Woolley & Wallis Auctioneers

WEDNESDAY 4TH SEPTEMBER 2024

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Victoria Sturgeon 446970

Heidi Easton 446970

20TH CENTURY DESIGN

Michael Jeffery 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART | ANTIQUITIES

Will Hobbs 339752

Georgina Way 446980

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan-Richards 424589

Jeremy Morgan +44 (0)7812 601098

Michelle Yu 424571

Olivia Jones 424591

Nelson Chui 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

Clare Durham 424507

Hollie Morrison 446964

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan-Richards 424589

Michelle Yu 424571

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan-Richards 411854

Neil Grenyer MRICS 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

JAPANESE WORKS OF ART

Alexandra Aguilar 424583

Olivia Jones 424591

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Samuel Hug FGA DGA 424586

Megan Corbett

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Georgina Way 446980

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Jacob Carpenter 446957

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA 424502

Neil Grenyer MRICS 446972

Frances Woodhams

Hannah Farthing (Trainee valuer)

CLIENT SERVICES

Ruth Pike (Office Manager) 424500

Sarah Bennie

Julie Langstaff

Gemma Pointer

MARKETING

Chloe Davie 44695

ACCOUNTS

Ania Antkowiak

BOARD OF DIRECTORS

John Axford MRICS

Chairman

Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS

Alexandra Aguilar

Ed Beer

Ned Cowell

Clare Durham

Victor Fauvelle

Will Hobbs

Samuel Hug FGA DGA

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan-Richards

Mark Yuan-Richards

424565

ILLUSTRATIONS

Front Cover: Lot 867 (detail)

Back Cover: Lot 938 (detail) Catalogue £12.00 (£15.00 by post)

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS

WEDNESDAY 4TH SEPTEMBER 2024

10.00AM

AT OUR CITY CENTRE SALEROOMS, SP1 3SU

PAINTINGS

VIEWING AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park Old Sarum, Salisbury SP4 6QX

VIEWING

Saturday 31st August 10.00am – 1.00pm

Monday 2nd September 10.00am – 4.00pm

Tuesday 3rd September 8.30am – 4.00pm

Wednesday 4th September By appointment

Victor Fauvelle +44 (0)1722 446961 vf@woolleys.live Ed Beer +44 (0)1722 446962 eb@woolleys.live

Victoria Sturgeon +44 (0)1722 446970 vs@woolleys.live

Heidi Easton +44 (0)1722 446970 he@woolleys.live

DIRECTIONS TO THE OLD SARUM GALLERIES

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury SP4 6QX

Client Parking Available

Saturday 31st August 10.00am – 1.00pm

Monday 2nd September 10.00am – 4.00pm

Tuesday 3rd September 8.30am – 4.00pm

Wednesday 4th September By appointment

THE AUCTION ON 4TH SEPTEMBER WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS

51-61 Castle Street, Salisbury SP1 3SU

BUYER’S PREMIUM

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices.

TELEPHONE BIDDING

Requests for telephone bidding cannot be accepted after 5pm on Tuesday 3rd September.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Φ This symbol indicates that an additional levy may apply for this lot –please see our Terms & Conditions, Section 21, for details.

COLLECTION OF LOTS

Collections will be from Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 01722 424500 to make an appointment. Please instruct carriers accordingly.

Collection of sold and unsold lots must be within 21 days of the sale –failure to collect within this time may result in storage fees.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU

Tel: +44 (0)1722 424500 • www.woolleyandwallis.co.uk

LIVE ONLINE BIDDING - FREE OF CHARGE

bid.woolleyandwallis.co.uk

Please register by 5pm on Tuesday 3rd September.

Instagram: @woolleyandwallispaintings @woolleyandwallissalerooms

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MINIATURES LOTS 600-660

600 DUTCH SCHOOL

17th Century

Portrait miniature of a young man in a red jacket with a lace collar

On copper, oval, in a gilt metal frame

100 x 78mm

£200-300

603 λ

AFTER WILLIAM HOME LIZARS

Portrait miniature of Mary, Queen of Scots

Rectangular, in a gilt-painted pierced wooden frame

88 x 64mm

£200-300

606 λ FRENCH SCHOOL 1774

Portrait miniature of a gentleman in a red coat and waistcoat

Signed with initials and dated CS/1774 (lower right)

Oval, in a gilt metal brooch frame with foliate decoration

38 x 32mm

£150-250

601 DUTCH SCHOOL

17th Century

Portrait miniature of a young man, wearing a black coat and lawn collar

On copper, oval, in a gilt-painted wooden frame 124mm x 92mm

£200-300

602

SPANISH SCHOOL

17th Century

Portrait miniature of a gentleman, wearing a brown coat and white collar

Oil on copper 78mm x 66mm

Unframed

£150-250

604

DUTCH SCHOOL

17th Century

Portrait miniature of a gentleman, wearing a black doublet and white collar

Oil on copper, oval, in a white metal frame

88 x 73mm

£100-150

605

ENGLISH SCHOOL

Early 18th Century

Portrait miniature of a gentleman, traditionally identified as Philip Yorke, 1st Earl of Hardwicke (1690-1764)

Oil on metal, oval, in a gilt metal frame

57 x 44mm

£150-250

607 λ

ENGLISH SCHOOL

Mid 18th Century

Portrait miniature of a gentleman in a brown coat and waistcoat

Oval, in a gilt metal frame

22 x 17mm

£100-150

608 MONOGRAMIST NR

act.1770-1772

Portrait miniature of a gentleman wearing a powdered wig

Signed with initials and dated NR/1770 (lower left)

Pencil on card, oval, in a rectangular rosewood and gilt metal frame

50 x 41mm

£100-150

609 λ

ENGLISH SCHOOL

18th Century

Portrait miniature of a lady wearing a white dress and with powdered hair

Oval, in a gilt metal frame, the glazed reverse with a hair back

63 x 51mm

£200-300

612 λ

ENGLISH SCHOOL

Late 18th Century

Portrait miniature of a lady wearing a blue dress

Signed with monogram (lower left)

Oval, in a gilt metal frame with plaited hair back

58 x 48mm

£100-150

615 λ

ENGLISH SCHOOL

18th Century

Portrait miniature of an officer in uniform, his powdered hair en queue

Signed with initials MD (centre left)

Oval, in a shagreen case

35 x 28mm

£150-250

610 λ

ENGLISH SCHOOL

Late 18th Century

Portrait miniature of a lady in a white dress

Oval, in a gilt metal brooch frame, with engraved initials to the reverse

50 x 40mm

£150-250

613 λ

ATTRIBUTED TO RICHARD CROSSE

1742-1810

Portrait miniature of a gentleman, wearing a blue coat and with powdered hair

Signed with initials R.C. (centre right)

Oval, in a gilt metal frame

39 x 33mm

£200-300

616 λ

ENGLISH SCHOOL 1774

Portrait miniature of a gentleman wearing a blue coat with red collar

Signed with monogram and dated 1774 (lower left)

Oval, in a rectangular ebonised frame

39 x 33mm

£200-300

611 λ

MONOGRAMIST V act. c.1778

Portrait miniature of a young woman, wearing a pink dress

Signed with initial V (centre right)

Oval, in a gilt metal frame

36 x 28mm

£150-250

614 λ

CIRCLE OF CHARLES SHIRREFF

Portrait miniature of a gentleman wearing a blue coat and powdered hair

Oval in a gilt metal brooch frame with a split pearl border

38 x 31mm

£200-300

617 λ

ENGLISH SCHOOL

18th Century

Portrait miniature of an officer in uniform with powdered hair

Oval, in a gilt metal frame

42 x 34mm

£150-250

618 λ

CIRCLE OF PETER MAYR

Portrait miniature of a gentleman wearing a brown coat, blue waistcoat and powdered wig

Roundel, in a gilt metal frame

48 x 48mm

£200-300

619 λ

ENGLISH SCHOOL

18th Century

Portrait miniature of a gentleman wearing a yellow coat and white waistcoat

Oval, in a gilt metal brooch frame

42 x 33mm

£150-250

621 λ C. ROTH

18th Century

Portrait miniature of a gentleman dressed in black

Signed C.Roth (centre left)

Oval, in a white metal frame with a clasp in the form of a bow

40 x 34mm

£100-150

622 λ

ENGLISH SCHOOL

18th Century

Portrait miniature of a gentleman in a brown coat and striped waistcoat

Oval in a gilt metal frame, the glazed reverse with gilt metal initials over a hair back

49 x 38mm

£200-300

624 λ

FRANCIS SYKES

act.1746-1763

Portrait miniature of a gentleman wearing a grey coat and white waistcoat

Signed and dated F.Sykes/pinx/1767 (to reverse)

Oval, in a gilt metal frame within a red leather case

33 x 28mm

Provenance:

Bonhams, London, Portrait Miniatures & Silhouettes, 4 March 2003, lot 99

£120-180

620 λ

ENGLISH SCHOOL

Late 18th Century

Portrait miniature of a gentleman wearing a blue coat and white waistcoat

Oval, in a gilt metal frame

53 x 41mm

£200-300

623 λ

ENGLISH SCHOOL

Mid 18th Century

Portrait miniature of a young man wearing a green coat

Signed with monogram (lower left)

Oval, in a gilt metal frame, the glazed reverse revealing a hair back

41 x 34mm

£200-300

625 λ

ENGLISH SCHOOL

18th Century

Portrait miniature of a gentleman in a blue coat (obverse); Portrait miniature of a young boy wearing a mauve coat and red waistcoat (reverse)

Oval, in a gilt metal frame

42 x 34mm

£150-250

626 λ

CIRCLE OF NATHANIEL HONE

Portrait miniature of Mr O’Brion wearing a blue coat and with powdered hair

Oval, in a white metal brooch frame, inscribed Mr O’Brion/1763 (to reverse)

32 x 28mm

£100-150

629 λ

ENGLISH SCHOOL

18th Century

Portrait miniature of a child in a white dress

Oval, in a gilt metal brooch frame, the glazed reverse revealing locks of hair

56 x 44mm

£150-250

632

CANTELOWE W BESTLAND

1763-c.1837

Portrait miniature of Rev William Gray of Stolbridge

Signed with initials and dated CB 1811 (lower left)

Oil on copper, oval, in a rectangular ebonised frame 74 x 59mm

Provenance:

Christie’s, South Kensington, At HomePortrait Miniatures, Objects of Vertu and Silver, 16 March 2004, lot 57 (part lot)

£120-180

627

ENGLISH SCHOOL

c.1800

Portrait miniature of an officer in uniform

On card, oval, in a rectangular ebonised frame

60 x 50mm

£100-150

630 λ

ENGLISH SCHOOL

c.1800

Portrait miniature of a young boy wearing a blue coat

Oval, in a gilt metal frame, the reverse with a lock of hair over a mother-of-pearl back with a green glass border

68 x 57mm

£150-250

633 λ WILLIAM GOSSE

act.1830-1847

Portrait miniature of James Samuel Hartley, wearing a black coat and patterned waistcoat, seated by a desk

Signed, inscribed and dated W. Gosse pinxit Bruton Sept 1847 (to backing paper)

Rectangular, in the lower half of a red leather case with gilt-metal mount 104 x 78mm

Provenance: Sotheby’s, London, 20 December 1971, lot 23; Jean Rogan Collection, France; Christie’s, London, 20 March 1990, lot 93; Christie’s, London, Important Portrait Miniatures and Gold Boxes, 10 June 2008, lot 75

£150-250

628 λ

ENGLISH SCHOOL

c.1800

Portrait miniature of a gentleman wearing a blue coat and white stock

Oval, in a leather case

67 x 52mm

£150-250

631 λ

ENGLISH SCHOOL 1804

Portrait miniature of a gentleman wearing blue coat and white waistcoat

Signed with monogram, and indistinctly dated *804 (centre left)

Oval, in a gilt metal frame the glazed reverse revealing the initial B in embroidered hair

50 x 40mm

£100-150

634 λ

FRENCH SCHOOL

19th Century

Portrait miniature of a gentleman, traditionally identified as Alphonse Lambert, wearing a black coat seated in a green chair

Signed with initials C.H (lower left)

Rectangular, in a gilt metal frame

103 x 78mm

Provenance: Phillips, London, English and European Watercolours and Portrait Miniatures, 7 November 1994, lot 188

£150-250

635 λ CHARLES DUVAL

French 1799-c.1830

Portrait miniature of an officer wearing a black coat with silver buttons

Signed and dated Duval/1827 (centre right)

Oval, in a rectangular ebonised frame

84 x 69mm

£200-300

636

CHARLES-HENRY AUGUSTIN

French 1779-1819

Portrait miniature of a gentleman in profile, wearing a brown coat

Signed, dated and inscribed augustin fils invt & f 1803 (centre), and indistinctly inscribed to backing paper

Watercolour on cut-out card, circular, in a square ebonised frame

65mm diameter

£100-150

638 λ ÉDOUARD DELATOUR

Belgian 1816/17-1863

Portrait miniature of a gentleman wearing a black coat

Signed Ed de Latour (centre right)

Oval, in a gilt metal brooch frame

34 x 26mm

£150-250

639 λ GERMAN SCHOOL

Early 19th Century

Portrait miniature of a gentleman wearing a green coat and striped waistcoat

Oval, in a gilt metal brooch frame with glazed reverse 52 x 45mm

£100-150

641 λ ENGLISH SCHOOL 19th Century

Portrait miniature of a young man wearing a brown coat with black collar

Oval, in a gilt metal frame with gilt metal mount, the glazed reverse revealing a fabric back 44 x 32mm

£100-200

637 λ CONTINENTAL SCHOOL

Early 19th Century

Portrait miniature of a young officer in white uniform

Oval, in a rectangular gilt painted wooden frame 104 x 82mm

£200-300

640 λ FRENCH SCHOOL

c.1800

Portrait miniature of a gentleman wearing a black coat

Oval, in a gilt metal brooch frame, the glazed reverse revealing a hair back 71 x 58mm

£150-250

642 RICHARD KIRKPATRICK act.1812-1817

Portrait of Mr Kirkpatrick; Portrait of Miss J. Kirkpatrick

A pair, both signed with initials RKP

Both pencil on paper, rectangular in a gilt painted wooden frame

Each 141 x 116mm (2)

Provenance: Bonhams, Knightsbridge, Fine Portrait Miniatures, 25 November 2009, lot 212

£100-150

643 λ

FRENCH SCHOOL

19th Century

Portrait miniature of a young lady wearing a feathered hat

Signed Renard (centre right)

Oval, in a rectangular burr wood frame

84 x 69mm

Provenance:

Christie’s, South Kensington, Portrait Miniatures, Objects of Vertu, Selected Silver and Icons, 14 June 2006, lot 19

£150-250

646 λ ALEXANDER SCHÄFER

German act.1832-1860

Portrait miniature of a mother and child

Signed, dated and inscribed A.Schäfer pinx/ Berlin.1845 (to backing paper)

Oval, in a gilt metal frame

108 x 80mm

£100-150

649 λ

A. STEPHENS

b.1790

Portrait miniature of a young girl, aged seven, wearing a white dress

Indistinctly signed, dated and inscribed

Miss Mary Jane V****/aged 7 years/ Taken at Travan July ****/by A Stephens (to backing paper)

Rectangular, in an ebonised frame

69 x 56mm

£150-250

644 λ

FRENCH SCHOOL

Late 18th Century

Portrait miniature of a lady, wearing a blue dress with white fichu and a white lace cap

Oval, in a gilt metal frame with rope twist border

52 x 39mm

Provenance:

Bonhams, Knightsbridge, Fine Portrait Miniatures, 25 November 2009, lot 130 (as Villers)

£200-300

647 λ

GABRIEL ARISTIDE PASSOT

French 1797-1875

Portrait miniature of a lady wearing a white dress

Signed Passot (centre right)

Oval, in a gilt metal frame with ribbon cresting and a mother-of-pearl reverse

48 x 38mm

Provenance:

Bonhams, Knightsbridge, Fine Portrait Miniatures, 19 November 2008, lot 142

£250-350

650 λ

CAMILLE CORNÉLIE ISBERT

French 1825-1911

Portrait miniature of a child, wearing a white dress, holding flowers and seated in a red chair

Signed and indistinctly dated Camille Isbert/18*1 (lower right)

Rectangular with canted corners, in a gilt

metal frame

56 x 58mm

£200-300

645 λ

FRENCH SCHOOL

c.1820

Portrait miniature of a young lady wearing a blue dress

Oval, in a gilt-wood frame

60 x 48mm

Provenance:

Sotheby’s, London, Important Miniatures from a Private Collection, 16 April 2008, lot 122

£150-250

648 λ

ENGLISH SCHOOL

Mid 19th Century

Portrait miniature of a young lady wearing a white dress

Oval, in a gilt metal case inscribed Ellen/1847 (to interior)

Oval

71 x 58mm

£150-250

651 λ ALBERT THEER

Austrian 1815-1902

Portrait miniature of a boy wearing a blue jacket, a red and white striped shirt and a red ribbon

Signed, dated and inscribed Albert Theer/ Wien 1884 (centre right)

Circular, in a gilt metal frame 55mm diameter

Provenance: Bonhams, London, Portrait Miniatures & Silhouettes, 2 September 2008, lot 197

£150-250

652 λ

KARL JOSEF RAABE

German 1780-1849

Portrait miniature of a lady wearing a white dress and tartan shawl

Signed J.Raabe f. 1823 (lower right)

Oval, in a rectangular gilt metal frame with velvet panel and gilt metal and bead mount

84 x 69mm

Provenance:

Gilhofer & Ranschburg, Vienna, 12 May 1937, lot 97; Lempertz, Cologne, 17 May 1996, lot 630; Christie’s, London, Important Portrait Miniatures and Gold Boxes, 9 December 2008, lot 96

Literature:

L. R. Schidlof, The Miniature in Europe (Graz, 1964), II, p.661

£500-700

655 GENEVA SCHOOL

Early 19th Century

Portrait miniature of a lady wearing a brown dress and ribbon choker

Enamel on copper, roundel, in a square wooden frame

58mm diameter

Provenance:

Christie’s, South Kensington, Portrait Miniature, Objects of Vertu, Silver & Russian Works of Art, 13 December 2007, lot 1575

£150-250

658 λ

ENGLISH SCHOOL

Early 19th Century

Portrait miniature of a lady in profile wearing a black dress and white bonnet

Oval, in a gilt metal frame

62 x 52mm

Provenance:

Christie’s, South Kensington, Portrait Miniatures, Objects of Vertu and Silver, lot 23

£80-120

653 λ

ELISABETH BARBARA SCHMETTERLING

Dutch 1801-1882

Portrait miniature of a lady, wearing a grey dress, ruff collard and pearl necklace and earrings

Signed and dated E Schmetterling 1831 (centre right)

Oval, in a gilt metal frame, the glazed reverse revealing a dog lying beside a tomb 77 x 64mm

Provenance:

Bonhams, Knightsbridge, Fine Portrait Miniatures, 25 November 2009, lot 196

£300-500

656 λ

ANTÓNIO JOAQUIM DE SANTA BÁRBARA

Portuguese 1838-1864

Portrait miniature of a lady wearing a grey dress and with plaited hair

Signed, dated and inscribed A. J. Sta Barbara 1861/Lisboa (centre right)

Oval, in a gilt metal frame

92 x 76mm

Provenance: Bonhams, London, Portrait Miniatures and Silhouettes, 19 February 2008, lot 199

£150-250

659 λ

ANN E. STANIFORTH

act.1821-1834

Portrait miniature of a bearded gentleman wearing a hat

Signed with initials AES (lower right)

Oval in a rectangular ebonised frame

86 x 68mm

£150-250

654

λ CONTINENTAL SCHOOL

Late 18th Century

Portrait miniature of a family in an interior

Signed Rastaini (centre left)

Circular, in a square ebonised frame

73 x 73mm

Provenance:

Bonhams, London, Portrait Miniatures and Silhouettes, 11 September 2007, lot 103

£200-300

657 λ CLARA

HALLER

19th Century

Portrait miniature of a lady wearing a black dress with ringlets in her hair

Signed and inscribed C Haller/artist/93 Strand (to backing paper)

Oval in a rectangular ebonised frame

63 x 51mm

£100-150

660 λ

CONTINENTAL SCHOOL

19th Century

A female nude in a landscape

Rectangular, in a gilt painted wooden frame

104 x 78mm

£150-250

PRINTS

LOTS 661-684

661

HANS BURGKMAIR THE ELDER

German 1473-1531

Three boats carrying troops Woodcut, from Der Weisskunig

22.2 x 19.6cm; 8¾ x 7¾in (sheet) Unframed

Together with Leonhard Beck (German c.1480-1542); The Armies of the King of Feuereisen and of the Old White King Meeting at a River; Woodcut, from Der Weisskunig; 22.4 x 19.7cm; 8¾ x 7¾in (sheet); Unframed (2)

£100-150

662

MICHAEL WOLGEMUT

German 1434-1519

Tolosa (Toulouse)

Woodcut, from Hartmann

Schedel’s Nuremberg Chronicle, 1493, leaf LXXI

21.2 x 23.3cm; 8¼ x 9¼in (sheet)

Unframed

£120-180

663

DOMINICUS CUSTOS

German c.1559-1615

AFTER GIOVANNI BATTISTA FONTANA

Italian 1524-1587

Portrait of Giovanni delle Bande Nere de’ Medici; Portrait of Maximilian, Archduke of Austria; Portrait of Sforzino Sforza, Count of Santa Fiora and Marquis of Castell’ Arquato; Portrait of Federico I Gonzaga, Marquis of Mantua; Portrait of Johann Baptista de Tassis; Portrait of Guido Bentivoglio; Portrait of Henri de Lorraine, Duke of Guise; Portrait of Ferdinando, Count of Nogorola; Portrait of Count Andreas von Sonnenberg; Portrait of Cencio Capizucchi

Ten, each engraving, from Armamentarium Heroicum

Each approx. 42.6 x 29cm; 16¾ x 11½in (plate) (10)

£200-300

661

662

663

664 JOHN CARWITHAM act.1723-1741

A South-East View of the City of Boston in North America

Engraving with hand-colouring

26.4 x 42.8cm; 10½ x 16¾in (image)

£300-500

665 AFTER J.MAURER 1713-1761

A View of the South East Prospect of London from the Tower, to London Bridge; A View of Westminster Bridge from Lambeth; A Perspective View of Covent Garden; A Perspective View of Charing Cross; A Perspective View of Vaux Hall Garden; A Perspective View of the Parade in St James’s Park; Ranelagh House & Gardens with the Rotunda at the time of the Jubilee Ball; The Hospital of Bethlehem; Blenheim House

Nine, each engraving with hand colouring

Each approx. 20.4 x 38.7cm; 8 x 15¼in (image)

Together with S. Torres (act.1750) after Jacques Rigaud (1680-1754), The Royal Palace of Hampton Court; A Prospect of St James’s Park’; Two, both engraving with hand colouring; Each 20.4 x 38.7cm; 8 x 15¼in (image); Each in original ebonised fruitwood frame with giltwood and gesso slip (11)

£200-300

666

GIOVANNI BATTISTA PIRANESI

Italian 1720-1778

Part of the façade of the tomb of Caecilia Metella

Etching

43 x 62cm; 17 x 24½in (plate)

£100-150

667

GIOVANNI BATTISTA PIRANESI

Italian 1720-1778

Veduta del Tempio di Antonino e Faustina in Campo Vaccino

Etching

40.2 x 55.2cm; 15¾ x 21¾in (plate)

£100-150

668

JOSHUA KIRBY BALDREY

1754-1828

The East Window, King’s College Chapel, Cambridge Stipple

107.8 x 55cm; 42½ x 21¾in (sheet)

£50-100

669

CHARLES MERYON

French 1821-1868

La Galerie Notre-Dame

Signed and indistinctly inscribed à Monsieur Paul **** Ch Meryon (in pencil to margin)

Etching

28.3 x 17.4cm; 11¼ x 6¾in (plate)

£150-250

666

667

668

669

672

RICHARD GILSON REEVE

1803-1889

AFTER JOHN FREDERICK HERRING SR 1795-1865

Birmingham, the Winner of the Great St. Leger Stakes at Doncaster, 1830

670

ANDREAS NUNZER

German act.1722-1740 AFTER ENGELHARDT NUNZER act.1690-1733

Twelve scenes of equestrian disciplines

Each engraving, from Georg Engelhard von Loehneyss’ Neu-eröffnete Hof-Kriegs- und Reit-Schul

Each approx. 21.5 x 35.5cm; 8½ x 14in (plate) (12)

£200-300

Aquatint heightened with gum arabic 30 x 41.2cm; 14¼ x 16in (image)

Provenance: Thos Agnew & Sons, London

£100-150

671

AFTER JAMES SEYMOUR 1702-1752

Star, a Running Horse belonging to his Grace the Duke of Bridgewater; Ironsides a famous Hunter belonging to the Earl of Halifax, with his Lordship setting out for a Chace; A groom leading a black horse from a stable; A groom leading a hunter in a landscape; The Chace; Diging for the Fox; The Death of the Fox

Seven, each mezzotint

Each approx. 25.3 x 35.4cm; 10 x 14in (plate) (7)

£150-250

673 AFTER WILLIAM HOGARTH

Four Prints of an Election

Four, the complete set, each engraving

Each 44.1 x 55.8cm; 17¼ x 22in (plate) (4)

£150-250

674

GÉRARD JEAN-BAPTISTE SCOTIN

French 1698-1755

BERNARD BARON

French 1696-1762 and SIMON FRANÇOIS RAVENET

French 1706-1774

AFTER WILLIAM HOGARTH

1697-1764

Marriage a-la Mode

Six, the complete set, each engraving

Each 38.8 x 47.1cm; 15¼ x 18½in (plate) (6)

£200-300

675

VALENTINE GREEN

1739-1813 AFTER MARIA COSWAY 1760-1838

Portrait of Mrs Cosway Mezzotint

45.3 x 32.7cm; 17¾ x 13in (plate)

Together with Attributed to James Cole (fl.1715-1774); The Coblers Daughter of Paris; Mezzotint; 35 x 24.4cm; 13¾ x 9½in (plate); and Jean Daullé (French 1703-1763) after Philibert Benoît Delarue (French 1718-1780); Portrait of Monsieur de Nestier on horseback; Engraving; 48.3 x 37.2cm; 19½ x 14½in (plate) (3)

£200-300

674

673

675

676

WILLIAM HEATH 1795-1840

Parish Characters In Ten Plates by Paul Pry

The complete suite, comprising Mr George Kingthe Parish Overseer; Mr Primate - the Churchwarden; Dusty Bob - the Parish Dustman; Master Fang the Parish Beadle; Attorney in General to the Parish; Master Dogberry the Parish Watchman; One of the Select Vestry; Leo Sacks - One of the Charity Crabs; Caleb Quotem the Parish Factotum; One of the Poor Employed to Mend the High Ways

Each etching with hand colouring, bound in original wrappers

Each approx. 42.1 x 29.3cm; 16½ x 11½in (sheet) (unframed) (10)

£150-250

677

CECIL ALDIN 1870-1935

The Fallowfield Hunt comprising The Hunt Breakfast at the Three Pigeons; Breaking cover; Full Cry; A Check; The Death; The Hunt Supper

Six, each coloured lithograph, four with hand colouring

Each 36.7 x 60.2cm; 14½ x 23¾in (image) (6)

£400-600

678

HERBERT DICKSEE RE 1862-1942

‘Where’s Master?’ - The King’s Wire Fox Terrier ‘Caesar’

Signed in pencil Herbert Dicksee (in pencil to margin)

Etching

39.4 x 57.7cm; 15½ x 22¾in (plate)

£100-150

679

DANIEL HAVELL act.1786-1826

AFTER HENRY SALT 1780-1827

The Pyramids at Cairo; View near Point de Galle, Ceylon; Mucculla in Abyssinia

Three, each coloured aquatint, one with hand colouring, from Twenty-four Views taken in St. Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt

Largest 46.1 x 69.3cm; 18¼ x 27¼in; Smallest 41 x 58.3cm; 16¼ x 23in (image) (3)

£1,000-1,500

680

LOUIS HAGHE

Belgian 1806-1855

AFTER DAVID ROBERTS RA 1796-1864

View of Kalabshee, formerly Talmis, Nubia; Grand Portico of the Temple of Philae, Nubia; Dendera

Three, each lithograph with hand-colouring, Kalabshee from the Royal Subscription Edition, Philae from the Standard Edition, Dendera possibly from the Standard Edition

41.5 x 60.7cm; 16¼ x 24in (mount); 42.9 x 60.7cm; 17 x 24in (sheet); 43.1 x 59.4cm; 17 x 23½in (sheet)

Unframed (3)

£200-300

684

WILLIAM LIONEL WYLLIE RA 1851-1931

Coaling a Merchant Man; Timber Ships

Two, each signed W L Wyllie (in pencil to margin)

Each etching and drypoint

10.8 x 33.2cm; 4¼ x 13in; 10.7 x 33cm; 4¼ x 13in (plate) (2)

£100-150

681

WILLIAM LIONEL WYLLIE 1851-1931

The Training Ship Exmouth

Signed WL Wyllie (in pencil lower left) Etching

30.2 x 47.3cm; 11¾ x 18¾in (plate)

Provenance:

Messrs Dunthorne and Brown, Liverpool £150-250

682

WILLIAM LIONEL WYLLIE 1851-1931

Coastal landscape with fisherfolk hauling in the boats

Signed in pencil WL Wyllie (lower left)

Etching

28.2 x 47.2cm; 11 x 18½in (plate)

Provenance:

Messrs Dunthorne and Brown, Liverpool

£150-250

683

WILLIAM LIONEL WYLLIE 1851-1931

Up on the Flood Tide

Signed WL Wyllie, in pencil (lower left) Etching

9 x 34cm; 3½ x 13.4½in (plate)

Provenance:

Messrs Dunthorne & Brown, Liverpool

£150-250

DRAWINGS & WATERCOLOURS

LOTS 685-789

685

FRENCH SCHOOL

Probably 15th Century

Two leaves from a Book of Hours, one depicting The Flight into Egypt

Both illuminated manuscript

Each 17.8 x 12.6cm; 7 x 5in (2)

£300-500

AN ALBUM OF OLD MASTER DRAWINGS AND PRINTS

Comprising approximately 36 drawings and 52 prints within tooled red leather boards 50 x 39cm; 19¾ x 15¼in (album)

Provenance:

The Dennys family, Cramalt Lodge, Devon; Private Collection

£300-500

687

687

GHERARDO CIBO

Italian 1512-1600

Landscape with a monastery (recto); View of Rocca Contrada (verso)

Indistinctly inscribed and dated romita d s gir ricavata miliannoi sotto la via sti va a forno *** laquan 17 d luglio 1564 (along top edge recto), and further inscribed and dated Orto di S. Francesco 1564 (to verso)

Pen and brown ink

14.8 x 28.2cm; 5¾ x 11in

Provenance:

Colnaghi, London, where purchased by the present private collectors

£6,000-8,000

687 (framed)

688

ATTRIBUTED TO BENEDETTO LUTI

Italian 1666-1724

Study of a male nude

Black chalk heightened with white 27.7 x 39.6cm; 11 x 15½in

Provenance: P & D Colnaghi, London (as Luti)

£600-800

689 FLEMISH SCHOOL 18th Century

A village kermesse

Gouache

18.4 x 25cm; 7¼ x 9¾in

£200-300

690

CHARLES-JOSEPH NATOIRE

French 1700-1777

The education of Bacchus Red, black and white chalk

14.7 x 29.9cm; 5¾ x 11¾in

Provenance:

Charles-Joseph-Barthélémy Giraud (French 1802-1881) (L.1143); P & D Colnaghi, London

£2,500-3,500

690

690 (framed)

691

GEORGE ROMNEY

1734-1802

Hagar and the angel

Pen and brown ink, c.1770-71

18.2 x 14.7cm; 7¼ x 5¾in

Provenance:

Alfred de Pass (1861-1952);

By whom gifted to the Royal Institution of Cornwall, Truro; By whom sold Christie’s, London, 22 February 1966, lot 26; Purchased from the above by Thos. Agnew & Sons, London

We are grateful to Alex Kidson for his assistance cataloguing the present work.

£600-800 691

692

GEORGE ROMNEY

1734-1802

Mother and child in a classical landscape

Pen and brown ink, c.1770-71

17.3 x 15.9cm; 6¾ x 6¼in

Provenance:

Alfred de Pass (1861-1952);

By whom gifted to the Royal Institution of Cornwall, Truro; By whom sold Christie’s, London, 22 February 1966, lot 26; Purchased from the above by Thos. Agnew & Sons, London

The present work is probably a preliminary study for the Mother and Child exhibited by George Romney at the Society of Artists in 1771 (see A. Kidson, George Romney: A Complete Catalogue of his Paintings (New Haven and London, 2015), p.822, no.1783).

We are grateful to Alex Kidson for his assistance cataloguing the present work.

£600-800

694

GEORGE ROMNEY

1734-1802

Hagar and the angel

Pen and brown ink

18.8 x 13.4cm; 7½ x 5¼in

Provenance:

Alfred de Pass (1861-1952);

By whom gifted to the Royal Institution of Cornwall, Truro; By whom sold Christie’s, London, 22 February 1966, lot 26; Purchased from the above by Thos. Agnew & Sons, London

We are grateful to Alex Kidson for his assistance cataloguing the present work.

£600-800

693

GEORGE ROMNEY 1734-1802

The Sacrifice of Isaac Pen and brown ink, c.1770-71

19.7 x 14.4cm; 7¾ x 5¾in

Provenance:

Alfred de Pass (1861-1952);

By whom gifted to the Royal Institution of Cornwall, Truro; By whom sold Christie’s, London, 22 February 1966, lot 26; Purchased from the above by Thos. Agnew & Sons, London

We are grateful to Alex Kidson for his assistance cataloguing the present work.

£600-800

695

ATTRIBUTED TO SIR THOMAS LAWRENCE PRA, FRS

1769-1830

Portrait of Charles Mayne Young (1777-1856), in the role of Hamlet

Signed with monogram TL (lower left)

Pen and ink, and watercolour

16.6 x 13.8cm; 6½ x 5½in

Provenance:

English Private Collection

The present work depicts Charles Mayne Young (1777-1856), one of the leading actors of his generation. The head in the present work is very similar to a portrait of Young by George Henry Harlow. Harlow entered Thomas Lawrence’s studio in 1802 and spent eighteen months there copying the latter’s work. Harlow continued to use Lawrence’s distinctive poses for his own portraits in the years that followed. It was unusual for Lawrence to work in pure watercolour, and as such these works very rarely appear on the market.

£400-600

696

GEORGE PERFECT HARDING

1779-1843

Portrait of Ann, Countess of Arran, half-length, wearing a blue dress and brown cloak

Signed with initials GPH/f (centre right), and inscribed Ann Countess of Arran (lower centre)

Pencil and watercolour heightened with white, within ink framing lines 15 x 12.3cm; 6 x 4¾in (image)

£100-150

697

RICHARD COSWAY RA 1742-1821

A sibyl

Signed R.Cosway (lower left)

Black, red and white chalk with grey wash

24.7 x 16.9cm; 9¾ x 6¾in

Provenance: Henry Scipio Reitlinger (1882-1950); His posthumous sale, Sotheby’s, London, The H. S. Reitlinger Collection: Part II, 27 January 1954, lot 136; Sotheby’s, Billinghurst, The Garden & Selected Watercolours & Selected Oil Paintings, 22 May 1997, lot 147; Mallams, Oxford, The Picture Sale, 7 July 2021, lot 487

£300-500

698

CIRCLE OF JOHN DOWNMAN

Portrait of three children, possibly Sophy, Charles and Frances Burney, with a rocking horse in a landscape

Pencil, pen and ink, watercolour heightened with white

34.8 x 47.3cm; 13¾ x 18¾in

Provenance: Colonel Barrett; Christie’s, London, 17 March 1961, lot 28 (as Downman); The Collection of the late Robin de Beaumont (1926-2023)

Although the present work was previously sold as John Downman (1749-1824), an alternative attribution to Edward Francis Burney (1760-1848) has been suggested.

£600-800

699

WILLIAM PORTER

act.1788-1802

Portrait of Midshipman (later Commander) Thomas Palmer, half-length, wearing a blue coat and white waistcoat

Inscribed The Gift/of Thos Palmer to/Mary Palmer done/by Mr Porter at Barton/March 1788 (to label)

Pastel, oval

27.6 x 21.3cm; 10¾ x 8½in

Provenance: By descent from the sitter

Literature:

Neil Jeffares, "William Porter", Dictionary of pastellists before 1800, online edition, accessed 30/07/2024, no.J.5992.1105

The sitter was part of the crew of HMS Unicorn, which captured the French frigate Tribune in 1796 (see lot 877). It is believed that he was entrusted with taking the seized ship back to Portsmouth. He later went on to command HMS Selby.

£200-300

700

ENGLISH SCHOOL

Early 19th Century

Portrait of a lady, half-length, wearing a white dress with a red sash Gouache

62.3 x 47.7cm; 24½ x 18¾in

£300-500

699 700

701 GIDEON YATES

act.1790-c.1837

View of the River Thames from the tower of St. Saviour’s Church, Southwark with Southwark Bridge, St. Paul’s Cathedral, London Bridge and The Monument

Pencil and watercolour

34.8 x 64.8cm; 13¾ x 25½in

Provenance:

The Fine Art Society, London, April 1942

£300-500

702

ATTRIBUTED TO GEORGE SIDNEY SHEPHERD 1784-1862

The demolition of Old London Bridge Bears an indistinct monogram (lower right)

Watercolour heightened with scratching out

32.3 x 47.9cm; 12¾ x 18¾in

£300-500

703

SUSANNA DRURY

Irish c.1698-c.1770

A view of London from Greenwich, with the windmills of the Isle of Dogs and St Paul’s Cathedral in the distance

Signed and dated Sus. Drury pin/1733 (lower right)

Gouache

23.4 x 33.7cm; 9 x 13in

Provenance:

Bennett’s Auction Rooms, Dublin, 2 February 1905; With Frank Sabin, 1954;

Aldridge Bros, Worthing, where purchased by the present private collectors, early 1970s

Literature:

Anne Crookshank, Irish Watercolours and Drawings: Works on Paper c.1600-1914 (Abrams, 1995), p.32

The present work is a remarkable early view of London as seen from Greenwich, probably from One Tree Hill. Below the viewer, just beyond the trees, is St Alfege Church. To the left is Deptford, whilst the windmills that lined the shore of the Isle of Dogs can be seen in the middleground. In the distance St Paul's Cathedral rises above the City of London.

Susanna Drury was from a Dublin family of Anglo-Irish ancestry. Although little is known of her life, she was influential in the development of Irish landscape painting. Her watercolours of the Giant's Causeway were widely disseminated through engravings and helped bring international attention to the site. Works by Drury are extremely rare, and this is her only known depiction of London.

£1,500-2,500

703

703 (framed)

704

DAVID COX SEN. RWS 1783-1859

Landscape with sheep grazing by a windmill and a storm approaching Pencil and watercolour

48.8 x 72.1cm; 19¼ x 28½in

Provenance: Sotheby’s, London, British Paintings 1500-1850, 12 June 2003, lot 139

£800-1,200

704

704 (framed)

705

DAVID COX SEN. RWS

1783-1859

Travellers on the road by a moor

Signed David Cox (lower left)

Pencil and watercolour

27.5 x 38cm; 10¾ x 15in

Provenance: J. M. Harvey; Thos Agnew & Sons, London; Sotheby’s, London, Important British Drawings, Watercolours & Portrait Miniatures, 20 June 2005, lot 260

£1,500-2,500

705

705 (framed)

706

DAVID COX SEN. RWS 1783-1859

Figures receiving alms at a church door

Black chalk and watercolour, heightened with bodycolour and scratching out 26.8 x 18.5cm; 10½ x 7¼in

Provenance: Spink-Leger, London; Christie’s, London, British Art on Paper, 5 June 2003, lot 69

Exhibited: London, Spink-Leger, Air and Distance, Storm and Sunshine, March 1999, no.35

£500-800

707

DAVID COX SEN. RWS 1783-1859

Highland landscape with figures by the water

Watercolour highlighted with bodycolour 15.6 x 24cm; 6¼ x 9½in

Provenance: Anonymous sale, Sotheby’s, London, 16 July 1992, lot 130, where purchased by W.J. Finch; By descent to the previous owner; By whom sold, Christie’s, London, British Art on Paper, 3 June 2004, lot 120, where purchased by the present private collector

£300-500

708

DAVID COX SEN. RWS 1783-1859

View of Kenilworth Castle with figures on a path

Signed D Cox (lower right)

Watercolour heightened with bodycolour 18.1 x 26cm; 7¼ x 10¼in

Provenance: Maltzahn Gallery, London; Whence acquired by Graham Cooper, 1970; And the present private collector by descent

Exhibited: London, Maltzahn Gallery, English Watercolours and Drawings, April 1970, no 34

£250-350

709

ANTHONY VANDYKE COPLEY FIELDING POWS

1787-1855

Coastal landscape with a fisherman on the shore at sunset

Signed and dated Copley Fielding 1828 (lower left)

Watercolour heightened with bodycolour and scratching out 43.5 x 54.6cm; 17¼ x 21½in

Provenance:

Sotheby’s, London, The British Sale, 19 March 2003, lot 184

£500-800

710

JOHN VARLEY OWS

1778-1842

Landscape with figures by the water and a ruin beyond

Signed J Varley (lower right)

Watercolour heightened with bodycolour 11 x 14cm; 4¼ x 5½in

£150-250

711

SIR GEORGE HOWLAND BEAUMONT

1753-1827

At Tunbridge Wells

Inscribed At Tunbridge Wells 18th (to original mount, according to label)

Black and white chalk with brown wash on blue paper

30.3 x 45.8cm; 12 x 18in

Provenance: Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£200-300

711

710

709

713

HENRY MARTENS

1790-1868

Soldiers of the Royal Horse Artillery in battle Black chalk and watercolour, heightened with white 22.4 x 31.8cm; 8¾ x 12½in

£200-300

712

SIR DAVID WILKIE

Scottish 1785-1841

Soldiers speaking to a family outside a cottage

Pencil and watercolour heightened with white 26.5 x 40cm; 10½ x 15¾in

Provenance: Sir Bruce Ingram (1877-1963); Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

Exhibited: Winchester, Winchester College, 1963

£600-800

714

HENRY MARTENS

1790-1868

The Royal Horse Artillery repairing a limber

Signed with initials HM (lower right)

Pencil and watercolour heightened with bodycolour 23.6 x 33cm; 9¼ x 13in

Provenance: The Parker Gallery, London

£200-300

714

713

712

715

WILLIAM PAYNE

1760-1830

Fishermen mending their nets

Watercolour

23.9 x 20.6cm; 9½ x 8in

Provenance:

Leonard G. Duke; Hilda Vivian Ingram; Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£150-250

716

SIR GEORGE HAYTER

1792-1871

Study of Mary Bridgeman at the harp With artist’s estate stamp NACHLASS/ SIR GEORGE HAYTER (lower right)

Black and white chalk

29.1 x 21.8cm; 11½ x 8½in

Provenance:

Aubrey Beese from whom acquired by Michael Ingram, 1958; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£150-250

717

THOMAS ROWLANDSON

1757-1827

Hauling a fishing boat ashore

Pen and ink and watercolour

16.1 x 10.6cm; 6¼ x 4¼in

£200-300

719

ANTHONY DEVIS

1729-1816

Landscape with cattle sheltering under trees and cottages beyond

Signed with initials A.D. (lower right)

Black chalk and watercolour

22.2 x 31.4cm; 8¾ x 12¼in

Provenance: Appleby Bros, London

£150-250

718

SAMUEL HIERONYMUS GRIMM

1733-1794

View of Wandsworth with a horse and cart outside a cottage

Pencil and watercolour

21.9 x 31cm; 8½ x 12¼in

Provenance: Colnaghi, London, where acquired by Michael Ingram, 1950; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£300-500

720

ANTHONY DEVIS

1729-1816

Cattle in a landscape with a hilltop castle in the distance

Signed with initials AD (lower left)

Black chalk and watercolour

22 x 31cm; 8¾ x 12¼in

£150-250

719

718

721

JOHN WHITE ABBOTT

1763-1851

Bothwell Castle

Signed with initials, inscribed and dated 5 July 1791 and numbered 5 on the reverse of the original mount (according to The Leger Galleries receipt)

Pencil, pen and ink and watercolour

24.2 x 19.2cm; 9½ x 7½in

Provenance:

Probably Mrs Fanny J E Douglas, grand-daughter of the artist; Mr Douglas, great-grandson of the artist; Mr Henry 1952; J H Elliott;

The Leger Galleries Ltd, London, 1984, where purchased by the present private collector

Literature:

AP Oppé, ‘John White Abbott of Exeter’, Walpole Society, vol XIII, 1924-25, p.75

£500-800

722

JOHN WARWICK SMITH OWS 1749-1831

Portrait of Terracina, with choppy waters, a boat being hauled ashore, and figures in a horse and cart being driven up the beach

Pencil and watercolour

23.4 x 36.8cm; 9¼ x 14½in

Provenance: Martyn Gregory, London

£80-120

723

PAUL SANDBY RA 1725-1809

Outside the walls of a town

Signed with initials PS (lower right); Pencil and ink, and watercolour 12 x 19cm; 4¾ x 7½in

Provenance: The Palser Gallery; Walter Turner; Martyn Gregory, London

Exhibited: London, Martyn Gregory Gallery, Exhibition of English and Continental Watercolours, 1984, no. 114

£200-300

723

722

721

724

JAMES DUFFIELD HARDING

1798-1863

French Troops in Genoa

Pencil and watercolour heightened with white 25.1 x 34.1cm; 10 x 13½in

Provenance:

Albany Gallery, London, where acquired by Michael Ingram 1969; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£150-250

725

JAMES DUFFIELD HARDING

1798-1863

View of the Gibraltar with the Alameda Pencil and watercolour

23.4 x 36.2cm; 9¼ x 14¼in

Provenance: Appleby Bros, London, where acquired by Michael Ingram, 1970; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£150-250

726

JAMES DUFFIELD HARDING

1798-1863

Fishing boats at Arona (recto); View of Orta (verso)

Dated June 7 1844 (according to label)

Pencil and watercolour (recto)

23.8 x 35.4cm; 9¼ x 14in

Provenance: Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£150-250

£150-250 725

727

MARY ANN, LADY MORDAUNT

1778-1842

River landscape near Dalmally

Pencil and wash

26.6 x 36.7cm; 10½ x 14½in

Provenance: Sir Bruce Ingram (1877-1963); Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

727 726

728

BENJAMIN BARKER OF BATH

1776-1838

River landscape with a cottage on the far bank

Pencil and watercolour

17.6 x 27.1cm; 7 x 10¾in

Provenance:

Paul Tod, Bournemouth, from whom acquired by Michael Ingram, 1950; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£200-300

729

BENJAMIN BARKER OF BATH 1776-1838

The Mill House

Pencil and watercolour

23.7 x 36.2cm; 9¼ x 14¼in

Provenance:

Paul Tod, Bournemouth, from whom acquired by Michael Ingram, 1950; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£250-350

730

BENJAMIN BARKER OF BATH

1776-1838

River landscape

Watercolour

23.8 x 37.1cm; 9¼ x 14½in

Provenance:

Paul Tod, Bournemouth, from whom acquired by Michael Ingram, 1950; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£200-300

731

JOHN FREDERICK TAYLER PRWS 1802-1889

A country cottage

Signed Fredk Tayler (lower left)

Pencil and watercolour

22.1 x 31cm; 8¾ x 12¼in

Provenance: Colnaghi, London, where purchased by Michael Ingram, 1950; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£150-250

729

730

732

JAMES STARK

1794-1859

View of Portishead, Somerset

Inscribed Portishead (lower left) and dated August 5th 1830 (lower right)

Pencil and watercolour

18.2 x 26.2cm; 7¼ x 10¼in

Exhibited:

London, Appleby Bros, Autumn Exhibition, 1963

£100-150

733

DAVID ROBERTS RA 1796-1864

Scottish landscape with a bridge over a river

Signed D.Roberts (lower right)

Pencil and watercolour heightened with white 14.4 x 22.3cm; 5¾ x 8¾in

Provenance: Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£400-600

734

JOSEPH POWELL

1780-1834

Extensive landscape with a hunter and his dog by a pond; Extensive landscape with a shepherd and his flock

A pair, both signed JOSEPH POWELL (lower left)

Both watercolour heightened with gum arabic and scratching out

Each 48.9 x 67.5cm; 19¼ x 26½in (2)

£100-200

734

733

732

735

THOMAS SHOTTER BOYS RWS

1803-1874

View of Southampton docks, with figures by a rowing boat and shipping in calm waters beyond.

Pencil and watercolour 10.9 x 17.7cm; 4¼ x 7in

£700-1,000 735

Provenance: Walter C Hetherington; His sale, Christie’s, London, The Hethering Collection of English Drawings and Watercolours, 14 February 1978, lot 6; The Leger Galleries, London, 1978;

Where purchased by the present private collector

Exhibited:

London, The Leger Galleries, Exhibition of English Watercolours, NovemberDecember 1978, no.24

736

HAROLD SUTTON PALMER

1854-1933

The Vale of Tintern

Signed and dated Sutton Palmer 83 (lower left)

Pencil and watercolour heightened with white 34.4 x 51.8cm; 13½ x 20½in

Provenance:

The Palser Gallery, London £120-180

737

ALFRED VICKERS

1786-1868

View of Wandsworth Pier with figures, a horse and cart, and boats on the mudflats

Inscribed Wandsworth Pier (lower right)

Pencil and watercolour heightened with white 21.3 x 39cm; 8½ x 15¼in

Provenance: The Manning Galleries Ltd, London £150-250

739

WILLIAM FROME SMALLWOOD

1806-1834

Figures before the south front of Chartres Cathedral

Signed, dated and inscribed South Front Chartres W Frome Smallwood 1833 (lower right)

Pencil and watercolour

36.4 x 25.6cm; 14¼ x 10in

Provenance:

Sotheby’s, 1952, where purchased by Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£200-300

741

JAMES PATTISON COCKBURN 1779-1847

Rochester Castle

Pencil and watercolour

23.8 x 33.1cm; 9¼ x 13in

Provenance:

738

CLARKSON FREDERICK STANFIELD RA, RBA 1793-1867

View of Rouen Cathedral from the Seine

Inscribed Mr Cotman kindly proposed making a drawing from the sketch and to offer me my choice 4 May 1831 (to verso)

Pen and brown ink with watercolour

32 x 25.2cm; 12½ x 10in

Provenance: Purchased in Bath by Michael Ingram, 1954; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£200-300

740

WILLIAM CALLOW RWS

1812-1908

View of Baden Baden

Signed, dated and inscribed Baden July 23 W Callow (lower right)

Pencil and watercolour heightened with white 25 x 35.2cm; 9¾ x 13¾in

Provenance: John Manning, London

£100-150

Sotheby’s, London, 1954, where acquired by Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£150-250

742

BAREND CORNELIS KOEKKOEK

Dutch 1803-1862

The village fête

Signed and dated B.C.Koekkoek 1831 (lower left)

Pen and brown ink with grey wash

23.5 x 31.9cm; 9¼ x 12½in

£300-500

743

PIERRE TETAR VAN ELVEN

Dutch 1828-1908

Temple Bar, London

Signed and inscribed T.Van Elven. London (lower right) and inscribed and dated Temple Bar 1875 (lower left)

Watercolour heightened with bodycolour and gum arabic

27.2 x 38.7cm; 10¾ x 15¼in

£400-600

744

GEORGE HILDITCH

1803-1857

Edinburgh from Carron Road

Inscribed and dated Edinburgh/from Carron Road/1828/ George Hilditch (to label)

Pencil and watercolour heightened with white 22.6 x 31cm; 9 x 12¼in (image)

Provenance:

In the family of the present owner for at least 70 years

£300-500

744

743

742

745

AFTER JOHANN BAPTIST LAMPI THE ELDER

Duchess Elisabeth of Württemberg, three-quarter length, wearing a blue dress seated in an interior

Pastel on paper laid on canvas

145.5 x 108.1cm; 57¼ x 42½in

Provenance:

The Collection of the late Robin de Beaumont (1926-2023)

After the original oil in Kunsthistorisches Museum, Vienna (no.8781).

£1,000-1,500

746

JULES JOLY

French b.1820

A nymph from Apollo’s retinue; A nymph seen from behind

A pair, the former signed J Joly (centre left), the latter signed J Joly (centre right)

Both pastel, oval

Each 54.8 x 44cm; 21½ x 17½in (2)

The former derives from Rosalba Giovanna Carriera’s original in the Louvre, Paris (no.4800).

£200-400

747

ENGLISH SCHOOL

c.1830

Portrait of a gentleman

Pencil, oval

19.5 x 14.5cm; 7¾ x 5¾in

Provenance: Thos Agnew & Sons, London

£100-150

748

JOHANN FRIEDRICH DIETLER

Swiss 1804-1874

Portrait of a young gentleman, half-length, wearing a green coat

Signed and dated Dietler f 1828 (centre right)

Watercolour heightened with white, oval 14.6 x 11cm; 5¾ x 4¼in

Provenance: Ellison Fine Art

£120-180

749

ENGLISH SCHOOL 19th Century

Portrait of a lady, bust-length, traditionally identified as the Duchess of Portland Pastel

61.3 x 49.9cm; 24¼ x 19¾in

Provenance: Kenneth Neame

THIS LOT IS OFFERED WITHOUT RESERVE.

£200-300

750

ENGLISH SCHOOL 19th Century

Portrait of a young boy lying in the dunes with a dog and cricket bat

Pencil and watercolour heightened with white 44.6 x 71.3cm; 17½ x 28in

£150-250

749

748

753

CHARLES EDMUND ROWBOTHAM 1856-1921

Figures on the shore of an Italian lake

Signed Chas Rowbotham (lower right)

Watercolour heightened with bodycolour

15.8 x 29.7cm; 6¼ x 11¾in

Provenance:

The Swan Gallery, Sherborne; Private Collection

£120-180

751

AUGUSTUS OSBORNE LAMPLOUGH 1877-1930

Feluccas on the Nile; Camel riders in the desert

Two, both signed A Lamplough RWS (lower left)

Both watercolour

22.7 x 61cm; 9 x 24in; 22.8 x 61.1cm; 9 x 24in (2)

£500-700

752

ROBERT FOWLER 1853-1926

View of Stonehenge at sunrise

Signed with initials and dated RF 1909 (lower right)

Pencil and watercolour heightened with white 17.2 x 52cm; 6¾ x 20½in

Provenance: Swan Gallery, Sherborne, 2015

£150-250

754

FREDERICK E VALTER 1850-1930

Carthorses at the plough

Signed and dated Frederick.E.Valter 1923 (lower right)

Watercolour

30.5 x 44.5cm; 12 x 17½in

£100-150

755

MYLES BIRKET FOSTER RWS 1825-1899

The Pond

Signed with monogram (lower right)

Watercolour heightened with bodycolour 15 x 22.6cm; 6 x 9in

£1,500-2,500

756

MYLES BIRKET FOSTER RWS 1825-1899

A woman before the walls of the amphitheatre at Cumae

Inscribed Walls of the amphitheatre at Cuma (upper left)

Pencil and watercolour 12 x 15.8cm; 4¾ x 6¼in

Provenance: Sir Bruce Ingram (1877-1963); Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£300-400

755

758

THOMAS BUSH HARDY RBA

1842-1897

Woman and child on a beach

Signed and dated T.B.Hardy 1893 (lower right)

Watercolour heightened with bodycolour 24.1 x 19cm; 9½ x 7½in

Provenance:

The Swan Gallery, London

£80-120

757

THOMAS SEWELL ROBINS

1810-1880

A harbour at low tide

Signed and dated twice T S Robins/1865 (lower left) and T S Robins/65 (lower right)

Pencil and watercolour heightened with white 46 x 71.2cm; 18 x 28in

Provenance:

Property from Stradey Castle, Wales

Exhibited: London, Sotheby’s, Rule Britannia!, January 1986, no.136

£800-1,200

759

THOMAS BUSH HARDY RBA

1842-1897

Figures on the beach at Scheveningen, The Hague

Signed and indistinctly inscribed T.B.Hardy **** (lower right) Watercolour heightened with bodycolour and scratching out 20.9 x 65.3cm; 8¼ x 25¾in

Provenance:

The Graves Gallery, Birmingham; The Swan Gallery, Sherborne; Private Collection

£200-300

760

THOMAS BUSH HARDY RBA

1842-1897

A wreck at Ambleteuse, France

Signed, dated and inscribed T.B.Hardy IX93 Wreck ashore/ Ambleteuse (lower left)

Watercolour heightened with bodycolour 22.1 x 69.9cm; 8¾ x 27½in

£200-300

761

762

761

WILLIAM MACTAGGART

Scottish 1835-1910

Children fishing from the rocks

Signed and dated W McTaggart 1883 (lower right)

Watercolour heightened with bodycolour

36.7 x 53.2cm; 14½ x 21in

Unframed

£600-800

762

WILLIAM MACTAGGART

Scottish 1835-1910

The Ripe and Bearded Barley is the Monarch of them all

Signed and dated W McTaggart 1881 (lower right)

Watercolour

36.2 x 53.6cm; 14¼ x 21in

Unframed

£400-600

763

WILLIAM MACTAGGART

Scottish 1835-1910

Coastal landscape with children playing in the dunes

Signed and dated W McTaggart/1884 (lower left)

Watercolour heightened with bodycolour

50.4 x 67.9cm; 19¾ x 26¾in

Unframed

£150-250

763

764

SARAH BERNHARDT

French 1844-1923

Self-portrait, possibly in the role of Phèdre

Signed and dated Sarah Bernhardt/1880 (lower right)

Pen and brown ink with wash within ink framing lines

25.9 x 19.4cm; 10¼ x 7¾in

Provenance:

The Collection of the late Robin de Beaumont (1926-2023)

£100-150

766

GEORGE JOHN PINWELL RWS

1842-1875

Study for Sally in our Alley

765

LOUISA BERESFORD, MARCHIONESS OF WATERFORD

1818-1891

Study for Jessica

Signed and inscribed A study for “Jessica”/by Louisa Lady Waterford (to verso)

Pencil and watercolour

27.1 x 18.2cm; 10¾ x 7¼in

Unframed

£150-250

Signed with initials GJP (lower left) and dated May 10 (upper left)

Black chalk

34.8 x 30.3cm; 13¾ x 12in

Provenance:

The artist’s sale, Christie’s, London, 16 March 1876, lot 20, where purchased by Pickford Waller; By descent to Miss Sybil Waller; By whom sold Christie’s, London, 1 October 1973; The Collection of the late Robin de Beaumont (1926-2023)

£100-150

767

GEORGE FREDERIC WATTS RA 1817-1904

Christ in the Wilderness Watercolour heightened with white

22.2 x 34.2cm; 8¾ x 13½in

Provenance: Michael Ingram; His posthumous sale, Sotheby’s, London, The Ingram Collection, 8 December 2005 (part lot), where purchased by the present private collector

£400-600

768 ARTHUR HUGHES

1832-1915

“He Dug his Fingers into Wet Earth” from Tennyson’s Enoch Arden

Signed with monogram (lower left)

Pen and ink

15.3 x 22.3cm; 6 x 8¾in

767 768

Provenance: Harry Moore-Gwyn, London, 2003; The Collection of the late Robin de Beaumont (1926-2023)

Engraved: Alfred Tennyson, Enoch Arden (London, Edward Moxon, 1866), p.70

£250-350

769

CHARLES ROBINSON

1870-1937

A Departure for the Sunny Isles

Signed Charles Robinson (lower left)

Pencil and watercolour with scratching out

40.6 x 51.7cm; 16 x 20¼in

Provenance:

Christie’s, London, 24 July 1973, lot 170; The Collection of the late Robin de Beaumont (1926-2023)

Exhibited:

London, Royal Institute of Painters in Water Colours, 1935, no.483

£800-1,200

770

SIMEON SOLOMON

1840-1905

Who is He that Cometh from Edom with Dyed Garments from Bozrah?

Signed with monogram and dated 9 11/62 (lower right)

Watercolour heightened with bodycolour and gum arabic

28.8 x 18.2cm; 11¼ x 7¼in

Provenance:

James Leathart (1820-1895); His posthumous sale, Christie’s, London, 19 June 1897, lot 16 (unsold); And by family descent

Exhibited:

London, Goupil Gallery, A Pre-Raphaelite Collection, June-July 1896; no.30; Newcastle upon Tyne, Laing Art Gallery, Leathart Exhibition, October-November 1968, no.74

The present work was originally part of the collection of James Leathart, a significant patron of the Pre-Raphaelites, including Simeon Solomon. Leathart lived in Newcastle and was actively involved in the arts, organising exhibitions that highlighted Pre-Raphaelite work in North-East collections. He was probably introduced to Solomon by either Edward Burne-Jones or Dante Gabriel Rossetti, and artist and collector corresponded frequently in the 1860s.

£2,000-3,000

771

WILLIAM LEE HANKEY RWS 1869-1952

Fishergirl in a French market

Signed W LEE-HANKEY (lower right)

Pencil and watercolour

35.8 x 26cm; 14 x 10¼in

£250-350

772

ATTRIBUTED TO ENOCH WARD 1859-1922

Descending the steps

Signed, dated and indistinctly inscribed To Mrs Cou*****h/Kindest regards/Enoch Ward 1902 (lower left)

Watercolour and bodycolour

27.7 x 17.8cm; 11 x 7in

£100-150

773

WILLIAM HARRIS WEATHERHEAD 1843-1903

Looking Seaward

Signed WH Weatherhead (lower left)

Watercolour heightened with bodycolour

47.3 x 27cm; 18½ x 10½in

£200-300

775

774

GEORGE SHALDERS c.1826-1873

River landscape with sheep on a bank and cattle watering in the distance

Signed and dated Geo Shalders/66 (lower right)

Pencil and watercolour heightened with bodycolour and gum arabic 47 x 81.1cm; 18½ x 32in

Provenance:

The Graves Gallery, Birmingham; Sotheby’s, London, The British Sale: Paintings, Drawings and Watercolours, 22 March 2005, lot 138

£800-1,200

775

ALFRED AUGUSTUS GLENDENING JUN. 1861-1907

By Tranquil Waters

Signed with monogram and dated 1896 (lower right)

Watercolour heightened with white

47.4 x 71.9cm; 18¾ x 28¼in

£400-600

776

WALTER GOODALL 1830-1889

Feeding the rabbits

Signed and dated Walter Goodall 1861 (lower right)

Watercolour heightened with white 38.8 x 56.5cm; 15¼ x 22¼in

Provenance: Francis Ward, Buckinghamshire, July 1978

£100-150

776

774

777

ITALIAN SCHOOL 1862

A young woman holding a sickle and a sheaf of wheat

Signed with initial and dated E 1862 (lower left)

Watercolour

48.7 x 30.4cm; 19¼ x 12in

£200-300

778

HELEN FARQUHAR

Late 19th/Early 20th Century

Portrait of a young girl wearing a white dress

Signed and dated H Farquhar/1897 (lower right)

Watercolour, bodycolour and chalk 24 x 19cm; 9½ x 7½in

£300-500

779

CONTINENTAL SCHOOL

19th Century

Allegory of Spring; Allegory of Autumn

Two, each graphite and wash, within graphite framing lines

27.6 x 24.1cm; 10¾ x 9½in; 28.5 x 24.6cm; 11¼ x 9¾in

Unframed (2)

£150-250

780

GIULIO PASTINE

Italian b.1870

A young beauty

Signed and dated Giulio Pastine/1913 (lower left)

Watercolour heightened with white

108.4 x 61.4cm; 42¾ x 24¼in

£400-600

781

RAYMOND LYNDE

1854-1928

Portrait of a lady, wearing a white dress, seated on a stool, holding a rose

Signed and dated Raymond Lynde/1909 (upper right)

Watercolour heightened with white

74.4 x 45.6cm; 29¼ x 18in

£200-300

782

FRANCIS JOHN WYBURD

1826-1909

Dolce Far Niente

Signed with initials and dated FJW/1892 (lower left)

Watercolour

23.5 x 18cm; 9¼ x 7in

£350-450

780

781

782

784

EDMUND CALDWELL

1852-1930

Study of a sable; Study of a waterbuck

783

DOUGLAS ALEXANDER 1871-1945

Morning light over a lake and mountains; Sunset on the Corrib, Connemara; Near Recess, Connemara; Evening Light, Connemara

Four, each signed Douglas/ Alexander (lower left)

Each pencil and watercolour

Largest 26.4 x 37cm; 10½ x 14½in; Smallest 24.6 x 36cm; 9¾ x 14¼in

Three unframed (4)

£600-800

Two, the former signed ECaldwell (lower right), the latter signed ECaldwell (lower centre, EC in ligature) Both pen and ink and grey wash, heightened with white 16.6 x 17.1cm; 6½ x 6¾in; 16 x 16.8cm; 6¼ x 6½in, framed as one (2)

£200-300

785

EDMUND CALDWELL

1852-1930

A roebuck

Pen and ink with grey wash, heightened with white 34.4 x 19.4cm; 13½ x 7¾in

Provenance: Gathorne Hardy Collection (according to inscription to backing board)

£150-250

786

HERCULES BRABAZON BRABAZON 1821-1906

Constantine, Algeria

Signed with initials HBB (lower right)

Pencil and watercolour

12.3 x 20.4cm; 4¾ x 8in

Provenance:

Woolley and Wallis, Salisbury, Old Masters, British and European Paintings, 4 September 2019, lot 130

£200-300

787

GIOVANNI BARBARO

Italian 1864-1915

Still life with cherries and oranges

Signed with pseudonym A Dudley (lower left)

Watercolour with gum arabic

26.5 x 75cm; 10½ x 29½in

£100-150

788

GIOVANNI BARBARO

Italian 1864-1915

Still life with bananas, oranges and grapes

Signed with pseudonym and dated A Dudley 95 (lower left)

Watercolour with gum arabic

26.5 x 75cm; 10½ x 29½in

£100-150

789

INDIAN SCHOOL

Portrait of Sambhaji; Krishna surrounded by dancers in a landscape; A woman escaping from a palace; A couple hawking on horseback

Four, each gouache heightened with gilt

Largest 28.4 x 22cm; 11¼ x 8¾in; Smallest 28 x 19.9cm; 11 x 7¾in

Unframed (4)

£300-500

787

788

790

CIRCLE OF JOOS

VAN CLEVE

Saint Jerome in his study, with a landscape beyond Oil on panel

94.3 x 69.4cm;

37¼ x 27¼in

Provenance: Christie’s, London, Old Master Pictures, 19 April 2000, lot 44, where purchased by the present private collector

£8,000-12,000

791

AFTER TIZIANO VECELLIO, CALLED TITIAN

Portrait of Cardinal Georges d’Armagnac (1501-1585), holding a letter

Oil on canvas

101.9 x 72.5cm; 40 x 28½in

The present work is after the double portrait of Cardinal Georges d’Armagnac (1501-1585) and his secretary G. Philandrier in the Louvre, Paris (no.MNR 959).

£500-700

792

ENGLISH SCHOOL

17th/18th Century

Portrait of Frances Devereux (née Howard), Countess of Essex, later Countess of Somerset, full-length, wearing a red dress, lace bonnet and ruff and pearl necklace

Inscribed FRANCES HOWARD COUNTESS OF ESSEX (along upper edge)

Oil on panel

45.7 x 27.5cm; 18 x 10¾in

Provenance: Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 7 March 2018, lot 317

£1,500-2,500

793

DUTCH SCHOOL

16th/17th Century

Portrait of Gaspard de Coligny, Seigneur de Châtillon (1519-1572), bust-length, wearing a ruff and fur-lined cloak

Inscribed H AMIRAL DE CHASTILLON (along lower edge)

Oil on canvas

50.7 x 45.6cm; 20 x 18in

Provenance: Adam Faith;

The Period Face, Somerset, where purchased by the present private collectors

£400-600

794 AFTER RAPHAEL

The Madonna della Sedia Oil on canvas

71.7 x 71.7cm; 28¼ x 28¼in, framed as a roundel

After the original in the Palazzo Pitti, Florence.

£400-600

795

MANNER OF SIMON VOUET

Madonna and child

Oil on canvas

74.8 x 89.4cm; 29½ x 35¼in

£200-400

796

FRENCH SCHOOL

18th Century

Christ and the woman taken in adultery

Oil on panel

41.5 x 33.5cm; 16¼ x 13¼in

£200-300

796

795

794

798

AFTER HANS VON AACHEN

Pallas Athena, Venus and Juno

Oil on copper

17.8 x 22.9cm; 7 x 9in

After the original in the Museum of Fine Arts, Boston (no.1988.345).

£500-700

797

ATTRIBUTED TO GERRIT CLAESZ

BLEKER

Dutch 1592-1656

The Adoration of the Magi Oil on panel

97.5 x 137.8cm; 38½ x 54¼in

£500-700

799

Village scene with horsemen, figures working a wine press, and a laundress at the river

Oil on panel

28.4 x 36.5cm; 11¼ x 14¼in

Provenance:

Dennis Vanderkar Gallery, London; Where purchased by the present owner’s father, c.1958; And by family descent

£500-700

CIRCLE OF SEBASTIAEN VRANCX

797

798

799

800

ATTRIBUTED TO DIRK STOOP

Dutch c.1615-1686

Oriental horsemen in a cave with drovers and their animals beyond Oil on panel

45.4 x 67.2cm; 17¾ x 26½in

£1,500-2,500

801

D.I. NETTEMA

Dutch Late 17th Century

The Rape of Europa

Signed D: Nettema Æ/1697 (lower left)

Oil on canvas

39.4 x 48.3cm; 15½ x 19in

Provenance:

Woolley and Wallis, Salisbury, Oil Paintings, Watercolours & Prints, 23 March 2011, lot 208

£500-800

802 AFTER PAULUS POTTER

The Bull Oil on canvas

41 x 54.2cm; 16¼ x 21½in

After the original in the Mauritshuis, The Hague (no.136).

£200-300

803

CIRCLE OF DAVID TENIERS II AND LUCAS VAN UDEN

Wooded landscape with figures making music and a shepherd resting with his flock

Oil on canvas

98.6 x 117.7cm; 38¾ x 46¼in

£800-1,200

805

CIRCLE OF NICOLAES BERCHEM

The watering hole

Oil on canvas

68 x 82cm; 26¾ x 32¼in

A signed and dated version of this work is in the Petit Palais, Paris (no.PDUT891).

£500-700

804

MANNER OF NICOLAES BERCHEM

Landscape with a drover and his flock going through a ruined archway Oil on canvas

63.4 x 91.5cm; 25 x 36in

£300-500

806

JACOB VAN DER DOES II

Dutch 1661-1699

Extensive river landscape with a hunting party in the woods and a village beyond Signed D:vanden:does. f (lower left) Oil on panel

58.5 x 83cm; 23 x 32¾in

Provenance: Woolley and Wallis, Salisbury, Oil Paintings, Watercolours & Prints, 23 March 2011, lot 182

£2,000-3,000

806

807

AFTER CASPAR NETSCHER

A woman at a virginal accompanied by a man singing Oil on canvas

61 x 50.7cm; 24 x 20in

Unframed

This work derives from the original in Staatliche Kunstsammlungen, Dresden (no.1349).

£150-250

AFTER DAVID TENIERS II

The Alchemist

Oil on canvas

48.5 x 64.6cm; 19 x 25½in

After the original in the Museum Wasserburg

Anholt, Isselburg.

£300-500

809

MANNER OF DAVID TENIERS II

The backgammon players; Figures drinking in a tavern

A pair, both oil on metal

Each 15.7 x 18.8cm; 6¼ x 7½in (2)

Provenance: Frost and Reed, 1961

£100-200

A village festival outside an inn Oil on canvas

27.1 x 36.3cm; 10¾ x 14¼in

Provenance: Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 10 December 2014, lot 121

£2,000-3,000

810

CIRCLE OF DAVID TENIERS II

810

810 (framed)

811

AFTER CONSTANTIJN NETSCHER

Portrait of a young lady, three-quarter length, wearing a blue and white dress, seated in a park landscape with a dog Oil on canvas

49.2 x 39.8cm; 19¼ x 15¾in

Provenance: Viscount Astor; Thos Agnew & Sons, London, where purchased by the previous private collector (as Caspar Netscher); And by descent

After the original, signed and dated 1699 (see Sotheby’s, Amsterdam, Old Master Paintings, 11 November 2008, lot 83).

£600-800

812

DUTCH SCHOOL

Late 17th Century

Portrait of a lady seated, reading a letter with a dog in her lap, a servant attending Oil on canvas

32.5 x 39.6cm; 12¾ x 15½in

Provenance: Private Collection, Yorkshire

£400-600

813

AFTER CORNELIS DE VOS

Portrait of Magdalena de Vos, the artist’s daughter, full-length, wearing a red dress and holding cherries

Oil on canvas

76 x 61.1cm; 30 x 24in

A 20th-century copy after the original in the collection of the Duke of Devonshire at Chatsworth House.

£100-150

814

814

JOHANNES VOLLEVENS I

Dutch 1649-1728

Portrait of a lady, three-quarter length, wearing a blue dress, standing in a landscape with a spaniel

Signed Jan Vollevens (lower left to plinth) Oil on canvas

111.2 x 88.8cm; 43¾ x 35in

Provenance: Bonhams, London, Old Master Paintings, 11 July 2001, lot 46; Private Collection Yorkshire; The Period Face, Somerset, where acquired by the present private collectors, 2010

£3,000-5,000

815

ADRIAEN FRANS BOUDEWIJNS

Flemish 1644-1719 and PIETER BOUT

Flemish 1658-1719

Wooded landscape with a hunting party, a lakeside palace in the distance Oil on canvas

61.5 x 76.8cm; 24¼ x 30¼in

£1,000-1,500

816

CIRCLE OF AUGUST QUERFURT

Hawking party in a river landscape Oil on canvas

58.9 x 75.8cm; 23¼ x 29½in

£400-600

817

AFTER PHILIPS WOUWERMAN

Horsepond on a river

Oil on canvas

45.8 x 63.5cm; 18 x 25in

Provenance:

The property of a gentleman, by whom sold, Woolley & Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 4 December 2013, lot 116;

The collection of Sir Jeremy Lever KCMG, QC, MA, FRSl, by whom sold, Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 6 March 2019, lot 203

After the original in the Rijksmuseum, Amsterdam (no.SK-C-271).

£3,000-5,000

818

JACOB JACOBSZ. VAN DER CROOS

Dutch 1654/55-1712

Landscape with figures below a ruined castle on the banks of an estuary

Signed I.V.CROOS (lower right)

Oil on canvas

63.1 x 75.3cm; 24¾ x 29¾in

Provenance:

Important Private Collection, Sussex

£800-1,200

819

THE PSEUDO ROESTRATEN act.1675-1724

Still life with books, compass, jug, jar, and cup on a table draped with a carpet Oil on canvas

63.9 x 76.6cm; 25¼ x 30¼in

Provenance:

Private Collection

£2,000-3,000

820

THE PSEUDO ROESTRATEN act.1675-1724

Still life with a globe, books, teapot, antique medal, flask and skull on a table draped with a carpet Oil on canvas

76.3 x 63.9cm; 30 x 25¼in

Provenance:

Private Collection

£1,500-2,500

821

ENGLISH SCHOOL

Mid 17th Century

Portrait of a gentleman, half-length, wearing armour in a painted oval

Oil on canvas

76.3 x 63.6cm; 30 x 25in

£600-800

822

ENGLISH SCHOOL

Mid 17th Century

Portrait of a gentleman, half-length, wearing a buff coat

Oil on canvas

76.8 x 64cm; 30¼ x 25¼in

£300-500

823

FOLLOWER OF PETER LELY

Portrait of a young man, three-quarter length, wearing a brown mantle, with his dog, and a river landscape in the distance

Oil on canvas

127.5 x 102cm; 50¼ x 40¼in

Provenance: Christie’s, London, British Pictures, 7 April 1993, lot 93

£4,000-6,000

824

MARY BEALE

1633-1699

Portrait of Anne Hamilton, Countess of Southesk (d.1695), half-length, in a blue dress, wearing pearls, in a sculpted cartouche Oil on canvas

76.8 x 65.7cm; 30¼ x 25¾in

Provenance: James St Vincent Broke Saumarez, 5th Baron de Saumarez (1889-1969), Shrubland Park; And by family descent

£3,000-5,000

824

825

JOHN MICHAEL WRIGHT 1617-1694

Portrait of a lady, traditionally identified as Mrs John Wallis, half-length, wearing a blue dress, and pearl necklace and earring Oil on canvas, oval

70.6 x 62.2cm; 27¾ x 24½in

Provenance:

By family descent to the present owner

We are grateful to Dr Carla van de Puttelaar for confirming the attribution of the present work. Dr van de Puttelaar dates the portrait to the first half of the 1660s and will include it in her forthcoming catalogue raisonné of John Michael Wright’s work.

£4,000-6,000

825

826

FOLLOWER OF SALVATOR ROSA

Landscape with a family and two soldiers conversing under a tree; Landscape with a soldier and other figures by a ruin with the sea beyond A pair, both oil on canvas

Each 42 x 34cm; 16½ x 13½in (2)

£600-800

827

MANNER OF FILIPPO LAURI

Latona turning the Lycian peasants into frogs

Oil on canvas

27.2 x 37.7cm; 10¾ x 14¾in

Provenance: Collection of A. H. Forsyth; Woolley and Wallis, Salisbury, Paintings, 16 March 2016, lot 257

£300-500

828

ATTRIBUTED TO FRANCISQUE MILLET

Flemish 1642-1680

Classical landscape with figures resting in the foreground and a castle beyond Oil on canvas

72.9 x 92cm; 28¾ x 36¼in

Provenance:

From an Irish country house

£2,000-3,000

828

828 (framed)

831

829 FOLLOWER OF WILLEM VAN DE VELDE THE YOUNGER

Men-o-war becalmed offshore and drying their sails, with seafaring folk working on the beach

Oil on canvas

31.8 x 51.5cm; 12½ x 20¼in

£700-1,000

830 NORTHERN EUROPEAN SCHOOL

c.1800

The Temptation of St Anthony Oil on canvas

61.4 x 49.5cm; 24¼ x 19½in

£250-400

831 DUTCH SCHOOL

18th Century Kitchen interior with a couple and a dog Oil on panel

22.6 x 16.9cm; 9 x 6¾in

£100-200

832

FOLLOWER OF CLAUDE-JOSEPH VERNET

Coastal landscape with choppy waters, and fishermen bringing in the catch Oil on canvas

69.3 x 98.1cm; 27¼ x 38½in

Provenance:

Believed to have been in the family of the present owner since the early 19th century

£800-1,200

833

CIRCLE OF CHARLES-FRANÇOIS

GRENIER DE LA CROIX, CALLED LACROIX DE MARSEILLE

Mediterranean coastal landscape with figures on the shore and a port in the distance Oil on canvas

36.8 x 59.8cm; 14½ x 23½in

Provenance: Thos. Agnews and Sons, London

£400-600

835

834

CIRCLE OF ALEXANDRE-FRANÇOIS DESPORTES

Still life with fruit, flowers, a monkey and a parrot on a stone ledge with a landscape beyond

Oil on canvas

153.6 x 127.4cm; 60½ x 50¼in

£5,000-8,000

835

CHARLES COLLINS

c.1680-1744

A spaniel and dead game in an Italianate garden

Oil on canvas

90.3 x 101.6cm; 35½ x 40in

Provenance: Simon C. Dickinson, London, where purchased by the present private collector

£8,000-12,000

836

CIRCLE OF NICOLAS DE LARGILLIÈRE

Portrait of a gentleman, traditionally identified as a member of the Crewe family, half-length, wearing a blue coat, embroidered waistcoat and powdered wig

Oil on canvas

74.3 x 61.4cm; 29¼ x 24¼in

Provenance: The Marquess of Crewe, Crewe Hall; And by descent

Literature: Crewe Hall Heirlooms Catalogue, 1898

£1,000-1,500

837

CIRCLE OF ANTOINE PESNE

Portrait of a young lady wearing a feathered cap

Oil on panel

37.7 x 26.5cm; 14¾ x 10½in

Provenance: James St Vincent Broke Saumarez, 5th Baron de Saumarez (1889-1969), Shrubland Park; And by family descent

£500-700

838

ANGLO-DUTCH SCHOOL

Late 17th Century

Portrait of a lady, three-quarter length, wearing an ivory silk dress, yellow shawl, pearl earring and necklace, and holding a basket of flowers

Oil on canvas

91.3 x 71.1cm; 36 x 28in

Provenance: Woolley and Wallis, Salisbury, Old Masters, British, European Paintings & Portrait Miniatures, 15 March 2017, lot 331

£1,500-2,500

839

ENGLISH SCHOOL

c.1700

Portrait of a young man, wearing a blue coat

Oil on canvas, a fragment

29.6 x 23.6cm; 11¾ x 9¼in

£150-250

840

ENGLISH SCHOOL

18th Century

Portrait of a lady, traditionally identified as a member of the Compton family, half-length, wearing a blue dress

Oil on canvas

76.5 x 63.5cm; 30 x 25in

£300-500

841

ENGLISH SCHOOL

18th Century

Portrait of a gentleman, traditionally identified as a member of the Compton family, half-length, wearing a grey coat and long wig

Oil on canvas

76.6 x 63.1cm; 30¼ x 24¾in

£300-500

842

SIR GODFREY KNELLER BT. German 1646-1723

Portrait of Altham Smith, three-quarter length, wearing a brown cloak and long wig, standing in an interior

Oil on canvas

126.8 x 102.7cm; 50 x 40½in

Provenance: By descent in the family of the sitter; Thos Agnew & Sons, London, where purchased by the previous private collector, February 1975; And by family descent

£4,000-6,000

842

843

FOLLOWER OF JAN WYCK

Portrait of William III on horseback, possibly at the Siege of Namur Oil on canvas

75.6 x 62cm; 29¾ x 24½in

£700-1,000

844

AFTER TIBOUT REGTERS

Portrait of Ludolf Backhuysen II, full-length, in the uniform of the Dragoons Oil on panel

38.8 x 28.6cm; 15¼ x 11¼in

After the original in the Rijksmuseum, Amsterdam (no.SK-A-2190).

£150-250

845

ENGLISH SCHOOL

Early 18th Century

Portrait of a child and a dog standing on a terrace with a park landscape beyond Oil on canvas

132.4 x 91.1cm; 52¼ x 35¾in

£300-500

846

CIRCLE OF ENOCH SEEMAN

Portrait of a young man, traditionally identified as a member of the Crewe family, three-quarter length, wearing a green coat with gilt embroidery

Oil on canvas

92 x 76.6cm; 36¼ x 30¼in

Provenance:

The Marquess of Crewe, Crewe Hall; And by descent

Literature:

Crewe Hall Heirlooms Catalogue, 1898

£1,200-1,800

847

CIRCLE OF ENOCH SEEMAN

Portrait of a gentleman, half-length, wearing a brown coat and powdered wig

Oil on canvas

87.3 x 67.3cm; 34¼ x 26½in

£400-600

848

ENGLISH SCHOOL

Early 18th Century

Portrait of a gentleman, half-length, wearing a blue coat and brown waistcoat, in a painted oval

Oil on canvas

73 x 60.1cm; 28¾ x 23¾in

£800-1,200

846 848

849

GEORGE SMITH OF CHICHESTER

c.1714-1776

Landscape with figures resting by a river; River landscape with figures outside a thatched cottage

A pair, the former signed Geo: Smith (lower right), the latter signed Geo: Smith (lower left)

Both oil on canvas

30.9 x 43.4cm; 12¼ x 17in; 30.7 x 43.4cm; 12 x 17in (2)

Provenance:

John Mitchell Fine Paintings, London, where purchased by the present private collectors, November 1972

£1,500-2,500

850

GEORGE SMITH OF CHICHESTER c.1714-1776

Landscape with goatherds near a waterfall

Signed Geo:Smith (lower left)

Oil on canvas

44.1 x 64cm; 17¼ x 25¼in

Provenance:

John Mitchell Fine Paintings, London, where purchased by the present private collectors, April 1979

Exhibited:

Chichester, Pallant House Gallery, The Smith Brothers of Chichester, May-August 1986, no.31

£1,500-2,500

851

WILLIAM SMITH OF CHICHESTER 1707-1764

Still life with peaches, plums, grapes, figs and nuts

Signed and dated Wm Smith/1760 (lower left)

Oil on canvas

31.1 x 36.2cm; 12¼ x 14¼in

Provenance:

John Mitchell Fine Paintings, London, where purchased by the present private collectors

Exhibited:

Chichester, Pallant House Gallery, The Smith Brothers of Chichester, May-August 1986, no.17

£800-1,200

852

WILLIAM SMITH OF CHICHESTER 1707-1764

Still life with peaches, plums, grapes and nuts

Signed and dated Wm Smith 1760 (lower left)

Oil on canvas

30.9 x 36.3cm; 12¼ x 14¼in

Provenance: John Mitchell Fine Paintings, London, where purchased by the present private collectors

Exhibited:

Chichester, Pallant House Gallery, The Smith Brothers of Chichester, May-August 1986, no.16

£800-1,200

853

853

JOHANN WENZEL PETER Czech 1745-1829

The head of a bay horse

Signed W.Peter (lower left)

Oil on canvas

75.4 x 63.6cm; 29¾ x 25in

Provenance: Simon C. Dickinson, London, where purchased by the present private collector

£4,000-6,000

76.4 x 63.8cm; 30 x 25in

£1,000-2,000

854

CIRCLE OF SIR JOSHUA REYNOLDS

Portrait of a gentleman, half-length, wearing a red coat and waistcoat

Oil on canvas

854

855

ATTRIBUTED TO NATHANIEL DANCE RA 1735-1811

Portrait of Captain Alexander Clunie and Mrs Jane Clunie, seated in an interior

Oil on canvas

101.3 x 126.5cm; 40 x 49¾in

Provenance:

In the family of the present owner since at least 1843 In 1974 the present work was attributed to Nathaniel Dance by John Hayes.

£4,000-6,000

855

855 (framed)

Provenance: Mr

Literature: John Jope Rogers, Opie and his Works (London, 1878), pp.104-105; Ada Ealand, John Opie and his Circle (Hutchinson & Company, 1911), p.282

£1,500-2,500

856 JOHN OPIE RA 1761-1807

Portrait of John Eastman Hancock (1755-1832), half-length, wearing a brown coat and striped waistcoat, seated next to a table holding a letter Oil on canvas

76.8 x 63.5cm; 30¼ x 25in

Danby P. Fry, great nephew of the sitter by 1878; Talbot Fry Dobson by 1911; Spink, London

857

CIRCLE OF JOHN HOPPNER

Portrait of Colonel George Gun (d.1827), half-length, wearing the uniform of the Gunsborough Union Oil on canvas

73.1 x 61.2cm; 28¾ x 24in, framed as an oval

Provenance: By family descent from the sitter

£2,000-3,000 857

858

CIRCLE OF WILLIAM BEECHEY

Portrait of Sarah Callander (née à Beckett) (1804-1837), half-length, wearing a white dress and pearl earring Oil on canvas

61.3 x 50.7cm, 24¼ x 20in

£400-600

859

AFTER SIR JOSHUA REYNOLDS

Portrait of Mrs Jane Bradyll, half-length, wearing a white dress Oil on canvas

76.2 x 63.8cm; 30 x 25in

Unframed

After the original in The Wallace Collection, London (no.P47).

£200-300

860

AFTER JOHN HOPPNER

Princess Amelia (1783-1810) as a child, seated on a step with a drum and spaniel Oil on canvas

91.2 x 71.3cm; 36 x 28in

After the original in the Royal Collection (no.401415).

£300-500

859

860

858

861

CIRCLE OF JOHN OPIE

Portrait of a gentleman, traditionally identified as a member of the Baring-Gould family, half-length, wearing a black coat

Oil on canvas

76 x 63.4cm; 30 x 25in

£1,000-1,500

862

ENGLISH SCHOOL

18th Century

Portrait of a cleric, half-length, seated in an interior Oil on canvas, oval

27.9 x 23.3cm; 11 x 9¼in

£100-200

863

CIRCLE OF HENRY PICKERING

Portrait of young man, half-length, wearing a blue coat and yellow waistcoat and holding a tricorn hat Oil on canvas

68 x 54.4cm; 26¾ x 21½in

£300-500

863

861

862

866

864

PETER DE WINT

1784-1849

River landscape with a church, possibly Bray

Oil on canvas

32.3 x 49.3cm; 12¾ x 19½in

Provenance: Miss H.H. Tatlock, the artist’s granddaughter; C. K. Bloom; Percy Moore Turner (1877-1950); Sotheby’s, London, Eighteenth and Nineteenth Century Drawings and Paintings, 2 May 1962, lot 133, where purchased by Agnews, London; Simon C. Dickinson, London, where purchased by the present private collector

Exhibited:

Lincoln, Usher Art Gallery, Peter de Wint, 1937, no.77; London, Agnews, Loan Exhibition of Paintings and Drawings by Peter de Wint, 1966, no.66

£1,500-2,500

865

ENGLISH SCHOOL

c.1800

Diana and Actaeon Oil on canvas

102.6 x 144.3cm; 40½ x 56¾in

£1,500-2,500

866

CHARLES TOWNE

1781-1854

A view of the Isle of Wight with cattle grazing in the foreground, and The Needles in the distance

Oil on canvas

35.6 x 43.5cm; 14 x 17in

Provenance: Orchard Farmhouse, Broadway; Their sale, Woolley & Wallis, Salisbury, The Contents of Orchard Farm House, Stanton, Broadway, 17 April 2007, lot 215; The collection of Sir Jeremy Lever KCMG, QC, MA, FRSA, by whom sold Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 6 March 2019, lot 219

£2,000-3,000

867 JOHN CONSTABLE RA 1776-1837

The Gravel Pits of Hampstead Oil on paper laid on board, c.1820-22

18.1 x 25.8cm; 7 x 10¼in

Provenance:

Probably Charles Golding Constable (1821-1878);

Probably with Dowdeswell and Dowdeswell, London, 1890s (the above according to inscription to reverse); Sotheby’s, London, c.1952, where purchased by B. Y. McPeake; And by family descent

The Gravel Pits of Hampstead is a previously unpublished oil sketch by one of the great masters of not only British but of European art, John Constable. Painted in c.1820-22, it depicts workers at a gravel pit on Hampstead Heath. The Heath and its surroundings were one of the mainstays of Constable’s art in the second half of his career. He first took lodgings there in 1819, in part to help improve the health of his young family. However, with its combination of panoramic views across London and the rustic ruggedness of its steep banks and hollows, the area also held great appeal to him as an artist. He spent most summers there until 1827, when he purchased a house in Well Walk that was to remain his home for the rest of his life.

It is Constable’s Hampstead period, alongside his time in Suffolk, which is most associated with the oil sketches, such as our painting, which today are amongst his most admired and best loved works. The Gravel Pits of Hampstead would have been executed in a single sitting and with its fluid, vigorous brushwork, it provides a fascinating insight into his working technique. Constable had the virtuoso ability to paint rapidly wet-on-wet, or alla prima, creating spontaneous impressions of the landscape around him. Constable painted these open air sketches in Hampstead, Suffolk and other locations until 1829, when he ceased the practice. These works were never intended for exhibition or sale, but instead he could refer back to them as he worked on larger compositions. In fact along the edges of our painting one can see the evenly placed pencil marks which indicate the artist intended to place ‘squaring threads’ in order to work up a larger version of the composition. There are also pin holes in the corners of the sheet, suggesting that Constable either had it pinned to a board whilst working in the open air, or that he had it attached to a studio wall as a compositional aid.

An inscription to the reverse of the board reads ‘This sketch on paper, formerly the property of Captain C Constable, son of John Constable was mounted on this card by Dowdeswell the picture dealer.’ The London dealers Dowdeswell and Dowdeswell did in fact purchase works by John Constable at his son Charles Golding’s posthumous sale on 11 July 1887, including lot 70 (‘Sketch of Hampstead Heath – 1821’), and lot 74 (‘Hampstead Heath 1823’), both purchased for £21. It is conceivable that one of these lots is the present work.

In the early 1950s the work was purchased by Ben McPeake, who was Managing Director of International Magazines, part of William Randolph Hearst’s publishing empire. The company published a number of titles, including McPeake's personal favourite, The Connoisseur magazine. McPeake lived for a time at Frognal House in Hampstead, and so it seems plausible that he acquired the present work, in part for the local subject matter.

Constable’s oil sketches have always been held in the highest esteem and, for some, are more sought after than his finished paintings. The landscape painter Frederick Richard Lee wished to buy some, and was refused, and Samuel and Richard Redgrave wrote that ‘Constable himself knew the value of such studies, for he rarely parted with them. He used to say of his studies and pictures that he had no objection to part with the corn, but not with the field that grew it’. The oil sketches were also hugely influential on future generations of artists, both in Britain and in Europe, and even 100 years after his death John Piper wrote ‘His sketches mean more to us today than his big paintings in the end; they are so complete, vivid and timeless. … Constable … deeply affected the course of the [landscape] tradition and made the Impressionist movement, and ultimately the whole of the modern movement, possible and necessary’.

We are grateful to Anne Lyles for her assistance in cataloguing the present work.

£50,000-80,000

867 (in a late 18th-century carved pine frame, gessoed and cut with sanded borders and bunished water gilding, on loan from Douglas McLeod Framing Ltd., Salisbury)

“The world is wide. No two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of all the world … In a sketch, there is nothing but the one state of mind – that which you were in at the time.”

John Constable

868

JOHN DALBY OF YORK 1810-1865

Over the fence

Signed and dated Dalby.1850 (lower right) Oil on canvas

30.7 x 43.2cm; 12 x 17in

Provenance: Sotheby’s, Billingshurst, Sporting Prints, Watercolours and Oil Paintings, 26 July 1994, lot 206; Property of a Deceased Estate

£800-1,200

869 CIRCLE OF SAMUEL HENRY ALKEN

The chase Bears a signature H.Alken (lower left) Oil on canvas

25.3 x 36.3cm; 10 x 14¼in

£250-350

870

CHARLES JOSI act.1827-1851

Booked for a Brace Oil on canvas

56 x 65.9cm; 22 x 26in

Provenance: Appleby Bros, London

Engraved: John Scott

£5,000-8,000

870

870 (framed)

871

WILLIAM REDMORE BIGG

1755-1828

The Harvester’s departure; The Harvester’s return

A pair, the latter signed and dated Bigg/1806 (centre right to barrel)

Both oil on canvas

Each 63.7 x 76.9cm; 25 x 30¼in (2)

£300-500

872

SIR GEORGE HOWLAND BEAUMONT

1753-1827

Wooded landscape with a horse and carriage passing farm buildings

Signed G H Beaumont (lower left)

Oil on canvas

64 x 88cm; 25 x 34½in

Provenance: Kenneth Neame

THIS LOT IS OFFERED WITHOUT RESERVE.

£200-300

873

CIRCLE OF FRANCIS WHEATLEY

The interrupted lovers

Oil on canvas

62.2 x 92.4cm; 24½ x 36¼in

£300-500

874

DAVID COX SEN. 1783-1859

Landscape with travellers crossing a bridge under stormy skies

Signed and dated David Cox/1852 (lower left) Oil on canvas

45.3 x 61.1cm; 17¾ x 24in

£400-600

875

ENGLISH SCHOOL c.1800

The butcher’s boy Oil on panel

30.4 x 43.4cm; 12 x 17in

Provenance:

Woolley and Wallis, Salisbury, Oil Paintings, Watercolours, Prints and Miniatures, 24 March 2010, lot 296

£500-800

876

CIRCLE OF JULIUS CAESAR IBBETSON

Landscape with figures in a horse and cart with cattle beyond Oil on panel

20.4 x 27.1cm; 8 x 10¾in

£150-250

876

875

874

877

ATTRIBUTED

NICHOLAS POCOCK 1740-1821

The Capture of the French Frigate La Tribune by The Unicorn, 8 June 1796

Oil on canvas

49 x 71.9cm; 19¼ x 28¼in

Together with Francis Chesham (1749-1806) after Nicholas Pocock; The Capture of the French Frigate La Tribune by The Unicorn, 8 June 1796; Etching and aquatint with hand-colouring; 41.7 x 61cm; 16½ x 24in (image) (2)

The 32-gun frigate HMS Unicorn, in company with HMS Santa Margarita, were cruising west of the Scilly Isles when, on 8th June 1796, they sighted, chased and brought to action two larger French frigates, the Tribune and the Tamise, both mounting 36-guns. Two fierce duels ensued, with the Tamise surrendering to HMS Santa Margarita first. Determined not to suffer the same fate, the Tribune fought all the harder for many hours and it was not until 10.30pm that night that she finally ‘struck her colours’ and surrendered to the Unicorn

£1,000-1,500

878

ENGLISH SCHOOL

Early 19th Century

English and continental shipping in the Downs off the Kent coast Oil on canvas

30.7 x 45.9cm; 12 x 18in

Provenance: Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall; Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 8 September 2020, lot 581

£200-300

879

JOHN

MURDAY

1787-1847

A merchant barque in two positions off Dover, with an inbound Channel packet steamer beyond Signed and indistinctly dated MURDAY/**38 (lower left)

Oil on canvas

61.3 x 92cm; 24¼ x 36¼in

Provenance: Leslie & Peel, Kent; Private Collection

£1,200-1,800

880

ATTRIBUTED TO JOHN CHRISTIAN SCHETKY

1778-1874

A Squadron of Men of War Returning from a Cruise

Indistinctly inscribed Wa*** Lodge near Croydon/January 10th ***/No 1 A Squadron of men of war/Returning from a Cruise/J.C.Schetky/ Marine painter to the present Majesty (to label)

Oil on panel

25.2 x 35.5cm; 10 x 14in

Provenance: Philip Heslop QC; His posthumous sale, Duke’s, Dorchester, 4 November 2004, lot 226 (as Schetky)

£600-800

881 AMERICAN SCHOOL

19th Century

Portrait of General Robert E. Lee (1807-1870)

Oil on canvas

46.6 x 38.4cm; 18¼ x 15in

£300-500

882 ENGLISH SCHOOL Early 19th Century

Portrait of an officer, half-length, wearing the uniform of the 3rd (King’s Own) Light Dragoons

Oil on canvas

51.4 x 41.4cm; 20¼ x 16¼in

Provenance: Kenneth Neame

THIS LOT IS OFFERED WITHOUT RESERVE.

£400-600

883 FRENCH SCHOOL c.1800

Portrait of a gentleman, half-length, wearing a striped waistcoat, seated in an interior

Oil on canvas

58.5 x 48.5cm; 23 x 19in

£150-250

884 R POATE act.1845-1869

Portrait of Major General Riddall (d.1852), three-quarter length, in uniform

Signed, inscribed and dated Maj. Gen. Riddall/ Painted by R.Poate./ Portsmouth/1849 (to reverse)

Oil on canvas

113.2 x 87.2cm; 44½ x 34¼in

£300-500

885

JAMES PARDON 1792-1862

Portrait of James Rolfe Browne, three-quarter length, in uniform standing in a landscape

Oil on panel

22.4 x 19cm; 8¾ x 7½in

£200-300

886

ENGLISH SCHOOL 19th Century

Portrait of Arthur Wellesley, 1st Duke of Wellington (1769-1852), full-length, standing on the battlefield

Oil on canvas

54.3 x 35.6cm; 21¼ x 14in

887 ROBERT POLLARD 1755-1838

The Death of General Sir Ralph Abercromby at the Battle of Alexandria

Oil on canvas

63.7 x 79.3cm; 25 x 31¼in

Provenance: The Parker Gallery, London

£200-300

£300-500 887

886

888

JOHN FREDERICK HERRING JNR. 1815-1907

Horses, chickens and pigs in a farmyard

Signed J F Herring (lower centre)

Oil on canvas

30.8 x 45.7cm; 12¼ x 18in

Provenance: The Swan Gallery, Sherborne; Private Collection

£800-1,200

889

AFTER JOHN FREDERICK HERRING SEN. Bribery held by Alec Taylor Sen. (her trainer), the jockey Nat Flatman on a hack, Winchester racecourse beyond Bears a signature and date J F Herring/1852 (lower right)

Oil on canvas

30.3 x 40.4cm; 12 x 16in

£150-250

890 WILLIAM GEORGE MEADOWS c.1825-1907

Stable interior with horses, ducks and figures

Signed W G Meadows (lower left)

Oil on canvas

61.3 x 92cm; 24¼ x 36¼in

£400-600

891

JOHN JOSEPH BARKER OF BATH 1824-1904

Winter landscape with figures and their animals returning home, a village beyond

Signed and dated JJ Barker/1861 (lower left)

Oil on canvas

50.7 x 101.8cm; 20 x 40in

Provenance: Dukes, Dorchester, 4 November 2004, lot 229, where purchased by the present private collector

£800-1,200

892 I GALLAT 19th Century

The haycarts Signed I Gallat (lower left) Oil on canvas

26.2 x 40cm; 10¼ x 15¾in £250-350

893

EDWARD CHARLES WILLIAMS 1807-1881

The Traveller’s Halt

Signed with initials ECW (lower left) Oil on panel

35.4 x 45.7cm; 14 x 18in

Provenance: Newhouse Galleries, New York; Property of a Deceased Estate £250-350

893

892 891

894

895

894

JOHN CHARLES MAGGS 1819-1896

The London to York Royal Mail coach

Signed and dated J C Maggs/1881 (lower left)

Oil on canvas

61.3 x 91.6cm; 24¼ x 36in

Provenance: Property of a Deceased Estate

£800-1,200

895 ENGLISH SCHOOL 19th Century

Lake landscape with figures outside a cottage and a boat in the distance; Extensive landscape with a traveller outside a cottage

A pair, both oil on panel

Each 21.3 x 28.1cm; 8½ x 11in (2)

£100-200

896

ROBERT RICHARD SCANLAN Irish 1801-1876

Portrait of a gentleman on a hunter in a landscape

Signed R R Scanlan (lower centre)

Oil on canvas

56 x 75.5cm; 22 x 29¾in

£800-1,200

897

EDWARD

19th Century

Portrait of Tottie, a grey, in a stable

Signed and dated E Garraway/1888 (lower left)

Oil on canvas

35.4 x 45.9cm; 14 x 18in

£300-500

898

OTTO STOTZ German 1805-1873

Horse play

Signed and dated Stotz pinx/1835 (lower right)

Oil on canvas

75.2 x 99.1cm; 29½ x 39in

Provenance: Christie’s, South Kensington, 19th Century European Art, 1 February 2012, lot 133

£300-500

GARRAWAY

898

897

896

899

HENRY THRING SHAYER 1825-1894 and CHARLES WALLER SHAYER 1826-1914

The end of the day

Signed H & C Shayer (lower left) Oil on canvas

71.5 x 91.9cm; 28¼ x 36¼in

£700-1,000

900

WILLIAM SHAYER 1787-1879

Coastal landscape with children and a donkey resting and fishing boats beyond Oil on canvas

63.8 x 76.8cm; 25 x 30¼in

Provenance:

Property of a Deceased Estate

£300-500

901

ATTRIBUTED TO WILLIAM SHAYER 1787-1879

Coastal landscape with fisher folk resting on the shore

Bears a signature and dated Shayer 1835 (lower right)

Oil on canvas

50.4 x 61.1cm; 19¾ x 24in

Provenance:

Property of a Deceased Estate

£250-350

902

WILLIAM SHAYER 1787-1879

Fisher folk on the Hampshire coast Oil on canvas

49.3 x 60.8cm; 19½ x 24in

£300-500

903

THOMAS MILES RICHARDSON 1784-1848

View of Richmond, North Yorkshire, with travellers on a path below

Signed and dated T M Richardson Sen/1845 (lower right)

Oil on canvas

52 x 77.2cm; 20½ x 30½in

£1,000-1,500

904

ATTRIBUTED TO FREDERICK WATERS WATTS 1800-1862

At the lock Oil on canvas

66.9 x 80.5cm; 26¼ x 31¾in

Provenance: Property from Stradey Castle, Wales

£300-500

905

FOLLOWER OF WILLIAM SHAYER

Lake landscape with cattle watering Oil on canvas

68.7 x 63.5cm; 27 x 25in

£200-400

906

GERMAN SCHOOL

19th Century

Wooded landscape with a hawking party and a castle beyond

Indistinctly signed and dated Kir** F 1853 (lower right)

Oil on canvas

19.5 x 24.4cm; 7¾ x 9½in

£200-300

907

DOMINIK SCHUFRIED

Austrian 1810-1877

Landscape with cattle grazing amongst the ruins

Signed and dated Schufried 74 (lower left)

Oil on panel

21.2 x 34.5cm; 8¼ x 13½in

Provenance: Lawrences, Crewkerne, 17 January 2014, lot 1694

£300-500

908

WILLIAM RAYMOND DOMMERSEN

1850-1927

Figures on the shore of Lake Como;

Figures on a cliff path with Cattaro beyond A pair, the former signed W.Dommerson (lower left), the latter signed W.Dommerson (lower right)

Both oil on canvas

Each 30.6 x 45.6cm; 12 x 18in (2)

£400-600

909

JEAN LOUIS JULES CÉSAR BOC DE ST HILAIRE

French exh.1835-1846

Extensive landscape with a chateau in the distance, possibly the Château de Marouatte

Signed and dated J Boc de St Hilaire 1845 (lower left)

Oil on canvas

71 x 106.8cm; 28 x 42in

Provenance:

Boscher-Oriot, Morlaix, Objets d’art, tableaux...., 21 February 1994, lot 124

Exhibited:

Possibly Paris, Salon, 1845, no.4064

£3,000-5,000 909

909 (framed)

910

CHARLES HOGUET

German 1821-1870

River landscape with cattle watering by a bridge and a ruined castle in the distance

Signed and dated C Hoguet 1854 (lower left)

Oil on canvas

69 x 101.1cm; 27¼ x 39½in

£300-500

911

DUTCH SCHOOL

19th Century

English landscape with a ruined castle and shipping in calm waters

Oil on panel

13.3 x 17.7cm; 5¼ x 7in

£150-200

912

DUTCH SCHOOL

19th Century

Fishing boats in calm coastal waters

Traces of a signature (lower right)

Oil on canvas

60.6 x 93.2cm; 23¾ x 36¾in

£500-700

913

CHARLES LEROUX

French 1814-1895

Landscape with sailboats in an estuary

Signed Charles Le Roux (lower left)

Oil on canvas

58.3 x 100.5cm; 23 x 39½in

£300-500

914

WILHELM THEODOR NOCKEN

German 1830-1905

Mountainous lake landscape with a woman outside cottages and a town on the far shore

Signed W Th Nocken (lower left)

Oil on canvas laid on board

74.5 x 93cm; 29¼ x 36½in

£300-500

915

FREDERICK JAQUES SANG

French act.1884-1908

Coastal landscape under stormy skies, with figures on a cliff

Oil on board

15.4 x 23.6cm; 6 x 9¼in

£100-200

914

913

916

ANTON DOLL

German 1826-1887

Winter landscape with a knife sharpener; Winter landscape with a butcher

A pair, the former signed and inscribed ADoll Munchen (lower right), the latter signed and inscribed ADoll Munchen (lower left)

Both oil on panel

Each 21.3 x 16.1cm; 8½ x 6¼in (2)

£400-600

917

FOLLOWER OF CHARLES LEICKERT

Winter landscape with figures skating on a frozen river

Oil on canvas

38.3 x 47.8cm; 15 x 18¾in

Provenance: Wilson’s Antiques, Worthing

£500-800

Belgian 1816-1907

Figures by a market stall in winter Signed Ch Leickert (lower right)

on canvas 43.3 x 38.2cm; 17 x 15in £3,000-5,000

918

CHARLES LEICKERT

919

BENJAMIN WILLIAMS LEADER RA 1831-1923

The Moon Lake on Carnedd Llewelyn

Signed and dated B.W.LEADER 1875 (lower left)

Oil on board

40.8 x 61cm; 16 x 24in

Provenance: The Lower Nupend Gallery, Worcestershire

£1,000-1,500

920

ROBERT GALLON 1845-1925

River landscape with figures harvesting on the far bank

Signed R Gallon (lower right) Oil on canvas

61.3 x 102.3cm; 24¼ x 40¼in

£1,000-1,500

921

LOUIS BOSWORTH HURT 1856-1929

Cattle on the banks of Loch Awe

Signed Louis B. Hurt (lower left) Oil on canvas

61.8 x 102.6cm; 24¼ x 40½in

Provenance: Ian MacNicol, Glasgow; Sotheby’s, Glasgow, Scottish and Sporting Paintings, 4 December 1991, lot 236

£4,000-6,000

922

ENGLISH SCHOOL

19th Century

A traveller on the road under stormy skies

Signed and dated Hawksworth/1845 (lower left)

Oil on canvas

35.5 x 45.8cm; 14 x 18in

£300-500

923

ENGLISH SCHOOL 19th Century

Extensive landscape with figures, cattle and sheep on a hill

Oil on canvas

38.3 x 48.3cm; 15 x 19in

£200-300

924

GEORGE

VICAT COLE RA

1833-1893

Figures on the bank of the Thames with Windsor Castle beyond; View of the Thames with Old Walton Bridge

A pair, both signed with monogram (lower left)

Both oil on canvas

Each 16.4 x 30.5cm; 6½ x 12in (2)

£150-250

925

GEORGE VICAT COLE RA 1833-1893

On The Arun

Signed with monogram and dated 1869 (lower right) Oil on canvas

66.7 x 102.2cm; 26¼ x 40¼in

Provenance:

Sotheby’s, London, Victorian Pictures, 12 November 1992, lot 26; Private Collection, Gloucestershire

Literature:

Robert Chignell, The Life and Paintings of Vicat Cole, vol. I (Cassell and Company, London, 1896), pp.118-119 (illustrated)

£3,000-5,000

925

925 (framed)

926

WILLIAM JABEZ MUCKLEY 1829-1905

Still life with grapes, a blue and white dish, and a pot on a carpet

Signed and dated Muckley 1880 (lower left)

Oil on canvas

47.4 x 60.4cm; 18¾ x 23¾in

£1,000-1,500

927

F. WICKENS 20th Century

Still life with flowers in an urn on a stone ledge

Signed and dated F.Wickens 1946 (lower right)

Oil on canvas

76.4 x 63cm; 30 x 24¾in

£300-500

928

HORATIO HENRY COULDERY 1832-1918

A pomeranian in an interior

Signed H.H.Couldery (lower left)

Oil on canvas

48.9 x 61.5cm; 19¼ x 24¼in

Provenance: Kenneth Neame

THIS LOT IS OFFERED WITHOUT RESERVE.

£1,000-1,500

928

928 (framed)

930

929

C. C. COVENTRY act.1799-1819

Children doing the laundry in an interior

Signed and dated C C Coventry 1809 (to table stretcher)

Oil on canvas

91.5 x 71.8cm; 36 x 28¼in

£2,000-3,000

930

CHARLES HUNT II 1829-1900

The Artist’s studio

Signed and dated C Hunt 83 (lower left)

Oil on canvas

61 x 91cm; 24 x 36in

Provenance: Haynes Fine Art, Broadway

£2,000-3,000

931

ENGLISH SCHOOL

19th Century

Portrait of Joseph Johnson (1813-1886), three-quarter length, wearing a black coat and white waistcoat; Portrait of Harriet Mayson (1812-1855), three-quarter length, wearing a brown dress and lace bonnet, and holding a fur

A pair, both oil on canvas

111.9 x 86.5cm; 44 x 34in; 111.4 x 86.1cm; 43¾ x 34in (2)

£500-700

932

ENGLISH SCHOOL

19th Century

Portrait of John North Wyke, three-quarter length, wearing a black coat and seated at a table; Portrait of a lady, three-quarter length, wearing a brown dress and seated holding a book

A pair, both oil on canvas

91.5 x 71.4cm; 36 x 28in; 92 x 71cm; 36¼ x 28in (2)

£200-300

933

RUSSIAN SCHOOL

c.1800

The Archangel Michael Indistinctly inscribed in Cyrillic (along top edge) Oil on copper

13.5 x 10.3cm; 5¼ x 4in

£300-400

934

RUDOLF LEHMANN

1819-1905

Study for ‘Out of the World’ Oil on canvas

24.2 x 24.2cm; 9½ x 9½in, framed as a roundel

Provenance: By descent from the artist

£300-500

935

CONTINENTAL SCHOOL 19th Century

Portrait of a gentleman, half-length, wearing a black coat and seated in a chair

Charged with a coat-of-arms (upper left) Oil on canvas

35.5 x 29.3cm; 14 x 11½in

£150-250

933

934

935

936

ALFRED AUGUSTUS GLENDENING

SNR. 1840-1921

Windsor Castle from the Thames at dusk

Signed with initials and dated A A G 81 2 (lower right)

Oil on canvas

61.1 x 91.3cm; 24 x 36in

Provenance: Property of a Deceased Estate

£1,500-2,500

937 ALFRED AUGUSTUS GLENDENING

SNR. 1840-1921

The harvest

Signed and dated A A GLENDENING/1867 (lower left)

Oil on canvas

51.1 x 81.3cm; 20 x 32in

Provenance: Property of a Deceased Estate

£1,000-1,500

938

ROBERT WALKER MACBETH RA 1848-1910

When Jove Makes Hay with the Weather

Signed with initials and dated RM 1901 (lower right) Oil on canvas

133.8 x 189.6cm; 52¾ x 74¾in

Provenance:

Property of the artist; By whom sold, Christie, Manson & Woods, London, 28 November 1908, lot 112 (bt Harrison £56 14s); Dr E. S. Langworthy, by 1911; Purchased at auction in Northumberland, 1950s; And by family descent

Exhibited: London, Royal Academy, 1901, no.150; London, Royal Academy, Exhibition of Works by Five Deceased British Artists, Winter Exhibition 1911, no. 106 (The Storm at Haytime)

£6,000-8,000

938

938 (framed)

939

ARTHUR JOSEPH MEADOWS

1843-1907

View of Calais from the pier

Signed Arthur J Meadows (lower left)

Oil on canvas

36 x 61.5cm; 14¼ x 24¼in

Provenance:

The Swan Gallery, Sherborne; Private Collection

£800-1,200

940

SAMUEL BOUGH RSA

1822-1878

Shipping in a heavy swell offshore

Signed SAM BOUGH (lower left)

Oil on board

21 x 28.5cm; 8¼ x 11¼in

£300-500

941

CIRCLE OF WILLIAM CALCOTT KNELL

Shipping off the Kent coast

Oil on canvas

65.7 x 102.3cm; 25¾ x 40¼in

£700-900

942

FRANK DILLON 1823-1909

The Praça do Comércio and the Cais das Colunas, Lisbon Oil on canvas

51.2 x 91.1cm; 20¼ x 35¾in

Provenance: P. Polak, London

£3,000-5,000

942 (framed)

943

EDWARD PRITCHETT

1807-1876

View of the Piazza San Marco, Venice, with the Campanile Oil on canvas

46.3 x 35.8cm; 18¼ x 14in

£1,000-1,500

944

RUDOLF

ERNST Austrian 1854-1932

At the drinking fountain

Signed, dated and inscribed R.Ernst.86/ Granada (lower right) Oil on panel

32.3 x 20.1cm; 12¾ x 8in

Provenance:

In the family of the present owner since at least 1900

£8,000-12,000

947

GEORGE CAMMIDGE

1846-1916

A young boy holding a basket in a landscape

Signed and dated G.Cammidge/1865 (lower left)

Oil on canvas

30.7 x 23.1cm; 12 x 9in

£200-300

945

HENRY SCHOUTEN

Belgian 1864-1927

The milkmaid

Signed Hy Schouten (lower right)

Oil on canvas

120.3 x 100.3cm; 47¼ x 39½in

£200-300

946 ADOLPHE-FÉLIX CALS

French 1810-1880

Jeune Femme a la Coiffe

Signed Cals (centre left)

Oil on board

33.7 x 25.6cm; 13¼ x 10in

Provenance:

Christie’s, South Kensington, British and Continental Pictures, 14 January 1999, lot 5; The Collection of the late Robin de Beaumont (1926-2023)

£200-300

948

WILLIAM HENRY KNIGHT

1823-1863

A boy asleep in a chair

Signed and dated W.H.Knight/1854 (lower right)

Oil on paper laid on panel

18.7 x 15.8cm; 7¼ x 6¼in

Unframed

£150-250

949

MATTHIAS ROBINSON act.1856-1885

Playing Soldiers

Signed and dated M Robinson/1862 (lower right)

Oil on canvas

56 x 75cm; 22 x 29½in

Provenance:

J.O.W Coster; By descent to his son Arthur Coster,1870; Sotheby’s London, 12 July 1989, lot 454; Haynes Fine Art, Broadway; Private Collection

£800-1,200

950

PHILIPP HOYOLL

German 1818-1876

Children by the garden wall

Signed, inscribed and indistinctly dated Ph. Hoyoll/London *** (lower left)

Oil on canvas

42 x 52.5cm; 16½ x 20¾in

£400-600

951

JOSEPH WRIGHTSON MCINTYRE 1841-1897

The Old Coopers Shop

Signed and dated J.W.McIntyre 1884.5. (lower left), and inscribed Willie Fraser

Cooper/& Jeannet Ditchinson/A Study of/The Old Coopers Shop/Painted at Burnmouth/ BERWICKSHIRE/1884/J.W.McIntyre/Sheffield (to reverse)

Oil on canvas

51.2 x 76.2cm; 20¼ x 30in

£300-500

952

CIRCLE OF THOMAS SWORD GOOD

Landscape with two shepherds under cloudy skies

Oil on canvas

76.1 x 60.9cm; 30 x 24in

£600-800

953

AFTER SIR EDWIN LANDSEER

The Pets

Oil on canvas

35.9 x 31cm; 14¼ x 12¼in

Provenance:

Property of a Deceased Estate

£400-600

954

HENRY HETHERINGTON EMMERSON

1831-1895

Portrait of a young lady in a green dress, standing by the sea

Signed and dated H.H.Emmerson (lower right)

Oil on canvas

30.6 x 25.4cm; 12 x 10in

£500-800

955

FRANCIS SYDNEY MUSCHAMP RBA

1851-1929

Fisherfolk on the shore

Signed and dated Sydney Muschamp/1888 (lower left)

Oil on canvas

40.8 x 60.8cm; 16 x 24in

Provenance:

The Swan Gallery, Sherborne

£700-1,000

956

DANIEL SHERRIN 1869-1940

Sand dunes

Oil on canvas

41 x 61.2cm; 16¼ x 24in

£200-300

957

SIR ERNEST ALBERT WATERLOW RA, ROI 1850-1919

Figures in the dunes

Signed and dated E A Waterlow/1883 (lower left)

Oil on canvasboard

25.4 x 35.4cm; 10 x 14in

Provenance: The Swan Gallery Sherborne; Private Collection £500-700

957

956

955

EDMUND MORISON WIMPERIS

1835-1900

On the Ouse near Hemingford

Signed with initials EMW (lower right)

Oil on canvas

52.2 x 77cm; 20½ x 30¼in

Provenance: Richard Green, London

£300-500 959

EDMUND MORRISON WIMPERIS

1835-1900

River landscape with figures punting under stormy skies

Signed with initials EMW (lower left)

Oil on canvas

51.2 x 76.3cm; 20¼ x 30in

Provenance: Property of a Deceased Estate

£250-350 960

WILLIAM BRADLEY LAMOND RBA

Scottish 1857-1924

Landscape with a figure by a river, a mill beyond

Signed and dated W B Lamond 89 (lower left)

Oil on canvas

25.5 x 35.6cm; 10 x 14in

Provenance: The Swan Gallery, Sherborne; Private Collection

£600-800

961

HENRY JOHN YEEND KING 1855-1924

Figures punting on a tranquil river

Signed YEEND KING (lower left)

Oil on canvas

61.5 x 91.6cm; 24¼ x 36in

£2,000-3,000

961

961 (framed)

962

ROBERT WEIR ALLAN

Scottish 1851-1942

Coastal landscape with ships in calm waters

Signed R W Allan (lower right)

Oil on panel

52.8 x 36.8cm; 20¾ x 14½in

Provenance: W.B.Simpson, Glasgow; Sotheby’s, Glasgow, Scottish and Sporting Paintings, 4 December 1991, lot 236

£300-500

963

THOMAS H. WILLIS

American 1845-1925

Portrait of the George I

Signed T.WILLIS (lower right), and further signed and inscribed Thos Willis/3 Sumpter St/Brooklyn (to stretcher)

Oil on canvas with applied velvet, silk thread and hand-stitching

45.8 x 65.9cm; 18 x 26in

£200-300

964

WALTER LINSLEY MEEGAN

1859-1944

View of Scarborough Harbour with Scarborough Castle in the distance

Signed W Meegan (lower left), and inscribed and dated SCARBOROUGH/1882 (to reverse)

Oil on canvas

25.4 x 36cm; 10 x 14¼in

£200-300

965

ADOLPHUS KNELL

act.1860-1890

Shipping under moonlight; A ship and tug under moonlight

Two, the former signed Adolphus Knell (lower right)

Both oil on panel

13 x 31.5cm; 5 x 12½in; 14.3 x 29.8cm; 5¾ x 11¾in (2)

£800-1,200

966

FOLLOWER OF JAMES WEBB

Coastal landscape with fisherfolk on the shore

Bears a signature and date James Webb 1879 (lower left)

Oil on canvas

55.6 x 99cm; 21¾ x 39in

£200-300

968

FLORENCE FITZGERALD

1857-1927

River landscape with cottages by a bridge

Signed Florence Fitzgerald (lower left)

Oil on canvas

41.3 x 61.7cm; 16¼ x 24¼in

Provenance: Bonhams, Oxford, Pictures, Furniture & Works of Art, 7 September 2004, lot 108; Private Collection

£400-600

967

WILLIAM MELLOR 1851-1931

A shallow waterfall; A waterfall leading to a rocky pool

A pair, the former signed William Mellor (lower left) and the latter signed William Mellor (lower right)

Both oil on canvas

Each 76 x 51cm; 30 x 20in (2)

£500-700

969 DAVID BATES 1840-1921

Mountainous lake landscape with a figure watching over his cattle

Signed and dated David Bates 1876 (lower right)

Oil on canvas

41.2 x 61.3cm; 16¼ x 24¼in

Provenance: The Roger Widdas Gallery, Moreton-in-Marsh; Private Collection

£300-500

970 VALENTINE DAVIS RBA 1854-1930

Landscape in the Fens with a cottage on the banks of a river

Signed VAL/DAVIS (lower right)

Oil on canvas

60 x 91.6cm; 23½ x 36in

Provenance: Mallams, Oxford, 28 May 2003, lot 367

£300-500

971

DAVID MURRAY Scottish 1849-1933

The Pride of the Ocean at a swing bridge

Signed and dated David Murray 83 (lower right)

Oil on canvas

61.4 x 91.5cm; 24¼ x 36in

£400-600

972 Φ PIET COLDEWEY Dutch 1877-1962

At the plough

Signed G Coldewey (lower right)

Oil on canvas

60.8 x 100.5cm; 24 x 39½in

£150-250

975

D. M. M. KENZIE

19th Century

A figure amongst a coastal ruin

Indistinctly signed and dated D M M ****1858 (lower right)

Oil on canvas laid on board

26.4 x 36.4cm; 10½ x 14¼in

Unframed

£150-250

973

L HARRIS

Late 19th Century

Portrait of a Moroccan gentleman wearing a blue turban

Signed, inscribed and dated L HARRIS/MOROCCO/21 11 83 (lower right)

Oil on canvas laid on board 53 x 42.7cm; 20¾ x 16¾in

£200-400

974

CONTINENTAL SCHOOL

Late 19th Century

Study of a young woman

Oil on canvas

30.8 x 26.4cm; 12¼ x 10½in

£200-300

976 ATTRIBUTED TO LUCIUS ROSSI

Italian 1846-1913

The performer with her dog on stage

Signed LRossi (lower centre)

Oil on panel

38.3 x 30.2cm; 15 x 11¾in

£200-300

977

977

MAX LEVIS

German 1863-1930

Contemplation

With the artist’s estate stamp and inscribed by a later hand, Die letzte werk/November 1930/beglaubigt durch Louise Levis Schwester (to reverse) Oil on panel

37.5 x 30cm; 14¾ x 11¾in

Provenance: Haynes Fine Art, Broadway; Christie’s, London, Impressionist and 19th Century Art, 6 April 2000, lot 167

£1,000-1,500

978

EMMA CIARDI Italian 1879-1933

Villa Albani, Rome

Signed Emma Ciardi (lower right) and inscribed and dated Venezia 04 (lower left)

Oil on panel 21.6 x 16.6cm; 8½ x 6½in

Provenance: Leicester Galleries, London; Purchased from the above by C. Davis; Christopher Wood; His sale, Christie’s, London, Christopher Wood: A Very Victorian Eye, 28 February 2007, lot 218; The Collection of the late Robin de Beaumont (1926-2023)

Exhibited:

London, Leicester Galleries, Emma Ciardi Exhibition, March 1906, no.50

£700-1,000

979

GUSTAVE DANTHON

French b.1858

River landscape at dusk

Signed Danthon (lower right)

Oil on canvas

81.9 x 128.7cm; 31¼ x 50¾in

£1,000-1,500

980 FRENCH SCHOOL

19th Century

Coastal landscape at dusk

Oil on canvas

53.3 x 69.5cm; 21 x 27¼in

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£200-300

981

NUMA MARZOCCHI DE BELLUCCI

French 1846-1930

River landscape with a figure working in a garden

Signed MARZOCCHI (lower right)

Oil on canvas

98.7 x 127.3cm; 38¾ x 50in

Unframed

Provenance: Bonhams, London, British and Continental Pictures, 19 January 2010, lot 18

£400-600

A

von Aachen, After Hans 798

Abbott, John White 721

Aldin, Cecil 677

Alexander, Douglas 783

Alken, Samuel Henry, Circle of 869

Allan, Robert Weir 962

American School 881

Anglo-Dutch School 838

Augustin, Charles-Henry 636

B

Baldrey, Joshua Kirby 668

Barbaro, Giovanni 787, 788

Barker of Bath, Benjamin 728-730

Barker of Bath, John Joseph 891

Bates, David 969

Beale, Mary 824

Beaumont, George Howland 711, 872

Beechey, William, Circle of 858

De Bellucci, Numa Marzocchi 981

Berchem, Nicolaes, Circle of 805

Berchem, Nicolaes, Manner of 804

Beresford, Louisa, Marchioness of Waterford 765

Bernhardt, Sarah 764

Bestland, Cantelowe W 632

Bigg, William Redmore 871

Birket Foster, Myles 755, 756

Bleker, Gerrit Claesz, Attributed to 797

Boc de St Hilaire, Jean Louis

Jules César 909

Boudewijns, Adriaen Frans 815

Bough, Samuel 940

Boys, Thomas Shotter 735

Brabazon Brabazon, Hercules 786

Burgkmair the Elder, Hans 661

C

Caldwell, Edmund 784, 785

Callow, William 740

Cals, Adolphe-Félix 946

Cammidge, George 947

Carwitham, John 664

INDEX OF ARTISTS

Ciardi, Emma 978

Cibo, Gherardo 687

van Cleve, Joos, Circle of 790

Cockburn, James Pattison 741

Coldewey, Piet 972

Cole, George Vicat 924, 925

Collins, Charles 835

Constable, John 867

Continental School 637, 654, 660, 779, 935, 974

Cosway, Richard 697

Couldery, Horatio Henry 928

Coventry, C. C. 929

Cox Sen., David 704-708, 874

de la Croix, called Lacroix de Marseille, Circle of 833

van der Croos, Jacob Jacobsz. 818

Crosse, Richard, Attributed to 613

Custos, Dominicus 663

D

Dalby of York, John 868

Dance, Nathaniel 855

Danthon, Gustave 979

Davis, Valentine 970

Delatour, Édouard 638

Desportes, Alexandre-François, Circle of 834

Devis, Anthony 719, 720

Dicksee, Herbert 678

Dietler, Johann Friedrich 748

Dillon, Frank 942

der Does II, Jacob van 806

Doll, Anton 916

Dommersen, William Raymond 908

Downman, John, Circle of 698

Drury, Susanna 703

Dutch School 600, 601, 604, 793, 812, 831, 911, 912

Duval, Charles 635

E

van Elven, Pierre Tetar 743

Emmerson, Henry Hetherington 954

English School 605, 607, 609, 610, 612, 615-617, 619, 620, 622, 623, 625, 627-631, 641, 648, 658, 700, 747, 749, 750, 792, 821, 822, 839, 840, 841, 845, 848, 862, 865, 875, 878, 882, 886, 895, 922, 923, 931, 932

Ernst, Rudolf 944 F

Farquhar, Helen 778

Fielding, Anthony Vandyke Copley 709

Fitzgerald, Florence 968

Flemish School 689

Fowler, Robert 752

French School 606, 634, 640, 643-645, 685, 796, 883, 980 G

Gallat, I 892

Gallon, Robert 920

Garraway, Edward 897

Geneva School 655

German School 639, 906

Glendening Jun., Alfred Augustus 775

Glendening Snr., Alfred Augustus 936, 937

Goodall, Walter 776

Gosse, William 633

Green, Valentine 675

Grimm, Samuel Hieronymus 718

H

Haghe, Louis 680

Haller, Clara 657

Harding, George Perfect 696

Harding, James Duffield 724-726

Hardy, Thomas Bush 758-760

Harris, L 973

Havell, Daniel 679

Hayter, George 716

Heath, William 676

Herring Jnr., John Frederick 888

Herring Sen., John Frederick, After 889

Hilditch, George 744

Hogarth, William, After 673

Hoguet, Charles 910

Hone, Nathaniel, Circle of 626

Hoppner, John, After 860

Hoppner, John, Circle of 857

Hoyoll, Philipp 950

Hughes, Arthur 768

Hunt II, Charles 930

Hurt, Louis Bosworth 921 I

Ibbetson, Julius Caesar, Circle of 876

Indian School 789

Isbert, Camille Cornélie 650

Italian School 777

J

Joly, Jules 746

Josi, Charles 870

K

Kenzie, D. M. M. 975

King, Henry John Yeend 961

Kirkpatrick, Richard 642

Knell, Adolphus 965

Knell, William Calcott, Circle of 941

Kneller, Godfrey 842

Knight, William Henry 948

Koekkoek, Barend Cornelis 742

L

Lamond, William Bradley 960

Lampi the Elder, Johann Baptist, After 745

Lamplough, Augustus Osborne 751

Landseer, Sir Edwin After 953

de Largillière, Nicolas, Circle of 836

Lauri, Filippo, Manner of 827

Lawrence, Thomas, Attributed to 695

Leader, Benjamin Williams 919

Lee Hankey, William 771

Lehmann, Rudolf 934

Leickert, Charles 918

Leickert, Charles, Follower of 917

Lely, Peter, Follower of 823

Leroux, Charles 913

Levis, Max 977

Lizars, William Home, After 603

Luti, Benedetto, Attributed to 688

Lynde, Raymond 781

M

Macbeth, Robert Walker 938

MacTaggart, William 761, 763

Maggs, John Charles 894

Martens, Henry 713, 714

Maurer, J, After 665

Mayr, Peter, Circle of 618

McIntyre, Joseph Wrightson 951

Meadows, Arthur Joseph 939

Meadows, William George 890

Meegan, Walter Linsley 964

Mellor, William 967

Meryon, Charles 669

Millet, Francisque, Attributed to 828

Monogramist NR 608

Monogramist V 611

Mordaunt, Mary Ann, Lady 727

Muckley, William Jabez 926

Murday, John 879

Murray, David 971

Muschamp, Francis Sydney 955

N Natoire, Charles-Joseph 690

Netscher, Caspar, After 807

Netscher, Constantijn, After 811

Nettema, D.I. 801

Nocken, Wilhelm Theodor 914

Northern European School 830

Nunzer, Andreas 670 O

Opie, John 856

Opie, John, Circle of 861

INDEX OF ARTISTS

PPalmer, Harold Sutton 736

Pardon, James 885

Passot, Gabriel Aristide 647

Pastine, Giulio 780

Payne, William 715

Pesne, Antoine, Circle of 837

Peter, Johann Wenzel 853

Pickering, Henry, Circle of 863

Pinwell, George John 766

Piranesi, Giovanni Battista 666, 667

Poate, R 884

Pocock, Nicholas, Attributed 877

Pollard, Robert 887

Porter, William 699

Potter, Paulus, After 802

Powell, Joseph 734

Pritchett, Edward 943

Pseudo Roestraten, The 819, 820

Q

Querfurt, August, Circle of 816

R

Raabe, Karl Josef 652

Raphael, After 794

Reeve, Richard Gilson 672

Regters, Tibout, After 844

Reynolds, Sir Joshua After 859

Reynolds, Sir Joshua, Circle of 854

Richardson, Thomas Miles 903

Roberts, David 733

Robins, Thomas Sewell 757

Robinson, Charles 769

Robinson, Matthias 949

Romney, George 691-694

Rosa, Salvator, Follower of 826

Rossi, Lucius, Attributed to 976

Roth, C. 621

Rowbotham, Charles Edmund 753

Rowlandson, Thomas 717

Russian School 933

de Santa Bárbara, António Joaquim 656

Scanlan, Robert Richard 896

Schäfer, Alexander 646

Schetky, John Christian, Attributed to 880

Schmetterling, Elisabeth Barbara 653

Schouten, Henry 945

Schufried, Dominik 907

Scotin, Gérard Jean-Baptiste 674

Seeman, Enoch, Circle of 846, 847

Seymour, James, After 671

Shalders, George 774

Shayer, Henry Thring 899

Shayer, William 900, 902

Shayer, William, Attributed to 901

Shayer, William, Follower of 905

Shepherd, George Sidney, Attributed to 702

Sherrin, Daniel 956

Shirreff, Charles, Circle of 614

Smallwood, William Frome 739

Smith of Chichester, George 849, 850

Smith of Chichester, William 851, 852

Smith, John Warwick 722

Solomon, Simeon 770

Spanish School 602

Stanfield, Clarkson Frederick 738

Staniforth, Ann E. 659

Stark, James 732

Stephens, A. 649

Stoop, Dirk, Attributed to 800

Stotz, Otto 898

Sword, Thomas, Circle of 952

Sykes, Francis 624

Theer, Albert 651

Tiziano Vecellio, After 791

Towne, Charles 866

V

Valter, Frederick E 754

Varley, John 710

van de Velde the Younger, Willem, Follower of 829

Vernet, Claude-Joseph, Follower of 832

Vickers, Alfred 737

Vollevens I, Johannes 814

de Vos, After Cornelis 813

Vouet, Simon, Manner of 795

Vrancx, Sebastiaen, Circle of 799

W

Ward, Enoch, Attributed to 772

Waterlow, Ernest Albert 957

Watts, Frederick Waters, Attributed to 904

Watts, George Frederic 767

Weatherhead, William Harris 773

Webb, James, Follower of 966

Wheatley, Francis, Circle of 873

Wickens, F. 927

Wilkie, David 712

Williams, Edward Charles 893

Willis, Thomas H. 963

Wimperis, Edmund Morison 958

Wimperis, Edmund Morrison 959 de Wint, Peter 864

Wolgemut, Michael 662

Wouwerman, Philips, After 817

Wright, John Michael 825

S

Sandby, Paul 723

Sang, Frederick Jaques 915

T

Tayler, John Frederick 731

Teniers II, After David 808

Teniers II, David and Lucas van Uden, Circle of 803

Teniers II, David, Circle of 810

Teniers II, David, Manner of 809

Wyburd, Francis John 782

Wyck, Jan, Follower of 843

Wyllie, William Lionel 681-684

Y Yates, Gideon 701

THURSDAY 5TH DECEMBER 2024

ENQUIRIES

Victor Fauvelle | +44 (0)1722 446961 | vf@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Dame Elisabeth Frink CH, DBE, RA (1930-1993)

Small Boar

Signed and numbered Frink 5/10 (to base) Bronze with a dark brown patina, conceived in 1971 11.6 x 17.4 x 5.8cm

Provenance: Private Collection, London

Estimate £15,000 - 25,000*

A large satirical Meissen figure of Count Bruhl’s Tailor 19th century 43cm

TUESDAY 17TH & WEDNESDAY 18TH SEPTEMBER 2024

ENQUIRIES

Will Hobbs | +44 (0)1722 339752

wh@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price A Yombe power figure (detail) Democratic Republic of the Congo 34.2cm high Estimate £3,000 - 5,000*

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9.00am – 5.00pm

Castle Gate Offices

Monday to Friday 9.00am – 5.00pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleys.live

You will be asked to show your documents, or email copies.

PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name and address and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, debit and credit cards.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30-97-41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3%

1%

0.5%

£50,000.01 - 200,000

£200,000.01 - 350,000

£350,000.01 - 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/ purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

ROYAL INSTITUTION OF CHARTERED SUREYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS

1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque six weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOKS AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3%

1%

0.5%

£50,000.01 - 200,000

£200,000.01 - 350,000

£350,000.01 - 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy.

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleys.live

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

• From you when you:

- interact with us before entering into a contract with us, for example when you express your interest in our Services;

- instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

- communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

- in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

• From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

- thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider);

- sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

- shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE

BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the-saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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This publication has been manufactured using 100% offshore wind electricity sourced from UK wind.

100% of the inks used are vegetable oil based, 95% of press chemicals are recycled for further use and, on average 99% of any waste associated with this production will be recycled and the remaining 1% used to generate energy.

This document is printed on Magno Satin and Magno Gloss, both made of material from well-managed, FSC®-certified forests and other controlled sources.

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clients’ needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley and Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Woolley & Wallis Salisbury Salerooms Ltd.

51-61 Castle Street, Salisbury, Wiltshire SP1 3SU

Registered in England No.02998482

VAT No: 631 9832 29

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

ABSENTEE BID FORM

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS

WEDNESDAY 4TH SEPTEMBER 2024

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

BUYER’S PREMIUM

Each lot is subject to a buyer’s premium of 26% plus VAT at 20%

Billing Name (please print)

ID may be required even if you have bid with us before.

AUCTION CALENDAR

SEPTEMBER

3rd British and Continental Ceramics & Glass

4th Old Masters, British & European Paintings

17th & 18th Arts of Africa, Oceania and the Americas

NOVEMBER

12th & 13th Asian Art, Chinese Paintings & Japanese Works of Art

27th Medals & Coins, Arms & Armour

OCTOBER

2nd & 3rd Furniture, Works of Art & Clocks

16th & 17th Design

22nd & 23rd Silver & Objects of Vertu

30th & 31st Fine Jewellery

DECEMBER

3rd & 4th British Art Pottery

5th Modern British & 20th Century Art

Dates may be subject to change

+44 (0)1722 424500 enquiries@woolleys.live

51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium

Louise Josephine Sarazin de Belmont (French 1790-1870)

View of Florence with the Duomo in the distance

SOLD FOR £31,500* AUCTION RECORD FOR THE ARTIST