December 13 | Winspear Opera House
That visceral connection, the shared group energy we get from a live performance is very special and cannot be replicated on a digital screen. Be In The Room, and be a part of that powerful personal connection with art.
Creating moments of awe, like tonight’s performance, is what makes the TITAS/DANCE UNBOUND season so very special. It’s hard to put into words, but it’s something you just have to experience in the room, with an audience. Diverse, global, entertaining, all describe the magic of TITAS. Nothing Replaces the Live Experience.
We celebrate and contribute to the international profile of our city. We celebrate the value of serving an adventurous and eager audience, and we celebrate the value of cultural awareness and the enrichment of a community. This is the heart of TITAS and our contribution to the cultural landscape of North Texas. New audience members are always surprised by their experience. “I’m overwhelmed, this was not what I expected,” this is the comment we hear at virtually every performance. With four decades under our belt, we see the power of bringing top-notch artists from around the world to our city.
The 2024:25 season won’t disappoint. Breathtaking artistry, athletic and amazing dancers makes this a very special season of internationally touring companies. We proudly present a season of ten extraordinary companies from the United States, New Zealand and Spain, with four companies making their debuts and three companies performing with live music.
Thank you for being a part of another exciting year of performances, and thank you for engaging in the arts and with TITAS/DANCE UNBOUND and the AT&T Performing Arts Center.
What we do together, truly does make a difference.
Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUND
Alonzo King
Choreographer, Artistic Director & Co-Founder
Robert Rosenwasser
Executive Director, Creative Director & Co-Founder
Maël Amatoul • Babatunji • Adji Cissoko
Theo Duff-Grant • Lorris Eichinger • Shuaib Elhassan
Joshua Francique • Mikal Gilbert • Ilaria Guerra
Marusya Madubuko • Tatum Qiuñónez • Amanda Smith
General Manager Brandi Williams
Production Director Seah Johnson
Rehearsal/Stage Manager Byron Roman II
Music Supervisor Philip Perkins
Rehearsal Directors Meredith Webster, Julia Erickson, Jenny Sandler
Stage Supervisor Joshua Weckesser
Alonzo King LINES Ballet would like to thank thefollowing funders for their invaluable support:
Season Presenting Sponsor
New Work Sponsor
In association with AT&T Performing Arts Center
Presents
Mother Goose
World Premiere with San Francisco Symphony, Davies Symphony Hall, San Francisco, 2024
Choreography Alonzo King
Music
Lighting Design
Costume Design
Maurice Ravel
Seah Johnson
Robert Rosenwasser
Prélude. Très Lent Company
Premier Tableau—Danse Du Rouet Et Scène
Maël Amatoul & Company
Deuxième Tableau: Pavane De La Belle Au Bois Dormant
Adji Cissoko with Shuaib Elhassan & Tatum Quiñónez
Troisième Tableau: Les Entretiens De La Belle Et De La Bête
Adji Cissoko with Shuaib Elhassan & Josh Francique
Quatrieme Tableau: Petit Poucet
Theo Duff-Grant & Company
Cinquième Tableau: Laideronnette, Impératrice Des Pagodes
Amanda Smith with Mikal Gilbert & Company
Apotheose: Le Jardin Féerique Company
Choreography
World Premiere: YBCA, San Francisco, 2024
Alonzo King
Music Alice Coltrane
Lighting Design
Costume Design
Costume Construction
Prelude: Music + Sound Design
Seah Johnson
Robert Rosenwasser
Shannon Maxham, Abdiel Portalatín Pérez,
Joan Raymond
Philip Perkins
Full Company
Prelude: DD2
Wisdom Eye
Radhe-Shyam
Transcendence
Journey in Satchidananda
Translinear Light
The Sun
Turiya and Ramakrishna
Radhe-Shyam
Govinda Hari
Om Supreme
Hari Siva
Spiritual Eternal
Jai Ramachandra
Going Home
Special Thanks to the Lisa Stone Pritzker Family Foundation and the National Endowment for the Arts for supporting this creation.
TITAS/DANCE UNBOUND
Next Production: Ballet Hispánico
January 24 . 25 2025
Moody Perfomance Hall
To support TITAS/DANCE UNBOUND Please Scan, and Thank You.
TITAS.ORG
ATTPAC.ORG/TITAS
Alice Coltrane’s pioneering and trailblazing career has changed the course of history. She forged masterful creative works, created music that beams universal love and spirituality to anyone that is listening, and laid the groundwork for musicians for years to come to do the same. She was prolific in her creation, with iconic works that include Journey In Satchidananda (one of Rolling Stone’s 500 greatest albums), A Monastic Trio, Universal Consciousness, Ptah, the El Daoud, and continued creating music when she started her ashram in California—music from that time would later be released to critical acclaim. Beyond her recorded output (elegantly explored in The New York Times’ Five Minutes That Will Make You Love Alice Coltrane), Coltrane was a beloved and wise spiritual leader, a pragmatic person with a keen eye for business, and a deeply giving human, who emphasized the importance of charitable giving, education, and spiritual guidance.
In an extraordinary collaboration, Alonzo King LINES Ballet partners with The John & Alice Coltrane Home and the Coltrane Family to celebrate the life and work of the legendary spiritual leader, composer, pianist, and harpist Alice Coltrane, an artist celebrated for her pioneering and trailblazing career. As part of “The Year of Alice,” LINES Ballet premieres a new work set to her transformative music. This premiere is part of a series of nationwide tributes honoring Alice Coltrane’s extraordinary legacy. LINES Ballet is joining organizations including Impulse! Records, the Detroit Jazz Festival, the Hammer Museum, and The New York Historical Society to honor Alice Coltrane through performances and exhibitions.
Alonzo King choreographed his very first work to the music of Alice Coltrane, which premiered at the company’s inaugural performance in 1982 at the McKenna Theater, San Francisco State University. King continues to draw inspiration from her groundbreaking contributions. “I’ve been mesmerized by the transcendental music of the incredible Alice Coltrane since I was a child,” says King.
Jazz saxophonist Ravi Coltrane, Alice’s son, reflects on her enduring impact: “Alice was ahead of her time, one of the first people to move outside the mainstream, and certainly one of the first female, Black, American jazz musicians to record her own music in her own studio, and to release music on her own terms…people across all generations are finding their way to Alice’s music in a myriad of different ways. It’s hard to pinpoint what makes her music so powerful, but there’s something in her spirit, in her intention, that is very clear—and people can feel that immediately.”
“One of the most sophisticated musicians of the early 20th century, Maurice Ravel was born on March 7, 1875, in Ciboure, France Showing great musical promise as a child, he began his piano studies at the Paris Conservatoire when he was just 14 years old. Ravel remained a Conservatoire student off and on for 14 years, adding composition classes with the renowned Gabriel Fauré.
Ravel enthusiastically sought out experiences with a wide range of music, attending performances, for example, at the 1889 Paris Exhibition, where he heard a Javanese gamelan, Russian music by Rimsky-Korsakov, and more. He also joined Les Apaches, a group of literary, musical, and artistic contemporaries which openly shared and discussed a range of cultural topics and trends” (sourced from chambermusicsociety.org). “Ravel’s early masterpiece, Pavane for a Dead Princess (1902) was performed by this group.
Although Ravel never had any children of his own, he loved children, and he composed the Mother Goose Suite for two pianos between 1908–1910. People liked it so much that he later orchestrated it and presented it as a ballet. Ravel is remembered most for Boléro, an orchestral work that he wrote for a famous Russian dancer named Ida Rubenstein. In this masterpiece, it’s easy to hear how Ravel was inspired by the Spanish songs that his mother used to sing to him” (sourced from dallassymphony.org).
Seah Johnson has over two decades of freelance production experience as a lighting designer, touring lighting supervisor, production manager, and technical director for a variety of dance, theatre, and opera companies across the world. She was the resident lighting designer and lighting supervisor at Aspen Santa Fe Ballet for fourteen seasons, lighting world premieres of ballets by Cayetano Soto, Nicolo Fonte, Jorma Elo, Alejandro Cerrudo, Fernando Melo, and many more. She currently tours with LINES Ballet as the company Production Director and is based out of Seattle, WA.
Philip Perkins has served as Sound Designer for Alonzo King LINES Ballet since 2012 and was co-composer of Alonzo King’s ballets Figures of Speech and Let Not Your Heart Be Troubled. Other choreographers and dance companies he has worked with include The Cambrians, Rashaun Mitchell, Charlotte Griffen, Risa Jaroslow, and Mary Oslund. He was a member of The Residents performance ensemble (1978–84) and served as their cinematographer and lighting designer. He has also released twenty albums of his own work between 1979–2023 on the Fun Music, Artifact, CHoon SubCity, and Captured Tracks labels. Musicians and directors he has worked with include Errol Morris, Oliver Stone, John Korty, Albert Maysles, HP Mendoza, Emiko Omori, Tom Waits, Fred Frith, Charles Lloyd, Jason Moran, Bobby McFerrin, Rova Saxophone Quartet, Pauline Oliveros, Frederika von Stade, Bob Mould, Mike Patton, negativland, Kronos Quartet, Wadada Leo Smith,
“Blue” Gene Tyranny, The Hub, Alasdair Fraser, Phillippe Jaroussky, and Zakir Hussain, among many others.
Choreographer, Artistic Director & Co-Founder
Alonzo King, Founder and Artistic Director of Alonzo King LINES Ballet, has been called a visionary choreographer, who is altering the way we look at and think about movement. King calls his works “thought structures,” created by the manipulation of energies that exist in matter through laws which govern the shapes and movement directions of everything that exists.
Named as a choreographer with ”astonishing originality” by The New York Times, Alonzo King has guided LINES Ballet with his unique artistic vision since 1982. King has works in the repertories of the world’s leading ballet and modern companies and has collaborated with distinguished visual artists, musicians, and composers across the globe. His work has been recognized for its impact on the cultural fabric of the company’s home in San Francisco, as well as internationally by the dance world’s most prestigious institutions.
Named a Master of Choreography by the Kennedy Center in 2005, King is the recipient of the NEA Choreographer’s Fellowship, the Jacob’s Pillow Creativity Award, the US Artist Award in Dance, NY Bessie Award, and the National Dance Project’s Residency and Touring Awards. In 2015, he received the Doris Duke Artist Award in recognition of his ongoing contributions to the advancement of contemporary dance. Joining historic icons in the field, King was named one of America’s “Irreplaceable Dance Treasures” by the Dance Heritage Coalition. He is a former San Francisco commissioner and a writer and speaker on humanity and art. A recipient of the SF Arts Medallion Award and inducted into the California Hall of Fame, King holds an honorary doctorate from Dominican University of California, the California Institute of the Arts, and The Juilliard School.
ROBERT ROSENWASSER
Executive Director, Creative Director
& Co-Founder
Robert Rosenwasser shapes the aesthetic and artistic direction of each project at the Company, including conceptual design and production. In addition to his work with Alonzo King LINES Ballet, he has designed for American Ballet Theater, Ballet de Monte Carlo, Ballet Bejart, the Royal Swedish Ballet, San Francisco Ballet, Alvin Ailey American Dance Theater, Dance Theater of Harlem, Ballet Rambert, Joffrey Ballet, and Frankfurt Ballet. Working with Kelsey St. Press, Mr. Rosenwasser has collaborated with artists and poets Richard Tuttle, Kiki Smith, Cecilia Vicuna, Mei-mei Berssenbrugge, and Barbara Guest. This work can be found at the New York Museum of Modern Art in the Department of Books and Illustrated Prints, at the Whitney Museum, and at the Spencer Collection of the New York Public Library. Mr. Rosenwasser has been the Executive Director of LINES since 2019. He grew up in New York and attended Fiorello H. LaGuardia High School of Music & Art and Performing Arts, Cooper
Maël Amatoul is native to the French Riviera. He embarked on a journey at the PNSD Rosella Hightower in Cannes, where he trained in ballet and contemporary. Amatoul has worked on pieces by choreographers including Jean Christophe Maillot, Christophe Garcia, Hervé Koubi, and Francesco Curci. In 2022, he was awarded a Scholarship of Excellence in Art and Culture from the Côte d’Azur University. After seven years in Cannes, Amatoul decided to open up his dance experience to new techniques and joined The Ailey School. There, he had the opportunity to learn and perform works by Alvin Ailey and renowned choreographers such as Ray Mercer, Branndi Lewis, Renee Robinson, and Clifton Brown. After attending the LINES Ballet Summer Program in June 2023, Amatoul joined Alonzo King LINES Ballet as a company dancer.
Babatunji was born in Portland, Oregon, but raised on the Big Island of Hawaii. He received his formal dance training from Center Stage Dance Studio and the University of Hawaii in Hilo before moving to San Francisco to train at the LINES Ballet Training Program on a full scholarship. Babatunji has performed works by diverse choreographers such as Sidra Bell, Amanda Miller, Gregory Dawson, and Maurya Kerr. He has performed overseas in Japan and China and danced with Philein/ZiRu productions, Maurya Kerr’s tinypistol, and Dawson|Wallace Dance Project. Babatunji joined LINES Ballet in 2013 and danced with the company for six years. Currently, he is a dancer with Post:Ballet and SFDanceworks in San Francisco. He rejoined LINES Ballet in 2021.
Adji Cissoko was born and grew up in Munich, Germany, where she trained at the Ballet Academy Munich and graduated with a diploma in dance. Cissoko attended the Jacqueline Kennedy Onassis School at American Ballet Theatre in New York City on full scholarship before joining the National Ballet of Canada in 2010. In 2012, she was awarded the Patron Award of Merit by the Patrons’ Council Committee of The National Ballet of Canada. Cissoko joined LINES Ballet in 2014. Since then, she’s originated many central roles and guested for galas worldwide. Cissoko has given multiple master classes and taught classes around
the world as part of the company’s outreach program. In 2020, she became certified in health/life coaching and ABT’s National Training Curriculum. Cissoko choreographed her first piece, "AZIZ," for Ballet X in 2021. She is also a 2022 recipient of the Toulmin fellowship and was the Artist-in-Residence for Vail Dance Festival in 2023.
Theo Duff-Grant was born in Vancouver, Canada. He studied at Goh Ballet Academy for ten years before completing his training at the Dutch National Ballet Academy. In 2015, he joined the Dutch National Ballet, and in 2017, he moved to Saint Petersburg, Russia, to join the Mikhailovsky Theatre. He joined LINES Ballet in 2022.
Raised in Virginia Beach, VA, Mikal Gilbert developed a love for dance at the age of 19 while studying music performance at the University of the Arts. It was there that his passion grew upon encouragement from several dance faculty members. He then went on to formally train at Norfolk Academy under the tutelage of Elbert Watson, where he studied ballet and modern. In 2017, Gilbert was an inaugural member of Complexions Contemporary Ballet’s Pre-Professional Program. In 2018, he continued his studies at The Ailey School as a full scholarship recipient.
Mikal has attended intensives and workshops at Alvin Ailey Dance Theatre, Dance Theatre of Harlem, Complexions, and BalletX. Mikal is a “Dancer of Philadelphia” and has been a member of Koresh Dance Company (2019–2022), Dance Iquail (2022), and PHILADANCO! (2022–2024), where he performed works by Bernard Gaddis, Milton Myers, Christopher Rudd, and Tommie Wheed. Mikal joined LINES Ballet in 2024.
Lorris Eichinger started training in Grenoble at the National Conservatory and continued at the Ecole Nationale Superieure de Danse de Marseille. After training at The School of American Ballet in New York from 2010 to 2013, Eichinger joined the Professional Division Program of the Pacific Northwest Ballet in Seattle. He then moved back to France to dance with the Jeune Ballet de Lyon. Eichinger danced with De Dutch Don’t Dance in the Netherlands in 2015 and then moved to Israel to join Kamea Dance Company in 2016. He joined LINES Ballet in 2019.
Shuaib Elhassan, from Manhattan’s Lower East Side, began his formal dance training at The Ailey School under the co-direction of Tracy Inman and Melanie Person on a full scholarship. Elhassan has also trained at intensives such as Earl Mosley’s Institute of the Arts, Jacob’s Pillow, and Complexions Contemporary Ballet. Elhassan was a member of Complexions Contemporary Ballet during their 2012–2013 season. Additionally, Elhassan has performed with Life Dance Company, Zest Collective, Dance Iquail, and the Von Howard Project. Elhassan joined LINES Ballet in 2014.
Josh Francique was born and raised in Chicago, Illinois. He began his dance training with Deeply Rooted Dance Theater back in 2015. Francique continued his training in the Northern Illinois University BFA Dance Program and soon after at The Ailey School on a full scholarship. Francique has performed works by Nicole Clark-Springer, Gary Abbott, and Kevin Iega Jeff, to name a few. In 2020, Francique attended the LINES Ballet Training Program for a year. He then joined LINES Ballet in 2022.
Ilaria Guerra was born in Torino, Italy. At the age of five, she moved to Palos Verdes Estates, California, where she trained in classical ballet at Lauridsen Ballet Center, performing with their pre-professional company, South Bay Ballet. Guerra graduated Summa Cum Laude from the Alonzo King LINES Ballet BFA Program at Dominican University of California with a Bachelor of Fine Arts in Dance and a minor in Arts Management in 2013. She joined dawsondancesf under the direction of Gregory Dawson in 2013. In 2016, Guerra received an Isadora Duncan Dance Award for Ensemble Performance. Guerra joined LINES Ballet in 2018 and has had the chance to tour all over the US, Canada, and Europe with the company. In 2022, Guerra earned her Master’s degree in Arts Administration from Drexel University.
Originally from New York, NY, Marusya Madubuko began her pre-professional training at age 15 with Premiere Division Ballet under the tutelage of Nadege Hottier. In 2019, Madubuko competed at the Royal Grand Prix in Italy, winning second place for her contemporary and classical solo. She trained with the Bolshoi Ballet Academy, the Royal Ballet School, and at San Francisco Ballet School, where she had the opportunity to dance repertoire including Helgi Tomasson’s Nutcracker
and Cinderella, as well as George Balanchine’s A Midsummer Night’s Dream. In 2021, she participated in BalletUnleashed’s first creative project "Switchback," working with choreographer Cathy Marston to create a solo. Madubuko joined LINES Ballet in 2021.
Amanda Smith grew up in Orange County, CA and trained at California Dance Academy, Pointe of Grace, and Anaheim Ballet. In 2008, she was crowned Miss Dance Drill Team California and USA. She moved to New York to study at SUNY Purchase where she received her BFA in 2012. There, she studied abroad and performed at the Dance New York International Dance Festival in Madrid, Spain.
After graduating, Smith joined Charlotte Ballet and worked with Patricia McBride. In 2015, she moved back to New York, where she joined New York Theatre Ballet. Smith also taught and participated in outside projects including The Black Iris Project and Kymera Dance, and she was featured in a national campaign for GAP. She then joined the Dance Theatre of Harlem in 2017 and was featured on the cover of Dance Magazine’s 2019 April issue. While at DTH, Smith performed many roles in ballets such as Allegro Brilliante and Blake Works IV. She also guested for Debbie Allen’s Hot Chocolate Nutcracker. Furthermore, Smith has taught classes, performed as a guest artist all over, and worked with many prolific artists such as Arthur Mitchell, Carmen De Lavalade, and William Forsythe.
Tatum Quiñónez began her training at Master Ballet Academy in Phoenix, Arizona. She then continued her training at Ballet West Academy and the BWA Trainee Program. She spent her summers at Ballet Arizona, Ballet Austin, Pacific Northwest Ballet, Ballet West, and Oregon Ballet Theatre. Quiñónez then joined Oregon Ballet Theatre’s second company, OBT2, in 2019. She has performed works by George Balanchine, August Bournonville, Willam Christensen, Gerald Arpino, Christopher Stowell, James Canfield, and LeeWei Chao. Quiñónez joined LINES Ballet in 2021.
Donations received
July 2023 – September 2024
PLATINUM $20,000 and up
Allyn Media
American Airlines
City of Dallas, Office of Arts and Culture
Dallas Tourism Public Improvement District Program
Fichtenbaum Charitable Trust, Bank of America, N.A., Co-Trustee
Read and Steven~ Gendler
Ann and Fred~ Margolin
The Eugene McDermott Foundation
DeMetris Sampson~
Sheraton Dallas Hotel
Texas Commission on the Arts
TACA (The Community Arts Alliance)
Donna Wilhelm Family Fund
GOLD $10,000-$19,999
Leland Burk and Thomas Feulmer
Lee A. Cobb~ and Lucilo A. Peña
Crow Museum of Asian Art of the University of Texas at Dallas
Carol A. Crowe
Claire Dewar~
Empire Baking Co/Meaders and Robert Ozarow
Michael Ginsberg and Lorri Michel/ Sterlizia Foundation
Mona and Bill~ Graue
Gayle and Jim Halperin
Madeline Jobst and Ralph Randall
Ambassador Ron Kirk and Matrice~ Ellis-Kirk
National Endowment for the Arts
Deedie Rose
Cindy and George Santos
Greg Swalwell and Terry Connor
Nan White
$5,000-$9,999
Audrey and Joel~ Bines
L. A. Bond
Mary Ann and Greg Borden-Neary
Delia and Michael~ Crossley
Lauren Embrey/Embrey Family Foundation
Wanda Gierhart Fearing~ and Dean Fearing
Rebecca and Barron Fletcher, III
Forty Five Ten
Hall Arts Hotel & Residences
Denise Huddle
Tracey Nash Huntley and David Huntley
Jewish Federation of Greater Dallas
KERA
Courtney and Andrew Marcus
Madeline and Jim McClure
Karen and Eli Mercado/Bank of Texas
Susan and Bill Montgomery
Harry S. Moss Foundation
New England Foundation for the Arts
Lynn and Hisashi Nikaidoh
Jacqueline Porter/Park Cities Dance
Nancy Cain Robertson and Sanford Robertson
Roberto Powers
Eugene Sepulveda and Steven Tomlinson
Jacqueline and William Stavi-Raines
Kate and Brian Walker
BRONZE $2,000-$4,999
Association of Performing Arts
Professionals Cultural Exchange Fund
Barbara and William Benac
Sue~ and Ted Benn
Booker T. Washington HSPVA
Diane and Harold Brierley
Kitty and Keith Carter
Lenore and Kevin Diamond
Meghan Downey
Ford Reynolds Fund of the Southwest Community Foundation
Deborah Deitsch-Perez and Steven Goldfine
Kathy and Graham Greene
Linda and Scott Greer
Gail Griswold~ and Bill Brice, Jr.
Zoé de Ropp Hart and Todd Hart
Patty and Tom Hussey
Rusty and John Jaggers
Rodger Kobes~ and Michael Keller
Lola~ and Todd Lott
Jill and Brent Magnuson
Gail and Guillermo Marmol
Dana Nearburg
Mary and Sean O’Brien
Jay Oppenheimer
Joseph Patti
Mary and Robert Potter
Joan and Paul Ridley
Lisa Simmons
Saundra Steinberg~ and Matthew Wilner
Arlene Switzer Steinfield~ and David Steinfield
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Judith and Danny Tobey
Alexine and Warren Tranquada
Sunghun and H Keith Wallace
Lily~ and Jeff Weiss
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PRODUCER’S CIRCLE $1,000-$1,999
Gene Danser and Cordell Adams
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John R. Blanton, Jr. and Deborah Handler
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Marge and Larry Goodman
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Carol Hall
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Patricia Meadows
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Bob Rodgers and Bill Villanueva
Sheri and Andrew Rosen
Genie and Gary Short
Ann Simmons and Cara Moore
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Suzanne and Jamie Smith/ Social Impact Architects
Nancy Whitenack
DIRECTOR’S CIRCLE $500-$999
Sari Bahl Giving Fund
Mike Birrer
Kitty and Keith Carter
Lauren Corr
Leslie Ann Crozier
Kathleen Delsanter
Helen and Jerome Frank
Kim Fredenburg
Sarah Hansen
Maria Hasbany
L. Keith Hughes
Denise Roberts Hurlin and Nathan Hurlin
Louise W. Kahn Endowment Fund of the Dallas Foundation
Garfield Lemonius
Jane Margolin and Ryan Horn
Lynn McBee
Doug Mitchell and Ed Calcote
Susan Paul and Jim Kipp
Jill Perrin
Cindy and Howard Rachofsky
Charles Santos and Rick Bond
CHOREOGRAPHER’S CIRCLE
$250-$499
Dolores and Larry Barzune
James Bolton
Sherri and Thomas Cook
Rita Garza
Scott Kehn
Heather and John Knapowski
Bonnie Kudlicki and Jeff Davis
Janet Mockovciak
Deborah and Jim Nugent
Anita and Mark Ryan
James Thomas
Roslyn Dawson Thompson and Rex Thompson
Ronald Whitehead
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COMPOSER’S CIRCLE $100-$249
Tina Aguilar
Carlos Barroso and Kay Colbert
Sarah Blettner
Alexandra Boone
Laura Bowers
Lisa Calhoun
Jan Callender
Nancy Calomiris
Patricia and James Chatt
Kay Colbert and Carlos Barroso
Nina Cortell and Bob Fine, M.D.
James Cowen
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Chris Heinbaugh
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Kelley Lindquist
Leslie Lopez-Rutledge
Kathy and Randy Luster
Barbara Lynn
Alex Malone
Julie and Anthony Matt
Kathryn McBride
Joshua Miller
Paula Miller
Don Monroe
Regina Montoya and Paul Coggins
Lynn and Mark Oristano
Salvatore Olimpio
Susan Perez
Cheryl and Scott Pike
V. Diane Pitts
Marianne Pohle
Cheryl Pollman
Kendall and Chris Purpura
Desmond Richardson
Sally Schreiber
Kristin Shelley
Molly Steele
Dorit and Michael Suffness
Lenore Sullivan and Barry Henry
Frederick W. Toulmin
Mary Sue and Bart Wade
Marilyn and Larry Waisanen
Maureen and John Wangermann
Deb Weatherwax
Sarah and John Wechsler
Michael Wilson
Carol Windham
Christy Wolverton
Anonymous
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Kathryn and Roy Anderson
Anne and Larry Angelilli
Tequita Azantilow
Christa Barlow
Manuel Beckles
Juliana Black
Shimon Braff
Rachel Brittenham
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Sophie Burton
Paul Cadwalladerf
David Casto
Holly Castora
Sarah and Christopher Cauble
Jessica Chiles
Gail Cronauer
David Chong
Chip Clint
Jordan Conway
Nina Cortell
Annie Costello
Thierry Couturier
Gail Cronauer
Michael Crouch
Jacqueline Czitrom
Desiree DeLullo
Rhonda Duncan
Leslie and Wicky el-Effendi
Kathryn Eller
Anita Fielder
Andrea Fields
Melissa Fleming
Jill Flynn
Donna Forehand
Kevin Foresman
Nancy Franks
Jacqueline Garcia
Samuel Gatzert
Bobby Gibbs and Mallory Fosdick
Debra Gibert
Wayne Gilbert
Elizabeth Gillaspy and Randy Clements
Marisol Guerra
Michael Gwaltney
Robert Hale
John Hall
Patricia Halpern
Will Handy
Tracy Hargis
Wendy Helker
John Hendricks
Alejandro Hernandez
Blake Hestir
Pamela R. Hill
Diane Hines
Shonda Hodge
Jan Holeywell-Smith
Demaceo Howard
Timothy Hurst
Nancy and Solomon Israel
Laura Jacobus
Patrick and Taylor Johnson
Maryanne Jouvenal
Nakizito Kazigo
Kellie King
Sheilon King
Kristina Kirkenaer-Hart
Anthony Ludlow
Lorn MacDougal
Patricia Magadini
Jeannine Mahoney
Jessica and Dylan Malek
Nancy W. Marcus
Leticia McCray
Maranatha McLean
Rohan Mishra
Robert Moore
Charles Nearburg
Gernelle Nelson
Natalie Newman
Donna Nickels
Chiedozie Okafor
Kimberlie Page
Claudia and Servando Palomeque
David Papson-Adams
Emmanuel Parker
Chris Patterson
Larry Pease
Shawanna Phillips
Karen Pilgrim-King
Iris and Michael Podolsky
Odealya Price
Christopher Progler
Cinde Rawn
Clarence Rice
David Rodriquez
Jane Scholz
Alexandra Schwartz
Jodee Sedalnick
Kathleen Sharp
Michael Simone
Sada Sorrell
Nancy Spence
Michelle Spezio Ferm
Jay Stamper
Camille Stearns Miller
Elizabeth Stewardson
Mary Suhm
Lela Thompson
Veronica Towe
Stormi Truesdell
Martha Turner
Douglas Unger
Herbert Unger
Ana Villanueva
Sadie Wallace
Timothy Ward
James W. Woodall
* in Memoriam ~ denotes TITAS/DANCE UNBOUND Board of Trustee
BOARD OF TRUSTEES
Lee Cobb, President
Sue Benn
Joel Bines
Mary Ann Borden-Neary
Michael Crossley
Claire Dewar
Matrice Ellis Kirk
Wanda Gierhart Fearing
Steven Gendler
Mr. Tom Adams (TITAS Co-Founder)
Penny Atkiss
William Benac
Jeanne Marie Clossey
Lauren Embrey
Bess Enloe
Bill Graue
Rodger Kobes
Noelle LeVeaux
Lola Lott
Venetia Patout
Tracy Preston
DeMetris Sampson
Charles Santos
Arlene Switzer Steinfield
Estela Tejeda-Moreno
Michael Titens
Chandana Weerasekara
Krista Weinstein
Lily Cabatu Weiss
Rebecca Enloe Fletcher
Kathryn D. Greene
Carol Hall
Gayle Ziaks Halperin
Sally Hansen
Zoé deRopp Hart
Alan Lerner
Charlene Marsh
Lynn Nikaidoh
Deedie Rose
CHARLES SANTOS
Executive Director
Artistic Director
JOHN FRAZIER
Director of Operations
JESSICA MALEK
Director of Development/ Education
STEVE HAMILTON
Accountant
TITAS/DANCE UNBOUND CO-FOUNDERS
Tom Adams and Gene Leggett
TITAS/DANCE UNBOUND
700 North Pearl Street, Suite 1800 Dallas TX 75201
214.978.2855
Box Office 214.880.0202
titas.org attpac.org/titas
The Dallas–Fort Worth Lexus dealers are proud to be the O cial Vehicle Sponsors of the AT&T Performing Arts Center and its resident companies. Through this dynamic partnership, Lexus is committed to supporting the Center and its Dallas Arts District neighbors in establishing Dallas as one of the world’s premier destinations to experience the performing and visual arts.
