Woolley & Wallis Auctioneers

MODERN BRITISH & 20 TH CENTURY ART

WEDNESDAY 5TH JUNE 2024

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Sarah Bennie 446970

Victoria Sturgeon 446970

20TH CENTURY DESIGN

Michael Jeffery 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART | ANTIQUITIES

Will Hobbs 339752

Georgina Way 446980

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan-Richards 424589

Jeremy Morgan +44 (0)7812 601098

Michelle Yu 424571

Olivia Jones 424591

Nelson Chui 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

Clare Durham 424507

Hollie Morrison 446964

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan-Richards 424589

Michelle Yu 424571

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan-Richards 411854

Neil Grenyer MRICS 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

JAPANESE WORKS OF ART

Alexandra Aguilar 424583

Olivia Jones 424591

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Samuel Hug FGA DGA 424586

Megan Corbett

Beth Reardon

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Georgina Way 446980

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Jacob Carpenter 446957

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA 424502

Neil Grenyer MRICS 446972

Hannah Farthing (Trainee valuer)

GENERAL OFFICE

Ruth Pike (Office Manager)

Lynda Cummins

Ellie Briant

Gemma Pointer

MARKETING

424500

Chloe Davie 446951

ACCOUNTS

Ania Antkowiak

BOARD OF DIRECTORS

John Axford MRICS

Chairman

Natalie Milsted FCCA

Managing Director

ASSOCIATE DIRECTORS

Alexandra Aguilar

Ed Beer

Ned Cowell

Clare Durham

Victor Fauvelle

Will Hobbs

Samuel Hug FGA DGA

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan-Richards

Mark Yuan-Richards

424565

ILLUSTRATIONS

Front Cover: Lot 50 (detail) Back Cover: Lot 137 (detail) Catalogue £12.00 (£15.00 by post)

MODERN BRITISH & 20TH CENTURY ART

WEDNESDAY 5TH JUNE 2024

9.30AM

AT OUR CITY CENTRE SALEROOMS, SP1 3SU

PAINTINGS

VIEWING AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park Old Sarum, Salisbury SP4 6QX

Victor Fauvelle +44 (0)1722 446961 vf@woolleys.live Ed Beer +44 (0)1722 446962 eb@woolleys.live Sarah Bennie +44 (0)1722 446970 sbe@woolleys.live

VIEWING

Saturday 1st June 10.00am – 1.00pm

Monday 3rd June 10.00am – 4.00pm

Tuesday 4th June 10.00am – 4.00pm

Wednesday 5th June By appointment

Victoria Sturgeon +44 (0)1722 446970 vs@woolleys.live

DIRECTIONS TO THE OLD SARUM GALLERIES

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury SP4 6QX

Client Parking Available

Saturday 1st June

10.00am – 1.00pm

Monday 3rd June 10.00am – 4.00pm

Tuesday 4th June 10.00am – 4.00pm

Wednesday 5th June By appointment

THE AUCTION ON 5TH JUNE WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS

51-61 Castle Street, Salisbury SP1 3SU

BUYER’S PREMIUM

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices.

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ARTIST’S RESALE RIGHT / DROIT DE SUITE

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COLLECTION OF LOTS

Collections will be from Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 01722 424500 to make an appointment. Please instruct carriers accordingly.

Collection of sold and unsold lots must be within 21 days of the sale –failure to collect within this time may result in storage fees.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU

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SIR ALFRED

JAMES MUNNINGS PRA

1878-1959

Studies of race horses going out

Signed, dated and inscribed Lewes 1955/Going out/Alfred Munnings (centre right)

Pencil

16 x 14cm

Provenance:

Goodmans, Sydney, Australian, European & American Paintings, Graphics and Sculpture, 30 July 2003, lot 193

The present work is drawn on the reverse of an Arts Council invitation. This was typical of Alfred Munnings, who frequently drew on invitations, race cards and betting slips. Indeed in the collection of the Munnings Art Museum, there is another example of an Arts Council invitation, on which the artist has sketched racehorses. Stylistically the present work is typical of Munning’s draughtsmanship, with quick fluid lines to capture the figures and horses, and slight shading to convey the sheen of the animals’ coats.

We are grateful to Dr Bill Teatheredge of the Munnings Art Museum for his assistance cataloguing the present work.

£2,000-3,000

1 Φ

2 SIR ALFRED JAMES MUNNINGS PRA

1878-1959

The Autobiography, three volumes comprising An Artist’s Life; The Second Burst; and The Finish

An Artist’s Life, third edition, 1952, signed and dated Alfred Munnings/ Dec 1952 (to half-title); The Second Burst, first edition, 1971, signed, inscribed and dated I inscribed this copy for a great picture/dealer who sits in New Bond Street./I have known him since he was an/obliging young man./Now is important and director like in/appearance. A wonder!!/ Nov-22-1951/Alfred Munnings/ To Stanley Wade and illustrated with four huntsmen in blue ink (to half-title); The Finish, signed and inscribed I inscribe this for my friend of yore Stanley Wade/Alfred Munnings (to frontispiece).

Together with a further first edition of The Finish (4)

Provenance: Woolley and Wallis, Salisbury Paintings and Watercolours Sale, 4 October 2006, lot 45, where purchased by the present private collector

£300-500

3

ALBERT DE BELLEROCHE

1864-1944

Study of a young woman

Signed with initials AB (lower right) and numbered 18 (lower left)

Lithographic crayon

26.7 x 18.8cm

Provenance:

Liss Fine Art, London, 2005; The Collection of the Late Robin de Beaumont (1926-2023)

£200-300

4 Φ ANDRÉ DERAIN

French 1880-1954

Figure from Les Femmes de Bonne Humeur

With artist’s atelier stamp (to verso)

Pencil and watercolour heightened with bodycolour

27.5 x 21.3cm

Provenance: M. Knoedler & Co, New York; Cassirer Fine Art, Johannesburg, where purchased in the 1980s

£300-500

AUGUSTUS JOHN

OM, RA

Welsh 1878-1961

Study of three female nudes

Signed John (lower left) and inscribed 3 women/by me/for Will R (centre right)

Pencil

26.9 x 37.9cm

Provenance:

Possibly Sir William Rothenstein (1872-1945); Sotheby’s London, Modern British Paintings, 26 February 2003, lot 57; Katharine House Gallery, Marlborough, where purchased by the present private collector

£500-700

SIR WILLIAM ORPEN RA

Irish 1878-1931

The Draughtsman and his Model Photogravure

21.1 x 27.3cm (plate)

Provenance: The Collection of the Late Robin de Beaumont (1926-2023)

£150-250

WILLIAM STRANG RA

Scottish 1859-1921

Eve: A study for Paradise

Signed with initials W.S. (lower centre) Silverpoint

26.8 x 20.1cm

Provenance: Abbott & Holder, London; The Collection of the Late Robin de Beaumont (1926-2023)

£120-180

8

ROBERT MCGOWAN COVENTRY

Scottish 1855-1914

Highland landscape with sheep by a stream

Signed R.M.G COVENTRY ARSA (lower centre)

Oil on canvas

71.3 x 91.4cm

£200-300

9 Φ

CHARLES CUNDALL RA, RWS, RP

1890-1971

Spring in Fairlight, Sussex

Signed Charles Cundall (lower right)

Oil on canvas

51 x 76.3cm

£400-600

10

JOSEPH LONGHURST

1874-1922

A picnic table in the woods

Signed Joseph Longhurst (lower left)

Oil on canvas

25.7 x 36cm

£200-300

11

HAROLD SPEED 1872-1957

A landscaped garden from the drive, late afternoon Oil on canvas

50.8 x 63.5cm

Provenance: David David Inc, Philadelphia; Waterhouse & Dodd, London

£400-600

12

WILLIAM LEE

HANKEY RWS, RI, ROI

1869-1952

Laundresses by the river, Moret-sur-Loing

Signed W LEE HANKEY (lower left) Oil on canvas

63.8 x 76.4cm

£600-800

JAN MINAŘÍK

Czech 1862-1937

Landscape with a farmhouse by a pond

Signed Minařík (lower left)

Oil on canvasboard

19 x 23.7cm

£300-500

13 ALBERT MOULTON FOWERAKER

1873-1942

A mill house near Albi

Signed A M Foweraker (lower left)

Oil on canvas

34.9 x 45.8cm

£400-600

15

AMÉDÉE-JULIEN MARCEL-CLÉMENT

French 1873-1950

The sand cart

Signed and dated Marcel Clément 1909 (lower right)

Oil on board

44.6 x 63.4cm

Provenance: Sotheby’s, London, 19th Century European Paintings, Drawings and Watercolours, 7 April 1993, lot 50; Christie’s, London, British and Continental Pictures, 24 September 1998, lot 72

£400-600

16

16

PIERRE-EUGÈNE MONTÉZIN

French 1874-1946

Pique-nique au bord du Loing

Signed Montezin (lower left)

Oil on canvas

59.1 x 72.5cm

Provenance:

Christie’s, South Kensington, Impressionist/Modern & Picasso Ceramics, 6 February 2015, lot 115

At the time of the 2015 sale, Cyril Klein-Montézin confirmed the authenticity of this work.

£1,500-2,500

17

CONSTANTIN MEUNIER

Belgian 1831-1905

The miner

Signed CMeunier (lower right)

Bronze

17.8 x 23 x 1.9cm

£100-150

18 Φ AFTER ERIC KENNINGTON

Bacchus

Resin

34.2 x 14.5 x 11.5cm

After the original in brass, sold in these rooms, 7 June 2023, lot 20. This was one of Kennington’s early sculptures, and provides an interesting counterpoint to the carved stone works that would come to dominate his oeuvre. During this period he lived in Chiswick facing the River Thames, and Bacchus was intended to serve as a table ornament on the barge owned by his friend the writer A. P. Herbert (1890-1971).

£400-600

19

ANTON VAN WOUW

South African 1862-1945

The Mealiepap Eater

Signed A VANWOUW/S.A. Joh-Burg (to reverse)

Bronze on a wooden base, a posthumous cast

16 x 25.8 x 22.4cm (excluding base)

Provenance:

By descent to the present owner

£3,000-5,000

20

SIR MUIRHEAD BONE NEAC, RE

Scottish 1876-1953

The Old Jail

Signed, inscribed and dated The Old Jail Muirhead Bone 1899 (in pen and ink to margin)

Drypoint

33.1 x 48.1cm (sheet)

Unframed

£200-300

21

SIR MUIRHEAD BONE NEAC, RE

Scottish 1876-1953

Canal and Bridge of SS. Apostoli, Venice

Signed, inscribed and numbered XXVI Canal 7 Bridge of SS.Apostoli Venice Muirhead Bone (in pencil to margin)

Drypoint

40 x 27.4cm (sheet)

Unframed

£200-300

22

SIR MUIRHEAD BONE NEAC, RE

Scottish 1876-1953

Manhattan Excavation

Signed and titled Muirhead Bone Manhattan Excavation (in pencil to margin)

Drypoint

48.4 x 33.3cm (sheet)

Unframed

One of the Muirhead Bone’s most celebrated drypoints, the present work shows the massive construction site for the Hotel Roosevelt, located at Madison Avenue and East 45th Street.

£2,000-3,000

23 Φ

CLARE LEIGHTON

1898-1989

Twelve drop-caps, comprising N, S, G, P, S, C, A, R, I, M, T and Q

Each signed Clare Leighton (in pencil to margin)

Each wood engraving, from The Farmer’s Year

Largest 4.6 x 5.5cm; Smallest 4.6 x 4.6cm (image), framed as one (12)

£200-300

24 Φ

MALCOLM OSBORNE

CBE, RA, PPRE 1880-1963

Douglas Cockerell Book Binder

Signed and inscribed “DOUGLAS COCKERELL Book Binder” Malcolm Osborne (in pencil to margin)

Drypoint

42.3 x 34.5cm (sheet)

Unframed

£150-250

25

GEORGE SOPER RE 1870-1942

Summer, The Last Load; The Quarry Team; Coal Wharf, Topsham, Devon Three, two signed George Soper and one signed George Soper sci et imp (in pencil to margin)

Each drypoint

Largest 19.9 x 31.3cm; Smallest 13.7 x 26.2cm (plate) (3)

£200-300

26 Φ

GERALD LESLIE BROCKHURST RA 1890-1978

By the Window

Signed G L Brockhurst (in pencil to margin)

Etching

13.7 x 10.1cm (plate)

Provenance:

By family descent for at least two generations

£300-500

27 Φ

GERALD LESLIE BROCKHURST RA 1890-1978

Head of a Girl (Dorette)

Signed G L Brockhurst (in pencil lower right)

Lithograph 22 x 20.1cm (image)

£400-600

28 Φ

DAME LAURA KNIGHT DBE, RA, RWS 1877-1970

Study of Horse and rider

Signed Laura Knight (lower right) Charcoal

26.2 x 34.4cm

£400-600

DAME LAURA KNIGHT DBE, RA, RWS 1877-1970

The rocking horse

Signed Laura Knight (lower left)

Oil on canvasboard

22.7 x 30.2cm

Provenance:

The Christie Galleries, Broadway, where purchased by the present private collectors, June 1971; Private Collection, Yorkshire

The same rocking horse and infant are depicted in two further works by Laura Knight; The Elder Sister in Touchstones, Rochdale (no.100), and The Rocking Horse (Christie’s, London, 9 November 2004, lot 91). These two works were painted in 1906, whereas our work was possibly painted slightly earlier, c.1905.

We are grateful to John Croft for his assistance cataloguing the present work. It will be included in Mr Croft’s catalogue raisonné of Laura Knight’s work, no.1023.

£3,000-5,000

30

HAROLD HARVEY 1874-1941

Interior with a woman standing in a doorway

Signed and dated Harold Harvey/25 (lower right) Oil on canvas

61.4 x 50.5cm

Provenance: By descent to the present owner

The present work probably depicts Maen Cottage, Newlyn, where Harold Harvey and his wife Gertrude lived after they married in 1911. He first painted interiors during the First World War, when the government discouraged artists from depicting landscapes and coastal views, for fear they would fall into enemy hands. It is one of a series of beautiful and sophisticated interiors showing women and children involved in everyday activities. Certain objects, for example the demi-lune table, recur throughout these works, as do features such as the sharp perspective and the brilliant use of light which floods in through an unseen window. It is a painting that demonstrates why, the year before it was painted, Harvey was described as one of the ‘truest and sincerest of British Painters’.

£8,000-12,000

31

PIERRE AUGUSTE BELLET French 1865-1924

Still life with peonies in two vases

Signed P. Bellet (upper right) Oil on canvas

62.3 x 44.6cm

Provenance: Woolley & Wallis, Salisbury, 20th Century & Contemporary Art, 3 June 2015, lot 40

£400-600

33

ADELAIDE E. RICHARDSON exh.1927-1940

From My Window Oil on canvas

60.9 x 50.7cm

Provenance: By descent to the present owner

Exhibited: London, Royal Academy, 1937, no.89

£150-250

32

STUART PARK 1862-1933

Still life with roses in a glass vase

Signed Stuart Park (lower left) Oil on canvas

59.4 x 49cm

£200-300

34 Φ DOD PROCTER RA 1891-1972

Still Life with flowers in a white jug Oil on canvas

51.5 x 41cm

Provenance: Leicester Galleries, London

The white jug depicted in the present work features in several of Dod Procter’s still life paintings, including Spring Flowers (The New Art Gallery, Walsall), Glass (Jerwood Collection), and Flowers in a White Jug (Private Collection).

£2,000-3,000 34

35

ERIC GILL ARA

1882-1940

The Skaters (P368)

Copper engraving, 2nd state, published by Douglas Cleverdon, 1929

11.2 x 11.2cm (plate)

£200-300

36

ERIC GILL ARA

1882-1940

Ibi Dabo Tibi (P331)

Wood engraving, from The Song of Songs, published by Douglas Cleverdon, 1929

7.4 x 9.3cm (image)

£250-350

37

ERIC GILL ARA

1882-1940

Female Nude, Reclining (P943); Female Nude, Standing (P949)

Two, both wood engraving, 1937 from Twenty-five Nudes 22 x 14cm; 22 x 13.9cm (sheet) (2)

£200-300

38

ERIC GILL ARA

1882-1940

Eve (P380)

Wood engraving, from the edition of 480 printed from the original block, published by Douglas Cleverdon, 1929

23.7 x 11.7cm (image)

£600-800

39 JULIUS OLSSON RA 1864-1942

The sea at sunset

Signed Julius Olsson (lower right) Oil on canvas

51.8 x 69.2cm

£1,000-1,500

39 (framed)

40

40 JULIUS OLSSON RA 1864-1942

The Approaching Gale

Signed Julius Olsson (lower right) Oil on canvas

117.8 x 153.3cm

Exhibited: London, Royal Academy, 1912, no.117

£6,000-8,000

40 (framed)

41

THOMAS TENNANT BAXTER

1894-1947

View of Bosham, Sussex

Signed and dated TTBaxter/1927 (lower right)

Oil on canvas

56.2 x 76.4cm

£200-300

42

BRITISH SCHOOL

Early 20th Century

Stepping Stones, Betws-y-Coed

Indistinctly signed (lower right)

Oil on canvas

37 x 53.2cm

£200-300

43

BRITISH SCHOOL

Early 20th Century

Bluebells along a wooded path

Oil on canvas

40.7 x 30.6cm

£200-300

44 ERNEST YARROW-JONES

1872-1951

A tree in blossom

Signed E Yarrow Jones (lower left)

Oil on board

34.3 x 26cm

£150-250

45 Φ RUDOLPH IHLEE

1883-1968

View from a window, Guilvinec

Oil on board, 1921

35.2 x 26.2cm

Literature:

James Trollope, The Origins of Rudolph Ihlee: The Road to Collioure (Lund Humphries, 2022), p.114, no.B46

The present work was painted in 1921, when Rudolph Ihlee was living in Guilvinec, Brittany.

We are grateful to James Trollope for his assistance cataloguing the present work.

£400-600

46

JAMES KERR-LAWSON

Canadian 1862-1939

Don Quixote and Sancho Panza

Oil on canvasboard

32.7 x 40.4cm

Provenance: Hazlitt Gallery, London; Kenneth Neame

THIS LOT IS OFFERED WITHOUT RESERVE.

£150-250

47 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

The Garden Shed

Signed Ethelbert White (lower right) and inscribed THE GARDEN SHED (to verso) Pencil and watercolour 33 x 44.8cm

£250-400

48 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

The Winter Stream

Signed Ethelbert White (lower right) and inscribed Winter Stream (to verso) Black chalk and watercolour 35.2 x 45.1cm

£250-400

49

49 Φ JOHN NASH RA 1893-1977

Under the Willows

Signed and dated John Nash/1937 (lower left)

Watercolour 46 x 57.2cm

Provenance:

Thelma Cazalet-Keir (1899-1989); The Ruskin Gallery, Stratford-on-Avon; Private Collection

Exhibited:

London, National Gallery, Six Watercolour Painters of Today, 1941, no. 787; London, Royal Academy, Exhibition of paintings and drawings by John Nash, 1967, no.39

£3,000-5,000

49 (framed)

50 GEORGE HENRY RA Scottish 1858-1943

Women in the water meadows

Signed GEORGE HENRY (lower left) Oil on canvas

51.3 x 61.3cm

Provenance:

David Messum, Marlow, where purchased by the present private collectors, March 1993; Private Collection, Yorkshire

£4,000-6,000

50 (framed)

51 CHARLES GINNER ARA 1878-1952

The Catalpa Tree Oil on canvas

61.3 x 61.7cm

Provenance:

Christie’s, London, British & Irish Traditionalist & Modernist Paintings, Watercolours Drawings & Sculpture, 13 November 1987, lot 259; Agnew’s, London, where purchased by the present private collectors, November 1996; Private Collection, Yorkshire

Exhibited:

Woollahra, Australia, D.C. Art, Modern British Art of the 20th Century, August-September 1988

£7,000-10,000 51

51 (framed)

52 PAUL NASH 1889-1946

Flower (Postnan W68)

Signed and inscribed For Hartley from Paul (in pencil to mount)

Wood engraving 4 x 4cm (image)

Provenance:

Probably Hartley Ramsden (1904-1993); Fieldings, Stourbridge Decades of Design, 30 March 2019, lot 654, where purchased by the present private collector

£100-250

53 Φ DUDLEY HOLLAND 1915-1956

Beech Log; Pollarded Oak

Two, the former signed, dated, inscribed and numbered Beech log 18/50 Dudley Holland 45 (in pencil to margin); Both linocut in colours

21.2 x 25.8cm; 27.7 x 16.5cm (image) (2)

£150-250

54 Φ IVON HITCHENS CBE 1893-1979

Three Boats; Flower Painting 1931; Figure, Early Morning

Three, two numbered 319/375, 312/375 respectively (in pencil to margin), one stamped 366

Each reproduction print

Largest 59 x 49.5cm; Smallest 39.3 x 72.5cm (image) (3)

£600-800

55 Φ IVON HITCHENS 1893-1979

Trees and Cottages

Signed Hitchens (lower right) Oil on canvas, 1928

46.1 x 50.8cm

Provenance:

Arthur Tooth & Sons Ltd., London, 1929; Where purchased by J.L. Major Esq; The Broadway Gallery, Broadway; Where purchased by the previous private collector, April 1964; And by descent

Exhibited:

London, Arthur Tooth & Sons Ltd, Paintings by Ivon Hitchens, 5 December 1928-9 January 1929, no.4; London, Arthur Tooth & Sons Ltd, Ninth Exhibition of the Seven and Five Society, 7-28 March 1929, no.34; Broadway, The Broadway Gallery, Colour and Light, 1964. no.17

£15,000-20,000 55

56

GEORGE LESLIE HUNTER

Scottish 1877-1931

Torcello

Signed L Hunter (lower right)

Oil on board

68.1 x 48.6cm

Provenance: Sotheby’s, Glasgow, Scottish and Sporting Paintings - Drawings and Watercolours and Wemyss Ware, 4 December 1991, lot 218; Private Collection; By whom sold, Sotheby’s, London, Scottish Art, 29 September 2010, lot 87; Private Collection, Gloucestershire

George Leslie Hunter’s first visit to Venice came in 1922, the same year he also painted in Paris and Florence. It was during his visit to Paris that he encountered the latest work of Henri Matisse, which had a profound effect on the development of Hunter’s style. Torcello is one of only twenty-three Venetian oils to survive, and is typical of the period, with its short sharp brushstrokes of vivid colour, and areas of exposed board.

£10,000-15,000

57 Φ

JOHN MACLAUCHLAN MILNE RSA

Scottish 1885-1957

The Five Sisters of Kintail

Signed Maclauchlan Milne (lower left) and inscribed HILLS OF KINTAIL (to reverse) Oil on canvas

71.8 x 91.7cm

Provenance: Ian MacNicol, Glasgow; The Fine Art Society, London, where purchased by the present private collectors, September 1981; Private Collection, Yorkshire

Exhibited:

Royal Scottish Academy, 1934, no.386; Glasgow, Pearson & Westergaard, September-October 1937

Literature:

M. N. Millar, The Missing Colourist: The Search of John Maclauchlan Milne, RSA (2022), pp.93, 183

John Maclauchaln Milne is often referred to as the ‘Fifth Scottish Colourist’. Like them his work was transformed in the early 20th Century when he encountered the paintings of the French avant-garde. As his obituarist wrote ‘like Peploe, he saw Cézanne and was immediately conquered’. Maclauchalan Milne spent the majority of the 1920s in France, but in the 1930s he focused on painting Scottish landscapes, imbuing them with the light and colour of the Mediterranean.

£12,000-18,000

57

57 (framed)

58

WINIFRED KNIGHTS

1899-1947

Studies of a female head from Scenes from the Life of Saint Martin of Tours

Two, one signed and inscribed W. M. Knights/Study for St Martin (lower right)

One pencil, gouache and gum arabic; one pencil 17.2 x 17.2cm; 17 x 17cm, framed as one (2)

Provenance:

The Collection of the Late Robin de Beaumont (1926-2023)

Exhibited:

London, The Fine Art Society, Winifred Knights, 1995, no.13s

£200-300

59

WINIFRED KNIGHTS

1899-1947

Study of a standing female figure for The Marriage at Cana Pencil

30.9 x 15.3cm

Provenance: The Collection of the Late Robin de Beaumont (1926-2023)

Exhibited: London, The Fine Art Society, Winifred Knights, 1995, no.10w

£150-250

60

WINIFRED KNIGHTS 1899-1947

Self-portrait

Pencil

14.8 x 11.3cm

Provenance: Paul Liss, June 2001; The Collection of the Late Robin de Beaumont (1926-2023)

£100-150

61 Φ

CHARLES MAHONEY

RA 1903-1968

Bathsheba with two attendants

Oil and pencil on paper

34.8 x 28.6cm

Provenance:

The Fine Art Society, London; The Collection of the Late Robin de Beaumont (1926-2023)

Exhibited:

London, The Fine Art Society, Charles Mahoney, March 2000, no.123

£100-150

62 Φ

ROBERT AUSTIN RA, PRE, PRWS 1895-1973

Study of a skeleton

Signed Austin (upper right), signed and dated Austin 22/April and April ‘22/Austin RS (lower right), inscribed sketch for etching (lower left), and with studio stamp (lower left)

Pencil and white bodycolour

27.6 x 17.1cm

Provenance:

The Fine Art Society, London, 2002; The Collection of the Late Robin de Beaumont (1926-2023)

Exhibited:

London, The Fine Art Society, Robert Austin, 2002, no.72

£100-150

63 Φ

SIR JACOB EPSTEIN 1880-1959

Study of a female nude

Signed Epstein (lower left)

Pencil

42.2 x 32.3cm

Provenance:

Katharine House Gallery, where purchased by the present private collector

£400-600

64 Φ

SIR JACOB EPSTEIN

1880-1959

Second Portrait of George Bernard Shaw (Head)

Signed Epstein (to the back of neck)

Bronze with green patina, on a black stone base, conceived in 1934

43.8 x 22 x 29.4cm

Provenance:

Acquired from the artist by Mr and Mrs Maurice Linder, Hewlett Bay Park, Long Island; From whom acquired by a previous owner, 1989; By whom sold, Sotheby’s New York, Impressionist & Modern Art including Russian and Latin American Art, 6 October 2009, lot 119; Boundary Gallery, London, where purchased by Jack and Dora Black, November 2009; The Collection of the Late Jack and Dora Black

Exhibited: London, Boundary Gallery, Jacob Epstein 50th Anniversary Exhibition, October-December 2009

Literature:

Jacob Epstein, Let There Be Sculpture (London, 1940), pp.99-101 (another cast illustrated); Jacob Epstein, An Autobiography (London, 1955), pp.81-83 (another cast illustrated); Richard Buckle, Jacob Epstein Sculpture (London, 1963), pp.210-11, pl.323 (another cast illustrated);

Evelyn Silber, The Sculpture of Epstein (Oxford, 1986), p.178, no.253, cast 17 (another cast illustrated)

George Bernard Shaw (1856-1950) was a lifelong supporter and staunch defender of Jacob Epstein's work. It was Shaw who helped Epstein become established in London, and the sculptor acknowledged that ‘Throughout my life in England, Shaw was an outspoken champion of my work ... He was generous to young talent’. However, despite this loyal support, it was not until 1934, when he was in his seventies, that Shaw sat for his portrait by Epstein, as the playwright wanted the work to be a commission, so that the artist would ‘benefit materially and not just do his bust for its own sake’.

When he arrived for his sitting Shaw stripped to the waist, and although there is a variation of the bronze which includes the torso, Epstein preferred this reduced version. Of the sittings Epstein recalled ‘Shaw sat with exemplary patience and even eagerness. He walked to my studio every day, and was punctual and conscientious. He wisecracked of course.’

The present work exemplifies the qualities that made Epstein a great portraitist. His best work often derived from his interaction with extremely talented sitters. By the 1920s Epstein was widely regarded as one of Britain's leading avant-garde sculptors, despite his refusal to flatter his sitters. This commitment to verisimilitude was admired by Shaw and it is this candid, expressive style that brings the present example alive. Shaw himself wrote that 'I sit patiently and you do exactly what you want to do, which is, to strip from me the mask of civilisation. Then you went on to perform marvels of modelling on lips and cheeks and mouth with all the mastery that makes the busts precious'. Epstein thought ‘there are in it elements so subtle that they would be difficult to explain’.

£15,000-20,000

65 Φ SIR JACOB EPSTEIN 1880-1959

Sunflowers

Signed Epstein (lower right)

Watercolour and bodycolour, c.1936

56.6 x 43.5cm

Provenance: Arthur Tooth and Sons, London; Bebb Fine Art, Shropshire, where purchased by the present private collector, April 2004

£2,000-3,000 65

66 Φ

DOROTHEA SHARP ROI, RBA 1874-1955

Still life with flowers in a jug

Signed DOROTHEA SHARP (lower left) Oil on board

59.5 x 49.3cm

Provenance: Private Collection, Yorkshire

£6,000-8,000 66

67 Φ AFTER PABLO PICASSO

Faune à la Diaule

Reproduction print

45.8 x 25.6cm

Provenance: Galerie 27, Paris, where purchased by the present private collector, December 2002

£200-300

68 Φ PABLO PICASSO

Spanish 1881-1973

Satyr II

Lithograph, one of 3000 unsigned impressions

31.9 x 24.2cm (sheet)

£150-250

69 Φ AFTER MARC CHAGALL

L’Oiseau Vert

Numbered 26/50 (in pencil to margin)

Reproduction print

76.2 x 53cm (sheet)

£150-250

69A Φ SALVADOR DALÍ

Spanish 1904-1989

The Great Paranoiac

Signed and numbered 104/300 Dali (in pencil to margin)

Lithograph

68.6 x 56.1cm (image)

£200-300

70 Φ

JOAN MIRÓ

Spanish 1893-1983

Revue XXe SièclePanorama 68

Lithograph, 1968

31 x 69.5cm (sheet)

Provenance:

Gallery 17, Shrewsbury, where purchased by the present private collector, September 2005

£300-500

71 Φ

HANS BELLMER

German 1902-1975

Mode D’Emploi

The deluxe book, comprising seven etchings on BFK Rives papers, together with a duplicate suite on Japon Hosekawa papers, each signed Bellmer (in pencil to margin)

No.122 of 165, published by Editions Georges Visat, Paris, 1967, loose in original paper wrappers, boards and slipcase

25.1 x 17.9cm (slipcase)

Provenance: Sotheby’s, London, Old Master, Modern & Contemporary Prints, 10 October 2002, lot 2, where purchased by the present private collector

£400-600

72

ALLAN DOUGLAS DAVIDSON RBA, ROI, RMS 1873-1932

Female nude standing at a window

Signed Allan Davidson (lower left)

Oil on board

25.8 x 19.8cm

£300-500

73 Φ ATTRIBUTED TO TYMON NIESIOŁOWSKI

Polish 1882-1965

Girl with a flower

Signed Tymon (lower right)

Oil on canvas

73 x 60.1cm

Provenance: Marguerite Littman (1930-2020); And by descent

£800-1,200

74 KONSTANTIN IVANOVICH RUDAKOV

Russian 1891-1949

Dancer in blue

Signed in Cyrillic (lower left)

Charcoal, pastel and watercolour

37 x 24cm

£120-180

75 Φ EDUARDO BENITO

Spanish 1891-1981

Magazine cover design with an elegant lady looking at herself in the mirror

Signed BE/NI/TO (lower right)

Watercolour, pencil and body colour

36.5 x 29.3cm

Provenance: The Rae-Smith Gallery

£300-500

76

76 Φ

JEAN-GABRIEL DOMERGUE

French 1889-1962

Tête de Femme

Signed JGabriel/Domergue (lower right)

Oil on board

22.3 x 17.3cm

Provenance: Frost and Reed

£1,000-1,500

77 Φ

SIR CECIL BEATON CBE

1904-1980

Necklines

Inscribed Necklines (lower left), palm (upper right), wired/bust (centre) and longnous (upper right)

Pencil and watercolour

36 x 23.6cm

£100-150

78 Φ

SIR CECIL BEATON CBE

1904-1980

Portrait Studies

With studio sale stamp (lower right)

Pencil on paper

30 x 19.5cm

Provenance: Miss Eileen Hose, Cecil Beaton’s secretary; Woolley and Wallis, Salisbury, Modern British Art, 26 November 2013, lot 54, where purchased by the present private collector

£100-150

79 Φ

SIR CECIL BEATON CBE

1904-1980

Ten costume studies for the play Quadrille by Noel Coward

Three signed Cecil Beaton and inscribed with artist’s address (verso) each inscribed Quadrille, and seven further inscribed with notes

Each pen and ink, one with further studies to verso

Largest 50 x 37cm; Smallest 42 x 36cm

Unframed

Together with Study of three elegant ladies; Black ink; 39 x 56cm; Unframed (11)

Provenance: Woolley and Wallis, Salisbury, Paintings and Watercolours Sale; 5 June 2019, lot 205, where purchased by the present private collector

£600-800

80 Φ

SIR CECIL BEATON CBE

1904-1980

Portrait of Jessie Suarez, Madame Aramago and Princess Glorietta in an interior

Signed BEATON (lower right)

Pen and ink, watercolour and bodycolour

46.5 x 34cm

Together with Cecil Beaton, My Bolivian Aunt (London, Weidenfeld and Nicholson, 1971) (2)

Provenance:

The Parkin Gallery, London; Gorringe’s, Lewes, Fine Art Antiques and Collectables, 9 December 2015, lot 1479, where purchased by the present private collector

Literature:

Cecil Beaton, My Bolivian Aunt (London, Weidenfeld and Nicholson, 1971) illustrated on the cover

£800-1,200

81 Φ

SIR CECIL BEATON, CBE

1904-1980

The Study of faces (recto); Studies of Ian Macleod (verso)

Inscribed Walter (upper right to recto) and Ian/Macleod (lower right to verso) and with studio sale stamp (lower right to recto)

Pencil

25 x 20.2cm

Provenance:

Probably Christie’s, Cecil Beaton Studio Sale, the Property of Miss Eileen Hose, 7 June 1984

£200-300

82

MAURICE TAQUOY

French 1878-1952

Courses à Auteuil, 1950

Signed M.Taquoy (lower left)

Collage with pen and ink, watercolour and bodycolour on a race card

36.3 x 27cm

Provenance: Martinot-Savignat-Antoine, France, L’Ecole de Pontoise..,16 November 1997, lot 18

£400-600

83

MAURICE TAQUOY

French 1878-1952

Courses à Auteuil, 1945

Signed M.Taquoy (lower left)

Collage with pen and ink, watercolour and bodycolour on a race card

36.3 x 28.5cm

£400-600

Study of elegant figures in a horse-drawn carriage

Signed Doris Zinkeisen (lower right)

85 Φ

ARTHUR HENRY KNIGHTON-HAMMOND 1875-1970

Portrait of a lady seated, wearing a blue jacket

Signed KNIGHTON HAMMOND (upper right)

Oil on canvas

61.2 x 51.2cm

£400-600

86

ROBERT MORLEY 1857-1941

Black Cat

Signed Robert Morley (lower left)

Oil on canvas

50.8 x 40.6cm

£200-300

87 Φ

JOHN BULLOCH SOUTER Scottish 1890-1972

Still life with roses in a white jug

Signed J B Souter (upper right)

Oil on board

40.8 x 30.4cm

Provenance: Frost and Reed

£400-600

88

ANGELA TRINDADE

Indian 1909-1980

Portrait of a young lady wearing a red veil; Portrait of a young lady wearing a white veil and holding a jar

A pair, both signed and indistinctly dated

A Trindade/194* (lower right)

Both oil on canvas

58.7 x 43.2cm; 59 x 43.2cm

Unframed (2)

£400-600

89 Φ HARALAMBOS POTAMIANOS

Greek 1909-1958

The mandolin player

Signed and dated CH Potamianos/1946 (centre left)

Oil on canvas

61.1 x 38.2cm

Provenance:

The Collection of the Late Robin de Beaumont (1926-2023)

£150-250

90

Φ CARL FELKEL

1896-1980

Snow chalets in the Tyrol

Signed C.FELKEL (lower right)

Oil on board

31.8 x 26.5cm

£200-300

91

NERINE DESMOND

South African 1908-1993

The Malay Quarter, Cape Town

Signed Nerine Desmond (lower right)

Oil on board

34.5 x 49.6cm

£400-600

PIETRO ANNIGONI

Italian 1910-1988

Autumn

Signed, dated and inscribed P ANNIGONI/LONDON LI and with artist’s monogram (lower right)

Oil on canvas laid on board

50.2 x 59.9cm

Provenance:

Purchased from the artist, 1951; And by descent

Exhibited:

London, Wildenstein & Co, Pietro Annigoni, April 1954, no.10

£2,000-3,000

92 Φ

92

92 (framed)

93 Φ

CYRIL MANN 1911-1980

Sunburst over a London street

Signed C Mann (lower left)

Oil on board 45 x 29cm

£300-500

94 Φ

CYRIL MANN 1911-1980

Sunlight on Belisha Beacon

Signed and dated Mann 39 (lower right)

Watercolour and bodycolour

29.8 x 23.6cm

Provenance:

The artist’s studio; By whom sold, Sotheby’s, Olympia, 20th Century British and Irish Art, Including works from the studio of Cyril Mann, 16 February 2005, lot 5

£200-300

95

GEORGE SHERINGHAM 1884-1937

Kingswear from Dartmouth

Signed George Sheringham (lower right)

Watercolour

19.5 x 26.8cm

Provenance: The Brook Street Art Gallery, London

£200-300

96

CLAUD LOVAT FRASER 1890-1921

Longridge Fell

Signed, inscribed and dated LONGRIDGE FELL/25 JUNE

1919/C Lovat Fraser (lower right)

Coloured chalk and watercolour

22.9 x 35.5cm

Unframed

£150-250

97 Φ

RONALD OSSORY DUNLOP RA Irish 1894-1973

Winter landscape with a wood at dusk

Signed Dunlop (lower right)

Oil on canvasboard

39.2 x 49.3cm

£400-600

98 Φ

DOUGLAS

PERCY BLISS

1900-1984

Pond near Hazlewood, Derbyshire

Signed D P BLISS (lower right)

Oil on canvas

51 x 76.5cm

Provenance: Bonhams, Chester, Fine

Art & Interiors, including Welsh Pictures, 6 March 2013, lot 290

Exhibited: Edinburgh, Royal Scottish Academy, 1959, no.371

£800-1,200

99 Φ

FRANK EDWARD BURNHAM HUGHES

1905-1987

Figures in a farmyard Oil on canvas

60.8 x 76.2cm

Unframed

£150-250

101 Φ

CHRISTOPHER SANDERS RA 1905-1991

Looking Down Stream at Buxton Mill, Norfolk

Signed Sanders (lower right) and further signed and inscribed LOOKING DOWNSTREAM AT BUXTON MILL NORFOLK Christopher Sanders (to overlap)

Oil on canvas

38.9 x 46cm

Provenance: The Patricia Wells Gallery, Thornbury

£150-250

100 Φ

EDWARD WESSON RI, RBA 1910-1983

Near Salisbury

Signed Wesson (lower right)

Oil on board

30.4 x 40.4cm

£200-300

102 Φ

OWEN BOWEN 1873-1967

The Farmyard

Signed Owen Bowen (lower left)

Oil on canvasboard

31 x 41cm

£200-300

103

LAURENCE STEPHEN LOWRY RA, RBA 1887-1976

A Hillside

Signed and numbered 31/75 L S Lowry (in pencil to margin)

Lithograph

47.5 x 60.7cm (image)

Provenance:

Ganymed Original Editions, London, where purchased by Jack and Dora Black, March 1968;

The Collection of the Late Jack and Dora Black

£3,000-5,000 103

104

LAURENCE STEPHEN LOWRY RA, RBA 1887-1976

Village on a Hill

Signed and dated L.S.LOWRY 1966 (in red felt-tip pen, lower left), and numbered 20/75 (in pencil, lower right)

Lithograph

93.2 x 60.7cm (image)

Provenance:

Ganymed Original Editions, London, where purchased by Jack and Dora Black, March 1968;

The Collection of the Late Jack and Dora Black

£3,000-5,000

LAURENCE STEPHEN LOWRY RA, RBA

1887-1976

Group of Children

Signed L S Lowry (in pencil to margin) and with Fine Art Trade Guild blindstamp

Reproduction Print

18 x 19cm (image)

£800-1,200

£3,000-5,000 105 Φ

LAURENCE STEPHEN LOWRY RA, RBA

1887-1976

The Cart

Signed L S Lowry (in pencil to margin) and with Fine Art Trade Guild blindstamp

Reproduction print

48 x 37.6cm (image)

106 Φ

107 Φ

EDWARD BAWDEN CBE, RA 1903-1989

Illustration to Thomas More’s Utopia

Signed Edward Bawden (lower right) and inscribed Utopia (lower left)

Pencil, pen and black ink, and watercolour

26 x 15.5cm

Exhibited:

London, The Fine Art Society, Edward Bawden - Illustrator, October 1979

£400-600

108 Φ

ISMOND ROSEN

South African 1924-1996

Saw That They Were Fair; The People

Two, each signed, dated and numbered 3/75 Ismond Rosen 1974 and inscribed with title (in pencil to margin)

Both etching

20.1 x 26.8cm; 21.6 x 29.6cm (plate) (2)

Provenance:

The Collection of the Late Jack and Dora Black

£100-200

109

RALPH CHUBB

1892-1960

Songs of Mankind

Signed Ralph Chubb and numbered 14/100 to colophon

The Hawthorne Press, 1930, with wood engravings by the author, brown boards with gilt lettering

22.4 x 17.8cm

£150-250

110

RALPH CHUBB

1892-1960

Songs of Mankind

Signed Ralph Chubb and numbered 38/100 to colophon

The Hawthorne Press, 1930, with wood engravings by the author, brown boards with gilt lettering

22.4 x 17.8cm

£150-250

111 Φ

PETER LASZLO PERI

Hungarian 1899-1967

A CND protest

Signed and dated Peri 1962 (in pencil to margin)

Etching and drypoint

27.5 x 60.8cm (plate)

Provenance:

The Collection of the Late Jack and Dora Black £150-250

LEON KOSSOFF

1926-2019

Mother

Signed, dated, inscribed and numbered 43/60 Mother L Kossoff 82 (in pencil to margin), and with Studio Prints blindstamp

Etching

60.1 x 50.4cm (sheet)

Unframed

£300-500

113 Φ

LEON KOSSOFF

1926-2019

The Letter

Signed, dated, numbered and inscribed 76/100 The Letter L Kossoff 82 (in pencil to margin), and with Studio Prints blindstamp

Etching

37 x 40.9cm (sheet)

Unframed

£300-500

112 Φ

114 Φ

JOHN PIPER CH 1903-1992

St Raphael, Dordogne (Levinson 187)

Signed John Piper (in crayon lower right) and numbered 64/70 (in pencil to margin)

Screenprint

57.7 x 78.6cm (image)

£600-800

115 Φ

JOHN PIPER CH 1903-1992

Foliate Head (Levinson 256)

Signed and inscribed P/P II John Piper (in pencil to margin)

Lithograph

36.7 x 25.8cm (image)

Provenance:

Bebb Fine Art, Ludlow, where purchased by the present private collector, July 2006

£500-700

116 Φ

JOHN PIPER CH

1903-1992

Stoke Park, Northamptonshire

Signed John Piper (lower right)

Pen and ink, watercolour and bodycolour

37.8 x 55.6cm

Provenance:

David Messum Fine Paintings, London, where purchased by the present private collectors, September 1989; Private Collection, Yorkshire

£5,000-7,000

116

116 (framed)

117 Φ

LYNN CHADWICK CBE, RA 1914-2003

Seated Figures on Stripes II

Signed, dated and numbered 20/100 Chadwick 72 (in pencil to margin) and with Erker-Presse blindstamp

Lithograph 56 x 76cm (sheet)

Provenance: James Hyman Fine Art, London, where purchased by Jack and Dora Black, November 2002; The Collection of the Late Jack and Dora Black

£700-1,000

118 Φ

LYNN CHADWICK CBE, RA 1914-2003

Moon Series A

Signed and dated Chadwick 65 (in pen lower right) and numbered 20/70 (in pencil lower left)

Lithograph 50 x 65cm (sheet)

Provenance: Bebb Fine Art, Ludlow, where purchased by the present private collector June 2006

£500-700

119

119 Φ

HENRY MOORE OM, CH

1898-1986

Three Reclining Figures (Cramer 420)

Signed and numbered 43/50 Moore (in pencil to margin)

Lithograph, 1975

30.3 x 22.8cm (image)

Provenance:

Bebb Fine Art, Ludlow, where purchased by the present private collector, August 2011

£500-700

120

120 Φ

GRAHAM SUTHERLAND OM

1903-1980

The Fountain (Tassi 71)

Signed and inscribed 2nd Etat Epreuve de l’artiste G Sutherland (in pencil to margin)

Lithograph, 1965, an artist’s proof aside from the edition of 55

71.2 x 51.2cm (image)

Provenance:

New Gallery, Birmingham, where purchased by the present private collector, November 2004

£400-600

122 Φ

GASTON LOUIS ROUX

French 1904-1988

Femme en Bleu

Signed and dated G L Roux 42 (lower right)

Pencil, black chalk, watercolour and gouache

49.5 x 33.5cm

Provenance:

St. George’s Gallery, London; Crane Kalman Gallery, London, where purchased by Professor Catowsky, October 2003

£800-1,200

121

JULIUS STAFFORD-BAKER 1904-1988

Figures by a window

Pencil and watercolour

52.1 x 74cm

£200-300

123

Φ

PRUNELLA CLOUGH

1919-1999

Breakwater

Signed and inscribed a/p Clough (in pencil to margin) Lithograph, 1946

17.8 x 14.9cm (sheet)

Provenance: The Hargreaves and Ball Charitable Trust; By whom sold, via Anthony Hepworth, Bath, to the present private collector

Literature: Frances Spalding, Prunella Clough: Regions Unmapped, (London, Lund Humphries, 2012), p.44, pl.29

£400-600

124 Φ

SIR EDUARDO PAOLOZZI CBE, RA

Scottish 1924-2005

And King Las; Pryde - Pierrot

A pair, both signed numbered and dated 4/20 Eduardo Paolozzi 1925 (in pencil to margin) and with White Ink Studio blindstamp

Both woodcut, from the For Charles Rennie Mackintosh suite

Each 64 x 64cm (sheet) (2)

Provenance:

James Hyman Fine Art, London, where purchased by Jack and Dora Black, November 2002; The Collection of the Late Jack and Dora Black

£400-600

125 Φ

JOHN WELLS

1907-2000

Topsail

Inscribed p/p (in pencil to margin)

Etching, 1950

14.5 x 12.5cm (plate)

Provenance:

The Art Hound Gallery where purchased by the present private collector

£400-600

126 Φ

GEORGE DANNATT 1915-2009

Fall of the Leaves

Signed, dated and inscribed George Dannatt 1984/1985 Fall of the leaves (to backing board)

Mixed media on tracing paper 17.8 x 24.7cm

£200-300

127 Φ

GEORGE DANNATT 1915-2009

Abstract with grey and red

Signed and dated George Dannatt 1979 (to backing board)

Collage on board 19 x 14cm

£200-300

128 Φ

GEORGE DANNATT 1915-2009

Source

Signed, dated and inscribed George Dannatt, “Source”

September 1996 (to reverse)

Etching with hand colouring in blue ink on two sheets

22.5 x 12.5cm (total)

£120-180

129 Φ

GEORGE FULLARD 1923-1973

Two women and a child walking

Signed and dated Fullard/Dec 1959 (lower left)

Pencil

39 x 55.6cm

£500-800

130 Φ

GEORGE FULLARD 1923-1973

Abstract figure

Watercolour

55.6 x 37.5cm

£500-800

131 Φ

GEORGE FULLARD 1923-1973

Reclining Woman

Signed and dated Fullard ‘61 (lower left)

Pencil

55.6 x 37.8cm

£400-600

129

130 131

132 Φ GEORGE FULLARD 1923-1973

Brother Sun, Sister Moon Bronze, mounted in a wooden frame, 1960

25.6 x 34.1 x 2.1cm (excluding frame)

This work is believed to be a unique cast.

£2,000-3,000 132

132 (framed)

Woman and child

Aluminium

42.4 x 23.5 x 11cm

£2,000-3,000

134 Φ

WILLIAM SCOTT RA

1913-1989

Lyrical

Signed W Scott (lower right), and further inscribed and dated by Marianna Hill “Abstract Lyrical” October 23 1988 (to verso)

Pencil

28.7 x 41.1cm

Provenance: Whyte’s, Dublin, Irish Art, 18 February 2003, lot 182

The present work is a portrait of the actress Marianna Hill (b.1942), drawn by William Scott during the last stages of his Alzheimer’s disease.

£600-800

135 Φ

KEITH VAUGHAN

1912-1977

Two figures

With studio stamp (lower right)

Pencil

22.4 x 16.1cm

Provenance: Wenlock Fine Art, Much Wenlock, where purchased by the present private collector, August 2002

£600-800

136 Φ KEITH VAUGHAN 1912-1977

Abstraction No.1 (or Abstract No.1)

Signed, inscribed and dated Abstract No1/1950/Keith Vaughan (to backing board)

Oil on towelling laid on board

30 x 36.8cm

Provenance:

Whitford Fine Art, London; Private Collection, UK

Exhibited:

Buenos Aires, Instituto de Arte Moderno, Keith Vaughan: Paintings and Gouaches, 1950, no.13; London, Hanover Gallery, Space and Colour, 1953, no.50

Literature:

Anthony Hepworth and Ian Massey, Keith Vaughan: The Mature Oils 1946-1977 (Sansom & Company, Bristol, 2012), p.64, no.AH85

The present painting marks a turning point in Keith Vaughan’s work, for it is, as Anthony Hepworth has noted, the first oil painting in which Vaughan moves away from a purely figurative format. However, there are still references to the gables and windows of a building, and in his work diary Vaughan titled the work Abstraction No. 1 which seems to acknowledge that it is not a pure abstract (although he changed it to Abstract No.1 when he exhibited it). Vaughan’s experimental nature is further illustrated by the fact he has painted on towelling, giving the work a soft and fuzzy quality.

£4,000-6,000

137 Φ SIR TERRY FROST RA 1915-2003

Vertical Rhythms (Kemp 221)

Signed and numbered A/P III/VIII Terry Frost (in pencil to margin)

Screenprint, 2001, one of 8 artist’s proofs in addition to the edition of 75 and at least 2 unsigned proofs 70.8 x 71.2cm (image)

Provenance:

The Stour Gallery, Shipston-on-Stour, where purchased by the present private collector, January 2003 £1,000-1,500 137

SIR TERRY FROST RA 1915-2003

Blue Sun Up

Signed and dated Frost Dec 77 (lower right) and further signed, dated and inscribed Blue/’Sun Up’/Frost/Dec 77 (to backing board)

Collage, acrylic and gouache

99.5 x 46.6cm

Provenance:

Bebb Fine Art, Ludlow, where purchased by the present private collector, August 2002

£3,000-5,000

139 Φ

SIR TERRY FROST RA 1915-2003

Sun Bow (Kemp 239)

Signed, dated and inscribed P/P II Sun Bow Terry Frost 02 (in pencil to margin)

Etching, dustgrain gravure and aquatint, a printer’s proof in addition to the edition of 50 and further proofs

49 x 80cm (sheet)

Provenance:

Gallery 17, Shrewsbury, where purchased by the present private collector, June 2005

£800-1,200

140 Φ

SIR TERRY FROST RA 1915-2003

Spirals (Kemp 256)

Signed and numbered 82/125 Terry Frost (in pencil to margin)

Screenprint and collage, 2003

37.4 x 52.1cm (image)

£800-1,200

141 Φ

SIR TERRY FROST RA 1915-2003

SS Portfolio (Kemp 257), comprising SS; Laced Sun; PZ and SS; Two Models; Madonna; Delighted; Three Graces; and Ouzo and Black Olives

The complete set of eight, each signed, dated and numbered 1/30 Terry Frost 03 (to margin) and further numbered to justification

Each etching, with justification and table of contents, loose (as issued) within original grey portfolio

Each 46.5 x 43.1cm (sheet); 47.5 x 44.6cm (portfolio)

Terry Frost frequently used the letters SS and PZ in his work. They derive from the letters painted onto fishing boats to show which harbour they came from. They stand for St Ives, and Penzance respectively.

£2,500-3,500

142 Φ

SIR TERRY FROST RA

1915-2003

Desire I (Kemp 227)

Signed, dated and inscribed A/P Desire I Terry Frost 02 (in pencil to margin)

Etching and aquatint, an artist’s proof in addition to the edition of 25 and two further proofs

38.2 x 38.2cm (plate)

£600-800

143 Φ

SIR TERRY FROST RA

1915-2003

Lizard Light (Kemp 160)

Signed, dated and numbered 1/25 Terry Frost 97 (in pencil to margin)

Etching and aquatint

48.6 x 34.6cm (plate)

£400-600

144

JOHN HOYLAND RA 1934-2011

Homage to Constable

Signed, dated and numbered 15/100 John Hoyland 76 (in pencil to margin)

Lithograph and acrylic 70 x 98cm (sheet)

£500-700

145 Φ

JOHN HOYLAND RA 1934-2011

Blue Snake

Signed, dated, numbered and inscribed 42/90 Blue Snake

John Hoyland 93 (in pencil to margin) and with Advanced Graphics blindstamp

Screenprint with woodblock 111.9 x 84.5cm (sheet)

Provenance:

St Pauls Gallery, Birmingham, where purchased by the present private collector, September 2003

£400-600

146 Φ

TONY O’MALLEY

Irish 1913-2003

Landscape

Signed Tony O’Malley (in pen to margin)

Lithograph

40.6 x 26.3cm (image)

£150-250

147 Φ

WILLIAM GEAR RA, FRSA, RBSA

Scottish 1915-1997

Red Centre

Signed and dated Gear/’94 (lower right)

Gouache

17.7 x 22.8cm

Provenance: Phillips, Solihull, Paintings, Fine Furniture and Works of Art, 30 September 1998, lot 21; Helios Gallery, Birmingham; Halls, Shrewsbury, Modern and Contemporary Art, 9 October 2020, lot 82, where purchased by the present private collector

£200-300

148 Φ HOWARD HODGKIN 1932-2017

Indian View L (Heenk 22)

Signed, dated and inscribed AP Hodgkin 71 (in pencil lower right) Screenprint, from the Indian Views series, an artist’s proof aside from the edition of 75, published by Leslie Waddington Prints, London, 1971, printed by Chris Prater, with the assistance of Christopher Betambeau, at Kelpra Studios

57.6 x 78.2cm (sheet)

£500-700

149

149 Φ SIR HOWARD HODGKIN 1932-2017

Books for the Paris Review (Heenk 100)

Signed with initials and dated HH 99 (in pencil lower right) and numbered XVI/XX (in pencil lower left)

Lift-ground etching and aquatint with carborundum in colours and extensive hand-colouring, one of twenty artist’s proofs, aside from the edition of one hundred, published by The Paris Review, New York, 1998, printed and hand-coloured by Jack Shirreff at the 107 Workshop

38.3 x 42.1cm (sheet)

Provenance: Alan Cristea Gallery, London; Private Collection, London

£2,500-3,500

150 Φ

JULIAN TREVELYAN RA

1910-1988

The Well of Loneliness (Turner 384)

Signed, numbered and inscribed 2/50 The Well of Loneliness Julian Trevelyan (in pencil to margin)

Etching and soft-ground with hand colouring, 1984, from Late Dream City series

17.3 x 24.8cm (plate)

£300-500

151 Φ

JULIAN TREVELYAN RA

1910-1988

Pebble Mill ‘83 (Turner 382)

Signed, numbered and inscribed 2/50 Pebble Mill Julian Trevelyan (in pencil to margin)

Etching and softground with hand colouring, from Late Dream City Series

14.6 x 25cm (plate)

£300-500

152 Φ

JULIAN TREVELYAN RA

1910-1988

Harbour (Turner 61)

Offset Lithograph, from the School Prints series, 1946

49.6 x 76.4cm (sheet)

Unframed

£150-250

153

JULIAN TREVELYAN RA

1910-1988

Chiswick Mall (Turner 281)

Signed, numbered and inscribed 21/52 Chiswick

Mall Julian Trevelyan (in pencil to margin)

Etching, aquatint and soft-ground, 1974

59.3 x 78.3cm (sheet)

Unframed

£600-800

154 Φ

JULIAN TREVELYAN RA 1910-1988

St James’ Park (Turner 234)

Signed, numbered and inscribed 6/75 St James’ Park

Julian Trevelyan (in pencil to margin)

Etching, aquatint and soft-ground, 1969-70 from London Parks suite

55.7 x 67.2cm (sheet)

Unframed

£400-600

153 154

155 Φ

WILLI SOUKOP RA

1907-1995

Pillion Rider

Signed with initials and numbered WS 4/9 (to back wheel), and further signed

W.SOUKOP (to underside of base)

Bronze on a stone base

12 x 9.2 x 6.3cm (excluding base)

Provenance:

The Collection of the Late Jack and Dora Black

Exhibited:

Kings Lynn, The Fermoy Art Gallery, Willie Soukop R.A. Sculpture, September-October 1979, no.32

£800-1,200 156

WILLI SOUKOP RA

1907-1995

Awakening

Signed with initials and numbered WS 4/6 (lower right) and further signed W.SOUKOP (to underside of base)

Bronze on a wooden base

16.9 x 6.6 x 4.8cm

Provenance:

The Collection of the Late Jack and Dora Black

Exhibited:

Kings Lynn, The Fermoy Art Gallery, Willie Soukop R.A. Sculpture, September-October 1979, no.331

£600-800

157 Φ

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Golden Eagle

Signed and numbered Frink 1/9 (to underside) Bronze, 1978

10.5 x 5.8 x 10.1cm

Provenance:

Christie’s Contemporary Art, where purchased by Jack and Dora Black, June 1981; The Collection of the Late Jack and Dora Black

Literature:

Bryan Robertson (intro.), Elisabeth Frink Sculpture: Catalogue Raisonné, Salisbury, 1984, no.243; Annette Ratuszniak, Elisabeth Frink: Catalogue Raisonné of Sculpture 1947-93 (Farnham, 2013), p.140, no.FCR273 (illustrated)

£8,000-12,000

158 ROSS STEFAN

American 1934-1999

A Glimpse of the Patio

Signed Ross/Stefan (lower left)

Oil on canvas

42.9 x 52.4cm

£500-700

159 Φ ROGER-EDGAR GILLET

French 1924-2004

Head

Signed and dated R E Gillet 95 (upper right)

Oil on paper

32.5 x 22.8cm

£500-800

160 Φ LARRY WAKEFIELD

1925-1997

Figures in the sea

Signed L Wakefield (lower right)

Watercolour heightened with bodycolour

50 x 37cm

£200-300

161

161 Φ SIR SIDNEY NOLAN OM, RA Australian 1917-1992

Leda and Swan

Dated 3 Dec 1959 (to verso)

Mixed media on paper 30 x 24.5cm

Provenance: Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 11 December 2019, lot 192

£1,000-1,500

PADRAIG MACMIADHACHAIN

Irish 1929-2017

Old Fort, Gozo

Signed MACMIADACAIN (lower left), and further signed and inscribed OLD FORT/GOZO/P.MACMIADHACHÁIN (to reverse)

Oil on board

23.9 x 28.9cm

Provenance:

Business Art Galleries, London, where purchased by the previous private collector, September 2000; Property of a deceased estate

£400-600

162

PADRAIG MACMIADHACHAIN

Irish 1929-2017

Tousled Ice Cream Afternoons in Buenos Aires

Signed MACMIADACAIN (lower right), and inscribed TOUSLED ICE CREAM AFTERNOONS/IN BUENOS

AIRES (to backing paper)

Oil on canvas

25.6 x 30.5cm

Provenance:

Purchased previous private collector, March 2004; Property of a deceased estate

£500-700

164 Φ

PADRAIG MACMIADHACHAIN

Irish 1929-2017

The Spanish Guard

Signed MACMIADACAIN (lower right)

Oil on canvas

25.7 x 30.6cm

Provenance:

Acquired from the artist by the present private collector

£500-700

165

165 Φ MARY NEWCOMB 1922-2008

Man Running, As In A Dream, Through the Forest

Signed and dated 86 Mary Newcomb (lower right) and further signed, inscribed and dated Man running, as in a/dream, through/the forest/Mary Newcomb/86 (to reverse) Oil on canvas

60.8 x 60.8cm

Provenance: Private Collection

£8,000-12,000

166 Φ

CRAIGIE AITCHISON CBE, RSA, RA

Scottish 1926-2009

Cypress Tree Montecastelli

Signed, dated and numbered Craigie Aitchison 21/75 2004 (in pencil to verso)

Screenprint

15.5 x 12.1cm (sheet)

£500-700

168 Φ

TREVOR BELL

1930-2017

Nomad

167 Φ

BERNARD FARMER

1919-2002

Abstract in orange and black

Signed and dated twice Farmer ‘72 (lower right and lower right of the black)

Acrylic on paper

45.7 x 33.6cm

£50-100

Signed, inscribed and dated NOMAD/Trevor Bell/2002 (to reverse)

Oil on board

30.1 x 30.1cm

Unframed

Provenance:

Market House Gallery, Cornwall; Private Collection, UK

£300-500

169 Φ

SANDRA BLOW RA

1925-2006

Canvas on Chrome

Signed, numbered and inscribed 33/125 CANVAS ON CHROME Blow (in pencil to margin)

Screenprint and collage

71.2 x 70.9cm (image)

Provenance:

The Stour Gallery, Shipston-on-Stour, where purchased by the present private collector, August 2004

£600-800

170 Φ

SANDRA BLOW RA

1925-2006

Revolve

Signed, dated, numbered and inscribed 52/75 REVOLVE Blow / 03 (in pencil to margin)

Etching and aquatint

77.4 x 73cm (sheet)

Provenance: Bebb Fine Art, Ludlow, where purchased by the present private collector

£500-700

171 Φ FRED YATES 1922-2008

Moonlight over Coastal Waters

Signed FRED YATES (lower centre)

Oil on board

42 x 46.5cm

£500-700

172 Φ FRED YATES 1922-2008

Penzance

Signed FRED YATES (lower right) Oil on canvas

17.9 x 25.7cm

Provenance: Plymouth Auction Rooms, Plymouth, Contemporary Art, 23 June 2021, lot 270

£300-500

173

173 Φ

FRED YATES

1922-2008

Boscorne Cottage, St Just

Signed FRED YATES (lower centre)

Oil on board

41 x 62cm

Provenance:

David Lay, Penzance, 6 November 2014, lot 568, where purchased by the previous private collector; And by family descent

£1,200-1,800

174 Φ

FRED YATES

1922-2008

Provence

Signed and inscribed FRED YATES/ PROVENCE (lower left)

Watercolour 48.2 x 64cm

£600-800

175 Φ FRED YATES

1922-2008

A wooded lake

Signed FRED YATES (lower right)

Oil on board

71 x 49cm

£600-800

176 Φ FRED YATES

1922-2008

Still life with flowers in a brown pot

Signed FRED (lower right)

Oil on cardboard

10 x 10cm

£200-300

177 Φ FRED YATES

1922-2008

A couple standing by a tree

Signed twice Love Fred (centre right) and FRED XX (lower centre)

Oil on postcard

10.5 x 15cm, framed together with envelope (2)

£150-250

178

178 Φ FRED YATES

1922-2008

Figures on a lakeside road

Signed, dated and inscribed FRED YATES/1982/Geneva (lower right)

Mixed media on paper 88 x 74cm

Provenance: Acquired from the artist by Gallerie Eric Franck, 1982; The Emer Gallery 9 May 2003

£1,000-1,500

179 Φ

BEN TOBIAS

Canadian 1901-1985

Mevagissey Harbour

Signed, inscribed and dated MEVIGISSEY[sic]

57/BEN TOBIAS (lower right)

Oil on canvas laid down on panel 39 x 49cm

£400-600

180 Φ

JOAN GILLCHREST

1918-2008

It’s a Frost isn’t it?

Signed with initials JG (lower right)

Oil on board

49.5 x 39cm

£500-800

181 Φ

JOAN GILLCHREST

1918-2008

Cornish Harbour and Flamingos

Signed with initials JG (lower right)

Oil on paper laid on board

18 x 12.6cm

£300-500

182

182 Φ JOAN GILLCHREST 1918-2008

Two Watching the Sailing Boats at Land’s End

Signed with initials JG (lower right), and further signed and inscribed 2 watching the/sailing boats/at Lands End/Joan Gillchrest (to label) Oil on board

25.3 x 26.8cm

Provenance:

Mere Gallery, Mere, where purchased by the present private collector c.2000

£1,000-1,500

183 Φ

WILLIAM TIMYM

1902-1990

Portrait bust of Bertrand Russell (1872-1970)

Signed and numbered Timym 3/6 (to back of neck)

Bronze on a marble base

23.5 x 12 x 13.3cm

Provenance:

The Collection of the Late Jack and Dora Black

£1,000-1,500

184

A COLLECTION OF BOOKS, JOURNALS AND CATALOGUES RELATING TO BERTRAND RUSSELL

1872-1970

Twenty-nine, including Bertrand Russell, The Autobiography of Bertrand Russell (1872-1914), signed and inscribed To Jack Black/from the author/Bertrand Russell (London, 1967); A Detailed Catalogue of The Archives of Bertrand Russell, signed and inscribed by Anton Felton, one of 300 copies (London, 1967); Barry Feinberg and Ronald Kasrils (ed), Dear Bertrand Russell…, Signed and inscribed by the editors (London 1969); and others

Together with further unrelated books and catalogues, including Thomas Carlyle, Sartor Resartus (Kegan Paul, Trench & Co, 1889), and others (33)

Provenance:

The Collection of the Late Jack and Dora Black

£100-200

185

185 Φ JONAH JONES 1919-2004

Portrait bust of Bertrand Russell (1872-1970)

Bronze on a wooden base

30 x 23.9 x 22.5cm

Together with Jonah Jones, An Artist’s Life in Wales (Scene & Word, 2010), missing mounted prints (2)

Provenance: The Collection of the Late Jack and Dora Black

£1,000-1,500

186 Φ

ANTHONY GIBBS b.1951

High Flyer

Signed Anthony Gibbs (lower left)

Oil on canvas

71.2 x 122cm

Provenance: Colmore Galleries, Henley-in-Arden

£600-800

187 Φ CHRISTOPHER HALL 1930-2016

The Black Dog, Centragallo

Signed and dated C C Hall 1991 (lower left)

Oil on board

54 x 90cm

Provenance: Waterman Fine Art, London; May 1992; Where purchased by Norman Blacker

£200-300

188 Φ DONALD GRANT 1924-2001

Flamingos at a watering hole

Signed Donald Grant (lower right)

Oil on canvas

51.3 x 76.5cm

Provenance: MacConnal-Mason, London

£500-800

189 Φ

IAN MACGILLIVARY

b.1964

Changeable Day by Coirein Lochain

Signed I MacGillivary (lower left), and further signed, inscribed and dated Ian MacGillivary 1993/Changeable day by Coirein Lochain (to backing board and frame)

Oil on canvas

45.4 x 61cm

Provenance:

The Tryon Gallery, London

£1,000-1,500

190

Φ GABRIEL DE JONGH

South African 1913-2004

Mountainous river landscape with a cottage

Signed Gabriel de Jongh (lower right)

Oil on canvas

46 x 63.9cm

£200-300

191

Φ WILLIAM MCGREGOR

Scottish 20th Century

View of Loch Laggan

Signed W.McGREGOR (lower left)

Oil on canvas

50.8 x 76.6cm

Provenance:

By descent to the present private collector; Selected Contents of Dinton Hall, Buckinghamshire

£200-300

192 Φ

IVOR ABRAHAMS 1935-2015

Garden Suite IV (Four Bushes); For John Constable

Two, the former signed, dated and inscribed A.P. Ivor Abrahams 70 (in pencil to margin), the latter signed, dated and inscribed 36/100 Ivor Abrahams 76 (in pencil to margin)

Both screenprint, the former an artist’s proof in addition to the edition of 75

58.8 x 78cm; 55.9 x 79.2cm (sheet)

Unframed (2)

£100-150

193 Φ

IVOR ABRAHAMS 1935-2015

Hedge and Street; Flower Garden

Two, the former signed, dated and numbered 6/75 Ivor Abrahams 70 (in pencil to margin), the latter signed, dated and numbered 70/75 Ivor Abrahams 70 (in pencil to margin)

Both screenprint and flock fibre, from the Privacy Plot suite

Each 56.4 x 77.2cm (sheet)

Unframed (2)

£100-150

194 Φ

IVOR ABRAHAMS 1935-2015

The Arches Suite, comprising Arch I, Arch II, Arch III, and Arch IV

Four, each signed, dated and inscribed Artist’s Proof Ivor Abrahams 71 and two inscribed with title (in pencil to margin)

Each lithograph, artist’s proofs in addition to the edition of 50

Each 59 x 79.5cm

Unframed (4)

£100-150

194

193 192

195 Φ

IVOR ABRAHAMS

1935-2015

Vahine I; Vahine II

Two, both signed, dated and numbered 36/50 Ivor Abrahams 84 (in pencil to margin)

Both screenprint

Each 107.5 x 80cm (sheet)

Unframed (2)

£300-500

196 Φ

IVOR ABRAHAMS

1935-2015

Domain at Arnheim II; Vase

Two, the former signed, numbered, dated and numbered 72/93 Ivor Abrahams 76 (in pencil to margin), the latter signed, numbered and dated 27/100 Ivor Abrahams 78 (in pencil to margin)

Both screenprint

52.8 x 36cm; 100.5 x 68cm (sheet)

Unframed (2)

£100-150

197 Φ TERENCE MILLINGTON b.1942

Mushrooms, Fire Place I, Figure

Three, each signed Terence Millington, one inscribed with title, dated 76, 74, 74 and numbered 17/50, 3/60, and 3/60 respectively (in pencil to margin)

Each etching

Largest 67.2 x 85cm; Smallest 48.1 x 38.2cm (sheet)

Unframed (3)

£100-150

198 Φ

ROBYN DENNY 1930-2014

For John Constable

Signed, dated and numbered Denny ‘76 75/100 (in pencil lower right)

Screenprint and collage

62.2 x 102.7cm (sheet)

Unframed

£150-250

199 Φ

ROBYN DENNY 1930-2014

Graffiti 7

Signed, dated, numbered and inscribed 15/28 Graffiti 7 Denny ‘77 (in pencil to margin)

Etching

69.5 x 56.9cm (sheet)

Unframed

£120-180

200 Φ

ROBYN DENNY 1930-2014

Generations 20; Generations 15

Two, the former signed, dated and numbered 22/35 Denny ‘78 (in pencil lower right), the latter signed, dated and numbered 17/35 Denny ‘78 (in pencil lower right)

Both etching and aquatint with watercolour

Each 52.3 x 70.1cm (sheet) Unframed (2)

£200-300

201 Φ

ROBYN DENNY 1930-2014

Portraits - Series A:1; Portraits - Series B:2; Portraits - Series B:3

Three, each signed and dated Denny ‘73 and numbered 10/30, 13/30 and 11/30 respectively (in pencil to margin)

Each lithograph

Each 79 x 58.5cm (sheet) Unframed (3)

£120-180

202 Φ

RICHARD SMITH

1931-2016

Espalier (Diptych); Arbor; Chapbook

Three, on four sheets, each signed R Smith, dated 81, 82, 82 respectively and numbered 41/100, 100/100 and 57/75 respectively (in pencil)

Each lithograph

Largest 111.1 x 155.4cm (total); Smallest 57.1 x 76.6cm (sheet)

Unframed (4)

£300-500

203 Φ

RICHARD SMITH

1931-2016

Two of a Kind IVa (red x on lavender at angle); Two of a Kind IIIa (bright red x on green)

Two, the former signed, dated and numbered 73/80 R Smith 78 (in pencil lower right); the latter signed, dated and numbered 26/90 R Smith 78 (in pencil lower right)

Both lithograph with folds and paperclips

71 x 71cm; 101.8 x 46.9cm (sheet)

Unframed (2)

£300-500

204 Φ

RICHARD SMITH

1931-2016

Pieces of Eight (Red and Green Squares); Pieces of Eight (Pink Square); Pieces of Eight (Ochre Square)

Three, each signed, dated and numbered 21/35 R Smith 77 (in pencil lower right)

Each lithograph with folds and paperclips

Each 48.6 x 100.6cm (sheet)

Unframed (3)

£300-500

205 Φ

TOM PHILLIPS

1937-2022

Study for Marble Panel in Westminster Cathedral

Signed and dated Tom Phillips 2004 (lower right) and inscribed Study for marble panel in Westminster Cathedral (lower left) Pen and ink, and watercolour within pencil framing lines 21.9 x 17.7cm

£300-500

206 Φ

ALBERT IRVIN

1922-2015

Concordia III

Signed, dated, numbered and inscribed Irvin ‘97 Concordia III 176/195 (in pencil to margin) and with Advanced Graphics Blindstamp Screenprint with woodblock

51.7 x 68cm (sheet)

£150-250

207 Φ

BREON O’CASEY

1928-2011

Abstract with shapes

Signed and inscribed A Merry Christmas/&/ A Happy New Year/love from Breon & Doreen/-hope to see you in the New Year (to label)

Linocut with handcolouring 15.2 x 19.3cm (sheet)

Provenance:

A gift from the artist, Christmas 2008; Property of a deceased estate

£500-700

208

Φ PETER JOYCE

b.1964

Near the Agglestone

Signed with initials and dated PJ 98 (lower right), and further signed, inscribed and dated ‘Near the Agglestone’/March

PJ’98/1998 Peter Joyce (to backing board)

Acrylic on canvas

30.3 x 25.2cm

Provenance: Pauline del Mar; Sold on behalf of her estate by Anthony Hepworth Fine Art, Bath, where purchased by the present private collector, September 2007

£600-800

209

Φ BRYAN PEARCE

1929-2007

Indian Birds

Signed, dated and numbered 21/75

Bryan Pearce/2000 (in pencil to margin)

Etching

19 x 22cm (plate)

Together with Janet Axten; Bryan Pearce: The Artist and his Work; Signed, inscribed and dated with best wishes/janet Axten/21 October 2000 (Sansom & Company, 2000) (2)

£150-250

210 Φ GEOFFREY ROBINSON

b.1945

Black Square

Signed and dated G.Robinson ‘92 (lower left) Oil on canvas

51 x 61cm

Provenance: Wenlock Fine Art, Much Wenlock, where purchased by the present private collector, October 2008

£300-500

211 Φ

WILLIAM WARE 1915-1997

The Venetian lagoon with Santa Maria della Salute in the distance

Signed WILLIAM WARE (lower right)

Oil on canvas

91 x 121.7cm

£200-300

212 Φ

WILLIAM WARE 1915-1997

Landscape with a village beyond the trees

Signed WILLIAM WARE (lower right)

Oil on canvas

44.5 x 59.9cm

£100-150

213 Φ

MICHAEL FELMINGHAM b.1935

A Venetian backwater

Signed Felmingham (lower left)

Watercolour

25.4 x 35.7cm

Provenance: Woolley and Wallis, Salisbury, 20th Century & Contemporary Art, 3 June 2015, lot 123, where purchased by the present private collector

£200-300

214 Φ

MICHELE ROCCOTELLI

Italian b.1946

Rari Nantes

Oil and collage on canvas

130.2 x 180cm

Unframed

£300-500

215

SHELIA TOLLEY RWA 1939-2019

Pendeen Morning (Cornwall); Sea-MistCornwall

Two, both signed with monogram (lower left)

Both pencil and watercolour

8.5 x 8.5cm; 8.8 x 11.3cm (2)

£200-300

216 Φ

SHELIA TOLLEY RWA 1939-2019

Mousehole - Morning; Rainy day - Cornish Coast;

Two, the former signed sheila tolley (lower right), the latter signed with monogram (lower left)

The former, pencil, watercolour and bodycolour, the latter pencil and watercolour

10.6 x 12.5cm; 7.7 x 20.3cm (2)

£200-300

SHELIA TOLLEY RWA 1939-2019

Headland - Gurnards Head (Gale Force); Porthmeor Tide, Cornwall

Two, both signed with monogram (lower left)

Both pencil and watercolour

10 x 17.3cm; 9.2 x 8cm (2)

£200-300

219 Φ JOHN HITCHENS

b.1940 Wild Pastures

Signed John Hitchens (lower right), and further signed, dated and inscribed Wild Pastures/1963/John Hitchens (to reverse) Oil on canvas

50.5 x 91cm

Provenance:

Christie’s, London British and Irish Traditionalist and Modernist Paintings…Drawings and Sculpture, 12 May 1989, lot 121

£500-800

218 Φ

DONALD MCINTYRE 1923-2009

Mill and Yacht Sails

Signed with initials DMc (lower centre)

Oil on board 28 x 37.5cm

£1,500-2,500

220 Φ PATRICK PROCKTOR RA 1936-2003

Sarum

Signed and numbered 78/150 Patrick Procktor (in pencil to margin) Aquatint with sugar-lift, 1974

59.5 x 79cm (sheet)

The present work depicts Salisbury Cathedral from the north-west.

£150-250

221

221 Φ KATE NICHOLSON

1929-2019

Mas de Fourques

Signed and indistinctly inscribed KATE NICHOLSON MAS * (to stretcher)

Oil on canvas, 1953

76.2 x 63.4cm

Provenance:

Private collection; Lay’s Auctioneers, Penzance, Cornish Art and Fine Art Sale, 13 May 2021, lot 125; Private collection

Mas de Fourques, near Lunel in the South of France, was the home of Jean Hugo, great grandson of Victor Hugo, and a friend of Winifred Nicholson. Winifred and her children visited Hugo in the 1930s when she painted a number of pictures of Mas de Fourques (see Jovan Nicholson, Winifred Nicholson: Liberation of Colour, Philip Wilson Publishers, London, 2016, pp. 22-23, 74-77, and The Vineyard, Mas de Fourques, Sotheby’s, 17 March 2020, lot 189). The Nicholsons visited again in September 1953 which is probably when the present work was painted. Kate would have been keenly aware of her mother’s paintings of Mas de Fourques, and while there are many similarities, the voice with her characteristic exuberance of colour and delight in the Mediterranean light is clearly her own.

£1,500-2,500

222

WALTER STUEMPFIG

American 1914-1970

Young bather

Oil on canvasboard

27 x 22cm

Provenance:

Christie’s, South Kensington, Modern British and Irish Art, 19 March 2015, lot 51

£500-700

223 Φ

WALTER JOHN BEAUVAIS

1942-1998

The dancers

Signed with monogram (lower right)

Oil on canvasboard

59.1 x 38.8cm

£200-300

224

FABIAN PEREZ

Argentinian b.1967

Celina con Abanico; Dancer in Red and white;

Two, both signed F Perez (lower right) and numbered 37/195 (lower left)

Both giclee print on canvasboard with hand colouring

Each 22.8 x 30.48cm (2)

Provenance:

Both with De Montfort Fine Art (with certificates of authenticity to backing board)

£250-450

225 Φ

IGOR TALWINSKI

Polish 1907-1983

Portrait of a young woman with a red ribbon in her hair

Signed I Talwinski (lower left)

Oil on canvasboard

59.7 x 49.5cm

£200-300

226

CHUAH THEAN TENG

Malaysian 1914-2008

Head of a woman; Two figures

Two, the former signed Teng (lower right), the latter signed Teng (lower left)

Both batik dye on silk

58.5 x 43.2cm; 63.4 x 42.5cm (2)

Provenance:

Purchased from the Yahong Art Gallery, Panang, late 1980s; And by family descent

£700-1,000

227 Φ

NICO

Dutch b.1958

Jeane Asleep

Signed and dated Nico Vrielink 1993 (lower right)

Mixed media on paper

48 x 34cm

£400-600

228 Φ

NICO VRIELINK

Dutch b.1958

Portrait of Jeane with her eyes closed

Signed Nico Vrielink (lower left)

Oil on canvas

79 x 39cm

£400-600

229 Φ

NICO VRIELINK

Dutch b.1958

Portrait of Jeane

Signed and dated Nico Vrielink/1999 (lower left) Mixed media on canvas

70 x 40cm

£200-300

VRIELINK

230 YUSUF ARAKKAL Indian 1945-2016

Four kites; A kite frame

Two, both signed and dated yusuf arakkal ‘93 (lower right)

Both watercolour heightened with white

Each 42.4 x 58.6cm (2)

£1,000-1,500

231

SHYAMAL DUTTA RAY

Indian 1934-2005

The tightrope walker

Signed in Bengali and indistinctly dated *8 (lower right)

Watercolour

48.6 x 62.9cm

£2,000-3,000

231

231 (framed)

232 Φ

JOHN MCLEAN

1939-2019

Toledo

Signed, inscribed and dated “TOLEDO”/John McLean/2003 (to backing board)

Acrylic on canvas

49.9 x 70.2cm

Provenance: Bourne Fine Art, Edinburgh

£800-1,200

233

MARCIA MYERS

American 1949-2008

Polyptyque XXI

Signed and dated Marcia Myers 1997 (to reverse of central canvas) Fresco, luma and varnish on three linen canvases, a triptych 97 x 139.2cm total (3)

£800-1,200

233A

MARCIA MYERS

American 1949-2008

Scarvi CLXXXIII

Signed Marcia Myers and twice with initials MM and dated three times 2000 (to reverse) Fresco on three joined linen canvases

215.3 x 183.6cm

£1,000-1,500

234 Φ

PIERRE ALECHINSKY

Belgian b.1927

Terril XXI

Signed Alechinsky (lower left), and further signed and dated XII 2006 Alechinsky (to stretcher)

Acrylic on paper laid on canvas

50.1 x 65cm

Provenance:

Pascal Retelet Fine Art, Saint Paul de Vence, where purchased by the present private collector, August 2007

£15,000-20,000

234

234 (framed)

235 Φ

LIBBY JANUARY

d.2019

Still life with a vessel

Signed with initials LJ (lower right)

Pastel

38.2 x 48.2cm

Provenance: Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 2 May 2021, lot 641, where purchased by the present private collector

£150-250

237 Φ

KJELD ULRICH

Danish b.1942

Bird and cactus

Signed and numbered 42/60 Kjeld Ulrich (in pencil to margin)

Etching and aquatint 24 x 59cm (plate)

£80-120

236 Φ

BARRIE COOKE

1931-2014

Lizard Moon VII

Signed and dated Barrie Cook 00 (lower right) Acrylic on paper

33.7 x 34.7cm

Provenance: Lemon Street Gallery, Truro, where purchased by the previous private collector, October 2000; Property of a deceased estate

£200-300

238 Φ

PAUL WADSWORTH b.1964

From Desert to Sea

Signed with initials and inscribed PW From Desert to Sea (to backing board) Oil on canvas 10 x 20cm

£150-250

239

BRIAN RICE

b.1936

Rackstile

Signed Brian Rice (lower right) and further signed, inscribed and dated

Brian Rice/’Rackstile’/Dec 1997 (to backing board)

Gouache and mixed media

55.3 x 75.4cm

Exhibited:

Taunton, Somerset County Museum, 1998; Lyme Regis, The Town Mill Gallery, 1998; Brighton, University of Brighton, Brian Rice - Retrospective Exhibition, 2001; London, Messums, 2001; Dorset, Bridport Arts Centre, Brian RiceRetrospective Exhibition, 2002; Plymouth, Plymouth City Art Gallery, Plymouth, New Street Art Gallery, Affordable Art Fair, 2005

Literature:

Andrew Lambirth, Brian Rice Catalogue Raisonné of Paintings, Drawings, Collages and Studies, 1952-2016 (Sansom, 2016), p.169, no.431

£200-300

240

BRIAN RICE

b.1936

Millcross

Signed Brian Rice (lower right) and further signed, inscribed and dated

Brian Rice/”Millcross”/January 1999 (to backing board)

Gouache and mixed media

55.8 x 76.2cm

Exhibited:

Newton St. Cyres, Gordon Hepworth Gallery, 1999; Brighton, University of Brighton, Brian Rice - Retrospective Exhibition, 2001

Literature:

Andrew Lambirth, Brian Rice Catalogue Raisonné of Paintings, Drawings, Collages and Studies, 1952-2016 (Sansom, 2016), p.174, no.455

£120-180

241

BRIAN RICE

b.1936

Sattercross

Signed Brian Rice (lower right) and further signed, inscribed and dated

Brian Rice/’Sattercross’/January 1999 (to backing board)

Gouache and mixed media

55.8 x 76.2cm

Exhibited:

Newton St. Cyres, Gordon Hepworth Gallery, 1999; Brighton, University of Brighton, Brian Rice - Retrospective Exhibition, 2001; Dorset, Bridport Arts Centre, Brian Rice - Retrospective Exhibition, 2002

Literature:

Andrew Lambirth, Brian Rice Catalogue Raisonné of Paintings, Drawings, Collages and Studies, 1952-2016 (Sansom, 2016), p.174, no.454

£120-180

241

240

239

242 Φ

BERNARD DUNSTAN RA

1920-2017

Amsterdam

Signed with initials BD (lower left)

Oil on board

27.3 x 19.6cm

Provenance: The Piccadilly Gallery, London

£600-800

243 Φ

DAVID GENTLEMAN b.1930

View of the lake in St James’ Park, with Horse Guards and Whitehall in the distance

Signed with initials Dg (lower right) Ink and watercolour

27 x 18.2cm

The present work was a study for a commission from the Foreign Office.

£200-300

244 Φ

EILEEN HOGAN

b.1946

A shady garden

Oil on card

16.2 x 11.3cm

Provenance: The Collection of the Late Robin de Beaumont (1926-2023)

£150-250

245 Φ

PETER GREENHAM CBE, RA

1909-1992

Hyde Park

Signed with initials PG (lower left)

Oil on board

25.1 x 35.3cm

£500-700

246 Φ KEN HOWARD

1932-2022

Exercise Bog Fog

Signed and inscribed 2RRF at Bog Fog MM2/79 Ken Howard (lower right)

Pencil and watercolour 34.4 x 49.9cm

Provenance:

Commissioned by Lt. Col. Mark Tarver; By whom presented to the 2nd Battalion Officers’ Mess; By whom sold, London Auctions Ltd, where purchased by the present private collector

The present work depicts an exercise by the Second Fusiliers’ Battle Group, on the Suffield Training Area, Alberta, Canada, 1979. £200-300

247 Φ JANE DOWLING

1925-2003

Aldeburgh, The Red Roof

Signed with initials JD (lower right)

Egg tempera and pencil on board 18 x 18cm

Exhibited: London, The Royal Academy of Arts, 2005, no.415 £100-120

245

246

Venice 5

Signed, inscribed and dated VENICE 5 CRelton TMarine 2005 (to overlap)

Acrylic on canvas

91.7 x 91.7cm

Unframed

£100-150

248 Φ

MERLIN JAMES

Welsh b.1960

Conveyor

Signed with initial and dated M.9-7 (lower left), and signed, inscribed and dated Merlin James/’conveyor’/95’-7 (to reverse)

Acrylic and mixed media on canvas 57 x 102cm

Unframed

Provenance:

Francis Graham-Dixon Gallery, London;

Property of a nobleman

£300-500

250 Φ

RELTON MARINE

Christine Relton and Tom Marine

Venice VI

Signed, inscribed and dated VENICE VI C Relton TMarine 2005 (to overlap)

Acrylic on canvas

91.3 x 91.3cm

Unframed

£100-150

RELTON MARINE

Christine Relton and Tom Marine

251 Φ

SOPHIE RYDER

b.1963

Crouching lady-hare

Signed, dated and numbered 6/30 Ryder 2002 (in pencil along lower edge)

Lithograph

90 x 66cm (sheet)

£400-600

252 Φ

WILLIAM KENTRIDGE

South African b.1955

George Tobias and Christopher Rodel

Signed, dated and inscribed A/P W Kentridge ‘86 (in pencil to margin)

Drypoint

19.7 x 13.1cm (plate)

£800-1,200

254

253 Φ

KEN KIFF RA 1935-2001

Sweeny the Bird King

Acrylic on board

53.3 x 38.1cm

Provenance: Nicola Jacobs Gallery, London

£1,000-1,500

254 Φ

GRAHAM KNUTTEL

Irish 1954-2023

Black Cat

Signed Knuttel (lower right), and inscribed BLACK CAT (to stretcher)

Oil on canvas

121 x 121cm

Unframed

£3,000-5,000

256 Φ

RAY RICHARDSON

b.1964

Everyman Study II

Signed twice and inscribed RAY RICHARDSON/Ray Richardson/”EVERYMAN”/ STUDY II (to backing board)

Oil and gesso on board

14 x 14cm

Provenance:

Beaux Arts, London; The Tom Watkins Collection

£250-350

255

RAY RICHARDSON

b.1964

The Novice

Signed twice and inscribed Ray Richardson/”THE NOVICE”/RAY RICHARDSON (to backing board)

Oil on board

10.3 x 10.3cm

Provenance:

Eleven Fine Art, London; The Tom Watkins Collection

£500-700

257 Φ

RAY RICHARDSON

b.1964

Ca Va?

Signed twice, inscribed and dated RAY RICHARDSON/1997/”CA VA?”/

Ray Richardson (to backing board)

Oil on board

30.3 x 25cm

Provenance:

Beaux Arts, London; The Tom Watkins Collection

£300-500

258 Φ

RAY RICHARDSON

b.1964

Feet Don’t Fail Me Now

Signed twice, inscribed and dated “FEET DON’T FAIL ME NOW” RAY RICHARDSON/1998-00 Ray Richardson (to overlap) Oil on canvas

25.4 x 75.9cm

Provenance: Beaux Arts, London; The Tom Watkins Collection

£700-1,000

259 Φ

RAY RICHARDSON

b.1964

Bull-terrier

Signed RAY 3/6 (to base of neck) Bronze

20.1 x 12.4 x 20.3cm

Provenance: The Tom Watkins Collection

£800-1,200 258

261 Φ

b.1949

Tasso’s Trees, comprising nos. II, III, IV, VIII, IX, XIII and XIV

Seven, each signed and dated Heindorff 71 (in pencil lower right) and numbered 91, 91, 90, 69, 89, 67, 56 respectively (in pencil lower left)

Each screenprint

Each 92 x 69cm (sheet)

Unframed (7)

£150-250

260 Φ WILLIBALD STORN

Norwegian b.1936

Vann, Hysj - Lytt; Jorden Tilgir - Kom; Luft, Pust - Svev

Three, each signed, dated and numbered 80/150 Willibald Storn 98 and inscribed with title (in pencil to margin)

Each lithograph

Each 80.5 x 60.3cm (image) (3)

£300-500

MICHAEL HEINDORFF

262 Φ

ALAN SIMPSON

1941-2007

Poole Harbour

Signed Alan Simpson (lower left)

Oil on canvas

60.9 x 84cm

£150-250

263 Φ JANET LEDGER

b.1931

Walking home

Signed JLedger (lower left)

Oil on board

29.5 x 37.1cm

Provenance: The Linda Blackstone Gallery, London

£200-300

264 Φ JANET LEDGER

b.1931

Deck chairs

Signed JLedger (lower left)

Oil on board

28.7 x 21cm

£200-300

265 Φ RUTH BROWNLEE

b.1972

Late Spring Gale, Shetland

Signed R Brownlee (lower right)

Mixed media on board 38 x 58cm

Provenance: Smithy Gallery, Glasgow

£150-250

266 Φ

LAURENCE ROCHE

b.1944

Trawler KZ10 beached at low tide

Signed and dated LAURENCE ROCHE 1980 (lower left)

Acrylic on board

28.1 x 47.3cm

Provenance:

W.H. Lane & Son, Penzance, 21 July 1992, lot 123

£200-300

267 Φ

NICHOLAS HELY HUTCHINSON

b.1955

Horses at Whitecliff Farm

Signed with initials NHH (lower left)

Oil on board

30 x 61.1cm

Provenance:

Portland Gallery, London

Exhibited:

London, Portland Gallery, Nicholas Hely Hutchinson, June-July 2013, cat. no.39

£800-1,200

268 Φ

JONATHAN ARMIGEL WADE

b.1960

The Lost Hound

Signed J A Wade (lower left)

Oil on board

11.6 x 16.7cm

£500-700

269 Φ

SHEILA MCINNES

Scottish b.1963

How Spring Can Break Your Heart

Signed Sheila McInnes (lower right)

Acrylic on board

49.5 x 49.7cm

Provenance:

Roger Billcliffe Gallery, Glasgow

£150-250

MICHAEL SCOTT

Scottish 1946-2006 Echo and Narcissus

Signed Scott (lower right) and further inscribed and dated ECHO AND NARCISSUS/1992 (to label)

Oil on canvas

50.7 x 50.7cm

Provenance:

Purchased from the artist by Fosse Gallery, John Lindsey Fine Art; Where purchased by the present private collectors, June 1992; Private Collection, Yorkshire

£1,000-1,500

MICHAEL SCOTT

Scottish 1946-2006 Beach Dreams

Signed Scott (lower right) and further inscribed and dated BEACH DREAMS/1996 (to label)

Oil on canvas

51 x 51cm

Provenance: The Contemporary Fine Art Gallery, Eton

£1,000-1,500

270 Φ

271 Φ

274 Φ FRASER TAYLOR

b.1960

Three figures

Signed, dated and numbered 25/75 Fraser Taylor 85 (in pencil to margin)

Screenprint

75.5 x 83.5cm (image)

Provenance: The Tom Watkins Collection

£100-150

272 Φ FRASER TAYLOR

b.1960

Nude on tabletop

Signed and dated Fraser Taylor 89 (lower left)

Acrylic on paper 115 x 83.5cm

Provenance: The New Academy Gallery; The Tom Watkins Collection

£400-600

273 Φ FRASER TAYLOR

b.1960

Kneeling woman

Signed and dated Fraser Taylor 85 (lower centre)

Acrylic on paper

88.5 x 63.4cm

Provenance: The Tom Watkins Collection £300-500

275 Φ FRASER TAYLOR

b.1960

Crouched Woman

Signed, dated, numbered and inscribed 33/150 Crouched Woman Fraser Taylor 86 (in pencil to margin)

Screenprint

80.2 x 65.7cm (image)

Provenance: The Tom Watkins Collection

£120-180

275 274

273

272

276 Φ

FRASER TAYLOR

b.1960

Bicycle and chairs

Signed and dated Fraser Taylor 83 (lower right)

Oil on paper

55.5 x 80.6cm

Provenance:

The Tom Watkins Collection

£250-350

277 Φ

FRASER TAYLOR

b.1960

Blue rowing boat

Signed and dated Fraser Taylor 88 (lower centre)

Oil on board

112.5 x 100cm

Provenance:

The Tom Watkins Collection

£500-800

278 Φ

FRASER TAYLOR

b.1960

Rowing boat

Signed and dated Fraser Taylor 89 (lower right)

Mixed media on paper

21.6 x 30cm

Provenance: The Tom Watkins Collection

£100-150

279 Φ

FRASER TAYLOR

b.1960

Black arrow

Signed and dated Fraser Taylor 94 (in pencil to margin)

Mixed media and collage on paper 41 x 56.5cm

Provenance:

The Tom Watkins Collection

£200-300

280 Φ MARK FIRTH

b.1952

Machine Drawing 2; Machine Drawing 5

Two, both signed and dated Mark Firth 2008 (to reverse)

Both aluminium

30.3 x 61.8 x 10cm; 29.9 x 62.2 x 10.2cm (2)

£500-700

281 Φ

CHRISTIAN PESCHKE

1946-2017

Tanzende Dicke (The Big Dancer)

Marble on black marble base

38.7 x 41.7 x 25.5cm

£200-300

CHRISTIAN PESCHKE

1946-2017

Die Grosse Grätsche (The Big Straddle) Painted bronze, on a black plastic base

76.3 x 27 x 25cm (excluding base)

£200-300

Signed, inscribed and dated White Sun/Simon Allen/2008 (to reverse)

White gold on carved wood

283 Φ SIMON ALLEN b.1967

White Sun

284

MICHAEL COLEMAN

American b.1946

Rhino on Theodore Roosevelt books

Signed and numbered Michael Coleman 9 (to base of rhino) and further signed Michael Coleman (to underside)

Bronze

22 x 22.5 x 10.4cm

£800-1,200

285 Φ JOSECHU LALANDA

Spanish 1939-2015

Lynx

Signed and numbered J.Lalanda 31/100

Bronze on a wooden base

11.9 x 17 x 7.4cm (excluding base)

£150-250

286 Φ

ANTHONY

Irish b.1968

Morrigan

Signed and numbered A.Scott 1/6 (to base)

Bronze

40.3 x 59.5 x 38cm (including base)

Provenance:

Susan Maura Buchanan and James Dabell Buchanan

£2,500-3,500 286

SCOTT

287 ROGER SQUIRES

b.1956

Kingfisher

Bronze

33.8 x 18 x 8.3cm

£300-500

288 ROGER SQUIRES

b.1956

Waxwing

Signed and numbered R Squires 2/12 (to base)

Bronze

29.4 x 15 x 11.6cm

£300-500

289 ROGER SQUIRES

b.1956

Bullfinch

Bronze

40.8 x 9.7 x 9.7cm

£300-500

290

290 Φ GUY TAPLIN

b.1939

Blue-winged teal

Signed twice GUY TAPLIN and indistinctly inscribed (to underside)

Painted wood with glass bead eyes

12.2 x 27.2 x 10.3cm

£400-600

291

CONTINENTAL SCHOOL

20th Century

Eagle on a rock

Signed K.ain (to rock)

Bronze on a black marble base

60.5 x 42.5 x 29cm

£200-300

292 No lot

293 Φ

DAVID TINDLE RA

b.1932

The Clown

Signed and dated David Tindle 1956 (upper left) Oil on board

29.8 x 21.8cm

Provenance: The Piccadilly Gallery, April 1956

£400-600

294 Φ

JULIE HELD

b.1958

Self Portrait in the Night Oil on canvas

101.4 x 76.3cm

Provenance:

Boundary Gallery, London, here purchased by Jack and Dora Black, April 1999; The Collection of the Late Jack and Dora Black

£100-200

295

Φ BERYL COOK

1926-2008

Sultry Afternoon

Signed and numbered 509/850 Beryl Cook (in pencil to margin)

Reproduction print, oval 1989

34.8 x 46.5cm (image)

£200-300

296 Φ NEALE WORLEY RP, NEAC b.1962

A Figure By The Sea

Signed and dated N.Worley/2014 (to reverse)

Oil on canvas

36.3 x 46.5cm

£400-600

297 Φ CLAUDE LEPAPE

French 1913-1994

Figures on a beach

Signed CLAUDE/LEPAPE (lower right)

Oil on board

32.3 x 45cm

£200-300

298 Φ BO HILTON b.1961

Porthcurno Windbreaks

Signed Hilton (lower left), and further signed and dated Bo Hilton/ August 2014 (to backing board)

Oil on canvasboard

25.3 x 30.4cm

Provenance: Hilton Fine Art, Bath, where purchased by the present private collector, September 2014

£400-600

299

JOHN KINGSLEY RSW, PAI

Scottish b.1956

Pilgrim Steps, Gigondas

Signed Kingsley (lower right)

Oil on canvas

76.2 x 76.2cm

Provenance:

The Contemporary Art Gallery, Eton

£800-1,200

300 Φ

JOHN KINGSLEY RSW, PAI

Scottish b.1956

Ronda, Andalusia

Signed Kingsley (lower left)

Oil on canvas

30.7 x 30.7cm

Provenance:

The Contemporary Fine Art Gallery, Eton

£300-500

301 Φ

JOHN KINGSLEY RSW, PAI

Scottish b.1956

Vacqueyras

Signed Kingsley (lower left)

Oil on canvas

51.2 x 51.2cm

Provenance:

The Contemporary Art Gallery, Eton £600-800

302 Φ

JOHN KINGSLEY RSW, PAI

Scottish b.1956

Shaded Fountain, Sainte-Eulalie-de-Cernon

Signed Kingsley (lower left)

Oil on canvas

30.7 x 30.7cm

Provenance:

The Contemporary Fine Art Gallery, Eton £300-500

303 Φ

ETHEL WALKER

Scottish b.1941

Daylilies, Blue & Gold

Signed Walker (lower right)

Oil on board

51.3 x 43.6cm

Provenance: The Contemporary Fine Art Gallery, Eton

£400-600

304

Φ PATRICIA MACHIN (NÉE NEWTON)

1921-2002

Still life with flowers in a vase on a stone ledge

Signed and dated Patricia Newton/1974 (lower right)

Oil on board

70.4 x 55.9cm

Provenance:

Given by the artist to the previous private collector; And by family descent

£300-500

305

KAFFE FASSETT

American b.1937

Still life with fruit, jug and a plant on a table top

Signed and dated Kaffe 67 (lower right)

Oil on canvas

76.2 x 61.3cm

£100-150

306 Φ

NORMAN EDGAR

Scottish 1948-2022

Red Vase with White Tulips

Signed Edgar (lower right) Oil on canvas

76.4 x 60.7cm

Provenance:

Purchased from the artist by Fosse Gallery, John Lindsey Fine Art; Where purchased by the present private collectors, June 1992; Private Collection, Yorkshire

£600-800

308 Φ

BONNIE THOMPSON

Scottish b.1972

Fruit I Oil on board

17 x 13cm

Exhibited:

307 Φ

SUSIE PHILLIPS

Contemporary Magnolias

Signed with initial S (lower right) Oil on board

59.3 x 44cm

£100-150

London, The Royal Academy of Arts, 1999, no.264

£100-120

306

307 308

309 Φ

ROLAND GREEN

1890-1972

Pheasants in flight

Signed Roland Green (lower right)

Watercolour heightened with white

43.8 x 28.5cm

£200-300

310 Φ

PETER CURLING

Irish b.1955

Mon Plaisir with jockey up

Signed P.Curling (lower right) and inscribed Mon Plaisir (lower left)

Pencil

33.5 x 42.4cm

£200-300

311 Φ

SIR KYFFIN WILLIAMS OBE, RA

Welsh 1918-2006

Patagonian Horse Rider

Signed and numbered 193/500 KWilliams (in pencil to margin)

Reproduction print

27 x 34cm (image)

£150-250

312 Φ

PETER BARRETT b.1935

Cheetahs in the savanna; A hare and otter in a winter landscape; Animal studies

Three, each signed Peter Barrett, and the latter inscribed throughout Each watercolour

Largest 28.5 x 40cm; Smallest 36 x 26.8cm (3)

£200-300

313 Φ

ROGER BANKS

1929-2008

Study of Chalkhill Blue, Clouded Yellow, Adonis Blue, Silver-studded Blue, Large Blue, Peacock, Painted Lady and Purple Emperor butterflies; Study of Large Copper, Red Admiral, Small Tortoiseshell, Dk.green Fritillary, Purple Hairstreak and Swallowtail; Study of Cymothoe coccinata, Apatura ermina, Quercusia quercus; Pseudolycaena damo; Charaxes eupale and Heliconius erato; Study of Graphium rydleyanus, Agrias claudina, Diaethria astala, Diaelhria lidwina and Danaus chrysippus

Four, each signed R Banks (lower left) Each pencil and gouache

23.7 x 18.4cm (4)

£200-400

314 Φ

HOWARD PHIPPS

b.1954

The Restoration of Salisbury Cathedral; St Ann’s Gate, Salisbury

Two, the former signed, dated, numbered and inscribed 15/200

‘The Restoration of Salisbury Cathedral’ Howard Phipps 1995; the latter signed, dated, numbered and inscribed 13/100 ‘St. Ann’s Gate, Salisbury’ Howard Phipps 1990 (in pencil to margin)

Both wood engraving

15.2 x 11.5cm; 11.5 x 8.9cm (image) (2)

£150-250 314

315 Φ

HOWARD PHIPPS b.1954

The River Ebble at Fifield Bavant

Signed, numbered and inscribed 25/75 ‘The River Ebble at Fifield Bavant’ Howard Phipps (in pencil to margin)

Linocut

25.4 x 30.5cm (image)

£100-150

316 Φ

HOWARD PHIPPS

b.1954

Willows on the Avon

Signed and dated Howard Phipps 1991 (lower left)

Pencil

55.3 x 39.6cm

£100-150

315 316

HOWARD DUCKWORTH (1946-2023)

Howard Norman Duckworth was born on the 22nd July 1946 in Worston, a tiny hamlet of 20 cottages and houses in Lancashire. Howard’s mother was a ‘Ward Knowles’ and came from a family of well-known printers in Accrington. After studying at the London Academy of Music and Dramatic Art, Howard worked his whole life in the Arts and Theatre world where his skills in lighting, sound production and management were used to create many successful shows. Over the years Howard became an enthusiastic collector of 20th-century art and ceramics with a particular passion for the 1930s. His special interest was architecture and he acquired an extensive library of books, pamphlets and pictures on the subject. A fan of classical and jazz music, he also amassed a significant collection of his favourite pieces, which he played continuously in his small cottage. Together with much of Howard’s artwork, and in his books, could be found many newspaper cuttings, printed obituaries and footnotes cross-referencing the artists and authors of the works, reflecting the detailed research he carried out. Howard’s extensive collection, some of which is on sale today, demonstrates the eclectic taste he had for interesting and exquisite items.

317 Φ

HENRY LAMB RA

1883-1960

Study of a young man

Signed and dated H Lamb/1933 (lower right)

Pencil

28.1 x 21cm

Provenance:

Abbott and Holder, August 1993; The Collection of the Late Howard Duckworth

£300-500

318 Φ

HENRY LAMB RA

1883-1960

Study of a young girl

Pencil

24.8 x 21.6cm

Provenance:

Abbott and Holder, June 1993; The Collection of the Late Howard Duckworth

£300-500

319 Φ HENRY LAMB RA 1883-1960

The walled garden at Mapledurham House

Signed and dated Lamb 50 (lower left)

Oil on canvas

51 x 61.3cm

Provenance:

W H Lane, Penzance, 6 May 1999, lot 245; The Collection of the Late Howard Duckworth

£1,500-2,500

319

319 (framed)

320 Φ

JOHN NASH RA 1893-1977

Interior

Signed John Nash (in pencil to margin) Wood engraving 10.3 x 9cm (image)

Provenance: The Collection of the Late Howard Duckworth

£150-250

321 Φ

JOHN NASH RA 1893-1977

Window

Signed John Nash (in pencil to margin) Wood engraving, from Céleste and other Sketches by Stephen Hudson, 1930 12.2 x 8.1cm (image)

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£150-250

322 Φ

JOHN NASH RA 1893-1977

Still life

Signed John Nash (in pencil to margin) Wood engraving 14 x 10.2cm (image)

Provenance: The Collection of the Late Howard Duckworth

£150-250

323 Φ

JOHN NASH RA 1893-1977

Books by a bed

Signed John Nash (in pencil to margin) Wood engraving, from Céleste and other Sketches by Stephen Hudson, 1930 12.1 x 8cm

Provenance: The Collection of the Late Howard Duckworth

£150-250

324 Φ

JOHN NASH RA 1893-1977

Transmutation

Signed John Nash (in pencil to margin)

Wood engraving, from Céleste and other Sketches by Stephen Hudson, 1930 12.2 x 8.1cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

325 Φ

JOHN NASH RA 1893-1977

Frontispiece for Jipping Street by Kathleen Woodward

Wood engraving 12.5 x 8.9cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£80-120

326 Φ

JOHN NASH RA 1893-1977

The Murder of Holofernes

Signed John Nash (lower right) Wood engraving 18 x 12.5cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

327 Φ

JOHN NASH RA 1893-1977 Nurses

Signed John Nash (in pencil to margin)

Wood engraving, from Céleste and other Sketches by Stephen Hudson, 1930 12.2 x 8.1cm (image)

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£100-150

328 Φ

JOHN NASH RA 1893-1977

The Two Tugs

Signed John Nash (in pencil)

Wood engraving, for The Woodcut, no.111, 1929

11.3 x 15.3cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

330 Φ

JOHN NASH RA 1893-1977

Christmas Dream - Uneasy Lies the Stomach after Goose and Pudding

Signed John Nash (in pencil to margin)

Wood engraving, a Christmas card

5.3 x 9cm (image)

Provenance:

Abbott and Holder, January 1994; The Collection of the Late Howard Duckworth

£150-250

329 Φ

JOHN NASH RA 1893-1977

Threshing

Numbered 145/150 (in pencil to margin)

Wood engraving 12.6 x 20.3cm

Provenance:

The Collection of the Late Howard Duckworth

£400-600

331 Φ

JOHN NASH RA 1893-1977

And Mrs Priddle do only Stare at her Workbasket

Wood engraving, from When thou wast Naked by T F Powys, 1931 5.2 x 5.2cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

328 329

332 Φ

JOHN NASH RA 1893-1977

Orchids

Signed and inscribed Orchids 1920 (in pencil to margin)

Wood engraving

14.1 x 10.9cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

333 Φ

JOHN NASH RA 1893-1977

Wild Arums

Signed John Nash (in pencil to margin)

Wood engraving 10.8 x 6.8cm (image)

Provenance:

Abbott and Holder, London; The Collection of the Late Howard Duckworth

£150-250

334 Φ

JOHN NASH RA 1893-1977

Frontispiece for the Book of the Tree

Numbered 145/150 (in pencil to margin)

Wood engraving, 1927 14.1 x 9.8cm

Provenance:

The Collection of the Late Howard Duckworth

£150-250

335 Φ

JOHN NASH RA 1893-1977

March, a study for Edmund Spenser’s ‘The Shepheardes Calender’

Signed with initials JN (lower centre)

Pen and black ink 12 x 12.7cm

Provenance:

Abbott and Holder, London; The Collection of the Late Howard Duckworth

£200-300

336 Φ

JOHN NASH RA

1893-1977

Narcissus Triandrus Albus (Angel’s Tears)

Pen and black ink, an illustration for The Tranquil Gardner by Robert Garthorne-Hardy

9.8 x 12.9cm

Provenance:

The Minories, Colchester; Dominic Winter, Cirencester, 21 May 1998; The Collection of the Late Howard Duckworth

£200-300

337 Φ

JOHN NASH RA 1893-1977

Ornithogalum Pyrenaicum (Bath Asparagus)

Inscribed Ornithogalum (lower left)

Pencil, and pen and black ink, an illustration for The Native Garden by Robert Gaythorne-Hardy

36.5 x 21.3cm

Provenance:

The Minories, Colchester, 1986; Dominic Winter, Cirencester, 21 May 1998, lot 1047; The Collection of the Late Howard Duckworth

£200-300

337

338 Φ

£80-120 336

JOHN NASH RA 1893-1977

Poppies, Nicotiana and Bergamot

Signed John Nash (in pencil lower right)

Lithograph 22 x 17.2cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£80-120

339 Φ

JOHN NASH RA

1893-1977

Poppies, Nicotiana and Bergamot

Signed John Nash (in pencil lower right)

Lithograph 22 x 17.2cm (image)

Provenance:

The Collection of the Late Howard Duckworth

340 Φ

JOHN NASH RA 1893-1977

The Vigilance Committee

Signed with initials JN (lower right)

Pen and black ink 18 x 18.5cm

Provenance: Abbott and Holder, London, March 1997; The Collection of the Late Howard Duckworth

£200-300

341 Φ

JOHN NASH RA 1893-1977

Two figures arguing

Signed John Nash (lower right)

Pen and black ink 14.4 x 12.8cm

Provenance: The Collection of the Late Howard Duckworth

£200-300

342 Φ

JOHN NASH RA 1893-1977

Scene from ‘The Belle of New York’

Signed John Nash (lower left)

Pencil and pen and black ink 16.8 x 12.8cm

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£200-300

343 Φ

JOHN NASH RA 1893-1977

Ernest Ansermet conducting Glinka’s ‘Jota Aragonesa’

Signed and inscribed M. Ansermet conducting/ Glinka’s “Jota Aragonesa”/John Nash (lower centre to mount) and further inscribed Please see as tailpiece if possible without a line round/bottom of 2nd page (upper centre to backing paper)

Pen and black ink

17.3 x 22.6cm (including mount)

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£200-300

344 Φ HECTOR WHISTLER

1905-1978

Steamship

Signed Hector Whistler (lower right)

Pencil, watercolour and coloured chalks

25 x 34.8cm

Provenance:

Abbott and Holder, London;

The Collection of the Late Howard Duckworth

£300-500

345 Φ

HECTOR WHISTLER

1905-1978

Portrait of a man seated in an armchair, wearing a yellow scarf

Signed and dated Hector Whistler/1935 (lower right)

Pencil and watercolour

33.1 x 43.2cm

Provenance:

Abbott and Holder, London; The Collection of the Late Howard Duckworth

£100-150

346 Φ HECTOR WHISTLER

1905-1978

Jazz design

Pen and ink, and pencil, squared for transfer in blue chalk

38.6 x 28.3cm

Provenance:

Abbott and Holder, London; The Collection of the Late Howard Duckworth

£150-250

347 Φ

HECTOR WHISTLER

1905-1978

The Enchanted Island

Pencil and coloured chalks, within pencil framing lines

42.5 x 26.2cm

Provenance:

Abbott and Holder, London; The Collection of the Late Howard Duckworth

£120-180

348 Φ

HECTOR WHISTLER

1905-1978

A biblical scene, possibly a stage design

Pencil and watercolour, with arched top

50.2 x 42.8cm

Provenance:

Abbott and Holder, London; The Collection of the Late Howard Duckworth

£300-500

349 Φ

HECTOR WHISTLER

1905-1978

The Glen I; The Glen II

A pair, both pencil and watercolour

39.7 x 57cm; 39.8 x 56.5cm (2)

Provenance:

Abbott and Holder, London, April 1991; The Collection of the Late Howard Duckworth

£200-300

350 Φ

HECTOR WHISTLER

1905-1978

Study for the left-hand side of a mural at ‘The Hive’; Study for the right-hand side of a mural at ‘The Hive’;

A pair, both pen and ink, and gouache, squared for transfer

15.5 x 57.5cm; 15.9 x 57.1cm (2)

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£300-500

349

350

351 Φ

GERTRUDE HERMES

OBE, RA

1901-1983

The River of God

Signed, dated, numbered and inscribed “The River of God” 4/12 Pilgrim’s

Progress Gertrude Hermes

1928 (in pencil to margin)

Wood engraving, from The Pilgrim’s Progress

23.8 x 17.8cm (image)

Provenance: The Collection of the Late Howard Duckworth

£200-300

352 Φ

GERTRUDE HERMES

OBE, RA 1901-1983

Belladonna

Signed, dated, inscribed and numbered Belladonna

28/30 Gertrude Hermes

1930 (in pencil to margin)

Wood engraving

23.2 x 13.6cm (image)

Provenance: Katharine House, Marlborough; The Collection of the Late Howard Duckworth

£200-300

353 Φ

DOUGLAS PERCY

BLISS

Scottish 1900-1984

Gargoyles Spouting

Signed and inscribed Gargoyles Spouting Douglas Percy Bliss (in pencil to margin)

Wood engraving 16.7 x 13cm (image)

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£80-120

354

ERIC RAVILIOUS 1903-1942

Garden Memories

Signed by Anne Ullman, the artist’s granddaughter, with initials and numbered AU 186/200 (in pencil to margin)

Wood engraving

29.6 x 21cm (sheet)

Unframed within original card wrapper

Provenance:

The Collection of the Late Howard Duckworth

£100-150

355

ERIC RAVILIOUS

1903-1942

Boy Bird’s Nesting

Numbered 199/500 (in pencil to margin)

Wood engraving

8.9 x 13.3cm (image)

Provenance:

Dennis Hall, Hanborough Books, August, 2003; The Collection of the Late Howard Duckworth £100-150

356 Φ GWEN RAVERAT

1885-1957

Farmer in Bed

Signed, inscribed and numbered 9 Farmer in bed G Raverat (in pencil to margin)

Wood engraving

6.2 x 8.9cm (image)

Provenance:

The Collection of the Late Howard Duckworth £100-150

354

355 356

357 Φ

LETTICE SANDFORD 1902-1993

A couple embracing; A nude couple

Two, both signed Lettice S (in pencil to margin)

Both engraving

Each 25 x 18.7cm (plate) (2)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

358 Φ

LETTICE SANDFORD 1902-1993

A couple embracing; Female nude seen from behind

Two, both signed Lettice S (in pencil to margin)

Both engraving

Each 25 x 18.8cm (plate) (2)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

359 Φ

LETTICE SANDFORD 1902-1993

A man kneeling before a woman; A woman kneeling before a man

Two, both signed Lettice S (in pencil to margin)

Both engraving

Each 25 x 18.8cm (plate) (2)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

360 Φ

LETTICE SANDFORD 1902-1993

A nude couple standing; A couple in a landscape

Two, both signed Lettice S (in pencil to margin)

Both engraving

26.3 x 19cm 24.8 x 18.8cm (plate) (2)

Provenance:

The Collection of the Late Howard Duckworth £150-250

361 Φ

LETTICE SANDFORD 1902-1993

A couple embracing; Three female nudes

Two, both signed Lettice S (in pencil to margin)

Both engraving

Each 25.5 x 18.8cm (plate) (2)

Provenance:

The Collection of the Late Howard Duckworth £150-250

362 Φ

LETTICE SANDFORD 1902-1993

Female nude; Nude couple

Two, both signed Lettice S (in pencil to margin)

Both engraving, from The Song of Songs

Each 25 x 18.8cm (plate) (2)

Provenance:

Dominic Winter, Cirencester, 9 October 1991, lot 678; The Collection of the Late Howard Duckworth £150-250

363 Φ LETTICE SANDFORD

1902-1993

Leander Pulled Down Wood engraving

25.2 x 18.9cm (sheet)

Provenance: The Collection of the Late Howard Duckworth

£80-120

364

Φ BLAIR HUGHES-STANTON

1902-1981

Siesta; Delight; Babylon II; The City Mourns II

Four, each signed Blair H-S, inscribed with title, dated 26, 33, 32 and 37, and numbered 1/30, AP2, 7/12, and 8/12 respectively (in pencil to margin)

Each wood engraving

Largest 12.2 x 16cm; Smallest 3.5 x 12.7cm (image) (4)

Provenance:

Three with Abbott and Holder, London; The Collection of the Late Howard Duckworth

£200-300

365 ERIC GILL ARA

1882-1940

Naked Girl Facing Left (P461); Naked Girl Facing Right (P460)

A pair, both wood engraving, borders from Troilus and Criseyde, 1927

17.8 x 4.4 cm; 17.8 x 3.4cm (image), framed as one (2)

Provenance:

Martin & Verity, February 1990; The Collection of the Late Howard Duckworth

£150-250

366

ERIC GILL ARA

1882-1940

The Lion (She Loves Me Not) (P179)

Signed Eric G (in pencil lower right)

Wood engraving

5.7 x 7.6cm (image)

Provenance:

Abbott and Holder, London, January 1991; The Collection of the Late Howard Duckworth

£100-150

367

ERIC GILL ARA

1882-1940

Nativity in Cave (P79)

Wood engraving, 1916, a Christmas Card

6.8 x 5.4cm

Provenance: The Collection of the Late Howard Duckworth

£100-150

368

ERIC GILL ARA

1882-1940

Invenerunt Me Custodes (P665)

Wood engraving, from Canticum Canticorum, 1930

8.8 x 7cm (sheet)

Provenance: The Collection of the Late Howard Duckworth

£100-150

369 Φ

ERIC FRASER FSIA

1902-1983

Illustration for a book review feature of Punch; Our Countryside (Illustration of Lilliput)

Two, the former signed Eric Fraser (lower left) and further inscribed with printing notes, the latter signed with initials ef (lower right)

Both pen and black ink, heightened with white 19.3 x 24.3cm; 7.1 x 15.1cm (2)

Provenance:

Book Review, Christie’s, South Kensington, Illustrations and books: including works from the studio of Eric Fraser, 7 December 1988, lot 67; Our Countryside, Abbott and Holder, London; The Collection of the Late Howard Duckworth

£150-250

370 Φ

ERIC FRASER FSIA

1902-1983

Cover design for The Third Programme 10th Anniversary issue of The Radio Times; The Mannon House in ‘Mourning Becomes Electra; (illustration for The Radio Times); The docks in ‘Mourning Becomes Electra; (illustration for The Radio Times)

Three, Cover Design signed and dated ERIC fraser 1956 (lower right), Mourning Become Electra each signed with initials ef (lower right and upper right respectively)

Each pen and black ink heightened with white Largest 10.8 x 25.4cm; Smallest 8.2 x 18.3cm (3)

Provenance:

Cover Design with Abbott and Holder, London; Mourning Becomes Electra Christie’s, South Kensington, Illustrations and books: including works from the studio of Eric Fraser, 7 December 1988, lot 55; The Collection of the Late Howard Duckworth

£150-250

371 Φ

ERIC FRASER FSIA

1902-1983

The Waves (illustration for the Radio Times); Study of a hand held to an ear

Two, the former signed with initials ef (lower right) and further inscribed with printing notes; the latter signed with initial F (lower centre)

Both pen and black ink

13.9 x 19cm; 10.2 x 12.6cm (2)

Provenance:

The Waves, Christie’s, South Kensington, Illustrations and books: including works from the studio of Eric Fraser, 7 December 1988, lot 59; The Collection of the Late Howard Duckworth £80-120

372 Φ

ERIC FRASER FSIA

1902-1983

100 Years in the Future (illustrations for the Radio Times), comprising Motoringthere will be so many of them; The Desire to Prophesy; Bathrooms - Living in them Altogether; Wireless - He will Lie Back in his Bath

Four, each signed Fraser and inscribed with title Each pen and black ink, heightened with white Largest 17 x 19cm; Smallest 9.1 x 9.2cm, framed as one (4)

Provenance:

Christie’s, South Kensington, Illustrations and books: including works from the studio of Eric Fraser, 7 December 1988, lot 29; The Collection of the Late Howard Duckworth £100-150

373 Φ

ERIC FRASER FSIA

1902-1983

Design for Goldsmiths’ College St Patrick’s Day Ball ticket, 17 March 1923; Design for Goldsmiths’ College Fancy Dress Ball ticket, 10 February 1923

Two, the former signed and dated FRASER 1923 (lower right), the latter signed FRASER (centre right), and both further inscribed with printing notes

Both pencil, and pen and black ink, heightened with white 27.3 x 17.8cm; 23.3 x 17.2cm (2)

Provenance:

Christie’s, South Kensington, Illustrations and books: including works from the studio of Eric Fraser, 7 December 1988, lot 28; The Collection of the Late Howard Duckworth £100-150

374 Φ

BARNETT FREEDMAN 1901-1958

Find the Romance; Find the Musician

Two, both signed Barnett Freedman (lower left)

Both pen and black ink and black chalk 21 x 18.4cm; 20.5 x 12.1cm (2)

Provenance:

Find the Musician the property of BP Oil Ltd; Their sale, Phillips, London, 19 October 1993, lot 119; The Collection of the Late Howard Duckworth

£150-250

375 Φ ROWLAND HILDER 1905-1993

Covent Garden

Signed and datedROWLAND HILDER - 37 (upper right)

Charcoal heightened with white 27 x 24.6cm

Provenance: The Collection of the Late Howard Duckworth

£300-500

376 Φ EDGAR HOLLOWAY 1914-2008

Henry Moore at 80

Signed and numbered 14/50 Edgar Holloway (in pencil to margin)

Etching 28 x 15.7cm (plate)

Provenance: The Collection of the Late Howard Duckworth

£80-120

377 Φ LEON UNDERWOOD 1890-1975

The Good Ship Freewill

Signed, inscribed and numbered “The Good Ship Freewill/15 Leon U (in pencil to margin)

Wood engraving

18 x 8.8cm (image)

Provenance: Agnew’s, London, 1973; Abbott and Holder, London; The Collection of the Late Howard Duckworth

£80-120

379 Φ HARRY BROCKWAY 1958-2024

John Fian

Signed, numbered and inscribed 6/50 “John Fian” Harry Brockway (in pencil to margin)

Wood engraving

20.6 x 13.7cm

Provenance:

The Collection of the Late Howard Duckworth

£80-120

378 Φ LEON UNDERWOOD 1890-1975

Women of Merida

Signed and dated Leon Underwood 28 (in pencil to margin)

Wood engraving

26.3 x 15.3cm (image)

Together with Leon Underwood, Animalia or Fibs about Beasts (Payson & Clarke, New York, 1926) (2)

Provenance:

Abbott and Holder, London, 1992; The Collection of the Late Howard Duckworth

£80-120

380 Φ

DAVID JONES CH, CBE 1895-1974

Gulliver is Seized by a Monkey

Signed and inscribed (under the mount according to label)

Wood engraving

12.3 x 5.2cm (image)

Provenance: Robert Gibbings; Abbott and Holder, London, November 1990; The Collection of the Late Howard Duckworth

£80-120

381

REX WHISTLER

1905-1944

Lake landscape with a swan, possibly Redgrave Park, Suffolk

Signed and dated Rex Whistler 1924 (lower right)

Watercolour heightened with white 16.8 x 24.3cm

Provenance:

Chancellor’s Auction, Kingston, 12 December 1996, lot 132; The Collection of the Late Howard Duckworth

£300-500

382 Φ

LEONARD CAMPBELL TAYLOR RA

1874-1969

Canada Dock, Liverpool

Signed, dated and inscribed Campbell Taylor/Liverpool 1918 (lower left), and further inscribed with colour notes

Pen and ink, and watercolour

20.5 x 12.5cm

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£100-150

383 Φ KENNETH BROAD

1889-1959

A Sussex Farm

Signed, numbered and inscribed 36/150 “A Sussex Farm” Kenneth Broad (in pencil to margin)

Wood engraving

25.1 x 34.9cm (image)

Provenance: The Collection of the Late Howard Duckworth

£100-150

384 Φ

FRANK DOBSON RA 1888-1963

Houses in Clifton

Signed and inscribed Frank Dobson/CLIFTON (lower right)

Gouache and black ink

33.3 x 31.5cm

Provenance:

The Collection of the Late Howard Duckworth

£150-250

386 Φ

FRANK DOBSON RA 1888-1963

Study of a female nude

385 Φ

FRANK DOBSON RA 1888-1963

Study of a kneeling female nude

Signed and dated F Dobson/28 (lower left) Red chalk

34.6 x 24.5cm

Provenance:

Hampton, Godalming, 20 October 1993, lot 252; The Collection of the Late Howard Duckworth

£200-300

Signed and dated F Dobson/29 (lower left) Red chalk

34.6 x 24.5cm

Provenance:

Hampton, Godalming, 20 October 1993, lot 251; The Collection of the Late Howard Duckworth

£200-300

387 Φ MERVYN PEAKE

1911-1968

Study of a young man seen from behind Signed Mervyn Peake (lower left)

Charcoal

28.9 x 24.5cm

Provenance:

Andover Saleroom, 3 March 1990, lot 66A; The Collection of the Late Howard Duckworth

£150-250

388 CHARLES ROBINSON RI

1870-1937

Study of an elegant lady and gentleman on the beach; Study of a young lady on a balcony overlooking the sea

Two, the former signed Charles Robinson (lower left), the latter signed Charles Robinson (lower right)

Both pencil and watercolour

19.3 x 22.9cm; 23 x 22.2cm (2)

Provenance:

Both Abbott and Holder, August 1991; The Collection of the Late Howard Duckworth

£150-250

389 Φ

JACOB BORNFRIEND

Czech 1904-1976

Still life with flowers in a vase

Signed J Bornfriend (in pencil to margin)

Lithograph

49.9 x 32.3cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

391 Φ

STEVEN SPURRIER

RA, RBA, ROI

1878-1961

Portrait of Philip Harry Newman RBA (1840-1927) at The Langham Sketch Club

Signed STEVEN/SPURRIER (lower right) and inscribed Philip/Newman/at the Langham (lower left)

Black chalk and watercolour heightened with white 20.8 x 18.4cm

Provenance: Hampton’s, Godalming 30 July 1997, lot 155; The Collection of the Late Howard Duckworth

£100-150

390 Φ

PIERRE BRISSAUD

French 1885-1964

Boxers between rounds

Signed and dated Pierre Brissaud 09 (lower left)

Pen and ink and watercolour, heightened with white

24.5 x 21.8cm

Provenance:

The Collection of the Late Howard Duckworth

£100-150

392 Φ GUY MALET

1900-1973

I always say the view is so much better from the boxes

With studio stamp (under the mount according to label)

Pencil, coloured chalks, and watercolour, oval

26.7 x 23.4cm

Provenance: Abbott and Holder, London

The Collection of the Late Howard Duckworth

£80-120

393 Φ GUY MALET

1900-1973

Dinan

Wood engraving

19.2 x 11.5cm (image)

Provenance:

Abbott and Holder, London, January 1985; The Collection of the Late Howard Duckworth

£120-180

394 Φ GUY MALET

1900-1973

Havre Gosselin

Wood engraving

20.5 x 25.4cm (image)

Provenance: The Collection of the Late Howard Duckworth

£150-250

395 Φ GUY MALET

1900-1973

Dinan

Wood engraving

19.2 x 11.5cm (image)

Provenance: Abbott and Holder, London, January 1985; The Collection of the Late Howard Duckworth

£120-180

396 Φ GUY MALET

1900-1973

Gate to the Sussex Downs

Signed GUY MALET (in pencil to margin)

Wood engraving 13 x 17.9cm (image)

Provenance: Blond Fine Art, May 1992; The Collection of the Late Howard Duckworth

£120-180

397 Φ

ENID MARX

1902-1998

Hot air balloon; Catalogue design for The Little Gallery

Two, both signed Enid Marx, the former numbered 37/50, the latter inscribed artists proof (in pencil to margin)

Both wood engraving

5.2 x 3.9cm; 11.6 x 7.5cm (image) (2)

Provenance:

Catalogue design with Abbott and Holder, London; Sally Hunter Fine Art, London; The Collection of the Late Howard Duckworth

£80-120

398 Φ

ENID MARX

1902-1998

Kenwood

Signed twice and dated Enid Marx Marx 32 (in pencil to margin)

Wood engraving

10.6 x 14.3cm

Provenance: Abbott and Holder, London; Sally Hunter Fine Art, London, 1991; The Collection of the Late Howard Duckworth

£100-150

399 Φ

ENID MARX

1902-1998

Sleeping cat; Mice and cheese

Two, the former signed Marx (in pencil lower centre), the latter signed and numbered 48/50 Enid Marx (in pencil to margin)

Both wood engraving

5.9 x 7.8cm; 3.5 x 6.8cm (image)

Together with A Book of Nursery Rhymes Illustrated by Enid Marx (Chatto and Windus, 1939) (3)

Provenance:

The Collection of the Late Howard Duckworth

£80-120

398

397

400 Φ

ROBERT GIBBINGS

Irish 1889-1958

Tigne, Malta

Wood engraving, 1920

4 x 6.2cm (image)

Provenance: The Collection of the Late Howard Duckworth

£100-150

401 Φ

ROBERT GIBBINGS

Irish 1889-1958

Hotel Crystal, the Sea Front at Dinard

Wood engraving

16.6 x 22.2cm (image)

Provenance:

Abbott and Holder, London; The Collection of the Late Howard Duckworth

£80-120

402

BRITISH SCHOOL

20th Century

Surrealist seascape with a ship, shell and flower; Surrealist landscape with flamingo, mask and capital

Two, both charcoal heightened with white

40.9 x 35.5cm; 45.2 x 36cm

Unframed (2)

Provenance: The Collection of the Late Howard Duckworth

£80-120

403 Φ JOHN BANTING 1902-1971

Abstract

Signed, dated and numbered 45/45 John Banting/1935 (in pencil to margin)

Linocut

8.2 x 12.3cm (image)

Provenance: The Collection of the Late Howard Duckworth £150-250

404 Φ JOHN BANTING 1902-1971

Siamese Twins

Signed, dated and numbered 44/45 John Banting/1932 (in pencil to margin)

Linocut

9.7 x 4.6cm (image)

Provenance: Dominic Winter, Cirencester, 9 October 1991, lot 642; The Collection of the Late Howard Duckworth £150-250

405 PAUL NASH 1889-1946

Whereby Whispering Places are Framed by Elliptical Arches Laid Side-Wise

Collotype with watercolour, an illustration for The Garden of Cyrus by Sir Thomas Browne 8.4 x 13.9cm (image)

Provenance: The Collection of the Late Howard Duckworth £100-150

406

ERNEST ARCHIBALD TAYLOR

Scottish 1874-1951

Landscape with a church; A house in a rocky landscape

Two, both black crayon and watercolour

15.4 x 20.8; 15.3 x 20.8cm (2)

Provenance:

Abbott and Holder, London, 1985; The Collection of the Late Howard Duckworth

£200-300

407

ERNEST ARCHIBALD TAYLOR

Scottish 1874-1951

Cottage in a mountainous landscape; The edge of a village

Two, the former signed E A TAYLOR (lower left), the latter signed and dated E A Taylor ** (lower left)

The former black chalk and watercolour, the latter coloured crayon

15.3 x 17.8cm; 14.6 x 20.7cm (2)

Provenance:

The Collection of the Late Howard Duckworth

£200-300

408 Φ

ERNEST WORRALL 1898-1972

Trees by the Duckpond

Traces of a signature (lower right) and further signed and inscribed Trees by the Duckpond/E J Worrall (to label)

Black chalk, pen and ink and watercolour

38.3 x 55.6cm

Provenance: The Collection of the Late Howard Duckworth

£150-250

409 Φ WERNER HAUB 20th Century

The Wanderer (Essentials from Dream Under Anaesthetic)

Signed W.Haub (lower right)

Oil on canvas

51.3 x 61.2cm

Provenance: The Collection of the Late Howard Duckworth

£100-150

410 Φ ELSIE MARIAN HENDERSON 1880-1967

Wooded landscape

Oil on board

50.4 x 60.9cm

Provenance: The Collection of the Late Howard Duckworth

£200-300

411 Φ

RAY HOWARD-JONES Welsh 1903-1996

Figures in a landscape

Signed and inscribed Ray/Bach (lower left)

Pencil and gouache

26 x 36.3cm

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£120-180

412 Φ

ETHELBERT WHITE

NEAC, RWS 1891-1972

Barge Breakers, Bayonne

Wood engraving

14.1 x 17.8cm (image)

Provenance:

Abbott and Holder, December 1990;

The Collection of the Late Howard Duckworth

£100-150

413 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

A Fishing Port, Majorca

Wood engraving 14.5 x 18.2cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£100-150

414 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

The Wood Shed

Wood engraving, 1923 16.6 x 21.7cm (image)

Provenance: The Collection of the Late Howard Duckworth

£100-150

415 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

The Keeper’s Cottage

Signed, numbered and inscribed

Ethelbert White The Keeper’s Cottage 18/50 (in pencil to margin)

Wood engraving 14.2 x 17.9cm (image)

Provenance: Abbott and Holder, London, June 1992; The Collection of the Late Howard Duckworth

£100-150

418

416 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

The Hamlet

Numbered 21/50 (in pencil to margin)

Wood engraving 14.2 x 18cm (image)

Provenance: Abbot and Holder, London, June 1992; The Collection of the Late Howard Duckworth £120-180

417 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Enter Cyclists

Signed, numbered and inscribed

Enter Cyclists Ethelbert White 4/50 (in pencil to margin)

Wood engraving

17.2 x 22cm (image)

Provenance: Arundel Old Stores, Arundel; The Collection of the Late Howard Duckworth £150-250

418 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

The River Bank

Signed, numbered and inscribed Ethelbert White The River Bank 46/50 (in pencil to margin)

Wood engraving 17.3 x 22.5cm (image)

Provenance: Hobbs Parker, 29 October 1992; The Collection of the Late Howard Duckworth £120-180

419 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

The Plowman’s Cottage

Signed, inscribed and numbered Ethelbert White Plowman’s Cottage 49/50 (in pencil to margin)

Wood engraving 15.7 x 18cm (image)

Provenance: The Collection of the Late Howard Duckworth £150-250

416

420 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

The Wooded Path

Signed, inscribed and numbered Ethelbert White The Wooded Path 5/50 (in pencil to margin)

Wood engraving

21.9 x 17.1cm (image)

Provenance:

The Redfern Gallery, London; Purchased from the above by Miss E. D. Nicholson, December 1931; Great Grooms, Hungerford, 2010; The Collection of the Late Howard Duckworth

£100-150

421 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Regents Canal

Signed, numbered and inscribed Regent’s Canal Ethelbert White 2/50 (in pencil to margin)

Wood engraving

17.8 x 14.1cm (image)

Provenance:

Abbott and Holder, London; The Collection of the Late Howard Duckworth

£100-150

422 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Silver Street, Hampstead

Signed and inscribed Ethelbert

White Silver Street Hampstead (in pencil to margin)

Drypoint

20.2 x 15cm (plate)

Provenance: Abbott and Holder, London, July 1999; The Collection of the Late Howard Duckworth

£100-150

423 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Punch & Judy Show

Signed, inscribed and numbered Ethelbert White Punch and Judy Show 30/50 (in pencil to margin)

Wood engraving

15.4 x 12.7cm (image)

Provenance: Abbott and Holder, London, May 1995; The Collection of the Late Howard Duckworth

£100-150

424 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Woman by a Window

Wood engraving 18 x 14.1cm (image)

Provenance: Abbot and Holder, London, December 1990; The Collection of the Late Howard Duckworth £150-250

425 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

St George’s Square

Numbered 26/50 (in pencil to margin)

Wood engraving 17.9 x 14cm (image)

Provenance: Abbott and Holder, June 1992; The Collection of the Late Howard Duckworth

£100-150

426 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Netley Mill

Signed, numbered and inscribed Ethelbert White Netley Mill 1/50 (in pencil to margin)

Wood engraving 14.2 x 18cm (image)

Provenance: Katharine House Gallery, Marlborough; The Collection of the Late Howard Duckworth

£100-150

427 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Sawing Logs

Wood engraving 14.2 x 17.8cm (image)

Provenance: Abbott and Holder, June 1992; The Collection of the Late Howard Duckworth £100-150

428 Φ

ETHELBERT WHITE

NEAC, RWS 1891-1972

Recco

Signed, numbered and inscribed

Ethelbert White Recco 19/50

(in pencil to margin)

Wood engraving

18.1 x 23.1cm (image)

Provenance:

Abbott and Holder, London, March 1992;

The Collection of the Late Howard Duckworth

£100-150

429 Φ

ETHELBERT WHITE

NEAC, RWS 1891-1972

Portofino

Signed, inscribed and numbered

Ethelbert White Portofino 7/50 (in pencil to margin)

Wood engraving

17.3 x 22.3cm (image)

Provenance: The Collection of the Late Howard Duckworth

£100-150

430 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Mosque of the Fisherman, Algiers

Signed, numbered and inscribed

Ethelbert White The Fisherman’s Mosque 13/50 (in pencil to margin)

Wood engraving

12.9 x 12.9cm (image)

Provenance: Geoffrey Gurrin; Pallant House, Chichester, May 1994;

The Collection of the Late Howard Duckworth

£100-150

431 Φ

ETHELBERT WHITE

NEAC, RWS 1891-1972

La Montillana, Granada

Signed and inscribed Ethelbert White La Montillana Granada (in pencil to margin)

Drypoint

21.7 x 27.8cm (plate)

Provenance: Hobbs Parker, 22 September 1993, lot 738;

The Collection of the Late Howard Duckworth

£80-120

432 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

The Pathway

Signed and inscribed The Pathway Ethelbert White (in pencil to margin) Linocut

40.3 x 31.7cm

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£120-180

433 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Paris

Inscribed throughout with colour notes

Pen and ink, and watercolour

17.3 x 14.6cm

Provenance: Abbott and Holder, London, July 1999; The Collection of the Late Howard Duckworth

£100-150

434 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Extensive Spanish landscape

Signed Ethelbert White (lower left) Charcoal

25.8 x 33cm

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£150-250

435 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Path through the woods

Inscribed with colour notes throughout and with estate stamp to verso Pencil

18.7 x 21.8cm

Provenance: Hilary Chapman, October 2003; The Collection of the Late Howard Duckworth

£300-500

436 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

On the heath

Black crayon

23.4 x 33cm

Provenance:

The Collection of the Late Howard Duckworth

£200-300

437 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Sunrise in the Italian hills

Signed Ethelbert White (lower left)

Pencil and watercolour

25.6 x 33.9cm

Provenance:

Chancellor’s, Kingston Upon Thames, 16 February 1995, lot 193; The Collection of the Late Howard Duckworth

£100-150

438 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Wooded landscape

Signed twice Ethelbert White (lower right)

Pencil and watercolour

25.8 x 32.9cm

Provenance:

Fry Art Gallery, August 2005; The Collection of the Late Howard Duckworth

£150-250

439 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

In the garden of The Spaniard’s Inn, Hampstead

Signed Ethelbert White (lower right)

Black chalk and watercolour

32.3 x 25.3cm

Provenance:

The Old Stores Gallery, Arundel, April 1993; The Collection of the Late Howard Duckworth

£400-600

437

439

440 Φ

ETHELBERT WHITE NEAC, RWS

1891-1972

The Duomo, Florence

Signed Ethelbert White (lower right)

Watercolour

24.1 x 30.4cm

Provenance:

Chancellor’s, Kingston Upon Thames, 16 February 1995, lot 193; The Collection of the Late Howard Duckworth

£150-250

441 Φ

ETHELBERT WHITE NEAC, RWS

1891-1972

Fishermen at Lochranza

Signed and dated Ethelbert White/1933 (lower left)

Pencil and watercolour

24.8 x 35.5cm

Provenance: Dominic Winter, Cirencester, 6 November 1998, lot 330; The Collection of the Late Howard Duckworth

£100-200

442 Φ

ETHELBERT WHITE NEAC, RWS

1891-1972

By a Sussex Farmyard

Signed Ethelbert White (lower left)

Black chalk and watercolour

28.8 x 36.1cm

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£150-250

443 Φ

ETHELBERT WHITE NEAC, RWS

1891-1972

An Old Surrey Garden

Signed Ethelbert White (lower right) Pencil and watercolour

36.3 x 46.4cm

Provenance: Abbott and Holder, London; Hamptons, Godalming, 23 June 1993, lot 179; The Collection of the Late Howard Duckworth

£100-150

444 Φ

ETHELBERT WHITE NEAC, RWS

1891-1972

Betty at the table, Spain

Signed Ethelbert White (lower right) Oil on canvas

63.3 x 53.2cm

Provenance: Hobbs Parker, 13 October 1991, lot 724; The Collection of the Late Howard Duckworth

£300-500

445 Φ

FRANK SULLY 1898-1992

A dockyard

Signed and dated -FRANK SULLY-/’24 (lower left) Gouache

22.3 x 27.4cm

Provenance: The Collection of the Late Howard Duckworth

£150-250

446 Φ

BARBARA JONES

1912-1978

Riverside at Maidenhead

Signed Barbara Jones (lower right)

Pen and black ink, and watercolour

19.8 x 27.1cm

Provenance: Katharine House Gallery, Marlborough; The Collection of the Late Howard Duckworth

Literature:

Barbara Jones, The Unsophisticated Arts (Architectural Press, 1951), p.95

£200-300

447 Φ

BARBARA JONES

1912-1978

A villa on the banks of the Thames

Signed Barbara Jones (lower left)

Pen and black ink

20.8 x 20.3cm

Provenance: Katharine House Gallery, Marlborough, June 1999; The Collection of the Late Howard Duckworth

£120-180

448 Φ

STEPHEN BONE

1904-1958

Autumn Trees

Signed Stephen Bone (lower left) Oil on board

40.5 x 30.7cm

Provenance: Leicester Galleries, London; The Collection of the Late Howard Duckworth

Exhibited: London, Leicester Galleries, Exhibition of Works by Stephen Bone, December 1946, no.124

£200-300

449 Φ

STEPHEN BONE

1904-1958

Haystacks by a pond

Signed Stephen Bone (in pencil to margin) Wood engraving

7.9 x 11cm (image)

Provenance: The Collection of the Late Howard Duckworth

£100-150

450 Φ HORACE WOOLLER

20th Century

Eagle Crag, Borrowdale

Signed and dated H Wooller 1926 (lower left) Pastel

43.3 x 54.7cm

Provenance:

The Collection of the Late Howard Duckworth

£150-250

451 Φ

EDWARD MCKNIGHT KAUFFER

American 1890-1954

Deborah and Barak; Gideon; Balaam’s Ass; The Raising of the Widow’s Child; Joseph and his Brothers; Joseph in Prison

Six, each signed with monogram, inscribed with title (below the mount) and three with studio stamp (to verso)

Each pen and ink

Largest 27.7 x 23.9cm; Smallest 21.9 x 20.9cm (6)

Provenance: The Collection of the Late Howard Duckworth

£200-300

452 Φ

EDWARD MCKNIGHT KAUFFER

American 1890-1954

With Best Wishes For 1928 From E. McKnight Kauffer

Watercolour, gouache and collage 16.3 x 20cm

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£80-120

453

453 Φ

JOHN PIPER CH 1903-1992

Energy and Joie de Vivre 1; Energy and Joie de Vivre 2Designs for the North Thames Gas Board

Two, both pencil, watercolour and gouache

Each 10.6 x 8.2cm (2)

Provenance: Peter Manzarov; Katharine House Gallery, Marlborough, July 2003; The Collection of the Late Howard Duckworth

John Piper was commissioned to design a series of murals which were realised in 1962 in the form of fibreglass panels. These were installed on the exterior of the conference room wing which projects from the front of what was formerly the North Thames Gas Board building in Wandsworth.

£300-500

454 Φ

SYDNEY JOHN WOODS 1915-1997

Abstract

Signed and dated S JOHN WOODS 1937 (to stretcher) Oil on canvas

68.4 x 76.3cm

Provenance:

The Collection of the Late Howard Duckworth

£100-150

454

455

Φ JOHN BUCKLAND WRIGHT

1897-1954

Summer

Wood engraving

17.8 x 15.9cm (sheet)

Provenance:

The Collection of the Late Howard Duckworth

£200-400

456

Φ ELSIE KATHLEEN SIMPSON POWELL

1895-1975

Out of the Rain; Swans; Chickens feeding; Cows resting in the shade; Feeding the pigeons in Trafalgar Square; The flower market; Cattle in a field; Geese under a tree; Hen-Bit; Two geese; Ducks in the reeds; Swans in the rushes; Fishermen on the beach

Thirteen, one signed Ethel Kay and inscribed “Out of the Rain”Lino-cut” (in pencil to margin), two signed with initials EKSP and two signed E.K.S.Powell

Six linocut, seven scraperboard

Largest 21 x 24.6cm; Smallest 13.6 x 10.3cm (sheet)

Unframed (13)

Provenance:

The Collection of the Late Howard Duckworth

£100-150

457 Φ FRANCES EMILY PENROSE

1896-1986

A collection of sixteen prints of various subjects

Sixteen, two signed F E Penrose (in pencil to margin)

Seven aquatint, one drypoint; eight wood engraving

Largest 19.8 x 28.3cm; Smallest 8.9 x 17.7cm (sheet)

Unframed (16)

Provenance:

The Collection of the Late Howard Duckworth

£100-200

458 Φ

EDWARD WOLFE

1897-1982

Ballet

Signed Wolfe (in pen lower right) and inscribed For Anthony with love (in pen lower left)

Woodcut, from Original Woodcuts by Various Artists, published by Omega Workshops, 1918 11.1 x 18.4cm (image)

Provenance:

Abbott and Holder, London; The Collection of the Late Howard Duckworth

£150-250

459 Φ

DERRICK HARRIS

1919-1960

Thatching; Blacksmith; Wood carving; Hand weaving; Silver smithing; Saddling; Fishing; Spinning; Basket making; Dry stone wall; Boat building; Book binding

Twelve, each wood engraving

Each 18.1 x 22.6cm (sheet)

Unframed (12)

Provenance:

The Collection of the Late Howard Duckworth

£100-200

460 Φ

JOHN FARLEIGH 1900-1965

Red Moss Rose; Peaches on a branch; I was inspired to write

Three, each signed John Farleigh, one dated 39, and two numbered 3/10, and 4/10 respectively

One lithograph, two wood engravings

Largest 20.2 x 14.7cm; Smallest 5.4 x 9.5cm (3)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

461 Φ

JOHN SCORROR O’CONNOR 1913-2004

Kensington Gardens; Still life on a terrace; Boy Bathing; Fishermen

Four, each signed John O’Connor, two inscribed with title, one inscribed A/P and one numbered 75/500 (in pencil to margin)

Each wood engraving

Largest 16.3 x 22.1cm; Smallest 9.9 x 9.9cm (image)

Provenance: The Collection of the Late Howard Duckworth

£100-200

462 Φ

JOHN SCORROR O’CONNOR 1913-2004

A train; Spring Window; Cockle Boats; Oil lamps; Canal boat; The rocket; From England (Richard Ingram’s Anthology)

Seven, six signed John O’Connor, one signed with initials JOC four inscribed with title (in pencil to margin)

Each wood engraving, six proof impressions

Largest 30.5 x 20.9cm; Smallest 22.6 x 15.6cm (sheet) Unframed (7)

Provenance:

The Collection of the Late Howard Duckworth £200-400

463 Φ

JOHN SCORROR O’CONNOR 1913-2004

Colne Valley Line, Essex; Stourbridge; Canal Boat

Three, each signed John O’Connor, two inscribed with title and one dated and inscribed 89 Artists Proof/From ‘ENGLAND’ Anthology by Richard Ingrams/ TO REPLACE THE PRINT/ ALREADY SENT FOR ‘PLACES/ (INTRODUCING PAGE) JOC (in pencil to margin)

Each wood engraving

Largest 12.3 x 16.4cm; Smallest 10.3 x 15.3cm (image) (3)

Provenance:

The Collection of the Late Howard Duckworth

£100-200

464 Φ JOHN SCORROR O’CONNOR 1913-2004

Still life by a window; A basket of ferns; A poppy; Vignettes from the Golfer’s Manual

Four, each signed John O’Connor, one further signed twice with initials JOC and one inscribed AP (in pencil to margin)

Two wood engraving, two linocut Largest 17.7 x 12.1cm; Smallest 2.7 x 5cm (image) (4)

Provenance:

Vignettes acquired directly from the artist; The Collection of the Late Howard Duckworth

£100-200

465 Φ BARBARA GREG 1900-1983

The Grass Snake

Taking the Last of the Summer’s Warmth

Signed Barbara Greg (in pencil to margin)

Wood engraving

23.1 x 15.3cm (sheet)

Unframed

Provenance:

The Collection of the Late Howard Duckworth

£80-120

466 Φ ALBERT C. COOPER 1890-1989

Midnight Travellers; Road diggers; The mill; The riverbank; Village street at night; Cows in a field; Cows near farm buildings; Sheep grazing; A rocky stream; A cottage

Ten, three signed albert c.cooper and three numbered (in pencil to margin)

Each wood engraving

Largest 27.1 x 21.2cm; Smallest 4.3 x 8.8cm (sheet)

Unframed (10)

Provenance:

The Collection of the Late Howard Duckworth

£80-120

467 Φ

IAIN MACNAB

Scottish 1890-1967

River in Spate

Signed, numbered and inscribed 1/30 RIVER IN SPATE IAIN MACNAB (in pencil to margin)

Wood engraving

15.1 x 20.2cm (image)

Provenance:

Bankside Gallery, March 2002; The Collection of the Late Howard Duckworth

£200-300

468 Φ

HARRY EPWORTH ALLEN

1894-1958

Wardlow Mines - Derbyshire

Signed and inscribed Wardlow Mines - Derbyshire

Henry E Allen (in pencil to margin)

Wood engraving

17.8 x 25.7cm (image)

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£100-150

469 Φ GEORGE MACKLEY RE 1900-1983

Hooibergen; Carbon

Two, the former signed, inscribed and numbered Hooibergen 22/35 George Mackley (in pencil to margin); the later signed and inscribed “Carbon”/(advertisement design for Imperial Chemical Industries) George Mackley (in pen to margin)

Both wood engraving 12.6 x 15cm; 14 x 14cm (image) (2)

Provenance: Hooibergen with Bankside Gallery, March 2022; The Collection of the Late Howard Duckworth

£100-200

469

467

468

471

470 Φ

GEORGE MACKLEY RE

1900-1983

Drawbridge; Wooden Bridge

Two, the former signed, numbered and inscribed Drawbridge 54/75 George Mackley (in pencil to margin)

Both wood engraving

12.9 x 15.3; 15.1 x 20cm (image) (2)

Provenance:

Drawbridge with Bankside Gallery, 2002; The Collection of the Late Howard Duckworth

£100-150

471 Φ

GEORGE MACKLEY RE

1900-1983

Barn at Giethoorn

Signed and inscribed Barn at Giethoorn Artists Proof George Mackley (in pencil to margin)

Wood engraving

10 x 12.7cm (image)

Provenance:

Abbott and Holder, London, 2007; The Collection of the Late Howard Duckworth

£100-150

472 Φ

GEORGE MACKLEY RE

1900-1983

Haybarns at Eemdijk

Wood engraving 10.3 x 12.8cm (image)

Provenance: The Collection of the Late Howard Duckworth

£100-150

472

473 Φ

GWENDA MORGAN 1908-1991

Flowers in a Little Jug

Signed, numbered and inscribed 10/50 FLOWERS IN A LITTLE JUG

Gwenda Morgan (in pencil to margin)

Wood engraving 12.6 x 12.5cm (image)

Provenance: Betty Clark, July 1998; The Collection of the Late Howard Duckworth £120-180

474 Φ

GWENDA MORGAN 1908-1991

It’s a Short Walk to the Sea

Signed, numbered and inscribed 9/50 “IT’S A SHORT WALK TO THE SEA” Gwenda Morgan (in pencil to margin)

Wood engraving 17.6 x 17.6cm (image)

Provenance: Betty Clark, July 1998; The Collection of the Late Howard Duckworth £120-180

475 Φ

GWENDA MORGAN

1908-1991

From the Hills to the Sea

Signed, numbered and inscribed 10/50 From the Hills to the Sea Gwenda Morgan (in pencil to margin)

Wood engraving 15.5 x 9.8cm

Provenance: Betty Clark, July 1998; The Collection of the Late Howard Duckworth

£120-180

476 Φ

GWENDA MORGAN

1908-1991

By the River

Signed, numbered and inscribed 30/50 By the River Gwenda Morgan (in pencil to margin)

Wood engraving

9.8 x 15.4cm

Provenance:

The Collection of the Late Howard Duckworth £120-180

477 Φ

GWENDA MORGAN

1908-1991

Apple Picking

Signed, numbered and inscribed 43/50 Apple Picking Gwenda Morgan (in pencil to margin)

Wood engraving

9.8 x 16cm (image)

Provenance: Betty Clark, November 1997; The Collection of the Late Howard Duckworth £120-180

478 Φ

GWENDA MORGAN

1908-1991

Winter Arrangement

Signed, numbered and inscribed 12/50 Winter Arrangement Gwenda Morgan (in pencil to margin)

Wood engraving

17.8 x 18cm (image)

Provenance:

Geri Waddington, Oundle, September 2003; The Collection of the Late Howard Duckworth £120-180

476

477

478

479 Φ

MONICA POOLE RE 1921-2003

Old Trees

Signed, inscribed and numbered Old Trees 37/75 Monica Poole (in pencil to margin)

Wood engraving

24.2 x 19.4cm (image)

Provenance: The Collection of the Late Howard Duckworth

£200-300

480 Φ

MONICA POOLE RE 1921-2003

Dandelion

Signed, inscribed and numbered Dandelion 47/75 Monica Poole (in pencil to margin)

Wood engraving, 1965

24.9 x 21.1cm (image)

Provenance: Harrison Auctions, 16 January 2019, lot 237; The Collection of the Late Howard Duckworth

£200-300

483

481 Φ

MONICA POOLE RE 1921-2003

Root

Signed, inscribed and numbered

Root 25/100 Monica Poole (in pencil to margin)

Wood engraving

17.5 x 32.4cm (image)

Provenance: The Collection of the Late Howard Duckworth

£150-250

484

482 Φ

MONICA POOLE RE 1921-2003

Piddock Architecture

Signed, numbered and inscribed Piddock Architecture 6/75 Monica Poole (in pencil to margin)

Wood engraving, 1975

10.8 x 20cm (image)

Provenance: The Collection of the Late Howard Duckworth

£80-120

483 Φ MONICA POOLE RE 1921-2003

Mollusc

Signed, inscribed and dated Mollusc 2/20 Monica Poole (in pencil to margin)

Linocut

23 x 18.5cm (image)

Provenance: Dreweatt-Neate, Newbury, 10 October 2001, lot 715; The Collection of the Late Howard Duckworth

£80-120

484

GEORGE MACKLEY RE 1900-1983

Monica Poole: Wood Engraver

Number 220 of 300 copies signed by Monica Poole and Graham Williams (editor), Biddenden, Florin Press, 1984, with Fabriano Ingres papers on the boards

36.8 x 25.1cm

Provenance: The Collection of the Late Howard Duckworth

£100-150

481

482

485 Φ GUY WORSDELL

1908-1978

The white dish

Signed and indistinctly dated Guy Worsdell 197* (lower left)

Oil on board

37 x 59.8cm

Provenance:

The Collection of the Late Howard Duckworth £100-200

486 Φ GUY WORSDELL

1908-1978

Still life with pots on a tabletop

Signed Guy Worsdell (lower right)

Oil on canvas

51.8 x 77.5cm

Provenance:

The Collection of the Late Howard Duckworth £100-200

487 Φ GUY WORSDELL

1908-1978

Landscape with trees and a lake beyond

Signed twice Guy Worsdell (lower right)

Oil on board

31 x 70.1cm

Provenance:

The Collection of the Late Howard Duckworth £100-200

488 Φ GUY WORSDELL

1908-1978

Still life with pots and dishes on a ledge with a landscape beyond Indistinctly signed G **** (lower left)

Oil on board

28.6 x 76.4cm

Provenance:

The Collection of the Late Howard Duckworth

£100-200

485

489 Φ

HENRY GEORGE COGLE 1875-1957

Still life with flowers in a vase

Signed COGLE (lower centre)

Oil on canvas

59.8 x 49.1cm

Provenance: The Collection of the Late Howard Duckworth

£100-150

490 Φ

HENRY N. ALMOND 1918-2000

Figures crossing a wooded stream

Signed H. N. ALMOND (lower right) Oil on canvas

51.1 x 59cm

Provenance: The Collection of the Late Howard Duckworth

£120-180

491 Φ

MARK WAYNE MILLER American 1938-2014

Hole Farm, Great Walding Field

Signed and dated Miller 70 (lower left) Oil on board

55.9 x 69.5cm

Provenance: The Collection of the Late Howard Duckworth

£150-250

492

GERALD TYRWHITTWILSON, LORD BERNERS 1883-1950

Landscape on the outskirts of a village

Signed and dated Berners 1933 (lower left)

Oil on canvas laid on board

25.6 x 40cm

Provenance: The Collection of the Late Howard Duckworth

£200-300

495 Φ

JAMES BOSTOCK

1917-2006

Lighters at the Docks; Brentford Lock

Two, the former signed, inscribed and dated Lighters at the Docks James E.Bostock 51 (in pencil to margin), the latter signed, numbered, inscribed and dated 3 Ed Brentford Lock 6/30 James Bostock ‘53 (in pen to margin)

Both wood engraving

15.3 x 20.4cm; 20.4 x 15.3cm (image) (2)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

493 Φ

JAMES BOSTOCK

1917-2006

Cliff Subsidence; Evening Meadow

Two, the former signed, dated, inscribed and numbered 5/12

Cliff Subsidence James E Bostock ‘46 (in pencil to margin), the latter signed and inscribed Evening Meadow James Bostock (in pencil and margin)

The former wood engraving, the latter engraving on vulcanite

Both 12.9 x 18cm (image) (2)

Provenance:

The Collection of the Late Howard Duckworth

£150-250

494 Φ

JAMES BOSTOCK

1917-2006

Black Park 1; Sun Dazzle

Two, the former signed, inscribed and dated Ed.30

Black Park 1 James Bostock 60 (in pencil to margin); the latter 15/30 Sun Dazzle James Bostock (in pencil to margin)

The former engraving on perspex, the latter wood engraving

13.1 x 32.1cm; 24.7 x 38cm (image) (2)

Provenance:

Black Park 1 with 20th Century Gallery, London, November 1998; Sun Dazzle with Bankside Gallery, London, March 2002; The Collection of the Late Howard Duckworth

£150-250

496 Φ

JAMES BOSTOCK

1917-2006

Spring Pastoral; Bearded Iris

Two, the former signed, dated, numbered and inscribed 12/30 Spring Pastoral James Bostock ‘48 (in pencil to margin), the latter signed, dated, numbered and inscribed 10/40 Bearded Irises James Bostock ‘80 (in pencil to margin)

The former engraving on vulcanite, the latter wood engraving

20.4 x 15.3cm; 15.4 x 10.3cm (image) (2)

Provenance:

20th Century Gallery, London, October 2002; The Collection of the Late Howard Duckworth

£150-250

497 Φ

JAMES BOSTOCK

1917-2006

Greengrocers; Train Coming!

Two, the former signed, numbered, inscribed and dated 2Ed Greengrocer’s 7/3 James Bostock ‘60 (in pen and pencil to margin), the latter signed, inscribed and dated 2 Ed.10 Train Coming! James Bostock ‘59 (in pen to margin)

Both wood engraving

20.2 x 15.1cm; 20.2 x 15.2cm (image) (2)

Provenance: 20th Century Gallery, London, October 2002; The Collection of the Late Howard Duckworth

£150-250

498

ARTHUR GEORGE WATTS

1883-1935

The Affectionate Burglar: No Busman’s Holiday for Stan

Signed and dated Arthur/Watts

28 (lower centre)

Pencil, and pen and black ink

32.6 x 25.1cm

Provenance:

The Collection of the Late Howard Duckworth

£100-150 499

ARTHUR GEORGE WATTS

1883-1935

If only I could get a little more breadth into it

Signed and dated Arthur Watts

33 - (lower left)

Pen and ink on scraperboard

33.6 x 26.8cm

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£150-250

DAVID GENTLEMAN

b.1930

A house in South Carolina

Signed David Gentleman (lower right)

Pen and black ink, and watercolour

40.4 x 58.3cm

Provenance: The Collection of the Late Howard Duckworth

£150-250

DAVID GENTLEMAN

b.1930

Illustration for David Gentleman’s Britain

Signed and dated David Gentleman 81 (lower right)

Pen and ink and watercolour

33.6 x 55.2cm

Provenance: The Collection of the Late Howard Duckworth

Literature: David Gentleman, David Gentleman’s Britain (Weidenfeld & Nicolson, 1982), pp.94-95

£150-250

502

502 HARRY ROUNTREE

1878-1950

Mr Wolf - The Go Getter

Inscribed with captions throughout Pen and black ink

36.6 x 28.9cm

Provenance: Abbott and Holder, London; The Collection of the Late Howard Duckworth

£100-150

504 Φ

CHRISTOPHER BROWN

b.1953

‘B’ is for Bawden; ‘E’ is for Edward

503 Φ

ERIC WILFRED TAYLOR 1909-1999

Figure leading a horse

Signed, dated and numbered 1/10 Eric Taylor 1938 (in pencil to margin)

Lithograph

35.7 x 24.7cm (image)

Provenance: The Collection of the Late Howard Duckworth

£100-150

A pair, both signed, dated and numbered 2/40 Christopher Brown 92 and inscribed with title (in pencil to margin)

Both linocut

Each 57 x 15.3cm (image) (2)

Provenance:

The Fine Art Society, London; Abbott and Holder, London; The Collection of the Late Howard Duckworth

Exhibited: London, The Fine Art Society, Tribute to Edward Bawden, 1992

£100-150

505 Φ

JOLAN POLATSCHEKWILLIAMS

Austrian 1908-1988

Still Life; Market in Poland; Dandelions

Three, two signed Jolán Williams and inscribed and numbered “Market in Poland” 6/50, and Still Life 4/50 respectively (in pencil to margin)

Each wood engraving

Largest 11.4 x 14.9cm; Smallest 12.7 x 9cm (image) (3)

Provenance:

Dandelions with Abbott and Holder, London; The Collection of the Late Howard Duckworth

£100-150

506 Φ JOLAN POLATSCHEKWILLIAMS

Austrian 1908-1988

Inside the Coach; Bavarian Bathing Pool; Woman seated in an interior

Three, signed, dated, numbered and inscribed “Inside the Coach” 4/35 Jolán Polatscheck-William 1934; “Bavarian Bathing Pool” 5/50 Jolán Williams 1933; and “***erufrau” Jolán P.Williams 1931 respectively (in pencil to margin)

Each wood engraving Largest 14 x 20.5cm; Smallest 10.3 x 7.7cm (image) (3)

Provenance:

Two with Abbott and Holder, London; The Collection of the Late Howard Duckworth

£100-150

507 Φ DONALD PLENDERLEITH

1921-1995

Fairground at Night

Signed and inscribed Fairground at Night Donald Plenderleith (in pencil to margin)

Wood engraving 22.7 x 15.1cm (image)

Provenance: Bankside Gallery, 2002; The Collection of the Late Howard Duckworth

£120-180

508

508 Φ DEREK L. SETFORD

b.1936

Repairs Observed; Seed Time; Astrantias

Three, each signed D L Setford and numbered 16/25, 13/25 and 14/25 respectively (in pencil to margin)

Each wood engraving

Largest 15.5 x 20.4cm; Smallest 10.4 x 13cm (image) (3)

Provenance:

The Collection of the Late Howard Duckworth

£100-150

509 Φ PAM PEBWORTH 1931-2019

Kennet & Avon, Bath; Canal Reflections; Home of the Tivvy Bumper

Three, each signed Pam Pebworth, inscribed with title, and numbered 31/50, 47/50, and 22/50 respectively (in pencil to margin)

Each wood engraving

Largest 20.4 x 15.4cm; Smallest 15.5 x 10.2cm (image) (3)

Provenance:

The Collection of the Late Howard Duckworth

£100-150

509

510

510 Φ SUE SCULLARD b.1958

Through the Woods; Weathered Chestnut; Edge of the Wood

Three, each signed Sue Scullard, inscribed with title and numbered 108/350, 24/200, and 223/250 respectively (in pencil to margin)

Each wood engraving

Largest 12.8 x 22.9cm; Smallest 10 x 15.3cm (image) (3)

Provenance:

The Collection of the Late Howard Duckworth

£100-150

511 Φ

PETER LAWRENCE

b.1951

Transform; Twelve: Night Poem

Two, the former signed, numbered and inscribed 29/50 Transform Lawrence (in pencil to margin); the latter signed, dated, numbered and inscribed 5/7 Twelve: Night Poem Lawrence 2013 (in pencil to margin)

The former wood engraving, the latter wood engraving with embossing

30.2 x 32.4cm; 31 x 31cm (image) (2)

Provenance:

The Collection of the Late Howard Duckworth

£100-150

512 Φ

PETER LAWRENCE

b.1951

Fire for England: Plan of the National Gallery London, Level 3

Signed, dated, numbered and inscribed 14/35

Fire for England: Plan of the National Gallery London, Level 3 Lawrence 2010 (in pencil to margin)

Wood engraving

33.8 x 53.2cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£80-120

513 Φ

PETER LAWRENCE

b.1951

The White Horse 2

Signed, numbered and inscribed 10/35 The White Horse 2 Lawrence (in pencil to margin)

Wood engraving

29.1 x 36.8cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£100-150

511

512

513

514 Φ

PETER LAWRENCE

b.1951

Triple Quay

Signed, dated, numbered and inscribed 12/25 Triple Quay Lawrence 2012 (in pencil to margin)

Wood engraving

45.6 x 20.3cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£100-150

515 Φ

PETER LAWRENCE

b.1951

Blackwell’s Oxford

Signed and inscribed A/P

Blackwell’s, Oxford Lawrence (in pencil to margin)

Wood engraving, an artist’s proof in addition to the edition of 140 20.2 x 15.2cm (image)

Provenance: The Collection of the Late Howard Duckworth

£80-120

516 Φ

PETER LAWRENCE

b.1951

Tea and Cake with a Penguin; Inside Out; Free and Unequal

Three, each signed Lawrence, inscribed with title and numbered 21/45, 9/30 and 9/50 respectively (in pencil to margin)

Each wood engraving

Largest 15.5 x 15.5cm; Smallest 12.3 x 12.3cm (image) (3)

Provenance:

The Collection of the Late Howard Duckworth

£120-180

514

515

516

A

Abrahams, Ivor 192-196

Aitchison, Craigie 166

Allen, Harry Epworth 468

Allen, Simon 283

Almond, Henry N. 490

Annigoni, Pietro 92

Arakkal, Yusuf 230

Austin, Robert 62

B

Banks, Roger 313

Banting, John 403-404

Barrett, Peter 312

Bawden, Edward 107

Baxter, Thomas Tennant 41

Beaton, Cecil 77-81

Beauvais, Walter John 223

Bell, Trevor 168

Bellet, Pierre Auguste 31

Bellmer, Hans 71

Benito, Eduardo 75

Bliss, Douglas Percy 353

Blow, Sandra 169-170

Bone, Muirhead 20-22

Bone, Stephen 448-449

Bornfriend, Jacob 389

Bostock, James 493-497

Bowen, Owen 102

Brissaud, Pierre 390

British School 42-43, 292, 402

Broad, Kenneth 383

Brockhurst, Gerald Leslie 26-27

Brockway, Harry 379

Brown, Christopher 504

Brownlee, Ruth 265

Buckland Wright, John 455

C

Chadwick, Lynn 117-118

Chagall, After Marc 69

INDEX OF ARTISTS

Chubb, Ralph 109-110

Clough, Prunella 123

Cogle, Henry George 489

Coleman, Michael 284

Continental School 291

Cook, Beryl 295

Cooke, Barrie 236

Cooper, Albert C. 466

Coventry, Robert McGowan 8

Cundall, Charles 9

Curling, Peter 310 D

Dannatt, George 126-128

Davidson, Allan Douglas 72

de Belleroche, Albert 3

de Jongh, Gabriel 190

Denny, Robyn 198-201

Derain, André 4

Desmond, Nerine 91

Dobson, Frank 384-386

Domergue, Jean-Gabriel 76

Dowling, Jane 247

Dunlop, Ronald Ossory 97

Dunstan, Bernard 242

Dutta Ray, Shyamal 231

E

Edgar, Norman 306

Epstein, Jacob 63-65

F

Farleigh, John 460

Farmer, Bernard 167

Fassett, Kaffe 305

Felkel, Carl 90

Felmingham, Michael 213

Firth, Mark 280

Foweraker, Albert Moulton 13

Fraser, Claud Lovat 96

Fraser, Eric 369-373

Freedman, Barnett 374

Frink, Elisabeth 157

Frost, Terry 137-143

Fullard, George 129-133

GGear, William 147

Gentleman, David 243, 500-501

Gibbings, Robert 400-401

Gibbs, Anthony 186

Gill, Eric 35-38, 365-368

Gillchrest, Joan 180-182

Gillet, Roger-Edgar 159

Ginner, Charles 51

Grant, Donald 188

Green, Roland 309

Greenham, Peter 245

Greg, Barbara 465

H

Hall, Christopher 187

Harris, Derrick 459

Harvey, Harold 30

Haub, Werner 409

Heindorff, Michael 261

Held, Julie 294

Hely Hutchinson, Nicholas 267

Henderson, Elsie Marian 410 Henry, George 50

Hermes, Gertrude 351-352

Hilder, Rowland 375

Hilton, Bo 298

Hitchens, Ivon 54-55

Hitchens, John 219

Hodgkin, Howard 148-149

Hogan, Eileen 244

Holland, Dudley 53

Holloway, Edgar 376

Howard, Ken 246

Howard-Jones, Ray 411

Hoyland, John 144-145

Hughes, Frank Edward Burnham 99

Hughes-Stanton, Blair 364

Hunter, George Leslie 56 I

Ihle, Rudolph 45

Irvin, Albert 206 J

James, Merlin 248

January, Libby 235

John, Augustus 5

Jones, Barbara 446, 447

Jones, Jonah 185, 380

Joyce, Peter 208

K

Kauffer, Edward McKnight 451-452

Kennington, After Eric 18

Kentridge, William 252

Kerr-Lawson, James 46

Kiff, Ken 253

Kingsley, John 299-302

Knight, Laura 28, 29

Knighton-Hammond, Arthur Henry 85

Knights, Winifred 58-60

Knuttel, Graham 254

Kossoff, Leon 112-113

L Lalanda, Josechu 285

Lamb, Henry 317-319

Lawrence, Peter 511-516

Ledger, Janet 263-264

Lee Hankey, William 12

Leighton, Clare 23

Lepape, Claude 297

Longhurst, Joseph 10

Lowry, Laurence Stephen 103-106

M

MacGillivary, Ian 189

Machin, Patricia 304

Mackley, George 469-472, 484

Maclauchlan Milne, John 57

MacMiadhachain, Padraig 162-164

Macnab, Iain 467

Mahoney, Charles 61

Malet, Guy 392-396

Mann, Cyril 93-94

Marcel-Clément, Amédée-Julien 15

Marx, Enid 397-399

McGregor, William 191

McInnes, Sheila 269

McIntyre, Donald 218

McLean, John 232

Meunier, Constantin 17

Miller, Mark Wayne 491

Millington, Terence 197

Minairk, Jan 14

Miró, Joan 70

Montézin, Pierre-Eugène 16

Moore, Henry 119

Morgan, Gwenda 473-478

Morley, Robert 86

Munnings, Alfred James 1-2

Myers, Marcia 233-234

N

Nash, John 49, 320-343,

Nash, Paul 52, 405

Newcomb, Mary 165

Nicholson, Kate 221

Niesiolowski, Tymon,

Attributed to 73

Nolan, Sidney 161

O

O’Casey, Breon 207

O’Connor, John Scorror 461-464

Olsson, Julius 39-40

INDEX OF ARTISTS

O’Malley, Tony 146

Orpen, William 6

Osborne, Malcolm 24

P

Paolozzi, Eduardo 124

Park, Stuart 32

Peake, Mervyn 387

Pearce, Bryan 209

Pebworth, Pam 509

Penrose, Frances Emily 457

Perez, Fabian 224

Peri, Peter Laszlo 111

Peschke, Christian 281-282

Phillips, Susie 307

Phillips, Tom 205

Phipps, Howard 314-316

Picasso, After Pablo 67

Picasso, Pablo 68

Piper, John 114-116, 453

Plenderleith, Donald 507

Polatschek-Williams, Jolan 505-506

Poole, Monica 479-483

Potamianos, Haralambos 89

Powell, Elsie Kathleen Simpson 456

Procktor, Patrick 220

Procter, Dod 34

R

Raverat, Gwen 356

Ravilious, Eric 354-355

Relton, Marine 249-250

Rice, Brian 239-241

Richardson, Adelaide E. 33

Richardson, Ray 255-259

Robinson, Charles 388

Robinson, Geoffrey 210

Roccotelli, Michele 214

Roche, Laurence 266

Rosen, Ismond 108

Rountree, Harry 502

Roux, Gaston Louis 122

Rudakov, Konstantin Ivanovich 74

Ryder, Sophie 251

S

Sanders, Christopher 101

Sandford, Lettice 357-363

Scott, Anthony 286

Scott, Michael 270-271

Scott, William 134

Scullard, Sue 510

Setford, Derek L. 508

Sharp, Dorothea 66

Sheringham, George 95

Simpson, Alan 262

Smith, Richard 202-204

Soper, George 25

Soukop, Willi 155-156

Souter, John Bulloch 87

Speed, Harold 11

Spurrier, Steven 391

Squires, Roger 287-289

Stafford-Baker, Julius 121

Stefan, Ross 158

Storn, Willibald 260

Strang, William 7

Stuempfig, Walter 222

Sully, Frank 445

Sutherland, Graham 120

T

Talwinski, Igor 225

Taplin, Guy 290

Taquoy, Maurice 82-83

Taylor, Eric Wilfred 503

Taylor, Ernest Archibald 406-407

Taylor, Fraser 272-279

Taylor, Leonard Campbell 382

Teng, Chuah Thean 226

Thompson, Bonnie 308

Timym, William 183

Tindle, David 293

Tobias, Ben 179

Tolley, Shelia 215-217

Trevelyan, Julian 150-154

Trindade, Angela 88

Tyrwhitt-Wilson, Gerald 492

U

Ulrich, Kjeld 237

Underwood, Leon 377-378

V

Vaughan, Keith 135-136

Vrielink, Nico 227-229

W

Wade, Jonathan Armigel 268

Wadsworth, Paul 238

Wakefield, Larry 160

Walker, Ethel 303

Ware, William 211-212

Watts, Arthur George 498-499

Wells, John 125

Wesson, Edward 100

Whistler, Hector 344-350

Whistler, Rex 381

White, Ethelbert 47, 48, 412-444

Williams, Kyffin 311

Wolfe, Edward 458

Woods, Sydney John 454

Wooller, Horace 450

Worley, Neale 296

Worrall, Ernest 408

Worsdell, Guy 485-488

Wouw, Anton van 19

Y

Yarrow-Jones, Ernest 44

Yates, Fred 171-178

Z

Zinkeisen, Doris 84

WEDNESDAY 4TH SEPTEMBER 2024

ENQUIRIES

Victor Fauvelle | +44 (0)1722 446961 | vf@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Estimate £4,000 - 6,000*

John Michael Wright (1617-1694)

Portrait of Mrs John Wallis, half-length, wearing a blue dress, and pearl necklace and earring Oil on canvas, oval

70.6 x 62.2cm; 27¾ x 24½in

TUESDAY 17TH SEPTEMBER 2024

ENQUIRIES

Will Hobbs | +44 (0)1722 339752 | wh@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Oyelami Nigerian, b.1940

Untitled (detail) oil on board, signed and dated ‘84, 122cm x 144cm

Provenance

Zbyszek Plocki Collection, London

Estimate £1,000 - 1,500*

Muriana

WEDNESDAY 16TH & THURSDAY 17TH OCTOBER

John Piper (1903-1992) Cotswold

A large David Whitehead ltd screen printed cotton panel, framed

Estimate £1,000 - 1,500*

THURSDAY 5TH DECEMBER 2024

Dame Elisabeth Frink CH, DBE, RA (1930-1993)

Tribute Head (detail)

Signed and dated Frink 82 (lower left)

76.8 x 55.9cm Estimate £5,000 - 7,000*

Pencil

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9.00am – 5.00pm

Castle Gate Offices

Monday to Friday 9.00am – 5.00pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleys.live

You will be asked to show your documents, or email copies.

PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

Sackville-West +44 (0)2080 909988

Moving & Storing office@sackvillewest.co.uk www.sackvillewest.co.uk

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name and address and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, debit and credit cards.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30-97-41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3%

1%

0.5%

£50,000.01 - 200,000

£200,000.01 - 350,000

£350,000.01 - 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/ purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

ROYAL INSTITUTION OF CHARTERED SUREYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS

1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque six weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOKS AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3%

1%

0.5%

£50,000.01 - 200,000

£200,000.01 - 350,000

£350,000.01 - 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy.

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleys.live

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

• From you when you:

- interact with us before entering into a contract with us, for example when you express your interest in our Services;

- instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

- communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

- in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

• From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

- thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider);

- sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

- shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE

BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the-saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Park works to the EMAS standard and its Environmental Management System is certified to ISO 14001.

This publication has been manufactured using 100% offshore wind electricity sourced from UK wind.

100% of the inks used are vegetable oil based, 95% of press chemicals are recycled for further use and, on average 99% of any waste associated with this production will be recycled and the remaining 1% used to generate energy.

This document is printed on Magno Satin and Magno Gloss, both made of material from well-managed, FSC®-certified forests and other controlled sources.

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clients’ needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley and Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Woolley & Wallis Salisbury Salerooms Ltd.

51-61 Castle Street, Salisbury, Wiltshire SP1 3SU

Registered in England No.02998482

VAT No: 631 9832 29

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

ABSENTEE BID FORM

MODERN BRITISH & 20TH CENTURY ART

WEDNESDAY

5TH JUNE 2024

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

BUYER’S PREMIUM

Each lot is subject to a buyer’s premium of 26% plus VAT at 20%

Billing Name (please print)

Address

Email ID may be required even if you have bid with us before.

Signature

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR UPCOMING AUCTIONS

AUCTION CALENDAR

JUNE

5th Modern British & 20th Century Art

19th Fine Arts & Crafts

JULY

3rd & 4th Furniture, Works of Art & Clocks

10th & 11th Fine Jewellery

16th & 17th Silver & Objects of Vertu

SEPTEMBER

3rd British and Continental Ceramics & Glass

4th Old Masters, British & European Paintings

17th Arts of Africa, Oceania and the Americas

OCTOBER

2nd & 3rd Furniture, Works of Art & Clocks

16th & 17th Design

22nd & 23rd Silver & Objects of Vertu

30th & 31st Fine Jewellery

Dates may be subject to change

+44 (0)1722 424500 enquiries@woolleys.live

51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium

George Leslie Hunter (Scottish 1877-1931)

The Mill Dam, Fife SOLD FOR £50,400*