Woolley & Wallis Auctioneers by Park Communications

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS TUESDAY 1ST & WEDNESDAY 2ND MARCH 2022

Lot 554

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below PAINTINGS

VALUATIONS FOR INSURANCE & PROBATE

Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN AND OCEANIC ART ANTIQUITIES Will Hobbs Molly O’Reilly

339752 446980

ASIAN ART John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan-Richards Jeremy Morgan Alana Ker Mercer Michelle Yu Freya Yuan-Richards Michelle Yu

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

FURNITURE, WORKS OF ART & CLOCKS 411854 339161 446974 446974

JAPANESE WORKS OF ART Alexandra Aguilar Alana Ker Mercer

424598 424509

GENERAL OFFICE Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

424500

CASTLE GATE RECEPTION Sally Litherland

MARKETING 424506 424583 424589 +44 (0)7812 601098 424591 424571

CHINESE PAINTINGS & CALLIGRAPHY

Mark Yuan-Richards Jim Gale Suzy Becsy Sarah Stone

Jeremy Lamond MRICS ASFAV FRSA Amanda Lawrence

424583 424591

Chloe Davie

446959

ACCOUNTS Sharon Ringwood Anna Gentleman

446960

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan-Richards Mark Yuan-Richards

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Emily O’Donnell

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 • www.woolleyandwallis.co.uk

Front Cover: Lot 390 Back Cover: Lot 556 Catalogue £12.00 (£15.00 by post)

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS TUESDAY 1ST & WEDNESDAY 2ND MARCH 2022 10.00am at our Castle Street Salerooms, SP1 3SU

PAINTINGS Victor Fauvelle +44 (0)1722 446961 vf@woolleyandwallis.co.uk

VIEWING Friday 25th February 10.00am– 4.00pm Saturday 26th February 10.00am– 1.00pm Monday 28th February 10.00am– 4.00pm Tuesday 1st March 9.00am– 9.45am Wednesday 2nd March 9.00am– 9.45am DAY ONE: Lots 1-300 DAY TWO: Lots 301-627

BUYER’S PREMIUM See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices. TELEPHONE BIDDING Requests for telephone bidding cannot be accepted after 5pm on Monday 28th February. ARTIST’S RESALE RIGHT / DROIT DE SUITE ‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details. COLLECTION OF LOTS All lots will be moved from the saleroom back to our Castle Gate offices on Thursday 3rd and Friday 4th March – collection of lots on these days must be by prior arrangement on 01722 424500 or pictures may be in transit or unavailable. From Monday 7th March collections will be by appointment from the Paintings department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. Please call 01722 424500 to make an appointment. If making payment at Castle Gate, cash cannot be accepted. Collection of sold and unsold lots must be within 21 days of the sale failure to collect within this time may result in storage fees.

Ed Beer +44 (0)1722 446962 eb@woolleyandwallis.co.uk

Hannah Farthing +44 (0)1722 446970 hf@woolleyandwallis.co.uk

LIVE ONLINE BIDDING - FREE OF CHARGE

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INDEX DAY 1 Portrait Miniatures 1-24 Portrait Miniatures from the collection of the late Timothy Clowes 25-176 Prints 177-197 Drawings and Watercolours 198-300

DAY 2 Oil Paintings 301-627

Lot 263

PORTRAIT MINIATURES 1λ ENGLISH SCHOOL 17th Century

Portrait miniature of a gentleman wearing a black doublet and white ruff On copper, oval, in an ivory case 52 x 40mm Provenance: Gould Antiques, London, where purchased by the present private collector £400-600

2 ENGLISH SCHOOL 17th Century

Portrait miniature of a gentleman wearing armour and a long wig On copper, oval, in a gilt painted wooden frame 114 x 85mm

£150-250

3 ENGLISH SCHOOL

4 CONTINENTAL SCHOOL

Portrait miniature of a young man, wearing a blue coat and red shawl

River landscape with a figure fishing in a gorge

On copper, oval 73 x 59mm Unframed

On paper, circular, in an alabaster frame 76mm diameter

18th Century

A label on an old backing board identifies the sitter as Charles Edward Stuart (1720-1788), ‘Bonnie Prince Charlie’.

18th Century

£200-300

£150-250 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

5λ HENRY EDRIDGE ARA 1768-1821

Portrait miniature of a gentleman wearing a blue coat and yellow waistcoat Oval, in a gold frame, the reverse with blue glass over guilloché and a lock of hair 81 x 64mm Provenance: Philip Mould, London, where purchased by the present private collector £500-700

6λ HENRY JACOB BURCH 1763-c.1834

Portrait miniature of an officer in uniform Oval, in a gilt metal frame 72 x 58mm Provenance: Ellison Fine Art, where purchased by the present private collector

£800-1,200

7λ EDWARD ROBERTSON b.1809

Portrait miniature of a gentleman wearing a black coat and white waistcoat Oval, in a rectangular red Morocco leather case 76 x 64mm Provenance: Ellison Fine Art (where recorded as signed with initials and dated 1833); Purchased from the above by the present private collector £600-800

8λ CHARLES ROBERTSON Irish c.1760-1821

Portrait miniature of a gentleman wearing a blue coat

Oval, in a gilt metal frame, the reverse with gilt metal initials over hair back 64 x 54mm Provenance: Gould Antiques, London, where purchased by the present private collector

£500-700

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

9λ JOHN SMART 1741-1811

Portrait miniature of a gentleman, possibly George William Finch-Hatton, 10th Earl of Winchilsea (1791-1858), wearing a navy coat and white waistcoat Signed with initials and dated JS/1811 (lower left) Oval, in a rectangular ebonised frame 87 x 69mm Provenance: Possibly property of the sitter; His daughter Emily Mary Finch-Hatton (d.1868); By descent to George Alfred Lawrence (1827-1876); By descent to George Patrick Charles Lawrence (1859-1908); By descent to Patrick Lawrence (1890-1970); And by descent This work, and its preliminary study (lot 10), must be amongst the last pictures painted by John Smart, as he died just a few months later, in May 1811. £6,000-8,000

10 JOHN SMART 1741-1811

Portrait miniature of a gentleman, possibly George William Finch-Hatton, 10th Earl of Winchilsea (1791-1858), wearing a blue coat and white waistcoat, in a painted oval Signed and dated John Smart pinxit/5 Feb 1811 (lower left) Pencil and watercolour heightened with white, rectangular, in a giltwood frame 87 x 69mm Provenance: Possibly property of the sitter; His daughter Emily Mary Finch-Hatton (d.1868); By descent to George Alfred Lawrence (1827-1876); By descent to George Patrick Charles Lawrence (1859-1908); By descent to Patrick Lawrence (1890-1970); And by descent £1,500-2,500

10 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

11 λ ENGLISH SCHOOL

12 λ ENGLISH SCHOOL

Portrait miniature of a gentleman wearing a blue coat, his powdered wig en queue

Portrait miniature of a gentleman wearing a black coat and yellow waistcoat

Mid 18th Century

Oval, in a gilt metal frame 46 x 36mm £100-150

c.1800

Oval, in a gilt metal frame, the reverse with a silhouette portrait of a gentleman 72 x 55mm

13 λ CIRCLE OF FREDERICK BUCK Portrait miniature of an officer in uniform Oval, in a rectangular ebonised frame 48 x 38mm £150-250

£120-180

14 λ ENGLISH SCHOOL c.1800

Portrait miniature of a gentleman wearing a blue double-breasted coat Oval, in a gilt metal frame 72 x 60mm £100-150

15 λ ENGLISH SCHOOL c.1900

Portrait miniature of a gentleman, in a blue coat, with a white waistcoat and white stock, and powdered hair Over a painted base, oval, in a pierced white metal frame 60 x 50mm

£50-100

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

16 λ FRENCH SCHOOL

17 λ FRENCH SCHOOL

18 λ CONTINENTAL SCHOOL

Portrait miniature of a gentleman, wearing a black coat, yellow waistcoat and a support on his forehead

Portrait miniature of a gentleman wearing a brown coat and striped waistcoat, his powdered wig en queue

Portrait miniature of a gentleman wearing a lilac coat and waistcoat, his powdered hair en queue

Signed with initials and dated A.C.1816 (centre right) Oval, in a gold frame 66 x 49mm

Oval, in a gilt metal frame with hair border 43 x 36mm

Oval, in a rectangular ebonised frame 42 x 32mm

£120-180

£100-150

1816

Late 18th Century

Provenance: Philip Mould, London, where purchased by the present private collector £500-700

19 λ FRENCH SCHOOL Late 18th Century

Portrait miniature of a gentleman wearing a blue coat with black collar Oval, in a rectangular ebonised frame 60 x 47mm £150-250

20 λ FRENCH SCHOOL c.1800

Portrait miniature of a gentleman wearing a brown coat, white waistcoat and gold stickpin Circular, in a square gilt and green metal frame with gilt metal foliate decoration 64mm diameter

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

21 ENGLISH SCHOOL

22 λ ENGLISH SCHOOL

23 λ AFTER SIR WILLIAM BEECHEY

Portrait miniature of a child wearing a white dress and blue cloak

Portrait miniature of a lady wearing a white dress and pearl necklace

Portrait miniature of Victoria, Duchess of Kent (1786-1861) with Princess Victoria (1819-1901) holding a miniature of Edward, Duke of Kent (1767-1820)

Oil on canvas laid on panel, oval, in a rectangular gilt-painted wooden frame 113 x 90mm

Oval, in a rectangular wooden frame 84 x 63mm

18th Century

c.1800

£200-300

£100-150

Oval, in an ebonised frame 112 x 79mm

24 λ FOLLOWER OF WILLIAM EGLEY Portrait miniature of the Hon. Mrs William Scott (née Baillie-Hamilton), wearing a black dress and a crucifix

After the original oil painting in the Royal Collection (inv. no.RCIN 407169).

Rectangular with canted corners, in a gilt metal frame 88 x 68mm

£150-250

24 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

LOTS 25-176 PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES Timothy Clowes formed his extensive collection of portrait miniatures over many decades, a selection of which we are pleased to offer here. Although miniatures were his main passion, his collecting interests were wide-ranging, from Chinese jades to English pictures. 25 ENGLISH SCHOOL 17th Century

Portrait miniature of gentleman wearing a black doublet and lawn collar On copper, oval, in a gilt metal frame 56 x 48mm Provenance: Property from the collection of the late Timothy Clowes £600-800

26 FOLLOWER OF SAMUEL COOPER Portrait miniature of a gentleman wearing a lawn collar and long hair On metal, oval, in a metal frame 60 x 49mm Provenance: Property from the collection of the late Timothy Clowes

£200-300

27 ENGLISH SCHOOL 17th Century

Portrait miniature of a gentleman wearing a black doublet and lawn collar On metal, oval, in a white metal frame 61 x 51mm Provenance: Property from the collection of the late Timothy Clowes £300-500

28 DUTCH SCHOOL Late 17th Century

Portrait miniature of a lady wearing a green dress and red cloak On copper, oval, in a gilt metal frame 79 x 66mm Provenance: Property from the collection of the late Timothy Clowes

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

29 AFTER SAMUEL COOPER

30 AFTER SAMUEL COOPER

Portrait miniature of Oliver Cromwell (1599-1658), Lord Protector, wearing armour

Portrait of Oliver Cromwell (1599-1658), Lord Protector, wearing armour

31 ENGLISH SCHOOL 17th Century

Portrait miniature of a gentleman wearing armour

On paper, oval, in a stained wood frame 82 x 63mm

Watercolour on paper, rectangular, in a gilt-painted wooden frame 142 x 124mm

Provenance: Property from the collection of the late Timothy Clowes

£300-400

32 λ MANNER OF SAMUEL COOPER

33 MANNER OF SAMUEL COOPER

34 MANNER OF SAMUEL COOPER

Portrait miniature of a gentleman wearing a brown cloak

Portrait miniature of Charles II (1630-1685), wearing armour and the Garter Ribbon

Portrait miniature of a gentleman wearing armour, a lace cravat and long wig

On paper, oval, in a gilt metal frame 33 x 27mm

On paper, oval, in an ebonised frame 79 x 60mm

Provenance: Property from the collection of the late Timothy Clowes

£100-150

£80-120

£120-180

35 MANNER OF HANS HOLBEIN THE YOUNGER

36 ENGLISH SCHOOL

37 AFTER ALEXIS-SIMON BELLE

Portrait miniature of Edward VI (1537-1553) wearing a red coat and wide brimmed feathered cap

Portrait miniature of a gentleman wearing a lace collar and long wig

Portrait miniature of James Francis Edward Stuart (1688-1766), ‘The Old Pretender’, wearing a suit of armour and the blue sash of the Order of the Garter

Oval, in a gilt metal frame, the reverse with blue glass over guilloché and beaded initials 46 x 37mm

On copper, oval, in a white metal frame 76 x 64mm Provenance: Property from the collection of the late Timothy Clowes £300-500

Late 17th Century

On copper, oval, in a gilt metal frame 51 x 43mm Provenance: Property from the collection of the late Timothy Clowes £200-300

On vellum, oval, in a gilt metal frame 49 x 39mm

On copper, oval, in a fitted case with white metal border 79 x 67mm Provenance: Property from the collection of the late Timothy Clowes £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

38 ATTRIBUTED TO DAVID DES GRANGES 1611-c.1672

Portrait miniature of a lady, traditionally identified as Rachel Fane, Countess of Middlesex (1613-1680), wearing a yellow dress and pearl necklace On vellum, oval, in a gilt metal frame 64 x 55mm Provenance: H. Pfungst; Property from the collection of the late Timothy Clowes Literature: J. J. Foster, A List Alphabetically Arranged of Works of English Miniature Painters of the XVII Century (London, Dickinsons, 1914), p.92, no.18 Exhibited: Brussels, International Exhibition of Miniatures, 1912, no.113 £1,000-2,000

39 ENGLISH SCHOOL

40 FRENCH SCHOOL

Portrait miniature of a lady wearing a blue dress and pearl earring

Portrait miniature of a lady wearing a blue and ochre dress, and a pearl earring

On vellum, oval, in a white metal frame 26 x 22mm

On vellum, oval, in a gilt metal frame 23 x 21mm

Provenance: Property from the collection of the late Timothy Clowes

£300-500

£200-300

Late 17th Century

17th Century

41 CIRCLE OF JOHN HOSKINS Portrait miniature of a lady wearing a blue dress, and pearl necklace and earrings On vellum, oval, in a gilt metal and turquoise enamel frame 60 x 43mm Provenance: Property from the collection of the late Timothy Clowes £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

42 λ BERNARD LENS III 1682-1740

Portrait miniature of cleric wearing a long wig Signed with initials BL (in ligature) and dated 1720 (centre right) Oval, in a stained wood frame 75 x 60mm Provenance: Property from the collection of the late Timothy Clowes £800-1,200

43 FOLLOWER OF JOHN HOSKINS

44 CIRCLE OF CHARLES BEALE

Portrait miniature of a young boy wearing a lace cravat and blue ribbon

Portrait miniature of a gentleman wearing a lace cravat and long wig

On vellum, oval, in a gilt metal brooch frame 29 x 26mm

On vellum, oval, in a gilt metal frame with paste border 29 x 24mm

Provenance: Property from the collection of the late Timothy Clowes £400-600

45 ENGLISH SCHOOL c.1700

Portrait miniature of a gentleman wearing a cravat and long wig On vellum, oval, in a gilt metal brooch frame 32 x 27mm

Provenance: Property from the collection of the late Timothy Clowes

£150-250

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

46 ENGLISH SCHOOL

47 ENGLISH SCHOOL

48 ENGLISH SCHOOL

Portrait miniature of a nobleman wearing the sash of the Order of the Garter, with a crown beside him

Portrait miniature of a gentleman wearing a red coat and powdered long wig

Portrait miniature of a gentleman wearing a brown cloak and long wig

On paper, oval, in a gilt metal frame 21 x 19mm

On vellum, oval, in a gilt metal frame 20 x 12mm

Provenance: Property from the collection of the late Timothy Clowes

£150-250

£200-300

49 ENGLISH SCHOOL

50 MANNER OF BENJAMIN ARLAUD

51 λ MANNER OF PETER CROSS

Portrait miniature of a gentleman wearing a brown cloak and long wig

Portrait miniature of a gentleman wearing a brown coat and long wig

On paper, oval, in a gilt metal frame 71 x 57mm

Oval, in a gilt metal frame 39 x 30mm

Provenance: Property from the collection of the late Timothy Clowes

£80-120

£200-300

c.1700

Early 18th Century

c.1680

Portrait miniature of a gentleman wearing a blue and red cloak On vellum, oval, in a gilt metal frame 82 x 66mm Provenance: Property from the collection of the late Timothy Clowes £200-300

17th Century

Oval, on vellum, in a gilt metal frame 24 x 19mm Provenance: Property from the collection of the late Timothy Clowes £200-300

52 THOMAS FORSTER

53 λ MANNER OF DAVID LOGGAN

54 JOHN FABER THE ELDER

Portrait miniature of a gentleman, half-length, in a long-flowing wig

Portrait miniature of a gentleman wearing a lace cravat and long wig

Portrait miniature of William III (1650-1702), wearing armour, lace jabot, cloak, wig and jewelled brooch

Indistinctly inscribed (lower centre) Plumbago, oval, in a shagreen and gold pique work case 74 x 55mm

Inscribed William III (lower centre) Ink on vellum, within a circular drawn border, in a gilded square wooden frame 102mm diameter

c.1677-1712

Indistinctly signed T*** (lower right) Plumbago on vellum, oval, in a rectangular gilt-painted wooden frame 115 x 90mm Provenance: Sotheby’s, London, Early English Drawings and Watercolours from the Collection of Colin Hunter, 11 July 1991, lot 30; Sotheby’s, London, The R.L. Bayne-Powell Collection of Portrait Miniatures, 11 October 1994, lot 4; Property from the collection of the late Timothy Clowes £400-600

Provenance: Property from the collection of the late Timothy Clowes £150-200

Dutch 1660-1720

Provenance: By repute found at Kensington Palace; Dr John Percy FRS (1817-1889); His posthumous sale, Christie, Manson & Woods, 15 April 1890 (all of the above according to label); The Collection of Dr George Williamson, no.235; Bonhams, Knightsbridge, Fine Portrait Miniatures, 25 November 2009, lot 112; Property from the collection of the late Timothy Clowes £300-400

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

55 λ ENGLISH SCHOOL

56 ENGLISH SCHOOL

57 ENGLISH SCHOOL

Portrait miniature of a gentleman wearing a blue coat and long powdered wig

Portrait miniature of a gentleman wearing a red cloak and long wig

Portrait miniature of a gentleman wearing a brown coat, embroidered waistcoat and long wig

c.1700

On copper, oval, in a white metal frame 91 x 71mm

Oval, in a gilt metal frame 73 x 55mm

Provenance: Property from the collection of the late Timothy Clowes

c.1700

On copper, oval, in a gilt metal frame 52 x 43mm

£200-300

Provenance: Property from the collection of the late Timothy Clowes

58 ENGLISH SCHOOL

59 ENGLISH SCHOOL

60 FRENCH SCHOOL

Portrait miniature of a gentleman wearing a red cloak and a long wig

Portrait miniature of a gentleman wearing armour and a long wig

On vellum, oval, in a gilt metal frame 51 x 43mm

On copper, oval, in a gilt metal frame 80 x 66mm

Portrait miniature of a nobleman wearing armour, with a blue and leopard skin cloak

Provenance: Property from the collection of the late Timothy Clowes

£150-250

£300-500

Provenance: Property from the collection of the late Timothy Clowes

61 MANNER OF JAMES FERGUSON

62 CIRCLE OF THOMAS FORSTER

63 JOHN TAYLOR

Portrait miniature of a gentleman wearing a coat and wig

Portrait of a lady, bust-length, wearing a dress and shawl

Plumbago on paper, oval, in an ebonised wooden frame 65 x 51mm

Plumbago on paper, oval, in a wooden frame 122 x 94mm

£200-300

Late 17th Century

Provenance: Property from the collection of the late Timothy Clowes £50-100

Late 17th Century

Provenance: Property from the collection of the late Timothy Clowes £150-250

£500-700

c.1700

On vellum, oval, in a white metal frame 88 x 75mm

£150-250

1739-1838

Portrait of Dr Lowry of Queen’s College, Oxford, seated, wearing black robes Inscribed Dr Lowry/ Queen’s College/ Oxford/ Brother to/ my Grandmother/ JSpeddry (to old backing paper) Plumbago on vellum, oval, in a gilt-painted wooden frame 133 x 112mm Provenance: Bonhams, London, Portrait Miniatures and Silhouettes, 19 February 2008, lot 34; Property from the collection of the late Timothy Clowes £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

64 CHRISTIAN RICHTER

65 λ CHRISTIAN RICHTER

Portrait miniature of a lady wearing a blue dress

Portrait miniature of Eleanor Brownlow, Lady Tyrconnel (1691-1730)

Swedish 1678-1732

On vellum, oval, in a gilt metal frame 80 x 69mm Provenance: Bonhams, London, The Harman Collection of Silhouettes - Portrait Miniatures, 30 June 1998, lot 171; Property from the collection of the late Timothy Clowes £400-600

Swedish 1678-1732

Oval, in a rectangular wooden frame 51 x 35mm Provenance: Sotheby’s, London, The R.L. Bayne-Powell Collection of Portrait Miniatures, 11 October 1994, lot 9; Property from the collection of the late Timothy Clowes £700-1,000

66 MANNER OF CHRISTIAN RICHTER Portrait miniature of a lady, traditionally identified as Mrs Bridges, wearing a yellow dress with blue cloak On vellum, oval, in a gilt-painted wooden frame 64 x 48mm Provenance: Property from the collection of the late Timothy Clowes £100-150

67 λ ENGLISH SCHOOL Early 18th Century

Portrait miniature of a lady in a brown dress and blue cloak Oval, in a white metal frame 67 x 52mm Provenance: Property from the collection of the late Timothy Clowes £200-300

68 CIRCLE OF BERNARD LENS III Portrait miniature of a lady, traditionally identified as Maria Clementina Sobieska, wife of James Stuart ‘The Old Pretender’, wearing a green dress and red cloak, and standing in a landscape Watercolour on vellum, rectangular, in a gilt metal frame 150 x 112mm Provenance: Henry George Bohn (1796-1884); Property from the collection of the late Timothy Clowes Literature: Henry George Bohn, Catalogue of the Pictures, Miniatures and Art Books, Collected during the Last Fifty Years (London, 1884), p.317, no.638

£400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

69 CONTINENTAL SCHOOL

70 CONTINENTAL SCHOOL

71 λ ENGLISH SCHOOL

Portrait miniature of a gentleman wearing a grey coat, pink waistcoat and powdered wig

Portrait miniature of a gentleman wearing armour and a white cravat

Portrait miniature of a gentleman wearing a red coat, green waistcoat and long wig

Enamel on copper, oval, in a gilt metal frame 48 x 40mm

Enamel on copper, oval, in a gilt metal frame 32 x 26mm

Oval, in a gilt metal frame 41 x 33mm

Provenance: Property from the collection of the late Timothy Clowes

£300-400

£400-600

£200-300

Early 18th Century

c.1700

72 CIRCLE OF CHRISTIAN FREDERICK ZINCKE Portrait miniature of a gentleman wearing a red coat, a blue and yellow waistcoat and a powdered long wig Enamel on copper, in a gilt metal frame with paste border 42 x 36mm Provenance: Property from the collection of the late Timothy Clowes £400-600

73 CIRCLE OF CHRISTIAN FREDERICK ZINCKE Portrait of a gentleman wearing a purple cloak and long wig Enamel on copper, oval, in a gilt metal frame, the reverse with gilt metal initials AG 33 x 28mm Provenance: Property from the collection of the late Timothy Clowes

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

74 λ ENGLISH SCHOOL

75 λ NATHANIEL HONE RA

76 λ NATHANIEL HONE RA

Portrait miniature of an officer in uniform, his powdered wig en queue

Portrait miniature of an officer in uniform with powdered hair

Indistinctly signed (centre right) Oval, in a gilt metal frame with pierced floral border 36 x 31mm

Signed with initials and dated NH/1761 (centre right) Oval, in a gilt metal brooch frame 34 x 28mm

Signed with initials and dated NH/1761 (centre right) Oval, in a gilt metal frame with glazed reverse 29 x 24mm

Provenance: Property from the collection of the late Timothy Clowes

£100-150

£300-500

Provenance: Christie’s, London, Fine English Drawings and Watercolours, Portrait Miniatures, 22 March 1988, lot 268; Property from the collection of the late Timothy Clowes

Late 18th Century

Irish 1718-1784

£200-300

77 λ MANNER OF RICHARD COSWAY

78 λ CIRCLE OF FREDERICK BUCK

Portrait miniature of an officer in uniform

Portrait miniature of an officer in uniform with powdered hair

Possibly over a printed base, oval, in a gilt metal frame, the reverse with blue glass over guilloché and glazed hair compartment 71 x 58mm

Oval, in a gilt metal frame with plaited border 57 x 37mm

Portrait miniature of a gentleman wearing a red coat with blue collar and lapels

Provenance: Property from the collection of the late Timothy Clowes

Enamel on copper, oval, in a brooch frame with paste border 35 x 30mm

£300-500

Provenance: Property from the collection of the late Timothy Clowes

Provenance: Property from the collection of the late Timothy Clowes £100-150

79 CONTINENTAL SCHOOL Late 18th Century

£100-150

80 λ AFTER THOMAS GAINSBOROUGH

81 λ CIRCLE OF FERDINAND DE MEYS

Portrait miniature of George III (1738-1820), wearing ‘Windsor Uniform’

Portrait miniature of an officer in uniform

Oval, in a gilt metal frame 46 x 38mm Provenance: Property from the collection of the late Timothy Clowes After the full length canvas in the Royal Collection (inv. no.RCIN 401406). £100-150

Oval, in a gilt metal frame 40 x 32mm Provenance: Property from the collection of the late Timothy Clowes £300-500

82 λ ENGLISH SCHOOL Late 18th Century

Portrait miniature of a gentleman wearing a blue coat with red collar Signed with initials LT (centre right) Oval, in a gilt metal frame, the reverse with blue glass border, hair back and gilt metal initials 53 x 41mm Provenance: Property from the collection of the late Timothy Clowes £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

83 λ ENGLISH SCHOOL

84 HENRY SPICER

85 ISAAC SEEMAN

Portrait miniature of a lady wearing a white dress with a lace collar

Portrait miniature of Ann Elizabeth Henniker, Countess of Aldborough (d.1802), wearing a purple dress with yellow shawl, and pearls in her powdered hair

Portrait miniature of a lady wearing a white dress

Signed, dated and inscribed Countess of/Alborough/Spicer pin*t/1787 (to the counter enamel) Enamel on copper, oval, in a gilt metal frame 39 x 34mm

Provenance: Property from the collection of the late Timothy Clowes

Late 18th Century

1743-1804

Oval, in a gilt metal frame, the reverse with a lock of hair tied with gold thread and initials BS over an opalescent back 72 x 58mm Provenance: Property from the collection of the late Timothy Clowes £300-500

act.1720-1751

Signed to the counter-enamel Seaman I Enamel on copper, oval, in a gilt metal frame 43 x 34mm

£300-500

Provenance: Property from the collection of the late Timothy Clowes £500-700

86 λ ENGLISH SCHOOL

87 λ CIRCLE OF RICHARD COSWAY

88 λ CIRCLE OF RICHARD COSWAY

Portrait miniature of a lady wearing a black and white dress

Portrait miniature of a lady wearing a white dress and white bandeau

Oval, in a gilt metal frame with hair reverse 49 x 38mm

Oval, in a gilt metal frame with plaited hair back 60 x 49mm

Oval, in a gilt metal frame, the reverse with gilt initials WR over hair back 74 x 60mm

Provenance: Property from the collection of the late Timothy Clowes

£200-300

£400-600

£800-1,200

89 λ ENGLISH SCHOOL Late 18th Century

90 λ FOLLOWER OF RICHARD COSWAY

91 λ THOMAS HAZLEHURST

Portrait miniature of a lady wearing a white dress and black choker

Portrait of a lady wearing a white dress and with powdered hair

Oval, in a gilt metal frame 49 x 33mm

Oval, in a gilt metal frame 43 x 34mm

Portrait miniature of a lady wearing a blue and white dress, and with powdered hair

Provenance: Property from the collection of the late Timothy Clowes

£80-120

£300-500

Late 18th Century

Portrait miniature of a lady wearing a white dress with pearl decoration

c.1740-c.1821

Signed with initials TH (lower left) Oval, in a gilt metal frame 61 x 47mm Provenance: Property from the collection of the late Timothy Clowes £300-400

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

92 λ CIRCLE OF JOHN SMART

93 λ ATTRIBUTED TO GEORGE ENGLEHEART

Portrait miniature of a gentleman wearing a brown coat and white waistcoat, and with powdered hair

1750-1829

Oval, in a gilt metal frame with blue glass and gilt border, the reverse with glazed aperture revealing hair back 47 x 37mm Provenance: Property from the collection of the late Timothy Clowes

Portrait miniature of a gentleman wearing a sky blue coat and waistcoat, and powdered hair Bears initials GE (centre right) Oval, in a gilt metal brooch frame with glazed reverse 34 x 28mm Provenance: Property from the collection of the late Timothy Clowes

£300-400

£400-600

95 λ ENGLISH SCHOOL

96 λ ENGLISH SCHOOL

Portrait miniature of a gentleman in a blue coat with gold buttons

Portrait miniature of a gentleman wearing a turquoise coat and white waistcoat

18th Century

Late 18th Century

Oval, in a gilt metal frame 41 x 36mm

Oval, in a gilt metal frame with blue glass border, the reverse with lock of hair and initial W over blue glass on an opalescent back 49 x 36mm

Provenance: Property from the collection of the late Timothy Clowes

£150-250

94 λ WILLIAM SINGLETON d.1793

Portrait miniature of a gentleman wearing an olive-green coat and with powdered hair en queue Signed with initial S (centre right) Oval, in a gilt metal frame with bracelet clasp mount 41 x 33mm Provenance: Bonhams, London, Fine Portrait Miniatures, 22 November 2006, lot 82; Property from the collection of the late Timothy Clowes £250-450

97 λ FOLLOWER OF JOHN SMART Portrait miniature of a gentleman wearing a blue coat and with powdered hair Oval, in a gilt metal frame with hair back 72 x 57mm Provenance: Property from the collection of the late Timothy Clowes £300-500

£300-500

98 λ FOLLOWER OF RICHARD COSWAY Portrait miniature of a gentleman wearing a blue coat, white stock and with powdered hair Oval, in a gilt metal frame, the reverse with blue glass border surrounding a hair back 64 x 53mm Provenance: Property from the collection of the late Timothy Clowes £300-500

99 λ CIRCLE OF JOHN SMART

100 λ FOLLOWER OF JOHN SMART

Portrait miniature of a gentleman wearing a black coat and with powdered hair

Portrait miniature of a gentleman wearing a blue coat and powdered wig en queue

Oval, in a gilt metal frame 35 x 28mm

Oval, in a gilt metal frame with engraved decoration to reverse 39 x 32mm

Provenance: Property from the collection of the late Timothy Clowes £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

100

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

101 λ ENGLISH SCHOOL

102 λ ENGLISH SCHOOL

103 λ OZIAS HUMPHRY RA

Portrait miniature of a gentleman wearing a fur-lined crimson coat and yellow waistcoat

Portrait miniature of a gentleman wearing a blue coat and white waistcoat and powdered hair en queue

Portrait miniature of a gentleman wearing a crimson coat, his powdered hair en queue

Oval, in a gilt metal frame 42 x 34mm

Bears a signature and date Stordy/Pinxt/17*5 (centre right) 47 x 38mm

Inscribed By Ozias/Humphrey (to reverse) Oval, in a rectangular ebonised frame 39 x 32mm

Provenance: Property from the collection of the late Timothy Clowes

£150-250

£300-500

105 λ THOMAS PEAT

106 λ THOMAS PEAT

Portrait miniature of a gentleman wearing a blue coat and white waistcoat, with powdered hair

Portrait miniature of a gentleman wearing a green jacket and white waistcoat

Signed Peat (lower left) Oval, in a gilt metal frame, the reverse with blue glass border surrounding a glazed aperture containing a lock of hair 86 x 69mm

Signed Peat (lower left) Oval, in a gilt metal frame 46 x 35mm

Late 18th Century

Provenance: Property from the collection of the late Timothy Clowes £200-300

104 λ CIRCLE OF OZIAS HUMPHRY Portrait miniature of a gentleman wearing a brown coat and powdered wig Oval, in a gilt metal frame 38 x 31mm Provenance: Property from the collection of the late Timothy Clowes £120-180

act.1791-1811

Provenance: Property from the collection of the late Timothy Clowes £400-600

1742-1810

act.1791-1831

Provenance: The Frederick Joachim Collection; By whom sold, Christie’s, London, The Frederick Joachim Collection of Portrait Miniatures and Silhouettes, 1 November 1995, lot 102; The Peter Skellerup Collection; Property from the collection of the late Timothy Clowes £300-500

107 λ ENGLISH SCHOOL

108 λ ENGLISH SCHOOL

109 λ JOHN BARRY

Portrait miniature of a clergyman wearing a powdered wig

Portrait miniature of a gentleman wearing a blue coat and white waistcoat, his powdered hair en queue

Portrait miniature of a gentleman wearing a blue coat and white waistcoat, with powdered hair

Oval, in a gilt metal frame 61 x 53mm

Oval, in a gilt metal frame with hair back 50 x 37mm

Provenance: Property from the collection of the late Timothy Clowes

Provenance: Christie’s, London, Fine Silver, Objects of Vertu and Portrait Miniatures, 11 May 1994, lot 48; Property from the collection of the late Timothy Clowes

Mid 18th Century

c.1760

Oval, in a gilt metal frame with paste border and inscribed Anna/Eliz*** Lee/Ob: 2** Sept/1752 AET26 (to reverse) 32 x 28mm Provenance: Property from the collection of the late Timothy Clowes £150-250

£300-500

act.1784-1817

£400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

101

102

103

104

105

106

107

108

109

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

110 λ HORACE HONE ARA 1754-1825

Portrait miniature of Lieutenant Sir Richard McQuire, wearing the uniform of the 61st Foot (South Gloucestershire Regiment) Oval, in a gilt metal frame with blue glass reverse, and with a tooled red leather case 70 x 57mm Provenance: D. S. Lavender, London; The Albion Collection; Bonhams, London, The Albion Collection of Fine Portrait Miniatures, 22 April 2004, lot 121; Property from the collection of the late Timothy Clowes Exhibited: Edinburgh, Scottish National Portrait Gallery, The Albion Loan Collection, 2000-2003 £800-1,200

110

112

111 λ HORACE HONE ARA

112 λ HORACE HONE ARA

Portrait miniature of a naval officer in uniform

Portrait miniature of William Herringham, Rector of Borley and Chadwell, wearing a black coat and black waistcoat

1754-1825

Signed with initials and dated HH 1810 (centre right) Oval, in a gilt metal frame with plaited hair border and blue glass reverse 67 x 53mm

111

Provenance: Property from the collection of the late Timothy Clowes £600-800

1754-1825

Signed with initials and dated HH/1818 (lower right) Oval, in a rectangular ebonised frame 85 x 67mm Provenance: Property from the collection of the late Timothy Clowes £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

113 λ SAMUEL COTES

114 λ PHILIP JEAN

Portrait miniature of a gentleman wearing a brown coat and striped waistcoat, and with powdered hair

Portrait miniature of a naval officer wearing a blue coat

1734-1818

Signed with initials and dated SC/1783 (centre right) Oval, in a gilt metal frame 42 x 32mm Provenance: Property from the collection of the late Timothy Clowes £300-500

1755-1802

Oval, in a gilt metal frame, the reverse with blue glass and glazed hair compartment 69 x 57mm Provenance: Sotheby’s, London, Important British Drawings, Watercolours & Portrait Miniatures, 6 June 2007, lot 158; Property from the collection of the late Timothy Clowes £600-800

113

114

115 λ HENRY EDRIDGE ARA 1768-1821

Portrait miniature of a gentleman wearing a brown coat, striped waistcoat and powdered hair en queue Signed with initials HE (lower right) Oval, in a rectangular ebonised frame 43 x 41mm Provenance: Property from the collection of the late Timothy Clowes £300-400

115

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

116

117

118

116 λ ATTRIBUTED TO DANIEL DODD

117 λ PATRICK JOHN MCMORELAND

118 λ ENGLISH SCHOOL

Portrait miniature of a lady wearing a blue dress, and pearls in her powdered hair

Portrait miniature of a lady wearing a lilac dress

Portrait miniature of a young girl wearing a white dress with blue ribbons

Signed with initials and dated DD/79 (lower right) Oval, in a gilt metal frame, the reverse with locks of hair over an opalescent glass back 84 x 68mm

Signed P Mc (centre right) Oval, in a gilt metal frame with blue glass border and hair back 36 x 31mm

Oval, in a gilt metal frame with blue glass reverse 69 x 58mm

Provenance: Property from the collection of the late Timothy Clowes

£600-800

£300-500

act.1761-1780

Scottish 1741-c.1809

Late 18th Century

Provenance: Property from the collection of the late Timothy Clowes £400-600

119 λ ENGLISH SCHOOL Late 18th Century

Portrait miniature of a young girl wearing a white dress with blue sash Signed with initials ND (centre left) Oval, in a gilt metal frame 33 x 27mm Provenance: Property from the collection of the late Timothy Clowes £150-250

120 FOLLOWER OF HORACE HONE Portrait of a young boy, traditionally identified as Sir Percy Florence Shelley BT. (1819-1889) Inscribed Lady Shelley, Boscombe Manor, Bournemouth (to reverse according to label) Pencil and watercolour heightened with white, oval, in a rectangular gilt-painted wooden frame 92 x 70mm

119

120

Provenance: Property from the collection of the late Timothy Clowes £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

121 RICHARD COSWAY RA 1742-1821

Portrait miniature of Lady Mary Osbourne (1776-1862), standing by a column, wearing a white dress and red stole, and holding a posy of flowers Indistinctly inscribed to old label Rectangular, pencil, wash and chalk on paper, in a gilt-painted wooden frame 108 x 75mm Provenance: Christie’s, London, Objects of Vertu and Miniatures, 13 March 2001, lot 55; Bonhams, London, Portrait Miniatures and Silhouettes, 11 September 2007, lot 183; Property from the collection of the late Timothy Clowes £400-600

122 λ PHILIP JEAN 1755-1802

Portrait miniature of Mrs MacMahon, wearing a white and yellow dress, and white bandeau in her powdered hair Oval, in a gilt metal frame 78 x 60mm Provenance: Bonhams, London, 30 June 1998, lot 236; Property from the collection of the late Timothy Clowes According to a label, the sitter was the daughter of Lady Katherine O’Toole. £400-600

121

123 λ JAMES JENNINGS act.1763-1793

Portrait miniature of a gentleman wearing a brown coat and green waistcoat; Portrait miniature of a lady wearing a blue dress and fur lined shawl Two, the former signed and dated JJ/1784 (lower left), the latter possibly by a different hand Both oval, in conjoined gilt metal frames 35 x 28mm; 35 x 32mm (2) Provenance: Property from the collection of the late Timothy Clowes £300-500

122

123

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

124 λ THOMAS DAY

125 λ JAMES REILY

126 λ JOHN COX DILLMAN ENGLEHEART

Portrait miniature of a gentleman wearing a blue coat with gold braid

Portrait miniature of a gentleman wearing a blue trimmed coat and waistcoat, with powdered hair en queue

Portrait miniature of a Thomas Lee wearing a blue coat and yellow waistcoat, his powdered hair en queue

Signed and dated IReily/1764 (centre right) Oval, in a gilt-metal frame 39 x 33mm

Oval, in a gilt metal frame with paste border and blue glass reverse 71 x 56mm

Provenance: Christie’s, London, Important Gold Boxes and Portrait Miniatures, 12 June 2006, lot 70; Property from the collection of the late Timothy Clowes

Provenance: Christie’s, London, Fine English Drawings and Watercolours, Portrait Miniatures, 22 March 1988, lot 312; Property from the collection of the late Timothy Clowes

c.1730-1807

Oval, in a gilt metal brooch frame with opalescent reverse 34 x 29mm Provenance: Property from the collection of the late Timothy Clowes £300-500

Irish d.1780/1788

£400-600

1784-1862

£200-300

127 λ ENGLISH SCHOOL

128 λ ENGLISH SCHOOL

129 WILLIAM HOPKINS CRAFT

Portrait miniature of a naval officer in uniform

Portrait miniature of a gentleman wearing naval uniform

Oval, in a gilt metal brooch frame with blue glass reverse 57 x 42mm

Oval, in a gilt metal frame 44 x 33mm

Portrait miniature of a gentleman wearing a blue coat and striped yellow waistcoat

Late 18th Century

Provenance: Property from the collection of the late Timothy Clowes £200-300

Late 18th Century

Provenance: Property from the collection of the late Timothy Clowes £200-300

1730-1811

Enamel on copper, oval, in a gold brooch frame with leaf border 24 x 13mm Provenance: Christie’s, London, 27-28 April 1983, lot 321 (to Dreesmann); Dr Anton C. R. Dreesmann (inv. no.F-135); Christie’s, London, The Dr Anton C.R. Dreesmann Collection, Gold Boxes, Objects of Vertu and Portrait Miniatures, 11 April 2002, lot 740; Property from the collection of the late Timothy Clowes £400-600

130 λ ENGLISH SCHOOL Late 18th Century

Portrait miniature of a gentleman wearing a blue coat and yellow waistcoat Oval, in a gilt metal brooch frame 47 x 36mm Provenance: Property from the collection of the late Timothy Clowes £200-300

131 λ MANNER OF JOHN BARRY Portrait miniature of a young man wearing a green jacket Oval, in a gilt metal and ebonised wooden frame 36 x 28mm Provenance: Property from the collection of the late Timothy Clowes £100-150

132 λ ENGLISH SCHOOL Late 18th Century

Portrait miniature of a gentleman wearing a grey embroidered coat with gold frogging, his powdered hair en queue Oval, in a gilt metal frame 42 x 36mm Provenance: Property from the collection of the late Timothy Clowes £600-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

124

125

126

127

128

129

130

131

132

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

133 λ ENGLISH SCHOOL

134 λ CIRCLE OF PATRICK MCMORLAND

Portrait miniature of a gentleman wearing a black coat and white cravat

Portrait miniature of a gentleman wearing a brown coat, with powdered hair en queue

Oval, in a gilt metal frame 49 x 42mm

Oval, in a gilt metal frame 51 x 37mm

Provenance: Property from the collection of the late Timothy Clowes

£200-300

£120-180

Late 18th Century

135 λ JAMES NIXON c.1741-1812

Portrait miniature of a gentleman wearing a brown coat, white waistcoat and powdered wig Signed with initial N (centre right) Oval, in a gilt metal frame with blue glass border and hair reverse 37 x 28mm Provenance: Property from the collection of the late Timothy Clowes £400-600

136 λ ENGLISH SCHOOL

137 λ ENGLISH SCHOOL

138 λ ENGLISH SCHOOL

Portrait miniature of a gentleman wearing a blue coat and a yellow striped waistcoat

Portrait miniature of a gentleman wearing a blue coat and powdered wig

Oval, in a gilt metal frame with glazed back 62 x 49mm

Possibly over a printed base, oval, in a gilt metal frame 59 x 47mm

Signed and dated AP/1785 (centre right) Oval, in a rectangular ebonised frame 37 x 31mm

Provenance: Property from the collection of the late Timothy Clowes

£200-400

£80-120

£150-250

139 λ ENGLISH SCHOOL

140 λ ENGLISH SCHOOL

141 λ ENGLISH SCHOOL

Portrait miniature of a gentleman wearing a blue coat with black collar, his powdered hair en queue

Portrait miniature of a gentleman wearing a black coat and with powdered hair

Portrait miniature of a gentleman wearing a brown coat and striped waistcoat, with a powdered wig

Oval, in a gilt metal frame, the reverse with glazed aperture revealing a lock of hair over opalescent glass 54 x 43mm

Oval, in a gilt metal frame with chain 45 x 34mm

Oval, in a gilt metal frame with hair back 68 x 55mm

Provenance: Property from the collection of the late Timothy Clowes

£300-500

Late 18th Century

Provenance: Property from the collection of the late Timothy Clowes

Late 18th Century

1785

Late 18th Century

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

133

134

135

136

137

138

139

140

141

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

142 RICHARD CORBOULD

143 λ ENGLISH SCHOOL

144 λ ENGLISH SCHOOL

Portrait miniature of Mary Ainge in mourning dress

Portrait miniature of a lady wearing a turban and pearls in her hair

Portrait miniature of a lady wearing a pink dress

Signed, dated and inscribed Mary Ainge/17.R.Corbauld pinxt/1786 (on the counter-enamel) Enamel on copper, oval, in a rectangular gilt-painted wooden frame 92 x 68mm

Oval, in a gilt metal brooch frame 23 x 19mm

Oval, in a rectangular ebonised frame 51 x 42mm

Provenance: Property from the collection of the late Timothy Clowes

£200-300

£400-600

145 λ ENGLISH SCHOOL

146 λ ENGLISH SCHOOL

147 λ ENGLISH SCHOOL

Portrait miniature of a lady wearing a green dress and with a ribbon in her hair

Portrait miniature of a young woman wearing a blue dress

Portrait miniature of a lady wearing a white dress

Circular, in a gilt metal frame 33mm diameter

Oval, in a gilt metal frame 37 x 30mm

Provenance: Property from the collection of the late Timothy Clowes

Signed with initials and dated PR/1786 (centre right) Oval, in a gilt metal frame 46 x 37mm

£200-300

£150-250

1757-1831

Mid 18th Century

Provenance: Property from the collection of the late Timothy Clowes

Late 18th Century

£500-700

Late 18th Century

1786

Provenance: Property from the collection of the late Timothy Clowes £600-800

148 λ CIRCLE OF NATHANIEL HONE

149 λ MANNER OF JEREMIAH MEYER

Portrait miniature of a lady wearing a blue dress and with powdered hair

Portrait miniature of a lady wearing a blue dress and pearls in her hair

Oval, in a gilt metal frame, the reverse with glazed aperture revealing plaited hair 47 x 39mm

Signed indistinctly with initials WB(?) (centre right) Possible over a printed base, oval, in a gilt metal frame 40 x 31mm

Provenance: Property from the collection of the late Timothy Clowes £200-300

150 λ ENGLISH SCHOOL 1777

Portrait miniature of a lady wearing a blue dress and with powdered hair Signed with initials and dated JD 1777 (centre right) Oval, in a gilt metal brooch frame 35 x 28mm

Provenance: Property from the collection of the late Timothy Clowes

£100-150

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

142

143

144

145

146

147

148

149

150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

151 λ FOLLOWER OF OZIAS HUMPHRY Portrait miniature of a gentleman wearing a red coat Oval, in a gilt metal frame with split pearl border, the reverse with beaded initials over a hair back and a blue glass and enamel border 37 x 31mm Provenance: Property from the collection of the late Timothy Clowes

152 λ ATTRIBUTED TO WILLIAM WOOD

153 λ ENGLISH SCHOOL

Portrait miniature of a gentleman wearing a maroon doublet and white ruff

Portrait miniature of a gentleman wearing a navy coat and white waistcoat and stock

Oval, in a gilt metal frame, the reverse with a blue glass border and hair back with gilt metal initials 69 x 53mm

Oval, in a gold frame, with gilt initials over hair reverse and blue glass border 68 x 53mm

1769-1810

Provenance: Property from the collection of the late Timothy Clowes

£500-800

£200-300

Late 18th Century

Provenance: Property from the collection of the late Timothy Clowes £500-700

154 λ ENGLISH SCHOOL

155 λ ENGLISH SCHOOL

156 λ JAMES HEATH MILLINGTON

Portrait miniature of a gentleman wearing a black coat and white stock

Oval, in a rectangular ebonised frame 76 x 61mm

Oval, in gilt metal frame, the reverse with a lock of hair over an opalescent back 67 x 55mm

Portrait miniature of a gentleman wearing a black coat and pale blue waistcoat

c.1800

Provenance: Property from the collection of the late Timothy Clowes

£200-300

Irish 1799-1872

Signed and dated J H Millington 1832 (centre left) Oval, in a gilt metal frame, the reverse with locks of hair tied with gold thread and seed pearls over opalescent glass 68 x 56mm Provenance: Property from the collection of the late Timothy Clowes £500-800

157 λ ENGLISH SCHOOL

158 λ ENGLISH SCHOOL

Portrait miniature of a gentleman wearing a black coat and yellow waistcoat

Portrait miniature of a gentleman wearing a grey coat and white waistcoat

c.1810

c.1800

Oval, in a gilt metal frame, the reverse with glazed aperture revealing plaited hair 49 x 40mm Provenance: Property from the collection of the late Timothy Clowes £200-400

Oval, in a gold frame, the reverse with locks of hair over an opalescent back 73 x 58mm Provenance: Property from the collection of the late Timothy Clowes £300-500

159 λ ATTRIBUTED TO ABRAHAM DANIEL c.1750-1806

Portrait miniature of a young man wearing a brown coat and white waistcoat Oval, in a gilt metal frame with hair back 74 x 60mm Provenance: Property from the collection of the late Timothy Clowes £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

151

152

153

154

155

156

157

158

159

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

160 CONTINENTAL SCHOOL

161 λ FRENCH SCHOOL

162 λ FRENCH SCHOOL

Portrait miniature of a gentleman wearing a blue coat and red waistcoat

Portrait miniature of a gentleman in naval uniform

Portrait miniature of a gentleman wearing a black coat and black stock

Enamel on copper, oval, in a rectangular wooden frame 29 x 25mm

Oval, in a rectangular ebonised wooden frame 86 x 71mm

Oval, in a gilt metal frame, the reverse with locks of hair over an opalescent back 66 x 53mm

Provenance: Property from the collection of the late Timothy Clowes

£250-350

£600-800

£700-1,000

163 λ ATTRIBUTED TO ABRAHAM DANIEL

164 λ FRENCH SCHOOL

165 JEAN ANDRÉ ROUQUET

Portrait miniature of a gentleman in profile, wearing a black coat

Portrait miniature of a gentleman wearing a blue coat and white waistcoat

Oval, in a gilt metal frame, the glazed reverse with hair back and embroidered initials DW over blue glass 64 x 52mm

Enamel on copper, oval, in a gilt metal frame 44 x 39mm

Late 18th Century

Early 18th Century

Late 18th Century

c.1800

c.1750-1806

Portrait miniature of a gentleman wearing a blue double-breasted coat and white stock Oval, in a gilt metal frame, the reverse with blue glass and plaited hair borders with gilt metal initials SY 70 x 57mm Provenance: Property from the collection of the late Timothy Clowes

Swiss 1701-1758

Provenance: Property from the collection of the late Timothy Clowes

Provenance: Christie’s, London, Miniatures, 15 April 1997, lot 18; Property from the collection of the late Timothy Clowes

£300-500

£600-800

£300-500

166 λ THOMAS H. HULL

167 λ FRENCH SCHOOL

168 λ THOMAS ARROWSMITH

Portrait miniature of a gentleman in a blue coat and white waistcoat

Portrait miniature of a gentleman wearing a green coat

Portrait miniature of a boy wearing a red double-breasted coat with white collar

act.1775-1827

c.1790

Oval, in a gilt metal frame 49 x 40mm Provenance: Bonhams, London, The Harman Collection of Silhouettes - Portrait Miniatures, 30 June 1998, lot 199; Property from the collection of the late Timothy Clowes £100-150

Oval, in a gilt metal frame with beaded border, plaited hair back with gilt metal initials FD 53 x 43mm Provenance: Property from the collection of the late Timothy Clowes £200-400

1772-1829

Oval, in a gilt metal frame, the reverse with blue glass border surrounding a glazed hair back with lock of hair tied with seed pearls and initials MD 64 x 54mm Provenance: Mrs James Cromwell; Christie’s, London, 13 December 1983, lot 157; Bonhams, London, Portrait Miniatures and Silhouettes, 19 February 2008, lot 152 (where recorded as being signed on the reverse and dated 1797); Property from the collection of the late Timothy Clowes Exhibited: Possibly, London, Royal Academy, 1797, no.1035 £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

160

161

162

163

164

165

166

167

168

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

169 λ ENGLISH SCHOOL

170 λ ENGLISH SCHOOL

171 λ ENGLISH SCHOOL

Portrait miniature of a lady wearing a blue dress, black choker and lace headdress

Portrait miniature of a young girl wearing a white dress with flowers in her hair

Portrait miniature of a young girl wearing a blue dress and with ringlets in her hair

Oval, in a gilt metal frame 27 x 22mm

Oval, in a gilt metal frame 39 x 32mm

Oval in a gilt metal frame 39 x 30mm

Provenance: Property from the collection of the late Timothy Clowes

£200-300

£100-150

£250-350

172 λ ENGLISH SCHOOL

173 λ ENGLISH SCHOOL

174 λ ENGLISH SCHOOL

Portrait miniature of a lady wearing a red dress and black lace shawl

Portrait miniature of an elderly lady wearing a black dress and white headscarf

Portrait miniature of a lady wearing a white dress

18th Century

c.1800

19th Century

Signed with initials TR (centre right) Oval, in a gilt metal frame 32 x 27mm

Early 19th Century

Oval, in a gilt metal frame 73 x 57mm

Provenance: Property from the collection of the late Timothy Clowes

£300-500

£100-150

19th Century

Oval, in a gilt metal frame 78 x 63mm Provenance: Property from the collection of the late Timothy Clowes £200-300

175 ENGLISH SCHOOL

176 FRENCH SCHOOL

Portrait of a bearded gentleman in a black coat

Portrait of Cléo de Mérode wearing a pink dress and an exotic headdress

19th Century

c.1900

Photographic print on enamel, rectangular, in a gilt metal frame 67 x 52mm Together with a 19th-century photographic print of an elderly lady wearing a black dress; Oval, in a gilt metal frame; 64 x 52mm (2) Provenance: Property from the collection of the late Timothy Clowes £50-100

Watercolour, possibly over a printed base, oval, in a rectangular stained wood frame 68 x 56mm Provenance: Property from the collection of the late Timothy Clowes £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PORTRAIT MINIATURES FROM THE COLLECTION OF THE LATE TIMOTHY CLOWES

169

170

171

172

173

174

175

176

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

PRINTS

177

177 GIOVANNI BATTISTA PIRANESI Italian 1720-1778

Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de’ Brevi e della Sacra Consulta (Wilton-Ely 175); Veduta del Castello dell’Acqua Felice (Wilton-Ely 187) Two, both etching, from ‘Vedute di Roma’ (Roman edition) 40.6 x 61.4cm; 16 x 24¼in (plate); 43.3 x 65.8cm; 17 x 26in (sheet) (2) £600-800

178 GIOVANNI BATTISTA PIRANESI Italian 1720-1778

178

Sezione del serraglio delle fiere fabbricato da Domiziano (Wilton-Ely 525); Del Castello dell’Acqua Giulia (Wilton-Ely 541) Two, both etching 34.6 x 23.6cm; 13½ x 9¼in; 36.2 x 24.5cm; 14¼ x 9¾in (plate) (2) £100-150

179 SAMUEL BUCK 1696-1779

AND NATHANIEL BUCK act.1724-1759

The East prospect of Sheffield in the County of York Hand-coloured engraving 31.2 x 79.5cm; 12¼ x 31¼in £150-250

179 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

180

180 JOHN MARTIN RA 1789-1854

Belshazzar’s Feast; The Fall of Babylon; The Fall of Nineveh; The Death of the First Born Four, each mezzotint with hand colouring Largest 53 x 81.2cm; 20¾ x 32in; Smallest 46.4 x 71.3cm; 18¼ x 28in (4) £700-1,000

181 GAETANO ZOMPINI Italian 1700-1778

AFTER GIOVANNI BENEDETTO CASTIGLIONE Italian 1609-1664

The flight into Egypt Etching, 1759, from ‘Varii capricci e paesi’ 27.2 x 41cm; 10¾ x 16¼in £200-300

181

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

182

183

182 JOHN LEECH 1817-1864

Gone Away!; The Noble Science; No Consequence; A Frolic Home after a Blank Day; Don’t Move There, We Shall Clear You!; A Friendly Mount Six, each chromolithograph Largest 45 x 64cm; 17¾ x 25¼in; Smallest 38.6 x 59cm; 15¼ x 23¼in (image) (6) £200-300

184

183 JOHN LEECH

184 GEORGE HENRY PHILLIPS

Don’t Move There, We Shall Clear You!; Gone Away!; Mr Jorrocks (loq) “Come hup! I say, you Ugly Brute!”; The Noble Science; No Consequence

AFTER WILLIAM DRUMMOND

1817-1864

Five, each chromolithograph Largest 46.4 x 64.3cm; 18¼ x 25¼in; Smallest 36.6 x 60.1cm; 14½ x 23½in Two unframed (5)

c.1800-after 1852 act.1800-1849

AND CHARLES J. BASEBE act.1835-1879

The Cricket Match between Sussex and Kent at Brighton

Provenance: Two with Thomas Agnew & Sons, Manchester

Stipple engraving 59.7 x 91cm; 23½ x 35¾in

£200-300

Together with the key plate identifying the figures (2) £200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

185 JOHN HARRIS 1811-1865

AFTER HENRY ALKEN 1785-1851

Fox Hunting: The Meet; Away; The Brook; Who-hoop! Four, each coloured aquatint with hand colouring Each 42.5 x 62.2cm; 16¾ x 24½in (image) (4) £200-300

185

186 THOMAS BURFORD c.1710-c.1779

AFTER JAMES SEYMOUR 1702-1752

Going to Cover; Making a Cast at a Fault; The Death of the Fox Three, each mezzotint with hand colouring, 1787 Each 36 x 51cm; 14¼ x 20in (plate) (3) £200-300

186 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

187 PHILIBERT-LOUIS DEBUCOURT French 1755-1832

AFTER CARLE VERNET 1758-1836

Cheval Effrayé par la Foudre; Chasseur Égaré Two, both mezzotint Both 52.6 x 64.7cm; 20¼ x 25½in (image) Together with Nicholas François Regnault (French 1746-1810), Matin; Soir; A pair, both coloured stipple engraving; 35.5 x 45.7cm; 14 x 18in (image) (4)

187

£200-300

188 JOHN FREDERICK LEWIS RA 1804-1876

Nineteen plates from ‘Sketches of Spain and Spanish character’, comprising Mosque at Cordova; La Puerta del Sol, Madrid; Contrabandistas; The Alhambra Palace, Granada; A couple riding a mule, Granada; Landscape at Ronda; Matador; Interior of a Posada; Two men resting on a Roadside, Andalusia; Plaza de San Francisco, Seville; Sala Capitola, Toledo; Mendicant Monks, Grenada; Peasants dancing the Bolero; Portrait of a Spaniard on horseback; Las Dos Hermanas; Mountain road, Gaucin; Jewish woman of Gibraltar in fiesta dress; Gitanillas, Ronda; A young woman riding a mule, Seville Nineteen, each tinted lithograph, some with hand colouring Largest 33.5 x 38.9cm; 13¼ x 15¼in; Smallest 25.4 x 35.5cm; 10 x 14in (19) Provenance: Belton House, Lincolnshire; Christie’s, Belton House Lincolnshire, 30 April - 2 May 1984; The Anthony and Marietta Coleridge Collection (all according to labels on Las Dos Hermanas) £300-400

188

189

189 WILLIAM DANIELL RA 1769-1837

Thirteen plates from ‘A Voyage Round Great Britain’, comprising, The long-ships light house off the lands end, Cornwall; The entrance to Portreath, Cornwall; The Lands-end, Cornwall; Boscastle Pier on the coast of Cornwall; Haitland pier, North Devon; Entrance to Dartmouth, Devon; Clovelly on the Coast of North Devon; Banff; Sheerness; Mey Castle, Caitness; Dunvegan Castle, Isle of Skye; The entrance to Amlwch harbour, Anglesea Thirteen, each numbered 69/90 (in pencil to verso), with Tate Gallery and Editions Alecto blindstamps Each aquatint from the original plates, published by Editions Alecto in association with the Tate Gallery, 1978 Each 32 x 39.2cm (sheet) Unframed (13) £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

190

190 FRANCIS HENRY SALVIN

191 JOHN GOULD FRS

192 JOHN GOULD FRS

AND WILLIAM BRODERICK

Yellow Headed Wagtail; Great Sedge-Warbler; Meadow Bunting; European Stonechat

AND HENRY CONSTANTINE RICHTER

Falconry in the British Isles

Four, each lithograph, three with hand-tinting Largest 51.3 x 33.3cm; 20¼ x 13in; Smallest 50 x 32.1cm; 19¾ x 12¾in (4)

Ceriornis Temminckii (Temminck’s Tragopan)

1817-1904

1880-1975

London, John van Voorst, 1873, 2nd edition, bound in green leather covers 29 x 19cm; 11½ x 7½in

1804-1881

£300-500

1821-1902

Coloured lithograph with hand-tinting 36.6 x 54.2cm; 14½ x 21¼in £200-300

Together with two daguerreotypes of William Broderick holding a falcon, and his wife holding a book, together in a red leather case (3) £1,500-2,500

191

192

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

193

194

193 PIETRO ANDREA MATTIOLI

194 ERNEST GRISET

Ten plates from ‘Herbal’, comprising Sesamum (Sesame); Pisum Maius (Garden pea); Sonchus Apera (Sow thistle); Cyanus Maior (Cornflower); Erica Sativa (Rocket); Aloe Sine Floribus (Aloe); Cuminium Satium (Cumin); Bellis Minor (Daisy); Aconitum Pardalianches (Great leopard’s bane); Myrrhtis Odorata (Sweet Cicely)

An elephant and two lions fighting

Italian 1501-c.1577

French 1844-1907

Coloured lithograph 50.8 x 59.7cm; 20 x 23½in £150-250

Ten, each numbered in pencil with block and edition number and with Alecto Historical Editions blindstamp Each woodblock, printed from the original woodblocks by Alecto Historical Editions, 1998 Each 36.5 x 27.8cm; 14¼ x 11in Unframed (10) £100-150

195 An 18th Century carved giltwood frame With foliate decoration 66.4 x 78.2cm; 26¼ x 30¾in rebate size 85.2 x 97cm; 33½ x 38¼in sight size £100-200

195

196

197

196 An Early 20th Century oak double-sided easel

197 An Early 20th Century Madderton & Costained pine folding easel

Adjustable on crank mechanism, on casters and with handle 181cm; 71¼in high (unextended)

227cm; 89¼in high (extended)

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

DRAWINGS AND WATERCOLOURS 198 CIRCLE OF CARLO MARATTA The Holy Family Red chalk 33.1 x 25.8cm; 13 x 10¼in Provenance: Van Parijs (c.1800), (Lugt 2531); Millhouse, Petworth, August 1983, where purchased by the present private collector, London (as Attributed to Maratta) £1,000-1,500

199 CIRCLE OF GUERCINO Study of a sibyl Red chalk 23.6 x 20cm; 9¼ x 7¾in £100-200

200 AFTER RAPHAEL David cutting off the head of Goliath Pen and brown ink, roundel 11.7cm; 4¼in diameter Provenance: Unidentified collector’s mark to backing sheet (L.2240) £100-150

198

199

200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

201 ITALIAN SCHOOL 18th Century

Study for the head of Christ Bears inscription Raccolta del Pittore Bevilacqua (to verso) Black chalk and stumping, heightened with white chalk, on blue paper 24.7 x 21.3cm; 9¾ x 8¼in Provenance: Probably Giovanni Carlo Bevilacqua (1775-1849); William and Patricia Redford; By whom sold, Sotheby’s, London, 11 December 2002, lot 123 £200-300

202 FRENCH SCHOOL 18th Century

201

202

Head of a young lady wearing a bandeau Red and black chalk 36.4 x 26.6cm; 14¼ x 10½in £600-1,000

203

204

205

203 ITALIAN SCHOOL

204 ITALIAN SCHOOL

205 AFTER JACQUES CALLOT

Study of a pope, seated, with the papal tiara beside him

Figures in a Baroque interior

Peasant woman with basket, seen from behind

Pencil, pen and brown ink, and wash 32.7 x 24.6cm; 12¾ x 9¾in

Pen and brown ink 18.7 x 10cm; 7¼ x 4in

£200-400

After an etching (Lieure 201).

c.1700

Pen and brown ink, and wash 16.6 x 10.7cm; 6½ x 4¼in £200-300

c.1800

£100-200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

206

207

208

206 ATTRIBUTED TO MICHEL CORNEILLE THE YOUNGER French 1642-1708

Landscape with a church on a hill, probably Saint Paul Outside the Walls, Rome (recto); Landscape with steps leading to an Italian town and a study of a cow (verso) Inscribed Derriere de St Paul (upper centre, recto) Pen and brown ink 24.4 x 40.7cm; 9½ x 16in Provenance: Marquis Philippe de Chennevières (1820-1899) (L.2073); Teodor de Wyzewa (1862-1917) (L.2471) Literature: Louis-Antoine Prat, La collection Chennevières. Quatre Siècles de Dessins Français (Musée du Louvre, 2007), p.439, no.858 £500-700

209

207 CIRCLE OF MICHEL CORNEILLE THE YOUNGER

208 AFTER FILIPPO LAURI

Mythological scene, possibly the Triumph of Bacchus

Satyrs stealing Cupid’s arrows whilst he sleeps in the lap of Venus

Pen and black ink, heightened with white 21 x 37.1cm; 8¼ x 14½in £250-450

Pen and brown ink, and wash 19.8 x 27.5cm; 7¾ x 10¾in Provenance: Alphonse Moulinier (1855-1905) (L.3257) After the oil painting in Croome Park, Worcestershire.

209 DUTCH SCHOOL c.1700

The prodigal son amongst the swine Pen and brown ink, and wash 13.6 x 23.2cm; 5¼ x 9¼in £200-300

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

210

211

212

213

210 ADAM SILO

211 ATTRIBUTED TO CHARLES PARROCEL

Dutch shipping in calm waters

Equestrian battle scene

Signed A Silo (lower right) Pen and ink, and grey wash 13.5 x 19.2cm; 5¼ x 7¼in Unframed

Pencil, pen and black ink, and wash 16.5 x 23.7cm; 6½ x 9¼in

Dutch 1674-1760

£200-300

214

French 1688-1752

Provenance: Jean-Baptiste-Florentin-Gabriel de Meryan, Marquis de Lagoy (1764-1829) (L.1710); Probably his sale, Pieri Bénard, Paris, 17 April 1834, lot 236

212 AFTER PAOLO VERONESE Apotheosis of Venice Pen and brown ink, and wash, oval 39.7 x 28.2cm; 15¾ x 11in £150-250

£300-500

213 CIRCLE OF PIETRO FANCELLI

214 DUTCH SCHOOL

St Anne and the Virgin

17th Century

Pencil, pen and brown ink, and wash, squared for transfer 28 x 16.2cm; 11 x 6¼in

Study of cattle and sheep Pen and brown ink 13.2 x 14.8cm; 5¼ x 5¾in

Provenance: Brian Blakemore, Kendal, October 1987

£100-150

£200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

215

215 LOUIS NICOLAS VAN BLARENBERGHE French 1716-1794

216 CIRCLE OF JACOB PHILIPP HACKERT

217 FRENCH SCHOOL

Landscape with figures by a military encampment

Wooded landscape with travellers on a path and a figure drinking from a stream

Landscape with Hagar and the Angel

Signed and dated N V B bergue 1745 (lower centre) Gouache 12.6 x 18.8cm; 5 x 7½in

Black chalk 32.7 x 26.8cm; 12¾ x 10½in

Pen and ink, and wash, heightened with white 50.2 x 69.7cm; 19¾ x 27½in

£150-250

£500-700

£1,000-1,500

216

18th Century

217

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

218 MEYNIKE

German act.1776-1784

Portrait of a gentleman wearing a blue coat, standing by a column in a feigned cartouche Signed Meynike (lower left) and dated pinx 1776 (lower right) Pastel 39.8 x 31.4cm; 15¾ x 12¼in Provenance: Maria Lederer (according to label); John Nicholson’s, Haslemere, 25 September 2008, lot 408 Literature: Neil Jeffares, ‘Meynike’, Dictionary of pastellists before 1800, online edition, accessed 11/01/2022, no. J.5358.101 £1,000-1,500

219 λ ENGLISH SCHOOL c.1800

Portrait of John Kemble as Hamlet in profile, in an oval Inscribed John Kemble Esq/character of Hamlet (to backing board) Pastel 23 x 18.8cm; 9 x 7½in Together with English School Early 19th Century; Portrait miniature of Sarah Butler-Stoney (née Fannin) wearing a black dress; Oval, in a rectangular ebonised frame; 55 x 43mm; and English School Late 18th Century; Portrait miniature of a gentleman wearing a blue coat; Oval, in a stained wood frame; 31 x 25mm (3) £200-300

218

219

220

220 ENGLISH SCHOOL 19th Century

221 ATTRIBUTED TO MARIE-GABRIELLE CAPET

Portrait of a lady in 18th-century dress, bust-length, wearing a white dress and with powdered hair

French 1761-1818

Portrait of a young girl, half-length, wearing a white dress with blue waistband

Pastel 54.7 x 43.9cm; 21½ x 17¼in

Signed and dated M G Capet/Juillet 1787 (lower right) Pastel 38.2 x 30cm; 15 x 11¾in

£150-200

221

Provenance: Christie’s, London, At Home - British and Continental Pictures, 15 July 2004, lot 838; The Property of a Lady of title Literature: Neil Jeffares, ‘Marie-Gabrielle Capet’, Dictionary of pastellists before 1800, online edition, accessed 6/10/2021, no.J.196.178 £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

222

222 RICHARD HENRY NIBBS 1816-1893

Thames Shipping Signed R Nibbs (lower right) Watercolour and pen and ink, heightened with white 23.4 x 53.2cm; 9¼ x 21in £1,000-1,500

223 ATTRIBUTED TO JOHN CLEVELEY THE YOUNGER 1747-1786

British ships in calm coastal waters Pencil and watercolour 18.2 x 28cm; 7¼ x 11in £200-300

224 NICHOLAS POCOCK

223

1740-1821

A man-o-war and other shipping in calm waters Signed and dated N Pocock August 1789 (lower centre) Pencil and watercolour, oval 26.3 x 37.2cm; 10¼ x 14¾in £400-600

224

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

225 JOHN FISHER, BISHOP OF SALISBURY 1748-1825

Coastal landscape with travellers near houses and ships beyond Watercolour and pen and ink 23 x 35.8cm; 9 x 14in Provenance: The Fine Art Society, London, November 1969 £150-250

226 WILLIAM GILPIN 1724-1804

Extensive landscape with a hillside classical temple With blindstamp WG and numbered 5 (lower right) Pencil, pen and ink, and wash 18.2 x 26.5cm; 7¼ x 10½in

225

Provenance: Sold by the artist for the benefit of Boldre Charity School, Hampshire, Christie’s, London, 6 May 1802, lot 94, where purchased by George Gosling; Christie’s, June 1882, lot 365; Fry Gallery, London (all according to label) £150-250

227 T. CLARKE

Early 19th Century

AFTER PAUL SANDBY 1731-1809

Gate under Queen Elizabeth’s Picture Gallery, Windsor Castle; Windsor from Datchet Lane Two, the latter signed T CLARKE (to placard) Both pen and ink, and watercolour 17.6 x 25.2cm; 7 x 10in; 17.3 x 25.9cm 6¾ x 10in (2) £300-500

226

227 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

228

228 JOHN GLOVER OWS

229 JOHN VARLEY

230 WILLIAM PAYNE OWS

River landscape with figures and sheep

North Welsh landscape at dawn, with a bridge over a river

Wooded landcape with travellers on horseback and a cottage in the distance

1767-1849

Pencil, watercolour and bodycolour, heightened with gum arabic 26.8 x 41.9cm; 10½ x 16½in Provenance: R. L. Sturge Esq; Woolley and Wallis, 7 April 2004, lot 101, where purchased by the present private collector In a 1985 letter, Lionel Lamburne suggested the present work was a Derbyshire view.

1778-1842

Signed and indistinctly dated J.Varley 182* (lower left) Pencil and watercolour 12.2 x 17.6cm; 4¾ x 7in Provenance: Thos. Agnew & Sons, Ltd £300-400

1760-1830

Signed W Payne (lower left) Watercolour 12.4 x 16.3cm; 4¾ x 6½in £150-250

£1,500-2,500

229

230

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

231

231 WILLIAM WIEHE COLLINS 1862-1951

View of Toledo Cathedral and Plaza Ayuntamiento; Street scene in Orvieto Two, the former signed and inscribed WWCollins/TOLEDO (lower left); the latter signed and inscribed WWCollins/ORVIETO (lower left) Both watercolour heightened with white 34.9 x 18.2cm; 13¾ x 7in; 30.5 x 22.9cm; 12 x 9in (2) Provenance: Both with Henry Graves & Company, London £300-500

232 WILLIAM WIEHE COLLINS 1862-1951

Devonshire Primroses Signed W W Collins RI (lower left) Watercolour heightened with bodycolour 44.6 x 33.2cm; 17½ x 13in £400-600

232 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

233 CHARLES ROWBOTHAM 1858-1921

Figures outside a villa on the banks of Lake Orta; Coastal landscape with Mentone in the distance A pair, the former signed Chas Rowbotham (lower left), the latter signed and dated Chas Rowbotham 1891 (lower right) Both watercolour and bodycolour Each 30.1 x 60.7cm; 11¾ x 24in (2) Provenance: Both with The Horner Galleries, Sheffield £700-1,000

233

234

235

234 NEAPOLITAN SCHOOL

235 NEAPOLITAN SCHOOL

The Loderer, later HMS Farnborough

HMS Polyphemus

Gouache 44.2 x 66.2cm; 17½ x 26in

Indistinctly signed and dated De*li*** 97 (lower right) Gouache 27.1 x 49.6cm; 10¾ x 19½in

Early 20th Century

HMS Farnborough, also known as Q-5, was a Q-ship of the British Royal Navy that saw service in the First World War. Farnborough was a heavily armed merchant ship with concealed weaponry that was designed to lure submarines into making surface attacks. Farnborough sank two submarines in her service in the First World War. The first submarine was SM U-68, sunk with the first successful use of depth charges. The second submarine was SM U-83, which was sunk on 17 February 1917 in an action for which Captain Gordon Campbell of Farnborough received the Victoria Cross. HMS Farnborough was severely damaged in the action and was beached the same day.

1897

HMS Polyphemus was thought to be the inspiration for HMS Thunder Child in H.G. Wells’ novel The War of the Worlds (London, 1898). £300-500

£400-600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

236

237

238

236 ALFRED POWELL

237 ALFRED WILLIAM HUNT RWS

238 DAVID BATES

Highland landscape with a shepherd and his flock

Sunlight through the clouds

Figures and sheep near Capel Curig; A mountain pathway, Dolwyddelan

1837-1905

1830-1896

Signed Alfred Powell (lower right) Pencil and watercolour 36.8 x 52.5cm; 14½ x 20¾in

Signed and dated A W Hunt/1875 (lower right to boulder) Watercolour heightened with white 36.5 x 53.5cm; 14¼ x 21in

£200-300

£300-500

1840-1921

A pair, the latter signed and dated David Bates 1910 (lower left) Both watercolour 24.4 x 34.4cm; 9½ x 13½in; 24.1 x 34cm; 9½ x 13½in (2) Provenance: Both with The Horner Galleries, London £120-180

239 THOMAS FRANCIS WAINEWRIGHT RBA 1794-1883

Sheep on the riverbank near Windsor Signed and dated T F WAINEWRIGHT 1880 (lower left) Watercolour heightened with white 37.3 x 75.7cm; 14¼ x 29¾in £200-300

239 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

240

241

242

243

240 RAMSAY RICHARD REINAGLE RA 1775-1862

Evening landscape with cattle watering in the Thames with Staines Church beyond Signed and dated R. R. Reinagle/1814 (lower right) Pencil and watercolour heightened with white 54.6 x 85cm; 21½ x 33½in Provenance: John Allnutt Esq; Mrs Dumas; Christie, Manson & Woods, 3 June 1942 (all according to labels) Literature: S. C. Hall, The Book of Gems: The Modern Poets and Artists of Great Britain (London, 1838), p.207 £300-500

244

241 ROBERT BRANDARD 1805-1862

Landscape with figures on a road outside a village church Signed with initials and dated RB 1827 (lower left) Pencil and watercolour 11.5 x 19.3cm; 4½ x 7½in £150-250

242 PAUL JACOB NAFTEL RWS 1817-1891

Chepstow Castle across the River Wye Signed with monogram (lower right) 26.4 x 35.2cm; 10½ x 13¾in Provenance: Jeremy North’s Gallery, North Carolina £200-300

243 ATTRIBUTED TO DAVID COX

244 WALLER HUGH PATON RSA, RSW

Wooded landscape with two travellers on a path

Landscape near Bridge of Allan, Scotland

Traces of a signature and date (lower right) Watercolour heightened with white and gum arabic 31.5 x 46.3cm; 12½ x 18¼in

Signed W.H.Paton (lower left), and indistinctly inscribed N Bridge of Alla* (lower right) Pencil and watercolour heightened with white 16.3 x 22.8cm; 6½ x 9in

1783-1859

£200-300

Scottish 1828-1895

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

245 EDWARD LEAR 1812-1888

Two brightly plumed birds in a tropical coastal landscape Signed E.Lear (lower centre) Pencil and watercolour, heightened with gum arabic and gold paint 17.6 x 13.1cm; 7 x 5¼in Provenance: Lady Strachey, Sutton Court; And by descent These five examples of Edward Lear’s imaginary bird pictures (lots 245-249) are early instances of his work, which Robert McCracken Peck has dated to 1827-1830. They are typical of the Lear’s work during this period, in which his subjects are based on familiar species, such as the hoopoe, toucan and swallow, but are then enhanced by his imaginative take on aspects such as colours, feather patterns and habitats. The Strachey family were deeply influential in helping shape and preserve Lear’s legacy. They were close friends and published various publications on the artist between 1888 and 1911. We are grateful to Robert McCracken Peck for his help cataloguing this work. For further information, see Robert McCracken Peck, The Natural History of Edward Lear (Princeton University Press, 2021). £1,500-2,500

245

246 EDWARD LEAR 1812-1888

A large-billed bird and another on tree branches Signed E.Lear (lower left) Pencil, watercolour and bodycolour, heightened with gum-arabic and gold paint 17.5 x 13cm; 7 x 5in Provenance: Lady Strachey, Sutton Court; And by descent £1,500-2,500

246 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

247

248

247 EDWARD LEAR 1812-1888

Orange feathered bird on a branch Signed E.Lear (lower left) Pencil and watercolour, heightened with gold paint 17.6 x 13.1cm; 7 x 5¼in Provenance: Lady Strachey, Sutton Court; And by descent £1,200-1,800

248 EDWARD LEAR

249 EDWARD LEAR

Crested bird on a branch

Two red-breasted birds on a branch

Signed E.Lear (lower centre) Pencil and watercolour, heightened with gold paint 17.5 x 13.1cm; 6¾ x 5¼in

Signed E.Lear (lower left) Pencil and watercolour, heightened with gum arabic 13.1 x 17.6cm; 5¼ x 7in

1812-1888

Provenance: Lady Strachey, Sutton Court; And by descent £1,000-1,500

1812-1888

Provenance: Lady Strachey, Sutton Court; And by descent

249

£1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

250 FREDERICK WILLIAM FROHAWK 1861-1946

European shags (Gulosus Aristotelis) on the rocks Signed F.W.Frohawk (lower right) Pencil and watercolour 18.1 x 13.2cm; 7¼ x 5¼in £200-300

251 ALBERTUS JONAS BRANDT Dutch 1787-1821

Study of an iris Inscribed A. J. Brandt (to mount) Watercolour within brown ink framing lines 26 x 19.3cm; 10¼ x 7½in £150-250

250

251

252

253

252 AFTER SYDENHAM EDWARDS

253 GULIELMA LISTER

Ivy-leaved geranium; Clammy crane’s bill; Square stalked geranium; Sorrel crane’s bill; Striped geranium Five, one dated 1797 and each inscribed in English and Latin Each pencil and watercolour, four heightened with gum arabic Each 21.5 x 13.6cm; 8½ x 5¼in (5) £100-150

1860-1949

A sketchbook containing sketches, watercolours and postcards, including diagrams of velella and landscape watercolours of Pardigon Executed in France, 1922-1923 12 x 19cm; 4¾ x 7½in £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

254 THOMAS SHOTTER BOYS NWS 1803-1874

Figures on a path by a river with a castle on a hill beyond; A shepherd and his flock with other figures on a road in a mountainous river landscape A pair, both watercolour Each 9.5 x 12.5cm; 3¾ x 5in (2) Provenance: Fine Art Society, London, April 1961, nos.7 & 12; Sold on behalf of the Executors of Julian Bream CBE dec’d The proceeds of this lot will go to The Julian Bream Charitable Trust. £500-700

254

255

255 ‡ MARY ELIZABETH BRAITHWAITE

256 ARTHUR WILDE PARSONS RWA

257 MYLES BIRKET FOSTER RWS

Rome from My Window

View over the rooftops, Florence

Signed with initials MEB (lower right) Pencil and watercolour 47.9 x 35cm; 18¾ x 13¾in

Signed and dated A WILDE PARSONS 1908 (lower left) Pencil and watercolour 30 x 45.1cm; 11¾ x 17¾in

View of Eagle Tower, Caernarfon Castle, from the river

Provenance: Trim Bridge Galleries, Bath

Exhibited: Possibly London, Royal Academy, 1931 (according to old labels to backing board, but not listed in catalogue)

£300-500

1874-1952

1854-1931

1825-1899

Signed with initials and inscribed BF Eagle Tower Carnarvon (lower left) Pencil and watercolour, heightened with white 14.5 x 24.6cm; 5½ x 9¾in £200-300

£200-300

256

257

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

258

259

258 CHARLES WILLIAM MEREDITH VAN DE VELDE 1818-1898

The Alps Signed W.v.d.Velde (lower left) Pencil and watercolour 24.4 x 36.5cm; 9½ x 14¼in

260

259 JACOB HENRICUS MARIS Dutch 1837-1899

Landscape with a windmill Signed J Maris (lower left) Watercolour 40.8 x 26.7cm (16 x 10½in) £300-500

£150-250

260 ERNEST GRISET French 1844-1907

261 AFTER WILLIAM JAMES MÜLLER

Fishing peacefully; Startled by a donkey

The tent of the wandering Yarooks near Xanthus, Lycia

Two images on one sheet, signed twice Ernest Griset (lower left in each image) Pencil, pen and ink, watercolour and bodycolour, each image within brown ink framing lines Each 16.1 x 34.1cm; 6¼ x 13½in (image)

Bears a signature wmϋller (lower right) and inscribed Yurook’s Tent near Xanthus 109 (lower centre) Watercolour and pencil 34.4 x 52cm; 13½ x 20½in

£300-500

Provenance: Thos. Agnew & Sons, London; Sotheby’s, London, Eighteenth and Nineteenth Century British Drawings and Watercolours, 13 July 1989, lot 143 (as Mϋller) £200-300

261 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

262 CARL WERNER

German 1808-1894

Doorway leading from the Court of the Temple of Isis to the Small Temple at Philae, Egypt Signed and dated C Werner.f.1867 (lower right) Pencil, watercolour and bodycolour 50.9 x 37.3cm; 20 x 15¾in Provenance: Christie’s, London, 19th Century Continental Pictures, Watercolours and Drawings, 21 November 1997, lot 262 £2,000-3,000

262

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

263 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

264

263 HELEN ALLINGHAM RWS

264 HELEN ALLINGHAM RWS

The Cottage Door

The Clothes Basket

Signed H. Allingham (lower right) Watercolour with scratching out 27.8 x 23cm; 11 x 9in

Signed and dated H.Allingham 1880 (lower left) Pencil and watercolour 29.9 x 46cm; 11¾ x 18in

Provenance: Possibly with Thos. Agnew & Sons, Manchester; Possibly Sir George Johnson MD; Christie’s, London, 20 October 1981, lot 183; Richard Hagen Gallery, Broadway by 1982, where purchased by the present private collector, 1983

Provenance: Sir George Johnson MD; By descent to C. P. Johnson, Esq; M. Newman Ltd, London; Polak Gallery, London; Sotheby’s, London, 30 May 1985, lot 210; Richard Hagen Gallery, Broadway, where purchased by the present private collector, 1985

1848-1926

Literature: Ina Taylor, Helen Allingham’s England: An Idyllic View of Rural Life (Webb & Bower Ltd, 1990), p.107 Exhibited: Possibly, London, St. Jude’s School House, 1883, no.155 (as ‘Feeding Rabbits’, lent by Sir George Johnson MD)

1848-1926

Literature: Marcus B. Huish, Happy England (A & C Black, 1903), p.63 (illustrated) Exhibited: London, Royal Society of Painters in Watercolours, 95th Summer Exhibition, 1981, no.48; London, St. Jude’s School House, 1883, no.37 (lent by Sir George Johnson MD)

We are grateful to Annabel Watts for her assistance cataloguing the present work.

This watercolour was painted in 1880 from studies made on the Isle of Thanet, during a family holiday at Broadstairs in September 1879. It is held to be the first large landscape the artist exhibited.

£8,000-12,000

We are grateful to Annabel Watts for her assistance cataloguing the present work. £7,000-10,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

265

265 A 19th Century album containing watercolours, drawings and poetry Including, William Huggins (1820-1884); Study of a lion’s head; Study of a tiger; Two, the latter signed W Huggins (lower right); Each pencil; 16.6 x 13.9cm; 6½ x 5½in; 15.2 x 19.5cm; 6 x 7¾in; and various landscapes and botanical works Within black leather covers with embossed foliate decoration 28.6 x 23.5cm; 11¼ x 9¼in Provenance: Given by John Gregory to Amelia Williamson before their marriage in 1831; By descent to their daughter, Amy Jones; Gifted to her niece, December 1939 (according to a letter within the album) £250-450

266 CHARLES SAMUEL KEENE 1823-1891

Study of a lady wearing a bonnet; Gentlemen on a busy street Two, the latter with studio stamp (lower left) Pencil and watercolour; Pen and ink 17.5 x 9.5cm; 11.4 x 17.8cm; 7 x 3¾in; 4½ x 7in (2) Provenance: ‘Lady’ with Laurence Oxley, Alresford; The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £150-250

266 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

267 SIR EDWARD JOHN POYNTER BT., PRA, RWS 1826-1919

Study of a female nude, bust-length With studio stamp EP (lower right) Black and white chalk, oval 23.9 x 18.8cm; 9½ x 7½in Provenance: With Spencer Samuels, New York, 1989; Christie’s, London, Old Master & British Drawings & Watercolours, 9 December 2015, lot 256 £700-1,000

268 SIR EDWARD COLEY BURNE-JONES BT., ARA, RWS 1833-1898

Studies of fish (Conger eels), possibly for ‘The Sea Nymph’ and ‘The Mermaid Family’ Pencil 22 x 15.2cm; 8¾ x 6in Provenance: Christie’s, London, Old Master & British Drawings & Watercolours, 9 December 2015, lot 251 Literature: Recorded in the online catalogue raisonné of Burne-Jones’ work, where dated 1880 £300-500

268

269 SIR EDWARD COLEY BURNE-JONES BT., ARA, RWS 1833-1898

Studies of a girl’s head Signed, dated and inscribed DRAWN BY SIR ED./ BURNE-JONES/24.XI.1897 (lower right) Pencil 16.8 x 10.6cm; 6½ x 4¼in Provenance: Abbott & Holder, London £300-500

267

269

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

270

271

270 EDMUND THORNTON CRAWFORD RSA 1806-1885

Watermill on the River Esk Signed E. T. Crawford (lower right) Pencil and watercolour heightened with white 28.3 x 36.8cm; 11¼ x 14½in

272

£150-250

271 VIVIAN ROLT 1874-1933

Figures and cattle travelling through a landscape in Falmer, Sussex Signed, dated and inscribed Falmer Downs 1926 Vivian Rolt (to old label) Watercolour heightened with white 25 x 37.3cm; 9¾ x 14¾in Provenance: Sundridge Gallery, Kent £200-300

272 TOM JAMES LLOYD RWS

273 KATE MACAULAY RSW

Mother and child reading on a coastal path

Scottish landscape with a castle by a loch and cattle watering

1849-1910

273

Signed and dated Tom Lloyd 1901 (lower right) Pencil and watercolour heightened with bodycolour 29.4 x 70.1cm; 11½ x 27½in £200-300

act.1872-1884

Signed K. Macaulay (lower left) Pencil and watercolour 31.2 x 59.2cm; 12¼ x 23¼in £100-150

274 WILLIAM ARNEE FRANK 1808-1897

Figures stopping on a path in a mountainous river landscape Signed and dated W A FRANK/76 (lower right) Watercolour heightened with white 29.4 x 45.8cm; 11½ x 18in Provenance: The Coln Gallery, London

274

£100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

275

275 WALTER FREDERICK ROOFE TYNDALE RI

276 SIDNEY GOODWIN

277 CHARLES JONES WAY

River landscape with a woman and a dog walking on a path

View of Lincoln at dusk

A ruined castle

Pencil and watercolour heightened with white 39.5 x 59.6cm; 15½ x 23½in

Signed and dated C Way Sen/1866 (lower centre) Watercolour 42.3 x 67.3cm; 16¾ x 26½in

£150-250

Provenance: The Swan Gallery, Sherborne

1855-1943

Signed W.Tyndale (lower left) Watercolour 27.3 x 41.6cm; 10¾ x 16¼in Provenance: The Beaufort Gallery, London

1875-1944

£200-300

£700-1,000

276

1834-1919

277

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

278 ANGELO FAIRFAX MUCKLEY 1861-1920

Washerwomen at a temple tank, Jubbulpore, India Extensively inscribed by the artist’s widow (to reverse) Pencil and watercolour 29.5 x 35.9cm; 11½ x 14in Provenance: Collection of Beatrice Muckley, the artist’s wife; And by descent £200-300

278

279

279 ANGELO FAIRFAX MUCKLEY 1861-1920

View of a godowns station hospital, Jubbulpore, India Signed and dated A F Muckley 3.9.15 (lower left) Pencil and watercolour 17.6 x 26.1cm; 7 x 10¼in Provenance: Collection of Beatrice Muckley, the artist’s wife; And by descent £200-300

280 ANGELO FAIRFAX MUCKLEY

280

281

1861-1920

Landscape with a lake, probably at White Notley Hall Signed and dated Fairfax Muckley/1899 (lower right) Pencil and watercolour heightened with bodycolour 45.6 x 57.4cm; 18 x 22½in Provenance: Collection of Beatrice Muckley, the artist’s wife; And by descent £100-150

282

283

281 WILLIAM FRASER GARDEN

282 FRANK WASLEY

283 ALBERT GOODWIN RWS

A quiet lane

Regatta on the lagoon, Venice

View of Bosham, Sussex

Signed and dated W.F. GARDEN 1920 (lower left) Watercolour 26.3 x 36.4cm; 10¼ x 14¼in

Signed F Wasley (lower left) Watercolour and bodycolour 24.4 x 43.6cm; 9½ x 17¼in

Provenance: Sundridge Gallery, Kent, where purchased by the present private collector

Provenance: Trim Bridge Galleries, Bath

Signed Albert Goodwin (lower right) and inscribed Bosham Sussex (lower left) Watercolour and pencil 16.6 x 24.7cm; 6½ x 9¾in

Scottish 1856-1921

1854-1934

It has been suggested that this work may depict cottages in Back Lane, Holywell, Huntingdon.

£200-300

1845-1932

Provenance: Christie’s, London, British and Continental Watercolours and Drawings, 13 July 1995, lot 219 £250-350

£400-600 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

284

284 ‡ HENRY EDWARD SPERNON TOZER

285 FOLLOWER OF WILLIAM ORPEN

Old woman shelling peas; Old woman sitting by the fire

Charcoal and watercolour 43.7 x 35cm; 17¼ x 13¾in

1864-1955

A pair, both signed and dated H.S.Tozer/1921 (lower right and lower left respectively) Both watercolour Each 22 x 32.3cm; 8¾ x 12¾in (2)

Portrait of a lady, traditionally identified as Ida John, and a child

£200-400

286 ‡ MICHAEL LYNE

287 ‡ ENRICO CASTELLANETA

The chase

Il Nonno Parla Bene

Signed and indistinctly dated Michael Lyne/19 (lower right) Watercolour and bodycolour with pencil sketch to mount 31.5 x 49cm; 12½ x 19¼in

Signed E Castellaneta (lower left) and inscribed Il nonno parla bene (upper right) Watercolour 21.9 x 33.1cm; 8½ x 13in

1912-1989

£300-500

Italian 1864-1953

£150-250

285

286

287

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

288

288 HERCULES BRABAZON BRABAZON

289 HERCULES BRABAZON BRABAZON

AFTER J. M. W. TURNER

1821-1906

1775-1851

AFTER J. M. W. TURNER

The Fighting Temeraire

Landscape with a lake and a mountain (possibly the Rigi) in the distance

1775-1851

Edinburgh, from Caulton-hill

After the original in the National Gallery (inv. no.NG524).

Signed with initials HBB (lower right) and inscribed after Turner (to mount) Pencil, black chalk and pastel 15.3 x 21.5cm; 6 x 8½in Unframed

Indistinctly signed with initials H** (lower left) Pencil, pastel and watercolour 17.6 x 25.2cm; 7 x 10in Unframed

£350-500

£300-500

1821-1906

1775-1851

Signed with initials HBB (lower left) and inscribed Temeraire (lower right) Pencil and watercolour 17.7 x 23.2cm; 7 x 9¼in Unframed

289

290 HERCULES BRABAZON BRABAZON

290 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

291

292

291 HERCULES BRABAZON BRABAZON 1821-1906

Lake Garda (after J.M.W. Turner); Venice with the Campanile di San Marco Two, the former signed with initials HBB (lower left) and inscribed Turner (lower right) Both pencil and pastel 11.5 x 15.1cm; 4½ x 6in; 9.9 x 14.6cm; 4 x 5¾in Both unframed, mounted as one (2) £500-700

292 HERCULES BRABAZON BRABAZON 1821-1906

Landscape with a stormy sky; Mountainous landscape Two, the former signed with initials HBB (lower right) The former watercolour heightened with white; the latter pencil and pastel 17.5 x 21.1cm; 6¾ x 8¼in; 9.8 x 15.1cm; 3¾ x 6in Both unframed, mounted as one (2) £350-500

293 HERCULES BRABAZON BRABAZON 1821-1906

View of Edinburgh Castle Signed with initials HBB (lower right) Pencil and watercolour 14.2 x 17.2cm; 5¼ x 6¾in Unframed

293

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

294 HERCULES BRABAZON BRABAZON 1821-1906

Street scene in Blida, Algeria Signed with initials HBB (lower left) and inscribed Blidah (lower right) Pencil and watercolour heightened with white 22.4 x 14.4cm; 8¾ x 5¾in Unframed £300-500

295 HERCULES BRABAZON BRABAZON 1821-1906

Study of flowers Signed with initials HBB (lower right) Watercolour and pastel 24.5 x 17.6cm; 9¾ x 7in Unframed £300-500

296 HERCULES BRABAZON BRABAZON 1821-1906

Sailing boat in a stiff breeze Signed with initials HBB (lower right) Pencil and pencil 17.6 x 15.8cm; 7 x 6¼in Unframed £300-500

294

295

296 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

297

298

297 HERCULES BRABAZON BRABAZON

298 HERCULES BRABAZON BRABAZON

Portrait study of a bearded man looking out at the viewer; Portrait study of a bearded man looking down

AFTER DIEGO VELÁZQUEZ

Two, both signed with initials HBB Both pencil and black and white chalk 20.6 x 13.7cm; 8 x 5½in; 21.1 x 13.5cm; 8¼ x 5¼in Both unframed, mounted as one (2)

Signed with initials HBB (lower left) and inscribed after Velasquez/Frankfurt (to mount) Pencil and watercolour 23.6 x 17.1cm; 9¼ x 6¾in Unframed

1821-1906

£350-500

299 HERCULES BRABAZON BRABAZON

1821-1906

Spanish 1599-1660

Portrait of Cardinal Gaspar de Borja y Velasco (1643-1645)

After the original in the Städel Museum, Frankfurt (inv. no.1045)

1821-1906

Landscape with a tower on top of a mountain

300 HERCULES BRABAZON BRABAZON 1821-1906

AFTER EUGÈNE DELACROIX French 1798-1863

Crowd of figures

Signed with initials HBB (lower left) Watercolour and pastel 21 x 22.5cm; 8¼ x 8¾in Unframed

Signed with initials HBB (lower right) and inscribed after Delacroix (to mount) Black chalk, watercolour and bodycolour 17.5 x 23.6cm; 7 x 9¼in Unframed

£300-500

299

300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

DAY 2 Lots 301-627

Lot 519

OIL PAINTINGS 301 MANNER OF PLAUTILLA NELLI Portrait of a female saint holding a book, probably St Clare Oil on panel 50.8 x 42.2cm; 20 x 16½in Provenance: Lord Rennell of Rodd when UK Ambassador to Italy; By descent to his daughter Baroness Emmet of Amberley; And by descent to the present owner, 1982 (as Bernardino Zaganelli) £1,000-1,500

302 AFTER FRA ANGELICO Angel playing the trumpet; Angel holding an organ A pair, both tempera and gilt paint on panel, arched tops 41.2 x 15.5cm; 16¼ x 6in (2) After the originals on the Tabernacle of the Linaioli, National Museum of San Marco, Florence. £200-300

303 AFTER MARINUS VAN REYMERSWALE Two tax collectors Oil on panel 35.5 x 28.4cm; 14 x 11¼in Unframed £200-300

301

302

303

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

304 FOLLOWER OF CARAVAGGIO Card players in an interior Oil on canvas 74 x 90.4cm; 29¼ x 35½in £1,000-1,500

305 AFTER ANDREA SOLARIO Ecce Homo Oil on panel 33.6 x 23.5cm; 13¼ x 9¼in After the prime version in the Philadelphia Museum of Art, Philadelphia (inv. no.274). £800-1,200

304

306 FOLLOWER OF FRANS FRANCKEN II Christ on the road to Calvary Oil on copper 20.7 x 16.7cm; 8¼ x 6½in Provenance: Woodcote Hall, Shropshire (inventory number to frame); By descent to Mrs Oliver Colthurst, Pitchford Hall, Shropshire; By whom sold, Christie’s, Pitchford Hall, 28-29 September 1992, lot 612 (as Circle of Frans Francken II) £800-1,200

305

306

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

307

307 BOLOGNESE SCHOOL 16th Century

Diana Oil on canvas 126.9 x 94.4cm; 50 x 37in Unframed £3,000-5,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

308

308 JOHN BETTES THE YOUNGER c.1530-1616

Portrait of Richard Waugh, aged 56, wearing a fur lined coat, ruff and black cap Signed with initials, dated, and inscribed IB/ÆTATIS. SVÆ 56/1587 (upper right), and charged with the sitter’s coat-of-arms (upper left) Oil on panel 94.1 x 75.4cm; 37 x 29¾in Provenance: Heskin Hall, Lancashire £2,500-3,500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

309

309 FORD MADOX BROWN 1821-1893

AFTER BARTHEL BEHAM German 1502-1540

Portrait of Hans Urmiller and his son

Oil on panel Signed, inscribed and dated F M Brown/Take Your Son Sir/1854 (to reverse) 67.2 x 51cm; 26½ x 20in After the original in the Städel Museum, Frankfurt (inv. no.919). £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

310 ATTRIBUTED TO LEONAERT BRAMER Dutch 1596-1674

Mary Magdalene washing the feet of Christ Oil on copper, with copperplate map of the Netherlands to reverse 22.2 x 25.6cm; 8¾ x 10in £1,000-1,500

311 AFTER PAULUS MOREELSE The Young Shepherdess Oil on canvas 65.6 x 54.4cm; 25¾ x 21½in After the original in the Musée de Grenoble, Grenoble (inv. no. MG424). £1,000-1,500

312 DUTCH SCHOOL 1650

Portrait of a gentleman, wearing a black tunic and skull cap, holding an hourglass Signed with initials, dated and indistinctly inscribed FB/1650/Atates ** (centre left) Oil on canvas 61.3 x 51cm; 24¼ x 20in Provenance: By descent to the present private collector

310

£1,000-2,000

311

312 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

313 CIRCLE OF JOHANNES VOORHOUT The sacrifice of Isaac Oil on canvas 130 x 97cm; 51¼ x 38¼in Provenance: The Property of a Northeast Museum; By whom sold Christie’s East, New York, 26 February 1997, lot 11, where acquired by the previous owner; By whom sold, Christie’s, London, Old Master & 19th Century Paintings, Drawings and Watercolours, lot 117 (as Circle of Constantin Verhout) £3,000-5,000

313

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

314 CIRCLE OF WILLEM KALF Still life with lobster, bread, a blue and white porcelain cup, and a gilt and silver jug Oil on canvas 59.9 x 76.1cm; 23½ x 30in £1,000-1,500

314

315 DUTCH SCHOOL c.1700

Still life with nuts, fruit, a roemer and a pewter dish on a stone ledge Oil on panel 31.8 x 45.5cm; 12¼ x 18in £800-1,200

315 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

316 FOLLOWER OF JAN VAN KESSEL THE ELDER A family of mallards with an owl in a tree beyond Oil on copper 30.6 x 41.4cm; 12 x 16¼in £2,000-3,000

316

317 MANNER OF MELCHIOR D’HONDECOETER 19th Century

A peacock, cockerel, hen, pheasant, mallards and other birds in a parkland Oil on canvas 79.8 x 100.2cm; 31½ x 39¼in Provenance: Collection of Colonel Johann Alexander Artemis Sparre of Sweden (1800-1885) (according to label); Collection of Berndt Hay, Swedish industrialist, 1919; Private collection, Germany Colonel Sparre was the father of Josephine Sparre (1829-1892) who was mistress of King Charles XV of Sweden and also the lady in waiting to the Queen. £1,500-2,500

317 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

318 JAN JANSZ. BUESEM

Dutch 1599-1655

A church interior with cavaliers conversing Signed I.IAN BVESEM (lower left to the tomb) Oil on panel 47.1 x 63.3cm; 18½ x 25in Provenance: Phillips, London, 28 June 1983 £3,000-5,000

319 FOLLOWER OF NICOLAES MAES Portrait of three children, one holding a hawk, with a dog in a landscape Oil on canvas 132.3 x 91.5cm; 52 x 36in £700-1,000

320 AFTER SIMON KICK

318

The homecoming of a fowling party Oil on canvas 98 x 77cm; 38½ x 30¼in After the original in the Statens Museum for Kunst, Copenhagen (inv. no.3886). £3,000-5,000

319

320

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

321

321 PHILIP DE KONINCK Dutch 1619-1688

Tavern scene with boors drinking and smoking Oil on panel 56.4 x 46.6cm; 22¼ x 18¼in

Provenance: Christie’s, London, 30 March 1979, lot 91; Sotheby’s, London, 16 April 1980, lot 261; Ronald Cook Gallery by 1981; Where purchased by the present owner 4 October 1984

Literature: W. Sumowski, Gemälde der Rembrandt-Schüler, vol. III (Landau/Pfalz, 1983), p.1539, no.1009, p.1559 (illustrated) Exhibited: London, Ronald Cook Gallery, The Rembandt Years, 1981 £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

322 ATTRIBUTED TO HERMAN SAFTLEVEN Dutch 1609-1685

Extensive river landscape with villagers dancing in the foreground, and a Gothic church beyond Oil on panel 42.3 x 56.4cm; 16¾ x 22¼in A smaller version of this composition, signed and dated 1652, is in the Hamburger Kunsthalle, Hamburg. Wolfgang Schulz also records another version with E. Burg-Berger in 1934. £4,000-6,000

322

323 CIRCLE OF JOHANN CHRISTIAN VOLLERDT Mountainous river landscape with travellers resting on a path below a ruined archway Oil on panel 36 x 43.5cm; 14 x 17in £500-800

323

324

324 CIRCLE OF JAN GRIFFIER I

325 FLEMISH SCHOOL

Extensive mountainous river landscape with shepherds, travellers and boatmen, and a castle in the distance

Italianate river landscape with figures and a town beyond

Oil on panel 34.5 x 44.7cm; 13½ x 17½in £300-500

17th Century

Oil on panel 58.4 x 70.7cm; 23 x 27¾in £800-1,200

325 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

326 CORNELIS GERRITSZ DECKER

Dutch 1618-1678

River landscape with a fisherman by a cottage Signed and indistinctly dated C Decker/16*3 (lower left) Oil on panel 57.2 x 74cm; 22½ x 29in Provenance: Alfred Brod, London £3,000-5,000

326

327

328

327 CIRCLE OF JAN BOTH

328 FLEMISH SCHOOL

Italianate landscape with travellers on a path, and ruins and mountains in the distance

18th Century

Landscape with the Flight into Egypt

Oil on canvas 52.8 x 59.2cm; 20¾ x 23in

Oil on canvas 72.7 x 121.5cm; 28½ x 47¾in

£600-800

£800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

329

329 LIEVE VERSCHUIER Dutch 1627-1686

Coastal landscape with fishermen preparing their boats Indistinctly signed L Vers*** (lower right) Oil on canvas 61.4 x 76cm; 24¼ x 30in Provenance: Rupert Preston, London, where purchased by the present owner £5,000-8,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

330

330 HENDRICK JACOBSZ. DUBBELS Dutch 1621-1676

River landscape with fishing boats, a church and windmill on the far bank Signed DVBBELS (lower left, to spar) Oil on canvas 38.2 x 50.1cm; 15 x 19¾in £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

100

331 AFTER SIR ANTHONY VAN DYCK Portrait of Queen Henrietta Maria (1609-1669), in a blue dress and holding roses Oil on canvas 97 x 82.2cm; 38¼ x 32¼in After the original in the San Diego Museum of Art, California (inv. no.39.99). £1,500-2,500

332 CIRCLE OF THEODORE ROUSSEL Portrait of a lady, possibly a member of the Godolphin family, wearing a white satin dress with blue bows and a pearl necklace Oil on canvas 71 x 59.6cm; 28 x 23½in According to an old inscription, the sitter is one of the daughters of Sir Francis Godolphin (1605-1667). The costume suggests a date of c.1635. £800-1,200

333 FOLLOWER OF SIR ANTHONY VAN DYCK Portrait of a gentleman, possibly Henry Frederick Howard, 15th Earl of Arundel (1608-1652), bust-length Oil on canvas laid on board 40.4 x 30.5cm; 16 x 12in £200-300

331

332

333 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

334

334 AFTER SIR ANTHONY VAN DYCK Portrait of Queen Henrietta Maria (1609-1669), three-quarter length, wearing a silk dress and pearl necklace and earrings Oil on canvas 127.4 x 101.2cm; 50¼ x 40in

Provenance: Nicholas M. Acquavella Gallery, New York, New York, c.1934; Acquired from the above by Mrs Dorrance, Philadelphia, Pennsylvania, c.1934; William B. Horley Auction, Philadelphia, Pennsylvania, 16 October 1953, lot 1120 ($400), where acquired by Noel Cortes;

By family descent; Private Collection, Philadelphia, Pennsylvania; Freeman’s, Philadelphia, 6 December 2009, lot 15 After the original in the Royal Collection (inv. no.RCIN 404430). £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

102

335 CUZCO SCHOOL Madonna and Child Oil on canvas 100.5 x 81cm; 39½ x 31¾in £600-800

336 CUZCO SCHOOL The Infant Madonna of the Yarnwinder Oil on canvas 56.3 x 44.2cm; 22¼ x 17½in £600-800

335

336

337

337 MANNER OF BARTOLOMÉ ESTEBAN MURILLO The young Virgin at prayer, in a painted oval Oil on canvas 68.2 x 31.2cm; 26¾ x 12¼in £400-600

338 SPANISH SCHOOL 18th Century

Coat of Arms of La Almunia de Doña Godina, Aragon Oil on canvas 76.1 x 56.9cm; 30 x 22½in Provenance: Family of the Marquess of Villaverde; And by descent to the previous owner £800-1,200

338 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

339

339 SPANISH SCHOOL 17th Century

Still life with asparagus, an oyster, fruit and a pitcher on a ledge Oil on canvas 45.3 x 55cm; 17¾ x 21¾in £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

104

340 FOLLOWER OF PIER FRANCESCO MOLA Rinaldo and Armida Oil on canvas 42.9 x 33.3cm; 17 x 13in Provenance: Houghton Hall, Norfolk; Thence by descent to the previous owner; By whom gifted to the present owner £1,000-1,500

341 AFTER GIOVANNI BATTISTA PAGGI The return of the Holy Family from Egypt Oil on panel 37.8 x 34.9cm; 14¾ x 13¾in Provenance: In the family of the present owner for at least 40 years £600-800

342 ITALIAN SCHOOL 18th Century

The mystic marriage of St Catherine Oil on canvas 56.4 x 43.2cm; 22¼ x 17in £400-600

340

341

342 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

343

343 LUIGI GARZI

Italian 1638-1721

St John the Baptist baptising the people Oil on canvas 106.5 x 174.7cm; 41¾ x 68¾in Provenance: By descent to the present owner Luigi Garzi was born in Pistoia and moved to Rome by the age of fifteen. There he entered the workshop of Andrea Sacchi, and Garzi’s cool, refined style demonstrates the influence of Sacchi as well as Carlo Maratta. He joined Rome’s Accademia di San Luca in 1670 and became its president in 1682, reflecting the esteem he was held in by his contemporaries. The present canvas, which was discovered in an English private collection, is a previously unpublished addition to his oeuvre. We are grateful to Francesco Petrucci for confirming the attribution of the present work. £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

106

344 CIRCLE OF GERARD LANSCROON Portrait of Elizabeth Hanford, half-length, wearing a blue and white dress and red mantle Oil on canvas, oval 75.5 x 63.2cm; 29¾ x 25in Provenance: The Priory, Walsham-le-Willows; Sworders, Stansted, 5 December 2018, lot 550 (as Attributed to Gerard Lanscroon) £1,500-2,500

344

345 ATTRIBUTED TO SIR GODFREY KNELLER 1646-1723

Portrait study of a young woman Oil on canvas 36 x 30.5cm; 14¼ x 12in Unframed £700-1,000

345 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

346 GUILLAUME DE FAL Flemish 17th century

Portrait of Louis Henry, Prince of Nassau-Dillenburg (1594-1662) and his family, full-length, in the portico of a palace Signed and dated Guilliam. De Fal Inv f. / 1653. (lower centre) Oil on canvas 184.2 x 135.5cm; 72½ x 53¼in Unframed Louis Henry was the son of the Count George of Nassau-Beilstein and later Nassau-Dillenburg. His mother was Anna Amalie Countess of Nassau-Saarbrücken. After receiving military training under Prince Maurice of Orange-Nassau, he fought in the Thirty Years’ War, initially on the Protestant side, before serving in the imperial army. Louis Henry and his brother Albert inherited Nassau-Dillenburg in 1623 and ruled jointly as Counts, until Albert died in 1626 and Louis Henry became the sole ruler, becoming Prince in 1654. In 1616, he married Countess Catherine of Sayn-Wittgenstein (1588-1651) with whom he had five sons and eight daughters. In 1653 he married his second wife Wild- and Rhinegravine Elizabeth of Salm-Dhaun (1593-1656) with whom he had three sons. In 1656, he married his third wife, Sofie Magdalene of Nassau-Hadamar (1622-1658). A signed and dated variant from 1665, with an extended composition on the right side and additional figures, was sold at Christie’s, London, 19 February 1939, lot 27. £4,000-6,000

346

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

108

347

347 NORTHERN NETHERLANDISH SCHOOL c.1660

Still life with roses, carnations, hollyhocks and other flowers in a glass vase on a stone ledge Oil on canvas 56 x 44.2cm; 22 x 17½in Provenance: Christie’s, London, 29 October 1997, lot 268 (as Follower of Jacob van Walscapelle) £2,000-3,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109

348

348 ATTRIBUTED TO PIETER CASTEELS III Flemish 1684-1749

Still life with poppies, roses and other flowers in a terracotta urn Oil on canvas 80.8 x 107cm; 31¾ x 42¼in Provenance: Lane Fine Art, London, December 1984 (as Pieter Hardimé) For a similar work by Casteels, see Bonhams, Knightsbridge, 28 October 2015, lot 58. £3,000-5,000

348 (framed)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

110

349

350

349 ATTRIBUTED TO NICOLA CASISSA

350 MANNER OF JAN DAVIDSZ. DE HEEM Still life with flowers in a stone urn

Italian before 1680-1731

Still life with flowers, butterflies and a fountain in a landscape Oil on canvas 63.2 x 49cm; 25 x 19¼in £1,500-2,500

Bears a signature and date Jan De Heem 1750 (lower left) Oil on canvas 114.2 x 63.7cm; 45 x 25in Provenance: From the family collections of Captain George Lionel Jameson OBE (1880-1961) and his descendants £300-400

351 CIRCLE OF PIETER CASTEELS III Still life with a swag of flowers Oil on canvas 38.5 x 98.5cm; 15¼ x 38¾in Unframed £1,000-1,500

351 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

352

352 ATTRIBUTED TO JACOB VAN HUYSUM Dutch 1688-1740

Still life with flowers in an urn, and a bird’s nest on a stone ledge in a garden Signed Van Huysum (lower right) Oil on canvas laid on metal 81 x 116cm; 32 x 45¾in £2,000-3,000

353 FOLLOWER OF JEAN-BAPTISTE MONNOYER Still life with flowers in an urn and a parrot Oil on canvas 69.6 x 84cm; 27 x 33in £800-1,200

353 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

112

354 DUTCH SCHOOL 18th Century

Still life with flowers and cherries around an urn decorated with athletes, with a bright green lizard on a stone ledge; Still life with flowers around an urn decorated with athletes, with a cherry and a lizard on a stone ledge A pair, both oil on canvas Each 100.5 x 80cm; 39½ x 31½in (2) Provenance: Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 10 December 2014, lot 108, where purchased by the present private collector £5,000-8,000

354

355 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

354

355 ATTRIBUTED TO MICHELE ROCCA Italian 1671-1751

Allegory of Air, with putti blowing bubbles; Allegory of Air, with putti playing with a toy windmill A pair, both oil on copper, oval Each 10.6 x 15.5cm; 4 x 6in (2) Provenance: O. Klein, New York; Paul Ganz, New York, 1963 £1,000-1,500

355 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

114

356 CIRCLE OF CARLO CIGNANI Madonna and Child in a painted oval Oil on canvas 99.7 x 80.5cm; 39¼ x 31¾in £2,000-3,000

356

357 ROMAN SCHOOL 18th Century

Penitent Mary Magdalene in a landscape Oil on canvas 48.5 x 65cm; 19 x 25½in £700-1,000

357 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

358

358 AFTER SIR ANTHONY VAN DYCK The Ecstasy of St Augustine Oil on metal, octagonal 86.7 x 69.9cm; 34¼ x 27½in

After the original in the Royal Museum of Fine Arts, Antwerp (inv. no.IB003). £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

116

359

359 CIRCLE OF ROBERT WALKER Portrait of Colonel William Helyar of Coker Court (1621-1697), three-quarter length, wearing armour; Portrait of Rachel Helyar, three quarter length, standing in a landscape with flowers and a fountain A pair, both oil on canvas 110.3 x 91cm; 43½ x 35¾in; 110.5 x 90.5cm; 43½ x 35½in (2)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

117

359

Provenance: By descent from the sitters William Helyar was a Colonel in the Royalist army during the English civil war. His wife Rachel was the daughter of Sir Hugh Wyndham, 1st Bt. of Pilsdon Court. £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

118

360

360 FOLLOWER OF JOHN CLOSTERMAN Portrait of a gentleman, three-quarter-length, in blue velvet coat and ochre wrap Oil on canvas 127 x 104cm; 50 x 41in Provenance: Lord Rossmore, Camla Vale, Co. Monaghan; His sale, Osborne King and Megan, 9-10 April 1962 (as Attributed to J.B. Closterman); The Property of a Noblewoman, by whom sold, Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 March 2020, lot 169, where purchased by the present owner £1,000-1,500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

119

361

361 SIR GODFREY KNELLER BT. German 1646-1723

Portrait of Sir William Twisden, 3rd Bt. (1635-1697), half-length, wearing a lace collar and brown cloak Oil on canvas 76.5 x 64.5cm; 30 x 25in

Provenance: Shepherd Bros., London; David and Paula Newman Literature: C.H. Collins Baker, Lely and the Stuart Portrait Painters (London 1912), vol.II, pp.82-83 (illustrated) £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

120

362

362 SIR GODFREY KNELLER BT. AND STUDIO 1646-1723

Portrait of Sir Edward Ward (1638-1714), Chief Baron of the Exchequer, seated three-quarter-length, in robes Oil on canvas 126.7 x 102.3cm; 50 x 40in Provenance: By descent from the sitter’s family to the previous owner £2,500-4,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

121

363

363 SIR GODFREY KNELLER BT. 1646-1723

Portrait of Lady Anne Walpole (1657-1722), three-quarter-length, wearing a gold dress and blue cloak, seated in a wooded landscape Oil on canvas 127.1 x 103.3cm; 50 x 40½in

Provenance: The Dukes of Leeds, Hornby Castle, and by descent to the previous owner; By whom sold, Christie’s, London, British Pictures, 14 November 1997, lot 8 Literature: Historical and Descriptive Catalogue of Pictures Belonging to His Grace the Duke of Leeds (1902), no.79, in the first oak parlour, Hornby Castle The sitter was the daughter of Sir Thomas, 1st Duke of Leeds, Lord High Treasurer of England, and his wife Bridget, daughter of Montague Bertie, Earl of Lindsey, Lord Great Chamberlain of England. She married, firstly, Robert Coke of Holkham and later Horatio Walpole. £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

122

364

364 ATTRIBUTED TO THOMAS MURRAY Scottish 1663-1735

Portrait of a lady, traditionally identified as a member of the Chesshyre family, three-quarter length, in a red dress and blue mantle Oil on canvas 131 x 115.7cm; 51½ x 45½in £2,000-3,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

123

365 THOMAS MURRAY Scottish 1663-1734

Portrait of Edward, 8th Baron Dudley and 3rd Baron Ward (1683-1704), full length, wearing peers robes Oil on canvas 241 x 146cm; 95 x 57¾in Provenance: Sotheby’s, London, 16th, 17th, 18th & 19th Century British Paintings, 16 November 1983, lot 41; Sotheby’s, London, The British Sale, 1 July 2004, lot 114; Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 September 2019, lot 146, where purchased by the present owner £3,000-5,000

365 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

124

366 FOLLOWER OF GIOVANNI BATTISTA PIAZZETTA Portrait of a young man wearing a blue feathered cap, seated at a table Oil on canvas 65.5 x 50.7cm; 25¾ x 20in Provenance: George Patrick Charles Lawrence (1859-1908); And by descent £600-800

367 ENGLISH SCHOOL Early 17th Century

Portrait of a lady in a red dress and blue shawl in a painted oval Oil on canvas 26.3 x 21.6cm; 10¼ x 8½in £200-300

368 CENTRAL EUROPEAN SCHOOL 18th Century

Portrait of a nobleman, half-length, wearing a breast-plate and pink sash Charged with coat of arms bearing the motto LABORE NON NUMMO (upper right) Oil on canvas 106.3 x 82.3cm; 41¾ x 32½in Unframed

366

367

£200-400

368

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

369

369 ATTRIBUTED TO WILHELM SONMANS Dutch d.1708

Portrait of a gentleman, three quarter length, standing in a landscape wearing a breast-plate, white ruff and brown cloak Oil on canvas 126.5 x 102cm; 49¾ x 40¼in £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

126

370 DUTCH SCHOOL c.1800

Italianate landscape with figures and goats by a lake Oil on canvas 69.3 x 109.8cm; 27¼ x 43¼in £600-800

370

371 AFTER DIEGO VELÁZQUEZ Figures from La Tela Real Oil on canvas laid on board 32.2 x 89.2cm; 12¾ x 35in The figures are after a group in the foreground of Philip IV hunting Wild Boar (La Tela Real) in the National Gallery, London (inv. no.NG197). £400-600

371

372 DUTCH SCHOOL 18th Century

Landscape with elegant figures by a classical ruin Oil on canvas 22 x 36.1cm; 8¾ x 14¼in £300-500

372 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

373

373 CIRCLE OF JEAN-BAPTISTE OUDRY Wild boar attacked by hounds Oil on canvas 93.7 x 129.4cm; 36¾ x 51in £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

128

374

374 FOLLOWER OF ANGELICA KAUFFMAN Mythological scene with the Muses and possibly Peace Oil on canvas 28 x 78.7cm; 11 x 31in £2,000-3,000

375 DUTCH SCHOOL 18th Century

Coastal landscape with figures on the shore and a man-o-war and other shipping in choppy waters; Shipping in an estuary with figures on the bank Two, both oil on copper 7.3 x 17.4cm; 2¾ x 6¾in; 6.9 x 15.3cm; 2¾ x 6in (2) £500-800

375 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

129

376

376 ATTRIBUTED TO JOHN PAUL c.1830-c.1890

View of Northumberland House at Charing Cross, London Oil on canvas 62.5 x 79cm; 24½ x 31in £2,000-3,000

377 CIRCLE OF CORNELIS TROOST Elegant figures dancing in a classical interior Oil on canvas 38.4 x 53.8cm; 15¼ x 21¼in £600-800

377 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

130

378

378 VIVIANO CODAZZI Italian c.1604-1670

AND DOMENICO GARGIULO, CALLED MICCO SPADARO Italian 1612-1679

Figures amongst ruins on the shore Oil on canvas 74.7 x 96.2cm; 29½ x 37¾in Provenance: William Thuillier, London, where purchased by the present owner Prof. David Marshall confirmed the attribution to Codazzi and Spadaro when the work was with William Thuillier. Prof. Marshall dated the painting to the 1640s. Codazzi and Spadaro worked closely together in Naples throughout the 1640s, with the former painting the architecture and the latter the figures. £5,000-7,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

131

379

379 ATTRIBUTED TO NICCOLÒ CODAZZI Italian 1642-1693

Architectural capriccio with figures by a ruined triumphal arch, a landscape beyond Oil on canvas 80 x 64cm; 31½ x 25¼in £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

132

380

380 ATTRIBUTED TO JEAN LEMAIRE, CALLED POUSSIN-LEMAIRE French 1598-1659

Architectural capriccio of Roman ruins with the Rest on the Flight into Egypt Oil on canvas 80 x 63.8cm; 31½ x 25¼in

For another work by Poussin-Lemaire which features a very similar treatment of the same building on the left-hand side, see Christie’s, London, Old Master Paintings and Sculpture, 8 December 2021, lot 175. £3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

381

381 ATTRIBUTED TO CLAUDE-JOSEPH VERNET French 1714-1789

View of the Temple of the Sibyl at Tivoli Oil on canvas 43.2 x 34.4cm; 17 x 13½in

Provenance: Probably Jean Baptiste Pierre Lebrun; Probably his sale, Paris, 11 April 1791, no.27; Major H. B. Turnor; By whom offered, Christie’s, London, 4 July 1947, lot 65 (as Vernet) (unsold); And by descent

Literature Probably Florence Ingersoll-Smouse, Joseph Vernet, Peintre de Marine (Paris, 1926), Vol.II, p.97, no.2052 For a comparable view of Tivoli by Vernet, see Christie’s, New York, 29 January 2014, lot 58. £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

134

382

382 FOLLOWER OF FRANCESCO ZUCCARELLI Italianate landscape with fishermen and washerwomen by a river Oil on canvas 59.3 x 86cm; 23¼ x 33¾in Provenance: Adam Duncan (1904-1965), 9th Viscount Chetwynd; By whom gifted to The Chetwynd Heirlooms Settlement; By whom sold, Chiswick Auctions, London, Old Master Paintings including Drawings, 20 March 2019, lot 90 (as Circle of Francesco Zuccarelli) £2,000-3,000

383

383 FOLLOWER OF CHARLES-FRANÇOIS GRENIER DE LA CROIX, CALLED LACROIX DE MARSEILLE Coastal landscape with Levantine merchants loading a ship, a port beyond Inscribed N (to package, lower right) Oil on canvas 31.1 x 46.4cm; 12¼ x 18¼in £400-600 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135

384

384 ATTRIBUTED TO MICHAEL WUTKY Austrian 1739-1822

Elegant figures on horseback, washerwomen and other figures by a waterfall Oil on canvas 69 x 92.5cm; 27 x 36½in £3,000-5,000

385 FOLLOWER OF GASPARD DUGHET, CALLED GASPARD POUSSIN Landscape with a drover and his flock and travellers by a ruined tower Oil on canvas 52.5 x 62.5cm; 20¾ x 24½in £400-600

385 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

136

386 FOLLOWER OF FRANÇOIS BOUCHER A bather courted by a shepherd in a landscape Oil on canvas, oval 86 x 76cm; 33¾ x 30in £1,500-2,500

387 FRENCH SCHOOL Late 18th Century

Chinoiserie scene with figures fishing by a pond Oil on canvas 74.2 x 133cm; 29¼ x 52¼in Unframed

386

£300-500

387 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

137

388 ATTRIBUTED TO PIERRE ANTOINE LEMOYNE French 1605-1665

Grapes on a vine amongst ruins Oil on canvas 125.5 x 104cm; 49½ x 40in Provenance: Sotheby Parke Bernet, Monaco, 26 June 1983 £1,500-2,500

388

389 CIRCLE OF JEAN-BAPTISTE-CAMILLE COROT River landscape at dawn Bears a signature Corot (lower left) Oil on canvas 46 x 64cm; 18 x 25¼in Unframed £400-600

389 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

138

390

390 FRANCIS COTES RA 1726-1770

Portrait of John Parker (1734-1796), half-length, wearing a blue coat and white waistcoat, standing by a column; Portrait of Mary Parker (née Watson), half-length, wearing a white dress, blue shawl and pearl necklace, leaning on a balustrade A pair, both oil on canvas 90.9 x 71cm; 35¾ x 28in; 90.5 x 71.3cm; 35½ x 28in (2) Provenance: Commissioned by John Parker, 1766; and by descent

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139

390 Literature: ‘Mary Parker’ in Edward Meade Johnson, Francis Cotes (Phaidon Press, 1976), p.80, no.187 (whereabouts unknown); Elaine Barr, ‘John Parker, Goldsmith - a Portrait by Francis Cotes’, in The Burlington Magazine (June 1979), pp.375-376 & 378, figs.60 & 61 Exhibited: ‘Mary Parker’ in Shrewsbury, Shrewsbury Art Gallery, Pictures from Shropshire Houses, July-September 1951, no.1 John Parker was a noted 18th-century goldsmith, best known for his partnership with Edward Wakelin. The present pair of portraits were painted in 1766, shortly after his marriage to Mary Parker. His personal account in the Garrard Ledgers reveals he paid £31.10s to Francis Cotes in July of that year. In her article on the present pair, Elaine Barr suggests that there may have been a long-standing professional relationship between Parker and Cotes. Mrs Cotes held an account with Parker and Wakelin, and they certainly provided frames for Francis’ brother Samuel’s portrait miniatures. £20,000-30,000

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140

391

391 JOHN RUSSELL RA 1745-1806

Portrait of Lt. Col. Thomas Thornton (1751/2-1823), half-length, wearing the uniform of the West York Militia Oil on canvas 89.5 x 69.3cm; 35¼ x 27¼in Provenance: Leggatt Brothers, London; Farrouste, Madrid; The Leger Galleries, London, 1963; Private Collection, USA

Literature: John R. Swift, Colonel Thomas Thornton of Thornville Royal and the West York Militia (2014), illustrated on the cover Col. Thomas Thornton was one of the most notable sportsmen of the 18th Century. Having inherited his father’s estate at an early age, he embarked on a lifetime of sporting pursuits, including falconry, horse racing, coursing, fishing and shooting. He frequently took a large entourage on sporting tours, and became known as the ‘King of British Sport’. £3,000-5,000

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141

392

392 THOMAS BEACH 1738-1806

Portrait of Robert Helyar (1748-1781) in uniform Inscribed by a later hand Robert Helyar Aged 20 years/1768 (to verso) Oil on canvas 76.3 x 64.9cm; 30 x 25½in

Provenance: Commissioned by William Helyar (1720-1783) of Coker Court, Somerset; By descent to Mrs Walker Heneage, 1937; By descent to the previous owner, by whom sold, Chiswick Auction, Old Master Paintings including Drawings, 20 March 2019, lot 61 Exhibited: Bristol, Royal West of England Academy, Art Treasures of the West Country, 24 May - 26 June 1937, no.127 £2,500-3,500

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142

393

393 THOMAS BEACH

Provenance: By descent from the sitter’s family, Coker Court, Somerset

1738-1806

Portrait of John Helyar, half-length, wearing a green coat and green waistcoat

John Helyar was a lieutenant in the 7th Foot. £2,000-3,000

Oil on canvas 76.5 x 63.6cm; 30 x 25in

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143

394

394 THOMAS BEACH 1738-1806

Provenance: By descent from the sitter’s family, Coker Court, Somerset

Portrait of Charles Helyar, aged 17, half-length, wearing a lilac coat and waistcoat and holding a book

Charles Helyar was a captain in the 7th Fusiliers and was killed at the Battle of Cowpens during the American War of Independence.

Inscribed by a later hand Charles Helyar/AET.17 A.D 1768 (to reverse) Oil on canvas 76.1 x 65cm; 30 x 25½in

£2,000-3,000

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144

395 FRANS VAN DER MIJN Dutch 1719-1783

Portrait of a gentleman wearing a blue coat and red waistcoat, in a painted oval Signed and dated F Vander Mijn 1755 (lower left) Oil on canvas 77 x 65cm; 30¼ x 25½in £1,000-1,500

396 CIRCLE OF SIR JOSHUA REYNOLDS Portrait of a gentleman, half-length, wearing a red coat and holding a book Oil on canvas 75.1 x 60.6cm; 29½ x 23¼in The sitter bears some resemblance to Paul Methuen MP (1723-1795) of Corsham Court, painted by Reynolds in the late 1750s (see David Mannings, Sir Joshua Reynolds, A complete catalogue of his paintings (New Haven and London, 2000), text vol., p.331, cat. no.1242). £400-600

397 ENGLISH SCHOOL c.1760

Portrait of a gentleman, bust-length, wearing a blue coat and red brocaded waistcoat, in a painted oval Oil on canvas 76.4 x 63.7cm; 30 x 25in £100-500

395

396

397 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

145

398 ENGLISH SCHOOL Late 18th Century

Portrait of a gentleman, half-length in a landscape, wearing a brown coat Oil on canvas 76 x 63.7cm; 30 x 25in £600-1,000

399 FOLLOWER OF SIR HENRY RAEBURN Portrait of Sir James Everard Home, 2nd Bt., CB, FRS (1798-1853), half-length, in naval uniform Signed with monogram and dated 1819 (centre right) Oil on canvas 76 x 63.5cm; 30 x 25in £600-900

400 AFTER SAMUEL LANE Portrait of Lord George Cavendish Bentinck (1802-1848), three-quarter length, standing at a table Oil on panel 52.6 x 39.5cm; 20¾ x 15½in After the original in the National Portrait Gallery, London (inv. no.NPG 1515). The sitter was a Conservative politician and noted racehorse owner. £400-600

398

399

400

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146

401

401 JAMES NORTHCOTE RA 1746-1831

Portrait of Sir Bourchier Wray, 7th Bt. (1757-1826), half-length, wearing a fur-lined coat, standing in a landscape by a table with plans and books; Portrait of Lady Anne Wray (née Osborne) (d.1816), wearing a white dress and red headdress, holding a green parasol. seated in a landscape with Tawstock Court in the distance A pair, both oil on canvas 127 x 101.7cm; 50 x 40in; 49¼ x 40in (2)

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147

401

Provenance: Commissioned by the sitters for 30gns each (with gilt frames for 10gns each), in 1805; And by descent Literature: Stephen Gwynn, Memorials of an Eighteenth Century Painter (James Northcote) (1898), nos.421 & 422; Jacob Simon, ‘The Account Book of James Northcote’ in Walpole Society, vol.LVIII (1995-96), p.80, nos.437 & 438 According to James Northcote’s account book, the present works were painted in 1805. Tawstock Court, home of the Wrey baronets, burnt down in 1787, and Sir Bourchier rebuilt the house with the assistance of Sir John Soane. £3,000-5,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

148

402

403

402 ATTRIBUTED TO ARTHUR POND

403 ARTHUR POND

404 FOLLOWER OF GAINSBOROUGH DUPONT

405 AFTER THOMAS GAINSBOROUGH

Portrait of Lady Dixie Pickering, half-length, in a white dress and a pink straw hat, in a feigned oval

Portrait of a gentleman wearing a blue coat and yellow waistcoat, in a painted oval

Portrait of a lady, half-length, wearing a white dress, blue ribbon, pearl necklace and earrings, and a blue-feathered headpiece

Portrait of Thomas ‘Tom’ Sheridan (1775-1817) as a young man

c.1705-1758

Oil on canvas 76.4 x 63.6cm; 30 x 25in Provenance: Christie’s, 9 February 1990, lot 105; Dreweatts, Newbury, The Collection from Plaish Hall, Church Stretton, Shropshire - The Property of Mrs Roy Merley and Family, 15 May 2019, lot 36 (as Circle of Bartholomew Dandridge) £1,000-1,500

Oil on canvas 74.3 x 61.5cm; 29¼ x 24¼in £500-700

Oil on canvas 65.5 x 49.6cm; 25¾ x 19½in Unframed £200-300

Oil on canvas, oval 45 x 35.5cm; 17¾ x 14in Provenance: Private Collection, Tunbridge Wells, for at least 50 years After an untraced original (see H. Belsey, Thomas Gainsborough, The Portraits, Fancy Pictures and Copies after Old Masters (New Haven and London, 2019), no.815). Tom Sheridan was the son of very famous parents, both painted by Gainsborough. His father was the playwright Richard Brinsley Sheridan and his mother was Elizabeth Linley, the soprano known for her great beauty. Before marrying, they caused a scandal by eloping to France in 1772. Tom Sheridan served in the army, was elected an MP, became a theatre manager, and wrote plays. £600-800

404

405 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

406 ENGLISH SCHOOL c.1720

Portrait study of a boy wearing a green cap Oil on canvas 30.2 x 24.9cm; 11¾ x 9¾in Provenance: Purchased at the Yates sale by R. C. Chavasse (according to label) £800-1,200

407 MANNER OF SIR THOMAS LAWRENCE Portrait of a lady, bust-length, in a white dress Oil on canvas 50.3 x 40cm; 19¾ x 15¾in Unframed £200-400

408 CIRCLE OF GEORGE ROMNEY Head study of a young woman Oil on canvas 46.5 x 40.8cm; 18¼ x 16in £400-600

406

407

408

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

150

409 ATTRIBUTED TO SIR JOSHUA REYNOLDS PRA, FRS, FRSA 1723-1792

Study for Cymon & Iphigenia Oil on canvas 15.5 x 23.4cm; 6 x 9¼in Provenance: Possibly Giuseppe Marchi (1735-1808), Reynolds’ assistant; Possibly his sale, Messrs. Squibb, London, 30 June 1808, lot 71 or 72 (Four Studies by Sir Joshua Reynolds), where purchased by Thomas Moore Slade, Old Bond Street, London; Collection of Philip Gore, 4th Earl of Arran (1801-1884); His sale, Messrs. Puttick & Simpson, London, 15 July 1885, lot 199 (Sir Joshua Reynolds, Studies 2, Dido and Cymon & Iphigenia); Purchased from the above by Lloyd; Private Oxford Collection until purchased by the present owner The present work is possibly an oil sketch for the prime version in the Royal Collection (inv. no.RCIN 404695). £2,000-3,000

409

410 AFTER SIR JOSHUA REYNOLDS

411 CIRCLE OF SIR JOSHUA REYNOLDS

Girl leaning on a pedestal, ‘The Laughing Girl’

Shepherd Boy, ‘The Piping Boy’

Oil on canvas 76.2 x 63.2cm; 30 x 25in Unframed

Oil on canvas 76.2 x 63.5cm; 30 x 25in

There are four autograph versions of this painting, one of which was sold in these rooms (12 August 2021, lot 619). £800-1,200

410

Provenance: Private Collection, Cornwall After the prime version at Antony, Cornwall. £1,000-2,000

411 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

151

412 JOHN WATSON NICOL 1856-1926

AFTER SIR JOSHUA REYNOLDS 1723-1792

Jane, Countess of Harrington, with her sons, the Viscount Petersham and the Honorable Lincoln Stanhope Indistinctly signed, dated and inscribed ***Nicol 19**/after ***Reynolds (lower right) Oil on canvas 143.4 x 113.3cm; 56½ x 44½in Provenance: Knoedler & Co., London; Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 10 December 2014, lot 109, where purchased by the present owner £3,000-5,000

412

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152

413

413 ATTRIBUTED TO ROBERT EDGE PINE 1730-1788

Portrait of a lady, possibly Mrs Marian Hastings (1747-1837), half-length, wearing a green dress and holding fruit Oil on canvas 69.2 x 54.7cm; 27¼ x 21½in

Provenance: Bonhams, London, Home & Interiors, 14 March 2017, lot 59 Marian Hastings (née Anna Maria Apollonia Chapuset) was the second wife of Warren Hastings (1772-1785), Governor-General of India. Her first marriage was to Baron Christoph Karl Adam von Imhoff. A portrait of her by Robert Edge Pine, when Baroness von Imhoff, was engraved by William Dickinson (1746-1823). £3,000-5,000

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153

414

414 GEORGE ROMNEY 1734-1802

Portrait of a lady, possibly Lady Jane Lawley (1743-1816), wearing a crimson dress and white fichu, with a landscape beyond, in a painted oval Oil on canvas 76.7 x 63.5cm; 30¼ x 25in Provenance: The Collection of Mrs M. W. Sylvester, The Grange, Trowbridge; Christie’s, London, 14 December 1934, lot 130 (as Romney); Private Collection, Yorkshire, until purchased by the present owner

Literature: Possibly, T. Humphrey Ward and W. Roberts, Romney: a biographical and critical essay, with a catalogue raisonné of his works (London, 1904), Vol. II, p.92; Possibly, A. Kidson, George Romney: A Complete Catalogue of his Paintings (New Haven and London, 2015), p.354, no.777 (as destroyed) A label to the reverse, which appears to postdate the 1934 sale, reads Madame de Laurley. The painting is possibly one of the pictures left out in the open air by Romney at Hampstead, some of which were destroyed. Stylistically the painting dates from the 1780s, and Lady Jane Lawley sat for Romney in 1783. We are grateful to Alex Kidson for his assistance cataloguing the present work. It will be included in the next addenda of his catalogue raisonné of Romney’s paintings. £2,000-3,000

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154

415

415 SIR MARTIN ARCHER SHEE PRA Irish 1769-1850

Portrait of Thomas Netherton Parker (1772-1848), three-quarter length, wearing a black coat and white waistcoat, standing in a landscape; Portrait of Sarah Parker (née Browne) (1779-1854), three-quarter length, wearing a yellow dress, holding a porte-crayon and album, standing by a column A pair, both oil on canvas 127.3 x 102cm; 50 x 40¼in; 128.2 x 101.7cm; 50½ x 40in (2)

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155

415

Provenance: Purchased from the artist by Thomas Netherton Parker, Hatton Grange, Shifnal, Shropshire, and later of Sweeney Hall, Shropshire, 1796; And by descent According to the labels, which are transcribed from Thomas Netherton Parker’s account book, Martin Archer Shee painted this pair of portraits in 1796, the year the sitters were married. Parker paid £31.10, half of Shee’s fee for the two portraits. Thomas was the son of John Parker, the noted goldsmith known for his partnership with Edward Wakelin (for a portrait of John Parker see cat. no.390). The couple moved to Sweeney Hall, Shropshire c.1816, upon the death of Sarah’s mother. £12,000-18,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

156

416

416 MARTINUS SCHOUMAN

417 FRANCIS SWAINE

418 CHARLES BROOKING

Shipping in rough waters

An admiral yacht, man-o-war and other ships in coastal waters

Coastal landscape with a fishing boat ashore

Dutch 1770-1848

Signed M Schouman (lower left) Oil on canvas 72 x 94.5cm; 28¼ x 37¼in £1,500-2,500

1725-1782

Oil on canvas 46.7 x 120.7cm; 18½ x 47½in £2,000-3,000

1723-1759

Signed C Brooking (lower left) Oil on canvas 25.7 x 35.8cm; 10 x 14in Provenance: Colnaghi, London, 1958; Miss Donner Literature: Col M. H. Grant, Old English Landscape Painters, 1925 (illustrated); Burlington Magazine, February 1958 (illustrated); David Joel, Charles Brooking 1723-1759 and the 18th Century British Marine Painters (Antiques Collectors’ Club, 2000), p.135, cat. no.103B, p.137 (illustrated) Exhibited: Aldeburgh, Aldeburgh Festival of Music and the Arts, and Bristol, Bristol City Art Gallery, Paul Mellon Foundation for British Art, Charles Brooking, 1723-1759, Paintings, Drawings and Engravings, June-July 1966, no.47 £1,500-2,500

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157

417

418

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

158

419 GEORGE WEBSTER

act.1797-1832

The Thomas Wallace painted in two positions off the Port of Dover with the Castle beyond Signed G.Webster (lower left) Oil on canvas 61.7 x 87.1cm; 24¼ x 34¼in £2,000-3,000

419

420 WILLIAM ADOLPHUS KNELL 1801-1875

A three mast barque off the coast Signed and dated W A Knell 1843 (lower right) Oil on canvas 42.5 x 69.4cm; 16¾ x 27¼in £800-1,200

420

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159

421

421 SAMUEL WALTERS 1811-1882

The Sandbach picking up the Liverpool pilot off the Great Orme Oil on canvas 81.4 x 122cm; 32 x 48in Literature: Arthur Samuel Davidson, Samuel Walters, Marine Artist: Fifty Years of Sea, Sail & Steam (Coventry, Jones-Sands Publishing, 1992), p.154 (illustrated) The Sandbach was constructed in 1825 for Sandbach, Tinne and Co. It was one of the great vessels of Liverpool, and appeared on British Guiana stamps in the 19th century. £8,000-12,000

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160

422 FRENCH SCHOOL Early 19th Century

Portrait of a lady, half-length, wearing a white dress, lace veil and shawl, and white gloves Oil on canvas 76.9 x 64.2cm; 30¼ x 25¼in Provenance: Woolley and Wallis, Salisbury, Paintings, 19 March 2014, lot 140 £500-800

423 FOLLOWER OF JEAN-BAPTISTE GREUZE The young widow Oil on canvas 46.4 x 37.7cm; 18¼ x 14¾in £200-300

424 FRENCH SCHOOL 19th Century

Portrait of Françoise d’Aubigné, Marquise de Maintenon (1635-1719) Oil on canvas 49.2 x 36.8cm; 19¼ x 14½in Unframed £400-600

422

423

424 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

161

425 ATTRIBUTED TO FRANÇOIS-JOSEPH KINSON Belgian 1770-1839

Portrait of a lady, full-length, seated at a table holding a fan, wearing a blue dress, orange shawl, and pearl necklace and headband Oil on canvas 162.3 x 118.5cm; 64 x 46¾in £5,000-8,000

425

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

162

426 ENGLISH SCHOOL 1819

Portrait of a bay hunter and a dog in a landscape Indistinctly signed and dated Br***/1819 (lower left) Oil on canvas 50.5 x 65.5cm; 19¾ x 25¾in £1,000-1,500

426

427

428

427 CIRCLE OF JAMES LODER OF BATH

428 FOLLOWER OF JOHN FERNELEY

Portrait of a bay hunter and a dog in a stable

Kitty Stumps, a bay hunter, in a loose box

Oil on canvas 64 x 76.2cm; 25¼ x 30in

Oil on canvas 59 x 76.4cm; 23¼ x 30in

£400-600

Provenance: By descent to the present owner £700-1,000

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163

429

429 ARTHUR JOHN STRUTT 1819-1888

A Meeting of the Royal Italian Staghounds in the Roman Campagna Signed, dated and inscribed A J STRUTT ROME/1855 (lower centre) Oil on canvas 61.1 x 90cm; 24 x 35½in Provenance: Given to Joan and Godfrey Shaw on the occasion of their wedding, October 1937, by a family friend; And by descent £4,000-6,000

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164

430 DAVID COX 1783-1859

Landscape with two horses fording a river near a mill Signed and dated David Cox 1852 (lower left) Oil on canvas 27.4 x 40cm; 10¾ x 15¾in £800-1,200

430

431

432

431 JAMES LODER OF BATH

432 JAMES BARENGER

Portrait of a huntsman on a bay horse

Nabob in a landscape

Signed, indistinctly dated and inscribed JLoder Pinx/Bath 18** (lower right) Oil on canvas 58.4 x 76.4cm; 23 x 30in

Inscribed Nabob aged 18/Hackney of/The King ***/*** 1792 1803 (lower right) Oil on canvas 70.8 x 91.4cm; 27¾ x 36in

1784-1860

Provenance: Grundy & Smith, Manchester £500-1,000

1780-1831

Provenance: Christie’s, South Kensington, Sporting Art and Dogs, 3 June 2005, lot 98 £800-1,200

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165

433 JAMES MILLER act.1812-1858

View of Raby Castle, County Durham, from the North East Signed and dated J Miller 1827 (lower right) Oil on canvas 101.5 x 129.5cm; 40 x 51in Provenance: Sotheby’s, London, 20 November 1985, lot 80; Stair & Co., New York £2,000-3,000

433

434 ENGLISH SCHOOL 19th Century

Wooded landscape with figures on a path and a village in the distance; Wooded landscape with a stream A pair, the former possibly indistinctly signed (lower right) Both oil on panel Each 39.3 x 28cm; 15½ x 11in (2) £600-800

434

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

166

435 AFTER GEORGE MORLAND The Country Stable Oil on canvas 64.2 x 76.4cm; 25¼ x 30in Provenance: Cochrane Family, Redcastle, Co. Donegal; Private Collection, Ireland The present work derives from mezzotints by William Ward (1766-1826), and later by John Raphael Smith (1752-1812), examples of which are in the British Museum, after Morland’s untraced original. £150-250

435

436

437

436 FRANZ MEYERHEIM

437 ENGLISH SCHOOL

Interior with an old lady spinning wool and a child

A mother and child feeding chickens and a donkey in a stable

19th Century

German 1838-1880

Signed and dated Franz Meyerheim 1860 (lower right) Oil on canvas 44.5 x 36.5cm; 17½ x 14¼in Provenance: Private Collection, London

Oil on canvas 65 x 54cm; 25½ x 21¼in Provenance: By descent to the present owner £100-150

£150-250 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

167

438 FRANÇOIS ANTOINE DE BRUYCKER

Belgian 1816-1882

A mother and her children in the kitchen of a cottage Signed F. de Bruyckyer (centre right) Oil on canvas 56 x 68.9cm; 22 x 27in £1,000-1,500

438

439 JOHN MACDONALD Scottish act.1840-1860

Children playing in an interior Signed, dated and inscribed Jn Macdonald Edin/1858 (lower right) Oil on canvas 57.3 x 76.3cm; 22½ x 30in £1,000-1,500

439 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

168

440

440 ENGLISH SCHOOL Early 19th Century

Still life with meat, bread, cheese, fruit and vegetables on a table Oil on canvas 63.5 x 92.5cm; 25 x 36½in Provenance: Sotheby’s, London, The British Sale: Paintings & Watercolours, 27 November 2003, lot 199 (as Attributed to George Smith of Chichester) £1,200-1,800

441 HENRY LEONIDAS ROLFE 1823-1881

Fish and birds on larder shelf Signed and dated H L Rolfe 1856 (lower right) Oil on canvas in a painted oval 46.2 x 61cm; 18¼ x 24in £800-1,200

441

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169

442 JAMES HARDY JNR 1801-1889

The day’s bag Bears a date 1861 (upper right) Oil on canvas 90.4 x 70.7cm; 35½ x 27¾in Provenance: Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 4 December 2013, lot 85, where purchased by the present owner £1,000-1,500

442

443 CIRCLE OF GEORGE MORLAND Stormy landscape with figures sheltering and a horse frightened by lightening Oil on canvas 45.9 x 61.3cm; 18 x 24¼in Provenance: Mrs A. Chartres Cock, Eastbourne, October 1970; Phillip’s, London, June 1992; Bonhams, Knightsbridge, 7 October 2008, lot 190 £400-600

443 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

170

444 CIRCLE OF RALPH EARL

445 AFTER RALPH EARL

Portrait of a gentleman, traditionally identified as Christopher Inman, three-quarter-length, in a white waistcoat and green coat, a book in his left hand, with a dog, in an interior

Portrait of Roger Sherman (1721-1793), full-length, seated at his desk

Oil on canvas 124 x 99cm; 48¾ x 39in

£1,000-1,500

Signed with monogram and dated 1859 (centre right) Oil on canvas 76.4 x 63.7cm; 30 x 25in

£2,000-3,000

446 ENGLISH SCHOOL c.1840

Portrait of a gentleman, probably a member of the Murray family, half-length, wearing a black coat and yellow waistcoat Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: From the collection of Edward Croft-Murray (1907-1980); And by descent to the previous owner; By whom sold, Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 12 August 2021, lot 445 £150-250

444

445

446

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

171

447 ATTRIBUTED TO DAVID MARTIN Scottish 1737-1797

Portrait of Alexander Nowell MP (1761-1842), as an ensign in the army of the East India Company Oil on canvas 76.2 x 63.6cm; 30 x 25in £1,000-1,500

448 ENGLISH SCHOOL 19th Century

Portrait of Edward Rogers of Dowdeswell, three-quarters length, in uniform Oil on canvas 111.5 x 92.2cm; 43¾ x 36¼in £800-1,200

449 AFTER JOHN ECKSTEIN Portrait of Major-General Sir Charles Shipley (1755-1815) Oil on canvas 117.5 x 94.3cm; 46¼ x 37in Unframed Provenance: The Parker Gallery, London £400-600

447

448

449

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

172

450 ENGLISH SCHOOL c.1850

Portrait of George Douglas Dods MD (1817-1857), standing in a landscape in military dress Oil on canvas 127 x 100.8cm; 50 x 39¾in £1,000-1,500

450

451 ENGLISH SCHOOL c.1800

Portrait of a lady, traditionally identified as Ann Steavenson (née Langhorn), seated in an interior holding a book Oil on canvas 90.5 x 71.3cm; 35½ x 28in £400-600

451 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

173

452 SIR DANIEL MACNEE FRSE, PRSA Scottish 1806-1882

Portrait of a young boy, full-length, in a burgundy dress, standing in a landscape Signed and dated Dan. Macnee 18** (lower left) Oil on canvas 127 x 101cm; 50 x 39¾in £1,000-1,500

452

453 FOLLOWER OF FRANCIS GRANT Portrait of a gentleman, wearing a black coat and brown waistcoat, seated in an interior holding a cane and top hat Oil on canvas 91.8 x 71cm; 36¼ x 28in £200-300

453 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

174

454 RUSSIAN SCHOOL Icon of the Resurrection surrounded by the twelve major feasts of the church Tempera on panel 35.3 x 31.2cm; 14 x 12¼in Provenance: The Temple Gallery, London, where purchased 10 June 1970; Private Collection Exhibited: London, Temple Gallery, Summer Exhibition, 1970, cat. no.35 (as Russian School, 19th Century) £1,500-2,000

455 RUSSIAN SCHOOL

456 RUSSIAN SCHOOL

Quadrapartite icon of the Mother of God

Icon of the Mother of God of Kazan

Inscribed in Cyrillic Tempera on panel 35.3 x 28.2cm; 14 x 11in

Tempera on panel 28.6 x 20.5cm; 11¼ x 8in

£300-400

£120-150

454

455

456 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

175

457 RUSSIAN SCHOOL Icon of St Sergius of Radonezh surrounded by scenes from his life Tempera on panel 31.2 x 27cm; 12¼ x 10½in Provenance: The Temple Gallery, London, where purchased 10 June 1970; Private Collection Exhibited: London, Temple Gallery, Summer Exhibition, 1970, cat. no.29 (as Russian School, 19th Century) £2,000-3,000

457

458 RUSSIAN SCHOOL Menological icon for the month of June Tempera on panel 35.6 x 31cm; 14 x 12¼in £1,500-2,000

458 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

176

459

459 WILLIAM SHAYER 1787-1839

Fisherfolk on the coast Signed and dated Wm Shayer/1839 (lower right) Oil on canvas 71 x 91.8cm; 28 x 36¼in Provenance: Chorley’s, Gloucester, 20 November 2008, lot 90 £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

460

460 WILLIAM COLLINS RA 1788-1847

A Fish Auction on the South Coast of Devonshire Signed and dated W.Collins/1823 (to the boat) Oil on canvas 85 x 116cm; 33½ x 45¾in Provenance: Commissioned by George Capell-Coningsby, 5th Earl of Essex (1757-1839), Cassiobury House, in 1823 (250gns); By descent to Arthur Capell, 6th Earl of Essex (1803-1892), Cassiobury House; Christie, Manson and Woods, Catalogue of modern pictures, collected early in the century by the late Rt. Hon. George, fifth Earl of Essex, 22 July 1893, lot 42; Roldan, Buenos Aires, 25 May 1968 Literature: W. Wilkie Collins, Memoirs of the Life of William Collins, Esq., RA (London, 1848), vol. I, pp.215-216, vol. II, p.345; The Athenaeum, no.3431, 29 July 1893, p.169; Duncan Macmillan, ‘A journey through England and Scotland: Wilkie and other influences on French art of the 1820s’, in The British Art Journal (vol.2, no.3, 2001), p.33 Exhibited: London, The Royal Academy, 1823, no.67 Manchester, Art Treasures Exhibition, May-October 1857, no.611 The 1823 Royal Academy exhibition catalogue describes the scene in the present work as ‘A Fish Auction on the South coast of Devonshire, where it is the custom of the fishermen to substitute the dropping of a stone, for the stroke of the auctioneer’s hammer’. Although a label on the back says that the work was purchased by Agnews from Christie’s in 1862, the painting was still in the collection of the Earls of Essex in 1893, so this appears to be erroneous. £2,500-3,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

178

461 JOHN LINNELL 1792-1882

Figures conversing on a country path Signed j linnell (lower right) Oil on canvas 46 x 54.5cm; 18 x 21½in £1,200-2,500

462 THOMAS CHURCHYARD 1798-1865

The River Deben down the river from Methersgate opposite Kyson Point, Suffolk Oil on panel 33.7 x 56.4cm; 13¼ x 22¼in £800-1,200

461

462 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

179

463 JOHN RATHBONE c.1750-1807

View of Hampstead Heath with London in the distance; Extensive landscape with a figure watching over cattle and sheep A pair, the former signed J Rathbone (lower left), the latter signed J Rathbone (lower centre) Both oil on panel 33 x 45.6cm; 13 x 18in; 32.9 x 45.6cm; 13 x 18in (2) £3,000-5,000

463

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

180

464

464 CIRCLE OF GUSTAVE COURBET Landscape with cliffs Bears a signature G.Courbet (lower left) Oil on canvas 43.5 x 59cm; 17¼ x 23¼in £700-1,000

465 FREDERICK GOLDEN SHORT

466 AUGUSTE-PAUL-CHARLES ANASTASI

River landscape with cattle on the far bank

Noyers de l’Ile et Côteau de la Jonchère, Bougival

1863-1936

French 1820-1889

Indistinctly signed F Go*** Sho** (lower right) Oil on canvas 27.8 x 54cm; 11 x 21¼in

Bears artist’s wax seal to stretcher Oil on canvas 42.7 x 58.1cm; 16¾ x 22¾in

£200-300

Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.121 £500-700

465

466 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

181

467

468

469

470

467 AUGUSTE-PAUL-CHARLES ANASTASI

468 AUGUSTE-PAUL-CHARLES ANASTASI

Sentier dans les Rochers à Pont-Aven, Bretagne

Landscape with poppies in a field

Bears artist’s wax seal to stretcher Oil on canvas 24.4 x 32.2cm; 9½ x 12¾in

Bears artist’s wax seal to stretcher Oil on canvas 22.7 x 32.1cm; 9 x 12¾in

Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.66

£300-500

French 1820-1889

£300-500

469 AUGUSTE-PAUL-CHARLES ANASTASI

470 AUGUSTE-PAUL-CHARLES ANASTASI

Étude des Roseaux, Berry

Terrains et Chêne, Belle-Croix Fontainebleau

Bears artist’s wax seal to stretcher Oil on canvas 28.5 x 40.2cm; 11¼ x 15¾in

Bears artist’s wax seal to stretcher Oil on canvas 33 x 41cm; 13 x 16¼in

Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.383

Provenance: The artist’s studio sale, Durand-Ruel, 3-8 March 1873, no.232

£200-300

French 1820-1889

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

182

471

471 ADRIEN-JACQUES SAUZAY

472 SAINT-ELME DE CHAMP

473 FRÉDÉRIC SAMUEL CORDEY

River landscape with a fisherman

Landscape with figures by a tower and a river in the distance

River landscape with a figure on path

French 1841-1928

Signed A. Sauzay (lower left) Oil on canvas 44.4 x 59.6cm; 17½ x 23½in £800-1,200

472

French c.1800-c.1850

Signed and dated Champ/1835 (lower left) Oil on canvas 48.7 x 60.7cm; 19¼ x 24in £500-800

French 1854-1911

Signed Cordey (lower left) Oil on canvas 33.2 x 46.8cm; 13 x 18½in £500-800

473 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

183

474 LOUIS BELANGER

French 1756-1816

Figures outside old fortifications with an estuary beyond Signed and dated Louis Belanger/1812 (lower centre) Oil on canvas 85.8 x 132cm; 33¾ x 52in £700-1,000

475 JEAN-JOSEPHLÉON FAURET

French 1863-1935

Figures by a wall near a tree lined avenue Indistinctly inscribed and signed Leon Fauret (to reverse) Oil on board 18.7 x 18.9cm; 7¼ x 7½in £200-300

476 CIRCLE OF NARCISSEVIRGILE DIAZ DE LA PEÑA

474

Mother and child in a wooded landscape Oil on panel 21 x 15.5cm; 8¼ x 6in £200-300

475

476

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

184

477 JOHN FREDERICK TENNANT 1796-1872

Landscape with a gypsy encampment at dusk; Landscape with figures and cattle by a river A pair, the former signed and dated JTennant 1830 (lower right), the latter signed and dated JTennant 1830 (lower left) Both oil on panel Each 31.5 x 46.3cm; 12½ x 18¼in (2) £1,000-1,500

477

478 FRANCIS MICHAEL TRAPPES 1838-1886

A Marsh Signed with monogram and dated 1876 (lower left), and further signed, inscribed and dated A Marsh/ F.M.Trappes/1876 (to reverse) Oil on canvas 25.6 x 43.7cm; 10 x 17¼in Provenance: Alexander Gallery, Bristol £300-500

478 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

185

479

480

479 FRANCIS MICHAEL TRAPPES

480 FRANCIS MICHAEL TRAPPES

1838-1886

Landscape with a gypsy encampment and a woman doing laundry in a pond

AND BASIL BRADLEY

Signed with monogram and dated 1875 (lower right) Oil on canvas 51 x 91.4cm; 20 x 36in £1,000-1,500

1842-1904

Landscape with a couple riding on horseback and two dogs playing Signed and dated with Trappes’ monogram and Basil Bradley 1879 (lower right) Oil on canvas 51.3 x 92cm; 20¼ x 36¼in £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

186

481 ENGLISH SCHOOL 19th Century

View of Windsor Castle with figures chopping trees in the foreground Oil on canvas 85 x 106.5cm; 33½ x 42in Provenance: J. H. Collings, Weston-super-Mare £400-600

481

482

483

482 ARTHUR MEADE

483 EDWARD H. NIEMANN

1863-1942

act.1851-1887

Landscape with a shepherd and his flock by a stream

View of Woollaton Hall with deer in the foreground

Signed Arthur Meade (lower right) Oil on board 107.5 x 82.5cm; 42¼ x 32½in

Signed and dated Niemann Jun/51 and bears an inscription Woollaton Hall (lower right) Oil on board 31.7 x 22.9cm; 14½ x 9in

£500-800

£400-600 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

187

484 ANNIE L. SIMPSON act.1889-1913

Feeding the chickens Signed Annie L Simpson (lower left) Oil on canvas 65.4 x 81.9cm; 25¾ x 32¼in £1,000-1,500

484

485 ARTHUR WILLIAM REDGATE 1860-1906

Summer pastures Signed A W Redgate (lower right) Oil on canvas 30.8 x 46.3cm; 12¼ x 18¼in Provenance: The Swan Gallery, Sherborne £500-700

485

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

188

486

486 RAMSAY RICHARD REINAGLE RA 1775-1862

View of Clappersgate on the River Brathy, above Windermere at Midday Signed and dated R R Reinagle R.A f 1831 (lower right) Oil on canvas 56.2 x 76.2cm; 22¼ x 30in

487

487 ROBERT GALLON 1845-1925

Landscape with cottages; Landscape with a figure on a path near a river A pair, both signed R.Gallon (lower left) Both oil on canvas Each 30.7 x 45.9cm; 12 x 18in (2) £400-600

Provenance: Charles Young Fine Paintings, London; Purchased from the above by the previous owner, December 1979; And by descent Exhibited: London, Royal Academy, 1831, no.104 £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

189

488 PHILIP HUTCHINS ROGERS 1794-1853

View of Millbrook Lake near Devonport, with figures loading a boat Signed and dated 1834/P.H.Rogers (lower left) Oil on canvas 29.4 x 39.7cm; 11½ x 15¾in Provenance: Sotheby’s, London, 14 November 1990, lot 107, where purchased by the previous owner; And by descent Exhibited: British Institution, 1835, no.124 £1,000-1,500

488

489 CORNELIS WESTERBEEK

Dutch 1844-1903

A shepherd and his flock Signed and dated C.Westerbeek 1902 (lower centre) Oil on canvas 59.2 x 100.4cm; 23½ x 39½in £800-1,200

489

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

190

490

490 WILLIAM BEATTIE BROWN RSA Scottish 1831-1909

Landscape with a traveller on a path in a beechwood at dusk Signed WBeattie-Brown RSA (lower left) Oil on canvas 45.9 x 65.5cm; 18 x 25¾in Provenance: By descent to the present owner £600-800

491 WILLIAM BEATTIE BROWN RSA Scottish 1831-1909

River landscape near Callander Signed WBeattie-Brown RSA (lower right) Oil on landscape 30.8 x 46cm; 12 x 18in

491

Provenance: By descent to the present owner £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

191

492 WILLIAM BEATTIE BROWN RSA Scottish 1831-1909

A Moorland Tarn, Rannoch, Perthshire Signed WBeattie-Brown ARSA (lower left) Oil on canvas 35.9 x 66.5cm; 14¼ x 26¼in Provenance: By descent to the present owner £300-500

492

493 WILLIAM BEATTIE BROWN RSA Scottish 1831-1909

On the Moray Firth: The Mouth of the Findhorn Signed W Beattie-Brown RSA (lower left) Oil on canvas 25.8 x 35.8cm; 10¼ x 14in Provenance: Captain D. M. Sinclair, March 1982; The McDonald Booth Gallery, London; By descent to the present owner £300-500

493

494 WILLIAM BEATTIE BROWN RSA Scottish 1831-1909

A shepherd’s cottage, Teviotdale Signed WBeattie-Brown RSA (lower right) Oil on canvas 30.9 x 45.9cm; 12¼ x 18in Provenance: Anthony Woodd, Edinburgh; By descent to the present owner £300-500

494 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

192

495 GEORGE BURRELL WILLCOCK 1811-1852

The watermill Indistinctly signed and dated Will***18 (lower centre) Oil on canvas 63.5 x 76.5cm; 25 x 30in £800-1,200

495

496

497

496 CIRCLE OF WILLIAM REDMORE BIGG RA

497 NORTHERN EUROPEAN SCHOOL

Cottage interior with figures around a fire Oil on canvas 49 x 59cm; 19¼ x 23¼in £400-600

19th Century

Eel fishing at night Oil on board 29.2 x 43.3cm; 11½ x 17in Unframed Provenance: Sir John Savile, Rufford Abbey, 1888, no.15 £200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

193

498 FRANS DE BRUYN Belgian 1867-1943

The vegetable garden Signed and indistinctly dated Frans De Bruyn/18*4 (lower left) Oil on canvas 110.5 x 82.5cm; 43½ x 32½in £800-1,200

499 JOHN RITCHIE act.1858-1875

Times of Trouble Signed with initials J.R (lower left) Oil on canvas 46.3 x 60.9cm; 18¼ x 24in £800-1,200

500 HENRY ANDREWS 1794-1864

A couple outside a cottage with cattle watering Signed H. ANDREWS (lower left) Oil on canvas 64 x 76.5cm; 25¼ x 30¼in £600-800

498

499

500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

194

501 BENOIST BENJAMIN BONVOISIN

French 1788-1860

Portrait of Louis-Marie-Edmond Blanquart de Bailleul (1795-1868), Archbishop of Rouen Signed Bonvoisin pt (centre right) Oil on canvas 65 x 54cm; 25½ x 21¼in Archbishop Blanquart de Bailleul originally worked as a lawyer, before becoming bishop of Versailles in 1832 and Archbishop of Rouen in 1844. £400-600

502 DUTCH SCHOOL Late 19th Century

502

501

Girl knitting in an interior Oil on canvas 41 x 29.5cm; 16¼ x 11½in £200-300

503 ITALIAN SCHOOL 19th Century

Portrait of a young woman wearing a green dress and pink shawl Oil on canvas, oval 21.7 x 17cm; 8½ x 6¾in £200-300

504 ENGLISH SCHOOL Mid 19th Century

503

504

Portrait of a girl wearing a white dress and pink sash, holding a basket of flowers and sitting in a landscape Oil on canvas laid on board 50.4 x 41.6cm; 19¾ x 16¼in £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

195

505

505 AFTER WILLIAM-ADOLPHE BOUGUEREAU L’admiration Oil on canvas 91.9 x 122.5cm; 36¼ x 48¼in After the original in the San Antonio Museum of Art, San Antonio (inv. no.59.46). Provenance: Woolley and Wallis, Salisbury, Paintings, 12 December 2012, lot 579 £800-1,200

506 ‡ JEF DUTILLEUX Belgian 1876-1960

Autumn mists Signed Jef Dutilleux (lower left) Oil on canvas 100.9 x 152.5cm; 39¾ x 60in £200-300

506 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

196

507 MANUEL GARCÍA Y RODRÍGUEZ Spanish 1863-1925

Street scene in Grenada Signed, inscribed and dated Garcia y Rodriguez/Granada 90 (lower left) Oil on canvas 45.7 x 26.5cm; 18 x 10½in Provenance: Mandell’s Galley, Norwich; Property of a deceased estate, by whom sold Bonhams, London, 19th Century European, Victorian and British Impressionist Art, 23 June 2015, lot 26 £2,000-4,000

507 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

197

508 RICHARD PICKERSGILL act.1818-45

Figures resting by a mill in a mountain landscape Signed with initials RP (on sheep) Oil on canvas 91.7 x 71.2cm; 36 x 28in £1,000-1,500

508

509 ALFRED VICKERS SEN 1786-1868

The ferry at Shrewsbury Signed A Vickers (lower left) Oil on canvas 39.2 x 59.7cm; 15½ x 23½in £400-600

509 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

198

510

510 ‡ WILLIAM ARTHUR LAURIE CARRICK

511 JAMES JOHN HILL RBA

512 CHARLES BROOKE BRANWHITE

Extensive river landscape with cattle watering near a farmhouse

Shepherds and their flock on a hillside

View of Saint Michael’s Mount, Cornwall, with figures on the shore

1879-1964

Signed Wm ARTHUR CARRICK (lower right) Oil on canvas 69.4 x 93cm; 27¼ x 36½in £800-1,200

511

1811-1882

Signed JJ Hill (lower left) Oil on canvas 31.4 x 46.8cm; 12¼ x 18½in £300-500

1851-1929

Signed C. Brooke Branwhite 1881 (lower left) Oil on canvas 71.2 x 108.2cm; 28 x 42½in Unframed £600-800

512 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

199

513

514

515

513 HENRY H. PARKER

514 ATTRIBUTED TO HENRY JOHN BODDINGTON

515 RICHARD ALLAM

The road home

A traveller halting at a cottage by a pond

Signed Henry H. Parker (lower left) Oil on canvas 80.4 x 114cm; 31¾ x 45in

Oil on canvas 63.7 x 76.4cm; 25 x 30in

View of Donnington Castle with figures conversing on a path

1858-1930

£1,000-1,500

1811-1865

£700-1,000

19th Century

Signed Allam (lower left) Oil on canvas 40.8 x 60.7cm; 16 x 24in £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

200

516 ERNEST CROFTS RA 1847-1911

Sir Francis Drake playing bowls before the Armada Oil on canvas 83.4 x 130.5cm; 32¾ x 51¼in Provenance: Woolley and Wallis, Salisbury, 30 October 2001, lot 225 £800-1,200

516

517 FRANK PROSCHWITZRY FREYBURG German 1862-1940

Halt at the inn Signed and dated FProschwitzky Freyburg/1893 (lower right) Oil on canvas 51.3 x 81.8cm; 20¼ x 32¼in Provenance: Brash Bros, London; By whom sold, Christie’s, London, 8 February 1924, lot 100 (anonymous), to H.M.Lee (£9-9) £1,200-1,800

517

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

201

518

518 SIR WILLIAM QUILLER ORCHARDSON RA 1832-1910

The Reception Signed W Q Orchardson (lower right) Oil on canvas 76.1 x 61cm; 30 x 24in

Provenance: Sir Walter Brown, 1925; The Fine Art Society, London, May 1985; Private Collection, UK Exhibited: Edinburgh, Scottish National Exhibition, 1908; Kirkcaldy, Kirkcaldy Art Gallery, Inaugural Loan Exhibition, 1925; Kirkcaldy, Kirkcaldy Art Gallery, 1928 £2,500-3,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

202

519

519 HEYWOOD HARDY 1842-1933

Homewards; From Covert to Covert A pair, the former signed Heywood Hardy (lower right), the latter signed and indistinctly dated Heywood Hardy 18*6 (lower left) Both oil on canvas Each 62.1 x 52.1cm; 24½ x 20½in (2)

Provenance: The Horner Galleries, Sheffield £8,000-12,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

203

519

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

204

520

521

520 JOSEPH THORS

521 JOHN MILLER

Landscape with a woman near a pond, a field of sheep in the distance

Landscape with haystacks and a haycart

Dutch 1835-1920

Scottish 19th Century

Signed J THORS (lower right) Oil on canvas 25.4 x 35.7cm; 10 x 14in

Signed and dated J MIller/79 (lower left) Oil on canvas 29.5 x 49.6cm; 11½ x 19½in Provenance: Turtle Fine Art, Cheltenham

Provenance: Maple & Co, Ltd, London

£300-500

522

523

522 CLARENCE ROE

523 ATTRIBUTED TO EDWARD JOHN COBBETT RBA

1850-1909

1815-1899

Highland landscape with a stag standing on the shore of a loch

Landscape with cattle and a drover by a pond

Signed Clarence Roe (lower right) Oil on canvas 60.6 x 91.3cm; 23¾ x 36in

Signed and dated E Cobbett 1835 (lower right) Oil on panel 22.9 x 30.4cm; 9 x 12in

£150-250

£100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

205

524

524 THOMAS SIDNEY COOPER RA 1803-1902

Sheep in a moorland landscape Signed and dated T. Sidney Cooper RA/1850 (lower right) Oil on panel 45.2 x 61cm; 17¾ x 24in Provenance: Arthur Ackermann, London; B. Cohen & Sons, before 1976 Literature: Stephen Sartin, Thomas Sidney Cooper, 1976, cat. no.80, p.62; Kenneth J. Westwood, Thomas Sidney Cooper C.V.O., R.A., His Life and Work (David Leathers Publishing, 2011), Vol. I, p.253, cat. no.O.1850.14. £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

206

525

526

525 CIRCLE OF WILLIAM JAMES MÜLLER

526 ENGLISH SCHOOL

River landscape with mountains in the distance

Late 19th Century

Oil on canvas 26.8 x 37cm; 10½ x 14½in

Wooded landscape with an old woman and two children outside a cottage

£400-600

Signed with monogram and dated HHE(?)95 (lower left) Oil on panel 26.8 x 35.2cm; 10½ x 13¾in £200-300

527

527 FRANCIS E. JAMIESON 1895-1950

Highland landscape, possibly Loch Katrine; Mountainous river landscape with a watermill A pair, both signed F.E.Jamieson (lower left) 46.2 x 56.4cm; 18 x 22¼in £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

207

528

528 RUTH MERCIER

French act.1882-1915

Grape vines on a terrace, with a coastal landscape beyond Signed RUTH MERCIER (lower right) Oil on four canvases, framed as one Each 120 x 50.5cm; 47¼ x 19¾in; Total 120 x 205cm; 47¼ x 80¾in £1,000-1,500

529 GEORGE VINCENT 1796-1831

Landscape at Bannockburn near Stirling Oil on panel 30.5 x 42cm; 12 x 16½in Provenance: Sir Joseph Beecham, 1st Bt. (1848-1916); His posthumous sale, Christie, Manson & Woods, 3-4 May 1917, lot 79

529

£600-1,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

208

530 ALFRED MONTAGUE RBA 1832-1883

A ferry crossing the Rhine by a ruined tower; View of a European town on a river A pair, both signed Alfred Montague (lower right) Both oil on board Each 17 x 30cm; 6¾ x 12in (2) £800-1,200

531 JAMES POOLE 1804-1886

Mountainous river landscape with fishermen mending their nets Signed J Poole (lower right) Oil on canvas 40.9 x 61.5cm; 16¼ x 24¼in £300-500

532 JAMES PEEL RBA 1811-1906

Morecambe Bay Signed J Peel (lower right) Oil on canvas 58.3 x 95.8cm; 23 x 37¾in Provenance: Sale of the Peel Collection, Newcastle-on-Tyne, 16 July 1907 lot 12; William Anderson & Sons & Hedley; Woolley and Wallis, Salisbury, 11 March 2015, lot 531 £300-500

530

531

532 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

209

533 ENGLISH SCHOOL Early 19th Century

View of Longleat, with deer and cattle in the park Oil on canvas 65.5 x 78.3cm; 25¾ x 30¾in £1,000-1,500

533

534

535

534 EDWARD CHARLES WILLIAMS

535 GEORGE BALMER

River landscape at dusk with Eton College Chapel in the distance

River landscape at night

Inscribed and dated Eton College Evening/E. C. Williams/5 Pomona Place/ Hammersmith/1875 (to old label) Oil on board 21.4 x 34.8cm; 8½ x 13½in

Oil on panel 43.5 x 64.6cm; 17¼ x 25½in

1807-1881

c.1806-1846

£500-800

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

210

536

537

536 HENRY A. LUSCOMBE

537 SAMUEL WILLIAMSON

HMS Galatea under the command of Prince Alfred, Duke of Edinburgh, in Plymouth Sound, with Drake’s Island and Mount Edgcumbe in the distance

Coastal landscape with fishermen unloading their boat and a woman leading a packhorse; Landscape with a figure carrying sticks along a path

Signed and indistinctly inscribed H A Luscombe Plym* (lower left) Oil on canvas 30.8 x 45.9cm; 12¼ x 18in

A pair, each signed with initials and dated SW 1825 (lower left and lower right respectively) Both oil on panel Each 8.2 x 11.7cm; 3¼ x 4½in (2)

1792-1840

1820-1868

Provenance: Wilberforce Bryant, Kingston-upon-Thames

£300-500

HMS Galatea launched in 1859, and in 1866, after a refit, she went on a world cruise under the command of Prince Alfred, Duke of Edinburgh (1844-1900). £500-800

538

539

538 AFTER CLARKSON FREDERICK STANFIELD

539 FOLLOWER OF CLARKSON STANFIELD

A market boat on the Scheldt

Fishing boats in choppy waters

Signed and dated McAlpine 1899 (lower left) Oil on canvas 58.5 x 89.3cm; 23 x 35¼in

Inscribed Coakley (to label) Oil on panel 21.6 x 34.4cm; 8½ x 13½in

After the original in the Victoria and Albert Museum, London (inv. no.FA.189[O]).

£200-300

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

211

540

540 GEORGE CHAMBERS SEN 1803-1840

A gaff-rigged fishing boat in choppy waters off the coast, probably Dover Signed and indistinctly dated Chambers 183* (lower left) Oil on canvas 84.4 x 122.6cm; 33¼ x 48¼in Provenance: Private collection, London; By whom gifted to the previous owner, 1960s; Malcom Henderson Gallery, London; Purchased from the above by the present private collector, February, 1973 £2,500-3,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

212

541

542

541 ATTRIBUTED TO JOHN WRIGHT OAKES ARA

542 DUTCH SCHOOL

Shipping in choppy coastal waters

Shipping in a calm estuary

Oil on canvas 71.4 x 92.2cm; 28 x 36¼in

Oil on panel 26.5 x 35.5cm; 10½ x 14in

£800-1,200

£400-600

1820-1887

19th Century

543

544

543 ENGLISH SCHOOL

544 JAMES LEVIN HENRY

Seascape with fishermen in choppy coastal waters

Shipping in a busy port

Oil on canvas 24.8 x 31cm; 9¾ x 12¼in

Oil on canvas 25.4 x 38.1cm; 10 x 15in

£200-300

£150-250

19th Century

1855-1929

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

213

545

545 WILHELM MELBYE Danish 1824-1882

Shipping off Scratchell’s Bay, Isle of Wight Signed and dated Wm Melby 1867 (lower left) Oil on canvas 56.4 x 95.7cm; 22¼ x 37¾in £2,500-3,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

214

546 JOHN JAMES WILSON 1818-1875

Fishing off the Dutch coast Oil on panel 34.7 x 59.5cm; 13¾ x 23½in £300-500

547 JOHN JAMES WILSON 1818-1875

Coastal landscape with shipping boats and figures Signed JWilson (lower right) Oil on board 28.8 x 48.4cm; 11¼ x 19in £200-300

548 ENGLISH SCHOOL

546

19th Century

Coastal barges in calm waters Oil on canvas 30.4 x 20.6cm; 12 x 8in £200-300

549 ABRAHAM HULK JNR 1851-1922

Seascape with fishing boats Signed A Hulk (lower right) Oil on panel 15.2 x 20.4cm; 6 x 8in £400-600

547

548

549 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

215

550

550 DAVID JAMES Irish 1853-1904

Seascape with water breaking on the rocks and ships in the distance Signed DJames (lower right) Oil on canvas 61 x 91.5cm; 24 x 36in £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

216

551

551 BERNARDUS JOHANNES BLOMMERS Dutch 1845-1914

Fisherwomen on the shore Signed Blommers (lower left) Oil on panel 20.3 x 34.9cm; 8 x 13¾in Provenance: Christie’s, London, 15 June 1979, lot 6; Christie’s, London, 21 March 1986, lot 16; Pyms Gallery, London; Purchased from the above by the parents of the present owners £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

217

552

552 GIROLAMO GIANNI Italian 1837-1895

View of the Grand Harbour, Malta Signed and dated G.Gianni 1872 (lower right) Oil on canvas 38.1 x 104cm; 15 x 41in £6,000-9,000

552 (detail)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

218

553 ROBERT E GROVES 1866-1948

Outside the Gate of Lion; The Street of Blacksmiths Two, the former signed and dated ROBERT E. GROVES 1909 (lower right), the latter signed and dated ROBERT E.GROVES 1910 (lower right) Both oil on board Each 24 x 29.2cm; 9½ x 11½in (2) £1,200-1,800

553 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

219

554

554 ADOLF SCHREYER German 1828-1899

The charge Signed Ad. Schreyer (lower left) Oil on canvas 73.7 x 97.8cm; 29 x 38½in Provenance: Sotheby’s, London, 25 November 1981, lot 32 £15,000-20,000

554 (framed) Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

220

555 GUIDO BACH

German 1828-1905

Feeding pigeons Signed and dated Guido Bach/1883 (lower left) Oil on canvas 107.6 x 74.6cm; 42¼ x 29¼in Provenance: Mathaf Gallery, London; Purchased from the above by the parents of the present owner £4,000-6,000

556 JULES BRETON French 1827-1906

Two harvesters Signed Jules Breton (lower right) Oil on canvas 74.4 x 61.4cm; 29¼ x 24¼in Provenance: Dean Herrick, Johannesburg; Sotheby’s, London, 26 November 1986, lot 25; Pyms Gallery, London; Purchased from the above by the parents of the present owners £25,000-35,000

555

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

221

556

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

222

557 WILLIAM BRODERICK 1814-1888

Two falcons by their nest Signed with initials and dated WB 1881 (lower left) Oil on canvas 61.4 x 41cm; 24¼ x 16in £3,000-5,000

558 WILLIAM BRODERICK 1814-1888

Two falcons on a branch, one with their pray Signed with initials and dated WB 1878 (lower left) Oil on board 55.4 x 42.9cm; 22¾ x 17in £3,000-5,000

557 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

223

558 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

224

559 HENRY JOHN LIVENS 1848-1943

Forest floor still life with flowers and a bird’s nest Signed and dated H LIVENS/1880 (lower right) Oil on canvas 51.3 x 61.4cm; 20 x 24¼in £800-1,200

560 WILLEM ACKERMANN German act.1830-1845

Still life with hyacinths, narcissi, freesias and a rose in a glass vase on a ledge; Still life with hyacinths, narcissi, freesias, and a tulip in a glass vase on a ledge A pair, both signed and dated W. Ackermann 1830 (lower right) Both oil on canvas Each 34 x 27.5cm; 13¼ x 10¾in (2) £500-700

559

560

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

225

561

562

563

561 ALBERT DURER LUCAS

562 CONTINENTAL SCHOOL

Still life with flowers, eggs and a glass on a stone ledge

Still life with blue passionflower and butterfly

Signed and dated A.D.Lucas/1916 (lower right) Oil on board 24.6 x 30cm; 9¾ x 11¾in

Indistinctly signed SCB** (lower right) Oil on board 24 x 22.8cm; 9½ x 9in

1828-1919

£200-300

563 FOLLOWER OF GEORGE CLARE Still life with bird’s nest and blossom Oil on card 15.5 x 23.2cm; 6 x 9¼in £200-300

19th Century

£100-200

564 C. A. GREGORY 19th Century

Still life with a hanging bunch of grapes Signed CA GREGORY (lower right) Oil on board 35.8 x 14.5cm; 14 x 5¾in £200-300

564

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

226

565 WILLIAM TRAIES 1789-1872

View of the Exeter Canal, with Exeter Cathedral in the distance Oil on panel 35.3 x 50.9cm; 14 x 20in Provenance: E. Stacy-Marks Ltd., Eastbourne; Dreweatt Neate, Newbury, 11 October 1995, lot 191, where purchased by the previous owner; And by descent £500-800

566 JOHN MILLER MARSHALL act.1880-1925

River landscape with barges Signed J Miller Marshall (lower left) Oil on canvas 56 x 102cm; 22 x 40in

565

£400-600

567 CIRCLE OF PATRICK NASMYTH Wooded landscape with a traveller by a cottage Bears a signature and indistinct date Patrick Nasmyth *** (lower left) Oil on canvas 51.6 x 62.3cm; 20¼ x 24½in Unframed £300-500

568 NORWICH SCHOOL 19th Century

Landscape with cottages, with a traveller resting at the roadside Oil on canvas 35 x 48cm; 13¾ x 19in

566

£300-500

567

568 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

227

569

569 KEELEY HALSWELLE 1831-1891

Arundel Castle with cattle watering in the foreground Signed and dated Keeley Halswelle 1889 (lower left) Oil on canvas 60 x 90.4cm; 23¾ x 35½in £2,500-3,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

228

570

571

570 JAMES STARK

571 WILLIAM LARA

Landscape with figures resting by a path

Landscape with figures and horses in a farmyard

Oil on panel 34.9 x 27.6cm; 13¾ x 10¾in

Signed W Lara (lower right) Oil on canvas 51 x 41cm; 20 x 16¼in

1794-1859

Provenance: Weston Gallery, Norwich

act.1840-1860

£400-600

£800-1,200

572 ENGLISH SCHOOL Early 19th Century

Landscape with a traveller and pack-donkey on a path, a town in the distance Oil on canvas 77 x 64cm; 30¼ x 25¼in £300-500

573 NORWICH SCHOOL 19th Century

Landscape with a traveller on a wooded path by a lake Oil on board 36 x 23.7cm; 14¼ x 9¼in £150-250

572

573 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

229

574

574 THOMAS DANBY c.1818-1886

The Stream Rests Awhile Signed Thomas Danby (lower left) Oil on canvas 61.5 x 102.3cm; 24¼ x 40¼in £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

230

575

575 ENGLISH SCHOOL c.1900

The art critic Oil on canvas 50.4 x 61cm; 19¾ x 24in £800-1,200

576 HUGH COLLINS Scottish 1834-1896

Portrait of two sisters seated in an Edinburgh interior, holding flowers Signed and dated H. Collins/Oct 8th 1863 (lower right) Oil on canvas 112.3 x 86.5cm; 44¼ x 34in Provenance: By descent from one of the sitters £700-1,000

576 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

231

577 JOSEPH FARQUHARSON RA Scottish 1846-1935

A walk in the dunes Signed J Farquharson (lower right) Oil on canvas 122.3 x 87.8cm; 48¼ x 34½in Provenance: Purchased by the original owner from the artist in the 1880s; And by descent £6,000-10,000

577

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

232

578 ATTRIBUTED TO JOSEPH FARQUHARSON RA Scottish 1846-1935

Winter landscape at dusk with a woman and child near a cottage Signed J Farquharson (lower right) Oil on canvas 30.8 x 51.1cm; 12¼ x 20in £800-1,200

578

579 NICOLAAS JOHANNES ROOSENBOOM Dutch 1805-1880

Winter landscape with figures on a frozen river Oil on panel 14.9 x 19.6cm; 5¾ x 7¾in Provenance: Bonhams, Knightsbridge, British & Continental Pictures, 6 March 2012, lot 174 £1,200-1,800

579

580 ALBERT GOODWIN RWS 1845-1932

Naples Signed with monogram (lower right) and inscribed Naples (lower left) Oil on board 18.7 x 26.2cm; 7¼ x 10¼in Provenance: The Collection of Tom Coates NEAC, RP, RWS and Mary Jackson NEAC, RWS £500-800

580 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

233

581

581 AUGUSTE-LOUIS LEPÈRE French 1849-1918

Barges on a canal Signed and dated A.Lepère.12 (lower left) Oil on canvas 40.9 x 65.4cm; 16 x 25¾in Unframed £700-1,000

582 WALTER FOLLEN BISHOP 1856-1936

Landscape with a village by a creek Signed W. Follen Bishop (lower left) Oil on canvas 30.6 x 45.8cm; 12 x 18in £400-600

582

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

234

583

583 WILLIAM GRAHAM BUXTON 1858-1926

The Dawn of the Day on the Essex coast Signed and dated W GRAHAM BUXTON 1890 (lower right) Oil on canvas 67.2 x 97.7cm; 67¼ x 38½in Exhibited: London, Royal Academy, 1890, no.684 £1,500-2,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

235

584

584 JOHN MORGAN RBA 1823-1886

The young babysitter Signed John Morgan (lower left) Oil on canvas 60.9 x 91.7cm; 24 x 36in £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

236

585

585 ‡ ANTOINE BOUVARD French 1870-1955

View of Venice with the Campanile di San Marco in the distance Signed Bouvard (lower left) Oil on canvas 65.2 x 84.9cm; 25¾ x 33½in £5,000-8,000

586 VENETIAN SCHOOL 20th Century

Venetian view with figures outside a palazzo; Venetian view with boats on the lagoon A pair, both indistinctly signed (lower right) Both oil on canvas Each 24.2 x 49.3cm; 9½ x 19½in (2) £400-600

586 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

237

587

587 LOUIS H. GRIMSHAW 1870-1943

The Port of Liverpool at night Signed Louis Grimshaw (lower right) Oil on board 18 x 38.2cm; 7 x 15in £8,000-12,000

588 EDWARD HENRY EUGENE FLETCHER 1857-1945

A naval convoy with other shipping in coastal waters at dusk Signed E. Fletcher (lower right) Oil on canvas 76.3 x 127cm; 30 x 50in Provenance: John Nicholson, Haslemere, 19 February 1997, lot 340

588

£1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

238

589

590

589 EDWARD HENRY EUGENE FLETCHER

590 EDWARD HENRY EUGENE FLETCHER

The Pool of London, with a steam boat and coal barges at a quay

Shipping on the Lower Thames with workmen on the dockside

Signed E. H. Fletcher (lower right) Oil on canvas 91 x 70cm; 36 x 27½in

Signed E. Fletcher (lower left) Oil on canvas 60.3 x 40.5cm; 24 x 16in

Provenance: John Nicholson, Haslemere, 30 March 1995, lot 1373

£300-500

1857-1945

£500-700

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

239

591

591 EDWARD HENRY EUGENE FLETCHER 1857-1945

Shipping on the Thames before Westminster; Shipping in the Pool of London, with London Bridge and St Paul’s beyond A pair, the former signed E. Fletcher (lower left), the latter signed E. Fletcher (lower right) Both oil on canvas Each, 40.5 x 60.8cm; 16 x 24in (2) Provenance: Bonhams, London, Marine Pictures, 27 February 2007, lot 50 £500-700

592

592 EDWARD HENRY EUGENE FLETCHER 1857-1945

Shipping in the Pool of London, with Tower Bridge and St Paul’s beyond Signed E. Fletcher (lower left) Oil on canvas 38 x 76.5cm; 15 x 30in Provenance: Christie’s, South Kensington, British and Victorian Pictures, 5 September 2002, lot 222; Charles Miller, London, Maritime and Scientific Models, Instruments and Art, 10 May 2016, lot 24 £400-600

593 EDWARD HENRY EUGENE FLETCHER

594 EDWARD HENRY EUGENE FLETCHER

Shipping on the Thames near Limehouse at dusk

Shipping in the Pool of London at dusk, with Tower Bridge and St Paul’s beyond

1857-1945

Signed E. H. Fletcher (lower left) and inscribed On the Thames/at Limehouse (to verso) Oil on canvas 49 x 75cm; 19¼ x 29½in Provenance: Burstow & Hewett, Battle, 31 January 2001, lot 110 £400-600

593

1857-1945

Signed E. Fletcher (lower right) Oil on canvas 50.7 x 76.4cm; 20 x 30in Provenance: John Nicholson, Haslemere, 27 July 1995, lot 1481 £400-600

594 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

240

595 EDWARD HENRY EUGENE FLETCHER 1857-1945

Towing In Signed E. Fletcher (lower right) Oil on canvas 40.5 x 61cm; 16 x 24in Provenance: Bonhams, Knightsbridge, Marine Paintings and Works of Art, 13 August 1998, lot 160 £300-500

596 EDWARD HENRY EUGENE FLETCHER 595

1857-1945

Shipping and barges on the Thames at dusk Signed and dated E. Fletcher/91 (lower left) Oil on canvas 39.5 x 61cm; 15½ x 24in Provenance: G A Key Auctioneers, Aylsham, 5 December 1997, lot 756 £300-500

597 EDWARD HENRY EUGENE FLETCHER 1857-1945

Shipping in coastal waters at sunrise 596

Signed E. Fletcher (lower right) Oil on canvas 40 x 60.5cm; 15¾ x 24in Provenance: Bonhams & Brooks, London, British and Continental Oils and Frames, 9 January 2001, lot 154 £300-500

598 EDWARD HENRY EUGENE FLETCHER 1857-1945

A Busy Scene on the Thames; Shipping on the Thames A pair, both signed E. H. Fletcher (lower right) Both oil on canvas Each, 30.4 x 45.7cm; 12 x 18in (2) £250-350

597

598 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

241

599

599 EDWARD HENRY EUGENE FLETCHER

600 EDWARD HENRY EUGENE FLETCHER

Shipping on the Thames Estuary at dusk; Shipping and barges on the Thames

Shipping in Port

1857-1945

A pair, the former signed E. Fletcher (lower left), the latter signed E. Fletcher (lower right) Both oil on canvas Each, 15.5 x 20.5cm; 6 x 8in (2) £200-300

1857-1945

Signed E. Fletcher (lower left) Oil on canvas 40.5 x 60.7cm; 16 x 24in Provenance: Phillips, London, Oil Paintings, Watercolours and Prints including Marine Pictures, 27 March 2001, lot 14 £300-500

601 EDWARD HENRY EUGENE FLETCHER 1857-1945

Shipping and barges on the Thames Estuary; Shipping on the Thames Estuary A pair, both signed E. Fletcher (lower left) Both oil on canvas Each, 18.2 x 23cm; 7 x 9in (2)

600

£200-300

601 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

242

602 G. SCHLOSSER

Late 19th/Early 20th Century

View of the Houses of Parliament from the Thames Signed and dated G. Schlosser/99. (lower right), inscribed LE PALAIS DU PARLEMENT/LONDRES (lower left), and further inscribed LE PALAIS DU PARLEMENT/A LONDRES/EFFET DE MATIN/G. SCHLOSSER/PXIT./1899/ATELIER M.R. (to verso) Oil on canvas 90 x 60cm; 35¾ x 23½in Provenance: Christie’s, South Kensington, British and Continental Pictures, 20 October 1994, lot 47 £400-600

603 DUTCH SCHOOL 1869

Loading barges on a canal, with an elegant couple on the bank Indistinctly signed and dated J Ko**/D F 1869 (lower left) Oil on canvas 33.1 x 45.4cm; 13 x 17¾in £200-300

604 HENDRIK VETTEWINKEL Dutch 1809-1878

Fisherfolk on a riverbank Oil on panel 25.8 x 34.2cm; 10¼ x 13½in £300-500

602

603

604 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

243

605

605 EDWARD BRADLEY act.1824-1867

View of Westminster Abbey from the Surrey side of Westminster Bridge Oil on canvas 41 x 61.6cm; 16¼ x 24¼in Exhibited: Probably London, Royal Academy, 1825, no. 364 £1,000-1,500

606 LUDWIG HERMANN German 1812-1881

River landscape with figures outside a town Signed and dated L HERMANN/1869 (lower right) Oil on canvas 32.7 x 46.4cm; 12¾ x 18¼in Provenance: In the family of the present owner for at least 100 years £600-800

606

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

244

607

607 PATRICK WILLIAM ADAM RSA

608 CARLOS REIS

The Smithy

An old man sitting by the fireplace

Signed and dated P.W.ADAM 1919 (lower right) and inscribed THE SMITHY/P.W.ADAM RSA (to reverse) Oil on canvas 92 x 140cm; 36¼ x 55in

Signed and inscribed Carlos Reis/FRANCE (lower right) Oil on canvas 150.5 x 120cm; 59¼ x 47¼in Unframed

£2,000-3,000

£8,000-12,000

1852-1929

Portuguese 1863-1940

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

245

608

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

246

609

610

609 SOPHIE ANDERSON 1823-1903

Little Rubina Signed S Anderson (lower right), and further signed and inscribed Little Rubina/S.Anderson/Capri (to stretcher) Oil on canvas 37.4 x 31.5cm; 14¾ x 12½in £600-800

610 BERNARD DE HOOG Dutch 1867-1943

Interior with a mother and child by a window Signed Bernard De Hoog (lower left) Oil on canvas 39 x 31.5cm; 15¼ x 12½in Provenance: Hewson & Forster, Sheffield £400-600

611

612

611 FRENCH SCHOOL

612 AFTER JOSEPH COLBY

19th Century

A haymaker holding a rake Oil on board 43.6 x 26cm; 17 x 10¼in £250-400

Springtime Oil on board 19.7 x 14.6cm; 7¾ x 5¾in £200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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613

614

613 THOMAS FREDERICK MASON SHEARD 1866-1921

Portrait of Sylvia Ashbridge (née Moore) wearing a fur-lined coat Signed T F M Sheard (lower left) Oil on canvas 54.4 x 44.2cm; 21¼ x 17½in £300-500

614 EDWIN HARRIS 1855-1906

Portrait of a lady, wearing a black dress, white lace collar and gold necklace Signed Edwin Har***/1902 (upper right) Oil on canvas 61 x 51cm; 24 x 20in, framed as an oval £300-500

615

615 ATTRIBUTED TO EUGENIO LUCAS Y PADILLA Spanish 1824-1870

Church interior with a procession; Church interior with figures preaching Two, both oil on copper 15.1 x 10.7cm; 6 x 4¼in; 12.9 x 9.7cm; 5 x 3¾in Unframed (2) £600-800 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

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616

617

616 CLAUDE HUGARD

617 CONTINENTAL SCHOOL

Two women sewing in an interior

Portrait of a lady, bust-length, in a yellow dress

Signed S C HUGARD (lower left) Oil on panel 27.8 x 32cm; 11 x 12½in

Oil on canvas laid on board 48.7 x 46cm; 19¼ x 18in Unframed

Provenance: Sotheby’s, London, 19th Century European Paintings, Drawings and Watercolours, 20 November 1996, lot 191

£300-500

French b.1861

Late 19th Century

£600-800

618 FOLLOWER OF ALFRED STEVENS Portrait of a lady, wearing a grey dress and feathered hat, seated by a table Oil on panel 45 x 33.7cm; 17¾ x 13¼in £300-500

619 ENGLISH SCHOOL 19th Century

Two collies outside a door in winter Oil on canvas 30.7 x 25.6cm; 12 x 10in £250-450

618

619 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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620

620 ATTRIBUTED TO EDWIN HENRY BODDINGTON 1836-1905

River landscape with a fisherman at dusk Oil on canvas 45.6 x 71cm; 18 x 28in £800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

250

621 ERWIN EICHINGER Austrian 1892-1950

A cardinal in his library Signed and inscribed E Eichinger/Wien (lower right) Oil on panel 30.9 x 26.1cm; 12¼ x 10¼in Provenance: W. A. Hawkins Esq., Bristol £700-1,000

622 MATTHEW RIDLEY CORBET ARA 1850-1902

Portrait of Annie Barbara Hannah (née Thomson) (1849-1907) by a balustrade and holding a riding crop Signed with initials and dated MRC 1880 (lower right) Oil on canvas 110.5 x 71.cm; 43½ x 28in The sitter was the wife of John Julius Hannah (1844-1931), Dean of Chichester. £800-1,200

621

623 ITALIAN SCHOOL 1885

Portrait of a young girl in profile Indistinctly signed and dated Felic/1885 (lower left) Oil on panel 33 x 22.8cm; 13 x 9in £500-700

624 ROBERT CLEMINSON 1864-1903

Waiting by a stile Signed with pseudonym and dated Desmond Claw 1886 (lower right) Oil on canvas 92.1 x 61.6cm; 36¼ x 24¼in £800-1,200

622

623 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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624 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 257 • Framed images of each lot are available on www.woolleyandwallis.co.uk

252

625 ‡ WILLIAM ALBERT CLARK 1880-1963

Four shirehorses: Peele Belle, Oldborough Pleasant, Oldborough Belle, and Oldborough Duchess Signed and dated W.A.Clark/1909 (lower left) and inscribed PEELE BELLE/OLDBOROUGH PLEASANT/ OLDBOROUGH BELLE/OLDBOROUGH DUCHESS (below each horse) Oil on canvas 46 x 81.5cm; 18 x 32in Provenance: Christie’s, South Kensington, Sporting Art and Dogs, 18 November 2004, lot 64 £500-800

625

626 ‡ WILLIAM ALBERT CLARK 1880-1963

Dunsmore Pecora, a prize Suffolk Punch Signed and dated W.A.Clark/1910 (lower left) and inscribed “Dunsmore Pecora” 25153 (lower centre) Oil on canvas 44.7 x 59.9cm; 17¾ x 23½in Provenance: Sotheby’s, London, English Naive and Provincial Art, 22 July 1986, lot 104 £300-500

626

627 ‡ S. FOX

20th Century

Plough horses in a landscape Signed S Fox (lower left) Oil on canvasboard 57.4 x 94.1cm; 22¼ x 37in £400-600

627 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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INDEX OF ARTISTS A Ackermann, Willem 560 Adam, Patrick William 607 Album 19th Century 265 Allam, Richard 515 Allingham, Helen 263, 264 Anastasi, Auguste-Paul-Charles 466-470 Anderson, Sophie 609 Andrews, Henry 500 Arlaud, Benjamin, Manner of 50 Arrowsmith, Thomas 168 B Bach, Guido 555 Balmer, George 535 Barenger, James 432 Barry, John 109 Barry, John, Manner of 131 Bates, David 238 Beale, Charles, Circle of 44 Beechey, William, After 23 Belanger, Louis 474 Belle, Alexis-Simon, After 37 Bettes, John, the Younger 308 Bigg, William Redmore, Circle of 496 Bishop, Walter Follen 582 Blommers, Bernardus Johannes 551 Boddington, Edwin Henry, Attributed to 620 Boddington, Henry John, Attributed to 514 Bolognese School 16th Century 307 Bonvoisin, Benoist Benjamin 501 Both, Jan, Circle of 327 Boucher, François, Follower of 386 Bouguereau, William-Adolphe, After 505 Bouvard, Antoine 585 Boys, Thomas Shotter 254 Brabazon Brabazon, Hercules 288-300 Bradley, Edward 605 Braithwaite, Mary Elizabeth 255 Bramer, Leonaert, Attributed to 310 Brandard, Robert 241 Brandt, Albertus Jonas 251 Branwhite, Charles Brooke 512 Breton, Jules 556 Broderick, William 557, 558 Brooking, Charles 418 Brown, Ford Madox 309 Brown, William Beattie 490-494 Buck, Frederick, Circle of 13, 78 Buck, Samuel 179 Buesem, Jan Jansz 318 Burch, Henry Jacob 6 Burford, Thomas 186 Burne-Jones, Edward Coley 268, 269 Burrell Willcock, George 495 Buxton, William Graham 583 C Callot, Jacques, After Capet, Marie-Gabrielle, Attributed to

205 221

Caravaggio, Follower of 304 Carrick, William Arthur Laurie 510 Casissa, Nicola, Attributed to 349 Casteels, Pieter, III, Attributed to 348 Casteels, Pieter, III, Circle of 351 Castellaneta, Enrico 287 Central European School 18th Century 368 Chambers, George, Snr 540 Churchyard, Thomas 462 Cignani, Carlo, Circle of 356 Clare, George, Follower of 563 Clark, William Albert 625, 626 Clarke, T, after Paul Sandby 227 Cleminson, Robert 624 Cleveley, John, the Younger, Attributed to 223 Closterman, John, Follower of 360 Cobbett, Edward John, Attributed to 523 Codazzi, Niccolò, Attributed to 379 Codazzi, Viviano 378 Colby, Joseph, After 612 Collins, William 460 Collins, William Wiehe 231, 232 Continental School 18th Century 4, 18, 69, 70, 79, 160 Continental School 19th Century 562, 617 Cooper, Samuel, After 29, 30 Cooper, Samuel, Follower of 26 Cooper, Samuel, Manner of 32-34 Cooper, Thomas Sidney 524 Corbet, Matthew Ridley 622 Corbould, Richard 142 Cordey, Frédéric Samuel 473 Corneille, Michel, the Younger, Attributed to 206 Corneille, Michel, the Younger, Circle of 207 Corot, Jean-Baptiste-Camille, Circle of 389 Cosway, Richard 121 Cosway, Richard, Circle of 87, 88 Cosway, Richard, Follower of 90, 98 Cosway, Richard, Manner of 77 Cotes, Francis 390 Cotes, Samuel 113 Courbet, Gustave, Circle of 464 Cox, David 430 Cox, David, Attributed to 243 Craft, William Hopkins 129 Crawford, Edmund Thornton 270 Crofts, Ernest 516 Cross, Peter, Manner of 51 Cuzco School 335, 336 D Danby, Thomas 574 Daniel, Abraham, Attributed to 159, 163 Daniell, William 189 Day, Thomas 124 de Bruycker, François Antoine 438 de Bruyn, Frans 498 de Champ, Saint-Elme 472

de Fal, Guillaume 346 de Heem, Jan Davidsz, Manner of 350 de Hoog, Bernard 610 de Koninck, Philip 321 de Meys, Ferdinand, Circle of 81 Debucourt, Philibert-Louis 187 Decker, Cornelis Gerritsz 326 des Granges, David, Attributed to 38 d’Hondecoeter, Melchior, Manner of 317 Diaz de la Peña, Narcisse-Virgile, Circle of 476 Dodd, Daniel, Attributed to 116 Dubbels, Hendrick Jacobsz 330 Dutch School 17th Century 28, 214, 312, 347 Dutch School 18th Century 209, 315, 354, 372, 375 Dutch School 19th Century 370, 502, 542, 603 Dutilleux, Jef 506 E Earl, Ralph, After 445 Earl, Ralph, Circle of 444 Easel 20th Century 196, 197 Eckstein, John, After 449 Edridge, Henry 5, 115 Edwards, Sydenham, After 252 Egley, William, Follower of 24 Eichinger, Erwin 621 Englehart, George, Attributed to 93 Engleheart, John Cox Dillman 126 English School 17th Century 1, 2, 25, 27, 31, 36, 39, 48, 49, 58, 59, 367 English School 18th Century 3, 11, 21, 45-47, 55-57, 67, 71, 74, 82, 83, 86, 89, 95-96, 101, 102, 107, 108, 118, 119, 127, 128, 130-133, 136-141, 143-147, 149, 150, 153, 169, 397, 398, 406, 440, 448, 450, 533, 572 English School 19th Century 12, 14, 15, 22, 154, 155, 157, 158, 170-172, 173, 174, 175, 219, 220, 426, 434, 437, 451, 446, 481, 504, 526, 543, 548, 575, 619 F Faber, John, the Elder 54 Fancelli, Pietro, Circle of 213 Farquharson, Joseph 577 Farquharson, Joseph, Attributed to 578 Fauret, Jean-Joseph-Léon 475 Ferguson, James, Manner of 61 Ferneley, John, Follower of 428 Fisher, John 225 Flemish School 17th Century 325, 328 Fletcher, Edward Henry Eugène 588-601 Forster, Thomas 52 Forster, Thomas, Circle of 62 Foster, Myles Birket 257

Fox, S 627 Fra Angelico, After 302 Frame 18th Century 195 Francken, Frans, II, Follower of 306 Frank, William Arnee 274 French School 17th Century 40 French School 18th Century 17, 19, 60, 161, 162, 167, 202, 217, 387 French School 19th Century 16, 20, 164, 176, 422, 424, 611 Frohawk, Frederick William 250 G Gainsborough Dupont, Follower of 404 Gainsborough, Thomas, After 80, 405 Gallon, Robert 487 García y Rodríguez, Manuel 507 Garden, William Fraser 281 Garzi, Luigi 343 Gianni, Girolamo 552 Gilpin, William 226 Glover, John 228 Goodwin, Albert 283, 580 Goodwin, Sidney 276 Gould, John 192 Gould, John, After 191 Grant, Francis, Follower of 453 Gregory, C A 564 Greuze, Jean-Baptiste, Follower of 423 Griffier, Jan, I, Circle of 324 Grimshaw, Louis H 587 Griset, Ernest 194, 260 Groves, Robert E 553 Guercino, Circle of 199 H Hackert, Jacob Philipp, Circle of 216 Halswelle, Keeley 569 Hardy, Heywood 519 Hardy, James, Jnr 442 Harris, Edwin 614 Harris, John 185 Hazlehurst, Thomas 91 Henry, James Levin 544 Hermann, Ludwig 606 Hill, James John 511 Holbein, Hans, the Younger, Manner of 35 Hone, Horace 110-112 Hone, Horace, Follower of 120 Hone, Nathaniel 75, 76 Hone, Nathaniel, Circle of 148 Hoskins, John, Circle of 41 Hoskins, John, Follower of 43 Hugard, Claude 616 Hulk, Abraham 549 Hull, Thomas H 166 Humphry, Ozias, Circle of 104 Humphry, Ozias 103 Humphry, Ozias, Follower of 151 Hunt, Alfred William 237 I Italian School 1885

623

254

INDEX OF ARTISTS Italian School 18th Century 201, 203, 342 Italian School 19th Century 204, 503 J James, David Jamieson, Francis E Jean, Philip Jennings, James

550 527 114, 122 123

K Kalf, Willem, Circle of 314 Kauffman, Angelica, Follower of 374 Keene, Charles Samuel 266 Kick, Simon, After 320 Kinson, François-Joseph, Attributed to 425 Knell, William Adolphus 420 Kneller, Godfrey 361, 363 Kneller, Godfrey, and Studio 362 Kneller, Godfrey, Attributed to 345 L Lacroix de Marseille, Follower of 383 Lane, Samuel, After 400 Lanscroon, Gerard, Circle of 344 Lara, William 571 Lauri, Filippo, After 208 Lawrence, Thomas, Manner of 407 Lear, Edward 245-249 Leech, John 182, 183 Lemoyne, Pierre Antoine, Attributed to 388 Lens, Bernard, III 42 Lens, Bernard, III, Circle of 68 Lepère, Auguste-Louis 581 Lewis, John Frederick 188 Linnell, John 461 Lister, Gulielma 253 Livens, Henry John 559 Lloyd, Tom James 272 Loder of Bath, James 431 Loder of Bath, James, Circle of 427 Loggan, David, Manner of 53 Lucas Y Padilla, Eugenio, Attributed to 615 Lucas, Albert Durer 561 Luscombe, Henry A 536 Lyne, Michael 286 M Macaulay, Kate MacDonald, John Macnee, Daniel Maes, Nicolaes, Follower of Maratta, Carlo, Circle of Maris, Jacob Henricus Martin, David, Attributed to Martin, John Mattioli, Pietro Andrea McMoreland, Patrick John McMorland, Patrick, Circle of Meade, Arthur Melbye, Wilhelm Mercier, Ruth Meyer, Jeremiah Meyerheim, Franz

273 439 452 319 198 259 447 180 193 117 134 482 545 528 149 436

Meynike 218 Miller Marshall, John 566 Miller, James 433 Miller, John 521 Millington, James Heath 156 Mola, Pier Francesco, Follower of 340 Monnoyer, Jean-Baptiste, Follower of 353 Montague, Alfred 530 Moreelse, Paulus, After 311 Morgan, John 584 Morland, George, After 435 Morland, George, Circle of 443 Muckley, Angelo Fairfax 278-280 Müller, William James, After 261 Müller, William James, Circle of 525 Murillo, Bartolomé Esteban, Manner of 337 Murray, Thomas 365 Murray, Thomas, Attributed to 364 Naftel, Paul Jacob 242 N Nasmyth, Patrick, Circle of 567 Neapolitan School 234, 235 Nelli, Plautilla, Manner of 301 Nibbs, Richard Henry 222 Niemann, Edward H 483 Nixon, James 135 Northcote, James 401 Northern European School 19th Century 497 Norwich School 19th Century 568, 573 O Oakes, John Wright, Attributed to 541 Orchardson, William Quiller 518 Orpen, William, Follower of 285 Oudry, Jean-Baptiste, Circle of 373 P Paggi, Giovanni Battista, After 341 Parker, Henry H 513 Parrocel, Charles, Attributed to 211 Parsons, Arthur Wilde 256 Paton, Waller Hugh 244 Paul, John, Attributed to 376 Payne, William 230 Peat, Thomas 105, 106 Peel, James 532 Phillips, George Henry 184 Piazzetta, Giovanni Battista, Follower of 366 Pickersgill, Richard 508 Pine, Robert Edge, Attributed to 413 Piranesi, Giovanni Battista 177, 178 Pocock, Nicholas 224 Pond, Arthur 403 Pond, Arthur, Attributed to 402 Poole, James 531 Poussin, Gaspard, Follower of 385 Poussin-Lemaire, Jean 380 Powell, Alfred 236 Poynter, Edward John 267

Proschwitzry Freyburg, Frank

517

R Raeburn, Henry, Follower of 399 Raphael, After 200 Rathbone, John 463 Redgate, Arthur William 485 Reily, James 125 Reinagle, Ramsay Richard 240, 486 Reis, Carlos 608 Reynolds, Joshua, After 410 Reynolds, Joshua, Attributed to 409 Reynolds, Joshua, Circle of 396, 411 Richter, Christian 64, 65 Richter, Christian, Manner of 66 Ritchie, John 499 Robertson, Charles 8 Robertson, Edward 7 Rocca, Michele, Attributed to 355 Roe, Clarence 522 Rogers, Philip Hutchins 488 Rolfe, Henry Leonidas 441 Rolt, Vivian 271 Roman School 18th Century 357 Romney, George 414 Romney, George, Circle of 408 Roosenboom, Nicolaas Johannes 579 Rouquet, Jean André 165 Roussel, Theodore, Circle of 332 Rowbotham, Charles 233 Russell, John 391 Russian School 454-458 S Saftleven, Herman, Attributed to 322 Salvin, Francis Henry and William Broderick 190 Sauzay, Adrien-Jacques 471 Schlosser, G 602 Schouman, Martinus 416 Schreyer, Adolf 554 Seeman, Isaac 85 Shayer, William 459 Sheard, Thomas Frederick Mason 613 Shee, Martin Archer 415 Short, Frederick Golden 465 Silo, Adam 210 Simpson, Annie L 484 Singleton, William 94 Smart, John 9, 10 Smart, John, Circle of 92, 99 Smart, John, Follower of 97, 100 Solario, Andrea, After 305 Sonmans, Wilhelm, Attributed to 369 Spanish School 17th Century 339 Spanish School 18th Century 338 Spernon Tozer, Henry Edward 284 Spicer, Henry 84 Stanfield, Clarkson Frederick, After 538 Stanfield, Clarkson, Follower of 539 Stark, James 570 Stevens, Alfred, Follower of 618

Strutt, Arthur John Swaine, Francis

429 417

T Taylor, John 63 Tennant, John Frederick 477 Thomas Beach 392-394 Thors, Joseph 520 Traies, William 565 Trappes, Francis Michael 478, 479 Trappes, Francis Michael and Basil Bradley 480 Troost, Cornelis, Circle of 377 Tyndale, Walter Frederick Roofe 275 V van Blarenberghe, Louis Nicolas 215 van de Velde, Charles William Meredith 258 van der Mijn, Frans 395 van Dyck, Anthony, After 331, 334, 358 van Dyck, Anthony, Follower of 333 van Huysum, Jacob, Attributed to 352 van Kessel, Jan, the Elder, Follower of 316 van Reymerswale, Marinus, After 303 Varley, John 229 Velázquez, Diego, After 371 Venetian School 20th Century 586 Vernet, Claude-Joseph, Attributed to 381 Veronese, Paolo, After 212 Verschuier, Lieve 329 Vettewinkel, Hendrik 604 Vickers, Alfred, Snr 509 Vincent, George 529 Vollerdt, Johann Christian, Circle of 323 Voorhout, Johannes, Circle of 313 W Wainewright, Thomas Francis 239 Walker, Robert, Circle of 359 Walters, Samuel 421 Wasley, Frank 282 Watson Nicol, John 412 Way, Charles Jones 277 Webster, George 419 Werner, Carl 262 Westerbeek, Cornelis 489 Williams, Edward Charles 534 Williamson, Samuel 537 Wilson, John James 546, 547 Wood, William, Attributed to 152 Wutky, Michael, Attributed to 384 Z Zincke, Christian Frederick, Circle of 72, 73 Zompini, Gaetano 181 Zuccarelli, Francesco, Follower of 382

MODERN BRITISH & 20TH CENTURY ART TUESDAY 31ST MAY 2022 CLOSING DATE FOR ENTRIES WEDNESDAY 6TH APRIL

Sir William Nicholson (1872-1949) Flowers and Books (for Siegfried Sassoon) (detail) Oil on canvasboard, 1929 39.3 x 29cm Provenance: Presented by the artist to Siegfried Sassoon (1886-1967); And by family descent Estimate £50,000 - 70,000* To be sold alongside a collection of original caricatures and drawings by Siegfried Sassoon

ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us. BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester Pack & Send +44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier. EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect, American Express, Union Pay

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/ purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

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INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a)

You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a)

You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(h) The singular includes the plural and vice versa as appropriate. 2.

Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3.

INCREMENTS

THE PURCHASE PRICE

Bidding increments shall be at the auctioneer’s sole discretion. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter. 5.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

(c)

TITLE AND COLLECTION OF PURCHASES

(a)

The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges. (c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8.

REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a)

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that lot and/or any other lots sold by us to you; to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; to retain that or any other lot sold to you until you pay the total amount due; to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

(i) (ii) (iii)

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

BIDDING PROCEDURES AND THE BUYER

(a)

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

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(iv) (v) (vi) (vii) (viii)

(b)

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

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liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a)

Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b)

Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. 22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated. BOOKS AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: •

•

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: - other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information. We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers. In this respect we will provide your data to the following: • • • • •

our professional advisors; the-saleroom.com; debt collection agencies; third parties who assist us with our marketing; our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

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262 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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A354 DORCHESTER WEYMOUTH & BLANDFORD

Woolley and Wallis valuations are accepted by all leading insurance companies.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500. DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

MARLBOROUGH & SWINDON

Old Sarum Park

WOOLLEY & WALLIS Castle Gate WOOLLEY & WALLIS Salisbury Salerooms

WOOLLEY & WALLIS

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A345 Castle Rd

SALISBURY AMESBURY

A36

Clifford Street, Mayfair

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Sarum Business Park

Westover Garage

Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.02998482 VAT No: 631 9832 29

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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ABSENTEE BID FORM

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

TUESDAY 1ST & WEDNESDAY 2ND MARCH 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Billing Name (please print) �� Address �� ___________________________ Postcode �� Daytime Telephone �� Email �� ID may be required even if you have bid with us before. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 Fax: +44 (0)1722 424508

Brief Description of lot

Price excluding buyer’s premium & VAT

AUCTION CALENDAR MARCH 1st & 2nd

Old Masters, British & European Paintings

16th

Clarice Cliff, Art Deco & Design

30th

Furniture, Works of Art & Clocks

APRIL 7th

Fine Jewellery

12th & 13th Silver & Objects of Vertu 26th

English & European Ceramics & Glass

27th

African & Oceanic Art | Antiquities

MAY 17th & 18th Asian Art, Chinese Paintings & Japanese Works of Art 25th

Medals & Coins, Arms & Armour

31st

Modern British & 20th Century Art

JUNE 15th

Arts and Crafts

29th & 30th Furniture, Works of Art & Clocks Dates may be subject to change

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR UPCOMING AUCTIONS +44 (0)1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

Sir Joshua Reynolds PRA, FRS, FRSA (1723-1792) Girl leaning on a pedestal, ‘The Laughing Girl’ SOLD FOR £46,250*