Dingsdabumsda Issue 18

Page 1

Spring 2010 Issue 18



Content Bursaries + Carbon Management Fitspace AUCB Sports- Badminton Chinese New Year Jazzsteppa BA Architecture Expression Space Event Photography Good News Listings


Bursaries Extra Financial Support From the University College Additional Grant 2009/10 If you receive a maintenance grant of £1075 or more then you may be entitled to additional financial assistance from the University College Additional Grant. In order to be eligible you will need to have taken out the full tuition fee loan of £3225, be in receipt of a maintenance grant of over £1075 and consented to share your information with the University College. If you have any queries or require more information on the additional grant or other bursaries please do not hesitate to contact me: Marie Hale Additional Grant Administrator

FREE MONEY

accessbursaries@aucb.ac.uk 01202 363122 My working hours are 10:30 until 14:30 Monday until Thursday and 11:30 until 14:00 on Friday.


Carbon Management YOU CAN MAKE A DIFFERENCE! RAISING ENVIRONMENTAL AWARENESS Switch off the lights when leaving your office or when a studio is empty. Switch off all computers and other electrical goods at the end of the working day. Use the waste paper recycled bins. The AUCB is committed to the environmental and sustainability agenda. The Students’ Union President is a member of the Environmental Committee. Please email environment@aucb.ac.uk with ANY suggestions on how we can reduce our carbon footprint.

RESPOND NOW!!! Simon Adams Facilities Manager The Arts University College at Bournemouth 01202 363041



Latino Funk

@ Fitspace Every Wednesday 7-8pm

Hello guys and girl’s who enjoy dancing! I am Jade Louise Ireland, and I’m in my final year of the BA (Hons) Fashion Studies Course at the AUCB, and a street dancer. I perform for a contemporary dance company called Vanquish, who are based in Reading, where I travel from Bournemouth to train every Sunday for performances & competitions around the UK.

levels, and it designed to supply the class with a fun and enjoyable workout. Just a basic level of dance experience required! -Improvements in general fitness levels. -Dance ability -An enjoyable workout

@ Fit Space Every Wednesday 7-8pm I have always been involved in competitive sports To book a space email & from the age of five, I have competed around jade@wedonedo.co.uk the country in Latin and Ballroom competitions, dancing at the County School of Dancing in Hope to see you girlies and guys there! Reading (Ian, from Strictly Come Dancing, dances here) up to the age of 13. Then... with itchy feet, and being such an energetic person, I x Jade x decided to join Reading Trampolining Club, and www.latinofunkclasses.blogspot.com came 2nd in the UK for a team event. I have recently qualified as a level 2 Fitness Instructor, and have linked up with a friend of mine; Helen who is also a member of Vanquish Dance Company, and an experienced Fitness Instructor. With my Latino background, I am fusing Latino styles with a contemporary Hip-Hop edge creating a new style of dance. “Latino Funk is a class which combines Latin American styles of dance; including Salsa steps, with a contemporary edge. It is a choreographed class, teaching a structured routine in the hour session. Latino Funk’s aim is to maintain general fitness


AUCB Sports BADMINTON

Hi all readers and sports fans alike Badminton has been a passion of mine for as long as I can remember, playing my first game in the back garden of my nan’s house. I just wanted to share with you what the badminton society has been up to over the last 2 years. Most of the 3rd years that played when I first started going in the first year left. Recruiting new people to play with proved to be a challenge. Having designed a poster and fronted a stall at the Freshers Fayre, there was soon a keen response from a great bunch of guys and girls. We have a brilliant time every Thursday and the badminton crew are all very sociable. There is never a dull moment during each of our sessions on Thursdays, whether we are playing doubles or singles or just having a practice. We always manage to mix having a good time with getting some great exercise. Badminton helps me focus on my work, it cheers me up and helps me relax when things become stressful. It is a great way to escape from my studies and just generally chill out. However none of this would have been possible without the hard work of the Students’ Union team since 2007, especially Bex who has always assisted me,


answering my many questions. Also a thanks to everybody who attends, making it the success that it is. The badminton crew are a fantastic bunch who pay their fees on time and everyone chips in to help out with equipment and courts if I am not there. Also a special thanks to Jack Stirling for kindly fixing my racket for free. Just as a reminder to anybody who would like to join the badminton club we play on Thursdays at 12-1pm and later in the evening from 5-6pm on the indoor courts in Bournemouth University. Please come along if you have time as I can guarantee you will have a great time.

Oliver Dawes


For more information then visit . . .

www.pixelfishcreative.com or email Dan at . . .

‘dan@pixelfishcreative.com’.

Arts University College Bournemouth Graphic Design

Dan goes on to explain. “We had spent the last 2 years

graduates, Dan Hinton and Adam Bowen have taken

of study working on a freelance basis, which gave us

the initiative during these turbulent economic times to

the confidence to believe we can start and run our

form creative agency Pixelfish Ltd. Seeing a gap in the

own company. Don't get me wrong its a daunting task

market to provide highly focused content managed

but incredibly rewarding, when are we going to have a

websites, Pixelfish have established a healthy array of

better time to do this I ask. With no family or mortgage

clients including local companies United Taxis, White

commitments and having just lived as a student for 3

Lantern Film, The Media Bus and the AUCB itself.

years, its not like we are used to living with lots of money. This is where the eP is so good for us, low

Taking full advantage of the fantastic opportunity offered

overheads and full of experienced industry professionals

by The Enterprise Pavilion based on the AUCB campus,

which can guide and help us when needed.”

keen entrepreneurs Adam and Dan utilised numerous business mentoring courses whilst completing their

Pixelfish are always on the lookout for talented

studies, acting as a springboard for life after graduation.

designers and developers who are either seeking a work placement or freelance work during their studies.

Websites with ‘Change Built-In’


Illustrator - Jessica Holt (BA Illustration)

turning ideas into creative enterprises Following the success of last years Business Plan Challenge, the eP is offering you the opportunity to win up to ÂŁ2000 in cash. Entrants must submit a business plan by the 30th April 2010. For more information contact: ep-reception@aucb.ac.uk This is your opportunity to tap into the support here on your campus.

Unleash your potential underneath the tent!


Happy Chinese New Year


CHINESE NEW YEAR CELEBRATIONS On Tuesday February 16th marked the first AUCB Chinese New Year celebration where the Arts Bar and Refectory underwent an oriental makeover. After weeks of preparation, hassling local businesses, and stuffing 250 red envelopes, everything fell into place as lunchtime became filled with lanterns, prawn crackers and festivities. Lucky red envelopes were handed out across the whole campus to spread the prosperity and the fact that a Lion Dance was about to begin. Those who risked sounding silly and said “gong see fa chai” (that’s “happy new year”) were rewarded with a pair of decorative traditional chopsticks flown from Hong Kong. The Arts Bar was packed with people eager to see the Lion Dance and they were not disappointed. The “Dragon of the South” team treated us to the energetic golden lion with a mischievous personality, playing with the audience and spitting fortune cookies at everyone accompanied by traditional cymbals and drums. A huge thank you goes to Gary and the catering team who rustled up some flavoursome Chinese food despite never cooking such a menu before! More thanks go to all businesses that donated decorations: Wah Hing Chinese Supermarket, Lee’s Dynasty Takeaway, Dragon Inn Chinese Restaurant, Bournemouth Chinese School and Feng’s Chinese Supermarket. Furthermore special thanks go to Lisa Zhu, Sui Ping Wan, Nauman Abdul Hafeez, James Letherby, Sofia Ghazi, the SU team and everyone else (the list goes on) who helped along the way. Hope you all enjoyed the celebrations! Jeff Tong Students’ Union Race Equality Officer






Jazzsteppa

Travelling to Brighton for Beat Redemption’s debut event in the area, we took it upon ourselves to interview their headline act ‘Jazzsteppa’, one of the genres most individual, investigative producers. They ask if we can do the interview outside so they can have a smoke before their set, crossing the road from the venue the

Gal m: London. Us: So how long have you guys been together? Gal b: You know it’s a long story. We (Interrupting) Gal m: I think they want quick answers? For three years guys.

guys spark up as a view of Brighton’s coastline comes

Gal b: Four years…No three that’s right.

into view. A pulsing baseline resonates from inside the

Us: Ok cool, so you’ve been playing gigs ever

club, muffled from our position it provided suitable

since you joined together?

ambient music to our discussion.

Gal b: Yeah we started to play live straight away. There’s nothing better than playing a live

Us: We don’t know a great deal about you guys, so let’s start with your names? Jazzsteppa: Huh, we already started?

set. Us: Where do you want to be in a few years, what are your plans for the future?

Us: Yes this is it.

Gal m: Wembley.

Jazzsteppa: Ok I am Gal b, and this is Gal m.

Us: is there anyone in particular that you

Us: Where are you guys from? Gal b: I live in Berlin, but I’m Israeli. I was born and raised in Israel.

would like to work with? Gal b: U2…Bono. Gal m: David Beckham.


Us: Interesting? How about any other Dubstep artist’s? Gal b: We don’t know any Dubstep artist’s.

to plug? Gal b: Yeah we have a new album coming out in like…two months.

Us: Would you like to?

Us: What’s it called?

Gal b: No.

Gal b: We haven’t decided yet.

Us: Do you consider yourselves Dubstep?

Us: Undecided…to be confirmed?

Gal b: No.

Gal b: Maybe that’s the name you know?

Us: How would you describe your music?

Us: Are you looking to include any new styles in

Gal b: Our music…it’s just, music.

your music?

Gal m: It’s kind of dancey, dark and dancey.

Gal m: Always, always, always.

Us: Are you doing any festivals this year?

Us: Who does your Album artwork, why did you

Gal b: I guess we are? Gal m: All of them!

pick them? Gal m: The artist’s, you know it’s part of what we

Us: Which are you most looking forward to?

do, meeting cool people that do cool shit, and then

Gal b: Errm…‘Big Chill’.

doing cool shit together.

Gal m: No I’m looking forward to Isle of Wight, no not Isle of Wight…Rob Da Bank…errr Us: Bestival. Gal m: Yeah Bestival. I’ve never been, so I’m really looking forward to it. Gal b: And there’s this festival they’re doing in Bristol, sounds like a cool festival…what’s it called? (He asks Gal m) Gal m: Boomtown, I think its quite small. It’s like 90% people from Bristol. Us: Anything you got coming up that you want

Us: What are your biggest influences? Gal b: Art. You know, errm, Botticelli, Raphael, erm, impressionism, like err I don’t know, Degas, Gogin… (Mumbles) Gal m: Will Ferrell. Gal b: errm classical stuff you know. Us: So are you mostly inspired by art?

(Gal b

nods) Gal m: Well I’m not inspired by art. I’m inspired by, he’s called ‘Vonnegut’, he’s a writer, very inspiring. Us: Kurt Vonnegut?


Gal m: Yeah, yeah that’s him…and Milan Kundera. Us: So when you’re making music do you think about your inspirations? Gal m: Well I try not to think about anything you know, just let it flow out. Us: Ok. Is it difficult living so far apart when you’re trying to compose music together? Gal m: We meet sometimes in a studio somewhere; we’ve got a few studios that we work with in Europe. Gal b: Whatever happens, it’s fucking cool. Us: So we noticed a young lady with you in the green room, who is she? Gal m: Her name’s Sasha.

guys. Gal m: The mighty ‘Channel One- Soundsystem’ Gal b: Kromestar, Doctor P, Smith and Mighty. Gal m: Yeah Dub’s a good vibe man. I love Dub. Us: So when is your next gig? Gal b: Tomorrow in Dublin. Us: What’s it like on the road all the time, does it get a bit hectic? Gal b: Nah it’s all right, you get used to it. Gal m: I got one of those eye-cover things for the plane. Gal b: Just take a good book you know, and if you get bored by yourself…

Us: What is her involvement with Jazzsteppa?

Us: You have to amuse yourself.

Gal b: She’s on trial right now. I think we’re going

Gal b: Ha-ha yeah you got it.

to have some songs with her on the album. Gal m: Tonight’s our first gig with her. She’s a vocalist…she’s a poet more than anything.

Us: Ok thanks Jazzsteppa, any last words for the readers? Gal b: I’m going to get a sex change…

Gal b: She’s a brilliant poet.

Us: You what? Is that off the record?

Gal m: She has a great voice; I hope she’s going to

Gal b: Na put that in.

sing tonight…she’s a little nervous. Gal b: We dragged her down from London. Us: She better sing then. So you guys have performed in Bournemouth before haven’t you? Gal b: Yeah it was at Dubnium, part of our ‘Dub to Dubstep’ tour, we played alongside some really cool

Gal m: Thanks guys, we better go we’re on in five minutes.


BA Architecture

You are part of it, you inhabit it, you witness it the moment you open your eyes every day, sounds poetic you’re probably thinking? Maybe so, but the fascinating intricately detailed matter of Architecture is closer than you think. It is the building fabric of everything the man-made environment around us has to offer and that of the natural environment too. Now in its 3rd year of study, this matter is building stronger, from day to day as a developing course at AUCB. Currently the 3 year Part 1 BA (Hons) degree in Architecture is validated by the Architects registry board (ARB), and this November the RIBA validation is due which we are confident we will obtain validation from. The Part 1 course for those who are unaware is the first of three stages to obtain the protected title of “Architect” from. This is essentially a degree that takes at least 7 years, with the addition of placement years in practise, a necessity for the profession. As another first year student put to me the other day: “Architecture is a creative field with a definite purpose or outcome”. So what exactly has been going on in the Studio UH214 since September 2009 when I joined with the third set of first years? As a course we have been fortunate to have been entertained by lectures from industry leading architects Sir Peter Cook, Thomas Bo Jensen and CZWG architects, with more planned in the pipeline. A highly anticipated field trip to Venice in October 2010 is just one of many exciting propositions on paper for the architecture students, whilst our tutor encourages us to “get out a bit” and take self study trips to places of an architectural interest. There is a big emphasis in this course to cross reference everything from each of the modules into our projects, applying what we learn from each module into another constantly. For our first year first project assignment, we each took three A3 boards and 3 different materials before arranging the material to represent a “Ground”. Everything from soap to fabric and even food were materials that unforeseen to the students point of view, would soon appear architectural once our tutor placed 1:50 and 1:100 figures on the board. The transformation between pure inanimate matter and architectural landscape form is instantaneous.


One begins to understand it’s not so much about what you see; it’s more about the experience you can imagine as the scale figure on the model. The golden rule at this early stage of the project of not designing but “asking the material what it wants to do” is not exactly the words of a madman, but the words of man wanting to cooperate and articulate a basic form into one that can be recognized as architectural. The next part of the project focused on 3 more materials on another set of A3 board’s for walls, frame and canopy. Therefore we all had produced up to 12 models, before developing them into a constructed landscape and “meeting place”, using elements of each of the most workable ground, wall, frame and canopy elements. The forementioned meeting place, will be used once a week for a group of around a dozen poets to collaborate and read Japanese “Renga” poetry. For the rest of the week the development can be used for day to day social and relaxation purposes, so it was important for us to consider the multifunction possibilities of the design. This project was not just all art and conceptual design, frequent lectures concerning materials and structural technology ensured that as students we could appreciate and integrate the structural elements of foundations, formwork, forces and joints into the design. We are fortunate to have forged a sustainable link with Southampton based structural engineers “Gifford”, of who post 2009 visited our studios to assess the structural elements of each of our designs. In second year Gifford play a more frequent role in structural consultancy with the projects. Our open studio layout in UH214, allows both first and second year students within 10 paces of each other to observe and “read” the projects that are under going development. This is hugely advantageous as a measure of what’s been done and what’s to come in the future for both years , and within a further 10 or so paces one can step into the realms of the third year office where preparations are taking place for their final projects. Since October 2009, the second year students have been intensively involved with a regeneration project in George Street at the coastal town of Weymouth. Post site visit, each student chose a building along the street to redevelop, taking into account all the knowledge for structures and context gained from first year. With further research and insights into technology at the start of the second year, the students were able to develop and regularly present solutions that would allow their designs to be hypothetically speaking, proposals if one day selected. The use of CAD (Computer Aided Design) really comes into play at this point, with Archicad and the ever so user friendly Google sketch up Pro, being some of the


tools for developing and presenting the design proposals. By the time second year students reach third year, extensive banks of useful architectural skills are ready to be unleashed on the metropolis of requirements within the final year of Part 1 study. Put into perspective, at this point the third years are focusing on obtaining placements in practise to build up the 12 /24 months worth of experience required to undertake Part 2 ( which can be studied straight after Part 1, however experience is considered essential), building a creative and healthy portfolio of experience is mandatory. The first term of third year (and the first third year term in Architecture at the University College), takes a surprisingly Graphic rather than purely architectural context. The brief states no specific direction for the project, but the theme is Bournemouth. Upon observation of the solutions and development work for this, there was a clear diversity of presentation of the town’s elements. A Board game, where players move around the town to learn and experience Bournemouth was just one means of representing this idea, whilst a jig saw style 3D plan of the town could be rearranged with several solutions for a future transport link. Other projects include a booklet and presentation box for the Chime’s, which had a contoured laser cut cover of the topography , and a memorial presentation box, with advent calendar style windows where documents and information could be discovered . The very best of luck goes to the third years starting the final stages of part 1, and im sure as an institution we will all look forward to their graduation in July. So Architecture is already a vibrant and expressive course at AUCB. Despite being a new course, we have a very firm foundation for success to build on and develop. With Part 2 scheduled to start the year after next, watch this space, because our eventual Part 3 “Architects” could be the leading hand on the drawing board for an architectural marvel you may experience in the future!

Daniel Hambly BA (Hons) Architecture


Natasha Durley www. mutashi.wordpress.com


Emily Hughes


Expression Space

By Adam Jaggard

Expression Space is an attempt to provide everyone with the ability to express themselves on a level playing-field. Individuals currently have minimal rights in expressing themselves creatively in the public domain. We want to change this. We are conducting a series of experiments, like the one seen recently in the AUCB courtyard, to help develop these spaces of creative free expression. To get involved check out our website: www.expressionspace.co.uk Or join our facebook group.



Expression Space




Double Exposure Photographic

Mark Scadding and William Paltridge are two young photographers who graduated from their BA (Hons) Photography degree course in 2009. They are now based in the Enterprise Pavilion, on The Arts University College at Bournemouth’s campus, and are trying a new approach to establishing themselves in the creative industries. “It’s not common to work as a pair, as traditionally, photographers prefer to work on their own. We’ve taken a gamble here and opted to reject the typical route into the industry,” explained William. Just five months into their residency in the Enterprise Pavilion and things are going well. By using key creative elements from their studies they have learnt to apply these to the local market and give the business a distinct identity. This has paid dividends as they are already tackling a broad spectrum of local commercial work. With ‘Ignition 2010’ in the pipeline an exhibition of the work of these young professionals - plus results from the winners of a photographic competition running alongside it, the pair will surely be busy during the coming months, and look forward to exploring new markets for their work. “Our ethos is based on creativity and we use this to push ourselves - hopefully engaging


with audiences who are interested in the creative and contemporary aspects of commercial imagery. Photographic competitions are a great opportunity to engage with the public and showcase ourselves!” says Mark. The word is getting around and Double Exposure are boosting their brand identity by regularly shooting their own creative projects to remain in-touch. Their latest project, “Documents of Contemporary Art”, is a critique of fine art incorporating the deconstruction of symbols, and is in contention for the 2010 Media Innovation awards. Please visit us www.dephotographic.com or come and meet us at our office on the ground floor of the EP.

Mark & William



Event Photography



Robert Smale



Good News Deal or No Deal A couple of weeks before Christmas one of our BA Costume with Performance Design student’s, Deborah Wrighton had the fantastic opportunity to do a week’s work experience in the wardrobe department of Deal or No Deal. It is filmed in a massive old warehouse in Bristol, on the same site that the BBC have used for filming ‘Being Human’ and ‘Casualty’, which was very exciting. Whilst she was there the filming for the 2010 Easter Special was taking place so it was extremely busy. A normal ‘special’ filming day on the Deal or No Deal would start at about 6am for wardrobe and make-up.


Deborah’s assignments were to help prepare the costumes for the first show, and make sure that they were in the correct dressing rooms. This year, the special was ‘Alice in Wonderland’ themed, so there were a lot of bunnies and cards. When the contestants arrived, it was all hands on deck to get them dressed and straight into make-up. This time was also used to ensure that they were all comfortable and sort out any issues they had with their costumes. At the studios of Deal or No Deal they film 3 shows a day, so this process was repeated 3 times throughout the day. Deborah was given many tasks to do, including preparing, fitting and altering costumes, packing up and cataloguing costumes, ready to be returned to Angels, the RSC and Bristol Costume. Deborah was also given the chance to take back the costumes to Bristol Costume with the Head Runner, and have a look around a massive costume hiring company. Despite the long 12 hour days Deborah learnt a lot and had and extremely enjoyable time. Studio TV was a new experience for her and one of the highlights was assisting the Head Runner preparing Noels next outfit. Deborah even secured an invite to the shows Christmas party.


Clothes Show Young Fashion Photographer of the Year Congratulations and well done to one of our photography students Claire Huish who won this prestigious competition. Written below are Claire’s thoughts and interpretation of the brief for the competition. The brief for the competition was to style, compose and capture a unique fashion photograph to showcase all your hometown has to offer. This is the photograph I entered entitled ‘tea party on a punt’. My image is representative of Oxford. Punting is a tradition specific to the city, and by locating my shoot aboard one, I believe the image to be subtly recognisable as Oxford upon initial viewing. I wished to play on the cliche of the dreamy, romantic notions of Oxford students wearing boaters, living the life of luxury. The tea party element is from ‘Alice in Wonderland’, which was set in Oxford, which is where the chaotic disorder and elements of fantasy stem from. The props I chose especially add to this, the colourful arc of balloons, echoed in the balloons by her feet and the teetering piles of mis-matching teacups, drenched in tea. The fashion in Oxford is eclectic, diverse and often theatrical. I reflected this through the way in which I styled the model: a combination of vintage and high street; sequins and lace; a straw hat juxtaposed with a net skirt. I added to the fantasy and dream-like qualities I desired through the techniques I used, the grain and blurry edges evoke nostalgia , and when added to the grey weather, implies a stereotypical, whimsical English afternoon. This is the article on the Clothes Show website: www.clothesshowlive.com/schools-colleges/young-photographer


Fine Art One of the AUCB Fine Art students Laura Burchett was recently featured in ME Design magazine with her piece Holiday. This is an impressive achievement and if you would like to view her work please go to:


www.medesignmag.com/talent/1726/compulsive-viewing/#gallery Laura also has her own website which is available to view on: www.lauraburchett.co.uk Bournemouth Stop Aids Society- Update The Bournemouth Student Stop AIDS Society has had an interesting term so far. After the success of the World AIDS Day stall at Bournemouth University the society managed to send off over four hundred signed petition cards supporting the Patent Pool campaign. With the help of all of the other societies nationwide a staggering fourteen thousand cards were sent to the country’s leading pharmaceutical companies. Thanks to our efforts, the government have now provided funding and support for a Patent Pool that will greatly decrease the price of HIV treatment in developing countries. Two of our members also attended a four day training weekend in Sheffield to learn about this year’s new campaign. Plans are in place to inform AUCB students about the proposed ‘Robin Hood Tax’, a tiny tax on the financial sector that could raise over 250 billion pounds a year to help towards international development. There will also be an opportunity in late March to join the society on the ‘Day of Action’ in London where we will be lobbying MPs in Parliament Square. It’s been a busy few months! For more information on how you can be involved with the campaign, please email: jamesadds@ btinternet.com



Rachel Elsome

www.illustrateharveylane.wordpress.com


Listings

DATES FOR THE DIARY

Cowabunga...... Thursday 18th March. 8 till late @ The Winchester Music Mania...... Saturday 20th March. Live Bands and Dj’s 8pm - 5am @ The Winchester Shake... Underground House and Techno. Friday 26th March. 9pm - 5am @ The Winchester

Moon Street- LIVE ART. @ The Winchester Stitch- every third wednesday of the month. @ 60 Million Postcards Big In Japan - every thursday night. £1 entry on guestlist. @ Dusk till Dawn Comedy Sweatshop... Tuesday 9th March. Open Mic Stand up comedy night... 8pm - 12 @ The Winchester Best of the Biro... Wednesday 10th March. Open spoken word and poetry night 8pm - 12 @ The Winchester Beat Redemption Sat 13th March - Line up TBC @ The Old Fire Station

Dubnium Sat 27th March - Line up TBC @ The Old Fire Station Farrago.... No Fools Slam... Thursday April 1st London Travelling poetry slam night open to all from 8pm - 12 @ The Winchester Cowabunga...... Wednesday 7th April. 8 till late @ The Winchester Eden..... Psy Trance Night. Friday 9th April. 10pm - 5am @ The Winchester Comedy Sweatshop... Thursday 15th April. Open Mic Stand up Comedy Night....8pm - 12 @ The Winchester Live Band New Riotfrom. Friday 16thn April.. 8pm - 11pm then Flip Flop House Dj’s till 5am @ The Winchester

Burlesque Blitz... 1940’s Burlesque Night with Rat pack and DJ’s ...Saturday 17th April... 8pm - 4am @ The Winchester The Travelling Band. Tuesday 20th April .... playing live from 8pm @ The Winchester Dubnium Sat 24th April - Line up TBC @ The Old Fire Station Secret Wars Sun 25th April Bournemouth vs Birmingham @ The Orange Rooms Dollyrocker Friday 30th April... live music and DJ’s full of psychadelic swirls and sunshine pop. ..... 9pm - 3am @ The Winchester We Are Your Friends Sat 1st May Block Party Bournemouth Beat Redemption Sat 15th May - Line up TBC @ The Old Fire Station Dubnium Sat 22nd May - Line up TBC @ The Old Fire Station Secret Wars Sun 20th June Bournemouth vs Lisbon @ The Orange Rooms


Contributors Marie Hale

Laura Burchett

Simon Adams

Claire Huish

Jimmy Herrtage

Deborah Wrighton

Jade Ireland

James Addison

Oliver Dawes

Rachel Elsome

Jeff Tong Krishna Malla Direction + Design Max Galbraith Journalism Rebekah Isaac Journalism

Jazzsteppa Daniel Hambly Natasha Durley Emily Hughes Robert Smale Adam Jaggard Maria Midttun

Thanks to everyone who contributed to the magazine we appreciate your efforts. To anyone who is interested in contributing to following issues please contact either the Student’s Union on studentunion@aucb.ac.uk.

www.aucb.ac.uk

www.technicolourmoon.com




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