Woolley & Wallis Old Masters, British & European Paintings by Park Communications

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS TUESDAY 11TH SEPTEMBER 2018

P AINTINGS T UESDAY 11 TH S EPTEMBER 2018

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Auction Calendar

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20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Marta Olszewska

424505 446955 424506 +44 (0)7812 601098 424591

CHINESE PAINTINGS Freya Yuan-Richards

424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JAPANESE ART Alex Aguilar Doméracki

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Hollie Morrison

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA MARKETING Ilona Pichler Tamzin Corbett ACCOUNTS Janice Clift (Office Manager) GENERAL OFFICE Pauline Jones Sharon Ringwood Nicola Young Ruth Pike SALEROOM MANAGER David Jordan

424509 424598 446960 424590 424500 424500

424500

CASTLE GATE MANAGER Matt Hill

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

FURNITURE, WORKS OF ART & CLOCKS 3rd October 2018 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 16th October 2018 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk 20TH CENTURY DESIGN 17th October 2018 – Design 12th December 2018 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk

JEWELLERY 31st October 2018 – The Dr. Anne Shannon Collection of Jewellery 1st November 2018 – Fine Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

TRIBAL ART & ANTIQUITIES 19th September 2018 Will Hobbs +44 (0) 1722 339469 • wh@woolleyandwallis.co.uk

SILVER 30th October 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk

CASTLE GATE RECEPTION Madeleine White

COMPANY SECRETARY Natalie Milsted FCCA

PAINTINGS 11th September 2018 – Old Masters, British & European Paintings 4th December 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 446962 • jb@woolleyandwallis.co.uk

424599

ASIAN ART, CHINESE PAINTINGS & JAPANESE ART 13th & 14th November 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424586 • fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS 21st November 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Tuesday 11th September 2018 at 11am

VIEWING TIMES Friday 7th September Saturday 8th September Monday 10th September Tuesday 11th September

1.00pm – 5.00pm 10.00am – 1.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

ARTIST’S RESALE RIGHT / DROIT DE SUITE

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for this lot – please see our Terms & Conditions, Section 21, for details CITES

Victor Fauvelle Tel: 01722 446961 vf@woolleyandwallis.co.uk

λ This symbol indicates that Cites regulations may apply.

Please see the auction information page GLOSSARY OF TERMS

Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

Jo Butler Tel: 01722 446962 jb@woolleyandwallis.co.uk

COLLECTION OF LOTS

Hollie Morrison Tel: 01722 446970 hm@woolleyandwallis.co.uk

From 17th September collection will be from the Picture department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. Payment is still made at Castle Street.

ALL lots will be moved from the saleroom back to Castle Gate on 12th, 13th and 14th September - collection of lots on these days and Saturday 15th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE - FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT. TELEPHONE BIDDING ILLUSTRATIONS Front cover: Lot 219 Back cover: Lot 238 Overleaf: Lot 131 Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post)

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INDEX Miniatures

1-10

Prints 11-39 Watercolours

40-156

Oil Paintings

157-398

Member of The Society

of Fine Art Auctioneers

MINIATURES 1. λ George Engleheart (1752-1829) Portrait miniature of a lady, half length, wearing a white dress Oval, in a gilt frame 67 x 55mm £800-1,200 2. λ Attributed to Richard Cosway (1742-1821) Portrait miniature of a lady, head and shoulders, wearing a white dress tied with a yellow waistband Oval, in a gilt frame 74 x 55mm £300-500

1 3. λ English School c.1833 Portrait miniature of Edward Henderson (d. 17th May 1833) husband of Jessie Henderson (d. 30th December 1839) Inscribed with the identities of the sitter and his wife verso In a gold frame with scrolling decoration 38 x 33mm £300-400 4. λ Heinrich Friedrich Fuger (German 1751-1818) Portrait miniature of a lady, wearing blue with a lace ruff and ringlets in her hair Signed Oval, in a gilt metal frame 70 x 56mm £200-300

5. λ Vernet (French 1808) Portrait miniature of a gentleman, head and shoulders, wearing a blue coat Oval, in a gilt slip frame and rectangular ebonized frame Signed and dated 1808 63 x 53mm This may be an early work by Jules Vernet (French 1792-1843) £400-600

4 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

4 6. λ English School mid 19th Century Portrait miniature of a gentleman with blond hair, wearing mourning Oval, in a gilt metal frame and leather case 90 x 72mm £300-500 7. λ French School c.1810 Portrait miniature of a French Officer, in black uniform wearing the French Order of The Légion d’Honneur Oval, in a gilt metal frame 96 x 76mm £300-500

8. Italian School early 19th Century Figures in a coastal landscape, a fort beyond Oil on board 6.5 x 10.25cm; 2½ x 4in £100-150

9. λ English School c.1810 Portrait miniature of a lady, head and shoulders, her hair in ringlets and a fur stole over her shoulder Oval, 82 x 65mm With a silhouette of a lady, 3 watercolour miniatures of gentlemen, and three further miniatures (8) £250-350 10. λ English School early 19th Century Portrait miniature of a boy studying Signed with initials C.J. Oval, 65 x 55mm With a miniature landscape watercolour on paper (2) £150-200

10 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

PRINTS

11 11. Sir Alexander Allan Bt. (1764-1820) Views in the Mysore Country 20 uncoloured aquatints, unbound, engraved title page dedicated to Charles Marquis Cornwallis K. G., Governor General of Bengal, 6 sheets/12pp. descriptive letterpress pages at end all pierced in margins left side and tied together Sheet sizes 48 x 69cm; 19 x 27¼in A rare book of views of India. Allan was a painter and politician who joined the East India Company as a cadet in 1779. He served in the Madras Infantry from 1780 and took part in the third and fourth Mysore wars and this book came from images drawn towards the end of the third campaign. He was a military topographer of some note and produced works for the British public particularly to feed their growing interest in Tipu Sultan. £800-1,200

12. Nicolas Joseph Ruyssen (French 1757–1826) Essays after the Cartoons of Raphael at Windsor. Drawn by the Gracious Permission of His Majesty And by Permission most Humbly Inscribed to Her Majesty the Queen of Great Britain by Her Majesty’s most grateful devoted servant J. Ruyssen. Elephant folio with engraved title plate and six engravings by Anthony Cardon, published October 13, 1798 and seven published January 1, 1800 all published by Joseph Ruyssen, each with tissue guard, bound in grey card 75 x 57cm; 29½ x 22½in The Raphael Cartoons were commissioned by Pope Leo X in 1515 and were painted by Raphael (1483-1520) and his assistants as fullscale designs for tapestries for the Vatican’s Sistine Chapel beneath Michelangelo’s recently executed ceiling. They depict the lives of the Apostles St. Peter and St. Paul, founders of the Christian Church. £300-500

12 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

6 13. Giovanni Volpato (Italian 1732-1803) and Giuseppe Cades (Italian 1750-1799) After Raphael Sanzio (Italian 1483-1520) The School of Athens, after the fresco in the Stanza della Segnatura Five, plates II, III, IV, V and VIII only, all unframed All published c.1781 Each 65 x 86cm; 25½ x 34in (5) £200-300 14. Jean Pesne (1623-1700) After Nicholas Poussin (1594-1665) Scenes from the New Testament and the life of Christ Six engravings all printed in two parts, all published by Jean Audran, Paris, c.1680, all unframed Each 60 x 89cm; 23½ x 35in, the last 55 x 79cm; 21½ x 31in (6) £120-180 13

15. Sir Nicholas Dorigny (1483-1520) After Raphael Sanzio (Italian 1483-1520) Pinacotheca Hamptoniana, Georgio, plates from the Raphael cartoons Eight, all engravings with title plate, all unframed Each 60 x 82cm; 23½ x 32in (8) £200-300 16. Thomas Holloway (1748-1827) After Raphael Sanzio (Italian 1483-1520) he miraculous draught of fishes; he death of Ananias; Elymas the Sorcerer struck with blindness; Paul and arna as re ecting the sacrifice at stra, plates from the Raphael Cartoons Four, all engravings published by T. Holloway, R. Slann & T. S. Webb, June 1, 1816-28, all unframed Each 68 x 100cm; 27 x 39¼in With an engraved portrait after Raphael of Bindo Altoviti, an engraving of Raphael’s Madonna della Sedia and three further prints all unframed (9) £200-300

16 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

7 17. Johann Gottlieb & Georg Siegmund Facius (18th Century) After William Berczy (1748-1813) Portrait of George the Third Engraving, published 1796 by Colnaghi & Co. 60 x 43cm; 23½ x 17in With a further 16 mixed prints and 5 photographs of Italian views and a pencil drawing (c.23) £100-200 17

18. Nicolas Sangiorgi and M. Martini After Pietro Perugino (1445/6-1523) The Baptism of Christ; St. Peter being given the keys to Rome Two both engravings, published by the Royal alcografia, ome, 888 Each 59 x 86cm; 23¼ x 34in With a print of St. Cecilia making music engraved by Stephen Picart and two further religious prints (5) £100-200 19. Schelte Adams Bolswert (Dutch 1581-1659) After Peter Paul Rubens (Flemish 1577-1640) Petit Paysages de Rubens, Landscapes with figures, one dedicated to ichaeli londo ing of Sweden from the King of Britain and another to Jean-Philippe Happart Twenty, all trimmed engravings, Published by Gillis Hendricx, all unframed Each approx. 34 x 46.5cm; 13¼ x 18in With 10 further engravings after Rubens (c.30) £200-400

20. James Basire (1769-1822) After Charles Alfred Stothard The Tapestry of Bayeux Seventeen hand coloured etchings published by Society of Antiquaries of London, 1819-1823, all unframed, loose Each 54 x 75.5cm; 21¼ x 29¾in and similar (17) £100-200 21. John Buckler (1770-1851) The Oxford Almanack for the years 1800-1820 less ‘08, ‘10 and ‘12 Eighteen, all engravings by Joseph Skelton, 21 all unframed Each 72 x 58cm; 28¼ x 23in and similar With an unframed rint of he igh Street Oxford after he ev. J. riffith published 1800 and a View of the Northeast Perspective View of the Cathedral Church and Close of Sarum after John Baptist Jackson of Battersea (1701-c.1780), published 1761, and two watercolour designs of a country house, unsigned (c.22) £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

22. Joseph Farington R.A. (1747-1821) Views of London, including Chelsea, Battersea, Millbank, Greenwich and Woolwich and a view of Rochester Set of 14, all aquatints engraved by Joseph Constantine Stadler (act. 1780-1812), published by J & J Boydell, Shakespeare Gallery, June 1795 Each 19.5 x 30cm; 17¾ x 12in (14) £600-800

23. Jacques Callot (French 1592-1635) La foie de l‘Impruneta Etching 43 x 68cm; 17 x 26¾in £150-250

24. E. Flizet (20th Century) Botanical prints Four all lithographs Each 37.5 x 28cm; 14¾ x 11in With six further botanical reproductions after Redouté (10) £100-200

24 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

29 25. William Lionel Wyllie R.A. (1851-1931) London Docks; Shipping off an island Two, both signed Both etchings 15 x 35cm; 6 x 13¾in and 20 x 49cm; 8 x 19¼in With a reproduction print of Maplin light and West Swin by the same hand (3) £400-600 26. William Lionel Wyllie R.A. (1851-1931) Tantallon Castle and the Bass Rock Signed Etching 20.5 x 49cm; 8 x 19¼in £200-300

30 27. William Lionel Wyllie R.A. (1851-1931) The Embankment, London Signed Etching 25 x 36.5cm; 10 x 14¼in £200-300

29. Sedgrick 20th Century Old London Bridge Signed and titled Etching 18 x 31cm; 7 x 12¼in £100-200

28. Seymour Haden (1818-1910) Fulham; On the Test Two both signed Both etchings 11 x 28cm; 4¼ x 11in and 15 x 22cm; 6 x 8¾in With a further unsigned etching of Sunset in Ireland by the same hand (3) £150-250

30. E. Hedley Fitton (1859-1929) A view of London Bridge Signed Etching 36.5 x 38.5cm; 14¼ x 15¼in With a further etching of Old St. Etienne interior by D. Y. Cameron and one of Chateau de Blonay by Alfred Hartley (3) £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

31 31. Samuel Palmer (1805-1881) The early Ploughman, 1861 Signed and titled below mount Etching, seventh state of nine, after publication 13 x 19.25cm; 5 x 7½in Provenance: The Fine Art Society, London, No. 17001, 06/11 Literature: Lister E9 VII/IX. £600-800

32 32. Samuel Palmer (1805-1881) The Skylark, 1850 Etching 12 x 9.5cm; 4¾ x 3¾in (plate size) £400-600

34. Giuseppe Maria Moratti (1659-1746) A Sybil; A woman reading Two both woodcuts, unframed 33 x 23cm; 13 x 9in and smaller (2) £200-300

33. French School 19th Century c.40 line engravings of mixed subjects, all unframed 32.5 x 25cm; 12¾ x 10in With 7 Regency fashion book plates and 12 20th Century engravings of Greece by Friedrich J. Meis all unframed (a quantity) Prints in the 18th Century style after Boucher, Fragonard and others. £200-400

35. After John Gould and Henry C. Richter Bird studies, Roller; Oxylophus Glandarius; Gecinus Viridis; Pica Caudata Four, all lithographs Each 52 x 36cm; 20½ x 14in (4) £200-300

35 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

11 36. James Abbot McNeill Whistler (American 1834-1903) Black Lion Wharf, 1859 Etching 15 x 22cm; 6 x 8½in (plate size) Provenance: W. Russell Button Gallery, Chicago £800-1,200

37. James Abbott McNeil Whistler (American 1834-1903) Dockyard, 1859 Etching 15 x 22.5cm; 6 x 8¾in £400-600

38. William Strang R.A. (1859-1921) A print Auction, 1889 Signed Etching 30 x 39cm; 12 x 15¼in £300-500

39. 18th Century carved wood frame with tooth and claw decoration, to fit 94 x 73cm; 37 x 28½in canvas, 89.5 x 69cm; 35¼ x 27in sight edge £200-300

38 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

WATERCOLOURS 40. Follower of François Boucher The Holy Family Bears signature Pen ink and sepia washes 24 x 17cm; 9½ x 6¾in Provenance: Wildenstein and Co, New Bond Street, London £300-500 41. John Vanderbank (1694-1739) Portrait of Peter Paul Rubens Stamped with the initials VH Pen, ink and wash 26.5 x 17.75cm; 10½ x 7in £500-700

42 42. Manner of Gregorio de Ferrari The sacking of Troy Pen, ink and pencil heightened with white on blue paper, unframed 36.5 x 32cm; 14 x 12½in £200-300

43 43. Italian School 17/18th Century A scene with Roman soldiers and a crowd, possibly the massacre of the innocents Red chalk 37.5 x 32.5cm; 14½ x 13½in £200-300

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

44. Manner of Paolo Veronese Study of the head of a saint Later inscribed on backing paper Red chalk 17.5 x 15cm; 7 x 6in £120-180 45. Florentine School 17th Century Study of the head of a boy With collectors mark upper right Red chalk 17.5 x 15cm; 7 x 6in Previously ascribed to Santi di Tito £800-1,200

46. Dutch School 17th/18th Century Salome receiving the head of St John the Baptist on a plate Black chalk on blue paper 21 x 34cm; 8¼ x 13½in £150-250 47. French School c.1700 A view of Paris from a site near Porte d’Italie Sepia pen and ink with watercolour 41.5 x 48.5cm; 16 x 19in £600-800

47 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

14 48. After Maurice-Quentin de La Tour Portrait of Charles-Jacques Collin (1707-1775) Pastel 32 x 24cm; 12½ x 9½in A preparation for the pastel in the musée Antoine Lécuyer in Saint-Quentin and the finished ortrait is in ologne, Sammlung au. harles Jac ues ollin was Procureur au Chatelet, Intendant and Exécuteur Testamentaire for Madame de Pompadour, Contrôleur de l’Ordre de Saint-Louis in 1751, Treasurer General of the Vénerie in 1761 and he was a noted art collector. £500-800

49. Samuel Shelley (1750-1808) Portrait studies of a lady with a harp Later inscribed indistinctly Lady …, by another hand Pen and ink 17 x 14.5cm; 6¾ x 5¾in With two 19th Century Continental drawings of workers and a French School drawing of a marriage c.1800 (4) £200-300

48 50. Sir Francis Grant P.R.A. (1803-1878) Study of a lady, half length Pen and ink 12 x 10cm; 4¾ x 4in From a sketchbook of the painters drawings £100-150

51. After Hans Holbein Head of Sir Nicholas Carew (c.1496-1539) Charcoal 43 x 30.5cm; 17 x 13¾in Provenance: W. Lambshead Sold for 36gn to Canterburys Christie’s, 11th July 1958, Lot 6 £300-500 52. French School 18th Century Study of a spaniel Pen, ink and wash 20 x 30.5cm; 8 x 12in Provenance: Geoffrey Bennison £200-400

52 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

53 53. Attributed to Wenceslaus Hollar (Bohemian 1607-1677) Landscape study Pen and brown ink on laid paper 8.5 x 31cm; 3¼ x 12in £200-400

54. Attributed to Salvator Rosa (Italian 1615-1673) Apollo and Daphne with the River God Peneus, Daphne’s father With collector’s seal and monogram Pen and brown ink and charcoal on laid paper 28 x 28cm; 11 x 11in £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

16 55. Peter de Wint (1784-1849) Leyer Marney Tower, Essex Watercolour 30 x 40.5cm; 11¾ x 16in Provenance: Thomas Agnew & Sons, London, No. 15234 £800-1,200

55 56. Attributed to Peter de Wint (1784-1849) Horse and cart on a country lane near Oxford Watercolour 33 x 45.5cm; 13 x 18in £100-200

57. William Samuel Howitt (c.1765-1822) Travellers on the road A pair, both pen, ink and watercolour Each 14 x 20cm; 5½ x 8in (2) £100-200

57 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

17 58. Follower of Thomas Girtin Ely Cathedral; A ruined cathedral A pair, the second inscribed indistinctly … L’Esperance and dated 1802 Both watercolour Each 46 x 37cm; 16 x 14½in (2) £300-500 59. Attributed to Thomas Girtin (1775-1802) A view of Ripon Cathedral, North Yorkshire c.1795 Watercolour, unframed 20 x 28cm; 8 x 11in £400-600

58 60. John Fisher, Bishop of Salisbury (1748-1825) The Chateaux Couvent near Dijon Titled and dated 1776 on the mount by another hand Watercolour 23 x 35cm; 9¼ x 13¾in £150-200 61. Nicolaes Wicart (Dutch 1748-1815) figure in a oat on a river, a church e ond Signed Grisaille watercolour 29 x 43cm; 11½ x 17in £300-500

60 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

62. John Cleveley the Younger (1747-1786) Warshi s firing a salute off Syracuse Signed Watercolour 20 x 24.25cm; 7¾ x 9½in £300-500

63. John Cleveley the Younger (1747-1786) Shipping off Southampton Watercolour over pencil 11.5 x 21cm; 4½ x 8¼in £300-500

64. Circle of John Cleveley the Younger Warships on a calm sea Watercolour 23 x 31cm; 9 x 12in £200-300 65. Attributed to John Thomas Serres (1759-1825) Men o’ War on a high sea Watercolour 41 x 62.5cm; 16 x 24½in £150-250 66. William Hay (fl.1776-1797) View of the Eddystone Lighthouse Inscribed verso: Taken at sea for Captain Saunders of the North Gloster Reg. then encamped at the Rame Head Watercolour over pen and ink 15 x 20cm; 6 x 8in Painted c.1840 With a drawing of two frigates at anchor by Peter Monamy (2) Provenance: The collection of Commander David Joel £250-350

66 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

19 67. Follower of Hugh Douglas Hamilton Two sisters, Charlotte and Grace Gardner, sisters of Rev. Robert Gardner Inscribed faintly verso A pair, both pastel Each 44 x 34cm; 17¼ x 13¼in (2) £600-800

67 68. George Richmond R.A. (1809-1896) Portraits of James Fletcher (1820-1897) and his sister Louise Fletcher (1817-1902) Both signed and dated 1836 Both pencil and watercolour 31 x 24cm; 12 x 9½in (2) James and Louisa were the two youngest children (of 10) of Edward Fletcher (1763-1846) and his wife Dorothea Blunt (1778-1845). Louisa married Major General Francis Gordon Chesney and James married Julia Selina Wingfield. £400-600

68 69. Joshua Cristall (1767-1847) Studies of children playing outside A pair, both watercolour 15 x 14.5cm; 6 x 5¾in (2) £200-400

69 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

20 70. John Wilson Carmichael (1800-1868) Fishing boats in calm waters Watercolour 23 x 33cm; 9 x 13in Provenance: Abbey Antiques and Arts, Hemel Hempstead £200-300 71. G. Chabot (c.1819) A barge and ferry on a Continental lake with a town beyond Signed and dated 1819 Pencil and watercolour 28 x 35.5cm; 11 x 14in £200-300 70

72. William Payne R.W.S. (1760-1830) urham from the river; iver landsca e with fisherman by a bridge A pair, both watercolour, oval Each 6.25 x 8cm; 2½ x 3in (2) Provenance: Heather Newman, Gloucestershire £200-400 73. George Barret Jr. R.A. (c.1767-1842) An Arcdian landscape with a shepherd resting by ruins Signed and dated 183(9) Watercolour 18 x 26cm; 7 x 10in £200-300

73 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

21 74. John Webber R.A. (1750-1793) Notre Dame de L’Isle Barbe, Lyons; On L’Isle Barbe, Lyons Two, one signed and dated 1787 Both watercolour over pencil Each 23 x 37cm; 9 x 14½in (2) Provenance: Sotheby’s 10 Nov. 1994, Lot 96 From the Collection of the late Richard Geppert Private Collection Exhibited: Kunstmuseum, Bern, April 1996 The Witworth Art Gallery, Sept 1996 £2,500-3,500 75. John Varley Snr. O.W.S. (1778-1842) man fishing in a river landscape, a hilltop castle beyond Watercolour 19 x 31cm; 7½ x 12¼in £200-300 76. Francis Nicholson (1753-1844) The harbour and town of Greenock on the Firth of Clyde, Scotland Watercolour, unframed 25.5 x 44cm; 10 x 17¼in The subject has been confirmed the c ean Museum and Art Gallery, Greenock £400-600 74

75 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

22 77. Frederick Waters Watts (1800-1862) Mill near Totnes Watercolour with scratching out 16.5 x 25.5cm; 6½ x 10in £200-300

78. Peter de Wint (1784-1849) Figures and horses logging; a country house Two both pencil heightened with white on grey paper Each 12.5 x 22.5cm; 5 x 9in With a figure stud eorge Romney and two architectural drawings by John Varley (5) £200-300

79. Follower of John Varley the Elder Sketchbook with 27 landscapes All pen and ink with watercolour, heightened with white on blue paper, mounted to the pages of a hard-cover calf leather sketchbook, the spine with gilt lettering ‘Crumbs’ Each 10.2 x 16.5cm; 4 x 6.5in Provenance: Collection of the artist Ex-Libris J.E.P. bought at … (indistinct) on “Feb 26, 1912” as “Varley Water colours” inscribed to front free endpaper; Sophie Glennie, 1801; J.W. Wallace, n.p., The Estate of a Private Collection, Guelph With a small drawing of Zeus seated on an eagle, unframed 14.75 x 20cm; 5¾ x 8in (2) £200-300 80. William Callow R.W.S. (1812-1908) Figure in a boat on a lake, possibly Germany Watercolour 18.5 x 28cm; 7 x 11in £200-300

81. William Callow R.W.S. (1812-1908) Road to the Farm Signed Watercolour 16.5 x 25cm; 6½ x 9¾in Provenance: P. Polak, London, No. 578/5 Exhibited: The Fine Art Society, London, May 1938, No. 44 £200-300

81 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

86 82. Thomas Bush Hardy R.B.A. (1842-1897) Ships off Scarborough Signed, titled Scarboro’ and dated 1890 Watercolour 18 x 26cm; 7 x 10in £300-500

83. Thomas Bush Hardy R.B.A. (1842-1897) An estuary scene with a steam tug and barque Signed and dated 1886? Watercolour 21 x 34cm; 9¼ x 13½in £200-300

84. Richard Wilson R.A. (1714-1782) Figures on the shore of a lake, with a castle beyond, possibly Lake Avernus Watercolour 30.5 x 46cm; 12 x 18in £300-400

85. William Charles (fl.1870-1875) Shipping off the South Coast Signed Watercolour 22 x 35cm; 8¾ x 13¾in Provenance: Bourne Gallery, Reigate £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

86. Frederick Elliott (Australian 1846-1949) Looking up Sydney Harbour, Harbour view A pair, both signed, one titled Both watercolour 33 x 59cm; 13 x 23in (2) This is a view of the harbour before Sydney Harbour Bridge was built £150-250

24 87. Charles Whymper (1853-1941) fishing oat, possibly on the Nile Signed with initials Watercolour 25.5 x 34.5cm; 10 x 14in £300-500 88. British Colonial School 19th Century View in Ceylon Watercolour 21 x 27cm; 8¼ x 10½in £150-250

89. Attributed to Staff Surgeon Thom (early 19th Century) Mauritius - The Peterbotte from the joining of the Malabar town and Pont Nicolas bridge road Titled below mount Pen, ink and watercolour 26 x 34cm; 10¼ x 13¼in £400-600 90. Hector Caffieri (1847-1932) Fisherfolk and boats at the quay A pair, both signed Both watercolour Each 35 x 51.5cm; 13¾ x 20½in (2) £400-600

90 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

92 91. Edward Lear (1812-1888) Sabooa Titled and dated twice Feb. 13th, 1867, at 7.30am, inscribed with musical notes and colour annotations and numbered 447, also inscribed below mount Pen, in and watercolour 17 x 54cm; 6¾ x 21¼in Provenance: Christie’s, 28 Nov. 2000, Lot 181 Lear travelled down the Nile in December 1866 and was thrilled by the trip and the temples, travelling south until he reached Wadi Halfa before turning north again. On 8th February he came across the temple of ou Sim el and the resent drawing was executed a wee later on 13th February. £4,000-6,000

93. Edward Lear (1812-1888) Wooded view of Rome, c.1842 Pencil on blue paper 22 x 26.75cm; 8¾ x 10½in Provenance: Possibly Richard Ford, Exeter [Explorer of Spain and travel Writer] Pencarrow House, Cornwall From 1837 Lear spent several winters in Italy touring extensively before returning to England in 84 and u lishing his first travel oo Views in Rome and its Environs. At the end of 1841 Lear returned to Rome and stayed abroad until April 84 during which eriod this wor was ainted. £300-400

92. Edward Lear (1812-1888) l arna Titled and dated Feb.15, 1854, *5pm, also inscribed with colour annotations Pen, in and watercolour on ale gre a er 15.5 x 50cm; 6 x 19¾in Provenance: The department of Western Art, Ashmolean Museum, Oxford Sir Eric Maclagan (Director of Victor & Albert Museum) M. Maclagan On his trips to Egypt, Lear found the environment hostile to oil painting and felt watercolour was not much easier, his extensive colour notes on these wor s are testament to some of the difficult he found in ca turing the landscapes of the Nile. £3,000-4,000 93 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

26 94. Persian School c.1600 Pair of Shiraz Persian scenes possibly from the Shahnameh Pen, ink and gouache Each 11.5 x 5.5cm; 4½ x 2¼in (2) £500-800 95. Indian School 19th Century A scene of Indian life with hunting, jousting and leisure Bodycolour, unframed 38 x 26cm; 15 x 10¼in £150-250 96. Sarkis Katchadourian (Iranian 1886-1947) Isfahan Signed and titled Gouache 38 x 22cm; 15 x 8¾in £300-500 97. Indian School 19/20th Century Hunting scene; A lady seated on a terrace with her pet Two, both gouache in decorative borders 13.5 x 13cm; 5¼ x 5in and 15 x 7.5cm; 6 x 2¾in With two further Asian scenes of three gentlemen in a garden and battle scene (4) £100-200

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

27 98. Indian Chamba School early 17th Century Siva seated holding two lotuses in outstretched arms Gouache 16.5 x 24cm; 6½ x 9½in Provenance: Sven Gahlin approx. 50 years ago £800-1,200

98 99. Indian Mankot School c.1820 Krishna dancing with the gopis Gouache 15 x 21cm; 6 x 8¼in With a lady with her arms in Karkata hasta (amorous longing) probably Rajasthan c.1800; A Chowki marriage ceremony, probably a Nizam, Deccan Hyderabad , c.1740 (from a dated manuscript work); Ladies strolling in a garden. Basohli style, modern (4) £400-600

99 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

100 100. Indian School 19/20th Century A battle scene with elephants and horses in a decorative border Pen, ink and watercolour on board under varnish 46 x 71cm; 18 x 28in £100-200

101. Indian Mughal School 18th Century Studies of mounted Rajput noblemen doing the cabriole Two both pen, ink and gouache 18 x 17cm; 7 x 6¾in and 18 x 19cm; 7 x 7½in (2) £400-600

101 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

29 102. Frederick William Scarborough (1860-1939) Limehouse reach, London Signed and titled Watercolour 33 x 51cm; 13 x 20in £800-1,200 103. John Thomas Hamilton Macullum (1841-1896) o s fishing from a boat in a harbour Signed, also dated indistinctly Watercolour 29 x 58cm; 11½ x 23in £200-300 102 104. Charles Bentley (1806-1854) Fetching water Watercolour 19 x 32.5cm; 7½ x 12¾in Provenance: Marling Fine Arts, Woburn £200-300 105. Thomas Sewell Robins (1810-1880) The yacht America off Cowes Signed and dated 1851 Watercolour 24 x 35cm; 9½ x 13¾in £200-300 103

104 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

105

30 106. Edward Duncan (1803-1882) Figures on a footbridge Signed and dated 1834 Watercolour 58 x 44cm; 22¾ x 17¼in £150-250

106 107. Edward Duncan R.W.S. (1803-1882) Study of the coast at Plymouth Signed, stamped and inscribed Entrance at Plymouth Pencil, unframed 25 x 16.5cm; 10 x 6½in With three further stamped unframed drawings by the same hand, two signed (4) £150-250

107 108. English School 19th Century Abadour Castle; Lakeland scene with jetty he first titled, the second signed and dated indistinctly Both watercolour Each 23 x 45.5cm; 9 x 18in (2) £150-250

109. S. de Angely (19th Century) ‘Tickler’ entering Naples Bay, J. E. Kounsell Master Signed and titled Gouache 42 x 65.5cm; 16½ x 26in Tickler was a schooner built in 1858 in Jersey £250-350

110. Robert Buchan Nisbit (1857-1942) Figure in a landscape with a windmill beyond Signed Watercolour 48 x 64.5cm; 19 x 25¼in With a coastal watercolour by G. Knox and a marine charcoal drawing by J. Holden, 1903 (3) £150-250

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110 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

31 111. Myles Birket Foster R.W.S. (1825-1899) Shelling Peas Signed with initials indistinctly Watercolour 17 x 12.5cm; 6¾ x 5in Painted c.1880/1 Provenance: Barnet Lewis The Swan Gallery, Dorset, No. SS/3596/03 Laurence Oxley, Alresford Literature: Cundall, H. M., The life and work of Myles Birket Foster, 1986, reproduced opp. pg.29 With a copy of the book included in the lot (2) £1,500-2,500

112. William Stephen Coleman (1829-1904) Children resting by a stile overlooking the sea Signed Watercolour 18 x 30cm; 7 x 12in £600-800 111

113. Charles Nathaniel Worsley (1862-1923) fruit sho , malfi Signed Watercolour 50.5 x 33.5cm; 20 x 13in £600-800

112 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

113

114 114. ‡ Jane Bennett Constable (1865-1935) A bay hunter Signed with initials Watercolour 26 x 36cm; 10¼ x 14¼in With an oil by the same hand and an oil of a grey hunter by another hand (3) Provenance: From the Estate of the late Geoffrey Harley, Corsham £200-250

116

115 115. Stanfield Shepherd (1834-1900) Malvern, Worcestershire Signed, titled and dated 1872 Watercolour 29 x 51.5cm; 11½ x 21¼in £120-180 116. William Westall A.R.A. (1781-1850) A scene near Newbury, Berkshire Signed and dated 1824 Watercolour, unframed 28 x 22.5cm; 11 x 9in £300-500

117. Samuel Prout (1783-1852) A riverside scene with the boat Maria moored by a palazzo Watercolour 36 x 24.25cm; 14 x 9½in With a pencil drawing of Eau de Robec, Rouen, titled and also dated indistinctly by the same hand, 42 x 29cm; 16½ x 11½in (2) £300-500

117 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

33 118. Henry James Johnstone (1835-1907) he little ower girl Signed Watercolour 17.5 x 12cm; 7 x 4¾in £600-800 119. Attributed to John Henry Mole (1814-1886) A young lady collecting water in a landscape Watercolour 30 x 21.5cm; 11¾ x 8½in £100-150 120. Hugh Cameron R.S.A. (Scottish 1835-1918) Portrait study of a child, seated wearing blue Signed with initials Watercolour 16 x 11.5cm; 6½ x 4½in £200-400

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121. ‡ Garnet Ruskin Wolesley (1884-1967) Portrait of a young girl in rofile, wearing a lace bonnet Signed Watercolour 30 x 23.5cm; 11¾ x 9¼in £150-250

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122. Louis Burleigh Bruhl (1861-1942) Spring in Suffolk Signed Watercolour 61 x 74cm; 24 x 29in £200-300

124. Samuel Edward Kelly (1862-1935) Anstey’s Cove Signed Watercolour 27 x 38cm; 10½ x 15in £200-300

126. William Henry Dyer (act.1890-1930) Dartmoor; Belstone, Dartmoor A pair, both signed and titled Both watercolour Each 23 x 34cm; 9 x 13¼in (2) £100-200

123. Robert Thorne Waite R.W.S. (1842-1935) Cockle gatherers on the beach Signed Watercolour 25 x 24.5cm; 10 x 16¾in Provenance: The Bourne Gallery, c.1980 £200-300

125. William Collingwood (1819-1903) The Dent du Midi, Rhone Valley Signed and dated indistinctly Watercolour 33.5 x 50cm; 13½ x 19¾in Provenance: Richard Haworth, Blackburn, Jan 30th, 1941 £400-600

127. R. W. Rimington c.1908 Alpine view with chalets on an outcrop Signed and dated 08 Watercolour 24 x 35cm; 9½ x 13¾in £200-300

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129

128 128. Kate Greenaway (1846-1901) The Waits A set of three, all inscribed verso Design No 1841 and one dated 18th Feb 1887/ 3 in set all three also numbered 34179 in pencil, with some further numbering verso All pen, ink and watercolour, framed together Each 9 x 13.5cm; 3½ x 5¼in (3) £1,000-1,500

130 129. English School 19th Century Children playing at Christmas, with children boxing and cooking Watercolour over pencil 6.5 x 15cm; 2½ x 6¼in With a drawing of a nude by Charles Rowbotham (2) £100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

130. Kate Greenaway (1846-1901) Curiosity Signed with initials Watercolour 9.25cm; 3½in diameter Provenance: Thomas Agnew & Sons, London, No. 10886 £600-800

131 Each lot is subject to a buyerâ&#x20AC;&#x2122;s premium of 25% plus VAT at 20%

37 131. Emanuel Stockler (Austrian 1819-1893) Louis XIV Bedchamber, Versailles Palace Signed Watercolour 45 x 59cm; 17¾ x 23in With another view of a palace interior, thought to be Versailles, signed indistinctly (2) £2,000-3,000 132. Emanuel Stockler (Austrian 1819-1893) A lady praying in a church interior Signed Watercolour 65 x 48cm; 25½ x 19in £1,000-1,500

133. J. Dodd Bangor (19th Century) West Front, Milan Cathedral Signed and titled Watercolour 66.5 x 105cm; 26 x 41¼in £800-1200

132

133 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

38 134. Louise Rayner (1834-1934) Watergate Street, Chester Signed Watercolour and bodycolour over pencil 33.5 x 21cm; 13 x 8¼in Provenance: Rowles Fine Art, Welshpool Christie’s, London, 17th June 2014, Lot 124 £5,000-7,000

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39 135. Louise Rayner (1834-1934) Windsor Castle from Market Street across Castle Hill Signed Watercolour and bodycolour over pencil 31.5 x 21.5cm; 12½ x 8½in Provenance: Christie’s, London, 17th June 2014, Lot 126 £4,000-6,000

135

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40 136. Mary Kearse (act.1794-1830) Still life of tulips, poppies and sweet peas in a basket on a table Watercolour 57 x 46cm; 22½ x 18¼in £700-1,000 137. Attributed to William Cruikshank (1848-1922) Primroses on a mossy bank Watercolour with bodycolour 21.25 x 26cm; 8½ x 10¼in £200-300 138. Attributed to Barbara Regina Dietzsch (German 1706-1783) Roses and Morning Glory with a moth and red beetle Watercolour with bodycolour 27.5 x 19.5cm; 10¾ x 7¾in Provenance: Lady Luttrell East, Quantoxhead, Exmoor £100-200 139. William Jabez Muckley (1837-1905) Still life of marguerites, poppies and clematis in a glass rummer Signed and dated indistinctly Watercolour with gouache and gum arabic 50 x 40cm; 19¾ x 15¾in £400-600

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41 140. Hercules Brabazon Brabazon (1821-1906) Interpretation of David Cox Signed with initials Watercolour 22 x 29cm; 8¾ x 11½in Exhibited: The Fine Art Society, London May 1961, No. 63/2 £800-1,200 141. Henry John Kinnaird (1861-1929) View of Salisbury Cathedral from the meadows Signed and titled Watercolour 35 x 53cm; 13¾ x 21in £500-700 142. Albert Hartland (Irish 1840-1893) Moorland and coastal landscapes Three, all signed All watercolour Each 19 x 33.5cm; 7½ x 13¼in (3) £300-500

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143. John Bromley (1795-1839) Stacking peat, Arthog Moor, Wales Signed, also signed and titled on a label verso Watercolour 49 x 74.5cm; 19¼ x 29in £100-200

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142 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

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144. Gustave Noel (French 1823-1881) Views of Paris, Place Vendôme; Obelisque de Louxor; Palais des Tuileries and Tour St. Jacques Four, all signed All gouache Each 25 x 13.25cm; 10 x 5¼in (4) £300-500

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145. Follower of Henri François Riesener autist Pencil in a Kent style frame 30 x 25cm; 11¾ x 9¾in £500-700

146. Neville Cayley (1853-1903) A pair of kookaburras and a single kookaburra with a bug Two, both signed, the second dated 92 Both watercolour Each 51.5 x 38.5cm; 20¼ x 15in (2) £400-600 147. Alfred Priest (1874-1929) Nude studies of a man standing and a lady seated A pair, both signed, dated Feb. 27, 1895 and 97 and inscribed Marcus Stone by P.A (***), 11 sittings Both pencil 74.5 x 49cm; 29¼ x 19¼in (2) £300-500

147 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

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148. William Affleck (1869-1943) A maid feeding chickens by a country cottage Signed Watercolour 20.5 x 28cm; 8 x 11in £150-250 149. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Cattle in a clearing by a river Signed Watercolour 47 x 35.5cm; 18½ x 14in £500-800 150. Henry John Sylvester Stannard (1870-1951) Winding wool outside a cottage, possibly Witley, Surrey Signed Watercolour 25.5 x 35cm; 10 x 13¾in £800-1,200

150

151. Henry John Sylvester Stannard (1870-1951) The duck pond at Eastbury, Berkshire Signed Watercolour 25 x 35.25cm; 10 x 14in £600-800

151 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

152

153 152. Cecil Charles Windsor Aldin (1870-1935) Mr Winkle and the Gig Horse Signed Pen, ink and watercolour 22 x 29cm; 8¾ x 11½in Exhibition: The Modern Gallery, London, Pickwick Jorrocks and hunting pictures, 1912, No. 109 £300-500

153. Harry Eliott (French 1882-1959) Two gentlemen playing chess in a panelled interior Signed Pen, ink and watercolour 29 x 26cm; 11½ x 10¼in £200-300

154. George Denholm Armour (1864-1949) Chillingham Bull Signed with initials Pencil 15.5 x 21cm; 6 x 8¼in £150-250

154 155. George Denholm Armour (1864-1949) A lady riding side-saddle, jumping a hedge Signed Pencil heightened with white on buff paper 25 x 20cm; 10 x 8in £250-350

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156. George Shepheard (1770-1842) A drunken Ale Brewer Dated Feb 27, 99, also titled by another hand Pen and ink over pencil 13 x 9.5cm; 5 x 3¾in With two further Italianate drawings, an English portrait and two prints by William Blake titled My Son!, My Son! and Fear & Hope are - Vision (6) £200-300

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

OIL PAINTINGS

157 157. Dutch School 17th Century Portrait of a gentleman with white collar and red hair Oil on panel 78 x 60cm; 30¾ x 23¾in

Provenance: Warren House, Bramshaw, New Forest £3,000-5,000

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46 158. French School c.1740 Portrait of Jacques Coltée Ducarel (1680-1718), a banker and merchant who was made Marquis de Chateau de Muids in 1713 Oil on canvas, oval 69 x 55cm; 27 x 22¾in Provenance: André Coltée Ducarel (1713-1785), and by family descent to John Edward Somerset £1,000-2,000

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159. Attributed to Sir Godfrey Kneller Bt. (1646-1723) Portrait of a lady, wearing a red dress with a blue shawl Oil on canvas 76 x 63cm; 30 x 25in £1,500-2,000 160. English School 17/18th Century Portrait of King James II Oil on panel, oval 22.5 x 17.5cm; 9 x 7in £800-1,200 161. English School early 17th Century Portrait of the Earl of Rochester Oil on canvas, oval, unframed 76 x 56cm; 30 x 22in £500-800

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162 162. Cornelius Johnson (1593-1661) Portrait of Lady Bowyer (d. 1665), half length wearing a green dress with ribbons and a pearl necklace in a sculpted cartouche Signed and dated C. J. Fecit, 1636 and inscribed on a label verso Bowy../..dau: of Sir Anthony Aucher Kt/.. Hester..Cornel..J.. Oil on canvas 79 x 63.5cm; 31 x 25in According to the, now fragmentary, label attached to the stretcher, the sitter is Lady Bowyer. Hester Bowyer was the daughter of Sir Anthony Aucher of Bishopsbourne, Kent. By 1633 she is recorded as married to Sir Edmund Bowyer (1613-1681) of Camberwell Green, Surrey, who served as MP for Gatton in 1660 and subsequently for Surrey in 1661. Sir Edmund seems to have been an active Member with a particular interest in the relief of the poor. ÂŁ4,000-6,000 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

163 163. After Sir Anthony Van Dyck Portrait of Beatrice de Cusance, Princess of Cantecroix, three-quarter length, standing, wearing a black dress with white lace and pearls, her right hand on a gold curtain Oil on canvas 124 x 106.5cm; 48¾ x 42in A copy of the original in the Royal Collection £1,500-2,500 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

164 164. Follower of Alexis Simon Belle Portrait of James Francis Edward, Prince of Wales, the Old Pretender who claimed to be James III of England and Ireland and James VIII of Scotland 1688-1766 Signed indistinctly Oil on canvas 149 x 107cm; 58½ x 42in £3,000-4,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

165 165. After Sir Anthony Van Dyck Portrait of Henrietta Maria, standing, wearing a silver grey dress decorated with red ribbons and with her hand on a crown and roses Oil on canvas in a carved Sunderland style frame 114 x 105cm; 45 x 41¼in A copy of the original in the Royal Collection £3,000-5,000 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

166 166. Follower of Henri Gascars Portrait of a lady, three-quarter length, seated, wearing an embroidered dress with a blue cloak, holding a sprig of orange lossom and a owering ardini re eside Oil on canvas, in an early George III carved, pierced and gilded swept frame 127 x 101cm; 50 x 39¾in £2,500-3,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

167 167. Attributed to John Riley (1646-1691) Portrait of a gentleman, head and shoulders, wearing armour Later inscribed verso Louis XIV Rigaud Oil on canvas, in a painted oval, in a carved Carlo Maratta frame 76 x 65cm; 30 x 25½in £1,500-2,500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

53 168. Follower of Robert Walker Portrait of a gentleman, possibly Oliver Cromwell, head and shoulders, in a painted oval Oil on canvas in a carved wood frame inscribed Oliver Cromwell 1639 73 x 61cm; 29 x 24in Provenance: Sotheby’s, 6th February 1963, lot 22, bought Leggatt for 25 GBP (as J.M. Wright, Portrait of Oliver Cromwell) £1,000-1,500

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169. Dutch School 17th Century Portrait of a gentleman, three quarter length, wearing black with a white lace collar, holding a crucifix Inscribed and dated Aetat 36, ano 1648 Oil on panel 101.5 x 72.5cm; 40 x 28½in £5,000-7,000

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170. Follower of Cornelius Johnson Portrait of a gentleman, possibly Sir David Erskine Inscribed verso Oil on panel 67 x 54.5cm; 26½ x 21½in £1,000-1,500

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54 171. Circle of Philippe Mercier Portrait of a young woman at a window, reputed to be the artist’s daughter Charlotte Oil on canvas 76 x 64cm; 30 x 25in £1,500-2,000

171 172. French 18th Century Portrait of an aristocrat tending his roses Oil on canvas, oval in an oval frame with Florentine ribbon surmount 43 x 34.5cm; 17 x 13½in £800-1,200 173. Lucia Casalini Torelli (Italian 1677-1762) Self portrait Inscribed on stretcher verso Ritratto di Lucia Casalini Torelli, Fatto di sua mano by a later hand Oil on canvas 77 x 64cm; 30¼ x 25in This striking self-portrait is similar to the self-portrait of Torelli which is in the collection of the University of Bologna, although the painter has depicted herself with her head at different angle in the present portrait. The direct gaze of the ainter shows a confidence that matches her osition at this time, she was a prominent member of the artistic community in Bologna. As well as being married to the painter Felice Torelli, two of their seven children also became painters. Her work was principally religious but she also painted portraits and her and Felice’s involvement in the Academia Clementina, along with Rosalba Carriera, hel ed to raise the rofile of the arts in ologna in the 8th Century. £10,000-15,000

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173

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56 174. Circle of John Closterman Portrait of a lady, traditionally called the Duchess of Lancaster, three-quarter length, in a white satin dress, a red wrap and a plumed hat Oil on canvas 125 x 101cm; 49¼ x 39¾in £2,000-3,000 175. English School mid 18th Century Portrait of a lady, half length wearing a blue robe Oil on canvas laid on panel 77 x 65cm; 30¼ x 25½in Previously thought to be Miss Emma Hurt of Chase Cliffe, Derbyshire £300-500 176. English School mid 18th Century Portrait of a lady, half length, wearing a red robe Oil on canvas laid on panel 77 x 65cm; 30¼ x 25½in Previously thought to be Miss Elizabeth Hurt of Chase Cliffe, Derbyshire £300-500 177. English School mid 18th Century Portrait of a lady, half length, wearing a red robe Oil on canvas laid on panel 77 x 65cm; 30¼ x 25½in Previously thought to be Miss Selena Hurt of Chase Cliffe, Derbyshire £300-500

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178 178. Charles Philips (1708-1747) Portrait of Martha FitzHerbert, three-quarter length, wearing white, in a landscape Oil on canvas 125 x 102cm; 49 x 40in Martha FitzHerbert was the daughter of William FitzHerbert of Tissington Hall (1671-1739) and Rachel Bagshaw. Martha married Hugh Bonfoy but there is no record of any children. The painting has been in the family since it was painted. ÂŁ5,000-8,000 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

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179. Studio of Sir Godfrey Kneller Bt. Portrait of George I, half length, wearing coronation robes, in a painted oval Oil on canvas 84 x cm; 33 x 2 ½in This portrait of King George I of England is a half-length version of the full length original by Sir Godfrey Kneller depicting the monarch in coronation robes. A number of examples exist, most significantl in the o al ollection and also at oughton Hall, Norfolk. £1,000-1,500 8 . Attributed to Willem Verelst (c.1700-c.1760) Portrait of ammond rosse s ., 7 78 Bedfordshire, 1744 Inscribed with details of the sitter Oil on canvas 28 x 2cm; x 4 in £700-1,000

igh Sheriff of

8 . English School late 18th Century Portrait of a gentleman in a blue coat and white wig in a painted oval Oil on canvas 76 x 63.5cm, 30 x 25in £1,000-1,500 181

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59 182. English School mid 18th Century Portrait of a gentleman seated, holding a book, wearing a dark turban Oil on canvas 76 x 63.5cm; 30 x 25in £700-1,000 183. Studio of Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of Anna Allnutt (1774-1819) Oil on canvas 76 x 64cm; 30 x 25in Provenance: By descent in the family of the sitter until sold in 2015, along with other family portraits, by a direct descendant £1,000-1,500 184. Richard Crosse (1742-1810) Self Portrait, half length, wearing a green coat Oil on canvas 76 x 63cm; 30 x 25in Provenance: S. Pivnick, London, 26th July 1997 £600-800

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60 185. David Martin (1737-1798) Portrait of a udge, head and shoulders, in a fur lined gown and wig, holding a scroll Oil on canvas laid down on board 74 x 60.5cm; 29 x 24in £1,000-1,500 186. English School c.1800 Portrait of a young girl, head and shoulders Oil on board 42 x 33cm; 16½ x 13in £300-500 187. English School 19th Century Portrait of a Clergyman, possibly Rev. Joseph Sortain (1809-1860) Oil on canvas 76 x 64cm; 30 x 25in Provenance: Private collection, Bristol The Rev. Joseph Sortain was a famous British non-conformist minister, born in Clifton, Bristol. He was a widely known and highly respected preacher of his time and was called The Dickens of the pulpit £200-300 188. Circle of Francis Grant Portrait of a lady wearing a blue dress with a red rose and red shawl Oil on canvas 91.5 x 72cm; 36 x 28½in £200-300

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61 189. Thomas Maynard (1752-1812) Portrait of a girl, full length, wearing a pink sash and holding a basket of apples Signed and dated 1789 Oil on canvas 107 x 76.5cm; 42 x 30in £1,200-1,800

190. Follower of Sir Joshua Reynolds Portrait of a girl in a bonnet, reading, with her dog, three quarter length standing in a landscape Oil on canvas 77 x 65cm; 30¼ x 25½in £800-1,200

191. After Sir Joshua Reynolds P.R.A Portrait of Lady Hamilton as a bacchante Oil on canvas 74 x 61cm; 29 x 24in A copy of the original in a private collection. £600-800

189

190 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

191

192 192. Manner of Piero della Francesca The Naming of St. John the Baptist Tempera on panel in a Florentine frame 13.5 x 19.5cm; 55¼ x 7¾in Provenance: The estate of Miss Russell £1,500-2,500

193. After Raphael Sanzio D’Urbino Madonna della sedia Oil on canvas, circular, in an ornate carved wood rectangular frame 77.5 x 64cm; 30½ x 25in £600-800

193 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

194

194.

Leonardo Boldrini (Italian d.1493)

A Pope and a Bishop Saint Two, both oil on panel with a gold ground, framed together 50 x 52cm; 19¾ x 20¼in (full frame size) Previousl the attri ution has een confirmed Professor £2,000-3,000

auro ucco. who dated the ainting to c. 48 .

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195 195. Constantino Villani (Italian 1751-1824) Madonna and Child Oil on canvas 77 x 68cm; 30¼ x 26¾in Provenance: Collection of a Belgian aristocratic family £2,000-3,000 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

196 196. Studio of Giovanni Battista Salvi (Il Sassoferrato) (Italian 1609-1985) The Virgin at prayer Oil on canvas, unframed 48 x 38cm; 19 x 15in We are grateful to François Macé de Lépinay for his help in cataloguing this painting from photographs £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

197 197. German School 18th/19th Century Portrait of a Turk in a turban and a man in a cossack hat A pair, both inscribed Both oil on canvas Each 82 x 48cm; 32 x 19in (2) By repute, from a house now in Poland once owned by John Sobieski, the hero of the relief of the second siege of Vienna £2,000-3,000 198. Continental School 17/18th Century Beggar musicians Oil on panel 39 x 27cm; 15¼ x 10½in Provenance: Almassy-Teleki Eva Muveszeti Intezete No. 1477 [Ernst Museum, Budapest] part label on frame verso £500-700

198 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

199 199. Cristofano di Papi dell’Altissimo (Italian 1525-1605) Portrait of Domenico de Giovanni called Burchiello (1404-1449), head and shoulders, wearing green Inscribed Burchiello Poeta Oil on poplar panel 57 x 43cm; 22½ x 17in Provenance: Private Italian Collection Literature: li ffi i, atalogo enerale, a olle ione dei itratti degli omini llustri, Fig. c8 £6,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

200 200. J. Noort (18th Century) A herdswoman with cattle, sheep and goats before some ruins Signed Oil on canvas 48 x 60cm; 19 x 23½in £2,000-3,000

201

201. Manner of Philips Wouwerman A barn interior with gentlemen preparing for a ride Oil on canvas 46 x 56cm; 18 x 22in £600-800

202. Circle of Jan Wyck (1652-1702) A panoramic landscape with a hunting party and stags Later inscribed verso du 18 Mai 1765, par M. de Feligonde p.s.s. Oil on canvas 92 x 120cm; 36 x 47in £500-800

202 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

203 203. Attributed to Antonio Puga (1602-1648) The water carrier Oil on canvas 64.5 x 49cm; 25½ x 19in Provenance: Private Collection, Italy £4,000-6,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

204

205 204. Italian School 18th Century saint crowned with owers Oil on canvas 86 x 60cm; 34 x 23½in £400-600

the child hrist

205. Flemish School 17th Century he rucifixion Later inscribed indistinctly, possibly LO CLAVAREL EN LA CRUX Oil on copper 19 x 15.5cm; 7½ x 6in £700-1,000 206. Manner of Peter Paul Rubens Study of a bearded man Oil on panel 44 x 40cm; 17¼ x 15¾in £600-800

206 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

207 207. Cristofano Allori (Italian 1577-1621) Saint Francis at prayer Oil on copper 40 x 31.5cm; 16 x 12in Provenance: Anonymous sale, Amsterdam, Sotheby’s, 12 May 1992, Lot 67 Private collection Literature: Franco Moro, Viaggio nel Seicento Toscano, Dipinti e Disegni Inediti in Controriforma e Narrazione. Il Tentativo di un Nuovo Linguaggio, 2006, pp. 67-83 (ill. p.77) Previousl the attri ution has een confirmed r. Franco oro. he ainting was selected Dr. Serenella Castri for the exhibition I Monti di Dio (Illegio, Italy) £3,000-5,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

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209 208. Dutch School mid 19th Century A family group in a Seventeenth Century interior Oil on canvas 61 x 50cm; 24 x 19¾in £800-1,200 209. After Gerard Ter Borch Peeling Apples Oil on panel 37 x 31cm; 14½ x 12¼in This is an 18th century copy of the original work in the Kunst Historisches Museum Wien, excluding the child by the table £500-700 210. French School 18th Century Two nudes with a gentleman voyeur Oil on canvas in a painted cartouche 52 x 52cm; 20½ x 20½in £800-1,200

210 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

211

211. Attributed to Jan Pauwel Gillemans the Elder (Flemish 1618-1675) Still life of fruit and shellfish on a shelf Oil on canvas 60 x 120cm; 23½ x 47in £3,000-5,000 212. Attributed to Simone del Tintore (17th Century) Still life with fruits, asparagus, grapes, an oyster, bread rolls, a glass of wine and pitcher Oil on canvas 45.5 x 55cm; 17¾ x 21¾in £3,000-5,000

212

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213 213. Continental School 18th Century A battle scene Oil on canvas in a carved wood frame 37 x 99cm; 14½ x 39in £2,000-3,000

216. Continental School 19th Century Portrait of a gentleman, head and shoulders, wearing a hat and fur coat Oil on canvas, unframed 46 x 36cm; 18 x 14in £100-200

214. Manner of Claude Corneille de Lyon Portrait of a red-haired gentleman Oil on panel, unframed 30.5 x 21.5cm; 12 x 8½in £200-300

217. Gillis Van Tilborgh (Flemish c.1635-c.1678) Departing for the battle, an elderly couple in an interior preparing for the departure of their son Oil on panel 24 x 34cm; 9½ x 13¼in £2,000-4,000

215. Follower of Adriaen Brouwer A man and woman reading Oil on panel 18 x 13.5cm; 7 x 5¾in £300-500

214

218. Continental School 18th Century Susannah and the Elders Oil on canvas 69 x 92.5cm; 27 x 36½in £800-1,200

215

216 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

217

218 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

219. Gerrit van Honthorst (Dutch 1590-1656) Shepherdess Holding Apples Signed upper right Oil on canvas 78 x 63.5cm; 30½ x 25in Provenance: Catton Hall, Osmaston, Coll. Sir Robert Horton by 1811 errit van onthorst erard van onthorst was a utch olden ge ainter who was in uenced the chiaroscuro of aravaggio, adopting a similar style and becoming a leading portrait painter in the Netherlands. He was particularly noted for his depiction of artificiall lit scenes, often ainted a single candle, earning him the nic name of herardo delle otte erard of the ights . This painting has not been on the market for over 100 years and was in the collection of Sir Robert Horton in the 19th Century at Catton Hall, Osmaston and has come down through the Anson family at Catton Hall in the 20th Century. The painting features in the catalogue raisonnée by J. Richard Judson (Published 1999, p.166) where he notes it has ‘the same soft surface quality and physiognomy that one finds in Honthorst’s paintings dating from the years around 1622-1623’. He also suggests that it may be related to a ‘lost pendant’, another similar portrait, where she may be offering the fruit to a person, perhaps a Shepherd to her right where her smiling gaze is cast. The roses paired with the snowdrops in her hat are typical of Dutch Golden Age painting, depicting rare petals that could never actually bloom together at the same time and creating a botanical impossibility. The two apples in the hand are held in a way that alludes to the erotic, in con unction with the staff leaning on her shoulder and the revealing d collet . She s m olises tem tation and the apples are a reference to Eve’s seduction of Adam. In addition to this, apples were often used as symbols of fertility, the beauty of the female form and also to love. The pose, costume and the model clearly hold strong similarities to the famous painting by Honthorst of the young woman playing the viola da gamba. The model recurs in several of his paintings, often holding a musical instrument which at the time were a conventional motif of brothel scenes and it is clear from her suggestive pose in this painting and her provocative dress that she is a courtesan or strumpet. Her warm and appealing smile resulted in her being called ‘The Laughing Girl’ by the vendor’s family for several generations. £40,000-60,000

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219

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220

221

222

223 Each lot is subject to a buyerâ&#x20AC;&#x2122;s premium of 25% plus VAT at 20%

224

220. Dutch School 18th Century figures in a river landsca e with houses on the far an Oil on canvas 33 x 46cm; 13 x 18in £600-800 221. Dutch School 18th Century Shepherd and family resting on a mountainside, a town beyond Oil on panel 32 x 39cm; 12½ x 15in £600-800 222. Dutch School 18th Century Rustics by a forge Oil on canvas 33 x 41cm; 13 x 16in £200-300

223. Adriaen Cornelisz. Beeldmaker (Dutch 1618-1709) Huntsmen and hounds Signed and dated 1699 indistinctly Oil on canvas 46 x 60cm; 18 x 23½in £300-600 224. Christian Stocklin (Swiss 1741-1795) ca riccio the sea with figures and an artist s etching Signed and dated Stoklein 1775 Oil on panel 30 x 38cm; 11¾ x 15in £5,000-7,000

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80 227. Follower of Willem van de Velde A battle scene at sea with sailors leaving sinking ships Inscribed verso on a label Van der Veldte, came from the collection of Miss Maria Tippinger, aunt of L. Pomeroy and with early 18th century seal verso Oil on panel 27.5 x 36cm;10¾ x 14in £250-350

228. Follower of Aert van der Neer us moonlit river scene with fisherfol in the foreground Oil on panel, unframed 37 x 52cm; 14½ x 20½in £200-300 225 225. Follower of Aert van der Neer Fishing boats on a river near a town in moonlight Oil on panel 28 x 37cm; 11 x 14½in £300-500

226. Dutch School 19th Century Cattle and sheep with an angler by a river Oil on panel 30.5 x 40.5cm; 12 x 16in £300-400

226

228

229. Follower of Francesco Zuccarelli R.A. wooded river landsca e with athers on a an , a fortified town beyond Oil on canvas laid on panel 15 x 23cm; 6 x 9in £200-300

227

229 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

230 230. Circle of Frans van Everbroeck (Flemish c.1638-c.1672) Still life of grapes, peaches, melons, lemons and a parrot Oil on canvas 79 x 109cm; 31 x 43in £2,000-3,000 231. Attributed to Jakob Bogdani (Hungarian 1660-1724) Still life of eaches, co nuts, currants, gra es, a utter insect on a shelf Oil on canvas 47 x 40.5cm; 18½ x 16in £1,000-2,000

and

231 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

82 232. Follower of Nicolaes Berchem Pastoral landscape with shepherds and rustics with their animals by a ruin Oil on canvas 49 x 64cm; 19 x 25in £1,000-1,500

232 233. Dutch School 18th Century A satyr and maenads Oil on copper 33 x 25cm; 13 x 10in £400-600 234. After Gabriel Metsu The Old Game Dealer Oil on panel 44 x 34cm; 17¼ x 13½in A copy of the original in the Gemäldegalerie, Dresden £200-400

233

235. ‡ English School 18/19th century Portrait of George Buchanan, Historian, poet and tutor to James IV (1506-1582) Inscribed in Latin Oil on canvas 62 x 55cm; 24½ x 21½in With two further portraits, one 17th Century of Joseph Caryl and one 19th Century of John Haseman (3) Provenance: From the Estate of the late Geoffrey Harley, Corsham £300-500

234

235 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

83 236. Follower of Peter Monamy Frigate saluting the approach of the Captain with other vessels beyond Oil on canvas 61 x 76cm; 24 x 30in £2,000-3,000

236

237. Charles Martin Powell (1775-1824) Ships at anchor in calm seas a ett Signed, also dated indistinctly 18** Oil on canvas 28.5 x 40.5cm; 11¼ x 16in £1,000-2,000

237 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

238. Abraham Jansz Storck (1644-1708) The Gulden Leeuw (Golden Lion) arriving at her anchorage receiving a salute, off Amsterdam, Holland with further shipping Signed, also dated 1865 (indistinctly) Oil on canvas 137 x 178cm; 54 x 70in Provenance: Crichel House, Dorset Storck was a Dutch baroque painter born in Amsterdam in 1644 and was the youngest son of the painter Jan Jansz Storck, also nown as Storc en urch. e is nown for his marine scenes and his fine draughtsmanshi . is favourite su ects were the harbour of his native city of Amsterdam, busy with craft and people and his technical skills show in his close observation of the ships he depicted. He also painted sea battles, seascapes, townscapes, river and harbour scenes and whaling expeditions. A number of his works represent ceremonial gatherings of ships and general movements of ships about the busy harbour. The central feature of this large painting is the Gouden Leeuw (Golden Lion) which was a Dutch ship of the line armed with 80-82 cannon. The ship was built for the Admiralty of Amsterdam in 1666 during the Second Anglo-Dutch War and was for a time the largest utch warshi . uring the hird nglo utch War, the shi served as the agshi of ieutenant dmiral ornelis rom . She was rom s agshi at the attle of exel in 73, with the rishman homas o ias as his ag ca tain and is shown ing rom s dou le rince ag. She features in a ainting Willem an de elde the ounger of this attle. uring the attle she saw sustained action and rom moved his ag to the omeetster ecause the ouden eeuw had become too damaged to handle. She was broken up in 1686, the year after this painting was created. ÂŁ60,000-80,000

Each lot is subject to a buyerâ&#x20AC;&#x2122;s premium of 25% plus VAT at 20%

83 236. Follower of Peter Monamy Frigate saluting the approach of the Captain with other vessels beyond Oil on canvas 61 x 76cm; 24 x 30in £2,000-3,000

236

239

239. Dirk van Bergen (c.1645-c.1690) A herdswoman with cattle, a goat and a dog by a pool in a landscape, a ruin beyond Signed and dated 1688 Oil on copper 37.5 x 49cm; 14¾ x 19¼in £1,500-2,500

240

240. Continental School 18th Century umanised dog and cat fight wearing 17th Century costumes Oil on panel, oval 18 x 23.5cm; 7 x 9¼in £400-600

241. English School 19th Century Rustics near a cottage, a woman and horses by a bridge beyond Oil on canvas 47 x 65cm; 18½ x 25½in £400-600

237. Charles Martin Powell (1775-1824) Ships at anchor in calm seas a ett Signed, also dated indistinctly 18** Oil on canvas 28.5 x 40.5cm; 11¼ x 16in £1,000-2,000

241 237 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

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87 242. Follower of Simon Vicente The Virgin of the Olive Oil on canvas 82 x 63cm; 32 x 25in Provenance: Private collection, London £2,000-3,000

243. Russian School 18th Century Icon of The Anastasis (Descent into hell and resurrection) Painted on panel 34 x 29cm; 13½ x 11½in £300-500

244. Russian School 19th Century Icon of the Mother of God of Joy to those who suffer (or the Pokrov); St John the Baptist Prodromos 2, both Painted and gilded on panel the second with contemporary riza halos 31 x 24.5cm; 12¼ x 9½in and 41 x 31cm; 16 x 12in (2) £300-500

242

243 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

244

88 245. Greek School 17th Century The Nativity Oil on panel 46.5 x 38.5cm; 18½ x 15in £1,500-2,500

246. Russian School An Icon of St Alfana Oil on panel 35.5 x 18cm; 14 x 7in £150-250

247. Russian School 19th Century con of hrist in a est Oil on panel, with a silver riza, Moscow 1873, 22.5 x 18cm; 9 x 7in £200-300

245

246

247 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

89 248. J. Janitschek (19th Century) Portraits of Austro Hungarian officers A pair, one signed and dated 1864 Oil on canvas Each 40 x 31cm; 16 x 12in (2) £500-800

248

249. Follower of George Chinnery Portrait of a bald gentleman with a beard, seated, wearing black Oil on canvas 36 x 30cm; 14 x 12in £300-500

250. ame i man Win field (1800-1872) Fete gallantes, depicting two ladies and a gentleman in a garden A pair both signed with a monogram Both oil on panel 14cm; 5½in circular (2) £300-500

250

249

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

90 251. Attributed to Thomas Stothard R.A. (1755-1834) Merchants of Venice Oil on panel 15.5 x 12cm; 6 x 4¾in £150-250 252. Reuben Bussey (1818-1893) A historical scene with a lady and a gentleman on a castle rooftop Signed and dated 1870 Oil on canvas x 4 cm; 24 x 8in £300-500

251

252

253 253. John Hayter (1800-1891) Paris and the Apple Oil on board 24.5 x 29cm; 9½ x 11½in With an oil J. urton of a fish seller on the each 2 £250-350

254 254. James H. Edgar (act.1857-1864) Portrait of t. on. ord homas ac en ie 8 7 8 9 , sometime Solicitor General for Scotland, Author of Studies in Roman Law Inscribed and signed on a label verso Oil on panel 38 x 32cm; x 2½in Presented by Bro. Mackenzie Bell, Scots Lodge, London, No. 2319, E.C., 22nd April, 1909 £150-250 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

255

257

256

258

255. English School 19th Century Family portrait of three children Oil on canvas 43 x 53.5cm; 17 x 21in £400-600 256. British School early 19th Century A double portrait of a gentleman and a lady, both head and shoulders Oil on canvas 63.5 x 76.5cm; 25 x 30in £500-800

257. Guido Phillip Schmitt (German 1834-1922) Portrait of a young girl holding heather Signed and dated 1867 Oil on canvas, in a pierced and mounted gilt frame 68.5 x 56cm; 27 x 22in £1,000-1,500 258. Eden Upton Eddis (1812-1901) o with a fishing rod Signed and dated 1875 Oil on canvas 92 x 6cm; 36 x 25½in £600-800

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92 261. Follower of George Romney Portrait of a lady in a landscape Oil on canvas 57 x 50.5cm; 22.5 x 20in £300-500 262. W. J. Gilbert (f.1830-1870) John Parksey with his son out walking Mosquito and Midsummer Signed and dated 1841, also inscribed indistinctly on a label verso attached to frame John Parksey & his son/dog trainer to John/2nd Earl Stradbroke/Painting of … dog/Mosquito and black bitch/ Midsumer Oil on canvas 51 x 64cm; 20 x 25in With a box of information and letters about coursing and a print of the same icture engraved lfred dlard 3 Provenance: By descent in the family of the Earls of Stradbroke until sold in the Strad ro e sale lot 84 Sothe s ondon, 9th arch 2 , ot 82 Mosquito, a red dog by Maurius out of Mathilda and Midsummer by Lodder out of Mermaid were the property of the Earl of Stradbroke, Swaffham, Norfolk £1,500-2,500 259 259. English School 19th Century Portrait of a lady seated in a landscape with a young girl Oil on canvas 92 x 7 cm; 3 x 28in £800-1,200

260

260. Ethel Wright (1887-1939) Portrait of a lady, head and shoulders, wearing two pearl necklaces Oil on canvas, oval 7 x cm; 28 x 22in £250-350

263. Attributed to Charles Hancock (1802-1877) Sir Joseph Hawley’s Fernhill a dark bay racehorse with jockey up Oil on canvas 47 x cm; 8½ x 24in Provenance: Leggatt Brothers, 1935, £120 and thence by descent Recently removed from Gavelacre House, Longparish Fernhill won the ortham tonshire Sta es etro olitan 4 in 849 £1,200-1,800

and the

reat

261 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

262

263 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

94 264. Thomas Luny (1759-1837) Fisherfolk and boats on the shore by a seaside town, possibly Seahouses, Northumberland Signed and dated 1829 Oil on panel 30 x 40cm; 12 x 16in £1,000-1,500

264

265. Thomas Luny (1759-1837) A ship coming into harbour with a lighthouse on the harbour wall Signed Oil on panel 20 x 25cm; 8 x 10in £600-800

266. Thomas Luny (1759-1837) Figures on the shore in a coastal landscape A pair, both oil on canvas Each 52 x 69.5cm; 20½ x 27½in (2) Provenance: ntesfield ouse, North Somerset £700-1,000 265 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

266 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

267

268 267. William James Muller (1812-1845) Two Eastern merchants seated on a mat, smoking Signed Oil on panel 31.5 x 45.5cm; 12 x 18in £1,200-1,800

269 268. Norwich School 19th Century Boats on a river with an old inn beyond Oil on canvas 56 x 76.5cm; 22 x 30in £200-300

269. Rev. J. Gardner (c.1773) Durham Cathedral from the river Later inscribed and dated 1773 verso by another hand Oil on canvas 42.5 x 58cm; 16¾ x 23in With a watercolour by R. F. Abraham of a garden (2) £200-300

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

97 270. Abraham Cooper (1787-1868) Richard I at the Battle of Ascalon Signed and dated 1832 Oil on canvas 33 x 44cm; 13 x 17¼in £1,000-1,500

270

271 271. Anthony Vandyke Copley Fielding (1787-1855) A family on a clifftop, looking across Plymouth Sound to Mount Edgecumbe Signed Oil on canvas 40 x 50cm; 16 x 20in £800-1,200

272 272. John Cooke (19th Century) The old Welsh Bridge, Shrewsbury Titled and signed on stretcher verso possibly by another hand Oil on canvas 46 x 51cm; 18 x 20in £300-500

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273

274 273. Follower of George Morland Young men in a wood with two donkeys Oil on canvas laid on board 26 x 37cm; 10 x 14½in £400-600

274. George Morland (1763-1804) the fire Signed and dated indistinctly Oil on panel, unframed 30 x 35.5cm; 12 x 14in £400-600

275

275. J. Langlois (1855-1904) Two Terriers rabbiting Signed Oil on canvas 51 x 61cm; 20 x 24in £400-600

276. J. Langlois (1855-1904) Terriers rabbiting, waiting at a rabbit hole Oil on canvas Signed 51 x 76cm; 20 x 30in £600-800

276 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

277 277. Attributed to John Inigo Richards (1731-1810) South West view of Sadler s Wells heatre, a gentleman fishing in the Oil on canvas 43 x 63cm; 17 x 24¾in Provenance: Admiral Sir Lionel Preston, K.C.B. (1875-1971) Christie’s, London, 9th May 1947 Sold to Jetley for 45 guineas Peter Ascroft by whose estate sold in 2016

ew iver

This is thought to be the earliest oil painting of Sadler’s Wells - the second oldest theatre in London and is likely to have been painted c.1765-75. The style of painting is very close to George Lambert who died in 1765 and the picture may well be by Lambert’s pupil, John Inigo Richards who often worked as a theatre set designer and was Hogarth’s godson. At the time of this painting, as well as offering entertainments and health-giving waters, the theatre held a gallery of paintings, mostly of classical gods in suggestive love-scenes and the couple in the painting are seen entering the gallery. £2,000-3,000

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100 278. Joseph Thors (c.1835-1920) Wooded river landscape Signed Oil on canvas 32 x 44cm; 12½ x 17¾in £800-1,200 279. English School 19th Century A family of foxes by a fox trap Oil on canvas 65.5 x 86cm; 25¾ x 34in £200-400

278

279

280

280. Follower of James Pollard Chances of the Steeplechase: Mr. Seffert and Grimaldi at Aylesbury Oil on canvas 34 x 47cm; 13½ x 18½in Provenance: Leggatt Brothers, 1928, £65 and thence by descent Recently removed from Gavelacre House, Longparish Mr. Seffert and Grimaldi ran in an Aylesbury Steeplechase where Grimaldi won as his opponent crashed into a gate. This scene was later part of a set of aquatints by C. Rosenburg, George and Charles Hunt £350-450 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

101 281. George Vincent (1796-1831) Fisherfolk unloading their catch and pack horses waiting Signed, also dated indistinctly Oil on canvas 46 x 57.5cm; 18 x 22½in £800-1,200

281

282 282. English School 19th century Six paintings depicting prize bulls, a Gloucester Old Spot, a fox and a sheep in a meadow All oil on canvas or panel Various sizes (6) £600-800

283 283. After Thomas Faed R.A. Morning reapers going out Oil on canvas 76 x 101cm; 30 x 39¾in Provenance: Christie’s, London, 26th October 1979 A copy of the catalogue is included with this lot £300-500

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102 284. William Anderson (1757-1837) Fishermen on the shore with boats in a dock beyond Signed Oil on panel 27 x 37.5cm; 10½ x 14¾in Provenance: Spink, London, K2 4116 £800-1,200

284

285 285. Norwich School 19th Century oonlit river scene with figures in a rowing oat, a cottage beyond Oil on panel 25 x 35.5cm; 10 x 14in £300-500

286 286. Anthony Thomas Devis (1729-1817) view on the iver eath, lamorgan Signed, also signed, titled and dated 1761 verso Oil on panel 20 x 26cm; 8 x 10in £200-300

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287

288 287. ‡ Louis Dodd (1943-2006) A Dutch yacht and other shipping at sea in a stiff breeze Signed Oil on panel 40 x 56cm; 16 x 22in £800-1,200

289 288. English School 18th/19th Century Ships in distress in a storm on a rocky coast Signed with initials J.M. Oil on panel 32 x 47.5cm;12½ x 18¾in £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

289. Follower of John Glover A train in a lake landscape Oil on canvas 21 x 33cm; 8¼ x 13in With a Dutch 18th/19th Century landscape on panel (2) £300-500

104

290 290. William Payne R.W.S. (1760-1830) Views of Plymouth A pair, both signed, one signed, dated 1830 and inscribed verso The Market Place at Plymouth and the old Town Hall as it stood in the year 1790 Both oil on panel Each 28 x 22cm; 11 x 8½in (2) These were painted at the end of Payne’s life and are in the colouring of his third phase of watercolours. He is clearly looking back with nostalgia to his early days as an aspiring artist in Plymouth. Little remains of the architecture, so these are a valuable document, although done in London from reminiscence. £800-1,200 291. Felice Auguste Rezia (Italian act.1857-1907) Street scene with Bruges Cathedral Signed and indistinctly dated Oil on canvas 41 x 30.5cm; 16 x 12in £300-500 292. Antonietta Brandeis (Austrian 1848-1926) Courtyard of the Doge’s Palace, Venice with the Giant’s Staircase Signed Oil on canvas 50 x 40.5cm; 20 x 16in £6,000-8,000 291 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

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292 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

106 293. John Tudgay (act.1836-1865) Fishing boats at Rye Signed with initials I.T. and dated 1857 Oil on canvas 72 x 91cm; 28¼ x 36in £800-1,200

293

294 294. English School c.1889 A shepherd and sheep in an extensive landscape Signed with a monogram E.L./L.E. and dated 1889 Oil on canvas 30.5 x 40.5cm; 12 x 16in £300-500

295 295. David Cox (1809-1885) Figures and dog on a moorland Signed and dated 1851 Oil on panel 17 x 25cm; 6¾ x 9¾in £200-300

296. Dutch School 19th Century Shi s on the shore with fisherfol resting and a skeleton in the foreground Signed with a monogram and inscribed in French on a part label verso Oil on panel 38 x 50cm; 15 x 20in £1,500-2,500

297. Edward Pritchett (1808-1894) Dogana da Mar, Venice Oil on canvas 19 x 26.5cm; 7½ x 10½in £1,000-2,000

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296

297 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

108 298. Follower of William Wyllie Discharging cargo; Under repairs Bears signature and date 1897, also both signed indistinctly verso, one with a monogram SM Both oil on canvas Each 36 x 31cm; 14 x 12in (2) £400-600

299. George Shalders (1826-1873) highland la e with figures resting and cattle watering Oil on canvas 92 x 153cm; 36 x 60in £200-300 298 300. Anthonie Jacobus Wijngaerdt (Dutch 1808-1887) Cattle in a meadow by a smallholding Signed Oil on panel 12 x 18cm; 4¾ x 7in £150-250

299

301. Albertina Palau (Spanish 19th Century) A special gift Signed and inscribed Firenze, Oil on canvas 50 x 71cm; 20 x 28in Provenance: Sale: Christie’s, London, 20 March 1998, lot 109 a nes Fine rt of roadwa , o. 2 Bindery Galleries, Broadway Acquired by the aunt of the present owner from the above Inscribed on the lining Painted to the order of Mr. J. G. Moulton, Chicago, Ill. and guaranteed original Albertina Palau in another hand £2,000-3,000

302. Johan Oscar Cantzler (Swedish 1844-1921) Playing for his supper Signed Oil on canvas 74 x 100cm; 29 x 39in £1,000-1,500

300 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

109

301

302 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

110 303. ‡ Margaret Dovaston (1884-1955) The pipe enthusiast Signed and dated 1928 Oil on board 25 x 30.5cm; 10 x 12in Provenance: Haynes Fine Art of Broadway Acquired by the aunt of the present owner from the above in 2000 £1,500-2,500

303

304 304. English School 19th Century Lost in thought Oil on canvas 46 x 35cm; 18 x 13¾in Provenance: Christie’s, London, 5th October 2005, Lot 961 £150-250

305

306

305. ‡ Scottish School 19th Century A mother and child at an eagle’s nest Oil on canvas in an arched frame 83 x 59cm; 32½ x 23in £200-400

306. Attributed to William McDuff (1824-1881) A boy waiting by a school door Signed with initials Oil on canvas 30 x 25cm; 12 x 10in £300-500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

111

307 307. Peter Baumgartner (German 1834-1911) Care to Dance? Oil on canvas 97 x 117cm; 38 x 46in Provenance hristie s, ew or , 2 Octo er 99 , lot 47 a nes Fine rt, o. 4 88 The Bindery Galleries, Broadway Acquired from the above by the aunt of the present owner in 1997 ÂŁ6,000-8,000

Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

112

308 308. English School 19th Century Salisbury Cathedral from the meadows with figures and cattle Oil on canvas 46.5 x 64cm; 18 x 25in £300-500

309 309. British School 19th Century Figure in a landscape with a ruined mansion beyond Oil on panel 22 x 26cm; 8½ x 10in £200-300

310. Henry Maurice Page (act.1878-1890) Sandwich Signed and titled verso Oil on panel 16 x 24cm; 6¼ x 9½in £150-250

311

310 311. English School 19th Century Figures wor ing a ha field Oil on board 37 x 57cm; 14½ x 22½in £150-250

312

312. William Langley (1852-1922) Boat on a river, a church beyond; Cottages by a pond A pair, one signed Both oil on canvas Each 40.5 x 61cm; 16 x 24in (2) Provenance: Stern Art Dealers, London, 2nd October 1993 £300-500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

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313

314

313. Frederick Daniel Hardy (1826-1911) Two children studying with a globe and piano Signed and dated 1876 Oil on canvas 61 x 51cm; 24 x 20in £1,500-2,500 314. James Sant (1820-1916) Two children in a wood Signed verso Oil on boar 29.5 x 22cm; 11½ x 8¾in £800-1,200 315. Edward Thompson Davis (1833-1867) and David Bates (1840-1921) Young girl seated by a tree with her basket Inscribed and dated 1887 Oil on panel 30 x 25cm; 12 x 10in £600-800

315

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316

317 316. John Callow (1822-1878) A Man o’ War being towed into port by a paddle steamer, off Dover Signed and dated 65 Oil on canvas 127 x 76cm; 50 x 30in £1,500-2,500

318 317. ‡ Henry A. Luscombe (1820-1868) Ships in Plymouth harbour Signed Oil on canvas 22 x 28.5cm; 8½ x 11¼in £300-500

318. Henry Bright (1814-1973) Windmill in a landscape, said to be Sheringham Mill Oil on canvas 25.5 x 40cm; 10 x 16in £300-500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

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319

320 319. Vilhelm Melbye (Danish 1824-1882) Vessels in a rocky channel in boisterous seas Signed and dated 53 Oil on canvas 69 x 109cm; 27 x 43in Provenance: Hampshire Gallery 1/10/97, A private collection of Marine Paintings belonging to a retired Master Mariner Woolley & Wallis, Salisbury, 5 June 2013, Lot 272 £2,500-3,500

321 320. Mark Dockree (act.1856-1901) Figures by an estuary Signed Oil on canvas 31 x 46cm; 12 x 18in £300-400 321. Anton Windmaier (German, Munich School 1840-1896) Cottage by a river Signed Oil on canvas, unframed 24 x 49cm; 9½ x 19¼in £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

116

322

Each lot is subject to a buyerâ&#x20AC;&#x2122;s premium of 25% plus VAT at 20%

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323

324 322. Pieter Christian Dommersen (fl.1865-1913) Fisherfolk on the shores A pair, both signed and dated 1887 Both oil on panel Each 20 x 26cm; 8 x 10in (2) £800-1,200

323. Abraham Hulk (1813-1897) Fishing boats in a Dutch estuary Signed Oil on canvas 50 x 79cm; 19½ x 31in £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

324. Louis Charles Verboeckhoven (Belgian 1802-1889) Dutch shipping; English shipping A pair, both signed Both oil on panel Each 15 x 21.5cm; 6 x 8½in (2) £800-1,200

118 325. Karl Heffner (German 1849-1925) Fetching water A pair, both signed and dated 1876 Both oil on canvas Each 90 x 47cm; 35½ x 18½in £1,000-1,500

326. English School 19th Century Hunting scenes A pair, both oil on board Each 16 x 26cm; 6¼ x 10¼in (2) £120-180

327. James Webb (1825-1895) Sunset over the sea Signed, also dated indistinctly 18*7 Oil on canvas 86 x 127cm; 34 x 50in £1,000-1,500

325 328. Liverpool School mid 19th Century The Liverpool sailing ship Idas, outward bound off the Tuskar Rock off the south east corner of Ireland Oil on canvas 65 x 104cm; 25½ x 41in das is identified the name at the ow and the ag hoist at the mi en mast reading st. distinguishing pendant, 5,4,0,7 in the post 1840 edition of a tain arr at s ode, this signifies Idas. Idas was of 706 ton capacity and 144 feet in length and owned by Klingender Brothers, merchants and shipowners of Liverpool although she was built in USA in 1848. Several owners later she was registered as wrecked in 1865. The red house ag of lingender ros., with the initials KB in black on a white diamond corresponds to an approx. date of ownership between 1854 and 1857 when she was commanded by J. Wescott £800-1,200

326 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

119

327

328 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 149

120 329. Circle of Sir Edwin Landseer R.A. A Crimean war scene Oil on canvas 30.5 x 50.5cm; 12 x 19½in £300-500

330. After George Stubbs A horse frightened by a lion Oil on panel 19 x 26cm; 7½ x 10in A copy from part of the original in the Walker Art Gallery £200-300

331. Abraham Hulk Jr. (1851-1922) A shepherdess in a river landscape Signed Oil on canvas 61 x 40.5cm; 24 x 16in £200-400

329

332. English School 19th Century iver landsca e with fishermen examining a fishing net Oil on panel 22 x 16cm; 8¾ x 6¼in Provenance: Leggatt Brothers, London, o. 28 27 £150-250 330

331 333. H. D. Hillier (19th Century) Evening, Loch Katrine, Scotland Signed, also signed and titled verso Oil on canvas 43 x 33cm; 17 x 13in £200-300

332

333 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

121 334. Edouard Woutermaertens (Belgian 1819-1897) Sheep at pasture Signed, also signed, inscribed and dated 18/12/89 verso Oil on panel 36.5 x 50cm; 14¼ x 19¾in Provenance: Kortrijske Dierenschilders van de 19DE eeuw, Stadhuis Kortrijk, 8 July 12 September, No. 27 (on a label verso) £700-1,000

334

336 335. William Huggins (1820-1884) A jenny and her foal Signed and dated 1878 Oil on board, circular 36cm; 14in diameter £800-1,200

335

336. John Barker (1811-1886) Donkeys by a wooded stream Signed Oil on canvas 61 x 92cm; 24 x 36in £200-400

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

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337

338

337. Attributed to John Ritchie (act.1858-1875) Mon amour pour Marianna vivera toujours Titled, also signed indistinctly and dated 54 Oil on canvas 45.5 x 56cm; 14 x 22in £500-800

338. W. Anderson (c.1856) Kelp Gatherers Signed and dated 1856 Oil on canvas 36 x 30.5cm; 14 x 12in £400-600

339. André Cortes (French 19th/20th Century) Cattle watering near a cottage; Cattle watering near shepherd and sheep A pair, both signed Both oil on canvas Each 41 x 54cm; 16 x 21¼in (2) £600-800

339 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

123 340. William Hughes (1842-1901) Still life of fruit and a decanter on a silver salver with a copy of the Leisure Hour magazine Signed and dated 1867 Oil on canvas 51 x 61cm; 20 x 24in Provenance: Christie’s, 5 October 1984, Lot 97 £800-1,200

340 341. Moses Haughton Sr. (1734-1804) Still life of a melon, grapes, peaches and plums Signed and dated 1794 Oil on panel 44 x 55cm; 17¼ x 21½in Provenance: Sotheby’s, London, 21st March 2001, Lot 113 £800-1,200

341 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

124 342. William Stephen Coleman (1829-1904) oung girl with owers a re ecting ool Signed Oil on canvas 41 x 51cm; 16 x 20in £500-800

342 343. ‡ Lauritz Sörensen (Danish 1882-1968) after Titian Sacred and profane love Signed and inscribed Kop. n. Tizian Oil on board 55 x 115cm; 21½ x 45¼in £300-500

343 344. Joseph Bouvier (French 1839-1888) Portrait of a young lady in a feathered hat Signed Oil on canvas 25 x 18cm; 10 x 7in £250-350 345. Continental School 19/20th Century Portrait of a Puritan gentleman, head and shoulders wearing a black hat With ESK stamp lower margin Oil on canvas laid down on board 56 x 44cm; 22 x 17¼in £300-500

344

345 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

125 346. Raymond Moretti (French 1863-1913) A cardinal and two lady musicians in an interior Signed Oil on canvas 38 x 56cm; 15 x 22in £1,500-2,500

346 347. Henry Sykes (1855-1921) An elderley couple the fire Signed and dated 1880 Oil on canvas 56 x 68cm; 22 x 26¾in £1,000-1,500

347 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

126 348. Robert Brydall (Scottish 1839-1907) Possibly a scene from Morte D’Arthur Signed and dated 1871-2 Oil on canvas in an arched slip frame 61 x 48cm; 24 x 19in £800-1,200

349. Sir William Fettes Douglas P. R.S.A. (1822-1891) The kitchen maid Oil on panel 14 x 19.5cm; 5½ x 17¾in £500-700

350. Charles Leslie (American/British 1794-1859) At the Tomb Signed and dated 1857 Oil on canvas 46 x 58.5cm; 18 x 23in With an interior scene with a dog and cat by Henry Bowler (2) £200-300

348

349

350 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

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351 351. Henry William Banks Davis (1833-1914) The waning Year Signed and dated 1904 Oil on canvas 84 x 154cm; 33 x 60½in £1,000-2,000

353. Edwin Hayes (1819-1904) Shipping off the coast Signed Oil on canvas 41 x 61cm; 16 x 24in £300-500

352. o lot

353 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

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354

356

355 354. E. Colman (19th Century) Dogs and a monkey in the festive spirit Signed Oil on canvas 45 x 60.5cm; 17¾ x 24in £500-800

355. Bessie Bamber (19/20th Century) Five kittens Signed with initials and dated /08 Oil on mahogany panel 22.5 x 53.5cm; 9 x 21in £200-300

356. Follower of Sir Edwin Landseer P.R.A. ead of a ewfoundland dog Oil on canvas 20 x 15cm; 8 x 6in £200-300

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357

358 357. Hermanus Koekkoek (Dutch 1815-1882) Shipping at anchor on a calm sea Signed and dated 1836 Oil on canvas 30.5 x 40.5cm; 12 x 16in £2,000-3,000

358. William Callcott Knell (1830-1880) orning fishing oats in the hannel Signed and dated 1873 Oil on canvas 30.5 x 60.5cm; 12 x 24in £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

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359

360 359. Alfred de Breanski (1852-1928) The Manor Pool, Evening, Cookham Signed and dated 1898 Oil on canvas 53 x 94.5cm; 21 x 37in £1,000-1,500

361 360. William Henry Mander (1850-1922) fisherman in a highland river landscape Signed Oil on canvas 25 x 36cm; 10 x 14in Provenance: Stern Art Dealers, London, 2 th Jul 997, o. 34 £400-600

361. John Collier (1850-1934) eached fishing oat with a view of Whitby Signed Oil on canvas 40.5 x 61cm; 16 x 24in £400-600

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

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362

363 362. Alfred Augustus Glendening (1861-1907) The river Thame at Whitchurch Signed and dated 1902 Oil on canvas 30 x 51cm; 12 x 20in £1,000-1,500

364 363. E. G. Miller (19th Century) A rest from the harvest Signed Oil on canvas 30.5 x 46cm; 12 x 18in £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

364. Charles Collins (1851-1921) attle in a cornfield Signed and dated 1882-3 Oil on canvas 56 x 69cm; 22 x 27in £400-600

132 365. Clarence Henry Roe (1850-1909) Rustics resting by a highland stream Signed and dated 1894 Oil on canvas 76 x 127cm; 30 x 50in Provenance: Stern Art Dealers, London, 12th August 1999 £700-1,000

366. Octavius Thomas Clark (1850-1921) Figures on a track by a country cottage Signed Oil on canvas 53 x 43cm; 21 x 17in £200-300

365

367. English School 19th Century A woman gathering wood and some fishermen in a river landscape Oil on canvas 58 x 41cm; 23 x 16in £300-400

368. Follower of David Cox Figures in a landscape A pair, both oil on panel Each 16.75 x 29cm; 6½ x 11½in (2) £300-400

366

367

368 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

133 369. G. W. Smith (New Zealand act c.1887-1905) Tranquility, Sunset Buffallo Mountains, Victoria [Australia]; Evening Shadows, Barren Peaks, Arthur River, ilford Sound . . A pair, both signed and dated 1849 and 1842 Both oil on canvas Each 46 x 76cm; 18 x 30in (2) Provenance: Stern Art Dealers, London, 10th May 1994 £800-1,200 370. Benjamin Eastlake Leader (1877-1916) An Alpine Valley - Bright Morning Signed and dated 12 below mount Oil on board 30 x 40.5cm; 12 x 16in (much obscured by frame) Provenance: Royal Institute of Oil Painters With a study of a rocky rivulet by the same hand (2) £150-250 371. Alexander Scott (1872-1932) South sland, ew ealand Signed, also signed and titled on stretcher verso Oil on canvas, unframed 15 x 20cm; 6 x 8in £250-350

369

370 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

371

134

372 372. Manner of A. Maffei, 20th Century Still life of tulips and other owers in a vase with a shell and utter Bears signature Oil on canvas 120 x 89cm; 47 x 35in £400-600

373

373. Elizabeth King (19/20th Century) Still life of summer owers in a stoneware vase Signed, also signed and titled all o ers on a label verso Oil on canvas 53 x 43cm; 21 x 17in Provenance: Label verso inscribed Bought at L’pool Autumn Exhibition 1921, No. 951 £300-500

374

374. English School 19th Century Still lifes of owers in vases A pair, both oil on canvas Each 30 x 24cm; 12 x 9½in (2) £300-500

375. M. G. Burnett c.1888 Still life of vegetables Signed Oil on canvas 56 x 66cm; 22 x 26in Provenance: Examined School of Kensington stamp verso, Advanced Section ri es onl , lass o. , 1888, Reg. 57, Stage 15 £250-350

375 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

135 376. Laurent de Beul (Dutch 1821-1872) The end of the day Signed and dated 1862 Oil on panel 51 x 70cm; 20 x 27½in £800-1,200

376 377. ‡ Frank Moss Bennett (1874-1953) The Royal Sovereign Signed and dated 1949 Oil on canvasboard 26 x 36cm; 10 x 14in £1,000-1,500

377

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378 378. Félix Joseph Barrias (French 1822-1907) Young Jewish woman in traditional dress and wearing a hennin Oil on canvas 65 x 54cm; 25½ x 21¼in £500-700

379 379. English School c.1894 Portrait of a young lady in a green hat and dress holding a cane Signed with a monogram WLC and dated 1894 Oil on canvas 85 x 55cm; 33½ x 21½in £400-600

380. Emily M. Merrick (1843-1921) Study of an Arab Signed upper right Oil on canvas 41 x 33cm; 16 x 13in The artist was based in London and exhibited at the Royal Academy between 1879 and 1893 £400-600

381. Max Bruckner (German 1836-1919) Figure by a river in the moonlight Signed Oil on canvas 35 x 46cm; 13¾ x 18in £300-500

380

381 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

137 382. Studio of Jean Beraud A romantic note Oil on canvas 70 x 60cm; 27½ x 22in £700-1,000

383. P. Juette (19th Century) Celebration day, Paris Signed Oil on canvas 24 x 32.5cm; 9½ x 12¾in £400-600

384. Matteo Lovatti (Italian 1861-c.1909) L’Opéra, Paris Signed with a monogram Oil on panel 23 x 21cm; 9 x 8¼in Provenance: rtist s la el verso, o. 83 £400-600

382

383 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

384

138

385

387

386

388 Each lot is subject to a buyerâ&#x20AC;&#x2122;s premium of 25% plus VAT at 20%

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389 385. Alphonse Etienne Dinet (French 1861-1929) Astyanax frightened by his father, Hector in armour, from the Iliad, book 3 Signed indistinctly Oil on canvas 40 x 30cm; 15¾ x 11¾in Provenance: The collection of the artist Charles James Theriat Christie’s, South Kensington approximately 20 years ago Painted in Grez-sur-Loing, France £1,000-1,500

386. Arcadi Mas y Fondevilla (Spanish 1852-1934) Matador Signed and dated 1894 Oil on panel 20 x 11.5cm; 8 x 4½in £300-500 387. French School 19th Century Portrait of a girl seated on a wall, wearing pink Oil on panel, unframed 33 x 23.5cm; 13 x 9¼in £120-180

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

388. A. Gobi (19th Century) Admiration Signed Oil on canvas 63.5 x 41cm; 25 x 16in Provenance: The Cider House Galleries, Surrey, o. 39 9 £200-300 389. André Paulin Bertrand (French 1852-1940) Cote d’Azur Signed Oil on canvas 54 x 73cm; 21¼ x 28¾in £1,000-1,500

140 390. William Knox (1862-1925) Spindrift, evening light Signed Oil on canvas 51 x 76cm; 20 x 30in Provenance: Gladwell & Co., London Spindrift was designed and built by Charles Connell’s Glasgow yard on behalf of James Findlay of Greenock. She was a composite vessel ie. an iron frame with wooden planking, weighed 899 tons net and measured 219.5 feet long.

390

Launched on 18th July 1867 Spindrift soon proved herself one of the fastest of the tea clippers. In 1868 Spindrift was the winner of the Tea race from Shanghai with a passage of 97 days. On her return to Shanghai she was wrecked off Dungeness soon after setting sail. £200-300 391. N.A.W. Kowalski (20th Century) Carriages in the snow at dusk Signed Oil on canvas, unframed 30 x 50cm; 12 x 19½in £150-250 392. Follower of Henry Herbert La Thangue Loading the Haycart Oil on canvas 41 x 61cm; 16 x 24in Provenance: The Property of a Private Collector £300-500

391

392

393. Joseph Schippers (1868-1950) Moonlit coastal scene Signed, also signed and dated 1940 verso Oil on panel 27 x 43.5cm; 10½ x 17in £300-400

393 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

141

394 394. Alexander Mann (1853-1908) A break from work Signed Oil on canvas 61 x 50.5cm; 24 x 20in £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 149

142 395. ‡ Renato Natali (Italian 1883-1979) An altercation at the tavern Signed Oil on board 34.5 x 48cm; 13¾ x 19in £500-700

395 396. French School late 19th Century Horse drawn carriages in a Paris street Oil on panel 20 x 25cm; 8 x 10in £150-250 397. John Reed Murray (1861-1906) Cattle in an orchard Signed Oil on board 15 x 22cm; 6 x 8¾in £200-300

398. ‡ Henrijk Tellos (Polish 19/20th Century) Sankami dodomu, Sleigh home Signed and dated 1936 Oil on canvas 35 x 42cm; 13¾ x 16½in Provenance: Christie’s, Le Bois Muralt, 18/19 January, 2000, Lot 316 Exhibited: Instytut Propagandy Sztuki label verso £100-150

396

397

398 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

143

INDEX OF ARTISTS losterman, ircle of John oleman, William S ollier, John ollingwood, William ollins, harles olman, onsta le, Jane ontinental School 98, 2 oo e, John oo er, raham oswa , ttri . to ichard ox, avid ox, Foll. Of avid ristall, Joshua rosse, ichard rui shan , ttri . to William

A f ec , William ldin, ecil W llan, Sir lexander llori, ristofano ltissimo, ristofano di Pa i dell nderson, W nderson, William ngel , S de rmour, eorge ustrian B am er, essie ar er, John arret Jr, eorge arrias, Felix J asire, James ates, avid aumgartner, Peter eeldma er, driaen elle, Foll. Of lexis S ennett, Fran entle , harles eraud, Studio of Jean erchem, Foll. Of icolaes erc , fter William ergen, ir van ertrand, ndr P irch, Samuel J ogdani, ttri . to Ja o oldrini, eonardo olswert, Schelte orch, fter erard er oucher, Foll. Of Francois ouvier, Jose h ra a on, ercules reans i, lfred de right, enr ritish School romle , John rouwer, Foll. Of driaen ruc ner, ax ruhl, ouis r dall, o ert uc ler, John urnett, . usse , eu en C ades, iuse e affieri, ector allot, Jac ues allow, John allow, William ameron, ugh ant ier, Johan O armichael, John W a le , eville ha ot, harles, William hinner , Foll. Of eorge lar , Octavius levele the ounger, ircle of John levele the ounger, John leverle , John

48 2 2 7 99 338 284 9 4, 97, 292

3 33 73 378 2 3 3 7 223 4 377 4 382 232 7 239 389 49 23 94 9 2 9 4 344 4 3 9 3 8 ,3 9 43 2 38 22 348 2 37 2 2 3 9 23 3 8 ,8 2 3 2 7 4 7 8 249 3 4 2 3

74 2, 342 3 2 3 4 3 4 4 , 2 8, 24 , 34 272 27 2 29 3 8 9 84 37

D avis, dward 3 avis, W 3 evis, nthon 28 iet sch, ttri . to ar ara 38 inet, l honse 38 oc ree, ar 32 odd, ouis 287 ommersen, Pieter 322 orign , Sir icholas ouglas, Sir William F 349 ovaston, argaret 3 3 uncan, dward , 7 r ino, fter S 93 utch School 4 , 7, 9, 2 8, 22 , 22 , 222, 22 , 233, 289, 29 c , fter Sir nthon an , 3 er, William 2 E ddis, den ton 2 8 dgar, James 2 4 liott, arr 3 lliott, Frederic 8 ngleheart, eorge nglish School 3, , 9, , 8 , 8, 29, , , 7 , 7 , 77, 8 , 82, 8 , 87, 23 , 24 2 , 2 9, 2 8, 279, 282, 28 , 288, 294, 3 4, 3 8, 3 , 32 , 328, 332, 3 7, 374, 379 ver roec , ircle of Frans van 23 F Facius, eorg S 7 Faed, fter homas 283 Farrington, Jose h 22 Ferrari, anner of regorio de 42 Fielding, 27 Fisher, John Fitton, . edle 3 Flemish School 2 Fli et, 24 Florentine School 4 Fondevilla, rcadi as 38 Foster, les Frame 39 Francesca, anner of Piero della 92 French School 7, 33, 47, 2, 8, 72, 2 , 387, 39 Fuger, einrich F 4

G aisser, ax ardner, ev J ascars, Foll. Of enri il ert, W J illemans the lder, ttri . to J P irtin, ttri to. homas irtin, Foll. Of homas lendening, lfred lover, Foll. Of John o i, ottlie , Johann ould, fter John rant, ircle of Francis rant, Sir Francis ree School reenawa , ate H aden, Se mour amilton, Foll. Of ugh ancoc , ttri . to harles ard , Frederic ard , homas artland, l ert aughton, oses a , William a es, dwin a ter, John effner, arl illier, ol ien, fter ans ollar, ttri . to Wenceslaus ollowa , homas onthorst, errit van owitt, William S uggins, William ughes, William ul Jr, raham ul , raham I ndian School talian School

37 2 9 2 2 2 9 8 3 2 289 388 7 3 88 24 28, 3 28 7 2 3 3 3 82, 83 42 34 3 3 2 3 32 333 3 2 9 7 33 34 33 324

9 , 97, 98, 99, , 8, 43, 2 4

J Janitsche , J Johnson, ornelius Johnson, Foll. Of ornelius Johnstone, enr J Juette, P

248 2 7 8 383

K atchadourian, Sar is earse, ar ell , Samuel ing, li a eth inniard, enr J nell, William neller, ttri . to Sir odfre neller, Studio of Sir eoffre nox, William oe oe owals i, W

9 3 24 373 4 3 8 9 79 39 3 7 39

144

INDEX OF ARTISTS L andseer, ircle of Sir dwin andseer, Foll. Of dwin angle , William anglois, J awrence, Studio of Sir eader, en amin ear, dward eslie, harles ovatti, atteo un , homas uscom e, enr on, anner of de M acullum, John affei, anner of ander, William ann, lexander artin, avid artini, a nard, homas c uff, ttri . to William el e, ilhelm ercier, ircle of Philli e erric , mil etsu, fter. a riel iller, ole, ttri . to John onam , Foll. Of P oratti, iuse e orland, Foll. Of eorge orland, eorge uc le , William J uller, William J urra , John N atali, enato eer, Foll. Of ert van der icholson, Francis is it, o ert oel, ustave oort, J P Page, enr Palau, l ertina Palmer, Samuel Pa ne, William Persian School Perugino, fter Pietro Pesne, Jean Phili s, harles Pollard, Foll. Of James

329 3 3 2 27 , 27 83 37 9 , 92, 93 3 384 2 4, 2 , 2 3 7 2 4 3 372 3 394 8 8 89 3 3 9 7 38 234 3 3 9 23 34 273 274 39 2 7 397 39 22 , 228 7 33 2 3 3 3 , 32 72, 29 94 8 4 78 28

Poussin, fter icholas Powell, harles Priest, lfred Pritchett, dward Prout, Samuel Puga, ttri . to ntonio R a ner, ouise e nolds, fter Sir Joshua e nolds, Foll. Of Sir J e ia, Felice ichards, ttri . to John ichmond, eorge ichter, fter enr iesener, Foll. Of enri F ile , ttri . to John imington, W itchie, ttri . to John o ins, homas S oe, larence omne , Foll. Of eorge osa, ttri . to Salvator u ens, fter Peter P u ens, anner of Peter P ussian School u ssen, icholas J S Salvi, Studio of iovanni Sangiorgi, icolas Sant, James San io, fter a hael Scar orough, Frederic W Schi ers, Jose h Schmitt, uido P Scott, lexander Scottish School Sedgric , 2 th entur Serres, ttri . to John Shalders eorge Shelle , Samuel She heard, eorge She herd, Stanfield Smith, W S rensen, aurit Stannard, enr J S Stoc ler, manuel Stoc lin, hristian Stothard, fter harles Stothard, ttri . to Strang, William Stu s, fter eorge S es, enr

4 237 47 297 7 2 3 34, 3 9 9 29 277 8 3 44 7 27 337 3 2 4 9 2 243, 244, 24 , 247 2 9 8 3 4 3, 2 393 2 7 37 3 29 299 49

3 9 343 , 3 , 32 224 2 2 38 33 347

T ellos, enri hangue, Foll. Of a hom, ttri . to Staff Surgeon hors, Jose h il orgh, illis an intore, ttri . to Simone orelli, our, fter aurice uentin de la udga , John V ander an , John arle Snr, John arle the lder, Foll. Of John elde, Foll. Of Willem van de er oec hoven, ouis ernet eronese, anner of Paolo erreist, ttri . to erman icente, Foll. Of Simon illani, onstantino incent, eorge ol ato, iovanni W Waite, o ert Wal er, Foll. Of o ert Watts, Frederic W We , James We er, John Westall, William Whistler, James Wh m er, harles Wicart, icolaes Wi ngaerdt, nthonie J Wilson, ichard Windmaier, nton Wingfield, James Wint, ttri . to Peter de Wint, Peter de Wolesle , arnet Worsle , harles Woutermaertens, douard Wouwerman, Foll. Of Phili s Wouwerman, anner of Phili s Wright, thel W c , ircle of Jan W llie, Foll. Of William W llie, William Z uccarelli, Foll. Of Francesco

398 392 89 278 2 7 2 2 73 48 293 4 7 79 227 323 44 8 242 9 28 3 23 8 77 327 74 37, 3 87 3 84 32 2 , 78 2 3 334 2 3 2 2 2 2 298 2 , 2 , 27 229

Tribal Art & Antiquities Wednesday 19th September 2018

A 19th century hei-tiki pendant, New Zealand, 10cm high Estimate: ÂŁ4,000-6,000

ENQUIRIES: Will Hobbs | Tel:+44 (0)1722 339752 wh@woolleyandwallis.co.uk

FURNITURE, WORKS OF ART & CLOCKS Wednesday 3rd October 2018

A rare George II Irish mahogany side chair Estimate: Â£1,000-1,500

ENQUIRIES: ar

uan ichards | Tel:+44 (0)1722 411854 | myr@woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTURY ART Tuesday 4th December 2018

ENTRIES ARE NOW INVITED Mary Fedden RA (1915-2012), Still life, Lansdowne Crescent, [Bath] Signed and dated 1981, oil on canvas, 51 x 61cm Estimate: Â£6,000-8,000 ENQUIRIES: ictor Fauvelle | Tel:+44 (0)1722 446961 | vf@woolleyandwallis.co.uk Jo utler | Tel:+44 (0)1722 446962 | jb@woolleyandwallis.co.uk

148

Auction Information OPENING HOURS Monday to Friday 9am â&#x20AC;&#x201C; 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can e taine fr t e ffice eit er ring t e ie r n the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US ll fir t ti e er nee t regi ter it Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of i entificati n 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address can regi ter in er n r c ntacting t e ffice n 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrange ent it t e ffice BUYERâ&#x20AC;&#x2122;S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 0 incl i e) n t e fir t 500 000 an 2 l VAT @20% (14.4% inclusive) thereafter.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via thesaleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.thesaleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2 c nfir t at are a t ri e t r i e t e e cre it card details to Woolley and Wallis Salisbury Salerooms Ltd through www.thesaleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds terling f are a fir t ti e er e ill nee r name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept car a ent f er 000 ere t e car l er i n t present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 redit cards Visa or Mastercard e it cards Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee f 20 ( ) er c n ign ent an a t rage c arge f 2( ) er l t er a g ill e all e t e collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked in the catalogue are subject to the UK firear tg n licencing regi e an a nl e ie e and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

150

FO 1.

O FO

ntroduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

genc . As auctioneers we usually contract as agents for the seller e i entit f r rea n f c nfi entialit i n t n r all i cl e Accordingly if you buy your primary contract is with the seller.

stimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense efiniti e

he urchase rice. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on t e fir t 500 000 an 2 l 20 ( 4 4 ) incl i e t ereafter

. †) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the er e a ine t e g iti nall in ecifie circ tance l t misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression eli erate f rger i efine in r C n iti n f ale) lectrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a alifie electrician fir t x ort of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. an ( ) et er t ere i an ecific r i iti n n i rting t e g in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

idding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration f r ef r f i entificati n ill e re ire if are n n n to us. Please enquire in advance about our arrangements for telephone bidding.

10.

ommission idding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission i t e a cti neer a refer t e fir t i recei e lea e en ire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11.

ethods of Pa ment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss it r Office in a ance f t e ale if t er et f a ent are envisaged (except cash).

12.

ollection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

nter retation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

ommission is charged to sellers at the following rates: 15% + VAT on eac l t l f r t 0 n eac l t reali ing 000 an above.

emoval costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

oss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

llustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked fir t ec rig t in re ect f c ill trati n all e t e r ert of us, the auctioneers, as is the text of the catalogue.

inimum ids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been t e a er rice f ecificall gi e i creti n e a acce t a bid of up to 10% below the formal reserve.

S OF O S

FO S

eserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

lectrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the c t f te ting e ternal c ntract r n t certifie a afe an electrician (unless antiques) will not be accepted for sale. They must be re e at r e en e n r eing n tifie e re er e t e rig t t dispose of unsafe goods as refuse, at your expense.

Soft furnishings. The sale of soft furnishings is strictly regulated by tat te la in t e intere t f fire afet f n t infringe afet regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10.

escri tions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

151 11.

nsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and ought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13.

14.

onditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. uthorit to deduct commission and ex enses and retain and interest.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our aler it t fficient ale in tr cti n an re er e t e rig t t a e ini are ing c arge f 2 er l t er a n l l t are subject to the same charges if you do not remove them within a rea na le ti e f n tificati n f n t re e it in t ree ee e reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be a e C r c e e fi e ee after t e ale nle t e er has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. O S OF S Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

O S

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) r etc refer t t e er a i entifie in C n iti n 2 (h) The singular includes the plural and vice versa as appropriate.

P O

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3.

S Bidding increments shall be at the auctioneer’s sole discretion.

remium

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent t r rig t t retain eneficiall t e re i ai t e er in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

S P

The Buyer shall pay the hammer price together with a premium thereon f 25 l 20 (t talling 0 incl i e) n t e fir t 500 000 and 12% plus VAT @20% (14.4%) inclusive thereafter. 5. Value Added Tax on the hammer price is imposed by law on all items affi e it a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6.

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

O OF P

S S

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or u on the clearance of an che ue used for a ment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8.

S FO S S

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be re n i le f r an re lting eficienc in t e t tal a nt e (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in r e i n f r an r e ntil t e e t e i ati fie (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

P All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

152 10.

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Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall ea e t a e caref ll in ecte an ati fie t e el e a t it condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we re er e t e rig t in r a l te i creti n t refer t e fir t i a e 11. W

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13.

P O S

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FO

Notwithstanding the preceding Condition, any lot which proves to be a eli erate f rger (a efine ) a e ret rne t it in 2 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue e cri ti n an a ritten tate ent f efect f e are ati fie fr t e evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that ( ) if t e catal g e e cri ti n re ecte t e acce te ie f c lar an experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the enefit f e l ee an agent f t e eller an r t e a cti neer a themselves enforce them. 18.

n n tice t an er eller i er r ie er a e gi en fir t cla mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

P S,

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(a)

(b) (c) (d)

S OF S The seller acknowledges that lots are sold subject to the stipulations of these C n iti n in t eir entiret an n t e er f C n ign ent a n tifie t the consignor at the time of the entry of the lot.

14.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

(e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle f ar ear n r ini n a r an a et ni entifie t distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

O S

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not i entifie title n r t l n t ect t ret rn S S

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

153 PRIVACY NOTICE FOR CUSTOMERS W

O S

This privacy notice ( otice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolle Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services ( ou, our). It also explains your rights in relation to the personal data we hold about you. i

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Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 ( P ) and, once in force, the General Data Protection Regulation ( P ). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: t ri ac Officer lle an 61 Castle Street, Salisbury, SP1 3SU. e ail •

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From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: - other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us. O

S OF P

•

• • • • •

your name and contact details including address, telephone and email address; your image, as captured by CCTV, if you attend our premises; er nal i entificati n c ent incl ing c ie f g ern ent i e i entificati n c a a rt an ri ing licen e ic are required to register bidders (or when we need to verify a seller’s details); account details and other information relating to your transactions/ dealings with us and your use of our Services; payment details such as credit card and bank account details; credit and payment history (where you open an account with us as a buyer or bidder); information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

S S FO P O SS W O W S W

ill e n tifie t O

, OW W

O S PW

to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. S S We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: •

• • • •

• • •

We may collect the following personal data about you: •

ignificant c ange

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: •

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We collect your personal data from the following sources: •

By telephone – +44 (0)1722 424599 OW W

to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; to deal with any concerns or feedback you may have in the performance of the Services; for our internal business record keeping and processes; to seek advice on our rights and obligations, including obtaining legal advice; to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; to customise our website and marketing communications in line with your particular interests or preferences; to collect money owed to us or our consignors; to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following: • • • • •

our professional advisors; thesaleroom.com; debt collection agencies; third parties who assist us with our marketing; our website and email management software provider. O

O S

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • •

to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

154 O S

P OF

e a al r ce r er nal ata ere e a e r ecific c n ent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above. Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SP

S OF P

We process special categories of personal data for the following reasons: •

if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

•

if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). If you consent to us processing information in relation to your health for these purposes, then please indicate this by ticking the box below. You may withdraw r c n ent at an ti e c ntacting t e ri ac Officer ing t e c ntact details provided at the start of this Notice. I consent to Woolley and Wallis processing information in relation my health condition(s) in order to make reasonable adjustments, including in relation to access requirements to their premises;

I CONSENT ________________________________________________________

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above. OW O

S OF

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

In particular: •

in relation to CCTV images taken when you attend our premises, we will retain these for a few months; in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; in relation to personal data relating to the provenance of works, we may retain t at ata in efinitel in r legiti ate intere t an t e legiti ate interests of the wider art market in maintaining the integrity of that market.

•

Under the DPA you have the following rights: • • • • • •

• •

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

to obtain access to, and copies of, the personal data that we hold about you; to require that we cease processing your personal data if the processing is causing you damage or distress; to require us not to send you marketing communications. to require us to correct the personal data we hold about you if it is incorrect; to require us to erase your personal data; to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); to receive from us the personal data we hold about you which you have r i e t in a rea na le f r at ecifie incl ing f r t e purpose of you transmitting that personal data to another data controller; to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. f are n t ati fie it e are r ce ing r er nal ata can rai e a c ncern it t e nf r ati n C i i ner can al fin t more about your rights under data protection legislation from the Information C i i ner Office e ite a aila le at www.ico.org.u

155

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all c nfi entialit are ara nt

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AMESBURY & MARLBOROUGH

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CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that t e al ati n i ecificall tail re t in i i al client’s needs.

NEW ST REET

T ST ANN S

SOUTHAMPTON CATHEDRAL

Woolley & Wallis Salerooms

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Woolley and Wallis valuations are accepted by all leading insurance companies.

NEW H

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A338 BOURNMOUTH & RINGWOOD OW

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A354 DORCHESTER WEYMOUTH & BLANDFORD

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Contact Amanda Lawrence 01722 424509 Old Sarum Park

Westover Garage

Sarum Business Park

Woolley & Wallis Woolley & Wallis 1st Self Access Storage

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Salisbury Salerooms

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A345 Castle Rd

SALISBURY A36

AMESBURY

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please tele ne t e rele ant eciali t r call r ffice on 01722 424500.

Way

Castle Gate

MARLBOROUGH & SWINDON

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof. We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Kia Motors

Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.2998482 VAT No: 631 9832 29 Design & Production by

EXCELLENCE IN DESIGN & PRINT

156

Woolley & Wallis Absentee Bid Form Old Masters, British & European Paintings Tuesday 11th September 2018 PW

9 8

P Lot Number in numerical order

Please id, on m ehalf, for the undermentioned lots u to the rices shown which do not include the u er s remium or an . . . a a le on lots. hese ids are to e executed as chea l as is ermitted other ids, and or reserves if an , and su ect to the onditions of Sale rinted in the atalogue. Please note we cannot guarantee that ids received after 4 m on the da rior to the auction will e executed.

Billing Name (please print) ____________________________ ____________________________________________________ Address ____________________________________________ ____________________________________________________ ____________________________________________________ _________________________ Postcode _________________ Daytime Telephone __________________________________ Email_______________________________________________ All accounts must be settled within 21 days. ID is required f r all fir t ti e i er Signature ___________________________________________

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

S P

O Brief Description

S Price excluding buyerâ&#x20AC;&#x2122;s premium & VAT

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Marta Olszewska

424505 446955 424506 +44 (0)7812 601098 424591

CHINESE PAINTINGS Freya Yuan-Richards

424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JAPANESE ART Alex Aguilar Doméracki

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Hollie Morrison

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424509 424598 446960 424590 424500 424500

424500

CASTLE GATE MANAGER Matt Hill

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

TRIBAL ART & ANTIQUITIES 19th September 2018 Will Hobbs +44 (0) 1722 339469 • wh@woolleyandwallis.co.uk

SILVER 30th October 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk

CASTLE GATE RECEPTION Madeleine White

COMPANY SECRETARY Natalie Milsted FCCA

424599

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS TUESDAY 11TH SEPTEMBER 2018

P AINTINGS T UESDAY 11 TH S EPTEMBER 2018