8 x 24.8cm

Provenance: New Grafton Gallery, London, where purchased by the previous private collector, 1985; And by family descent £400-600

310

310 ‡

PETER GREENHAM CBE, RA 1909-1992

Flying a kite on the coast of the North Sea Signed with initials PG (lower left) Oil on board 19.7 x 32cm

Provenance: Jonleigh Gallery, Guildford, where purchased by the previous private collector, 1985; And by family descent £700-1,000

311 ‡ JOHN MILLER 1931-2002

Antony House, Cornwall; Eagle House, Launceston, Cornwall

Two, the former signed John Miller (lower left), inscribed Antony House (lower right), and further inscribed with history of the house (along lower edge); the latter signed John Miller (lower left) and inscribed Launceston/Georgian House c1740 (lower right)

Both pencil and watercolour 26.4 x 36.3cm; 25.7 x 34.2cm (2) £400-600

311

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

312 ‡

BERNARD DUNSTAN RA 1920-2017 Nude, Dark Morning

Signed with initials BD (lower left) and inscribed NUDE/DARK MORNING/4.89 (to reverse) Oil on board 20.9 x 27.6cm

Provenance: Thos. Agnew & Sons, London £1,000-1,500

313 ‡

BERNARD DUNSTAN RA

1920-2017

The Striped Jersey I

Signed with initials BD (lower left) and inscribed THE STRIPED/JERSEY I/9.76 (45) (to reverse) Oil on board 28.2 x 21.2cm

Provenance: Thos. Agnew & Sons, London £1,000-1,500

314 ‡

JOHN SKELTON MBE, FRBS 1923-1999

Madonna and Child Bronze on a metal base, number 7 from an edition of 10, cast in 2018 87.5 x 21 x 23cm (excluding base)

Provenance: Purchased from the artist’s daughter by the present owner, May 2020 £2,000-3,000

315

315 ‡

JOSEPH CSAKY

Hungarian 1888-1971

La Liseuse

Signed, numbered and stamped CSAKY/HC1/AC/BLANCHET FONDEUR (to base), and dated 1998 (to the side of base) Bronze, conceived in 1938, cast in 1998 31 x 90.1 x 37.5cm

Provenance: Galerie Vallois, Paris (label to underside); S.A.S. Faure et Associes, Rambouillet, 20 May 2006, lot 56, where purchased by the present private collector £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

316 ‡

WENDY TAYLOR CBE b.1945

Swirl Maquette

Signed, inscribed and dated ‘SWIRL’/MAQUETTE 2008/Taylor (to underside) Painted wood 32.7 x 30.2 x 15.7cm (including base) £250-350

317 ‡

BILL WOODROW RA b.1948

Double Canoe

Signed, dated and numbered Bill Woodrow/2012/3/6 (to reverse) Gold and metalware 23 x 13.2 x 2.3cm (including pendant)

Provenance: The artist; New Art Centre, Roche Court, Wiltshire, where purchased by the present owner, April 2016 £300-500

318 ‡ REBECCA

HAWKINS

Contemporary Echoes of Ammonite III

Signed and dated R Hawkins 2014 (to underside of base) Galvanised steel mesh on a slate base 37.6 x 40.3 x 14.7cm (including base)

Provenance: The Garden Gallery, Broughton, where purchased by the present owner, July 1998 £70-100

320 ‡

SYDNEY HARPLEY RA, FRBS 1927-1992 Dancer

Signed and numbered Harpley 12/12 (to dress) Bronze on a marble base 17.8 x 11.6 x 9cm (including base) £600-800

321 ‡

PAUL LANDOWSKI

French 1875-1961 Bedouin with a Jug Signed and numbered P. Landowski II/9 and with La Stele and Cire Perdu Paris foundry marks (to base) Bronze 38.5 x 13 x 16.5cm £300-500

322

PAUL MOYE German 1877-1926

The wood gatherer Signed P.MOYE (to base) Bronze 34.3 x 17 x 20.5cm £200-300

323

BASHKA PAEFF

American 1889-1979

Portrait bust of Jonathan Mirsky, as a boy

Signed BASHKA PAEFF (to reverse) Plaster 28.5 x 17 x 21cm

Provenance: From the collection of Dr Jonathan Mirsky (1932-2021)

Dr Jonathan Mirsky was an American journalist and historian of China. £700-1,000

324 ‡

JOHN DOUBLEDAY b.1947

Self Portrait

Signed and numbered

Doubleday 3/3 (to reverse) Bronze, on a black stone base 32 x 23.3 x 9.9cm

Provenance: Oxford Gallery, Oxford; Alwin Gallery, London, where purchased by the previous private collector, 1974; And by family descent £300-500

325 ‡

JACQUES VERSARI

French 1946-2004

Figure group

Signed VERSARI (to reverse)

Resin on a painted concrete and metal base 44.7 x 32 x 13.7cm

Provenance: By family descent to the present owner £150-250

326 ‡

PENNY WHITE 20th Century

Twisting vase

Signed with monogram (to underside)

Raku, with a burnished white glaze 47.5cm high £100-150

LIVIO BENEDETTI Italian b.1946 Gardien des forêts des Ardennes Signed LB Livio (to underside) Bronze 41 x 9.5 x 9.5cm £300-500 328 MANNER OF ANDRÉ DERAIN Femme aux Menton Rond Bears a signature and inscribed Femme aux/Menton Rond/Derain (to reverse) Bronze 40 x 22 x 20.5cm £400-600 329 ‡

JOHN BEHAN Irish b.1938 Heron Signed and dated John Behan 1918 (to bronze base) Bronze with green patination on a black marble base 39.6 x 31.5 x 15cm £400-600

330 ‡

GUY TAPLIN b.1939

Mallard

Signed, inscribed and dated MALLARD 1998/TAPLIN (to underside)

Painted wood with glass bead eyes 19.6 x 38 x 17.6cm

£1,500-2,500

331 ‡

GUY TAPLIN b.1939

Ruddy Duck

Signed and inscribed RUDDY/DUCK/ GUY TAPLIN (to underside)

Painted wood with glass bead eyes 17.5 x 26.8 x 16cm

£1,000-1,500

332 ‡

RALPH BROWN RA 1928-2013

Three turning curtains

Signed three time with monogram (once to each curtain) Bronze, on a black stone base 33 x 35.5 x 12.8cm

Provenance: Festival Gallery, Bath, where purchased by the previous private collector, 1973; And by family descent £800-1,200

333 ‡ ROBERT ADAMS 1917-1984

High Wave Signed, numbered and dated ADAMS/1/6/1974 (to underside) Bronze 18.4 x 20.6 x 11.7cm

334 DYLAN

LEWIS

South African b.1964

Leopard Crushing Serpent Maquette

Signed, dated, and numbered Dylan Lewis/AP2/ S175/25.1.07 and with Bronze Age foundry mark (to base below front paws)

Bronze, no. S175, cast in 2007 by Bronze Age (according to plaque on underside) 34.6 x 44.8 x 12cm

£8,000-12,000

335

DYLAN LEWIS

South African b.1964

Sitting Cheetah Maquette

Signed and numbered Dylan Lewis/11/15 S172 and with foundry mark (to base near tail)

Bronze, no. S172/11, cast in 2003 by Ingwe Editions (according to plaque on underside) 23.9 x 29.2 x 6.8cm

Provenance: The Everard Read Gallery, Johannesburg £6,000-8,000

336 ‡

ANTOINE BLANCHARD

French 1910-1988

Rue Tronchet with La Madeleine, Paris

Signed Antoine Blanchard (lower right) Oil on canvas 33 x 46cm

Provenance: Frost and Reed, Bristol, where purchased by Gerald Beedle, c.1961; From whom purchased by the present owner

£1,500-2,500

337 ‡

ANTOINE BLANCHARD

French 1910-1988

Place du Panthéon, Paris

Signed Antoine Blanchard (lower right) Oil on canvas 33 x 46cm

Provenance: Frost and Reed, Bristol, where purchased by Gerald Beedle, c.1961; From whom purchased by the present owner

£1,500-2,500

338 ‡

MARCEL DYF

French 1889-1985

Flower market in Arles

Signed Dyf (lower right)

Oil on canvas 46.3 x 55.5cm

Provenance: Phillips, London, Modern Continental Paintings, Drawings & Watercolours, 17 May 1988, lot 39; Sworders, Stansted Mountfitchet, The Summer Country House Sale, 16 June 2015, lot 346, where purchased by the present owner

We are grateful to Claudine Dyf for confirming the attribution of the present work, which she dates to c.1930.

£1,500-2,500

339 ‡

JUAN SOLER

Spanish b.1951

Elegant figures at the entrance to the Place de la Concorde; Paris street scene with a mother and child

A pair, the former signed J Soler (lower right), the latter signed J Soler (lower left)

Both oil on canvas 27.2 x 22.1cm; 27.4 x 22.3cm (2)

£400-600

341

MARIE LEFÈVRE

French b.1840

The Maypole Signed Marie/Lefèvre (lower right) Oil on canvas 25 x 35.5cm

Provenance: Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 6 June 2018, lot 279 £200-300

340 ‡

SHERREE VALENTINE-DAINES b.1959 Paddling at the beach Signed with initials SEVD (lower right) Oil on board 19 x 14cm £1,500-2,500

342 ‡

YANA TREVAIL

Contemporary Self portrait before a striped curtain

Signed twice Yana Trevail and dated 2000 (to reverse) Oil on canvas 40.3 x 25.2cm £200-300

343 ‡

JAMES REEVE b.1939

Portrait of a lady wearing a kimono, with her daughter and dog, standing next to a vase of flowers

Signed J Reeve (to pocket watch) and dated 1967 (lower left to scroll)

Oil on canvas 225.3 x 134.7cm Unframed Provenance: Redlynch House, Salisbury, Wiltshire £600-800

344 ‡

HILDA ELIZABETH KIDMAN 1891-1980

Portrait of Jabez Barker (c.1890-1975), wearing a burgundy smoking jacket, with a racecourse beyond

Signed H Kidman (lower right) Oil on canvas 76.4 x 63.5cm Provenance: By family descent until purchased by the present owner Jabez Barker was a London businessman, a maker of playing cards, and a racecourse owner. He was afforded The Freedom of The City of London in 1944. £200-300

348 ‡

BRYAN INGHAM 1936-1997

Morning

Etching, no.5/20, printed in 2013 by Simon Marsh from the original plate drawn in 1979 66.1 x 79.6cm (sheet) Unframed

Together with a certificate of authenticity signed by Simon Marsh. £200-300

345 ‡

REYNOLDS STONE CBE 1909-1979 AFTER JOHN PIPER 1903-1992

Ffynnon Llugwy Wood engraving 19 x 24.5cm Unframed £150-250

346 ‡

HOWARD PHIPPS b.1954

Aldeburgh Beach

Signed, dated, numbered and inscribed 23/150 ‘Aldeburgh Beach’ Howard Phipps 2001 (in pencil to margin) Wood engraving 9.9 x 12.5cm £200-300

347 ‡

BRYAN INGHAM 1936-1997

Tamarisk & Sweet William

Etching, no.5/20, printed in 2013 by Simon Marsh from the original plate drawn in 1979 66.3 x 79.7cm (sheet) Unframed Together with a certificate of authenticity signed by Simon Marsh. £200-300

349 ‡

BRYAN INGHAM 1936-1997

Noon

Etching, no.5/20, printed in 2013 by Simon Marsh from the original plate drawn in 1979 66.2 x 79.8cm (sheet) Unframed

Together with a certificate of authenticity signed by Simon Marsh. £200-300

350 ‡

EDWARD ARDIZZONE CBE, RA

1900-1979

The composing room of Hazell, Watson and Viney

Pen and black ink

26.9 x 36.3cm Unframed Together with a postcard from Edward Ardizzone to Elliott Viney (2)

£700-1,000

351 ‡

EDWARD ARDIZZONE CBE, RA 1900-1979

The Drawing Lesson

Signed, numbered and inscribed 7/50 The Drawing Lesson Edward Ardizzone (in pencil to margin)

Lithograph 19 x 23.5cm (image)

£300-500

352 ‡

EDWARD ARDIZZONE CBE, RA 1900-1979

The Ambush

Signed, numbered and inscribed The Ambush 4/50 Edward Ardizzone (in pencil to margin)

Etching 26.9 x 34cm (sheet) Unframed £300-500

353 ‡

EDWARD ARDIZZONE CBE, RA 1900-1979

On the Beach at Cannes

Signed Edward Ardizzone (in pencil, lower right) and inscribed On the Beach at Cannes Artist Proof (in pencil, lower left)

Lithograph 19.9 x 35.9cm (image) £300-500

355 ‡

JOHN STANTON WARD CBE, RA 1917-2007

Training Session on Beacon Hill, November 1939

Inscribed To Mum & Pat in remembrance/of a lovely Christmas/parcel (to verso) Pen and black ink, and watercolour 7.5 x 9.7cm

Literature: John Ward, The Paintings of John Ward (David & Charles, 1991), p.19 (illustrated) In October 1939 John Ward joined the Royal Engineers. The present work depicts his training, which he described as days ‘spent on a wasteland named Beacon Hill, digging trenches and learning about barbed wire, latrines, road-making and pontoon building....I used to feel that I was part of a painting by Brueghel, a mixture of horror and hilarity’. £200-300

354 ‡

JOHN STANTON WARD CBE, RA 1917-2007

Study of Fiona

Signed and dated John Ward/1986 (lower left) Pencil, black, white and red chalk, and wash on blue paper 34.8 x 49.9cm

Together with John Ward, The Paintings of John Ward (David & Charles, 1991) (2) £200-300

356 ‡

RONALD SEARLE CBE, RDI 1920-2011

Excuse Me, Sir, but Perhaps You Are Unaware that Smoking Is Not Permitted

Signed RONALD/SEARLE (centre right) and inscribed EXCUSE ME, SIR, BUT PERHAPS YOU ARE UNAWARE THAT SMOKING IS NOT PERMITTED (along lower edge) Black ink 25.2 x 20.7cm

£400-600

357 ‡

EDWARD DWURNIK

Polish 1943-2018

City in the snow

Signed and dated E.DWURNIK/1974 K (lower right)

Oil on canvas 92.8 x 74cm

Provenance: Stephan Welz & Co, Cape Town, 26 May 2015, lot 282 £2,000-3,000

358 ‡

EDWARD DWURNIK

Polish 1943-2018

View of Kowary at night

Signed, dated and inscribed 93/KOWARY/E.DWURNIK (lower right)

Oil on canvas 73.3 x 100.5cm

Provenance: Stephan Welz & Co, Cape Town, 26 May 2015, lot 283 £1,500-2,500

360 ‡

THÉO TOBIASSE

French 1809-1976

La bohème

Signed and numbered 52/175

Theo Tobiasse (in pencil to margin) Lithograph 47.9 x 63.4cm (image) £150-250

359 ‡

THÉO TOBIASSE

French 1809-1976

Le Soleil Était Sorti Du Ventre De La Nuit

Signed tobiasse (centre right) and inscribed Le soleil était sorti/ du ventre de la nuit (upper left)

Pastel 69.4 x 50.9cm

Provenance: Dennis Hotz Fine Art, Sandton City £1,500-2,500

362 ‡

GERRY BAPTIST RWS, RE b.1935

Woman reclining by a vase of flowers

Signed Baptist (in pencil, lower right) Screenprint 30.9 x 42cm (image) £120-180

363 ‡

GERRY BAPTIST RWS, RE b.1935

He Assured Eve the Apple Was Organic

Signed and numbered 3/35 Baptist (in pencil to margin) Etching and aquatint 46 x 56cm (sheet) Unframed £120-180

364 ‡

GERRY BAPTIST RWS, RE b.1935

To Catch a Flying Horse; Caught in the Act; Incident in the Garden; Attempting to Rename Perfection Four, each signed Baptist and inscribed A/P and with title (in pencil to margin)

One aquatint with hand colouring, three aquatint Largest 35.3 x 38.9cm; Smallest 24.8 x 33.2cm (sheet) Unframed (4) £200-400

365

ALEXANDER ZADORIN

Russian 1941-2006

Female nude reclining on a beach

Signed in Cyrillic and dated 88 (lower right)

Collage 58 x 82.7cm £800-1,200

366

ALEXANDER ZADORIN

Russian 1941-2006

Portrait of a jester standing in a landscape

Signed in Cyrillic and with initials AZ (lower right)

Oil on board 49.8 x 40.6cm Unframed £500-800

367 ‡

KENNETH WEBB Irish b.1927

Reflections

Signed kenneth webb (lower left)

Oil on canvas 81.2 x 51.6cm £1,500-2,500

368 ‡

REG GAMMON 1894-1997

The rainstorm; A dancer and six onlookers; A dancer and four onlookers

Three, each signed Gammon and two dated 20/1/36 One watercolour and bodycolour, two pencil and watercolour Largest 38.1 x 56cm; Smallest 38.2 x 55.6cm Unframed (3) £150-250

369 ‡

BENJAMÍN

PALENCIA

Spanish 1894-1980

Figures and mules gathered in a landscape (recto); Study of three women (verso)

Signed Palencia (lower right to recto)

Mixed media on paper 31.6 x 45.8cm £1,000-1,500

370 ‡

ROLAND OUDOT

French 1897-1981

Fishing boats off the pier

Signed Roland Oudot (lower left)

Oil on canvas 64.1 x 90.2cm

Provenance: Christie’s, London, 31 March 2009, lot 420 £200-300

371 ‡

DORA HOLZHANDLER 1928-2015

Lady Swimming

Signed DORA HOLZHANDLER (lower right) and dated 2000 (lower left) Watercolour, and pen and ink 14 x 12cm

Provenance: Purchased from the artist by the present private collector £150-250

372 ‡

DORA HOLZHANDLER 1928-2015

Feeding the birds

Signed DORA HOLZHANDLER (lower right) and dated 2010 (lower left) Gouache 19.3 x 17.8cm

Provenance: Market House Gallery, Cornwall £150-250

373 ‡

DORA HOLZHANDLER 1928-2015

Lovers in Winter; Lady in Winter

Two, both signed and dated DORA HOLZHANDLER 1990 (lower left) Both watercolour, and pen and ink 11.1 x 11.5cm; 11.3 x 11.4cm, framed as one (2)

Provenance: Purchased from the artist by the present private collector £150-250

374 ‡

DORA HOLZHANDLER 1928-2015

Lady with Flowers

Signed and dated DORA HOLZHANDLER 2000 (lower right) Watercolour, and pen and ink 16.5 x 16.5cm

Provenance: Purchased from the artist by the present private collector £150-250

375 ‡

DORA HOLZHANDLER

1928-2015 Spring Lovers

Signed DORA HOLZHANDLER 2001 (lower right) Oil on canvas 81 x 107.5cm

Provenance: Purchased from the artist by the present private collector £1,500-2,500

376 ‡

DORA HOLZHANDLER

1928-2015

Two lovers

Signed Dora Holzhandler 92 (lower centre) Watercolour, and pen and ink 32.3 x 40.5cm

£400-600

377 378

377 ‡

ADRIAN HEATH 1920-1992 Abstract Mixed media 33.9 x 34.1cm Provenance: The artist’s estate; Katharine House Gallery, Marlborough £500-700

378 ‡

ADRIAN HEATH 1920-1992

A Tree Seen Through a Window at Voss, Norway Signed with initials and dated AH. ‘83 (lower right), and further signed, inscribed and dated A tree seen through a/window at Voss/ August ‘83/Adrian Heath (to verso) Pencil and blue wash 26.1 x 20.2cm £200-300

379 ‡

ADRIAN HEATH 1920-1992

Barra, North Bay Signed, inscribed and dated North Bay, Barra/Adrian Heath ‘72 (lower right) Pastel 21.5 x 19.1cm £250-350

380 ‡

PIERRE DE CLAUSADE French 1910-1978

The river estuary Signed P. de Clausade (lower left) Oil on canvas 54.4 x 65.5cm

Provenance: E Stacy-Marks; Woolley and Wallis, Salisbury, 20th Century & Contemporary Paintings, 4 June 2014, lot 187, where purchased by the present private collector £1,500-2,500

380 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

381

MILLER GORE BRITTAIN

Canadian 1912-1968

Chesley Street, Saint John

Signed with initials and dated MGB 37 (lower right) Pastel 34.3 x 40.2cm

Provenance: Collection of Ian Murray; And by family descent £600-800

382

LOUIS GOORMANS

Early 20th Century Continental street scene Signed and dated Louis Goormans/2-4-1917 (lower right) Pastel 53 x 39.5cm £150-250

383 ‡ TRICIA GILLMAN b.1951

Olive Branch

Signed, inscribed and dated Olive Branch Tricia Gillman 1985 (to the overlap) Oil on canvas 30.6 x 40.4cm

Provenance: Benjamin Rhodes Gallery, London; Contemporary Art Society Market, where purchased by the present private collector, 1985 £200-300

384 20TH CENTURY SCHOOL

Two swans on a pond Oil on canvas 86 x 53cm £100-150

385 ‡

SIR PETER SCOTT CH, CBE, DSC, FRS 1909-1989

Tufted drakes diving

Signed and dated PETER SCOTT 1935 (lower right) Oil on canvas 38.2 x 46.3cm

Provenance: Christie’s, South Kensington, Sporting Art and Dogs, 22 November 2005, lot 210

Exhibited: Cheltenham, Cheltenham Art Gallery and Museum; Norwich, Norwich Castle Museum; Dundee, Dundee Art Gallery; London, Natural History Museum, Peter Scott Retrospective Exhibition, 1989-1990, no.15 £1,200-1,800

386

ANDRE DURAND

Canadian b.1947

Study of Suleyman, a favourite lurcher Signed with monogram (lower left) and inscribed and dated Suleyman/March 1982 (lower right) Red and white chalk 88 x 69cm

Provenance: Property of a nobleman; By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 11-12 May 2021, lot 300, where purchased by the present owner £100-150

387

DIANE JOHNSONACKERMAN

South African Contemporary Squirrel with a nut Signed and dated D. D. JOHNSONACKERMAN/’98 (lower left) Watercolour 34 x 25.2cm £100-150

388 ‡

LORD PAUL AYSHFORD METHUEN RBA, RA 1886-1974

Trees

Signed P.Methuen (lower right) Charcoal 56 x 46cm

£250-350

389 ‡

BRYAN SENIOR b.1935

Landscape at Stentwood

Signed and dated Senior 78 (lower right) Oil on board 41 x 36.7cm

£200-300

390 ‡

TREVOR STUBLEY RP, RBA, RSW, RWS 1932-2010

Landscape in Crete

Signed Stubley (lower right)

Mixed media on paper 84 x 54.6cm

£400-600

391 ‡

JOE FRANCIS DOWDEN Contemporary Continental river landscape

Signed JOE FRANCIS DOWDEN (lower left) Watercolour 44.6 x 66.4cm £200-300

392 ‡

JANE DOWLING

b.1925

A garden in Braemar, Scotland

Oil on canvas 20.5 x 20.5cm

Provenance: Jonleigh Gallery, Guildford, where purchased by the previous private collector, 1985; And by family descent £120-180

393 ‡

ANN ARNOLD 1936-2015

House on the hill, near Bath Signed and dated Ann Arnold ‘81 (lower left) Watercolour 21.5 x 25.3cm

Provenance: New Grafton Gallery, London, where purchased by the previous private collector, 1981; And by family descent £150-250

394 ‡

ROBERT MACBRYDE

Scottish 1913-1996

King Maurus dismisses the English ambassadors with favourable answer from his daughter (recto); Study of ancient figures (verso)

Inscribed III King Maurus dismisses the English ambassadors with favourable answer from his daughter (lower centre to recto)

Pen and ink heightened with red (recto); Pen and ink (verso)

31.8 x 47.1cm

Unframed £400-600

395 ‡

MERVYN PEAKE

1911-1968

Female nude Watercolour 22.5 x 18.7cm

Provenance: Christie’s, South Kensington, Original Book Illustrations and Printed Books, 18 July 1990, lot 75

£200-300

396 ‡

NEIL FORSTER

1939-2016

Female nude reclining on a bed

Signed Neil Forster (lower right)

Oil on canvas 30.5 x 40.9cm

Provenance: Petley Fine Art, London; Private Collection, Gloucestershire £500-800

397

SOPHIE DE SCHOMBERG

SZYMBERSKA

Polish 1884-1945

Still life with sunflowers in a jug

Signed, inscribed and dated Sophie de Schomberg-Szymberska/Paris 1923 “Tournesols” (to reverse) Oil on canvas 80.5 x 64.9cm

£250-350

LADY JOAN ZUCKERMAN NÉE ISAACS 1918-2000 Pink asters Signed with initials JZ (lower right) Gouache 23 x 19cm £200-300 399 ‡ RORY MCLAUCHLAN Scottish b.1960 Kitchen Flowers with Lady’s Mantle

401 PEARL POLS

South African Contemporary Still life with a vase of flowers by a window

Signed Pearl Pols (lower right) Oil on board 101 x 91cm £150-250

402 ‡

ANNAPIA ANTONINI

Italian b.1942

Nature morte à la table

Signed and inscribed E/A I/X Nature morte à la table A. Antonini (in pencil to margin)

Etching and aquatint 24.9 x 32.5cm

Together with F.M.Garrett Brown; Landscape with a caravan by a farm; Signed F.M. Garrett Brown (in pencil to margin); Etching; 15 x 25.4cm (plate); Unframed; British School Early 20th Century; Windmill; Indistinctly signed (in pencil to margin); Etching; 16.3 x 18.9cm (plate); Unframed; J. Willis; Windmill at Cley; Signed, inscribed and dated Cley JerWillis 34; Etching; 22.9 x 27.9cm (sheet); Unframed; and British School 1925; The Moot Hall Aldeburgh; Indistinctly signed, inscribed and dated The Moot Hall/Aldeburgh 1924/XY (in pencil); Engraving; 23.4 x 20.3cm (plate) (5) £100-200

403 ‡

ROWLAND

1912-1972

SUDDABY

Still life with a bowl of fruit on a table (recto); Female nude standing in an interior (verso)

Signed Rowland Suddaby (lower right) Pencil and pastel (recto); Pencil and wash (verso) 36 x 42.2cm Unframed

Together with John K. Hutchinson (20th Century); The Pinnacles, Studland; Signed John K Hutchinson (lower left) and inscribed and dated Pinnacle Rock Studland ‘65 (lower right); Pen and ink; 25.2 x 34.9cm; Unframed; and British School 1898; Study of a young lady; Signed with initials, dated and indistinctly inscribed To B***th/from R.B-/98/ (centre right); Blue chalk; 38 x 27.7cm; Unframed (3) £300-500

404 ‡

NORMAN STEVENS ARA 1937-1988

Birds of Paradise and Early Abstract by Modern British Master Signed, dated, numbered and inscribed 13/100 Birds of Paradise and early abstract by Modern British Master Norman Stevens 1980 (in pencil to margin)

Etching 70.1 x 79.6cm (sheet) Provenance: The Redfern Gallery, London, where purchased by Dr Peter Mangold, March 1980; And by family descent £200-300

405 ‡

JOHN SKELTON MBE, FRBS 1923-1999

Study of hands

Signed and dated John Skelton/63 (lower right) Black ink highlighted with white bodycolour 25 x 50.5cm £250-350

406 ‡

JACK MORROCCO

Scottish b.1953

Still life with silver teapot, wine glass and apples

Signed MORROCCO (upper right) Oil on canvas 30.6 x 40.7cm

Provenance: Lyon & Turnbull, Edinburgh, 31 May 2012, lot 90 £1,000-1,500

407 ‡

PETER JOYCE

b.1964

Passing Storm, South Marsh

Signed with initials and dated PJ ‘04 (lower right), and further signed, dated and inscribed ‘Passing Storm, South Marsh’/PJ ‘04/2004 Peter Joyce (to backing board)

Acrylic on three boards 15.1 x 70.7cm (total) £400-600

408 ‡

SVEN BERLIN 1911-1999

Coastal landscape with a cottage and fishing boat

Signed and dated SVEN 71 (lower left)

Oil on board 29 x 59.8cm £300-500

409 ‡

SAUL CATHCART b.1978

As the Clouds Part, Widemouth Bay

Signed Saul Cathcart (lower right), and further signed, dated and inscribed “As the clouds part”/Widemouth Bay 2016 Saul Cathcart (to reverse)

Mixed media on board 29.2 x 53.8cm £200-400

410 ‡

CAVENDISH MORTON 1911-2015

View of the River Alde, Suffolk

Signed and dated CAVENDISH MORTON/1971 (lower right)

Watercolour 18.8 x 48cm £200-300

411 ‡

VERA LOVE

20th Century

Winter in a Hampshire Valley

Signed with initials VL (lower right)

Oil on canvas 51 x 61.1cm

Exhibited: London, R.B.A. Galleries, The London Group, 1947, no.205 (according to label)

£300-500

411

412 ‡

CHARLES JAMIESON

Scottish b.1952

Constantia Vineyard

Signed Jamieson (lower right)

Oil on board 48.9 x 48.9cm

£150-250

413 ‡

SALLY MCLAREN RE b.1936

Landscape with hills in the distance

Signed Sally Mclaren ‘91 (lower right) Watercolour 51.8 x 64.8cm £200-300

414 ‡ FRED YATES 1922-2008

By the river, Frome

Signed, inscribed and dated Frome June 2008 Fred Yates (to overlap)

Oil on canvas 30.3 x 29.8cm

Provenance: Given by the artist to the present owner This work is the last painting Fred Yates ever painted. £800-1,200

415 ‡ LETITIA MARION HAMILTON RHA

Irish 1878-1964

French market scene

Signed with initials LMH (lower left)

Oil on board 19.3 x 25.7cm

Provenance: The Taylor Gallery, London £800-1,200

JAMES FITTON RA 1899-1982 Sunday Morning Signed with initials JF (lower right) Oil on canvas 58.5 x 76.3cm Provenance: Purchased from the artist by the present owner Exhibited: London, Royal Academy (according to label) £3,000-5,000

417

IRWIN ‘BUD’ CROSTHWAIT

Canadian 1914-1981 Nude III

Watercolour and bodycolour 75.2 x 54.7cm

Provenance: Gray M.C.A, Bath £400-600

418

IRWIN ‘BUD’ CROSTHWAIT

Canadian 1914-1981 Abstract

Signed Crosthwait (lower right) Oil on canvas 97 x 130.6cm £150-250

419

IRWIN ‘BUD’ CROSTHWAIT

Canadian 1914-1981

Two donkeys behind a pile of rocks

Inscribed Bub (upper left) Mixed media on paper 48 x 63.7cm £200-300

420 ‡

SOPHIE RYDER

b.1963

Minotaur Head

Signed, dated and numbered 40/50 Ryder 95 (in pencil to margin)

Linocut 34.9 x 34.9cm (image)

£600-800

421 ‡

CARL FAHRINGER

Austrian 1874-1952

Exotic birds on the branch

Signed C Fahringer (lower left)

Oil on canvas 65.3 x 110.6cm

£600-800

422 ‡

KEITH INGERMANN

American 1929-2012

A lion in tall grass

Signed and dated K.Ingermann 69 (upper left) Oil on board 35 x 46cm

£300-400

423 JAMINI ROY Indian 1887-1972

Prancing deer Signed in Bengali (lower right) Tempera 28.3 x 44.9cm £3,000-5,000

424

424 ‡ TIM FLACH b.1958

Mustangs Cold

Signed indistinctly, dated and numbered ‘06 5/35 (in black ink to margin)

Digital C-Type 67 x 98.6cm (image)

Together with a certificate of authenticity from the artist.

Provenance: Purchased from the artist by the present private collector, April 2007 We are grateful to Tim Flach for his assistance cataloguing the present work. £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

426

MICHAEL BENNALLACK HART b.1948

Cold Mountain (Stelvio Pass, Dolomites)

Signed with initials BH (lower left) Pastel 73.5 x 79.7cm £600-800

425

MICHAEL BENNALLACK HART b.1948

Empire State Building

Signed with initials BH (lower right) Pastel 73.5 x 78.4cm £600-800

426

427

MICHAEL BENNALLACK HART b.1948

Lindisfarne

Signed with initials BH (lower right) Pastel 73.5 x 78.8cm £600-800

428

428

JOHN

MEYER

South African b.1942

Tide out, Mousehole, Cornwall

Signed John Meyer (lower right) Acrylic on canvas 60.1 x 105.9cm

Provenance: Strauss & Co, Cape Town, Important South African and International Art, 5 Match 2018, lot 624 £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 205 • Framed images of each lot are available on www.woolleyandwallis.co.uk

429 ‡

RENOS LOIZOU

Cypriot 1948-2013

Reclining female nude

Signed Renos Loizou (lower right) Oil on canvas 100 x 75.5cm

£500-800

430 ‡

FRANK MCFADDEN

Scottish b.1972

Female nude from behind

Signed FMcFADDEN (lower right) Pastel 61.6 x 46.8cm £150-250

431 ‡

ALLEN JONES RA

b.1937

Black Feat

Signed, dated and numbered 19/60 Allen Jones 76 (in pencil to margin) Lithograph 105.6 x 75.3cm (sheet) £300-500

432 ‡

GEORGES MAZILU

Romanian b.1951

La Classe de Dessin Signed Mazilu (lower left) Acrylic on canvas 54.1 x 73.1cm

Provenance: Turner Carroll Gallery, Santa Fe £5,000-8,000

433 ‡

TRACEY EMIN RA b.1963

Sex Sydney

Signed, dated, inscribed and numbered Sex Sydney Tracey Emin 2011 81/100 (in pencil to margin)

Polymer gravure, published by Emin International 37.9 x 45.7cm (sheet)

£400-600

434 ‡

EDWARD PIPER

1938-1990

Two female nudes reclining

Dated 28 XII 81 (lower left) Watercolour 25.3 x 34.9cm £200-300

435 ‡

EDWARD PIPER

1938-1990

Nude I, Purple and Orange; Nude II, Blue with Sunburst; Nude III, Pink with Pale Blue Marble; Nude IV, Orange and Green with Blue Splatter; Nude V, Blonde with Silver Shoes; Nude VI, Blue Background, Red Rock

Six, each signed and dated Edward Piper 70 (in pencil, lower right) and inscribed proof (in pencil, lower left)

Each screenprint

Each 70 x 55cm Unframed (6)

£300-500

437 ‡

RAY RICHARDSON b.1964

Glad

Signed, dated, numbered and inscribed 44/95 “GLAD” Richardson ‘04 (in pencil to margin), and with Advanced Graphics London blindstamp Screenprint with woodblock 48.4 x 46cm Unframed £100-150

436 ‡

RAY RICHARDSON b.1964

Plash

Signed, dated and numbered 68/75 RAY ‘97 (lower right) Screenprint with woodblock 89 x 89cm £500-800

438 ‡

RAY RICHARDSON b.1964

Sunflower

Signed, dated, numbered and inscribed 71/125 “SUNFLOWER” Richardson ‘00 (in pencil to margin), and with Advanced Graphics London blindstamp Screenprint with woodblock 42.1 x 40.7cm (sheet) Unframed £100-200

440

QIU SHENGXIAN

Chinese b.1955

Marilyn Signed with Chinese characters (lower right) Acrylic on canvas 93.8 x 126.5cm £300-500

439 ‡

BAMBI Contemporary Rock and Roll Kate

Signed and numbered 12/49/50 Bambi (in pencil to margin), and with Hyde Image Ltd blindstamp Screenprint 61 x 51.4cm £200-300

441

HU TE-HSIN

Chinese b.1926

Two Girls; Three Girls; In the Rain

Three, two signed, each respectively numbered 74-2 39/97, 75-15 13/27 (in pencil to margin) and with artist’s seal

Each woodcut Largest 42.6 x 42.6cm; Smallest 39.2 x 42.7cm (image) (3)

Provenance: Each with Ampang Gallery, Kuala Lumpur £200-300

442 ‡

DAN PEARCE b.1973

Fame

Signed with metal monogram (lower right to perspex glazing) and numbered 118/195 (in pen, lower left to perspex glazing)

Giclée print with electric illumination 90.8 x 60.2cm

With certificate of authenticity to reverse. £1,000-1,500

443 ‡

MR BRAINWASH

French b.1966

Queen of Hearts

Signed Mr Brainwash (in pencil, to margin) and numbered 755/984 (in pencil, lower right)

Screenprint

76.2 x 57.3cm (sheet)

With certificate of authenticity to reverse.

£2,000-3,000

444 ‡

MR BRAINWASH

French b.1966

Work Well Together

Signed, dated and numbered 2022/Mr Brainwash/no U42773489A (to reverse)

Mixed media on screenprint, 2002 76.5 x 58.8cm

With certificate of authenticity.

£7,000-10,000

445 ‡

DAVID SHRIGLEY

Scottish b.1968

Raspberry Soda Cured My Insanity

Limited edition poster from an edition of 250 69.8 x 50.1cm Unframed £200-300

446 ‡

DAVID SHRIGLEY Scottish b.1968 Gap in the Clouds Limited edition poster from an edition of 250 70 x 50.1cm Unframed £200-300

447 ‡

DAVID SHRIGLEY

Scottish b.1968

Some Of My Best Friends Are Pigs; He Will Only Eat Squid Ink Pasta; You Are Too Close, Please Move Back; I Will Not Fight

Four, each poster, from ‘The Animal Series’ Each 80.5 x 59.5cm (sheet) Unframed (4) £400-600

A

20th Century School 384

Adams, Robert 333

Alderman, Maureen 259

Aldin, Cecil 134

Antonini, Annapia 402

Ardizzone, Edward 350-353

Armfield, Diana 2, 3

Arnold, Ann 393

Arntzenius, Floris 91

Ayrton, Michael 257 Ayscough, Anthony 182

B

Badham, Edward Leslie 188

Bambi 439

Baptist, Gerry 362-364

Barns-Graham, Wilhelmina 170

Bateman, Rev Arthur 190

Bawden, Edward 198, 199 Bayes, Walter 160

Beaton, Cecil 130

Bebè, Christian Bérard 128

Behan, John 329

Benedetti, Livio 327

Bentzen-Bilkvist, Fritz Johannes 68 Berlin, Sven 408

Bevan, Robert Polhill 1, 101 Birch, Samuel John Lamorna 195, 196

Blackadder, Dame Elizabeth 281 Blanchard, Antoine 336, 377 Blow, Sandra 296 Bomberg, David 86

Bone, David Muirhead 152 Bowey, Olwyn 40 Bowyer, Jason 32

Bowyer, William 35 Mr Brainwash 443, 444

Bresslern-Roth, Norbertine von 133

Briscoe, Arthur 150, 151

British School 20th Century 89, 116, 118, 125

Brittain, Miller Gore 381

Brothers, Duveen 124 Brown, Henry Harris 92

INDEX OF ARTISTS

Brown, Ralph 332

Brunsdon, John 22

Buchel 175 Buchel, Charles A. 95 C

Cameron, David Young 77 Camoin, Charles 197

Canning, Neil 262 Casciaro, Giuseppe 183 Cathcart, Saul 409 Caziel, Casimir Zielenkiewic 264

Chatten, Geoffrey 43 Clausade, Pierre de 380 Coates, Tom 10-15 Cockrill, Maurice 230-232 Collins, Cecil 278, 279

Collins, Elisabeth 265 Colonna, Marzia 64

Copnall, John 285 Corsellis, Jane 45, 46

Crossley, Bob 289 Crosthwait, Irwin 417-419 Csaky, Joseph 315 Cuming, Fred 8

D

Dannatt, George 274 Dawson, Montague 165

Derain, André, Manner of 328 Doubleday, John 324 Dowden, Joe Francis 391 Dowling, Jane 392 Dubery, Fred 36 Dunstan, Bernard 5, 312, 313

Durand, Andre 386 Durrant, Roy Turner 275

Dutch School 20th Century 156 Dwurnik, Edward 357, 358 Dyf, Marcel 338 Dynevor, Lucy 29 E

Edwards, Ernest F. 191 Eisenschitz, Willy 168, 169 Emin, Tracey 433

Ersser, Ken 23 Eurich, Richard 180

F

Fahringer, Carl 421 Fedden, Mary 214-217 Feiler, Paul 276, 277 Fishwick, Clifford 201 Fitton, James 416 Flach, Tim 424 Flint, William Russell 306 Forster, Neil 396 Foster, Deryck 189 Friend, Donald 222, 223 Frink, Dame Elisabeth 249-255 Frost, Anthony 292 Frost, Terry 273

G

Gammon, Reg 368 Gardiner, Anna 61, 62 Gardner, Alexandra 54 Gault, Annabel 65 Gear, William 218-221 Gee, Peter 287, 288 Gill, Eric 137 Gillman, Tricia 383 Ginner, Charles 119 Gladwell, Rodney 293 Goormans, Louis 382 Gossop, Reginald Percy 166 Green, Margaret 71 Greenham, Peter 307-310 Guest, Coral 400 Gwynne-Jones, Allan 141

H

Hagedorn, Karl 117 Hamilton 415 Hamilton, Letitia Marion 179 Harpley, Sydney 320 Hart, Michael Bennallack 425-427 Harvey, Jake 74 Hawkins, Rebecca 318 Hayter, Stanley William 284 Heath, Adrian 377-379

Helleu, Paul César 84, 85 Hennah, Joseph Edward 194 Henry, George 93 Henry, Paul 181 Herman, Josef 256 Hermes, Gertrude 241, 242 Hitchens, Ivon 202 Hill, Berrisford 173 Hill, Rowland 172 Hogan, Elieen 24

Holzhandler, Dora 371-376 Hopkins, Clyde 47, 48 Howard, Ken 6, 303-305 Hubbard, John 28 Hyman, Monair 50

I

Ingermann, Keith 422 Ingham, Bryan 347-349

J Jackson, Mary 30 Jacobson, David 75 Jamieson, Charles 412 John, Augustus 99, 100

Johnson-Ackerman, Diane 387 Jones, Allen 431 Jones, Philip 271 Joyce, Peter 407

K Kay, Pamela 39 Kelly, Robert 269 Kidman, Hilda Elizabeth 344 Kirchner, Eugene 83 Klinghoffer, Clara 127 Kneale, Bryan 319 Knight, Avel de 297

L Lamb, Henry 102, 103 Landowski, Paul 321 Langfier, Louis Saul 123 Lanyon, Andrew 267 Lanyon, Peter 268 Lawrence, Alfred Kingsley 122

Lear, Edward 80

Lefèvre, Marie 341

Leighton, Clare 138

Levene, Ben 66, 67

Lewis, Dylan 334, 335

Lin, Hsiao-Mei 49

Lipscombe, Guy 96

Loizou, Renos 429

Love, Vera 411

Löwengard, Kurt 149

Lowndes, Alan 270

Lowry, Laurence Stephen 200 Lucietti, Giuseppe 184

M

Macara, Andrew 19, 20

Macbeth, Robert Walker 79

MacBryde, Robert 394

MacMiadhachain, Anna 9

Mann, Sargy 69

Marchig, Giannino 90

Marquet, Albert 27, 147

Marshall, Francis 132

Maze, Paul 153

Mazilu, Georges 432

McCall, Charles James 42

McEwen, Jean 286

McFadden, Frank 430

McLaren, Sally 413

McLauchlan, Rory 399

Methuen, Paul Ayshford 388 Meyer, John 428 Millar, Jack 4 Miller, John 311 Mills, John W. 72 Moore, Henry 240

Moreno, Michel 260

Morrocco, Jack 406

Morton, Cavendish 410 Mossa, Giovanni Maria 94

Moye, Paul 322

Munch, Edvard 87

Munnings, Alfred James 120, 121 Mynott, Derek 34

N

Nahpetian, Yervand 167

INDEX OF ARTISTS

Nash, John 104

Nash, Paul 105-109

Neillot, Louis 185 Newton, W. H. 163

Nicolai, Paul 178 Nolan, Evin 295 Nolan, Sidney 298, 300 Nolan, Sidney, After 299 O

O’Donoghue, Hughie 51, 52 O’Neill, Daniel 258 Oss, Tom Van 174 Oudot, Roland 370 P

Pacheco, Ana Maria 60 Padwick, Philip Hugh 157 Paeff, Bashka 323 Palencia, Benjamín 369 Payne, Charles Johnson 158 Peake, Mervyn 395 Pearce, Dan 442 Pedersen, Hans Bendix 31 Pfaff, Judy 291 Phipps, Howard 346 Picasso, Pablo, After 261 Pierneef, Jacobus Hendrik 136 Pikesley, Richard 16-18 Piper, Edward 434, 435 Piper, John 243-248 Pols, Pearl 401 Pooley, Simon 272 Porter, Michael 53 Procktor, Patrick 25, 26, 228, 229 Proctor, Patrick 227 Putman, Salliann 57

R

Rackham, Edyth 88 Rae, Barbara 282

Raverat, Gwen 110, 111 Redpath, Anne 280

Reeve, James 343 Richards, Ceri 233-237 Richardson, Ray 58, 436-438

Riches, Lizzie 41 Riley, Paul 37 Roberts, Dick 283 Robertson, Sheila Macleod 187 Rothenstein, Michael 38 Rothenstein, William 139 Roy, Jamini 423 Rundle, John 176 Russell, Gyrth 192 Ryder, Sophie 420 Ryder, Susan 7 Rysselberghe, Théo van 148

S

Salisbury, Frank O. 126 Schomberg Szymberska, Sophie de 397

Schwabe, Randolph 171 Scott, Peter 385 Scott, William 238, 239 Seago, Edward 301, 302 Searle, Ronald 356 Senior, Bryan 389 Serna, Ismael de la 159 Shanks, Tom 177 Shengxian, Qiu 440 Short, Frank 78 Shrigley, David 445-447 Skelton, John 314, 405 Smith, Richard 294 Smith, Sydney 193 Soler, Juan 339 Southall, Joseph Edward 131 Spear, Ruskin 59, 186 Spivack, Jason M 56 Sprinck, Leon 97, 98 Squirrell, Leonard 140 Steinlen, Théophile Alexandre 129 Stevens, Norman 404 Stone, Reynolds 345 Stubley, Trevor 390 Suddaby, Rowland 403 Sutton, Philip 70 Swynnerton, Annie, Attributed to 161

T

Taplin, Guy 330, 331 Taylor, Wendy 316 Te-Hsin, Hu 441 Thomas, William Fletcher 154, 155 Thompson, Christopher 55 Tindle, David 224 Tobiasse, Théo 359-361 Tonks, Henry 162 Toulouse-Lautrec, Henri de 81 Trevail, Yana 342 Trevelyan, Julian 203-213 Trowell, Jonathan 63

U Underwood, Leon 112-115

V Valentine-Daines, Sherree 340 Vasarely, Victor 290

Vaughan, Keith 225, 226 Versari, Jacques 325

W Wadsworth, Freda 263 Wain, Louis 135 Ward, John Stanton 33, 354, 355 Webb, Kenneth 367 Weight, Carel 21 Wells, John 266 Wells, Peter 44 Whistler, James Abbott McNeill 76, 82

White, Ethelbert 142-146 White, Penny 326 Wilkinson, Norman 164 Woodrow, Bill 317

Y Yates, Fred 414 Young, Emily 73

Z Zadorin, Alexander 365, 366 Zuckerman, Joan 398

Henry Pether (act.1828-1865)

View of the Thames at night, with the Middle Temple Library, Temple Stairs, Blackfriars Bridge, and St Paul’s Cathedral in the distance (detail)

Signed and dated Henry Pether/1861 (lower left)

Oil on canvas

56.1 x 96.9cm; 22 x 38¼in

Estimate £15,000 - 20,000*

ENQUIRIES

SILVER & OBJECTS OF VERTU

TUESDAY 24TH & WEDNESDAY 25TH JANUARY 2023

CLOSING DATE FOR ENTRIES FRIDAY 25TH NOVEMBER 2022

A set of twelve George III silver plates

By Andrew Fogelberg and Stephen Gilbert, London 1784

Estimate £5,000 - 7,000*

From a Private Collection of silver

Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk

Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9am – 5.30pm

Castle Gate Offices Monday to Friday 9am – 5.30pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleyandwallis.co.uk

You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send +44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM

THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30-97-41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Credit cards: Visa, Mastercard or American Express

Debit cards: Delta, Switch, Connect or Union Pay

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/ purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS

1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOKS AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 - 200,000

1% €200,000.01 - 350,000

0.5% €350,000.01 - 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

• From you when you:

- interact with us before entering into a contract with us, for example when you express your interest in our Services;

- instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

- communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

- in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

• From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

- thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider);

- sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

- shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the-saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim. Woolley and Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500.

ABSENTEE BID FORM

MODERN BRITISH & 20TH CENTURY ART

WEDNESDAY 14TH DECEMBER 2022

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

BUYER’S PREMIUM

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

PLEASE

PRINT CLEARLY IN BLOCK LETTERS

Lot Number in numerical order Brief Description of lot

Price excluding buyer’s premium & VAT

Billing Name (please print)

Address Postcode

Daytime Telephone Email

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU

Tel: +44 (0)1722 424500 Fax: +44 (0)1722 424508

2022

NOVEMBER

DECEMBER

1st British

JANUARY

FEBRUARY