Woolley & Wallis Old Masters, British & European Paintings by Park Communications

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS TUESDAY 8TH SEPTEMBER 2020

Lot 582

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below PAINTINGS Victor Fauvelle Ed Beer

VALUATIONS FOR INSURANCE & PROBATE 446961 446962

ASIAN ART John Axford MRICS ASFAV 424506 Jeremy Morgan +44 (0)7812 601098 Amber Lees 424571 Sarah Lopez-Ferreiro 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

JAPANESE WORKS OF ART Alexandra Aguilar Sarah Lopez-Ferreiro

424583 424591

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

411854 339161 411854

JEWELLERY Marielle Whiting FGA 424595 Jonathan Edwards FGAA (Consultant) 424504 Charlotte Glyde FGA 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

SILVER Rupert Slingsby Lucy Chalmers

MARKETING Sally Trench

446959

ACCOUNTS Janice Clift (Office Manager)

424501 424594

Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie Megan Corbett

CASTLE GATE RECEPTION Sally Litherland

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director

ASSOCIATE DIRECTORS Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

424500

GENERAL OFFICE

BOARD OF DIRECTORS 424507 446964

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

Jeremy Lamond MRICS ASFAV FRSA 424598 Paul Viney ASFAV 424509 Amanda Lawrence 424509

339752 446980

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 • www.woolleyandwallis.co.uk

Front Cover: Lot 516 Back Cover: Lot 630 (detail) Catalogue £12.00 (£15.00 by post)

424500

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS TUESDAY 8TH SEPTEMBER 2020 10.00am at our Castle Street Salerooms, SP1 3SU

VIEWING BY APPOINTMENT ONLY - Please contact the department to make an appointment.

PAINTINGS Victor Fauvelle +44 (0)1722 446961 vf@woolleyandwallis.co.uk

There will be no viewing on the morning of the sale. Friday 4th September 10.00am– 4.00pm Saturday 5th September 10.00am– 1.00pm Monday 7th September 10.00am– 4.00pm

Ed Beer +44 (0)1722 446962 eb@woolleyandwallis.co.uk

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE BUYER’S PREMIUM See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices. TELEPHONE BIDDING Requests for telephone bidding cannot be accepted after 5pm on Monday 7th September. IMPORTANT CHANGES TO OUR BIDDING PROCEDURE Please note that, owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction will be asked to provide two forms of identification. This applies to both new and existing clients. COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Castle Gate on 9th, 10th and 11th September - collection of lots on these days MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 14th September collection will be from the Picture department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. If making payment at Castle Gate, cash cannot be accepted. Collection of sold and unsold lots must be within 21 days of the sale failure to collect within this time may result in storage fees.

LIVE ONLINE BIDDING - FREE OF CHARGE

bid.woolleyandwallis.co.uk Please register by 5pm on Monday 7th September.

ARTIST’S RESALE RIGHT / DROIT DE SUITE ‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details. GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings. CONDITION OF LOTS Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults. Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

INDEX Miniatures 401-433 Prints 434-456 Drawings & Watercolours 457-508 Property from the Trustees of Exbury House 509-526 Oil Paintings 527-675

MINIATURES

401 HENRY PIERCE BONE 1779-1855

AFTER JACOB ADRIAENSZ. BACKER Dutch 1608-1651

Portrait miniature of a boy in a feathered cap Signed, dated and inscribed on the counter-enamel in red paint Prince of Orange./ Painted by Henry Pierce Bone/ after Frank Hals, May 1853 Enamel on copper, oval, in a giltwood frame with scroll and foliate decoration 105 x 75mm Although the inscription on the reverse identifies the sitter as William II, Prince of Orange (1626-1650), the painting is based on a work of an unknown boy by Jacob Adriaensz. Backer, today in the Museum Boijmans Van Beuningen, Rotterdam (inv. no. 2483) £1,000-1,500

401

402 HENRY PIERCE BONE 1779-1855

Portrait miniature of Anne of Cleves (1515-1557) Signed, dated and inscribed on the counter-enamel in red paint Ann of Cleves/ ori by Ber Van Orley/Col. of Earl Spencer. Painted by Henry P.Bone. Enl/Painter to Her Majesty/Prince Albert. &c/Sept 1850 Enamel on copper, oval, in a gilt-metal frame 54 x 44mm The identification of the sitter as Anne of Cleves comes from an inscription on the original painting at Althorp, Northamptonshire, then thought to have been painted by Bernard van Orley (c.1488-1541/2). Henry Pierce Bone painted another version of this work for Queen Victoria in 1843 (Royal Collection no. RCIN 421709) £800-1,200

402

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

403 λ AFTER ROBERT WALKER Portrait miniature of Oliver Cromwell, wearing armour Oval in a white metal frame with scroll surmount 50 x 42mm £250-450

404 CONTINENTAL SCHOOL 18th Century

Portrait miniature of a gentleman wearing armour 403

404

Oval, enamel on copper, in a gilt metal pierced frame 30 x 26mm £150-250

405 λ RICHARD COLLINS 1755-1831

Portrait miniature of George III (1738-1820) wearing Windsor uniform and the riband of the Order of the Garter Signed dated, and inscribed Rd Collins pinx/ Enamel Painter/to the King by/His Majesty’s special/appointment/1799 to backing card Oval, in a gilt metal frame 44 x 34mm

405

406

£200-300

406 λ ENGLISH SCHOOL c.1780

Portrait miniature of a gentleman, in a fur-lined coat, white waistcoat and stock, with powdered hair Signed with initials HG Oval, in a gilt metal frame 73 x 58mm £150-250

407 λ ENGLISH SCHOOL Late 18th Century

Portrait miniature of a gentleman, in a red coat and black stock with powdered wig Oval, in a gilt metal frame 42 x 35mm £150-250

407 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

408

409

408 λ ATTRIBUTED TO SAMUEL COTES 1734-1818

409 λ FOLLOWER OF RICHARD COSWAY

410 λ FOLLOWER OF RICHARD COSWAY

411 λ ATTRIBUTED TO LOUIS-AMI ARLAUD-JURINE

Portrait miniature of a lady, wearing a white dress with pink ermine-lined jacket

Portrait miniature of a lady, wearing a white dress with layered frilled collar and bonnet

Portrait miniature of a gentleman, in a blue coat and white stock

Oval, in a rectangular gilt gesso frame 46 x 40mm

Oval, in a gilt metal frame 60 x 48mm

Portrait miniature of a lady, wearing a white dress, with pearls in her hair

Provenance: Sotheby’s, London, Silhouettes, English and Continental Portrait Miniatures, Wax and Glass Paste Medallions; Objects of Vertu, 2 June 1975, lot 122 (as Richard Cosway)

Provenance: Sotheby’s, London, Good Silhouettes, English and Continental Miniatures, Portrait boxes and Objects of Vertu, 20 March 1978, lot 79

Oval, in a gilt metal frame, the en brunaille reverse depicting a mourning woman at a tomb 50 x 38mm

£600-800

£500-800

£400-600

410 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

411

Swiss 1751-1829

Oval, in a gilt metal frame with hair back 61 x 45mm Provenance: Sotheby’s, London, Important English and Continental Portrait Miniatures, 26 November 1973, lot 118 £400-600

412

413

412 λ ADAM BUCK

413 λ ENGLISH SCHOOL

Portrait miniature of a gentleman in a blue coat and white stock

Portrait miniature of an officer, in red uniform, hair en queue

Signed and dated 1805 Oval, in a gilt metal frame, silk back with a lock of hair 67 x 55mm

Oval, in gilt metal frame with split-pearl and blue glass border 34 x 29mm

Irish 1759-1833

Late 18th Century

£400-600

£300-500

414

415

414 λ JOSEPH BOWRING

415 λ ENGLISH SCHOOL

Portrait miniature of a gentleman, traditionally identified as Captain Edward Smith of the Liverpool slave runner Mermaid

Portrait miniature of a gentleman, wearing a blue coat with gold buttons and white stock

Signed with monogram Oval, in a red leather case 69 x 57mm

Oval, in a gilt metal frame with split pearl border 43 x 35mm

c.1760-after 1817

£120-180

Late 18th Century

Provenance: Sotheby’s, London, Silhouettes, Portrait Miniatures; Objects of Vertu including English Enamels, 10 March 1975, lot 38 £700-1,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

416 λ GEORGE ENGLEHEART 1750-1829

Portrait miniature of W.Williams, wearing a brown coat and green waistcoat, with powdered hair en queue Oval, in a gilt metal brooch frame, and a red leather case 35 x 30mm Provenance: J.G.Richmond, 1929 Exhibited: London, Victoria & Albert Museum, Exhibition of Miniatures by George Engleheart, J.C.D. Engleheart and Thomas Richmond, 1929, no. 50 Mr Williams, a button maker, is recorded as having his portrait painted by Engleheart on five different occasions (another example was sold Chiswick Auctions, London, 25 March 2020, lot 128). £800-1,200

416

417 λ GEORGE ENGLEHEART 1750-1829

Portrait miniature of Matthew Vaughan, in a blue jacket and white stock Signed with initial E Oval, in a gilt metal frame, blue glass over guilloché and mother-of-pearl back with a lock of hair held by four pearls 78 x 59mm Provenance: Miss F Housley, Sotheby’s, London, 20 December 1965, lot 19; Christie’s, London, 21 June 1999, lot 209 Literature: G.C. Williamson, George Engleheart 1750-1829 Miniature Painter to George III (London, 1902), p. 117 Mr. Vaughan is recorded as having sat for Engleheart in 1799 £1,500-2,500

417 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

418

419

420

418 λ CONTINENTAL SCHOOL

419 λ ENGLISH SCHOOL

420 λ GEORGE MARSHALL MATHER

Portrait miniature of a noblewoman, wearing a white dress and pearl earring

Portrait miniature of a lady, wearing red dress, lace shawl and pearls in powdered hair

Portrait miniature of a lady, in a black dress, seated in an interior

Mid 19th Century

Inscribed Grafin Sacchrinzi to verso Oval, in a gilt metal easel frame with ribbon surmount 85 x 68mm £200-300

19th Century

Oval, in a gilt metal frame 60 x 48mm Provenance: Sotheby’s, London, 10 June 1974, lot 126

Scottish act.1831-1850

Rectangular, framed with an arched top in a rectangular giltwood frame 113 x 83mm £200-300

£300-500

421 λ ENGLISH SCHOOL 19th Century

Portrait miniature of a gentleman in military dress Oval, in a rectangular wooden frame 73 x 59mm £150-250

422 λ ENGLISH SCHOOL

Mid 19th Century

Portrait miniature of a gentleman, in a black coat and black stock 421

422

Oval, in a gilt metal brooch frame with mother-of-pearl back 42 x 36mm Provenance: Allen H. Johness Jr.; His sale, Sotheby’s, London, 27 November 1972, lot 5 £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

423 λ ANDREW ROBERTSON 1777-1845

Portrait of a young lady, head and shoulders in a white dress with a pink sash Signed with initials and dated 1819 Oval in a gilt metal frame 74 x 60mm £700-1,000

423

424 λ ENGLISH SCHOOL c.1835

Portrait of Lady Frances Anne Emily Vane, later Frances Anne Spencer-Churchill, Duchess of Marlborough (1922-1899), head and shoulders, with her hair in ringlets Oval, in a gilt metal and felt easel frame surmounted with a coronet 45 x 38mm Together with another miniature of Queen Victoria, over a printed base (2) Provenance: The sitter’s daughter Lady Rosamund Jane Frances Spencer-Churchill; By family descent to the present owner Lady Frances’ son Lord Randolph Spencer-Churchill was the father of Sir Winston Churchill £200-300

424

425 λ ENGLISH SCHOOL c.1840

Portrait miniature of a young lady, ringlets and pearls in her hair and a black shawl Oval, in a metal frame with foliate decoration 37 x 29mm Provenance: Sotheby’s, London, 10 June 1974, lot 126 £600-800

425 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

426 λ PIERRE-LOUIS BOUVIER Swiss 1765-1836

Portrait miniature of a gentleman, wearing a mauve coat and powdered wig Signed and dated 1783 Oval, in a circular gilt frame with tortoise-shell surround, reverse with inset oval blue enamel and gilt plaque 84 x 69mm £500-800

426

428

427

427 λ AFTER JOSEPH FRANQUE

428 λ FRENCH SCHOOL

Portrait miniature of the Empress Marie Louise watching over the sleeping King of Rome Watercolour and bodycolour, in a gilt metal easel frame 240 x 200mm Together with a copy of Four Years an Empress by Agnes de Stoeckl which shows the original painting, in the Musée de Versaille, on the dust jacket (2) £200-300

18th Century

Portrait miniature of a young lady, wearing a blue dress, and lace cap with blue ribbon Oval, in a gilt metal brooch frame 40 x 33mm Provenance: Sotheby’s, London, Good Silhouettes, English and Continental Miniatures, Portrait Boxes and Objects of Vertu, 20 March 1978, lot 20 £600-900

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

429

430

429 λ CONTINENTAL SCHOOL Early 19th Century

Portrait miniature of a gentleman, wearing a fur-lined green coat Rectangular with canted corners, in a gilt metal frame 59 x 54mm Provenance: Sotheby’s, London, 10 June 1974, lot 81 £300-500

430 λ PETER MAYR

German 1758-1836

Portrait miniature of a brother and sister, the former holding a book Signed and dated 1823 Circular in a gilt metal frame 58mm diam

431

432

£500-700

431 CONTINENTAL SCHOOL

433 EUGÈNE AUTRAN

Portrait miniature of a gentleman, in oriental dress

Portrait miniature of a young lady, in profile and wearing a white dress

20th Century

Oval, enamel over printed base, in a white metal frame 45 x 32mm £40-60

432 λ EASTERN EUROPEAN SCHOOL 19th Century

Portrait miniature of a matriarch, holding a letter and with a toy spaniel, a mountainous forest landscape beyond

Swiss 1838-1920

Signed and dated 1898 Circular, enamel on copper, in an ornate gilt metal easel frame with laurel leaf and ribbon surmount 84mm diam £150-250

Rectangular, in a gilt metal frame 102 x 81mm £200-300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

433

PRINTS

434 GIUSEPPE VASI Italian 1710-1782

La Veduta della celebre Cascata del Fiume Aniene; The Vatican from Monte Gianicolo; Papal procession in front of St. Peter’s Square Three, etchings and engravings Largest 49.4 x 70cm; 19½ x 27½in; Smallest 44.3 x 68.7cm; 17½ x 27in (plates) (3) Provenance: Earl of Mansfield, Scone Palace; his sale, Scone Palace and Blairquhan: The Selected Contents of Two Great Scottish Houses, Christie’s, London, lot 333 £800-1,200

434 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

435

435 GIOVANNI BATTISTA PIRANESI Italian 1720-1778

Perspective view of a funerary monument of a boar’s headed rhyton on a vase (Wilton-Ely 994); Altar dedicated to Apollo, found in the Villa of Pompey the Great in Albano (Wilton-Ely 990); Large marble cinerary urn (Wilton-Ely 919); Perspective view of an ancient cinerary marble vessel (Wilton-Ely 920); Marble tripod found at Ostia (Wilton-Ely 947); Marble tripod found at Ostia (Wilton-Ely 948) Six, each etching, from ‘Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati’ Each 75.7 x 49.1cm; 30 x 191⁄4in (6) £800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

436

437

438

436 PHILIBERT-LOUIS DEBUCOURT French 1755-1832

AFTER PIERRE JÉRÔME LORDON French 1779-1838

Ulysse se Préserve des Enchantements de Circé; Ulysse Secouru par la Princesse Nausicaa; Ulysse est Reconnu par Euryclée; Ulysse Témoin de la Fidélité de Pénélope Four, each stipple engraving in colours Each 48.5 x 61.6cm; 19 x 241⁄4in (sheet) (4) £200-300

437 JAMES R. MACKRELL act. mid 19th Century

AFTER JOHN FREDERICK HERRING SR. 1795-1865

439

Sir Tatton Sykes, Winner of the Doncaster Great St. Leger 1846, the Property of Mr. William Scott Aquatint and engraving with hand-colouring by C. Simpson 44.7 x 53.9cm; 17½ x 211⁄4in (image) £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

440

441

438 GEORGE TOWNLY STUBBS

440 THOMAS ROWLANDSON

AFTER GEORGE STUBBS ARA

Going out in the Morning; The Chase; The Death of the Fox; The Return

Warren Hastings’ Arabian

Four, each etching and aquatint with with hand-colouring, published J.Harris, 1787 Each 38.2 x 51.2cm; 15in x 201⁄4in (image) (4)

1756-1815 1724-1806

Stipple engraving 19.9 x 25.1cm; 73⁄4 x 10in (plate) £150-250

439 THOMAS GOOCH APPLETON 1854-1924

AFTER GEORGE ROMNEY 1734-1802

The Gower Family: The Children of Granville, 2nd Earl of Gower Signed in pencil to margin, and with Printsellers Association blindstamp Mezzotint, published by Henry Graves Ltd. 1902 62.8 x 69.1cm; 243⁄4 x 271⁄4in £150-250

1757-1827

£300-500

441 AFTER JOHN LEECH Our Friend Mr. Noddy has a Day with the Brockside Harriers; Where There’s a Will, There’s a Way Two, each with printed signature and title to mount Each lithograph heightened with gum arabic, published by Thos. Agnew & Sons 41.3 x 60.6cm; 161⁄4 x 233⁄4in; 40.8 x 63.4cm; 16 x 25in (images) (2) Provenance: Baroness Anne Louise de Graevenitz; And by descent £100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

442 JOHN RAPHAEL SMITH 1751-1812

AFTER GEORGE MORLAND 1763-1804

The Laetitia Series: Domestic Happiness; The Elopement; The Virtuous Parent; Dressing for the Masquerade; The Tavern Door; The Fair Penitent Six, each stipple engraving in colours Each 33.5 x 26.8cm; 131⁄4 x 10½in (image) (6) £150-250

442

443 ROBERT LAURIE AND JAMES WHITTLE (Publishers) c.1755-1836; c.1757-1818

The Four Seasons Four, each hand-coloured mezzotint Each 32.6 x 25.3cm; 123⁄4 x 10in (plate) Together with ‘The Tea Gardens’ and ‘The Beautiful Fruit Gatherer’; two, both hand-coloured mezzotint published by Robert Sayer; each 35 x 24.5cm; 133⁄4 x 93⁄4in (plate) (6) £200-300

443 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

444 AFTER LOUIS-LÉOPOLD BOILLY Rejouissances Publiques; Les Mangeurs d’Huïtres Two, both coloured lithograph Each 25 x 20.5cm; 93⁄4 x 8in Together with John Pass; Accipenser; hand coloured engraving published by John Wilkes, 1804; 19.3 x 25cm; 7½ x 93⁄4in (3) £40-60

445 THOMAS GOFF LUPTON 1791-1873

AFTER WILLIAM KIDD HRSA Scottish 1817-1863

The Poacher Detected Mezzotint 58.3 x 45.8cm; 23 x 18in (sheet) Together with After Sir Anthony van Dyck; Portrait of Maria de Tassis; lithograph published by Fransz Hanfstaengl, Munich; 78 x 57cm; 303⁄4 x 22½in (2)

444

445

£100-150

446 HENRY BUNBURY

447 ADRIEN GODEFROY

The Breakfast: Symptoms of Drowsiness

La Promenade en Bokei; Le Boulevard de Gand à Paris

Hand-coloured etching 22.3 x 30.4cm; 83⁄4 x 12in

A pair, both hand-coloured etching, from ‘Le suprême bon ton’ Each 21.6 x 27cm; 8½ x 10½in (image)

1750-1811

Together with ‘The Roads from London to Barnstable contains as follows & Comences at Andover’; two strip maps including Andover, Honiton and Ashburton; each 18.8 x 12.9cm; 7½ x 5in framed as one (2) £100-200

French 1777-1865

Together with Johann Georg Mansfeld (Austrian 1764-1817) after Vincenz Georg Kininger (Austrian 1767-1851); Gemeiner Hussar Links; Hussaren Officier; a pair, both hand-coloured engraving; each 43.5 x 30.1cm; 17 x 113⁄4in (image) (4)

446

£150-250

447 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

448 CHARLES GOLD d.1842

Hanuman; Tipoo’s Palace; Natives pay homage to their ruler; Chess in India under the Raj Four, each hand-coloured aquatint, from ‘Oriental Drawings: sketched between the years 1791 and 1798’ Largest 23.5 x 30.6cm; 91⁄4 x 12in; Smallest 23.9 x 27cm; 9½ x 10½in (4) £200-300

448

449 ATTRIBUTED TO JEAN FRANÇOIS JANINET French 1752-1814

View of the Rhine Falls; View of Ringgenberg Castle A pair, both titled indistinctly Both hand-coloured aquatint Each 22.9 x 31.8cm; 9 x 12½in (2) Together with Carl Guttenberg after J. L. Alberli ‘Vue Prise du Chateau de Thoun’; hand-coloured lithograph; 20 x 30.5cm; 73⁄4 x 12in (3) £150-250

449

450

450 AFTER ROBERT MORDEN Wiltshire; Dorsetshire; Somersetshire; Devonshire; Cornwall Five, each engraved map with hand-colouring Largest 36 x 41.7cm; 141⁄4 x 16½in; Smallest 34.2 x 40.9cm; 13½ x 16in (5) £500-800 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

451 JOSEPH CONSTANTINE STADLER AFTER PHILLIP REINAGLE RA German act.1780-1812; 1749-1833

& JOHN LANDSEER AFTER PETER CHARLES HENDERSON 1769-1852; act.1791-1829

Large Flowering Sensitive Plant; The China Limodoron Two, both coloured aquatint with hand-colouring 47 x 36cm; 18½ x 141⁄4in; 48 x 36cm; 19 x 141⁄4in (plates) (2) Literature: Dr Robert John Thornton, The Temple of Flora, or Garden of Nature (London, 1810-1812) These two works were published as part of Sir Robert Thornton’s famous The Temple of Flora, described as ‘the most strikingly beautiful set of flower plates ever to be printed in England’ (Alan Thomas, Great Books and Book Collectors, p.144). £300-500

451

452 JOHN GOULD FRS, HENRY CONSTANTINE RICHTER AND ELIZABETH GOULD 1804-1881; 1821-1902; 1804-1841

Ptilonorhynchus Rawnsleyi; Diomedea Melanophrys; Carpophaga Leucomela; Diomedea Chlororhynchos; Megapodius Tumulus; Leipoa Ocellata Six, each hand-coloured lithograph Four 35 x 52cm; 133⁄4 x 20½in; two 52 x 35cm; 20½ x 133⁄4in (6) £400-600

452 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

453 HERBERT DICKSEE 1862-1942

Oh for the Touch of a Vanished Hand Etching, published by the Fine Art Society, London, 1893 36 x 66.7cm; 141⁄4 x 261⁄4in (plate) £400-600

453

454 WILLIAM LIONEL WYLLIE RA 1851-1931

Santa Maria della Salute, Venice Signed in pencil to margin Drypoint etching, one of 150 impressions (according to label) 17.2 x 22.5cm; 63⁄4 x 83⁄4in £200-300

454

455 PIERRE GABRIEL BERTHAULT French 1737-1831

AFTER PIERRE RANSON French 1737-1831

Lit a la Polonaise; Lit a Colonnes dans le gout moderne; Lit a Colonnes dans le genre moderne; Lit a la Polonaise Four, each coloured engraving Each 35.5 x 23.5cm; 14 x 9in (4) £150-250

456 A 20TH CENTURY MAHOGANY EASEL With fluted supports surmounted with gilt finials and swan neck pediment above pierced fret work panel 177cm; 693⁄4in high £200-400

455

456 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

DRAWINGS & WATERCOLOURS 457 RAJASTHANI SCHOOL Illustrations to a Ragamala series: A nobleman with two female attendants in a courtyard; A nobleman with three female attendants in a garden A pair, both watercolour and bodycolour heightened with gilt Each 26.5 x 18.5cm; 10½ x 71⁄4in (2) Provenance: Acquired in India in the early 20th Century; And by descent £400-600

458 INDIAN SCHOOL Portrait of a Rajasthani maharajah Gouache heightened with gilt 32.9 x 23.8cm; 13 x 91⁄4in Provenance: Acquired in India in the early 20th Century; And by descent £400-600

459 λ INDIAN SCHOOL

457

The Taj Mahal surrounded by roundels depicting eight buildings of India and eight portraits of noble men and women Watercolour heightened with gum arabic and gilt 15 x 19cm; 6 x 7½in, oval £200-300

459 458 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

460

460 ISRAEL SILVESTRE French 1621-1691

Château de Richelieu Pen and brown ink 16.9 x 26.9cm; 63⁄4 x 10½in Provenance: P. & D. Colnaghi & Co., London

461 ATTRIBUTED TO GIULIO CESARE PROCACCINI Italian 1574-1625

462 PIETRO FABRIS

Italian act.1740-1792

Study of monks and other figures

Study of a reclining figure

Pen and brown ink 13.2 x 12.8cm; 5¼ x 5in

Red chalk 23.7 x 20.3cm; 91⁄4 x 8in

£100-200

£700-1,000

461

462 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

463 ANTOINE ROUX French 1765-1835

La Georgette Watercolour and pencil within black framing lines 34 x 51.3cm; 13½ x 201⁄4in Provenance: Christie’s, London, Maritime, 15 November 1996, lot 376; Property of a retired Master Mariner; By whom sold, Woolley and Wallis, Paintings, 5 June 2013, lot 284, where purchased by the previous private collector; And by descent £800-1,200

464 CIRCLE OF SIR THOMAS LAWRENCE Portrait of a young lady, half-length Pencil and wash on canvas 61.2 x 50.5cm; 24 x 193⁄4in £200-300

463

465 GEORGE RICHMOND RA 1809-1896

Portrait of Granville Leveson-Gower, 2nd Earl of Granville (1815-1891) Signed, titled and dated 1847 Black and white chalk heightened with coloured chalks 60.3 x 46cm; 233⁄4 x 18in Lord Granville was a notable 19th century statesman. As well as leading the Liberal Party, he had three spells as Secretary of State for Foreign Affairs, and was a close friend of William Gladstone. George Richmond portrayed Lord Granville on a second occasion in 1876 (National Portrait Gallery, London, no. NPG4900). £150-250

464

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

465

466

466 ANTHONY VANDYKE COPLEY FIELDING POWS 1787-1855

Thirsk from Pendleton Hills, Yorkshire Signed Watercolour and pencil 36.2 x 47.8cm; 141⁄4 x 183⁄4in Provenance: Richard Green, London £600-1,000

467 WILLIAM PAYNE OWS

468 SAMUEL JACKSON

View of the Avon Gorge, Bristol

A view of the Avon Gorge looking from the Sea Walls towards Clifton Down

Signed Watercolour 17.6 x 25.2cm; 7 x 10in

Pencil and watercolour 18.9 x 26.6cm; 7½ x 10½in

1760-1830

£150-250

1794-1869

Exhibited: Bristol, David Cross Gallery, Samuel Jackson 1794-1869, 12 April 10 May 1986, no. 15 Executed c.1845, this watercolour depicts the building of the south pier of the Clifton Suspension Bridge, and the Clifton Observatory. £200-300

467

468 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

469

469 HENRY ALKEN SNR. 1785-1851

Setting out; Jumping the fence; On the scent; The fox is caught Four, each watercolour and pencil Each 21.8 x 32.1cm; 8½ x 123⁄4in (4) £800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

470

471

470 CIRCLE OF PAUL SANDBY

471 SIR DAVID WILKIE RA 1785-1841

Bayham Old Abbey

Figure studues

Pencil and wash 38.4 x 54.4cm; 15 x 21½in

Pencil and grey wash 15.2 x 23.2cm; 6 x 9in Unframed

£200-300

£150-250

472

473

472 FRANCIS OLIVER FINCH

473 WILLIAM LEIGHTON LEITCH

AFTER JOSEPH MALLORD WILLIAM TURNER RA

A view of Edinburgh

Isis

Signed with initials and dated 1858 Watercolour and pencil 28.8 x 42.3cm; 111⁄4 x 163⁄4in

1802-1862 1775-1851

Watercolour 9.6 x 14.1cm; 33⁄4 x 5½in Provenance: Beckford Collection, Fonthill; Sotheby’s, 9 March 1960, lot 65

Scottish 1804-1883

Provenance: Jenny Diver, Sidmouth £200-300

After the original in the Tate (no. D08168). £100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

474 SAMUEL PROUT OWS 1783-1852

Mountainous river landscape with figures tending to fishing nets and baskets Signed with initials Watercolour and pencil heightened with bodycolour 41.5 x 59.5cm; 161⁄4 x 23½in Provenance: Private Collection UK, acquired c.1963-1971; And by descent £800-1,200

475 SAMUEL PROUT OWS 1783-1852

Porch at the Cathedral at Ulm Signed with monogram Watercolour heightened with bodycolour 43.2 x 30.2cm; 17 x 12in

474

Provenance: Possibly Hon. Col. Stanhope, 1824 Exhibited: Possibly Old Water-Colour Society, 1824, no. 103 £300-500

476 SAMUEL PROUT OWS 1783-1852

Place de la Pucelle, Rouen Signed with monogram Watercolour heightened with bodycolour 46 x 33cm; 18 x 13in £300-500

475

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

476

477

478

477 SEFFERIN ALKEN JNR.

478 PHILIP OAKLEY

Before the Race; After the Race

Mowing; Stacking Hay; Loading Hay; Harvest Treat

1821-1873

A pair, both signed and titled in pencil to mount Both watercolour and pencil heightened with bodycolour Each 16 x 21.2cm; 61⁄4 x 81⁄4in (2) Provenance: Richard Green, London £300-500

479

Late 18th/Early 19th Century

Four, each watercolour, pen and ink Each 16.5 x 22.4cm; 6½ x 83⁄4in (4) Provenance: Leger Galleries, London, April 1979 £300-500

479 ATTRIBUTED TO SAWREY GILPIN RA 1733-1807

Two mounted horsemen conversing Signed and dated April, 1784 to verso Pen and ink, and wash 12.6 x 18.7cm; 5 x 71⁄4in Provenance: Albany Gallery, London £250-450 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

480 THOMAS ROWLANDSON 1757-1827

Figures on the road approaching a country town Watercolour 21.8 x 30.2cm; 8½ x 12in Provenance: Aldridge Bros., Worthing, where purchased by the present private collector, March 1956 Exhibited: London, Frank T. Sabin, 1952 £400-600

480

481 THOMAS ROWLANDSON 1757-1827

A country cattle market Watercolour, pen and ink 14 x 22.8cm; 5½ x 9in Provenance: Aldridge Bros., Worthing, where purchased by the present private collector, March 1956 £400-600

481

482 THOMAS ROWLANDSON 1756-1827

Landscape with a shepherd and his dog, watching over sheep, cattle and horses Watercolour over an etched line 24.5 x 32.8cm; 93⁄4 x 13in Provenance: The Folio Society Collectors’ Corner, London, no. E7407 £100-150

482 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

483

485

484

486

483 MYLES BIRKET FOSTER RWS 1825-1899

Autumn, Norham Castle on the Tweed Signed with monogram Watercolour and pencil, heightened with white 9.7 x 9.7cm; 33⁄4 x 33⁄4in £200-300

484 AFTER PETER DE WINT Roman Canal, Lincolnshire; Haymaking Two, the former bears a signature The former watercolour and pencil, the latter watercolour heightened with gum arabic 26.1 x 40.9cm; 101⁄4 x 16in; 23 x 44.9cm; 9 x 173⁄4in (2) Unframed The former after the original in the Tate (N03480) £50-80

487

485 ATTRIBUTED TO JOHN SCARLETT DAVIS 1804-1845

Orléans street scene Watercolour and pencil heightened with bodycolour 38.7 x 27.2cm; 151⁄4 x 103⁄4in £150-250

486 JOHN LINNELL 1792-1882

Cottage amongst the trees Signed Pencil 16.4 x 23.9cm; 16½ x 9½in

487 ENGLISH SCHOOL c.1900

Studies of a rose and other flowers (recto); Cloud studies (verso) Verso faintly inscribed Watercolour and pencil 19.8 x 12.1cm; 7¾ x 4¾in Together with English School 19th Century; Portrait of a young girl seated, holding a fan; Portrait of a young girl leaning against a mantlepiece; two, each watercolour heightened with white; 36.2 x 27.8cm; 141⁄4 x 11in; 35.2 x 27.7cm; 133⁄4 x 11in; Unframed (3) £150-250

£100-150 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

488 EDWARD DUNCAN RWS 1803-1882

Portsmouth Harbour and Dockyard with the H.M.S. Duke of Wellington and the H.M.S. Victory Signed and dated 1853 Watercolour, pen and ink, and pencil, heightened with white 20.5 x 41.1cm; 8 x 161⁄4in Provenance: Thomas Agnew & Sons; Private Collection UK, acquired c.1963-1971; And by descent Engraved: J. A. Prior, published Roberts & Leete, London £300-500

488

489 CLARKSON STANFIELD RA 1793-1867

A view of the Thames with figures descending through a watergate, St Paul’s Cathedral in the distance Signed with monogram and dated 1846 Watercolour with scratching out, heightened with bodycolour 20.7 x 29.9cm; 81⁄4 x 113⁄4in £300-500

489

490 THOMAS PYNE RI 1843-1935

The wier below Ludlow Signed and dated 1910 Watercolour heightened with white 34.1 x 53.2cm; 13½ x 21in £200-300

490 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

491 CHARLES HODGE MACKIE Scottish 1862-1920

Children playing on the beach Signed and dated 1898 Watercolour and pencil 44.5 x 55.5cm; 17½ x 213⁄4in £200-300

492 JAMES DRUMMOND RSA FSA Scottish 1816-1877

Beach scene with children donkey riding Signed and dated 1875 Watercolour heightened with white 45.4 x 72.5cm; 173⁄4 x 28½in £300-400

493 GEORGE CHILDS 1800-1875

Three children playing with a dog by some rapids

491

Watercolour, bodycolour and gum arabic 61.1x 95.3cm; 24 x 37½in Together with Attributed to George Dunkerton Hiscox (1840-1901); Continental wooded landscape with travellers on a path, a town on a hill in the distance, watercolour, heightened with white; 39.7 x 62cm; 153⁄4 x 24½in (2) Provenance: Each by descent to the present owner £150-200

494 HENRY MAGENIS 19th Century

Fishermen on a lake Signed and dated 1885 Watercolour heightened with bodycolour 25.3 x 35.4cm; 10 x 14in £100-150

492

493

494 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

495

495 THOMAS SIDNEY COOPER RA

496 JOHN FREDERICK HERRING JR.

497 ENGLISH SCHOOL

Sheep and cattle in a landscape

Horses, pigs and chickens in a farmyard

Study of a hound

1803-1902

Signed and dated 1881 Watercolour 27.1 x 39.7cm; 10¾ x 15¾in Provenance: Laurence Oxley Ltd, Alresford

1820-1907

Signed 21 x 31cm; 81⁄4 x 121⁄4in

£600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

Pencil and watercolour 19.8 x 29.8cm; 73⁄4 x 113⁄4in Provenance: Mildmay Collection; Lawrences, Crewkerne (all according to inscription to backing board)

£100-200

496

19th Century

£100-150

497

498 ORLANDO NORIE 1832-1910

Battle of the Alma: 1st Bn. The Coldstream Guards, under Lt. Col. the Hon. George F. Upton, storming the heights; Captain Cust of the Coldstream Guards attacking the Russians; Captain H. Cust, Coldstream Guards, mortally wounded Three, each signed, and further titled to mount Each watercolour Largest 30.2 x 46.2cm; 12 x 181⁄4in; Smallest 30.7 x 45cm; 12 x 173⁄4in (3) Provenance: Each with The Parker Gallery, London, where purchased by the present private collector, 1952 £700-1,000

498 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

499 ORLANDO NORIE 1832-1910

The Battle of Inkerman: The fierce struggle between the Coldstream Guards and overwhelming masses of Russians for the Sandbag Battery, Captain Hon. P. Fielding wounded; The Coldstream Guards under Lt. Col. Henry J.W. Bentinck wounded, hotly sustaining the attack of the Russian masses; The Coldstream Guards defending their colours Three, each signed, and further titled to mount Each watercolour Largest 32.7 x 49.5cm; 123⁄4 x 19½in; Smallest 31.1 x 45.6cm; 121⁄4 x 18in (3) Provenance: Each with The Parker Gallery, London, where purchased by the present private collector between 1952-1953 £700-1,000

499 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

500

500 ORLANDO NORIE 1832-1901

Three soldiers in an Egyptian landscape Signed Watercolour and pencil with bodycolour 17.7 x 13.6cm; 7 x 51⁄4in Together with Gilbert Holiday (1879-1937); Royal Horse Artillery; numbered 474/500 in pencil to margin; lithograph; 18.3 x 48.9cm; 71⁄4 x 191⁄4in; and a 19th Century hand-coloured print of an officer on horseback (3) Provenance: Formerly in the collection of the 6th of Marquess Cholmondeley, Houghton Hall

500

£100-150

501 RICHARD SIMKIN 1850-1926

The uniform of the Coldstream Guards 1660-1914 Signed, and inscribed with the dates of the uniforms Watercolour, bodycolour and pencil, heightened with gum arabic 54.5 x 37.2cm; 21½ x 143⁄4in Together with Gerald C. Hudson (act.1918-1932); Study of a Coldstream Guard in No. 1 dress; Two studies of Coldstream Guards in No. 2 dress; three, each signed and inscribed The/Coldstream/Guards; each gouache; each 24.6 x 18.3cm; 93⁄4 x 71⁄4in; and Thomas Strong Seccombe (c.1840-1899); Guardsman; lithograph; 22.8 x 19.4cm; 9 x 73⁄4in (5)

501

Provenance: Simkim and Seccombe with The Parker Gallery, London, where purchased by the present private collector £400-600

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

502

503

502 GEORGE ARTHUR GASKELL act.1871-1910

Cleaning the rubber plant Signed and dated 1910 Watercolour and pencil heightened with white 68.4 x 51.8cm; 27 x 20½in Provenance: Sotheby’s Billingshurst, Selected Watercolours and Oil Paintings, 26 October 1993, lot 77 £700-1,000

503 MARCUS STONE RA 1840-1921

The Envoy Signed and dated 18 Watercolour heightened with white and gum arabic 25.1 x 21.3cm; 10 x 8in Provenance: Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall £400-600

504

504 COUNT AMADEO PREZIOSI Maltese 1816-1882

The gun sellers; The water seller A pair, both signed and the former dated 1854 Both watercolour and pencil heightened with bodycolour Each 25 x 16.5cm; 93⁄4 x 6½in (2) £600-800 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

505 ANTHONY FREDERICK AUGUSTUS SANDYS 1829-1904

Portrait of Lewis Flower (1856-1902), bust-length Signed, titled and dated 1886 Coloured chalks and pencil on green paper 68 x 50.5cm; 263⁄4 x 193⁄4in Exhibited: Brighton, Brighton Museum & Art Gallery; Sheffield, Mappin Art Gallery, Frederick Sandys 1829-1904, 1974, no.123c Lewis Flower was the brother of Cyril Flower, 1st Baron Battersea 1843-1907), who probably once owned lot 511. Cyril also sat for Frederick Sandys in 1872. £1,500-2,500

505

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

506

506 ALBERT GOODWIN RWS 1845-1932

Winchester College Signed and titled Watercolour, bodycolour, pen and ink on tinted paper 25.5 x 37.1cm; 10 x 14½in

507 HERCULES BRABAZON BRABAZON 1821-1906

St. Paul’s from Waterloo Bridge by night

Provenance: Chris Beetles, London, where purchased by the present private collector, June 2007

Signed with initials Watercolour and bodycolour on blue paper 21.5 x 31.7cm; 8½ x 12½in

Literature: Albert Goodwin RWS 1845-1932, exh. cat. (London, Chris Beetles, 1986), plate 117

Provenance: The Vincent Price Collection (no. AW34694)

Exhibited: London, Chris Beetles, Albert Goodwin, RWS (1845-1932), June 2007, no. 32

£400-600

£700-1,000

507 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

508

508 WILLIAM WALLS RSA RSW Scottish 1860-1942

Two wolves; Lion cubs; A view of Spinningdale, Scotland Three, each signed, ‘Spinningdale’ titled and dated 1923 Two pastel, one watercolour Largest 39.3 x 54cm; 15½ x 211⁄4in; Smallest 27.8 x 42.4cm; 11 x 163⁄4in (3) £100-200

EXBURY HOUSE HAMPSHIRE LOTS 509 TO 526

The following 18 lots are being sold on behalf of the Exbury House Trustees as part of a selection of the contents of the house, that have been sold across a number of sales in different specialisms. Exbury House was purchased by Lionel de Rothschild in 1919 and has remained in the family ever since. The spectacular 200 acre gardens, which are open to the public, have a world renowned collection of rhododendrons, azaleas, camelias and other rare shrubs and plants.

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

509

509 AERT VAN DER NEER Dutch c.1603-1677

Sunset over a riverside village Signed with monogram Oil on canvas 76.5 x 99.8cm; 301⁄4 x 391⁄4in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

510

510 ATTRIBUTED TO NICOLAES BERCHEM Dutch 1620-1683

An Italianate landscape with a couple and their flock on a road Oil on panel laid down on canvas 57.5 x 80.7cm; 223⁄4 x 313⁄4in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £3,000-5,000

511 GEORGE GOWER c.1540-1596

Portrait of Thomas Arundell, later 1st Baron Arundell of Wardour (c.1560-1639) Inscribed ANº DNI 1580 / atatis sua .20 (upper left above the centaur), Non spirat Qui non afpirat (centre left) and charged upper right with the sitter’s coat of arms Oil on panel 60.6 x 50.9cm; 233⁄4 x 20in Provenance: Possibly Cyril Flower, 1st Baron Battersea (1843-1907); Constance de Rothschild, Lady Battersea (1843-1931); Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House

Exhibited: Bath, Victoria Art Gallery, Pictures and Porcelain from the collection of Edmund de Rothschild, 21 May - 2 July 1988, no. 1 Thomas Arundell was born into an important and wealthy Wiltshire family. As a young man he was imprisoned for his fervent Roman Catholicism, but proved his loyalty to the crown in 1588 by subscribing £100 towards the defeat of the Spanish Armada. In 1595, Arundell’s father provided him with money and horses, in order to serve the Imperial forces against the Turks. Allegedly he was recommended to the Holy Roman Emperor by Queen Elizabeth herself. Arundell repaid this debt on 7 September 1595, when he stormed the breach at Gran, capturing the Turkish standard and replacing it with the Imperial Eagle. For this he was created a Count of the Holy Roman Empire by Rudolf II, and became known as ‘the valiant’. However, when he returned to England he refused to renounce this foreign title. His father was furious and disinherited him, objecting to his superior rank, and the Queen committed him to Fleet Prison, saying that ‘I would not have a sheep branded with another man’s mark’. Arundell was later released, and his fortunes improved under James I. He was created 1st Baron Arundell of Wardour in 1605, and appointed Colonel of the English regiment in the Spanish Netherlands, serving under Albert VII, Archduke of Austria. In the same year he was briefly suspected of complicity with the Gunpowder Plot, having been named by Guy Fawkes under torture. He died in 1639 at the family home of Wardour Castle, and was buried in Tisbury. His was succeeded by his son Thomas, who was a prominent royalist in the Civil War. £10,000-15,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

511 Lots marked â&#x20AC;¡ may be subject to an additional fee - please see ARR information on page 141

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

512

512 FOLLOWER OF JAN VAN GOYEN

513 DORDRECHT SCHOOL

River landscape with fishermen drawing in their nets underneath a ruined tower

Portrait of a gentleman holding a compass

Oil on canvas 42.4 x 62.6cm; 163⁄4 x 243⁄4in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £2,000-3,000

c.1650

Oil on panel, oval 94.5 x 75.5cm; 371⁄4 x 293⁄4in Provenance: Sir Gregory Osborne Page-Turner, 4th Bart; His sale, Phillips, London 19-20 April 1815, lot 177, where bought by Alexander Baring, 1st Baron Ashburton, as Aelbert Cuyp, self-portrait (£75: 12s); Lord Ashburton, The Grange, 1890; His collection purchased as a whole by Agnews and others, August, 1907; Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House Literature: J. Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters, vol. V (London, 1834), no. 268, as Aelbert Cuyp; G. F. Waagen, Works of Art and Artists in England, vol. II (London, 1838), p. 283, as Cuyp; E.W.Moes, Iconographia Batava (Amsterdam, 1897), p.215, no. 1871 - 3 & 5, as Cuyp; F. Cundall, The Landscape and Pastoral Painters of Holland (London, 1891), p. 163, as Cuyp; E. Michel. ‘Une famille d’artistes hollandaise: Les Cuyps’, in Gazette des Beaux-Arts, p.114, as Cuyp; C. Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch painters…, vol. II (London 1909), pp. 29-30, no. 70, as Cuyp; A. Chong, Aelbert Cuyp and the Meanings of Landscape, PhD. Dissertation (New York University, 1992), no. C141 (under rejected works, on the basis of a black and white photograph) Exhibited: London, Royal Academy, Winter Exhibition, 1890, no. 91, as Aelbert Cuyp; London, Royal Academy, Dutch Pictures, 1450-1750, Winter Exhibition, 1952-1953, no. 480, as Cuyp; London, Thos. Agnew and Sons, European pictures from an English County, 1957, as Cuyp £5,000-8,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

513

Lots marked â&#x20AC;¡ may be subject to an additional fee - please see ARR information on page 141

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

514 FOLLOWER OF JAN VAN HUYSUM Still life with roses, peonies, morning glory, and narcissi in a glass vase on a stone ledge; Still life with roses, peonies and tulips in a glass vase on stone ledge A pair, both oil on canvas Each 78.2 x 58.5cm; 303⁄4 x 23in (2) Provenance: Alfred de Rothschild (1842-1918) by 1897; Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House Exhibited: London, New Gallery, Winter Exhibition, 1897-98, as Jan van Huysum; London, Royal Academy, Winter Exhibition, 1952-53, nos. 58 & 79, as van Huysum £3,000-5,000

514

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PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

514

Lots marked â&#x20AC;¡ may be subject to an additional fee - please see ARR information on page 141

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515

515 AFTER JEAN-ANTOINE WATTEAU La Cascade Oil on canvas 70.4 x 60.5cm; 273⁄4 x 233⁄1in Provenance: Alfred de Rothschild (1842-1918); Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House

Literature: Charles Davis, A description of the Works of Art Forming the Collection of Alfred de Rothschild, vol. 1 (London, 1884), no. 74 (illustrated); Ernst Heinrich Zimmermann, Watteau, des Meisters Werke (Stuttgart and Leipzig, 1912), no.131; Émile Dacier, Albert Vuaflart, and Jacques Hérold, Jean de Jullienne et les graveurs au XVIIIe siècle, 4 vols (Paris, 1921-29), under cat. no. 28; Louis Réau, ‘Watteau’ in Louis Dimier, ed., Les Peintres français du XVIIIe siècle, 2 vols. (Paris and Brussels, 1928), under cat. no. 81; Hélène Adhémar and René Huyghe, Antoine Watteau, sa vie-son oeuvre (Paris: 1950), under cat. no. 116; Giovanni Macchia and Ettore C. Montagni, L’opera completa di Watteau (Milan, 1968), under cat. no. 133 Exhibited: London, Royal Academy, Works by the Old Masters, 1889, no. 83 Several copies of La Cascade are known, and in the early part of the 20th Century, some scholars believed this version to be the original. However, today the prime version is generally considered to be a work that last appeared at auction in 1980 (Galerie Koller, Zurich, 16-17 May 1980, lot 5182). £1,500-2,500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

516

516 NICOLAS DE LARGILLIÈRE French 1656-1746

Portrait of Monsieur Aubert, General Director of the Bridges and Roads of France, three-quarter-length, by a writing table Inscribed A Monsieur/M*nsi*** Aubert/Controlle* général des Ponts/ Chaussée de france Oil on canvas laid on panel 134.5 x 103cm; 53 x 40½in

Provenance: Arnold S. Kirkeby (1901-1962); By whom given to Los Angeles County Museum of Art in 1955; By whom sold, Sotheby’s, New York, 10 January 1991, lot 82; Edmund de Rothschild (1916-2009); The Trustees of Exbury House Literature: R. Brown, Bulletin of the Art Division, Los Angeles County Museum, VIII, 1957, pp.8-9, no. 4; S. Schaefer and P. Husco, European Paintings and Sculpture in the Los Angeles County Museum of Art (Los Angeles, 1987), p. 53, illustrated, as dated c.1735; To be included in the forthcoming Catalogue raisonné de l’Oeuve de Nicolas de Largillière, by Dr Dominique Brême, as a work of c.1725-1730 £12,000-18,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

517 EDWARD CHARLES WILLIAMS 1807-1881

Landscape with a watermill, a village in the distance Oil on panel 21.9 x 30cm; 83⁄4 x 113⁄4in Provenance: Harewood Gallery Pictures & Antiques; Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £400-600

517

518 EDWARD CHARLES WILLIAMS 1807-1881

Wooded landscape with travellers on a path by a pond Signed Oil on canvas 47.8 x 58.5cm; 183⁄4 x 23in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £700-1,000

518

519 CONTINENTAL SCHOOL 1795

Travellers on a path in a rocky landscape Signed with initials and dated MS 1795 Gouache on paper laid down on linen 33.6 x 48.9cm; 131⁄4 x 191⁄4in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £300-500

519 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

520 EDMUND JOHN NIEMANN 1813-1876

Monsal Dale, Derbyshire Signed, titled and indistinctly dated Oil on board 30.5 x 46.4cm; 12 x 181⁄4in Provenance: R. W. Alldridge, 1890; Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £400-600

520

521 ENGLISH SCHOOL Early 19th Century

Landscape with cattle watering Oil on panel 54.3 x 68.5cm; 211⁄4 x 27in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £400-600

521

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

522 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

522 SIR WILLIAM BEECHEY RA 1753-1839

Portrait of a lady, three-quarter length, traditionally identified as Anne, Duchess of Cumberland (1743-1808), seated in a white dress Oil on canvas 127 x 101.5cm; 50 x 40in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £6,000-8,000

523 LOUISE JOPLING 1843-1933

Portrait of the Hon. Mrs Eliot Yorke (née Annie de Rothschild) (1844-1926) Signed with monogram and dated 1877 Oil on canvas 76.5 x 63.6cm; 30 x 25in Provenance: Commissioned from the artist to hang at Aston Clinton House, seat of Sir Anthony and Lady Louise de Rothschild, the sitter’s parents; Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House Literature: Louise Jopling, Twenty Years of My Life 1867 to 1887 (London: John Lane, 1925), p.110; Patricia de Montfort, Louise Jopling: A Biographical and Cultural Study of the Modern Woman Artist in Victorian Britain (Routledge-Ashgate, 2017), p. 64

523

Exhibited: London, Royal Academy, 1878, no. 386 Louise Jopling was originally commissioned to paint Annie Yorke’s sister Constance de Rothschild (1843-1931). This painting was exhibited at the Royal Academy in 1876, and was such a success, that she was commissioned to paint this work as a pendant. The portraits of the two sisters hung at Aston Clinton House, Buckinghamshire, the home of their parents Sir Anthony and Lady Louise de Rothschild. As Jopling wrote to her husband “I have got an order!!! To paint Mrs Eliot Yorke’s portrait to hang as a pendant to Connie’s at Aston Clinton” This work is recorded in the Dr Patricia de Montfort’s catalogue of Louise Jopling’s work, which is currently being compiled, no. 111. £300-500

524 ENGLISH SCHOOL 1842

Portrait of a lady, seated, wearing a black dress and a pearl necklace in her hair Signed with monogram and dated 1842 Oil on canvas 35.5 x 30.6cm; 14 x 12in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £200-300

524 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

525

525 WILLIAM COLLINS RA 1788-1847

Cromer Sands Oil on panel 25 x 31.7cm; 93⁄4 x 12½in Provenance: James Vine Esq; His sale, Christie & Manson, 23-26 April 1838, lot 773 (£21); Where purchased by John Proctor Anderdon; James Hughes Anderdon by 1877; His sale, Christie’s, 20 May 1879, lot 106, where purchased by C. S. Bale Esq.; His sale, Christie’s, 14 May 1881, lot 216, where purchased by Agnews; James Price Esq., his sale, Christie’s, 15 June 1895, lot 15, where purchased by Mclean; Richard Manley Foster Esq., by whom sold Christie, Manson & Woods 30 April 1909, where purchased by Alfred de Rothschild (1842-1918); By whom given to Constance Rothschild, Lady Battersea (1843-1931); Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House Exhibited: London, Royal Academy, Winter Exhibition, no. 26 £800-1,200 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

PROPERTY FROM THE TRUSTEES OF EXBURY HOUSE

526

526 FREDERICK RICHARD PICKERSGILL RA 1820-1900

The visitor Signed with monogram and dated 71 Oil on panel 19.6 x 43cm; 73⁄4 x 17in Provenance: Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

OIL PAINTINGS

527

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

527 FOLLOWER OF MICHIEL JANSZ. VAN MIEREVELT Portrait of a young man, bust length, with a ruff and gold buttons Oil on canvas 55.8 x 47.1cm; 22 x 18½in Provenance: Raymond-Barker, Fairford Park; By whom sold, Moore Allen & Innocent, Cirencester, 28 October 2016, lot 148, where purchased by the present private collector £3,000-5,000

528 MANNER OF FRANÇOIS CLOUET Portrait of a lady, bust-length, wearing a black dress with red sleeves Oil on panel 26 x 20.4cm; 101⁄4 x 8in Provenance: Capes Dunn, 1 December 2015, lot 305 £1,500-2,500

528

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

529

529 DUTCH SCHOOL 17th Century

Portrait of a bearded gentleman, bust-length with a ruff Oil on canvas 56.3 x 46.8cm; 221⁄4 x 18½in Provenance: Raymond-Barker, Fairford Park; By whom sold, Moore Allen & Innocent, Cirencester, 28 October 2016, lot 149, where purchased by the present private collector £1,200-1,800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

530

530 ATTRIBUTED TO ISAAC COLONIA Dutch 1611/12-1663

Portrait of a lady in a ruff and fur stole, holding a prayer book Traces of a signature Oil on panel 64 x 50cm; 251⁄4 x 193⁄4in Provenance: Phillips, London, 6 July 1999, lot 135; Bonhams, London, 14 June 2006; Chorley’s, Cheltenham, 19 July 2016, lot 246, where purchased by the present private collector £1,500-2,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

531 ENGLISH SCHOOL c.1700

The Candle is England Titled and inscribed Beza Oil on canvas 60.9 x 77.3cm; 24 x 30½in Provenance: Rev. Thomas Guthrie (1803-1873); Sir Harry Verney, 4th Baronet (1881-1974), Claydon House; Sir Ralph Verney, 5th Baronet (1915-2001), Claydon House; Sir Edmund Verney, 6th Baronet (b.1950); By whom sold, Humbert & Ellis, 10 November 2019, lot 678 Literature: Arthur M. Hind, Engraving in England in the Sixteenth & Seventeenth Centuries, Part 1 (Cambridge University Press, 1952) p.6

531

The present work depicts some notable protestant reformers seated around a candle. The reformers depicted are John Wycliffe, Theodore Beza, John Calvin, Martin Luther, Philip Melanchthon and Jan Hus (seated); and Heinrich Bullinger, Girolamo Zanchi, John Knox, Huldrych Zwingli, Peter Martyr Vermigli, Martin Bucer, and Jerome of Prague (standing). With their work these men have shed light onto the bible, represented by the candle, whilst a pope, a cardinal, a Jesuit and the devil try and snuff out this light. The iconography of this work derives from a print that became popular from the early seventeenth century onwards, although there are numerous variations known, with different figures depicted. £2,500-3,500

532 FLEMISH SCHOOL c.1700

Portrait studies of five sitters Oil on canvas 40.5 x 62cm; 16 x 24in

532

£800-1,200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

533

533 DUTCH SCHOOL c.1625

Portrait of a lady, half-length, wearing a millstone ruff and lace-trimmed cap Oil on panel, oval 61.2 x 48.7cm; 24 x 191⁄4in Provenance: In the family of the present owner since at least 1929; And by descent According to a label on the reverse the National Gallery attributed the work to Cornelis de Vos, 23rd December 1959. £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

534 FOLLOWER OF JOSEPH HIGHMORE Portrait of a lady, wearing a cream dress with a red shawl, and a pearl earring Oil on copper 32.9 x 27.9cm; 13 x 11in £1,000-1,500

534

535 THOMAS HUDSON AND STUDIO 1701-1779

Portrait of a lady, three-quarter length in a pink and black dress holding ostrich feathers Signed and dated 1749 Oil on canvas 126.5 x 100.2cm; 493⁄4 x 39½in Provenance: Sotheby’s, London, 27 November 1974, lot 51 Thomas Hudson painted another portrait of 1749 of Lady Elizabeth Chaplin, with the same costume and composition, which hangs at Burghley House. £1,500-2,500

535 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

536

536 FOLLOWER OF SIR ANTHONY VAN DYCK Portrait of Lady Vere Gawdy, half-length, wearing a blue fur-trimmed shawl and pearls in her hair Inscribed VERE LADY GAWDY Oil on canvas 74 x 63.5cm; 29 x 25in £1,200-1,800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

537 ENGLISH SCHOOL c.1700

Portrait of a gentleman, bust-length, in a brown coat with white stock Oil on canvas 73.4 x 61.9cm; 29 x 24½in Unframed £200-300

537

538 CIRCLE OF WILLIAM WISSING Portrait of a lady in a brown and white dress Oil on canvas, in a painted oval 86 x 55cm; 333⁄4 x 213⁄4in £400-600

538 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

539 ENGLISH SCHOOL Late 17th Century

Portrait of William Paget, 6th Baron Paget (1637-1713), full length, in peer’s robes Oil on canvas 213 x 137cm; 833⁄4 x 54in £3,000-5,000

539 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

540

540 CIRCLE OF JOHANN HEINRICH TISCHBEIN THE ELDER Portrait of a noblewoman, half-length, in a red dress holding a fan Oil on canvas 86.8 x 73.5cm; 341⁄4 x 29in £3,000-5,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

541

541 CIRCLE OF SIR ANTHONY VAN DYCK Portrait of Lady Dorothy Sidney, called ‘Saccharissa’, later Countess of Sunderland (1617-1684) Inscribed SACCHRAISSA VAN DYCK-EQUES, also inscribed Saccharifsa - Countefs of Sunderland/Sir Ant. Vandyck pinxit/ - See Waller’s Poem - verso Oil on canvas, in a feigned roundel 41.4 x 43.3cm; 161⁄4 x 17in Provenance: Private Collection, Worcestershire Lady Dorothy Sidney was the daughter of Robert Sidney, 2nd Earl of Leicester, and she was celebrated for her beauty, wit, charm and intelligence. In c.1635, when eighteen years old, she rejected a marriage proposal from the poet Edmund Waller who addressed famous verses to her, referring to her as ‘Saccharissa’. She was painted by Sir Anthony Van Dyck several times. This work depicts the sitter at a young age and may have been cut down. £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

542

542 FLEMISH SCHOOL 17th Century

Diana and Acteon Oil on canvas 68 x 110cm; 263⁄4 x 431⁄4in £2,000-3,000

543 NORTHERN EUROPEAN SCHOOL c.1700

Venus and Adonis Oil on canvas 103.7 x 107.2cm; 403⁄4 x 421⁄4in £300-500

543

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

544

544 JOOST CORNELISZ DROOCHSLOOT Dutch 1586-1666

Village scene with figures at a table outside a house Signed and dated 1640 Oil on canvas 108.2 x 120.3cm; 42½ x 471⁄4in Provenance: Houstoun-Boswall Collection; And by descent £8,000-12,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

545 HERMANUS DONSELAER Flemish 1761-1829

WInter landscape with figures skating on a frozen river Signed Oil on panel 35.8 x 47cm; 14 x 18½in £600-800

546 CIRCLE OF ISAAC VAN OSTADE Winter landscape with figures on a frozen river outside a town Oil on panel 40.6 x 58.5cm; 16 x 23in Unframed

545

£800-1,200

546 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

547

547 CIRCLE OF FREDERIK DE MOUCHERON Italianate landscape with travellers on the road near a town Oil on canvas 76.3 x 63cm; 30 x 243⁄4in £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

548 GERRIT BATTEM Dutch 1636-1684

Shipping near Dordrecht Traces of monogram (to barrel) Oil on canvas 48.4 x 56cm; 19 x 22in £500-700

549 DUTCH SCHOOL c.1800

Coastal landscape with a castle, figures fishing and repairing boats Oil on canvas 28.9 x 43.9cm; 111⁄4 x 171⁄4in

548

£200-300

549 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

550

550 CIRCLE OF ABRAHAM STORCK A naval engagement Oil on canvas 53.4 x 77cm; 21 x 301⁄4in £2,000-3,000

550 (framed)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

551 ATTRIBUTED TO FRANCESCO ALBANI Italian 1578-1660

Assumption of the Virgin Oil on copper, quatrefoil 35 x 40cm; 133⁄4 x 153⁄4in £1,000-1,500

552 AFTER RAPHAEL Madonna della Seggiola OIl on canvas in a painted roundel 20.4 x 20.4cm; 8 x 8in, framed as roundel After the original in the Palazzo Pitti, Florence £500-800

553 AFTER GUIDO RENI Portrait of a girl, said to be Beatrice Cenci, bust-length, in a white headdress Oil on panel, oval 28.6 x 23cm; 111⁄4 x 9in In a carved Florentine giltwood frame After the original in the Palazzo Barberini, Rome

551

552

£200-300

553 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

554 ITALIAN SCHOOL c.1700

Flora Oil on canvas 85.5 x 62.5cm; 3334⁄ x 24½in £3,000-5,000

554

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

555

556

555 FOLLOWER OF JEAN-BAPTISTE GREUZE Portrait of a young boy in brown Oil on canvas, oval 44.8 x 38.9cm; 173⁄4 x 151⁄4in £400-600

556 FRENCH SCHOOL Early 19th Century

Portrait of a boy in a blue coat and lace collar Oil on canvas 46.1 x 35.1cm; 181⁄4 x 133⁄4in £400-600

557 ATTRIBUTED TO SIR WILLIAM BEECHEY RA 1753-1839

Portrait of a young girl, half length, wearing a white dress with pink sash, and a white and pink bonnet Oil on canvas, oval 29 x 24.1cm; 11½ x 9½in Provenance: Paula Peyraud (1947-2008); Bloomsbury, New York, The Paula Peyraud collection: Samuel Johnson & women writers in Georgian society, 6 May 2009, lot 12; Woolley and Wallis, Salisbury, Paintings, 21 March 2012, lot 190 £600-800

557 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

558 FOLLOWER OF FRANCIS COTES Portrait of a lady, half-length, wearing a blue dress and red gown with ermine trim, and pearls in her hair Oil on canvas 81.6 x 65.7cm; 321⁄4 x 253⁄4in Provenance: Messrs. Nash, Son & Rowley, Royston, Antique Furnishings of Cokenach Mansion, 18-19 September 1947, no. 164 (as Francis Cotes); Christie’s, South Kensington, The Country House Sale: Pomfret House and Tetworth Hall, 5 November 2008, lot 460 £600-800

559 FRENCH SCHOOL 18th Century

Two nudes with a gentleman voyeur Oil on canvas in a painted cartouche 52 x 52cm; 20½ x 20½in £300-500

560 AFTER SIR JOSHUA REYNOLDS Portrait of Oliver Goldsmith (1728-1774) Oil on canvas 43.2 x 33.5cm; 17 x 131⁄4in After the original in Knole, Kent £200-300

558

559

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

560

561

561 FOLLOWER OF PIETER CODDE Interior with figures smoking and gambling around a table; Interior with a woman holding a lute and talking with other figures A pair, the former possibly signed with monogram FV to picture on back wall Both oil on panel Each 48.9 x 57.6cm; 191⁄4 x 223⁄4in (2) Provenance: Houstoun-Boswall Collection; And by descent £1,500-2,500

562

562 ITALIAN SCHOOL 18th Century

Shepherd with his flock outside a grotto; Cattle watering in a rocky pond A pair, the former bears a signature, and each inscribed verso Both oil on panel Each 16.8 x 23cm; 6½ x 9in (2) £300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

563

563 FRENCH SCHOOL 18th Century

Still life with a vase of peonies, nasturtium and other flowers, with dead birds; Still life with a vase of peonies, morning glory and other flowers with dead birds A pair, both oil on canvas Each 50.7 x 42.2 cm; 20 x 16½in (2) £1,500-2,500

564 AFTER NICOLAS LANCRET La Camargo Dancing Oil on board 74.3 x 100.5cm; 291⁄4 x 39½in After the original in the National Gallery of Art, Washington D.C. (no. 1937.1.89) £300-500

564

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

565 ATTRIBUTED TO SIR THOMAS LAWRENCE 1769-1830

Portrait of Prince Hoare (1755-1834), bust-length, in a black coat and white stock Oil on canvas 53.5 x 43.6cm; 21 x 17in Provenance: Kelvingrove House, Glasgow; Scottish Private Collection; English Private Collection Prince Hoare was a celebrated artist and playwright and son of the artist William Hoare of Bath. Prince Hoare had been a friend of Lawrence’s for around forty years and Sir Thomas is known to have referred to him affectionately as ‘My old Bath friend’. Another, less finished version of this sketch is recorded (see Kenneth Garlick, Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings, Oxford, 1989, no. 411), and was sold at Sotheby’s, 4th December 2014, lot 218 (£23,750). £2,000-3,000

565

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

566 STUDIO OF HYACINTHE RIGAUD Portrait of Cardinal de Fleury (1653-1743), half-length Oil on canvas 80.6 x 64.5cm; 313⁄4 x 25in Literature: Stéphan Perreau, Hyacinthe Rigaud Catalogue raisonné de l’oeuvre, online catalogue raisonné, P1349 (version 30) ‘If ever there was a happy man upon earth it was doubtless Cardinal de Fleury. He was looked upon as the most amiable man, and the best companion in the world, till the age of 73 and at a time when most men retire from public life, he undertook to hold the helm of government. He was considered as one of the wisest of ministers… his gentleness and moderation were equally worthy of admiration… he proved that those of a gentle and pacific character are born to govern others’ - Voltaire André-Hercule de Fleury became Bishop of Fréjus in 1698, tutor and First Minister of Louis XV in 1715, and a cardinal in 1726. He is chiefly remembered for his astute diplomacy during the early years of Louis XV’s reign. This is one of numerous versions of the Cardinal’s portrait produced by Rigaud’s studio between 1728 and 1735. £2,000-3,000

566

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

567

567 CIRCLE OF JAN WEENIX Still life with a dog watching over a dead hare and other game Oil on canvas 68.3 x 86cm; 263⁄4 x 333⁄4in Provenance: Ivor Weiss, London, from whom purchased by the present owner c.1968-1970 £1,500-2,500

568 CIRCLE OF CORNELIS GERRITSZ. DECKER A figure outside a dilapidated cottage Bears a signature Oil on panel 36.5 x 32cm; 141⁄4 x 12½in £200-300

568 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

569

569 CONTINENTAL SCHOOL 18th Century

Game piece with a fox, a glossy ibis, pigeons and other birds Oil on canvas 71.2 x 94.8cm; 28 x 371⁄4in £1,500-2,500

570 ATTRIBUTED TO FRANZ ANTON KRAUS German 1705-1752

A boor courting a woman in a tavern Signed with initial K Oil on panel 29.5 x 23 cm; 11½ x 9in Provenance: Houstoun-Boswall Collection; And by descent £150-250

570 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

571

571 FOLLOWER OF HENDRICK DANCKERTS Windsor Castle seen from the Thames Oil on canvas 77.7 x 139.4cm; 30½ x 55in Provenance: Woolley and Wallis, Salisbury, Paintings, 5 June 2013, lot 353, where purchased by the previous private collector; And by descent A smaller, but closely related, version of this work is in the Yale Center for British Art, Paul Mellon Collection (no. B1981.25.647)

572 DUTCH SCHOOL

573 DUTCH SCHOOL

River landscape with figures fishing and boating

Landscape with a watermill

Oil on panel 32.8 x 44.6cm; 13 x 17½in

Oil on panel 56.9 x 77.4cm; 22½ x 30½in

Provenance: Rayner MacConnal, London; Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 6 March 2019, lot 288, where purchased by the present private collector

£400-600

18th Century

c.1700

£800-1,200

572

573 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

574

574 GEORGE SMITH OF CHICHESTER 1714-1776

Mountainous river landscape with rustics by a fire and a castle and Italianate chapel beyond Inscribed on the stretcher verso: George Smith distinguished Smith of Chichester born 1714 died 1776 Oil on canvas 67 x 110cm; 26½ x 43½in Provenance: Acland family, Killerton House, Devon; Private collection Salisbury, from whom purchased by the present private collector. £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

575 FRANCIS HUSTWICK SENIOR 1768-c.1837

An English yacht and other vessels off the coast, with fishermen on the shore in the foreground Signed and dated 1822 Oil on panel 32.6 x 44cm; 123⁄4 x 171⁄4in Provenance: Houstoun-Boswall Collection; And by descent Literature: A.S. Davidson and A. Tibbles, Marine Art & Liverpool, A Postscript: Ship Paintings by Francis Hustwick (Upton: John-Sands Publishing, 1999), p.28 (incorrectly dated) £500-800

575

576 THOMAS LUNY 1759-1837

Ships in choppy coastal waters Signed and dated 1818 Oil on canvas 25.8 x 36cm; 101⁄4 x 141⁄4in £600-800

576

577 ATTRIBUTED TO THOMAS LUNY 1759-1837

Ships in a stormy sea Oil on panel 35.8 x 45.9cm; 14 x 18in £600-800

577 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

578

578 JOHN THOMAS SERRES 1759-1825

H.M.S. Camilla Signed and dated 1796 Oil on canvas 45.9 x 60.6cm; 18 x 233⁄4in Provenance: The Parker Gallery, London; Formerly in the collection of the 6th of Marquess Cholmondeley, Houghton Hall £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

579

579 WILLIAM CALLCOTT KNELL

580 CIRCLE OF EDWARD WILLIAM COOKE

581 ENGLISH SCHOOL

Fishing boats in choppy waters, with a port in the distance

Early 19th Century

Ships in choppy coastal waters

Shipping off the cliffs at Dover

Oil on board 29.7 x 44.6cm; 113⁄4 x 17½in

Oil on canvas 30.7 x 45.9cm; 12 x 18in

£400-600

Provenance: Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall

1830-1876

Signed and dated 1865 Oil on canvas 76 x 127.5cm; 30 x 501⁄4in £1,500-2,000

£300-500

580

581

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

582

582 HENRY PETHER 1828-1865

Moonlit river scene with a ruined abbey Oil on canvas 61.5 x 91.5cm; 241⁄4 x 36in £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

583

583 JOHN PAUL c.1830-c.1890

A view of the Thames with Old London Bridge Oil on canvas 76.1 x 127cm; 30 x 50in The present work shows Old London Bridge from the east as it appeared in the mid 18th Century. At the southern end is the Great Stone Gateway, Nonesuch House house in the middle, and at the northern end a block of ten houses that George Dance designed in 1745. At one point the longest habitable bridge ever built, it comprised nearly 140 houses and shops, rising up through four stories. The houses were eventually removed in the 1760s, but even then the bridge was too narrow for the 90,000 people a day who used it, and it was eventually replaced in 1832. ÂŁ8,000-12,000

583 (framed)

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

584

584 JOHN PAUL c.1830-c.1890

A view of Northumberland House at Charing Cross, London Oil on canvas 91 x 127.1cm; 353⁄4 x 50in Northumberland House was the London residence of the Percy family. It stood at the western end of the Strand, and before it was demolished in 1874 it overlooked Trafalgar Square. £6,000-8,000

584 (framed)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

585

586

585 ENGLISH SCHOOL

586 W. H. RUGGLES

587 JAMES BARENGER

A bay racehorse with jockey up

A bay racehorse in a landscape

Partisan, a hunter in a landscape

Oil on canvas 51.8 x 62.2cm; 201⁄4 x 24½in

Signed Oil on canvas 49.1 x 59.2cm; 191⁄4 x 231⁄4in

Signed, and further titled and dated 1827 in a later hand to stretcher Oil on canvas 63.6 x 76.4cm; 25 x 30in

Provenance: St. James’s Galleries Ltd., London

£400-600

19th Century

£400-600

act.1833-1846

1780-1831

£300-400

587 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

588 GEORGE BOUVERIE GODDARD 1832-1886

Two hunters and a spaniel in a landscape Signed and dated 1855 Oil on canvas 66.1 x 78.9cm; 26 x 31in Provenance: Possibly D. Morrison, Esq. Fonthill Park, Wiltshire Exhibited: Possibly Royal Academy, London, 1856, no. 1160 (‘Hunters’) £1,000-1,500

589 GEORGE BOUVERIE GODDARD 1832-1886

Black hunter in a landscape Signed and dated 1855 Oil on canvas 43.5 x 53.4cm; 171⁄4 x 21in Provenance: Alfred Morrison, Esq, 23rd November 1889 £300-400

588

589

590 ENGLISH SCHOOL 19th Century

Head of a bay horse Oil on canvas 88.9 x 75.5cm; 35 x 293⁄4in £800-1,200

590 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

591 ENGLISH SCHOOL Early 19th Century

River landscape with figures on the bank Oil on canvas 45.5 x 60.8cm; 18 x 24in £500-700

591

592 CIRCLE OF JOHN NOST SARTORIUS Sir Tatton Sykes, his favourite cob Bunbury, and his two dogs Crash and Wash Oil on canvas 71.1 x 90.4cm; 28 x 35½in £500-700

592

593 FOLLOWER OF RICHARD WILSON Mountainous river landscape with a figure and cattle Oil on canvas 96.9 x 156.4cm; 373⁄4 x 61½in £300-500

593 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

594 ATTRIBUTED TO GEORGE MORLAND 1763-1804

A traveller on the road with his horse and dog Oil on board 25.9 x 32.5cm; 101⁄4 x 123⁄4in £400-600

595 JOHN JEFFERSON act.1808-1825

Sportsmen resting by a stream Signed and dated 1808 Oil on panel 27.2 x 36.8cm; 103⁄4 x 14½in Provenance: Formerly in the collection of the 6th of Marquess Cholmondeley, Houghton Hall £150-250

594

596 THOMAS COOPER MOORE 1827-1901

A view of Nottingham Castle with figures in the foreground; A view of the Nottingham Canal with Nottingham Castle in the background A pair, the former signed and further dated 1840 to verso, and each titled to verso Both oil on board Each 15 x 20.1cm; 6 x 8in (2) £100-150

595

596 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

597 PATRICK NASMYTH Scottish 1787-1831

Landscape with figures by a watermill Indistinctly signed Oil on panel 23.9 x 32.3cm; 9½ x 123⁄4in £1,000-1,500

597

598 EDMUND JOHN NIEMANN 1813-1876

An avenue of trees near Kirkby Overblow, Yorkshire; A traveller on the road near Kirkby Overblow, Yorkshire A pair, both signed, the latter inscribed Kirk Overblow/yks Both oil on canvas Each 40.7 x 61.2cm; 16 x 24in (2) £700-1,000

598 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

599

599 EDMUND JOHN NIEMANN 1813-1876

600 EDWARD H. NIEMANN act. 1863-1867

View of the Thames at Marlow, with All Saints Church

Landscape with figures walking by a pond

Signed Oil on canvas 44.7 x 61.4cm; 17½ x 241⁄4in

Signed Oil on canvas 51 x 76.5cm; 20 x 30in

Provenance: St James’s Galleries Ltd, London

£150-250

£600-800

600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

100

601

602

603

601 ENGLISH SCHOOL

602 ENGLISH SCHOOL

603 ADAM BARLAND

Landscape with figures by a pond, a cottage beyond

Wooded landscape with figures on a path and horses watering

Two women resting on the side of a tree-lined road; Figures halting on the road whilst their cattle water

19th Century

Indistinctly signed Oil on canvas 76.7 x 64cm; 301⁄4 x 251⁄4in £400-600

19th Century

Signed and dated indistinctly J H SAHollersworth/1881 Oil on canvas 76.5 x 64cm; 30 x 251⁄4in Provenance: Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 6 March 2019, lot 370, where purchased by the present private collector

1843-1875

A pair, both signed Both oil on canvas Each 34.3 x 29.1cm; 13½ x 11½in (2) £100-200

£700-900 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

604

604 SAMUEL DAVID COLKETT 1800-1863

Landscape with a cottage and a figure by a pool; Landscape with a figure on horseback minding his cattle A pair, the former signed indistinctly and dated 1832 Both oil on panel, in painted roundels Each 37.5 x 38cm; 143⁄4 x 15in (2) £600-800

605 JOHN CROME 1768-1821

Landscape with a windmill Oil on panel 22.5 x 16.6cm; 83⁄4 x 6½in £250-400

605 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

102

606

606 EDWARD CHARLES WILLIAMS 1807-1881

Landscape with figures around a fire, their cattle nearby; Landscape with travellers and fishermen A pair, both oil on panel Each 17.6 x 22.4cm; 7 x 83⁄4in (2) Provenance: St. James’s Galleries Ltd., London £300-500

607

607 ENGLISH SCHOOL 19th Century

Figures on a road outside a town; Figures outside a farm building A pair, both oil on panel Each 12.7 x 18cm; 5 x 7in Unframed (2) £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

608

608 PETER GRAHAM RA, RSA 1838-1921

Sunshine and Shower Signed and dated 1892 Oil and canvas 134 x 178.4cm; 523⁄4 x 701⁄4in Literature: W. Matthews, The Life and Work of Peter Graham, R.A. (The Art Journal Office, 1899), p.22 Exhibited: London, Royal Academy, 1892, no. 217 £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

104

609

609 JOSEF THOMA

Austrian 1828-1899

Mountain landscape with figures crossing a bridge Signed and dated 1871 Oil on canvas 60.7 x 89.7cm; 24 x 351⁄4in £800-1,200

610 DANISH SCHOOL Late 19th Century

Kronborg Castle by moonlight Signed with initials SH and bears a date 87 Oil on canvas 24 x 34.2cm; 9½ x 13½in An attribution to Sigvard Marius Hansen (1859-1938) has been suggested. £150-250

610

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

611

611 AUGUST FINKE

Austrian 19th Century

A view of Constantinople, with bathers by Leander’s Tower Signed Oil on canvas 73.5 x 100cm; 29 x 39½in £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

106

612

612 WILLIAM HOWARD 1800-1850

Moritzburg on the Elbe Signed Oil on canvas 76.5 x 127cm; 30 x 50in Provenance: Hampshire Gallery, Bournemouth, 1984; Private Collection, Dorset; By whom sold posthumously, Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 6 March 2019, lot 342, where purchased by the present private collector £1,000-1,500

613 FRENCH SCHOOL 19th Century

613

Figures below the Porte Saint-Denis, Paris Oil on panel 11.9 x 21.1cm; 43⁄4 x 81⁄4in Provenance: Williams & Son £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

614

614 ALFRED POLLENTINE 1836-1890

View of the Bacino San Marco, Venice; View of the entrance to the Grand Canal, Venice A pair, both signed Both oil on canvas Each 40.8 x 61.3cm; 16 x 24in (2) £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

108

615

615 GEORGE WRIGHT

616 J. LANGLOIS

617 EUGÈNE JOSEPH VERBOECKHOVEN

A stagecoach passing a hunter

Two terriers rabbiting

A cow in a landscape

Signed Oil on canvas 20.5 x 36cm; 8 x 141⁄4in

Signed Oil on canvas 51.1 x 61.3cm; 20 x 241⁄4in

Provenance: Omell Galleries, London; Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall

Provenance: Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 6 March 2019, lot 389, where purchased by the present private collector

Signed Oil on panel 10.9 x 15.5cm; 41⁄4 x 6in Unframed

1860-1942

£800-1,200

616

c.1855-1904

Belgian 1798-1881

£200-300

£150-250

617 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109

618

618 ABRAHAM COOPER RA 1787-1868

A cavalier on horseback Oil on canvas 73 x 59.3cm; 28¾ x 23¼in Exhibited: Possibly, London, Royal Academy, 1842, no. 114 £1,000-1,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

110

619

620

621

622

619 ITALIAN SCHOOL

620 CONTINENTAL SCHOOL

621 CONTINENTAL SCHOOL

Portrait of a young man in renaissance costume

Two lovers in a window

Portrait of a young woman in a landscape, harvesting beyond

19th Century

Oil on canvas 44.3 x 38.8cm; 17 x 15in £200-400

19th Century

Oil on tin 37.5 x 30.7cm; 143⁄4 x 12in Provenance: English Private Collection, 1860s; And by descent

19th Century

622 PERUVIAN SCHOOL The Virgin of Antigua Oil on canvas 105.7 x 74.6cm; 41½ x 291⁄4in

Oil on tin 28.7 x 24.3cm; 111⁄4 x 9½in

Provenance: Private Collection, Madrid

£100-150

£500-800

£300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

623

623 WILLIAM DUFFIELD 1816-1863

Still life with fruit in a basket, parrot and claret jug on a stone ledge Signed and dated 1853 Oil on canvas 43.5 x 53.7cm; 171⁄4 x 211⁄4in Provenance: English Private Collection, 1860s; And by descent £3,500-4,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

112

624

625 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

626

624 ROSA BONHEUR

625 HERBERT WILLIAM WEEKES

626 HECTOR CAFFIERI RBA

Billie

Tis No Matter For His Swellings Nor His Turkey Cocks

Children gathering sticks

French 1822-1899

Signed with initials, and with the vente wax seal to stretcher Oil on canvas 32.9 x 42.5cm; 13 x 163⁄4in Provenance: Property of the artist; Her estate sale, Galerie Georges Petit, Paris, 30 May-2 June 1900, lot 598; Arthur Tooth & Sons; Mrs May Fitton, Island House, Steep; Her posthumous estate sale, Knight, Frank & Rutley, 20-22 July 1954, lot 52 Literature: Léon Roger-Milès, Rosa Bonheur (Paris,1900), p.127, no. 598

1841-1914

Signed Oil on panel 19.9 x 28.8cm; 73⁄4 x 111⁄4in Provenance: Mrs G. Batters; Thence by descent to the previous owner; By whom sold Brightwells, Herefordshire, 24 July 2019, lot 481, where purchased by the present private collector £800-1,200

£1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

1847-1932

Signed Oil on canvas 40.8 x 61cm; 16 x 24in £2,000-3,000

114

627

627 ‡ EDGAR HUNT 1876-1953

Donkeys and goats outside a barn Signed and dated 1924 Oil on canvas 56.5 x 76.5cm; 221⁄4 x 30in £12,000-18,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

628

628 ‡ EDGAR HUNT 1876-1953

An uninvited guest Signed and dated 94 Oil on canvas 41.5 x 58.4cm; 161⁄4 x 23in £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

116

629

629 â&#x20AC;Ą EDGAR HUNT 1876-1953

Old friends Signed and dated 1936 Oil on canvas 28.2 x 40.7cm; 11 x 16in Provenance: Richard Green, London ÂŁ5,000-7,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

117

630

630 THOMAS SIDNEY COOPER RA 1803-1902

Sheep in a winter landscape Signed and dated 1861 Oil on canvas 77 x 107 cm; 30¼ x 42¼in £12,000-18,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

118

631 EDWARD ROBERT SMYTHE 1810-1899

Figures boating near a watermill Oil on panel 30 x 40.5cm; 111⁄4 x 16in £500-700

632 ANDRÉ FONECHE French 1851-1942

Coastal town with beached fishing boats Signed and dated 1888 Oil on panel 17.8 x 35.8cm; 7 x 14in £100-150

633 GEORGE BALMER 1806-1846

Landscape with a man by his campfire Oil on panel 13.7 x 19.7cm; 5½ x 73⁄4in

631

£100-150

634 JOHN CALLOW 1822-1878

A view of Lancaster Bay Signed, and further inscribed to verso Oil on canvas 45.7 x 82cm; 18 x 321⁄4in £300-500

632

633

634 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

119

635

635 ALFRED BANNER

636 WILLIAM FREDERICK HULK

Sheep in a landscape at dusk

A fisherman in his boat, cattle grazing on the bank; Cattle grazing at the waters edge, a cottage beyond

act 1880-1915

Signed and dated 1882 Oil on board 20.2 x 30cm; 8 x 111⁄4in £300-500

Dutch 1852-1922

A pair, each signed Each oil on board 23.5 x 30cm; 91⁄4 x 113⁄4in (2) £300-500

636 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

120

637 WILLIAM POWELL FRITH RA 1819-1909

Just Too Late Signed and dated 1855 Oil on canvas 46.9 x 36.6cm; 18½ x 14½in £2,000-3,000

637

638 ENGLISH SCHOOL 19th Century

A mother and child feeding chickens and a donkey in a stable Oil on canvas 65 x 54cm; 25½ x 211⁄4in Provenance: By descent to the present owner £300-500

638 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

121

639 HOWARD HELMICK American 1845-1907

Girl by the fire Signed and dated 74 Oil on canvas 49 x 40cm; 191⁄4 x 153⁄4in Provenance: By descent to the present owner £800-1,200

639

640 JOHN FAED RSA 1819-1902

Young girl holding a bird’s nest Signed Oil on canvas 40.6 x 33cm; 16 x 13in £400-600

640 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

122

641 JAMES SANT CVO, RA 1820-1916

Portrait of Brigadier George Roupell VC, CB, DL (1892-1974), as a young officer Signed with monogram Oil on canvas 35.8 x 45.8cm; 14 x 18in Provenance: By descent from the sitter George Roupell was born into a military family, and received his commission in 1912 before being appinted lieutenant shortly before the outbreak of the First World War. He received the Victoria Cross for his actions during the continued fighting around Ypres. His citation reads: “For most conspicuous gallantry and devotion to duty on 20 April 1915, when he was commanding a company of his battalion in a front trench on “Hill 60,” which was subjected to a most severe bombardment throughout the day. Though wounded in several places, he remained at his post and led his company in repelling a strong German assault. During a lull in the bombardment he had his wounds hurriedly dressed, and then insisted in returning to his trench, which was again being subjected to severe bombardment. Towards evening, his company being dangerously weakened, he went back to his battalion headquarters, represented the situation to his commanding officer, and brought up reinforcements, passing backwards and forwards over ground swept by heavy fire. With these reinforcements he held his position throughout the night, and until his battalion was relieved next morning. This young officer was one of the few survivors of his company, and showed a magnificent example of courage, devotion and tenacity, which undoubtedly inspired his men to hold out till the end” £500-800

641

642 JAMES SANT CVO, RA 1820-1916

A view of Alnwick Castle, Northumberland Signed with monogram, also titled and dated aug 1893 to label verso Oil on board 30.5 x 46.1cm; 12 x 18in Exhibited: London, Royal Academy, 1894, no. 738; Possibly Cardiff, South Wales Art Society (according to label) £600-800

642 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

123

643

643 JAMES SANT CVO, RA 1820-1916

Portrait of a young girl, half-length, in a white dress and red sash holding a dove Signed Oil on canvas in a painted oval 76.4 x 63.6cm; 30 x 25in, framed as an oval Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

Provenance: Christie’s, South Kensington, Victorian & British Impressionist Art, 10 November 2011, lot 13 £5,000-7,000

124

644 ENGLISH SCHOOL 19th Century

Fishermen in calm coastal waters; Shipping in choppy coastal waters A pair, both oil on panel Each 13 x 17.7cm; 51⁄4 x 7in (2) £300-500

645 CIRCLE OF WILLIAM CLARKSON STANFIELD Coastal scene with fishing vessels in choppy waters Bears a signature Oil on canvas 88 x 121.5cm; 343⁄4 x 473⁄4in £300-500

646 JAMES EDWIN MEADOWS 1828-1888

Fishermen setting their nets in coastal waters Signed and dated 1869 Oil on canvas 46 x 81.5cm; 18 x 32in £1,000-1,500

644

647 THOMAS ROSE MILES RCA act.1869-1906

Boat in choppy waters outside a harbour Signed Oil on canvas 61.5 x 106cm; 241⁄4 x 413⁄4in £2,000-3,000

645 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

646

647

Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 141

126

648

649

650

648 ENGLISH SCHOOL 19th Century

Portrait of a lady, half-length, wearing a blue dress and yellow shawl Oil on canvas 76.2 x 63.4cm; 30 x 25in £300-500

651

649 THOMAS FREDERICK MASON SHEARD 1866-1921

Self portrait Oil on canvas 91.8 x 71.2cm; 36 x 28in £200-300

650 ENGLISH SCHOOL 19th Century

Portrait of a lady, seated, wearing a white bonnet and blue shawl, holding a book

651 CIRCLE OF JOHN PHILLIP Portrait of a girl reading Signed with monogram Oil on board 36.3 x 27.5cm; 141⁄4 x 103⁄4in

Oil on canvas 76.8 x 64.3cm; 301⁄4 x 251⁄4in Unframed

Provenance: Folio Fine Art, London, as John Phillip; Private Collection UK, acquired c.1963-1971; And by descent

£200-300

£300-500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

652 WILLIAM ETTY RA 1787-1849

Study of a male nude Oil on panel, with later addition to top 55.5 x 28.3cm; 213⁄4 x 111⁄4in £1,500-2,500

652

653 JAMES BATEMAN 1814-1849

The young rabbit catchers Signed and dated 1841 Oil on panel 35.4 x 29.7cm; 14 x 113⁄4in Provenance: W. Barker & Co., Harrogate £300-500

653 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

128

654 GEORGE JACKSON FLEMWELL 1865-1928

Tintern Abbey from the Ferry Signed and dated 1898, and further inscribed TO MR + MRS STUBBS FROM G.FLEMWELL 1898 to stretcher Oil on canvas 56 x 66.3cm; 22 x 26in Provenance: Given by the artist to Mr and Mrs Stubbs, Christmas 1898 £800-1,200

654

655

656

655 FRENCH SCHOOL

656 FOLLOWER OF EMILIO LONGONI

c.1900

Landscape with a figure by a pond

Rural landscape with a town in the distance

Oil on canvas 41.9 x 51.3cm; 16½ x 201⁄4in

Bears an inscription 17/E.LONGONI to verso Oil on canvas 50.2 x 60.9cm; 193⁄4 x 24in

£200-300

£300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

129

657

657 EUGÈNE CICÉRI

658 WILLIAM JAMES MÜLLER

659 ARTHUR GEORGE BELL NEA

L’Ile d’Allègre à Bougival

River landscape with two women on a path

A view of Venice with the Bacino San Marco

Signed and dated 1843 Oil on canvas 20.6 x 30.4cm; 8 x 12in

Signed Oil on board 28.2 x 42.8cm; 11 x 163⁄4in

£400-600

French 1813-1890

SIgned and dated 49 Oil on board 20 x 34.8cm; 73⁄4 x 133⁄4in Provenance: Montaignac Collection; Domingo Viau; Rafael A. Bullrich; Christie’s, New York, Barbizon, Realist and French Paintings, 1 May 2000, lot 227

1812-1845

£800-1,200

658 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

659

1849-1916

130

660 HERBERT IVAN BABBAGE Australian 1875-1916

A view of the Thames with Tower Bridge Signed Oil on board 25.4 x 17.5cm; 10 x 7in £200-400

661 EDWIN HARRIS 1855-1906

Portrait of an old man examining a telescope Signed Oil on canvas 83.9 x 61.2cm; 33 x 24in £1,500-2,500

662 ADAM EDWIN PROCTOR RBA, RI 1864-1913

660

661

Figures on the harbour wall; Street scene with a young women and ducks Two, the former signed twice and dated 8*, the latter signed and dated 99 Both oil on board Each 30.8 x 17cm; 121⁄4 x 63⁄4in (2) £300-500

663 HUBERT THORNLEY act.1858-1898

Shipping at Gravesend; Low tide, Brimpton on the Medway A pair, both signed and inscribed Both oil on canvas Each 25.4 x 40.8cm; 10 x 16in (2) Provenance: Richard Green, London £800-1,200

662

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

131

663

Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 141

132

664 E. STANILAND 19th Century

A cow in a barn Signed, dated and inscribed Painted by E. Staniland Abingdon Dec 1833 Oil on canvas 45.7 x 56.2cm; 18 x 22in Provenance: Avon Antiques, Bradford-on-Avon, 1993 A label on the stretcher reads ‘This seven year old cow fed by J. Mundy was put to feeding on the 24th January 1833 and killed on the 13th Dec 1833 weighed 155 stone 5 lbd - Milked to 22nd January 1833.’ £300-500

664

665 ENGLISH NAIVE SCHOOL 19th Century

Fox with a goose amongst the reeds Oil on canvas 51.4 x 61cm; 201⁄4 x 24in Provenance: Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall £100-150

665

666 JOHN FALCONER SLATER 1857-1937

A horse-drawn cart in a snow-storm Signed Oil on board 45.5 x 61.5cm; 18 x 241⁄4in Provenance: Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 6 March 2019, lot 399, where purchased by the present private collector £200-300

666 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

133

667

667 OCTAVIUS THOMAS CLARK 1850-1921

Harvest Time Signed Oil on canvas 60.7 x 106.7cm; 24 x 42in £1,000-1,500

668 CONTINENTAL SCHOOL 19th Century

Reading the newspaper Oil on panel 25.3 x 19.5cm; 10 x 73⁄4in £150-250

668 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

134

669

669 LT. COL. THOMAS STRONG SECCOMBE 1840-1913

The Grenadier Guards at the Battle of Inkerman, 5th November 1854 Signed Oil on canvas 28.9 x 42.2cm; 111⁄4 x 16½in Provenance: The Parker Gallery, London; Formerly in the collection of the 6th of Marquess Cholmondeley, Houghton Hall

670

670 ALBERT BLIGNY

671 HEINRICH BRELING

672 VICTOR CORDEN

A group of French soldiers preparing to march

A German cavalryman resting

‘Royal Salute, Present Arms!’: The Queen leaving Windsor Castle

Signed Oil on board 22.5 x 29.9cm; 83⁄4 x 113⁄4in

Signed and dated 1888 Oil on panel 13.6 x 9.7cm; 51⁄4 x 33⁄4in

Signed, titled, and dated 1898 Oil on board 28.5 x 19.1cm; 111⁄4 x 7½in

Provenance: Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall

Provenance: M. Newman Ltd., London; Formerly in the collection of the 6th of Marquess Cholmondeley, Houghton Hall

Together with A. Roberson; Officer of the 1st Royal Dragoons on horseback; Signed and dated 1888; Watercolour and bodycolour; 21.5 x 16.4cm; 8½ x 6½in (2)

French 1849-1908

£300-500

German 1849-1914

£250-350

£400-600

1860-1939

Provenance: Each with Parker Gallery, London; Formerly in the collection of the 6th Marquess of Cholmondeley, Houghton Hall £100-150

671

672 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135

673 ‡ EDWARD HENRY WINDRED 1875-1953

Portrait of six racing pigeons, the property of W. Hurley Jnr Signed, dated 1937 and inscribed with their racing histories Oil on canvas 63.5 x 76.2cm; 25 x 30in £700-1,000

674 ‡ ANDREW BEER 1862-1954

Ma’s Pride Signed titled and inscribed with its racing history Oil on canvas 33.8 x 43.3cm; 131⁄4 x 17in £200-300

673

675 ‡ ANDREW BEER 1862-1954

Portrait of a Blue Cheq racing pigeon; Portrait of a Dark Cheq racing pigeon A pair, both signed and inscribed with their racing history Both oil on board Each 27.6 x 39cm; 103⁄4 x 151⁄4in (2) £300-500

674

675 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 141

136

INDEX OF ARTISTS A Albani, Francesco, Attributed to 551 Alken Jnr., Sefferin 477 Alken Snr., Henry 469 Appleton, Thomas Gooch, after George Romney 439 Arlaud-Jurine, Louis-Ami, Attributed to 411 Autran, Eugène 433 B Babbage, Herbert Ivan 660 Balmer, George 633 Banner, Alfred 635 Barenger, James 587 Barland, Adam 603 Bateman, James 653 Battem, Gerrit 548 Beechey, Sir William 522 Beechey, Sir William, Attributed to 557 Beer, Andrew 674, 675 Bell, Arthur George 659 Berchem, Nicolaes, Attributed to 510 Berthault, Pierre Gabriel, Ranson, Pierre 455 Birket Foster, Myles 483 Bligny, Albert 670 Boilly, Louis-Léopold, After 444 Bone, Henry Pierce 401, 402 Bonheur, Rosa 624 Bouvier, Pierre-Louis 426 Bowring, Joseph 414 Brabazon, Hercules Brabazon 507 Breling, Heinrich 671 Buck, Adam 412 Bunbury, Henry 446 C Caffieri, Hector 626 Callow, John 634 Childs, George 493 Cicéri, Eugène 657 Clark, Octavius Thomas 667 Clouet, François, Manner of 528 Codde, Pieter, Follower of 561 Colkett, Samuel David 604 Collins, Richard 405 Collins, William 525 Colonia, Isaac, Attributed to 530 Continental School 404, 418, 429, 431, 519, 569, 619, 620, 621, 668 Cooke, Edward William, Circle of 580 Cooper, Abraham 618 Cooper, Thomas Sidney 495, 630 Copley Fielding, Anthony Vandyke 466 Corden, Victor 672 Cosway, Follower of Richard 409, 410 Cotes, Francis, Follower of 558 Cotes, Samuel, Attributed to 408 Crome, John 605 D Danckerts, Hendrick, Follower of 571 Danish School 610 Davis, John Scarlett, Attributed to 485

Debucourt, Philibert-Louis, after Pierre Jérôme Lordon 436 Decker, Cornelis Gerritsz., Circle of 568 Dicksee, Herbert, After 453 Donselaer, Hermanus 545 Dordrecht School 513 Droochsloot, Joost Cornelisz 544 Drummond, James 492 Duffield, William 623 Duncan, Edward 488 Dutch School 529, 533, 549, 572, 573 Dyck, Sir Anthony van, Circle of 541 Dyck, Sir Anthony van, Follower of 536 E Eastern European School 432 Engleheart, George 416, 417 English School 406, 487, 539 Etty, William 652 F Fabris, Pietro 462 Faed, John 640 Finch, Francis Oliver after Joseph Mallord William Turner 472 Finke, August 611 Flemish School 532, 542 Flemwell, George Jackson 654 Foneche, André 632 Franque, Joseph, After 427 French School 428, 556, 559, 563, 613, 655 Frith, William Powell 637 G Gaskell, George Arthur 502 Gilpin, Sawrey, Attributed to 479 Goddard, George Bouverie 588, 589 Godefroy, Adrien 447 Gold, Charles 448 Goodwin, Albert 506 Gould, John 452 Gower, George 509 Goyen, Jan van, Follower of 512 Graham, Peter 608 Greuze, Jean-Baptiste, Follower of 555 H Harris, Edwin 661 Helmick, Howard 639 Herring Jr., John Frederick 496 Highmore, Joseph, Follower of 534 Howard, William 612 Hudson, Thomas, and Studio 535 Hulk, William Frederick 636 Hunt, Edgar 627, 628, 629 Hustwick Senior, Francis 575 Huysum, Jan van, Follower of 514 I Indian School Italian School

458, 459 554, 562

J Jackson, Samuel 468 Janinet, Jean François, Attributed to 449 Jefferson, John 595 Jopling, Louise 523 K Knell, William Callcott 579 Kraus, Franz Anton, Attributed to 570 L Lancret, Nicolas, After 564 Langlois, J. 616 Largillière, Nicolas de 516 Laurie, Robert, and James Whittle 443 Lawrence, Sir Thomas, Attributed to 565 Lawrence, Sir Thomas, Circle of 464 Leech, John, After 441 Leitch, William Leighton 473 Linnell, John 486 Longoni, Emilio 656 Luny, Thomas 576 Luny, Thomas, Attributed to 577 Lupton, Thomas Goff, after William Kidd 445 M Mackie, Charles Hodge Mackrell, James R., after John Frederick Herring Sr. Magenis, Henry Mather, George Marshall Mayr, Peter Meadows, James Edwin Mierevelt, Michiel Jansz. Van, Follower of Miles, Thomas Rose Moore, Thomas Cooper Morden, Robert Morland, George, Attributed to Moucheron, Frederik de, Circle of Müller, William James

491 437 494 420 430 646 527 647 596 450 594 547 658

N Nasmyth, Patrick 597 Neer, Aert van der 511 Niemann, Edmund John 520, 598, 599 Niemann, Edward H. 600 Norie, Orlando 498, 499, 500 Northern European School 543 O Oakley, Philip Ostade, Isaac van, Circle of

478 546

P Paul, John 583, 584 Payne, William 467 Peruvian School 622 Pether, Henry 582 Phillip, John, Circle of 651 Pickersgill, Frederick Richard 526 Piranesi, Giovanni Battista 435 Pollentine, Alfred 614 Preziosi, Count Amadeo 504

Procaccini, Giulio Cesare, Attributed to 461 Proctor, Adam Edwin 662 Prout, Samuel 474, 475, 476 Pyne, Thomas 490 R Rajasthani School 457 Raphael, Attributed to 552 Reni, Guido, After 553 Reynolds, Sir Joshua, After 560 Richmond, George 465 Rigaud, Hyacinthe, Studio of 566 Robertson, Andrew 423 Roux, Antoine 463 Rowlandson, Thomas 440, 480, 481, 482 Ruggles, W. H. 586 S Sandby, Paul, Circle of 470 Sandys, Anthony Frederick Augustus 505 Sant, James 641, 642, 643 Sartorius, John Nost, Circle of 592 Seccombe, Lt. Col. Thomas Strong 669 Serres, John Thomas 578 Sheard, Thomas Frederick Mason 649 Silvestre, Israel 460 Simkin, Richard 501 Slater, John Falconer 666 Smith of Chichester, George 574 Smith, John Raphael, after George Morland 442 Smythe, Edward Robert 631 Stadler, Joseph Constantine after Phillip Reinagle 451 Stanfield, Clarkson 489 Stanfield, William Clarkson 645 Staniland, E. 664 Stone, Marcus 503 Storck, Abraham, Circle of 550 Stubbs, George Townly, after George Stubbs 438 T Thoma, Josef 609 Thornley, Hubert 663 Tischbein the Elder, Johann Heinrich, Circle of 540 V Vasi, Giuseppe 434 Verboeckhoven, Eugène Joseph 617 W Walker, Robert, After 403 Walls, William 508 Watteau, Jean-Antonine, After 515 Weekes, Herbert William 625 Weenix, Jan, Circle of 567 Wilkie, Sir David 471 Williams, Edward Charles 517, 518, 606 Wilson, Richard, Follower of 593 Windred, Edward Henry 673 Wint, Peter de, After 484 Wissing, William, Circle of 538 Wright, George 615 Wyllie, William Lionel 454

MODERN BRITISH & 20TH CENTURY ART WEDNESDAY 9TH DECEMBER 2020 CLOSING FOR ENTRIES 20TH OCTOBER

Sir Cecil Beaton CBE (1904-1980) Cutting Garden Flowers (detail) Signed ‘Beaton’ (lower right) and signed and inscribed ‘Cutting garden flowers/Cecil Beaton’ (to the reverse) Oil on canvas 55.9 x 45.5cm Estimate £1,000-1,500* ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

MEDALS & COINS, ARMS & ARMOUR WEDNESDAY 23RD SEPTEMBER 2020

A rare American Civil War ‘Butler Medal’ Estimate £8,000-12,000* ENQUIRIES Ned Cowell | +44 (0)1722 341469 | nc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 21ST OCTOBER 2020

A 19th century mahogany apothecary’s chest of drawers Estimate £500-800* ENQUIRIES Mark Yuan-Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on +44 (0)1722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Pack & Send +44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect, American Express, Union Pay

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

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2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges. (c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

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liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. 22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

(a)

(b) (c) (d) (e) (f) (g) (h) (i)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(j) (k)

15. FORGERIES

BOOKS AUCTIONS

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: •

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

•

From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information. We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers. In this respect we will provide your data to the following: • our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider. LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

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146 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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AMESBURY & MARLBOROUGH

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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A354 DORCHESTER WEYMOUTH & BLANDFORD

Woolley and Wallis valuations are accepted by all leading insurance companies.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500. DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

MARLBOROUGH & SWINDON

Old Sarum Park

WOOLLEY & WALLIS Castle Gate WOOLLEY & WALLIS Salisbury Salerooms

WOOLLEY & WALLIS

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A345 Castle Rd

SALISBURY AMESBURY

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Clifford Street, Mayfair

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Westover Garage

Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.02998482 VAT No: 631 9832 29

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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ABSENTEE BID FORM

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

TUESDAY 8TH SEPTEMBER 2020 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Billing Name (please print) �� Address �� ___________________________ Postcode �� Daytime Telephone �� Email �� All accounts must be settled within 21 days. ID may be required even if you have bid with us before. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: +44 (0)1722 424500 Fax: +44 (0)1722 424508

Brief Description of lot

Price excluding buyer’s premium & VAT

AUCTION CALENDAR AUGUST 26th

odern British & 20th Century Art M Including the Estate of Dame Elisabeth Frink and Lin Jammet

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR UPCOMING AUCTIONS

SEPTEMBER 8th

Old Masters, British & European Paintings

22nd

Tribal Art & Antiquities

23rd

Medals & Coins, Arms & Armour

OCTOBER 6th

Arts and Crafts, Design

21st

Furniture, Works of Art & Clocks

NOVEMBER 10th

Asian Art, Chinese Paintings & Japanese Works of Art

12th

Fine Jewellery

24th

English & European Ceramics & Glass

25th & 26th Silver & Objects of Vertu

DECEMBER 9th

Modern British & 20th Century Art

16th

British Art Pottery

Dates may be subject to change

+44 (0)1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

Attributed to Jacopo Amigoni (Italian 1682-1752) Laban searching for his idols (illustrated, detail); The finding of Moses, a pair SOLD FOR £325,000*