Woolley & Wallis Auctioneers by Park Communications

MODERN BRITISH & 20TH CENTURY ART TUESDAY 7TH & WEDNESDAY 8TH DECEMBER 2021

Lot 503

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below PAINTINGS

VALUATIONS FOR INSURANCE & PROBATE

Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN AND OCEANIC ART ANTIQUITIES Will Hobbs Molly O’Reilly

339752 446980 424506 424583 424589 +44 (0)7812 601098 424591 424571

Freya Yuan-Richards Michelle Yu

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

FURNITURE, WORKS OF ART & CLOCKS 411854 339161 446974

JAPANESE WORKS OF ART Alexandra Aguilar Alana Ker Mercer

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Emily O’Donnell

GENERAL OFFICE Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Debbie Mason-Smith Nicola Young

424500

CASTLE GATE RECEPTION MARKETING Chloe Davie

446959

ACCOUNTS Sharon Ringwood Anna Gentleman

446960

BOARD OF DIRECTORS

CHINESE PAINTINGS & CALLIGRAPHY

Mark Yuan-Richards Jim Gale Suzy Becsy

424598 424509

Sally Litherland

ASIAN ART John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan-Richards Jeremy Morgan Alana Ker Mercer Michelle Yu

Jeremy Lamond MRICS ASFAV FRSA Amanda Lawrence

424595 424504 424586

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan-Richards Mark Yuan-Richards

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 • www.woolleyandwallis.co.uk

Front Cover: Lot 51 Back Cover: Lot 566 Catalogue £12.00 (£15.00 by post)

MODERN BRITISH & 20TH CENTURY ART TUESDAY 7TH & WEDNESDAY 8TH DECEMBER 2021 10.00am at our Castle Street Salerooms, SP1 3SU

PAINTINGS Victor Fauvelle +44 (0)1722 446961 vf@woolleyandwallis.co.uk

VIEWING Thursday 2nd December 10.00am– 4.00pm Friday 3rd December 10.00am– 4.00pm Saturday 4th December 10.00am– 1.00pm

Ed Beer +44 (0)1722 446962 eb@woolleyandwallis.co.uk

There will be no viewing on Monday 6th December or on the days of the sale. DAY ONE: Lots 1-360 DAY TWO: Lots 361-716

BUYER’S PREMIUM See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices. TELEPHONE BIDDING Requests for telephone bidding cannot be accepted after 5pm on Monday 6th December. ARTIST’S RESALE RIGHT / DROIT DE SUITE ‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details. COLLECTION OF LOTS From 7th December collection will be by appointment from the Paintings department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. Please call 01722 424500 to make an appointment. If making payment at Castle Gate, cash cannot be accepted. Collection of sold and unsold lots must be within 21 days of the sale failure to collect within this time may result in storage fees.

Hannah Farthing +44 (0)1722 446970 hf@woolleyandwallis.co.uk

LIVE ONLINE BIDDING - FREE OF CHARGE

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DAY 1 Lots 1-360

Lot 314

1 SIR WILLIAM ORPEN KBE, RA, RHA Irish 1878-1931

Head studies of elderly figures wearing caps (recto and verso) Red chalk 37.2 x 27.3cm Provenance: Sir William Rothenstein (1872-1945); And by descent; Abbott and Holder, London, March 2004 £700-1,000

2 SIR WILLIAM ORPEN KBE, RA, RHA Irish 1878-1931

The Refugee Signed William Orpen (in pencil, lower right) Reproduction print 43.4 x 35.1cm (sheet) After the original in the Imperial War Museum (no. IWM ART 2964). The sitter is Yvonne Aubicq (1896-1973), who worked at a hospital during World War I, where she met William Orpen who was working as an official war artist. £300-500

2 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

3 AMBROSE MCEVOY ARA, ARWS 1878-1927

The Birdcage Pen and ink with wash, heightened with white 51.2 x 41.7cm Provenance: Sotheby’s, London, Modern British Paintings, 26 February 2003, lot 56 £300-500

4 SIR WILLIAM ROTHENSTEIN

5 SIR WILLIAM ROTHENSTEIN

Mountain landscape

Portrait of a lady

Signed and dated W.Rothenstein -22 (lower right) Gouache 51.8 x 38cm

Signed W Rothenstein (lower right) Red and white chalk 30.1 x 21.4cm

1872-1945

Provenance: Christie’s, London, Modern British Paintings, Watercolours, Drawings and Sculpture, 31 October 1996, lot 2 £200-300

1872-1945

Provenance: Christie’s, London, Modern British & Continental Pictures…, 25 July 1996, lot 44 £300-500

5 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

6‡ AUGUSTUS JOHN OM, RA

7‡ AUGUSTUS JOHN OM, RA

Seated female nude

Standing female nude

Signed John (lower left) Red chalk 34 x 24.2cm

Signed John (lower right) Pencil 34.2 x 23.2cm

£800-1,200

£700-1,000

Welsh 1878-1961

8‡ HENRY LAMB RA 1883-1960

Portrait study of Helen Anrep (1885-1965) Inscribed Helen Anrep (lower right) Pencil 35.5 x 25.3cm Unframed Provenance: Christie’s, London, Modern British & Continental Pictures…, 25 July 1996, lot 17 Helen Anrep (née Maitland) met Henry Lamb in 1908 whilst studying music in Paris. They had a brief affair, but subsequently she married Lamb’s friend, the mosaic artist Boris Anrep (1883-1869). She later lived with Roger Fry until his death in 1934. This drawing was probably a study for Lamb’s portrait of the Anrep family. A similar study was sold at Christie’s, London, 17 December 2008, lot 15. £800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

9 ATTRIBUTED TO STANHOPE ALEXANDER FORBES RA 1857-1947

The Philatelist Oil on canvas 34.2 x 26.9cm Provenance: Purchased by Rupert Leopold Norris, c.1920; By descent to Leonard Rupert Norris; And by descent Rupert Norris, together with his son Leonard, met Stanhope Forbes at the Royal Academy around 1920, and acquired the present work in that period. However, this painting is not recorded as having been exhibited at the Royal Academy, and stylistically it is consistent with Forbes’ work of the 1890s. Indeed, Forbes’ sales book records an untraced painting entitled ‘The Philatelist’ in 1897. Leonard Norris married Monica Salisbury, the daughter of the painter Frank O. Salisbury, and both Salisbury and Forbes contributed to the mural cycle at the Royal Exchange, although it is not known if they met. £2,000-3,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

10 ‡ SIR STANLEY SPENCER RA 1891-1959

Portrait of David Birch ROI (1895-1968) Signed and dated Stanley Spencer/Oct(?):32.1943 (lower right) Pencil 45.1 x 34.2cm Provenance: Sotheby’s, London, Modern British and Irish Paintings, Drawings and Sculpture, 18 July 1990, lot 135, where purchased by the present private collector, London £2,500-3,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

11 EDWARD ATKINSON HORNEL Scottish 1864-1933

Girls under a tree Signed and dated E A Hornel/1890 (lower left) Oil on canvas 57 x 50.7cm

Provenance: Arnold Naskell; The Fine Art Society, London, 1981; Private Collection, Yorkshire; Duncan R. Miller Fine Arts, London; Private Collection, UK £7,000-10,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

12 EDWARD ATKINSON HORNEL Scottish 1864-1933

Late springtime in Galloway Signed and dated E A Hornel 1917 (lower right) Oil on canvas 77.2 x 102.5cm Provenance: Ian MacNicol, Glasgow; Private Collection, Yorkshire; Duncan R. Miller Fine Arts, London; Private Collection, UK £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

13 ‡ JOHN ANTHONY PARK 1880-1962

The harbour at St. Ives Signed J A PARK (lower left) Oil on board 32.9 x 40.5cm Provenance: Van Ham, Cologne, Alte Kunst, 16 May 2019, lot 1146 £2,000-3,000

14 HARRY FIDLER

15 BAXTER MORGAN

Returning home

A shepherd and his flock returning home

Signed FIDLER (lower left) Oil on canvas 40.9 x 40.9cm

Signed BAXTER MORGAN (lower right) Oil on canvas 34.7 x 52.3cm

Provenance: Cleveland Gallery, August 1987

£150-250

1856-1935

act. 1905-1932

£800-1,200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

16 SIR GEORGE CLAUSEN RA 1852-1944

Strawstacks under a rainbow Signed G.CLAUSEN (lower right) Watercolour 23.4 x 29.5 cm Provenance: Walter Stoye; Abbott and Holder, London, 2007 £800-1,200

17 SIR GEORGE CLAUSEN RA

18 ‡ GILBERT SPENCER RA, RWS, NEAC

Study of trees

Upper Basildon, Berkshire (recto); Man sawing logs in a barn (verso)

Signed with initials GC (lower right) Pencil 20.4 x 26.4cm

Signed Gilbert Spencer (lower right, recto) Watercolour and pencil 30.8 x 38.2cm

Provenance: Bonhams, London, Modern Pictures, 19 April 2005, lot 187

Provenance: Christie’s, London, Modern British and Irish Paintings, Watercolours, Drawings and Sculpture, 13 May 1994, lot 210

1852-1944

£200-300

1892-1979

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

Exhibited: London, Leicester Galleries, Gilbert Spencer, May 1946, no.74 £500-700

19 HENRY HERBERT LA THANGUE RA 1859-1929

Beachcombers Signed and inscribed TO/E.TREVETT/FROM/H.H.LA THANGUE REVS (lower right) Oil on canvas 66.8 x 52.4cm

Provenance: Sotheby’s, London, Modern British Paintings, Drawings and Sculpture, 11 November 1987, lot 8; Private Collection, London Exhibited: London, Belgrave Gallery, British Post-Impressionists and Moderns, February-March 1986, cat. no.20 £8,000-12,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

20 HENRY HERBERT LA THANGUE RA 1859-1929

Paddling amongst the bulrushes Signed H.H.LA THANGUE (lower right) Oil on canvas 30.9 x 40.7cm Provenance: Sotheby’s, London, Modern British Paintings, Drawings and Sculpture, 11 November 1987, lot 9; Private Collection, London £7,000-10,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

21 FRENCH SCHOOL c.1900

Study of a Pierrot Oil on canvas 45.7 x 38.2cm Provenance: Bonhams, Knightsbridge, Modern Pictures, 17 May 2011, lot 50 £200-300

22 FRENCH SCHOOL 1898

Portrait of a gentleman wearing a white shirt Dated Nov 9th 1898 (lower left) Oil on canvas 46.4 x 38.8cm £200-300

23 JULES EUGENE PAGES American 1867-1946

Portrait study of Jeanne Pages Oil on canvas laid on board 29 x 21.2cm Provenance: Julian Simon Fine Art, London, where purchased by the present private collector, February 2009 £200-300

23 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

24 ‡ VICENTE PUIG

Spanish 1882-1965

Portrait of two sisters and a dog in an interior Signed and dated V.PUIG/1913 (upper left) Oil on canvas 127.5 x 131.5cm £3,000-5,000

25 AUREL NARAY

Hungarian 1883-1948

Two sisters seated in an interior Signed Naray (upper right) Oil on canvas 68.5 x 55.2cm £500-800

25 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

26 HENRI DE TOULOUSE-LAUTREC French 1864-1901

Le Coiffeur – Programme du Théâtre Libre (Wittrock 15) Numbered No 86 (in red crayon), and with Kleinmann Paris blindstamp Lithograph in colours, second state, 1893, from the edition of 100 33 x 25.5cm (image) Provenance: The Collection of Sir Raymond and Lady Smith; And by descent £800-1,200

27 HENRI DE TOULOUSE-LAUTREC French 1864-1901

Ta Bouche (Wittrock 7) Lithograph in brown 25.4 x 18cm (image) £200-300

28 JAMES ABBOTT MCNEILL WHISTLER RBA American 1834-1903

The Dancing Girl (Levy 45) Signed with butterfly (in pencil lower centre) and numbered no 16 (in pencil lower right) Lithograph 30.4 x 20.3cm (sheet) £400-600

28 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

29 PAUL SIGNAC

French 1863-1935

Figures in a sailboat Signed with initials P.S (lower right) Pencil and watercolour 13.1 x 20.2cm Provenance: An unidentified collector’s mark MH in ligature in a circle to verso (not in Lugt); Private Collection, London £3,000-5,000

30 PAUL SIGNAC

French 1863-1935

Paris: Le Pont des Arts with Tugboats Etching and aquatint 12.5 x 18.9cm (plate) Unframed Provenance: Folio Fine Art Ltd, London £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

31 PIERRE-AUGUSTE RENOIR

33 ‡ MAURICE UTRILLO

Femme Nue Couchée (Tournée à Droite) (Delteil 14)

Rue de l’Abreuvoir

Etching, the second (final) state 13.7 x 19.8cm (plate)

Lithograph 25.4 x 32.9cm (sheet) Unframed

French 1841-1919

French 1883-1955

£200-300

Together with Pierre Bonnard (French 1867-1947), Figures in a landscape (from ‘Le crepuscule des nymphes’); Lithograph, 32.6 x 25.3cm; Unframed; and Joseph Pennell (American 1857-1926); Bridge of St Martin, Toledo; Etching; 22.5 x 28.3cm; Unframed (3)

32 ‡ MAURICE UTRILLO French 1883-1955

Figures in the street, from ‘La légende et la vie d’Utrillo’ Lithograph 20.4 x 17.1cm

Provenance: Utrillo with Folio Fine Art, London; Pennell with Christopher Drake, London £200-300

£50-100

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

34 PAUL CÉSAR HELLEU French 1859-1927

Portrait of the artist’s wife, Alice Signed and inscribed Helleu a alice (lower right) Sanguine, black and white chalks 50.7 x 38.8cm Provenance: From a private Cornish country estate £800-1,200

35 CHARLES LUCIEN LÉANDRE

36 ‡ LEWIS BAUMER RI, PS

Chagrin à la mode

Columbine

Signed and inscribed C Leandre/Je vois ce manteau rouge, ce chapeau jaune/ce corsage blanc…Eh bien: Ce/manteau rouge, ce chapeau jaune, ce corsage blanc,/….c’est a moi!!! (lower left) Watercolour, and pen and ink 41.1 x 31.2cm

Signed LEWIS BAUMER (lower left) Pastel and charcoal 32.9 x 25.5cm

Provenance: Redfern Gallery, London, January 1955, where purchased by Dr Leonard Simpson

£100-150

French 1862-1934

1870-1963

Provenance: Abbott and Holder, London Exhibited: London, The Fine Art Society

£800-1,200

35 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

37 FRENCH SCHOOL

38 ÉMILE CAGNIART

View of a coastal town with a fort, possibly Antibes

Les Tuileries

Early 20th Century

Bears an added studio stamp for Henri Edmond Cross (lower right) Oil on canvas 45.8 x 61cm Unframed

French 1851-1911

Signed and inscribed ECagniart/Les Tuileries (lower left) Pastel 21.5 x 31.6cm £150-250

£500-800

39 ‡ CAMILLE BOIRY

40 LUIGI LOIR

View of the Seine

View of the Seine; Figures on a quayside

French 1871-1954

Signed and indistinctly dated C Boiry *9 (lower right) Oil on board 25.6 x 33.4cm

£150-250

French 1845-1916

A pair, both signed LOIR LUIGI (upper right) Both watercolour, bodycolour and pencil Each 6 x 9.9cm (2) £400-600

40 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

41 JULES ERNEST RENOUX

French 1863-1932

Saint-Léon-sur-Vézère, Dordogne Signed E.Renoux (lower right), and inscribed PH.381/ST LÉON SUR VÉZÈRE - DORDOGNE and with studio stamp (to reverse) Oil on board 40.9 x 33cm Provenance: Christie’s, London, Impressionist and Modern Painting and Sculpture Part II, 27 March 1984, lot 336, where purchased by the present private collector, London £600-1,000

42 DUBOURG

43 ‡ JEF DUTILLEUX

Landscape with haystacks

Autumn mists

French 19th Century

Pastel 11.1 x 14.9cm £50-100

44 ‡ MARIE INGELS-PAUWAERT Belgian 1884-1960

Boat moored by a riverbank Signed MARIE INGELS PAUWAERT (lower right) Pastel 23.6 x 30.9cm

Belgian 1876-1960 Signed Jef Dutilleux (lower left) Oil on canvas 100.9 x 152.5cm £400-600

45 ALBERT SILVESTRE Swiss 1869-1954

Au Bord du Lac Signed and dated ASilvestre 1943 (lower right, AS in ligature) Oil on canvas 43.5 x 60.5cm £500-800

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

46 ‡ RENÉ ACHILLE ROUSSEAU-DECELLE

47 L. B. CARAYON

48 ‡ RENÉ LEGRAND

Summer in the park

Le Nouveau Chapeau; Les Amants

Signed R. Rousseau-Decelle (lower right) Oil on canvas 33.3 x 56cm

Two, both signed Carayon (lower right) and the former dated 06 (lower right) Both mixed media on paper Each 35.1 x 25.2cm (2)

Beach scene with two girls running to the water

French 1881-1964

French Late 19th/Early 20th Century

£3,000-5,000

Provenance: Redfern Gallery, London, January 1955, where purchased by Dr Leonard Simpson

French 1923-1996

Signed René Legrand (lower left) Oil on canvas 50.8 x 76.3cm £300-500

£200-400

48 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

49 LOUIS FLOUTIER French 1882-1936

Morning light, St. Tropez Signed Floutier (lower centre) Oil on board, oval 73.2 x 48cm £2,000-3,000

50 LOUIS FLOUTIER French 1882-1936

Street scene with figures conversing Signed Floutier (lower right) Oil on canvas 46.4 x 61.4cm Provenance: The Medici Society £1,500-2,500

50 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

51 FÉLIX VALLOTTON Swiss 1865-1925

Fleurs d’arbustes dans un pot de Quimper Signed and dated F.VALLOTTON 12 (lower right) Oil on canvas 81.2 x 65.5cm Provenance: Acquired from the artist by Galerie Druet, Paris, 1912 (no.7075); Mme. Babut, La Rochelle; Me. Grandin, Paris, Drouot Rive-Gauche, 26 March 1979; Galerie Fischer, Lucerne, 1 June 1979, no.468; Antiquorum, Geneva, 5 April 1982; Private Collection, Paris; Christie’s, London, Impressionist and modern paintings and sculpture, 24 June 1985, lot 7; Private Collection, London Literature: Félix Vallotton, Livre de raison, LRZ. 855, ‘nature morte, fleurs d’arbustes roses et jaunes avec verdures, dans pot de Quimper blanc, posé ainsi qu’une lettre sur table recouverte d’une soie bleue, fond d’atelier vert-gris (T.25)’; Marina Ducrey in collaboration with Katia Poletti, Félix Vallotton (1865-1925): L’oeuvre peint, catalogue raisonné (Milan/Lausanne/Zurich), vol. iii, p.524, no.909 Félix Vallotton took an increasing interest in still life painting throughout the 1910s. In 1919 he wrote ‘More and more I take pleasure in the world of things; the perfection of an egg, the plumpness of a tomato, the intricate shapes of a hydrangea give me plenty of problems awaiting a solution. I approach them without pedantry and try hard to remain a painter’ (Félix Vallotton, Documents pour une biographie et pour l’histoire d’une oeuvre (Lausanne 1975), p.245). £40,000-60,000

51 (framed)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

52 FÉLIX VALLOTTON Swiss 1865-1925

Liseuse au collier jaune Signed and dated F.VALLOTTON 12 (lower right) Oil on canvas 65.4 x 81.4cm Provenance: Acquired from the artist by Galerie Druet, Paris, 1913 (no.7604); Henri Blumer, Stein-am-Rhein, acquired at the 1916 exhibition; Christie’s, London, Impressionist and modern paintings and sculpture, 6 December 1983, lot 337, where purchased by the present private collector, London Literature: Félix Vallotton, Livre de raison, LRZ. 900, ‘Jeune femme brune assise de face, en chemise, devant une table recouverte d’un tapis rouge rosé, lisant, accoudée sur la main droite. (fond gris rayé, soie) (T.25)’; Hedy Hahnloser-Bühler, Félix Vallotton et ses amis (Paris, 1936), fig.79, ‘La liseuse’; Rudolf Koella, Das Gloriose Jahrzehnt. Französische Kunst 1910-1920 aus Winterthurer Besitz, exh. cat. (Winterthour, Kunstmuseum, 1991), p.47; Marina Ducrey in collaboration with Katia Poletti, Félix Vallotton (1865-1925): L’oeuvre peint, catalogue raisonné (Milan/Lausanne/Zurich), vol. iii, no.954 Exhibited: Winterthour, Kunstmuseum, Ausstellung französischer Malerei, 29 October - 29 November 1916, no.184 ‘Liseuse au collier jaune’ £20,000-30,000

52 (framed)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

PICTURES BY FRANK O. SALISBURY (1874-1962)

LOTS 53-77 PICTURES BY FRANK O. SALISBURY (1874-1962)

53 ‡ FRANK O. SALISBURY

54 ‡ FRANK O. SALISBURY

Self-portrait in the robes of the Master of the Worshipful Company of Glaziers

Portrait of Maud, the artist’s wife, dressed in pink

1874-1962

Signed, inscribed and dated FRANK O. SALISBURY/AS IN/THE THREE-QUARTER-LENGTH/IN THE BOURNEMOUTH COTES MUSEUM PERMANENT COLLECTION 1955 (to reverse) Oil on canvas 76.3 x 63.5cm Provenance: By descent from the artist Another version of this work is in the Russell-Cotes Art Gallery & Museum (inv. no. BORGM 01921). £500-800

1874-1962

Signed and dated Frank O Salisbury 1942 (lower centre) and inscribed and dated Mrs Frank O Salisbury/Ivinghoe March 1942 (to reverse) Oil on canvas, oval 78.5 x 64.7cm Provenance: By descent from the artist Literature: Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.125 (illustrated) £500-700

55 ‡ GEORGE HENRY PAULIN 1888-1962

Frank O. Salisbury (1874-1962) With unidentified monogram to base Bronze on a marble base 51cm high (including base)

Provenance: By descent from the sitter £200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY FRANK O. SALISBURY (1874-1962)

56 ‡ FRANK O. SALISBURY 1874-1962

A boy feeding lambs Signed F O Salisbury (lower centre) Oil on canvas 76.4 x 76.4cm, framed as a roundel Provenance: By descent from the artist £800-1,200

57 ‡ FRANK O. SALISBURY 1874-1962

Ivy Leaves Signed Frank O Salisbury (lower centre) Oil on canvas, roundel 61cm diameter Provenance: By descent from the artist The models are the artist’s twin daughters, Monica and Sylvia.

57 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

£800-1,200

PICTURES BY FRANK O. SALISBURY (1874-1962)

58 ‡ FRANK O. SALISBURY 1874-1962

The Terrace Garden, Sarum Chase Signed and dated Frank O Salisbury/7.30 aug 30 1936 (lower right) and inscribed THE TERRACE GARDEN/SARUM CHASE (to reverse) Oil on canvas 64 x 76cm Provenance: By descent from the artist Literature: Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.130 (illustrated) £600-800

59 ‡ FRANK O. SALISBURY

60 ‡ FRANK O. SALISBURY

The fountain at Inverforth House, Hampstead; Study of waves; Study of a cliff with a rockpool; Study of a rockpool

Lake Maggiore; Sunset at Bellagio looking towards Lenno; After a Rainy Day, the Sun Breaking Through, Pallanza

Four, one signed Frank O Salisbury, and two signed with monogram One oil on canvas; Three oil on board Largest 32.9 x 45.7cm; Smallest 19.5 x 28.5cm Two unframed (4)

Three, each signed with monogram and dated 1937 (lower left) Two watercolour and pencil; One gouache Largest 37.8 x 48.3cm; Smallest 36.6 x 49.4cm Each unframed (3)

Provenance: By descent from the artist

£300-500

1874-1962

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY FRANK O. SALISBURY (1874-1962)

61 ‡ FRANK O. SALISBURY

62 ‡ FRANK O. SALISBURY

Lilies

Still life with delphiniums in a vase

1874-1962

Signed Frank O Salisbury (lower right) and signed, inscribed and dated LILIUM/ AURATUM PLATIPHILEUM/ GROWN & PAINTED/BY/Frank O Salisbury/1940 AUG 5TH (to reverse) Oil on canvas 91.8 x 71.5cm Provenance: By descent from the artist £1,000-1,500

1874-1962

Signed Frank O Salisbury (lower right) and signed, inscribed and dated THE BEAUTIFUL/ DELPHINIUMS/WERE GROWN BY/ BAGNAL & LANGDON/OF BATH/ GIVEN TO & PAINTED/BY/Frank O Salisbury/May 30 1948 (to reverse) Oil on canvas 102.6 x 76.9cm Provenance: By descent from the artist £1,000-1,500

63 ‡ FRANK O. SALISBURY 1874-1962

Still life with pink pearl rhododendrons in a vase Signed Frank O Salisbury (lower right) and signed and inscribed NO.22/PINK PEARL/RHODODENDRON/GROWN & PAINTED/BY/FRANK O.SALISBURY (to reverse) Oil on canvas 91.8 x 71.2cm Provenance: By descent from the artist £400-600

63 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

PICTURES BY FRANK O. SALISBURY (1874-1962)

64 ‡ FRANK O. SALISBURY 1874-1962

Study of cherubs Oil on canvas 30.4 x 45.6cm Provenance: By descent from the artist £300-500

65 ‡ FRANK O. SALISBURY 1874-1962

Studies of Richard Norris, the artist’s grandson, as a cherub Signed Frank O Salisbury (lower left) and inscribed RICHARD (lower right) Oil on board 36.8 x 49.5cm Provenance: By descent from the artist £200-300

66 ‡ FRANK O. SALISBURY 1874-1962

Cherubs, in a painted roundel Signed with monogram (lower centre) Oil on canvas 51.6 x 51.6cm Provenance: By descent from the artist £400-600

66 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY FRANK O. SALISBURY (1874-1962)

67 ‡ FRANK O. SALISBURY

68 ‡ FRANK O. SALISBURY

Richard Norris, the artist’s grandson, standing in a landscape in a riding outfit

Portrait of Richard Norris, the artist’s grandson, wearing a blue coat and holding a teddy bear

Signed, inscribed and dated Richard/Frank O Salisbury/Ivinghoe april 1942 (lower right) Oil on canvasboard 48.5 x 35.8cm

Signed, dated and indistinctly inscribed Richard G**** 1935/ Frank O Salisbury (lower right) Oil on canvas 76.5 x 63.5cm

1874-1962

Provenance: By descent from the artist £300-500

1874-1962

Provenance: By descent from the artist Literature: Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.184 (illustrated) £500-700

69 ‡ FRANK O. SALISBURY 1874-1962

Portrait of a boy with three dogs in a landscape Oil on canvas 76.9 x 63.7cm Provenance: By descent from the artist £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

PICTURES BY FRANK O. SALISBURY (1874-1962)

70 ‡ FRANK O. SALISBURY

71 ‡ FRANK O. SALISBURY

Portrait of Sylvia, the artist’s daughter, at her desk

Boy Jack Cornwell VC on the deck of HMS Chester

Signed and indistinctly dated Frank O Salisbury 1**6 (lower left) Oil on canvas, oval 76.4 x 65.5cm

Signed Frank O Salisbury (in pencil to margin) Reproduction print 44.1 x 82.7cm

1874-1962

Provenance: By descent from the artist £700-1,000

1874-1962

Provenance: By descent from the artist £150-250

72 ‡ FRANK O. SALISBURY 1874-1962

King Alfred the Great Rebuilding the Walls of the City of London; Cardinal Wolsey at the Trial of Katherine of Aragon and Henry VIII at Blackfriars; Edward I and the Passing of Queen Eleanor; Queen Philippa Pleading for the Lives of the Burghers of Calais; The King’s Offering; Epworth Memorial Window; Coronation Procession of Their Majesties King George VI and Queen Elizabeth Seven, each signed Frank O Salisbury (in pencil to mount) Each reproduction print Largest 52.5 x 52.5cm; Smallest 43.5 x 23.6cm (image) Six unframed (7) Provenance: By descent from the artist £200-300

72 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY FRANK O. SALISBURY (1874-1962)

73 ‡ FRANK O. SALISBURY 1874-1962

Santa Maria della Salute, Venice Signed Frank O Salisbury (lower right) Oil on canvas 63.8 x 76.4cm Provenance: By descent from the artist £1,000-1,500

74 ‡ FRANK O. SALISBURY

75 ‡ FRANK O. SALISBURY

Study of a herald for ‘Edward I and the Passing of Queen Eleanor’

Study for ‘Edward I and the Passing of Queen Eleanor’

Signed Frank O Salisbury (lower right) and inscribed The herald Edward I for ‘The Passing of Queen Eleanor’ (upper left) Watercolour, bodycolour and pencil 54.4 x 35.5cm

Signed Frank O Salisbury (to backing board) Pencil, watercolour and bodycolour 25.9 x 71.1cm

1874-1962

Provenance: By descent from the artist

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

1874-1962

Provenance: By descent from the artist £80-120

PICTURES BY FRANK O. SALISBURY (1874-1962)

76 ‡ FRANK O. SALISBURY 1874-1962

The Royal Exchange and the Bank of England from Mansion House at night, after the coronation of King George VI Signed Frank O Salisbury (lower right), indistinctly inscribed and dated ***** at Mansion/May 17 1937 (lower left), and inscribed CORONATION/FROM THE MANSION/HOUSE (to reverse) Oil on canvas 60 x 74cm Provenance: By descent from the artist £600-800

77 ‡ FRANK O. SALISBURY 1874-1962

Study for ‘King Peter of Serbia Retreating Across the Albanian Mountains, 1915’ Pastel 57.4 x 76.6cm Unframed Provenance: By descent from the artist A study for the monumental oil exhibited at the Royal Academy in 1919 (sold, Christie’s, London, 15 March 2012, lot 156). £250-400

77 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

78 ARTHUR BARRETT

79 ‡ OLIVER MESSEL

80 ‡ SIR CECIL BEATON CBE

Procession of the Deities

Costume design for Clorinda, from Rossini’s ‘La Cenerentola’

Signed and dated ARTHUR BARRETT 1919 (lower right) Pencil and watercolour 23 x 73.6cm

Signed Oliver Messel (lower right), and inscribed Clorinda (upper right) 37.9 x 25.1cm Unframed

Landscape with cows grazing by a river

Late 19th/Early 20th Century

£200-300

1904-1978

1904-1980

Provenance: From the collection of Edward Croft-Murray (1907-1980) Possibly a costume design for the 1959 production at Glynebourne, where Clorinda was played by Silvana Zanolli. £100-150

79 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

Signed Beaton (lower right) Pencil and watercolour 48.5 x 31.7cm £500-700

81 ‡ SIR CECIL BEATON CBE 1904-1980

An evening at the theatre Signed Beaton (lower right) Pen and ink, watercolour and bodycolour 54 x 45.5cm Provenance: The O’Shea Gallery, London £1,500-2,500

82 ‡ SIR CECIL BEATON CBE 1904-1980

View of a dressing room Indistinctly signed **ATON (lower right) Pen and ink, and watercolour 47.5 x 37cm Provenance: The O’Shea Gallery, London £800-1,200

82 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

83 ‡ NORMAN WILKINSON CBE, RI 1878-1971

A British SS Class Airship; SS 40 (The Black Ship); Willows No.4 (His Majesty’s Airship No.2) Three, each signed NORMAN WILKINSON (lower right), two dated 17, one dated 18 Each watercolour and bodycolour Each 14.9 x 22.5cm, framed as one (3) £2,000-3,000

83 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

84 THÉRÈSE LESSORE

85 ‡ NINA HAMNETT

The theatre box

Portrait of Louis McQuilland (1880-1946), seated holding a book

Signed Lessore (lower left) Oil on canvas, squared in pencil 49.7 x 59.8cm

Signed and dated N Hamnett/1915 (lower right), and inscribed PORTRAIT OF/ LOUIS MCQUILLAND (to the reverse) Oil on canvas 83.7 x 65.8cm

1884-1945

Welsh 1890-1956

Provenance: Ian Colquhoun; And by descent Both Thérèse Lessore and her husband Walter Sickert (1860-1942) were frequent visitors to the theatre, where they sketched both the audience and the performers. £3,000-5,000

Provenance: Ian Colquhoun; And by descent Literature: Denise Hooker, Nina Hamnett, Queen of Bohemia (London, Constable, 1986), p.84 Louis McQuilland was an English poet and author, and a member of the literary club the New Bohemians. £3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

86 ‡ ERNEST H. SHEPARD 1879-1976

‘Saluted with a Gesture of Courtesy’ for Kenneth Grahame’s ‘The Wind in the Willows’ Signed with initials EHS (lower left) and inscribed p 197/ Saluted with a/gesture of courtesy (upper left) Pencil 12.9 x 15.9cm Provenance: The artist’s estate; Sally Hunter Fine Art, London, where purchased by the previous owner; And by descent Exhibited: London, Sally Hunter Fine Art, E H Shepard: The Wind in the Willows, December 1992, no.55 £1,000-1,500

87 ‡ ERNEST H. SHEPARD 1879-1976

‘Mrs Mole Was Sitting Up for Him’, for Kenneth Grahame’s ‘Bertie’s Escapade’ Inscribed Mrs Mole was sitting up for him (lower right) Pencil 11.5 x 14.5cm Provenance: The artist’s estate; Sally Hunter Fine Art, London, where purchased by the previous owner; And by descent Exhibited: London, Sally Hunter Fine Art, E H Shepard, December 1988, no.190 £300-500

87 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

88 JAMES BOLIVAR MANSON 1879-1945

Portrait of Lucien Pissarro (1863-1944) reading Pencil, 1913 23.7 x 18.1cm Provenance: Christie’s, London, British and Modernist and Contemporary Paintings, Drawings and Sculpture, 11 November 1988, lot 325 Literature: David Buckman, James Bolivar Manson: An English Impressionist, 1879-1945, (London, Maltzahn Gallery Ltd, 1973), no.21 Exhibited: London, Maltzahn Gallery, J.B.Manson, 1973, no.21 £800-1,200

89 FRANCIS DODD RA 1874-1949

Study of a bearded man wearing a large coat Signed and dated F Dodd/1908 (lower right) Charcoal 34.1 x 20.4cm £200-300

90 GEORGE DENHOLM ARMOUR OBE 1864-1949

Studies of a toreador; Studies of three gentlemen Two, each black and white chalk 22.4 x 17.3cm; 21.8 x 14.5cm (2) Provenance: ‘Toreador’ from the sketchbook of the artist’s Spanish trip in 1891 (according to label) £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

91 HENRI GAUDIER-BRZESKA French 1891-1915

Seated Nude II Stamped signature H Gaudier Brzeska F (lower right) Pen and ink 25.3 x 37.2cm Provenance: Mercury Gallery, London, March 1968, where purchased by Mrs E. B. Mayne; Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 13 December 2016, lot 354 £700-900

92 ERIC GILL ARA

93 ERIC GILL ARA

The Domestic Hose

God Sending; The ‘Most Precious Ornament’

Signed with monogram (in pencil to margin) Woodcut, 1929 (P576) 13.1 x 8.6cm (image)

Two, the former signed with initials and numbered 9/25 EG (in pencil to margin) Engraving on copper, 1926 (P364); Wood engraving, 1937 (P935) 11.3 x 8.7cm (plate); 9.9 x 7.6cm (2)

£600-800

£250-350

1882-1940

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94 SIR WILLIAM NICHOLSON

95 SIR WILLIAM NICHOLSON

An Almanac of Twelve Sports as Months of the Year

London Types: Guardsman (The Horse Guards); Hawker (Kensington); Beef-Eater (The Tower); Sandwich-Man (Trafalgar Square); Coster (Hammersmith); Lady (Rotten Row); Bluecoat Boy (Newgate Street); Policeman (Constitution Hill); Newsboy (The City); Drum-Major (Wimbledon Common); Flower Girl (Any Corner); Barmaid (Any Bar)

1872-1949

Twelve, each lithograph Each 25.8 x 23cm, in two frames (12) £600-800

1872-1949

Twelve, each lithograph, with six associated quatorzains by W. E. Henley (1849-1903) Each approx. 25.3 x 22.7cm, in six frames (18) £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

96 ‡ EILEEN SOPER RMS, SWLA

97 ‡ EILEEN SOPER RMS, SWLA

98 ‡ EILEEN SOPER RMS, SWLA

Marbles; Peg-tops; The Mighty Atom

Skipping; Feeding the Chickens; The Swing

Adversity; Kite-Flying; In School I

Three, each signed Eileen A. Soper (in pencil to margin) Each etching, c.1925, 1926, 1928 (respectively) Largest 14.8 x 20cm; Smallest, 12.3 x 17.2cm (plate) (3)

Three, two signed Eileen A. Soper, one signed E. A. Soper (in pencil to margin) Each etching, 1921, 1922, 1921 (respectively) Largest 12.3 x 17.5cm; Smallest 11.6 x 13.7cm (plate) (3)

Three, each signed Eileen A. Soper (in pencil to margin) Each etching, c.1929, c.1921, 1922 (respectively) Largest 11 x 17.4cm; Smallest 9.6 x 14.6cm (plate) (3)

£300-500

1905-1990

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100

101

99 ‡ EILEEN SOPER RMS, SWLA

100 ‡ EILEEN SOPER RMS, SWLA

101 ‡ EILEEN SOPER RMS, SWLA

Follow My Lead; The Giant Stride; The Sands

Stop Thief; Black Puss-cats; Cricket

Hopscotch; Blowing Bubbles; Mac’s Portrait

Three, each signed Eileen A. Soper (in pencil to margin) Each etching, 1926, 1925, c.1926 (respectively) Largest 11.4 x 19cm; Smallest 11.1 x 17.4cm (plate) (3)

Three, each signed Eileen A. Soper (in pencil to margin) Each etching, 1923, 1924, c.1924 (respectively) Largest 12.4 x 18.4cm; Smallest 11 x 17cm (plate) (3)

Exhibited: ‘Stop Thief’, London, Chris Beetles Ltd, The Art of George and Eileen Soper, 3-30 June 1995

Provenance: ‘Blowing Bubbles’ with Grindley & Palmer, Liverpool

£300-500

1905-1990

Three, each signed Eileen A. Soper (in pencil to margin) Each etching, c.1923, 1921, 1921 (respectively) Largest 12.2 x 18.5cm; Smallest 11 x 17cm (plate) (3) Provenance: ‘The Sands’ with The Rembrandt Gallery, Liverpool and London (according to label) £300-500

1905-1990

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

1905-1990

102 ‡ EILEEN SOPER RMS, SWLA 1905-1990

Patience; Sympathy; The Tragedy Three, each signed Eileen A. Soper (in pencil to margin) Each etching, c.1923, 1925, 1922 (respectively) Largest 15.1 x 9.8cm; Smallest 11.3 x 7.4cm (plate) (3) Provenance: ‘Sympathy’ with Thomas Carse, Edinburgh £300-500

102

103 ‡ EILEEN SOPER RMS, SWLA 1905-1990

Balloons; The Convalescent; The New Pupil Three, each signed Eileen A. Soper (in pencil to margin) Each etching 1924, 1921, 1925 (respectively) Largest 12.2 x 17.4cm; Smallest 14.8 x 8.4cm (plate) (3) £300-500

103

104 ‡ EILEEN SOPER RMS, SWLA 1905-1990

The Boat Swing; A Bracing Morning; Felix Three, each signed Eileen A. Soper (in pencil to margin) Each etching, 1924, 1925, c.1924 (respectively) Largest 26.8 x 18.5cm; Smallest 22.4 x 17.2cm (plate) (3) Provenance: ‘Felix’ with W. B. Simpson, Glasgow £300-500

104 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

105 ‡ EILEEN SOPER RMS, SWLA 1905-1990

Net Ball; Leap Frog; The Linnet’s Freedom Three, each signed Eileen A. Soper (in pencil to margin) Each etching, c.1923, 1922, 1925 (respectively), ‘Net Ball’ an artist’s proof (according to label) Largest 12.6 x 20cm; Smallest 11 x 17cm (plate) (3) £300-500

106 ‡ ALBERT RUTHERSTON 1881-1953

Some Students of Both Sexes Discovering a Real Landscape, in Highgate; A Little Flower of Saint Paul Two, both dated xmas 1926 and extensively inscribed Both pen and ink, and watercolour Each 18.4 x 12.3cm (2) Provenance: Given by Albert and Marjory Rutherston to the Salaman family; The Collection of Michel Salaman; Potter Books, Loxhill

106

£200-300

107 ALEXANDER BRANTINGHAM SIMPSON RI act.1904-1931

The Joy of Life Signed, dated and inscribed ABSimpson RI/Langham Sketch/2/3/17 (to verso) Watercolour 22.8 x 28.9cm Alexander Brantingham Simpson was a member and librarian of the Langham Sketching Club. He painted this watercolour at one of the club’s weekly Friday night pictorial composition meetings. £200-300

107 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

108

109

108 ‡ JOHN NASH CBE, RA

109 ‡ JOHN NASH CBE, RA

Eomecon Chionantha (Snow Poppies)

Bartonia Aurea (Golden Bartonia)

1893-1977

Signed John Nash (lower left) and indistinctly inscribed and dated 1930 (upper left) Pencil and watercolour 34.8 x 25cm Provenance: Anthony d’Offay, London; From whom purchased by Mrs Peter Rowland, 1976; By descent to The Muro Collection

1893-1977

Signed, dated and inscribed Bartonia aurea/1929./John Nash (lower right) Pencil and watercolour 34.8 x 24.6cm Provenance: Anthony d’Offay, London; From whom purchased by Mrs Peter Rowland, 1976; By descent to The Muro Collection £600-800

£800-1,200

110 ‡ JOHN NASH CBE, RA 1893-1977

Field Buttercup Signed and inscribed Field Buttercup/33/John Nash (in pencil to margin) Wood engraving, proof for Poisonous Plants (Etchells and Macdonald, 1927) 16.7 x 11.7cm (image) Provenance: Anthony d’Offay, London; From whom purchased by Mrs Peter Rowland, 1976; By descent to The Muro Collection

110

£250-400 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

111 ‡ SIR ALFRED JAMES MUNNINGS PRA, RWS 1878-1959

In the Paddock at Cheltenham Signed and inscribed My third composition for/In the Paddock at Cheltenham/alfred munnings (lower left) Watercolour 37 x 51cm Provenance: Mandell’s Gallery, Norwich, December 1969; Private Collection, UK £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

112

112 ‡ SIR ALFRED JAMES MUNNINGS PRA, RWS 1878-1959

Needham Street Signed and dated A.J.MUNNINGS/1901 (lower right), and inscribed In Needham Street/our next parish (lower centre) Pen and ink, and watercolour 27.8 x 38.6cm Provenance: Mandell’s Gallery, Norwich, December 1969; Private Collection, UK £6,000-8,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

113 ‡ SIR ALFRED JAMES MUNNINGS PRA, RWS 1878-1959

Horses and a Zebra of the Bostock and Wombwell Circus Signed, dated and inscribed In the *** at Bostock & Wombells [sic]/*** dispersal sale at Howton ***/ Sp***/A J MUNNINGS 1922 (lower right) Watercolour 27.2 x 37.8cm Together with signed letter discussing the dispersal sale of Bostock and Wombwell, and a sketch of a gentleman by Munnings, dated 1932, attached to the reverse (2) Provenance: Private Collection, UK £5,000-7,000

113 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

114

114 ‡ SIR ALFRED JAMES MUNNINGS PRA, RWS 1878-1959

Gypsy Life, Cawston Common Signed A J Munnings (lower left) and inscribed Another Study/for Gypsy Life Cawston Common (lower right) Watercolour heightened with bodycolour 20 x 27.5cm Provenance: Mandell’s Gallery, Norwich, December 1969; Private Collection, UK Both this and the following lot relate to Munnings’ 1920 painting Gypsy Life, in the Aberdeen Art Gallery (no.ABDAG003056). £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

115 ‡ SIR ALFRED JAMES MUNNINGS PRA, RWS 1878-1959

Gypsy Life Signed A J MUNNINGS (to caravan) and inscribed my first thought for/Gipsy Life (lower left) Watercolour 18.1 x 22.8cm Provenance: Mandell’s Gallery, Norwich, December 1969; Private Collection, UK £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

116

117

118

116 ‡ WILLIAM WASHINGTON RBA, ARCA, MADA, ARE

117 ‡ WILLIAM WASHINGTON RBA, ARCA, MADA, ARE

Portrait of Herbert Fryer FRCM, FRAM (1877-1957)

Winter Fuel

1885-1956

Signed WmWashington (in pencil to margin) Engraving 27.9 x 24.4cm (plate) £200-300

1885-1956

Signed and inscribed Winter Fuel WmWashington (in pencil to margin) Engraving 19.8 x 25cm (plate) £200-300

118 ‡ WILLIAM WASHINGTON RBA, ARCA, MADA, ARE 1885-1956

Ayes Chamber; Commons Chamber Two, the former numbered II 1/75, the latter numbered II 2/75, and each titled, inscribed and dated A & H 1995 (all in pencil to margins) Both engravings from the Abbott and Holder (2nd) edition printed from the original plates by the Artichoke Press 37.5 x 27.7cm; 38.8 x 29.3cm (plates) (2) £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

119 ‡ WILLIAM WASHINGTON RBA, ARCA, MADA, ARE 1885-1956

St. Olave’s, Southwark Inscribed and numbered A & H 1995 II 3/75 (in pencil to margin) Engraving from the Abbott and Holder (2nd) edition printed from the original plate by the Artichoke Press 36.6 x 31.2cm (plate) £150-250

120 ‡ WILLIAM WASHINGTON RBA, ARCA, MADA, ARE 1885-1956

Cours des Dames, La Rochelle Signed and inscribed Cours des Dames, La Rochelle Wm Washington (in pencil to margin) Etching, 1932 29.4 x 40.6cm (plate) £150-250

121 ‡ WILLIAM WASHINGTON RBA, ARCA, MADA, ARE 1885-1956

Winter Fuel Signed and inscribed Winter Fuel WmWashington (in pencil to margin) Engraving 19.8 x 25cm (plate) £200-300

119

120

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

121

122 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE 1891-1972

Fisherman near a mill (recto); Dancer (verso) Signed Ethelbert White (lower left to recto) Oil on canvas 71.5 x 91.3cm Provenance: Sotheby’s, London, 24 October 1997, lot 273 £2,000-3,000

122

123

124

123 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

124 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

Landscape with a mill and sheep grazing

Cottage in a landscape

With artist’s estate stamp (to verso) Watercolour, and pen and ink 28 x 34.9cm

Signed Ethelbert White (lower right) Pencil and watercolour 28.5 x 36.1cm

£300-500

£400-600

1891-1972

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE 1891-1972

Extensive landscape with cattle grazing and hills in the distance Signed Ethelbert White (lower left) Oil on canvas 81.5 x 100.8cm Provenance: Christie’s, London, British and Irish Traditionalist Paintings, Watercolours, Drawings and Sculpture, 10 November 1988, lot 263 £1,200-1,800

125

126

127

126 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

127 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

View of a farmhouse

Boats at Aldeburgh

Signed Ethelbert White (lower left) Watercolour and bodycolour 25.3 x 34.8cm

Signed Ethelbert White (lower right) Watercolour and pencil 33.6 x 46.3cm

£200-300

Provenance: Bonhams, London, Modern Pictures, 18 May 2004, lot 67

1891-1972

£300-500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

128

129

130

131

128 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

129 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

Landscape with a horse grazing by farm buildings

Landscape with a windmill by a farm

Signed Ethelbert White (lower left) Watercolour 37.5 x 54.4cm

Signed Ethelbert White (lower left) Pencil and watercolour 33.4 x 42.5cm

£300-500

£200-300

130 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

131 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

Landscape with a farm beyond a grove of trees

Landscape with a farm

Watercolour 24.8 x 35cm

Signed Ethelbert White (lower right) Watercolour and pencil 24.2 x 35.7cm

1891-1972

£300-500

1891-1972

£250-450

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

132

133

132 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

133 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

134 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

135 ‡ ETHELBERT WHITE NEAC, RWS, LG, SWE

Female nude seated on a bed, reading

Street scene with a figure below a gaslight

La Boutique Fantasque

Oil on canvas 50.8 x 40.4cm

Traces of a signature (lower centre), and artist’s estate stamp and numbered 24 (to verso) Pencil and crayon, in black framing lines 21.9 x 16.9cm

Coastal landscape with ruined fortifications and boats in the distance With artist’s estate stamp (to verso) Watercolour and coloured chalk 16.6 x 22cm

Provenance: The Fine Art Society, London, 1995; Burstow and Hewett, Sussex, 27 January 2010, lot 146

1891-1972

Provenance: Christie’s, London, Twentieth Century British Art, 27 January 1999, lot 35; The Studio Art House, Surrey

1891-1972

£150-250

£200-300

£300-500

1891-1972

Gouache over a printed line 22.7 x 27.2cm

This work is an illustration for C. W. Beaumont’s ‘Illustrations of the Ballets Russes’. £200-300

134 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

135

136 THOMAS BARCLAY HENNELL RWS, NEAC 1903-1945

Blasted tree Signed and dated T.Hennell/1940 (lower left) Watercolour, and pen and ink 40.2 x 51.3cm Provenance: Christie’s, London, Modern British and Irish Paintings, Watercolours, Drawings and Sculpture, 13 May 1994, lot 144 £1,000-1,500

136

137

137 THOMAS BARCLAY HENNELL RWS, NEAC 1903-1945

The Edge of the Field; Ploughed Field – Distant Rain Two, the former signed T. Hennell (lower left) Both watercolour Each 29.5 x 47cm (2) Provenance: Property of Bill Thomson, Albany Gallery Exhibited: London, The Fine Art Society, Thomas Hennell, 1903-1945, November-December 1988, nos. 40 and 36 £800-1,200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

138 THOMAS BARCLAY HENNELL RWS, NEAC 1903-1945

Moulin Scherrier, Bolezelle, Nord Watercolour 40.8 x 46.9cm Exhibited: London, The Fine Art Society, November 1988, no.29 £700-1,000

139 THOMAS BARCLAY HENNELL RWS, NEAC 1903-1945

Harry Fort the hurdle-maker, near Middle Marsh (on Sherborn Road) Watercolour 31.3 x 46.7cm Provenance: The artist’s family; Sotheby’s, London, Modern British and Irish Paintings, Drawings and Sculpture, 28 September 1994, lot 62 £600-800

138

139

140 THOMAS BARCLAY HENNELL RWS, NEAC 1903-1945

Interior of a barn Signed and dated T.Hennell/1932 (lower left) Pen and ink, and wash 53.7 x 45.4cm £500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

140

141 THOMAS BARCLAY HENNELL RWS, NEAC 1903-1945

Ladder Making Inscribed ladder-making (upper right) Pen and black ink 23.7 x 25.4cm Literature: Thomas Hennell, The Countryman at Work (London, The Architectural Press, 1947), p.57 (illustrated), p.59 Exhibited: London, The Fine Art Society, November 1988, no.47 £400-600

141

142

142 THOMAS BARCLAY HENNELL RWS, NEAC 1903-1945

Scrap iron Pen and black ink 37 x 28.7cm Provenance: The Fine Art Society, London £400-600

143 THOMAS BARCLAY HENNELL RWS, NEAC 1903-1945

Mont Jean Bart, St. Pierre, Boulogne Pen and ink 52.9 x 34.9cm Exhibited: London, The Fine Art Society, Thomas Hennell, December 1988, no.15 £400-600

144 THOMAS BARCLAY HENNELL RWS, NEAC 143

144

1903-1945

Yatton Church near Bristol Signed T.Hennell (lower right) Pen and black ink 47.3 x 30.8cm Literature: Clarence Henry Warren, The Land Is Yours, illustrated by Thomas Hennell (Eyre & Spottiswoode, 1943) Exhibited: London, The Fine Art Society, December 1988, no.34 £300-500

145 THOMAS BARCLAY HENNELL RWS, NEAC 1903-1945

Interior of a barn with men at work Pencil, pen and ink, and wash 28.4 x 41cm £300-500

145 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

146

146 SIR DAVID YOUNG CAMERON RA, RSA, RE Scottish 1865-1945

View of a loch Signed D Y Cameron (lower right) Pen and watercolour 12.9 x 21.3cm Provenance: M. Newman Ltd, London £800-1,200

147 SIR DAVID YOUNG CAMERON RA, RSA, RE Scottish 1865-1945

View of Loch Ness with Fort Augustus Abbey Signed D.Y.Cameron (lower right) Watercolour and pencil 30.9 x 45.9cm £300-500

147

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

148 ‡ DAME LAURA KNIGHT DBE, RA, RWS 1877-1970

Prisoners in the Dock at the Nuremberg Trial No.1 Signed Laura Knight (lower left) Coloured chalks and watercolour 76.4 x 55.8cm Provenance: Collection of the artist, 1963; Private Collection, UK Exhibited: London, The Royal Institute Galleries, The Society of Graphic Artists; Worthing, Worthing Art Gallery, Paintings and Drawings by Dame Laura Knight, May-June 1963, no.28 Both this and the following lot are studies for Laura Knight’s ‘The Nuremberg Trial, 1946’ (Imperial War Museum, London, inv. no. ART LD 5798). The painting was a commission from the War Artists Advisory Committee, for which she was appointed a ‘war correspondent’ and made a special BBC broadcast from Nuremberg. She gained special access to the broadcasting box just above the prisoners, where she was able to make charcoal studies of the main protagonists amongst the lawyers and the accused. In this work we see, seated from left to right, Hermann Göring, Rudolf Hess, Joachim von Ribbentrop and Wilhelm Keitel, with Karl Dönitz in the row behind. £3,000-5,000

148

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149 ‡ DAME LAURA KNIGHT DBE, RA, RWS 1877-1970

Prisoners in the Dock at the Nuremberg Trial No.2 Signed, inscribed and dated Nuremberg 1946 Laura Knight (lower right) Coloured chalks and watercolour 76.7 x 56cm Provenance: Collection of the artist, 1963; Private Collection, UK Exhibited: London, The Royal Institute Galleries, The Society of Graphic Artists; Worthing, Worthing Art Gallery, Paintings and Drawings by Dame Laura Knight, May-June 1963, no.25 In this work we see Alfred Rosenberg, Hans Frank, Wilhelm Frick, Julius Streicher, Walther Funk and Hjalmar Schacht, with Franz von Papen, Arthur Seyss-Inquart, Albert Speer, Konstantin von Neurath and Hans Fritzsche in the row behind. £3,000-5,000

149

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

150 ‡ DAME LAURA KNIGHT DBE, RA, RWS 1877-1970

A resting clown Signed Laura Knight (lower right) Coloured chalks 36.8 x 26.8cm Provenance: Christie’s, London, British and Irish Traditionalist Paintings, Watercolours and Drawings, 8 June 1989, lot 45 £800-1,200

151 BRITISH SCHOOL 20th Century

The veteran and the communist Oil on canvas 61 x 76.5cm Unframed £200-300

152 ‡ FRANK ARCHER 1912-1995

Going to the match Signed Archer (lower left) Pencil and gouache 33.8 x 33.8cm £150-250

150

151

152 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

153 ‡ ROGER LIMOUSE French 1894-1990

Still life with a basket of flowers and an open book Signed R Limouse (upper left) Oil on canvas 54.4 x 65.4cm Provenance: Christie’s, London, Impressionist and Modern Paintings and Sculpture Part II, 4 December 1984, lot 475; Private Collection, London £2,000-3,000

153

154 CIRCLE OF RODERIC O’CONOR Still life with apples, a pear and a bowl Stamped with studio stamp atelier/O CONOR (on the reverse) Oil on canvas 33.5 x 46.3cm Provenance: Sotheby’s, London, British Impressionist, Post-Impressionist and Modern Paintings, Drawings and Sculpture, 15 May 1985, lot 60 (as Roderic O’Conor); Private Collection, London We are grateful to Jonathan Bennington for his assistance cataloguing the present work. In his considered opinion there is uncertainty over the work’s authorship. £1,000-2,000

154 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

155

156

157

155 REX VICAT COLE

156 REX VICAT COLE

157 REX VICAT COLE

At London Bridge with Fishmonger’s Hall, Adelaide House, St. Magnus the Martyr and The Monument

Yorkshire Pastures

Landscape with cattle and groves of trees in the distance

1870-1940

Signed REX VICAT COLE (lower right) Oil on board 24.5 x 39.8cm Provenance: Sotheby’s, London, 24 March 1994, lot 44 Exhibited: London, The Art Exhibitions Bureau

1870-1940

Oil on canvasboard 25.5 x 39.8cm £200-300

1870-1940

Signed REX VICAT COLE (lower right) Oil on panel 29.3 x 40.4cm Provenance: Canterbury Auction Galleries, Summer Auction, 12 June 2007, lot 143 £300-500

£2,000-3,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

158 REX VICAT COLE 1870-1940

View of Hyde Park, London Oil on board 29.9 x 40cm Provenance: Sundridge Gallery, Kent; Sotheby’s Billingshurst, 5 May 1998, lot 999; Tennants, Yorkshire, 26 March 2010, lot 770 £1,500-2,500

158

159 REX VICAT COLE 1870-1940

A barge on a London canal Signed REX VICAT COLE (lower right) Oil on board 29.7 x 40.2cm £1,000-1,500

159 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

160

161

160 GEORGE VICAT COLE RA 1833-1893

The harvest field Signed with monogram and dated 1874 (lower left) Oil on board 24.3 x 34.3cm Provenance: Thos. Agnew & Sons, London £600-800

161 ‡ VIOLET VICAT COLE 1886-1955

Burwash Signed with initials V.V.C. (lower left) Oil on canvas 38.8 x 51.5cm Provenance: Bloomsbury, London, 17 April 2008, lot 21 £400-600

162 ‡ QUENTIN BELL 1910-1996

Still life with a jug of flowers, fruit, a glass, and a dish in front of a mirror Signed and dated Quentin Bell 1938 (lower right) Oil on canvas 92 x 71.4cm

162

Provenance: Bonhams, Oxford, Fine Art & Antiques, 15 April 2014, lot 261 £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

163

163 ROGER FRY 1866-1934

The blue pool Signed and dated Roger Fry 23 (lower right) Oil on canvas 73.1 x 60.5cm Unframed Provenance: Phillips, London, Modern British and Irish Paintings and Sculpture, 14 January 1992, lot 9; Christie’s, London, 20th Century British Art, 11 March 2004, lot 84 £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

164 ‡ CHARLES CLÉMENT PERRON French 1893-1958

Reclining nude Signed C.Perron. (lower right) Oil on canvas 27.3 x 41.1cm Provenance: Frost and Reed, London, 1965 £800-1,200

164

165

165 ‡ CHARLES CLÉMENT PERRON French 1893-1958

Nu Allongé Signed C. Perron. (upper right) Oil on board 31.5 x 53.5cm Provenance: Bonhams, London, Modern British, Irish & Continental Pictures, 20 October 1994, lot 2 £700-1,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

166 RICHARD DURANDO TOGO Argentinian b.1910

Female nude reclining with a mirror Signed D T Richard (lower right) Oil on canvas 73.3 x 93cm £1,500-2,500

166

167 ‡ EMILE BAES

Belgian 1879-1953

Reclining female nude Signed Emile Baes (upper right) Oil on canvas 90.8 x 130cm £800-1,200

167

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

168

169

168 PAUL PAEDE

German 1868-1929

Female nude seated at a table Signed P.PAEDE (upper left) Oil on board 56.5 x 43.3cm £700-1,000

169 ALEKSANDR VASILIEVICH SHEVCHENKO

Ukrainian 1883-1948

Female nude putting on a stocking Watercolour and pencil 26.2 x 22.9cm £500-700

170 NADEJDA NOUKALO Russian b.1953

Lady reading aboard a boat Signed NOUKALO (lower right) and further signed NOUKALO (to reverse) Oil on canvas 51 x 61cm Provenance: Bonhams, London, Modern Pictures - British and Continental Watercolours & Drawings, 23 May 2000, lot 110 £400-600

170

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

171 ISAAC PAILES

Ukrainian 1895-1978

Femme au chapeau Signed I. Pailes (lower right) Oil on canvas 81 x 60cm Provenance: Private Collection, London; By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 6 June 2018, lot 68, where purchased by the present private collector £800-1,200

171

172 ‡ ARNOLD AUERBACH 1898-1978

Still life with fruit in a bowl and a copper jug Signed and dated A.AUERBACH 32 (upper right) Oil on canvas 40.9 x 50.9cm £300-500

172 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

LOTS 173-206 PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH FROM THE COLLECTION OF PETER AND MARY GRANT Averil and Charles Burleigh, and their daughter Veronica, were a remarkable family of artists who spent most of their lives working in Sussex. Averil and Charles met at the Brighton School of Art, and the couple were married in 1905. Veronica was born in 1909, and by 1915 both her parents were exhibiting regularly at the Royal Academy and the Royal Institute. After studying at the Slade, Veronica returned home to Brighton, and the three artists worked closely together. Despite clear stylistic cross-influences within the family, each member developed a unique and distinctive style, reflected in the works offered here. Peter and Mary Grant have been collecting the work of the Burleigh family for decades, and became friends with Veronica, corresponding frequently over the years. Veronica stayed with the couple at Pebble Court, the family home in Oxfordshire, in 1990 and painted the house (lot 200).

173

173 AVERIL BURLEIGH 1883-1949

Washing Day Signed Averil Burleigh (lower right) Tempera on canvas 50 x 59.8cm

Provenance: The Collection of Peter and Mary Grant Exhibited: London, Royal Academy, 1932, no.849; Possibly, London, The Fine Art Society, March 1934, no.17 £1,000-1,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

174 AVERIL BURLEIGH 1883-1949

Three Generations Signed Averil Burleigh (lower right) Tempera on canvasboard 49.5 x 49.5cm Provenance: The Collection of Peter and Mary Grant Exhibited: London, Royal Academy, 1933, no.898 £2,000-3,000

174

175 AVERIL BURLEIGH 1883-1949

Study for ‘Three Generations’ Pencil 46.7 x 47.7cm Provenance: The Collection of Peter and Mary Grant £700-1,000

175

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

176 AVERIL BURLEIGH 1883-1949

St. Elizabeth of Hungary Tempera on canvas 49.6 x 59.7cm Provenance: Bonhams, London, Modern & Contemporary British and Continental Pictures & Sculpture, 14 April 1994, lot 9; The Collection of Peter and Mary Grant Exhibited: London, Royal Academy, 1935, no.979; Brighton, Brighton Art Gallery, Memorial Exhibition of the Work of Averil Burleigh A.R.W.S, November-December 1949, no.13 £800-1,200

176

177

178

177 AVERIL BURLEIGH

178 AVERIL BURLEIGH

A farmhouse in the Cotswolds

Landscape with a hut underneath an ashtree

Signed Averil Burleigh (lower right) Pencil and watercolour 26.3 x 37.2cm

Signed Averil Burleigh (lower right) Pencil and watercolour 36.8 x 46.7cm

Provenance: The Collection of Peter and Mary Grant

£300-500

£400-600

1883-1949

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

179 AVERIL BURLEIGH 1883-1949

Nijinsky Signed Averil Burleigh (lower right) Pencil, pen and ink, watercolour and bodycolour 38.4 x 45cm Provenance: Erika Brandl, London, May 1995, where purchased by the present owners; The Collection of Peter and Mary Grant £1,500-2,500

179

180

180 AVERIL BURLEIGH 1883-1949

The End of the Town Signed Averil Burleigh (lower right) Pencil and watercolour 34.1 x 44.9cm

181

Provenance: 20th Century Gallery, London, June 1990, where purchased by the present owners; The Collection of Peter and Mary Grant £300-500

181 AVERIL BURLEIGH 1883-1949

Landscape with figures sitting under a tree Signed Averil Burleigh (lower right) Pencil and watercolour 36.4 x 53.2cm

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

Provenance: The Collection of Peter and Mary Grant £350-450

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

182

182 AVERIL BURLEIGH

183 AVERIL BURLEIGH

184 AVERIL BURLEIGH

At the Fair

Landscape with felled trees

View of a quarry

Pencil and watercolour 37.8 x 49.6cm

Signed Averil Burleigh (lower left) Pencil and watercolour 37.4 x 55.5cm

Signed Averil Burleigh (lower right) Pencil and watercolour 33.7 x 46.6cm

Provenance: The Collection of Peter and Mary Grant

£300-500

1883-1949

Provenance: The Collection of Peter and Mary Grant £1,200-1,800

183

1883-1949

184 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

185 AVERIL BURLEIGH 1883-1949

The Falconer and the Jester Signed Averil Burleigh (lower right) Pencil and watercolour 37.1 x 38.4cm Provenance: Erika Brandl, London; The Collection of Peter and Mary Grant £1,200-1,800

186 AVERIL BURLEIGH 1883-1949

View of a bridge over a river, with a town beyond Signed Averil Burleigh (lower right) Pencil and watercolour 32.4 x 44.3cm Provenance: The Collection of Peter and Mary Grant £250-350

185

186

187 AVERIL BURLEIGH 1883-1949

The Mask of Ohi Baba Signed Averil Burleigh (upper right) Pencil and watercolour 48.9 x 37.3cm Provenance: Fairhurst Gallery, London, June 1986, where purchased by the present owners; The Collection of Peter and Mary Grant Exhibited: Probably, London, The Fine Art Society, March 1925, no.26 (‘The Mask’) £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

187

188

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

189

188 ‡ CHARLES H. H. BURLEIGH

189 ‡ CHARLES H. H. BURLEIGH

Portrait of Averil Burleigh (1883-1949), wearing a cream top, brown coat and feathered hat

A lady and two children in the woods

1875-1956

Oil on canvasboard 47.7 x 32cm

Signed C H H Burleigh (lower right) Oil on canvas 61.6 x 45.8cm

Provenance: Paul Liss, Oxfordshire, November 1977, where purchased by the present owners; The Collection of Peter and Mary Grant

Provenance: 20th Century Gallery, London, February 1999, where purchased by the present owners; The Collection of Peter and Mary Grant

£800-1,200

£1,500-2,500

190 ‡ CHARLES H. H. BURLEIGH 1875-1956

Portrait study of Averil Burleigh (1883-1949), wearing a wide-brimmed hat Pencil 19.3 x 17.4cm

190

Provenance: Veronica Burleigh (1909-1999) (according to inscription to backing board); The Collection of Peter and Mary Grant £250-350 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

191

192

191 ‡ CHARLES H. H. BURLEIGH 1875-1956

193

Portrait of Averil Burleigh (1883-1949), wearing a feathered hat

Signed C.H.H.Burleigh (lower left) Pencil and watercolour 35.4 x 43.6cm

Inscribed and dated AVERIL M/BVRLEIGH/1904 (upper right) Charcoal 47.4 x 31.6cm

Provenance: The Art Collection Ltd, London, July 1991, where purchased by the present owners; The Collection of Peter and Mary Grant

Provenance: Paul Liss, Oxfordshire, November 1977, where purchased by the present owners; The Collection of Peter and Mary Grant

£400-600

£250-350

193 AVERIL BURLEIGH

194 ‡ VERONICA BURLEIGH

Figures outside Tewkesbury Mill

Signed Averil Burleigh (lower left) Pencil and watercolour 34.4 x 51.4cm

Pencil and watercolour 35.4 x 52.7cm

Provenance: Erika Brandl, London, June 1994, where purchased by the present owners; The Collection of Peter and Mary Grant

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

1875-1956

Landscape with children playing catch

1883-1949

194

192 ‡ CHARLES H. H. BURLEIGH

£300-500

1909-1998

Provenance: The Collection of Peter and Mary Grant £350-450

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

196

195 ‡ VERONICA BURLEIGH 1909-1999

At the kitchen sink Signed VERONICA BURLEIGH (lower right) Oil on canvas 102 x 76.4cm Provenance: Bonhams, London, Modern British & Continental Pictures, Drawings, Sculpture, 1 November 1990, lot 52; The Collection of Peter and Mary Grant £400-600

195

197

198

196 ‡ VERONICA BURLEIGH

197 ‡ VERONICA BURLEIGH

198 ‡ VERONICA BURLEIGH

Charcoal Burners

View of a mill built over a river

Workers on a building site

Pencil and watercolour 25.2 x 36.8cm

Pencil and watercolour 26.4 x 36.9cm

Provenance: The Collection of Peter and Mary Grant

Signed VERONICA BURLEIGH (lower left) Pencil and watercolour 36.1 x 52.8cm

£250-350

1909-1999

Provenance: The Collection of Peter and Mary Grant £350-450

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

199

200

199 ‡ VERONICA BURLEIGH

200 ‡ VERONICA BURLEIGH

View of a mill under grey skies

View of Pebble Court

1909-1999

Signed VERONICA/ BURLEIGH (lower right) Pencil and watercolour 24.5 x 36.6cm Provenance: The Collection of Peter and Mary Grant £250-350

1909-1999

Signed VERONICA BURLEIGH (lower right) Pencil and watercolour 35.1 x 49.1cm Provenance: The Collection of Peter and Mary Grant Pebble Court was the home of Peter and Mary Grant. Veronica Burleigh stayed here as their guest in 1990. £250-350

201 ‡ VERONICA BURLEIGH

202 ‡ VERONICA BURLEIGH

Farmhouse in the Cotswolds

View of a barn with farmworkers inside

Signed VERONICA/ BURLEIGH (lower right) Pencil and watercolour 25.3 x 36.7cm

Signed VERONICA BURLEIGH (lower left) Pencil and watercolour 35.4 x 52.7cm

Provenance: The Collection of Peter and Mary Grant

£300-500

1909-1999

201

1909-1999

202 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

203

PICTURES BY AVERIL, CHARLES AND VERONICA BURLEIGH

204

203 ‡ VERONICA BURLEIGH

204 ‡ VERONICA BURLEIGH

View of a boatyard

European landscape with a village at the foot of a castle

1909-1999

Signed VERONICA BURLEIGH (lower left) Pencil and watercolour with scratching out 35.5 x 52.5cm Provenance: Erika Brandl, London; The Collection of Peter and Mary Grant

205

Signed VERONICA BURLEIGH (lower right) Pencil and watercolour 37.5 x 48cm Provenance: The Collection of Peter and Mary Grant

£300-500

£150-250

205 ‡ VERONICA BURLEIGH

206 AN ARCHIVE OF PAPERS RELATING TO AVERIL, CHARLES AND VERONICA BURLEIGH

1909-1999

Farmworkers outside a Sussex barn Signed VERONICA/ BURLEIGH (lower left) Pencil and watercolour 35.7 x 52.8cm Provenance: The Collection of Peter and Mary Grant

206

1909-1999

Literature: Hilary Chapman, ‘A Sussex Family of Artists’, in Antiques Dealer and Collectors Guide (March 1998), p.43 (illustrated)

Including sketches, sales books, originals and photocopies of exhibition catalogues, press cuttings, a catalogue of Averil’s work, and photographs of original works Provenance: The Collection of Peter and Mary Grant £200-400

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

207

208

209

210

207 ‡ ADRIAN ALLINSON ROI

208 ‡ ADRIAN ALLINSON ROI

209 PHILIP WILSON STEER

210 PHILIP WILSON STEER

Farm in a hilly landscape

View of San Remy, France

Boats in a harbour

Walmer Beach, Kent

Stamped BY ADRIAN ALLINSON/ THE EXECTUROR M.M.S.1962 (lower right) Pencil and pastel 35.5 x 51.8cm

Inscribed and dated S.Remy/ Feb 28/27 (lower left) Pastel 30.8 x 46.6cm

Signed and dated P. W. Steer 1934 (lower left) Watercolour 22 x 31cm

Signed and dated P. W Steer 1934 (lower left) Watercolour 18.5 x 29.5cm

Provenance: The artist’s estate

Provenance: Property of Bill Thomson, Albany Gallery

£250-450

Exhibited: London, New English Art Club, November 1935, no.C115; London, Albany Gallery, Spring Exhibition of later English watercolours and drawings, including groups by H. B. B, April-May 1967, no.72

1890-1959

Provenance: Bonhams, Chester, 28 September 2006, lot 563

1890-1959

£150-200

Exhibited: London, Waterman Fine Art, October-November 1989 £400-600

1860-1942

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

211

212

211 ‡ BÉLA KÁDÁR

212 BRITISH SCHOOL 1930s

Hungarian 1877-1956

Female nude Signed KÁDÁR/BELA (lower right) Watercolour 27.7 x 20.9cm

Surrealist coastal scene with a lady wearing a French sailor’s hat Oil on canvasboard 49.5 x 59.8cm £400-600

Provenance: Private Collection, London £800-1,200

213 GABRIEL VAN SCHNELL Dutch act.1908-1946

Figure in a mountainous landscape; Figure wearing a headdress in a town; Four figures in a town; The Sudden Shower Four, three works signed, two dated 1946 or 1947, and one inscribed Sudden Shower/ Sunshine. Wind and Rain Watercolour, ink and wash Largest 36.4 x 26.6cm; Smallest 17.2 x 14.1cm Unframed (4) £100-150

213

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

214 ‡ ALFRED WOLMARK RA 1877-1961

Portrait of a lady, full-length, seated, wearing a purple dress Signed with monogram (upper left) Oil on canvas 119.8 x 63.8cm Provenance: The artist’s studio; Christie’s, London, British & Irish Traditionalist & Modernist Paintings, Watercolours, Drawings & Sculpture, 12 November 1987, lot 154; Private Collection, London £2,500-3,500

214 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

215

216

217

215 ‡ ATTRIBUTED TO HAROLD DEARDEN

216 ‡ HAROLD DEARDEN

217 ‡ OWEN WATERS

Portrait of a lady, three-quarter length, wearing a blue-lined grey coat and feathered hat, standing by a balcony

A farmer carrying his tools, with sheep in a pen

A Summer Landscape, Norfolk; Upton Church, Norfolk

Signed H.DEARDEN (lower left) Oil on canvas 74.5 x 62.1cm

Two, both signed Owen Waters (lower right), and inscribed with title (to reverse) Both oil on board 61 x 91.2cm; 30.3 x 40.5cm (2)

1888-1962

Inscribed Dearden (to reverse) Oil on canvas 91.7 x 60.8cm £500-800

1888-1962

£300-500

1916-2004

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

218 ‡ IVON HITCHENS 1893-1979

Flowers in a Majolica Jar Signed Ivon Hitchens (in pencil lower right) Lithograph, 1938 60.2 x 45.3cm Provenance: Contemporary Lithographs Ltd, London £1,000-1,500

219 ‡ BEN NICHOLSON OM 1894-1982

Banks Head, Cumberland Signed, dated and inscribed BANKSHEAD Ben Nicholson 1926 (to old backing board), and further inscribed given to David Sept 1961/from W.Nicholson/Boothby/Brompton/Cumberland (to a further piece of old backing board) Pencil 35.4 x 51cm Provenance: Winifred Nicholson (1893-1981); By descent to a private collection; Bonningtons, Epping, Fine Art & Antiques, 27 June 2018, lot 101 In 1923, Ben Nicholson and his wife Winifred settled at Banks Head in Cumberland (now Cumbria), a farmhouse near Hadrian’s Wall. They shared the house until 1931 and it remained Winifred’s home for the rest of her life. The view is from the master bedroom, which is also the subject of a number of Ben Nicholson’s oil paintings, see for example 1925 (Banks Head looking east) (Peter Khoroche, Ben Nicholson, Phaidon, London, 1993, p. 27). £1,000-1,500

218

219

220 PAUL NASH 1889-1946

Landscape of the Megaliths Lithograph 51 x 76.2cm (sheet)

220

This work depicts the avenue of standing stones leading to the stone circle at Avebury. In 1934 Paul Nash wrote, ‘Last summer I walked in a field near Avebury where two rough monoliths stood up sixteen feet high, miraculously patterned with black and orange lichen, remnants of the avenue of stones which led to the Great Circle. A mile away, a green pyramid casts a giant shadow. In the hedge, at hand, the white trumpet of the convolvulus turns from its spiral stem, following the sun. In my art I would solve such an equation’ (Unit One (Cassell & Company, 1934), pp.79-81). £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

221 ‡ JEAN SHEPEARD 1904-1989

Portrait of Ronald Ossory Dunlop (1894-1973) Signed with initials JS (lower right) Black and red crayon 28 x 21cm £100-150

222 ‡ JEAN SHEPEARD 1904-1989

Portrait of Greta Garbo (1905-1990); Portrait of Beatrix Lehmann (1903-1979) Two, both signed with initials JS (lower right) The former red chalk; The latter crayon 22.4 x 17.6cm; 21.5 x 16.6cm (2) £150-250

221

222

223 ‡ HAROLD HOPE READ 1881-1959

Duty Calls; À Beau Jeu, Beau Retour Two, the former signed with initials HR (upper left), the latter signed with initials HHR (lower right) Both pen and ink, and wash 17.5 x 16cm; 27 x 18cm (2) Provenance: Both with The Bourne Gallery, Reigate, September 2005; Property of Bill Thomson, Albany Gallery £120-150

224 ‡ JOHN VERNEY 1913-1993

Upper Church Lane Signed and dated John Verney ‘65 (lower left) Watercolour, and pen and ink, heightened with bodycolour 32.7 x 46.8cm Provenance: Ashgate Gallery, Farnham, June 1966

223

£70-100

225 ‡ KATHLEEN RAYMONDE LENOX-JELTES 1910-1997

View of the Ponte Santa Trinita, Florence, at dusk Signed K.R. Lenox Jeltes (lower right) Watercolour 25.9 x 35.6cm

224

225

Provenance: From the collection of Edward Croft-Murray (1907-1980) £50-80

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

226 BERNARD MENINSKY 1891-1950

Portrait of Wendy Blood, nude, seated in a chair Signed Meninsky (lower left), and with studio stamp (to reverse) Oil on canvas 76.5 x 63.9cm Provenance: Nora Meninsky £2,000-3,000

227 BERNARD MENINSKY 1891-1950

Winter landscape Signed Meninsky (lower right) Watercolour and bodycolour 35.8 x 53.5cm Provenance: Abbott and Holder, London £150-200

228 BERNARD MENINSKY 1891-1950

Extensive hilly landscape with fields Signed and dated Meninsky 26 (lower right) Watercolour 33.3 x 50.2cm £150-200

226

227 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

228

229 ‡ HUGH BOYCOTT-BROWN RSMA 1909-1990

Landscape with a view of St. Mary’s Church, Stoke-by-Nayland, Suffolk Signed Hugh Boycott Brown (lower right) Oil on board 25.2 x 30.5cm

229

Provenance: Christie’s, London, British and Irish Traditionalist and Modernist Paintings, Drawings and Sculpture, 21 September 1989, lot 58

230

£100-150

230 ‡ HUGH BOYCOTT-BROWN RSMA 1909-1990

Sunny Evening, Lymington Signed Hugh Boycott Brown (lower right) Oil on board 30.4 x 40.6cm £150-250

231

232

233

231 ‡ WALTER THOMAS WATLING 1885-1956

Market day Signed and dated W T Watling 1940 (lower right) Oil on canvas 61 x 61.8cm £150-250

234

232 ‡ CECIL ARTHUR HUNT VPRWS, RBA

233 ‡ A. L. BELL

View of Blà Bheinn, Isle of Skye

Spring over Hurst Park

1906-1989

Signed C A Hunt (lower right), and inscribed Blaven Skye (lower left) Pencil, watercolour and bodycolour with scratching out 27.1 x 37.1cm

Signed and dated A.L.Bell 1946 (lower right) Oil on canvas 39.1 x 47.1cm Unframed

View of the Thames at Marlow, with All Saints Church Signed with initials S.R.B (lower right) Pencil and watercolour 27.6 x 56.6cm

Provenance: The Augustine Gallery, Norfolk, April 1974

Provenance: Gorringes, Lewes, 10 February 2010, lot 898

£200-300

1873-1965

£200-400

Mid 20th Century

234 ‡ ATTRIBUTED TO STANLEY ROY BADMIN RWS RE AIA FSIA

£100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

235 ‡ STANLEY ROY BADMIN RWS, RE, AIA, FSIA 1906-1989

Middlesex and Hertfordshire Signed S.R.Badmin (lower centre) Watercolour and black ink, heightened with white, 1963 32.7 x 42.9cm Provenance: The Shell Collection; Sotheby’s, London, The Shell Collection of Modern British Paintings, 4 July 2002, lot 132 £3,000-5,000

235

236 ‡ STANLEY ROY BADMIN RWS, RE, AIA, FSIA 1906-1989

View across the Adur Valley Signed and inscribed S R Badmin View across the Adur Valley (lower left) Watercolour and pencil 26.4 x 42.4cm Provenance: Sotheby’s, London, 19th Century Paintings. 20 May 2003, lot 97 £2,000-3,000

236

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

100

237 TERRICK WILLIAMS RA, RI, ROI

238 BRITISH SCHOOL

Figures by a canal, Leiden

River landscape with Haddon Hall in the distance; River landscape with overhanging trees

1860-1936

Signed Terrick Williams (lower right) Watercolour heightened with bodycolour 21.7 x 28.4cm Provenance: The Fine Art Society, London, September 1961; Sold on behalf of the Executors of Julian Bream CBE dec’d The proceeds of this lot will go to The Julian Bream Charitable Trust. £600-800

1957

Two, the former dated Sept/57 (lower right), the latter dated Sept 25/57 (lower left) Both oil on paper Each 24.9 x 35.8cm (2) Provenance: Sotheby’s, 7 November 1988, lot 273; Property of Bill Thomson, Albany Gallery £200-300

237

238

239

240

239 EDGAR BARCLAY

240 ‡ ALAN BENGALL CHARLTON

Covering the haystacks

View of a garden pond with steps and a weeping willow

Signed E Barclay (lower left) and dated 1876 (lower right) Oil on canvas 23 x 33cm

Signed ALAN-B-CHARLTON (lower left) Oil on board 39.7 x 59.5cm

£200-300

Provenance: Morgan & Brown Ltd, Newcastle-upon-Tyne; Private Collection, UK

1842-1913

1913-1981

£200-400 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

241 FREDERICK HALL 1860-1948

An oak tree by a farm Signed Fred Hall (lower right) Oil on board 31.2 x 35.9cm £1,000-1,500

242 ‡ DORIS H. DE CARTERET 1897-1956

A Sussex farmyard Signed D H DE CARTERET (lower left) Oil on canvasboard 39.4 x 49.6cm £200-300

243 BRITISH SCHOOL 20th Century

Self-portrait of a female artist Oil on canvasboard 61 x 48.2cm £100-150

241

242

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

243

102

244

244 ‡ STANLEY ANDERSON CBE, RA, RE 1884-1966

Loading the hay cart Signed STANLEY ANDERSON (lower left) Watercolour and pencil 20.8 x 34.6cm £1,000-1,500

245 ‡ STANLEY ANDERSON CBE, RA, RE 1884-1966

Summers lease Signed STANLEY ANDERSON (lower right) Pencil and watercolour heightened with white 22.5 x 31.6cm Provenance: Christie’s, London, British Art on Paper, 21 November 2001, lot 110

245

Exhibited: London, Royal Academy, 1955, no. 723 £1,000-1,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

246 ‡ STANLEY ANDERSON CBE, RA, RE 1884-1966

A farmyard, with a farmer, horse and haycart Signed STANLEY ANDERSON (lower left) Pencil and watercolour 23.3 x 30.8cm £1,000-1,500

246

247 ‡ STANLEY ANDERSON CBE, RA, RE 1884-1966

Hoeing vegetables near haystacks Signed STANLEY ANDERSON (lower left) Pencil and watercolour 15.8 x 22.3cm £600-800

247

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

104

248 ‡ STANLEY ANDERSON CBE, RA, RE 1884-1966

Evening Glow Signed STANLEY ANDERSON (lower left) Pencil and watercolour 22.6 x 30.5cm Provenance: Probably, Christie’s, London, British Art on Paper, 21 November 2001, lot 110 Exhibited: Probably, London, Royal Academy, 1952, no.905 £800-1,200

248

249 ‡ STANLEY ANDERSON CBE, RA, RE 1884-1966

Stormy Weather in the Cotswolds Signed STANLEY ANDERSON (lower left) Pencil and watercolour heightened with white 22.4 x 30.6cm Provenance: Christie’s, London, British Art on Paper, 21 November 2001, lot 109 Exhibited: London, Royal Academy, 1940, no.770 £700-1,000

249

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

250 ‡ STANLEY ANDERSON CBE, RA, RE 1884-1966

Lopping the Willow Signed STANLEY /ANDERSON (lower left) Pencil and watercolour 26.7 x 23.8cm Provenance: Christie’s, London, British Art on Paper, 21 November 2001, lot 111 Exhibited: London, Royal Academy, 1957, no.852 £700-1,000

250

251 ‡ STANLEY ANDERSON CBE, RA, RE 1884-1966

A Hazy September Morning Signed STANLEY ANDERSON (lower right) Pencil and watercolour 22.2 x 32.8cm Provenance: Christie’s, London, British Art on Paper, 21 November 2001, lot 109 Exhibited: London, Royal Academy, 1955, no.852 £400-600

251 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

106

252

253

254

252 ‡ STANLEY ANDERSON CBE, RA, RE

253 ‡ STANLEY ANDERSON CBE, RA, RE

254 ‡ STANLEY ANDERSON CBE, RA, RE

Self Portrait; The Country Pedlar; The Sister

Purbeck Quarryman

Les Arcades, Dieppe

Three, each signed Stanley Anderson, the first inscribed Ed:40, the second inscribed Ed:50 (all in pencil to margin) Each engraving Largest 21.1 x 16.4cm; Smallest 19.9 x 14.8cm (plate) (3)

Signed and inscribed ED=40 Stanley Anderson (in pencil to margin) Engraving 16.2 x 12.7cm (plate)

Signed Stanley Anderson (in pen to margin) Drypoint 20.7 x 31.6cm

1884-1966

£300-500

1884-1966

£300-500

£800-1,200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

255 ‡ HERBERT F. ROYLE 1870-1958

Building the hayrick Signed H Royle (lower right) Oil on canvas 31 x 41cm £700-1,000

256 ‡ ALFRED JOHN BILLINGHURST 1880-1963

The Savoy Alps Signed A J Billinghurst (lower right) Pencil and watercolour 33.6 x 50cm £100-150

255

256

257

257 ‡ CHARLES KNIGHT ROI, VPRWS

258 ‡ CHARLES KNIGHT ROI, VPRWS

On the Wye Valley

Extensive rural landscape with the sea in the distance

1901-1990

Inscribed ON THE WYE VALLEY (lower right) Pencil and watercolour 23.7 x 35.3cm Provenance: Heather Newman, Gloucestershire; Bonhams, Knightsbridge, Modern Pictures, 18 May 2004, lot 116

1901-1990

Signed CHARLES KNIGHT (lower right) Watercolour and pencil 10.6 x 28.2cm £50-100

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

258

108

259

260

261

259 ‡ ARTHUR ROYCE BRADBURY

260 ‡ ARTHUR ROYCE BRADBURY

261 MOORE

Mother and child

The mahogany chest-of-drawers; Wheelbarrow with lobster pot

London street scene with figures outside John Martin of London Limited; View of Church Street, Isleworth

1892-1977

Signed and dated ARTHUR BRADBURY/1927 (lower left) Oil on canvas 39.8 x 30.2cm £500-700

1892-1977

Two, the former oil on board; The latter oil on canvasboard 19.9 x 14.7cm; 16.9 x 24.4cm (2) £200-300

20th Century

Two, each signed MOORE (lower right) Both oil on canvas 30.2 x 40.2cm; 25.5 x 35.8cm (2) £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109

262 ‡ JAMES LE JEUNE RHA Irish 1910-1983

Figures drinking in a tavern Signed J LE JEUNE (lower left) Oil on canvas 40.7 x 50.8cm £2,000-3,000

262

263 ‡ JULES RENÉ HERVÉ French 1887-1981

Place de la Concorde, Paris Signed Jules R. Hervé (lower left) and further signed Jules R. Hervé (to reverse) Oil on canvas 38.5 x 46cm £800-1,200

263 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

110

264

265

266

264 ‡ JOHANNES HENDRIK EVERSEN

265 ‡ JOHANNES HENDRIK EVERSEN

266 ‡ ZOLTAN PREINER

Still life with loaves of bread

Still life with peaches in a dish and cherries in a bowl

Still life with apples, plums, blackberries and a walnut on a ledge

Signed and dated J.H.Eversen/1977 (lower right) Oil on canvas 27.5 x 44cm

Signed PREINER (lower right) Oil on board 28 x 38cm

Provenance: From a private Cornish country estate

£300-400

Dutch 1906-1995

Signed and dated J.H.Eversen/1970 (lower right) Oil on canvas 39 x 60cm Provenance: From a private Cornish country estate £1,000-1,500

Hungarian b.1955

£500-700 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

267

267 EDWARD ARTHUR WALTON RI Scottish 1860-1922

Workers in a harbour Signed E A Walton (lower right) Oil on canvas 51.3 x 43.3cm £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

112

268

269

268 RANDOLPH SCHWABE

269 RANDOLPH SCHWABE

Shiplake Rise

View of a village in a valley

Signed R Schwabe (lower left) and inscribed Shiplake Rise (lower right) Pencil and watercolour 27.2 x 33cm

Signed R Schwabe (lower right) Pencil and charcoal 25.8 x 38.9cm

1885-1948

£300-500

£600-800

270

270 ‡ CHARLES CUNDALL RA, RWS, RP

271 ‡ CHARLES CUNDALL RA, RWS, RP

The Port of Genoa

View of Verona

Signed and dated Charles Cundall 1927 (lower left) Watercolour 26.5 x 37.2cm

Signed and dated C. Cundall 1938 (lower left) Oil on canvas 36 x 46.3cm

Provenance: Phillips, London, Oil Paintings, Watercolours and Prints, 10 August 1999, lot 356; Christie’s, London, Twentieth Century British Art, 13 June 2001, lot 68

Provenance: Leicester Galleries, London; Where purchased by Charles Wheeler; Sotheby’s, London, British Impressionist and Post-Impressionist and Modern Paintings, Drawings and Sculpture, 30 March 1983, lot 136; Shannon’s, Connecticut, 29 October 2009, lot 207

1890-1971

£300-500

1890-1971

£700-1,000

271 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

272 ALFRED PERCY FRIEND

273 PERCY ROBERT CRAFT

Old Houses, The Brook, Chatham

Old House in France

act.1929-1935

Signed A P Friend (lower left) Pencil and watercolour 27.8 x 25.5cm Provenance: Fairhurst Gallery, London, January 1986, where purchased by the present private collector £120-180

274 ‡ ALISON MCKENZIE 1907-1982

Pulteney Street, Bath Signed alison/mckenzie (lower right) Oil on board 28.2 x 22.6cm £300-500

272

273

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

274

1856-1934

Signed Percy R. Craft (lower right) Oil on board 31.9 x 23.5cm Provenance: Alexander Gallery, Bristol Exhibited: London, The Royal Institute of Oil Painters £200-300

114

275

276

275 ‡ BERTRAM NICHOLLS PRBA, ROI

276 ‡ BERTRAM NICHOLLS PRBA, ROI

Study of Horse Guards

Study of a village church

Signed and dated Bertram Nicholls 1939 (lower left) Pencil, pen and ink, and wash 36.6 x 54.4cm

Signed and dated Bertram Nicholls/1922 (lower right) and inscribed To Mrs Weathem (lower left) Pencil 20.9 x 27.2cm

1883-1974

Provenance: The Fine Art Society, London

Provenance: Peter Wilson Auctions, Cheshire, 17th February 2010, lot 94

£500-700

277

£200-300

278

279

277 ‡ JOSEPH R. RADCLIFFE MACCULLOCH

278 WYNFORD DEWHURST RBA

279 BRITISH SCHOOL

The Crown, Chelsea; Belgrave Square

Mountain landscape with houses by a river

Changing Weather

1893-1961

Two, both signed McCulloch (lower right), the former dated 1945 (lower right) and inscribed The Crown/ Chelsea SW3 (lower left), the latter inscribed and dated Belgrave/Square 1944 (lower left) Pastel, pencil and bodycolour; Charcoal, pastel and bodycolour 43.8 x 29.3cm; 27 x 45.8cm (2)

1864-1941

Signed W Dewhurst (lower right) Pastel 32 x 22.5cm £200-300

1924

Signed with monogram and dated 1924. (lower left), and inscribed “Changing Weather” (to verso) Oil on canvas 72.2 x 92.4cm Unframed £250-400

£100-150 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

280

280 ‡ DOUGLAS PERCY BLISS

281 ‡ DOUGLAS PERCY BLISS

282 ‡ GEORGE HANN

Ballentrae Bridge

The Crown Hotel, Tonbridge

London street scene

Signed and dated Douglas Percy Bliss 1931 (lower left) Pencil and watercolour heightened with white 28.6 x 50cm

Signed, inscribed and dated The Crown Hotel/ Douglas Percy Bliss/-1930- (lower right) Watercolour, bodycolour, crayon and pencil 28.5 x 43cm

Signed and dated George Hann 1946 (lower right) Oil on board 52 x 64.5cm

Provenance: Abbott and Holder, London

£300-500

Scottish 1900-1984

1900-1979

£600-800

281 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

282

£200-300

116

283 ‡ HAROLD WORKMAN RBA, ROI, RCA, SMA 1897-1975

View of a French street with Hôpital Clinique Signed Workman (lower left) Oil on board 61 x 50.8cm Provenance: Bonhams, Knightsbridge, Modern Pictures, 24 May 2005, lot 29 £800-1,200

283

284 ‡ HAROLD WORKMAN RBA, ROI, RCA, SMA 1897-1975

Mountainous landscape with windswept trees on the shore of a lake Signed WORKMAN (lower centre) Oil on board 40.4 x 50.7cm Provenance: Bonhams, Knightsbridge, Modern Pictures, 21 June 2005, lot 129 £300-500

284 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

117

285 ‡ HAROLD WORKMAN RBA, ROI, RCA, SMA 1897-1975

Street scene with figures Signed WORKMAN (lower right) Oil on board 45.7 x 35.9cm Provenance: Bonhams, Knightsbridge, Modern Pictures, 12 July 2005, lot 27 £1,500-2,500

285

286 ‡ HAROLD WORKMAN RBA, ROI, RCA, SMA 1897-1975

View of a house in Cheltenham Signed WORKMAN (lower right) Oil on canvasboard 35.5 x 45.5cm Provenance: Bonhams, Knightsbridge, Modern Pictures, 24 May 2005, lot 58 £300-500

286

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

118

287

287 ‡ SAMUEL JOHN LAMORNA BIRCH RA, RWS 1869-1955

‘Morning Fills the Bowl’: Study of Piha Beach, New Zealand Signed, inscribed and dated S. J. Lamorna Birch - Study. Piha / 1936 (lower right), and inscribed MORNING FILLS THE BOWL (to reverse) Oil on canvas 51 x 60.5 cm Unframed Provenance: Property of Bill Thomson, Albany Gallery £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

119

288

288 ‡ HANS HEYSEN

Australian 1877-1968

Dipping Sheep Signed, dated and inscribed HANS HEYSEN 1935/DIPPING SHEEP (lower left) Watercolour, black chalk and pencil 51.5 x 70cm Unframed Provenance: Property of Bill Thomson, Albany Gallery £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

120

289 MORTIMER MENPES Australian 1855-1938

St. Paul’s Cathedral; Westminster Abbey Two, both etchings 40.5 x 29.7cm; 40.3 x 29.5cm (plate) (2) £300-500

289

290 ‡ SIR HENRY RUSHBURY RA 1889-1968

St. Gervais, Paris Signed Henry Rushbury (in pencil to margin) Drypoint, 1925 22.8 x 31cm £50-100

291 ‡ LOUIS STANLEY MAURICE PRINCE 1894-1985

View of a town square Signed and dated L.S.M.Prince/1969 (lower left) Watercolour, and pen and ink 32.1 x 49.7cm £200-300

292 ‡ RODNEY HUBBUCK

290

20th Century

The Halt; Manor Chapel Two, both signed Rodney Hubbuck, the former dated 1980-2, the latter dated 1979/82 Both crayon 27.8 x 21.5cm; 23.5 x 31.7cm (2) £70-100

291

292 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

121

293 ‡ EDWARD SEAGO RBA, ARWS, RWS 1910-1974

Religious procession through an Italian town Signed Edward Seago (lower left) Pen and watercolour 25.2 x 33.5cm Provenance: Given by the artist to the previous owner; And by descent £1,000-1,500

293

294

295

294 ‡ ROLAND COLLINS

295 WILLIAM WALCOT RBA, RE

Montpelier Street

San Lorenzo Fuori le Mura, Rome

Signed and dated ROLAND COLLINS 1939 (lower right) Charcoal, watercolour and bodycolour 28.2 x 42.2cm

Signed and inscribed W.WALCOT S.Lorenzo/Rome (lower right) Pencil, watercolour, bodycolour and ink, heightened with gum arabic 29 x 33.1cm

1918-2015

Provenance: Michael Parkin Gallery, London £200-300

1874-1943

Provenance: Chris Beetles Ltd, London, where purchased by the previous private collector; And by descent £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

122

296 WILLIAM ALLAN Early 20th Century

Shipping on the Clyde Signed Wm Allan (lower left) Oil on canvas 35.5 x 53.5cm £600-800

297 ‡ HARRY HUDSON RODMELL 1896-1984

TSS Golfito Gouache 22.6 x 36.6cm £100-150

298 GEORGE MEARS 296

1826-1906

Yachts and a steam ship off the coast; Yachts in a stiff breeze A pair, both signed G Mears (lower right) Both oil on board Each 28.5 x 40.5cm (2) £300-500

297

298 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

123

299 ‡ PAUL GUNN b.1934

Tall Ships below Tower Bridge Signed Paul Gunn (lower right), and inscribed and dated Tall Ships, below Tower Bridge 1989 (lower left), and further inscribed July 1989./Festival of Sail - ‘Tall Ships below Tower Bridge’ (to the reverse) Oil on board 30 x 45.7cm

300 ‡ KARL HAGEDORN RBA, RI, RSMA, NEAC, NS

German 1889-1969

View of a busy harbour Signed and dated Karl Hagedorn 63 (lower left) Watercolour, and pen and ink, heightened with white 29.5 x 66.4cm £300-500

£700-1,000

301 ‡ KARL HAGEDORN RBA, RI, RSMA, NEAC, NS

302 ‡ OSKAR SPIELMANN

Unloading timber at the quayside

Signed, dated and inscribed Oscar Spielmann/Rabat 1938 (lower right) Pencil, watercolour and bodycolour 48.8 x 64cm

German 1889-1969

Signed Karl Hagedorn (lower right) Watercolour 32.8 x 52.9cm Provenance: Christie’s, London, Modern British and Irish Paintings, Watercolours, Drawings and Sculpture, 13 May 1994, lot 33 £300-500

299

Czech 1901-1974

Street scene in Rabat

£200-300

300

301

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

302

124

303 DAVID THOMSON MUIRHEAD ARA Scottish 1867-1930

View of a French village with two figures by a river Indistinctly signed D***d Muirhead (lower right) Oil on canvas 63.7 x 76.6cm Provenance: Private Collection, UK £200-300

303

304

305

306

304 ‡ SIR MUIRHEAD BONE NEAC, RE

305 ‡ SIR MUIRHEAD BONE NEAC, RE

306 ‡ ALETHEA GARSTIN

Street scene with figures and horse and carts

Día de los difuntos, Arévalo

Entrance to a courtyard

Signed and dated Muirhead Bone 1918 (lower right) Pencil 20.7 x 17cm

Signed Muirhead Bone (lower right) and inscribed Arévalo - Día de los difuntos (lower centre) Charcoal 25.3 x 17.2cm

Signed and dated ALETHEA GARSTIN 1917 (lower right) Oil on board 34.1 x 24.5cm

Scottish 1876-1953

£200-300

Scottish 1876-1953

£200-300

1894-1978

Provenance: From the collection of Edward Croft-Murray (1907-1980) £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

307 ‡ CHARLES FREDERICK TUNNICLIFFE OBE, RA

308 ‡ CHARLES FREDERICK TUNNICLIFFE OBE, RA

A tawny owl and two wrens on a branch

English partridges

Signed C.F.Tunnicliffe (lower right) Pencil, charcoal and wash 46.3 x 36.3cm

Signed C.F.Tunnicliffe (lower right) Pencil 35.8 x 45.8cm

Provenance: Sotheby’s, London, Watercolours and Paintings of Birds, 22 November 1995, where purchased by the present private collector

£250-350

£400-600

309 ‡ CHARLES FREDERICK TUNNICLIFFE OBE, RA

310 ‡ HRISTO KABAKCHIEV

1901-1979

Wilson’s phalarope Dated and inscribed Malltraeth Lake./ June 15-16 ‘58 (upper right) Pencil and gouache 10.9 x 17.3cm £200-400

1901-1979

Bulgarian 1879-1970

View of an Eastern European kitchen; View of an Eastern European living room; View of an Eastern European interior with a window seat Three, each signed and inscribed in Cyrillic, two dated 1928, one dated 1926 Each pencil and watercolour Largest 29.3 x 43.2cm; Smallest 31.4 x 23cm (3) £100-150

308

309

310 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

307

126

311

311 ‡ EDWARD WOLFE RA 1897-1982

Portrait of a lady, seated in an interior, with a vase of flowers Signed Wolfe (lower left) Oil on canvas 76.7 x 67cm Provenance: Private Collection, London £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

312

312 ‡ EDWARD WOLFE RA 1897-1982

Japanese Screen Signed Wolfe (lower right) Oil on board 29.5 x 24.2cm Provenance: The artist’s studio; O’Connor & Lummis, London; Private Collection, London £1,000-1,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

128

313 ‡ HENRY MOORE OM, CH 1898-1986

Family Group Signed and dated Moore/51 (lower right) Pencil, crayon, charcoal and watercolour heightened with white 37 x 43.7cm Provenance: Leicester Galleries, London, where purchased by Peter Meyer, March 1954 (£63); The Collection of Peter Meyer; And by descent Literature: Ann Garrould, Henry Moore Complete Drawings 1950-76 Volume 4 (London, 2003), pp.48-49, no.AG51.14 (illustrated) Exhibited: Antwerp, British Council, C.A.W. Gallery, 1953, no.38 (catalogue not traced), where lent by the artist This work is recorded in the Henry Moore Foundation catalogue (no. HMF 2710). It demonstrates what Moore referred to as ‘the two-way sectional line method’, in which a series of lines follow the curves of the figures, emphasising their three-dimensional forms. This was something he later translated to his sculpture, by interrupting the smooth surface of the bronze with string-like lines. Moore’s interest in the subject of family groups in the late 1940s and early 1950s perhaps reflects the birth of his daughter Mary in 1946. £25,000-35,000

313 (framed)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

129

313

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

130

314 ‡ HENRY MOORE OM, CH 1898-1986

Three figures seated in a landscape Signed and dated at a later date Moore/52 (lower left), and numbered 137 (upper right) Crayon, chalk, bodycolour and wash, 1951 28.7 x 23.5cm Provenance: Leicester Galleries, London, where purchased by Peter Meyer, March 1954 (£47.50); The Collection of Peter Meyer; And by descent Literature: Ann Garrould, Henry Moore Complete Drawings 1950-76 Volume 4 (London, 2003), p.41, no.AG50-51.59 (illustrated) Exhibited: Antwerp, British Council, C.A.W. Gallery, 1953, no.39 (catalogue not traced), where lent by Mrs Irina Moore From the mid-1930s, Henry Moore began to include spatial settings in his drawings of sculptural ideas. The background of this work is possibly based on the Temple of Apollo at Delphi. Henry and Irina Moore visited Greece in 1951. According to the Henry Moore Foundation catalogue (no. HMF 2674), the signature and date were added later by Moore, and it was actually executed in 1951. £20,000-30,000

314 (framed)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

131

314

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

132

315

315 ‡ KEITH VAUGHAN 1912-1977

Standing figure Signed, dated and inscribed For Peter/KV. 9 Jan/60 (lower right) Pastel, crayon, watercolour and bodycolour 47 x 38cm Provenance: The Collection of Peter Meyer; And by descent £5,000-8,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

133

316

316 ‡ KEITH VAUGHAN 1912-1977

Iowa: Melting Snow Signed Keith Vaughan (lower right) Gouache, 1959 16.8 x 14cm Provenance: The Collection of Peter Meyer; And by descent £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

134

317

318

317 ‡ KEITH VAUGHAN

318 ‡ GRAHAM SUTHERLAND OM

Study of a man leaning on a cupboard

Three Figures in a Garden (Tassi 55)

Pencil 19 x 13.3cm

Signed and numbered Graham Sutherland 4/125 (in pencil lower left) Lithograph, 1953 29.2 x 21.4cm (sheet)

1912-1977

£400-600

1903-1980

£200-300

319 ‡ MICHAEL AYRTON 1921-1975

Berkshire Landscape Signed and dated Michael Ayrton March/1944 (lower right) Oil on board 19.9 x 29.8cm Provenance: Roland, Browse & Delbanco, London, where purchased by Jill Whitford Hawkey, later Croft-Murray, January 1953; From the collection of Edward Croft-Murray (1907-1980)

319

£600-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135

320

320 ‡ JOSEF HERMAN OBE, RA Polish 1911-2000

Man at Work Signed, dated and inscribed “MAN AT WORK”/1968/ Josef Herman (to reverse) Oil on canvas 30.5 x 40.5cm Provenance: Christie’s, London, 20th Century British Art, 6 December 2007, lot 2; Katharine House Gallery, Marlborough, where purchased by the present private collector £3,000-5,000

321 ‡ JOSEF HERMAN OBE, RA Polish 1911-2000

Mother and child with a village in a landscape beyond Signed J.Herman (lower right) Oil on board 21.2 x 26cm Provenance: Private Collection, UK £300-500

321

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

136

322 ‡ ROBIN TANNER 1904-1988

The Drinking Trough (Garton 40) Signed with initials and inscribed R.T./Over-inked first state (in ink and pencil to margin) Etching, first edition of three 20.3 x 15.7cm (plate) Unframed £200-300

323 ‡ ROBIN TANNER 1904-1988

Easter (Garton 25) Signed, dated and inscribed Robin Tanner fec et imp 1971/Easter: 1971 - First impression of final state (in pencil to margin) Etching, third edition of three 39.3 x 27.1cm (plate) Unframed

322

323

£200-300

324 ‡ ROBIN TANNER 1904-1988

Flowers of May (Garton 26) Signed, inscribed and dated Robin Tanner fec.et imp/Flowers of May 1971-2 (in pencil to margin) Etching, second edition of two 26.9 x 18.6cm (plate) Unframed £120-180

325 ‡ ROBIN TANNER 1904-1988

February (Garton 32) Signed and inscribed Robin Tanner fec et imp/”February” (R.T.’s own collection) (in pencil to margin) Etching, second edition of two 26.2 x 16.2cm (plate) Unframed £120-180

324

325

326 ‡ ROBIN TANNER 1904-1988

The Clapper Bridge (Garton 27) Signed with initials R.T. (in pen to margin) Etching, third edition of three 17.9 x 24.7cm (plate) Unframed

326

327

327 ‡ CLARE LEIGHTON 1898-1989

December: The Fat Stock Market Wood engraving 20.4 x 26.2cm (image) £200-300

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

137

328 ‡ EVIE HONE RHA

329 ‡ EVIE HONE RHA

Study for two stained glass windows depicting The Entombment

Study for a stained glass window depicting St. Joan

Irish 1894-1955

Two, one signed E Hone (lower right) Both gouache Each 47 x 10.3cm, framed as one (2) Provenance: The Dawson Gallery, Dublin; Anthony and Marietta Coleridge Collection (remnants of label)

Irish 1894-1955

Pencil and gouache 25.3 x 17.1cm Provenance: Possibly, Anthony and Marietta Coleridge Collection £400-600

£600-800

330 ‡ EVIE HONE RHA Irish 1894-1955

Study for a stained glass window depicting St. Brigid Signed and dated E.Hone/1948 (lower right) Gouache 29.9 x 11.4cm A study for one of three windows by Evie Hone at St. John’s, Malone, Belfast. £400-600

329 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

328

330

138

331

332

331 FOLLOWER OF ABRAM ARKHIPOV

332 RUSSIAN SCHOOL

Landscape with a haystack in a field

Winter landscape at dawn

Indistinctly signed and dated 1915 (lower right) Oil on canvasboard 38 x 58.5cm

Indistinctly signed in Cyrillic Oil on canvas 34 x 55.5cm

£500-700

333 VLADIMIR CHUDNOV Russian b.1953

Evening at the dacha Signed in Cyrillic and dated 74 (lower right) Oil on canvasboard 34 x 24.4cm £300-500

Early 20th Century

£300-500

334 ATTRIBUTED TO NIKOLAI VASILYEVICH ORLOV Russian 1863-1924

Walled city in the snow; Woman carrying water from the well; Peasant woman resting Three, each signed in Cyrillic and dated 1922 Each watercolour and pencil heightened with white Largest 24.6 x 39.9cm; Smallest 24.3 x 39.8cm Unframed (3) £200-300

333

334 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

139

335

336

335 ‡ ROBIN GUTHRIE 1902-1971

The Royal Albion Hotel, Brighton, at night Signed with initials R.G. (lower right) Oil on canvas 31.7 x 36.9cm Provenance: David and Paula Newman £300-500

336 ‡ PIERRE HENRY Canadian b.1932

Le Village Enchanté Signed and indistinctly dated P.Henry 195* (lower left) Oil on board 36.6 x 44.4cm £100-200

337 ‡ FELIKS TOPOLSKI RA Polish 1907-1989

A soldier on parade on Bastille Day Signed with initials and dated 14 juillet F.T (lower right) Pen and black ink, and wash 19.3 x 17.7cm Exhibited: London, Rutland Gallery, Paris Lost, November-December 1973, cat.32 (‘14 Juillet’) £150-250

337 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

140

THE COLLECTION OF TOM COATES NEAC, RP, RWS AND MARY JACKSON NEAC, RWS 338 AMBROSE MCEVOY ARA, ARWS 1878-1927

Lady and gentleman in a landscape Studio stamp (lower right) Pen and ink, brown wash, blue and black chalk 31.3 x 26.4cm Provenance: Phillips, London, 25 January 1987, lot 53; The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £200-300

339 PIERRE BONNARD French 1867-1947

Le Graveur Etching 19.6 x 11.9cm (plate)

338

Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS

339

£100-150

340

341

340 ‡ GILBERT SPENCER RA, RWS, NEAC

341 FAIRLIE HARMAR, VISCOUNTESS HARBERTON

Dismounting

L’Âne Sauvage et l’Âne Domestique

Signed and dated Gilbert Spencer 1919 (lower right) Pencil and wash, squared for transfer 27.8 x 45.9cm

Inscribed Fable from La Fontaine/L’âne sauvage et l’âne domestique (upper left) Charcoal 47.5 x 62.9cm

1892-1979

1876-1945

Provenance: The artist’s studio; The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS Exhibited: London, New Grafton Gallery, July 1997

Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £100-150

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF TOM COATES NEAC, RP, RWS AND MARY JACKSON NEAC, RWS 342 ‡ BERNARD DUNSTAN RA 1920-2017

Hanging up a Nightdress, Perth Signed BD (lower left) and inscribed and dated HANGING UP A/NIGHTDRESS, PERTH/3-4.85 (to reverse) Oil on board 23.8 x 28.7cm Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £800-1,200

343 ‡ RUSKIN SPEAR CBE, RA 1911-1990

Girl Washing Signed and titled (to verso according to label) Pastel 44.8 x 36.9cm Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS Exhibited: London, New Grafton Gallery, 25th Anniversary Exhibition Part 2, July 1993

342

£400-600

343

344

344 ‡ RUSKIN SPEAR CBE, RA 1911-1990

Figures in a café Inscribed throughout with colour notes Pencil 10.7 x 17.5cm Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £200-300

141

THE COLLECTION OF TOM COATES NEAC, RP, RWS AND MARY JACKSON NEAC, RWS

142

345

346

347

348

345 ‡ DIANA ARMFIELD RA, PS, NEAC

346 ‡ DIANA ARMFIELD RA, PS, NEAC

347 ‡ DIANA ARMFIELD RA, PS, NEAC

Evening Out at the Coliseum

Sunflowers in the South of France

The Cloud, North Wales, above Ty Cerig

Signed with initials DMA (lower left) Black chalk and white pastel 21.9 x 27.3cm

Signed with initials DMA (lower left) Oil on canvasboard 15.2 x 18.7cm

Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS

Exhibited: London, Bankside Gallery, Drawing Matters, 1995

£300-500

b.1920

Signed with initials DMA (lower left) Pastel 19.6 x 15.1cm Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £300-500

b.1920

348 ‡ RICHARD COOK RBA b.1947

Regatta Suite Signed and dated Richard P. Cook 91 (lower right) Pencil and watercolour 35.4 x 42.3cm Provenance: The Barry Keene Gallery, Henley-on-Thames; The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £200-300

£150-250 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF TOM COATES NEAC, RP, RWS AND MARY JACKSON NEAC, RWS 349 ‡ GARY DICK 20th Century

The Living Room Signed, dated and inscribed Gary Dick/The Living Room/June 87 (to reverse) Oil on board 120.6 x 150.6cm Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £200-300

349

350

351

350 ‡ BETTY SWANWICK RA, RWS

351 CHARLES ROBINSON SYKES

Woman sitting in her underwear

The Café Royal: Upstairs; Downstairs

Pencil 16.4 x 18.3cm

Two, the former signed Charles Sykes (lower left) The former pencil; The latter pen and ink, and wash 10.9 x 16.9cm; 6.9 x 8.8cm, framed as one (2)

1915-1989

Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS Exhibited: London, Chris Beetles Ltd, The Illustrators: The British Art of Illustration 1800-1991, 1991, no.595 £100-150 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

1875-1950

Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £80-120

143

144

352

THE COLLECTION OF TOM COATES NEAC, RP, RWS AND MARY JACKSON NEAC, RWS

353

352 ‡ DAVID TRUNDLEY b.1949

Harness Racing Signed TRUNDLEY (lower left) Gouache 21.3 x 29.8cm Provenance: Cross Gate Gallery, Lexington; The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £100-150

353 ‡ TOM FAIRS 1925-2007

Still life with oranges, a knife and a teaspoon on a table Oil pastel 21 x 29.7cm Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS Exhibited: London, Mall Galleries £200-300

354 A FOLIO OF APPROXIMATELY SEVENTY 20TH CENTURY BRITISH PRINTS Including examples by Robert Tavener (1920-2004), Charles Keeping (1924-1988), Alistair Grant (1925-1997), Allin Braund (1915-2004), Richard Platt (1928-2013) and others Largest 63.7 x 74.5cm; Smallest 43.2 x 25.8cm (sheet) Unframed (approx. 70)

354

Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

THE COLLECTION OF TOM COATES NEAC, RP, RWS AND MARY JACKSON NEAC, RWS

355

356

355 ‡ ALISTAIR GRANT

356 ‡ JANE DOWLING

Female nude reclining on a bed

Sweet Williams 2

Signed A. Grant (lower left) Oil on canvas 63.5 x 63.5cm

Signed with initials JD (lower right) Oil on board 24.2 x 16.4cm

Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS

£300-500

Exhibited: London, New Grafton Gallery, March-April 1996, no.16

1925-1997

b.1925

357

£200-300

357 ‡ FRED DUBERY

358 ‡ TOBY WARD NEAC

Wood, Fontainebleu

Still life with onions and shallots on a tabletop

1926-2011

Signed Fred Dubery (lower right) Oil on board 17.3 x 55.2cm Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS Exhibited: London, Mall Galleries, New English Art Club, 1987 £150-250

b.1965

Signed BGT Ward (lower left) Oil on board 19.8 x 25cm Provenance: Armed Forces Art Society, 1993; Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 4 December 2018, lot 23; The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

358

145

146

THE COLLECTION OF TOM COATES NEAC, RP, RWS AND MARY JACKSON NEAC, RWS 359 ‡ KEN HOWARD OBE, RA b.1932

Fountain of Neptune, Piazza della Signoria, Florence Signed Ken Howard (lower right) Oil on board 34.7 x 23.2cm Provenance: Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 4 December 2018, lot 26; The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £1,000-1,500

359

360 ‡ LORD PAUL AYSHFORD METHUEN RBA, RA 1886-1974

Bacino San Marco, Venice Signed Methuen (lower right) and dated Sept 1955 (lower left) Pastel 13.6 x 22.5cm Provenance: The Barry M. Keene Gallery, Henley-on-Thames; The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £150-250

360 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

DAY 2 Lots 361-716

Lot 417

148

361

362

363

364

361 ‡ VICTOR VASARELY

362 ‡ BRIDGET RILEY CH, CBE

363 ‡ PETER SEDGLEY

364 ‡ PETER SEDGLEY

CTA 102 (Gold)

Poster Poem: Descending

Looking Glass Suite I

Looking Glass Suite V

Signed Vasarely (in ball point) Screenprint 70.5 x 70.5cm Unframed

Reproduction print, 1968, from the unlimited edition published by Editions Alecto 79.3 x 76.2cm Unframed

Signed and numbered Peter Sedgley 30/75 (in pen lower centre) Screenprint, 1966 49.5 x 49.5cm Unframed

Signed and numbered Peter Sedgley 16/75 (in pen lower right) Screenprint, 1966 49.5 x 49.5cm Unframed

£250-350

£300-500

Hungarian/French 1906-1997

Provenance: Purchased from the artist’s studio, 1960s

b.1931

£200-300

b.1930

£300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

365 ‡ COLIN SELF b.1941

Out of Focus Object and Flowers 1 (Provincial Image); Power and Beauty No.1 (Cat); Power and Beauty No.2 (Whale) Three, each signed and inscribed with title, two dated, and each inscribed Artist’s proof, 3/75 and 30/75 (respectively) The first etching and aquatint; ‘Cat’ and ‘Whale’ photo-screenprints Largest 68.8 x 105.4cm; Smallest 79.4 x 56.3cm Each unframed (3) £300-500

366 ‡ DAVID HOCKNEY OM, CH, RA b.1937

Picture of a Still Life that has an elaborate Silver Frame

365

366

Reproduction print, 1975 100 x 71.5cm Unframed £100-150

367

368

367 ‡ ALLEN JONES RA

368 ‡ BIRGIT SKIÖLD

A Fury for Prints; Life Class

Moruroa

Two, the former signed, dated and numbered 14/75 Allen Jones 2003 (in pencil) Lithograph; Reproduction print 84.5 x 59.5cm; 85 x 54.6cm (sheet) Unframed (2)

Inscribed A/P Moruroa (in pencil lower left) Etching embossed with aquatint 59 x 53.9cm (sheet) Unframed

b.1937

£150-250 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

Swedish 1923-1982

£80-120

150

369 ‡ SIR TERRY FROST RA 1915-2003

Night: Black and Green Signed and dated Frost 62 (lower right) Watercolour and bodycolour 31.3 x 19.7cm Provenance: The Waddington Galleries, London, where purchased by George and Ann Dannatt; The Dannatt Trust; Osbourne Samuel, London, where purchased by the present private collector, September 2015 £1,000-1,500

369

370 ‡ SIR TERRY FROST RA 1915-2003

Red and black composition Signed an dated Terry Frost 82 (lower right) Collage on paper 30.6 x 30.6cm £800-1,200

370 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

151

371 ‡ SIR TERRY FROST RA 1915-2003

Blue, yellow and black composition Signed and dated Terry Frost 82 (lower right) Collage on paper 31.7 x 31.7cm £800-1,200

371

372

373

372 ‡ SIR TERRY FROST RA

373 ‡ SIR TERRY FROST RA

Orchard Tambourine C, No.10

Orchard Tambourine C, No.1

Woodcut, 2002 37.1 x 37.1cm

Provenance: Caroline Wiseman, where purchased by the present private collector, 2004

£200-300

1915-2003

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

1915-2003

152

374

374 ‡ JEAN DUBUFFET 1901-1985

Banque de L’Hourloupe Cartes à Jouer et à Tirer Complete set of 52 screenprinted playing cards, with title card, no.283/350, published by Editions Alecto, 1966-67, loose in a black cloth-covered box Each 25 x 16.3cm (sheet) (53) £800-1,200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

153

375

376

377

375 ROBERT GORDY

376 ROBERT GORDY

377 ‡ CLAES OLDENBURG

Falling women: A study for the Golden Days suite

Folly

Studies for London Knees; Postcard of The Knees Monument “Dawn”

American 1933-1986

Signed and dated Gordy ‘69 (lower right) Watercolour 76.5 x 56cm Unframed

Signed Robert Gordy (lower right) and numbered 84/100 (lower left) Screenprint 63.4 x 83.8cm Unframed

£200-300

£100-150

Swedish b.1929

Two, both reproduction prints, published by Editions Alecto 79.2 x 39.3cm; 26.3 x 40.6cm Unframed (2) £100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

377

154

379

378

378 ‡ JOHN HOYLAND RA

379 ‡ JUSTIN KNOWLES

Betwixt and Between

Abstract in blue, brown and white

1934-2011

Signed, dated and numbered 33/60 John Hoyland 82 (in pencil to margin) Aquatint and screenprint 139.5 x 103.5 (sheet) Provenance: Waddington Galleries, London £400-600

1935-2004

Signed and dated Justin/ Knowles/1965 (to reverse) Oil on canvas, lozenge 30.6 x 30.6cm Provenance: The Collection of Peter Meyer; And by descent

380

£300-500

380 ‡ WILHELMINA BARNS-GRAHAM CBE

381 ‡ PADRAIG MACMIADHACHAIN

Water Dance, Porthmeor, No.5

Abstract

Numbered 01/70 (in pencil lower left) and with Graal Press blindstamp Silkscreen, 2003 57.2 x 75.1cm (sheet)

Signed and dated MacMiadhachain 58 (lower centre) Watercolour heightened with gum arabic 23.3 x 30.9cm

Provenance: Art First Contemporary Art, London

£150-250

1912-2004

Irish 1929-2017

With Barns-Graham Charity Trust Authentication label to frame. £300-500

381 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

155

382

382 ‡ PATRICK PROCKTOR RA 1936-2003

Victoria Falls; Municipal Gardens, Johannesburg Two, each signed and inscribed Artists Proof Patrick Procktor (in pencil to margin) Both etching and aquatint, from The South Africa Suite, 1974 29.5 x 39.2cm; 30.4 x 39.5cm (sheet) Unframed (2) £200-300

383

384

383 ‡ PATRICK PROCKTOR RA 1936-2003

Aesthete Signed and numbered 98/98 Patrick Procktor (in pencil to margin), with Editions Alecto blindstamp Etching and aquatint, 1979 62.6 x 49cm Unframed The sitter is Roger Bevan, then Director of the New Academy for Art Studies in London. £150-250

384 ‡ PATRICK PROCKTOR RA 1936-2003

The Rime of the Ancient Mariner: Samuel Taylor Coleridge; The charmed water burnt alway A still and awful Red; Two of the Polar Spirit’s fellow daemons; I pass, like night, from land to land Four, each signed and inscribed APIII Patrick Procktor (in pencil to margin) Two etching and aquatint; two aquatint Three approx. 22.2 x 15cm; One 14.9 x 22.5cm (plate) Unframed (4) £200-300

385

385 ‡ PATRICK PROCKTOR RA 1936-2003

Giudecca Signed and inscribed AP Patrick Procktor (in pencil to margin) Aquatint, from The Venice Series 62.5 x 79.8cm (sheet) Unframed £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

156

386 ‡ SIR EDUARDO PAOLOZZI CBE, RA Scottish 1924-2005

Moonstrips Empire News: Memory Core Units; The Silken World of Michelangelo; High Life; Cover for a Journal Four, each signed Eduardo Paolozzi, three inscribed Artists Proof, and one numbered 86/500 (in pencil) Each screenprint, 1967 Each 38 x 25.4cm (sheet) Unframed (4) £400-600

386

387 ‡ SIR EDUARDO PAOLOZZI CBE, RA Scottish 1924-2005

Moonstrips Empire News: Ernie and T. T. at St Louis Airport; Donald Duck meets Mondrian; Formica-Formikel; Secrets of the Internal Combustion Engine Four, each signed Eduardo Paolozzi (in pencil) Each screenprint, 1967 Each 38 x 25.4cm (sheet) Unframed (4) £400-600

387

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

157

388 ‡ SIR EDUARDO PAOLOZZI CBE, RA Scottish 1924-2005

General Dynamic F.U.N.: An Empire of Silly Statistics…A Fake War for Public Relations; Inside Down Under…What Are the Building Blocks of Structuralism?; Will Man Desert the Dog for the Dolphin?; Jesus Colour by Numbers Four, each signed Eduardo Paolozzi, three numbered 1/350, and one numbered 22/350 (in pencil) Each screenprint, 1965-1970 One 25.5 x 38.2cm; Three 38.2 x 25.5cm (sheet) Unframed (4) £400-600

389 ‡ SIR EDUARDO PAOLOZZI CBE, RA Scottish 1924-2005

Tribal mask Plaster on a wooden stand 49 x 20.1 x 20.1cm (including stand)

388

Provenance: Purchased from The Paolozzi Foundation, August 2006, by the present owner £150-250

390 ‡ SIR EDUARDO PAOLOZZI CBE, RA

391 ‡ SIR EDUARDO PAOLOZZI CBE, RA

Yukio Mishima (1925-1970)

Bust of Sir Angus Grossart (b.1937); Maquette of Sir Angus Grossart

Scottish 1924-2005 Plaster, c.1984 29.5 x 17 x 11.1cm

Provenance: Purchased from The Paolozzi Foundation, August 2006, by the present owner Yukio Mishima was a Japanese poet, film director, playwright and actor. In 1970 he committed ritual suicide in an attempt to reaffirm traditional Japanese culture independent of Western-style materialism. £300-400

Scottish 1924-2005

Two, the former papier-mâché; The latter pottery on a wooden base 41.5 x 33 x 30cm; 26 x 11 x 11.5cm (2) Provenance: Purchased from The Paolozzi Foundation, August 2006, by the present owner Sir Angus Grossart is a merchant banker, and former chairman of the board of trustees at National Museums Scotland. The bust was cast in bronze in 1999, and is in the collection of the National Museum of Scotland (K.2014.59). £150-250

390 389 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

391

158

392

393

392 ‡ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Summer Presence Signed and dated Gear 83 (lower right) Acrylic 75.3 x 54.2cm £500-700

393 ‡ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Blue Barrier Signed and dated Gear 82 (lower right) Acrylic 76.2 x 47.7cm £500-700

394 ‡ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Study with Black No.2 Signed and dated Gear 64 (lower right) Mixed media on paper 71 x 50.7cm £400-600

394 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

159

395 ‡ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Black Trace Signed and dated Gear 89 (lower right) Monotype 41.4 x 66.3cm £400-600

395

396 ‡ WILLIAM GEAR RA, FRSA, RBSA Scottish 1915-1997

Personnages Signed Gear 89 (lower right) Ink and acrylic 48.3 x 70.2cm £400-600

396

397 ‡ DENISE CHESNAY French 1923-2016

Abstract in blue and black Signed and dated 1952/Chesnay (lower right) Watercolour and ink 31 x 49.1cm £200-400

397 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

160

398

398 ‡ JOHN PIPER CH 1903-1992

Garn Fawr, Pembrokeshire, by night Signed John Piper (lower right) Gouache heightened with gum arabic 38 x 57cm Provenance: Beaux Arts, Bath, August 1990, where purchased by the present private collector £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

161

399 ‡ JOHN PIPER CH 1903-1992

Waddesdon (Levinson 423) Signed John Piper (in pencil) Screenprint in colours, 1989 42.2 x 56.9cm (image) £500-800

399

400

400 ‡ AFTER JOHN PIPER

401 ‡ JOHN PIPER CH

Slopes of Glyder Fawr, Llyn Idwal, Caernarvonshire

1903-1992

Nude II (Levinson 390)

Lithograph 53.7 x 69.7cm

Signed John Piper (in pencil to margin) Etching and aquatint, a signed proof aside from the edition of 70 plus 15 APs 48.8 x 31.8cm (plate)

£50-100

£200-300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

401

162

402 ‡ NICHOLAS GARLAND OBE b.1935

Annabel’s Fourteen, each signed and numbered 44/250 Nicholas Garland (in pencil), and inscribed with title The complete set of linocuts, plus title, list of plates and colophon, with an introduction by Lucian Freud, published by Mark Birley, 1985, in original black cloth-covered portfolio case Each 50.5 x 38cm (sheet) (17) £800-1,200

402

403 ‡ SIR OSBERT LANCASTER CBE 1908-1986

Two gentlemen with raised fists Signed and dated Osbert Lancaster/June 1941 (lower right) Pen and ink with blue crayon 16 x 14.7cm Together with Cyril Jacob ‘Chic’ (1926-2000); Hair; The Caesars; Two, the latter signed CHIC (lower left); Each pencil and black ink; Each 10.1 x 15.2cm, framed as one (3) £150-250

403

404 ‡ SIR OSBERT LANCASTER CBE 1908-1986

Personally, I don’t think the choice of political speakers is in the least biased - it’s just plain morbid; If Lord Stansgate gets his way and they do televise the opening of Parliament, I know exactly what’ll happen - the Liberals will hog the cameras, the Socialists’ll say they’ve been given the wrong make-up and Lord Hailsham’ll proclaim he’s badly lit Two, both signed Osbert Lancaster (lower right) Both pen and ink with blue crayon 17.6 x 11.1cm; 17.6 x 13.6cm (2) £200-300

404 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

163

405 ‡ JOHN WELLS 1907-2000

Christmas Card No.5 Inscribed George, Ann/Love, Best wishes for/Christmas 1982/& New Year 1983./ Johnny/Sorry I never even spoke to you at ***/opening. When I looked for you, y-/had vanished/Newlyn (to verso) Linocut 11.6 x 14.5cm (sheet) Provenance: Given by the artist to George and Ann Dannatt; Osbourne Samuel, London, where purchased by the present private collector, September 2015 £600-800

405

407

406 ‡ STANLEY WILLIAM HAYTER CBE

407 ‡ STANLEY WILLIAM HAYTER CBE

Combat Sous Marin

Small Horse

Signed, dated, numbered and inscribed 30/50 Combat Sous Marin S W Hayter 57 (in pencil to margin) Engraving and etching 48.9 x 27.5cm (plate)

Etching 19.3 x 25.9cm Unframed

1901-1988

£400-500

406 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

1901-1988

£120-180

164

408 ‡ CERI RICHARDS CBE Welsh 1903-1971

Wooded landscape With studio stamp (lower right) Pen and wash 37.2 x 55.2cm Provenance: The artist’s estate; Martin Tinney Gallery, Cardiff £800-1,200

409 ‡ CERI RICHARDS CBE Welsh 1903-1971

Prometheus I (from The Beethoven Suite) Screenprint, with Ceri Richards blindstamp 66 x 50cm (image) Provenance: The artist’s estate; Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox £200-300

408

409

410

411

410 ‡ WILLIAM STOBBS

411 ‡ EDWARD BAWDEN CBE, RA

Studies for illustrations from ‘The Whole World Storybook’: Suddenly the Great Crocodile Appeared; Seemingly Suspended from the Clouds, the Princess Sat in the Swing; Huts on the edge of a forest

Campions and Columbine

1914-2000

1903-1989

Three, two inscribed with titles, and each inscribed with printing notes Each pen and ink, and watercolour heightened with white Largest 40 x 28.9cm; Smallest 39.4 x 27.6cm Unframed (3)

Signed and numbered 208/500 Edward Bawden (in pencil to margin) Linocut 22.3 x 16.4cm £150-250

Provenance: ‘Great Crocodile’ with Abbott and Holder, London; Private Collection, UK Studies for illustrations from Marcus Crouch, The Whole World Storybook (Oxford University Press, 1983). £250-400 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

165

412

412 ‡ EDWARD BAWDEN CBE, RA 1903-1989

Brighton Pier Signed, numbered and inscribed Brighton Pier 2nd edition 7/50 Artist’s proof Edward Bawden (in pencil to margin) Linocut printed in colours, 1974 53.3 x 144cm (image) Exhibited: London, Royal Academy, 1974, no.716 £5,000-7,000

413

414

413 ‡ EDWARD BAWDEN CBE RA

414 ‡ EDWARD BAWDEN CBE RA

Dunkirk

Among the Marsh Arabs

Signed, numbered and inscribed Dunkirk 26/75 Edward Bawden (in pencil to margin) Lithograph, 1985 36.3 x 58.2cm

Signed, numbered and inscribed Among the Marsh Arabs 29/75 Edward Bawden (in pencil to margin) Lithograph, 1986 36.3 x 58.2cm (image)

£300-500

£250-350

1903-1989

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

1903-1989

166

415 ‡ MARC CHAGALL

Russian/French 1887-1985

The Lark and the Farmer Drypoint and etching 29.6 x 23.8cm (plate) Provenance: Oliver Swann Galleries £800-1,200

415

416 ‡ MARC CHAGALL

Russian/French 1887-1985

Les Anémones (Mourlot 730) Lithograph in 9 colours, 1974, from the unsigned edition 31.6 x 24.1cm (sheet) Provenance: William Weston Gallery, London; From a private Cornish country estate £300-500

416 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

167

417 ‡ MARC CHAGALL Russian/French 1887-1985

Daphnis and Chloé Beside the Fountain (Mourlot 313) Signed and numbered 42/60 Marc Chagall (in pencil) Lithograph, 1960, from ‘Daphnis and Chloé’, published by Tériade, Paris 42 x 32.3cm (image) £10,000-15,000

417

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

168

418

419

418 ‡ ROWLAND HILDER OBE 1905-1993

Farm buildings Signed ROWLAND HILDER (lower left) Pencil and watercolour 35.8 x 54.2cm £300-500

419 ‡ ROWLAND HILDER OBE 1905-1993

Silver linings Watercolour and bodycolour 28.8 x 37.9cm Provenance: Francis Iles Fine Paintings, Rochester £300-500

420

420 ‡ ROLAND VIVIAN PITCHFORTH RA, ARWS 1895-1982

Shipping in an estuary Signed Pitchforth (lower left) Watercolour 44.9 x 68.4cm Provenance: Thos. Agnew & Sons, London £100-150

421 ‡ ROLAND VIVIAN PITCHFORTH RA, ARWS 1895-1982

Kirkcudbright Bay Indistinctly signed and inscribed KIRKCUDBRIGHT BAY (lower right) Watercolour and pencil 45.5 x 58.5cm Provenance: Thos. Agnew & Sons, London £100-150

421 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

169

422

422 ‡ PAUL MAZE

French 1887-1979

Studies of a Household cavalry soldier; Studies of a drummer; Studies of guards; Study of guards on parade Four, two signed Paul Maze, one signed with initials P.M., one signed with initials P.L.M, and two inscribed with colour notes Each pencil and watercolour Largest 42 x 53cm; Smallest 33.5 x 42.9cm Two unframed (4)

423 ‡ SIR HUGH CASSON CH, KKCVO, PRA, RDI 1910-1999

School Party, Japan Signed with initials HC (lower right) and inscribed School Party Japan (lower left) Pencil and watercolour 12.8 x 19.8cm Provenance: Thompson’s, Marylebone £300-500

£800-1,200

423

424 ‡ SIR HUGH CASSON CH, KKCVO, PRA, RDI

425 ‡ SIR HUGH CASSON CH, KKCVO, PRA, RDI

The Lodge, Hampshire

Rhine Landing Stage

Signed with initials HC (lower right) and inscribed The Lodge - Hampshire (lower left) Pencil and watercolour 9.4 x 22cm

Signed with initials HC (lower right) and inscribed Rhine/Landing Stage (lower left) Pencil and watercolour 6 x 15cm

Provenance: Thompson’s, Marylebone

Provenance: Thompson’s Gallery, London; Thompson’s, Aldeburgh

1910-1999

£200-300

1910-1999

424

£200-300

425 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

170

426 ‡ RUSKIN SPEAR CBE, RA 1911-1990

View of the China Clay Works, Great Wheal Prosper, Tresayes, Roche Signed and dated Ruskin Spear 1986 (lower right) Gouache, pen and ink 38 x 55.5cm Unframed Provenance: Property of Bill Thomson, Albany Gallery £600-800

426

427

427 ‡ LORD PAUL AYSHFORD METHUEN RBA, RA

428

1886-1974

Provenance: From the collection of Edward Croft-Murray (1907-1980)

Ornamental stucco decorations by Robert West on the walls of the Grand Staircase at 20 Lower Dominick Street, Dublin

Exhibited: Bristol, Royal West of England Academy, Retrospective Exhibition of Works by Lord Methuen RA, RWS, PPRWA, April-May 1972, no.113

Signed Methuen (lower right), dated 12 May 1958 (lower left) and extensively inscribed Watercolour, and pen and ink 27.1 x 55.9cm

428 ‡ LORD PAUL AYSHFORD METHUEN RBA, RA 1886-1974

Le Coudray-Macouard (Anjou) Oil on canvasboard 25.8 x 30.1cm Provenance: From the collection of Edward Croft-Murray (1907-1980)

Edward Croft-Murray was a friend of Lord Methuen, and regularly stayed with him at Corsham Court.

Exhibited: London, Fieldborne Galleries, Retrospective Exhibition of Works by Lord Methuen RA, RWS, PPRWA, May 1973, no.26

£200-300

£150-250

429 ‡ FRIEDRICH FEIGL Czech 1884-1965

Figures on a promenade by the sea Signed Feigl/1952 (lower right) Watercolour 36.7 x 54.5cm Together with After Friedrich Feigle; Dancers; Reproduction print; 24.7 x 34.4cm (2)

429

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

171

430 ‡ AFTER PABLO PICASSO The Vollard Suite Complete suite of 100 reproduction prints after the original etchings, plus title, unbound 28 x 21.8cm (each sheet) £400-600

431 ‡ SALVADOR DALÍ

432 ‡ SALVADOR DALÍ

Don Quixote

Return, O Shulamite (Michler and Lopsinger 479)

Spanish 1904-1989

Signed and inscribed H.C./Dali (in pencil to margin) Drypoint etching 39.8 x 29.7cm (plate) Provenance: Galleria Tornabuoni, Florence; Oliver Swann Galleries, London £400-600

Spanish 1904-1989

Signed and numbered 103/250 (in pencil to margin) Etching with stencil colouring and gilding, from ‘The Song of Songs’ suite, 1971 40.2 x 25.2cm (plate) £250-350

430

431 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

432

172

434 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Cat on a Cornish Beach Signed and numbered FEDDEN 480/500 (in pencil to margin), and with Bow Art blindstamp Reproduction print 35.2 x 49.5cm Unframed £200-300

435 ‡ MARY FEDDEN OBE, RA, RWA

433

433 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

A birthday card depicting the grounds at Woolland House, Dorset, home of Dame Elisabeth Frink RA (1930-1993) Signed and dated Fedden 1990 (lower right), and inscribed Happy Birthday, dear Lis -/Lots of love/Moose x/Woolland(to inside leaf) Gouache 11 x 26.1cm Unframed Provenance: Given by the artist to Dame Elisabeth Frink RA, 1990

434

Elisabeth Frink moved to Woolland House in 1976, and lived there until her death. Mary Fedden and Julian Trevelyan were close friends of Frink, and frequent visitors to Woolland. In her dedication of this birthday card, Fedden refers to herself as Moose, a nickname given to her by Trevelyan. £1,500-2,500

435

1915-2012

The Orange Mug Signed and numbered FEDDEN 503/550 (in pencil to margin), and with Bow Art blindstamp Reproduction print 31.9 x 40.5cm Unframed £200-300

436 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Red Sunset Signed and numbered FEDDEN 346/500 (in pencil to margin), and with Bow Art blindstamp Reproduction print 35.5 x 49.5cm Unframed £200-300

436 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

173

437

437 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

Still life with a bowl of fruit Signed and dated Fedden 09 (lower left) Oil on canvas 60.3 x 50.2cm £5,000-7,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

174

438 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

A bird, melon, egg and vegetables in a landscape Signed and dated Fedden 1999 (lower left) Pencil, watercolour and bodycolour 20 x 28.6cm £2,000-3,000

438

439 ‡ MARY FEDDEN OBE, RA, RWA 1915-2012

The Meeting (Julian Trevelyan and the artist) Signed and dated Fedden 1989 (lower right) Gouache 18.8 x 26.7cm Provenance: John Martin Gallery, London £2,000-3,000

439

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

175

440 ‡ JULIAN TREVELYAN RA 1910-1988

Game Park Signed, numbered and inscribed 2/125 Game Park Julian Trevelyan (in pencil to margin) Etching and aquatint in colours 34.9 x 47.2cm (plate) Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet Mary Fedden and Julian Trevelyan were close friends of Elisabeth Frink. They often visited Frink and her second husband Ted Pool when they lived at Corbès in the Cévennes. Later they would stay at Woolland with Frink and Alex Csaky. £600-800

440

441 ‡ ELIZABETH KEITH Scottish 1887-1956

Moonlight, Soochow Signed and inscribed Moonlight Soochow Elizabeth Keith (in pencil to margin) Woodblock print 40.4 x 30.8cm (image) £800-1,200

441 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

176

442

442 ‡ DAVID JONES CH, CBE 1895-1974

Still life by the window Signed and dated David Jones/30 (lower right) Pencil, watercolour and bodycolour 49 x 64cm Provenance: Anthony d’Offay, London; From whom purchased by Mrs Peter Rowland, 1980; By descent to The Muro Collection Exhibited: London, Anthony d’Offay, David Jones 1895-1974, May-June 1975 £10,000-15,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

177

443

443 ‡ DAVID JONES CH, CBE 1895-1974

Drawing for Eclogue IV Pencil and coloured chalks, 1949 40.6 x 32.8cm Provenance: Anthony d’Offay, London; From whom purchased by Mrs Peter Rowland, 1976; By descent to The Muro Collection Exhibited: London, Anthony d’Offay, David Jones 1895-1974, May-June 1979, no.30 £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

178

444

444 ‡ DOROTHEA SHARP ROI, RBA 1874-1955

Still life with mixed flowers in a jug Signed DOROTHEA SHARP (lower left) Oil on board 60.9 x 50.3cm £5,000-7,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

179

445

445 ‡ DOROTHEA SHARP ROI, RBA 1874-1955

Still life with flowers in a vase by a window Signed DOROTHEA SHARP (lower left) Oil on board 44 x 36.5cm £3,000-5,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

180

CANADIAN ART FROM THE COLLECTION OF IAN MURRAY

LOTS 446-453 CANADIAN ART FROM THE COLLECTION OF IAN MURRAY Ian Murray was born in Scotland in 1928, but as a young man fell in love with Canada, becoming a Canadian citizen in 1957. He was a great supporter of Canadian artists and an avid collector of their work. He was additionally a master mariner, owned a superb collection of cars, and socialised with Noel Coward, Ian Fleming, Princess Margaret and Elvis Presley, once purchasing a car with the latter.

446

446 JOHN JAMES COOK

447 JOSEPH PURCELL

448 JOSEPH PURCELL

Industrial street scene; Wooded river landscape; Portrait of Ian V. Murray

Landscape with fishing huts by the shore

Winter landscape with figures walking through a village; Boats moored by fishing huts

Canadian 1918-1984

Three, each signed John Cook and one dated 65 Each oil on board Largest 51.1 x 40.5cm; Smallest 22.7 x 28.2cm (3) Provenance: Collection of Ian Murray; And by descent £100-200

447

Canadian 1927-2015

Signed JOSEPH PURCELL (lower right) Oil on board 29.2 x 39cm Provenance: Collection of Ian Murray; And by descent £150-250

Canadian 1927-2015

Two, both signed JOSEPH PURCELL Both watercolour heightened with bodycolour Both 22.5 x 30cm (2) Provenance: Collection of Ian Murray; And by descent £100-150

448 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

CANADIAN ART FROM THE COLLECTION OF IAN MURRAY

449 ALEX COLVILLE

Canadian 1920-2013

Dog with Bone Signed and dated Alex Colville/1961 (in pencil lower right) Screenprint, from the edition of 20 75.2 x 53.2cm Provenance: Collection of Ian Murray; And by descent £3,000-5,000

449

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

181

182

CANADIAN ART FROM THE COLLECTION OF IAN MURRAY

450 MILLER GORE BRITTAIN Canadian 1912-1968

Samson Signed with initials and dated MGB/50 (lower right) Pastel and gouache 57.2 x 44.5cm Provenance: Collection of Ian Murray; And by descent Exhibited: Ottawa, National Gallery of Canada, Six East Coast Painters, 1961, no.1 £2,500-3,500

450

451 MILLER GORE BRITTAIN Canadian 1912-1968

Female nude Signed with initials and dated MGB 55 (lower left) Oil on board 39.2 x 28.7cm Provenance: Collection of Ian Murray; And by descent £800-1,200

451 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

CANADIAN ART FROM THE COLLECTION OF IAN MURRAY

183

452 MAUD LEWIS

Canadian 1903-1970

Horse and buggy Signed LEWIS (lower right) Oil on board, 1965 21.6 x 29.3cm Provenance: Collection of Ian Murray; And by descent £4,000-6,000

452

453 MAUD LEWIS

Canadian 1903-1970

Boats on Digby Bay Signed LEWIS (lower right) Oil on board, 1965 21.6 x 29.4cm Provenance: Collection of Ian Murray; And by descent £3,000-5,000

453 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

184

454 ‡ HOWARD MORGAN 1949-2020

Portrait of a lady wearing a blue scarf, looking in a mirror Signed and dated MORGAN III 86 (upper left) Oil on canvas 91.5 x 28cm Unframed Provenance: Arthur Ackermann, London £600-800

454

455 ‡ HOWARD MORGAN 1949-2020

A funfair at night Signed and dated MORGAN VII 85 (lower right) Oil on canvas 43.2 x 61cm Unframed Provenance: Arthur Ackermann, London £250-450

455 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

185

456

457

458

459

456 ‡ HOWARD MORGAN

457 ‡ HOWARD MORGAN

458 ‡ GEOFFREY HUMPHRIES

459 ‡ LEONARD MCCOMB RA

Portrait of a lady with red hair, wearing a black dress

Portrait of Rachel Haywood, in an interior, wearing black

Portrait of a woman reclining on a bed

Portrait of Ruth Gibson

Signed and dated MORGAN 86 (lower right) Oil on canvas 61 x 43cm Unframed

Signed and dated MORGAN 89 (lower right) Oil on canvas 43.2 x 61.3cm Unframed

Signed Geoffrey (lower right), and signed, dated and inscribed Geoffrey/VENEZIA 1979 (to reverse) Oil on canvas 59.9 x 90.1cm

Provenance: Arthur Ackermann, London

£200-300

£300-500

1949-2020

b.1945

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

1930-2018

Signed with initials and dated LM/1989 (lower right) Oil on canvasboard 30.4 x 24.9cm Ruth Gibson is a dancer, choreographer and artist. £400-600

186

460 ‡ SEAN RICE 1931-1997

Ezekiel Signed Rice (to back of neck) Bronze and copper on a wooden base 164 x 78 x 44cm (including base) Exhibited: London, Alwin Gallery, 1970s £1,000-1,500

460

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

187

461 ‡ SEAN RICE 1931-1997

Mother and child Bronze and copper on a stone base 85 x 23.5 x 31.5cm (including base) £700-1,000

462 ‡ SEAN RICE 1931-1997

The Sisters of Mercy; Study for ‘The Sisters of Mercy’ Two, the former signed Rice and stamped with Morris Singer foundry mark; the latter signed Rice (lower centre) Bronze on a black stone base; Charcoal and blue crayon 12.7 x 7.4 x 7.7cm (excluding base); 42.8 x 29.3cm (2) £500-800

461

462 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

188

463 ‡ WILLI SOUKOP RA 1907-1995

Portrait of James Larkin (1874-1947) Bronze with green patina on a wooden base 30.5 x 20.3 x 30cm Provenance: Christie’s, London, Modern British & Irish Paintings, Drawings and Sculpture, 11 March 1994, lot 101 £400-600

463 464

464 ‡ LAURENCE EDWARDS FRSS b.1967

Maquette for Crouching Man III Signed with initial and numbered E 14/15 (to base) Bronze 13.9 x 11.3 x 4.6cm Provenance: Messum’s, Wiltshire, where purchased by the present private collector, April 2017 £300-500

465 ‡ CASTRO

20th Century

Emerging face Indistinctly signed and dated * CASTRO *2 (to lower edge) Bronze 19.7 x 13.2 x 8.4cm Provenance: Anthony and Marietta Coleridge Collection £150-250

465

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

189

466 ‡ MARIO TARAGNI Italian 20th Century

Dancer Signed with monogram (to base) Bronze on a wooden base 45.5cm tall (including base) £200-300

466

467 ‡ RICHARD HUDSON b.1954

Mother and Child Signed and numbered Hudson 2/9 (to base) Bronze 67.5 x 39.4 x 27.1cm Literature: Lynne Green, The Unholy Likeness of Being: Sculpture by Richard Hudson, exh. cat. (Leeds, 2006), no.22 (another cast illustrated) £1,500-2,500

467

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

190

468

469

468 ‡ GHISHA KOENIG

469 ‡ GHISHA KOENIG

The Music Room, Blind School

Jason’s Works II

Signed with initials and numbered GK 3/5 (upper right) Bronze mounted in a painted wooden frame, 1987 51.5 x 55.2cm (including frame)

Signed with initial and numbered G 2/5 (lower left) Bronze mounted on a wooden base, 1977 43.3 x 63.5cm (including base)

Provenance: Acquired from the artist, c.1990

£300-500

1921-1993

470 WILLIAM ZORACH American 1887-1966

The Dance Signed and dated Zorach - 1930 (lower right) Bronze 22.2 x 21.7cm £800-1,200

470 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

191

471

471 ‡ SYDNEY HARPLEY RA, FRBS 1927-1992

Nude Reading Signed and numbered Harpley 3/9 (to side) Bronze on a marble base 15 x 66 x 21.5cm (excluding base) Provenance: Chris Beetles Ltd, London, where purchased by the present private collector, December 1987 Exhibited: London, Chris Beetles Ltd, Sydney Harpley RA - Recent Sculptures and Drawings, November 1987, no.27 £3,000-5,000

472 ‡ SYDNEY HARPLEY RA, FRBS 1927-1992

Girl sitting and looking over her shoulder Signed Harpley (to back of chair) and numbered 12/12 (to side of chair) Bronze on a spelter base 12.5cm high (excluding base) £300-500

472

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

192

473 ‡ KARIN JONZEN RBA 1914-1998

Boy holding a fossil Signed and dated K Jonzen 50 (to base) Bronze 111.5cm high Provenance: Bonhams, London, 20th Century British Art, 30 November 2004, lot 82; Chris Beetles Ltd, London, where purchased by the previous private collector, 2005; And by descent Exhibited: London, Chris Beetles Ltd, The Chris Beetles Autumn Show, 2005, no.207 £2,000-3,000

473

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

193

474 ‡ ENZO PLAZZOTTA Italian 1921-1991

Nureyev (3rd study) Signed and numbered PLAZZOTTA/8/9 and stamped with the foundry mark LUIGI TOMMASI (on the sole of the right foot) Bronze on a polished black stone base, conceived in 1969 75.6cm high (excluding base) Literature: C. Plazzotta and R. O’Conor, Enzo Plazzotta: A Catalogue Raisonné (London, 1986), p.52, no.99 (another cast illustrated) £3,000-5,000

474

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

194

475

476

475 ‡ HARRY HOLLAND Scottish b.1941

Mass Signed W H Holland (lower right) Oil on canvas, 1991 (according to label) 76.3 x 61cm Provenance: Jill George Gallery, London £600-800

476 ‡ HARRY HOLLAND Scottish b.1941

The Red Cloth Indistinctly signed (lower right) Oil on canvas 43.4 x 35.7cm £300-500

477 ‡ HARRY HOLLAND Scottish b.1941

Curve Signed W H Holland (lower right) Oil on board, 1994 (according to label) 56.5 x 56cm Provenance: Martin Tinney Gallery, Cardiff

477

£1,200-1,800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

195

478 ‡ DEIRDRE DAINES b.1950

Life drawing class at the Royal Academy Signed Deidre Daines (lower right) Oil on canvas 101.5 x 76.5cm £700-1,000

479 ‡ KEN SYMONDS 1927-2010

Reclining female nude Signed Symonds (lower left) Pastel 53.1 x 67.2cm £150-250

480 ‡ PETER HOWSON Scottish b.1958

Study of a female nude lying on her front Signed Howson (lower left) Charcoal and pastel 28 x 43.2cm Provenance: McTears, Glasgow, 10 June 2018, lot 142; Private Collection, UK £200-300

478

479

480

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

196

481 ‡ JOHN BRATBY RA 1928-1992

Portrait of the playwright Mary O’Malley (1941-2020) Signed Bratby (twice, lower right) and titled Mary O’Malley (upper right) Oil on canvas 43 x 43cm Provenance: Special Auction Services, Newbury, 14 December 2017, lot 36; Private Collection, UK £200-300

481

482

482 ‡ JOHN BRATBY RA

483 ‡ JOHN BRATBY RA

484 ‡ JOHN BRATBY RA

Portrait of the comedian Mike Winters (1926-2013)

Patti in a Miss Selfridge Jump Suit

Study of Patti Bratby, lying on a bed

Signed, dated and inscribed 12/October/1979./Hastings. The/Cupola. Patti in Miss/ Selfridge Jump Suit./John Bratby (lower right) Crayon and pencil 37 x 31cm

Signed, dated and inscribed Reid’s Hotel. Funchal Madeira/Patti at 10pm 16 Jun/’84/I with excema John Bratby (lower right) Pencil and pastel 25.2 x 35.3cm

1928-1992

Signed JOHN BRATBY (lower right) Oil on canvas 50.8 x 40.5cm Provenance: John Nicholson’s, Haslemere. 11 October 2017, lot 434; Private Collection, UK £300-500

1928-1992

Provenance: Collection of Patti Bratby; Grand Auctions, Folkstone, 8 May 2017, lot 251; Private Collection, UK £100-150

1928-1992

Provenance: Collection of Patti Bratby; And by descent £150-250

483

485 ‡ JOHN BRATBY RA 1928-1992

Study of a macaw Signed and inscribed John Bratby/Maquaw III/ To Patti (upper right) Pencil and pastel 25 x 34.8cm Provenance: Collection of Patti Bratby; And by descent £200-300

484

485 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

197

486

486 ‡ JOHN BRATBY RA 1928-1992

Sunflowers Signed BRATBY (lower right), and inscribed and dated AFTER BURNESS SUNFLOWERS/NO.4 LARGER SERIES SEPT 66 (to stretcher) Oil on canvas 91.5 x 71cm Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

Provenance: Sotheby’s, London, Modern British and Irish Paintings, Drawings and Sculpture, 10 October 1990, lot 221 £4,000-6,000

198

487

488

487 ‡ JOHN BRATBY RA

488 ‡ JOHN BRATBY RA

Angora rabbit

Self-portrait

Signed and indistinctly inscribed John Bratby/The *** (lower right), and inscribed and dated To dearest Patti from John January 2 1986 (lower centre) Oil on canvas 71 x 44.5cm

Signed John Bratby (lower left) Oil on canvas 68.7 x 43.4cm

1928-1992

Provenance: Collection of Patti Bratby; And by descent

1928-1992

Provenance: Collection of Patti Bratby; And by descent £600-800

£1,200-1,800

489 ‡ JOHN BRATBY RA 1928-1992

Portrait of Gloria as an art student Signed BRATBY (upper right) and inscribed Dear Jack, This is a portrait of Gloria - 1960 - Blackheath/Gloria as an Art student/Goldsmiths School of Art New Cross/Jack Merrill (to reverse, beneath frame) Oil on canvas 101.5 x 61cm Provenance: Purchased from the artist by Jack Merrill; By descent to the previous owner; By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 6 June 2018, lot 321; Private Collection, UK

489

£700-1,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

199

490

490 ‡ JOHN BRATBY RA

491 ‡ JOHN BRATBY RA

Dayan, Wendy, Jason and Jean’s Feet

The Male Menopause

1928-1992

Signed BRATBY (lower right) Oil on canvas, 1971 91 x 121.5cm Provenance: The Thackeray Gallery, London; From whom purchased by Richard Cory Smith, 1971; By whom gifted to Baroness Dianne Hayter, 2015; From whom purchased by Robert Eagle Fine Art, 2015; From whom purchased by the present private collector, 2016 Literature: Peter Davies, Bratby (Abertillery, 2002), p.93

1928-1992

Signed JOHN/BRATBY (lower right), and signed, dated and inscribed 1 MAY 1985 To dear Jack with warmest regards John/ To Jack Merrill from John Bratby with every/good wish The Male Menopause (to stretcher) Oil on canvas 76.3 x 50.8cm Provenance: Purchased from the artist by Jack Merrill; And by descent £1,500-2,500

Exhibited: London, The Thackeray Gallery, John Bratby, R.A. Paintings and Drawings, September-October 1971 This painting depicts Bratby’s new daughter Wendy in the pram, with her older brothers Jason and Dayan looking on. The feet of Jean, Bratby’s wife, are visible in the background. £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

491

200

492

492 ‡ JOHN BRATBY RA 1928-1992

The Ridge No.1 Signed BRATBY (lower left) Oil on canvas 40.8 x 71.2cm £600-800

493 ‡ JOHN BRATBY RA 1928-1992

The Ridge No.11 Signed BRATBY (lower right) Oil on canvas 56 x 41cm £600-800

493 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

201

494 ‡ JOAN GILLCHREST 1918-2008

I Wonder Who Did That Signed with initials JG (lower left) Oil on cardboard 46.4 x 32.7cm Provenance: Newlyn Orion Gallery, Penzance, 1980 £1,000-1,500

494

495 ‡ DORA HOLZHANDLER French 1928-2015

Two women and a baby in an interior Signed and dated Dora Holzhandler 89 (lower right) Pastel 58.3 x 43.2cm £200-300

495 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

202

496 ‡ EDWARD PIPER 1938-1990

Bubaqra Tower, Malta Signed, dated and inscribed BUBAQRA TOWER, MALTA 1989 (04)/Edward Piper (lower left) Gouache 55.2 x 74.8cm Provenance: From a private Cornish country estate £300-500

496

497 ‡ EDWARD PIPER 1938-1990

Female nude seated next to a sunflower Signed Edward Piper (lower right) and dated II VIII/1988 (lower left) Watercolour, bodycolour, pastel, chalk and pencil 45 x 59.6cm Provenance: From a private Cornish country estate £300-500

497

498 ‡ EDWARD PIPER 1938-1990

Female nudes with plaits, seated in an interior Signed and dated Edward Piper/25 II 88 (lower right) Mixed media 53.5 x 76.2cm Provenance: The Catto Gallery, London; From a private Cornish country estate £250-350

498 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

203

499

500

501

499 ‡ EDWARD PIPER

500 ‡ EDWARD PIPER

501 ‡ EDWARD PIPER

Female nude in an armchair

Strawberry blond with pink flowers

Nude and flowers; Pot Plant

Dated 29 VIII 81 (lower left) Charcoal, watercolour and bodycolour 37.9 x 50.6cm

Signed and dated Edward Piper/V 89 (lower left) Mixed media 52.7 x 75.9cm

£250-400

Provenance: The Catto Gallery, London; From a private Cornish country estate

Two, both signed Edward Piper (lower right), the former dated 8/XI/89 (lower left), the latter dated 28 X 1981 (lower right) Watercolour and bodycolour; Watercolour, bodycolour and ink 45.5 x 60.9cm; 20.4 x 25.5cm (2)

1938-1990

£300-500

1938-1990

Provenance: ‘Pot Plant’ from the artist’s studio; Messum’s, London; From a private Cornish country estate Exhibited: ‘Pot Plant’, London, Messum’s, Edward Piper: Paintings from the Studio Estate, April 2005, no.7 £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

204

502

502 ‡ DAME ELIZABETH BLACKADDER DBE, RA, RSA Scottish 1931-2021

Two cats amongst hellebores Signed Elizabeth Blackadder (lower right) Pencil and watercolour 19 x 26.1cm £3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

205

503

503 ‡ FREDERICK GORE CBE, RA 1913-2009

Sunflowers, Pollença, Majorca Signed F Gore (lower left) Oil on canvas 61 x 81.5cm Provenance: From the artist’s studio; Fosse Gallery, John Lindsey Fine Art Ltd, Stow-on-the-Wold; Private Collection, UK; Duncan R. Miller Fine Arts, London; Private Collection, UK £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

206

504

504 ‡ SIR ROBIN PHILIPSON RA, PPRSA, FRSE, RSW 1916-1992

Times Revisited Signed and dated Robin Philipson/1986 (to reverse) Oil on board 76.2 x 76cm Provenance: Private Collection, UK; Duncan R. Miller Fine Arts, London; Private Collection, UK £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

207

505

505 ‡ SIR ROBIN PHILIPSON RA, PPRSA, FRSE, RSW 1916-1992

Still life with fruit in a compotier Signed and dated Robin Philipson/’84 (to reverse) Oil on board 58.8 x 49.2cm Provenance: Private Collection, UK; Duncan R. Miller Fine Arts, London; Private Collection, UK £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

208

506

506 ‡ SIR ROBIN PHILIPSON RA, PPRSA, FRSE, RSW 1916-1992

Monkey II Oil on canvas laid on board 29.7 x 30cm Provenance: The Scottish Gallery, Edinburgh; Duncan R. Miller Fine Arts, London; Private Collection, UK £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

209

507 ‡ GORDON HENDERSON Scottish 20th Century

Still life with a vase, carnations, fruit and a fan on a table Signed HENDERSON (lower right) Oil on canvas 50 x 50cm £500-800

508 ‡ JOE HARGAN Scottish b.1952

The Music Recital Signed and dated Hargan 93 (lower left) Oil on canvas 25.5 x 25.5cm Provenance: Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 29 November 2017, lot 494 £400-600

509 ‡ CRAWFURD ADAMSON

Scottish b.1953

Man balancing on one leg Signed Crawfurd adamson (lower right) Oil on canvas, 1993 107 x 91.7cm Provenance: Jill George Gallery, London, where purchased by the present private collector, June 1993 Exhibited: London, Jill George Gallery, Crawfurd Adamson: Paintings, 16 June - 16 July 1993, no.15 £400-600

507

508 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

509

210

510

510 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

Mariner on the Quay Signed John Bellany (to reverse) Oil on canvas 122.2 x 91.7cm £4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

211

511

511 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

Woman with Lobster II Signed Bellany (lower right) Oil on canvas 76 x 60.9cm £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

212

512 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

Portrait of a Mexican girl Signed Bellany (upper right) Pencil and watercolour 37.1 x 26.4cm £1,200-1,800

512

513 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

The Gambler Signed BELLANY (lower right) Watercolour 56.5 x 38.2cm Provenance: Fischer Fine Art Ltd, London; Compass Gallery, Glasgow, where purchased by the present private collector, May 1990 £700-1,000

513 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

213

514 ‡ NEIL MACPHERSON RSA Scottish b.1954

Fox in a landscape Signed Macpherson (lower right) Oil on paper 68.4 x 46.4cm £400-600

514

515 ‡ SVEN BERLIN 1911-1999

Self-portrait wearing a red cap Oil on board 59.6 x 43.8cm Provenance: Purchased from the artist by the present owner £300-500

515

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

214

516 ‡ DONALD MCINTYRE RCA 1923-2009

Boat House Bardsey No.1 Signed with initials DMc (lower right) Oil on board 29.2 x 39.2cm £1,200-1,800

517 ‡ DONALD MCINTYRE RCA 1923-2009

Salmon Fishermen Signed with initials DMc (lower left) Oil on board 28.7 x 38.7cm £1,200-1,800

516

517 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

215

518 ‡ DONALD MCINTYRE RCA 1923-2009

Still life with flowers and jugs Signed D McINTYRE (lower left) Oil on canvas laid on board 68.6 x 48.2cm Provenance: Duncan R. Miller Fine Arts, London; Private Collection, UK £1,200-1,800

518

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

216

519 ‡ CECIL KENNEDY 1905-1997

520 ‡ JOHANNES HENDRIK EVERSEN

Still life with white roses in a glass

Dutch 1906-1995

Still life with carnations

Signed Cecil Kennedy (lower right) Oil on canvas 49.5 x 39.3cm

Signed and dated J.H.Eversen/1957 (lower right) Oil on board 22.7 x 17.2cm

Provenance: The Fine Art Society, London, January 1955 £1,000-1,500

Provenance: The Fine Art Society, London, March 1959 £400-600

521 ‡ F. MANIERA

French 20th Century

Still life with flowers in a vase Signed, dated and inscribed F.Maniera/Paris 1939 (upper right) Oil on canvas 55.5 x 46.4cm £300-500

519

520

521 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

217

522

522 HENRI EPSTEIN

Russian/French 1892-1944

Still life with a bunch of flowers lying on a table Signed H. Epstein (lower left) Oil on canvas 50.5 x 60.8cm Provenance: Matsart Auctioneers, Jerusalem, 30 June 2009, lot 125, where purchased by the present private collector £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

218

523

524

523 ‡ RUDOLF HELMUT SAUTER

524 ‡ CAROLINE HERVEY-BATHURST

525 ‡ GEORGE WRIGHT HALL

526 P. LEFEBVRE

Swan Song

The Flute

Still life with flowers in a jug

Signed and dated R.H.Sauter 55 (lower centre) Oil on board 50.5 x 60.7cm Unframed

Signed with initials CHB (lower right) Oil on canvas 15.1 x 25cm

Signed Geo Wright Hall (lower right) Oil on board 59 x 49.2cm

Still life with flowers in a vase

Provenance: Piers Feetham Gallery, London

£250-350

German 1895-1977

Exhibited: London, Art Exhibitions Bureau, Flower Paintings Series III

b.1936

Scottish 1895-1974

20th Century

Signed Lefebvre. P (lower right) Oil on canvas 58.3 x 48.5cm £300-500

£100-150

£150-250

525

526 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

219

527 ‡ K. BOUSFIELD

Late 20th Century

Still life with a vase of flowers, a coffee-pot and a jar; Winter landscape with a figure pulling a sled; Landscape with a cottage by a stream Three, each signed K Bousfield, two dated 1985, one dated 86 Each oil on canvas Largest 52.9 x 62.3cm; Smallest 41 x 45.7cm (3) £200-300

528 ‡ PAMELA KAY RWS, RBA, NEAC b.1939

Christmas roses in a Spode jug Signed Pamela Kay (lower left) Watercolour and bodycolour 23.1 x 31.7cm Provenance: Chris Beetles Ltd, London £150-250

529 RUSSIAN SCHOOL 20th Century

Rose bush Signed in Cyrillic (lower right) Oil on canvas 36.4 x 44.6cm Provenance: Roy Miles Gallery, London

527

£200-300

530 ‡ GEORGE LESLIE REEKIE 1911-1969

Still life with roses and fruit; Still life with dahlias in a vase Two, the former signed and dated REEKIE 1968 (lower right); the latter signed and dated REEKIE 1969 (lower right) Both oil on canvas 42.5 x 63.5cm; 47.8 x 57.8cm (2) Provenance: Both Frost and Reed £200-400

528

529

530

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

220

531 ‡ CLARE ATWOOD

532 ‡ CLARE ATWOOD

Still life with fish and onions on a dish, an artichoke and a brass jar

The fish market

1866-1962

Signed and dated Clare Atwood/1913 (lower left) Oil on canvas 50.5 x 61cm

Signed and dated Clare Atwood/1913 (lower right) Pencil, watercolour and bodycolour 29 x 25.4cm

Provenance: Christie’s, London, Twentieth Century British Art, 28 April 1999, lot 114

Provenance: Sotheby’s, London, Modern British and Irish Paintings, Drawings and Sculpture, 28 September 1994, lot 48

£400-600

£300-500

531

532

533

534

533 ‡ JACQUELINE PIETERSEN

534 ‡ ALEXANDRA GARDNER

535 ‡ TOM COATES RBA

Princess in Spring

Flying Fishes

Melody of Greys

Oil on canvas 45.6 x 35.5cm

Signed Gardner (lower left) Oil on canvas 23.3 x 28.3cm

Signed with monogram (lower left) Oil on board 28.5 x 28.5cm

Provenance: Duncan R. Miller Fine Arts, London

Provenance: The Summerleaze Gallery, East Knoyle, December 2010, where purchased by the present private collector

1899-1984

b.1945

Provenance: Royal Academy, London, where purchased by Captain Pearce, 1939 Exhibited: London, Royal Academy

£250-450

£300-500

b.1941

£150-250

536 ‡ LEONARD MCCOMB RA 1930-2018

Fruit in a glass bowl Signed with initials LM and dated 1986 (lower left) Pastel 55.4 x 76.2cm £300-500

535

536 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

221

537 ‡ LUCIEN PHILIPPE MORETTI French 1922-2000

L’Ile de la Dérivation ou Le Temps S’Écoule Signed Lucien Philppe Moretti (lower left) and further signed and inscribed L’Ile de la/Dérivation/ou/Le temps/S’écoule (to reverse) Oil on canvas 73.5 x 92cm Provenance: M.Blache, Hotel Rameau, Versailles, Tableaux Modernes, 11 June 1986, lot 51 £1,500-2,500

537

538

539

538 ‡ EDWARD PULLÉE

539 ‡ DAVID TINDLE RA

Hope Cove, Devon

Arbroath Harbour: Seine Net Boats

Signed Pullée (lower right), and inscribed Hope Cove Edward Pullée (to reverse) Oil on board 26.2 x 18.8cm

Signed and dated David Tindle 1957 (lower left) and signed, dated and inscribed David Tindle 57./Arbroath Harbour/”Seine net boats” (to reverse) Oil on board 45.1 x 60.5cm

1907-2002

Provenance: Private Collection, London £150-250

b.1932

Provenance: Sold on behalf of the Executors of Julian Bream CBE dec’d The proceeds of this lot will go to The Julian Bream Charitable Trust. £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

222

540

541

542

540 ‡ PIERRE DMITRIENKO French 1925-1974

543

541 ‡ JOHN SCORROR O’CONNOR

542 ‡ JOHN SCORROR O’CONNOR

Abstract in blue, white and grey

1913-2004

Signed and dated P. Dmitrienko 1960 (lower right) Oil on canvas 41.2 x 33.2cm

Short Roach Swim

August Storm

Signed John O’Connor (lower left) Oil on canvas 76.2 x 61cm

Signed John O’Connor (lower centre) Oil on canvas 76.4 x 91.8cm

Provenance: Galerie Jacques Massol, Paris

£500-800

£600-800

£1,000-1,500

1913-2004

543 ‡ ALAN GREEN 1932-2003

Three Variations B Signed, dated and inscribed AP 4/6 Three Variations B Alan Green 74 (in pencil to margin) Etching 68.2 x 84.7cm (sheet) Unframed £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

223

544 ‡ WILLIAM JOHNSTONE OBE 1897-1981

Brown Space Signed William Johnstone (to verso) Oil on canvas, c.1958 63.7 x 76cm Provenance: Collection of the artist; Duncan R. Miller Fine Arts, London; Private Collection, UK; Duncan R. Miller Fine Arts, London; Private Collection, UK £2,000-4,000

545 ‡ NORMAN ACKROYD CBE, RA b.1938

A Scottish Daybreak; Silver stripe Two, the former signed, dated, numbered and inscribed 1/75 A Scottish Daybreak Norman Ackroyd 1974 (in pencil to margin); the latter signed, dated and inscribed Artists Proof Early State Norman Ackroyd 1970 (in pencil to margin) Aquatint; Aquatint in silver ink 41.5 x 37.7cm (plate); 50 x 50cm (plate) (2) Provenance: Purchased directly from the artist by the present private collector

544

£150-250

545

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

224

546

546 LEONARD CREO

American 1923-2019

On the lake; Three little girls; Child with a towel Three, each signed Creo (lower right) Two oil on canvas; One oil on board Largest 70.8 x 91cm; Smallest 22.2 x 22.3cm (3)

547

547 ‡ BERNARD KAY

Provenance: ‘On the lake’ with Sands Gallery, Harrogate, where purchased by the present private collector, May 1972; ‘Three little girls’ and ‘Child with a towel’ both with Portal Gallery, London, where purchased by the present private collector, the latter in March 1968

1927-2021

Château de Jumilhac Signed and dated Bernard Kay 61 (lower right), and further signed, inscribed and dated Jumilhac/ Bernard Kay 1961 (to reverse) Oil on board 91.4 x 106.4cm

£300-500

548

549

Provenance: Mallams, Oxford, The Bernard Kay Studio Sale, 28 July 2021, lot 109 £500-700

551

550

548 ‡ CLARA KLINGHOFFER

549 BRITISH SCHOOL

550 ‡ CLIFFORD HALL RBA, ROI

Mexican Market; Mother and Baby

A long-haired cat in the grass

A woman undressing

Irish 1896-1969

Signed and dated Clifford Hall ‘33 (lower right) Oil on canvas 61.2 x 51cm

Portrait of the artist’s son Oil on canvas 66.2 x 45.8cm

Provenance: Belgrave Gallery, London, 1982; Christie’s, London, Twentieth Century British Art, 3 November 1999, lot 53

£200-300

1900-1970

1991

Two, the former signed, dated, numbered and inscribed BB7/25 Mexican Market Clara Klinghoffer/To Jill, Teddy and Rosalind, in memory of Clara London May 1972 (in pencil to margin); the latter signed and inscribed Mother and baby artist’s proof Clara Klinghoffer (in pencil to margin) Both lithographs 57.8 x 40.2cm; 44.1 x 33.5cm (sheet) Unframed (2) Provenance: From the collection of Edward Croft-Murray (1907-1980)

Signed with initials PAB and dated 91 (lower right) Pastel 52.1 x 41.4cm £150-250

1904-1973

551 ‡ ROBERT BOYD MORRISON

£400-600

£50-100 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

225

553

552

552 ‡ JONATHAN WOLSTENHOLME b.1950

A Literary Struggle Signed and dated JONATHAN WOLSTENHOLME 2002 (lower right) Watercolour 35 x 34.2cm Provenance: Portal Gallery, London; Private Collection, London £600-800

553 ‡ ROY HOLT 1942-2007

Hammered Glass Window Signed and dated R B Holt/JAN 79 (lower left) Tempera on board 44.1 x 35.3cm Provenance: The Piccadilly Gallery, London; Peter Nahum at The Leicester Galleries, London; Phillips, London, Modern British and Irish Paintings, Drawings and Sculpture, 23 September 1997, lot 140 £300-500

554

555

554 ‡ VICTOR FERRERI

555 BRITISH SCHOOL

Portrait of Sabine wearing a red coat and scarf

Portrait of W. H. Auden (1907-1973), wearing a blue check shirt and green jacket

French 1915-2009

Signed Victor Ferreri (lower right) Oil on canvas 30.3 x 40.54cm £100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

1968

Signed with monogram (AL?), and dated 69 (lower right) Oil on board 48.7 x 38.5cm £400-600

226

556 ‡ PEGGY ALEXANDER 20th Century

Brigadier Gerard with a jockey Signed, inscribed and numbered P Alexander Brigadier Gerard 5 (to bronze base) Bronze on a green marble base 20 x 34.1 x 10.1cm (including marble base) £150-250

557 ‡ MAIRI LAING HUNT Scottish 20th Century

Pot-bellied pig

556

Signed and numbered Mairi Laing Hunt 71 2/9 (to underside) Bronze 25cm long £200-300

558 ‡ SHENDA AMERY b.1937

Running cheetah Signed and numbered Shenda Amery 3/9 (to base) Bronze 37 x 32.3cm £300-500

557

558

559 CONTINENTAL SCHOOL 20th Century

A panther on a tree trunk Resin on a marble base 38.8 x 59 x 32cm (including base)

559

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

227

560 ‡ DEBORAH VAN DER BEEK b.1952

Bull Signed with initials and inscribed A/C 1/DvdB (to underside) Bronze 31.5 x 57.5 x 23.2cm £800-1,200

560

561 ‡ DEBORAH VAN DER BEEK b.1952

Rolling horse Signed with initials and numbered 4/8 DvdB (to left hind leg) Bronze 19.5 x 31 x 29.1cm £300-500

562 ‡ D. MONTAGU 561

20th Century

Cheetah and warthog Signed and numbered 2/5 D. Montagu (to bronze base of warthog) Bronze on a painted wooden base 18.2 x 53 x 9.2cm (including base) £500-800

562 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

228

563

563 ‡ DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Lying-down horse Signed and dated Frink 71 (lower right) Pencil and watercolour 49.6 x 64cm Provenance: Hester van Royen Gallery, London; Lady Gillian Anderson £3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

229

564

564 ‡ DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Corrida I (Wiseman 78) Signed Frink (in pencil lower right) and numbered 68/72 (lower left) Lithograph in colour, 1973 57.2 x 76.5cm Unframed £1,000-1,500

565 ‡ DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Aesop’s Fables Signed and inscribed Helena and David/with love/from/Lis/18 June 1977/Elisabeth Frink Unnumbered copy, containing four original lithographs (Wiseman 22-25) each signed in pencil, and 46 illustrations printed in 2 colours, published by R. Alistair McAlpine Publishing & Leslie Waddington Prints, 1968, bound in gilt-tooled orange and yellow leather 28 x 39.5cm (folio) Provenance: Tennants, Leyburn, The Book Sale, 21 September 2016, lot 35 £800-1,200

565 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

230

566 ‡ DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Horse Maquette Signed and numbered Frink 1/8 (to bronze base) Bronze on a black marble base, 1980 32.2 x 33.7 x 9.8cm (excluding marble base) Together with a photograph of HM Queen Elizabeth II and the Duke of Richmond presenting the work to Lord McAlpine on the occasion of the opening of a new stand at Goodwood Racecourse (2) Provenance: Presented by HM Queen Elizabeth II on behalf of Goodwood Racecourse to Edwin McAlpine, Baron McAlpine of Moffat (1907-1990), July 1980; And by descent Literature: Bryan Robertson, Elisabeth Frink Sculpture: Catalogue Raisonné (Salisbury, 1984), p.193, no.255; Annette Ratuszniak, Elisabeth Frink: Catalogue Raisonné of Sculpture 1947-93 (Farnham, 2013), p.146, no.FCR289 (illustrated) Exhibited: London, Waddington Galleries, Elisabeth Frink: Recent Sculpture, Works on Paper, June 1981 (another cast) Horses are one of the defining subjects in the work of Elisabeth Frink. Throughout her career she ‘was fascinated by how they moved and looked’ and ‘in the relationship between man and horse which has existed for millions of years’. In 1980 she was commissioned by the Earl of March to sculpt a life-sized horse in bronze for Goodwood Racecourse (FCR290). The sculpture offered here is a maquette for that commission, combining the primitive ruggedness that is so characteristic of Frink’s work, with the elegance and poise that gives the Goodwood piece an almost unique place in her oeuvre. This bronze is notable for the way Frink has captured the strength and speed of the racehorse, which she has depicted in motion, giving it a wonderful sense of dynamism. The artist proudly recalled two construction workers who, upon entering Goodwood and seeing the full-sized version, remarked ‘He’s so alert, isn’t he?’. When HM Queen Elizabeth II unveiled the Goodwood sculpture in July 1980, she presented this cast to Lord McAlpine, and it has passed by descent before being presented here for sale for the first time. £60,000-80,000

HM Queen Elizabeth II and the Duke of Richmond presenting the present work to Lord McAlpine, July 1980

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

231

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

232

567 ‡ SOPHIE RYDER b.1963

The Minotaur; The Lady-Hare A pair, both wire 114 x 91cm; 107 x 117.5cm (2) Provenance: Courcoux and Courcoux, Stockbridge, where purchased by the present private collectors These are examples of what Sophie Ryder refers to as ‘wire drawings’, a technique she developed in the 1990s. She bends, twists and compresses wire, not only to create line, but to also build up areas of density. £7,000-10,000

567

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233

567

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

234

568 ‡ SOPHIE RYDER b.1963

Paintpots Signed, dated, numbered and inscribed AP/9 for André & Galina with/love from Sophie Ryder 2001 (in pencil) Screenprint in colours, 1 of 9 artist’s proofs aside from the edition of 50 53 x 67.8cm (sheet) £200-300

568

569

570

569 ‡ LIN JAMMET

570 ‡ JO TAYLOR

Horse and rider

Young Spaniard II

Signed and dated Lin Jammet ‘89 (lower right) Mixed media on paper 90.7 x 68.3cm

Signed Jo Taylor (lower right) Mixed media 70 x 61.7cm

1958-2017

b.1969

Provenance: Campden Gallery, Gloucestershire, where purchased by the present owner, March 2005 £200-300

£200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

235

571 ‡ BREON O’CASEY 1928-2011

Bird in flight Signed with initials and numbered OC 7/8 (to bronze base) and further signed and numbered VII/VIII BO’C (to underside of stone base) Bronze on a marble base 21.1 x 20.5 x 18.9cm (including base) Provenance: Katherine House Gallery, Marlborough £2,000-3,000

571

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

236

572

573

574

575

572 ‡ ROSEMARY SARAH WELCH SEA

573 ‡ SUSAN CRAWFORD

574 ‡ ROBIN ARMSTRONG

575 ‡ RODGER MCPHAIL

Horses in the shade

Altesse Royale and Yves St Martin

Brown trout

Bridge over the Avon

Signed Robin Armstrong (lower right), and inscribed Brown trout (lower left) Watercolour heightened with bodycolour 20.3 x 25.2cm

Signed R.Mcphail (lower left) Watercolour 15 x 19cm

b.1946

Scottish b.1941

Signed Rosemary Sarah Welch (lower left) Oil on canvas 56 x 45.5cm Provenance: Colin Popham; Sold by his executors, Woolley and Wallis, Salisbury, 20th Century & Contemporary Paintings, 4 June 2014, lot 11, where purchased by the present private collector £300-500

Signed and inscribed Altesse Royale/S L Crawford (lower right) Oil on board 59.5 x 49.7cm Provenance: Tyron Gallery, London £300-500

b.1947

£50-100

b.1953

Provenance: The Tyron & Swann Gallery Ltd, London £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

237

576

577

578

579

576 VICTOR KOULBAK

577 ‡ EDWIN PENNY

Tortoise

A grebe amongst the reeds

Signed with monogram (lower right) Silverpoint and watercolour, 2005 25.3 x 31.8cm

Signed Edwin Penny (lower right) Watercolour heightened with white 36.6 x 50.3cm

Exhibited: London, Portland Gallery, September 2008, cat. no.3

£300-500

Russian b.1946

b.1930

£800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

578 ‡ SIR PETER SCOTT CH, CBE, DSC, FRS

579 ‡ SIR PETER SCOTT CH, CBE, DSC, FRS

Studies of waterfowl

Black ducks and ring-necked ducks

Signed Peter Scott (lower left) and inscribed throughout with birds’ names Pen and black ink on headed notepaper 19.9 x 17.6cm

Signed with initials and dated P.S./1955 (lower left) Watercolour and bodycolour 24 x 19.1cm

1909-1989

£120-180

1909-1989

Provenance: The Parker Gallery, London £200-300

238

580

581

580 ‡ DAVID MORRISON REID HENRY

581 ‡ JOHN CYRIL HARRISON

582 ‡ JOHN CYRIL HARRISON

Northern Waterthrushes

Mallards alighting on the flats

Grouse in flight over heather

Signed with initials D.M.H (lower left) Gouache 11.1 x 17.5cm

Signed J.C.Harrison (lower right) Pencil and watercolour 32.5 x 46.8cm

Literature: P.A.D. Hollom, The Popular Handbook of Rarer British Birds (London, H.F. & G. Witherby, 1960), plate 36a

Provenance: Vicars Brothers, London

Signed JCHarrison (lower right) Watercolour 57 x 80cm Unframed

1919-1977

£200-300

1898-1985

£800-1,200

£400-600

582 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

239

583 ‡ JOHN CYRIL HARRISON 1898-1985

Buzzards on a branch Signed JCHarrison (lower right) Pencil, watercolour and bodycolour 51 x 38cm Provenance: Mandell’s Gallery, Norwich Literature: Leslie Brown and Dean Amadon, Eagles, Hawks and Falcons of the World (London, Country Life Books, 1968), plate 84 £3,000-5,000

583

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

240

584

584 ‡ GEOFFREY DASHWOOD b.1947

Mandarin II Signed and numbered Dashwood 4/12 (to base) Patinated bronze, 1989 22.5 x 31.3cm Literature: Geoffrey Dashwood, Geoffrey Dashwood Sculptor (HSW Print, 2011), p.288 £1,200-1,800

585 ‡ GEOFFREY DASHWOOD b.1947

Greenfinch Signed and numbered Dashwood 12/12 P.E. (to base) Bronze with green patina, 1996 10.5 x 10cm Literature: Geoffrey Dashwood, Geoffrey Dashwood Sculptor (HSW Print, 2011), pp.128-129, 297 £1,000-1,500

585

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241

586 ‡ GEOFFREY DASHWOOD b.1947

Snipe I Signed and numbered Dashwood 6/12 (to base) Patinated bronze, 1987 17 x 19.5cm Literature: Geoffrey Dashwood, Geoffrey Dashwood Sculptor (HSW Print, 2011), p.287 £800-1,200

586

587 ‡ GUY TAPLIN b.1939

Snow Goose Signed GUY/TAPLIN (to underside of goose) Painted wood with glass bead eyes on a painted wooden base 24 x 54.7 x 19cm £800-1,200

587

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

242

588 ‡ GUY TAPLIN b.1939

Mallard Signed and inscribed MALLARD GUY TAPLIN (to underside) Painted wood with glass bead eyes 16.5 x 61.5 x 17cm £600-800

589 ‡ GUY TAPLIN b.1939

Mallard Signed and inscribed MALLARD/ GUY TAPLIN (to underside) Painted wood with glass bead eyes 10.5 x 33.5 x 10.5cm

588

£500-800

589

590 20TH CENTURY SCHOOL Supine figure Terracotta with painted bronze glaze 20 x 20.7 x 18.7cm Together with 20th Century School; A group of writhing figures; terracotta; 19.5 x 14.5 x 15cm (2) £100-150

590

591 ‡ KURT JACKSON b.1961

Jay Screech Signed and dated Kurt J/08 (to one end), inscribed jay screech/cork oak forest/cicada rattle (to one side), and 2 tailed pashas/cork oaks/swallowtails (to the other side) Cork oak and bronze 6.3 x 18.9 x 5.6cm £200-300

591

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243

592 ‡ CLAIRE NORRINGTON b.1969

Barn Owl Signed with initials and numbered CN 8/9 (to foot) Bronze 246 x 67 x 62cm Provenance: Courcoux and Courcoux, Stockbridge, where purchased by the present private collectors £4,000-6,000

592 (detail)

592

244

593

593 ‡ VERNON WARD

594 ‡ COLIN SEE-PAYNTON

Spring Lagoon

All Around Tryfan; Brown Trout Rising; Swallows, Snipes & Martins II

Signed VERNON WARD (lower left) Oil on canvas 40.8 x 56cm

Three, each signed Paynton, inscribed with title, and numbered 31/75; 102/150, 15/100 respectively (in pencil) Each wood engraving Largest 20.1 x 25cm; Smallest 15.1 x 10.1cm (image) (3)

£500-800

£200-300

1905-1985

b.1946

594 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

245

595 ‡ GERTRUDE HERMES OBE, RA 1901-1983

Owls Signed, dated, numbered and inscribed ‘Owls’ 31/50 R.A.Exhibition 18-8-81 Gertrude Hermes 1955 (in pencil) Linocut 76 x 55.6cm (image) Provenance: The Redfern Gallery, London, 2003 £1,000-1,500

596 ‡ GERTRUDE HERMES OBE, RA 1901-1983

Stonehenge Signed, dated, numbered and inscribed Stonehenge 5/10 Gertrude Hermes 1963 (in pencil to margin) Woodcut 25.2 x 35.2cm (image) £300-500

597 ‡ WINIFRED AUSTEN RE, RI 1876-1964

Lapwings alighting; Flycatchers Two, both signed Winifred Austen, and the latter inscribed “Flycatchers” (in pencil to margin) Both etchings 30.2 x 22.7cm; 13.8 x 18.7cm (plate) (2) £200-300

595

596 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

597

246

598

599

600

601

598 ‡ GEORGE DEVLIN

599 ‡ LAURENCE SCARFE

600 ‡ LIONEL BULMER

601 ‡ NORMAN ADAMS RA

Mastiano, Italy

Salt Pie Farm, Thornton, Bradford

Signed Devlin (lower right) Oil on canvas 66 x 70.5cm

Signed with initials LS (lower right), and further signed, dated and inscribed Laurence Scarfe/Aug 1936/Salt Pie Farm,/Thornton, Bradford (to reverse) Oil on board 25 x 31.1cm

Landscape with Walberswick in the distance

Olives; The Upper Church of San Francesco, Assisi

Scottish 1937-2014

Exhibited: London, Portland Gallery, Summer 2001 £300-500

1914-1993

Provenance: Dreweatts, Newbury, 18 May 2010, lot 4 £300-500

1919-1992

Signed L.Bulmer (lower left) Oil on board 39.6 x 49.3cm £200-300

1927-2005

Two, the first signed with initials, dated and inscribed Olives NA. 91 (lower right); the latter signed with initials and dated NA 67 (lower right) and inscribed The Upper Church of San Francesco - Assisi (lower left) Both pencil and watercolour 20.9 x 24.8cm; 28.6 x 33.1cm (2) £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

247

602 ‡ FRANCIS HEWLETT 1930-2012

Return of Winter Signed with initials and dated FH77 (lower left) Oil on board 41 x 30.2cm £150-200

603 ‡ NORMAN STEVENS ARA 1937-1988

Cow parsley and farm buildings Oil on board, 1984 29.8 x 24.4cm Provenance: The Redfern Gallery, London, where purchased by Professor John Ball, July 2008 Exhibited: London, The Redfern Gallery, Norman Stevens 602 ARA 1937-1988: An English Landscape, 1989 (cat. no.12); London, The Redfern Gallery, The Norman Stevens Tribute Exhibition, 2008 (illus. cat.); Bradford College, Dye House Gallery, Norman Stevens ARA: Painter and Printmaker, 2014

603

£300-400

604

605

604 ‡ SIR COLVILLE BARCLAY BT

605 ‡ PETER UNSWORTH

Landscape with olive trees, mountains beyond

Landscape with flamingos watering in a pond

1913-2010

Signed Barclay (lower left) Oil on canvas 40.5 x 51cm £400-600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

b.1937

Signed and dated Unsworth 1981 (lower right) Oil on board 50 x 50cm £200-300

248

606 ‡ PAUL MOUNT 1922-2009

Escape Signed and inscribed Escape/Paul Mount (to reverse) Oil on canvas, 2003 (according to label) 76.5 x 61.4cm £700-1,000

607 ‡ NICHOLAS HELY HUTCHINSON b.1955

Little Church Near Montmaur Signed with initials NHH (lower right) Watercolour and bodycolour 29.3 x 39.3cm Provenance: Montpelier Studio, London; Eric Mhitarian £200-300

608 ‡ CRAIGIE AITCHISON CBE, RSA, RA Scottish 1926-2009

Sheep in the Moonlight Signed, dated and numbered Craigie Aitchison 10/75 1999 (in white ink, lower centre) Screenprint in colours, published by Advanced Graphics, London 68.7 x 56cm (sheet) Provenance: Private Collection, Kent £600-800

606

607

608

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

249

609 ‡ ERIC HOLT 1944-1997

Aiken Drum Signed and dated E.S.HOLT/1975 (to stone lower left) Tempera on board 45.5 x 33cm Provenance: By descent from the artist Exhibited: London, The Piccadilly Gallery, April-May 1977 According to the Scottish folk song, Aiken Drum lived on the moon. In this work we see him playing on a ladle whilst wearing his cheese hat, coat of roast beef, buttons of penny loaves, waistcoat of crust pies and breeches made of haggis bags. £4,000-6,000

609

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

250

610

611

612

613

610 ‡ KEITH GRANT

611 ‡ KEITH GRANT

612 ‡ MARTYN BREWSTER

The Aurora Borealis I

Iceberg Blazing Under Midnight Sun, Rothera, Antarctica

Lowick No.200

b.1930

Signed KEITH GRANT (lower right) Oil on canvas laid on board 51 x 51cm Provenance: The Collection of Sir Alan and Lady Cox £250-400

b.1930

Signed KEITH GRANT (lower left), and further signed and inscribed ICEBERG BLAZING/UNDER MIDNIGHT SUN ROTHERA/ANTARCTICA KEITH GRANT (to stretcher) Oil on canvas 27.4 x 27.4cm Provenance: The Collection of Sir Alan and Lady Cox £200-300

b.1959

Signed, dated and inscribed Lowick No.200 Brewster ‘94 (in pencil) Monoprint 20.3 x 20.3cm Provenance: Beatrice Royal Gallery, where purchased by the present private collector, October 1999 £120-180

613 ‡ MARY LLOYD JONES RCA, FLSW Welsh b.1934

Rock Pools, Aberystwyth III Signed with initials and dated MLJ 04 (lower right) Oil on canvas 25.8 x 30.9cm Unframed Provenance: Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

251

614 ‡ KURT JACKSON b.1961

Calm Before the Storm, Mid Afteroon on a Mild November Day 2000 Signed and dated KurtJ/2000 (lower right) Oil on canvas 123 x 123cm Provenance: Messum’s, Marlow £3,000-5,000

614

615 ‡ JOHN MILLER 1931-2002

Cornish landscape Oil on canvas 27 x 39.7cm Provenance: New Craftsman Gallery, St. Ives No. KN/2375/2339 in the artist’s catalogue (according to inscription to reverse) £400-600

615 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

252

PICTURES BY NORMAN DOUGLAS HUTCHINSON (1932-2010) FROM THE COLLECTION OF CAROLINE BROWN

LOTS 616-628 PICTURES BY NORMAN DOUGLAS HUTCHINSON (1932-2010) FROM THE COLLECTION OF CAROLINE BROWN Norman Douglas Hutchinson was born in India in 1932 and moved to London in 1959. He is best known for his Royal portraits, and studies of The Queen Mother and Prince Philip are offered here, as well as his famous portrait of Queen Elizabeth II. Caroline Brown was a friend, collector and model of Hutchinson’s for many years, and describes him as someone who was ‘totally outrageous, pushed boundaries and loved to shock’. 616 ‡ NORMAN DOUGLAS HUTCHINSON 1932-2010

Portrait of Niqui Wigley Signed and dated Norman/2004 (upper right) Tempera on board 34 x 26cm Provenance: Purchased from the artist by the present owner, 2005; The collection of Caroline Brown £800-1,200

616 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY NORMAN DOUGLAS HUTCHINSON (1932-2010) FROM THE COLLECTION OF CAROLINE BROWN

617 ‡ NORMAN DOUGLAS HUTCHINSON

618 ‡ NORMAN DOUGLAS HUTCHINSON

Le Chateau de Duras

Fruit and Vegetables from an Indian Market, Calcutta 2004

1932-2010

Signed with initials and dated 89 NH (lower right) and further inscribed Le Chateau de Duras . oct. 84. (lower left) Pencil and pen 23 x 29cm Provenance: The collection of Caroline Brown £200-300

1932-2010

Nineteen, each signed and numbered Norman 3/10 (in pencil) Each reproduction print, plus title Each 29.7 x 20.2cm Unframed

617

Together with Norman Douglas Hutchinson; Self-Portrait; Photographic print; 40 x 28.5cm (21) Provenance: The collection of Caroline Brown £200-300

619 ‡ NORMAN DOUGLAS HUTCHINSON

620 ‡ NORMAN DOUGLAS HUTCHINSON

He Who Dares Does

Portrait of Caroline Brown at 50; Study for the portrait of Caroline Brown at 50

1932-2010

Signed, inscribed and dated ‘HE WHO DARES DOES’/For Jim & Caroline/with my love/Norman/Christmas 2003 (to backing board) Tempera on board 77 x 52.5cm Together with Norman Douglas Hutchinson; Studies for the backdrop of a portrait of Sarah Crichton-Stuart (later Princess Salimah Aga Kahn); Signed and dated Norman 63 (lower right) and extensively inscribed on a separate sheet; Pen and blue ink; 54 x 37cm (total) (2) Provenance: ‘He Who Dares Does’ purchased from the artist by the present owner, 2003; The collection of Caroline Brown

1932-2010

Two, the former signed and dated Norman 1998 (lower right), and inscribed C B (upper left and right); the latter signed, dated and inscribed For Caroline/ with my love/Norman 98 (lower right) and further inscribed Caroline Brown (upper left) Tempera; Pencil, pen and ink, and watercolour heightened with white 58 x 47.5cm; 38.5 x 29cm (2)

619

Provenance: Purchased from the artist by the present owner, 1998; The collection of Caroline Brown £400-600

£600-800

620 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

618

253

254

PICTURES BY NORMAN DOUGLAS HUTCHINSON (1932-2010) FROM THE COLLECTION OF CAROLINE BROWN

621

621 ‡ NORMAN DOUGLAS HUTCHINSON 1932-2010

The Aging Dancer Signed and dated Norman/99 (lower right) Tempera on board 99.5 x 80cm

Provenance: Purchased from the artist by the present owner, 1999; The collection of Caroline Brown Literature: Norman Douglas Hutchinson, A Hand to Obey the Demon’s Eye (London, Unicorn Press, 2000), p.128 (illustrated) £1,500-2,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY NORMAN DOUGLAS HUTCHINSON (1932-2010) FROM THE COLLECTION OF CAROLINE BROWN

255

622 ‡ NORMAN DOUGLAS HUTCHINSON 1932-2010

The sacraments Signed and dated Norman/2000 (lower right), and signed, dated and inscribed Norman Douglas Hutchinson/2000/For James & Caroline Brown (to verso) Tempera on board 50 x 70cm Provenance: Purchased from the artist by the present owner, 2000; The collection of Caroline Brown £500-700

622

623 ‡ NORMAN DOUGLAS HUTCHINSON 1932-2010

Adam; Eve; Magdalene II Three, ‘Magdalene II’ signed with initial and dated N/93 (upper right) Each tempera on board Two 55 x 25.3cm; one 30 x 29cm, framed as one (3) Provenance: John Nicholson’s, Haslemere, 23 November 2016, lot 281, where purchased by the present owner; The collection of Caroline Brown £600-800

623

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

256

PICTURES BY NORMAN DOUGLAS HUTCHINSON (1932-2010) FROM THE COLLECTION OF CAROLINE BROWN

624 ‡ NORMAN DOUGLAS HUTCHINSON 1932-2010

Study for the portrait of HM Queen Elizabeth, The Queen Mother Signed with initials, dated and inscribed NH Feb. 85/NORMAN DOUGLAS HUTCHINSON/ CLARENCE HOUSE/STUDY FOR DONCASTER PORTRAIT (lower right) Coloured pencil and chalk 81 x 59cm Provenance: Mayfair Gallery; John Nicholson’s, Haslemere, 23 November 2016, lot 275, where purchased by the present owner; The collection of Caroline Brown Literature: Norman Douglas Hutchinson, A Hand to Obey the Demon’s Eye (London, Unicorn Press, 2000), p.65 (illustrated) Both this and the following lot are studies for the work in Mansion House, Doncaster. £800-1,200

624

625

625 ‡ NORMAN DOUGLAS HUTCHINSON 1932-2010

Study for the portrait of HM Queen Elizabeth, The Queen Mother Signed with initials and dated NH 85 (lower centre), inscribed Clarence/House/1985 (upper left), For David Norman (upper right), and further signed, dated inscribed (to verso) Mixed media on joined paper 39.5 x 24cm Provenance: John Nicholson’s, Haslemere, 23 November 2016, lot 277; The collection of Caroline Brown £400-600

626

627

626 ‡ NORMAN DOUGLAS HUTCHINSON

627 ‡ NORMAN DOUGLAS HUTCHINSON

Study for the portrait of HRH Prince Philip, Duke of Edinburgh

1932-2010

Signed, dated and inscribed study for Prince Philip/oct. 1996 Buckingham Palace/Norman D Hutchinson (upper left) and further inscribed For my/friend/David/Norman (lower right) Pencil and pastel 41 x 28.5cm

Signed with initials and dated NH/oct 84 (lower left) Pen and pastel 36.5 x 25.5cm

Provenance: John Nicholson’s, Haslemere, 23 November 2016, lot 278; The collection of Caroline Brown

Provenance: John Nicholson’s, Haslemere, 23 November 2016, lot 279; The collection of Caroline Brown

Both this and the following lot are studies for the work in The Wardrobe Museum, Salisbury.

£400-600

£300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PICTURES BY NORMAN DOUGLAS HUTCHINSON (1932-2010) FROM THE COLLECTION OF CAROLINE BROWN

628

628 ‡ NORMAN DOUGLAS HUTCHINSON 1932-2010

Portrait of HM Queen Elizabeth II, three-quarter length, wearing the Russian Fringe Tiara, the Order of the Garter and the Queen Anne Pearls Signed with initials and dated NDH 87 (lower right to chair), and inscribed ER/171080 (upper left) Tempera on canvas 165.4 x 150.5cm

Provenance: Mansion House, Doncaster; Purchased from the artist by the present owner, 2000; The collection of Caroline Brown Literature: Norman Douglas Hutchinson, A Hand to Obey the Demon’s Eye (London, Unicorn Press, 2000), pp.170, 108 (illustrated) The present work was widely reproduced and discussed when completed, including on the front page of the Daily Mail, under the headline ‘Unveiled: The stern Queen’ (17 August 1988). £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

257

258

629 ‡ CHRIS ORR MBE, RA b.1948

Ruskin’s Room Signed, dated, numbered and inscribed Chris Orr 1972 ‘Ruskin’s Room’ AP 7/8 (in pencil to margin) Etching, from ‘Chris Orr’s John Ruskin’ series 26.8 x 41.5cm (plate) £700-1,000

630 ‡ CHRIS ORR MBE, RA b.1948

Ice Age: The Last Lecture Signed, dated, numbered and inscribed Chris Orr 1972 ‘Ice Age. The Last Lecture’ AP 7/8 (in pencil to margin) Etching and aquatint, from ‘Chris Orr’s John Ruskin’ series 41.3 x 26.9cm (plate)

629

£150-250

631 ‡ CHRIS ORR MBE, RA b.1943

Arthur: A Story by Chris Orr Twelve, each signed, dated and numbered 33/100 Chris Orr 1978, and inscribed with title (in pencil), and with Dog Ear Press blindstamp Complete set of lithographs plus title and colophon sheet Each 37.5 x 52.6cm (sheet) Unframed (13) £100-200

632 ‡ RODRIGO MOYNIHAN RA 1910-1990

630

632

By the window Pen and ink, and watercolour 20 x 24cm Provenance: Redfern Gallery, London, where purchased by Dr Philip Nelmes, July 1983 £200-300

631

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

259

633 ‡ RICARDO CINALLI Argentinian b.1948

Decomposition Signed and dated Cinalli MMI (lower right), and further signed, dated and inscribed Decomposition (to reverse) Oil on nine joined canvases 82 x 82cm (total) Unframed £700-1,000

634 ‡ LINDER b.1954

Oh Grateful Colours, Bright Looks Collage on photographic paper (photography by Tim Walker), 2009 41.5 x 27.8cm Provenance: Blum & Poe, Los Angeles £700-1,000

633

635

635 ‡ DAVID CARPANINI Welsh b.1946

The Gelly Hill Signed and dated D.L.CARPANINI’75 (lower right), and further signed, dated and inscribed THE GELLY HILL (to reverse) Oil on canvas 50.7 x 50.7cm Provenance: The Patricia Wells Gallery, Thornbury; Mrs B. Anderson

634 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

£500-700

260

637

636 JAMIE BOYD

638 ‡ ROBERT BRUCE

Bank on the Shoalhaven River, New South Wales

Bridge over a river

Australian b.1948

Signed Jamie Boyd (lower right), and inscribed and dated Bank on The Shoalhaven River N.S.W/1982 (to reverse) Oil on canvas 101.8 x 76.2cm

636

Provenance: Property from the Estate of Roland Baker dec’d £400-600

637 ‡ BRENDA HARTILL

20th Century

Signed Robert Bruce (lower right) Oil on board 45.7 x 25.3cm Provenance: Private Collection, UK £300-500

639 ‡ ANDREI ROITER Russian b.1960

Untitled

Shadows IV with Orange Tree

Signed and dated A.ROITER/1991. (to verso) Pigment and plaster on canvas 66 x 41.9cm Unframed

Signed, dated, numbered and inscribed 2/200 Shadows IV with Orange Tree Brenda Hartill 1990 (in pencil to margin) Embossed etching and aquatint 49.4 x 39.3cm (plate)

Provenance: Anders Tornberg Gallery Ltd, where acquired by the previous owner, 1993; By whom sold, Christie’s, London, Post-War & Contemporary Art, 26 March 2014, lot 143

Provenance: The Collection of Sir Alan and Lady Cox

£500-800

b.1943

£80-120

638

639 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

261

640 ‡ PETER JOYCE

641 ‡ PETER JOYCE

Old Port

Shaftesbury Drove

Signed, inscribed and dated ‘Old Port’/PJ’07/2007 Peter Joyce (to backing board) Acrylic and collage on board 25.4 x 19.9cm

Signed, inscribed and dated ‘Shaftesbury Drove’/PJ’07/2007 Peter Joyce (to backing board) Acrylic on board 11.5 x 61.6cm

Provenance: Anthony Hepworth Fine Art

Provenance: Harris Interiors, Poole

£300-500

£400-600

642 ‡ ADRIAN HEMMING

643 ‡ ALISON MILNER-GULLAND

b.1964

b.1945

b.1964

Misty Mountains

Contemporary

Signed, inscribed and dated ‘MISTY MOUNTAINS’ 2006/Adrian Hemming’ (to reverse) Oil on canvas 26.1 x 51cm Unframed

Signed A.Milner-Gulland (lower centre) Oil on paper 54.8 x 80.5cm

Provenance: Gallery Five, London, 2006; The Collection of Sir Alan and Lady Cox

Sun and Wind

Provenance: 5D Gallery, Chepstow, 1996; The Collection of Sir Alan and Lady Cox £300-500

£200-300

640

641

642

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

643

262

644

645

644 ‡ JAMES FRY

645 ‡ SHAUN STANLEY

646 ‡ KEN MORONEY

647 KENNETH JACK AM, MBE, RWS

Lyme Regis

Breakaway Country, Martin’s Well II

View of Wollombi, New South Wales

Signed with initials JF (lower right) Oil on board 29 x 39.1cm

Signed and dated S.Stanley 87 (lower right) Watercolour and bodycolour 35 x 54cm

Landscape with pheasants by a grove of trees

1911-1985

£200-300

b.1958

b.1949

Provenance: Thackeray Gallery, London, where purchased by the present private collectors, May 1988

Signed Ken Moroney (lower right) Watercolour 27 x 43cm

£300-500

£120-180

Australian 1924-2006

Signed and dated KENNETH JACK/1993 (lower right) Watercolour 35.6 x 53.2cm Provenance: Bankside Gallery, London £400-600

648 KENNETH JACK AM, MBE, RWS Australian 1924-2006

Wet Weather, Worcester Signed and dated KENNETH JACK 1992 (lower left) Watercolour with scratching out 34.4 x 53.6cm Provenance: Bankside Gallery, London £200-300

646

647

648 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

263

649

649 ‡ GRAHAM CLARKE b.1941

Landscape with a village in a valley; Landscape with a farm A pair, both signed Graham Clarke (lower right) Both acrylic on board Each 52 x 75cm (2) £500-700

650 MAX LEUCHARS b.1988

Jurassic Coast seascape Signed with initials ML (lower right) Oil and charcoal on canvas 91.5 x 122cm £300-500

651 MAX LEUCHARS b.1988

650

Houses in Manarola, Italy Signed with initials ML (lower right) Oil on canvas 91.4 x 61.1cm Unframed £120-180

652 MAX LEUCHARS b.1988

Study of figures in Rajasthan Signed with initials ML (lower right) Oil on canvas 45.4 x 35.4cm Unframed £100-150

651 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

652

264

653

654

653 ‡ KEITH TYSON

654 ‡ PAULINE AMOS

655 ‡ PAUL FRYER

656 ‡ PAUL FRYER

Studio Wall Drawing: Intrinsic Variation No.3

Abstract in black, grey and white

Sign Wave

Helen of Troy

Signed with initials and dated K.Ty 2007. (to backing board) Acrylic on paper 75.8 x 60.1cm

Signed Amos (lower right), and signed and dated Pauline Amos 2002 (to backing board) Mixed media 74 x 53cm

Signed and dated Paul Fryer 2012 (lower right) Pencil heightened with red 57 x 76cm

Lenticular print with integral LED panel, 2011 58 x 87.5cm

b.1969

Provenance: Haunch of Venison, London

Contemporary

b. 1963

Provenance: Acquired from the artist by the present owner

£300-500

£1,000-1,500

b. 1963

Together with a certificate of authenticity signed by the artist (2) Provenance: Acquired from the artist by the present owner, July 2013 £500-800

655

656 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

265

657 ‡ CORNELIA PARKER OBE, RA b.1956

Abstract Signed and dated C Parker 80 (lower right) Paper collage 42.8 x 51.5cm Provenance: Derek Akkers, Congleton £1,000-1,500

658 ‡ ROY CONN b.1931

Abstract Signed and dated Roy Conn/March 1961 (to reverse) Oil on board 122.2 x 91.5cm Unframed Provenance: The George and Ann Dannatt Collection; Private Collection, UK Literature: Brandon Taylor, St Ives and British Modernism: The George and Ann Dannatt Collection, exh. cat. (Chichester, Pallant House Gallery, 2015), p.69 (illustrated) £300-400

657

659

659 ‡ SOPHIE SMALLHORN b.1971

Colour Wheel 2 658 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

Signed, dated and numbered 13/30 Sophie Smallhorn 01 (in pencil)

Screenprint 84.5 x 84.5cm (sheet) Provenance: Francis Graham-Dixon, London, where purchased by the present private collector, September 2001 £120-180

266

660

661

662

660 ‡ JAMES D. ROBERTSON RSA, RSW, RGI, PAI Scottish 1931-2010

Muted Landscape Signed Robertson (lower right) Gouache 80.8 x 112.5cm Provenance: The New Academy Gallery, London; Thompsons, London, where purchased by the previous private collector, 2004; And by descent

661 ‡ GWEN HARDIE

662 ‡ RACHAEL KANTARIS

Wrest

Hillside; Vista

Signed, inscribed and dated G. Hardie “Wrest” Dec 1998 (to reverse) Oil on canvas 71.5 x 71.5cm Unframed

Two, both signed with initials RK (lower right) and further signed, dated 2005 and inscribed with titles (to backing boards) Both acrylic on board 25.4 x 25.4cm; 30 x 30cm (2)

£300-500

£200-300

Scottish b.1962

b.1967

£500-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

267

663

663 ‡ ISOBEL HEATH 1908-1989

Abstract 89; Moon Tides 87; Things 132; Abstract 122 AB Four, each signed with initials IH and inscribed with title Each watercolour and bodycolour Largest 35.5 x 47.8cm; Smallest 30.3 x 37.8cm (4) Provenance: Each with Tadema Gallery, London £200-300

664 ‡ ISOBEL HEATH 1908-1989

664

Fire in Trees ABC 22; Abstract 125; Annunciation to the shepherds Three, two signed with initials IH and inscribed with title Two watercolour and bodycolour; One watercolour Largest 39.5 x 45cm; Smallest 37.8 x 46cm (3) Provenance: Each with Tadema Gallery, London £200-300

665 ‡ HENRI ERNST PFEIFFER German 1907-1994

Abstract in pink, purple and blue; and further abstract works Ten, each signed with initials HP and dated, and further certified by the artist to the reverse Each watercolour Largest 47.7 x 32cm; Smallest 45 x 32cm Unframed (10) £300-500

665 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

268

666 ‡ AGUSTÍ PUIG

667 ‡ LINDA JOY GREEN

Sense Titol

Elegant lady kneeling before a peacock

Spanish b.1957

Signed and dated Agusti P/2003 (to reverse) Mixed media on canvas 60.2 x 73cm Provenance: Galeria Trama, Barcelona, November 2003; Messum’s, London, where purchased by the present private collector, 2004

666

667

1905-1993

Signed and dated Linda Joy Green 1983 (lower left) Gouache heightened with silver pen 43 x 32.9cm £300-500

Literature: Country Life, July 2004, p.95 (illustrated) Exhibited: London, Messum’s, Agustí Puig, July 2004, cat. no.7 £500-800

668 ‡ ROBERT FLORIS VAN EYCK 1916-1991

Abstract forms in five windows; Landscape with abstract forms; Abstract form in a room Three, each signed Rob Van Eyck (to verso) Each oil on board Two 120 x 89.5cm; One 89.5 x 120cm (3)

668

669

£200-400

669 ‡ JOHN KEANE b.1954

Car; Home Two, each signed, dated and numbered 12/75 John Keane 1994 (in pastel lower right) Each screenprint with woodblock and collage Both 125.5 x 99cm (sheet) (2) Provenance: Both with Flowers East, London, where purchased by the present private collector, December 1994 £80-120

670

670 ‡ DEBORAH JONES Welsh 1921-2012

Marching of the Kings; Flags of Battle Both signed Deborah Jones (lower left) Two, the former oil on board; The latter oil on canvas 56.5 x 90.5cm; 50.5 x 77cm (2)

Provenance: Bristol Auction Rooms, 21 June 2018, lots 292 and 291, where purchased by the present owner; The collection of Caroline Brown £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

269

671

672

673

674

671 ‡ GRAHAM CROWLEY

672 ‡ MARK HAMPSON

Landscape with trees under grey clouds

b.1950

Signed and dated GNCrowley/2001 (to reverse) Oil on canvas 40.5 x 51.4cm Unframed £400-600

675

b.1968

673 ‡ WILLIAM BAILLIE RSA, PRSW, HRA

675 ‡ JACK KNOX RSA RSW RGI

Waking Up in Goya’s Bed Wearing Rembrandt’s Feet

Scottish 1923-2011

674 ‡ TOM PHILLIPS CBE, RA

Figure in a Tibetan headdress

Samuel Beckett at Riverside Studios

First Snow

Signed, dated and inscribed MARK/HAMPSON/1995/ WAKING UP IN/ GOYA’S BED/WEARING/ REMBRANDT’S/FEET/1995 (to reverse) Acrylic on two canvases 114.7 x 133.5cm Unframed

Signed WPLBaillie (lower left) Oil on canvas 30.6 x 45.7cm

Signed and numbered 22/75 Tom Philips (in pencil) Lithograph 58.6 x 41.5cm

Provenance: Property of a Lady

£80-120

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

b.1937

1936-2015

Signed Knox (lower right) Oil on canvas 97 x 112cm £500-700

270

676 ‡ DOUGLAS MASONOWICZ 1920-2001

Helmeted Warrior; Dancers; Figures and cattle in a landscape Three, each signed Masonowicz, and numbered 51/75, 52/75, 29/75 respectively (in pencil) Each screenprint One 100.2 x 70.9cm; Two 70.9 x 100.2cm (sheet) Unframed (3) £100-150

676

677

678

679

677 ‡ JEANNE MASOERO

678 ‡ SIMON GARDEN

679 ‡ SARAH BEDDINGTON

A Rose Shall Beget the Spring

River landscape from a window

Hare

Inscribed “a rose shall beget the spring”/1984/5 Jeanne Masoero (to backing board) Pen and ink 42 x 29.5cm Unframed

Signed Simon Garden (to reverse) Oil on board 21.4 x 31.2cm

Mixed media on canvas 76.4 x 91.5cm Unframed

£300-500

£200-300

b.1937

b.1960

b.1964

Provenance: The Estate of Dame Elisabeth Frink and Lin Jammet £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

271

680 ‡ SARAH BEDDINGTON b.1964

Landscape with tall grass; Armadillo Two, the latter signed and inscribed A/P Armadillo Sarah Beddington (in pencil to margin) Mixed media; Aquatint 34.9 x 6.7cm; 27.3 x 46.2cm (2) £200-300

681 ‡ RICARDO CINALLI Argentinian b.1948

La Jaula Signed, inscribed and dated Cinalli/La Jaula MCMXCV (lower right) and further signed and twice inscribed with title Tempera on board within an intrinsic box frame with painted internal sides 105.3 x 23.1 x 4.5cm £600-800

682 ‡ EILEEN LAWRENCE RSA Scottish b.1946

Red Triangle Signed, dated and inscribed red triangle/EM Lawrence 1986 (lower centre) Watercolour, bodycolour and gold paint on joined paper 28.6 x 4.5cm £200-300

680

681

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

682

272

683

684

683 MA YIPING

684 SONG CIWEI

685 SARATH PERERA

686 ‡ ANNE GRAHAM

A Little Street

The Searcher

Three figures

The bead dancers

Indistinctly inscribed and dated 83 (lower left), and inscribed with character marks (to reverse) Oil on canvas 52.7 x 56.3cm

Inscribed with character marks (to reverse) Oil on canvas 104.5 x 74.4cm

Signed and inscribed Sarath Perera Sri Lanka (lower right) Acrylic on board 69 x 58.5cm

Signed Anne Dunbar Graham ‘74 (lower right) Enamel and shellac on gold foil paper on board 67.1 x 90cm

Provenance: Private Collection, UK

£200-300

Chinese b.1941

Provenance: Property from the Estate of Roland Baker dec’d

Chinese b.1955

Provenance: Property from the Estate of Roland Baker dec’d

Exhibited: Hong Kong, Hong Kong Arts Centre (according to label)

Exhibited: Hong Kong, Pao Sui Loong Galleries and Joint Gallery, Sichuan Painting Exhibition, September 1984, no.55

£800-1,200

£600-900

685

Sri Lankan 20th Century

b.1925

£300-500

686 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

273

687 FAN CHANG JIANG Chinese 20th Century

The Parasol Signed with artist’s seal (lower right) Encaustic on rice paper 70.5 x 52.5cm Provenance: J. R. Guettinger Gallery, Hong Kong, where purchased by the present owner, 1994; The collection of Caroline Brown £200-300

688 FAN CHANG JIANG Chinese 20th Century

Wildflowers Signed with artist’s seal (lower right) Encaustic on rice paper 56 x 56cm Provenance: J. R. Guettinger Gallery, Hong Kong, where purchased by the present owner, 1993; The collection of Caroline Brown £200-300

689 ROEDYAT MARTADIREDJA

Indonesian 1930-2002

Boats on a shore Signed and dated 76 ROEDYAT (upper right), and further inscribed (to reverse) Oil on canvas 97 x 97cm Provenance: Property from the Estate of Roland Baker dec’d £300-500

687

688 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

689

274

690

691

690 ‡ ANN ORAM RSW Scottish b.1956

Garden Still Life with Roses and Foxgloves Signed and dated Ann Oram 99 (lower right) Watercolour and bodycolour 64.5 x 99cm Exhibited: London, Portland Gallery, 1999, no.9 £300-500

692

693

691 ‡ ALAN COTTON

692 ‡ RENÉ DULIEU

The Northern Way – Mill Court at Bentley

View of Rue Pixérécourt

b.1938

Signed Alan Cotton (lower right) Oil on canvas 40.9 x 51.3cm £400-600

French 1903-1992 Signed René Dulieu (lower right) Oil on canvas 54.1 x 65.1cm Provenance: E. Stacey-Marks Ltd, Eastbourne, 1974 £150-250

693 ‡ ANDREW FREETH RA

694 ‡ GEORGE DEVLIN

North London Bowling Club

Evening Barge on the Seine

Signed H.A.Freeth (lower left) and inscribed and dated North London Bowling Club 26 June 51 (lower right) Pen and ink, and watercolour 26 x 37.5cm

Signed Devlin (lower right) Oil on canvas 81 x 86.2cm

1912-1986

694

£120-180

Scottish 1937-2014

Exhibited: London, Portland Gallery, December 1996, no.1 £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

275

695

696

695 ‡ ADRIAN DENT

696 ‡ TERRY LOGAN

697 ‡ EVE KIRK

After the Race: A Chepstow Evening

Whittington point-to-point

‘Lady Precious Stream’ at the Regent’s Park Theatre

Welsh b.1966

Signed A.J.Dent (lower right) Pastel 47.2 x 59.4cm Provenance: The Collection of Sir Alan and Lady Cox £100-150

b.1938

Signed Logan (lower right) Watercolour and pencil heightened with white 24.9 x 36cm

1900-1969

Oil on canvas 30.4 x 39.5cm £250-350

Provenance: Kirkby Lonsdale Gallery £80-120

697

698

699

698 HELENA MARKSON

699 ‡ MARIE HENNESSY

Queen’s Dock

Sheep and Cows, North Mayo; Lone Bush, County Carlow

Signed, numbered and inscribed 97/100 Queen’s Dock Helena Markson (in pencil to margin) Etching and aquatint 56.3 x 76.7cm (sheet) Unframed

Two, both signed with initials MH (lower right) The former oil on board; The latter oil on paper 14.1 x 21.1cm; 14.2 x 21.1cm (2)

‡

1934-2012

£80-120 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

Irish b.1948

Provenance: Both with Wolseley Fine Arts, London £200-300

276

700 ‡ EDWARD HERSEY b.1948

A View Across the Bay Signed E.Hersey (lower right) Oil on canvas 41.2 x 61.2cm Provenance: Grimes House Gallery, Moreton-in-Marsh, where purchased by the present owner £500-700

700

701 ‡ EDWARD HERSEY b.1948

The Old Waterpump Signed E Hersey (lower right) Oil on canvas 41.2 x 61.5cm Provenance: Grimes House Gallery, Moreton-in-Marsh, where purchased by the present owner £500-700

701

702 ‡ EDWARD HERSEY b.1948

In the Forge Signed E. Hersey (lower left) Oil on canvas 30.9 x 40.6cm Provenance: Grimes House Gallery, Moreton-in-Marsh, where purchased by the present owner £400-600

702 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

277

703

704

703 ‡ COLIN CARRUTHERS Northern Irish Contemporary

And the Veil of Cloud Opened Signed indistinctly (lower right) Acrylic on board 25.8 x 33.7cm Provenance: From a private Cornish country estate £100-150

704 ‡ PETER COSSLETT

705 ‡ JOHN WEBSTER RSMA

Choppy sea under a moonlit sky

On the River Thurne, Norfolk

b.1927

Signed Peter Cosslett (lower right) Oil on board 49.5 x 74.7cm £400-600

705

b.1932

Signed JOHN WEBSTER (lower right), and inscribed RIVER THURNE/NORFOLK (to reverse) Oil on board 45.6 x 30.3cm Provenance: The Tryon & Swann Gallery, London £200-300

706

707

706 RAMON WARD-THOMPSON

707 RAMON WARD-THOMPSON

Sandcastles, Narrabeen, Sydney

Hill End Landscape, New South Wales

Signed R.Ward-Thompson (lower left), and further signed and inscribed SANDCASTLES/NARRABEEN/SYDNEY/R. WARD THOMPSON (to reverse) Oil on canvasboard 29.2 x 36.8cm

Signed R. Ward-Thompson (lower right), and further signed and inscribed HILL END L’SCAPE/N.S.W (to reverse) Oil on canvasboard 70.9 x 91.4cm

£100-150

£200-300

New Zealander b.1941

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

New Zealander b.1941

278

708

709

708 ‡ HENRY INLANDER

709 ‡ HENRY INLANDER

Open Window

Interior with a wardrobe and an open window

Austrian/British 1925-1983 Oil on canvas 40.5 x 40.5cm Provenance: Roland, Browse & Delbanco, London

Austrian/British 1925-1983

Signed H Inlander (lower right) Watercolour 47.5 x 64.6cm £150-250

£400-600

710 ‡ MICHAEL NOAKES

711 ‡ MICHAEL NOAKES

Portrait of Lady Aisher, standing in the garden at Faygate, Surrey

Portrait of Clare Connell (later Rowland) with her dog Trip; Portrait of Peter Rowland

1933-2018

710

Signed and dated Michael Noakes/1964 (lower left), and extensively inscribed (to backing paper) Oil on board 96.5 x 123.3cm Provenance: Sir Owen Aisher (1900-1993); By descent to The Muro Collection £200-300

1933-2018

Two, the former signed and dated Michael Noakes/1964 (lower right); the latter signed and dated Michael Noakes/1971 (lower left); and each extensively inscribed (to backing paper) The former oil on board; The latter oil on canvas 78.7 x 58.8cm; 49.4 x 39.2cm (2) Provenance: By descent from the sitters; The Muro Collection £150-250

711 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

279

712

713

712 ‡ DIANA BAER

713 ‡ JOHN WHITLOCK CODNER

714 ‡ ELIZABETH COOK

A cut pear; A pickle dish; A posy in an egg-cup; A coffee cup of cornflowers; A box of figs

Still life with fruit in a blue and white bowl; Still life with fruit in a green bowl

Johnny Depp giving evidence at the Royal Courts of Justice

Five, each signed Diana Baer, three dated 2001, two dated 07 Each pencil and watercolour Largest 11.7 x 18cm; Smallest 8.9 x 14.2cm (5)

A pair, the former signed John Codner (lower right); the latter signed John Codner (lower left) Both oil on board Each 15 x 19.8cm (2)

Provenance: Three with The Fine Art Society, London, 2001; Two with Rafael Valls, London, 2007

£120-180

Signed, inscribed and dated ELIZABETH COOK/Johnny Depp gives evidence at the/ Royal Courts of Justice July 7 2020/in his libel trial against The Sun newspaper./Drawn for P.A.Media (lower right) Pastel 42.1 x 59.5cm

Late 20th/Early 21st Century

1913-2008

£200-400

£100-150

714

715 ‡ SUE MACARTNEY-SNAPE b.1957

The Christmas Charity Stallholder Wears All Her Wears Signed with initials, dated and inscribed SMS/02/ The Christmas Charity Stallholder/Wears all her wears (lower right) Pen and ink, watercolour and pencil 56.1 x 40.6cm

b.1948

715

Provenance: Chris Beetles Ltd, London Literature: Victoria Mather, The Appalling Guests (London, John Murray, 2003), p.88 (illustrated)

716

716 ‡ HUGH BARNDEN b.1946

House of the Vestals

Exhibited: London, Chris Beetles Ltd, The Illustrators: The British Art of Illustration 1800-2005, 2005, no.629

Signed, dated and inscribed High Barnden 84/HOUSE OF THE VESTALS (to stretcher) Oil on canvas 109.4 x 73.8cm

£200-300

£120-180

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 285

280

INDEX OF ARTISTS 20th Century School

590

A Ackroyd, Norman 545 Adams, Norman 601 Adamson, Crawfurd 509 Aitchison, Craigie 608 Alexander, Peggy 556 Allan, William 296 Allinson, Adrian 207, 208 Amery, Shenda 558 Amos, Pauline 654 Anderson, Stanley 244-254 Archer, Frank 152 Arkhipov, Abram, Follower of 331 Armfield, Diana 345-347 Armour, George Denholm 90 Armstrong, Robin 574 Atwood Clare 531, 532 Auerbach, Arnold 172 Austen, Winifred 597 B Badmin, Stanley Roy 235, 236 Badmin, Stanley Roy, Attributed to 234 Baer, Diana 712 Baes, Emile 167 Baillie, William 673 Barclay, Colville 604 Barclay, Edgar 239 Barnden, Hugh 716 Barns-Graham, Wilhelmina 380 Barrett, Arthur 78 Baumer, Lewis 36 Bawden, Edward 411-414 Beaton, Cecil 80-82 Beddington, Sarah 679, 680 van der Beek, Deborah 560, 561 Bell, A. L. 233 Bell, Quentin 162 Bellany, John 510-513 Berlin, Sven 515 Bertram Nicholls 275, 276 Billinghurst, Alfred John 256 Blackadder, Elizabeth 502 Bliss, Douglas Percy 280, 281 Boiry, Camille 39 Bone, Muirhead 304, 305 Bonnard, Pierre 339 Bousfield, K. 527 Boycott-Brown, Hugh 229, 230 Boyd, Jamie 636 Bradbury, Arthur Royce 259, 260 Brantingham Simpson, Alexander 107 Bratby, John 481-493 Brewster Martyn 612 British School 20th Century 151, 212, 238, 243, 279, 354, 549, 555

Bruce, Robert 638 Bulmer, Lionel 600 Burleigh, Averil 173-187, 193, 206 Burleigh, Charles 188-192, 206 Burleigh, Veronica 194-206 C Cagniart, Émile 38 Cameron, David Young 146, 147 Carayon, L. B. 47 Carruthers, Colin 703 Casson, Hugh 423-425 Castro 465 de Carteret, Doris H. 242 Chagall, Marc 415-416 Charlton, Alan Bengall 240 Chesnay, Denise 397 Chudnov, Vladimir 333 Cinalli, Ricardo 633, 681 Clarke, Graham 649 Clausen, George 16, 17 Coates, Tom 535 Codner, John Whitlock 713 Collins, Roland 294 Colville, Alex 449 Conn, Roy 658 Continental School 20th Century 559 Cook, Elizabeth 714 Cook, John James 446 Cook, Richard 348 Cosslett, Peter 704 Cotton, Alan 691 Craft, Percy Robert 273 Crawford, Susan 573 Creo, Leonard 546 Crowley, Graham 671 Cundall, Charles 270, 271 D Daines, Deirdre 478 Dalí, Salvador 431, 432 Dashwood, Geoffrey 584-586 David Carpanini 635 Dearden, Harold 216 Dearden, Harold, Attributed to 215 Dent, Adrian 695 Devlin, George 598, 694 Dewhurst, Wynford 278 Dick, Gary 349 Dmitrienko, Pierre 540 Dodd, Francis 89 Dowling, Jane 356 Dubery, Fred 357 Dubourg 42 Dubuffet, Jean 374 Dulieu, René 692 Dunstan, Bernard 342 Dutilleux, Jef 43

E Edwards, Laurence 464 Epstein, Henri 522 Eversen, Johannes Hendrik 264, 265, 520 van Eyck, Robert Floris 668 F Fairs, Tom 353 Fan Chang Jiang 687, 688 Fedden, Mary 433-439 Feigl, Friedrich 429 Ferreri, Victor 554 Fidler, Harry 14 Floutier, Louis 49, 50 Forbes, Stanhope Alexander, Attributed to 9 Freeth, Andrew 693 French School 21, 22, 37 Friend, Alfred Percy 272 Frink, Elisabeth 563-566 Frost, Terry 369-373 Fry, James 644 Fry, Roger 163 Fryer, Paul 655, 656 G Garden, Simon Gardner, Alexandra Garland, Nicholas Garstin, Alethea Gaudier-Brzeska, Henri Gear, William Gill, Eric Gillchrest, Joan Gordy, Robert Gore Brittain, Miller Gore, Frederick Graham, Anne Grant, Alistair Grant, Keith Green, Alan Green, Linda Joy Gunn, Paul Guthrie, Robin

678 534 402 306 91 392-396 92, 93 494 375, 376 450, 451 503 686 355 610, 611 543 667 299 335

H Hagedorn, Karl Hall, Clifford Hall, Frederick Hall, George Wright Hamnett, Nina Hampson, Mark Hann, George Hardie, Gwen Hargan, Joe Harmar, Fairlie Harpley, Sydney Harrison, John Cyril Hartill, Brenda

300, 301 550 241 525 85 672 282 661 508 341 471, 472 581-583 637

Hayter, Stanley William 406, 407 Heath, Isobel 663, 664 Helleu, Paul César 34 Hemming, Adrian 642 Henderson, Gordon 507 Hennell, Thomas Barclay 136-145 Hennessy, Marie 699 Henry, David Morrison Reid 580 Henry, Pierre 336 Herman, Josef 320, 321 Hermes, Gertrude 595, 596 Hersey, Edward 700-702 Hervé, Jules René 263 Hervey-Bathurst, Caroline 524 Hewlett, Francis 602 Heysen, Hans 288 Hilder, Rowland 418, 419 Hitchens, Ivon 218 Hockney, David, After 366 Holland, Harry 475-477 Holt, Eric 609 Holt, Roy 553 Holzhandler, Dora 495 Hone, Evie 328 Hornel, Edward Atkinson 11, 12 Howard, Ken 359 Howson, Peter 480 Hoyland, John 378 Hubbuck, Rodney 292 Hudson, Richard 467 Humphries, Geoffrey 458 Hunt, Cecil Arthur 232 Hutchinson, Nicholas Hely 607 Hutchinson, Norman Douglas 616-628 I Ingels-Pauwaert, Marie Inlander, Henry

44 708, 709

J Jack, Kenneth Jackson, Kurt Jammet, Lin John, Augustus Johnstone, William Jones, Allen Jones, David Jones, Deborah Jonzen, Karin Joyce, Peter

647, 648 591, 614 569 6, 7 544 367 442, 443 670 473 640, 641

K Kabakchiev, Hristo Kádár, Béla Kantaris ,Rachael Kay, Bernard Keane, John Keith, Elizabeth Kennedy, Cecil

310 211 662 547 669 441 519

281

INDEX OF ARTISTS Kirk, Eve Klinghoffer, Clara Knight, Charles Knight, Laura Knowles, Justin Knox, Jack Koenig, Ghisha Koulbak, Victor

697 548 257, 258 148-150 379 675 468, 469 576

L La Thangue, Henry Herbert 19, 20 Laing Hunt , Mairi 557 Lamb, Henry 8 Lamorna Birch, Samuel John 287 Lancaster, Osbert 403, 404 Lawrence, Eileen 682 Le Jeune, James 262 Léandre, Charles Lucien 35 Lefebvre, P. 526 Legrand, René 48 Leighton, Clare 327 Lenox-Jeltes, Kathleen Raymonde 225 Lessore, Thérèse 84 Leuchars, Max 650-652 Lewis, Maud 452, 453 Limouse, Roger 153 Linder 634 Lloyd Jones, Mary 613 Logan, Terry 696 Loir, Luigi 40 M Ma Yiping 683 Macartney-Snape, Sue 715 MacCulloch, Joseph R. Radcliffe 277 MacPherson, Neil 514 Maniera, F. 521 Manson, James Bolivar 88 Markson, Helena 698 Martadiredja, Roedyat 689 Masoero, Jeanne 677 Masonowicz, Douglas 676 Maze, Paul 422 McComb, Leonard 459, 536 McEvoy, Ambrose 3, 338 McIntyre, Donald 516-518 McKenzie, Alison 274 McPhail, Rodger 575 Mears, George 298 Meninsky, Bernard 226-228 Menpes, Mortimer 289 Messel, Oliver 79 Methuen, Paul Ayshford 427, 428, 360 Michael Ayrton 319 Miller, John 615 Milner-Gulland, Alison 643 Montagu, D. 562 Moore 261

Moore, Henry

313, 314

Moretti, Lucien Philippe Morgan, Baxter Morgan, Howard

Puig, Vicente

537

Pullée, Edward

538

Purcell, Joseph

447, 448

Swanwick, Betty

350

Sykes, Charles Robinson

351

Symonds, Ken

479

454-457

Moroney, Ken

646

Morrison, Robert Boyd

551

Read, Harold Hope

223

Tanner, Robin

322-326

Mount, Paul

606

Reekie, George Leslie

530

Taplin, Guy

587-589

Muirhead, David

303

Renoir, Pierre-Auguste

Taragni, Mario

466

Renoux, Jules Ernest

Taylor, Jo

570

Munnings, Alfred James

111-115

N Naray, Aurel

Nash, John

108-110

Nash, Paul

220

Nicholson, Ben

219

Nicholson, William Noakes, Michael

94, 95 710, 711

Norrington, Claire

592

Noukalo, Nadejda

170

O O’Casey, Breon

571

O’Connor , John Scorror 541, 542 O’Conor, Roderic, Circle of

154

Oldenburg, Claes

377

Oram, Ann

690

Orlov, Nikolai Vasilyevich, Attributed to

334

Orpen William

1, 2

Orr, Chris

629-631

P Padraig MacMiadhachain

381

Paede, Paul

168

Pages, Jules Eugene

Pailes, Isaac

171

Pamela Kay

528

Paolozzi, Eduardo

386-391

Park, John Anthony

Parker, Cornelia

657

Paulin, George Henry

Penny, Edwin

577

Perera, Sarath

685

Perron, Charles Clément

164, 165

Pfeiffer, Henri Ernst Philipson, Robin

665 504-506

Phillips, Tom

674

Picasso, Pablo, After

430

Pietersen, Jacqueline

533

Rice, Sean

460-462

Tindle, David

539

Richards, Ceri

408, 409

Togo, Richard Durando

166

Riley, Bridget

362

Topolski, Feliks

337

Robertson, James D.

660

de Toulouse-Lautrec , Henri 26, 27

Rodmell, Harry Hudson

297

Trevelyan, Julian

440

Roiter, Andrei

639

Trundley, David

352

Rothenstein, William

4, 5

Tunnicliffe, Charles Frederick

Rousseau-Decelle, René Archille 46

307-309

Royle, Herbert F.

255

Tyson, Keith

Rushbury, Henry

290

Russian School 20th Century

332,

529

Unsworth, Peter

Rutherston, Albert

Utrillo, Maurice

106

Ryder, Sophie

V S

Vallotton, Félix

Salisbury, Frank O.

Vasarely, Victor

361

Sauter, Rudolf Helmut

523

Vaughan, Keith

315-317

Scarfe Laurence

599

Verney, John

van Schnell, Gabriel

213

Vicat Cole, George

Schwabe, Randolph

268, 269

Vicat Cole, Rex

Scott, Peter

578, 579

Vicat Cole, Violet

Seago, Edward

293

Sedgley, Peter

363, 364

Walcot, William

295

Self, Colin

365

Walton, Edward Arthur

267

Ward, Toby

358

Ward, Vernon

593

Sharp, Dorothea Shepard, Ernest H. Shepeard, Jean

444, 445 86, 87 221, 222

Ward-Thompson, Ramon 706, 707

Shevchenko, Aleksandr Vasilievich

Washington, William

116, 117,

169

120, 121

Signac, Paul

Washington, William, After 118, 119

Silvestre, Albert

29, 30 45

Waters, Owen

217

Sinnott, Kevin

632

Watling, Walter Thomas

231

Skiöld, Birgit

368

Webster, John

705

Smallhorn, Sophie

659

Welch, Rosemary Sarah

572

Song Ciwei

684

Wells, John

405

Soper, Eileen

96-105

Soukop, Willi

463

Spear, Ruskin

343, 344, 426

Whistler, James Abbott McNeill White, Ethelbert Wilkinson, Norman

400

Spencer, Stanley

Wolfe, Edward

Spielmann, Oskar

302

Wolmark, Alfred

645

Wolstenholme, Jonathan

18, 340

Williams, Terrick John

Plazzotta, Enzo

474

Stanley, Shaun

Preiner, Zoltan

266

Steer, Philip Wilson

291

Stevens, Norman

603

Stobbs, William

410

Sutherland, Graham

318

Zorach, William

Puig, Agustí

382-385 666

161

Spencer, Gilbert

Procktor, Patrick

160 155-159

594

398-401

Prince, Louis Stanley Maurice

224

See-Paynton, Colin

496-501

420, 421

51, 52

53-77

Piper, John Pitchforth, Roland Vivian

605 32, 33

567, 568

Piper, Edward Piper, John, After

653

209, 210

Workman, Harold

122-135 83 237 311, 312 214 552 283-286

470

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 2ND MARCH 2022 CLOSING DATE FOR ENTRIES FRIDAY 7TH JANUARY

Heywood Hardy (1842-1933) Homewards (illustrated); From Covert to Covert A pair, the former signed Heywood Hardy (lower right), the latter signed and indistinctly dated Heywood Hardy 18*6 (lower left) Both oil on canvas Each 62.1 x 52.1cm; 24½ x 20½in (2) Estimate £8,000 - 12,000*

ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

CLARICE CLIFF, ART DECO & DESIGN WEDNESDAY 16TH MARCH 2022 CLOSING DATE FOR ENTRIES 19TH JANUARY

Three John Maltby sculptures Estimate £200 - 300 each*

ENQUIRIES Michael Jeffery +44 (0)1722 424505 mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us. BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester Pack & Send +44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier. EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect, American Express, Union Pay

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/ purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions). 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

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2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges. (c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

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liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. 22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

(a)

(b) (c) (d) (e) (f) (g) (h) (i)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(j) (k)

15. FORGERIES

BOOKS AUCTIONS

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: •

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

•

From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information. We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers. In this respect we will provide your data to the following: • our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider. LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

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290 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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Woolley and Wallis valuations are accepted by all leading insurance companies.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500. DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

MARLBOROUGH & SWINDON

Old Sarum Park

WOOLLEY & WALLIS Castle Gate WOOLLEY & WALLIS Salisbury Salerooms

WOOLLEY & WALLIS

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A345 Castle Rd

SALISBURY AMESBURY

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Clifford Street, Mayfair

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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.02998482 VAT No: 631 9832 29

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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ABSENTEE BID FORM

MODERN BRITISH & 20TH CENTURY ART

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

TUESDAY 7TH & WEDNESDAY 8TH DECEMBER 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Billing Name (please print) �� Address �� ___________________________ Postcode �� Daytime Telephone �� Email �� ID may be required even if you have bid with us before. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 Fax: +44 (0)1722 424508

Brief Description of lot

Price excluding buyer’s premium & VAT

AUCTION CALENDAR 2021 NOVEMBER 9th & 10th Upper Slaughter Manor, The Collection of Micheál & Elizabeth Feller 18th

Roderic O’Conor (Irish 1860-1940) Seated Nude (Le modèle assis) SOLD FOR £60,000*

Fine Jewellery

23rd & 24th Asian Art, Chinese Paintings & Japanese Works of Art

DECEMBER 7th & 8th

Modern British & 20th Century Art

14th

Medals & Coins, Arms & Armour

15th

African & Oceanic Art | Antiquities

2022 JANUARY 12th

Furniture, Works of Art & Clocks

25th & 26th Silver & Objects of Vertu

FEBRUARY 9th

Fine Porcelain and Pottery

MARCH 2nd

Old Masters, British & European Paintings

16th

Clarice Cliff, Art Deco & Design

30th

Furniture, Works of Art & Clocks

Dates may be subject to change

+44 (0)1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR UPCOMING AUCTIONS