Woolley & Wallis Auctioneers by Park Communications

MODERN BRITISH & 20TH CENTURY ART TUESDAY 31ST MAY 2022

Lot 145 (detail)

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below PAINTINGS

VALUATIONS FOR INSURANCE & PROBATE

Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

20TH CENTURY DESIGN 424505 446955

AFRICAN & OCEANIC ART | ANTIQUITIES Will Hobbs Molly O’Reilly

339752 446980 424506 424583 424589 +44 (0)7812 601098 424591 424571

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Michelle Yu

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

FURNITURE, WORKS OF ART & CLOCKS 411854 339161 446974 446974 339161

JAPANESE WORKS OF ART Alexandra Aguilar Alana Ker Mercer

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Emily O’Donnell

Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young Sally Litherland

MARKETING Chloe Davie Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan-Richards Mark Yuan-Richards

424595 424504 424586

341469 446980

SILVER Rupert Slingsby Lucy Chalmers

446959

ACCOUNTS

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

424500

CASTLE GATE RECEPTION

ASIAN ART

Mark Yuan-Richards Neil Grenyer Jim Gale Suzy Becsy Sarah Stone

424502 339161 424509

GENERAL OFFICE

Michael Jeffery Zoe Smith

John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan-Richards Jeremy Morgan Alana Ker Mercer Michelle Yu

Jeremy Lamond MRICS ASFAV FRSA Neil Grenyer Amanda Lawrence

424501 424594

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 • www.woolleyandwallis.co.uk

424565

MODERN BRITISH & 20TH CENTURY ART TUESDAY 31ST MAY 2022 10.00am at our Castle Street Salerooms, SP1 3SU

VIEWING AT OUR NEW EXHIBITION SPACE AT CASTLE GATE Unit 1B, Castle Gate Business Park Old Sarum, Salisbury SP4 6QX

Victor Fauvelle +44 (0)1722 446961 vf@woolleyandwallis.co.uk

Ed Beer +44 (0)1722 446962 eb@woolleyandwallis.co.uk

VIEWING Friday 27th May Saturday 28th May Monday 30th May Tuesday 31st May

PAINTINGS

10.00am– 4.00pm 10.00am– 1.00pm 10.00am– 4.00pm 9.00am– 4.00pm

Hannah Farthing +44 (0)1722 446970 hf@woolleyandwallis.co.uk

DIRECTIONS TO THE NEW EXHIBITION SPACE AT CASTLE GATE

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

THE VIEWING OF THIS SALE WILL TAKE PLACE AT Unit 1B, Castle Gate Business Park Old Sarum, Salisbury SP4 6QX Client Parking Available Friday 27th May Saturday 28th May Monday 30th May Tuesday 31st May

10.00am– 4.00pm 10.00am– 1.00pm 10.00am– 4.00pm 9.00am– 4.00pm

THE AUCTION ON 31ST MAY WILL TAKE PLACE AT CASTLE STREET 51-61 Castle Street, Salisbury SP1 3SU

BUYER’S PREMIUM See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices. TELEPHONE BIDDING Requests for telephone bidding cannot be accepted after 5pm on Monday 30th May. ARTIST’S RESALE RIGHT / DROIT DE SUITE ‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details. COLLECTION OF LOTS Collections will be from Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 01722 424500 to make an appointment. Please instruct carriers accordingly. Collection of sold and unsold lots must be within 21 days of the sale – failure to collect within this time may result in storage fees.

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ILLUSTRATIONS Front Cover: Lot 77 (detail) Back Cover: Lot 263 (detail) Catalogue £12.00 (£15.00 by post)

Lot 140

THE SIEGFRIED SASSOON COLLECTION

LOTS 1-77 THE SIEGFRIED SASSOON COLLECTION Siegfried Sassoon was born in 1886 and grew up in rural Kent. His father Alfred came from a family of wealthy merchants originally based in Baghdad. Alfred incurred the wrath of his family and was disinherited for marrying Theresa Thornycroft, a Roman Catholic and the sister of the sculptor Sir Hamo Thornycroft RA (1850-1925). Siegfried was the second of three sons, but his parents separated when he was four and Alfred died of tuberculosis a few years later in 1895. Siegfried read law at Cambridge but went down without a degree. Siegfried Sassoon (part of lot 68) He spent the next few years living the life of a country gentleman, hunting, playing cricket and writing poetry. With the onset of the First World War, he joined the army and was commissioned into the Royal Welch Fusiliers in 1915. The horrors of war, including the death of his younger brother Hamo, left Siegfried appalled and disillusioned. The anger he felt was channelled into some of the most influential and important poetry of the war. By contrast, his almost foolhardy courage was legendary, earning him the nickname ‘Mad Jack’, and he was awarded the Military Cross in 1916. Whilst convalescing he wrote his famous letter, Finished with the War: A Soldier’s Declaration, which almost led to his court-martial. After the war, Sassoon spent time as the literary editor of the Daily Herald, before embarking on a speaking tour of America. He continued to write both poetry and prose for the rest of his life. He had a number of relationships with other men, most significantly with the socialite Stephen Tennant. In 1933 he married Hester Gatty, and the couple moved to Heytesbury House in Wilthire. They had a son, George, and although the marriage eventually broke down, Siegfried spent the rest of his life at Heytesbury.

Siegfried and Hester Sassoon (part of lot 72) See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

Throughout the 1920s and 30s, Siegfried Sassoon was a prolific caricaturist, perhaps encouraged by his friendship with Max Beerbohm (1872-1956). The collection offered here depicts many of the most notable figures in the literary and social circles of the period, including the Sitwells, Rudyard Kipling, T. E Lawrence, William Butler Yeats, T. S. Eliot and John Masefield.

1‡ SIEGFRIED SASSOON 1886-1967

Wonderful man, Mr Kipling! Inscribed “ Wonderful man, Mr Kipling!” (to mount) Pencil, watercolour an bodycolour on blue paper 10.6 x 13.7cm Unframed

Provenance: Siegfried Sassoon; And by family descent This work depicts Rudyard Kipling, George V and Queen Mary playing cricket. Kipling is the subject of several of Sassoon’s caricatures, and is mocked for his perceived imperialist views. £300-500

2‡ SIEGFRIED SASSOON 1886-1967

Said Rud, ‘You Call Yourself a Führer…’ Inscribed Said Rud, ‘you call yourself a Führer;/But in my proud opinion you’ve a/(To quote my friend Field-Marshal Foch)/Repulsive bloody little Boche.’ (lower centre) Pencil and watercolour 15.9 x 13.4cm Unframed Provenance: Siegfried Sassoon; And by family descent This work depicts Rudyard Kipling and Adolf Hitler. £400-600

2 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

3‡ SIEGFRIED SASSOON 1886-1967

Kipling with His Lute Made Huns Get Together with Their Guns Inscribed Kipling with his Lute made Huns/Get together with Their Guns (lower centre) Pencil and watercolour within pencil framing lines 27.2 x 20.5cm Unframed Provenance: Siegfried Sassoon; And by family descent £400-600

4‡ SIEGFRIED SASSOON 1886-1967

Now Boys, We’ll Think Imperially! Inscribed “Now, boys, -we’ll think Imperially! (to mount) Pencil and watercolour 9.5 x 13.6cm Provenance: Siegfried Sassoon; And by family descent The central figure is Rudyard Kipling. £300-500

5‡ SIEGFRIED SASSOON 1886-1967

Hymns Ancient and Modern Inscribed Hymns Ancient & Modern (to mount) Pencil and watercolour 10.6 x 16.4cm Unframed Provenance: Siegfried Sassoon; And by family descent

This work depicts Rudyard Kipling and Edith Sitwell. £400-600

5 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

6‡ SIEGFRIED SASSOON 1886-1967

Passers By Inscribed “Passers by” (lower right) Watercolour and bodycolour on blue paper 11.6 x 19cm Unframed Provenance: Siegfried Sassoon; And by family descent In this work the clouds take the form of the three Sitwell siblings, Edith, Osbert and Sacheverell. Sassoon first came into contact with them in 1917, when Edith wrote to him to express her support for his protest against the war. Edmund Gosse once suggested Sassoon marry Edith, but Sassoon replied ‘I don’t think poets should marry one another’. Sitwell relied on Sassoon for criticism of her work, and once told him 6 ‘you are the only person who has ever done anything at all for my poetry’. Sassoon was initially close to the siblings, in particular Edith, but relations became increasingly strained and difficult over time. £300-500

7‡ SIEGFRIED SASSOON

8‡ SIEGFRIED SASSOON

Fire Drill

Louisa’s Dream (or The Palace Party)

Inscribed Fire Drill (upper left) and RENISHAW HALL FIRE BRI (to hose) Pencil and watercolour within pencil framing lines 21.2 x 25.8cm Unframed

Inscribed “Louisa’s Dream.” (or the Palace Party.) (lower left) Pencil and watercolour 16.4 x 15.3cm Unframed

Provenance: Siegfried Sassoon; And by family descent

Renishaw Hall was the family home of the Sitwells.

This work probably depicts Edith Sitwell, whose middle name was Louisa.

1886-1967

£300-500

1886-1967

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

9‡ SIEGFRIED SASSOON

10 ‡ SIEGFRIED SASSOON

Machine Age Criticism

Walt Sitwell. O.M.

Inscribed Machine Age Criticism. Miss Sitwell Weighing the Afflatus Values of a/Poetic focus-pocus (lower centre) Pencil and watercolour within pencil framing lines 26.1 x 17.9cm

Inscribed Walt Sitwell.O.M. (lower centre) Pencil, watercolour and bodycolour within pencil framing lines 18 x 13cm Unframed

1886-1967

Provenance: Siegfried Sassoon; And by family descent £400-600

1886-1967

Provenance: Siegfried Sassoon; And by family descent £300-500

11 ‡ SIEGFRIED SASSOON 1886-1967

Pottery (Late Sitwellian Period) Inscribed Pottery. (Late Sitwellian Period). (lower centre) Pencil and watercolour within pencil framing lines 15.6 x 16.4cm Unframed Provenance: Siegfried Sassoon; And by family descent £200-300

11 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

12 ‡ SIEGFRIED SASSOON

13 ‡ SIEGFRIED SASSOON

14 ‡ SIEGFRIED SASSOON

We are the Music Makers

Miss Sitwell as Dick Whittington

Inscribed “We are the Music Makers…” (lower centre) Pencil and watercolour within pencil framing lines on Heytesbury House headed writing paper 18 x 14cm Unframed

Inscribed Miss Sitwell as Dick Whittington (upper left) Pencil and watercolour 25.4 x 18.8cm

Sir ‘Wartface’ Sitwell Speaks Sharply to His Wife

1886-1967

Provenance: Siegfried Sassoon; And by family descent

1886-1967

Provenance: Siegfried Sassoon; And by family descent £400-600

1886-1967

Inscribed Sir ‘Wartface’ Sitwell speaks sharply to his wife. (lower centre) Pencil and watercolour in pencil framing lines 25.5 x 13.1cm Provenance: Siegfried Sassoon; And by family descent £400-600

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

15 ‡ SIEGFRIED SASSOON 1886-1967

Sir Gogglesby Sitwell Has Half a Mind to Punch that Mr Brummell’s Head Inscribed Sir Gogglesby Sitwell has half a mind to/punch that Mr Brummell’s head (lower centre) Pencil, watercolour and bodycolour 27.8 x 21.8cm Unframed Provenance: Siegfried Sassoon; And by family descent £400-600

16 ‡ SIEGFRIED SASSOON 1886-1967

Mermaid holding a crown

17 ‡ SIEGFRIED SASSOON 1886-1967

Design for Enamel

Pencil, watercolour, bodycolour and collage 23.3 x 18.9cm Unframed

Inscribed Design for Enamel (lower centre) Pencil, watercolour and bodycolour within pencil framing lines 18.9 x 15.1cm

Provenance: Siegfried Sassoon; And by family descent

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

18 ‡ SIEGFRIED SASSOON 1886-1967

Christmas card with a portrait of T. S. Eliot dressed as a priest Inscribed WISHING YOU/A PRIM XMAS/ AND/A PRIGGISH NEW YEAR./FROM. PASTOR. T.STEARNS ELIOT/MODERNIST TABERNACLE./ BOSTON./MASS: and with T.S.Eliot’s signature stuck down (to outer leaf) Pencil, watercolour, pen and ink, and collage on folded card 18.3 x 32.4cm (unfolded) Unframed Provenance: Siegfried Sassoon; And by family descent In later life it seems that Siegfried Sassoon felt embittered towards the new generation of modernist poets such as Ezra Pound (1885-1972) and T. S. Eliot (1888-1965). In one letter he wrote ‘I now live almost entirely detached from the literary scene and the younger generation and am liable to assume that none of them regard me as having any significance in the Eliot/Auden age’. £400-600

19 ‡ SIEGFRIED SASSOON 1886-1967

Self-Bust by E Pound Inscribed WASTE LAND IS/CANTOS/ASH WEDNESDY/CANTOS/WASH WEDNESDAY/CANTOS/Self-bust by E Pound (lower centre) and with typewritten inscription With Mr. T. S. Eliot’s compliments (upper centre) Pencil and watercolour within pencil framing lines on Faber and Faber headed writing paper 25.6 x 20.9cm Unframed Provenance: Siegfried Sassoon; And by family descent

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

20 ‡ SIEGFRIED SASSOON 1886-1967

Masefield Feels Dim, and Takes Things Hard Inscribed Masefield feels dim, & takes things hard/ But Willie’s every inch the bard (lower left) Pencil and watercolour within pencil framing lines 13.7 x 15.7cm Unframed Provenance: Siegfried Sassoon; And by family descent In this work Siegfried Sassoon has depicted John Masefield (1878-1967) and William Butler Yeats (1865-1939). £200-300

21 ‡ SIEGFRIED SASSOON 1886-1967

Jubilee Musings Inscribed Jubilee Musings. (lower centre) Pencil and watercolour 17.7 x 18.4cm Unframed Provenance: Siegfried Sassoon; And by family descent This work depicts the Poet Laureate John Masefield at the gates of Pinbury Park, his home from 1932-1940. Sassoon’s first published success, The Daffodil Murderer, was a parody of Masefield’s The Everlasting Mercy. Robert Graves described it as a ‘parody of Masefield which, midway through, had forgotten to be a parody and turned into rather good Masefield’. Given the title, this work probably dates from 1935 (the year of George V’s Silver Jubilee). £300-500

21 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

22 ‡ SIEGFRIED SASSOON

23 ‡ SIEGFRIED SASSOON

24 ‡ SIEGFRIED SASSOON

Time for Us All Boys, to Hit on a Tune Boys

Portrait of William Butler Yeats

Inscribed “Time for us all boys, to hit on a tune boys,/Take to the roads & go marching along” (lower centre) Pencil and watercolour 27.8 x 21.8cm Unframed

Pencil and watercolour on a pamphlet entitled A BIRTHDAY PRESENTATION TO WILLIAM BUTLER YEATS 17.6 x 12.7cm (folded) Unframed

How I See D.H.L.; Humbert, as He Sees Himself and as He Is; How Crikey Sees Himself

1886-1967

Provenance: Siegfried Sassoon; And by family descent This work depicts W. B. Yeats, and the inscription is taken from his Three Songs to the Same Tune of 1934. £300-500

1886-1967

Provenance: Siegfried Sassoon; And by family descent The pamphlet on which Siegfried Sassoon has executed the present work invites ‘the Painters, Sculptors, Musicians and Writers of this Country…to show their admiration of the Poet by contributing to a Birthday Gift to him.’ £400-600

1886-1967

Three, each inscribed with title Each pencil Largest 14.1 x 14.1cm; Smallest 12 x 9.5cm Each unframed (3) Provenance: Siegfried Sassoon; And by family descent The subjects in the first two works are D. H. Lawrence (1885-1930) and Humbert Wolfe (1885-1940). £300-500

24 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

25 ‡ SIEGFRIED SASSOON 1886-1967

Amaranth Is Such a Divine Word.... Inscribed “Amaranth is such a divine word”… (lower centre) and further inscribed by a later hand (Violet B-C.) (lower left) Pencil and watercolour within blue framing lines 26.5 x 20.4cm Unframed Provenance: Siegfried Sassoon; And by family descent This work depicts Violet Bonham Carter. The daughter of the Prime Minister Herbert Asquith, she was a leading figure in Liberal politics, a close friend of Winston Churchill, and after becoming a life peer, was active in the House of Lords. She lived near Siegfried Sassoon and their families often socialised together. Sassoon once wrote that she ‘evinces immense enthusiasm for me and my ‘work’; yet I discover that no copy of any volume of my verse exists in her house!’ £300-500

25 (cropped)

26 ‡ SIEGFRIED SASSOON

27 ‡ SIEGFRIED SASSOON

28 ‡ SIEGFRIED SASSOON

Good Gracious! Whatever Are Them Birds?

Frühlingsnacht

Succès Magnifique de Madame Edythe Olivier de L’Opera Comique

Inscribed twice Frühlingsnacht (lower right and upper centre) Pencil and watercolour 24.8 x 17.3cm

Inscribed “Succès Magnifique de Madame Edythe Olivier de L’Opera Comique” (to mount) Pencil 22.9 x 14.3cm Unframed

1886-1967

Inscribed “Good gracious! Whatever are them Birds?” (lower right) Pencil and watercolour 27.9 x 21.7cm Unframed Provenance: Siegfried Sassoon; And by family descent £200-300

1886-1967

Provenance: Siegfried Sassoon; And by family descent £300-500

1886-1967

Provenance: Siegfried Sassoon; And by family descent Edith Olivier (1872-1948) was a writer and a hostess to a circle of well-known writers, artists and composers in Wiltshire. Her social set included Siegfried Sassoon, Cecil Beaton, Osbert Sitwell and Rex Whistler. She said of Sassoon that he was ‘such fun to tell things to. Laughs so utterly’. £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

29 ‡ SIEGFRIED SASSOON 1886-1967

30 ‡ SIEGFRIED SASSOON

Old Juliet Duff, with a Face like a Plate

1886-1967

Inscribed Old Juliet Duff, with a face like a plate,/ Leaves her elbows on tables & talks tete-a tete;/ While “Margot” repeats- to the Public, I fear/ What Edward the Seventh once said in her ear. (lower centre) Pencil and watercolour 17.6 x 20.2cm Unframed

Inscribed “Lead, kindly light-” (lower centre) Pencil and watercolour within pencil framing lines 23.8 x 19.1cm

Provenance: Siegfried Sassoon; And by family descent £300-500

Lead, Kindly Light

Provenance: Siegfried Sassoon; And by family descent £300-500

31 ‡ SIEGFRIED SASSOON 1886-1967

Lady Juliet Duff discovered hiding by a police officer Pencil, watercolour and collage 25.9 x 20.4cm Unframed

Provenance: Siegfried Sassoon; And by family descent The newspaper clipping refers to a denial that Lady Juliet Duff (a socialite and patron of the arts) was at the Old Mill Club when it was visited by the police. £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

32 ‡ SIEGFRIED SASSOON

33 ‡ SIEGFRIED SASSOON

34 ‡ SIEGFRIED SASSOON

The Face of Things to Come

Nazareth

Hammerklavier; Mr Slapoffsky

Inscribed ‘The Face of Things to Come’. (lower left) and A.D.3000 (lower centre) Pencil, watercolour and bodycolour 29 x 21.5cm

Inscribed NAZARETH/Sacred Song/Boo*** (to book) Pencil and watercolour 18.3 x 14.7cm Unframed

Two, both inscribed with title (lower centre) Both pencil 21.5 x 20cm; 21.5 x 23.4cm Both unframed (2)

Provenance: Siegfried Sassoon; And by family descent

£300-500

1886-1967

Provenance: Siegfried Sassoon; And by family descent £200-300

1886-1967

34 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

35 ‡ SIEGFRIED SASSOON 1886-1967

36 ‡ SIEGFRIED SASSOON

Portrait of a mariner smoking a pipe and holding a wheel

1886-1967

Sermons in Stone

Inscribed PYT HO (to hat) and P.H (to wheel) Pencil and watercolour within pencil framing lines 27.8 x 20.3cm Unframed

Inscribed Sermons in Stone (lower centre) Pencil and watercolour within pencil framing lines 32.6 x 22.5cm Unframed

Provenance: Siegfried Sassoon; And by family descent

£300-500

37 ‡ SIEGFRIED SASSOON 1886-1967

Marching Out to Tea (To the Tune of O’Donnell Abú) Inscribed Marching out to tea (to the tune of O’Donnell Abu.) (lower centre) Pencil and watercolour within pencil framing lines 28 x 20.9cm Unframed Provenance: Siegfried Sassoon; And by family descent O’Donnell Abú was a traditional Irish song originally

written in 1843, but later adopted in the 1930s by the Irish nationalist organisation the Blueshirts. £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

38 ‡ SIEGFRIED SASSOON 1886-1967

Predicament in Baghdad: “Should We Call on the Strutts” Inscribed Predicament in Bagdhad [sic] “Should we call on the Strutts?” (lower right) Pencil and watercolour within pencil framing lines 17.8 x 26.7cm Unframed Provenance: Siegfried Sassoon; And by family descent £300-500

39 ‡ SIEGFRIED SASSOON

40 ‡ SIEGFRIED SASSOON

Always Ready for a Romp

Annual General Meeting of the Anti-Sterilisation Society of Great Britain

Inscribed Always ready for a Romp. (lower centre) Pencil, watercolour and bodycolour 20.8 x 23cm

Inscribed Annual General Meeting of the Anti-Sterilisation Society of Great Britain. (lower centre) Pencil within pencil framing lines 13.4 x 19.8cm Unframed

1886-1967

Provenance: Siegfried Sassoon; And by family descent £200-300

1886-1967

Provenance: Siegfried Sassoon; And by family descent £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

41 ‡ SIEGFRIED SASSOON 1886-1967

Last of the Great Victorians Inscribed “Last of the Great Victorians”: J. Dicks (lower centre) Pencil and watercolour within pencil framing lines 23.3 x 11cm Unframed Provenance: Siegfried Sassoon; And by family descent £300-500

42 ‡ SIEGFRIED SASSOON

43 ‡ SIEGFRIED SASSOON

Coldair Patent

Portrait of a clergyman wearing a broad brimmed hat

1886-1967

Inscribed “Coldair” Patent (lower centre) Pencil on Heytesbury House headed writing paper 17.8 x 13.4cm Unframed Provenance: Siegfried Sassoon; And by family descent £100-150

1886-1967

Pencil and watercolour on a letter from A. N. Hilditch of A. R. Mowbray & Co. to Siegfried Sassoon regarding the latter’s poem ‘Everyone Sang’ 20.6 x 17.2cm Unframed Provenance: Siegfried Sassoon; And by family descent £120-180

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

44 ‡ SIEGFRIED SASSOON

45 ‡ SIEGFRIED SASSOON

Airways

A Public Favourite

Inscribed AIRWAYS (lower centre) Pencil, watercolour and bodycolour 21 x 17.1cm

Inscribed A Public Favourite (lower centre) Pencil, watercolour and bodycolour 26.6 x 19.5cm

1886-1967

Provenance: Siegfried Sassoon; And by family descent £300-500

1886-1967

Provenance: Siegfried Sassoon; And by family descent £300-500

46 ‡ SIEGFRIED SASSOON 1886-1967

Not at all Themselves Inscribed “Not at all Themselves” (lower right) Pencil, watercolour and bodycolour 23.8 x 17.7cm Unframed Provenance: Siegfried Sassoon; And by family descent £150-250

46 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

47 ‡ SIEGFRIED SASSOON

48 ‡ SIEGFRIED SASSOON

Arabia Infelix

At the Mermaid Tavern

Inscribed Arabia Infelix (lower centre) Pencil and watercolour within pencil framing lines 19.3 x 17.3cm

Inscribed At the Mermaid Tavern (lower centre) Pencil and watercolour within pencil framing lines 21 x 19.6cm Unframed

1886-1967

Provenance: Siegfried Sassoon; And by family descent This work probably depicts T. E. Lawrence (1888-1935), known as Lawrence of Arabia. Lawrence wrote an introduction to George Wyman Bury’s book Arabia Infelix, and was a great friend of Siegfried Sassoon. They first met just before the First World War, and they shared a strong mutual regard for each other’s literary output. Lawrence was one of only five friends Sassoon invited to his wedding. £300-500

1886-1967

Provenance: Siegfried Sassoon; And by family descent In this work, Siegfried Sassoon has depicted William Shakespeare (1564-1616). The Mermaid Tavern was on Cheapside during the Elizabethan era, and was the site of a drinking club which included some of the period’s leading literary figures. Popular tradition has it that Shakespeare was a member of the group, although modern scholars think it unlikely. £200-300

49 ‡ SIEGFRIED SASSOON 1886-1967

George Sassoon in his pram outside Heytesbury House Pencil and watercolour 17.6 x 22.6cm Unframed

Provenance: Siegfried Sassoon; And by family descent George Sassoon was Siegfried and Hester’s only child. Siegfried wrote to Max Beerbohm in 1936, asking ‘Will he, I wonder, become Prime Minister, Poet Laureate, Archbishop of Canterbury, or merely Editor of The Times Literary Supplement? Or Master of The Quorn? Or merely Squire of Heytesbury?’. £300-500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

50 SIEGFRIED SASSOON 1886-1967

Memoirs of a Fox-Hunting Man Unnumbered copy from the edition of 300, signed by the author and the illustrator, William Nicholson Published by Faber and Faber, 1929, with plates, illustrations and endpapers by Nicholson, with dust jacket 23 x 16cm Provenance: Siegfried Sassoon; And by family descent £500-700

51 SIEGFRIED SASSOON 1886-1967

Memoirs of a Fox-Hunting Man Illustrated by William Nicholson, a rare advance copy, including the frontispiece of George Sherston and the unamended list of illustrations, including the frontispiece Published by Faber and Faber, 1929, with plates, illustrations and endpapers by Nicholson, with dust jacket 23 x 16cm Provenance: Siegfried Sassoon; And by family descent According to Geoffrey Keynes, Memoirs of a Fox-Hunting Man ‘was to contain a frontispiece representing the author, but this was suppressed after the binding of two or three advance copies’. £200-300

51 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

52 SIEGFRIED SASSOON 1886-1967

Lenten Illuminations From the edition of 35 printed at the University Press Cambridge, November 1958 for Sassoon and Geoffrey Keynes, with glassine wrapper 24.1 x 17.8cm Provenance: Siegfried Sassoon; And by family descent £200-300

53 SIEGFRIED SASSOON 1886-1967

Vigils Signed and numbered No 18 Siegfried Sassoon (to colophon) Published by Douglas Cleverdon, Bristol, 1934, one of 272 copies signed by the author, engraved throughout by Charles Sigrist, with frontispiece designed by Stephen Gooden 23.3 x 16.6cm Provenance: Siegfried Sassoon; And by family descent £150-250

53 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

54 SIEGFRIED SASSOON

55 SIEGFRIED SASSOON

56 SIEGFRIED SASSOON

Satirical Poems

An Octave

The Road to Ruin

Published by William Heinemann, London, 1926 19.4 x 13.4cm

Number 1 of 350 copies, 1966, with slipcase, presented to the author on his 80th birthday 25.8 x 16cm

Published by Faber and Faber, London, 1933 22.8 x 14.9cm

Together with Siegfried Sassoon; An Octave; Number 336 of 350 copies, 1966, with slipcase, presented to the author on his 80th birthday, with newspaper clippings about the author enclosed; 25.8 x 16cm (2)

Together with Siegfried Sassoon; The Heart’s Journey; Signed Siegfried Sassoon (to frontispiece); One of 590 copies, Crosby Gaige, New York and William Heinemann, London, 1927, in original dust jacket; 24 x 17.1cm; and Siegfried Sassoon; Lenten Illuminations; An unnumbered copy from the edition of 200, Downside Review Publication, 1959; 21.7 x 13.8cm (3)

1886-1967

Provenance: Siegfried Sassoon; And by family descent £100-150

1886-1967

Together with Siegfried Sassoon; Vigils; William Heinemann, London, 1935; 22.4 x 14.1cm (2) Provenance: Siegfried Sassoon; And by family descent £80-120

Provenance: Siegfried Sassoon; And by family descent £100-150

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THE SIEGFRIED SASSOON COLLECTION

57 SIEGFRIED SASSOON

58 SIEGFRIED SASSOON

59 SIEGFRIED SASSOON

Lenten Illuminations

Vigils

Counter-Attack and Other Poems

An unnumbered copy from the edition of 200, Downside Review Publications, 1959 31.6 x 13.8cm

Published by William Heinemann, London, 1935, with dust jacket 23 x 15.1cm

Published by E. P. Dutton & Co., New York, 1918 19.5 x 13.6cm

Together with Stanbrook Abbey Press; Christmas Lyrics Fifteenth Century; Inscribed H from SS/16.3.65, with hand-coloured initials, 1957, with slipcase; 20.8 x 14.7cm (2)

1886-1967

Provenance: Siegfried and Hester Sassoon; And by family descent £80-120

1886-1967

Provenance: Siegfried Sassoon; And by family descent £100-150

1886-1967

Provenance: ‘Counter-Attack’ with Paul Lemperly (his bookplate); Siegfried Sassoon; And by family descent £100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

60 SIEGFRIED SASSOON

61 SIEGFRIED SASSOON

62 SIEGFRIED SASSOON

The War Poems of Siegfried Sassoon

Memoirs of an Infantry Officer

The Heart’s Journey

1886-1967

Published by William Heinemann, London, 1919 17.5 x 11.4cm Together with Siegfried Sassoon; The Heart’s Journey; Indistinctly inscribed *** Gatty; William Heinemann, London 1931; 19.3 x 13.3cm; and Siegfried Sassoon; Lenten Illuminations; An unnumbered copy from the edition of 200, Downside Review Publications, 1959; 31.6 x 13.8cm (3) Provenance: Siegfried and Hester Sassoon; And by family descent £100-150

1886-1967

Illustrated by Barnett Freedman; Faber and Faber, London, 1931 23 x 15.9cm Together with Siegfried Sassoon; Sherston’s Progress; Doubleday, Doran & Co., New York, 1936 (2) Provenance: Siegfried Sassoon; And by family descent £100-150

1886-1967

Signed Siegfried Sassoon (to frontispiece) One of 590 copies, published by Crosby Gaige, New York and William Heinemann, London, 1927, in original dust jacket 24 x 17.1cm Together with Siegfried Sassoon; Satirical Poems; William Heinemann, London, 1933; 19.4 x 13.4cm (2) Provenance: Siegfried Sassoon; And by family descent £100-150

63 SIEGFRIED SASSOON 1886-1967

The Complete Memoirs of George Sherston Published by The Reprint Society Ltd, 1940, with dust jacket 19.4 x 13.1cm Together with Siegfried Sassoon; Rhymed Ruminations; Viking Press, New York, 1941; 20.6 x 14.7cm; Siegfried Sassoon; Memoirs of an Infantry Officer; Faber and Faber, 1966, with dust jacket; 20.3 x 13.9cm; Siegfried Sassoon; The Weald of Youth; Viking Press, 1942, with dust jacket; 22 x 15.2cm; and Siegfried Sassoon; Lenten Illuminations; An unnumbered copy from the edition of 200, Downside Review Publications, 1959; 31.6 x 13.8cm (5) Provenance: Siegfried Sassoon; And by family descent £100-200

64 SIEGFRIED SASSOON 1886-1967

Sherston’s Progress Published by Doubleday, Doran & Co., New York, 1936, with dust jacket 20.8 x 15.1cm Together with Siegfried Sassoon; The Old Century and Seven More Years; Inscribed From Beth/To Madge/1942; Faber and Faber, London, 1938, with dust jacket; 21 x 13.9cm; Siegfried Sassoon; Collected Poems; Viking Press, New York, 1949, with dust jacket; 21.8 x 15cm; Siegfried Sassoon, Rhymed Ruminations, Faber and Faber, London, 1940, with dust jacket, 22.5 x 15cm; Siegfried Sassoon; Lenten Illuminations; Downside Review Publications, 1959; 31.6 x 13.8cm; Siegfried Sassoon; In Sicily; Faber and Faber, no.27 in ‘The Ariel Poems’ series, with an illustration by Stephen Tennant; 18.8 x 12.2cm; and Siegfried Sassoon; To My Mother; Faber and Gwyer, no.14 in ‘The Ariel Poems’ Series, with an illustration by Stephen Tennant, missing page with poem; 18.2 x 12.2cm (7) Provenance: Siegfried Sassoon; And by family descent

£100-200

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THE SIEGFRIED SASSOON COLLECTION

65 SIEGFRIED SASSOON 1886-1967

Autograph manuscript of the poem ‘The Child at the Window’ 18 lines in three stanzas, dated 20.3.40, with various corrections including the original title A March Easter 18.6 x 16.7cm Unframed Provenance: Siegfried Sassoon; And by family descent £1,200-1,800

66 A letter from Siegfried Sassoon discussing the recent appointment of Benjamin Britten to the Order of Merit …I would run a mile to avoid the O.M. Whatever it may represent for others, to me it is merely vain glory and worldly intrusiveness…Britten’s appointment is appropriate for a gifted popular public figure. Otherwise the Palace can put its head in a bag… 17.5 x 13.7cm Unframed Together with a letter from Rev Richard Seymour to Sassoon, dated 24 March 1954 and an accompanying gift of ‘Handwriting Sheets’ by Patrick Barry (3) Provenance: Siegfried Sassoon; And by family descent

£100-150

67 A poem by Hester Sassoon on the subject of Lady Violet Bonham Carter For the ninth time some story falls/From Lady Violet’s lips…And that’s/When, some fine day, I’ll shout out ‘Rats!’/Or, (should God grant me courage) ‘B-lls!’/ Dec.29.1934 In pencil probably by Siegfried Sassoon on Heytesbury House headed writing paper 14 x 21.5cm Unframed £100-150

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THE SIEGFRIED SASSOON COLLECTION

68 An album of Sassoon family photographs Mostly dating to the late 1940s and early 1950s, including photos of Heytesbury, a family trip to Mull, photos of Cecil Beaton and Reddish House, Glen Byam Shaw and others Bound in gilt tooled green leather 27.9 x 38.4cm Provenance: Siegfried Sassoon; And by family descent £100-150

69 An album of Sassoon family photographs Mostly dating to the 1940s, many featuring life at Heytesbury Bound in black leather 30 x 40.8cm Together with a further album of photographs, mostly related to George Sassoon; Bound in green cloth; 31.4 x 39.3cm (2) Provenance: The Sassoon family; And by descent £100-150

70 A marriage certificate between Siegfried Sassoon and Hester Gatty Dated 18 December 1933 and witnessed by Glen Byam Shaw and others 16.4 x 36cm Unframed Together with a further copy of the marriage certificate; a later copy of Siegfried Sassoon’s death certificate, dated 26 June 1985; and a later copy of George Sassoon’s birth certificate, dated 7 January 1993; each unframed (4) Provenance: The Sassoon family; And by descent

£100-150 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE SIEGFRIED SASSOON COLLECTION

71 ‡ SIR CECIL BEATON CBE 1904-1980

Portrait of Hester Sassoon (née Gatty), wearing a tiara, seated on a canape; Portrait of Hester Sassoon (née Gatty), wearing flowers in her hair, seated on a canape Two, both signed Beaton (to mount) Both bromide print 23.4 x 18.6cm; 23.8 x 19.2cm (2) Provenance: Siegfried Sassoon; And by family descent £400-600

72 ‡ ATTRIBUTED TO SIR CECIL BEATON CBE 1904-1980

Portrait of Siegfried and Hester Sassoon Bromide print 19 x 21.3cm Unframed Together with five further photographs of Siegfried, Hester and George Sassoon (four mounted together); a 1934 collage Christmas card from Richard, Catherine, Albinia and Giles de la Mare; an album of photographic prints; and a small collection of newspaper and magazine clippings, some mounted to black card (9)

£100-200 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

73 ENGLISH SCHOOL Early 20th Century

Portrait of Siegfried Sassoon’s hunter, ‘Cockbird’ Oil on canvas 33 x 40.6cm Provenance: Siegfried Sassoon; And by family descent Siegfried Sassoon bought Cockbird in 1910 and rode him in eleven point-to-points before the First World War. In Memoirs of a Fox-Hunting Man he devotes a whole chapter to winning ‘The Colonel’s Cup’, and writes ‘As for Cockbird, no words could ever express what we felt about him. He had become the equine equivalent of Divinity’. When war broke out, Sassoon initially joined the Sussex Yeomanry and he gave up the horse to an officer, as Cockbird could not manage a trooper’s heavy equipment. £400-600

74 A Walter Barnard & Son black silk hunting top hat belonging to Siegfried Sassoon (1886-1967) 20.8 x 15.6cm (internal) Provenance: Siegfried Sassoon; And by family descent £50-100

75 A presentation silver salver By H. Atkin, Sheffield 1929 Square form, moulded border, the centre engraved Presented by the Ossemsley Manor House and Estate Servants to Miss Hester Gatty on the occasion of her marriage to Mr Siegfried Sassoon 18th December 1933, length 30.3cm, approx. weight 34oz. Provenance: Gifted to Hester Sassoon (née Gatty), 1933; And by family descent £300-400

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THE SIEGFRIED SASSOON COLLECTION

76 ‡ LAURENCE WHISTLER CBE 1912-2000

A flower has opened in my heart An engraved glass goblet commissioned by Siegfried Sassoon for Hester Sassoon’s birthday, 16 March 1940. The obverse engraved For Hester on her Birthday March the Sixteenth MCMXL from Siegfried, the reverse engraved A flower has opened in my heart, the foot with an engraved acanthus border and etched Laurence Whistler within an acanthus cartouche 19.5cm high Provenance: Gifted by Siegfried Sassoon to Hester Sassoon, 16 March 1940; And by family descent £1,000-2,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

THE SIEGFRIED SASSOON COLLECTION

77 SIR WILLIAM NICHOLSON 1872-1949

Flowers and Books (for Siegfried Sassoon) Oil on canvasboard, 1929 40.4 x 29cm Provenance: Siegfried Sassoon; And by family descent Literature: Lillian Browse, William Nicholson (London, Rupert Hart-Davis, 1956), no.392; Patricia Reed, William Nicholson: Catalogue Raisonné of the Oil Paintings (London, Modern Art Press, 2011), p.490, no.626 (illustrated) Siegfried Sassoon and Stephen Tennant were introduced by the Sitwells in 1927. They soon fell in love and began a relationship that lasted nearly six years. Sassoon’s diary records that in 1929 he spent ‘£60 for a picture by William Nicholson for Stephen’. However, given there is no record of Tennant owning a work by Nicholson, it seems that the diary entry must refer to the present work. Instead of giving it to Tennant, it seems highly probable that Sassoon kept the painting, and it has remained in the poet’s family ever since. Nicholson and Sassoon were two of the pre-eminent figures of the early 20th Century British artistic and literary worlds. They first met in 1918, through another famous war poet Robert Graves, who had married William’s daughter Nancy. The following year Nicholson designed labels for The War Poems of Siegfried Sassoon, and the two struck up a long-term friendship and working relationship. Sassoon purchased Heytesbury House, his home from 1933 until his death, after staying with Nicholson in nearby Sutton Veny. In 1929, the year the present work was painted, Nicholson also provided the drawings for the illustrated edition of Memoirs of a Fox-Hunting Man. Nicholson’s portrait of Sassoon, intended for the frontispiece, was rejected by the author, although for a rare copy of this, see lot 51. We are grateful to Patricia Reed for her assistance cataloguing the present work. £50,000-70,000

Sir William Nicholson, Portrait of Siegfried Sassoon (see lot 51)

77 (framed)

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THE SIEGFRIED SASSOON COLLECTION

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

OTHER PROPERTIES 78 CAMILLE PISSARRO French 1830-1903

Deux femmes dans un marché Stamped with artist’s initials (Lugt 613e) Pencil 15.2 x 9.2cm Provenance: The estate of the artist; William Weston Gallery, London, no.D7539/1; Woolley and Wallis, Salisbury, Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet, 26 August 2020, lot 166, where purchased by the present private collector £1,000-1,500

79 AFTER PIERRE-AUGUSTE RENOIR

80 AFTER AUGUSTE RODIN

Le chapeau épinglé

Drypoint 14.8 x 9.9cm (plate)

Etching 25.5 x 33.7cm (sheet) £100-150

Le Printemps (Spring)

£100-150

80 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

81 JAMES ABBOTT MCNEILL WHISTLER RBA American 1834-1903

Little Draped Figure, Leaning (Levy 82) Lithograph 28.7 x 18.6cm £1,500-2,500

82 JAMES ABBOTT MCNEILL WHISTLER RBA American 1834-1903

The Savoy Pigeons (Levy 164) Lithograph, 1896 20.9 x 17.2cm £400-600

83 LOUIS AUGUSTE MATHIEU LEGRAND French 1863-1951

Aux Folies Signed and numbered Louis Legrand 29/30 (in pencil to margin) and with mark of Gustave Pellet Etching and drypoint, from ‘Les Bars’, 1908, one of 30 proofs with the remarque 28.6 x 14.2cm (plate) £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

84 EUGÈNE CHAFFANEL

French 1860-c.1929

Une Soirée Parisienne Signed E. Chaffanel (lower left) Oil on canvas 38 x 45.5cm £500-800

85 LÉON BONHOMME

French 1870-1924

A lady seated at a table lighting a cigarette Signed Bonhomme (lower right) Mixed media 17.1 x 12.3cm £300-500

86 HERBERT NORRIS d.1950

Florence Saunders (1890-1926) in ‘Christopher Sly’ at the New Theatre 1921 Signed and dated Herbert Norris/1921 (lower right) Gouache 37 x 24.6cm Florence Saunders was later to marry the actor John Laurie (1897-1980). £300-500

86 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

87 JOSEPH EDWARD SOUTHALL RWS, NEAC, RBSA 1861-1944

Two ladies walking Signed with monogram and dated 10.VIII.1918 (lower right) Pencil and coloured crayon 23.3 x 17.9cm Provenance: The Fine Art Society, London, November 1980 £1,000-1,500

88 ‡ GEORGES LEPAPE French 1887-1971

Des Ombrelles; Il Fait Trop Chaud Two, both pochoir print with hand-colouring, 1913 20.8 x 15.2cm; 16.8 x 13.8cm Together with After Ernesto Michahelles ‘Thayaht’; Pendant Les ‘Modèles’; reproduction print; 20.5 x 15.3cm; and After André-Edouard Marty; Un Peu D’Air; reproduction print; 20.7 x 15.1cm (4) £100-200

88 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

89 PAUL CÉSAR HELLEU

French 1859-1927

Madame Helleu à la pèlerine de fourrure Signed and inscribed Helleu avec ses souhaits (in pencil to margin) Etching and drypoint 38.5 x 27.6cm £3,000-5,000

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90 PAUL CÉSAR HELLEU French 1859-1927

Portrait of a lady leaning on a chair Signed Helleu (in red chalk to margin) Drypoint 34.3 x 26cm (plate) £1,000-1,500

91 GASTON BOUY French 1866-1943

Seated ballerina Signed G Bouy (lower left) Pastel 46.2 x 29.6cm £300-500

92 THÉOPHILE ALEXANDRE STEINLEN French/Swiss 1859-1923

Portrait of a lady Signed Steinlen (lower right) Pencil 16.5 x 13cm £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

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93 EDWARD ATKINSON HORNEL

94 EUGÈNE CARRIÈRE

Girls under a tree

Chez la modiste

Signed and dated E A Hornel/1890 (lower left) Oil on canvas 57 x 50.7cm

Signed Eugène Carrière (lower right) Oil on canvas 38.2 x 46.2cm

Provenance: Arnold Naskell; The Fine Art Society, London, 1981; Private Collection, Yorkshire; Duncan R. Miller Fine Arts, London; Private Collection, UK

Provenance: Patrick Roger, Paris (by 1987); Sotheby’s, London, European Paintings Including The Orientalist Sale, Symbolism and The Poetic Vision and Spanish Painting, 12 November 2008, lot 260

Scottish 1864-1933

French 1849-1906

£4,000-6,000

£3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

95 WALTER SICKERT RA, RBA 1860-1942

The New Bedford (Bromberg 160) Etching and drypoint, 1915, possibly an unrecorded state between Bromberg’s third and fourth states 49.2 x 15.2cm (image) Provenance: Thos. Agnew and Sons, London £2,000-3,000

96 WALTER SICKERT RA, RBA 1860-1942

Sheet of Sketches with Bessie Bellwood (Bromberg 107) Etching, c.1884 22.8 x 24.1cm (sheet) Provenance: Thos. Agnew & Sons, London £1,500-2,500

97 WALTER SICKERT RA, RBA 1860-1942

Femme de Lettres (Bromberg 149) Etching, sixth of seven states 15 x 18.1cm (plate) Provenance: Thos. Agnew & Sons, London £250-350

95 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

97 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

100

98 ‡ OSKAR KOKOSCHKA CBE

99 ‡ MARIE LAURENCIN

Mädchenbildnis (Portrait of a Girl) (Wingler-Welz 159)

La Joueuse de Flute (The Flute Player)

Signed, dated and inscribed Orig. Lithographie Oskar Kokoschka 1920 (in pencil along lower edge) Lithograph, 1920 24.7 x 18cm (image)

Signed and inscribed Marie Laurencin/Epreuve/2 (in pencil to mount) Etching and aquatint, 1904, impression 2 of 10 30.4 x 19.3cm (sheet)

Austrian 1886-1980

Provenance: Idbury Prints Ltd, Oxfordshire, where purchased by the present private collector £200-300

French 1883-1956

Provenance: William Weston Gallery, London £200-300

101

100 COLIN GILL 1892-1940

La Siciliana Signed Gill (lower right) Pencil 24.8 x 22.3cm Provenance: Abbott and Holder, London £200-300

101 ‡ WILLIAM WASHINGTON RBA, ARCA, MADA, ARE

102 RANDOLPH SCHWABE

Winter Fuel

Signed R Schwabe (lower right) Pencil and charcoal 25.8 x 38.9cm

1885-1956

Signed and inscribed Winter Fuel Wm Washington (in pencil to margin) Engraving 19.8 x 25cm (plate)

1885-1948

View of a village in a valley

£150-250

£100-150

102 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103 ‡ AUGUSTUS JOHN OM, RA Welsh 1878-1961

The Pheasant (Dodgson 62) Signed Aug John (in pencil to margin) and inscribed Plate No.30 “The Pheasant” Imp. No, 6/*25 (in brown ink, probably by John Knewstub) Drypoint etching, 1906 27.3 x 24.1cm (sheet) Provenance: The Maclean Gallery, London Exhibited: London, The MacLean Gallery, Augustus John: Early Drawings, March-April 1980, no.35 £700-1,000

104 SIR WILLIAM ORPEN KBE, RA, RHA Irish 1878-1931

Head studies of elderly figures wearing caps (recto and verso); The Refugee Two, the latter signed William Orpen (in pencil, lower right) Red chalk; reproduction print 37.2 x 27.3cm; 43.4 x 35.1cm (sheet) (2) Provenance: ‘Head studies’ with Sir William Rothenstein (1872-1945); And by family descent; Abbott and Holder, London, March 2004 £300-500

103

104 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

105

105 HENRY HERBERT LA THANGUE RA

106 PAUL SIGNAC

Paddling amongst the bulrushes

Signed with initials P.S (lower right) Pencil and watercolour 13.1 x 20.2cm

1859-1929

Signed H.H.LA THANGUE (lower right) Oil on canvas 30.9 x 40.7cm Provenance: Sotheby’s, London, Modern British Paintings, Drawings and Sculpture, 11 November 1987, lot 9; Private Collection, London

1863-1935

Figures in a sailboat

Provenance: An unidentified collector’s mark MH in ligature in a circle to verso (not in Lugt); Private Collection, London £1,500-2,500

£3,000-5,000

106

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107

107 GEORGE LESLIE HUNTER Scottish 1877-1931

Distance view of Ceres, Fife Oil on board 12 x 20.9cm Provenance: George Smith Collection; Duncan R. Miller Fine Arts, London; Collection of Mr and Mrs Tovey; Duncan R. Miller Fine Arts, London; Bonhams, Edinburgh, 8 December 2006, lot 59 Exhibited: London, Duncan R. Miller Fine Arts, George Leslie Hunter, June 1990, no.18 £7,000-10,000

108 ATTRIBUTED TO ANNIE SWYNNERTON 1844-1933

View along a garden path with a mountain in the distance Indistinctly signed and inscribed To Lady L**rs from An** Ston (to stretcher) Oil on canvas 41 x 51cm

108

Although faded, the signature appears consistent with Annie Swynnerton’s. £800-1,200

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109

109 WILLIAM MARSHALL BROWN RSA, RSW Scottish 1863-1936

Bait Gatherers, Cockenzie Signed and dated Marshall Brown/1895 (lower right) Oil on canvas 34 x 44.9cm Provenance: Sotheby’s, Glasgow, Scottish Sale, 16 April 1996, lot 166 £4,000-6,000

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110

110 ‡ FRANK MCKELVEY RHA, RUA Irish 1895-1974

Feeding the chickens Signed FRANK MCKELVEY (lower right) Oil on canvas 41 x 51cm Provenance: Sotheby’s, London, The Irish Sale, 22 May 1997, lot 309 Exhibited: Belfast, Ulster Museum, Frank McKelvey Exhibition, March-April 1993 £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

111

111 SIR GEORGE CLAUSEN RA 1852-1944

Sunset Signed G.CLAUSEN (lower right) and further signed and inscribed SUNSET/G.CLAUSEN (to reverse) Oil on canvas 30.7 x 40.8cm Provenance: Sotheby’s, London, Modern British and Irish Paintings, Drawings and Sculpture, 9 November 1988, lot 31 £2,500-3,500

112 DAVID WOODLOCK 1842-1929

Portrait of a fisherman Signed D Woodlock (upper left) Oil on canvas laid on board 37.7 x 31.8cm £200-300

112 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

113 NEWLYN SCHOOL A game of marbles Oil on canvas 48.8 x 43.6cm Provenance: The Fine Art Society, London, April 1971; Pyms Gallery, London (as Stanhope Alexander Forbes)

Exhibited: London, The Fine Art Society, Spring Exhibition, 1986, no.15 (as Stanhope Alexander Forbes) £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

114 HERCULES BRABAZON BRABAZON 1821-1906

View of a Venetian canal Signed with initials HBB (lower right) Pencil, pastel and watercolour 12 x 21.8cm £500-700

114

115 HERCULES BRABAZON BRABAZON 1821-1906

View of the Bacino San Marco, Venice Signed with initials HBB (lower left) Charcoal and pastel 18.5 x 28.8cm £300-500

115

116 SIR WILLIAM ROTHENSTEIN 1872-1945

Mountain landscape Signed and dated W.Rothenstein -22 (lower right) Gouache 51.8 x 38cm Provenance: Christie’s, London, Modern British Paintings, Watercolours, Drawings and Sculpture, 31 October 1996, lot 2 £100-150

116 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

118

117

119

117 ‡ PAUL MAZE

119 ‡ GILBERT SPENCER RA, RWS, NEAC

The Pool of London near Tower Bridge

Upper Basildon, Berkshire (recto); Man sawing logs in a barn (verso)

Signed and indistinctly dated Paul Maze ** (lower centre) Watercolour heightened with bodycolour 47.3 x 29.6cm

Signed Gilbert Spencer (lower right, recto) Watercolour and pencil 30.8 x 38.2cm

£500-700

Provenance: Christie’s, London, Modern British and Irish Paintings, Watercolours, Drawings and Sculpture, 13 May 1994, lot 210

French 1887-1979

118 ‡ PAUL MAZE

French 1887-1979

View of Cologne harbour

1892-1979

Exhibited: London, Leicester Galleries, Gilbert Spencer, May 1946, no.74 £250-350

Signed, dated and inscribed Paul L Maze/Cologne 1919 (lower right) Pencil and watercolour 34.3 x 54cm £500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

120 ‡ FRANK O. SALISBURY 1874-1962

Portrait of Sylvia, the artist’s daughter, at her desk Signed and indistinctly dated Frank O Salisbury 1**6 (lower left) Oil on canvas, oval 76.4 x 65.5cm Provenance: By descent from the artist £300-500

121 ‡ FRANK O. SALISBURY 1874-1962

Portrait of Richard Norris, the artist’s grandson, wearing a blue coat and holding a teddy bear

120

Signed, dated and indistinctly inscribed Richard G 1935/Frank O Salisbury (lower right) Oil on canvas 76.5 x 63.5cm

Provenance: By descent from the artist Literature: Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.184 (illustrated) £200-300

122 ‡ FRANK O. SALISBURY 1874-1962

Richard Norris, the artist’s grandson, standing in a landscape in a riding outfit Signed, inscribed and dated Richard/Frank O Salisbury/ Ivinghoe april 1942 (lower right) Oil on canvasboard 48.5 x 35.8cm Provenance: By descent from the artist £150-250

123 ‡ FRANK O. SALISBURY 1874-1962

Study of cherubs Oil on canvas 30.4 x 45.6cm

121

122

Provenance: By descent from the artist £150-250

124 ‡ FRANK O. SALISBURY 1874-1962

Richard Norris, the artist’s grandson, as a cherub Signed Frank O Salisbury (lower left) and inscribed RICHARD (lower right) Oil on board 36.8 x 49.5cm Provenance: By descent from the artist £100-150

123

124 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125 ‡ FRANK O. SALISBURY 1874-1962

Still life with delphiniums in a vase Signed Frank O Salisbury (lower right) and signed, inscribed and dated THE BEAUTIFUL/ DELPHINIUMS/WERE GROWN BY/BAGNAL & LANGDON/OF BATH/GIVEN TO & PAINTED/ BY/Frank O Salisbury/May 30 1948 (to reverse) Oil on canvas 102.6 x 76.9cm Provenance: By descent from the artist £500-700

126 ‡ FRANK O. SALISBURY 1874-1962

The fountain at Inverforth House, Hampstead; Study of waves; Study of a cliff with a rockpool; Study of a rockpool Four, one signed Frank O Salisbury, and two signed with monogram One oil on canvas; Three oil on board Largest 32.9 x 45.7cm; Smallest 19.5 x 28.5cm Two unframed (4) Provenance: By decent from the artist £150-250

125

126

127 ‡ FRANK O. SALISBURY 1874-1962

King Alfred the Great Rebuilding the Walls of the City of London; Cardinal Wolsey at the Trial of Katherine of Aragon and Henry VII at Blackfriars; Edward I and the Passing of Queen Eleanor; Queen Philippa Pleading for the Lives of the Burghers of Calais; The King’s Offering; Epworth Memorial Window; Coronation Procession of Their Majesties King George VI and Queen Elizabeth Seven, each signed Frank O Salisbury (in pencil to mount) Each reproduction print Largest 52.5 x 52.5cm; Smallest 43.5 x 23.6cm (image) Six unframed (7) Provenance: By descent from the artist £100-150

127

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

128 ‡ GERALD BROCKHURST RA 1890-1978

Study of a young woman from behind, her left arm raised Signed Brockhurst (lower left) Pencil 37.6 x 23.1cm Provenance: MacMillan & Perrin Gallery £1,500-2,500

128

129 ROGER FRY 1866-1934

Study of a female nude Pencil and charcoal 48 x 35.8cm Provenance: Michael Dickens Fine Art, where purchased by the present private collectors, June 1996 Exhibited: London, Michael Dickens at the Royal National Theatre, Patricia and Dorothy, 1996, no.49 £300-500

129 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

130

130 ‡ PERCY WYNDHAM LEWIS 1882-1957

Portrait of a lady with her arm raised Signed and dated Wyndham Lewis 1922 (lower left) Pencil 39.5 x 31.7cm Provenance: Gifted to Marguerite Littman in the late 1960s; From the estate of the late Marguerite Littman £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

131 ‡ HENRY LAMB RA 1883-1960

Portrait of Lady Ottoline Morrell (1873-1938), full length Signed H Lamb (lower right) Pencil 44.8 x 24.8cm This work was authenticated by Pansy Lamb, 26 September 1967 (according to an inscription on the backing board). £3,000-5,000

131 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

132

132 ‡ HENRY LAMB RA 1883-1960

Oxfordshire landscape Signed and dated Lamb 32 (lower left) Oil on canvasboard 38.9 x 49.2cm Provenance: Lady Pansy Lamb; Lady Annabel Lindsay, by 1973 Exhibited: London, New Grafton Gallery, Henry Lamb: Retrospective Exhibition, March-April 1973, no.13 £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

133

134

133 ‡ BERTRAM NICHOLLS PRBA, ROI

134 ‡ BERTRAM NICHOLLS PRBA, ROI

135 ‡ SIR MUIRHEAD BONE NEAC, RE

Study of Horse Guards

Study of a village church

Signed and dated Bertram Nicholls 1939 (lower left) Pencil, pen and ink, and wash 36.6 x 54.4cm

Signed and dated Bertram Nicholls/1922 (lower right) and inscribed To Mrs Weathem (lower left) Pencil 20.9 x 27.2cm

Street scene with figures and horse and carts

1883-1974

Provenance: The Fine Art Society, London £250-350

1883-1974

Provenance: Peter Wilson Auctions, Cheshire, 17th February 2010, lot 94

Scottish 1876-1953

Signed and dated Muirhead Bone 1918 (lower right) Pencil 20.7 x 17cm £100-150

£100-150

135

136 MORTIMER MENPES Australian 1855-1938

St Paul’s Cathedral; Westminster Abbey Two, both etching 40.5 x 29.7cm; 40.3 x 29.5cm (plate) (2) £150-250

136 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

137 SIR WILLIAM NICHOLSON 1872-1949

An Alphabet Twenty-seven lithographs (including title), with original cloth-backed boards, published by William Heinemann, London, 1898 40.8 x 33cm £500-800

138 SIR WILLIAM NICHOLSON 1872-1949

London Types: Guardsman (The Horse Guards); Hawker (Kensington); Beef-eater (The Tower); Sandwich-Man (Trafalgar Square); Coster (Hammersmith); Lady (Rotten Row); Bluecoat Boy (Newgate Street); Policeman (Constitution Hill); Newsboy (The City); Drum-Major (Wimbledon Common); Flower Girl (Any Corner); Barmaid (Any Bar)

137

Twelve, each lithograph, with six associated quatorzains by W. E. Henley (1849-1903) Each approx 25.3 x 22.7cm, in six frames (18) £200-300

138

139 SIR WILLIAM NICHOLSON 1872-1949

University College, Oxford; New College Cloisters, Oxford; New College Lane, Oxford Three, one signed and inscribed Nicholson No 69 (in pen to margin) and each with The Stafford Gallery, London blindstamp Each lithograph One 39.2 x 52.7cm; Two 52.7 x 39.2cm (sheet) (3) £300-500

139 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

140 SIR WILLIAM NICHOLSON 1872-1949

Turtle Soup Signed with initial N (lower left) Oil on panel, 1937 44.1 x 30.7cm Provenance: Leicester Galleries, London; Where purchased by Beaumont Pease, 1st Baron Wardington (1869-1950), May 1938; And by family descent Literature: Lillian Browse, William Nicholson (London, Rupert Hart-Davis, 1956), no.549 (as oil on canvas); Patricia Reed, William Nicholson: Catalogue Raisonné of the Oil Paintings (London, Modern Art Press, 2011), p.599, no.796 (illustrated) Exhibited: Leicester Galleries, London, Paintings by Sir William Nicholson, 1939, no.20 In this work of 1937, William Nicholson has depicted the interior of Goldsmith’s Hall, where he was taken for a livery dinner by Lord Wardington, the chairman of Lloyds Bank. Nicholson had been commissioned to paint a portrait of Lord Wardington earlier that year. In January 1938, Nicholson described this painting in a letter to Geoffrey Taylor: ‘Turtle Soup M.S. named it, with many elderly backbonesofoldoldEngland hidden behind a weight of decorations and, overhead, a chandelier that may descend on them any moment by its own paint weight…’. M.S. is the novelist Marguerite Steen (1894-1975), who was Nicholson’s lover from 1935 until his death. The painting relates to an earlier work, City Dinner, of 1934, which depicts a dinner at the Drapers’ Company (see Christie’s, London, 20th Century British Art, 10 June 2005, lot 27). We are grateful to Patricia Reed for her assistance cataloguing the present work. £25,000-35,000

140 (framed)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

141 ‡ STANISŁAWA DE KARŁOWSKA Polish 1876-1952

View of the backs of houses, Percy Street Oil on canvas 46 x 35.8cm Provenance: Christie’s, London, British and Modernist and Contemporary Paintings, Drawings and Sculpture, 11 November 1988, lot 311 £1,000-1,500

142 PAUL NASH 1889-1946

Wood on the Downs Reproduction print 41.3 x 52.7cm £800-1,200

143 PAUL NASH 1889-1946

Monuments Pencil and watercolour, 1932 53.5 x 35.9cm Provenance: Leicester Galleries, London, 1932; Where purchased by Mrs May Kingdon; By descent to her son, Rev H. P. Kingdon; And by descent

141

Literature: The Architects’ Journal, 9 November 1932, p.597 (illustrated); The Architects’ Journal, 16 November 1932, p.651; Paul Nash: Paintings and Watercolours, exh. cat. (London, Tate Gallery, 1975), p.81, no.134; Andrew Causey, Paul Nash (Oxford, Clarendon Press, 1980), pp.209, 419-420, no.737, pl.254 Exhibited: London, Leicester Galleries, Watercolours by Paul Nash, 1932, no.6; London, Tate Gallery, Paul Nash, November-December 1975, no.134; Together with two letters from the artist to Mrs Kingdon regarding the clippings from The Architects’ Journal (3) The subject of the present work is the group of stone busts outside the Sheldonian Theatre, Oxford. Paul Nash lectured at the Oxford Arts Club in May 1932, and in a letter wrote ‘I am anxious to do a few drawings in Oxford’. Another watercolour of one of the busts, entitled ‘Souvenir of Oxford’ was sold at Christie’s, London, 12 October 2011, lot 5. Andrew Causey describes the two works as Nash’s ‘most effective use of statues…in his drawings’. The present work was illustrated and discussed in The Architects’ Journal during a review of the 1932 exhibition at the Leicester Galleries. The reviewer wrote ‘for sheer architectural draughtsmanship study the railings in Monuments....each upright is a lovely articulate line, with a thin wash. Every draughtsman knows how difficult it is to give character and beauty to a “plain railing”’. This caused a lively debate in the letters pages of the journal, in which Patrick Abercrombie derided ‘the limitations of modern draughtsmanship’. Nash himself replied, calling Abercrombie’s letter ‘confused’, and caused ‘partly by some emotional disturbance such as cold rage or accumulated resentment’. The debate continued for several weeks.

142

£5,000-7,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

143 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

144 ‡ NORMAN WILKINSON CBE, RI 1878-1971

A British SS Class Airship; SS 40 (The Black Ship); Willows No.4 (His Majesty’s Airship No.2) Three, each signed NORMAN WILKINSON (lower right), two dated 17, one dated 18 Each watercolour and bodycolour Each 14.9 x 22.5cm, framed as one (3) £1,000-1,500

144 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

145

145 ERIC RAVILIOUS 1903-1942

Different Aspects of Submarines Signed Eric Ravilious (in pencil, lower centre) Lithograph, from ‘The Submarine Series’, 1941 27.8 x 32cm (image) Provenance: Leicester Galleries, London; Where purchased by The Hon. Patrick Lindsay Exhibited: London, Leicester Galleries, Etchings & Lithographs by 19th & 20th Century Masters, November-December 1974 £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

146

147

148

146 ‡ SIR FRANK BRANGWYN RA, RWS, RBA

147 ‡ SIR FRANK BRANGWYN RA, RWS, RBA

Figures outside a hotel

Cafe on the Zattere, Venice

Signed with monogram (lower left) Pencil and watercolour 14.5 x 19.2cm

Inscribed The Cafe Zattere (lower left) Pencil, and pen and brown ink 24.3 x 20.9cm

Provenance: William de Belleroche Collection (according to label)

£200-300

1867-1956

148 ‡ SIR FRANK BRANGWYN RA, RWS, RBA 1867-1956

Figure study of a woman and child with labourers; Study of figures in a landscape; Study of figures, possibly in a boatyard Three, two black and red chalk; one red chalk Largest 12.1 x 12.3cm; Smallest 5.8 x 12.4cm, framed as one (3) £200-300

£200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

149 ‡ SIR FRANK BRANGWYN RA, RWS, RBA 1867-1956

Hammersmith Hard Signed with initials and inscribed Hammersmith FB (lower right) Pencil and watercolour heightened with bodycolour 55.8 x 76.4cm Provenance: P. Kingsley Graves JP, Hove; From whom purchased by Mr and Mrs Frank Lewis, March 1958 Literature: Frank Brangwyn, An English Portfolio, supplement to The Bookman (London, Hodder and Stoughton, 1934); C. Fox Smith, Here and There in England with the Painter Brangwyn (Leigh-on-Sea, F. Lewis, 1945); Cyril Bunt, Sir Frank Brangwyn RA (Leigh-on-Sea, F. Lewis, 1949); Cyril Bunt, The Watercolours of Sir Frank Brangwyn RA (Leigh-on-Sea, F. Lewis, 1958), pp.24, 43, no.296 £800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

150 JOHN HOWARD LYON 1870-1921

Landscape with sheep by a stream and a cottage on the far bank Signed J HOWARD LYON (lower right) Oil on canvas Unframed Provenance: Great Western Auctions, Glasgow, 23 September 2016, lot 937 £400-600

150

151 SCANDINAVIAN SCHOOL Early 20th Century

Portrait of an artist with his palette Signed with monogram (lower right) Oil on board 32.1 x 19.6cm £100-200

152 BRITISH SCHOOL Early 20th Century

Washerwoman and a child in the street Oil on board 16.4 x 12.1cm Provenance: Collection of Ian Murray; And by family descent £100-200

151

152

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

153 SIR DAVID YOUNG CAMERON RA Scottish 1865-1945

Scottish castle by the lake in the Gloaming Signed with initials DYC (lower right) Oil on canvas 20.5 x 35.9cm Provenance: Collection of William Johnstone OBE (1897-1981); Duncan R. Miller Fine Arts, London £500-800

153

154

155

156

154 FREDERICK J. SANG

155 FREDERICK HALL

156 GEORGE SMITH RSA

Sailor in heavy weather off the Jersey coast

An oak tree by a farm

Coastal landscape with a fishing boat; Coastal landscape with figures in the dunes

act.1884-1908

Signed F J SANG (lower right) Oil on board 16.6 x 24.1cm £120-180

1860-1948

Signed Fred Hall (lower right) Oil on board 31.2 x 35.9cm £500-700

1870-1934

Two, both signed G Smith (lower right) Both oil on panel 17.5 x 25.4cm; 17.7 x 24.5cm (2) £250-450

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

157 TERRICK JOHN WILLIAMS 1860-1936

Figures by a canal, Leiden Signed Terrick Williams (lower right) Watercolour heightened with bodycolour 21.7 x 28.4cm Provenance: The Fine Art Society, London, September 1961; Sold on behalf of the Executors of Julian Bream CBE dec’d The proceeds of this lot will go to The Julian Bream Charitable Trust. £300-500

158 ‡ CHARLES KNIGHT ROI, VPRWS 1901-1990

On the Wye Valley; Extensive rural landscape with the sea in the distance 157

Two, the former inscribed ON THE WYE VALLEY (lower right); the latter signed CHARLES KNIGHT (lower right) Both pencil and watercolour 23.7 x 35.3cm; 10.6 x 28.2cm (2) Provenance: ‘On the Wye Valley’ with Heather Newman, Gloucestershire; Bonhams, Knightsbridge, Modern Pictures, 18 May 2004, lot 116 £100-150

159 LEWIS MORTIMER act.1900-1920

Coastal landscape near Land’s End; Coastal landscape with Lynmouth harbour Two, both signed L.Mortimer (lower left) Both watercolour 24.5 x 34.3cm; 26.5 x 37.3cm (2) Provenance: Both with The Swan Gallery, Sherborne £150-250

158

159 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

160 ‡ FELIX KELLY 1914-1994

Capriccio of St Paul’s Cathedral within a tromp-l’oeil mount Oil on card within a watercolour and bodycolour mount 18.3 x 22.2cm Provenance: Partridge, London £700-1,000

160

161 JAMES BOLIVAR MANSON 1879-1945

Brittany landscape with a windmill Oil on canvas 40.8 x 50.8cm £600-800

161 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

162 RENÉ DE PAUW Belgian 1887-1946

La toilette Signed R. de Pauw (upper left) Oil on canvas 80 x 70cm Provenance: De Vuyst, Lokeren, Oude Meesters - Modern en Hedendaagse Kunst, 1 March 2014, lot 190

163 CHRISTIAN BÉRARD ‘BEBÈ’ French 1902-1949

Study of a young woman Signed and dated C Berard 29 (lower right) Pen and ink 32.1 x 18.3cm £200-300

£2,000-3,000

164 ANDRÉ CLUYSENAAR

Belgian 1872-1939

165 BRITISH SCHOOL Early 20th Century

Kneeling female nude

Portrait study of a lady standing full length in an interior

Signed André Cluysenaar (lower right) Oil on board 38.4 x 27.2cm

Indistinctly signed V. Del (lower right) Oil on canvas 61.2 x 30.4cm

£300-500

Provenance: From the estate of the late Marguerite Littman £150-250

162

163

164

165

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

166 ALLAN DOUGLAS DAVIDSON RBA, ROI, RMS 1873-1932

The Little Model Signed Allan Davidson (lower right) Oil on board 37.4 x 26.3cm Provenance: Woolley and Wallis, Salisbury, Paintings, Books and the Dr. Evans Collection of Animalier Bronzes, 2 April 2008, lot 533 Exhibited: London, The Royal Academy, 1924, no.463 £1,500-2,500

166

167 ‡ ETIENNE-ADRIEN DRIAN French 1885-1961

Les Coulisses Signed Drian (lower right) Oil on canvas 92.5 x 72cm

167

£700-1,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

168 ‡ GIANNINO MARCHIG Italian 1897-1983

Portrait of a lady by a piano wearing a pink dress and holding a fan Signed G Marchig (lower right) Oil on board 40.6 x 36.5cm Provenance: Christie’s, London, Modern Paintings, Drawings and Sculpture, 21 February, 1989, lot 130 £3,000-5,000

168

169 ‡ PIERRE ROUSSEL French 1927-1996

La Récitation Signed Pierre Roussel (lower right) Oil on panel 68.7 x 73.9cm Provenance: Arthur Tooth & Sons, London £500-700

169 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

170

170 RODERIC O’CONOR Irish 1860-1940

Seated nude Stamped with studio stamp atelier/O’CONOR (to reverse) Oil on canvas 65.3 x 54.8cm Provenance: Studio of the artist; Hôtel Drouot, Paris, Vente O’Conor, 7 February 1956; M. and Mmme. Lemasse, Paris; Christie’s, Belfast Castle, Fine Irish Paintings and Drawings, 31 May 1989, no.570; Sotheby’s, London, 2 May 1990, no.25; Jonathan Riley, from whom purchased by the present private collector, 1994

Literature: Jonathan Benington, Roderic O’Conor, a Biography with a Catalogue of his Work (Dublin, 1992), p.217, no.230 The present work was painted around 1921-22, and encapsulates the serenity and refinement that typify Roderic O’Conor’s most successful nudes. A young woman is portrayed in peaceful repose, with her head cradled upon her encircled arms. Painted spontaneously, probably in a single sitting, the work exemplifies the artist’s qualities and painterly techniques of that period. £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

171 ‡ ALFRED WOLMARK RA 1877-1961

Portrait of Terrick Williams (1860-1936), seated next to a picture frame and a plaster bust Signed and dated WOLMARK/1932 (lower left) Oil on board 74.4 x 61.4cm Provenance: Mallams, Oxford, 30 June 2010, lot 334 £1,000-1,500

171

172 FLORIS ARNTZENIUS Dutch 1864-1925

Head of a Rabbi Signed F Arntzenius (lower left) Oil on canvas 42.3 x 32.2cm Provenance: Vendu Notarishuis, Rotterdam, Kunst en Antiekveiling, 20 April 1999, lot 253 £500-800

173 BRITISH SCHOOL 20th Century

Self-portrait with paintbrushes and fruit Oil on canvas 68.5 x 51cm £150-250

172

173 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

174

174 ‡ EDWARD WOLFE RA 1897-1982

Isha Signed, inscribed and dated Wolfe/Isha/Painted in Tangier/1927/ Exhibited Warren/Gallery/JUNE 1927 (to reverse) Oil on canvas 59.7 x 49cm

Provenance: Sotheby’s, London, Modern British and Irish Paintings, Drawings and Sculpture, 2 October 1996, lot 112 Exhibited: Warren Gallery, 1927; London, Paisnel Gallery, 1997, no.39; London, The Millinery Works Gallery, 2003 £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

175 ‡ AFTER PICASSO Lines and Dots Screenprint on cotton, for Bloomcraft Fabrics, c.1964 84.5 x 53.5cm Provenance: Woolley and Wallis, Salisbury, Design, 25 August 2021, lot 829, where purchased by the present private collector £400-600

175

176

176 ‡ SALVADOR DALÍ

177 ‡ SALVADOR DALÍ

178 ‡ GEORGES BRAQUE

Santiago El Grande

Noah’s Ark

Signed and numbered 87/300 Dali (in pencil to margin) Lithograph 57.3 x 43.1cm (image)

Signed and inscribed EA Dali (in pencil to margin) Etching with stencil, 1975, from ‘Our Historical Heritage’ portfolio, an artist’s proof aside form the edition of 300 50.2 x 65cm (sheet) Unframed

Corbeille de Fruits (Maeght 1011)

Spanish 1904-1989

Provenance: Galeries Artco, Paris, 1983 (their certificate of authenticity to frame)

French 1882-1963

Lithograph 34.9 x 53.5cm £150-250

£200-300

£300-500

177

178 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

179 ‡ ROBIN TANNER 1904-1988

The Gamekeeper’s Cottage Etching 17.5 x 22.8cm (plate) Provenance: Katherine House Gallery, Marlborough, where purchased by the present private collector £400-600

180 ‡ EDWARD BAWDEN CBE, RA 1903-1989

Nekayah, Rasselas and Imlac Signed, numbered and inscribed Nekayah, Rasselas & Imlac 162/200 Edward Bawden (in pencil to margin) Lithograph 29.2 x 21.4cm (image) £150-200

179

181 ‡ CHARLES FREDERICK TUNNICLIFFE OBE, RA 1901-1979

Tawny Owl Signed and numbered 10/50 C.F.Tunnicliffe (in pencil to margin) Wood engraving, 1937 14.1 x 8.6cm (image) Provenance: Hilary Chapman Fine Prints Literature: Mary Priestly, A Book of Birds (London, Victor Gollancz, 1937), p.161 (illustrated) £300-500

180

181

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

182 AVERIL BURLEIGH 1883-1949

At the Fair Pencil and watercolour 37.8 x 49.6cm Provenance: The Collection of Peter and Mary Grant £600-800

182

183 AVERIL BURLEIGH 1883-1949

Study for ‘Three Generations’ Pencil 46.7 x 47.7cm Provenance: The Collection of Peter and Mary Grant A study for the work sold at Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 7 December 2021, lot 174. £300-500

183 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

184 AVERIL BURLEIGH 1883-1949

The Falconer and the Jester Signed Averil Burleigh (lower right) Pencil and watercolour 37.1 x 38.4cm Provenance: Erika Brandl, London; The Collection of Peter and Mary Grant £600-800

184

185

186

185 AVERIL BURLEIGH

186 ‡ VERONICA BURLEIGH

Landscape with a hut underneath an ash tree

Charcoal burners

Signed Averil Burleigh (lower right) Pencil and watercolour 36.8 x 46.7cm

Pencil and watercolour 25.2 x 36.8cm

1883-1949

Provenance: The Collection of Peter and Mary Grant £200-300

1909-1999

Provenance: The Collection of Peter and Mary Grant £100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

187

187 ‡ JOHN MINTON 1917-1957

Street scene in Camberwell Pen and ink, watercolour and pastel 26.8 x 37.2cm £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

188 ‡ JOHN MINTON 1917-1957

View of Hampstead Pen and ink, and watercolour 37 x 26.8cm £1,500-2,500

188

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

189

190

191

189 HARRY FIDLER 1856-1935

A farmer and his two draught horses

192

190 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

191 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

192 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

Cottage in a landscape

Landscape with a farm beyond a grove of trees

View of a farmhouse

1891-1972

Oil on canvasboard 35.1 x 47.8cm

Signed Ethelbert White (lower right) Pencil and watercolour 28.5 x 36.1cm

£400-600

£200-300

1891-1972

Watercolour 24.8 x 35cm

Signed Ethelbert White (lower left) Watercolour and bodycolour 25.3 x 34.8cm

£150-250

£100-150

193 ‡ ATTRIBUTED TO STANLEY ROY BADMIN RWS, RE, AIA, FSIA 1906-1989

View of the Thames at Marlow, with All Saints Church Signed with initials S.R.B (lower right) Pencil and watercolour 27.6 x 56.6cm £100-150

193 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

194 REX VICAT COLE 1870-1940

A barge on a London canal Signed REX VICAT COLE (lower right) Oil on board 29.7 x 40.2cm £500-700

194

195

196

195 ‡ HAROLD WORKMAN RBA, ROI, RCA, SMA

196 HENRY BISHOP

Devon Lane

Red Palazzo, Venice

Signed WORKMAN (lower left) Oil on canvas 38 x 51cm

Signed H. Bishop (lower left) Oil on canvas 46 x 38cm

Provenance: The Chelsea Gallery, London

Provenance: Sotheby’s, London, Modern British and Irish Paintings, Drawings and Sculpture, 30 September 1992, lot 10; Bonhams, Oxford, Art & Antiques, 10 July 2013, lot 57

1897-1975

£500-700

1868-1939

£400-600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

197 ‡ JOHN MCKENZIE 1897-1972

Sentry Signed with initials JM (lower right) Slate relief within a stained wooden frame 20.9 x 16.5cm (excluding frame) Provenance: Woolley and Wallis, Salisbury, The Studio Collection of John McKenzie, 4 April 2007, lot 25, where purchased by the present private collector £500-700

197

198 ‡ PAUL LANDOWSKI French 1875-1961

Bedouin with a Jug Signed and numbered P. Landowski II/9 and with La Stele and Cire Perdu Paris foundry marks (to base) Bronze 38.5 x 13 x 16.5cm £700-1,000

198

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

199 ‡ VIRGINIO PESSINA Italian 1906-1982

Standing female nude Signed VIRGINIO/PESSINA (to base) Marble 91 x 29.2 x 30cm £1,500-2,000

199

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

200

201

202

200 ‡ DORIS H. DE CARTERET 1897-1956

A Sussex farmyard Signed D H DE CARTERET (lower left) Oil on canvasboard 39.4 x 49.6cm £100-150

203

201 ‡ JEKA KEMP

202 WILFRID DE GLEHN RA

203 WILFRID DE GLEHN RA

Fishing boats in a Mediterranean harbour

Boating on the river

Landscape with trees and fields

Signed W G de Glehn (lower right) and inscribed and dated to my dear Dinah 1941 (lower left) Pencil and watercolour 39.4 x 48.2cm

Signed W G de Glehn (lower right) and inscribed and dated to my dear Louis & Dinah 1940 (lower left) Pencil and watercolour 39.4 x 49.4cm

Provenance: Given by the artist to his sister-in-law Dinah; And by family descent

Provenance: Given by the artist to his brother Louis and sister-in-law Dinah; And by family descent

£250-350

Scottish 1876-1966

Signed JEKA KEMP (lower left) Watercolour 63.7 x 63.7cm £150-250

1870-1951

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

204 PIERRE GASTON RIGAUD French 1874-1939

Misty morning in Queaux, France Signed P G RIGAUD (lower right) and further signed, inscribed and dated QUEAUX/MATIN BRUMEUX/sept 1937/PGR (to reverse) Oil on canvas 54.7 x 65.5cm £400-600

204

205

206

205 PIERRE GASTON RIGAUD

206 PIERRE GASTON RIGAUD

Landscape in Queaux, France

Le Bois D’Amour, Soleil Levant, Le Pyla

Signed P G RIGAUD (lower right) and further signed, dated and inscribed QUEAUX/P.G.RIGAUD/37 (to reverse) Oil on canvas 50.3 x 65cm

Signed and dated F G RIGAUD/1925 (lower right) and further inscribed and dated LE BOIS D’AMOUR/SOLEIL LEVANT/LE PYLA/1925 (to reverse) Oil on canvas 46 x 61.3cm

£300-500

French 1874-1939

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

207 ‡ MILDRED E. ELDRIDGE RWS 1909-1991

Studies of a Goldcrest, Willow Warbler, Greenfinch, Marsh Tit, Great Tit, Long-tailed Tit, and Blue Tit Signed, dated and inscribed Goldcrest Willow Warbler Greenfinch Marsh Tit Great Tit Longtailed Tit Blue Tit M.E.ELDRIDGE 1930 (along lower edge) and each bird inscribed with Latin name Pencil and watercolour 33.8 x 25.1cm Provenance: Spink, London £800-1,200

207

208

209

208 CIRCLE OF RAOUL MILLAIS

209 ‡ WINIFRED JOAN OPHELIA GORDON BELL

The bullfight Black chalk and watercolour 31.5 x 41cm £100-150

1883-1973

Pippa and Jack, two corgis in a landscape Signed W J Ophelia Gordon Bell (lower left) and inscribed LAKELAND’S/AT/CRUFTS/1964/”PIPPA” AND “JACK” (to backing board) Pencil and watercolour heightened with white 36.5 x 48.9cm £150-250 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

210

210 ‡ LIONEL EDWARDS 1878-1966

Polo at Tidworth Signed with initials and dated LE/1964 (lower right) Oil on canvasboard 23.3 x 33.7cm Provenance: Presented by the artist to his friend and veterinary advisor Major Eric Wallace, 1964; And by family descent £1,500-2,500

211 ARTHUR WARDLE 1864-1949

Leopard at rest Signed ARTHUR/WARDLE (lower right) Pastel 27.6 x 36.7cm Provenance: Woolley and Wallis, Salisbury, 24 September 2014, lot 253 £250-350

211 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

212 ‡ SIR MATTHEW SMITH CBE 1879-1959

Still life with fruit in a bowl and a sculpted head Watercolour 24.8 x 37.3cm Provenance: Sotheby’s, London, Modern British and Irish Paintings and Drawings, 7 March 1990, lot 93, where purchased by the previous private collector; And by family descent £1,200-1,800

212

213

214

213 ‡ SIR MATTHEW SMITH CBE

214 ‡ SIR MATTHEW SMITH CBE

Study of a seated mermaid

Two studies of a female nude

Pencil and charcoal 47.7 x 38.7cm

Charcoal 47.6 x 38.8cm

£300-500

1879-1959

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

215

215 ‡ SIR MATTHEW SMITH CBE 1879-1959

Still life with fruit Oil on canvas 25.5 x 35.9cm Provenance: Inherited from the artist by Penelope Salmond, his niece by marriage; And by family descent £5,000-7,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

216

217 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

218

216 ‡ LAURENCE STEPHEN LOWRY RA, RBA

217 ‡ LAURENCE STEPHEN LOWRY RA, RBA

218 ‡ LAURENCE STEPHEN LOWRY RA, RBA

Britain at Play

The Pond

Man Lying on a Wall

Signed L.S.Lowry (in pencil to margin) and with Fine Art Trade Guild blindstamp Reproduction print 44.8 x 58.8cm (image)

Signed L.S.Lowry (in pencil to margin) and with Fine Art Trade Guild blindstamp Reproduction print 42.7 x 57cm (image)

Signed and numbered 136/500 L S Lowry (in pencil to margin) Reproduction print 40.5 x 50.6cm (image)

£3,000-5,000

1887-1976

Provenance: The Quay Gallery, Poole, where purchased by the present private collector, May 1988 £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

100

219 ‡ JEAN YOUNG 1914-1995

Dockworkers Signed JEAN YOUNG (lower left) Oil on canvas 76 x 63.5cm £600-800

220 BRITISH SCHOOL 20th Century

Street scene with figures leaning against railings Oil on canvas 40.5 x 50.4cm £150-250

221 CIRCLE OF ROGER HAMPSON Workers outside a factory Oil on canvas laid on board 76.5 x 61cm Unframed £200-300

219

220

221 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

222

222 ‡ JOSEF HERMAN OBE, RA Polish 1911-2000

Mexican family walking through a landscape Oil on canvas 49.5 x 60cm Provenance: Roland, Browse & Delbanco, London; Where purchased by the previous owner, May 1971; And by family descent £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

102

223

223 ‡ EDWARD SEAGO RBA, ARWS, RWS 1910-1974

Landscape in Green and Grey (Ludham Marsh) Signed Edward Seago (lower left) Oil on board 41 x 60.5cm Provenance: Marlborough Fine Arts, London; Collection of Giseli Gresswell; Duncan R. Miller Fine Arts, London £10,000-15,000

223 (framed)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

224

224 ‡ EDWARD SEAGO RBA, ARWS, RWS 1910-1974

Red Dogwood, Winter Signed Edward Seago (lower left) Oil on board 39.5 x 59.5cm Provenance: Christie’s, London, Modern British and Irish Paintings, Watercolours and Drawings, 6 March 1992, lot 96 £4,000-6,000

224 (framed)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

104

225 ‡ ALAN REYNOLDS 1926-2014

Apple trees in the garden, Belvedere, Kent Signed and dated Reynolds 52 (upper left) and inscribed To Joe & Gladys (lower right) Pen and ink, and watercolour 27.1 x 37.4cm Provenance: Given by the artist to Joe and Gladys Kite as a wedding anniversary present Alan Reynolds had a studio in the home of Joe and Gladys Kite for six and a half years until 1954. £2,000-3,000

225

226

227

226 ‡ JAMES STROUDLEY

227 ‡ JAMES STROUDLEY

Shernden near Edenbridge

Still life with fruit and a blue and white jug

Signed Stroudley (lower left) Oil on board 49.8 x 75.2cm

Signed and dated Stroudley/51 (upper right) Oil on canvas 51 x 76.5cm

Provenance: The artist’s studio sale; Bonhams, 21 March 2000; Louise Kosman, Edinburgh (all according to label)

£400-600

1906-1985

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

228

228 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Still life with flowers in a vase Signed and dated Fedden 1946 (lower left) Oil on canvas 50.9 x 40.8cm £5,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

106

229

229 ‡ ROGER LIMOUSE French 1894-1989

Still life with a basket of flowers and an open book Signed R Limouse (upper left) Oil on canvas 54.4 x 65.4cm Provenance: Christie’s, London, Impressionist and Modern Paintings and Sculpture Part II, 4 December 1984, lot 475; Private Collection, London

230 ‡ CHRISTIAN HUGUES CAILLARD French 1899-1985

Still life with fruit, sunflowers, a basket and a pitcher Signed CAILLARD (lower left) Oil on canvas 52 x 61cm £200-300

£1,000-1,500

230 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

231

231 HENRI EPSTEIN

232 DAY VAN TRUEX

Still life with a bunch of flowers on a table

Still life with lemons on a charger

Signed H. Epstein (lower left) Oil on canvas 50.5 x 60.8cm

Signed Truex (lower right) Pen and ink, and grey wash 31.8 x 24.8cm

Provenance: Matsart Auctioneers, Jerusalem, 30 June 2009, lot 125, where purchased by the present private collector

Provenance: From the estate of the late Marguerite Littman

Russian/French 1892-1944

American 1904-1979

£500-800

£3,000-5,000

232 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

108

233

234

233 ‡ HUGH BOYCOTT-BROWN RSMA 1909-1990

Boats at Aldeburgh, Suffolk Signed Hugh Boycott Brown (lower right) Oil on canvasboard 35.7 x 45.6cm Provenance: Cheffins, Cambridge, 25 January 2018, lot 309 £500-800

234 ‡ LUIGI PAGAN

Italian 1907-1980

View of Canal Vena, from Ponte S. Giacomo looking towards Ponte Scarpa, Chioggia Signed Pagan (lower right) Oil on canvas 50.3 x 70.3cm Provenance: Frost and Reed £300-500

235 ‡ CYRIL LAVENSTEIN 1891-1986

View of Venice with Santa Maria della Salute Signed and dated LAVENSTEIN 27 (lower left) Oil on board 23.5 x 20cm £300-500

235

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109

236 ‡ JOHN BENTHAM-DINSDALE 1927-2006

A dreadnought in choppy waters Signed John Bentham-Dinsdale (lower left) and further signed John Bentham-Dinsdale, inscribed The U.S. Clipper Ship/ Dreadnought and extensively inscribed with the ship’s history (to reverse) Oil on canvas 100 x 126cm £2,000-3,000

236

237 FRANK KELSEY 1864-1932

A clipper and other boats in calm waters Signed F.KELSEY (lower right) Oil on canvas 51 x 61.5cm £600-800

237 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

110

238

239

238 ‡ WILLIAM GEAR RA, FRSA, RBSA

239 ‡ WILLIAM GEAR RA, FRSA, RBSA

Standing nude

Summer Landscape

Pen and ink, watercolour and bodycolour 46 x 30cm

Signed and dated Gear 60 (lower right) and further signed, inscribed and dated Gear/”SUMMER LANDSCAPE”/1960 (to reverse) Oil on canvas 60.6 x 50.8cm

Scottish 1915-1997

Executed in Paris, 1937 (according to label). £200-300

Scottish 1915-1997

£600-800

240 ‡ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Untitled

240

Signed and dated Gear ‘87 (lower right) Acrylic 29.3 x 39cm £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

241 ‡ HOWARD HODGKIN 1932-2017

Red Eye Signed with initials and dated HH 81 (lower centre) and with Solo Press blindstamp Lithograph using a red lipstick printed in black, with hand colouring by Cinda Sparling (b.1953) 26.4 x 31.4cm Unframed Howard Hodgkin first collaborated with Cinda Sparling in 1980. According to Richard Morphet, Hodgkin was able to ‘work through her in a strange combination of arm’s length with complete control. For him this collaboration has become like having an additional medium at his disposal’. £800-1,200

241

242 ‡ HOWARD HODGKIN 1932-2017

Bedroom Signed, dated and numbered 17/75 Hodgkin 68 (lower right) Lithograph, from the ‘Five Rooms’ series 51 x 64.7cm Unframed £500-800

242

243 ‡ HOWARD HODGKIN 1932-2017

You and Me Signed, dated and numbered 51/100 HH 78 (in pencil, lower centre) Lithograph with hand colouring 22.8 x 41.4cm Unframed £500-800

243 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

112

244 ‡ STANLEY WILLIAM HAYTER CBE 1901-1988

The Aquarius Suite: I, II, III, IV (Black & Moorhead 337-340) Four, each signed and dated S W Hayter 70 and numbered 57/150, 51/150, 56/150 and 57/150 respectively (in pencil to margin) Each screenprint Two 71.4 x 58.5cm; Two 58.5 x 71.4cm (sheet) Two unframed (4) £700-1,000

244

245 ‡ OSWALD PERRELLE French 1897-1992

Cubist Composition Signed E. Perrelle (lower right) Oil on canvas 80 x 60cm Provenance: Horta, Brussels, Objets de collection - tableaux anciens et modernes - mobilier - sculptures - tapis - orfevrerie - art-nouveau - ceramique verreries - bijoux, 9 November 2010, lot 343 £200-300

245 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

246 ‡ VICTOR VASARELY

247 ‡ RONALD GRIERSON

Caribe Negatif

Fruit and Flowers

Signed Vasarely (to label) Painted wooden relief multiple, an artist’s proof, published by Éditions Denise René, Paris 36 x 36 x 3.8cm

Signed and numbered Grierson 8/50 (in pencil, lower right) Linocut 24.2 x 29.7cm Unframed

Provenance: Christie’s, South Kensington, Victor Vasarely: Prints & Multiples, 19 July 2007, lot 43, where purchased by the present private collector

Provenance: The Redfern Gallery, London, where purchased by Miss M. Pilkington, July 1934

Hungarian/French 1906-1997

1901-1993

£300-500

£1,200-1,800

248 ‡ SIR TERRY FROST RA 1915-2003

Red Ochre Black (Kemp 134) Signed and dated Terry Frost 92 (lower right) and numbered 44/50 (lower left) Screenprint 75.6 x 55.6cm (sheet) £600-800

246

247

248

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

114

249 ‡ ALAN REYNOLDS 1926-2014

Drawing 78.9 Signed with initials and inscribed AR.78.9 (lower right to mount) and further signed and inscribed Reynolds 78.9./”DRAWING.78.9.”/For Sho** from Alan 27/9/82/ Lead pencil on Card (to backing board) Lead pencil on paper laid on card 35.4 x 27.9cm Provenance: Annely Juda Fine Art, London; Galerie Renée Ziegler, Zurich £800-1,200

249

250 MARK TOBEY

American 1890-1976

Komposition Schwarz Signed and numbered 15/85 Tobey (in pencil) and with Erker Presse blindstamp Lithograph, 1972 35.5 x 26.5cm £150-250

250 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

251 ‡ DAME BARBARA HEPWORTH 1903-1975

Winter Solstice Signed and numbered Barbara Hepworth/40/150 (in pencil lower right) Screenprint, 1971 29.2 x 24cm (sheet) £1,000-1,500

251

252 ‡ VICTOR PASMORE CH, CBE 1908-1998

Untitled (from IAA Portfolio) Signed with initials, dated and inscribed P/P VP/75 (in pencil to margin) Etching and aquatint, a printer’s proof aside from the edition of 75 25.3 x 38.1cm (plate) Provenance: Gerrish Fine Art, where purchased by the present private collector, January 2020 £400-600

252 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

116

253

253 ‡ JOHN WELLS 1907-2000

Thoughts of Spring Inscribed Thoughts of Spring and with studio stamp (to reverse) Oil on card 35.7 x 37.2cm Provenance: Jonathan Clark & Co, London, where purchased by the present private collector £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

117

254

254 ‡ PAUL FEILER 1918-2013

Levant II Signed, inscribed and dated PAUL FEILER/LEVANT II/6 6 60 (to reverse) Oil on canvas 35.5 x 40.9cm Provenance: Redfern Gallery, London; Where purchased by Harry Bernard, 27 July 1960; Private Collection, UK £10,000-15,000

254 (framed) Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

118

255 ‡ ÉDOUARD PIGNON French 1905-1993

Battage Signed and dated 62/Pignon (lower left) and inscribed “Battage”/Filaciano/300/Pignon/62 (to reverse) Oil on canvas 46.1 x 55.4cm Provenance: Sotheby’s, London, 26 June 1967, lot 107; Mallams, Oxford, Modern & Post-War British Art, 10 December 2015, lot 539; Woolley and Wallis, Salisbury, Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet, 26 August 2020, lot 237 £800-1,200

255

256 ‡ JERZY STAJUDA Polish 1936-1992

Abstract in greens Signed and dated Jerzy Stajuda 73 (to reverse) Oil on canvas 65.7 x 130.1cm £400-600

256

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

119

257 ‡ TREVOR BELL 1930-2017

Façade Signed and dated BELL 59 (lower right) and further signed and inscribed FAÇADE/BY TREVOR BELL (to reverse) Oil on board 60.3 x 45.4cm Provenance: The Waddington Galleries, London £1,000-1,500

257

258 ‡ WILLIAM JOHNSTONE OBE 1897-1981

Brown Space Signed William Johnstone (to verso) Oil on canvas, c.1958 63.7 x 76cm Provenance: Collection of the artist; Duncan R. Miller Fine Arts, London; Private Collection, UK; Duncan R. Miller Fine Arts, London; Private Collection, UK £1,000-2,000

258 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

120

259 ‡ JULIAN TREVELYAN RA

260 ‡ ROBERT TAVENER RE

Pool of London

Sunflowers and Cottage

Signed and inscribed Artists Proof Pool of London Julian Trevelyan (in pencil to margin) Etching and aquatint, 1969, from the ‘Thames Suite’ 47.2 x 35.2cm (plate)

Signed, numbered and inscribed 11/70 Sunflowers and Cottage Robert Tavener R.E. (in pencil to margin) Linocut 41 x 65.5cm (image)

1910-1988

£200-400

£200-300

261 ‡ PATRICK PROCKTOR RA

262 ‡ R. B. KITAJ RA

Cataract, Aswan

Truman in the White House (A Romance); La Fabbrica

1936-2003

Signed and inscribed AP VIII/X for Marguerite with love Patrick Procktor (in pencil to margin) Lithograph, 1985 45.6 x 61cm Provenance: From the estate of the late Marguerite Littman £200-300

American 1932-2007

Two, the former signed and numbered Kitaj 24/70 (in pencil to margin); the latter signed and inscribed for M and M, love Kitaj AP (in pencil to margin) The former screenprint; the latter lithographic poster 68.5 x 103cm (sheet); 92.5 x 59.6cm (sheet) (2) Provenance: From the estate of the late Marguerite Littman £300-500

259

260

1920-2004

261

262 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

121

263 America: The Third Century The complete portfolio of thirteen prints comprising William H. Bailey (American 1930-2020), Still Life with Eggs, Candlestick and Bowl, collotype; James Brooks (American 1906-1992), Concord, silkscreen; Christo (Bulgarian 1935-2020), Texas Mastaba, lithograph with silkscreen and collage on chipboard; Allan D’Arcangelo (American 1930-1998), Beginning, lithograph with silkscreen and embossing; Roy Lichtenstein (American 1923-1997), Bicentennial Print, lithograph with silkscreen; Constantino Nivola (Italian 1911-1988), City, lithograph with silkscreen; Robert Andrew Parker (American b.1927), Sunrise, lithograph; Robert Rauschenberg (American 1925-2008), Deposit, silkscreen with hand colour; James Rosenquist (American 1933-2017), Miles, silkscreen with airbrush; Edward Ruscha (American b.1937), America Whistles, lithograph; Raymond Saunders (American b.1934), Duck Out of Water, lithograph with silkscreen and collage; Ben Schonzeit (American b.1942), Yankee Flam, collotype; and Velox Ward (American 1901-1994), The Home My Daddy Built, collotype Thirteen, each signed by the artist and numbered 83/200, with title and colophon pages, loose (as issued) within the original portfolio box Each 76.3 x 56.3cm (sheet); 80.9 x 60.5cm (box) Provenance: Adi Gallery, San Francisco, where purchased by the present private collector, August 1976 £6,000-8,000

263 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

122

264 ‡ FRANÇOIS DREULLE French b.1940

Portrait of a lady holding an umbrella Signed F Dreulle 1964 (lower centre) Collage 45.5 x 32.7cm £600-800

265 ‡ FRANÇOIS DREULLE French b.1940

Cubist composition Signed, dated and inscribed F.Dreule Paris 1974 (lower right) Collage 28.1 x 18cm £300-500

266 ‡ FRANÇOIS DREULLE French b.1940

Cubist composition Signed and dated F.Dreulle 71 (lower right) Collage 27.4 x 18.4cm £300-500

264

265

266 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

123

267 ‡ FRANÇOIS DREULLE French b.1940

Still life with a violin Signed and dated F.Dreulle 1964 (lower centre) Collage 45.8 x 37.8cm £600-800

267

268 ‡ FRANÇOIS DREULLE French b.1940

Still life with a guitar Signed, dated and inscribed F.Dreulle 66 paris (lower right) Collage 25.4 x 17.6cm £300-500

268

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

124

269 ‡ DORA HOLZHANDLER French 1928-2015

Lovers in Winter Signed and dated DORA HOLZHANDLER 2003 (lower right) Oil on canvas 29 x 45cm Provenance: Piano Nobile Fine Paintings, London, 5 May 2006 £700-1,000

269

270

270 ‡ DORA HOLZHANDLER French 1928-2015

Lady in a garden with roses; Lady with a butterfly; Child on a rug - Athene; Lady with purple flowers Four, one signed and dated 2000/DORA HOLZHANDLER (lower right); one inscribed ATHENE (upper centre) and signed and dated DORA HOLZHANDLER 90 (lower right);

one signed and indistinctly dated DORA HOLZHANDLER 8* (lower right) One pastel; three watercolour, and pen and ink Largest 31 x 18.8cm; Smallest 16.8 x 10.5cm (4) £500-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

271 ‡ HENRYK GOTLIB Polish 1890-1966

Girls in Cascais Signed and dated GOTLIB 66 (lower right) Oil on canvas 63.5 x 76.5cm Provenance: Mrs Janet Gotlib, the artist’s widow, 1970; Woolley and Wallis, Salisbury, Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet, 26 August 2020, lot 249 Exhibited: Edinburgh, Scottish National Gallery of Modern Art, Henryk Gotlib 1890-1966, July-August 1970, no.48; Surrey, Ashgate Gallery, Henryk Gotlib - Paintings, Watercolours, Drawings, October 1974; Surrey, University of Surrey Library Gallery, Henryk Gotlib Exhibition, 1982 £800-1,200

271

272

272 C. PENN

273 ‡ POUL S. NIELSEN

Figures in a New York bar

Portrait of a girl seated by a window

Signed C.Penn (lower right) Oil on canvas 46.7 x 57.4cm

Signed with monogram and dated 76 (lower left) and further signed Poul Nielsen (to reverse) Oil on canvas 75.3 x 40.5cm

20th Century

Provenance: Betty Parsons Gallery, New York, where purchased by the present private collector, 1967 £100-150

Danish 1920-1988

£200-300

273

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

126

274 ‡ SIR COLVILLE BARCLAY BT. 1913-2010

Landscape with olive trees, mountains beyond Signed Barclay (lower left) Oil on canvas 40.5 x 51cm £200-300

275 ‡ A. L. BELL

Mid 20th Century

Spring over Hurst Park Signed and dated A.L.Bell 1946 (lower right) Oil on canvas 39.1 x 47.1cm Unframed Provenance: Gorringes, Lewes, 10 February 2010, lot 898 £50-100

274

276 ‡ CHARLES BROOKE FARRAR 1899-1979

Continental landscape with a town in the distance Signed and dated C B Farrar/46 (lower right) Oil on canvas 41.2 x 61.8cm Provenance: From the estate of the late Marguerite Littman

275

£200-300

276

277

277 ‡ CHARLES BROOKE FARRAR 1899-1979

View of Sonchamp, France; View of San Gimignano, Italy Two, both signed C B Farrar (lower right) Both oil on board 14 x 23.8cm; 26.3 x 45.2cm (2)

Provenance: From the estate of the late Marguerite Littman £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

278 ‡ JAMES LE JEUNE RHA Irish 1910-1983

Figures drinking in a tavern Signed J LE JEUNE (lower left) Oil on canvas 40.7 x 50.8cm £1,000-1,500

278

279

279 ‡ KARL HAGEDORN RBA, RI, RSMA, NEAC, NS

280 ‡ KARL HAGEDORN RBA, RI, RSMA, NEAC, NS

View of a busy harbour

Gypsy encampment

Signed and dated Karl Hagedorn 63 (lower left) Watercolour, and pen and ink, heightened with white 29.5 x 66.4cm

Signed and dated Karl Hagedorn/47 (lower left) Oil on canvas 60.8 x 81.3cm

German 1889-1969

£150-250

German 1889-1969

280

£500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

128

AMERICAN AND CANADIAN ART FROM THE COLLECTION OF IAN MURRAY

LOTS 281-288 AMERICAN AND CANADIAN ART FROM THE COLLECTION OF IAN MURRAY 281 ‡ CARL RUNGIUS

German 1869-1959

Above Timberline Signed and inscribed To Arthur H. Harlow Jr from C. R. C. Rungius (in pencil to margin) Etching and drypoint 20.1 x 27.7cm (plate) Provenance: Arthur H. Harlow Jr (1908-1966); Kennedy Galleries, New York; Where purchased by Ian Murray, April 1970; And by family descent £1,000-1,500

281

282 ‡ CARL RUNGIUS

German 1869-1959

Coming to the Call Signed and inscribed To Arthur H. Harlow Jr from C. R. C. Rungius (in pencil to margin) Etching and drypoint 20.1 x 27.7cm (plate) Provenance: Arthur H. Harlow Jr (1908-1966); Kennedy Galleries, New York; Where purchased by Ian Murray, April 1970; And by family descent £1,000-1,500

282 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

AMERICAN AND CANADIAN ART FROM THE COLLECTION OF IAN MURRAY

283

283 ‡ CARL RUNGIUS

German 1869-1959

Banff, Alberta Signed C Rungius (lower right) Oil on canvas 41.3 x 51.4cm Provenance: Dominion Gallery, Montreal; Where purchased by Ian Murray, April 1970; And by family descent £7,000-10,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

129

130

AMERICAN AND CANADIAN ART FROM THE COLLECTION OF IAN MURRAY

284 ALEX COLVILLE

Canadian 1920-2013

The Ballad of the Foxhunter: I, II, II, IV Four, each signed and dated Alex Colville 1959 (in pencil lower right of image) and Scene IV inscribed by Kind permission of Mrs. W.B.Yeats (in pencil lower right) Each screenprint, from the edition of 25 Each 44.8 x 24.5cm (4) Provenance: Collection of Ian Murray; And by family descent £1,000-1,500

285 SUSAN ANDRINA ROSS Canadian 1915-2006

Indigenous family by a campfire Signed SARoss (lower right) and inscribed by a later hand “INDIAN FAMILY”/by SUSAN ROSS - 1963 (to backing board) Pen and watercolour 29.6 x 24.5cm Provenance: Collection of Ian Murray; And by family descent £100-200

284

285

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

AMERICAN AND CANADIAN ART FROM THE COLLECTION OF IAN MURRAY

131

286 MILLER GORE BRITTAIN Canadian 1912-1968

Folly Signed with initials and dated MGB 51 (lower left) Gouache 45 x 57.5cm Provenance: Collection of Ian Murray; And by family descent £1,500-2,500

286

287

287 MILLER GORE BRITTAIN Canadian 1912-1968

Chesley Street, Saint John Signed with initials and dated MGB 37 (lower right) Pastel 34.3 x 40.2cm

288 Provenance: Collection of Ian Murray; And by family descent £1,200-1,800

288 MILLER GORE BRITTAIN

Canadian 1912-1968

Samson Signed with initials and dated MGB/50 (lower right) Pastel and gouache 57.2 x 44.5cm

Provenance: Collection of Ian Murray; And by family descent Exhibited: Ottawa, National Gallery of Canada, Six East Coast Painters, 1961, no.1 £1,200-1,800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

132

289

290

289 ‡ DONALD FRIEND

290 ‡ JOHN NANKIVELL

Sri Lankan Market

View of the Gumbaz at Srirangapatna, tomb of Tippu Sultan and his father, Hyder Ali

Australian 1915-1989

b.1941

Signed and inscribed Donald Friend Ceylon (upper right) Watercolour and bodycolour 34.7 x 50.5cm £300-500

Signed and dated nankivell 1973 (lower centre) Pencil 46.7 x 59.9cm £200-300

291

291 ‡ EDWARD MILLINGTON-DRAKE 1932-1994

View of the Taj Mahal; View of Gwalior Fort Two, the former signed and inscribed Taj Mahal Agra Millington Drake (lower left); the latter signed and inscribed The palace of Man Singh seen from an 11th Century temple at Gwalior Millington Drake (lower left) Both charcoal and watercolour 48.4 x 68.2cm; 54.4 x 74cm (2) Provenance: From the estate of the late Marguerite Littman £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

133

292 ‡ WALTER LANGHAMMER Austrian 1905-1977

Studies of an Indian figure with his cart pulled by cows Signed W Langhammer (lower left) Oil on canvasboard 36.7 x 39.2cm £800-1,200

293 MANISHI DEY

Indian 1909-1966

Portrait of a woman wearing a white headscarf; Portrait of a woman wearing a black headscarf A pair, both signed and dated MANISHI DEY/1936 and with artist’s seal (lower right) Both watercolour and bodycolour 26.4 x 21.5cm; 26.8 x 21.7cm (2) £700-1,000

292

293 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

134

294

295

294 FAN CHANG JIANG

295 ZHANG DEFU

The Parasol; Wildflowers

Summer river scene with a barge and tender; Autumn river scene with two barges by the bank

Chinese 20th Century

Chinese b.1932

Two, both signed with artist’s seal (lower right) Both encaustic on rice paper 70.5 x 52.5cm; 56 x 56cm (2) Provenance: Both with J. R. Guettinger Gallery, Hong Kong, where purchased by the present private collector, 1994 and 1993; Collection of Caroline Brown £200-300

Two, the former signed with Chinese characters and dated 1992.4.2 (lower left); the latter signed with Chinese characters and dated 1992.12.5 (lower right) Both watercolour 55 x 74cm; 42 x 60cm (2) Provenance: Both with J. R. Gruettinger Gallery, Hong Kong; Woolley and Wallis, Salisbury, Paintings, 5 June 2013, lot 162 £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135

296

296 HAJI WIDAYAT

Indonesian 1919-2002

Picnic No. 1 Signed, inscribed and dated Widajat/84/PICNIC I (lower left) Oil on canvas 138.8 x 140.7cm Provenance: Christie’s, Hong Kong, Asian 20th Century Art, 26 May 2013, lot 3489; Property from the Estate of Roland Baker dec’d £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

136

297

297 ‡ JULES RENÉ HERVÉ French 1887-1981

Market on the Île de la Cité, Paris, with Notre Dame beyond; View of a Paris street A pair, both signed twice Jules R Hervé (lower left and to reverse) Both oil on canvas Both 22.2 x 27.7cm (2) £1,000-1,500

298 ‡ JULES RENÉ HERVÉ French 1887-1981

Landscape with children playing by a stream Signed twice Jules R Hervé (lower left and to reverse) Oil on canvas 100.5 x 80.3cm £700-1,000

298 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

137

299

299 ‡ JULES RENÉ HERVÉ French 1887-1981

View of Paris by the Seine with Bouquinistes and Notre Dame in the distance Signed Jules R. Hervé (lower left) and further signed and inscribed Jules R. Hervé/Derriere Notre Dame Les Bouquinistes (to reverse) Oil on canvas 65 x 80cm £800-1,200

300 ‡ JULES RENÉ HERVÉ French 1887-1981

Place de la Concorde, Paris Signed twice Jules R. Hervé (lower left and to reverse) Oil on canvas 38.5 x 46cm £400-600

300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

138

301

302

303

304

301 ‡ ERNEST KNIGHT

302 ‡ JAMES FRY

303 MARY MCCROSSAN

View of Chepstow Castle across the River Wye

Corfe Castle

Signed James Fry (lower right) Oil on board 19.7 x 34.4cm

Signed and dated M.McCROSSAN/192* (lower right) Pencil and watercolour 24.6 x 34.5cm

1915-1995

Signed Ernest Knight (lower right) Oil on canvas 51.3 x 60.9cm £100-200

1911-1985

£150-250

£100-150

304 ‡ BARBARA MARSH

305 ‡ ROBERT BRUCE

A sunlit avenue of trees

Bridge over a river

Oil on canvas 40.7 x 50.8cm

Signed Robert Bruce (lower right) Oil on board 45.7 x 25.3cm

20th Century

£300-500

1865-1934

20th Century

Provenance: Private Collection, UK £150-250

305 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

139

306 ‡ JAMES LONGUEVILLE PS, RBSA b.1942

The Wooden Bridge, Venice Signed James Longueville (lower left) Pastel 27 x 38cm Provenance: Sarah Samuels Fine Paintings, Rossett £400-600

306

307

308

307 ‡ JAMES LONGUEVILLE PS, RBSA

308 ‡ JAMES LONGUEVILLE PS, RBSA

Morning Light, Capri

Below the Old Dee Bridge, Chester

Signed James Longueville (lower right) Pastel 46 x 67.4cm

Signed James Longueville (lower right) Pastel 27 x 37cm

Provenance: Sarah Samuels Fine Paintings, Rossett

£300-500

b.1942

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

140

309 ‡ MARY POTTER OBE 1900-1981

Figures on the beach; Kites on the beach Two, both watercolour 15.8 x 18.3cm; 13.9 x 14.8cm (2) Provenance: Both with Thompson’s, Aldeburgh £300-500

309

310

310 ‡ WILLIAM STOBBS

311 ‡ JON DAVIS

Studies for illustrations from ‘The Whole World Storybook’: Suddenly the Great Crocodile Appeared; Seemingly Suspended from the Clouds, the Princess Sat in the Swing; Huts on the Edge of a Forest

Illustration for ‘Rupert the Bear’; I’m Very Hungry, Says the Elephant

Three, two inscribed with titles, and each inscribed with printing notes Each pen and ink, and watercolour heightened with white Largest 40 x 28.9cm; Smallest 39.4 x 27.6cm Unframed (3)

Provenance: Chris Beetles Ltd, London

1914-2000

Provenance: ‘Great Crocodile’ with Abbott and Holder, London; Private Collection, UK Studies for illustrations from Marcus Crouch, The Whole World Storybook (Oxford University Press, 1983). £100-150

b.1928

Pen and ink, and watercolour 15.9 x 14.8cm

Literature: Len Collis, Rupert and the Yellow Elephant (Dragon Books, 1986) Exhibited: London, Chris Beetles, The Illustrators: The British Art of Illustration 1800-1991, no.645 £100-150

311 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

141

312

313

312 ‡ SIR HUGH CASSON CH, KKCVO, PRA, RDI 1910-1999

314

313 KENNETH JACK AM, MBE, RWS

Lymington Ferry; Mountain Farmhouse, Aegina

Australian 1924-2006

Two, the former signed with initials HC (lower right); the latter signed with initials HC (lower right) and inscribed mountain farmhouse/Aegina (lower left) Both pencil and watercolour 5.6 x 8.9cm; 6.1 x 11.4cm (2)

Wet Weather, Worcester Signed and dated KENNETH JACK 1992 (lower left) Watercolour with scratching out 34.4 x 53.6cm

Provenance: ‘Lymington Ferry’ with The City Gallery, London; Both with Thompson’s Aldeburgh

Provenance: Bankside Gallery, London

£200-300

£100-150

314 KENNETH JACK AM, MBE, RWS

315 BRITISH SCHOOL

View of Wollombi, New South Wales

View of a hillside village by a river

Australian 1924-2006

Signed and dated KENNETH JACK/1993 (lower right) Watercolour 35.6 x 53.2cm Provenance: Bankside Gallery, London

20th Century

Gouache 46.6 x 29.6cm £100-200

£200-300

315 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

142

316

317

316 HENRY KOEHLER

317 HENRY KOEHLER

Polo players

Meeting the jockey

Signed Henry Koehler (lower left) Mixed media on paper 50 x 37cm

Signed Henry Koehler (lower right) Mixed media on paper 50.2 x 37.2cm

Provenance: Wildenstein & Co.

£500-700

American b.1927

318 ‡ MARA MCGREGOR 20th Century

Portrait of Kalaglow Signed Mara McGregor (lower left) Oil on canvas 50.9 x 50.9cm, framed as a roundel £150-250

318

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

143

319

320

321

319 ‡ RICHARD JOHN MUNRO DUPONT

321 ‡ NICHOLAS TOLLEY

Before the start

Lester Piggott in E. Moller’s colours; Joe Mercer in Sir Michael Sobell’s colours; Pat Eddery in Miss S. Kane’s colours; Two jockeys at the start; Portrait of Harry ‘Jim’ Joel

1920-1977

Signed R J M Dupont (lower right) Oil on canvas 51 x 61cm £300-500

320 ‡ RICHARD JOHN MUNRO DUPONT 1920-1977

Pearl Diver, the Derby winner, 1947 Signed R J M Dupont (lower left) Oil on canvas 51 x 61.2cm £300-500

b.1958

Five, each signed Nicholas Tolley and dated 83, 84, 83, 85, and 87 respectively Four gouache; One acrylic on board Four 16.5 x 11.6cm; One 34.2 x 19.1cm (5) Provenance: Four with David Ker Fine Art, London £200-300

322

322 ‡ DAVID VIVIANS 20th Century

Portman Hunt Race; Isle of Wight Adjacent Hunts A pair, both signed David/Vivians (lower right), the former inscribed and dated PORTMAN HUNT RACE/4PM 1965 (lower left), the latter inscribed and dated I.O.W ADJACENT HUNTS/4.30 7.5.66 (lower left) Both oil on board Each 43.7 x 69cm (2) Provenance: Woolley and Wallis, Salisbury, 20th Century and Contemporary Art, 8 June 2016, lot 227 £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

144

323

323 ‡ COLIN SEE-PAYNTON

324 ‡ NEIL COX

325 ‡ ROGER MCPHAIL

Great Horned Owl; Great Grey Owl; Barn Owl II

We’ve Got Our Eyes On You…

Barbel (Barbus Barbus)

Three, each signed and inscribed with title and A/P, 36/100 and A/P respectively (in pencil to margin) Each wood engraving Largest 24.8 x 20.1cm; Smallest 31.8 x 15.3cm (image) (3)

Signed Neil Cox (lower right) Acrylic on board 50.8 x 28cm

Watercolour 21.2 x 30.5cm

b.1946

b.1955

£300-500

Provenance: Wren Gallery, Burford

b.1953

£150-250

£250-350

324

325 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

145

326 ‡ JOHN CYRIL HARRISON 1898-1985

Buzzards on a branch Signed JCHarrison (lower right) Pencil, watercolour and bodycolour 51 x 38cm Provenance: Mandell’s Gallery, Norwich Literature: Leslie Brown and Dean Amadon, Eagles, Hawks and Falcons of the World (London, Country Life Books, 1968), pl.84 £1,500-2,500

326

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

146

327

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

147

328

327 ‡ ARTHUR DELANEY

328 ‡ ARTHUR DELANEY

Manchester Cathedral

Brooks Bar, Manchester

Signed Arthur/Delaney (lower left) and extensively inscribed (to backing board) Oil on board 40.4 x 31cm

Signed Arthur/Delaney (lower right) Oil on board 27.7 x 33.8cm

1927-1987

£2,000-3,000

1927-1987

£2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

148

329 ‡ WILLY EISENSCHITZ Austrian 1889-1974

Paysage avec arbres Signed W. Eisenschitz (lower right) Pastel 29.5 x 39cm £400-600

329

330

330 ‡ WILLY EISENSCHITZ

331 ‡ JEAN KEVORKIAN

Paysage avec petit bateau

La Petite Maison pres de L’Étang aux Nenuphars

Austrian 1889-1974

With artist’s studio stamp (lower left) Pastel 34.5 x 45.5cm £400-600

French b.1933

Signed Jean Kevorkian (lower left) and further signed and inscribed la petite maison pres de l’Étang aux Nenuphars/ Jean Kevorkian (to reverse) Oil on canvas 100 x 100cm £600-800

332 ‡ YOLANDE ARDISSONE

333 FRENCH SCHOOL

Brittany cottages by a village pond

River landscape with a village on the far bank

French b.1927

Signed Ardissone (lower centre) Oil on canvas 33 x 46cm £400-600

Indistinctly signed M**ty (lower right) Oil on canvas 50.4 x 100.4cm Provenance: Omell Galleries, London £300-500

331

332

20th Century

333

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

334

335

334 VLADIMIR PENTYUKH Ukrainian b.1965

Flood Signed in Cyrillic (lower right) and further signed and inscribed in Cyrillic and dated 1995 (to reverse) Oil on canvas 68.5 x 109cm Provenance: Paul Hawkins Gallery, London; Bonhams, London, 20th Century Russian Paintings, 1 April 1998, lot 437 £400-600

336

335 ‡ LOUIS PARRENS

336 POLA AΟVAZIAN-ROSSI

Breton fishermen preparing their nets and baskets

Coastal landscape with figures on a beach and a fishing boat; Market scene with figures around a flower stall

1904-1993

Signed L.Parrens (lower left) Oil on canvas 46.3 x 60.9cm £300-500

Swiss 1914-1967

Two, the former signed Aοazian (lower left) Both oil on canvas 33.2 x 41cm; 33.4 x 41.3cm (2) £200-300

337 ROBERT VALLIN French d.1915

The coast at Étretat Signed, indistinctly dated and inscribed Robert Vallin/Etretat *8 (lower left) Oil on board 33 x 40.7cm Provenance: Mellors & Kirk, Nottingham, 15 September 2016, lot 739

337

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

150

338 ‡ PIERRE COURTENS Belgian 1921-2004

Femme de profil sur fond bleu; Sachet de soupe déchiré Two, the former signed P. Courtens (upper left); the latter signed and indistinctly inscribed Courtens *** (lower right) and inscribed Sachet de soupe déchiré (to label) Both oil on board 62.5 x 49cm; 81 x 60cm (2) Provenance: Yann Le Mouel, Paris, Tableaux - Vente d’Ateliers, 30 March 2008, lots 214 and 246 respectively £300-500

339 ‡ PIERRE COURTENS Belgian 1921-2004

338

Homme de profil Signed and indistinctly inscribed Courtens *** (lower right) Oil on canvas 100 x 65cm Provenance: Yann Le Mouel, Paris, Tableaux - Vente d’Ateliers, 30 March 2008, lot 240 £200-300

340 ‡ PIERRE COURTENS Belgian 1921-2004

Femme Signed and indistinctly inscribed Courtens *** (upper right) Oil on canvas 73 x 60cm Provenance: Yann Le Mouel, Paris, Tableaux - Vente d’Ateliers, 30 March 2008, lot 184

339

£200-300

340

341 ‡ PIERRE COURTENS Belgian 1921-2004

Le Couple Signed and indistinctly inscribed Courtens *** (upper right) Oil on canvas 65 x 81cm Provenance: Yann Le Mouel, Paris, Tableaux - Vente d’Ateliers, 30 March 2008, lot 173 £200-300

341 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

151

342 ‡ PIERRE COURTENS Belgian 1921-2004

Pierrot; Profil; Rêve Three, each signed and indistinctly inscribed Courtens ***, the latter two inscribed with titles (to labels) Each oil on canvas One 80 x 52.5cm; two 55 x 46.5cm (3) Provenance: ‘Pierrot’ and ‘Profil’ with Yann Le Mouel, Paris, Tableaux - Vente d’Ateliers, 30 March 2008, lots 170 and 222 respectively £300-500

342

343 ‡ PIERRE COURTENS Belgian 1921-2004

Portrait de profil; Homme Two, the former signed and indistinctly inscribed P. Courtens *** (lower right) and further signed and indistinctly inscribed Courtens/*** (to reverse); the latter signed and inscribed Courtens/93100 (lower left), indistinctly inscribed *** (lower right) and signed and indistinctly inscribed Courtens/93100/*** (to reverse) Oil on board; Oil on canvas 81 x 65cm; 80 x 80cm (2) Provenance: Yann Le Mouel, Paris, Tableaux - Vente d’Ateliers, 30 March 2008, lots 241 and 175 respectively £200-300

343

344 ‡ PIERRE COURTENS

345 ‡ PIERRE COURTENS

Homme en pied sur fond rayé (recto); Abstract composition (verso)

Personnage sortant sur fond vert

Belgian 1921-2004

Signed Courtens (to verso, lower right) Oil on board 93 x 49cm Provenance: Yann Le Mouel, Paris, Tableaux - Vente d’Ateliers, 30 March 2008, lot 233 £200-300

Belgian 1921-2004

Signed and indistinctly inscribed Courtens/*** (lower right) and further signed and indistinctly inscribed Courtens/*** (to reverse) Oil on board 72 x 53cm Provenance: Yann Le Mouel, Paris, Tableaux - Vente d’Ateliers, 30 March 2008, lot 242 £150-250

344

345

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

152

346

346 ‡ GENEVIÈVE DAËL French b.1947

A building and seagull sinking beneath the waves Signed G. Daël (lower right) Oil on canvas 49.3 x 78.2cm £1,000-1,500

347 ‡ RICARDO CINALLI Argentinian b.1948

La Jaula

347

Signed, inscribed and dated Cinalli/La Jaula MCMXCV (lower right) and further signed and twice inscribed with title Tempera on board within an intrinsic box frame with painted internal sides 105.3 x 23.1 x 4.5cm £300-400

348 ‡ M. LAWRENCE 20th Century

The open window Signed and dated M Lawrence 72 (centre right) Pencil and watercolour 49.4 x 34.4cm £200-300

348

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

153

349 ‡ GOTTFRIED HELNWEIN Austrian b.1948

Marlene Dietrich Signed by the artist and the sitter and numbered M Dietrich G Helnwein 107/280 (in pencil to margin) Reproduction print 49.8 x 49.8cm (image) £700-1,000

349

350 ‡ ROBERT O’RORKE b.1945

Sweet Dreams Oil and collage on two boards 69.7 x 41.2cm (overall) £400-600

350 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

154

351

351 ‡ SIR ROBIN PHILIPSON RA, PPRSA, FRSE, RSW 1916-1992

Times Revisited Signed and dated Robin Philipson/1986 (to reverse) Oil on board 76.2 x 76cm Provenance: Private Collection, UK; Duncan R. Miller Fine Arts, London; Private Collection, UK £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

155

352

352 BOB MARCHANT Australian b.1938

Flamingos wading in a pond Signed and dated Bob Marchant 1980 (lower right) Oil on canvas 152.5 x 182cm Provenance: Property from the Estate of Roland Baker dec’d £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

156

353 CIRCLE OF DENIS MITCHELL Abstract form Polished bronze on a slate base 31.8 x 10 x 2.4cm (excluding base) Provenance: David Lay Auctions, Penzance, 22 July 2021, lot 280; Private Collection, UK £300-400

353

354 ‡ RICHARD HUDSON b.1954

Mother and Child Signed and numbered Hudson 2/9 (to base) Bronze 67.5 x 39.4 x 27.1cm Literature: Lynne Green, The Unholy Likeness of Being: Sculpture by Richard Hudson, exh. cat. (Leeds, 2006), no.22 (another cast illustrated) £500-700

354

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

157

355 ‡ CHRIS BUCK b.1956

Sculptural form Signed with initials, dated and numbered CB/III/IX/2008 (to edge) Green patinated and polished bronze on a slate base 69.1 x 24.3 x 1.2cm (excluding base) Provenance: Market House Gallery, Marazion; David Lay Auctions, Penzance, 13 May 2021, lot 105, where purchased by the present private collector £2,000-3,000

355

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

158

356 ‡ LORENZO QUINN Italian b.1966

Gravity Male Signed and numbered Lorenzo/UK 286/495 Resin and bronze 41.5 x 28.3 x 9.8cm £800-1,200

356

357 ‡ LORENZO QUINN Italian b.1966

Give and Take Signed and numbered Lorenzo/U.K.034/495 Resin on a stone base 45 x 41.8 x 16.1cm (including base) £800-1,200

357

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

159

358

358 ‡ PAUL KIDBY b.1964

Obsidian Signed with monogram and numbered 5/12 (to lower right hind leg) Bronze on a marble base 23.5 x 77.8 x 19.9cm (including base) Provenance: The Arthouse Gallery, Bournemouth, February 2012 £2,500-3,500

359 ‡ SALLY ARNUP 1930-2015

Swan preening its feathers Signed and numbered II/X/ARNUP (to wing) Bronze on a stone base 13.5 x 17 x 8.2cm (including base) £300-500

359

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

160

360 DYLAN LEWIS

South African b.1964

Leopard Lying on Elbows Maquette Signed and inscribed Dylan Lewis AP/1 (near tail) Bronze, cat. no.S144/AP1, cast July 2001 (according to plaque on underside) 21.3 x 59 x 12.5cm £12,000-18,000

360

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

161

361

361 DYLAN LEWIS

South African b.1964

Leopard torso Signed, dated and numbered Dylan Lewis/2000 9/12 (to base) Bronze on an integral rectangular base 39 x 75.5 x 13cm £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

162

362 DYLAN LEWIS

South African b.1964

Sunbathing Dove I Signed and numbered 1/15 Dylan Lewis and with Sculpture Casting Services foundry mark (to base) Bronze, cat. no.S169/1, cast January 2002 (according to plaque on underside) 9.4 x 20 x 19.7cm £2,000-3,000

362

363 ‡ MARK CORETH b.1958

Snow Leopard Bust Signed and numbered M Coreth 7/9 (to base) Bronze 40 x 35.5 x 24.5cm Provenance: Peter Hedley Gallery, Wareham, May 2007 £1,500-2,000

363

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

163

364 ‡ JOY ADAMSON

365 ‡ JOY ADAMSON

Portrait of Lojasa Leakono

Portrait of Roba Boru

Signed JOY (lower left) and inscribed LOJASA LEAKONO/ LOROKUCHU-LOIRANGAI/ SAMBURU (upper right) Watercolour heightened with bodycolour 51.5 x 34.5cm Unframed

Signed JOY (lower right) and inscribed ROBA BORU/WUARA MELKA LONI/BORAN-JELITU (lower left) Watercolour heightened with bodycolour 51.3 x 34.4cm Unframed

Provenance: Commissioned by the British Government as part of a project to record the twenty-two most important tribes in Kenya; Purchased from the artist by the previous private collector, c.1955; And by family descent

£400-600

Austrian 1910-1980

366 ‡ JOY ADAMSON

Austrian 1910-1980

Portrait of Boko Roba Signed JOY (lower left) and inscribed BOKO ROBA/WUOR MELKA LONI/ BORAN-MATARE (upper left) Watercolour heightened with bodycolour 51.3 x 34.4cm Unframed Provenance: Commissioned by the British Government as part of a project to record the twenty-two most important tribes in Kenya; Purchased from the artist by the previous private collector, c.1955; And by family descent

364

£400-600

365

366

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

164

367

367 ‡ DONALD GRANT 1924-2001

Two lions on a riverbank Signed Donald Grant (lower right) Oil on canvas 61.2 x 92.2cm £1,000-1,500

368 LARRY NORTON Zimbabwean b.1963

A lion and its kill in the savannah Signed and dated Larry Norton.88 (lower right) Oil on canvas 90.5 x 135.3cm £600-800

368

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

165

369 LARRY NORTON Zimbabwean b.1963

A black rhinoceros and two egrets in the savannah Signed and dated Larry Norton.88 (lower right) Oil on canvas 34.5 x 49.5cm £400-600

369

370 LARRY NORTON Zimbabwean b.1963

Two steenbok on a rocky outcrop Signed and dated Larry Norton.88 (lower left) Oil on canvas 49.5 x 74.3cm £300-500

370

371 LARRY NORTON Zimbabwean b.1963

Two African buffalo soaking in a water hole Signed and dated Larry Norton.88 (lower left) Oil on canvas 49.5 x 74.3cm £300-500

371 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

166

372

372 ‡ KEN MORONEY

373 ‡ KEN MORONEY

374 ‡ KEN MORONEY

View of a harbour with fortifications in the distance

Still life with flowers in a blue and white jug

Fishing boats moored in a harbour

Signed Moroney (lower right) Oil on board 25 x 17cm

Signed Moroney (lower right) Oil on board 15.8 x 18.3cm

£300-500

Provenance: Hollywood Road Gallery, London

b.1949

Signed Moroney (lower left) Oil on board 13.9 x 29.8cm Provenance: Hollywood Road Gallery, London

b.1949

£300-500

373

b.1949

374 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

167

375 ‡ KEN HOWARD OBE, RA b.1932

Penzance Harbour Signed Ken Howard (lower right) Oil on linen laid on board 25.4 x 20.4cm Provenance: Crane Galleries, Chichester £1,000-1,500

375

376 ‡ GORDON HEREWARD HALES RSMA 1916-1997

Chelsea Creek with barges moored before Lots Road Power Station Signed GORDON HALES (lower right) Oil on canvas 25.5 x 35.5cm £200-300

376 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

168

377

378

379

380

377 ‡ MARTA STUBBS

378 ‡ RAYMOND CAMPBELL

379 ‡ CAROLYN SERGEANT

380 ‡ CAROLYN SERGEANT

Still life with bottles, glasses, a cigarette box and red gloves on a table-top

Still life with wine, cheese, a loaf of bread, a book and a candle

Still life with wildflowers in a jug

Still life with flowers in a stoneware pot and mug

Signed MARTA/STUBBS (to reverse) Oil on canvas 51.5 x 61.4cm

Signed Raymond Campbell (lower left) Oil on board 61 x 51cm

Signed with initials and dated CS91 (lower right) Oil on board 25.4 x 35.2cm

Signed Carolyn Sergeant (to stretcher) Oil on canvas 40.5 x 50.5cm

Provenance: The artist’s studio; Radnorshire Fine Arts

£200-300

20th Century

£300-500

b.1956

£800-1,200

1937-2018

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

169

381 ‡ PAUL RAYMOND SEATON b.1953

Still life with red and white roses in a glass vase Signed with initials and dated 20 P S R 00 (lower right) Oil on canvas 40.2 x 35cm £500-800

382 ‡ PAUL RAYMOND SEATON b.1953

Still life with white and red flowers in a glass vase Signed with initials and dated 0 P S R 5 (lower right) Oil on canvas 40.2 x 40.2cm Provenance: John Noott Galleries, Broadway £500-800

383 ‡ PAUL RAYMOND SEATON b.1953

Still life with flowers in a brass pot Signed with initials and dated 19.P.S.R.91 (lower right) Oil on canvasboard 27 x 31.4cm £400-600

381

382

383

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

170

384 ‡ ALAN GOUK Irish b.1939

Lovat Saab Signed, inscribed and dated July 11 88/ Alan Gouk/LOVAT SAAB (to reverse) Oil on canvas 49.9 x 76.5cm £500-700

384

385

386

385 ‡ MICHEL MORENO

386 SARATH PERERA

Le violoncelliste

Three figures

Signed M. Moreno (lower left) and further signed and inscribed LE VIOLONCELLISTE/M.Moreno (to reverse) Oil on canvas 63.5 x 52.5cm

Signed and inscribed Sarath Perera Sri Lanka (lower right) Acrylic on board 69 x 58.5cm

French b.1945

£500-800

Sri Lankan 20th Century

Provenance: Private Collection, UK £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

171

387 ‡ MAURICE COCKRILL RA, FBA 1936-2013

Abstract in purple, yellow, black and red Signed Maurice Cockrill (to reverse) and dated 1997 (to stretcher) Acrylic on canvas 100.3 x 80.7cm Unframed £600-800

387

388 ‡ JEAN-YVES BOURGAIN French b.1945

Abstract in orange, white and grey Signed with monogram and dated 74 (lower right) Acrylic on canvas 179.4 x 139.5cm £200-400

388 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

172

389

389 ‡ SIMON CASSON b.1965

Attrition of Heracles V Signed, dated and inscribed Simon Casson 01/Attrition of Heracles V/oil on canvas (to reverse) Oil on canvas 81.5 x 94cm Unframed Provenance: Long and Ryle, London £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

173

390

390 ‡ BARBARA RAE CBE, RA, FRSE Scottish b.1943

High Land Signed and dated Rae 90 (lower centre) Mixed media on board 79.8 x 107.9cm Provenance: The Scottish Gallery, Edinburgh £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

174

391 ‡ GORDON STEWART CAMERON RSA Scottish 1916-1994

Morning Signed twice G S Cameron (lower right) Oil on canvas 63.5 x 76.2cm Provenance: Royal Scottish Academy, Edinburgh, where purchased by D. Harrison, Bath, 1980 Exhibited: Edinburgh, Royal Scottish Academy Exhibition, 1980, no.85 £600-800

391

392

393

392 ‡ NICK ANDREW

393 ‡ DAVID INSHAW

Ambagia

Bonfire (16)

Signed and dated Nick Andrew 2001 (lower right) and further signed, dated and inscribed Ambagia Nick Andrew 2001 (to stretcher) Acrylic on canvas 101.8 x 101.8cm Unframed

Oil on canvas, 2008 19.9 x 19.9cm

b.1957

£200-300

b.1943

Provenance: The Fine Art Society, London £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

175

394

394 ‡ JOHN LOWRIE MORRISON ‘JOLOMO’ Scottish b.1948

Storm Passing, Peninver Bridge, Kintyre Signed Jolomo (lower right) and further signed, inscribed and dated Jolomo/2010/“STORM-PASSING/PENINVER/BRIDGE/KINTYRE” (to reverse) Oil on canvas 60 x 60cm £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

176

395

395 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

Woman with Lobster II Signed Bellany (lower right) Oil on canvas 76 x 60.9cm £1,500-2,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

177

396 ‡ PETER HOWSON Scottish b.1958

Strong Man and Dog Signed Howson (lower right) Pastel 59.6 x 44.2cm Provenance: The Contemporary Fine Art Gallery, Eton, where purchased by the present private collector, November 2003 £1,500-2,500

396

397 ‡ PETER HOWSON Scottish b.1958

Face of God; War Wife Two, both signed, dated and numbered 40/100 Howson ‘94, inscribed with titles and with Advanced Graphics blindstamp Both screenprint Each 63.7 x 53.3cm (sheet) (2) £300-500

397 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

178

398

399

398 ‡ CHRIS ORR MBE, RA

399 ‡ GRAHAM CROWLEY

Ruskin’s Room

Landscape with trees under grey clouds

b.1948

Signed, dated, numbered and inscribed Chris Orr 1972 ‘Ruskin’s Room’ AP 7/8 (in pencil to margin) Etching, from ‘Chris Orr’s John Ruskin’ series 26.8 x 41.5cm (plate) £300-500

400

b.1950

Signed and dated GNCrowley/2001 (to reverse) Oil on canvas 40.5 x 51.4cm Unframed £200-300

400 ‡ GRAHAM RICH b.1945

Ferry Lights, River Dart Signed, dated and inscribed “Ferry Lights”/River Dart Graham D. Rich/2001/”Nell and Mack Camped Here” (to reverse) Found material and marine paint 30.8 x 47.4cm Unframed Provenance: Belgrave Gallery, St Ives £200-300

401 ‡ LADISLAS KIJNO Polish 1925-2012

Study of a Chinese horse and rider from behind; Study of a Chinese horse and rider from the front; Study of a hand Three, signed, dated and inscribed étude pour/cavalier de/ lumiere vu de/dos chine/Kijno 1983 (lower right); signed, dated and inscribed étude pour cavalier/de lumiere vu de face/ trois quart, chine/Kijno 1983 (lower right); and signed Kijno (lower right) respectively The former two charcoal, coloured chalks and gouache; The latter watercolour and pen on tissue paper 28.9 x 12.3cm; 28.9 x 18.1cm; 18.9 x 25.4cm The former two framed as one (3)

401

£250-350

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

179

402 ‡ JOHN CAPLE b.1966

Grandmother, Father, Sidcot, Somerset Inscribed Grandmother, Father/ Sidcot, Somerset (lower left) Mixed media on board 41 x 41cm Provenance: John Martin, London, January 2020 £700-1,000

403 ‡ NICHOLAS GARLAND OBE b.1935

Annabel’s Fourteen, each signed and numbered 44/250 Nicholas Garland and inscribed with title (in pencil) The complete set of linocuts, plus title, list of plates and colophon, with an introduction by Lucian Freud, published by Mark Birley, 1985, in the original black cloth-covered portfolio case Each 50.5 x 38cm (sheet) (17) £400-600

402

403 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

180

404

405

404 ‡ OONA CAMPBELL

405 ‡ OONA CAMPBELL

Towards Dunstanburgh Castle, Northumberland 1; Waves on Osmington Bay 1

Twilight by the River Thames 5; Evening Light on the Heath (Hampstead) 2

Two, both oil on canvasboard, 2011 Both 12.6 x 17.9cm (2)

Two, both oil on canvasboard, 2007 Both 12.2 x 17.7cm (2)

b.1967

Provenance: Portland Gallery, London Exhibited: London, Portland Gallery, Oona Campbell, May-June 2011, nos.16 & 45 £300-500

406

b.1967

Provenance: ‘Evening Light on the Heath (Hampstead) 2’ with Thompson’s Galleries, London Exhibited: ‘Twilight by the River Thames 5’, London, Mall Galleries, Discerning Eye £300-500

406 ‡ ATTRIBUTED TO DONALD HAMILTON FRASER RA 1929-2009

Seascape with a boat in choppy waters Signed with initials D.H.F (lower left) Acrylic on card 29.3 x 42.7cm £250-350 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

181

407

407 ‡ DAVID SHEPHERD CBE, FRSA 1931-2017

The Romance of Flight, Hawker Hunter Signed and dated David Shepherd/53 (lower right) and inscribed “THE ROMANCE OF FLIGHT”/HAWKER HUNTER (to reverse) Oil on canvas 71.5 x 91.5cm £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

182

408

408 ‡ ROBIN MASON b.1958

“The Island with the Hanging Sun Flower and the Fish” Series Three, each signed and dated Robin Mason/1992 and inscribed with title (to backing board) Each gouache Each 15 x 15cm (3) £100-150

409

410

409 ‡ ESTELLE THOMPSON

410 ‡ ESTELLE THOMPSON

411 ‡ ESTELLE THOMPSON

Waiting

The Ground is Green I

The Ground is Green II

b.1960

Indistinctly signed and dated Est*** T*ps*/89 (to reverse) Oil on linen canvas 30.8 x 30.8cm Unframed Provenance: Pomeroy Purdy Gallery, London £200-400

b.1960

Indistinctly signed and dated Est*** T*ps*/89 (to reverse) Oil on linen canvas 30.5 x 30.5cm Unframed Provenance: Pomeroy Purdy Gallery, London £200-400

b.1960

Indistinctly signed and dated Est*** T*ps*/89 (to reverse) Oil on linen canvas 30.5 x 30.5cm Unframed Provenance: Pomeroy Purdy Gallery, London £200-400

411 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

183

412 ‡ NICHOLAS HELY HUTCHINSON b.1955

View through an open doorway to the beach, with a sailing boat in the distance Signed with initials NHH (lower right) Gouache 30.4 x 30.4cm £600-800

413 ‡ NICHOLAS HELY HUTCHINSON b.1955

View through an open window to the sea, with sailing boats and mountains in the distance Signed with initials NHH (lower right) Gouache 30.3 x 30.3cm £600-800

414 CONTINENTAL SCHOOL 20th Century

Still life with flowers and fruit on a table Signed with initials YME (lower right) Oil on canvas 71.4 x 71.4cm Unframed £100-150

413

412

414

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

184

415

415 ‡ GARY BUNT b.1957

The Trees, The Hills, The Daffodils Signed GARY/BUNT (lower left) and further signed, dated and inscribed 2020 THE TREES, THE HILLS/THE DAFFODILS/TWO BEST MATES/SAT DOWN BY THE LAKE/THE OLD MAN WAS FILLED/WITH ELATION/THE TREES THE HILLS/THE DAFFODILS/ OH HOW HE LOVED GODS/CREATION/GARY/BUNT (to reverse) Oil on canvas 100.4 x 120.5cm Provenance: Portland Gallery, London, where purchased by the present private collector Exhibited: London, Portland Gallery, Gary Bunt - Country Life, November-December 2020, no.24 £10,000-15,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

185

416

416 ‡ GARY BUNT b.1957

The River Signed GARY/BUNT (lower left) and further signed, dated and inscribed 2020 THE RIVER/I DON’T KNOW WHENCE/ITS COMING FROM/ OR WHERE ITS GOING TO/ALL I KNOW IS/WHEREVER I GO/I’LL ALWAYS BE WITH/YOU/GARY/BUNT (to reverse) Oil on canvas 81.2 x 100.2cm Provenance: Portland Gallery, London, where purchased by the present private collector Exhibited: London, Portland Gallery, Gary Bunt - Country Life, November-December 2020, no.26 £7,000-10,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

186

417

417 ‡ GARY BUNT b.1957

The Calm Before The Storm Signed GARY/BUNT (lower left), and further signed, dated and inscribed 2020 THE CALM BEFORE/THE STORM/ THE OLD MAN STOPPED/TO THANK THE LORD/FOR THE DAY THAT HE/WAS BORN/HE WAS WISE AND AWARE/ THAT IN THE AIR/WAS THE CALM BEFORE/THE STORM/GARY/BUNT (to reverse) Oil on canvas 81.2 x 100.2cm Provenance: Portland Gallery, London, where purchased by the present private collector Exhibited: London, Portland Gallery, Gary Bunt - Country Life, November-December 2020, no.44 £7,000-10,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

187

418 ‡ GILL WATKISS b.1938

Clay Country Signed and dated Gill Watkiss 010 (lower left) Oil on canvas 60.1 x 60.1cm £800-1,200

418

419 ‡ IFOR PRITCHARD Welsh 1940-2010

Quarrymen Signed ifor (lower right) Oil on canvas 45.6 x 61cm Provenance: Roger Jones, Cardiff, The Welsh Sale, 13 May 2017, lot 374 £800-1,200

419 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

188

420 ‡ MARTIN LLEWELLYN Welsh b.1963

Great Tor, Gower Signed with initials MLL (lower right) and inscribed Great Tor Gower (to stretcher) Oil on canvas 61 x 46cm Provenance: Fountain Fine Art, Llandeilo, where purchased by the present private collector £500-700

421 ‡ CHARLES HARVEY 1895-1970

The Yacht Club, Dartmouth Harbour (recto); Landscape with a shepherd and his flock, the sea beyond (verso) Signed CHARLES HARVEY (lower right) Oil on board 45.5 x 36.9cm Unframed Provenance: Woolley and Wallis, Salisbury, 20th Century & Contemporary Art, 8 June 2016, lot 194 £250-350

422 ‡ SALLY ANNE FITTER b.1963

A Calm Day at Golant Signed and inscribed A calm day at Golant/SA Fitter (to reverse) Oil on canvas 76.5 x 76.5cm Provenance: McTear’s, Glasgow, The Scottish Contemporary Art Auction, 13 December 2020, lot 885 £200-300

420

421

422 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

189

423 ‡ PAUL KELLY Irish b.1968

Loughshinny Harbour Signed Kelly (lower right) and further signed, dated and inscribed Loughshinny Harbour/Paul Kelly 00 (to backing board) Oil on board 24 x 34.3cm Provenance: Cambridge Fine Arts, Dublin £600-800

423

424 ‡ BARRY MASON b.1947

Shipping in the Thames Estuary Signed Barry Mason (lower left) Oil on board 30.4 x 45.7cm £400-600

424

425 ‡ PHOEBE DONOVAN Irish 1902-1998

Market Quay, Youghal Signed P. DONOVAN (lower left) and inscribed MARKET QUAY/ YOUGHAL/BY PHOEBE DONOVAN (to label) Oil on canvas 30 x 41cm £400-600

425 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

190

426 ‡ DORIS LUROT BETJEMAN French 1915-2012

River landscape with a swan and figures boating Signed and dated Lurot Betjeman/81 (lower left) Oil on board 75.4 x 60.4cm £300-500

427 ‡ DORIS LUROT BETJEMAN French 1915-2012

River landscape with fishermen on the far bank Signed and dated Lurot Betjeman/1968 (lower left) Oil on canvas 106.5 x 79.4cm £300-500

426

427

428 ‡ ANDRÉ CORTEEL

429 ‡ ANDRÉ CORTEEL

River landscape with a boat by the bank

Automne Sur La Viosne Frai De Pontoise

Signed Corteel (lower right) Oil on canvas 33.3 x 45.7cm

Signed Corteel (lower right) and inscribed automne sur la Viosne/frai de Pontoise (to reverse) Oil on canvasboard 34.9 x 26.9cm

French 20th Century

£120-180

French 20th Century

£120-180

428

430 ‡ ANDRÉ CORTEEL French 20th Century

Landscape with a pond, Kermario, Carnac Signed Corteel (lower left) and inscribed Etang de Kermario/Carnac (to reverse) Oil on canvasboard 41 x 33cm £120-180

429

430 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

191

431 ‡ CLAUDE JOUSSET French b.1935

Automne Sur Les Quais Au Pont Des Arts Signed C Jousset (lower right) and further signed and inscribed Claude Jousset/PARIS/Automne sur les quais au Pont des Arts (to reverse) Oil on canvas 80.4 x 100cm £400-600

432 ‡ CLAUDE JOUSSET

431

432

French b.1935

Paysage de L’Île de Ré Signed C Jousset (lower left) and further signed and inscribed Claude Jousset/Paysage de L’Ile de Ré (to reverse) Oil on canvas 49.8 x 61.3cm £250-450

433 ‡ LAURITZ SORENSEN

433

434

Danish 1882-1968

Fishing boats off the coast Signed Lauritz Sorensen (lower right) Oil on canvas 31.3 x 45.4cm £200-300

434 ETIENNE BOUILLÉ

1858-1933

Fishing boats in a harbour Signed E Bouille (lower left) Oil on board 26.4 x 41.3cm Unframed £200-300

435

436

435 ‡ CLAUDE FOSSOUX

436 ‡ CLAUDE FOSSOUX

French landscape with a woman standing in a poppyfield

Woman reading in an orchard

Signed C P Fossoux (lower right) Oil on canvas 60.3 x 73.5cm

Signed C P Fossoux (lower left) Oil on canvas 54.5 x 65.5cm

£200-300

b.1946

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

192

437

438

437 ‡ ARMANDO GENTILINI Italian 1909-1981

Young girl standing in a field holding a daisy Signed Armando A Gentilini (lower left) and further signed, dated and inscribed Armando Angelo Gentilini/Paris 1991 (to reverse) Oil on canvas 62.5 x 51.3cm £100-150

438 ‡ ROY PETLEY b.1950

Morning Dressing Signed Roy Petley (lower right) Oil on board 39.4 x 26.7cm £500-700

439 ‡ ROY PETLEY b.1950

Still life with flowers in a glass Signed Roy Petley (lower left) Oil on board 39.5 x 29.5cm £300-500

439 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

193

440 ‡ PATRICIA MORAN Australian 1944-2017

Still life with flowers in a blue and white pot, and a jug, pot and bowl on a draped table Signed P Moran (lower left) Oil on canvas 123.3 x 112.5cm £1,500-2,000

441 ‡ DONALD MCKINLAY 1929-2017

Still life with flowers in a vase Signed with initials DM (lower left) and further signed with initials and dated DMK/JAN 76 (lower right) Oil on canvas 45.7 x 38.9cm

442 ‡ LADY JOAN ZUCKERMAN (NÉE ISAACS) 1918-2000

Pink asters Signed with initials JZ (lower right) Gouache 23 x 19cm £400-600

£300-500

440

441

442

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

194

443 ‡ JOHN MONKS b.1954

Yellow Chair II Signed and dated J Monks/2013 (to reverse) Oil on canvas 76.1 x 61.3cm Unframed Provenance: Long and Ryle, London £3,000-5,000

443

444 ‡ JOHN MONKS b.1954

4 AM III Signed and dated J Monks/2013 (to reverse) Oil on canvas 56.3 x 46cm Unframed Provenance: Long and Ryle, London £1,500-2,000

444 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

195

445 ‡ JOHN MONKS b.1954

Interior I Signed and dated J Monks/2007 (to reverse) Oil on canvas 60 x 47.6cm Unframed Provenance: Long and Ryle, London £1,500-2,000

445

446 ‡ JOHN MONKS b.1954

Salon Signed and dated J Monks/2012 (to reverse) Oil on canvas 46.7 x 56.6cm Unframed Provenance: Long and Ryle, London £1,500-2,500

446 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

196

447

447 ‡ BLUE AND JOY

Fabio La Fauci (Italian b.1977) and Daniele Sigalot (Italian b.1976)

Happiness Is Just Around the Corner Signed SIGALOT (to stretcher) Acrylic on canvas 70 x 100.5cm Unframed Provenance: Bernard Chauchet, London £1,000-1,500

448 ‡ BLUE AND JOY 448

Fabio La Fauci (Italian b.1977) and Daniele Sigalot (Italian b.1976)

Born to Party Signed and dated SIGALOT 2006 (to stretcher) Acrylic on canvas 30 x 60.4cm Unframed £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

197

449

449 ‡ CRISTIANO PINTALDI Italian b.1970

Eye Signed and dated 2007 (to reverse) Acrylic on canvas 65 x 85cm Unframed £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

198

450 ‡ SHERREE VALENTINE-DAINES b.1959

Chatting at Henley Signed with initials SEVD (lower right) Oil on board 21.5 x 16.6cm Provenance: The Wykeham Galleries, London £1,500-2,500

450

451 ‡ JOHN YARDLEY RI b.1933

Near Via Condotti, Rome Signed John Yardley (lower left) Oil on board 34.6 x 44.8cm Provenance: Bourne Gallery, Reigate; Christie’s, South Kensington, 18 February 2014, lot 284 £600-800

451 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

199

452

452 ‡ SUSAN RYDER RP, NEAC b.1944

Tea table with red chairs Signed Ryder (lower right) Oil on canvas 81.6 x 101.5cm £1,000-1,500

453 ‡ LOUIS STANLEY MAURICE PRINCE 1894-1985

View of Angel Hill, Bury St Edmunds Signed and dated L.S.M.Prince/1969 (lower left) Watercolour, and pen and ink 32.1 x 49.7cm £100-150

453 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

200

454 DON BACHARDY American b.1934

Portrait of Christopher Isherwood (1904-1986) Acrylic on paper 101.5 x 66.3cm Provenance: From the estate of the late Marguerite Littman Don Bachardy was the partner of the novelist Christopher Isherwood for over thirty years. £800-1,200

455 ‡ HOWARD MORGAN 1949-2020

Portrait of a lady wearing a blue scarf, looking in a mirror

454

Signed and dated MORGAN III 86 (upper left) Oil on canvas 91.5 x 28cm Unframed

455

Provenance: Arthur Ackermann, London £300-500

456 ‡ SUSAN CRAWFORD Study of a young boy Signed, dated and inscribed S L Crawford/1965/Florence (lower right) Charcoal 21 x 24.9cm £80-120

457 ‡ HAROLD RILEY b.1934

Portrait of John Herwell Morris, three-quarter length, wearing a grey suit

456

457

Signed and dated Riley 76 (lower right) Oil on canvasboard 101.7 x 76cm £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

201

458 ‡ NORMAN DOUGLAS HUTCHINSON 1932-2010

Study for the portrait of HM Queen Elizabeth, The Queen Mother; Study for the portrait of HRH Prince Philip, Duke of Edinburgh Two, the former signed with initials and dated NH 85 (lower centre), inscribed Clarence/House/1985 (upper left), For David Norman (upper right) and further signed, dated and inscribed (to verso); the latter signed, dated and inscribed study for Prince Philip/oct. 1996 Buckingham Palace/Norman D Hutchinson (upper left) and further inscribed For my/friend/David/Norman (lower right) Mixed media on joined paper; Pencil and pastel 39.5 x 24cm; 41 x 28.5cm (2) Provenance: John Nicholson’s, Haslemere, 23 November 2016, lots 277 and 278; Collection of Caroline Brown Studies for the works in Mansion House, Doncaster, and The Wardrobe Museum, Salisbury. £300-500

458

459

460

459 ‡ NORMAN DOUGLAS HUTCHINSON

460 ‡ NORMAN DOUGLAS HUTCHINSON

The sacraments

Le Chateau de Duras

Signed and dated Norman/2000 (lower right) and signed, dated and inscribed Norman Douglas Hutchinson/2000/For James & Caroline Brown (to verso) Tempera on board 50 x 70cm

Signed with initials and dated 89 NH (lower right) and further inscribed Le Chateau de Duras . oct. 84. (lower left) Pencil and pen 23 x 29cm

Provenance: Purchased from the artist by the present private collector, 2000; Collection of Caroline Brown

Together with Norman Douglas Hutchinson; Fruit and Vegetables from an Indian Market, Calcutta 2004; nineteen, each signed and numbered Norman 3/10 (in pencil); each reproduction print, plus title; each 29.7 x 20.2cm; unframed; and Norman Douglas Hutchinson; Self-Portrait; photographic print; 40 x 28.5cm (22)

1932-2010

£250-350

1932-2010

Provenance: Collection of Caroline Brown £120-180

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

202

461

461 ‡ STEPHEN J. CARRUTHERS Scottish b.1958

Torphichen hillside, Scotland Signed with initials SJC (lower centre) Oil on board 28.5 x 23.3cm Provenance: The Contemporary Fine Art Gallery, Eton £300-500

462

462 ‡ WILLIAM DRUMMOND BONE 1907-1979

463 ‡ PAUL HOGARTH OBE RA 1917-2001

A Cotswolds Landscape

Fontana Vecchia, Taormina, Sicily; Saxon Crypt, St Wynstan’s, Repton, Derbyshire; Monsaraz Roofs; Castelo de Milfontes

Signed and dated Bone/68 (lower right) Oil on board 70 x 90.5cm

Four, each signed Paul HOGARTH and inscribed with title, one dated ’87, and two dated ’01 Each pencil and watercolour Largest 42 x 40cm; Smallest 37 x 25.2cm (4)

£300-500

Provenance: All with Francis Kyle Gallery, London; ‘Monsaraz Roofs’ purchased 30 June 2001 £200-300

463 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

203

464

465

464 ‡ JULIA HESELTINE b.1933

The Road to Sienna Signed HESELTINE (lower right) Oil on canvasboard 27 x 21.1cm £400-600

465 ‡ MARJ BOND RSW Scottish b.1939

The Kasbah Signed Marj 88 (lower right) Oil on board 84.5 x 116cm £500-800

466 ‡ GRAHAM CLARKE b.1941

Landscape with a village in a valley; Landscape with a farm A pair, both signed Graham Clarke (lower right) Both acrylic on board Each 52 x 75cm (2) £250-350

466 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

204

467

468

469

467 ‡ RUSSELL HOWARTH b.1927

Lark Hill Inscribed “LARK HILL” (to backing board) Oil on board 33.3 x 44.6cm Provenance: Peter Wilson, Nantwich, 15 September 2016, lot 314 £400-600

470

468 ‡ CHRISTOPHER MIERS b.1941

Sunflowers in the allotments Signed C.MIERS (lower left) Oil on board 14.4 x 19.6cm Provenance: Sally Hunter Fine Art, London, where purchased by Brigadier Andrew Parker Bowles, November 1993

469 ‡ DAVID RUSSELL ANDERSON

470 ‡ ALAN BENGALL CHARLTON

Snow covered mountains at Loch Long

View of a garden pond with steps and a weeping willow

Oil on board 26.9 x 34.1cm Unframed

Signed ALAN-B-CHARLTON (lower left) Oil on board 39.7 x 59.5cm

1884-1973

Exhibited: London, Sally Hunter Fine Art, Christopher Miers, November 1993, no.39

Provenance: Cartwright Hall, Bradford, 1973; Nicholas Mellors, Nottinghamshire, 20 October 2016, lot 561

£200-300

£100-150

1913-1981

Provenance: Morgan & Brown Ltd, Newcastle-upon-Tyne; Private Collection, UK £100-150

471 ‡ NICK MACE b.1949

Feeding the cattle in a winter landscape Signed MACE (lower right) Oil on board 15.3 x 38cm £150-250

471 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

205

472

473

472 ‡ CHRIS WILD

473 ‡ CHRIS WILD

Sunflowers near Beaulieu

View of the Grand Canal, Venice

Signed C.WILD (lower right) Oil on board 77.7 x 107.8cm

Signed C WILD (lower right) Oil on board 86 x 115.7cm

£400-600

20th Century

474 ‡ ROBERT KING RI, RSMA b.1936

Cypriot landscape with a farmer in the field Signed and dated Robert King 1967 (lower right) Oil on board 49.3 x 59.4cm £100-150

474

475 ‡ RICHARD BEER 1928-2017

Anghiari; Volterra Two, the former signed, numbered and inscribed Anghiari 7/70 Richard Beer (in pencil to margin); the later signed, numbered and inscribed Volterra 10/70 Richard Beer (in pencil to margin) Both etching with aquatint 59 x 44.5cm; 60 x 44.5cm (plate) (2) Provenance: Woolley and Wallis, Salisbury, Paintings, 13 March 2012, lot 449 £120-180

475 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 213 • Framed images of each lot are available on www.woolleyandwallis.co.uk

206

476 NIKOLAΟ PRICEKINE

Russian b.1928

Study of a soldier in the army of Peter the Great Signed in Cyrillic and dated 52 (lower right) Oil on canvasboard 31.3 x 23.3cm Provenance: John Nicholson’s, Fernhurst, 21 April 1996, lot 98 £200-300

477 ‡ SHIRLEY SLOCOCK

Contemporary

Banana 476

477

Inscribed Banana (lower left) Watercolour 16 x 15.5cm £200-300

478 ‡ 20TH CENTURY SCHOOL Two swans on a pond Oil on canvas 86 x 53cm £200-300

479 ‡ NEIL FORSTER 1940-2016

Study of a cat

478

479

Signed NForster (lower right) Pastel 34.5 x 48cm £300-500

480 ‡ MAURILLE PREVOST

French b.1929

Parisian street scene Signed Maurille Prevost (upper right) Oil on canvas laid on board 6.5 x 19.2cm £100-150

480

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

207

INDEX OF ARTISTS 20th Century School

478

A Adamson, Joy

364-366

Aïvazian-Rossi, Pola

Buck, Chris

355

Bunt, Gary

415-417

Dupont, Richard John Munro

Hayter, Stanley William

Burleigh, Averil

182-185

Helleu, Paul César

Burleigh, Veronica

Drian, Etienne-Adrien

167 319, 320

186

336

American School 20th Century 263

Anderson, David Russell

469

Caillard, Christian Hugues

230

Eisenschitz, Willy

Andrew, Nick

392

Cameron, David Young

153

Eldridge, Mildred E.

Ardissone, Yolande

332

Cameron, Gordon Stewart

391

English School

Arntzenius, Floris

172

Campbell, Oona

Epstein, Henri

231

Arnup, Sally

359

Campbell, Raymond

378

Caple, John

402

Carrière, Eugène

B Bachardy, Don

454

Badmin, Stanley Roy, Attributed to 193 Barclay, Colville

274

Bawden, Edward

180

Beaton, Cecil

Beaton, Cecil, Attributed to

Bebè, Christian Bérard

163

Beer, Richard

475

Bell, A. L.

275

Bell, Trevor

257

Bellany, John

395

Bentham-Dinsdale, John

236

Betjeman, Doris Lurot

431, 432

Bishop, Henry

196

Blue and Joy

447, 448

Bond, Marj

465

Bone, Muirhead

135

Bone, William Drummond

462

Bonhomme, Léon

Edwards, Lionel

404, 405

Carruthers, Stephen J.

461

Casson, Hugh

312

Casson, Simon

389

Chaffanel, Eugène Charlton, Alan Bengall

84 470

Cinalli, Ricardo

347

Clarke, Graham

466

Clausen, George

111

Cluysenaar, André

164

Cockrill, Maurice

387

Cole, Rex Vicat

194

Colville, Alex

284

Continental School

414

Coreth, Mark

363

Corteel, André

428-430

Courtens, Pierre

338-345

Boycott-Brown, Hugh

Dalí, Salvador

346 176, 177

Brabazon, Hercules Brabazon

Davis, Jon

311

114, 155

de Carteret , Doris H.

200

Brangwyn, Frank

146-149

de Glehn, Wilfrid

Braque, Georges

178

Fossoux, Claude

202, 203

Brown, William Marshall

109

Donovan, Phoebe

Bruce, Robert

305

Dreulle, François

Hervé, Jules René

297-300

Heseltine, Julia Hodgkin, Howard

464 241-243

Hogarth, Paul

463

Holzhandler, Dora

270 375

Howarth, Russell

467

Howson, Peter

354

Hunter, George Leslie

107

Hutchinson, Nicholas Hely 412, 413 Hutchinson, Norman Douglas 458-460 I Inshaw, David

Frost, Terry

248

Fry, James

302

Fry, Roger

129

238-240 437

Gill, Colin

100

Gordon Bell, Winifred Joan Ophelia 209

393

J Jack, Kenneth

313, 314

John, Augustus

103

Johnstone, William

Gentilini, Armando

396, 397

Hudson, Richard

289

403

Howard, Ken

333

Jousset, Claude

258 426, 427

K Kelly, Felix

160

Kelly, Paul

423

Kelsey, Frank

237 201

Gotlib, Henryk

271

Gouk, Alan

384

Kemp, Jeka

Grant, Donald

367

Kevorkian, Jean

331

Grierson, Ronald

247

Kidby, Paul

358

Kijno, Ladislas

401

King, Robert

474

Hagedorn, Karl

Dey, Manishi

222

Friend, Donald

295

Delaney, Arthur

251

Herman, Josef

406

Defu, Zhang

349

Hepworth, Barbara

French School

162

286-288

244 89, 90

Helnwein, Gottfried

Attributed to

de Pauw, René

220, 315

479 435, 436

Fraser, Donald Hamilton,

141

Brittain, Miller Gore

128

422

de Karłowska, Stanisława

Brockhurst, Gerald

Fitter, Sally Anne

Gear, William

165

152, 166, 173,

189

399

Davidson, Allan Douglas

British School

233

Fidler, Harry

Crowley, Graham

Daël, Geneviève

276, 277 254

Garland, Nicholas

388

294

Feiler, Paul

Forster, Neil

421

Hornel, Edward Atkinson

228

456

Bourgain, Jean-Yves

207

Fedden, Mary

Crawford, Susan

Farrar, Charles Brooke

434

Bouy, Gaston

Fan Chang Jiang

324

Bouillé, Etienne

329, 330

Cox, Neil

210

Harvey, Charles

Kitaj, R. B.

262

Hales, Gordon Hereward

376

Knight, Charles

158

293

Hall, Frederick

155

Knight, Ernest

425

Hampson, Roger, Circle of

221

Koehler, Henry

Harrison, John Cyril

326

Kokoschka, Oskar

327, 328

264-268

279, 280

301 316-317 98

208

INDEX OF ARTISTS L

Moroney, Ken

La Thangue, Henry Herbert Lamb, Henry

105

131, 132

Landowski, Paul

198

Langhammer, Walter

292

Laurencin, Marie

Lavenstein, Cyril

235

Lawrence, M.

348

Le Jeune, James

278

Mortimer, Lewis

Nash, Paul

Limouse, Roger

229

Norton, Larry

Llewellyn, Martin

420

150

133, 134 77, 137-140 86

Norris, Herbert

Lyon, John Howard

113

273

130

Lowry, Laurence Stephen 216-218

142, 143

Nielsen, Poul S.

Lewis, Percy Wyndham

306-308

290

Newlyn School Nicholson, William

Longueville, James

368-371

O O’Conor, Roderic

170

O’Rorke, Robert

350

Orpen, William

104

Orr, Chris

398

Renoir, Pierre-Auguste, After Reynolds, Alan Rigaud, Pierre Gaston

Valentine-Daines, Sherree

450

169

Vallin, Robert

337

Rungius, Carl

281-283

Van Truex, Day

232

Ryder, Susan

452

Vasarely, Victor

246

Vivians, David

322

S Salisbury, Frank O.

Sassoon, Siegfried

Marsh, Barbara

304

Parrens, Louis

335

Scandinavian School

Mason, Barry

424

Pasmore, Victor

252

Schwabe, Randolph

Mason, Robin

408

Penn, C.

272

Pentyukh, Vladimir

334

Perrelle, Oswald

245

McKelvey, Frank

110

McKenzie, John

197

Pessina, Virginio

199

McKinlay, Donald

441

McPhail, Roger

325

Menpes, Mortimer

136

Miers, Christopher

468

Millais, Raoul, Circle of

208

Millington-Drake, Edward

291

Mitchell, Denis, Circle of Monks, John

353 443-446

438, 439

Philipson, Robin

351

Picasso, Pablo

175

Pignon, Édouard Pintaldi, Cristiano Pissarro, Camille

255 449 78

Potter, Mary

309

Prevost, Maurille

480

181

Roussel, Pierre

234

318

259

Tunnicliffe, Charles Frederick V

Pagan, Luigi

McGregor, Mara

321

Trevelyan, Julian

116

168

386

250

Tolley, Nicholas

Rothenstein, William

120-127 154

Sassoon, Hester

Perera, Sarath

Tobey, Mark

Marchig, Giannino

187, 188

457

260 409-411

285

352

Minton, John

204-206

Thompson, Estelle

179

Ross, Susan Andrina

Marchant, Bob

303

145

Tavener, Robert

400

Sang, Frederick J.

Petley, Roy

108

Rodin, Auguste, After

161

McCrossan, Mary

Tanner, Robin

Riley, Harold

Manson, James Bolivar

390

225, 249

Rich, Graham

471

117, 118

Attributed to T

Ravilious, Eric

Mace, Nick

Maze, Paul

Swynnerton, Annie, 356, 357

Rae, Barbara

Nankivell, John

Lepape, Georges

360-362

Quinn, Lorenzo

159

Nicholls, Bertram

Lewis, Dylan

Legrand, Louis Auguste Mathieu 83 88

372-374

Morrison, John Lowrie ‘Jolomo’ 394

67 1-70, 72 151 102

Seago, Edward

223, 224

Seaton, Paul Raymond

381-383

See-Paynton, Colin Sergeant, Carolyn

323 379, 380

Shepherd, David Sickert, Walter

407 95-97

Signac, Paul

106

Slocock, Shirley

477

Smith, George

156

Smith, Matthew

212-215

Sorensen, Lauritz

433

Southall, Joseph Edward

Spencer, Gilbert

119

Stajuda, Jerzy

256

Pricekine, Nikolaï

476

Steinlen, Théophile Alexandre

Moran, Patricia

440

Prince, Louis Stanley Maurice

453

Stobbs, William

Moreno, Michel

385

Pritchard, Ifor

419

Stroudley, James

Morgan, Howard

455

Procktor, Patrick

261

Stubbs, Marta

W Wardle, Arthur

211

Washington, William

101

Watkiss, Gill

418

Wells, John

253

Whistler, James Abbott McNeill

81, 82

Whistler, Laurence White, Ethelbert

76 190-192

Widayat, Haji Wild, Chris

296 472, 473

Wilkinson, Norman

144

Williams, Terrick John

157

Wolfe, Edward

174

Wolmark, Alfred

171

Woodlock, David

112

Workman, Harold

195

Y Yardley, John

451

Young, Jean

219

310 226, 227 377

Z Zuckerman, Joan, née Isaacs

442

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 7TH SEPTEMBER 2022 CLOSING DATE FOR ENTRIES 13TH JULY

Marcus Stone RA (1840-1921) The First Love Letter (detail) Signed MARCUS STONE (lower left) Oil on canvas 22.2 x 36cm; 8¾ x 14¼in Estimate £8,000 - 12,000* ENQUIRIES Victor Fauvelle | +44 (0) 1722 446961 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FINE ARTS AND CRAFTS WEDNESDAY 15TH JUNE 2022

Gideon a large Della Robbia two-tile plaque designed by Ford Madox Brown Provenance: from a private collection Estimate £5,000 - 6,000*

ENQUIRIES Michael Jeffery | +44 (0) 1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 29TH & THURSDAY 30TH JUNE 2022

The sale will include selected contents of Redlynch House, Downton, Salisbury

ENQUIRIES Mark Yuan-Richards | +44 (0) 1722 411854 | myr@woolleyandwallis.co.uk

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us. BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester Pack & Send +44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier. EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect, American Express, Union Pay

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/ purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

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INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a)

You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a)

You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(h) The singular includes the plural and vice versa as appropriate. 2.

Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3.

INCREMENTS

THE PURCHASE PRICE

Bidding increments shall be at the auctioneer’s sole discretion. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter. 5.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

(c)

TITLE AND COLLECTION OF PURCHASES

(a)

The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges. (c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8.

REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a)

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that lot and/or any other lots sold by us to you; to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; to retain that or any other lot sold to you until you pay the total amount due; to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

(i) (ii) (iii)

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

BIDDING PROCEDURES AND THE BUYER

(a)

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

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(iv) (v) (vi) (vii) (viii)

(b)

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

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liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a)

Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b)

Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. 22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated. BOOKS AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: •

•

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: - other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information. We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers. In this respect we will provide your data to the following: • • • • •

our professional advisors; the-saleroom.com; debt collection agencies; third parties who assist us with our marketing; our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

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218 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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VALUATIONS

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CASTLE RD A345

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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Woolley and Wallis valuations are accepted by all leading insurance companies.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500. DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

MARLBOROUGH & SWINDON

Old Sarum Park

WOOLLEY & WALLIS Castle Gate WOOLLEY & WALLIS Salisbury Salerooms

WOOLLEY & WALLIS

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A345 Castle Rd

SALISBURY AMESBURY

A36

Clifford Street, Mayfair

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Westover Garage

Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.02998482 VAT No: 631 9832 29

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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ABSENTEE BID FORM

MODERN BRITISH & 20TH CENTURY ART

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

TUESDAY 31ST MAY 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Billing Name (please print) �� Address �� ___________________________ Postcode �� Daytime Telephone �� Email �� ID may be required even if you have bid with us before. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 Fax: +44 (0)1722 424508

Brief Description of lot

Price excluding buyer’s premium & VAT

AUCTION CALENDAR MAY 31st

Félix Vallotton (Swiss 1865-1925) Liseuse au collier jaune (detail) Modern British & 20th Century Art

SOLD FOR £112,500*

JUNE 15th

Fine Arts and Crafts

29th & 30th Furniture, Works of Art & Clocks

JULY 12th & 13th Silver & Objects of vertu 14th

Fine Jewellery

SEPTEMBER 7th

Old Masters, British & European Paintings

20th

English & European Ceramics & Glass

21st

African & Oceanic Art | Antiquities

Dates may be subject to change

+44 (0)1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR UPCOMING AUCTIONS