That visceral connection, the shared group energy we get from a live performance is very special and cannot be replicated on a digital screen. Be In The Room, and be a part of that powerful personal connection with art.
Creating moments of awe, like tonight’s performance, is what makes the TITAS/DANCE UNBOUND season so very special. It’s hard to put into words, but it’s something you just have to experience in the room, with an audience. Diverse, global, entertaining, all describe the magic of TITAS. Nothing Replaces the Live Experience.
We celebrate and contribute to the international profile of our city. We celebrate the value of serving an adventurous and eager audience, and we celebrate the value of cultural awareness and the enrichment of a community. This is the heart of TITAS and our contribution to the cultural landscape of North Texas. New audience members are always surprised by their experience. “I’m overwhelmed, this was not what I expected,” this is the comment we hear at virtually every performance. With four decades under our belt, we see the power of bringing top-notch artists from around the world to our city.
The 2024:25 season won’t disappoint. Breathtaking artistry, athletic and amazing dancers makes this a very special season of internationally touring companies. We proudly present a season of ten extraordinary companies from the United States, New Zealand and Spain, with four companies making their debuts and three companies performing with live music.
Thank you for being a part of another exciting year of performances, and thank you for engaging in the arts and with TITAS/DANCE UNBOUND and the AT&T Performing Arts Center.
What we do together, truly does make a difference.
Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUND
Premiere: 2014, The Apollo Theater
Choreography by Gustavo Ramírez Sansano
Music from Various works by Georges Bizet, performed by the Slovak Philharmonic, Praha Philharmonic, and the Arte Ensemble. Carmen Fantasy, by Pablo de Sarasate, performed by the Apollo Symphony Orchestra
Set Design and Construction by Luis Crespo
Costume Design by David Delfín
Costume Construction by Travis Halsey, Diana Ruettiger
Lighting Design by Emilio Lavarías
Fatima Andere Amir J. Baldwin Mia Bermudez Antonio Cangiano
Amanda del Valle Francesca Levita Dylan Dias McIntyre
Andrea Mish Adam Dario Morales Amanda Ostuni Daniel Palladino
Omar Rivéra Isabel Robles Yadamy Soria Fernandez Olivia Winston
CARMEN Amanda del Valle
DON JOSÉ Amir J. Baldwin
MICAELA Amanda Ostuni
ESCAMILLO Omar Rivéra
In association with AT&T Performing Arts Center Presents Friday . Saturday | January 24 . 25 2025 | Moody Performance Hall The
Founder Tina Ramirez
Artistic Director & CEO Eduardo Vilaro
Ballet Mistress Anitra Keegan
Chief Managing Director Patrick Muhlen
Fatima Andere Amir J. Baldwin Mia Bermudez Antonio Cangiano, Amanda del Valle Francesca Levita Dylan Dias McIntyre
Andrea Mish Adam Dario Morales Amanda Ostuni Daniel Palladino
Omar Rivéra Isabel Robles Yadamy Soria Fernandez Olivia Winston
Production Director Aholibama Castañeda González
Wardrobe Director Andrea Mejuto
Lighting Supervisor Dominick Riches
Stage Manager Alexis Hinman
Transformational funding for Ballet Hispánico is generously provided by MacKenzie Scott, the Ford Foundation, The Mellon Foundation, and the Jerome L. Greene Foundation. Major support is provided by the Howard Gilman Foundation, the Shubert Foundation, Warner Music Group & Blavatnik Family Foundation Social Justice Fund, a sponsored project of Moore Impact, the Fan Fox and Leslie R. Samuels Foundation, the Tatiana Piankova Foundation, and the Mosaic Network and Fund in The New York Community Trust.
Public support is provided by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the New York City Department of Cultural Affairs in partnership with the City Council under the leadership of Speaker Adrienne Adams, and the National Endowment for the Arts.
Ballet Hispánico is grateful to Artistic Sponsor Andrew Martin Weber for generously supporting the restaging of CARMEN.maquia.
MetLife Foundation is the Official Tour Sponsor of Ballet Hispánico.
TITAS/DANCE UNBOUND
Next Production: WHIM W’HIM
April 11, 2025
Winspear Opera House
To support
TITAS/DANCE UNBOUND Please Scan, and Thank You.
TITAS.ORG
ATTPAC.ORG/TITAS
Reimagining a timeless heroine through the lens of contemporary movement and Modernist art.
A bullfighter without a bull, a love story without compromise—CARMEN.maquia brings the fire and elegance of Bizet's most celebrated opera into a stark, sculptural world of dance. Directed by Ballet Hispánico’s Eduardo Vilaro and choreographed by Valencian visionary Gustavo Ramírez Sansano, this reimagined tale strips Carmen of her clichés, presenting her instead as a force of nature: untamed, defiant, and deeply human.
Sansano’s CARMEN.maquia unfolds on a minimalist stage—a blank canvas inspired by Picasso’s love of both Carmen and the bullring. Against this backdrop, the dancers’ bold forms and fluid movements carve stories into space, merging ballet, paso doble, and flamenco with contemporary shapes. Costumes, designed by Spain’s David Delfin, reject traditional red and polka dots in favor of understated whites that evoke flamenco’s raw beginnings.
The narrative is timeless, yet the perspective feels fresh, daring, and intimate. Carmen, as envisioned here, becomes an allegory for rebellion and autonomy, her movements a declaration of individuality and passion. Ramírez Sansano’s choreography draws not only from Bizet’s opera but also from lesser-known works and modern reinterpretations of the music, creating a soundtrack that matches the complexity and nuance of the character herself.
CARMEN.maquia invites audiences to see Carmen not as a relic of operatic history, but as an ever-relevant symbol of strength and defiance. This is more than a performance—it’s a conversation between past and present, a visceral tribute to a story that has shaped and been shaped by culture for 150 years. Through movement and abstraction, CARMEN.maquia draws us into its orbit— a meditation on identity, power, and the enduring allure of a woman who refuses to be defined.
EDUARDO VILARO ARTISTIC DIRECTOR & CEO
EDUARDO VILARO joined Ballet Hispánico as Artistic Director in August 2009, becoming only the second person to head the company since it was founded in 1970. In 2015, Mr. Vilaro took on the additional role of Chief Executive Officer of Ballet Hispánico. He has been part of the Ballet Hispánico family since 1985 as a dancer and educator, after which he began a ten-year record of achievement as founder and Artistic Director of Luna Negra Dance Theater in Chicago. Mr. Vilaro has infused Ballet Hispánico’s legacy with a bold and eclectic brand of contemporary dance that reflects America’s changing cultural landscape.
Born in Cuba and raised in New York from the age of six, he is a frequent speaker on the merits of cultural diversity and dance education. Mr. Vilaro’s own choreography is devoted to capturing the spiritual, sensual, and historical essence of Latino cultures. He created over 20 ballets for Luna Negra and has received commissions from the Ravinia Festival, the Chicago Sinfonietta, the Grant Park Festival, the Lexington Ballet, and the Chicago Symphony. In 2001, he was a recipient of a Ruth Page Award for choreography, and in 2003, he was honored for his choreographic work at Panama’s II International Festival of Ballet.
Mr. Vilaro was inducted into the Bronx Walk of Fame in 2016 and was awarded HOMBRE Magazine’s 2017 Arts & Culture Trailblazer of the Year. In 2019, Mr. Vilaro was the recipient of the West Side Spirit’s WESTY Award, was honored by WNET for his contributions to the arts, and most recently, was the recipient of the James W. Dodge Foreign Language Advocate Award. In 2022 and 2023, Mr. Vilaro was included in Crain’s New York lists of Notable Hispanic Leaders and Notable LGBTQ Leaders; and was acknowledged as one of Forbes’ Kings of Culture, Legends of Business.
GUSTAVO RAMÍREZ SANSANO was Artistic Director of Luna Negra Dance Theater (2009-2013), and now he combines his work as a freelance choreographer with the direction of Titoyaya Dansa, the company he founded in Spain with Veronica Garcia Moscardoin 2006. Sansano has received numerous awards for his choreography, including first prize at the Ricard Moragas Competition in Barcelona (1997), Prix Dom Perignon Choreographic Competition in Hamburg (2001), and Premio de Las Artes Escénicas de la Comunidad Valenciana (2005). Sansano has been commissioned to create works for many companies such as Nederlands Dans Theater, Compañía Nacional de Danza, Hubbard Street Dance Chicago, Luzerner tanz Theater, Ballet BC, The Hamburg Ballet, Atlanta Ballet, Ballet Hispánico, and Luna Negra Dance Theater, among others.
Fatima (She/Her) is originally from Mexico. Fatima moved to Miami, FL at an early age where she began her training with Artistic Dance Center under the direction of Elizabeth Nuevo and Lissette Lucas. She graduated from Florida State University in 2020 with a BFA in Dance. Fatima has trained with Alonzo King LINES Ballet, San Francisco Conservatory of the Arts, BODYTRAFFIC and Ballet Hispánico’s ChoreoLaB. She joined Dance NOW! Miami for their 2021/22 season where she had the honor of performing works by José Limón, Isadora Duncan and Daniel Lewis. This is Fatima’s second season with Ballet Hispánico.
Amir (He/Him) is from Trenton, NJ. He received his BFA in Dance from Montclair State University with a minor in American Sign Language. His dance training consists of an eclectic mix which includes Ballet, Modern, Horton, Jazz, Contemporary, Musical Theatre and Capoeira. Amir has worked with choreographers such as Matthew Rushing, Clifton Brown, Frederick Earl Mosley, Helen Pickett, Annabelle Lopez Ochoa, Michelle Manzanales, Omar Román De Jesús and Yusha Sorzano. He has trained in educational facilities over the course of his training such as Ballet Hispánico, Alvin Ailey American Dance Theater, Complexions Contemporary Ballet and E.M.I.A. This is Amir’s second season with Ballet Hispánico.
Mia (she/her) is from Montclair, New Jersey and began her dance training at Ballet Hispánico School of Dance training under the La Academia Pre-Professional Program on a full merit scholarship. At the age of eleven years old, Mia was awarded the Nuestro Futuro Merit Scholarship studying ballet, Spanish dance, and modern under the direction of Rodney Hamilton, Michelle Manzanales, Nicole Duffy, Caridad Martinez, Gabriela Granados, and Yvonne Gutierrez. While at Ballet Hispánico, Mia has performed at the Macy's Thanksgiving Parade, Ballet Hispánico's Performances for Young People at the Apollo Theatre, and annually at the Ballet Hispánico Gala. She has trained at numerous intensive dance programs including Debbie Allen Dance Academy, La Escuela National de Ballet de Cuba, Canada National Ballet School and Ballet Hispánico's ChoreoLaB. This is Mia’s first season with Ballet Hispánico.
Antonio (He/Him) is from Naples, Italy. He trained on scholarship from Ateneo Danza, Accademia Normanna and the Martha Graham Dance School in New York City. Cangiano has danced for the Nai-Ni Chen Dance Company, Dardo Galletto Dance, Acsi Ballet, Graham 2 and the Martha Graham Dance Company for their 90th Anniversary Season at New York City Center. In 2017, he was awarded the Rising Star Award from the Italian International Dance Festival in NYC. Antonio has danced works by worldrenowned choreographers such as Martha Graham, William Forsythe, Nacho Duato, Annabelle Lopez Ochoa and Gustavo Ramírez Sansano, among others.
This is Antonio’s sixth season with Ballet Hispánico.
Amanda (She/Her) is Cuban-American, born and raised in Miami, Florida where she began her early training with Miami Youth Ballet under the direction of Marielena Mencia and Yanis Pikieris. She continued her training at the New World School of the Arts with Mary Lisa Burns as the Dean of Dance. She graduated in 2016 with training in classical ballet, Horton, Limón and the Graham technique. Amanda then continued her studies at Point Park University where she received her BFA under the direction of Garfield Lemonius. There she had the honor of working with renowned choreographers such as Jennifer Archibald, Jessica Lang, Robert Priore, Christopher Huggins and Yin Yue. During Amanda’s professional career she has performed leading roles in works by Annabelle Lopez Ochoa, Gustavo Ramírez Sansano and William Forsythe. This is Amanda’s fourth season with Ballet Hispánico.
Yadamy (she/her) is originally from Villa Clara, Cuba. Yadamy recently moved to the United States after leaving Cuba, where she started her training at the Olga Alonso Vocational School of Art, later moving to the Fernando Alonso National School of Art in La Havana. Yadamy has performed and competed in the International Meeting of Ballet Academies, obtaining a gold medal with Gamzatti's variation of La Bayadera's second act. This is Yadamy's first season with Ballet Hispánico.
Francesca (She/Her) is originally from Chicago, Illinois where she began her training with Visceral Dance Center under the instruction of Nick Pupillo and Laura Wade. She has attended numerous ballet intensives including BalletMet, American Ballet Theatre, Milwaukee Ballet, and several National and International summer intensives including The School at Jacob’s Pillow Contemporary Summer Intensive, Orsolina28, BODYTRAFFIC, and Arts Umbrella. In 2024, Francesca graduated with Honors Summa Cum Laude from Marymount Manhattan College with a Bachelor’s degree in Fine Arts with a double concentration in Ballet and Modern dance. At Marymount, Francesca has performed the works of many choreographers including Sidra Bell, Twyla Tharp, Jennifer Archibald, Pedro Ruiz, Earl Mosley, Jenn Freedman, Chanel Desilva, Jamal White, and Darshan Bhuller. This is Francesca’s first season with Ballet Hispánico.
Dylan (He/Him) was born in Key West and raised in West Palm Beach, Florida. Dylan started dancing at Palm Beach Ballet Center when he was 8 years old. When he was 16, he moved to Tampa to be a trainee with Next Generation Ballet. After 2 years, he joined Richmond Ballet to complete his training and then started his professional career with Richmond Ballet’s second company. In 2019, Dylan became a company dancer with Ballet Memphis where he danced for three seasons, and he participated in a season with Terpsicorps Theatre of Dance in the summer of 2022. This is Dylan’s second season with Ballet Hispánico.
Andrea Stephanie Mish was born and raised in South Florida. She began her training at a young age with Southern Dance Theater and later studied at Ballet East in West Palm Beach, Florida. She furthered her training at A.W. Dreyfoos School of the Arts, San Francisco Ballet, Boston Ballet, and Joffrey Chicago Ballet summer intensives, Houston Ballet and Texas Ballet Theater. In 2023, Andrea graduated with Honors Cum Laude and high distinction with a Bachelor of Science in Dance Arts Administration and Psychology from Butler University. She is also the 2023 recipient of the Arts Administration Outstanding Artist Award and was on the Dean’s List at Butler University. Following graduation, Andrea accepted a position with Ballet Des Moines under the artistic direction of Tom Mattingly. This is Andrea’s first season with Ballet Hispánico.
Adam (He/Him) is of Colombian descent, and was born and raised in Englewood, New Jersey. He began his training at The Ailey School under the direction of Tracy Inman and Tiffany Barnes on a full merit scholarship at the age of four years old. During his training, he was awarded the “Alvin Ailey Athletic Boy’s Scholarship.” In 2019, Adam was selected to be a recipient of The New York Community Trust Van Lier Fellowship as a student of The Ailey School. Adam then joined Ballet Hispánico’s Professional Studies program as part of the inaugural cohort under the direction of Rodney Hamilton. Adam also had the privilege to have starred in HBO’s Legendary Season 3. Adam has had the opportunity to work with artists such as Eduardo Vilaro, Norbert De La Cruz III, Tsai-Hsi Hung, Juan Rodriguez, Christian Von Howard, Pedro Ruiz, Tiffany Barnes, Lisa Attles and Adrian Herd. This is Adam’s second season with Ballet Hispánico.
Amanda (She/Her) is from Patterson, New York where she began dancing at Seven Star School of Performing Arts. She spent fourteen years training in ballet (under the guidance of Anita Intrieri), contemporary, jazz, tap and hip hop. In 2019, she attended Butler University, furthering her dance training and education, graduating in 2023 with a Bachelor of Fine Arts in Dance Performance. She performed roles such as Odette in Butler Ballet’s performance of Swan Lake, as well as the Sugar Plum Fairy in Butler Ballet’s The Nutcracker. While she was there, Amanda had the honor of working with Susan McGuire, training in a hybrid of Cunningham and Graham techniques, as well as working with Jennifer Archibald and Deborah Wingert. This is Amanda’s second season with Ballet Hispánico.
Daniel Palladino (He/Him), originally from Alberta, Canada, began his dance training at the age of nine. Daniel has attended many summer programs throughout North America, including Boston Conservatory, Point Park University, Alvin Ailey American Dance Theater, and Springboard Danse Montreal. Daniel attended the University of the Arts in Philadelphia on a full scholarship, obtaining his BFA in dance.
Post graduation, Daniel joined Dallas Black Dance Theatre in August 2022 and danced for two seasons. Daniel has worked with choreographers including Jeffery Page, Juel D. Lane, Helen Simoneau, Tommie-Waheed Evans, Sidra Bell, Elisa Monte, Norbert De La Cruz, Gregory Dolbashian, Kirven Douthit-Boyd, Nejla Yatkin, Jae Man Joo, and more. Daniel’s career has led him into developing his voice as an emerging choreographer, setting works on performing arts
schools, professional dance training programs and companies. Daniel is excited to expand his career as a dancer and choreographer. This is Daniel’s first season with Ballet Hispánico.
Omar (He/Him) is a Mexican-American originally from Los Angeles, CA. After moving to Dallas, Texas, Rivéra trained at Prodigy Dance & Performing Arts Centre under the direction of Camille Billelo. He graduated from the prestigious Booker T. Washington High School for the Performing & Visual Arts. Rivéra graduated with a BFA in Dance from the University of Arizona in 2018. While at the University of Arizona, Rivéra performed at The Joyce Theater for the José Limón International Dance Festival, and danced works by guest artists including Christopher Wheeldon, Darrell Grand Moultrie, Bella Lewitzky and others. This is Omar’s sixth season with Ballet Hispánico.
Isabel (She/Her) was born in Arlington, Virginia and began training in ballet at age 4. At the Classical Ballet Theatre she trained in the styles of ballet, jazz, Horton, Graham, character dance and contemporary forms. Isabel was a scholarship student at The Houston Ballet program in 2013 where she performed works of Stanton Welsh, George Balanchine, David Lichine and John Neumeier. During high school, she attended The Washington Ballet, where she worked with Julie Kent and Xiomara Reyes and performed with the company in The Nutcracker. In May 2022 Isabel graduated from James Madison University with a B.A. in Dance. This is Isabel’s second season with Ballet Hispánico.
Olivia Winston is originally from Salt Lake City, Utah and received her early classical ballet training in the Ballet West Academy Professional Training Division. She attended intensives at BalletX, Complexions, Hubbard Street, LINES, American Ballet Theater, Houston Ballet, and Ballet West/ ArtÉmotion. In 2023 Olivia graduated from the Alonzo King LINES Ballet Training Program where she performed works by Alonzo King, Mike Tyus, Keelan Whitmore, Gregory Dawson, Carmen Rozestraten, Moscelyne ParkeHarrison, and Kayla Farrish. While in the Bay area she also had the opportunity to perform with dawsondancesf, tinypistol, and ZiRu Dance. Olivia was a Dance Fellow with BalletX for the 2023-2024 season where she performed works by Matthew Neenan, Jennifer Archibald, Natasha Adorlee, Nicola Wills, and Amy Hall Garner. This is Olivia’s first season with Ballet Hispánico.
Donations received
July 2023 – September 2024
PLATINUM $20,000 and up
Allyn Media
American Airlines
City of Dallas, Office of Arts and Culture
Dallas Tourism Public Improvement District Program
Fichtenbaum Charitable Trust, Bank of America, N.A., Co-Trustee
Read and Steven~ Gendler
Ann and Fred~ Margolin
The Eugene McDermott Foundation
DeMetris Sampson~
Sheraton Dallas Hotel
Texas Commission on the Arts
TACA (The Community Arts Alliance)
Donna Wilhelm Family Fund
GOLD $10,000-$19,999
Leland Burk and Thomas Feulmer
Lee A. Cobb~ and Lucilo A. Peña
Crow Museum of Asian Art of the University of Texas at Dallas
Carol A. Crowe
Claire Dewar~
Empire Baking Co/Meaders and Robert Ozarow
Michael Ginsberg and Lorri Michel/ Sterlizia Foundation
Mona and Bill~ Graue
Gayle and Jim Halperin
Madeline Jobst and Ralph Randall
Ambassador Ron Kirk and Matrice~ Ellis-Kirk
National Endowment for the Arts
Deedie Rose
Cindy and George Santos
Greg Swalwell and Terry Connor
Nan White
$5,000-$9,999
Audrey and Joel~ Bines
L. A. Bond
Mary Ann and Greg Borden-Neary
Delia and Michael~ Crossley
Lauren Embrey/Embrey Family Foundation
Wanda Gierhart Fearing~ and Dean Fearing
Rebecca and Barron Fletcher, III
Forty Five Ten
Hall Arts Hotel & Residences
Denise Huddle
Tracey Nash Huntley and David Huntley
Jewish Federation of Greater Dallas
KERA
Courtney and Andrew Marcus
Madeline and Jim McClure
Karen and Eli Mercado/Bank of Texas
Susan and Bill Montgomery
Harry S. Moss Foundation
New England Foundation for the Arts
Lynn and Hisashi Nikaidoh
Jacqueline Porter/Park Cities Dance
Nancy Cain Robertson and Sanford Robertson
Roberto Powers
Eugene Sepulveda and Steven Tomlinson
Jacqueline and William Stavi-Raines
Kate and Brian Walker
BRONZE $2,000-$4,999
Association of Performing Arts
Professionals Cultural Exchange Fund
Barbara and William Benac
Sue~ and Ted Benn
Booker T. Washington HSPVA
Diane and Harold Brierley
Kitty and Keith Carter
Lenore and Kevin Diamond
Meghan Downey
Ford Reynolds Fund of the Southwest Community Foundation
Deborah Deitsch-Perez and Steven Goldfine
Kathy and Graham Greene
Linda and Scott Greer
Gail Griswold~ and Bill Brice, Jr.
Zoé de Ropp Hart and Todd Hart
Patty and Tom Hussey
Rusty and John Jaggers
Rodger Kobes~ and Michael Keller
Lola~ and Todd Lott
Jill and Brent Magnuson
Gail and Guillermo Marmol
Dana Nearburg
Mary and Sean O’Brien
Jay Oppenheimer
Joseph Patti
Mary and Robert Potter
Joan and Paul Ridley
Lisa Simmons
Saundra Steinberg~ and Matthew Wilner
Arlene Switzer Steinfield~ and David Steinfield
Stacey and Michael Titens/Holland & Knight Charitable Foundation
Judith and Danny Tobey
Alexine and Warren Tranquada
Sunghun and H Keith Wallace
Lily~ and Jeff Weiss
Sophie and Eric Zuckerman
PRODUCER’S CIRCLE $1,000-$1,999
Gene Danser and Cordell Adams
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John R. Blanton, Jr. and Deborah Handler
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Julie and Bob England
Bess and Ted Enloe
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David Glover and Jorge Martinez
Marge and Larry Goodman
Steve Habgood and Mark Sadlek
Carol Hall
Linda and Steve Ivy
Susan and Paul Jarzemsky
Niketa Kumar and Samuel Kaminsky
Charles Kent and Brian Tapia
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Donna M. Kun
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Patricia Meadows
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Diana and Geoff Newton
Sally Pian and Ira Silverman
Bob Rodgers and Bill Villanueva
Sheri and Andrew Rosen
Genie and Gary Short
Ann Simmons and Cara Moore
Bliss and Pelham Smith
Suzanne and Jamie Smith/ Social Impact Architects
Nancy Whitenack
DIRECTOR’S CIRCLE $500-$999
Sari Bahl Giving Fund
Mike Birrer
Kitty and Keith Carter
Lauren Corr
Leslie Ann Crozier
Kathleen Delsanter
Helen and Jerome Frank
Kim Fredenburg
Sarah Hansen
Maria Hasbany
L. Keith Hughes
Denise Roberts Hurlin and Nathan Hurlin
Louise W. Kahn Endowment Fund of the Dallas Foundation
Garfield Lemonius
Jane Margolin and Ryan Horn
Lynn McBee
Doug Mitchell and Ed Calcote
Susan Paul and Jim Kipp
Jill Perrin
Cindy and Howard Rachofsky
Charles Santos and Rick Bond
CHOREOGRAPHER’S CIRCLE
$250-$499
Dolores and Larry Barzune
James Bolton
Sherri and Thomas Cook
Rita Garza
Scott Kehn
Heather and John Knapowski
Bonnie Kudlicki and Jeff Davis
Janet Mockovciak
Deborah and Jim Nugent
Anita and Mark Ryan
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COMPOSER’S CIRCLE $100-$249
Tina Aguilar
Carlos Barroso and Kay Colbert
Sarah Blettner
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Lisa Calhoun
Jan Callender
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Patricia and James Chatt
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Paula Miller
Don Monroe
Regina Montoya and Paul Coggins
Lynn and Mark Oristano
Salvatore Olimpio
Susan Perez
Cheryl and Scott Pike
V. Diane Pitts
Marianne Pohle
Cheryl Pollman
Kendall and Chris Purpura
Desmond Richardson
Sally Schreiber
Kristin Shelley
Molly Steele
Dorit and Michael Suffness
Lenore Sullivan and Barry Henry
Frederick W. Toulmin
Mary Sue and Bart Wade
Marilyn and Larry Waisanen
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Deb Weatherwax
Sarah and John Wechsler
Michael Wilson
Carol Windham
Christy Wolverton
Anonymous
Lindsay Abernethy
Kathryn and Roy Anderson
Anne and Larry Angelilli
Tequita Azantilow
Christa Barlow
Manuel Beckles
Juliana Black
Shimon Braff
Rachel Brittenham
Suzanna Brown
Sophie Burton
Paul Cadwalladerf
David Casto
Holly Castora
Sarah and Christopher Cauble
Jessica Chiles
Gail Cronauer
David Chong
Chip Clint
Jordan Conway
Nina Cortell
Annie Costello
Thierry Couturier
Gail Cronauer
Michael Crouch
Jacqueline Czitrom
Desiree DeLullo
Rhonda Duncan
Leslie and Wicky el-Effendi
Kathryn Eller
Anita Fielder
Andrea Fields
Melissa Fleming
Jill Flynn
Donna Forehand
Kevin Foresman
Nancy Franks
Jacqueline Garcia
Samuel Gatzert
Bobby Gibbs and Mallory Fosdick
Debra Gibert
Wayne Gilbert
Elizabeth Gillaspy and Randy Clements
Marisol Guerra
Michael Gwaltney
Robert Hale
John Hall
Patricia Halpern
Will Handy
Tracy Hargis
Wendy Helker
John Hendricks
Alejandro Hernandez
Blake Hestir
Pamela R. Hill
Diane Hines
Shonda Hodge
Jan Holeywell-Smith
Demaceo Howard
Timothy Hurst
Nancy and Solomon Israel
Laura Jacobus
Patrick and Taylor Johnson
Maryanne Jouvenal
Nakizito Kazigo
Kellie King
Sheilon King
Kristina Kirkenaer-Hart
Anthony Ludlow
Lorn MacDougal
Patricia Magadini
Jeannine Mahoney
Jessica and Dylan Malek
Nancy W. Marcus
Leticia McCray
Maranatha McLean
Rohan Mishra
Robert Moore
Charles Nearburg
Gernelle Nelson
Natalie Newman
Donna Nickels
Chiedozie Okafor
Kimberlie Page
Claudia and Servando Palomeque
David Papson-Adams
Emmanuel Parker
Chris Patterson
Larry Pease
Shawanna Phillips
Karen Pilgrim-King
Iris and Michael Podolsky
Odealya Price
Christopher Progler
Cinde Rawn
Clarence Rice
David Rodriquez
Jane Scholz
Alexandra Schwartz
Jodee Sedalnick
Kathleen Sharp
Michael Simone
Sada Sorrell
Nancy Spence
Michelle Spezio Ferm
Jay Stamper
Camille Stearns Miller
Elizabeth Stewardson
Mary Suhm
Lela Thompson
Veronica Towe
Stormi Truesdell
Martha Turner
Douglas Unger
Herbert Unger
Ana Villanueva
Sadie Wallace
Timothy Ward
James W. Woodall
* in Memoriam ~ denotes TITAS/DANCE UNBOUND Board of Trustee
Lee Cobb, President
Sue Benn
Joel Bines
Mary Ann Borden-Neary
Michael Crossley
Claire Dewar
Matrice Ellis Kirk
Wanda Gierhart Fearing
Steven Gendler
Bill Graue
Rodger Kobes
Noelle LeVeaux
Lola Lott
Venetia Patout
Tracy Preston
DeMetris Sampson
Charles Santos
Arlene Switzer Steinfield
Estela Tejeda-Moreno
Michael Titens
Chandana Weerasekara
Krista Weinstein
Lily Cabatu Weiss
HONORARY BOARD
Mr. Tom Adams (TITAS Co-Founder)
Penny Atkiss
William Benac
Jeanne Marie Clossey
Lauren Embrey
Bess Enloe
Rebecca Enloe Fletcher
Kathryn D. Greene
Carol Hall
Gayle Ziaks Halperin
Sally Hansen
Zoé deRopp Hart
Alan Lerner
Charlene Marsh
Lynn Nikaidoh
Deedie Rose
CHARLES SANTOS
Executive Director
Artistic Director
JOHN FRAZIER
Director of Operations
JESSICA MALEK
Director of Development/ Education
STEVE HAMILTON
Accountant
TITAS/DANCE UNBOUND CO-FOUNDERS
Tom Adams and Gene Leggett
TITAS/DANCE UNBOUND
700 North Pearl Street, Suite 1800
Dallas TX 75201
214.978.2855
Box Office 214.880.0202
titas.org attpac.org/titas
The Dallas–Fort Worth Lexus dealers are proud to be the O cial Vehicle Sponsors of the AT&T Performing Arts Center and its resident companies. Through this dynamic partnership, Lexus is committed to supporting the Center and its Dallas Arts District neighbors in establishing Dallas as one of the world’s premier destinations to experience the performing and visual arts.
Step into a completely transformed space at the Sheraton Dallas Hotel. Fresh out of a multi-million-dollar hotel-wide renovation, we welcome you with an elevated arrival experience in an exceptional Arts District location. Renovated guest rooms and suites feature new aesthetics and furnishings paired with stunning views. For more information about the Sheraton Dallas Hotel, visit Marriott.com/DALDH.