Woolley & Wallis Old Masters, British & European Paintings by Park Communications

Old Masters, British & European Paintings Wednesday 4th September 2019

Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20th Century Design Michael Jeffery Zoe Smith Asian Art John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

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Wednesday 4th September 2019 at 10am VIEWING TIMES Saturday 31st August Monday 2nd September Tuesday 3rd September Wednesday 4th September

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ILLUSTRATIONS Front cover: Lot 266 Back cover: Lot 347 Overleaf: Lot 180

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INDEX Portrait Miniatures India, the Far-East and Travel

1-10 11-40

Prints 41-49 Drawings and Watercolours

50-142

Oils 143-368

Portrait Miniatures 1 DUTCH SCHOOL Late 17th Century

Portrait miniature of a gentleman in armour On copper, oval 92 x 73mm Unframed £80-120

2λ JAMES SCOULER 1741-1812

Portrait miniature of a gentleman with powdered hair en queue in a brown coat and waistcoat with gold buttons

Oval, in a gilt metal mount 42 x 37mm Provenance: Christie’s, South Kensington, The Frederick Joachim Collection of Portrait Miniatures and Silhouettes, Part III, 1 November 1995, lot 213 £150-250

3λ JAMES SCOULER 1741-1812

Portrait miniature of a lady in a white dress, black stole and lace bonnet Dated 1769 on reverse Oval, in a gilt metal brooch frame 41 x 34mm Provenance: Christie’s, South Kensington, The Frederick Joachim Collection of Portrait Miniatures and Silhouettes, Part III, 1 November 1995, lot 172

£150-250

4λ ENGLISH SCHOOL Early 19th Century

Portrait miniature of a gentleman, head and shoulders in blue coat and white stock Oval in a rectangular gilt frame 67 x 51mm

£100-150

5λ ENGLISH SCHOOL

6λ ENGLISH SCHOOL

c.1840

Late 18th Century

Portrait miniature of a lady in a black dress and lace veil; Portrait miniature of a lady in blue dress

Portrait of an officer, head and shoulders

A pair, ovals, in gilt metal brooch frames, one with a lock of hair to reverse Each 59 x 50mm (2)

Oval, in gilt frame with hair back 53 x 38mm £70-100

£100-150 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

7λ LOUIS-MARIE AUTISSIER French 1772-1830

Portrait miniature of a gentleman dressed in tartan Signed and dated 1813, and inscribed Howard to reverse of box frame Oval in an ornate gilt frame within a wooden box frame 85 x 65mm £600-1,000

8λ ENGLISH SCHOOL c.1810

Portrait miniature of a gentleman in black coat and white stock 7

Oval, in gilt metal brooch frame, the glazed reverse with a lock of hair and white metal backing 82 x 38mm £200-300

9λ ENGLISH SCHOOL Late 18th Century

Portrait miniature of a gentleman, head and shoulders in a dark coat with a blue collar Oval, in a gilt frame with initials and a hair back 75 x 60mm With three further 18/19th Century miniatures (4) £150-250

10 ENGLISH SCHOOL Late 18th Century

Portrait miniature of a lady, head and shoulders in a red dress, with a blue gown

Oval on copper, in a rectangular ebonised frame 55 x 45mm With two further oval miniatures of ladies, one unframed (3) £150-250

10 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

India, the Far-East and Travel

11 λ INDIAN SCHOOL

12 λ INDIAN SCHOOL

13 PERSIAN SCHOOL

c.1900

19th Century

Three miniatures of the Taj Mahal

Portrait miniatures of a noble gentleman and a lady; An ornate interior

A nobleman seated, holding a hookah

Each oval, in easel frame Largest 6.5 x 9.6cm; 2½ x 33/4in Together with a portrait miniature of a lady attributed to H. Millett (fl.1810-1817) (4) Provenance: The Judith Howard Collection

Three, all in standing carved wood frames Two at 13 x 8cm; 5 x 3in (frame size) and 11 x 9cm; 4¼ x 3½in (frame size) (3)

Watercolour, oval 16 x 13cm; 6¼ x 5in With two further watercolour portraits of a noble gentleman and a lady (3)

£150-200

£150-250

£150-250 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

14 INDIAN SCHOOL 19/20th Century

Scenes of Indian life, including hunting Eight, all watercolour 55 x 82cm; 21¾ x 32¼in and smaller (8) £200-300

15 INDIAN SCHOOL Late 19th/Early 20th Century

Scenes of Indian life Four, pen ink and gouache 45 x 35.5cm; 17¾ x 14in (largest) 21.3 x 17.2cm; 8½ x 6¾in (smallest) (4) £200-400

16 INDIAN SCHOOL 19th Century

A hunting scene Inscribed Gouache in a decorative border 18 x 9cm; 7 x 3½in £150-200

17 INDIAN SCHOOL 19th Century

A Hawking scene Watercolour 31 x 21cm; 12¼ x 8¼in With two further Persian watercolours scenes depicting a battle and a hunting party returning home, with text, each 22 x 10cm (3) £150-250

17 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

18 EMILY EDEN 1797-1869

Cheetas sent by the King of Oude to accompany the Governor General (plate 15); Dhulloo and Dedar Khan (Jemadars or head servants) (plate 4); The Raja of Nahan and his sons (plate 21) From ‘Portraits of the Princes and People of India’, published by J. Dickinson & Son, London, 1844 Four, hand-coloured lithographs Largest 24.2 x 33.5cm; 9½ x 13¼in; smallest 25.5 x 17cm; 10 x 6¾in with a stipple engraving of Tippoo Syltan after a work in the possession of The Marquis Wellesley (5) £1,500-2,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

19 ATTRIBUTED TO THOMAS DANIELL RA

20 ATTRIBUTED TO THOMAS DANIELL RA

1749-1840

Indian landscape with a mausoleum

Coast of Cochinchina

Watercolour 20.9 x 28.2cm; 8¼ x 11in Together with a print of an Indian well by William Daniell (2)

Watercolour and pencil 14.8 x 28.9cm; 5¾ x 11¼in Together with a coloured aquatint by Thomas and William Daniell, Coast of Cochin China (2)

Provenance: Watercolour possibly with Stanhope Shelton, London (indistinct inscription to mount) £600-800

Provenance: Watercolour in the Leonard G. Duke collection (1890-1971), according to inscription under mount £400-600

21 AFTER THOMAS DANIELL View on the Chitpore Road, Calcutta Hand coloured aquatint Plate II from part 2 of Oriental Scenery: Twenty Four Views in Hindoostan (London, 1797) 44.1 x 58.1cm; 17½ x 23in

£300-500

22 ANGLO-INDIAN SCHOOL 19th Century

Figures bathing in a river landscape Watercolour 15 x 19.25cm; 6 x 7½in £120-180

22 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

23 AFTER HENRY SALT

25 THOMAS ALLOM

Calcutta; Pagoda at Ramisseram

1804-1872

Two hand coloured aquatints Plates III & IX from Twenty-four Views in St Helena, The Cape, India, Ceylon, The Red Sea, Abyssinia and Egypt (London, William Miller 1809) 45.1 x 61.6cm; 17¾ x 24¼in (2)

Watercolour and pencil 20.4 x 31.2cm; 8 x 12¼in

£800-1,200

24 RICHARD PHENE SPIERS

Remains of the Church of St.John, Pergamus

Literature: T. Allom, Constantinople and the scenery of the seven churches of Asia Minor, illustrated (London: Fisher, Son, & Co., 1838), vol II, p.35 illustrated £150-250

1838-1916

The Great Court, Temple of Isis, Philae Watercolour 20.8 x 31.6cm; 8¼ x 12½in Provenance: W. Harding Smith, 1916 (according to label on mount) £150-250

26 BRITISH SCHOOL 19th Century

Napoleon’s tomb, St.Helena Watercolour 13.8 x 18.2cm; 5½ x 7¼in Unframed £200-400

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

27 EDMUND WALKER 19th Century after Percy Carpenter 1820-1895

Eight scenes from ‘Hog hunting in Lower Bengal’: The Meet; The Beat; Tally Ho!; First Spear; The Charge; The Hog at Bay; The Death; The Tent Club at Tiffin Coloured lithographs some with hand tinting, on printed card mounts Published by Day & Son and W. Thacker & Co., London and Thacker, Spink & Co., Calcutta, 1861 28.6 x 42.1cm; 11¼ x 16½in (plates) (8) The introduction to the book states that the scenes were taken from sketches and notes taken during a meet of the Calcutta Tent Club in March 1860, on the Sowerra Burrea Plains. The hunting party consisted of around 60 people, including 15 members of their club, their guests, and their attendants. Eleven elephants were used as beaters, and the hunt lasted three days, killing 37 hogs £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

28 WILLIAM HODGES 1744-1797

Six plates from ‘Select views in India’: A view of the fort of Mongheer, upon the banks of the River Ganges; The east end of the fort of Mongheer; A view of a mosque, at Mounheer; A view of the fort of Allahabad; A view of a farm-yard in the kingdom of Bengal; A view of Chinsura the Dutch settlement in Bengal Six, hand coloured aquatints 30.5 x 44.8cm; 12 x 17¾in (6) £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

29 INDIAN SCHOOL c.1900

Scenes of Indian life Four, gouache heightened with gilt Largest 25 x 20.5cm; 9¾ x 8in Smallest 19.8 x 11.8cm; 7¾ x 4¾in (4) £300-500

30 INDIAN SCHOOL c.1900

Scenes of Indian daily life, showing hawking, lovers in a landscape and a formal greeting Four, all watercolour, three with inscriptions 28 x 23cm; 11 x 5in and smaller (4) £250-350

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

31 ROBERT HAVELL 1793-1879 after James Baillie Fraser 1783-1856

Six views from ‘Views of Calcutta and its environs’; A view of Tank Square, from the west; A view of Chandpal Ghat; A view of Esplanade Row from the reservoir at Chandpal Ghat; A view of the Scotch church from the gate of Tank Square; A view of Government House from the eastward; A view of the town hall Six coloured aquatints with tinting Rodwell & Martin and Smith Elder & Co., London, 1824-1826 33 x 45.4cm; 13 x 17¾in (6) £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

32 THOMAS DANIELL RA AND WILLIAM DANIELL RA 1749-1840 1769-1837

14 plates from ‘A Picturesque voyage to India; by way of China’; Hoe Chu Fou Toe a Chinese fort near Canton; Chinese vessels; Hotun, on the Canton river; South West view of Canton; An offering to the god of fire; Chinese husbandman; Chinese pavilion; View in a Chinese garden; Chinese tomb; Whampoa pagoda; Near Whampoa, China; Anjere-point straits of Sunda; Chinese duck boat; View of Calcutta from the garden reach Coloured aquatints Each 17.7 x 24.7cm; 7 x 9¾in (14) £500-800

33A

33 G.S.DAVIE

33A

19th Century

A collection of mostly early 20th century Indian postcards of Calcutta and its environs, some with correspondence (approx. 210)

The interior of Fort William, Calcutta, with a cricket match in progress, from the top of the Royal Barracks

£200-300

Signed, and further inscribed and dated 1874 to backing board Watercolour and pencil, heightened with white 24.6 x 34.3cm; 9¾ x 13½in £600-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

34 CLIFFORD HENRY MECHAM 1831-1865

Sketches & incidents of the seige of Lucknow. From drawings made during the siege London, Day & Son, 1857 Lithographed title with view and 26 tinted lithographed views on 17 sheets 61 x 41.5cm; 24 x 16¼in £800-1,200

34 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

35 INDIAN SCHOOL c.1900

Three depictions of Indian rulers Each titled Gouache heightened with gilt Each c.19.5 x 27.1cm; 7¾ x 10¾in (3) Unframed £300-500

36 λ INDIAN SCHOOL c.1860

Five modes of transport; Three modes of transport; Five figures

Three sets, each framed as one, gouache on mica Largest panel 8.6 x 16cm; 3½ x 6¼in Smallest 8.5 x 5.5cm, 3¼ x 2¼in, oval Together with a c.1900 watercolour heightened with gilt on ivory panel, with roundels depicting Indian architecture (4) £200-300

37 ANNE FORSTER 1825-c.1902

Sketch of the ‘Jehaz’ with Temple - Hissar; An Egyptian elder; An Egyptian merchant and servant Three, two signed with monogram (one to the mount) and ‘Hissar’ dated 80 (to mount) Watercolour Largest 19.1 x 34.5cm; 7½ x 13½in (3) Together with a quantity of unframed prints, mostly 19th Century of Indian interest £200-300

37 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

38 CHINESE SCHOOL Early 20th Century

Junk boats, one flying the Qing flag A pair, oil on canvas 21 x 29.8cm; 8¼ x 11¾ (2) £300-500

39 INDIAN SCHOOL c.1900

Seated musicians Two, both pen, ink, pencil and gouache, in 20th Century inlaid frames 14 x 10cm; 5½ x 4in and 14 x 11cm; 5½ x 4½in (2) £100-150

40 CHINESE SCHOOL Late 19th Century

Interior scenes Four, all watercolours Largest 80.5 x 51.5cm; 31¾ x 20¼; Smallest 36.5 x 51.2cm; 14¼ x 20in (4) £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

Prints 41 THOMAS SHOTTER BOYS 1803-1874

Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc Folio, 25 chromolithographic plates printed in colours by Charles Hullmandel, gilt tooled red morocco bindings London, Thomas Boys, 1839 Overall size 55 x 37.5cm; 21½ x 14¾in £200-300

42 ‡ CHARLES JOHNSON PAYNE (SNAFFLES) 1884-1967

Boar hunting - Got yer you old badmash!; The forward Heat? Two, both with stamp and signature on backing sheet Both photographic reproductions on printed backing sheets with remarques 25 x 43cm; 10 x 17in and similar (2)

£200-300

43 JOHN GOULD 1804-1881

Diphlogaena Hesperus; Cynanthus Smaragdicaudus Two, both lithographs with hand colouring 54 x 36.5cm; 54.5 x 37.5cm (2) Provenance: The Swan Gallery, Dorset, no. 0/2340/03 and 02; Henry Sotheran Ltd, London (Cynanthus Smaragdicaudus only) £200-300

43 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

44 ALESSANDRO SPECCHI Italian 1668-1729

Prospetto dell’Anfiteatro Flavio Etching Published 1703 by Domenico de Rossi (1647-1729) 48.7 x 68.7cm; 19¼ x 27in (plate) £100-200

45 HERBERT SEDCOLE 1864-1920

AFTER JOSEPH FARQUHARSON RA Scottish 1846-1935

Salmon fishing on the Dee Signed in pencil by Sedcole and Farquharson to margin and blindstamped Mixed method print Published by Frost and Reed 55.5 x 81.5cm; 21¾ x 32in (plate)

£100-200

46 ENGLISH SCHOOL 20th Century

Interior scenes with figures at a table A pair, both reverse glass painting and watercolour on buff paper, in burr wood frames 27 x 31.5cm; 10½ x 12in (2) £300-500

47 SAMUEL AND NATHANIEL BUCK

48 FOUR PICTURE FRAMES

1696-1779; fl.1724-1759

Each glazed Largest 36.5 x 26cm; 14¼ x 10¼in rebate size; 53.1 x 42.5cm; 21 x 16¾in sight size Smallest 24.5 x 28cm; 9¾ x 11in rebate size; 31 x 33.6cm; 12¼ x 13¼in sight size (4)

The north east prospect of the city of Salisbury Hand coloured engraving 30.7 x 81.1cm; 12 x 32in £100-200

£100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

49 A 19TH CENTURY GILTWOOD AND GESSO FRAME With deep hollow section and a foliate sight edge 24¼ x 19¼in rebate size; 23¼ 19¼in sight size £300-500

Drawings and Watercolours

50 FRENCH SCHOOL

51 ENGLISH SCHOOL

52 WILLIAM TATE

53 GERMAN SCHOOL

18th Century

c.1800

1748-1806

18th Century

Portrait of a young woman wearing a bonnet and coral ribbon

Portrait of Mary Williams, wearing white, seated before a window

Portrait of Margaret Tennant (1717-1792), wife of James Lacy (m.1733), later Mrs Steventon

Classical figures with white eagles and peacocks

Pastel, oval 30 x 25cm; 11¾ x 9¾in £120-180

Inscribed on backing board verso, Given to her most affectionate Granchild Elizabeth Moore Bennett in March 18th 1835 Pastel 25 x 21cm; 9¾ x 8¼in

Signed Charcoal and pastel, oval 24 x 18.5cm; 9½ x 7¼in

A pair, both pastel Each 60 x 43cm; 23½ x 15¾in (2) £500-800

£200-300

£300-400 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

54 AFTER LUCAS VAN LEYDEN The daughters of Israel singing in praise of David after his victory over Goliath Red chalk 36.6 x 26.6cm; 14½ x 10½in Unframed Provenance: Matthew H. Bloxam (1805-1888); by whom given to Rugby School Art Museum, with his inscription and attribution e dono Matt: H: Bloxam Rugby School Art Museum/ albert Durer?; Christie’s, London, Old Masters/ New Scholars: Works of Art Sold to Benefit Rugby School, 4 December 2018, lot 139 £200-300

55 AFTER MAERTEN DE VOS

The Ascension Pen, brown ink, brown wash and brown ink framing lines 33 x 26.6cm; 13 x 10½in Unframed Provenance: Matthew H. Bloxam (1805-1888); by whom given to Rugby School Art Museum; Christie’s, London, Old Masters/New Scholars: Works of Art Sold to Benefit Rugby School, 4 December 2018, lot 139 £300-500

56 MANNER OF JAN GOSSAERT Portrait of a gentleman holding gloves Black and red chalk, pen and brown in, grey wash 18.5 x 13.9cm; 7¼ x 5.5in Unframed Provenance: Prince Golitsyn (according an inscription on the mount); Matthew H. Bloxam (1805-1888); by whom given to Rugby School Art Museum; Christie’s, London, Old Masters/New Scholars: Works of Art Sold to Benefit Rugby School, 4 December 2018, lot 139 £120-180

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

57 ATTRIBUTED TO GIUSEPPE CADES Italian 1750-1799

Christ in a mandorla flanked by two angels Pen and brown ink 28.7 x 23.5cm; 11¼ x 9¼in Unframed Provenance: Matthew H. Bloxam (1805-1888); by whom given to Rugby School Art Museum, with his inscription Rugby School Art Museum, - e dono Matt: H: Bloxam 1880 (on the mount); Christie’s, London, Old Masters/New Scholars: Works of Art Sold to Benefit Rugby School, 4 December 2018, lot 138 £300-500

58 AFTER ANNIBALE CARRACI The Holy Family Inscribed Annib. Ca****ci Brown ink and pencil 22 x 15.4cm; 8¾ x 6in A study of the National Gallery’s Montalto Madonna (NG6597), which was widely known through Cornelis Bloemart’s engraving £200-300

59 VENETIAN SCHOOL 18th Century

A study, possibly for the continence of Scipio Black chalk on paper 30.8 x 23.5cm; 12 x 9¼in Unframed £150-250

60 AFTER PAOLO CALIARI, CALLED PAOLO VERONESE

61 CONRAD MARTIN METZ

Adoration of the Magi

A cavalry battle between Christians and Turks

Brown ink, black chalk and wash, heightened with white 42.3 x 41.5cm; 16¾ x 16¼in

Signed and dated 1813 Pen, ink and grisaille washes 56 x 70cm; 22 x 27½in

£300-500

German 1749-1827

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

62 HENDRIK FRANS DE CORT Flemish 1742-1810

Combe Bank, near Tonbridge, Kent Inscribed verso ‘Coombank. Ordered to be peint by the Lord Frederick/Campbell. the 14th June 93’ and in another hand ‘burnt down in the Fire in July 1807 in/which Lady Campell lost her life’ (according to label) Pencil and grey washes 75 x 53.7cm; 29½ x 21¼in Provenance: Spink, London, no.K3 9665; Lord Astor of Hever £700-1,000

63 ATTRIBUTED TO EDWARD DAYES 1763-1804

Donnington Castle, Newbury with figures and cattle Pen, ink and watercolour 11.5 x 18cm; 4½ x 7in Provenance: Trim Bridge Galleries, Bath

£150-250

64 SAMUEL HIERONYMUS GRIMM

65 SAMUEL HIERONYMUS GRIMM

Swiss 1733-1794

Weymouth Bay, with cattle in the foreground, Dorset

Medham Abbey, Berks, S.W. View

Pen, ink and watercolour with pencil 34 x 50cm; 13½ x 19½in

Titled and dated July 2nd, 1780 Pen, ink and grisaille wash 15 x 27cm; 6 x 10½in

Provenance: Frost & Reed, London, No.D3917; Appleby Brothers Ltd, London, 1960, No.I639.173.UN; Christie’s, 24 November 1998, lot 284

£200-300

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

66 ENGLISH SCHOOL Late 18th Century

A view of Westminster Abbey from St. James’s Park Pencil within ink framing lines 22 x 43.5cm; 8¾ x 17¼in £100-200

67 DR. THOMAS MONRO

68 HUGH GRECIAN WILLIAMS

1759-1833

1773-1829

69 ATTRIBUTED TO COPPLESTONE WARRE BAMFYLDE

A Pond with Elm Trees Beyond; A study of trees

A wooded river landscape

1720-1791

Two, both black chalk and wash 14 x 17.5cm; 5¼ x 6¾in and 16 x 19cm; 6¼ x 7½in (2)

Signed and dated 1798 Pen, ink and grisaille wash 20.5 x 28.5cm; 8 x 11¼in

A view of Tilbury Fort

Provenance: ‘A Pond’ with Thomas Agnew & Sons Ltd, London, Watercolour Exhibition, February 1978, no. 41073; The Estate of Professor Rodney Fitch CBE £300-500

£300-400

Inscribed and dated 1785 on backing board Pen, ink and watercolour 33 x 46cm; 13 x 18in £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

70 ENGLISH SCHOOL 18/19th Century

A view of the River Thames with St. Paul’s Cathedral Gouache 50 x 80cm; 19¾ x 31½in £600-800

71 BRITISH SCHOOL 19th Century

A naval engagement near the coast Watercolour and pencil 17.4 x 24.7cm; 6¾ x 9¾in With a further watercolour of British ships at anchor in an colonial harbour (2) £100-150

72 AFTER RICHARD WRIGHT OF LIVERPOOL The Fishery, with another previously thought to be a scene off Plymouth A pair, both watercolour Each 36 x 55cm; 14 x 21½in (2) Provenance: Chichester Antiques, Chichester, 26th April 1963; The Estate of Lady Dodds £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

73 OTTO SOLTAU German 1885-1915

Study of a cyclamen; Study of corals Two, ‘corals’ signed and dated 08 Gouache 17.7 x 13cm; 7 x 5in, 13.2 x 17.5cm; 5¼ x 7in (2) Provenance: Christie’s, Old Master and British Drawings and Watercolours, 5 December 2013, lot 62 £300-500

74 DUTCH SCHOOL

75 JOSEPH MURRAY INCE

76 WILLIAM PAYNE RWS

77 WILLIAM PAYNE RWS

19th Century

1806-1895

1760-1830

Skaters on a frozen lake

Soldiers hailing the supply chain

Watercolour, pencil and gouache 13 x 18.5cm; 5 x 7¼in

Signed and dated 1827 Watercolour 10 x 19cm; 4 x 7½in

A Devon view with a bridge and church, a town beyond

Figures by a house on a hillside with an extensive view

Pen, sepia ink and watercolour 25 x 34cm; 9¾ x 13½in

£100-150

Provenance: Abbott & Holder, London, August 1986

Signed Watercolour 12.75 x 16.75cm; 4¾ x 6½

£150-250

Provenance: From the collection of Michael and Justina Ryan £200-300

Provenance: Squire Gallery, London, June 1946, No. 6027; Moss Galleries, London £300-400

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

78 WILLIAM PAYNE RWS

79 JOHN GLOVER

1760-1830

1767-1849

Miles Courts Bristol/Leigh Court Hospital, Abbots Leigh, North Somerset

Mountain landscape with cattle

Signed and dated 1829 Watercolour 29.5 x 49cm; 11½ x 19¼in £600-800

Watercolour 17 x 28.5cm; 6¾ x 8¼in Provenance: Martyn Gregory 28th June 1979, with a letter of authentication; Private collection £500-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

80 BRITISH SCHOOL 19th and 20th Century

Views of Hever Castle Five, all watercolours Largest 34.3 x 51.5cm; 13½ x 20¼in; Smallest 25.2 x 43.4cm; 10 x 17in (5) Provenance: Lord Astor of Hever £900-1,500

80 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

81 DAVID COX JNR.

1809-1885

82 AUGUSTUS JOHN CUTHBERT HARE

View of Hever Castle

1834-1903

Signed Watercolour and pencil 27 x 41.6cm; 10½ x 16¼in

Hever Castle, Kent

Provenance: Lord Astor of Hever £300-500

1867 according to label Watercolour and pencil 17 x 24.5cm; 6¾ x 9¾in Provenance: The Fine Art Society, London, December 1967, no. 9161; Lord Astor of Hever £300-500

83 DAVID COX JNR.

84 JOSEPH NASH

1809-1885

1808-1878

Traveller on a horse above Hever Castle

Hever Castle

Watercolour 22.5 x 35.4cm; 8¾ x 14in

Inscribed and dated August 29 1844 Watercolour 23.7 x 34cm; 9¼ x 13½in Together with a watercolour of Hever Castle by Henry Bright (1810-1873) (2)

Provenance: Lord Astor of Hever £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

85 SCHOOL OF POSILLIPO La Grotta di Posillipo; Ponte di Cailligola a Pozzuoli; Veduta di Sorrento; Il Porto di Napoli; La Tomba di Virgilio; Ruins over the bay at Pompeii All titled verso except last one All gouache Each 7 x 9.5cm; 2¾ x 3¾in (6)

86 SCHOOL OF POSILLIPO

87 SCHOOL OF POSILLIPO

Pompei; La Grotta di Posillipo; Vesuvio

Palazzo Reale di Napoli; Prospelto Teatro di S. Carlo

All titled on mounts and possibly verso All gouache Each 10.25 x 17.75cm; 4 x 7in (3) £200-300

Both titled verso Both gouache Each 7 x 9.5cm; 2¾ x 3¾ (2) £200-300

£250-350 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

88 NEAPOLITAN SCHOOL 19th Century

Riviera Di Chiaia Titled Gouache 21 x 28cm; 8¼ x 11in £200-300

89 EDWIN BALE 1842-1923

The procession of Corpus Christi, Lake Como Signed Watercolour and pencil 41.5 x 67.5cm; 16¼ x 26½in Exhibited: Probably Royal Academy, 1911, no. 884 £200-300

90 ‡ WILLIAM WIEHE COLLINS 1862-1951

The Cathedral of Santiago de Compostela Signed and titled Watercolour 25.4 x 37.2cm; 10 x 14¾in Literature: W.W. Collins, Cathedral Cities of Spain (London, William Heinemann, 1909), p. 172, illustrated £120-180

91 ‡ CONRAD HECTOR RAFFAELE CARELLI Italian 1869-1956

Italian city scenes Two, both signed Both watercolour 34.5 x 22.5cm; 13½ x 9in and 16.5 x 11.5cm; 6½ x 4½in (2) £250-350

91 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

92 JOSHUA CRISTALL 1767-1847

Classical wooded landscape with a boy playing the pipes to a shepherd and other figures Watercolour over pencil 21.5 x 26.7cm; 81⁄2 x 101⁄2in Provenance: Fosse Gallery £300-400

93 AFTER BARTOLOME ESTEBAN MURILLO 92

The heavenly and earthly trinities

Watercolour heightened with gum arabic on paper 64.8 x 47cm; 25½ x 18½in Provenance: E.D.Backhouse, according to label to verso After the original in the National Gallery London (Inv. no.NG13) £400-600

94 THOMAS WALMSLEY 1763-1806

Figures in lakeland landscapes Two, both watercolour 29 x 39cm; 11½ x 15¼in and 28 x 35cm; 11 x 13¾in (2)

£400-600

95 ATTRIBUTED TO JOHN VARLEY 1778-1842

On the Dart, Dartmouth Castle Watercolour 21 x 46.5cm; 81⁄4 x 18 1⁄4 in £100-150

96 GEORGE FREDERICK PROSSER 1805-1882

Sheep by a stile with a meadow and house beyond Signed Watercolour 22 x 32cm; 8¾ x 12½in With a watercolour of the South West corner of Winchester Cathedral possibly by another hand (2) Provenance: The Winchester Gallery, Southampton, No. 13378 and 13510 Prosser was a Hampshire artist who specialised in views around Winchester. £100-200

96 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

97 WILLIAM FREDERICK MITCHELL 1845-1914

A steam auxiliary ship at sea, possibly HMS Minotaur Signed, dated 1875 and numbered 842 Watercolour heightened with scratching out 14.5 x 22cm; 5¾ x 8½in Provenance: W. R. Deighton, London; Bonhams, 15 August 1991, lot 379; The collection of a retired Master Mariner; Woolley & Wallis, Salisbury, 15 June 2013, lot 271; The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA HMS Minotaur (1863), ordered as Elephant but renamed Minotaur before being launched in 1863, was the lead ship of the Minotaur class of ironclad battleships. She was renamed Boscawen II in 1904, Ganges in 1906 and Ganges II in 1908, and broken up in 1922. £400-600

100 RAFFAELE MAINELLA Italian 1856-1941

The Bacino di San Marco, Venice

1850-1933

Signed and inscribed Venise Watercolour 43.5 x 23.1cm; 17¼ x 9in

Signed Watercolour 7 x 17.75cm; 2¾ x 7in

£200-300

£100-150

Shipping off the coast

100

98 THOMAS BUSH HARDY 1842-1897

Off Scheveningen Signed, dated Dec 31st 1880, and titled Watercolour 20.5 x 32.6cm; 8 x 12¾in £400-600

99 STEPHEN JOHN BATCHELDER 1849-1932

A wherry on the River Bure, St. Peter’s, Belaugh beyond Signed Watercolour and pencil 46.9 x 82.3cm; 21½ x 32½in

101 FREDERICK JAMES ALDRIDGE

101

£200-400 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

102 HENRY WRIGHT KERR RSA, RSW Scottish 1857-1936

Boy leading a donkey; Study of a boy and a donkey bearing panniers; Study of donkey; and Study of a man smoking a pipe Four, one signed All watercolours Largest 34.5 x 24cm; 13½ x 9½; smallest 15.5 x 19.5cm; 6 x 7¾in (4) two framed £300-500

102

104

103

103 BERNE

104 ENGLISH SCHOOL

Early 19th Century

Studies of soldiers; Sketches of figures and of soldiers

A morning ride - going from Teignmouth to Dawlish with provisions; The lady of the lake

Two, the first with 2 sketches inscribed and dated 1797 and 1811; The second, with 9 sketches, Inscribed twice on backing paper Berne June 1836 The first pen, ink and watercolour; the second some pencil, some chalk and some watercolour Each 41.5 x 23.5cm; 16 x 9¼in (2)

Two, each dated, titled, and the former further inscribed throughout Pen and watercolour on paper The first 55 x 18.3cm; 21¾ x 7¼in; the second 21 x 19.3cm; 8¼ x 7½in (2)

Provenance: The Estate of Professor Rodney Fitch CBE

£200-300

Provenance: The Estate of Professor Rodney Fitch CBE

£200-300

105 CHARLES A. MONTBARD LOYE, CALLED GEORGE MONTBARD 1841-1905

Battle scene of Turks fighting over a ruined building Signed Gouache 62 x 42cm; 24½ x 16½in Together with four pen and ink, one pencil drawing, fifteen small prints and two large prints The drawings mostly extensively inscribed in French, two signed, the prints mostly signed with a monogram Various sizes, all unframed, loose in folders (c.22) and with a copy of George Montbard’s book Among the Moors, Sketches of Oriental Life published in 1894 by Sampson Low, Marston and Company, London £200-300

105 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

106 ‡ MARY GEORGINA BARTON Irish 1861-1949

Bridge at Glengariff Signed and further inscribed and titled to backing board Watercolour and pencil 23.5 x 52.1cm; 9¼ x 20½in Provenance: The Fine Art Society, London £400-600

106

107 CONTINENTAL SCHOOL

108 WILLIAM CALLOW RWS

109 ENGLISH SCHOOL

110 CHARLES HARRINGTON

c.1800

1812-1908

c.1790

1865-1943

Travellers resting in an extensive landscape

Distant view of Wells

A view of Hampstead Heath

Coastal landscape

Signed Watercolour 25.5 x 35.5cm; 10 x 14in

Signed with initials M.N and inscribed to label verso Hampstead 1790 Watercolour 9.4 x 13.9cm; 3¾ x 5½in

Signed Pen, ink and wash on grey paper 18.3 x 27.8cm; 7¼ x 11in

Gouache 10.4 x 15.6cm; 4 x 6¼in £200-300

Provenance: The Manning Galleries Ltd., London, 1970

£200-300

£300-500

£200-300

107

109

Provenance: Walker’s Galleries, London, 1951; Lord Astor of Hever

108

110

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

111 ‡ JOHN HALEY

112 EDWARD HARGITT

1905-1991

Scottish 1835-1895

The Houses of Parliament from beyond Westminster Bridge

Haddon Hall

Signed Watercolour 36 x 52cm; 141/4 x 201/2in £200-300

Signed, dated 1855, and titled Watercolour heightened with white 22.7 x 34.1cm; 9 x 131/2in Provenance: Christie’s, January 1980 (according to inscription to backing board); The Estate of Professor Rodney Fitch CBE £200-300

111

112

113

114

113 EDGAR JOHN VARLEY

114 EDMUND FRANCIS LAW

1839-1888

1810-1882

Figures resting on a country road

The Parliament House Fire, October 16th 1834

Signed and inscribed to verso For Chas Skelton Smith Esq, Birdham, Sussex. Edgar John Varley, Chelsea S.W, London. a small Remembrance with the painter’s kindest regards (according to label) Watercolour heightened with white 8.8 x 12.5cm; 3½ x 5in

Signed and dated 1881 Watercolour 30.5 x 46cm; 12 x 18in With a print of The Parliament House, From Old Palace Yard and paper inscribed ‘See picture painted by Grandfather Law from sketches painted of the actual scene in Grandfather Mathews (born 1800) on the morning of the fire’, framed together (2)

£100-150

£300-400 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

116

115 MYLES BIRKET FOSTER RWS

116 MYLES BIRKET FOSTER RWS

1825-1899

Lake Maggiore with the Rocca d’Angera

Italian lake scene, with figures mending the nets

Signed with monogram Watercolour and pencil heightened with white 10.9 x 16.6cm; 4¼ x 6½in

Signed with monogram Watercolour and pencil heightened with white 10.9 x 16.5cm; 4¼ x 6½in

£2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

117 WILLIAM HUGGINS 1820-1884

Ducklings Signed and dated 1882 Charcoal, chalk and pencil 25.1 x 36cm; 10 x 14¼in £400-600

117

118 WILLIAM HUGGINS 1820-1884

Lion and lioness Signed and dated 1877 Chalk, wash and pencil 25.1 x 35.1cm; 10 x 13¾in Provenance: Oscar and Peter Johnson Ltd £600-800

118

119 WILLIAM HUGGINS 1820-1884

Lion cub Signed with initials Pencil 9 x 11.5cm; 3½ x 4½in Provenance: Oscar and Peter Johnson Ltd £150-250

119 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

120 HENRY GREAVES AND WALTER GREAVES 1850-1900; 1846-1930

The Old Swan, Chelsea Signed H & W Greaves and dated 1858 Pencil and grisaille watercolour 49.25 x 62.25cm; 19½ x 24½in £1,000-1,500

120

121 HENRY GREAVES AND WALTER GREAVES 1850-1900; 1846-1930

Thomas Carlyle near Chelsea Old Church Signed H & W Greaves and dated 1862 Pencil and grisaille watercolour 49.25 x 62.25cm; 19½ x 24½in The work depicts the corner of Danvers Street and Lombard Street from Duke Street in Chelsea. This area was partially demolished to make way for Chelsea Embankment. £1,000-1,500

121 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

122 CHARLES DE SOUSY RICKETTS RA 1866-1931

124 ‡ CONRAD HECTOR RAFFAELE CARELLI

A centaur and cherubs

Italian 1869-1956

Signed Ink, pencil and red chalk 26 x 17.2cm; 10¼ x 6¾in

Florence from the banks of the river Arno; A lake Scene; An extensive landscape

Provenance: Dominic Winter, Fine Art & Antiques, 16 July 2015, lot 251 £500-800

123 ‡ SIR FRANK BRANGWYN RA 1867-1956

The Procession, Furnes, 1910 Watercolour over black chalk 33 x 45.7cm; 13 x 18in Provenance: Abbey Antiques and Arts, St Albans, as Golgotha

Three, all signed All watercolour 16.25 x 34.5cm; 6½ x 13½in, 13.5 x 37cm; 15¼ x 14½in, 15.5 x 34.5cm; 6 x 13½in (3) £250-350

125 WILLIAM DEXTER 1818-1860

Still life with hare, pheasant and fish Signed and dated 1851 Watercolour 69.3 x 56.2cm; 27¼ x 22in £200-300

£150-250

122

123

124

126 JOHN SHERRIN 1819-1896

Still life of gooseberries, grapes and a cherry on a mossy bank Signed Watercolour with gouache 23 x 29.25cm; 9 x 11½in £200-300

125

126 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

128

127 HERCULES BRABAZON BRABAZON 1821-1906

Coastal landscape with figures and a building to foreground Signed with initials Pastel and graphite 17.5 x 24.6cm; 7 x 9¾in Unframed £250-350

128 HERCULES BRABAZON BRABAZON 1821-1906

A mountainous river landscape with a church Signed with initials Watercolour and pencil 16.2 x 25.1cm; 6½ x 10in Unframed £300-500

129

129 HERCULES BRABAZON BRABAZON 1821-1906

Landscape near Cairo Signed with initials and titled in pencil to mount Watercolour 13 x 19.8cm; 5 x 7¾in Unframed £300-500

130 HERCULES BRABAZON BRABAZON 1821-1906

Constantine, Algeria Signed with initials, and titled in pencil to mount Watercolour and pencil 12.6 x 20.6cm; 5 x 8in Unframed £250-350

130 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

131

132

131 HERCULES BRABAZON BRABAZON 1821-1906

View of Amsterdam, after Jan van der Heyden Titled in pencil to mount Pastel and pencil 13.8 x 21.1cm; 5½ x 8¼in Unframed £250-300

132 HERCULES BRABAZON BRABAZON 1821-1906

Lake Como, Italy Signed with initials, and titled in pencil to mount Pastel 11.6 x 19.2cm; 4½ x 7½in Unframed £250-300

133

133 HERCULES BRABAZON BRABAZON 1821-1906

Floral still life Signed with initials Watercolour 23.2 x 29.6cm; 9 x 11¾in Unframed £250-350

134 HERCULES BRABAZON BRABAZON 1821-1906

A view of Venice Signed with initials Chalk, gouache and pencil 14.8 x 22.4cm; 5¾ x 8¾in Unframed £220-300

134 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135 HERCULES BRABAZON BRABAZON

136 HERCULES BRABAZON BRABAZON

1821-1906

Continental steet scene after Giuseppe de Nittis

Seascape with sunrise

Signed twice with initials, and titled in pencil to mount Watercolour, gouache and pencil 25 x 17.5cm; 9¾ x 7in Unframed

Signed with initials Pastel and pencil 12.7 x 17.5cm; 5 x 7in Unframed £250-350

£220-300

136

135

137 HERCULES BRABAZON BRABAZON 1821-1906

Interpretation of David Cox Signed with initials Watercolour and pencil 21.8 x 29.7cm; 8½ x 11¾in Provenance: Fine Art Society, May 1961, no. 63/2 £400-600

137 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

138 HENRY MEYNELL RHEAM 1859-1920

Enid Signed and dated 1901 Watercolour 88 x 48cm; 34½ x 19in £3,000-5,000

139 FREDERICK STEAD 1863-1940

Children gathering mushrooms Signed Watercolour 25.9 x 28.5cm; 10¼ x 11¼in £400-600

140 EDITH MARTINEAU 1842-1909

Water lilies Signed and dated 1885 Watercolour heightened with white 36.7 x 53.4cm; 14¼ x 21in Provenance: The Parker Gallery, London £400-600

138

139

140 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

141

141 HENRY JUSTICE FORD

142 DAVID WOODLOCK

1860-1941

Irish 1842-1929

The Fairy Lough

Feeding time

Signed Watercolour with bodycolour 20 x 30cm; 7¾ x 11¾in

Signed Watercolour and pencil 34 x 24cm; 13½ x 9½in

Illustration for the Irish song The Fairy Lough by Moira O’Neill

£1,000-1,500

142 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

Oils 143 CIRCLE OF JACOB HUYSMANS Portrait of a lady Oil on canvas, oval 74 x 60.5cm; 29 x 23¾in together with an English school portrait of a 17th Century gentleman wearing a cuirass (2) £500-800

143

144

145

144 ENGLISH SCHOOL

145 AFTER SIR ROBERT STRANGE

Late 17th Century

Portrait of Prince Charles Edward Stuart, ‘Bonnie Prince Charlie’ (1720-1788)

Portrait of a cleric, possibly Rev James Jeffery Oil on canvas in a painted oval 74.5 x 62.5cm; 29¼ x 24¼in James Jeffrey was the brother of George, 1st Baron Jeffreys, notorious for his severity as a judge in the aftermath of the Monmouth Rebellion

Inscribed in a cartouche CAROLUS WALLIAE PRINCEPS 1737 Oil on canvas, in a painted oval 71 x 57.5cm; 28 x 22¾in £300-400

£600-800 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

146 THOMAS MURRAY 1663-1734

Portrait of Edward 8th Baron Dudley and 3rd Baron Ward (1683-1704), full length, wearing peers robes Oil on canvas 241 x 146cm; 95 x 57¾in Provenance: Sotheby’s, London, 16th, 17th, 18th & 19th Century British Paintings, 16 November 1983, lot 41; Sotheby’s, London, The British Sale, 1 July 2004, lot 114 £3,000-5,000

146 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

147

147 ATTRIBUTED TO SALVATOR ROSA Italian 1615-1673

Mediterranean harbour scene Oil on canvas laid down on board 116 x 175cm; 45¾ x 69in £5,000-8,000

148 ITALIAN SCHOOL 18th Century

Christ blessing the children Oil on canvas 33.4 x 41.6cm; 13¼ x 16¼in £400-600

148 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

149 GIOVANNI GHISOLFI Italian 1623-1683

The meeting of Alexander the Great and Thalestris Signed with monogram Oil on canvas 92 x 129.5cm; 36¼ x 51in In a 17th Century carved and gilt frame Literature: G. Sestieri, Capriccio architettonico in Italia nel XVII e XVIII (Rome, 2015), vol. II, p. 107, cat. no. 19, reproduced p. 106 £8,000-12,000

150 CIRCLE OF NICHOLAES BERCHEM Landscape with two milkmaids and their cattle Traces of a signature Oil on panel 47.5 x 63.3cm; 18¾ x 24¾in £600-800

150 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

151 SIR GODFREY KNELLER BT. 1646-1723

Portrait of Thomas Edwards (d.1681), personal servant to Samuel Pepys Oil on canvas, oval, in a carved wood frame 76 x 63cm; 30 x 25in Thomas Edwards was recruited from the Chapel Royal where he had been a chorister. It is reported that the Chapel Royal was assembled in 1660 by ‘Captain’ Henry Cooke, the ‘Master of the Children of the Chapel’. It is thought Thomas Edwards left the choir in mid 1664 when his voice changed. According to the label on the back of the painting, Mrs Pepys shared her husband’s love of music and engaged her maid because she was proficient on the harp and this maid then married Edwards. £3,000-5,000

151

152 SIR WILLIAM BEECHEY RA 1753-1839

Portrait of a gentleman in a short wig and white stock Oil on canvas 74 x 59cm; 29¼ x 23¼in Provenance: Ferargil Galleries, New York; Sold on behalf of the executors of Ruth Evelyn Forrest £2,000-3,000

152 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

153

153 JOHN SINGLETON COPLEY RA American 1738-1815

Portrait of a gentleman, traditionally identified as Dr. George Arnold Oil on canvas 76.2 x 63.2cm; 30 x 24½in Provenance: Ferargil Galleries, New York; Sold on behalf of the executors of Ruth Evelyn Forrest £7,000-10,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

154

154 ELIAS DOLLHOPF

155 FRENCH SCHOOL

German 1703-1773

Late 17th/early 18th Century

A family portrait

Portrait of a lady in the costume of Louis Marguerite of Lorraine (1588-1631)

Signed and dated 1763 (upper left) and further inscribed (upper right) Oil on canvas 92 x 178cm; 36¼ x 70in

Oil on canvas 63.9 x 52.2cm; 25¼ x 20½in

Provenance: The Estate of Professor Rodney Fitch CBE

The costume is based on a portrait of Louise Marguerite of Lorraine, Princess of Conti, several versions of which exist, including at the Musée Condé, Chantilly. £600-800

£4,000-6,000

156 FLEMISH SCHOOL 17th Century

St John the Evangelist on the island of Patmos Oil on copper 19 x 15cm; 7½ x 6in £400-600

155

156 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

157

157 NICHOLAES MAES Dutch 1634-1693

Portrait of a lady, traditionally identified as the artist’s mother Signed, dated 1664, and inscribed AET 69 Oil on panel 74 x 59cm; 29¼ x 23¼in £4,000-6,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

158 LIEVE PIETERSZ VERSCHUIER Dutch 1627-1686

Coastal landscape at fishermen preparing their nets Oil on canvas 61.5 x 76.2cm; 24¼ x 30in Provenance: Sotheby’s London, Old Master Paintings, 26 April 2001, lot 75 £2,000-3,000

158

159

160

159 JAN DUBBELS

160 AFTER MEINDERT HOBBEMA

Dutch fl.1705-1727

The Morning Gun Oil on canvas 21 x 30cm; 8 x 11¾in Provenance: Thomas Agnew & Sons, no 19207; Lord Astor of Hever £500-800

A wooded landscape Oil on panel 41.5 x 62.5cm; 16¼ x 24½in A copy of the work by Hobbema in the National Gallery London Inscribed on a label verso: The original of this picture is in the National Gallery and is by Meindert Hobbema (1638-1709) This copy is by a Dutch 17th Century artist and was so stated by Sir Alec Martin’s son of Messrs Christy on 21st September ‘49 at their London office £300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

161

161 CIRCLE OF GIOVANNI PAOLO PANINI Classical landscape with figures by a temple Oil on canvas 115.5 x 136.5cm; 45½ x 53¾in Provenance: The Estate of Professor Rodney Fitch CBE £3,000-5,000

162 HENDRICK KELLNER German act.1760-1780

Feast of the Gods Signed Grisaille, oil on canvas 26.5 x 36cm; 10½ x 14in Provenance: Christie’s London, 7th December 2005, lot 130 £600-800

162

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

163

163 DUTCH SCHOOL 18th Century

Elegant figures and horses in country house gardens with landscapes beyond A pair, both oil on canvas Each 65.5 x 89.5cm; 25½ x 35¼in (2) Provenance: By descent in the Broadmead family to the current owner. The two paintings were previously hung in Enmore Castle, Bridgwater, Somerset. Enmore Castle was owned by Harold Hamilton Broadmead JP and High Sheriff of Somerset, born 1889. It had been bought by Nicholas Broadmead in 1833. It was Listed Grade 2 and previously owned by John Perceval 3rd Earl of Egmont, and built by the Malet family. The Broadmeads were a Somerset armorial family whose family motto is Semper Fidelis, with a crest of argent, a stag lodged proper on a chief azure with 3 acorns slipped. Mary Hamilton Broadmead, Harold Hamilton Broadmead’s sister, married Lieut. Ralph Escott Hancock DSO of the Devon and Dorsets, killed in action at Festubert in October 1914 at the age of 26. Sir Patrick Francis Hancock GCMG was their only issue and died in 1980. Enmore has since been sold, and partially demolished, though it still stands as a private house. When Enmore was reduced in size by the Broadmeads, the oak panelling went to the Christian Science Library in Boston Massachusetts. £4,000-6,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

164

164 JAN MIENSE MOLENAER Dutch c.1610-1668

Laughing young man Oil on panel 19.1 x 17.6cm; 7½ x 7in Literature: Dennis.P. Weller, Jan Miense Molenaer: Painter of the Dutch Golden Age, exhibition catalogue, Raleigh, N.C. 2002, illustrated p.33, fig. 6 £6,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

165 JOHANN ERNST HEINSIUS German 1740-1812

167 CIRCLE OF SIR WILLIAM BEECHEY RA

Portrait of a Gentleman in a park with his dog beside him

Portrait of a lady in a white dress and yellow shawl

Signed Oil on canvas 65 x 54.5cm; 25½ x 21½in

Oil on canvas 76.5 x 63.6cm; 30 x 25in £600-800

£1,500-2,500

166 AFTER FRANCIS COTES RA Portrait of William Craven, 6th Baron Craven (1738-1791) Oil on canvas 23.8 x 29.7cm; 9 x 11¾in £400-600

168 DUTCH SCHOOL 17/18th Century

Still life of figs, lemons, oranges, peaches and grapes on a table with a tazza and other tableware Oil on canvas 70 x 57cm; 27½ x 22½in Provenance: Woolley & Wallis, Salisbury, 19 September 2012, lot 269; The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA £4,000-6,000

165

166

167

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

168

Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 152

169 FOLLOWER OF JAN DAVIDSZ DE HEEM Still life with a lemon, grapes, cherries and a roemer Bears a signature J. D. HEEM Oil on panel 41.1 x 35.4cm; 16¼ x 14in £600-800

169

170 CIRCLE OF OTTO MARSEUS VAN SCHRIECK Sottobosco with mouse, frog, lizard, snail, beetle and butterflies Oil on canvas 43 x 32cm; 17 x 12½in £800-1,200

170 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

171 AFTER FEDERICO ZUCCARO Portrait of Mary, Queen of Scots (1542-1587) Oil on canvas in a painted oval 76.5 x 63.5 cm; 30 x 25in Provenance: Henry Huth, Wykehurst Place, Bolney, Sussex; and by descent £1,500-2,500

171

172 MANNER OF FRANÇOIS CLOUET Portrait of Charles IX of France (1550-1574) Oil on canvas 75 x 55.5cm; 29½ x 21¾in Provenance: Henry Huth, Wykehurst Place, Bolney, Sussex; and by descent £1,500-2,500

172 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

173 FOLLOWER OF GIOVANNI BATTISTA SALVI, CALLED SASSOFERRATO Madonna at prayer Oil on canvas 51 x 40.5cm; 20 x 16in Provenance: Thomas Furnell; his sale, 20 March 1866, where purchased by Lord Stowick (all according to a label on the reverse) £2,000-3,000

173A AFTER CARLO DOLCI The Angel of the Annunciation Oil on canvas 66 x 53cm; 26 x 21in Unframed Based on the work by Dolci in the Palazzo Pitti, Florence £150-250

173B AFTER PAULUS MOREELSE A shepherdess Oil on canvas 76.3 x 63.5cm; 30 x 25in After the original in the Rijksmuseum (SK-A-276) £300-500

174 FLORENTINE SCHOOL 16th Century and later

Madonna and Child Oil on panel 18 x 12cm; 7 x 4¾in £200-400

173

173A

173B

174

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

175

175 ATTRIBUTED TO SIR PETER LELY Dutch 1618-1680

Portrait of a lady in a white dress and yellow shawl Oil on canvas 107cm x 87.5cm; 42¼ x 34½in Provenance: The Countess of Midleton, Eastwell Park Estate, Kent, thence by descent; Captain and Mrs Brodrick of Dunley Manor, Hampshire £7,000-9,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

176 CIRCLE OF JEAN-BAPTISTE MONNOYER Floral still life Oil on canvas 55.8 x 70cm; 22 x 27½in £1,000-1,500

176

177

178

179

177 MANNER OF HENDRICK TER BRUGGHEN

178 AFTER JACOPO NEGRETTI, PALMA IL GIOVANE

179 DUTCH SCHOOL

St Jerome in the wilderness

Portrait of a gentleman in a feathered cap

Oil on copper 17.6 x 13.6cm; 7 x 5in Unframed

Oil on panel 20 x 15.2cm; 7¾ x 6in

The laughing violinist Oil on canvas 73.4 x 62.6cm; 29 x 24¾in Provenance: In the family of the present owner for at least 200 years

17th Century

£200-300

£400-600 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

180

180 PIERRE NICOLAS HUILLIOT French 1674-1751

Still life with fruit, tazza and a porcelain bowl Oil on canvas 43.2 x 58.9cm; 17 x 23¼in £5,000-7,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

181

181 DIRCK DALENS I Dutch c.1600-1676

Landscape with bathers and cattle in a forest Oil on panel 38.8 x 59.4cm; 15¼ x 23½in

182 FOLLOWER OF JACOB VAN STRIJ

183 CIRCLE OF PHILIPS WOUWERMAN

Italianate landscape with figures by a lake

Rider halting at an inn

Oil on panel 31.2 x 45.2cm; 12¼ x 17¾in

Oil on panel 16.6 x 20cm; 6½ x 7¾in

£500-800

£300-500

Provenance: R.H.Ward, London, 1932; Bukowskis, 29 May 2007, lot 427/A £3,000-5,000

182

183 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

184

184 PETER MONAMY 1681-1749

Sailors disembarking from a man-of-war Oil on canvas 42.5 x 47cm; 16¾ x 18½in £8,000-10,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

185 ITALIAN SCHOOL 18th Century

A sleeping angel Oil on canvas in a carved giltwood frame 52 x 65cm; 21½ x 25½in £1,500-2,500

186 BISSON Mid 18th Century

Portrait of Mrs. Goodwin née Anne Muglesworth Signed and dated indistinctly Oil on canvas 76 x 63cm; 30 x 24¾in Provenance: The Phayre family of Belgaum, Woking; by descent; Woolley & Wallis, Salisbury, 19 March 2014, lot 199; The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA £700-1,200

185

186

187 NORTH ITALIAN SCHOOL 18th Century

Portrait of Giovanni Calza (b. 1743), wearing a green coat and floral waistcoat Inscribed ‘Gio Calza/Natto Del.1743’ Oil on canvas 80.5 x 65cm; 31¾ x 25½in £1,000-1,500

187 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

188 FOLLOWER OF JAN VAN HUYSUM Still life with fruit and flowers on a marble ledge Bears a signature Oil on canvas 92 x 72.2cm; 36¼ x 28½in £4,000-6,000

188

189 ATTRIBUTED TO SIMON VAN DER DOES Dutch c.1653-c.1718

Farm animals in a landscape with a young farm hand Oil on canvas 39 x 54cm; 15¼ x 21¼in Provenance: Woolley & Wallis, Salisbury, 24 September 2014, lot 412; The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA £500-800

189 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

190 CIRCLE OF WILLEM KALF Still life with lobster, bread, a blue and white porcelain cup, and a gilt and silver jug Oil on canvas 59.9 x 76.1cm; 23½ x 30in £1,000-2,000

191 AFTER ABRAHAM BLOEMAERT Adam and Eve working Oil on panel 32 x 23cm; 12½ x 9¼in The original by Bloemaert was engraved by Jan Pietersz Saenredam in 1604. £600-800

192 FLEMISH SCHOOL 16th Century

Peasants in an extensive hilly landscape Oil on panel 19.5 x 26.8cm; 7¾ x 10½in £800-1,200

190

191

192 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

193

194

193 AFTER BARTOLOME ESTEBAN MURILLO

194 FOLLOWER OF EUSTACHE LE SUEUR

The Immaculate Conception

The Crucifixion

Oil on canvas 41 x 28cm; 16 x 11in

Oil on canvas 90.5 x 73.5cm; 35½ x 28¾in

Similar to the original in the Detroit Institute of Arts, USA

£400-600

£2,000-2,500

195 CIRCLE OF PAOLO ANESI The Falls at Tivoli Oil on canvas 66 x 121cm; 26 x 47½in £2,000-3,000

195

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

Lots 196 to 208 From the private collection of a gentleman 196 ITALIAN SCHOOL 18th Century

Biblical scene, possibly Christ healing the crippled man Oil on canvas, in a carved wood frame 92 x 73.5cm; 36¼ x 29in £1,500-2,500

197 CHARLES SOUBRE Belgian 1821-1895

The Crucifixion Signed and dated 1867 Oil on canvas 74.5 x 64cm; 29¼ x 25¼in £300-500

198 ITALIAN SCHOOL 18/19th Century

A sculptor in his studio Oil on board 33.25 x 41.5cm; 13 x 16¼in £200-400

196

197

198 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

199

199 AFTER MAERTEN DE VOS AND AFTER JACOPO BASSANO The Annunciation; The Adoration of the Magi Two, both oil on canvas Each 39 x 33cm; 15¼ x 13in (2) £2,000-3,000

200 ATTRIBUTED TO BENJAMIN GERRITSZ. CUYP Dutch 1612-1652

The annunciation to the shepherds Oil on canvas 71.5 x 91.5cm; 28 x 36in £800-1,200

200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

201 FOLLOWER OF RICHARD WILSON The falls at Tivoli with an artist sketching in the foreground Oil on canvas, in a carved wood frame 71 x 91.5cm; 28 x 36in £800-1,200

201

202 ATTRIBUTED TO RICHARD WILSON 1714-1782

Classical landscape with figures sheltering under a tree, a city, possibly Rome, beyond Oil on canvas 64 x 77cm; 25¼ x 30¼in £800-1,200

202

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

203 FOLLOWER OF LUDOLF BAKHUYSEN A lady being ferried to a sailing ship in choppy waters Oil on canvas 64 x 77cm; 25¼ x 30¼in £800-1,200

204 LOUIS LEON NICOLAS VERREAUX French 19th Century

A fisherman holding his pipe in an interior; A woman knitting whilst seated on the shore A pair both signed and dated ‘61 and one inscribed BPM Mai 61 Both oil on canvas 46.5 x 38.5cm; 18¼ x 15¼in (2) £800-1,200

203

204 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

205

206

205 CONTINENTAL SCHOOL 19th Century

Lake scene at dusk with two fishermen bringing in their boat Oil on canvas, oval mount 47 x 47cm; 18½ x 18½in £400-600

206 CONTINENTAL SCHOOL 18th Century

207

The Exposition of Moses Oil on canvas laid on board 41 x 50cm; 16 x 19½in £300-500

207 ENGLISH SCHOOL 19th Century

View of Eton College and Chapel Oil on canvas 20 x 40.5cm; 8 x 16in £300-500

208 ENGLISH SCHOOL 19th Century

Cattle watering in a river landscape; Lake scene with a shrine A pair, both oil on board Each 15 x 20cm; 6 x 8in (2) £200-300

208 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

209 THOMAS BUTTERSWORTH c.1768-1842

British and Dutch ships off the coast Signed Oil on panel 14 x 20cm; 5½ x 8in £800-1,200

209

210

211

212

210 GIOVANNI CIAPPA

211 FRENCH SCHOOL

212 CIRCLE OF DANIEL GARDNER

Italian 18th Century

18th Century

Portrait of a bearded old man

Portrait of a lady

Portrait of a young lady, head and shoulders

Signed and further inscribed to verso Oil on canvas 64.1 x 49.8cm; 25¼ x 19½in Unframed

Oil on canvas 23 x 18cm; 9 x 7in, framed as an oval £300-500

£250-400

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

Oil on board, oval 20.3 x 16.1cm; 8 x 6¾in £150-250

213 CHARLES TOWNE 1763-1840

Landscape with drovers and their cattle Oil on canvas 28.6 x 37.4cm; 11¼ x 14¾in £1,000-1,500

213

214

215

214 ENGLISH SCHOOL

215 PAUL LECOMTE

19th Century

French 1842-1920

Drovers in a landscape

Village on the bank of a river

Oil on canvas 59 x 76.5cm; 23¼ x 30in

Signed Oil on board 24.6 x 33.5cm; 9¼ x 13¼in

Provenance: Rt. Hon. Charles Seale Hayne (1833-1903); his posthumous sale, Christie, Manson & Woods, 16 April 1904, lot 262, ‘Williamson, A landscape with cart, figures and sheep’ where purchased by Col. Barker (according to a label on the reverse); The estate of the late John F. Braund

£400-600

£500-700 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

216

216 JOHN JAMES WILSON

217 SAMUEL JOSEPH CLARK

1818-1875

1834-1912

Fishing trawlers off the coast

Farmyard scene with cows, pigs and chickens; Farmyard scene with horses, chickens and geese

Signed with initials and dated 1853 Oil on canvas 56 x 81.5cm; 22 x 32in Provenance: Thomas Agnew and Sons, Manchester; Burlington Paintings, London, 1998 £2,000-3,000

217 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

A pair, each signed Oil on canvas 50.1 x 76cm; 19¾ x 30in (2) Provenance: The estate of the late John F. Braund £1,000-1,500

218

219 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

220

218 THOMAS LUNY

219 FRANCIS SWAINE

220 DOMINIC SERRES RA

1759-1837

1725-1782

French 1722-1793

Ship at anchor in choppy water, with fishermen bringing in their nets

Reefed ship in high winds

English fleet in calm waters

Signed Oil on canvas 30.5 x 35.7cm; 12 x 14in

Signed and dated 1788 Oil on panel 33.7 x 49.3cm; 13½ x 19½in

Provenance: Crichel House, Dorset

£2,000-3,000

£8,000-12,000

Signed and indistinctly dated 182* Oil on canvas 85.6 x 130cm; 33¾ x 51¼in Provenance: Crichel House, Dorset £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

221

222

221 JAMES WARD RA

222 PHILIPPE JACQUES DE LOUTHERBOURG RA

1769-1859

French 1740-1812

Workhorse outside a stable

Shipwreck

Signed with monogram Oil on panel 32.9 x 43.8cm; 13 x 17¼in

Signed and dated 1775 Oil on canvas 30.4 x 40.2cm; 12 x 15¾in

Provenance: Oscar and Peter Johnson Ltd

Provenance: Sotheby’s, London, British Paintings and Watercolours, 14 December 1994, lot 41

£800-1,200

223 ATTRIBUTED TO GEORGE MORLAND 1763-1804

Eve in the Garden of Eden with the approaching serpent Signed with initials Oil on canvas 30.5 x 40.5cm; 12 x 16in £400-600

223

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

224 EDWIN COOPER 1785-1833

A grey cob with liveried groom, leading a bay hunter before a rubbing down house Signed and dated 1819 Oil on canvas 62.2 x 87.7cm; 24½ x 34½in Provenance: Possibly T. Saul Esq, 1819; Col Morris Exton, Walford Hall, Shrewsbury; with David Messum, Buckinghamshire, 1985 Literature: David Messum Autumn Catalogue 1985, p.5, illustrated Exhibited: Possibly, Norwich Society of Artists, 1819, no. 29, ‘Portrait of a Hunter and Pony’ £3,000-5,000

224

225

226

225 FOLLOWER OF JOHN NOST SARTORIUS

226 CIRCLE OF SAMUEL HENRY ALKEN

Hunting amongst the stooks

Young hunters

Oil on panel 40.5 x 51.4cm; 16 x 20¼in

Oil on canvas 46 x 61.2cm; 18 x 24in

£300-500

£500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

227 AFTER EDEN UPTON EDDIS 1812-1901

Portrait of Henry Lascelles, 2nd Earl of Harewood on Horseback, Harewood House in the distance Oil on canvas 64 x 76.5cm; 25¼ x 30in Provenance: Lady Dunbar; Morphet & Morphet, Harrogate, 18 November 1965, lot 383, where purchased by the present owner’s father; by descent After the original in the Harewood collection. Lord Harewood is depicted mounted on his hunter George, with his terrier Pepper nearby. £800-1,200

228 DUTCH SCHOOL 18th Century

Landscape with a cow drinking from a river; Landscape with a cow on a path

227

A pair, oil on copper 16.5 x 22.4cm; 6½ x 8¾ (2) £300-500

229 ANGLO-DUTCH SCHOOL 19th Century

View of a Dutch shipping village with figures in the foreground Oil on canvas 45.8 x 61cm; 18 x 24in £200-300

230 ENGLISH SCHOOL 19th Century

Coastal landscape with figures sorting the catch; Coastal landscape with fishing boats A pair, oil on panel 40.7 x 55.8cm; 16 x 22in (2)

228

£300-500

229

230 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

231 PHILIP REINAGLE RA 1749-1833

Portrait of a Percheron and his groom at the Simonds brewery, Reading Signed with initials and dated 1813 Oil on canvas 69.5 x 89cm; 27¼ x 35in Provenance: Simonds Brewery, later Courage Brewery, Reading; with Oscar and Peter Johnson Ltd, 1986; from whom purchased by the present private collector £5,000-8,000

231

232

233

232 JAMES POOLE

233 ATTRIBUTED TO GEORGE MORLAND

1804-1886

1763-1804

A view of Betws-y-Coed, North Wales

A donkey

Signed Oil on canvas 63 x 89.5cm; 24¾ x 35¼in

Oil on canvas 20.3 x 24.1cm; 8 x 9½in

Provenance: J.S. Maas & Co., London £600-800 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

Provenance: Christie, Manson & Woods, 1 December 1906, lot 111 £200-300

234 RUSSIAN SCHOOL c.1886

Icon of a saint by a monastery Inscribed in Cyrillic Oil on panel with silver border marked Moscow 1886 27.3 x 23.6cm; 10¾ x 9¾in £200-300

235 RUSSIAN SCHOOL c.1900

Icon of three saints beneath and the Virgin and child Inscribed in Cyrillic Oil on panel 31.5 x 24.5cm; 12½ x 9¾in £200-300

234

236 RUSSIAN SCHOOL c.1890

Icon of Virgin and Child Oil on panel with silver riza marked St. Petersburg 1890 8.5 x 7cm; 3¼ x 2¾in Together with two further icons (3) £150-250

237 ILLINGWORTH VARLEY 1862-1942

Feeding the goat in an orchard Signed verso Oil on canvas 141 x 48cm; 55½ x 19in Provenance: From the Estate of Lady Dodds

235

237

£300-500

236 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

238

238 AUGUST FINKE Austrian 19th Century

A view of Constantinople, with bathers by Leander’s Tower Signed Oil on canvas 73.5 x 100cm; 29 x 39½in £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

239 JOSEF THOMA Austrian 1828-1899

Mountain river landscape Signed and dated 1877 Oil on canvas 60.9 x 89.2cm; 24 x 35in £1,000-1,500

239

240 JOSEF THOMA Austrian 1828-1899

Mountain landscape with figures crossing a bridge Signed and dated 1871 Oil on canvas 60.7 x 89.7cm; 24 x 35¼in £1,200-1,800

240

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

241 WILFRID-CONSTANT BEAUQUESNE French 1840-1913

Siege of Paris Signed and embossed with cachet de vente Oil on panel 27 x 35cm; 10½ x 13¾in £4,000-6,000

241

242 HERMANUS KOEKKOEK THE ELDER Dutch 1815-1882

Landscape with travellers by an inn Signed Oil on panel 26.6 x 34.1cm; 10½ x 13½in £2,000-3,000

242

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

243

243 PAUL HUET French 1803-1869

River landscape with a rainbow Signed Oil on canvas 55.5 x 81cm; 21Âž x 32in Provenance: Lord Astor of Hever ÂŁ4,000-6,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

244

244 STUDIO OF GUSTAVE COURBET Chaumière dans le Jura Signed and dated 76 Oil on canvas 40.1 x 54cm; 15¾ x 21¼in Provenance: Christie's, 30 June 1980, lot 13, as Courbet; Lord Astor of Hever This painting dates from the last years of Courbet’s life, when he lived in self-imposed exile in Switzerland. Courbet had moved in order to avoid bankruptcy, after he was held responsible for the dismantling of Vendome Column during the Paris Commune, and was ordered to pay for the cost of restoration. His financial situation, combined with the continued demand for his work, meant that he often turned to members of his studio for assistance during this period. The present work was likely painted in collaboration with Cherubino Pata (1827-1884). £7,000-10,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

245

245 CHARLES LESLIE

246 HORATIO HENRY COULDERY

247 GEORGE ARMFIELD

1839-1886

1832-1918

1810-1893

Milkmaids and their flock in a rural landscape

Recumbent cat and dog

Terriers by a stream

Signed and dated 1858 Oil on canvas 61.8 x 102cm; 24¼ x 40¼in

Signed Oil on canvas 35.5 x 45.5cm; 14 x 18in

Oil on canvas 50.3 x 60.3cm; 19¾ x 23¾

£1,200-1,500

Provenance: The estate of the late John F. Braund £800-1,200

246

Provenance: The estate of the late John F. Braund £400-600

247 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

248 WILLIAM CALLOW RWS 1812-1908

The Grand Canal with Santa Maria della Salute, Venice Signed and dated 1897 Oil on canvas 57 x 85.5cm; 22½ x 33½in Provenance: Catalogue of a portion of the remaining works of William Callow, R.W.S., Messrs Christie, Manson & Woods, London, 21 March 1910, lot 70 £2,500-3,500

248

249 ITALIAN SCHOOL c.1900

Figures on the Amalfi coast Signed indistinctly Oil on canvas 52.5 x 79cm; 20½ x 31in £700-1,000

249

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

250

251

250 ALFRED SEIFERT

251 CIRCLE OF HENRY PICKERSGILL

Czechoslovakian 1850-1901

Portrait of lady in a white Regency bonnet and blue dress reading a book

Portrait of a young woman holding a rose Signed Oil on panel 34 x 28cm; 13½ x 11in

Oil on canvas with canvas stamp for Henry Matley (trading c.1792-1820) verso 76 x 64cm; 30 x 25in £100-150

£400-600

252 SIR GEORGE HOWLAND BEAUMONT 1753-1827

Farm buildings in a wooded landscape with a horse and carriage Signed Oil on canvas 64 x 88cm; 25 x 34½in With the book by Greaves, Margaret, Regency Patron, Sir George Beaumont, published by Methuen & Co, 1966 (2) £800-1,200

252 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

253

253 JOHN FREDERICK HERRING SR. 1795-1865

At the game dealer’s Signed and dated 1840 Oil on canvas 46.1 x 61.4cm; 18¼ x 24¼in Provenance: Christie’s, London, 26 April 1985, lot 16; Dickinson, London £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

254 ALFRED-CHARLES WEBER French 1862-1922

A little beggar Signed Oil on panel 25.4 x 20.7cm; 10 x 8¼in £600-800

255 ENGLISH SCHOOL c.1800 Portrait of a young lady being presented to a family Oil on canvas 76 x 86.5cm; 30 x 34in £600-800

256 JEAN-BAPTISTE MADOU Belgian 1796-1877

The cartographer and his wife Signed and dated 1868 Oil on panel 19.6 x 25.5cm; 7¾ x 10in £800-1,200

254

255

256

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

257

257 AFTER GUSTAVE DORE

258 CONTINENTAL SCHOOL

259 AFTER SIR SAMUEL LUKE FILDES RA

Auction at Hôtel Drouot, Paris

19th Century

Neptune in his chariot

Houseless and Hungry

Indistinctly signed and dated P.D**pur 1866 Oil on canvas 58 x 74cm; 22¾ x 29¼in

Oil on canvas 35.7 x 44.4cm; 14 x 17½in

Monogrammed and dated 1870 Oil on panel 20.4 x 27.8cm; 8 x 11in

£3,000-5,000

£100-200

£400-600

258 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

259

260 RICHARD BRYDGES BEECHEY 1808-1895

Alum Bay, Isle of Wight with the Needles Signed and dated 1891, also inscribed on a label verso Presented by Admiral Beechey to Rev. R. Hosgood on his leaving Ryde as a token of sincere regard from two of his congregation. Nov. 1893 Oil on canvas, in a nautical knotted-rope style frame 30.5 x 51cm; 12 x 20in Provenance: Woolley & Wallis, Salisbury, 13 June 2012, lot 309 £5,000-8,000

260

261 ALFRED STANNARD 1806-1889

Sea shore, morning Signed, dated indistinctly, also titled and numbered 3 on a label verso Oil on canvas 38 x 65cm; 15 x 25½in £800-1,200

262 ENGLISH SCHOOL 19th Century

Coastal landscapes A pair, oil on canvas 31 x 40.8cm; 12¼ x 16in (2)

261

£300-500

262 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

263 HERMAN FREDERICK CAREL TEN KATE Dutch 1822-1891

The music party Signed and dated 1884 Oil on panel 40 x 57cm; 16 x 22½in Provenance: Frost & Reed, No. 46741 £2,000-3,000

263

264 GEORGE FOX 1816-1910

The actor’s return Signed and dated 79 Oil on canvas 76 x 58.3cm; 30 x 23in Provenance: Sotheby’s, 22 May 1992; Phillips, London, Early British and Victorian Paintings, 8 February, lot 103 £2,000-3,000

264 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

100

265

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

266

265 ADDISON THOMAS MILLAR

266 ADDISON THOMAS MILLAR

American 1860-1913

A merchant of arms, Rue du Diable, Alger

An Oriental Shop

Signed and marked with the artist’s thumbprint, and titled, initialed and marked with thumbprint to verso Oil on canvas 72 x 57.2cm; 28¼ x 22½in

Signed and marked with the artist’s thumbprint, and dated 07, titled, initialed and marked with thumbprint to verso Oil on canvas 46 x 61.5cm; 18 x 24¼in

£5,000-7,000

£3,500-4,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

102

267

267 FRANCIS WILLIAM EDMONDS

268 ATTRIBUTED TO ARTHUR TREVOR HADDON

American 1806-1863

1864-1941

Self portrait surrounded by five oil sketches (recto); Four oil sketches (verso)

Middle Eastern landscape with seated arabs

Oil on board 30.5 x 22.7cm; 12 x 8¾in

£200-400

The central self portrait is surrounded by studies of the type of genre scenes that were typical of Edmonds’ work. The eye-patched figure (recto, upper right) and the related vignette (recto, lower right) are both studies for the Dallas Museum of Art’s Commodore Trunnion and Jack Hatchway (c. 1839, inv. no. 1991.11). Additionally the study of two figures (recto, upper left) can be linked to a page in a sketch book of the same period, in the Metropolitan Museum of Art (inv. no. 1987.196.3f) £1,000-1,500

Oil on canvas, unframed 44 x 67cm; 17½ x 26½in

269 JOHN T. FOURACRE fl.1896-1905

The Temple of Concordia, Agrigento, Sicily Signed Oil on canvas 58 x 98cm; 22¾ x 38½in £250-450

268

269 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

270

271

272

270 ARTHUR JOSEPH MEADOWS

271 FISHER

272 HERMAN JOHANNES VAN DER WEELE

1843-1907

Late 19th Century

Dutch 1852-1930

Traders and figures on the harbour, shipping and Venice beyond

Landscape with cattle grazing by a lake

Loading the timber wagon

Signed and dated 1888 Oil on canvas 41 x 61.5cm; 16¼ x 24¼in

Signed Oil on panel 23.8 x 35.8cm; 9¼ x 14in

£250-350

Provenance: The Fine Art Society, April 1964

Signed and dated ‘99, also signed, inscribed Venice and dated verso Oil on canvas 30 x 51cm; 11¾ x 20in Provenance: Sir James Reynolds Bt. (b.1930) £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

£200-300

104

273 AFTER MORITZ DANIEL OPPENHEIM A young woman offering an Oriental figure a glass of wine Oil on tin 23.8 x 19.1cm; 9¼ x 7½in £200-300

274 LUCY MARK 19th Century

A couple mending the nets, fisherman’s hut, Lowestoft Inscribed to label Oil on canvas 35.5 x 30.5cm; 14 x 12in £100-150

273

275 CIRCLE OF SIR THOMAS LAWRENCE

274

Portrait of a lady, half length, with a white bonnet and russet bow Oil on canvas 61 x 49cm; 24 x 19in Provenance: Private South West of England collection until purchased by private Scottish collection £300-500

276 WILLIAM EADIE Scottish 1846-1926

A lady gazing out of a window; a young man with a washing bowl A pair, both signed Both oil on board Each 45.5 x 30.5cm; 18 x 12in (2) Provenance: W.J. Cooper, St Ives £200-300

276

275

277 ENGLISH PRIMITIVE SCHOOL A spaniel in a landscape Oil on panel 19 x 21cm; 7½ x 8¼in Provenance: The Estate of Professor Rodney Fitch CBE £100-150

278 BRITISH SCHOOL 19th Century

Resting collie Signed with monogram and dated Sep / 81 Oil on canvas 22.8 x 33.1cm; 9 x 13in

277

278

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

279 ARTHUR JOSEPH MEADOWS 1843-1907

A view of Notre-Dame, Paris Signed and dated 1905 Oil on canvas 40.9 x 35.4cm; 16 x 14in £2,500-3,500

280 FOLLOWER OF JAMES BAKER PYNE A Mediterranean coastal landscape Bears a signature Oil on canvas 46 x 82cm; 18 x 32¼in £300-500

281 FRENCH SCHOOL 19th Century

Villefranche-sur-Mer; Beaulieu-sur-Mer Two, each inscribed with title Oil on board First 15.2 x 39.5cm; 6 x 15½in; second 16.5 x 43.4cm; 6½ x 17in (2) £300-500

279

280

281 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

106

282

283

282 ROBERT HERDMAN RSA

283 GEORGE AUGUSTUS HOLMES

Scottish 1829-1888

1829-1911

Portrait of Mrs Scott-Moncrieff

Staff of life

Signed with monogram and dated 80 Oil on canvas 132 x 107.5cm; 52 x 42¼in

Signed with initials Oil on canvas, painted and framed as a roundel 25.5 x 26cm; 10 x 10¼in

Provenance: The Estate of Professor Rodney Fitch CBE

Provenance: Sotheby’s, London, 16 April 1986, lot 212

£800-1,200

284

284 LUDWIG SCKELL German 1833-1912

Landscape near Bad Tölz, Upper Bavaria; Landscape near Schlehdorf, Bavaria with cattle watering Each signed A pair, oil on panel Each 20.8 x 27cm; 8¼ x 10¾in (2) £600-800 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

285

286

287

285 THOMAS BUSH HARDY

286 CIRCLE OF ARTHUR JOSEPH MEADOWS

1842-1897

Coastal landscape with figures on a pier

Coastal landscape with figures sorting the catch Signed and dated 1873 Oil on canvas 75.6 x 126.2cm; 29¾ x 49¾in Provenance: Oscar and Peter Johnson Ltd

Oil on canvas 50.5 x 72.1cm; 20 x 28½in Provenance: Sotheby’s, London, 7 April 1986, lot 134, as ‘Style of Edward William Cooke’; Peter Ward, Cirencester £300-400

£3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

287 FOLLOWER OF EDWARD WILLIAM COOKE Boats in choppy water Oil on canvas 47 x 66.6cm; 18½ x 26¼in £300-500

108

288

289 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109

290

288 SAMUEL BOUGH RSA

289 SAMUEL BOUGH RSA

290 SAMUEL BOUGH RSA

1822-1878

Hampton Court Castle, Herefordshire

A view of Tregoyd House, with a view of Twmpa or Lord Hereford’s Knob beyond

Yauwath mill, on the Lowther, Westmorland

Oil on canvas 41 x 58cm; 16¼ x 22¾in Provenance: The Honorable Mrs Talbot-Rice, daughter of the Viscount Hereford; by descent to the present owner £2,000-3,000

Signed with initials Oil on canvas 41.3 x 76.5cm; 16¼ x 30in Provenance: The Honorable Mrs Talbot-Rice, daughter of the Viscount Hereford; by descent to the present owner £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

Signed and dated 1844 Oil on canvas 63.5 x 76.5cm; 25 x 30in Provenance: The Honorable Mrs Talbot-Rice, daughter of the Viscount Hereford; by descent to the present owner £5,000-7,000

110

291 WILLIAM TRAIES 1789-1872

River landscape Signed and dated 1830 Oil on canvas 63 x 76cm; 24¾ x 30in Provenance: The Honorable Mrs Talbot-Rice, daughter of the Viscount Hereford; by descent to the present owner £1,500-2,500

291

292

293

292 ATTRIBUTED TO CHARLES LEICKERT

293 PIETER GERARDUS VAN OS

Belgian 1816-1907

Dutch 1776-1839

Skaters on a lake next to a windmill with a city beyond

Cattle and livestock by a country cottage

Signed Oil on canvas 34 x 48.5cm; 13¼ x 19¼in

Signed and dated 1829 Oil on canvas 53 x 65cm; 21 x 25½in

£600-900

Provenance: Leggatt Brothers part label verso; The Estate of Lady Dodds £1,200-1,500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

294

294 THOMAS SIDNEY COOPER CVO, RA

295 THOMAS SIDNEY COOPER CVO, RA

1803-1902

Sheep and cattle in a highland landscape

The lone mourner

Signed and dated 1864 Oil on canvas 81.2 x 106.8cm; 32 x 42in

Signed and dated 1880 Oil on panel 45.9 x 35.6cm; 18 x 14in

Literature: Kenneth J. Westwood, Thomas Sidney Cooper C.V.O., R.A., His Life and Work, 2011, cat. no. O.1860.12 (incorrectly dated 1860)

Provenance: E. Armitage Esq.; Thomas Agnew & Sons, Manchester; W.&A. Chapman Ltd., Taunton; B. Cohen & Sons

£5,000-8,000

Exhibited: Liverpool, Walker Art Gallery, Autumn Exhibition, 1880, no.591, as Found, but too Late Literature: Stephen Sartin, Thomas Sidney Cooper, 1976, no. 252, p.69, illustrated pl.35; Kenneth J. Westwood, Thomas Sidney Cooper C.V.O., R.A., His Life and Work, 2011, cat. no. O.1880.9 £1,000-1,500

295 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

112

296

296 EDWARD DUNCAN

297 DAVID JAMES

1803-1882

1853-1904

Off the coast at Dover, with Dover Castle in the distance

Seascape

Signed and dated 1834 Oil on canvas 34.3 x 49.3cm; 13½ x 19½

Signed and dated 82 Oil on canvas 45.9 x 76cm; 18 x 30in

Provenance: Lord Astor of Hever

£1,000-1,500

297 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

298

298 GEORGE BUNN fl.1887-1898

Papendrecht, Holland; Off to the fishing grounds A pair, both signed and dated ‘96, Papendrecht titled, the other with title to stretcher Both oil on canvas 80.5 x 58.5cm; 31¾ x 23in (2) Provenance: Vicars Brothers, London £800-1,200

299 THOMAS JAMES LLOYD 1849-1910

Shipping coming out of the mist Signed and dated 1871 Oil on canvas 35.5 x 61cm; 14 x 24in

299

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

114

300

300 ALBERT GOODWIN

301 GEORGE MORLAND

302 JOHN BERNEY LADBROOKE

303 OCTAVIUS CLARKE

1845-1932

1763-1804

1803-1879

1850-1921

Archbishop’s palace in Maidstone, with figures fishing by the weir

Traveller crossing a bridge on horseback

Landscape with figures watching their cattle

A wooded river landscape

Signed Oil on board 30 x 45cm; 12 x 17¾in

Signed Oil on canvas 35.9 x 30cm; 14¼ x 11¾in

Signed with monogram Oil on board 22.6 x 17.7cm; 9 x 7in

£2,000-3,000

£400-600

£300-500

301

302

Signed Oil on canvas 68 x 51cm; 26¾ x 20in £300-500

303

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

304

304 JOHN EMMS

305 SIMON SIMONSEN

306 GEORGE ARMFIELD

1843-1912

Danish 1841-1928

1808-1893

Tiger, a terrier

Afraid (‘Bange’), two Pointer puppies with a large Bassett puppy by a drinking bowl

Signed, titled Tiger and dated /98 Oil on canvas 46 x 63.5cm; 18 x 25in Provenance: Burlington Paintings, London, Ref. S2858 £4,000-6,000

Signed and dated 1917, also signed, titled in Danish and dated on the stretcher verso Oil on canvas 37 x 55cm; 14½ x 21½in Provenance: Burlington Paintings, London, Ref. S2928 £1,500-2,500

305 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

306

A pair of spaniels watching pheasants Signed Oil on canvas 51 x 76.5cm; 20 x 30in £500-800

116

307

307 THOMAS BAKER OF LEAMINGTON

308 GEORGE CHESTER

309 FOLLOWER OF HENRY PETHER

1809-1869

1813-1897

Barford, Warwickshire, looking towards Hampton Lucy

Cleaning up after a storm

Evening at a canal lock

Signed and dated 1856 Oil on canvas 46 x 61cm; 18 x 24in Provenance: Sold to Mr H. Wallis (Thomas Baker’s diaries); The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

Signed and dated 1858?, also signed, titled and numbered 2 on a label verso Oil on canvas 82 x 130cm; 32 x 51in

Oil on canvas 59.5 x 90.3cm; 23½ x 35½in £400-600

£400-600

£2,000-3,000

308

309 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

117

310

310 EDWARD LADELL 1821-1886

Still life with prawns, a lemon, plums and a wine glass on a shelf Signed with monogram Oil on canvas 30.8 x 25.6cm; 12 x 10in £5,000-7,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

118

311

312

313

314

315

316

311 ENGLISH SCHOOL

312 ENGLISH SCHOOL

19th Century

Children in front of a church

A view of Carburton Street, Fitzrovia

Inscribed Bonnington to verso Oil on board 17.9 x 14.8cm; 7 x 5¾in

Oil on panel 20.1 x 15.8cm; 8 x 6¼in

Oil on canvas 45.6 x 30.4cm; 18 x 12in Unframed

£300-500

£200-300

314 CHARLES WILLIAM BRAGG

315 MORITZ PLASCHKE

316 WILLIAM HARRIS WEATHERHEAD

fl.1855-1880

German 1817-1888

1843-1903

Country figures gathering water at a spring

Children gathering flowers

The Dairy Maid

Signed and dated 1858, also signed and inscribed indistinctly verso Oil on canvas 76 x 64cm; 30 x 25in

Signed and dated 1849 Oil on canvas 42.8 x 38.7cm; 16¾ x 15½in

Signed Oil on canvas 45.5 x 35.5cm; 18 x 14in

Provenance: The Estate of Professor Rodney Fitch CBE

Provenance: The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

£100-150

£400-600

313 CIRCLE OF JOHN ATKINSON GRIMSHAW Street nocturne

£100-150

£200-400

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

119

317

317 ALFRED DE BREANSKI, SEN.

318 HENRY JUTSUM

319 EDWARD JOHN NIEMANN

1852-1928

1816-1869

1813-1876

Shepperton on the Thames

Shepherds resting in a river landscape

Mayfield, East Sussex

Signed, and further signed and titled to verso Oil on canvas 61.3 x 92cm; 24¼ x 36¼in

Signed and dated 1846 Oil on canvas 50.7 x 71.9cm; 20 x 28¼in

Signed Oil on canvas 59 x 89½cm; 23 x 35¼in

£1,500-2,500

Provenance: The Swan Gallery, Sherborne

Provenance: The Estate of Lady Dodds

£600-800

£800-1,200

318

319

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

120

320

321

322

323

320 ‡ ANDREW BEER

321 ‡ ANDREW BEER

322 ‡ ANDREW BEER

323 ‡ EDWARD HENRY WINDRED

1862-1954

1875-1953

Red Prince

Lucy

Ma’s Pride

Live Wire

Signed and inscribed Red Cheq Cpck. N.U.R.P.26.E.4049. In 1926. flew Yeovil. Weymouth, Bournemouth & Guernsey Winning 1st Prize & RP. Special. Llantrisant & Dis H.S. Bred by owners, Stevens & Shakespeare. Oil on canvas 35.3 x 45.3cm; 14 x 17¾in

Signed and inscribed Blue Cheq Hen.N.U.H.P.20.B.N.Z.881. Won 1st Yeovil. Welsh National F.C. 35th H.P.National Weymouth 1920. In 1921 won 5th Guernsey & Rennes. 1922 9th Weymouth, 1st Rennes smash. P.S.R.F.C. 33rd Marennes Welsh National. 1923, 4th Weymouth. Rennes & Marennes. W.N. 1924., 5th Weymouth. 1st Marennes. Llantrissant S.R.H.S. 14th Welsh Hills Fed. 900 birds. Owner M. Edmunds. Oil on canvas 35 x 44.9cm; 13¾ x 17¾in

Signed and inscribed Blue Cheq. N.U.N.W.33.W.B.C.423. Winner of 2nd North Wirral Fed & 1st Wallasey Boro H.S. 2nd Dol. race. 344 miles. 340 birds competing. Owner R. Smythe. 1939. Oil on canvas 33.8 x 43.3cm; 13¼ x 17in

Signed and inscribed Messrs Carroll & Tyler’s “Live Wire” NURP 24 MU 229 - 1st Club. 1st Western Section East London Fed. 2nd Branston Y.B-Race Aug 31st 1924. Velocity 1,034-1,255 Birds Competing. Millwall.U.H.S. Oil on canvas 38.9 x 49cm; 15¼ x 19¼in

£800-1,200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

121

324

324 GEORGE VINCENT

325 GEORGINA LARA

326 ELLEN VERNON

1796-c.1836

act.1840-1880

19th Century

Coastal landscape with figures sorting the catch

A busy village scene

A farmer feeding the birds

Monogrammed and dated 1826 Oil on canvas 75 x 106.1cm; 29½ x 41¾in

Oil on canvas 23 x 33cm; 9 x 13in

Signed Oil on canvas 50.5 x 76.8cm; 19¾ x 30¼in

Provenance: Christie’s, London, 26 April 1985, lot 48; Oscar and Peter Johnson Ltd

Provenance: Woolley & Wallis, Salisbury, 19 March 2014, lot 228; The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA £300-500

£1,200-1,800

325 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

326

Provenance: The estate of the late John F. Braund £300-500

122

327

327 ARTHUR GORDON 1883-1944

Views of Henley and Hereford A pair, both signed and dated 1901 Both oil on canvas Each 30.5 x 40.5cm (2) £800-1,200

328 ATTRIBUTED TO JAMES BRIDGES Sunset over the Thames at Oxford, c.1840 Oil on canvas 49 x 66cm; 19 x 26in Provenance: Kensington Art Gallery, London; The Estate of Lady Dodds £300-500

328

329 ENGLISH SCHOOL c.1900

A river landscape Signed with initials Oil on canvas 40 x 76cm; 15¾ x 30in £200-300

329

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

123

330

330 JOHN FREDERICK HERRING JR.

331 PEPE

332 HERBERT WILLIAM WEEKES

1820-1907

Italian 19th Century

1841-1914

A busy farmyard scene

Farmer with a cow and donkeys

A stump orator

Signed Oil on canvas 41 x 61.2cm; 16¼ x 24in

Signed Oil on canvas 52 x 76.2cm; 20½ x 30in

Signed Oil on canvas 30 x 50.8cm; 12 x 20in

£4,000-6,000

£500-800

Provenance: Arthur Sutcliffe & Co; The estate of the late John F. Braund £1,200-1,800

331

332

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

124

333

333 GIROLAMO NERLI

334 FRENCH SCHOOL

335 EUGENIO SELVA

Italian 1860-1926

Late 19th/Early 20th Century

Italian Late 19th/Early 20th Century

View of the Serpentine, Hyde Park

River landscape

St Mark’s from Riva degli Schiavoni, Venice

Signed Oil on board 23.3 x 33.1cm; 9¼ x 13in

Signed indistinctly G Ma**ns Oil on panel 26 x 36cm; 10¼ x 14¼in

Signed and further titled and inscribed to verso Oil on panel 20.5 x 35.5cm; 8 x 14in

£3,000-5,000

£200-300

£100-200

334

335 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

336 LEGHE SUTHERS 1856-1924

Venetian gossips Signed Oil on canvas 100.5 x 71cm; 39½ x 28in £6,000-8,000

336

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

126

337

337 MARTINUS RORBYE

338 LUIGI BECHI

Danish 1803-1848

Italian 1830-1919

Two shepherd boys in the Roman Campagna

Deux Petits Ciociari

Dated 1835 and inscribed Roma Oil on paper laid on canvas 21.4 x 28.5cm; 8½ x 11¼in

Signed Oil on canvas 137 x 100.5cm; 54 x 39½in

Provenance: Martinus Rørbye estate sale, Copenhagen, 1849, lot 41; C. von Bornemann, 1905; Hans Tobiesen (1881-1953); his posthumous sale, Winkel et Magnussen, auction 388, 1954, no. 99

Provenance: Christie’s, Amsterdam, Old Masters and 19th Century Paintings, 7 May 2013, lot 229; Bonhams and Butterfields San Francisco, European Paintings, 21 October 2008, lot 95 £25,000-35,000

Literature: Martinus Rørbye 1803-1848, catalogue raisonné (Thorvaldsens Museum, Copenhagen, 1981), no. 97 The painting is a preparatory work for a version in the Scottish National Gallery (NG 2707). At the time of Rørbye’s estate sale the faces were unfinished, and these were later completed by Wilhelm Marstrand (1810-1873). £8,000-12,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

338 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 152

128

339 NOE BORDIGNON French 1841-1920

A young girl in a headscarf Signed Oil on panel 39 x 29cm; 15¼ x 11½in £800-1,200

340 FRITZ WAGNER German 1896-1939

In good company Signed and inscribed Mch Oil on canvas 66 x 81cm; 26 x 32in Provenance: Burlington Paintings, no. S4196 £1,000-1,500

341 LAURENCE J. COSSE 1784-1837

The Reading of the Will Oil on canvas 63 x 49cm; 24¾ x 19¼in Provenance: Sotheby’s, London, 28 February 1990, lot 274; The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA £1,000-1,500

339

340

341 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

129

342

342 SIR JOHN LAVERY RA, RSA, RHA Irish 1856-1941

Little Nell Signed, inscribed and dated To Pratt avec Beaucoup de love / John Lavery 85 (lower left) and titled (lower centre) Oil on canvas 35.5 x 45.7cm; 14 x 18in Provenance: Given by the artist to the painter William Pratt (1855-1936); by direct family descent to the present owner Exhibited: Edinburgh and London, Fine Art Society; Belfast, Ulster Museum; and Dublin, National Gallery of Ireland, Sir John Lavery RA, 1856-1941, 1984-5, no. 14 Literature: Kenneth McConkey, Sir John Lavery (Canongate Press, Edinburgh, 1993), p.39. The present work can be compared to Lavery’s Youth and age of the same year, in the collection of Stonyhurst College. £7,000-10,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

130

343

343 AUGUSTUS EDWIN MULREADY 1863-1899

At the corner of a London street Signed, dated 1896, and titled and further inscribed to verso Oil on board 25.2 x 20.6cm; 10 x 8in ÂŁ2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

131

344

344 CHARLES BURTON BARBER 1845-1894

Once bit twice shy Signed and dated 1885 Oil on canvas 46 x 36cm; 18 x 14in Provenance: H. & P. de Casseres, Harrogate £6,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

132

345 ‡ REUBEN HUNT 1879-1962

A boy riding a donkey watching the chickens Signed and dated 1919 Oil on canvas 40.1 x 56cm; 15¾ x 22in £800-1,200

345

346 EDWARD HOLMES 1841-1891

The resting place, New Forest, Hampshire Signed and further signed and titled verso Oil on canvas 51.4 x 76.8cm; 20¼ x 30¼in £700-1,000

346

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

133

347

347 WILLIAM HUGGINS 1820-1884

Farmyard fowl Signed and dated 1863 Oil on board 39.8 x 53.7cm; 15¾ x 21¼in Provenance: Oscar and Peter Johnson Ltd £2,000-3,000

348 WILLIAM HUGGINS 1820-1884

Still life with a jug of tulips Signed and dated 1870 Oil on board 44.5 x 29.4cm; 17½ x 11½in Provenance: Oscar and Peter Johnson Ltd Exhibited: The menagerie of William Huggins 1820-1884, Williamson Art Gallery and Museum, Birkenhead, and Oscar and Peter Johnson Ltd., London, 1984, no. 30 £1,000-1,500

348

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

134

349

349 â&#x20AC;Ą ANTOINE BOUVARD French 1870-1955

Gondolas and yachts on a sunny Venetian canal Signed Oil on canvas 50 x 66cm; 20 x 26in ÂŁ3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135

350

350 ‡ ANTOINE BOUVARD French 1870-1955

Gondolas on a canal, Venice Signed Oil on canvas 50 x 65cm; 19½ x 25½in Provenance: Bonhams, London, 18 March 2003, lot 131; The Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

136

351 ALFRED CHARLES HAVELL 1855-1928

If she will not when she may Signed Oil on panel 17.2 x 25.1cm; 6¾ x 10in £700-1,000

351

352 ‡ ANTOINE BOUVARD

353 ‡ PHILIP COLLINGWOOD PRIESTLEY

French 1870-1955

1901-1972

View of a Venetian Canal

Sir Stanley Spencer RA painting in the Churchyard at Cookham

Signed with the pseudonym Marc Aldine Oil on canvas 19.2 x 24.1cm; 7½ x 9½in

Signed Oil on canvas 71 x 90cm; 28 x 35½in

£500-800

£800-1,200

352

353 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

137

354 KEELEY HALSWELLE 1832-1891

On the Thames at Abingdon Signed and dated 1882 Oil on canvas 37 x 63cm; 14½ x 24¾in Provenance: David Lay F.R.I.C.S., Penzance, Fine Art Sale, 25 October 2018, lot 638 £1,500-2,500

354

355 ATTRIBUTED TO HERBERT WILLIAM WEEKES

356 GEORGE HENRY JENKINS

357 JOSEPH THORS

1843-1914

1841-1914

Two figures in a rural landscape

Oil on canvas 35.6 x 51cm; 14 x 20in

Moorland landscape with sheep; Moorland landscape with calm stream

Provenance: The estate of the late John F. Braund £500-700

Two, each signed Oil on canvas 30.7 x 46cm; 12 x 18in; 25.6 x 45.7cm; 10 x 18in (2)

A boundary dispute

£150-250

Dutch 1835-1920

Oil on panel 13.5 x 17.1cm; 5¼ x 6¾in Provenance: The Swan Gallery, Sherborne £200-300

355

356 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

357

138

358

358 ALFRED ARTHUR BRUNEL DE NEUVILLE

359 ‡ ALFRED GRENFELL HAIGH

360 ALFRED WHEELER

French 1851-1941

1870-1963

1851-1932

Still life with peaches, grapes, plums, lemons and a brass pot on a ledge

Study of a mare, 'Ruby'

Black labrador

Signed Oil on canvas 64.9 x 92cm; 25½ x 36¼in

Signed, dated 1923, titled and with dedication label to verso Oil on canvas 31.6 x 41.7cm; 12½ x 16½in

Signed and dated 1880 Oil on board 54.3 x 46.7cm; 21¼ x 18½in

£1,000-1,500

£400-600

359

£400-600

360 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

139

361 GEORGE A. BOYLE 1826-1899

Landscape with cattle by a pond Signed and dated 1897 Oil on canvas 43.4 x 54.5cm; 17 x 21½in £250-350

362 ‡ FRANK HENRY MASON 1875-1965

Sailing past the Warner lightship, Southampton; Through Hurst Point, the Solent Two, each signed Each oil on board 39.1 x 26.4cm; 15½ x 10½in; 41.8 x 29.6cm; 16½ x 11¾in (2) £700-1,000

363 LOUIS FRANK Australian fl. 1879-1900

361

View of Mount Imlay, from Cattle Bay, Eden, New South Wales Oil on board Signed 18.7 x 43.8cm; 7¼ x 17¼in £150-200

364 GEORGE WILLIAM HORLOR 1823-1895

Fisherman by a cottage in a river landscape Signed Oil on canvas 76 x 127cm; 30 x 50in £300-500

362

363 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 152

364

140

365 VINCENT CLARE 1855-1930

Still life with bird’s nest and flowers Signed and further signed and numbered to verso Oil on canvas 25.6 x 20.4cm; 10 x 8in £300-500

365

366 GEORGE CLARE 1835-1890

Still life with bird’s nest and flowers Signed Oil on canvas 20.3 x 25.4cm; 8 x 10in Unframed £200-300

367 DUTCH SCHOOL 19th Century

Still life with a vase of flowers on a ledge 366

367

Oil on canvas 60 x 51cm; 23½ x 20in £100-200

368 JAMES CHARLES WARD act.1830-1875

Still life with grapes, peaches and raspberries; Still life with grapes and one peach A pair, both signed and one dated 1843 Both oil on canvas 31 x 40cm; 12¼ x 15¾in (2)

368

£300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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INDEX OF ARTISTS A

Chinese School

38, 40

Flemish School

156, 192

Aldridge, Frederick James

101

Ciappa, Giovanni

210

Florentine 174

Alken, Circle of Samuel Henry

226

Clare, George

366

Ford, Henry Justice

Clare, Vincent

365

Forster, Anne

Allom, Thomas Anesi, Circle of Paolo

195

Clark, Samuel Joseph

217

Foster, Myles Birket

Anglo-Dutch School

229

Clarke, Octavius

303

Fouracre, John T.

Anglo-Indian School

Clouet, Manner of Francois

172

Fox, George

Armfield, George

247, 306

Autissier, Louis-Marie

Collins, William Wiehe

Continental School

107, 205, 206, 258

Cooke, Follower of Edward William

B Baker of Leamington, Thomas

307

Bakhuysen, Follower of Ludolf

203

Bale, Edwin

Bamflyde, Attrib. to Copplestone Warre

Barber, Charles Burton

344

Barton, Mary Georgina

106

Bassano, After Maerten de Vos and After Jacopo 199 Batchelder, Stephen John

Cooper, Edwin

294. 295

Copley, John Singleton

153

Cort, Hendrik Frans de

48, 49

Frank, Louis

363

French School

50, 155, 211, 281, 334

G Gardner, Circle of Daniel

212

German School

Ghisolfi, Giovanni

149

Cotes, After Francis

166

Giovane, After Jacopo Negretti, Palma il

178

Couldery, Horatio Henry

246

Glover, John

Courbet, Studio of Gustave

244

Goodwin, Albert

300

Gordon, Arthur

327

Cox, David, Jr.

81, 83

241

Bechi, Luigi

338

Beechey, Circle of Sir William

167

Beechey, Richard Brydges

260

Dalens, Dirck, I

Beechey, Sir William

152

Daniell, After Thomas

150

264

Frame

341

Beauquesne, Wilfrid-Constant

Berchem, Circle of Nicholaes

269

Cosse, Laurence J.

252

320, 321, 322

37 115, 116

224

Cooper, Thomas Sidney

Beaumont, Sir George Howland

Beer, Andrew

287

141

Cristall, Joshua

Cuyp, Attrib. to Benjamin Gerritsz

200

Gossaert, Manner of Jan

Gould, John

Greaves, Henry and walter 181 21

Daniell, Attrib. to Thomas

19, 20

120, 121

Grimm, Samuel Hieronymus Grimshaw, Circle of John Atkinson

64, 65 313

Daniell, Thomas and William

Haddon, Attrib. to Arthur Trevor

268

Berne 103

Davie, G.S.

Haigh, Alfred Grenfell

359

Bisson 186

Dayes, Attrib. to Edward

Haley, John

111

Bloemaert, After Abraham

191

Dexter, William

125

Halswelle, Keeley

Bordignon, Noe

339

Does, Attrib. to Simon van der

189

Hardy, Thomas Bush

Bough, Samuel

288, 289, 290

Dolci, After Carlo

Bouvard, Antoine

349, 350, 352

Dollhopf, Elias

154

Boyle, George A.

361

Hargitt, Edward

112

Dore, After Gustave

257

Harrington, Charles

110

Dubbels, Jan

159

Brabazon, Hercules Brabazon 127, 128, 129, 130,

Havell, Alfred Charles

351

Duncan, Edward

296

Havell, Robert

Dutch School

Boys, Thomas Shotter

131, 132, 133, 134, 135, 136, 137

173A

1, 74, 163, 168, 179, 228, 367

Bragg, Charles William

314

Brangwyn, Sir Frank

123

Breanski, Alfred de, Sr.

317

Eadie, William

276

Bridges, Attrib. to James

328

Eddis, After Eden Upton

227

British School Brugghen, Manner of Hendrick Ter Buck, Samuel and Nathaniel

26, 71, 80, 278 177 47

Eden, Emily

Edmons, Francis William

267

Emms, John

304

Bunn, George

298

English Primitive School

Buttersworth, Thomas

209

English School

C Cades, Attrib. to Giuseppe Callow, William Carelli, Conrad Hector Raffaele Carraci, After Annibale Chester, George

277 4, 5, 6, 8, 9, 10, 46, 51,

66, 70, 104, 109, 144, 207, 208,

214, 230, 255, 262, 311, 312, 329

57 108, 248 91, 124 58 308

354 98, 285

Hare, Augustus John Cuthbert

Heem, Follower of Jan Davidsz de

169

Heinsius, Johann Ernst

165

Herdman, Robert

282

Herring, John Frederick, Jr.

330

Herring, John Frederick, Sr.

253

Hobbema, After Meindert

160

Hodges, William

Holmes, Edward

346

Holmes, George Augustus

283

Horlor, George William

364

Huet, Paul Huggins, William

243 117, 118, 119, 347, 348

Huilliot, Pierre Nicolas

180

Fildes, After Sir Samuel Luke

259

Hunt, Reuben

345

Finke, August

238

Huysmans, Circle of Jacob

143

Huysum, Follower of Jan Van

188

Fischer 271

142

INDEX OF ARTISTS I Ince, Joseph Murray

Morland, George

301

Soubre, Charles

Mulready, Augustus Edwin

343

Specchi, Alessandro

Indian School

11, 12, 14, 15, 16, 17,

Murillo, After Bartolome Esteban

29, 30, 35, 36, 33A, 39

Murray, Thomas

Italian School

196, 198, 148, 185, 249

93, 193 146

N Nash, Joseph

84 88

James, David

297

Neapolitan School

Jenkins, George Henry

356

Nerli, Girolamo

333

Jutsum, Henry

318

Neuville, Alfred Arthur Brunel de

358

Niemann, Edward John

319

Northern Italian School

187

K Kalf, Curcle of Willem

190

Kate, Herman Frederick Carel Ten

263

Spiers, Richard Phene

197 44 24

Stannard, Alfred

261

Stead, Frederick

139

Strange, After Sir Robert

145

Strij, Follower of Jacob van

182

Sueur, Follower of Le

194

Suthers, Leghe

336

Swaine, Francis

219

Tate, William

52 239, 240

Kerr, Henry Wright

102

Oppenheim, After Moritz Daniel

273

Thoma, Josef

Kneller, Hendrick

162

Os, Pieter Gerardus van

293

Thors, Joseph

357

Towne, Charles

213

Traies, William

291

Kneller, Sir Godfrey Koekkoek the Elder, Hermanus

151 242

P Panini, Circle of Giovanni Paolo

161

Payne, Charles Johnson (Snaffles)

Ladbrooke, John Berney

302

Payne, William

Ladell, Edward

310

Pepe 331

Varley, Edgar John

113

Lara, Georgina

325

Persian School

Varley, Illingworth

237

Lavery, Sir John

342

Pether, Follower of Henry

309

Venetian School

Law, Edmund Francis

114

Pickersgill, Circle of Henry

251

Vernon, Ellen

Lawrence, Circle of Sir Thomas

275

Plaschke, Moritz

315

Veronese, After Paolo Caliari, called Paolo

Lecomte, Paul

215

Poole, James

232

Verreaux, Louis Leon Nicolas

204

Leickert, Attrib. to Charles

292

Posillipo, School of

Lely, Attrib. to Sir Peter

175

Verschuier, Lieve Pietersz

158

Priestley, Philip Collingwood

Leslie, Charles

245

Vincent, George

324

Prosser, George Frederick

Leyden, After Lucas van

76, 77, 78 13

85, 86, 87 353 96

Pyne, Follower of James Baker

299

Loutherbourg, Philippe Jacques de

222

Loye, Charles A. Montbard

105

Reinagle, Philip

231

Luny, Thomas

218

Rheam, Henry Meynell

138

Ricketts, Charles de Sousy

122

Rosa, Attrib. to Salvator

147 337

Millar, Addison Thomas Mitchell, William Frederick

316

100

Weber, Alfred-Charles

254

274

Weekes, Attrib.to Herbert William

355

140

Salt, After Henry

Weekes, Herbert William

332

362

Sartorius, Follower of John Nost

Russian School

Metz, Conrad Martin

Walmsley, Thomas

368

157

Mecham, Clifford Henry

340

Walker, Edmund

Weatherhead, William Harris

Maes, Nicholaes

Meadows, Circle of Arthur Joseph

Wagner, Fritz

221

Rorbye, Martinus

Meadows, Arthur Joseph

Ward, James Charles

256

Mason, Frank Henry

Madou, Jean-Baptiste

Martineau, Edith

59 326

Ward, James

Mark, Lucy

Vos, After Maerten de

280

Lloyd, Thomas James

Mainelle, Raffaele

Varley, Attrib. to John

234, 235, 236

Weele, Herman Johannes van der

272

Sassoferrato, Follower of Giovanni Battista Salvi,

Wheeler, Alfred

360

Called 173

Williams, Hugh Grecian

Schrieck, Circle of Otto Marseus van

170

Wilson, Attrib. to Richard

202

Sckell, Ludwig

284

Wilson, Follower of Richard

201

265, 266

Scouler, James

2, 3

Wilson, John James

216

270, 279 286

Sedcole, Herbert

225

Windred, Edward Henry

323

Molenaer, Jan Miense

164

Seifert, Alfred

250

Woodlock, David

142

Monamy, Peter

184

Selva, Eugenio

335

Wouwerman, Circle of Philips

183

Monnoyer, Circle of Jean-Baptiste

176

Serres, Dominic

220

Wright of Liverpool, After Richard

Sherrin, John

126

Simonsen, Simon

305

Monro, Dr. Thomas Moreelse, After Paulus Morland, Attrib. to George

67 173B 223, 233

Soltau, Otto

Z Zuccaro, After Federico

171

The Warner Collection of British Delftware Tuesday 17th September

A Brislington delftware blue dash tulip charger, c.1680 Provenance Sir Frederick Warner Francis H Garner (sold at Sotheby’s, 14 June 1966) Estimate £1,500 - £2,000* ENQUIRIES Clare Durham | +44 (0) 1722 424507 | cd@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

144

Tribal Art & Antiquities Wednesday 18th & Thursday 19th September

Johny Rarriga Gunwinggu Tribe, Australia Eucalyptus bark with natural pigment 128cm x 65cm Estimate ÂŁ800 - ÂŁ1,200* ENQUIRIES Will Hobbs | Tel: +44 (0) 1722 339752 | wh@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Furniture, Works of Art & Clocks Wednesday 2nd October

A late 19th century French brass and porcelain mounted carriage clock Estimate ÂŁ800 - ÂŁ1,200*

ENQUIRIES Mark Yuan-Richards | Tel: +44 (0) 1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Fine Chinese Paintings & Works of Art Tuesday 12th & Wednesday 13th November

Zhang Daqian (1899-1983) Scholar and Bamboo Estimate ÂŁ2,000 - ÂŁ3,000*

ENQUIRIES Freya Yuan-Richards | Tel +44 (0) 1722424589 | fyr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Modern British & 20th Century Art Wednesday 11th December

Dame Laura Knight RA (1877-1970) Mascots and Make up Estimate ÂŁ400 - ÂŁ600*

ENQUIRIES Victor Fauvelle | Tel: +44 (0) 1722 446961 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

148

Auction Information OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm and 10am – 1pm on Saturdays Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk Kimdan Ltd 07973 389436 andy@kimdan.co.uk Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

149

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect, American Express, Union Pay

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

150

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

151 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

152 10. COMMISSION BIDS

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

Glossary

(a)

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

BOOK AUCTIONS

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Lots marked with a ‡ symbol are potentially subject to the levy.

153

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: •

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

•

From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of governmentissued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/ dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information. We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers. In this respect we will provide your data to the following: • our professional advisors; • thesaleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider. LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

154 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market. YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

155

LW AY W ES T IL

WILTON & WARMINSTER

CENTRAL CAR PARK

SALISBURY WE S OUT H

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

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Valuations

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

WINCH ESTER ST

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

NEW ST RE

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SOUTHAMPTON CATHEDRAL

Woolley & Wallis Salerooms

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Woolley and Wallis valuations are accepted by all leading insurance companies. PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof. We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500. DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Kia Motors

Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Old Sarum Park

Westover Garage

Sarum Business Park

Woolley & Wallis Woolley & Wallis

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MARLBOROUGH & SWINDON

A345 Castle Rd

SALISBURY A36

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Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.2998482 VAT No: 631 9832 29

Design & Production by

EXCELLENCE IN DESIGN & PRINT

156

Absentee Bid Form Old Masters, British & European Paintings Wednesday 4 September 2019 PW040919

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) �� Address �� _________________________ Postcode �� Daytime Telephone �� Email �� All accounts must be settled within 21 days. ID is required for all first time bidders. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

AUCTION CALENDAR SEPTEMBER 4th

ld Masters, British O & European Paintings

FREE VALUATION MORNINGS First Friday of every month 10am-1pm. No appointment necessary.

17th The Warner Collection of British Delftware 18th & 19th

Tribal Art & Antiquities

Next Valuation Dates: 6th September, 4th October & 1st November

OCTOBER 2nd

Furniture, Works of Art & Clocks

15th

English & European Ceramics

& Glass 16th

Design

29th & 30th

Fine Silver & Objects of Vertu

31st

Fine Jewellery

NOVEMBER 12th & 13th Asian Art, Fine Chinese Paintings & Japanese Works of Art 20th

Medals & Coins, Arms & Armour

27th

British Art Pottery

DECEMBER 11th

Modern British & 20th Century Art

Dates may be subject to change

+44 (0) 1722 424500

enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

Edward Pritchett (1808-1894) The Doge’s Palace from the Dogana, Venice

*Price includes buyer’s premium

Sold for £10,000*