Woolley & Wallis Modern British & 20th Century Art by Park Communications

WOOLLEY & WALLIS

www.woolleyandwallis.co.uk

WOOLLEY & WALLIS SALISBURY SALEROOMS

MODERN BRITISH & 20TH CENTURY ART Tuesday 4th December 2018

MODERN BRITISH & 20TH CENTURY ART TUESDAY 4TH DECEMBER 2018

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees

424505 446955 424506 +44 (0)7812 601098 424571

CHINESE PAINTINGS Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JAPANESE ART Alex Aguilar Doméracki

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Madeleine White

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Ilona Pichler Sally Trench

446960 446959

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Pauline Jones Sharon Ringwood Nicola Young Ruth Pike SALEROOM MANAGER David Jordan

424500

CASTLE GATE RECEPTION Megan Corbett

20TH CENTURY DESIGN 12th December 2018 – British Art Pottery 20th March 2019 – Clarice Cliff, Art Deco & Design Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk

JEWELLERY 24th January 2019 – Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

MEDALS & COINS, ARMS & ARMOUR 21st November 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

SILVER 22nd & 23rd January 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 13th & 14th November 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 • fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk

FURNITURE, WORKS OF ART & CLOCKS 9th January 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk

CASTLE GATE MANAGER Matt Hill

Natalie Milsted FCCA Finance Director

PAINTINGS 4th December 2018 – Modern British & 20th Century Art 6th March 2019 – Old Masters, British & European Paintings Victor Fauvelle +44 (0) 1722 446961 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 446962 • jb@woolleyandwallis.co.uk Madeleine White +44 (0) 1722 446970 • mwh@woolleyandwallis.co.uk

424599

ENGLISH & EUROPEAN CERAMICS & GLASS 19th February 2019 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th February 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTURY ART Tuesday 4th December 2018 at 10am VIEWING TIMES Friday 30th November Saturday 1st December Monday 3rd December Tuesday 4th December

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details GLOSSARY OF TERMS

Victor Fauvelle Tel: 01722 446961 vf@woolleyandwallis.co.uk

Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

NB. THE PICTURE DEPARTMENT HAS MOVED TO CASTLE GATE Jo Butler Tel: 01722 446962 jb@woolleyandwallis.co.uk

Madeleine White Tel: 01722 446970 mwh@woolleyandwallis.co.uk

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Castle Gate on 5th, 6th and 7th December - collection of lots on these days and Saturday 8th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 10th December collection will be from the Picture department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. Payment is still made at Castle Street. If making payment at Castle Gate, cash cannot be accepted. Collection of sold and unsold lots must be within 21 days of the sale - failure to collect within this time may result in storage fees BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT.

ILLUSTRATIONS TELEPHONE BIDDING

Front cover: Lot 37 (detail) Back cover: Lot 80 (detail) Overleaf: Lot 170 (detail)

Please note that requests for telephone bids cannot be accepted after 5pm on 4th December.

Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post) Member of The Society

of Fine Art Auctioneers

www.thesaleroom.com

Please note there is a 3% plus VAT surcharge for using this service

Lots 1 to 30 The Property of a Gentleman

1‡ NORMAN WILKINSON CBE, RI 1878-1971

Rochester Signed Watercolour lightly squared for transfer 24 x 35.5cm Provenance: Royal Institute of Painters in Watercolours, 1965, No. 6 £800-1,200

2‡ LEONARD RICHMOND 1889-1965

Fishing boats at low tide, St Ives Signed Oil on canvas 50.5 x 60cm £600-800

2 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

3‡ RICHARD PIKESLEY RWS, NEAC

5 ROBERT A. WADE

b.1951

Prague

Under the orange trees, Seville

Signed, titled and dated 94 Watercolour 36 x 54cm See lot 16 by the same hand

Signed Oil on canvas 51 x 61cm Provenance: Alresford Gallery, Alresford See lots 123 and 488 by the same hand £400-600

Australian b.1930

£250-350

6‡ IAN HOUSTON b.1934

4‡ RICHARD PIKESLEY RWS, NEAC b.1951

Golden Cap Signed Oil on canvas laid on board 18 x 20cm

Evening sunlight, Port-en-Bessin, 1972 Signed Oil on board 23 x 28cm Provenance: Artist’s label verso £300-500

£100-150

6 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

7‡ FRED CUMING RA

9‡ DERYCK FOSTER

b.1930

West Solent

Camber Sands, East Sussex

Signed Oil on canvas laid on board 27 x 50.5cm

Signed Oil on board 26 x 61cm

1924-2011

£400-600

£2,000-3,000

8‡ ROLAND LANGMAID RA 1897-1956

J Class racing off Ryde, Isle of Wight Signed Watercolour 8.5 x 32cm

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

10 ‡ BOB BROWN NEAC

11 ‡ CHRIS CAMPBELL CLAUSE

12 ‡ EDMUND BLAMPIED

13 ‡ ALISON GUEST

b.1936

20th Century

1886-1966

b.1951

Remarkable tree, Australia

Landscapes in Africa

Signed Oil on canvas board 23 x 26.5cm

Two, both signed and dated ‘86 & ‘90 Both watercolour 14.5 x 50cm and 23 x 35cm (2)

Study of a horse, thought to be a preparatory sketch for the etching ‘Restless’, 1957

£150-250

£100-200

Signed and dated Aug 57 Pen and ink with charcoal 15 x 13cm See lot 181 for a sculpture of a similar subject See lots 234 to 237 by the same hand

The impenetrable coat Signed Oil on board 36 x 30.5cm Provenance: The Tryon Gallery, London £150-250

£300-500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

14 ‡ DONALD MCINTYRE RCA 1923-2009

Figures on a wintery street Signed with initials Oil on board 30.5 x 26cm £800-1,200

15 ‡ CHARLES MCCALL ROI, NEAC 1907-1989

St Quentin Languedoc Signed and dated ‘66 Oil on board 25.5 x 20.5cm £120-180

16 ROBERT A. WADE Australian b.1930

Household Cavalry Lifeguard on duty Signed, inscribed London and dated ‘90 Watercolour 35 x 25cm £100-150

17 ‡ JACQUELINE WILLIAMS NEAC b.1962

Bolulla, Spain Signed with initials Oil on canvas board 41 x 29cm Exhibited: NEAC, London £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

18 ‡ ARTHUR BURGESS

20 ‡ WILLIAM DEALTRY

1879-1957

1915-2008

Late Afternoon St Ives

Scottish coastal landscape

Signed Oil on board 33 x 43cm

Signed and stamped Oil on panel 26.5 x 38cm

Provenance: The Royal Institute of Oil Painters, No. 3 part-label verso

Provenance: Brian Sinfield Gallery, Burford £150-250

£600-800

19 ‡ CHRISTOPHER SANDERS RA 1905-1991

Grisolles, France 18

Signed Oil on canvas 38 x 46cm

21 ‡ ROBERT JONES b.1943

Sea and gulls, Gwithian 1997 Signed with initials Oil on board 31.5 x 24cm £100-150

Provenance: Ash Barn, Petersfield £300-500

21 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

22 ‡ SUSAN RYDER b.1944

Auxerre Signed Oil on canvas 50 x 76cm Provenance: Woodhay Picture Gallery, Newbury £500-800

23 ‡ TOBY WARD NEAC

24 ‡ MARY JACKSON RWS, NEAC

b.1965

b.1936

Still life of Onions and Shallots

Wild poppies

Signed Oil on board 20 x 25cm

Signed Oil on board 31 x 25cm

Provenance: Armed Forces Art Society, 1993

£150-250

£100-200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

25 ‡ KEN HOWARD OBE, RA b.1932

Dora reflecting Signed Oil on canvas 50 x 60cm £3,000-5,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

26 ‡ KEN HOWARD OBE, RA b.1932

Fountain of Neptune, Piazza della Signoria, Florence Signed Oil on board 36 x 24cm £1,000-1,500

27 ‡ KEN HOWARD OBE, RA b.1932

Near Sampford Spiney, Dartmoor, West Devon Signed, also inscribed and titled verso Oil on board 30.5 x 40.5cm Provenance: Inscribed verso Purchased from the artist c.1986 £800-1,200

27 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

28 ‡ DAVID COBB ROI

29 ‡ DAVID COBB ROI

30 ‡ DAVID COBB ROI

1921-2014

Naval ships at sea

HMS Illustrious off Portland, July 1982; Cleopatra firing Exocet

Evening Orford; Ilex R.E.Y.C. c.1900

Two, both signed, one dated 1982 Both oil on board, unframed 35.5 x 65cm and 25.5 x 40cm (2) See lot 495 by the same hand £400-600

Two, both signed, the first inscribed and both titled verso Both oil on board 25 x 40cm and 25.5 x 36cm (2)

Two both signed, the second inscribed Both oil on board 24.5 x 37.5cm and 20 x 25cm (2) £150-250

£150-250 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 31 to 47 From the Estate of Peter and Rosa Seldon

31 ‡ SIR TERRY FROST RA 1915-2003

Long Bow, 1999 Signed, titled and inscribed Collage Collage and pastel over screenprint 49 x 106cm Provenance: Belgrave Gallery, St Ives, 20th September 1999 £1,500-2,500

32 ‡ SIR TERRY FROST RA 1915-2003

Untitled, anchor Signed and dated 1989 Hand coloured etching with collage 49.5 x 37cm Provenance: Sims Gallery, St Ives, 3rd October 1996 £600-800

32 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

33 ‡ WILHELMINA BARNS-GRAHAM CBE

34 ‡ SANDRA BLOW RA

35 ‡ JOHN EMANUEL

36 ‡ SAMUEL DODWELL RI

1925-2006

b.1930

1909-1990

1912-2004

Untitled, white star on blue

Classical head, 1991

Seated nude

Beach

Signed and numbered 136/550 Screenprint 45 x 45cm

Oil on board 24 x 21.25cm

Signed Watercolour 55 x 37cm

Signed, dated 1999 and numbered 46/75 Screenprint 29 x 40cm

£150-250

£250-350

£150-250

Provenance: Artist’s label verso Roy Walker, St Ives, 5th October 2000 £500-700

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

37 ‡ SIR CLAUDE FRANCIS BARRY 1883-1970

St. Aubin’s Fort, Jersey Signed Oil on board 66 x 100cm Provenance: Amyl Holdings S.A., 1st May 1992, No.88 £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

38 ‡ AUERBACH 20th Century

Still life of red flowers in a glass Signed Oil on panel 34 x 25.5cm £200-300

39 ‡ ROBERT O. LENKIEWICZ 1941-2002

Portrait studies of a man and two girls Three, all signed, the first dated Jan 1988 verso All pencil 41 x 28cm and similar (3) £300-500

40 ‡ JEAN LAUDY

1877-1956

Still life of chrysanthemums and roses Signed Oil on canvas 96 x 67cm £400-600

41 ‡ ERIC WARD b.1945

Figure in shadow Signed Oil on green paper 23.25 x 15.25cm £150-250

42 ‡ KURT JACKSON b.1961

Cot Gorse Signed and numbered IV 94 Watercolour and gouache 18 x 19cm Provenance: White Lane Gallery, Plymouth, 2nd December 1994, No. 33 £200-300

42 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

43 ‡ TRACEY EMIN CBE, RA

44 ‡ MARGO MAECKELBERGHE

b.1963

1932-2014

Laying with the olive trees

Winter gold

Signed and dated 2011 and numbered 38/150 Lithograph 55 x 71cm

Signed, also signed, titled and dated 1989 on backing board verso Gouache 57 x 75cm

Provenance: Independent, 2nd June 2011 See lot 452 by the same hand

Provenance: Belgrave Gallery, St Ives, 23rd April, 2008

£400-600

£300-500

45 ‡ DAVID EUSTACE

47 ‡ MAURICE SUMRAY

b.1950

1920-2004

Untitled, angel in a suit with fish

Melody for the Birds

Oil on board 21 x 30cm £200-300

46 ‡ DEREK JENKINS

Signed and dated 1994 Pencil 28 x 20.25cm Provenance: Falmouth Art Gallery, November 1997, No. 57 £200-300

b.1937

Dawn, 1984 Signed and dated 27.2.84, also signed and titled verso Watercolour 40 x 27.25cm £250-350

46 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

Lots 48 to 80 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

48 ‡ DAME ETHEL WALKER ARA 1861-1951

End of the Season Oil on panel 26.5 x 35.5cm Provenance: Alex, Reid & Lefevre Gallery, London, 39/31 £1,000-1,500

49 ‡ HENRY HOYLAND 1895-1948

Circus scene Signed Oil on board 51 x 61cm Provenance: Property of interior designer Syrie Maugham in her white period during the 1930s £500-800

49 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

50 ‡ FRANK WASLEY 1854-1934

Venice Signed Oil on canvas 61 x 92cm £1,500-2,500

51 ‡ DAVID SAWYER RBA b.1961

Gondola and Vaperetto, Venice Signed with initials Oil on board 21 x 26cm Provenance: Artist’s stock No. 12/08 Oakham Contemporary, London, No. 571 Woolley & Wallis, Stour House sale, 16th February 2010, Lot 208 £600-800

51 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

52 ‡ MICHAEL ROTHENSTEIN RA

53 ‡ MICHAEL ROTHENSTEIN RA

54 DUTCH SCHOOL

55 ‡ BILLIE WATERS

Early 20th Century

1896-1979

1908-1993

Farm scene

Olive trees at Ana Capri

Figure sleeping in a winter landscape

Perseus and Andromeda

Signed and inscribed indistinctly verso Oil on canvas 61 x 71cm

Signed Oil on canvas 41 x 51cm

Signed and dated ‘31 Watercolour 69 x 48cm See lot 136 by the same hand

Signed with initials and dated ‘32 Watercolour with bodycolour 72 x 50.5cm

£500-700

Provenance: Woolley & Wallis, Salisbury £600-800

Exhibited: Russell Cotes Art Gallery, The Work of Present Day Painters in Oils, 29th September - 3rd December, 1949 £400-600

55 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

56 ‡ EDWARD WOLFE RA 1897-1981

A view of Vicenza, previously thought to be San Domenico de Fiesole, Florence Signed Oil on canvasboard 59.5 x 45cm Provenance: Royal Academy, London, 1970, No. 95 Lord Wigg Christie’s, London, 27th March 1997, Lot 216 £1,500-2,500

57 ‡ DAVID COSTER Glasgow School 20th Century

Power Station No. 3 Signed verso Oil on canvas 46.5 x 76.5cm Provenance: Royal Academy of Arts, London, No. 314 £200-300

58 ‡ FRANK O. SALISBURY 1874-1962

Loch Quoich Signed, titled and dated 1950 Oil on canvas 57 x 70cm Provenance: By direct descent from the artist Woolley & Wallis, Salisbury, 19th March 2014, Lot 280 £500-700

57 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

59 ‡ JAMES PARFITT

60 ‡ GEORGE HANN

61 ‡ HAROLD STOREY

62 ‡ HUGH BOYCOTT-BROWN RSMA

20th Century

1900-1979

1888-1965

1909-1990

Portrait of a seated lady in a striped top; Portrait of a gentleman in a suit

The Royal Mile, Edinburgh in winter

Main Street, Newton Mearns

Boats on the shore at Aldeburgh

Signed, also signed and titled verso Oil on board 40 x 50cm

Signed Oil on canvas 30.5 x 40.5cm

£300-500

Exhibited: Bury St. Edmunds Art Gallery, ‘Our Town’, January 1987, No. 2 See lot 494 by the same hand

Two, the first signed and inscribed RA School June 1976 on the stretcher verso Both oil on canvas 121 x 89cm and 117 x 86cm (2)

Signed Oil on board 65 x 56cm £400-600

£200-400

£400-600

62 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

63 ‡ GERALD EDWARD MOIRA VPROI, RWS

64 ‡ ORLANDO GREENWOOD

1867-1959

1892-1989

Rhubarb harvest

The Judgement of Paris

Signed and dated 1932 Oil on board 92 x 122cm

Oil on canvas 50 x 60cm

Provenance: Royal Institute of oil painters Walker Art Gallery, Liverpool Woolley & Wallis, Salisbury, 11th March 2015, Lot 584

Provenance: Van Gogh Fine Art £800-1,200

Exhibited: Liverpool Autumn 59th Exhibition, 1933 £3,000-5,000

64 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

65 ‡ GLYN MORGAN

68 ‡ GLYN MORGAN

Welsh 1926-2015

Nude reclining (Sarah)

Tréguier, Côtes du Nord

Signed and dated ‘54 Pen and ink 36 x 52cm

Signed, also signed, titled and dated 1948 Oil on canvas 50.5 x 61cm

£150-250

£300-500

66 ‡ GLYN MORGAN Welsh 1926-2015

69 ‡ GLYN MORGAN

Man with an Eagle

Welsh 1926-2015

Oil on canvasboard 103 x 68cm £200-400

Boats at Walberswick Signed and dated 98 Oil on canvas 61 x 76cm

67 ‡ GLYN MORGAN

Provenance: Woolley & Wallis, Salisbury, 19th March 2014, Lot 370

Welsh 1926-2015

£400-600

Achilles and the Centaur Signed and dated ‘65 Mixed media 43 x 35cm £80-120

69 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

70 ‡ GLYN MORGAN

72 ‡ GLYN MORGAN

74 ‡ GLYN MORGAN

Welsh 1926-2015

Owls

Dionysus at sea

Signed and dated ‘02 Oil on canvas 71 x 91cm

Signed and dated ‘80 Oil on canvas 126 x 126cm

Portrait of Brian Collie, David Thomas, Siegfried, Semele and Fricka

£400-600

£300-500

Oil on canvas 101 x 91cm

71 ‡ GLYN MORGAN

73 ‡ GLYN MORGAN

Provenance: Royal Academy Summer Exhibition, Summer 1988, No. 3

Welsh 1926-2015

£150-250

Figure rising from the sea

Flowers in a landscape

Signed and dated 56 Oil on canvas 56 x 78cm

Signed and dated ‘85 Oil on canvas 90 x 100

£400-600

£300-500

74 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

75 ‡ MARY FEDDEN RA 1915-2012

Chiswick Eyot, 1953 Oil on canvas 50 x 60cm Provenance: Christie’s, London, 27th March 1997, Lot 15 See lots 104, 105, 412 and 413 by the same hand £8,000-12,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

76 ‡ DERWENT LEES 1885-1931

Approaching Storm, Mediterranean Oil on panel 32.5 x 39cm Provenance: The Redfern Gallery, purchased by Lord Alington 1933 From the collection of the late Lord Alington of Crichel House £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

77 ‡ BARBARA VANHOVE Belgian b.1947

Still life of greengages and a rummer Signed Oil on board 60 x 50cm £600-800

78 ‡ DAPHNE FEDARB 1912-1992

A lady by the fishing boats Signed Oil on canvas laid on board 51 x 40.5cm Provenance: Sotheby’s, London, 11th October 1989, Lot 241 £300-500

79 ‡ ERNEST HUBERT Swiss 1899-1988

Untitled, abstract Signed, dated Aug ‘50 and numbered 164 on a label verso Pencil and gouache 15.5 x 18cm Provenance: The Mayor Gallery, London, No. 3834 £80-120

79 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

80 ‡ ELIOT HODGKIN 1905-1987

Three Quinces Signed and dated 13.iii.63 Tempera 13.5 x 22.5cm Provenance: A Lever The Reid Gallery, London, Fifty Still Life Paintings by Eliot Hodgkin 04/12/1963 - 28/12/1963, No. E.50 We are grateful to Mark Hodgkin for his assistance in the cataloguing of this painting See lot 248 by the same hand £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

Lots 81 to 92 The Property of a Gentleman 81 ‡ MARTYN BREWSTER

82 ‡ MARTYN BREWSTER

b.1952

Nature painting No. 100, Headland Series

Evening 2

Signed and titled verso Oil on canvas, unframed 122 x 122cm Provenance: Purchased from the artist Literature: Vivienne Light, Re-inventing the landscape, Canterton Books, 2001 £600-800

Signed and dated ‘99, also signed, titled and dated verso Silkscreen monoprint 35 x 35cm Provenance: Purchased from the artist £150-250

83 ‡ MARTYN BREWSTER b.1952

Night Music No. 110 Signed, titled and dated 2000 verso Oil on canvas, unframed 35.5 x 35.5cm Provenance: Purchased from the artist £200-300

83 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

84 ‡ MARTYN BREWSTER

85 ‡ PETER JOYCE

86 ‡ RICHARD BEER

87 ‡ GEORGE DANNATT

88 ‡ GEORGE DANNATT

b.1952

Bournemouth Bay, afternoon sunlight

b.1964

1928-2017

1915-2009

Around the Priest’s Way

Venice café

Composition in blue No. 3

September Drawing

Signed, titled and dated 1992 on backing board verso Charcoal 76 x 56.5cm

Signed with initials and dated 02, also signed titled and dated verso Acrylic on board 23 x 13cm

Signed and titled Etching 63 x 43cm

Signed, titled and dated April 2001 on backing board verso Oil on hardboard 28.5 x 35.5cm

Signed and dated 1999, also signed, titled and dated verso Oil, pencil and crayon on paper 18.5 x 21.5cm

Provenance: Purchased from the artist

Provenance: Bettles Gallery, Ringwood

£80-120

£200-300

£200-400

Provenance: Regatta, Richmond

Provenance: Artist’s address label verso Osborne Samuel, London, No. S/N 23514 £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

Provenance: Artist’s label verso Purchased from the artist £200-300

89 ‡ MARGARET MCLELLAN

90 ‡ MARGARET MCLELLAN

91 ‡ CHRIS ORR RA

92 ‡ CHRIS ORR RA

b.1952

b.1943

In Seacombe Quarry I

In Seacombe Quarry 7

Jaguar’s children, 1996

Once upon a warthog..., part I and II

Signed and dated 99 Acrylic on board 49 x 52cm

Signed and dated 99 Acrylic on paper 30.5 x 28cm

Signed and titled Lithograph, artist’s proof 119 x 79cm

Two both signed, titled, dated 1982 and numbered 16/20 Both with four etchings with aquatint on one sheet Each 26.5 x 80.5cm (all four size) (2)

Provenance: Purchased from the artist

£200-300

£150-250

£200-400 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 93 to 103 sold on behalf of the Roddick Charitable Foundation 93 KEN DONE Australian b.1940

Untitled Signed and dated ‘85 Oil on canvas 122 x 101cm Provenance: Sold on behalf of the Roddick Charitable Foundation £800-1,200

94 ‡ JULIAN BELL b.1952

Justine and Sam Signed and dated 1983 Oil on canvas 66 x 103cm Provenance: Sold on behalf of the Roddick Charitable Foundation £100-150

95 ‡ PAUL LUCIEN MAZE French 1887-1979

Jessie at her dressing table Signed Pastel 20 x 32cm Provenance: Sold on behalf of the Roddick Charitable Foundation See lots 156 and 157 by the same hand £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

96 ‡ GEORGE MAZILU Romanian/French b.1951

Le Pelerin Signed, also signed, titled and dated 1993 verso Oil on canvas 46 x 32.75cm Provenance: Sold on behalf of the Roddick Charitable Foundation £600-1,000

97 MARSHALL ARISMAN American b.1937

Philippe Guimot; Untitled A pair, the second signed, the first signed, titled and numbered 12 on stretcher verso Both oil on canvas Each 119.5 x 114.5cm (2) Provenance: Sold on behalf of the Roddick Charitable Foundation £300-500

97 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

98 ‡ GRAHAM DEAN b.1951

The Kiss, 1987 Signed Watercolour with collage 115 x 150cm Provenance: Sold on behalf of the Roddick Charitable Foundation £700-1,000

100

99 ‡ GRAHAM DEAN

100 ‡ GRAHAM DEAN

b.1951

Card Players

The Momento

Signed and dated 1987 Mixed media with collage 125 x 196cm

Signed, titled and dated 1993 on a label verso Watercolour on handmade Indian paper 65 x 50cm

Provenance: Sold on behalf of the Roddick Charitable Foundation

Provenance: Jill George Gallery, London Sold on behalf of the Roddick Charitable Foundation

£500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

101 ‡ ROBERT KELLY

103 ‡ ROBERT KELLY

b.1956

Architectura III

Santa Fe II

Signed, titled and dated 1989 verso Oil on canvas, unframed 153 x 127cm

Signed, titled and dated 1989 verso Oil on canvas, unframed 127 x 91.5cm

Provenance: Sold on behalf of the Roddick Charitable Foundation

£800-1,200

102 ‡ ROBERT KELLY b.1956

Stelli Cadenti Signed, titled and dated 1989 verso Oil on canvas, unframed 127 x 91.5cm Provenance: Sold on behalf of the Roddick Charitable Foundation £800-1,200

101

102

103 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 104 to 172 The Property of a Gentleman 104 ‡ MARY FEDDEN RA 1915-2012

Blue Dish, 2 Signed and dated 1977, also signed and titled on a label verso Oil on board 24 x 28cm See lots 75, 412 and 413 by the same hand £3,000-5,000

104

105 ‡ MARY FEDDEN RA 1915-2012

The Red Parasol Signed and dated 1984, also signed, titled and numbered 30 on a label verso Oil on board 30.5 x 40.5cm Provenance: Mrs Jill Caruth, London New Grafton Gallery, London, 9th May 1984, No. 30 £3,000-5,000

105 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

106 ‡ MARGARET FISHER PROUT ARA

109 ‡ DENYS LAW

1875-1963

Low tide Lamorna Cove, Cornwall

Sailing boats at Bosham Signed Oil on board 51 x 76cm Provenance: Atkinson Art Gallery, Southport Exhibited: Royal Academy, London 1951 £700-1,000

107 ‡ FRANK FITZSIMMONS

106

1907-1981

Signed Oil on Canvas 41 x 51cm £200-300

110 ‡ PHILIP NAVIASKY 1894-1983

Boats on the shore at low tide Signed Oil on canvasboard 36 x 45cm £400-600

Irish 20/21st Century

Antrim Coast, Ballycastle, Ireland Signed, also signed and titled verso Oil on canvas board 25 x 40.5cm £100-150

108 ‡ ARTHUR ROYCE BRADBURY

111 ‡ PHILIP NAVIASKY 1894-1983

Landscape with a bridge Signed Oil on board 30.5 x 44cm £300-400

1892-1977

Sark, The Channel Islands Signed, titled Sark and dated 1922 Oil on board 19 x 25.5cm £300-500

107

108

109 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

110

112 ‡ ALISON C. MUSKER

111

b.1938

113 ‡ TOM COATES RBA, RP, RWS

Haymaking, Albania

b.1941

Signed Watercolour over pencil 27.5 x 36cm

Donkey and laden cart in a city

Provenance: Richmond Gallery, London With a further watercolour of a street by Gladys Best (2)

Signed with initials Oil on canvas 40 x 50.5cm See lot 293 by the same hand £400-600

£100-150

114 ‡ FRED BOTTOMLEY 1883-1960

St Ives Signed Oil on panel 33 x 40.5cm £250-350

112

113 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

114

115

116

115 ‡ HENRY BIRD

117 ‡ JAMES GREIG

1909-2000

1861-1941

Afternoon resting

Old Tangier; Cairo

Signed Graphite and coloured chalk on buff paper 46.5 x 30.5cm

Two, one signed Both watercolour with bodycolour Both 35.5 x 25cm (2)

£1,000-1,500

£100-200

116 ‡ PAUL CÉSAR HELLEU

118 ‡ BERNARD MENINSKY

French 1859-1927

1891-1950

A Parisian lady

Mother and child

Signed Red chalk and pencil heightened with white 49 x 56.5cm

Signed Gouache on paper 18 x 12.5cm £200-300

£1,500-2,500

117

118

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

119 ‡ CHARLES SIMS RA

121 ‡ DENYS GEORGE WELLS

1873-1928

1881-1973

Five singing girls

The Chelsea Gardener

Signed Mixed media 54 x 37cm

Signed and dated 51 Oil on board 52 x 44cm

Provenance: C.H. St.J.Hornby, catalogue No 6 Carnegie Institute, Pennsylvania Baltimore Museum of Art, Baltimore, 26.33.12

Provenance: Artist’s label verso £200-300

C.H. St. John Hornby (1867-1946) was a founding partner of W.H. Smith £800-1,200

120 ‡ RUSKIN SPEAR CBE, RA 1911-1990

Portrait of Ida, the artist’s niece Signed Oil on board 29 x 26cm Provenance: Fosse Gallery, Gloucestershire, December 1985 £500-700

119

120 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

121

122 ‡ ROBIN DARWIN RA 1910-1974 Hampstead Marshall, Berkshire Signed Oil on canvas 30.5 x 40.5cm Provenance: With a letter from the artist regarding the purchase of the painting, dated 2nd May 1972 £400-600

123 ‡ RICHARD PIKESLEY NEAC, ARWS b.1951

Evening harbour, West Bay, Dorset 122

Signed Oil on canvas, laid on board 36 x 41cm Provenance: Alresford Gallery, Alresford See lots 3, 4 and 488 by the same hand £200-300

124 ‡ LEONARD APPLEBEE 1914-2000

Still life of yellow and red roses in a glass Signed with initials Oil on canvas 40 x 51cm £300-500

125 ‡ JOHN LACOUX 1930-2008

River Dearn, Bretton, West Yorkshire Signed, also signed verso Oil on board 35 x 42cm

123

124

£100-150

125 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

126 ‡ CAREL WEIGHT RA 1907-1997

Figures in the garden Signed Oil on board 40 x 38cm See lot 384 by the same hand £2,000-3,000

126

127 ‡ CAREL WEIGHT RA 1907-1997

Village Green, Sussex Signed Oil on canvasboard 28 x 33cm £1,200-1,800

127 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

128 ‡ BERNARD DUNSTAN RA 1920-2017

New Year’s Day Signed with initials, titled and dated 1.86 verso Oil on board 25.5 x 30.5cm £800-1,200

128

129 ‡ BERNARD DUNSTAN RA 1920-2017

Norma and baby Signed with initials Oil on board 24 x 34cm Provenance: Roland, Browse & Delbanco, London, 16.1.65, No.2 £800-1,200

129 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

130 ‡ SIR WILLIAM RUSSELL FLINT RA, PRWS Scottish 1880-1969

Four studies of Helen Signed Red chalk 20 x 27cm Provenance: Frost & Reed Ltd., London, 22nd January 1954, No. 7052 See lot 379 by the same hand £1,200-1,800

130

131 ‡ SIR WILLIAM RUSSELL FLINT RA, PRWS Scottish 1880-1969

The Reader Signed Red chalk 19 x 24cm Provenance: Frost & Reed Ltd., London, 22nd January 1954, No. 7052 £1,500-2,500

131 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

132

133

132 ‡ MICHAEL AYRTON

133 ‡ HENRY MOORE OM RA

1921-1975

1898-1986

Musicians

Standing figures in groups of three

Signed and dated 58 Pen, ink and gouache 32 x 20cm (within mount) See lots 332 and 333 by the same hand £400-600

Signed and dated 46 in the plate Collotype 29 x 21cm See lot 371 by the same hand £100-200

134 ‡ AFTER MARC CHAGALL Bearded man in a boat Bears signature and inscription Cote d’Azur verso, numbered 3/50 Lino or woodcut 9.5 x 14cm £300-500

134

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

135

135 ‡ JOHN NORTHCOTE NASH RA 1893-1977

The Weir Signed and dated 29, also inscribed with colour notes Watercolour over pencil 38 x 54cm £3,500-4,500

136 ‡ MICHAEL ROTHENSTEIN RA 1908-1993

Two figures by a country stile, belie ed to be Eric a ilious and Edward Bawden Signed and dated 1941 Pen, ink and watercolour 38 x 26cm See lots 52 and 53 by the same hand £500-800

136 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

137 ‡ PAUL JENKINS 1923-2012

Phenomena Surveyor, 1963 Signed Acrylic 36 x 26cm Provenance: Arthur Tooth & Sons Ltd, London, No. C3866D £700-1,000

138 ‡ AMANDA FAULKNER

139 ‡ AMANDA FAULKNER

b.1953

ntitled three figures,

ntitled two figures,

Signed Mixed media 89 x 69cm

Provenance: lowers East Gallery, ondon

£500-700

137

138

139 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

140

140 ‡ JOHN BELLANY RA Scottish 1942-2013

Boats in a harbour, two named Exe outh Signed Oil on canvas, unframed 91 x 122cm See lots 462 to 466 by the same hand £4,000-6,000

141 ‡ PATRICK HUGHES b.1939

Rainbow interiors Six, 5 signed and dated 79 All serigraphs, 4 framed together Each x c and si ilar £200-300

141

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

142

143

142 ‡ MAURICE COCKRILL RA

143 ‡ MAURICE COCKRILL RA

144 ‡ MAURICE COCKRILL RA

1936-2013

n the irst Garden

Night Blooms

Signed, titled and dated 2007 verso Oil and acrylic on canvas, unframed 99 x 80cm See lot 439 by the same hand

Signed and titled verso Oil and acrylic on canvas, unframed 99 x 80cm

Twylight [sic] and the Red Headscarf, 1997

£800-1,200

Signed and titled verso Oil and acrylic on canvas 60 x 50cm £600-800

145 ‡ MAURICE COCKRILL RA 1936-2013

November rain, 1997 Signed and titled verso Oil and acrylic on canvas 60 x 50cm £600-800

144

145 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

146

146 ‡ SANDRA BLOW RA 1925-2006

No.3, 1970 Mixed media 31 x 25.5cm Provenance: The New Art Centre, London, Stock no 713 a5 £1,500-2,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

147 ‡ CECIL COLLINS RA 1908-1989

Landscape: the gate of life Signed and dated 1963, also signed titled and dated verso Oil on board 30.5 x 33cm Provenance: Arthur Tooth & Sons Ltd, London £1,000-1,500

147

148 ‡ CECIL COLLINS RA 1908-1989

The sacred mountain Signed and dated ‘62 Oil on board 15 x 10.5cm Provenance: Bonhams, 15th July 2015, Lot 54 £1,000-1,500

148 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

149

149 ‡ KAREL APPEL

150 ‡ WILLIAM GEAR RA

Dutch 1921-2006

1915-1997

ead and flowers

Abstract untitled

Signed Oil and watercolour with collage 23 x 28cm

Signed and dated ‘57 Watercolour 38.5 x 47cm

£2,500-3,500

Provenance: Inscribed on backing board verso by another hand illia Gear, Belgra e Gallery, ondon, Ex edfern See lots 456 to 458 by the same hand £600-800

150 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

151 ‡ LINDA SUTTON

153 ‡ ENDRE RÖDER

b.1947

b.1933

Rio di San Cristoforo

Reclining nudes

Signed, also signed and titled on frame verso Mixed media on board 98 x 69cm

Two, both signed Both mixed media 25 x 19cm and 15 x 25cm (2)

£200-400

£200-300

152 ‡ LAURENCE ROCHE b.1944

Autumn - Dusk; A remote country junction Two, both signed, the first titled and dated 1982 on a label verso, the second dated 1979 Both acrylic on board 28 x 47cm and 59 x 49cm (2)

151

£100-200

152

153 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

154

154 ‡ JOHN HITCHENS b.1940

Flowers into blue Signed, also signed titled and dated 1967 verso Oil on canvas 50.5 x 71cm See lots 162 and 438 by the same hand £700-1,000

155 ‡ DAVID MCCLURE RSA, RSW Scottish 1926-1998

Flowers and bird Signed Oil on canvasboard 15 x 20cm £400-600

155 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

156 ‡ PAUL LUCIEN MAZE French 1887-1979

Landscape with a farmstead and cattle Signed Pastel 14.5 x 24.5cm See lot 95 by the same hand £300-500

157 ‡ PAUL LUCIEN MAZE French 1887-1979

Sunset landscape Signed Pastel 22 x 31.5cm

156

£300-500

158 ‡ RAOUL DUFY French 1877-1953

Deauville Basin Signed in the print ithograph, published by ou re Galleries, ondon 41 x 49.5cm £100-150

159 ‡ KEVIN SHARKEY Irish b.1961

Irish landscape Mixed media 80 x 80cm £500-800

157

158

159 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

160 ‡ RONALD OSSORY DUNLOP RA 1894-1973

French farm scene Signed Oil on canvas 50.5 x 76cm £1,000-1,500

160

161 ‡ SIR NÖEL COWARD 1899-1973

View of a Mediterranean town Signed Oil on canvasboard 40 x 50cm £800-1,200

161 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

162 ‡ JOHN HITCHENS

164 ‡ GRETA FENTON

b.1940

20th Century

Flowers into softness

Reclining nude

Signed, also signed, titled and dated 1967 verso Oil on canvas 50.5 x 71cm See lots 154 and 438 by the same hand

Signed with initials Watercolour over pencil 55.5 x 76cm With a watercolour by Julia, 1989 of a family in a boat, two portrait studies by P.M Birdseye and a giclee print of a street scene (5)

£600-800

£100-200

163 ‡ JAMES JOSEPH BRERETON

162

b.1954

165 ‡ JOHN DAVIES

Sunlight and Rain, Norfolk

b.1946

Signed Oil on canvas 61 x 76cm Provenance: Bebb Fine Art, Ludlow £300-500

Figures, 1969 Pen, ink, gouache and watercolour with pastel 29 x 35.5cm Provenance: Bonhams, 10th September 2014, Lot 129 £500-700

163

164

165

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

166

166 ‡ ALFRED DANIELS

167 ‡ DAVID GRANIER

168 ‡ MARGARET THOMAS NEAC

1924-2015

20/21st Century

1916-2016

Feeding the birds in Hyde Park

St. Raphael

The pear

Signed and dated 2005 Oil on board 43 x 62cm

Signed, also signed, titled and dated 2009 verso Oil on canvas, unframed 50 x 61cm

Signed with initials Oil on board 46 x 76cm

£1,000-1,500

£100-150

Provenance: The all Galleries, ondon £500-700

167

168

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

169

169 ‡ ANDREW MACARA NEAC, RBA b.1944

ethy non, Crete, Greece Signed, also titled and dated May 1991-93 verso Oil on canvas 51 x 101cm See lot 414 by the same hand £1,500-2,500

170 ‡ ANDREW MACARA NEAC, RBA b.1944

Skiing, Calke Park, Derby Signed and dated 2002, also titled on stretcher verso Oil on canvas, unframed 91 x 101cm £800-1,200

170

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

171 ‡ ANDREW MACARA NEAC, RBA b.1944

Cerve, near San Bartolomeo, Alassio, Italy Signed and dated 1987, also titled verso Oil on canvas 60.5 x 76cm £1,000-1,500

171

172 ‡ ANDREW MACARA NEAC, RBA b.1944

Balcony, Agios Nikolaos, Crete, Greece Signed and dated 1987 Oil on canvas 50.5 x 61cm Provenance: osse Gallery, Cheltenha £1,000-1,500 For a sculpture belonging to this collection see lot 185

172 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

Sculpture

173

173 ‡ GUY TAPLIN

174 ‡ GUY TAPLIN

175 ‡ GUY TAPLIN

b.1939

Preening Mallard

Mallard

Ruddy Duck

Signed and titled Painted wood 62cm long

Signed, titled and dated 1988 Painted wood with glass bead eyes 19cm high, 41cm long

Signed and titled Painted wood with glass bead eyes 18cm high

£1,500-2,500

£1,000-1,500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

174

175 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 185

176 ‡ MARY SPENCER WATSON 1913-2006

Infant joy, 1998 Purbeck Freestone 96.5cm high (104cm including base) Exhibited: Dorset County Museum 1998 Private collection Literature: Annette Ratuszniak, Mary Spencer Watson Catalogue Raisonné, 11th September-4th December 2004, p145 £5,000-10,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

177 ‡ MARY SPENCER WATSON

179 ‡ PETER HAYES

1913-2006

Red Keyhole Bow

Sylvaine, 2002

Signed and dated 2010 on the base Raku sack form with keyhole 35.5cm high

Signed with initials Yew wood 99cm high (104cm with plinth) Literature: Annette Ratuszniak, Mary Spencer Watson Catalogue Raisonné, 11th September-4th December 2004, p150

b.1946

Provenance: Colour or Exhibition, Farnham College of Art From a private collection as lots 81 to 92 £200-300

£600-1,000

178 ‡ MARK VERRY

180 ‡ TOMMY ROWE b.1941

20th Century

Cliff form

Flow

Signed and dated 2000 on the base Steel and composite base 92cm high (including base)

Signed with initials, titled and dated 2006 Oak on a composite base 37.5cm high Provenance: Penwith Galleries, St es, 21st September 2012 From a private collection as lots 81 to 92

Provenance: Penwith Galleries, St es From a private collection as lots 81 to 92 £300-500

£200-300

177

178

179

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

180

181

181 ‡ EDMUND BLAMPIED 1886-1966

Kicking horse Signed and dated 1924 Bronze 13cm high, 20cm long For an etching of a similar horse by the same hand see lot 12 £1,800-2,200

182 MARIE-LOUISE RADZIWILL South African b.1956

Money Toad Signed, dated 2001 and numbered 2/24 with an Ingwe foundry stamp Bronze 11cm high, 24cm long £200-300

182 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 183 to 184 The Property of a Gentleman 183 ‡ JAN SWEENEY b.1939

Foal Signed and inscribed /25 Bronze on a wood base 16.5cm high (including base) From a private collection as lots 1 to 30 £200-300

183

184 ‡ MARGOT DENT 20th Century

Lurcher Signed with a monogram and numbered 1/1 Bronze 20cm high With a signed bronze of a resting bird inscribed A/C (2) From a private collection as lots 1 to 30 £200-400

184 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

185

186

185 ‡ WILLI SOUKOP 1907-1995

187 ‡ ISABELLE DE BELLEFROID

A pelican and three young

b.1962

Signed Bronze 18cm high (24cm with base) From a private collection as lots 104 to 172

Hope

£400-600

£100-200

186 ‡ NEIL DALRYMPLE

188 ‡ XAVIER CORBERO

b.1949

Spanish b.1935

Trout diving for minnows

Standing figure

Signed and dated 1988 Ceramic 23cm high

Signed and dated 1959 on base Bronze on a marble base [not currently attached] 49cm high (53cm including base)

£300-500

Signed, titled, dated 2015 and numbered 7/8 Plaster on a wood base 37cm high including base

£250-350

187

188 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 189 to 191 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

190

189

189 ‡ GEOFFREY DASHWOOD

190 ‡ GEOFFREY DASHWOOD

191 ‡ GEOFFREY DASHWOOD

b.1947

Wren on a cube, 1990

Blue tit on a ball, 2006

Signed and numbered 12/24 Brown patinated bronze 10cm high

Signed and numbered 6/15 and inscribed PE Blue patinated bronze 7.75cm high

Waxwing on a cube, 1992

Provenance: Courcoux & Courcoux, Stockbridge The Private Collection of a Lady Woolley & Wallis, Salisbury, 7th June 2017, Lot 26 From a private collection as lots 48 to 80

Provenance: Courcoux & Courcoux, Stockbridge The Private Collection of a Lady Woolley & Wallis, Salisbury, 7th June 2107, Lot 27 From a private collection as lots 48 to 80

£1,500-2,500

£1,200-1,800

Signed and numbered 3/12 Pink patinated bronze 14cm high Provenance: Courcoux & Courcoux, Stockbridge The Private Collection of a Lady Woolley & Wallis, Salisbury, 7th June 2017, Lot 32 From a private collection as lots 48 to 80 £1,200-1,800

191 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

192 ‡ THOMAS BAYLISS HUXLEY-JONES 1908-1969

Portrait of Albert Schweitzer Signed Bronze on a wood base 35.5cm high (40.5cm including base) £400-600

193 ENGLISH SCHOOL 20th Century

Portrait of a gentleman Bronze on a granite base 31cm high (40cm including base) £300-500

194 ‡ BRITISH SCHOOL 20th Century

Stretching male nude 192

193

Bronze 55cm high £400-600

195 ‡ SALVADOR DALI Spanish 1904-1989

Jeune vierge autosodomisée par les cornes de sa propre chastetée Signed, numbered 20/150 and stamped AIRAINDOR 46 x 36cm Created in 1977 Literature: Robert et Nicolas Descharnes, “Dali, le dur et le mou, sculptures et objets”, Paris 2004, no. 514, page 206 £700-1,000

194

195 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 196 to 206 From the Estate of Peter and Rosa Seldon 196 ‡ PHILIP WAKEHAM 20th Century

Icarus St Ives Version III Bronze 82cm high Provenance: The Penwith Society of Arts, St Ives, 16th September 2014 From a private collection as lots 31 to 47 £600-800

197 ‡ JOHN MALTBY b.1936

Two seated figures with a baby Signed with a monogram Painted ceramic 27.5cm high Provenance: The Stour Gallery, Warwickshire, A Sense of Place, 8th July 2000 From a private collection as lots 31 to 47 £200-300

198 ‡ RACHEL WHITEREAD b.1963

Secondhand, 2004 Number 21 from an edition of 400 Sterolithograph of laser sintered white nylon 10cm high Provenance: Counter Editions Certificate, London, December 2004 From a private collection as lots 31 to 47

196

£200-400

197

198

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

199 ‡ CONTINENTAL SCHOOL 20th Century

Two standing figures Signed indistinctly W. Ohoyou? and numbered 6/43 Polished bronze on a wooden base 26cm high including base From a private collection as lots 31 to 47 £200-300

200 ‡ MARK STODDART b.1964

Festival IO

199

200

Signed and numbered 4/9 Blue patinated and polished bronze on a marble base 23cm high including base Provenance: St Ives Festival From a private collection as lots 31 to 47 £200-300

201 ‡ JEFFREY JAMES HILL b.1946

Heteromorphosis Spanish Stone 70cm high x 20cm deep Provenance: Mosaic Gallery, Cornwall From a private collection as lots 31 to 47 £300-500

201

202

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

202 ‡ JOHN EMANUEL b.1930

Sleeping figures Clay on a slate base, heightened with gilt 36 x 22cm From a private collection as lots 31 to 47 £150-250

203 ‡ CHRIS BUCK b.1956

Physical Signed with initials, dated 2015 and numbered VIII/IX Blue patinated and polished bronze 87cm including base Provenance: The Penwith Gallery, St Ives, 19th November 2015 From a private collection as lots 31 to 47 £700-1,000

204 ‡ CHRIS BUCK

204

b.1956

Triangle Signed with initials, dated 2000 and numbered VI/IX Green patinated and polished bronze 20cm high From a private collection as lots 31 to 47 £300-500

205 ‡ CHRIS BUCK b.1956

A little more time Signed with initials, dated 2006 and numbered IV/IX Green patinated bronze on a black composite base 17.5cm high including base From a private collection as lots 31 to 47 £500-800

203

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

205

206 ‡ CHARLIE MACPHERSON 20th Century

207

Movement Seven pieces, 4 blue, 4 white Hand blown etched glass Between 57 and 83.5cm (7) From a private collection as lots 31 to 47 £250-450

207 ‡ SIR TERRY FROST RA 1915-2003

Black, red and white circles A mobile of 18 circular discs Approx. 97 x 102cm Provenance: The Estate of the late Donald itchell Si ilar to the wor shown at the eeds Art Gallery in £2,000-3,000

206

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Other Properties 208 BELGIAN SCHOOL 19/20th Century

orses and figures logging in a wooded glade, c Signed indistinctly H. van de W.... Watercolour 47 x 64cm £600-800

209 ‡ SYDNEY EDWIN HUXTABLE 1905-1990

Wilton House gates Signed, inscribed and dated 7-8-52 Watercolour 24.5 x 33cm Provenance: Oscar & Peter Johnson, London, 31st January 1990, No. M7788

208

£100-150

210 FREDERICK JOHN WIDGERY 1861-1942

A heather covered moorland view Signed Watercolour and gouache 17.5 x 25.5cm £200-300

211 ENGLISH SCHOOL Early 20th Century

Spring blossom and lambs Signed indistinctly Watercolour with bodycolour 37 x 52cm £150-250

209

210 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

211

212

213

212 ‡ MAXWELL ASHBY ARMFIELD

213 ‡ GEORGES ROBIN

214 ‡ CERI SHIELDS

1882-1972

French 1903-2003

b.1964

La Vienne pres de Confolens

A view from Calvary

Signed Oil on canvas 55 x 46cm

Signed and dated 1992 Watercolour 21 x 19cm

£800-1,200

Provenance: rancis yle Gallery, ondon, E B

Still life of poppies and su with a butterfly Signed with a monogram Tempera on canvas laid on board 35.5 x 30.5cm

er flowers in a bas et

£600-800

£120-180

215 ‡ ALFRED EGERTON COOPER 1883-1974

Continental ruin and tower A pair, both signed Both gouache Each x c £250-450

214

215

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

216

217

216 GERTRUDE HADENFELDT RI Exh.1907-1938

Golden ills, erusale Figures by a city wall Two, both signed Both watercolour over pencil 30.5 x 42.5cm and 34 x 23.5cm (2) Provenance: The first oyal nstitute of Painters in Watercolours part-label verso £300-500

217 GERTRUDE HADENFELDT RI Exh.1907-1938

Sunbaked hills of Palestine Two, the first signed Both watercolour 43.5 x 32cm and 43 x 36cm (2) Provenance: The first oyal nstitute of Painters in Watercolours label verso £300-500

218

219

218 ‡ HENRY WINSLOW 1874-1955

219 ATTRIBUTED TO JOHN PETER RUSSELL

Santa Margherita Ligure

Australian 1858-1930

Signed an dated 28 Watercolour 31.5 x 41.5cm

Portrait of a lady, possibly the artist’s wife

Provenance: Abbott & Holder, London, c.1997

Signed Conte on buff paper 23 x 19.5cm

£150-250

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

220

220 KATE GREENAWAY 1846-1901

The Waits A set of three, all inscribed verso Design No 1841 and one dated 18th Feb 1887/ 3 in set all three also numbered 34179 in pencil, with some further numbering verso all pen ink and watercolour, framed together Each x c £500-700

221 ‡ DUDLEY BUXTON 1884-1951

Guest house cartoons and a farm cartoon 221

Four all signed and titled All gouache over pencil Each x c and similar (4) £200-300

222 JOHN HALL THORPE 1874-1947

Crocus; Primroses and forget-me-nots Two both signed Both woodcuts 16.5 x 15cm (2) £200-300

222

223

223 ‡ KATHARINE JOWETT 1892-1972

Asian scenes Four, three signed All woodcuts 33 x 18.5cm and smaller (4) £500-700

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

224

225

224 ‡ SIR FRANK BRANGWYN RA 1867-1956

War scenes Five, three signed with initials All etchings, unframed 13 x 15cm and smaller (5) £250-350

225 ‡ SIR FRANK BRANGWYN RA 1867-1956

Kings Lynn; Strand on the Green, Chiswic Two untitled Four, two signed and titled All etchings, unframed 13 x 16cm and smaller (4) £250-350

226

226 ‡ SIR FRANK BRANGWYN RA

227 ‡ THEODORE ROUSSELL

1867-1956

The Street, Chelsea E ban ent A gate Chelsea

Figure studies Five, three signed All etchings, one an illustration to L’Ombre de la Croix 17.25 x 14.25cm and smaller (5) £250-350

1914-1989

Two both signed Both etchings 15 x 20.5cm and 20.5 x 16cm (2)

227

228 ‡ AUGUSTUS EDWIN JOHN OM, RA 1878-1961

Dartmoor ponies, 1905 Signed Etching, plate o , Imp. No. 20/25 7.25 x 10cm (plate size) £150-250

£200-300

228

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

Lots 229 to 231 The Property of a Lady

229

229 ‡ HENRY LAMB RA 1883-1960

Coombe Bissett village, Wiltshire Signed and dated 30 Oil on canvas 46 x 91.5cm Provenance: r and rs E D Thorne, la stone ar By descent to current owner £4,000-6,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

230 ‡ HENRY LAMB RA 1883-1960

River landscape Signed and dated ‘50 Oil on canvasboard 50 x 60cm Provenance: r and rs E D Thorne, Flamstone Farm By descent to current owner £2,000-3,000

230

231 ‡ HENRY LAMB RA 1883-1960

A river landscape, possibly the i er Ebble Oil on canvasboard 50 x 60cm Provenance: r and rs E D Thorne, Flamstone Farm By descent to current owner £2,000-3,000

231 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

Lots 232 to 233 The Property of a Gentleman

232

232 ‡ LUCY ELIZABETH KEMP-WELCH RA 1869-1958

Three calves in an orchard Signed Watercolour 22.5 x 32cm Provenance: David Messum, London, 2003 £2,000-3,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

233

233 ‡ LUCY ELIZABETH KEMP-WELCH RA 1869-1958

The Transient Golden our Signed Watercolour 31.5 x 41.5cm Provenance: David Messum, London, 2006 £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

234

234 ‡ EDMUND BLAMPIED 1886-1966

Going to wor Signed and dated 1934 Mixed media 37 x 56cm See lots 12 and 181 by the same hand £2,000-3,000

235 ‡ EDMUND BLAMPIED 1886-1966

A horse grazing; Herdsman and cattle on a windy day Two, both signed Both etchings 20 x 25cm and 33 x 25cm (2) £300-500

235 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

236 ‡ EDMUND BLAMPIED 1886-1966

The water cart Signed three times and dated 1928 Watercolour 26 x 39cm Provenance: C. W. Kraushaar Art Galleries, New York £1,200-1,800

236

237 ‡ EDMUND BLAMPIED 1886-1966

Figures in a tavern Signed Pencil and watercolour 26.5 x 40cm £1,000-1,500

237

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

238

239

240

238 ‡ ROBERT VAN CLEEF

239 ‡ GORDON BENINGFIELD

240 ‡ ELISABETH SALTER

241 ‡ PETER BIEGEL

b.1914

1936-1998

20th Century

1913-1987

The blue shawl

Blue butterfly on a bra ble

Flowers and fruit

Signed Pastel 49 x 39cm

Signed Watercolour 25 x 19.25cm

£150-250

Six, all signed All watercolour 24.5 x 18.5cm and various (6) Salter is thought to have been a botanical artist for Worcester porcelain

ex, an English Setter Signed with initials, titled and dated 8.12.55 Pastel on buff paper 42 x 34.5cm £250-350

£200-300

242 ELIZABETH POLUNIN 1887-1921

Portraits of Ida Rubinstein, Patti Chanova in Spectre de la Rose; Portraits of Tamara Toumanova and Danilova in Blue Danube Four, all signed All pastels in two frames Each x c £400-600

241

242

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

244

243

243 GEORGES CHARLES ROBIN

244 NICOLE LE GUEN

245 ‡ EVE KIRK

1903-2003

20th Century

1900-1969

246 ERNEST BOROUGH JOHNSON

Benodet, Brittany, 1950

Riviera in summer

Italian views

1866-1949

Signed Oil on board 40 x 33cm (2)

Signed Oil on canvas 46 x 55cm

A pair, both oil on board Each x c

£400-600

£100-150

£200-300

ensington Gardens boating pond Signed with a monogram Oil on panel 31 x 38.25cm £200-300

245

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

246

247 Each lot is subject to a buyerâ&#x20AC;&#x2122;s premium of 25% plus VAT at 20%

248

247 GWEN JOHN

248 ‡ ELIOT HODGKIN

1876-1939

1905-1987

In Church

Acorns and oak leaves

Pencil and watercolour 19 x 14.5cm

Signed and dated 10.X.68 Tempera 12.3 x 12.5cm We are grateful to Mark Hodgkin for his assistance in the cataloguing of this lot See lot 80 by the same hand

Provenance: Mrs Lewthwaite Krushaar Galleries, New York £5,000-8,000

£4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

249

250

251

252

249 FREDERICK LANDSEER GRIGGS RA

250 ‡ ROBIN TANNER

251 ‡ STANLEY ANDERSON RA

252 ‡ STANLEY ANDERSON RA

1904-1988

1884-1966

1876-1938

The Carol Singers, 1929

National Gallery

The Almonry, 1925

Signed Etching 33 x 27cm

Signed Etching, unframed 22 x 29cm

Brook Farming; Hurdle making

£1,000-1,500

£300-500

Signed Etching, second state of six 25 x 17cm (plate size) Provenance: Aitken Dott & Son, Edinburgh, B9899

Two, both signed Both engravings, unframed, the first fro an edition of , the second from an edition of 50 19 x 15.5cm and 19 x 15cm (2) £400-600

£800-1,200 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

253

254

253 ‡ HENRIQUE MEDINA DE BARROS Portuguese 1901-1988

Portrait of a gentleman, seated with his riding crop and dog Signed, inscribed indistinctly and dated 1927, also inscribed and dated indistinctly verso Oil on canvas 112 x 87cm Provenance: Robinot Freres, 1929 £800-1,200

254 ‡ CHARLES FREDERICK TUNNICLIFFE RA 1901-1979

Portrait of T. E. Lawrence (Lawrence of Arabia) Signed Oil on canvas 60.5 x 50.5cm Tunnicliffe also painted Henry Williamson who was a friend of Lawrence and did Illustrations for Williamson’s wildlife books £1,500-2,500

255

256

255 ‡ HAROLD KNIGHT RA

256 C. M.

1874-1961

Late 20th Century

Portrait of Louis Gustave Schwabe (1867-1950) playing cards

Portrait of Mrs Elizabeth Inchbald seated with her dog

Signed Oil on canvas 77 x 63cm

Signed with initials and bears date 1890 Oil on canvas 98 x 57cm

Provenance: Later inscribed verso with name of sitter and Exhibited Royal Academy 1940, No. 551, by another hand See lot 264 by the same hand £300-500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

£300-500

257 ‡ NEVILLE SOTHEBY PITCHER

259 ‡ WILLIAM ARTHUR CARRICK

1889-1959

1879-1964

Lights on the Seine

View over a loch

Signed and titled Oil on board 38 x 47cm

Signed Oil on canvas 62 x 93cm

£300-500

£200-300

258 ‡ GEORGE BISSILL

260 HARRY TITTENSOR RI

1896-1973

1887-1942

Coombe Hill, Wiltshire

Place du Poids, Public Vannes

Signed, also inscribed Coombe Range, Wiltshire & Berkshire Border verso, partly deleted Oil on canvas 40.5 x 61cm

Signed Watercolour 30 x 25cm

257

£300-500

£250-350

258

259

Provenance: The Fine Art Society, London, Dec. 1941

261 ‡ BRUCE BAIRNSFATHER 1888-1959

An R.F.C. dream (Curse those pickled walnuts) Signed, titled and inscribed With best wishes to The Fledgling Pen, ink and wash, heightened with white 37 x 25cm £600-800

260

261 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

262

262 WILLIAM MARSHALL BROWN Scottish 1863-1936

Unloading the catch Signed Oil on canvas 91 x 145cm £3,000-5,000

263 ‡ J. LE SAUX 19/20th Century

Summertime on the beach Signed Oil on canvas 50 x 60cm £400-600

263

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

264

264 ‡ HAROLD KNIGHT RA 1874-1961

265

265 ‡ DOROTHY HEPWORTH 1898-1978

The Little Mother

Still life of fruit with a tazza and vase

Signed Oil on canvas 76 x 91.5cm Harold Knight visited the USA in September 1926. Laura Knight joined him for her second visit to the USA at the end of the year and they returned to England at the end of April 1927. As both the stretcher and the canvas are stamped and labelled verso as supplied in the USA it is very likely that this work was painted at that period in America and depicts the children of one of Knight’s American clients

Inscribed on stretcher verso Patricia Preece, Moor Thatch, Cookham, possibly by another hand Oil on canvas 51 x 61cm It is now believed that Hepworth’s paintings were attributed to Preece as she shunned publicity and preferred to remain anonymous £400-600

£8,000-12,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

267

266

266 JAMES STUART PARK

268 MAUD EARL

Scottish 1862-1933

1864-1943

Still life of white Lilies

A pair of bulldogs

Signed Oil on canvas 44 x 28.5cm

Signed Oil on canvas 61 x 46cm

£500-700

£1,000-1,500

267 JAMES STUART PARK Scottish 1862-1933

Still life of lilac orchids Oil on canvas, oval 50 x 39cm Provenance: Glasgow Art Club £700-1,000

268 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

269 ‡ FRANCES MABEL HOLLAMS 1877-1963

Silver Tail Signed, titled and dated 1936 Oil on panel 33 x 45cm £800-1,200

269

270 ‡ FRANCES MABEL HOLLAMS 1877-1963

Rosina Signed, titled and dated ‘34 Oil on panel 25.5 x 35.5cm £700-1,000

270

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

271 ‡ FRANCES MABEL HOLLAMS 1877-1963

Brown Owl Signed, titled and dated ‘39 Oil on panel 34 x 45.5cm £1,000-1,500

271

272 ‡ FRANCES MABEL HOLLAMS 1877-1963

Starlight Signed and titled Oil on panel 36 x 42cm £800-1,200

272

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

273

276

273 ‡ EDWARD SEAGO RBA ARWS RWS

275 ‡ RANDOLPH SCHWABE

1910-1974

Figure studies of a woman

Study of a Monkey

Signed Pencil 48 x 62cm With a print by Jacques Lipschitz titled Sauvetage (2)

1885-1948

Signed Conte crayon and grisaille wash 19 x 27cm £300-400

£150-250

274 ‡ JONATHAN TROWELL

274

1938-2013

276 ‡ JOHN DUNCAN FERGUSSON

Study of a greyhound

Scottish 1874-1961

Signed Conte Crayon 24 x 33cm

Charcoal 16 x 11cm

Paris sketch

Provenance: The Osborne Studio Gallery £100-150

Provenance: Margaret Fergusson, Compass Gallery, Glasgow A. B. Cameron OBE Exhibited: Compass Gallery, Glasgow, One-man Exhibition, 17th June-13th July 1972, No. 52 £400-600

275 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

277

278

277 ERIC GILL ARA

279 ‡ JOHN BUCKLAND-WRIGHT

1882-1940

1897-1954

Nudes from the series of 25 Nudes

Artist’s model I; Composition 7 Artist’s Model 2; Three Women

Four, all wood engravings, published by Dent, 1938 Each 22 x 13.5cm (4)

Three, all signed, two dated 1935 and one 1933 All woodcuts, unframed the third Artist’s proof 16 x 15cm and smaller (3)

£200-400

278 ‡ ERIC HENRI KENNINGTON RA 1888-1960

£600-800

280 ‡ DONALD PLENDERLEITH

The World, the Flesh and the Devil; Eternal Itch

1921-1995

Four, all woodcuts on tissue paper, unframed Each 25.5 x 19cm (4)

Signed, dated 1959, titled Woodcut 20 x 30cm (plate size)

Provenance: National Portrait Gallery, London, Lawrence of Arabia See lot 289 by the same hand

£100-150

£300-500

279

Brookland Church 280

281 ‡ FRANK WESTON BENSON 1852-1961

Yellowlegs No.2 Signed Etching 20 x 25cm (plate size) £100-150

281 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

100

282 ‡ MARGARET MAITLAND HOWARD 1898-1983

Studies of female nudes Five, all oil on canvas some with studies verso, all unstretched, all unframed 60 x 94cm and similar (5) At a time when women had only recently been allowed to paint the nude at Art School (but only from plaster casts and not from life initially) Margaret Maitland Howard made it an important part of her oeuvre. She observed the nude in a different way from the male artists of the day, who often idealised and her nudes were realistic and accurate renditions of the women who were posing. Work of this sort was frowned upon by the male dominated art establishment at the time, where the accepted norm was that only men could successfully paint the female nude. She studied at the Royal Academy Schools where she won multiple silver medals and went on to exhibit there, but as her work was often romantic and neo-classical in style harking back to the Pre-Raphaelites and the classicists she never achieved the recognition that she deserved £150-250

282

283 ‡ MARGARET MAITLAND HOWARD 1898-1983

Studies of standing male nudes Two, one signed verso Both oil on canvas, one with a further study verso, both unframed 96 x 61cm and 76.5 x 50cm With an unframed study of a seated lady by the same hand (3) £200-300

284 ‡ MARGARET MAITLAND HOWARD 1898-1983

Female nude standing and seated Two, one signed Both oil on canvas, with further studies verso, both unframed 91.5 x 51cm and 77 x 56cm With an unframed still life study of a porcelain figure and agnolia flowers 61 x 51cm by the same hand (3) £200-300

283

284 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

101

285

286

285 ‡ MARGARET MAITLAND HOWARD

286 ‡ MARGARET MAITLAND HOWARD

287 ‡ MARGARET MAITLAND HOWARD

1898-1983

Pluto and Persephone

Fisherman on a river with a bridge and town beyond

Saint Sebastian

Signed and dated 33 Oil on canvas 76 x 107cm £400-600

Inscribed indistinctly verso Oil on canvas 67 x 89cm

Signed, also signed verso Oil on canvas, unframed 114 x 93.5cm £250-350

£100-200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

287

102

288

289

288 ‡ FRANK DEAN

290 ‡ ANNA M. B. WINGATE

1865-1947

Scottish Exh.1899-1908

Benares, India

Portrait of a girl, head and shoulders, wearing orange and a headband

Signed, titled and dated 1909 Watercolour with bodycolour 60 x 45cm

Signed Oil on canvas 53 x 43cm

£700-900

£400-600

289 ‡ ERIC HENRI KENNINGTON RA 1888-1960

Figurehead of a ship Signed with initials and dated ‘54 Pastel 75 x 48cm Provenance: E. H. Kennington Estate, 1954, No. 154 Catherine Kennington, March 1975 See lot 278 by the same hand £800-1,200

290 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

103

291 THÉRÈSE LESSORE French 1884-1945

The Recital, 1930 Oil on canvas 76 x 56cm £1,000-1,500

292 ‡ NADIA BENOIS Russian 1896-1975

Reclining nude Signed and dated 46 Oil on canvas 50 x 66cm £600-800

292A ‡ ROY PETLEY b.1950

Girl on a beach with a black umbrella Signed Oil on board 30.5 x 35.5cm £100-150

291

292 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

292A

104

293 ‡ TOM COATES RBA RP RWS

295 ‡ CARL WENNEMOES

b.1941

Snowy woodland scene

Eastbourne

Signed, titled Ravnsholt and dated 1933 Oil on canvas 68.5 x 97cm

Signed with initials Oil on canvas 51 x 61cm See lot 113 by the same hand

Danish 1890-1965

£300-500

294 ‡ KATE STANLEY WILKINSON 1883-c.1960

Ponies in a landscape Signed Oil on canvas 48 x 56cm The artist studied with Lucy Kemp Welch

293

296 CIRCLE OF PHILIP WILSON STEER OM Two ladies reading in a sunny interior Oil on canvas 74 x 85cm £200-400

£100-150

294

295

296

297 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

105

297 ‡ ROWLAND SUDDABY 1912-1972

Near the Essex coast Signed Oil on canvasboard 36 x 51cm Provenance: Austin Desmond Fine Art, Ascot, 16th April 1988 See lot 496 by the same hand £250-350

298 ‡ DOROTHEA SHARP ROI RBA 1874-1955

Nanny Littlejohn and Allesandra des Voeux in a garden with a view of boats in St Ives harbour verso Signed with initials Oil on canvas, double sided, window mounted 37 x 42cm The painting on the back of this canvas depicts a large boat on the right in the St Ives harbour which is known to have left St Ives in the early 1920s and the painting is therefore thought to be one of the earliest paintings Sharp made when she arrived at St Ives. In 1941 Sharp painted the charming scene of Allesandra Des Voeux and her nanny, Nanny Littlejohn on the other side of the canvas and it is thought this was due to the shortage of canvas during the war. Dorothea Sharp’s partner was Marcella Smith and she ran a gallery at Lanhams, St Ives - an estate agent with a gallery and one of the only places you could buy art in St Ives in those days. Marcella was a good friend of Joyce Des Voeux the vendor’s (and Allesandra’s) mother and he remembers them all well. The lot is sold with a copy of a letter from Joyce. £5,000-8,000

298 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

106

299 ‡ SYLVIA GOSSE 1881-1968

Gate at Hibouville, c.1922 Signed Oil on canvas 31.5 x 38.5cm Provenance: Bloomsbury Auctions, 20 June 2013, Lot 7 £1,000-1,500

300 ‡ SYLVIA GOSSE 1881-1968

Cows in a sunny meadow Signed Oil on canvas 47 x 58cm Provenance: Bloomsbury Auctions, 20 June 2013, Lot 6

299

£750-1,250

301 HEDLEY 19/20th Century

View of Scarborough Signed and dated 1907 Oil on canvas 35.5 x 63cm £200-300

302 ‡ BRIAN STONEHOUSE 1918-1998

Beach Scene Signed and dated 84 Oil on canvas 51 x 76cm £200-300

300

301

302

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

107

303

304

303 ‡ CHARLES NEAL

305 ‡ JEAN KEVORKIAN

b.1951

French b.1933

Girls in a riverside meadow

Locronan enneigé, Snowy Locronan

Signed Oil on canvas 76 x 66cm

Signed, also signed and titled verso Oil on canvas 46 x 38cm

£1,500-2,500

Provenance: Studio stamp verso Omell Galleries, Ascot

304 ‡ CHARLES NEAL

£500-800

b.1951

Autumnal river scene Signed Oil on canvas 102 x 76cm £1,000-1,500

305

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

108

306

306 ‡ MARIE VOROBIEFF MAREVNA Russian 1892-1984

Two girls Signed and dated ‘42 Watercolour over pencil 60 x 46.5cm Provenance: Purchased from Marika Rivera Phillips, daughter of the artist, by the present owner c.1999/2000 £1,800-2,200 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

109

307 ALEKSEI MIKHAILOVICH GRITSAI Russian 1914-1998

May Greenery, 1968 Signed Oil on canvas 65 x 80cm Provenance: The Art Fund of the RSFSR, Moscow, 1990 Private collection £2,000-3,000

307

308 ALEKSEI MIKHAILOVICH GRITSAI Russian 1914-1997

Evening after the storm Signed and datd ‘94 Oil on canvas laid on board 73 x 100cm Provenance: Thomas Kearns McCarthey Gallery, Utah £2,000-3,000

308 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

110

309 NINA PAVLOVNA VOLKOVA Russian 1917-1993

Textile worker, Lyudmila Signed and dated ‘68 Oil on canvas 99 x 79cm Provenance: Thomas Kearns McCarthey Gallery, Utah £1,000-1,500

310 ‡ JAROSLAV HNEVKOVSKY Czech 1884-1956

Jungle village scene Signed and dated 1911 Oil on canvas 66 x 76cm £400-600

311 NIKOLAY KABANOV Russian 20th Century

The Kremlin, Moscow Signed, titled in cyrillic and dated 1984 Oil on canvas 59.5 x 80cm £400-600

309

310

311 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

111

312 PAVEL NIKONOV Russian b.1930

Autumn Signed and titled in cyrillic, also dated 2008-2010 verso Oil on canvas 135.5 x 200cm Provenance: Acquired directly from the artist by the previous owner Private collection, UK £1,000-1,500

312

313 PAVEL NIKONOV Russian b.1930

Spring Signed and titled in cyrillic, also dated 2008-2010 verso Oil on canvas 135.5 x 200cm Provenance: Acquired directly from the artist by the previous owner Private collection, UK £1,000-1,500

313

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

112

314 ‡ JOAN EARDLEY RSA Scottish 1921-1963

Close Mouth Pastel 12 x 9.75cm Provenance: Eardley Estate Inventory No. ED/355 The Compass Gallery, Glasgow Mr. Cameron Exhibited: The Compass Gallery, Glasgow, Christmas Exhibition, December 1971, No. 39 £1,000-1,500

315 ‡ BRIAN BRADSHAW b.1923

Still life of a lantern on a table Signed and dated 56 Oil on board 76.5 x 50.5cm £200-300

316 ‡ EDWARD WOLFE 1897-1981

Classical statue on the edge of a lake Signed and dedicated For Jim Wyllie Oil on board 62.5 x 30cm £250-350

314

318 ‡ GEORGE WEISSBORT 1928-2013

Still life of a small cannon and a bottle Signed and dated 1965 Oil on canvasboard 40.5 x 60.5cm Provenance: Direct from the artist’s estate £150-300

319 FOLLOWER OF PAUL NASH The Woodyard Bears inscription and titled twice verso Watercolour 41 x 51cm

315

316

£200-300

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

113

317 ‡ EVELYN DUNBAR 1906-1960

Joseph in prison Signed with initials Oil on canvas 46 x 35.5cm This painting is the, previously lost, third painting in Dunbar’s Joseph trilogy. In or around 1938 Dunbar conceived the idea of painting the ost significant o ents in the ld Testa ent account of the life of Joseph (Genesis 37-41). The other two paintings in the trilogy are Joseph’s Dream, which sold at auction last year and Joseph in the Pit which is in a private collection. World War 2 and Dunbar’s appointment as a war artist interrupted completion of this project, but after the war she took it up again, completing Joseph in the Pit and Joseph in Prison in 1949-50, when she was living in Enstone, Oxfordshire. She sold this painting privately to a Mr L F Herbert (the name inscribed verso and Herbert lent it back to Dunbar for the only solo exhibition of her career, at Withersdane, Wye (Kent) in December 1953. The label fragments on the frame may have been cut from this exhibition programme. The central figure in red is oseph hi self, and he bears so e resemblance to the Joseph in the Dream and the Pit. His famous coat of many colours was stolen from him by his brothers, but clearly he still has a li ing for colourful clothing Seen fro abo e in uarter profile, he also strongly resembles Dunbar’s husband Roger Folley, a horticultural economist then working at Oxford University. Genesis 40: 1-7 tells how Joseph, then in Egypt and falsely accused of rape, was thrown into the captain of the guard’s prison. He was later joined by Pharaoh’s butler and ba er the two recu bent figures in the painting and because he had proved himself to be an able and reliable person, a ‘trusty’ as one might say, the guard captain put him in charge of the butler and baker. Dunbar shows him serving them with sheep’s milk or something similar. She pinpoints the very day: it’s morning (the dawn sky through the window), Joseph comes into their cell and observes that they are sad. He asks why and they tell him they’ve had disturbing dreams, and the correct interpretation of these dreams is what enables Joseph’s eventual release. Joseph is equated with providing for mankind, something very important in Dunbar’s canon of beliefs and as a devout Christian Scientist. Later in the story he provides for his entire famine-stricken family, symbolising the Jewish nation. Dunbar sometimes casts the same mantle of provider on her husband Roger Folley in the context of his profession.

317

We are grateful to Mr Christopher Campbell-Howes for his help in the cataloguing of this lot. £3,000-5,000

318

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

319

114

320

321

322

323

320 ‡ JOHN KNAPP-FISHER

321 ‡ JOHN KNAPP-FISHER

322 ‡ JOHN KNAPP-FISHER

323 ‡ SIR WILLIAM GEORGE GILLIES RSA, RA

Welsh 1931-2015

Pembrokeshire Farmland

Moored boats

Scottish 1898-1973

Signed and dated 1967 Watercolour on buff paper 9.5 x 14.5cm

Signed and dated ‘62 Ink and Watercolour 7.5 x 23cm

Lower Harglodd, near. St Davids, Wales

£400-600

£500-700

Signed and dated 1967 Watercolour 11 x 19.5cm

Signed Pen, ink and watercolour 25.5 x 37.5cm

£600-800

Provenance: Aitken Dott & Son, Edinburgh

Edge of the Garden, Solway

£250-350

324 ‡ SIR WILLIAM GEORGE GILLIES RSA, RA Scottish 1898-1973

Yorkston Road, 1941 Signed Pen, sepia ink and wash 27 x 31.5cm Provenance: Aitken Dott & Son, Edinburgh, February 1970, No. 55

324

£200-300

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

115

325

325 ‡ FRÄNCIS GLÜSING

325A ‡ FRED MILNER

German 1885-1956

1863-1939

326 ‡ ATTRIBUTED TO ETHELBERT WHITE RWS

Ships in a busy harbour possibly Hamburg

Extensive lake landscape

1891-1972

Signed Oil on canvas 71 x 101cm

Signed Oil on canvas 52 x 61cm

Kyrenia Harbour, Girne, Cyprus

£1,500-2,500

£400-600

Bears added signature Oil on canvas 54 x 65cm £500-800

325A Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

326

116

327

328

327 ‡ GLADYS MCCABE ROI

328 ‡ MAXIMILIEN LUCE

329 ALBERT GOODWIN RWS

Irish 1918-2018

French 1858-1941

1845-1932

A view of Notre Dame, Paris

Studies of wo en wor ing in the field Study of an early hay-baler and farm workers

Lincoln Cathedral

Signed Pen ink and watercolour on buff paper 41 x 60cm £300-500

Two both signed Both pencil, the first on buff paper 22.5 x 30cm and 20.5 x 23.5cm With a further pencil sketch of a landscape by Jean Dufy (French 1880-1964) (3)

Signed and inscribed Lincoln Coloured chalks over pencil 25 x 36.5cm £300-500

£200-400

329

330

330 JOHN MATHER

331 ‡ EDWARD ARDIZZONE RA

Australian 1848-1916

1900-1979

Sunny Australian landscapes with gum trees

Head studies

Three, all signed and dated 1901, 1912 and one indistinctly All watercolour 33.5 x 49cm, 33.5 x 44cm and 23 x 34cm (3)

Two, both signed Both pen and ink on buff paper, framed together Each 32 x 22cm £200-300

£200-300

331 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

117

332

332 ‡ MICHAEL AYRTON 1921-1975

Don’t be so beastly...; The homosexual horse Two, signed and dated ‘52, the first extensi ely inscribed Pencil, framed together 24 x 17cm and similar Literature: Ayrton, Michael, Tittivulus, Published Max Reinhardt, 1953, p.86 and p.121 A copy of the book is included in this lot See lot 132 by the same hand £1,000-1,500

333 ‡ MICHAEL AYRTON 1921-1975

Poros, Greece Signed and dated 57 Oil on board 35.5 x 44.5cm Provenance: Sotheby’s 16th February, 2006, Lot 139 £700-1,000

333

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

118

334 ‡ HAROLD HITCHCOCK 1914-2009

The Mill Signed with a monogram and dated 1965 Watercolour 46 x 74cm £700-900

335 ‡ ARILD ROSENKRANTZ Danish 1870-1960

Mysterious girl in blue Signed Chalks 36 x 28.5cm £300-500

334

336 ‡ LEONARD HUSKISSON 20th Century

Simpson and Delilah Oil on canvas 76 x 101.5cm Provenance: Warden Alec Smith of New College, Oxford, 1966 With a letter from Ian Lowe of the Ashmolean Museum, Oxford regarding the painting Exhibited: Royal Academy, London, 1937, No. 589 £300-400

337 ‡ LESLIE HURRY 1909-1978

Interior of a Tent, Turandot Signed and dated ‘47 Pen, ink and watercolour 29 x 52.5cm Provenance: Roland, Browse & Delbanco, London National Gallery of Canada, 1956

335

£200-300

336

337 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

119

338

338 ‡ FELIX KELLY 1914-1994

Fairground, Moscow Signed and dated 70 Oil on board 46 x 71cm Provenance: Arthur Tooth & Sons Ltd., London, No. C7872 From where purchased by Lady Bernstein in 1971 £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

120

339

340

341

339 ‡ CHARLES PEARS

340 ‡ STEWART GEDDES

341 FOLLOWER OF CHARLES GINNER

1873-1958

b.1961

Convoy assembling in Falmouth Roads

Across Bristol, July 1991

A cottage in a hilly landscape

Signed Oil on canvas 51 x 92cm

Signed verso Oil on canvas 51 x 64cm

£2,000-3,000

Provenance: Waterman Fine Art, London

Oil on canvas 51 x 61cm £150-250

£300-500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

121

342

342 ‡ PIERRE BITTAR

343 GABRIEL CORNELIS DE JONGH

344 ‡ DAVID PRENTICE

French b.1934

South African 1913-2004

b.1936

Mediterranean landscape with rooftops and the sea beyond

Mountainous landscape

Shady Lane

Signed Oil on canvas 60 x 31cm

Signed and dated 2012 Watercolour 58 x 83cm

£300-500

Provenance: Artist’s studio label verso John Davies Gallery, Moreton-in-Marsh

Signed Oil on canvas 54 x 65cm £1,200-1,800

£200-300

343 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

344

122

345 JAMES KAY RSA Scottish 1858-1942

Sailing boats in a bay Signed Oil on board 51 x 61cm £800-1,200

346 ‡ WILLIAM BIRNIE Scottish 1929-2006

September day, East Linton Signed and dated 68 Oil on board 38 x 107cm Provenance: Artist’s address label verso £400-600

347 SENAKA SENANAYAKE Sri Lankan b.1951

igures in a rice field Oil on canvas 48 x 66cm Provenance: Bonham’s, Travel and Exploration sale, 4th December 2013, Lot 75 (part)

345

£600-800

348 ‡ SHANE MICHAEL COUCH b.1963

Britannia and The Ashes off the coast of the Isle of Wight Signed Oil on canvas 31 x 41cm £200-300

346

347

348 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

123

349

349 ‡ SAMUEL JOHN LAMORNA BIRCH RA

350 MIA ARNESBY BROWN

1869-1955

1865-1931

The Meeting of Waters, Devern, Rothiemay, Banffshire

The little fisher an

Signed Oil on canvas 63.5 x 76cm £4,000-6,000

Signed Oil on canvas, unframed 45 x 35cm A St Ives artist and wife of artist John Arnesby Brown £500-700

350 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

124

351

Each lot is subject to a buyerâ&#x20AC;&#x2122;s premium of 25% plus VAT at 20%

125

351 CHRISTOPHER RICHARD WYNNE NEVINSON ARA 1889-1946

H.M.S. Ark Royal Signed, titled and dated 1940 Watercolour and gouache 24.75 x 20.25cm Provenance: J. Leger & Son, London, April 1942 Gordon House, London £6,000-8,000

352 CHRISTOPHER RICHARD WYNNE NEVINSON ARA 1889-1946

African Mask Signed Oil on canvas 76 x 46cm Provenance: Gordon House, London £5,000-8,000

352 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

126

353 ‡ JOHN NORTHCOTE NASH RA, NEAC, LG

355 ‡ KEITH VAUGHAN CBE

1893-1977

Voyeur

1912-1977

Fritilleria Pyrenaica Signed, titled and dated May 7 55, also inscribed To Jimmy Woodford and annotated Pen and ink over pencil 40 x 24cm Provenance: Spink and Son, London Private collection, London £800-1,200

Dated under mount 15.XII.63 and studio stamp verso beneath backing board Ball point pen on cream paper 25.5 x 18cm £600-800

356 ‡ WILLIAM ROBERTS RA 1895-1980

354 ‡ KEITH VAUGHAN CBE 1912-1977

Standing Male Nude, c.1952 Studio stamp below mount Pencil 25 x 16.5cm Provenance: Given by artist directly to Professor Ball in mid 1970s Private collection

Gas alert Signed, titled and dated 1919 Pencil and watercolour 20.5 x 14.75cm Provenance: Duke’s Auctioneers, Dorchester, 10th April 2014, lot 114 Literature: William Roberts, online catalogue raisonné by David Cleall, illustrated £20,000-30,000

£1,000-1,500

353

354

355 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

127

356 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 185

128

358 ‡ JOHN MINTON 1917-1957

Jamaica Plantation, Tropical landscape, 1950 Signed and numbered 11/50 Lithograph 37.5 x 27cm £600-800

359 ‡ JOHN CRAXTON RA 1922-2009

Cat on a windowsill Signed and dated ‘82 Conte crayon and watercolour 24 x 17cm Provenance: Christopher Hull Gallery, London, MS No. 1141, Exhibition No. 29/1985 The Hon. Mrs Marten, 1985 £6,000-8,000

357

357 ‡ EDWARD BAWDEN CBE, RA 1903-1989

Utopia, illustration for Thomas More’s Utopia Signed and titled Pen, ink and watercolour 23.5 x 14cm Provenance: The Fine Art Society, London, October 1979 £800-1,200

358 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

129

359 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 185

130

360

360 ‡ EDWARD BAWDEN RA 1903-1989

Ironbridge Church Signed and dated 1956 Pen, ink and watercolour 46.5 x 57.5cm Provenance: Artist’s studio label verso Christies, London, 13th September, 2009, Lot 167 £8,000-12,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

131

361 ‡ EDWARD BAWDEN RA 1903-1989

The Cornish Quarry Signed and dated 1960 Mixed media, mounted, unframed 47.25 x 58.5cm Provenance: The Fine Art Society, 1st June 2004 £6,000-8,000

361

362 ‡ EDWARD BAWDEN RA 1903-1989

A mountainous lake landscape Signed and dated 1962 Watercolour 45.75 x 57cm Provenance: Christie’s, London, 13th September 2009, Lot 165 £5,000-8,000

362 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

132

363 ‡ EDWARD BAWDEN RA 1903-1989

Lover’s Lane, near Dunwich, Suffolk Signed and dated 1948 Pen, ink and watercolour 45 x 55.5cm Provenance: The Leicester Galleries, London, February 1949, No. 23 From where bought by O. Robinson, Esq. Bonhams, London, 29th June 2011, Lot 70 £4,000-6,000

363

364 ‡ EDWARD BAWDEN RA 1903-1989

In the Canadian Rockies Signed and dated 1949 Mixed media, mounted, unframed 46 x 58cm Provenance: The Fine Art Society, 1st June 2004 £4,000-6,000

364 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

133

365

365 ‡ EDWARD BAWDEN RA 1903-1989

Canmore, Alberta, Canada Signed and dated 1950 Mixed media, mounted, unframed 58 x 72cm Provenance: The Fine Art Society, 1st June 2004 £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

134

366

366 ‡ EDWARD BAWDEN RA 1903-1989

Cascade Mountain, Canadian Rockies Signed and dated 1949 Mixed media, mounted, unframed 41 x 61cm Provenance: The Fine Art Society, 1st June 2004 £4,000-6,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

135

367 ROBERT MCLELLAN BATEMAN Canadian b.1930

The Immigrants Signed and dated 1987 Oil on board 45.5 x 61cm Provenance: 2200 Dodge Street Omaha, Nebraska, Images of Nature: The work of Robert Bateman, 27th September8th November 1987 The Tryon Gallery, London £3,000-5,000

367

368 ‡ MARY POTTER 1900-1981

Beach huts and boats on a beach Oil on canvas 49.5 x 64cm Provenance: Britton Pears Estate and Sir Peter Pears CBE Thence by descent £2,500-3,500

368 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

136

369

370

371

369 GELI KORZHEV

370 GELI KORZHEV

371 ‡ HENRY MOORE OM, RA

Russian 1925-2012

1898-1986

In the bathroom; Conversation

Young mother; Girl with jugs

Mother and child

Two, both signed One pencil, the other pencil, chalks and watercolour 33 x 28cm and 17 x 24.5cm (2)

Two, both signed Both chal , the first on grey paper Each 23.5 x 15cm (2)

Provenance: Thomas Kearns McCarthey Gallery, Utah

Signed and numbered PLXIII 44/65 Etching with aquatint 32 x 25cm See lot 133 by the same hand

£800-1,200

£600-800

£700-1,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

137

372 ‡ EDWARD WADSWORTH ARA 1889-1949

Aspects of Industry, Introduction ICI Symbol Gouache, unframed 40.5 x 53cm Provenance: Dominic Winter, 23rd July 2004 Private Collection £2,000-3,000

372

373 ‡ JULIAN TREVELYAN RA 1910-1988

After Piero della Francesca Stamped, titled and numbered 7/50 Etching (Turner 1998, 30) 25.5 x 14.5cm (sheet size) Provenance: Bohun Gallery, Henley-on-Thames £150-250

374 ‡ OPHELIA REDPATH b.1965

Abstract Signed Gouache over pencil 29.5 x 20.5cm £200-300

373 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

374

138

375 ‡ SIR TERRY FROST RA

378 ‡ PIETRO ANNIGONI

1915-2003

1910-1988

Untitled

Queen Elizabeth II, 1954

Signed and dated 59/60 verso Watercolour 37 x 28cm Literature: Mel Gooding, Terry Frost: Act & Image, 2000, pl. 48 £1,500-2,500

Signed and numbered 539/850 Lithograph 37 x 29cm Provenance: Blenheim Fine Arts Ltd., London £100-150

376 ‡ PETER HOWSON OBE Scottish b.1958

Rise Signed and dated 2012 Pencil heightened with white on cream paper 39.5 x 29cm Provenance: Eton Contemporary Fine Art, Eton £300-500

377 ‡ JOAN MIRO

379 ‡ SIR WILLIAM RUSSELL FLINT RA, PRWS Scottish 1880-1969

Miss Moira Shearer, as Cinderella Signed and dated 17.2.50 Red chalk on blue/ grey paper 20 x 32.5cm See lots 130 and 131 by the same hand £1,500-2,500

Spanish 1893-1983

Composition No. 1, 1975 Lithograph, published at Mourlot Studio, Paris 32 x 24.5cm Provenance: William Weston Gallery, London £100-150

375

376

377

378 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

139

380 ‡ PRUNELLA CLOUGH 1919-1999

Chinese Paper Flowers, 1997 Lithograph 7/30 52.5 x 63cm (sheet size) Provenance: Private Collection, Paris Hargreaves and Ball Charitable Trust Anthony Hepworth Fine Art, Bath Literature: Spalding, Francis, Prunella Clough, Regions Unmapped, Published Lund Humphries, 2012 £300-500

379

381 ‡ DAME ELIZABETH BLACKADDER RA

382 ‡ DAME ELIZABETH BLACKADDER RA

383 ‡ DAME ELIZABETH BLACKADDER RA

Scottish b.1931

Orchidaceae, Cambria ‘Living Fire’ 1991-3

Orchid Paphiopedilum, 2000

Signed Etching with aquatint, Artists proof, Orchid portfolio 7 35 x 30cm (plate size)

Signed and numbered 35/60 Etching with aquatint 30 x 8.5cm (plate size)

Orchidaceae, Paphiopedilum Sanderianam, 1991-3

Provenance: Browse & Darby, London

£300-400

381

Signed Etching with aquatint, Artists proof, Orchid portfolio 10 35 x 30cm (plate size) Provenance: Browse & Darby, London £300-400

382

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

380

383

140

384 ‡ CAREL WEIGHT RA

384

1907-1997

386 ‡ CHARLES JAMES MCCALL

Figures in a garden

1907-1989

Signed on backing board verso Oil on canvasboard 49 x 24.5cm

A street at dusk

Provenance: Brandler Galleries, Brentwood, 14th June 2000 With a photograph of the artist holding the painting See lots 126 and 127 by the same hand

£150-250

£400-600

385 ‡ GIUSEPPE BOLZANI Swiss 1921-2002

Signed Oil on canvasboard 38.5 x 29cm

387 ‡ DEREK JARMAN 1942-1994

Sower of the Systems Signed, titled and dated June 04 verso Oil on canvas with embellishments 25.5 x 25.5cm £400-600

Still life Signed and inscribed Locarno verso Oil on canvas, unframed 50 x 100cm £300-500

385

386

387 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

141

388 ‡ DAVID HOCKNEY RA b.1937

Study of Byron, 1980 Signed and dated 79 and numbered 20/60 Lithograph 51 x 41cm Provenance: Possibly The Mezzanine Gallery £1,000-1,500

388

389 ‡ LAURENCE STEPHEN LOWRY RA 1887-1976

His Family Signed and stamped with Fine Art Trade Guild blindstamp Lithograph 52 x 70cm £700-1,000

389 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

142

390

390 ‡ EDWARD BAWDEN CBE, RA 1903-1989

The Palace of Westminster Signed and numbered 29/75, artist’s proof Linocut 51 x 66cm £1,200-1,800

391 ‡ JOHN PIPER CH 1903-1992

Anglesey beach Signed, titled and dated 1962 Pen, ink, pencil and wash on cream paper 18 x 26cm We are grateful to Revd. Dr. Stephen Laird FSA, FHEA for his assistance in the cataloguing of this lot £600-800

391 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

143

392 ‡ JOHN PIPER 1903-1992

Death in Venice, VIII, 1973 Signed and numbered 62/70 Screenprint, [Levinson, 232] 78 x 68cm £1,200-1,800

392

393 ‡ JOHN PIPER 1903-1992

San Marco, 1961 Signed, artist’s proof Lithograph, [Levinson, 116] 64 x 46cm £300-500

394 ‡ JOHN PIPER 1903-1992

St Bartholomew’s Church, Brighton, 1939, from a suite of 12 of the Brighton Aquatints series Aquatint, from an edition of 200 [Levinson, 22] 27.5 x 12.25cm Literature: For another example of this print see Christie’s, The Orde Levinson Collection of Prints by John Piper, Thursday, 26th July 2001, Lot 5 £600-800

393 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

394

144

395 ‡ JOHN BRATBY RA 1928-1992

Self-Portrait with a cigar Signed, also dedicated verso A present to dear Jack, strong meal Oil on canvas 76 x 50.5cm £800-1,200

395

396 ‡ JOHN BRATBY RA 1928-1992

Nude in a red armchair Signed twice, also inscribed verso To Jack with many good wishes from John & Patti and Both the same girl, painted 1974 March when I met Patti Oil on canvas 122 x 122cm £1,500-2,500

396 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

145

397 ‡ JOHN BRATBY RA 1928-1992

Portrait of a man in a red shirt Signed Oil on canvas 76 x 51cm £1,200-1,500

397

398 ‡ JOHN BRATBY RA 1928-1992

Self portrait in profile Signed, also inscribed verso With sincere good wishes Jack from your friend ... John Bratby ... and dated May ‘85 Oil on canvas 76 x 61cm £1,500-2,500

398 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

146

399

400

401

402

399 ‡ J. J. DESCHAMPS

400 ‡ VAL ARCHER

401 ‡ KENNETH DRAPER RA

402 ‡ KENNETH DRAPER RA

20th Century

b.1946

b.1944

1944

Tendresse; Le Temps Suspendu

Herons and egg

Deep

Cliff / Noon

Two, both signed, also both signed and titled on stretchers verso Both oil on canvas 41 x 33cm and 22 x 27cm (2)

Signed with initials and dated 1986 Oil on paper 52.5 x 72cm

Signed, titled and dated 90 Pastel 38 x 33cm

Signed, titled and dated ‘88 Pastel 44 x 50cm

£150-200

£200-300

Provenance: Foyer Exhibitions Artistic Projects, Royal Festival Hall, November 1988-January 1989, Ca. No. KD14

Provenance: One inscribed Galerie La Meridienne, Vannes on the frame verso £150-250

£300-500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

147

403

404

405

406

403 ‡ PADRAIG MACMIADHACHAIN RWA

404 ‡ PADRAIG MACMIADHACHAIN RWA

405 ‡ VICTOR PASMORE

406 ‡ EILEEN MAYO

1908-1998

1906-1994

Irish 1929-2017

b.1929-2017

Untitled

Sleepy cat

Dreaming in Mayo

The Pier, St Ives

Signed verso and inscribed Co. Mayo, The Mullet Oil on canvas 20.5 x 25cm

Signed, also signed titled and dated 1993 on backing board verso Oil on board 25 x 20cm

Signed with initials and dated 74 Aquatint, artist’s proof 37.5 x 38cm

Signed, titled and numbered 13/60 Etching 17.5 x 20.5cm

£300-500

£100-150

£200-300

Provenance: Artist’s studio label verso £500-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

148

407 ‡ JOHN SHELLEY b.1938

The Tithe Barn Signed, titled and dated 2000 verso Oil on board 51 x 61cm Provenance: Mandell’s Gallery, Northwich £1,000-1,500

407

408 ‡ JOHN SHELLEY b.1938

The White Gate Signed, titled and dated 2001 verso Oil on board 61 x 76cm Provenance: Mandell’s Gallery, Northwich £1,500-2,500

409 ‡ CRAIGIE AITCHISON CBE, RA Scottish 1926-2009

Crucifixion, c Titled verso Oil on canvas 50 x 40cm Provenance: Basil Jacobs Fine Art, London part label verso We are grateful to Dr. Andrew Lambirth for his assistance with the cataloguing of this lot

408

£20,000-30,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

149

409

Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 185

150

410

410 ‡ CLAUDE MUNCASTER RWS, ROI 1903-1974

Still Autumn Morning, Mortlake, 1965 Signed Oil on board 60.5 x 91cm Provenance: Artist’s studio label verso Abbott & Holder, London £1,500-2,500

411 ‡ HUGH CHEVINS 1931-2003

London Bridge, 1964 Signed Gouache 43 x 35cm Provenance: Direct acquisition from the Shell Collection Messum’s Gallery, London, British Impressions, Summer 2003, No. S143 £150-250

411 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

151

412 ‡ MARY FEDDEN OBE, RA 1915-2012

Still life, Lansdowne Crescent, [Bath] Signed and dated 1981, also signed and titled on a label verso Oil on canvas 51 x 61cm See lots 75, 104 and 105 by the same hand £6,000-8,000

412

413 ‡ MARY FEDDEN OBE, RA 1915-2012

Mediterranean landscape Signed and dated 1977 Gouache on card 17 x 19.5cm £1,200-1,800

413 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

152

414 ‡ ANDREW MACARA NEAC, RBA b.1944

Hoopla, Samos, Greece Signed Oil on canvas 51 x 61cm See lots 169 to 172 by the same hand £700-1,000

415 ‡ IVON HITCHENS 1893-1979

Figure, Early Morning Signed and numbered 92/375 Colour lithograph 60 x 49.5cm £300-500

416 ‡ DORA HOLZHANDLER 1928-2015

Couples dancing Signed and dated 85 Pen, ink and watercolour 33 x 25.5cm £400-600

414

415

416 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

153

417

417 ‡ ANNE REDPATH OBE, RSA, ARA Scottish 1895-1965

Wayside Cemetery, Corsica Signed, also titled on a label verso Oil on board 50.5 x 76cm Provenance: Britton Pears Estate and Sir Peter Pears CBE Thence by descent Anne Redpath visited Corsica in 1955 and the change of scenery prompted her to alter her style to account for the much more rugged scenery and the Mediterranean light. She used her palette knife more frequently and the application of paint beca e ore robust which gi e the wor s she painted on this trip a ore sculptural uality reflecting the harsher landscape, which pleased her. Many of her paintings on this visit were of the local architecture, as in this painting and the combination of the architecture and landscape was of great interest to her, of these paintings she said: I would exaggerate the buttress quality of the building… instead of having it at right angles to the earth I would exaggerate the fact that the base of it was broader than the top of it, then therefore it looked as if it was growing out of the hill £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

154

418 ‡ ANDREI SOKOLOV Russian 1931-2007

Satellites over Belarus Signed in Cyrillic, also signed and titled verso Oil on canvas, unframed 90 x 150cm Provenance: Thomas Kearns McCarthey Gallery, Utah, USA Acquired from above by present owner £1,000-1,500

418

419

420

419 ‡ BILL PRYDE

420 ‡ BET LOW

20th Century

Scottish 1924-2007

Winter Jasmins

From Island Bay, view from Colonsay; Northern Lights

Signed, titled and numbered 5/8 Screenprint 66 x 57cm

Two, both signed Both watercolour 14.75 x 20cm and 48 x 60.5cm (2)

Provenance: Royal Academy Exhibition, London, 2002

£400-600

£80-120

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

155

421 ‡ SANDRA BLOW RA 1925-2006

Blue Circle Collage Signed, titled and numbered 84/125 Serigraph 71 x 71cm £800-1,200

421

422 ‡ RICHARD MOULT 20th Century

Hypnagogue III, The House with nothing at Home Signed with initials and dated ‘04 Gouache 37 x 18.5cm £120-180

423 ‡ ZOE BENBOW b.1963

Siam Site Signed, titled and dated 1990 verso Oil on canvas, unframed 69 x 60.5cm With three further watercolour studies mounted together (2) £300-500

422 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

423

156

424 ‡ LEO MCDOWELL 1936-2011

Still life with cat Signed Mixed media 40 x 30.5cm £400-600

425 ‡ ZOE BENBOW b.1963

Abstract scene with boats; Abstract with waves Two, both signed and dated 88 on backing paper Both mixed media, one with collage 61 x 46.5cm and 41 x 64cm With three further watercolours mounted together and signed (3)

424

£200-300

425

426 ‡ LARRY WAKEFIELD 1925-1997

Abstract landscape Signed Oil on canvas 51 x 76cm Provenance: Royal Academy Summer Exhibition 1994 part-label verso £150-250

426

427

427 ‡ LARRY WAKEFIELD

428 ‡ LARRY WAKEFIELD

1925-1997

Untitled, pink abstract

Albion Street, Manchester

Signed Oil on canvas 60.5 x 76cm

Signed with initials and titled Manchester Mixed media 13 x 20cm

£150-250

£100-150

428

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

157

429 ‡ VERNON DE BEAUVOIR WARD 1905-1985

Barnacle Geese Signed and dated ‘48 Oil on canvas 56 x 46cm Provenance: Frost & Reed, London, 30th November 1956, No. S6379 Purchased from the Army & Navy stores 13th July 1957 by Mrs Metaxas By descent to the present owner £300-500

430 ‡ TREVOR BOYER

429

430

b.1948

Bearded Vulture sunbathing Oil on panel 83 x 89cm £150-250

431

432

431 ‡ RONALD MADDOX

432 ‡ RONALD MADDOX

b.1930

Above Arkle Beck, Arkengarthdale

Walled landscape, Dodd Fell

Signed Watercolour 68 x 49cm

Signed Watercolour 61.5 x 45cm

Exhibited: The Mall Galleries, London, 1991

Exhibited: The Mall Galleries, London

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

158

433 ‡ PHILIP JONES 1933-2008

White Villa, Kerasia Signed and dated 87, also signed and titled verso Oil on canvas 61 x 45.5cm Provenance: Louise Hallett, 1988 £600-800

434 ‡ PHILIP REEVES RSA, PRSW Scottish 1931-2017

Underground station, 1953 Signed Gouache 32 x 23cm Provenance: The Compass Gallery, Glasgow Mr. Cameron

433

Exhibited: The Compass Gallery, Glasgow, One-Man Exhibition, February 9th-March 2nd 1974, No. 2

434

£200-300

435 ‡ GORDON WYLLIE RSW Scottish 1930-2005

E pty field Signed and dated 98 Mixed media 18 x 18cm £300-500

435

436

436 SCOTTISH SCHOOL

437 ‡ IAN HOWARD

20th Century

b.1952

Sunrise in Galway

Crux

Bears signature Oil on board 50 x 59cm

Collage and mixed media on board 21 x 15cm

£100-200

Provenance: Bohun Gallery, Henley-on-Thames, 11th February 2017 The Estate of Dr Peter Mangold £50-80

437 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

159

438 ‡ JOHN HITCHENS b.1940

Sokenholes Summer Signed, also signed titled and dated 1966 verso Oil on canvas 51 x 76cm Provenance: Louise Kosman, Edinburgh See lots 154 and 162 by the same hand £600-800

438

439 ‡ MAURICE COCKRILL RA 1936-2013

Old Cutting; Untitled A pair, both signed, inscribed and dated 1990 verso Both oil on canvas Each 26 x 35cm Provenance: Bernard Jacobson Ltd., London, 14th April 1992 See lots 142 to 145 by the same hand £700-1,000

439 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

160

440 ‡ SIR ROBIN PHILIPSON RA, RSA, RGI, RCA, SSA Scottish 1916-1992

Three figures Signed Watercolour 27 x 37.5cm £800-1,200

440

441

442

441 ‡ DAVID BLACKBURN MBE

442 ‡ JULIAN PALTENGHI

443 CHARLES SUTTON

1939-2016

b.1955

20th Century

Untitled, green and red

ellow flowers in a ase

443

Harvest Thanksgiving, 2002

Signed and dated 1977 Watercolour with gouache 38 x 30cm

Signed Oil on canvas, unframed 101 x 45cm

Signed with initials Oil on canvasboard 30.5 x 30.5cm

£200-300

£400-600

Provenance: Rowley Gallery, London £150-250

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

161

444

445

446

444 ‡ ALLEN JONES RA

447

446 TOMOE YOKOI

447 ‡ DAVID WATT

b.1937

445 ‡ TREVOR STUBLEY RBA, RSW, RWS

Japanese b.1943

20th Century

The Tree

1932-2010

Still lifes

Pudenziana; Dalliance; Untitled

Signed, dated 88 and numbered 45/60 Lithograph [Lloyd 102f] 75 x 107cm

Riding Pillion

Three, all signed and dated ‘86, two numbered 4/10 and one 3/10 All etching with aquatint 78 x 52cm (3)

£400-600

Provenance: Artist’s label verso

Three, all signed, two numbered 75/95 and 45/150 the other inscribed HL All mezzotints 27 x 35cm, 30 x 32cm and 17 x 27.5cm (3)

£200-300

£120-180

Signed Acrylic and oil on paper 37 x 37cm

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

£300-500

162

448

449

450

451

448 ‡ JOHN BROWN RSW

449 ‡ JOHN BROWN RSW

450 ‡ LIN PATULLO

451 ‡ PAUL BASSINGTHWAIGHTE

Scottish b.1945

Scottish b.1949

b.1963

Madonna of Monserrat

Daily tasks on the beach

Boats in a harbour

Shaking the tree

Signed, also signed, titled and dated 2001 verso Oil on panel 79 x 74cm

Signed, also signed, titled and dated 2003 verso Oil on board 25 x 25cm

Signed Oil on canvas 30 x 30cm

Signed verso Oil on canvas 61 x 76cm

£200-300

£150-250

£600-800

£400-600

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

163

452 ‡ TRACEY EMIN CBE, RA b.1963

The artist nude in her studio from the Exorcism installation, 1996 Signed Photograph, unframed 20.75 x 25.25cm See lot 43 by the same hand £600-800

452

453

454

455

453 ‡ MICHAEL TAIN

454 ‡ LINCOLN TABER

455 ‡ CAROLYN WHITE

b.1927

1941-1989

1945-2013

Blue

Chihuahua and woman

Summer landscape; Landscape with an urn

Signed and dated 1972, also signed and titled verso Oil on canvas 101 x 76cm

Oil on paper 28.5 x 20cm

Two both signed with initials Both gouache 30 x 22.5cm and 29 x 41cm (2)

£200-300

Provenance: Royal Academy of Arts, Summer Exhibition, 2000, No. 2 £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

£250-350

164

456 ‡ WILLIAM GEAR RA, FRSA, RBSA 1915-1997

Untitled, red, blue and yellow Signed and dated 59 Mixed media 79 x 57cm See lot 150 by the same hand £800-1,200

457 ‡ WILLIAM GEAR RA, FRSA, RBSA 1915-1997

Untitled, yellow and purple Signed and dated ‘76 Mixed media 54 x 88cm £700-1,000

456

457

458 ‡ WILLIAM GEAR RA, FRSA, RBSA 1915-1997

Rhodes Signed and dated 84 Mixed media 38 x 56cm £600-800

458 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

165

459

460

459 ‡ PHILIP JONES 1933-2008

Beach Expansion, Gambia; Winter Garden, Gambia A pair, both signed, titled and dated 05 and 2001 Both oil on paper Each 29 x 29cm (2) Provenance: The first li er Conte porary, London, Winters Choice VI, February 2009 The second - Oliver Contemporary, London, Spirit of Place, May-June 2003 £500-800

460 ‡ SIR PETER BLAKE CBE, RA b.1932

Girl in a poppy field Signed, dated 74, and numbered 118/125 Screenprint 41 x 27cm £200-300

461

461 ‡ SIR PETER BLAKE CBE, RA b.1932

Six French Postcards All signed and dated 1969, 5 numbered 39/75 and one Artists proof. No 2. All screenprints Each 43 x 27.25cm (6) £1,200-1,800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

166

462 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

Red tulips Signed, also titled and dated 94 verso Oil on canvas 91 x 91cm See lot 140 by the same hand £4,000-6,000

462

463 ‡ JOHN BELLANY CBE, RA Scottish 1942-2013

The redhead Signed, also dated indistinctly Pencil and watercolour 55 x 36.5cm £800-1,200

463 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

167

464

465

464 ‡ JOHN BELLANY CBE, RA

465 ‡ JOHN BELLANY CBE, RA

Scottish 1942-2013

Spotted Scarf

Clio

Signed Pencil and watercolour 37 x 27cm

Signed and titled Pencil and watercolour 37 x 27cm

£600-800

466 ‡ JOHN BELLANY CBE, RA 1942-2013

Homage to Tony Underhill, 1979 Signed, numbered 10/50, presentation copy for William Gear Etching 49.5 x 35cm (plate size) £150-250

466 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

168

467 ‡ SIMEON STAFFORD b.1956

Marazion boating club Signed, also signed and titled on stretcher verso Oil on canvas, unframed 81 x 81cm £1,000-1,500

467

468 ‡ SIMEON STAFFORD b.1956

Winter Scene Signed Also signed and titled verso Oil on canvas 90 x 90cm £800-1,200

468 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

169

469 ‡ SIMEON STAFFORD b.1956

Mousehole Signed Oil on canvas 90 x 90cm £800-1,200

470 ‡ SIMEON STAFFORD b.1956

Stuck on the sandbank Signed, also titled verso Oil on canvas, unframed 50 x 119cm £800-1,200

469

470 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

170

471 ‡ JOHN MILLER 1931-2002

Study for figure in a landscape (vermilion/ turquoise) Titled and dated c1990 on stretcher verso in another hand Oil on canvas 56 x 76cm A copy of an exhibition catalogue from David Messum included in lot. Exhibition ran from 15th November-1st December 1990 Provenance: Acquired direct from John Miller’s studio/estate and Michael Truscott by the present owner £700-1,000

471

472 ‡ JOHN MILLER 1931-2002

Study for Exeter Cathedral Titled and dated c1990 on stretcher verso in another hand Oil on canvas, unframed 66 x 76.5cm Provenance: Acquired direct from John Miller’s studio/estate and Michael Truscott by the present owner £700-1,000

472 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

171

473

474

475

476

473 ‡ JOHN MILLER

474 ‡ JOHN MILLER

475 ‡ JOHN MILLER

476 ‡ JOHN MILLER

1931-2002

Study for Mediterranean landscape

Study of Tuscan landscape

Study for Mallorcan Farmhouse

Titled and dated c1990 verso in another hand Oil on canvas 45.5 x 61cm

Titled verso and dated 1990 in another hand Oil on canvas 40.5 x 46cm

Three studies for crucifix, St Michael’s Mount

Provenance: Acquired direct from John Miller’s studio/estate and Michael Truscott by the present owner

£400-600

£200-300

Titled and dated c1990’s on stretcher verso in another hand Oil on canvas, unframed 66.5 x 61cm Provenance: Acquired direct from John Miller’s studio/estate and Michael Truscott by the present owner £500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

One signed, all dated 19.10.86 Watercolour 55 x 38cm (3) all unframed

172

477 ‡ PETER HOWSON OBE Scottish b.1958

Portrait of Martin O’Neill and Dick Advocaat Signed and dated 2001 Pastel on grey paper 45 x 59cm £800-1,200

477

478 ‡ GEOFFREY ROBINSON

479 BRITISH SCHOOL

b.1945

20th Century

Still Life with a Dutch drawing

Still life in blue

Signed Oil on canvas 30.25 x 40.5cm

Oil on canvas 40 x 50cm £200-400

Provenance: Studio stamp on backing board verso £400-600

478

480 ‡ ROZANNE BELL b.1962

Blue Moon Signed Acrylic on board 89 x 89cm £300-500

479

480 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

173

481

482

483

484

481 ‡ PATRICK PROCKTOR RA

482 ‡ PATRICK PROCKTOR RA

483 ‡ PATRICK PROCKTOR RA

484 ‡ NORMAN ACKROYD RA, CBE

1936-2003

b.1938

Early Morning Venice, 1975

Lake Tai-Hu, Wusih, China Series

Signed Aquatint, unframed 63 x 45cm (sheet size)

Signed, Artist’s proof Aquatint 45 x 59.5cm

Signed Aquatint 45 x 75cm (plate size)

£200-300

£300-500

anguage of flowers,

Hillside and Rainbow Signed, titled, dated 1975 and numbered 74/90 Aquatint 36 x 38cm (sheet size) £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

174

486

485 ‡ DOUGLAS STANNUS GRAY 1890-1959

486 ‡ GEORGE J. D. BRUCE PPRP

Still life of roses in a vase

b.1930

Oil on canvas 46 x 36cm

Honeysuckle and fuchsias

Provenance: Spink & Son, London, No. K25607 Private collection, UK

Signed Oil on canvasboard 43 x 64cm With a red chalk drawing of a nude by the same hand (2)

£500-800

Provenance: The Collection of Commander David Joel £300-500

485

487 ‡ FRED DUBERY 1926-2011

ore studio flotsa Signed Oil on board 40 x 30cm Provenance: New Grafton Gallery, London, 22nd October 1998, N5396 Cat. 16 £200-300

488 ‡ RICHARD PIKESLEY NEAC, ARWS b.1951

Poppy heads Signed Oil on canvas 50 x 46cm See lots 3, 4 and 123 by the same hand

487

488

£200-300

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

175

489 ‡ GEORGE SHAW 1929-1989

A barque at sea Signed Oil on canvas 71 x 91cm £300-500

490 FRANS VAN DAMME Belgian 1860-1925

Fishing boats on the shore Signed Oil on canvas 40 x 60cm £300-500

491 ‡ HARRY F. VAN DER WEYDEN

489

American 1868-1952

A rocky coastline Signed Oil on canvas laid on panel 27 x 34.5cm £300-500

492 ‡ MATTEO SARNO Italian 1894-1957

Capri Signed, titled and dated 1949 Oil on canvas laid on board 46 x 50cm £300-400

490

491 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

492

176

493 ‡ FRANK WOOTTON

495 ‡ DAVID COBB ROI

1914-1998

1921-2014

Spitfires ascending

Falklands War scene, 1982, HMS Hermes and escort HMS Broadsword seen through a gap in the clouds, Combat Air Patrol above

Signed Oil on canvas 56 x 76cm £500-700

494 ‡ HUGH BOYCOTT-BROWN RSMA 1909-1990

September afternoon, Strand on the Green Signed Oil on board 23 x 33cm

493

Signed, also signed, titled and dated 1982 verso Oil on board 29 x 60cm Provenance: The Collection of Commander David Joel See lots 28 to 30 by the same hand £300-500

Provenance: The Wapping Group of Artists See lot 62 by the same hand

496 ‡ ROWLAND SUDDABY

£200-300

Winter landscape; Horse and cart near a cottage and river with a further study verso

1912-1972

Both with studio stamp Both watercolour 37 x 55cm and 44 x 55cm (2) Provenance: The Art Stable, Blandford, Dorset (Winter Landscape) See lot 297 by the same hand £300-500

494

495

496

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

177

497

498

499

500

501

497 ‡ TESSA NEWCOMB

498 ‡ VINCENT HADDELSEY

499 ‡ BRYAN KNEALE

500 ‡ BOHUSLAV BARLOW

501 ‡ BOHUSLAV BARLOW

b.1955

1929-2010

b.1930

b.1947

Love changes everything; barn scene with dog

London morning

Wild rose

Falling dream

Signed with initials, also signed, titled and dated 1973 verso Oil on canvas 33 x 46cm

Signed and dated ‘58 Oil on canvas 106.5 x 71cm

Signed and dated 94 Oil on paper 56 x 36.5cm

‘Over the moon’ Still life with flowers

£600-800

£120-180

One signed with initials and dated 96 also inscribed and dated verso the other signed with initials and dated 2003 One oil on canvas, the other oil on board 36 x 46cm and 20 x 26cm (2)

£200-300

£250-450

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 185

Signed and dated 97 Oil on canvas 51 x 35.5cm £120-180

178

INDEX OF ARTISTS A Ackroyd, Norman Aitchison, Craigie Anderson, Stanley Annigoni, Pietro Appel, Karel Applebee, Leonard Archer, Val Ardizzone, Edward Arisman, Marshall Ar field, axwell A Arnesby Brown, Mia Auerbach Ayrton, Michael B Bairnsfather, Bruce Barlow, Bohuslav Barns-Graham, W Barry, Claude F Bassingthwaighte, P Bateman, Robert M Bawden, Edward Beer, Richard Belgian School Bell, Julian Bell, Rozanne Bellany, John Benbow, Zoe Beningfield, Gordon Benois, Nadia Benson, Frank W Biegel, Peter Birch, Samuel J. L. Bird, Henry Birnie, William Bissill, George Bittar, Pierre Blackadder, Elizabeth Blackburn, David Blake, Peter Blampied, Edmund Blow, Sandra Bolzani, Giuseppe Borough Johnson, E Bottomley, Fred Boycott-Brown, Hugh Boyer, Trevor Bradbury, Artur R Bradshaw, Brian Brangwyn, Frank Bratby, John Brereton, James J Brewster, Martyn British School Brown, Bob Brown, John Brown, William M Bruce, George J D Buck, Chris Buckland-Wright, J Burgess, Arthur Buxton, Dudley

484 409 251, 252 378 149 124 400 331 97 350 38 132, 332, 333 261 500, 501 33 37 451 367 357, 360, 361, 362, 363, 364, 365, 366, 390 86 208 94 480 140, 462, 463, 464, 465, 466 423, 425 292 281 241 349 115 346 258 342 381, 382, 383 441 460, 461 12, 181, 234, 235, 236, 237 34, 146, 421 385 246 114 62, 494 430 108 315 224, 225, 226 395, 396, 397, 398 163 81, 82, 83, 84 194, 479 10 448, 449 262 486 203, 204, 205 279 18 1

C C. M. Carrick, William A. Chagall, Marc Charles McCall Chevins, Hugh Clause, Chris C Clough, Prunella Coates, Tom Cobb, David Cockrill, Maurice Collins, Cecil Continental School Cooper, Alfred E Corbero, Xavier Coster, David Couch, Shane M Coward, Nöel Craxton, ohn Cuming, Fred D Dali, Salvador Dalrymple, Neil Daniels, Alfred Darwin, Robin Dashwood, Geoffrey Davies, John de Beauvoir Ward, V de Bellefroid, I de Jongh, G Dealtry, William Dean, Frank Dean, Graham Dennatt, George Dent, Margot Deschamps, J J Dodwell, Samuel Done, Ken Draper, Kenneth Dubrey, Fred Dufy, Raoul Dunbar, Evelyn Dunlop, Ronald O Dunstan, Bernard Dutch School E Eardley, Joan Earl, Maud Emanuel, John Emanuel, John Emin, Tracey English School Eustace, David F Faulkner, Amanda Fedarb, Daphne Fedden, Mary Fenton, Greta Fergusson, John D Fitzsimmons, Frank Flint, William R. Foster, Deryck Frost, Terry

256 259 134 15 411 11 380 113, 293 28, 29, 30, 495 142, 143, 144, 145, 439 147, 148 199 215 188 57 348 161 7 195 186 166 122 189, 190, 191 165 429 187 343 20 288 98, 99, 100 87, 88 184 399 36 93 401, 402 487 158 317 160 128, 129 54 314 268 35 202 43, 452 193, 211 45 138, 139 78 75, 104, 105, 412, 413 164 276 107 130, 131, 379 9 31, 32, 207, 375

G Gear, William Geddes, Stewart Gill, Eric Gillies, William George Ginner, Foll. of Charles Glüsing, Fräncis Goodwin, Albert Gosse, Sylvia Granier, David Greenaway, Kate Greenwood, Orlando Greig, James Griggs, Frederick L Gritsai, Aleksei M Guest, Alison H Haddelsey, Vincent Hadenfeldt, Gertrude Haldar, Asit K. Hann, George Hayes, Peter Hedley Helleu, Paul Cesar Hepworth, Dorothy Hill, Jeffery J Hitchcock, Harold Hitchens, Ivon Hitchens, John Hnevkovsky, Jaroslav Hockney, David Hodgkin, Eliot Hollams, Frances M Holzhandler, Dora Houston, Ian Howard, Ian Howard, Ken Howard, Margaret M Howson, Peter Hoyland, Henry Hubert, Ernest Hughes, Patrick Hurry, Leslie Huskisson, Leonard uxley ones, Thos B uxtable, Sydney E J Jackson, Kurt Jackson, Mary Jarman, Derek Jenkins, Derek Jenkins, Paul John, Augustus E John, Gwen Jones, Allen Jones, Philip Jones, Robert Jowett, Katherine Joyce, Peter

150, 456, 457, 458 340 277 323, 324 341 325 329 299, 300 167 220 64 117 249 307, 308 13 498 216, 217 238 60 179 301 116 265 201 334 415 154, 162, 438 310 388 80, 248 269, 270, 271, 272 416 6 437 25, 26, 27 282, 283, 284, 285, 286, 287 376, 477 49 79 141 337 336

42 24 387 46 137 228 247 444 433, 459 21 223 85

179

INDEX OF ARTISTS K Kabanov, Nikolay Kay, James elly, elix Kelly, Robert Kemp-Welch, Lucy E Kennington, Eric H Kevorkian, Jean Kirk, Eve Knapp-Fisher, John Kneale, Bryan Knight, Harold Korzhev, Geli L acoux, ohn Lamb, Henry Langmaid, Roland Laudy, Jean Law, Denys le Saux, Lees, Derwent Lenkiewicz, Robert O Lessore, Thérèse Low, Bet Lowry, Laurence S uce, axi ilien

311 345 101, 102, 103 232, 233 278, 289 305 245 320, 321, 322 499 255, 264 369, 370

229, 230, 231 8 40 109 76 39 291 420 389

M Macara, Andrew 169, 170, 171, 172, 414 MacMiadhachain, P 403, 404 Macpherson, Charlie 206 addox, onald , Maeckelberghe, Margo 44 Maltby, John 197 Marevna, Marie V 306 Mather, John 330 Mayo, Eileen 406 Maze, Paul L 95, 156, 157 Mazilu, George 96 Mccabe, Gladys 327 McCall, Charles J 386 McClure, David 155 McDowell, Leo 424 McIntyre, Donald 14 McLellan, Margaret 89, 90 Medina, Henrique 253 Meninsky, Bernard 118 Miller, John 471, 472, 473, 474, 475, 476 Minton, John 358 Miro, Joan 377 Moira, Gerald E 63 Moore, Henry 133, 371 Morgan, Glyn 65, 66, 67, 68, 69, 70, 71, 72, 73, 74 Moult, Richard 422 Muncaster, Claude 410 Musker, Alison C. 112 N Nash, Foll. of Paul Nash, John N. Naviasky, Philip Neal, Charles

319 135, 353 110, 111 303, 304

Nevinson, Chris. R W Newcomb, Tessa Nikonov, Pavel O Orr, Chris

351, 352 497 312, 313 91, 92

P Paltenghi, Julian Parfitt, a es Park, James S Pasmore, Victor Patullo, Lin Pears, Charles Philipson, Robin Pikesley, Richard Piper, John Pitcher, Neville S Plenderleith, Donald Polunin, Elizabeth Potter, Mary Prentice, David Procktor, Patrick Prout, Margaret F Pryde, Bill

266, 267 405 450 339 440 3, 4, 123, 488 391, 392, 393, 394 257 280 242 368 344 481, 482, 483 106 419

R Radziwill, Marie-L Redpath, Anne Redpath, Ophelia Reeves, Philip Richmond, Leonard Roberts, William Robin, Georges Robinson, Geoffrey Roche, Laurence Roder, Enre Rosenkrantz, Arild Rothenstein, Michael Roussell, Theodore Rowe, Tommy Russell, Attrib. to J P Ryder, Susan

182 417 374 434 2 356 213 478 152 153 335 52, 53, 136 227 180 219 22

S Salisbury, Frank O Salter, Elisabeth Sanders, Christopher Sarno, Matteo Sawyer, David Schwabe, Randolph Scottish School Seago, Edward Senanayake, Senaka Sharkey, Kevin Sharp, Dorothea Shaw, George Shelley, John Shields, Ceri Sims, Charles Soddart, Mark Sokolov, Andrei Soukop, Willi Spear, Ruskin Stafford, Simeon

58 240 19 492 51 275 436 273 347 159 298 489 407, 408 214 119 200 418 185 120 467, 468, 469, 470

442

Stannus, Douglas Steer, Circle of P W Stonehouse, Brian Storey, Harold Stubley, Trevor Suddaby, Rowland Sumray, Maurice Sutton, Charles Sutton, Linda Sweeney, Jan

485 296 302 61 445 297, 496 47 443 151 183

T Taber, Lincoln Tain, Michael Tanner, Robin Taplin, Guy Teng-Hiok, Chiu Thomas, Margaret Thorpe, John H Tittensor, Harry Trevelyan, Julian Trowell, Jonathan Tunnicliffe, Charles F

454 453 250 173, 174, 175 243, 244 168 222 260 373 274 254

V Van Damme, Frans van der Weyden, H F Vanhove, Barbara Vaughan, Keith Verry, Mark Volkova, Nina P

490 491 77 354, 355 178 309

W Wade, Robert A Wadsworth, Edward a efield, arry Wakeham, Philip Walker, Ethel Ward, Eric Ward, Toby Wasley, Frank Waters, Billie Watson, Mary S Watt, David Weight, Carel Weissbort, George Wells, Denys George Wennemoes, Carl White, Attrib. to E White, Carolyn Whiteread, Rachel Widgery, Frederick J Wilkinson, Kate S. Wilkinson, Norman Williams, Jaqueline Wingate, Anna M B Winslow, Henry Wolfe, Edward Wootton, Frank Wyllie, Gordon

5, 16 372 , , 196 48 41 23 50 55 176, 177 447 126, 127, 384 318 121 295 326 455 198 210 294 1 17 290 218 56, 316 493 435

Y Yokoi, Tomoe

446

BRITISH ART POTTERY Wednesday 12th December 2018

John Ward (born 1938) A black and white vase Estimate: £6,000 - £10,000

ENQUIRIES: Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

FINE PORCELAIN Tuesday 19th February 2019 Entries are now being accepted for this sale

A Chelsea sunflower tureen with cover and stand, c.1755, naturalistically moulded, 22.5cm. From the collection of Nigel Morgan O.A.M. Estimate: £1,000 - £1,500

ENQUIRIES: ENQUIRIES ClareDurham Durham| |Tel: Tel:+44 +44(0)1722 (0)1722424507 424507 || cd@woolleyandwallis.co.uk Clare cd@woolleyandwallis.co.uk

Tribal Art & Antiquities Wednesday 20th February 2019 Entries are now being accepted for this sale

A Yami magamaog Taiwan Wood and horn 53cm high Estimate: £2,000 - £3,000

ENQUIRIES: Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Tuesday 6th March 2019 Entries are now being accepted for this sale

Joseph Van Aken (Flemish 1709-1749) A lady and her maid at a vegetable seller’s cottage, a thief attempting to steal her watch Oil on canvas, in a carved wood frame 63 x 76cm; 24¾ x 30in Provenance: Woolley & Wallis, Salisbury, 28th September 2011, Lot 283 Estimate: £7,000 - £10,000 ENQUIRIES: Victor Fauvelle | Tel: +44 (0)1722 446961 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0)1722 446962 | jb@woolleyandwallis.co.uk

184

Auction Information OPENING HOURS Monday to Friday 9am â&#x20AC;&#x201C; 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can e taine fr t e ffice eit er ring t e ie r n the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US ll fir t ti e er nee t regi ter it Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of i entificati n 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address can regi ter in er n r c ntacting t e ffice n 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrange ent it t e ffice BUYERâ&#x20AC;&#x2122;S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 0 incl i e) n t e fir t 500 000 an 2 l VAT @20% (14.4% inclusive) thereafter.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via thesaleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.thesaleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2 c nfir t at are a t ri e t r i e t e e cre it card details to Woolley and Wallis Salisbury Salerooms Ltd through www.thesaleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds terling f are a fir t ti e er e ill nee r name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept car a ent f er 000 ere t e car l er i n t present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 rt c e 0 4 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee f 20 ( ) er c n ign ent an a t rage c arge f 2( ) er l t er a g ill e all e t e collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at efra g a la en i rt e rt cite ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 50 000 0 200 000 200 000 0 50 000 05 50 000 0 500 000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firear tg n licencing regi e an a nl e ie e and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller e i entit f r rea n f c nfi entialit i n t n r all i cl e Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense efiniti e

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on t e fir t 500 000 an 2 l 20 ( 4 4 ) incl i e t ereafter

VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the er e a ine t e g iti nall in ecifie circ tance l t misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression eli erate f rger i efine in r C n iti n f ale) Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a alifie electrician fir t Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. an ( ) et er t ere i an ecific r i iti n n i rting t e g in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration f r ef r f i entificati n ill e re ire if are n n n to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission i t e a cti neer a refer t e fir t i recei e lea e en ire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss it r Office in a ance f t e ale if t er et f a ent are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on eac l t l f r t 0 n eac l t reali ing 000 an above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection a e lia ilit f r r ert c n igne t at l er re ale e ti ate To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked fir t ec rig t in re ect f c ill trati n all e t e r ert of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been t e a er rice f ecificall gi e i creti n e a acce t a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the c t f te ting e ternal c ntract r n t certifie a afe an electrician (unless antiques) will not be accepted for sale. They must be re e at r e en e n r eing n tifie e re er e t e rig t t dispose of unsafe goods as refuse, at your expense.

Soft furnishings. The sale of soft furnishings is strictly regulated by tat te la in t e intere t f fire afet f n t infringe afet regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

187 11. Unsold and withdrawn items. If an item is unsold it may with your c n ent e re ffere at a f t re ale ere in r ini n an ite is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our aler it t fficient ale in tr cti n an re er e t e rig t t a e ini are ing c arge f 2 er l t er a n l l t are subject to the same charges if you do not remove them within a rea na le ti e f n tificati n f n t re e it in t ree ee e reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be a e C r c e e fi e ee after t e ale nle t e er has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) r etc refer t t e er a i entifie in C n iti n 2 (h) The singular includes the plural and vice versa as appropriate.

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent t r rig t t retain eneficiall t e re i ai t e er in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon f 25 l 20 (t talling 0 incl i e) n t e fir t 500 000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affi e it a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be re n i le f r an re lting eficienc in t e t tal a nt e (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in r e i n f r an r e ntil t e e t e i ati fie (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and t n te t e la t f t e acc ati n an ec rit arrange ent Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

188 10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall ea e t a e caref ll in ecte an ati fie t e el e a t it condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we re er e t e rig t in r a l te i creti n t refer t e fir t i a e 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these C n iti n in t eir entiret an n t e er f C n ign ent a n tifie t the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a eli erate f rger (a efine ) a e ret rne t it in 2 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue e cri ti n an a ritten tate ent f efect f e are ati fie fr t e evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that ( ) if t e catal g e e cri ti n re ecte t e acce te ie f c lar an experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the enefit f e l ee an agent f t e eller an r t e a cti neer a themselves enforce them. 18.

n n tice t an er eller i er r ie er a e gi en fir t cla mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary

(a)

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle f ar ear n r ini n a r an a et ni entifie t distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not i entifie title n r t l n t ect t ret rn ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 50 000 0 200 000 200 000 0 50 000 05 50 000 0 500 000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. i

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DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: 5

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We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

By telephone – +44 (0)1722 424599

We collect your personal data from the following sources: From you when you: interact it ef re entering int a c ntract it f r e a le when you express your interest in our Services; in tr ct t r i e er ice t ign c ntract al c entati n and provide information in connection with those instructions; c nicate it t tele ne e ail r ia r e ite f r example in order to make enquiries or register for an online account; in ari t er a a interact it ring r ti e a a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: t er a cti n e an in i i al an rgani ati n in t e auctioneering trade whom we may contact to check background details about you; t e aler c ena le li e nline i ing an r i e with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); age a who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); i ing c anie ire t c llect ite rc a e from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

•

• • • • •

your name and contact details including address, telephone and email address; your image, as captured by CCTV, if you attend our premises; er nal i entificati n c ent incl ing c ie f g ern ent i e i entificati n c a a rt an ri ing licen e ic are required to register bidders (or when we need to verify a seller’s details); account details and other information relating to your transactions/ dealings with us and your use of our Services; payment details such as credit card and bank account details; credit and payment history (where you open an account with us as a buyer or bidder); information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: •

• • • •

• • •

We may collect the following personal data about you: •

ill e n tifie t

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

alli c

HOW WE COLLECT YOUR PERSONAL DATA

ignificant c ange

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

• lle an

to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; to deal with any concerns or feedback you may have in the performance of the Services; for our internal business record keeping and processes; to seek advice on our rights and obligations, including obtaining legal advice; to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; to customise our website and marketing communications in line with your particular interests or preferences; to collect money owed to us or our consignors; to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following: • • • • •

our professional advisors; thesaleroom.com; debt collection agencies; third parties who assist us with our marketing; our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • •

to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

190 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

e a al r ce r er nal ata ere e a e r ecific c n ent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular: • •

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: •

if it is necessary to protect your or another person’s vital interests (for e a le ere a e a life t reatening acci ent r illne an e a e to process your personal data to ensure you receive appropriate medical attention);

•

if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

•

in relation to CCTV images taken when you attend our premises, we will retain these for a few months; in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; in relation to personal data relating to the provenance of works, we may retain t at ata in efinitel in r legiti ate intere t an t e legiti ate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • • • • • •

• •

to obtain access to, and copies of, the personal data that we hold about you; to require that we cease processing your personal data if the processing is causing you damage or distress; to require us not to send you marketing communications. to require us to correct the personal data we hold about you if it is incorrect; to require us to erase your personal data; to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); to receive from us the personal data we hold about you which you have r i e t in a rea na le f r at ecifie incl ing f r t e purpose of you transmitting that personal data to another data controller; to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. f are n t ati fie it e are r ce ing r er nal ata can rai e a c ncern it t e nf r ati n C i i ner can al fin t more about your rights under data protection legislation from the Information C i i ner Office e ite a aila le at www.ico.org.uk

191

LW AY W ES T IL

WILTON & WARMINSTER

CENTRAL CAR PARK

SALISBURY WE S OUT H

F IS

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options a aila le t at t e al ati n i ecificall tail re t in i i al client’s needs.

W AY

T) C

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all c nfi entialit are ara nt

A RO

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A3 60

A36 CH UR CH ILL WA YN OR TH D

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AMESBURY & MARLBOROUGH

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HL AS

Valuations

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

LN SALT

WINCH ESTER ST

NEW

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

NEW ST RE

T ST ANN S

SOUTHAMPTON CATHEDRAL

Woolley & Wallis Salerooms

A W

A36

HAR NH AM RO AD A30 9

A36(T) SO UTHA MPT ON

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NEW H

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A338 BOURNMOUTH & RINGWOOD OW

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A354 DORCHESTER WEYMOUTH & BLANDFORD

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Woolley and Wallis valuations are accepted by all leading insurance companies. PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof. We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call r ffice n 0 22 424500 DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

Kia Motors

Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Old Sarum Park

Westover Garage

Sarum Business Park

Woolley & Wallis Woolley & Wallis Salisbury Salerooms

1st Self Access Storage

r Po

A36 Ch

k Par ive eeh

id &R

urchill Way

Castle Gate

MARLBOROUGH & SWINDON

A345 Castle Rd

SALISBURY A36

AMESBURY

Old Sarum

(2n r) Cliff r treet (open by appointment only)

Woolley & Wallis Salisbury Salerooms Ltd. 5 Ca tle treet ali r ilt ire Registered in England No.2998482 VAT No: 631 9832 29

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Design & Production by

EXCELLENCE IN DESIGN & PRINT

192

Woolley & Wallis Absentee Bid Form Modern British & 20th Century Art PLEASE PRINT CLEARLY IN BLOCK LETTERS

Tuesday 4th December 2018

Lot Number in numerical order

PW041218 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyerâ&#x20AC;&#x2122;s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) ____________________________ ____________________________________________________ Address ____________________________________________ ____________________________________________________ ____________________________________________________ _________________________ Postcode _________________ Daytime Telephone __________________________________ Email_______________________________________________ All accounts must be settled within 21 days. ID is required f r all fir t ti e i er Signature ___________________________________________

ali r aler 5 Ca tle treet Tel: 01722 424500 Fax: 01722 424508

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Brief Description

Price excluding buyerâ&#x20AC;&#x2122;s premium & VAT

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees

424505 446955 424506 +44 (0)7812 601098 424571

CHINESE PAINTINGS Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JAPANESE ART Alex Aguilar Doméracki

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Madeleine White

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Ilona Pichler Sally Trench

446960 446959

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Pauline Jones Sharon Ringwood Nicola Young Ruth Pike SALEROOM MANAGER David Jordan

424500

CASTLE GATE RECEPTION Megan Corbett

20TH CENTURY DESIGN 12th December 2018 – British Art Pottery 20th March 2019 – Clarice Cliff, Art Deco & Design Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

MEDALS & COINS, ARMS & ARMOUR 21st November 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

SILVER 22nd & 23rd January 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

FURNITURE, WORKS OF ART & CLOCKS 9th January 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk

CASTLE GATE MANAGER Matt Hill

Natalie Milsted FCCA Finance Director

424599

WOOLLEY & WALLIS

www.woolleyandwallis.co.uk

WOOLLEY & WALLIS SALISBURY SALEROOMS

MODERN BRITISH & 20TH CENTURY ART Tuesday 4th December 2018

MODERN BRITISH & 20TH CENTURY ART TUESDAY 4TH DECEMBER 2018