Tennants Autumn Fine Art by Auction Technology Group

Lot 329

Front Cover Illustration: Lot 956 (detail) Back Cover Illustration: Lot 783

The Auction Centre, Leyburn North Yorkshire DL8 5SG Telephone: 01969 623780 Facsimile: 01969 624281 enquiry@tennants-ltd.co.uk www.tennants.co.uk

Autumn Fine Art Sale Saturday 18 November 2017

Part I at 10.00am Pictures, including Modern and Contemporary Art, Asian, Glass, Ceramics, Works of Art and Garden Statuary, Watches and Jewellery Part II at 10.00am Silver and Objects of Vertu, 20th Century Design, Clocks, Barometers, Rugs, Carpets, Furniture

Lot 190

Viewing Sunday 12 November 11.00am to 4.00pm Monday 13 November 10.00am to 4.00pm Late night viewing, ÂŁ10 in aid of charity, 6.00pm to 8.00pm Tuesday 14 November 10.00am to 4.00pm Wednesday 15 November 10.00am to 4.00pm Thursday 16 November 10.00am to 4.00pm Friday 17 November 10.00am to 2.00pm Morning of sale from 7.00am

Live bidding is available on this sale by registering at: www.the-saleroom.com

All lots illustrated online at www.tennants.co.uk Tennants

Order of Sale and Contents

Special Notices

Part I at 10.00am

Telephone Bidding Requests for telephone bidding must be registered one hour prior to the close of the view day. We will not accept requests on sale days. Lines are booked on a first come first served basis and are subject to a minimum lot value of £500. Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/ debit card details are also necessary to secure the line.

Pictures, including Modern and Contemporary Art Asian Ceramics and Works of Art

1-137 138-182

Glass 183 British Ceramics

184-214

Continental Ceramics

215-232

A Collection of 17th and 18th Century Cutlery Handles

233-246

Works of Art and Garden Statuary

247-289

Watches 290-340 Jewellery

341-482

Part II at 10.00am Silver and Objects of Vertu

500-569

20th Century Design

570-769

Clocks and Barometers

770-786

Rugs and Carpets

787-813

Furniture 814-990 To include:  On Instructions from the Executors: items from Le Pavillon, formerly part of The Shortgrove Estate, Essex  Items from Shortflatt Tower, Northumberland as instructed by Ms Hedley-Dent  The Property of a Lady  Items from Dinkley Hall, Lancashire  Contents of a 16th Century Derbyshire Farmhouse

Condition Reports Only certain lots have reference to damage and restoration. However, the absence of any such notice does not imply that the piece is free from defects, nor does it indicate that other defects are not also present. All potential buyers are deemed to have viewed all pieces they intend to bid for, and to have fully satisfied themselves as to the condition of the same. Material from Endangered Species Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species are also subject to CITES regulations when exporting/importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or may be obtained from: The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700 Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding. Method of Payment Methods of payment are by cash, debit card, cheque or bank reference. Visa and Mastercard are accepted, though this service will incur a surcharge of 1.3% plus VAT. Collection All purchases must be collected within a week of the sale date (Monday to Friday 8.30am to 5.00pm) Terms of Business For Terms of Business please refer to www.tennants.co.uk

Fine Art Specialists

SATURDAY 18 NOVEMBER AT 10.00AM PART I

SATURDAY 18 NOVEMBER AT 10.00AM

Picture Descriptions The forename(s) (or asterisks where not known) and surname of the artist indicates in the opinion of TENNANTS a work by the artist.

School accompanied by the name of a place or country and a date means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17th century.

The initials of the forename(s) and the surname of the artist indicates in the opinion of TENNANTS a work of the period of the artist which may be wholly or in part his work.

After …. an artist is in our opinion a copy of any date after a work by that artist.

The surname of the artist indicates in the opinion of TENNANTS a work of the school or by one of the followers of the artist or in his style and of uncertain date. Bears signature indicates in our opinion that this is not the signature of the artist.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term Bears signature and/or dated and or inscription means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand.

A picture catalogued with the forename(s) and surname of the painter is in our opinion a work by that artist; e.g. Joseph Mallord William Turner. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, whether proceeded by an initial or not, indicates that in our opinion the work is by the artist.

All references to signature, inscriptions and dates refer to the present state of the work.

Attributed to …. is in our opinion probably a work by the artist.

Artists’ Resale Right

Studio of …. is in our opinion a work from the studio of the artist which may or may not have been executed under his direction. Circle of …. is in our opinion a work of the period of the artist executed under his immediate influence. Follower of …. is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of …. is in our opinion a work in a style related to that of the artist, but of a later date.

Dimensions are given height before width. Pictures are framed unless otherwise stated.

All items in this catalogue that are marked with “” are potentially qualifying items, and the royalty charge will apply if the hammer price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

PICTURES, INCLUDING MODERN AND CONTEMPORARY ART 1 Attributed to Hendrik Willem Schweickhardt (1747-1797) German Frozen river landscape Watercolour, 28.5cm by 25cm £400 - 600 (plu s 24% BP*)

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2 Herman Frederik Carel ten Kate (1822-1891) Dutch Cottage interior with reading of the family bible Signed, watercolour, 23cm by 34.5cm £300 - 500 (plus 24% BP*) 3 Attributed to Walter Richard Sickert RA, PRBA, NEAC, ARE (1860-1942) “Carolina dell’ Aqua” - half length Signed and inscribed in ink, charcoal and white chalk, 42cm by 25cm Provenance: Probably anonymous Sotheby’s Sale, date unknown K.K Wood, Grange over Sands Estate Private Collection, Cumbria Exhibited: County Borough of Bury Art Gallery “Steer, Sickert, Epstein Exhibition”, 6th Feb - 6th March 1954

£300 - 500 (plus 24% BP*) 4 Henry Mayo Bateman (1887-1970) “To my Aunt Daisy” Signed inscribed and dated 1910, pencil and watercolour heightened with white, 22.5cm by 14cm Exhibited: Chris Beetles “The Illustrators Exhibition”, Nov 1986, No 46. Sold together with a copy of said catalogue and accompanying receipt.

£250 - 400 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

5 Lionel Dalhousie Robertson Edwards RI (1878-1966) “Running into Fog, The Devon and Somerset” Signed and dated (19)47, watercolour heightened with white, 47cm by 71cm Provenance: Rowland Wards, Piccadilly, London

£1500 - 2000 (plus 24% BP*)

6 Lionel Dalhousie Robertson Edwards RI (1878-1966) “The Derwent” Signed, inscribed and dated 1946, mixed media, 36.5cm by 51.5cm £600 - 900 (plus 24% BP*)

7 John Atkinson (1863-1924) “Cow Hill, October Fair” Signed and inscribed, watercolour, 46.5cm by 61cm £600 - 900 (plus 24% BP*)

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8 John Cyril Harrison (1898-1985) “Otterburn” “Blanchland” Signed, pencil and watercolour heightened with white, 32.5cm by 46cm (2) £800 - 1200 (plus 24% BP*) 9 John Atkinson Grimshaw (1836-1893) A shepherd driving his flock over a bridge Wooded river landscape Signed and dated 1876, watercolour, 15.5cm by 10.5cm (2) £2500 - 4000 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

10 Frank (Frederick) William Scarborough (fl.1896-1939) “London Bridge” Signed and inscribed, watercolour heightened with white, 32.5cm by 50cm £350 - 500 (plus 24% BP*)

11 Frank (Frederick) William Scarborough (fl.1896-1939) Whitby Harbour Signed, watercolour heightened with white, 44.5cm by 59cm £500 - 800 (plus 24% BP*)

12  William Heaton Cooper (1903-1995) View of Troutbeck in snow Signed, pencil and watercolour, 32.5cm by 50cm This item is being sold in aid of The Friends of High Borrans, a charity (Charity no.1160185) which supports an Outdoor Education Centre in the Lake District, by offering leadership courses for Year 10 school children from North Tyneside and residential weekend trips to the most under-privileged children also from North Tyneside. The monies raised gives unique outdoor opportunities and challenges to all children under the supervision of a specialist yet friendly outdoor activity team.

£1000 - 1500 (plus 24% BP*)

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13  William Heaton Cooper (1903-1995) “Morning in Spring, Derwentwater” Signed, with original label affixed verso, watercolour, 52cm by 74cm £1500 - 2500 (plus 24% BP*) 14  Anna Airy (1882-1964) “Bait” Signed, with various labels verso, watercolour, 58cm by 45.5cm Provenance: Atkinson Art Gallery, Southport Britain in Watercolour Exhibition, 1962

£1500 - 2500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

15  Sir Frank Brangwyn RA, RWS, RBA (1867-1956) “Return from the Hunt” (1923) Signed in pencil, etching, together with two further signed examples by the artist “Caravans” (1923) & “Bear Leaders” (1911), 34.5cm by 38cm, 27.5cm by 50cm (3) (all unframed) Provenance: Gifted by the artist from his studio to his chauffeur Thence by descent Gifted to the current owner

£500 - 800 (plus 24% BP*) 16  15 Sir Frank Brangwyn RA, RWS, RBA (1867-1956) “Tramps Resting” (1923) Signed in pencil, etching, together with two further signed etchings “Rabbis” (1923) & “Bear Leaders” (1911), 30cm by 37.5cm, 32.5cm by 42cm & 27cm by 36cm (3) (all unframed) Provenance: Gifted by the artist from his studio to his chauffeur Thence by descent Gifted to the current owner

£500 - 800 (plus 24% BP*)

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17  Sir Frank Brangwyn RA, RWS, RBA (1867-1956) “The Meat Market, Bruges” (1906) Signed in pencil, an etching, together with an interesting collection of other unframed prints and drawings, some by other hands, including; “Barge Builders, Hammersmith” (1904), “Buttress of the Pont- Neuf” (framed) (1921), a wood block print “Jerusalem Church, Bruges”, a signed pen and ink study of a windmill drawn in an autograph book, a signed pencil sketch “Java Head”, a further watercolour sketch depicting Industrious figures on a ship deck and a framed, signed and dedicated photograph of the artist in his Ditchling studio, 12cm by 8cm and various other sizes (a collection)

17 (part)

Provenance: Gifted by the artist from his studio to his chauffeur Thence by descent Gifted to the current owner

£300 - 500 (plus 24% BP*)

18  Sir Frank Brangwyn RA, RWS, RBA (1867-1956) “Billingsgate Fish Porters” (1920) Signed, etching, together with a further etching “Return from the Hunt” (1923), and a large collection of Brangwyn prints and lithographs, 27cm by 35cm and various other sizes (all unframed) (a collection) Provenance: Gifted by the artist from his studio to his chauffeur Thence by descent Gifted to the current owner

£400 - 600 (plus 24% BP*) 17

19  Sir Frank Brangwyn RA, RWS, RBA (1867-1956) “Violinsit, L’ Ombre de la Croix” Etching, 4.5cm by 2cm, together with a large collection of accompanying examples from the same series, approx 69 (all unframed)

18 (part)

Provenance: Gifted by the artist from his studio to his chauffeur Thence by descent Gifted to the current owner

£600 - 900 (plus 24% BP*)

20  Sir Frank Brangwyn RA, RWS, RBA (1867-1956) Brangwyn Portfolio To include a large collection of lithographic works some potentially with hand embellishment, a signed lithographic print depicting figures in rowing boats before a ship and a further black and white signed lithograph of men drinking in a tavern, 66cm by 47cm (overall portfolio size) and other sizes, all unframed (a collection) Provenance: Gifted by the artist from his studio to his chauffeur Thence by descent Gifted to the current owner

£400 - 600 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM 21 Antonietta Brandeis (1849-1926) Austrian “The Cavalli Palace, Venice” Monogrammed, oil on panel, 22.5cm by 12cm Provenance: The Cooling Galleries, London Sold together with copy insurance documents from the Willow Gallery, Surrey

£3000 - 5000 (plus 24% BP*)

22 Attributed to Abraham Hulk the Elder (1813-1897) Rowing boat and fishing smacks in choppy seas Signed, oil on canvas, 20cm by 30cm £300 - 500 (plus 24% BP*)

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23 Attributed to William Calcott Knell (1830-1880) Shipping off a pier on a breezy day Indistinctly signed, oil on canvas, 79cm by 130cm £1000 - 1500 (plus 24% BP*) 24 John Wilson Carmichael (1800-1868) Shipping in choppy waters Signed and dated 1839, oil on canvas, 40cm by 52cm £600 - 900 (plus 24% BP*)

Background: Lot 23 (detail)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

25  Follower of Jan Josefsz. van Goyen (1596-1656) Dutch View of a town from the river, historically known to be Nijmegen Oil on panel, 54cm by 82cm £2000 - 4000 (plus 24% BP*)

26  Follower of Jan Wijnants (c.1635-1684) Duck shooting Oil on canvas, 63.5cm by 86cm £3000 - 5000 (plus 24% BP*)

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27 Andreis Vermeulen (1763-1814) Dutch Winter - Figures skating in a frozen landscape Summer - Fishermen at the water’s edge with an extensive landscape beyond Oil on panel, 41cm by 52.5cm (2) £3000 - 5000 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

28 Follower of Jan Josefsz. van Goyen (1596-1656) Dutch Landscape with travelling figures With indistinct Christie’s stencil verso, oil on panel, 23cm by 33cm Provenance: According to label to the reverse: Collection Du Baron Léon Janssen

£400 - 600 (plus 24% BP*) 29

29  Attributed to Frederick de Moucheron (1633-1686) Dutch Horse mounted travellers engaged in a skirmish Signed, oil on canvas, 46cm by 40.5cm £1000 - 1500 (plus 24% BP*) 30  Follower of Richard Wilson (1714-1782) Figures surveying a town beside a river Oil on canvas, 73.5cm by 61.5cm £800 - 1200 (plus 24% BP*)

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31 Alfred Vickers (1786-1868) “Near Lymington, Hants” Oil on canvas, 59cm by 100cm

32 J Moerman (19th century) Belgian Figures skating in a frozen landscape Signed, oil on panel, 55.5cm by 81cm

Provenance: Thomas Agnew & Sons Ltd, London

Provenance: MacConnal Mason & Sons Ltd, London

£1500 - 2500 (plus 24% BP*)

£1200 - 1800 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

33 Thomas Smythe (1825-1907) Winter outside the inn Signed, oil on panel, 24cm by 36.5cm £1000 - 1500 (plus 24% BP*)

34 Thomas Smythe (1825-1907) Summer outside the Stag’s Head Inn Signed, oil on panel, 25cm by 36.5cm £600 - 900 (plus 24% BP*)

35 Samuel Smith (fl.1830-1857) “The Langdale Pikes overlooking Ellerwater” Signed, oil on canvas, 83cm by 141.5cm £2500 - 3500 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART 36 Alfred Walter Williams (1824-1905) “A calm morning on the Thames” Initialled and dated 1852, oil on canvas, 48cm by 76.5cm This painting is believed to have been exhibited at the Royal Academy titled as above in 1852, no. 928

£700 - 1000 (plus 24% BP*)

37 Walter Wallon Caffyn (1854-1898) “Nr. Coldharbour” - Shepherd droving sheep on a country lane Signed and dated 1889, inscribed verso, oil on canvas, 33cm by 28cm £250 - 400 (plus 24% BP*) 38 Frederick Richard Lee (1798-1879) Team of horses beside an estuary at rest from hauling timber Signed, oil on canvas, 86cm by 111cm £2000 - 3000 (plus 24% BP*)

39 English School (19th century) Landscape with loggers crossing a river Oil on canvas, 94cm by 145cm Provenance: Probably Spink & Sons, London

£1500 - 2500 (plus 24% BP*)

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

40 Thomas Baker of Leamington (1809-1869) Cattle resting beside a river in a wooded landscape Signed and dated 1859, oil on canvas, 43.5cm by 59.5cm Provenance: Haynes Fine Art, Broadway, No 7948

£2000 - 3000 (plus 24% BP*) 41 David Bates (1868-1911) A fisherman beside a river in a mountainous landscape Signed and dated 1902, oil on canvas, 59.5cm by 90cm £2000 - 3000 (plus 24% BP*)

Background: Lot 41 (detail)

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42  Joseph Wrightson McIntyre (1841-1897) “Grindleford Bridge, Derbyshire” Signed and dated (18)86, signed inscribed and dated 1885? verso, oil on canvas, 82cm by 120cm £800 - 1200 (plus 24% BP*) 43 Thomas Weaver (1774-1843) Mr Corbett on a bay Hunter out shooting with two pointers in an extensive landscape Signed and dated 1809, oil on canvas, 47cm by 64cm Provenance: Christie’s London, 28th May 1999, Lot 24 (£14,950)

£2500 - 3500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

44 Thomas Bretland (1802-1874) Gentleman out shooting Oil on canvas, 68.5cm by 89.5cm £3000 - 5000 (plus 24% BP*) 45 James Hardy Jnr RI (1832-1889) “Forever Hopeful” - Gordon Setters and a resting figure with the day’s catch Oil on canvas, 60.5cm by 78cm £700 - 1000 (plus 24% BP*) 45

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46  John Charlton (1849-1917) Greyhound ‘Fullerton’ with his trainer and breeder E. Dent, Esq., outside the steps of Shortflatt Tower Signed with initials and dated 1902, signed, inscribed and dated verso, oil on canvas, 69.5cm by 95.5cm £4000 - 6000 (plus 24% BP*)

47  John Charlton (1849-1917) “Greyhounds ‘Fullerton’ and ‘Bit of Fashion’ outside Shortflatt Tower” Initialled and dated 1893, oil on canvas, 109.5cm by 163cm Exhibited: British Sporting Art Trust 25th anniversary exhibition “Sporting Art in Britain”, 6th-22nd January 2003, Christie’s King Street, London

£7000 - 10000 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

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48 Henry Leonidas Rolfe (fl.1847-1881) Salmon and trout catch on a riverbank Signed, oil on canvas, 50.5cm by 76.5cm Provenance: S93VF stencil to reverse Malcolm Innes Gallery, London & Edinburgh

49 A Roland Knight (fl.1810-1840) Trout on a bank Signed, oil on canvas, 38.5cm by 58.5cm £600 - 900 (plus 24% BP*)

50 Alfred William Strutt (1856-1924) Cart spilling goods with a hunting party beyond Signed, oil on canvas, 79.5cm by 137.5cm £4000 - 6000 (plus 24% BP*)

£1500 - 2500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

51  Frederick (Fred) Hall (1860-1948) Intruders - Poultry at a farmhouse doorway Signed, oil on board, 39cm by 31cm £500 - 800 (plus 24% BP*)

52  Edgar Hunt (1876-1953) Pigeons at a trough within a stable Signed, oil on canvas, 17cm by 24.5cm £4000 - 6000 (plus 24% BP*)

53 John Atkinson (1863-1924) “Lord Glenaby, Northern Meet Carlisle” Signed, oil on panel, 34cm by 47cm £1500 - 2500 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART 54 Attributed to William Frederick Witherington (1785-1865) Unloading a farmyard cart Indistinctly signed, with various indiscernible newspaper excepts to the reverse, oil on canvas, 101.5cm by 87cm £2000 - 3000 (plus 24% BP*)

55 James Sant RA (1820-1916) A Mother’s Love Monogrammed, oil on board, 73.5cm dia. (tondo) Provenance: Messums, London

£1000 - 1500 (plus 24% BP*) 55 28

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

56 Thomas Falcon Marshall (19th century) A young lady and two children pausing on garden steps A young girl watering potted plants in a cottage garden One signed and dated 1859, oil on board, 40cm dia. (tondo) (2) Provenance: Sotheby’s Anonymous Sale, 11th November 1998, Lot 103

£1000 - 1500 (plus 24% BP*) 56

57 Charles Hunt (1803-1877) The Half Holiday Signed and dated 1866, oil on canvas, 33.5cm by 44cm £600 - 900 (plus 24% BP*) 58 Follower of Jan Havickszoon Steen (1626-1679) Dutch Family in an interior Oil on canvas, 80cm by 93cm £500 - 800 (plus 24% BP*)

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59 George Bernard O’Neill (1828-1917) “Stolen fruit are Sweetest” Signed, oil on panel, 40cm by 33cm Provenance: W Barker and Sons, Harrogate, purchased circa 1925 A larger version of this painting was sold at Christie’s South Kensington March 23 2016, lot 108 for £18,125 including premium

£5000 - 8000 (plus 24% BP*)

60 Svetislav Ivanowitch (19th century) Hungarian “Le Soir” Signed, signed and inscribed verso, oil on panel, together with a further companion painting depicting Orientalist figures in an interior with Salon De 1889, pienture 1388 label verso, 20.5cm by 13cm and 20cm by 14.5cm respectively (2) The Salon entry for the second work titles the work as “En Albanie”.

£1200 - 1800 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

61  Frederick William Elwell RA (1870-1958) “Corner of my Studio” (1953) Signed, bears original artist’s inscribed label verso, oil on board, 75.5cm by 61.5cm The finished portrait of the lady depicted in the painting is “A Portrait of Miss Elizabeth Chapman” painted in 1953 and also formed part of the Frederick Elwell exhibition of the same year. The same portrait was also shown at the Royal Academy Summer Exhibition of 1954.

£8000 - 12000 (plus 24% BP*)

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62 William Murray Mackenzie (fl.1873-1908) The Day’s takings Signed and dated 1895, oil on canvas, 44cm by 49cm £500 - 800 (plus 24% BP*)

63  Alexander Davis Cooper (1820-1895) The Death of Rufus (William II) Monogrammed and dated 1866, 92.5cm by 171cm £6000 - 8000 (plus 24% BP*) 62

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

64  Manner of Filippo (Filippino) Lippi (c.1406-1469) Italian The Madonna and Child; The Madonna seated in an interior before a ledge, chaffinch and cherries nearby and the infant St. John holding a carnation, with a view of an estuary beyond Oil on panel, with label inscribed “Alesso Baldovinetti” verso, oil on panel, 79cm by 50cm (with arched top) £6000 - 9000 (plus 24% BP*) 65  After Raphael (1483-1520) Italian “Madonna del Cardellino (Madonna of the Goldfinch)” Inscribed and dated 1879, oil on board, 23cm by 17cm £350 - 450 (plus 24% BP*)

66 English School, follower of Hans Eworth (c.1520-1574) Portrait of a young lady, reputedly Queen Elizabeth I, three-quarter length, wearing a French cap, a ruff, brocaded gown and an ermine trimmed overcoat Oil on panel, 95.5cm by 65cm The painting bears similarities to the bust length painting of Queen Elizabeth I held by the National Portrait Gallery and the “Clopton Portrait” (of which there are extant versions) and which date from the 1560s. There are notable differences however; including the handling of the brushwork, the length of the portrait, positioning of the hands, costume variances and the omission of the large square cut jewel worn on a double chain known as “The Mirror of France” which had belonged to King Henry VIII, her father. Portraits of this type date from the early part of her reign, before the use of complicated imagery associated with later renditions.

£2500 - 4000 (plus 24% BP*) 66

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

67  Workshop of Peter Paul Rubens (1577-1640) Flemish Portrait of a lady, three-quarter length, standing to the left, looking towards the spectator, hands folded, wearing a black satin dress, a pearl necklace and earrings, jewelled chain and pendant with pearl drop to her dress and a curtain and sky background Inscribed “Virgo Brabantina”, oil on canvas, 108cm by 78cm Provenance: “A Complete catalogue of the paintings, watercolour drawings and prints in the collection of the Late Hugh Andrew Johnstone Munro Esq, of Novar, at the time of his death deposited in his house, No. 6 Hamilton Place, London, with some additional paintings at Novar,” (1865) No. 218 Exhibited: “Exhibition of Pictures by Masters of the Flemish and British Schools, including a selection from the works of Sir Peter Paul Rubens, the New Gallery, London (1899-1900) No. 130 Literature: Rooses, (Circa 1890) Max, L’ Oeuvre de P.P. Rubens, Histoire et Description de ses tableaux et dessins, Volume 4, page 298, no. 1103 Rooses, Max, Rubens, (1904), no. 386 Verhaeren, Emile, Rubens, (1913), no.55 and dated as 1625-1628 A related portrait can be found at the following link: http://www.dhm.de/datenbank/goering/dhm_goering. php?seite=5&fld_0=RMG01421

£25000 - 40000 (plus 24% BP*) 68

68  Circle of Sir Peter Lely (1618-1680) Portrait of a lady, three-quarter length seated, wearing a blue dress over a white chemise decorated with gem set strings of pearls, and a view of a landscape beyond Oil on canvas, 123cm by 97.5cm Provenance: According to an old label to reverse the sitter is Lady Duke and the painting formed part of the collection of Captain WW Browne, no.5, (1892) Christie’s stencil 704E to stretcher

£3500 - 5000 (plus 24% BP*) 69 Attributed to Sir Godfrey Kneller, Bt (1646-1723) Portrait of Anne Breame, Mrs Humphry Ambler, full length, seated wearing a white chemise, red dress and blue robe, a rose bush to the left and a landscape beyond Oil on canvas, 127cm by 101.5cm £3000 - 5000 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

70 Circle of John Kerseboom (fl.1680-1708) Portrait of a gentleman, believed to be Robert Henley, three-quarter length standing, wearing armour and a powdered wig Oil on canvas, 125.5cm by 100cm Provenance: Anonymous Sotheby’s Sale, 13th September 1994, Lot 330

£2500 - 3500 (plus 24% BP*)

71 Follower of Sir Godfrey Kneller (1646-1723) Portrait of a gentleman, believed to be Henry Henley, three-quarter length standing, before a landscape wearing a green frock coat, a powdered wig and a white cravat Oil on canvas, 125cm by 100cm Provenance: Sotheby’s anonymous sale, 13th September 1994, Lot 333

£2000 - 3000 (plus 24% BP*)

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SATURDAY 18 NOVEMBER AT 10.00AM

72 Attributed to Pietro Francesco Guala (1698-1797) Italian God the Father Moses With Christie’s stencil XXS74, oil on canvas, 46cm by 59.5cm (oval) (2) £1200 - 1800 (plus 24% BP*) 73 Follower of Jean Marc Nattier (1685-1766) Portrait of an elegant lady, reputedly Marquise De Galviere, half length, wearing a black cape, white lace bonnet and cuffs, holding a fur muff Oil on canvas, 79cm by 63.5cm £1200 - 1800 (plus 24% BP*)

74 Italian School (17th century) Portrait of a man, head and shoulders, wearing a brown jacket with large white collar Oil on canvas, 56cm by 47cm £500 - 800 (plus 24% BP*) 73

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

75 Circle of Alessandro Longhi (1733-1813) Italian Portrait of a fashionable lady seated, half length wearing a blue dress with white lace trim, before a mirror, holding a mask in her right hand Oil on canvas, 83cm by 66cm Provenance: Probably Christie’s Sale, 13th December 1979 Anonymous Sale, Christie’s South Kensington, 15th December 1999, Lot 224

£3000 - 5000 (plus 24% BP*)

76  After Thomas Gainsborough (1727-1788) Portrait of Georgiana, Countess Spencer, half length wearing a riding habit With Christie’s stencil to reverse 294F7, oil on canvas, 22cm by 17cm Provenance: Anonymous sale, 22 February (19)35, Lot 7 Reputedly collection of W Bentink The finished autograph version of this work was painted in 1781 and was intended as a wedding present from the sitter to her son who married Lady Lavinia Bingham in that year. Chatsworth House also hold a slightly larger unfinished version.

£300 - 500 (plus 24% BP*)

76 38

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SATURDAY 18 NOVEMBER AT 10.00AM

77  Circle of Margaret Sarah Carpenter (1793-1872) Portrait of a young child kneeling in a wooded landscape holding a spaniel Oil on canvas, 75cm by 62cm £1000 - 1500 (plus 24% BP*)

78 Follower of Sir Henry Raeburn (1756-1823) Portrait of a lady, three-quarter length seated, wearing a black dress with white shawl and bonnet Oil on canvas, 126cm by 100cm £700 - 1000 (plus 24% BP*) 79 James Archer RSA (1824-1904) Scottish Portrait of Sir Theodore Martin KCB, KCVO, sitting in a velvet upholstered chair, wearing a patterned robe Oil on canvas, 126cm by 100cm £1000 - 1500 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

80 Giovanni Boldini (1842-1931) Italian Louisa Chambres, half length, wearing a white chiffon dress trimmed with blue ribbon and a gold pendant decorated with a diamond stellate design Florence Chambers, head and shoulders, wearing a black satin dress, trimmed with a fine lace collar and a striking red coral parure Signed, oil on canvas, 70cm by 59cm (2) Painted circa 1860s Provenance: Commissioned by the great-grandfather of the present owner; great nephew of the sitters; thence by descent

£6000 - 8000 (plus 24% BP*)

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SATURDAY 18 NOVEMBER AT 10.00AM

82 Follower of Rachel Ruysch (1664-1750) Dutch Still life of assorted flowers including bearded iris, variegated tulips, roses and lily of the valley arranged in a glass vase decorated with grotesque heads and beside shell specimens Oil on canvas, 72cm by 59.5cm £500 - 800 (plus 24% BP*)

83  Harold Clayton (1896-1979) “Flowers in a Vase” Signed, oil on canvas, 44cm by 49cm Provenance: G M Lotinga Ltd, London April 1960

£2000 - 3000 (plus 24% BP*)

81 Adrian Scott Stokes RA (1854-1935) “I sent thee late a rosy wreath…” Signed, with original artist’s extensively inscribed label verso, oil on canvas, 105.5cm by 44.5cm Provenance: Exhibited at the Royal Academy 1879 no.1027 Walker Galleries, Harrogate

£1000 - 2000 (plus 24% BP*)

83 w w w.t e n n a n t s .c o.u k 41

PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

84  Cecil Kennedy (1905-1997) “Rosa Nevada Roses in a glass” Signed, extensively inscribed on stretcher verso, oil on canvas, 49cm by 39cm Provenance: MacConnal & Mason Ltd, London

£4000 - 6000 (plus 24% BP*)

85  Cecil Kennedy (1905-1997) Still life of magnolia in a celadon vase Signed, oil on canvas, 48.5cm by 59cm Provenance: MacConnal-Mason & Son Ltd, London

£3000 - 5000 (plus 24% BP*)

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MODERN AND CONTEMPORARY ART Lot 124

PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

86  Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970) Cupid holding a bow and arrows Signed, mixed media, 32cm by 39.5cm Provenance: The Late Gordon Cameron Jackson OBE This sketch has affinities with the artist’s costume sketches for Les Roses (1924)

£300 - 500 (plus 24% BP*)

87  Brian Shields “Bráaq“ FBA (1951-1997) “Sunset” Signed, with original artist’s signed and inscribed label verso, pastel, 20cm by 37cm £600 - 900 (plus 24% BP*)

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SATURDAY 18 NOVEMBER AT 10.00AM

88  Brian Shields “Bráaq“ FBA (1951-1997) Keepy-uppy - Bráaq as a young boy with a football A young girl (possibly the artist’s sister) wearing a brown coat standing in the wind Signed, pencil and coloured crayon, 21cm by 13.5cm Purchased directly from the artist

£2000 - 3000 (plus 24% BP*)

89  Brian Shields “Bráaq“ FBA (1951-1997) Young boy with a fishing rod and a dog Young girl (possibly the artists’s sister) standing, wearing a green coat Signed, pencil and coloured pastel, 20.5cm by 13.5cm £2000 - 3000 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

90  Mackenzie Thorpe (b.1956) “The Rhythm of Life” Monogrammed, pastel, 88cm by 110cm £2500 - 3500 (plus 24% BP*)

91  Mackenzie Thorpe (b.1956) “First Frost” Signed, signed and inscribed with the title and accompanying poem verso, pastel, 68cm by 47.5cm £2500 - 3500 (plus 24% BP*) 46

92  Doug Hyde (b.1972) Smiley Face Signed, pastel, reputedly inscribed and signed to reverse, 74.5cm by 100cm £2000 - 3000 (plus 24% BP*)

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SATURDAY 18 NOVEMBER AT 10.00AM

93  Arthur Delaney (1927-1987) Street scene with horse and cart, figures and a tram Signed, pencil, 24cm by 16cm This is the preparatory sketch for lot 122

£600 - 800 (plus 24% BP*) 94  Tom McGuinness (1926-2006) Miners underground Signed and dated 1965, mixed media, 10cm by 24.5cm £500 - 800 (plus 24% BP*)

95  Harold Riley (b.1934) Young chimney sweep Signed and dated (19)72, charcoal and coloured chalk, 29.5cm by 25cm £600 - 800 (plus 24% BP*) 96  Norman Stansfield Cornish (1919-2014) Mother and child in snow before St Andrew’s Church, Spennymoor Signed, mixed media, 13.5cm by 19cm £800 - 1200 (plus 24% BP*) 96 w w w.t e n n a n t s .c o.u k 47

PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

98 (part)

97  After Laurence Stephen Lowry RA (1887-1976) “Market Scene in a Northern Town” Signed in pencil, from an edition of 750, a colour reproduction, 47.5cm by 61.5cm £600 - 900 (plus 24% BP*)

98  After Laurence Stephen Lowry RA (1887-1976) “Group of Children” Signed in pencil, with the blind stamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, together with the preparatory sketch traditionally for “The Contraption”, 17.5cm by 19cm (2) £700 - 1000 (plus 24% BP*)

99  After Laurence Stephen Lowry RA (1887-1976) “Our Town” Signed in pencil, numbered 241/850, a colour reproduction, 42.5cm by 61cm, unframed £600 - 900 (plus 24% BP*)

Background: Lot 98 (detail)

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SATURDAY 18 NOVEMBER AT 10.00AM

100  Gill Watkiss (b.1938) “The Mummers Ring, St Just” Signed, signed and inscribed verso, oil on canvas, 59cm by 89.5cm Provenance: From the artist’s collection, according to label to the reverse

£600 - 800 (plus 24% BP*)

100

101  Gill Watkiss (b.1938) “Autumn Day, Towednak” Signed and dated 2009, signed, inscribed and dated 2010 verso, oil on canvas, 59cm by 74.5cm £600 - 800 (plus 24% BP*)

101

102  Gill Watkiss (b.1938) “The Parade Gone By, St Just” Signed and dated 1988-2007, signed and inscribed on artist’s label verso, oil on canvas, 59cm by 89.5cm Provenance: From the artist’s collection, according to label to the reverse

£700 - 1000 (plus 24% BP*)

102

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

103  Florence Adelina Hess WIAC (1891-1974) “Leeds Wharf” Oil on canvas, 49.5cm by 60cm Provenance: Philips and Sons Fine Art, Marlow

£800 - 1200 (plus 24% BP*)

103

104

104  Florence Adelina Hess WIAC (1891-1974) Extensive summer landscape Signed in pencil, oil on panel, 16cm by 20cm £300 - 500 (plus 24% BP*)

105

105 Attributed to Mark Senior (1864-1927) Figures walking on headland, possibly the artist’s garden With various sketches in pencil to reverse, oil on panel, 15.5cm by 20.5cm £300 - 500 (plus 24% BP*)

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SATURDAY 18 NOVEMBER AT 10.00AM

106 Jonathan Armigel Wade (b.1960) “The Meeting” Signed, signed and numbered 1713 verso, with original inscribed artist’s label, oil on board, 25cm by 44cm £400 - 600 (plus 24% BP*)

106

107

107 Jonathan Armigel Wade (b.1960) “Making a Plan” Signed, signed and numbered 1717 verso, with original inscribed artist’s label, oil on board, 49.5cm by 80.5cm £800 - 1200 (plus 24% BP*) 108 Jonathan Armigel Wade (b.1960) “The Reunion” Signed, signed and numbered 1611 verso, with original inscribed artist’s label, oil on board, 44.5cm by 59.5cm £700 - 1000 (plus 24% BP*)

108 w w w.t e n n a n t s .c o.u k 51

PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

109  Marcel Dyf (1899-1985) French “Potager au Ruault (Bretagne)” Signed, oil on canvas, 46cm by 55cm The painting is listed on the Marcel Dyf digital database as “Potager Breton”, HST SBD, 1980 (ref Frost and Reed 1742) N°ID 2718

£4000 - 6000 (plus 24% BP*)

109

110  Pam Carter (b.c.1960) “Lewis Township” Signed, acrylic, 74cm by 74cm £1500 - 2500 (plus 24% BP*)

110

111  John Lowrie Morrison “Jolomo” OBE (b.1948) “Storm over Arinagour, Isle of Coll” Signed, signed, inscribed and dated 2003 verso, oil on canvas, 59.5cm by 59.5cm £2000 - 4000 (plus 24% BP*)

111

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112

112  Brian Shields “Bráaq” FBA (1951-1997) “I’ve just seen my first pair of “tits” Signed and inscribed “Ann”, signed and inscribed verso, oil on canvas, 49cm by 74.5cm £15000 - 25000 (plus 24% BP*) 113  Brian Shields “Bráaq” FBA (1951-1997) The Band Stand Signed and dated (19)74, oil on canvas, 48cm by 59.5cm Provenance: Purchased directly from the artist

£6000 - 9000 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

114  Peter Brook (1927-2009) “Neighbours” Signed and inscribed, oil on canvas, 61cm by 51cm Provenance: Thos Agnew & Sons, London

£2500 - 3500 (plus 24% BP*)

114

115 Peter Brook (1927-2009) “Impression, Ben Nevis” Signed and inscribed, oil on board, 42cm by 51.5cm Provenance: From the Artist’s Estate

£2500 - 3500 (plus 24% BP*)

115 Background: Lot 116

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SATURDAY 18 NOVEMBER AT 10.00AM

116 Peter Brook (1927-2009) “Drawing very Carefully in a Danger Area” Signed and inscribed, oil on board, 49.5cm by 70cm Provenance: From the Artist’s Estate

£3000 - 5000 (plus 24% BP*)

116

117

117 Peter Brook (1927-2009) “Looking into Swaledale” Signed and inscribed, oil on board, 20.5cm by 35.5cm Provenance: From the Artist’s Estate

£1500 - 2500 (plus 24% BP*)

118

118 Peter Brook (1927-2009) “Two Listeners” Signed and inscribed, oil on board, 40.5cm by 51.5cm Provenance: From the Artist’s Estate

£2500 - 4000 (plus 24% BP*)

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119

120

119  Arthur Delaney (1927-1987) Figures approaching the King’s Cinema, Salford by lamplight Signed, oil on canvas board, 24cm by 18.5cm £800 - 1200 (plus 24% BP*) 120  Arthur Delaney (1927-1987) “Late Night Tram” Signed, inscribed and initialled verso, oil on board, 23cm by 19cm £2000 - 3000 (plus 24% BP*) 121  Arthur Delaney (1927-1987) Boy wearing a red scarf riding a bicycle Signed, oil on board, 15.5cm by 13cm £1200 - 1800 (plus 24% BP*)

121

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SATURDAY 18 NOVEMBER AT 10.00AM

122  Arthur Delaney (1927-1987) Street scene with horse and cart, figures and a tram Signed, oil on board, 23.5cm by 15cm Lot 93 is the preparatory sketch for this painting

£1500 - 2500 (plus 24% BP*)

122

123  Arthur Delaney (1927-1987) Tram interchange Signed, oil on board, 31.5cm by 37cm £2000 - 3000 (plus 24% BP*)

Background: Lot 93 (detail)

123

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

124  Harold Riley (b.1934) The Red Door Signed and dated (19)70, oil on board, 38cm by 28cm £2500 - 4000 (plus 24% BP*)

124

125  Harold Riley (b.1934) Figure with bicycle before a house with blue windows Signed and indistinctly dated (19)72?, oil on board, 24.5cm by 24cm £2500 - 4000 (plus 24% BP*)

125

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SATURDAY 18 NOVEMBER AT 10.00AM

126

127

126  Carel Victor Morlais Weight CH, CBE, RA (1908-1997) “Stormy Evening” Signed, signed, inscribed and dated 16 May 1996 on affixed label verso, oil on board, 29.5cm by 26cm Exhibited: New Grafton Gallery, London, May 1996, Catalogue No. 11

£250 - 400 (plus 24% BP*) 127  Carel Victor Morlais Weight CH, CBE, RA (1908-1997) “Huge Cat and Startled Man” Signed, signed, inscribed and dated 16 May 1996 on affixed label verso, oil on panel, 37cm by 36.5cm Exhibited: New Grafton Gallery, London, May 1996, Catalogue No. 2

£250 - 400 (plus 24% BP*) 128  Norman Stansfield Cornish (1919-2014) “Miner in back streets” Signed, oil on paper, 37cm by 26.5cm Exhibited: The Stone Gallery, Newcastle, 1963, No 23.

£4000 - 6000 (plus 24% BP*)

128

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

129

129  Norman Stansfield Cornish (1919-2014) “Spennymoor Street in 1950” Signed, oil on board, 86.5cm by 118.5cm Exhibited: University of Northumbria Provenance: Private Collection, North East of England

£20000 - 30000 (plus 24% BP*)

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SATURDAY 18 NOVEMBER AT 10.00AM

130

131

130  Richard Eurich OBE, RA (1903-1992) Hailstorm on the Solent Signed, signed, inscribed and dated (19)79 verso, oil on board, 20cm by 40cm Exhibited: New English Art Club Fine Art Society, Glasgow, April 1980, Richard Eurich Retrospective Exhibition, no.110 Provenance: From the Estate of the late Marie Walker Last

£800 - 1200 (plus 24% BP*)

131 Alfred Wallis (1855-1942) Sailing Boat Signed in pencil, mixed media, 18.5cm by 33.5cm Provenance: From the Estate of the late Marie Walker Last

£10000 - 15000 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

132

133

132 Follower of Eric Harold Macbeth Robertson (1887-1941) Scottish Bacchanal before a coastline with dancing figures, Pan and putti Oil on canvas, 73cm by 124cm £400 - 600 (plus 24% BP*)

134

133  Gladys MacCabe HRUA, ROI, FRSA (b.1918) Irish Pony rides on the beach Signed, oil on board, 48cm by 38cm £700 - 1000 (plus 24% BP*)

134  Joe Scarborough (b.1938) Wedding Day Signed, oil on canvas, 34cm by 48cm £800 - 1200 (plus 24% BP*)

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SATURDAY 18 NOVEMBER AT 10.00AM

135

135  Dorothea Sharp RBA, ROI, VPSWA (1874-1955) “Gathering Daisies” Signed, oil on canvas, 48.5cm by 60cm Provenance: MacConnal-Mason & Son Ltd, London

£10000 - 15000 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

136  Jacob Kramer (1892-1962) Portrait of a Japanese lady, full-length, wearing a kimono and holding a parasol Signed, oil on board, 50cm by 26cm £300 - 500 (plus 24% BP*)

136

137  Norman Adams RA (1927-2005) “Trees at Douk Ghyll” Initialled and dated (19)58, oil on board, 89.5cm by 210.5cm £1000 - 1500 (plus 24% BP*)

137 64

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Artists’ Index Adams, N, 137

Edwards, LDR, 5-6

Lee, FR, 38

Sant, J, 55

Airy, A, 14

Elwell, FW, 61

Lely, circle Sir P, 68

Scarborough, FW, 10-11

Archer, J, 79

English School, 39, 66

Lippi, manner F, 64

Scarborough, J, 134

Atkinson, J, 7, 53

Eurich, R, 130

Longhi, circle A, 75

Schweickhar, attrib HW, 1

Lowry, after LS, 97-99

Senior, attrib M, 105

Baker, T, 40

Gainsborough, after T, 76

Bateman, HM, 4

Grimshaw, JA, 9

MacCabe, G, 133

Shields, B, 87-89,112-113

Bates, D, 41

Guala, attrib PF, 72

Mackenzie, WM, 62

Sickert, RA, 3

Marshall, TF, 56

Smith, S, 35

Boldini, G, 80

Sharp, D, 135

Brandeis, A, 21

Hall, F, 51

McGuinness, T, 94

Smythe, T, 33-34

Brangwyn, Sir F, 15-20

Hardy, J, 45

McIntyre, JW, 42

Steen, foll JH, 58

Bretland, T, 44

Harrison, JC, 8

Moerman, J, 32

Stokes, AS, 81

Brook, P, 114-118

Hess, FA, 103-104

Morrison, JL, 111

Strutt, AW, 50

Nattier, foll JM, 73

ten Kate, HFC, 2

Hulk the Elder, attrib A, 22 Caffyn, WW, 37

Hunt, C, 57

Carmichael, JW, 24

Hunt, E, 52

Carpenter, circle MS, 77

Hyde, D, 92

O’Neil, GB, 59

Charlton, J, 46-47

Italian School, 74

Raeburn, foll Sir H, 78

Vermeulen, A, 27

Clayton, H, 83

Ivanowitch, S, 60

Raphael, after, 65

Vickers, A, 31

Thorpe, M, 90-91

Carter, P, 110

van Goyen, foll JJ, 25, 28

Cooper, AD, 63

Riley, H, 95, 124-125

Cooper, WH, Dec-13

Kennedy, C, 84-85

Robertson, foll EHM, 132

Wade, JA, 106-108

Cornish, NS, 96, 128-129

Kerseboom, circle J, 70

Rolfe, HL. 48

Wallis, A, 131

Knell, attrib WC, 23

Rubens, workshop PP, 67

Watkiss, G, 100-102

de Moucheron, attrib F, 29

Kneller, attrib Sir G, 69

Ruysch, foll R, 82

Weaver, T, 43

Delaney, A, 93, 119-123

Kneller, foll Sir G, 71

Weight, CVM, 126-127

Dyf, M, 109

Knight, AR, 49

Wijnants, foll J, 26

Knight, Dame L, 86

Williams, AW, 36

Kramer, J, 136

Wilson, foll R, 30 Witherin, attrib WF, 54

w w w.t e n n a n t s .c o.u k 65

ASIAN CERAMICS AND WORKS OF ART

138

ASIAN CERAMICS AND WORKS OF ART 138 A Japanese Bronze Figure of a Fox, Meiji period (1868-1912), naturalistically modelled with an alert expression, 49cm long, with hardwood plinth £700 - 1000 (plus 24% BP*) 139 A Japanese Gilt and Patinated Bronze Figure of a Swordsman, by Miyao, Meiji period (1868-1912), standing wearing traditional costume, a sword in his right hand, a coin in his left, a barrel at his side, on a bronze inlaid hardwood table base, signed MIYAO SEI, 31.5cm high £4000 - 5000 (plus 24% BP*)

140

140 A Japanese Bronze Figure of a Fisherman, Meiji period (1868-1912), standing on a rock landing a carp, 92cm high, on wooden stand £1000 - 1500 (plus 24% BP*)

139 66

139 (detail) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

141

141 A Set of Five Japanese Silver, Gilt and Patinated Menu Holders, early 20th century, each decorated with a pair of cranes, signed, 6.5cm high; and A Similar Menu Holder, with a flying crane, signed, 6.7cm high (6) £500 - 700 (plus 24% BP*) 142 A Japanese Ivory Okimono, Meiji period (1868-1912), as a drum seller carrying drums suspended from a pole over his shoulder, further drums and a gourd in his left hand, on an oval base, signed to red lacquer tablet, 17.5cm high £300 - 400 (plus 24% BP*) 143 A Japanese Ivory Okimono, Meiji period (1868-1912), as a girl standing holding boxes, a chicken at her feet, a cockerel to the cover of a large basket at her side, on a rush carved base, signature to red lacquer plaque, 18cm high, on a hardwood base £300 - 400 (plus 24% BP*)

146

144 A Japanese Ivory Okimono, Meiji period (1868-1912), as a sage in flowing robes, signed to red lacquer panel, 19cm high £250 - 350 (plus 24% BP*) 145 A Japanese Ivory Okimono, Meiji period (1868-1912), carved with a boy holding an orb sitting on a writhing dragon amongst lotus and scrolls, 18cm high £1000 - 1500 (plus 24% BP*) 146 A Pair of Japanese Lacquer and Shibayama Bottle Vases, Meiji period (1868-1912), the trumpet necks with basal flutes decorated with birds and objects amongst flowers in panels on a brocade ground, on three elephant mask feet, 22cm high £500 - 700 (plus 24% BP*)

148 A Japanese Ivory, Lacquer and Shibayama Card Case, Meiji period (1868-1912), decorated with birds amongst flowering branches, the reverse with partridge amongst flowers, 11.5cm £500 - 700 (plus 24% BP*) 149 Two Japanese Ivory and Shibayama Bezique Markers, Meiji period (1868-1912), each decorated with flowering stems and insects, 9.2cm £300 - 500 (plus 24% BP*) 150 A Pair of Japanese Cloisonné Enamel Vases, Meiji period (1868-1912), of slender baluster form decorated with flowering branches on a blue ground, 21.5cm high £300 - 500 (plus 24% BP*)

147 A Japanese Silver, Lacquer and Shibayama Box and Cover, Meiji period (1868-1912), of rounded rectangular form, allover decorated with a profusion of flowers, signed to mother-of-pearl tablet, 12.5cm wide, with carved hardwood stand £400 - 600 (plus 24% BP*)

145

148

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ASIAN CERAMICS AND WORKS OF ART

153 A Japanese Cloisonné Enamel Box and Cover, early 20th century, of rectangular form on bracket feet, decorated with a dragon on a scroll ground above faux gadroons, 14cm wide £400 - 600 (plus 24% BP*) 154 A Pair of Japanese Cloisonné Enamel Vases, early 20th century, of baluster form an angular handles, decorated with Egyptianesque figures and mythical beasts in panels on a mottled blue ground, 18.5cm high £400 - 600 (plus 24% BP*)

156

155 A Pair of Japanese Cloisonné Enamel Vases, Meiji period (1868-1912), of baluster form with everted rims, decorated with Egyptian figures on a lilac ground within formal borders, 15.5cm high £300 - 400 (plus 24% BP*)

158

151 A Japanese Cloisonné Enamel Box and Cover, Meiji period (1868-1912), decorated in Ando style with pink roses on a pale green ground, 13.5cm long £300 - 400 (plus 24% BP*)

159 68

152 A Japanese Cloisonné Enamel Box and Cover, early 20th century, of rectangular form, decorated with Egyptianesque figures on a brocade ground, 16cm wide £300 - 400 (plus 24% BP*)

161

156 A Pair of Japanese Cloisonné Enamel Vases, Meiji period (1868-1912), of baluster form, decorated with birds in flowering branches on a green ground within formal borders, 18.5cm high £500 - 700 (plus 24% BP*) 157 A Japanese Cloisonné Enamel Vase and Cover, early 20th century, of ovoid form with flared rim, decorated with a dragon and phoenix in panels on a blue ground within foliate borders, 15cm high; and A Similar Vase, of slender baluster form, decorated with a cockerel and hen amongst chrysanthemum on a lilac ground, 16cm high (2) £300 - 400 (plus 24% BP*)

158 A Japanese Cloisonné Enamel Vase and Cover, Meiji period (1868-1912), of ovoid form, decorated with mythical beasts in lappet shaped panels on a foliate ground, on three peg feet, 19cm high £500 - 700 (plus 24% BP*) 159  A Chinese Cloisonné Enamel Cup Stand, probably late Ming, 16th/17th century, decorated with a central mythical beast in a roundel on a pale blue ground with scrolling lotus, on three scroll feet, 13cm diameter £500 - 700 (plus 24% BP*) 160 A Chinese Jade Carving, naturalistically modelled with fruit and flowers, 5.5cm high, mounted as a pendant £300 - 400 (plus 24% BP*) 161 A Chinese Jade Boulder, depicting two figures in landscape, the reverse with a deer amongst trees, 9cm high £500 - 700 (plus 24% BP*) 162 A Chinese Jade Brush Washer, Qing Dynasty, of shallow ovoid form carved with three sinuous animals, 13cm long, on a hardwood stand £1000 - 1500 (plus 24% BP*) 163 A Chinese Jade Carving, of a double gourd naturalistically carved with its tip issuing leaves and tendrils, 5.5cm £400 - 600 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

162

163

164 A Chinese Ivory Tray, 19th century, of leaf form, carved in high relief with two figures sitting on garden seats amongst flowering leafy tendrils, 15cm wide, on a carved hardwood stand £200 - 300 (plus 24% BP*) 165 A Cantonese Ivory Puzzle Ball on Stand, early 20th century, the ball finely worked in multiple layers with foliage and lattice work, the stand with baluster stem with further puzzle ball and carved bird knops, on a carved and pierced drum base and circular foot, ball 11cm diameter, total height 49cm £500 - 700 (plus 24% BP*) 166 A Chinese Silk Rank Badge, Qing Dynasty, worked in gold and coloured threads with a dragon amongst clouds and auspicious objects, 27cm diameter £1200 - 1500 (plus 24% BP*)

168

167 Two Chinese Silk Bags, worked in silver and gold thread with dragons chasing the flaming pearl, on pink ground, 15cm £450 - 550 (plus 24% BP*) 168 A Chinese Silk Court Robe, woven with dragons, precious objects and flower sprigs above waves, on a mid blue ground, 130cm by 220cm £2200 - 2800 (plus 24% BP*) 169 A Chinese Silk Court Robe, late 19th century, worked in gold and coloured threads with dragons, bats and precious objects amongst colour scrolls above waves with fish and squid, on a dark blue ground, 130cm by 225cm Formerly in the collection of Henry A Trotter Esq, Deputy Governor of the Bank of England 1926-27, believed to have been presented to him on retirement

£5000 - 7000 (plus 24% BP*)

169

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ASIAN CERAMICS AND WORKS OF ART

170

171

172

170 A Japanese Yellow Ground Vase, 20th century, of baluster form, painted in underglaze blue with entwined dragons on a yellow ground, signed MAKUZA KOZAN SEI in underglaze blue, 33.5cm high £600 - 800 (plus 24% BP*)

171 A Japanese Porcelain Baluster Vase, Meiji period (1868-1912), of baluster form with everted rim, decorated with a lilies on a green ground, signed MAKUZU KOZAN SEI in underglaze blue, 35cm high £600 - 800 (plus 24% BP*)

172 A Chinese Porcelain Bowl, possibly Yuan/early Ming, of circular form with straight sides and everted rim, decorated in Jun style glazes, 13cm diameter, bears Toguri Museum of Art label VAT: This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which is applied to the hammer price only

£1000 - 1500 (plus 24% BP*)

173 (detail)

173 A Chinese Clair de Lune Glazed Bottle Vase, Yongzheng reign mark, of hexagonal section, the tall neck applied with a sinuous dragon, six character reign mark, 24cm high Provenance: Acquired by the owner of a Tea Company based in Washington DC in the 1930s who often travelled to the Far East and collected Chinese antiques in Hong Kong and also from the auction houses of New York in the mid of the 20th century, and thence by descent VAT: This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which is applied to the hammer price only 173 70

£20000 - 30000 (plus 24% BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

180 A Chinese Porcelain Baluster Jar and Cover, late 19th century, painted in underglaze blue with figures watching acrobats and playing games in landscape within formal borders, 50cm high £300 - 400 (plus 24% BP*) 178

181 A Cantonese Porcelain Large Baluster Vase, mid 19th century, with trumpet neck and mythical beast handles, typically painted in famille rose enamels with court scenes in panels on a ground of dragons amongst cloud scrolls, 86cm high £1000 - 1500 (plus 24% BP*) 176

176 (detail)

174  A Gilt Bronze Mounted Chinese Sang de Boeuf Ewer, of baluster form the scroll handle with griffin terminal, on foliate foot, 33.5cm high £500 - 700 (plus 24% BP*) 175 A Chinese Sang de Boeuf Glazed Brush Washer, in Kangxi style, of beehive form with waisted neck, 12.7cm diameter By family descent, possibly acquired by a forebear in China in the second half of the 19th century

£300 - 500 (plus 24% BP*) 176  A Chinese Porcelain Bottle Vase, Xuande reign mark, the tall slender neck carved with bands of stylised foliage, bears six character reign mark, 39cm high £4000 - 6000 (plus 24% BP*)

177

177 A Chinese Porcelain Bottle Vase, Qianlong reign mark, painted in underglaze blue, iron red and gilt with dragons amongst scrolling lotus within formal borders, six character seal mark in underglaze blue, 26cm high £700 - 1000 (plus 24% BP*)

182 A Pair of Chinese Porcelain Vases, painted in famille rose enamels with birds and flowers in panels on a pink ground, 46cm high, converted to lamp bases £400 - 600 (plus 24% BP*)

178 A European Decorated Chinese Café-au-Lait Ground Porcelain Saucer Dish, Kangxi (1662-1722), wheel engraved with birds amongst flowering branches issuing from a twin-handled urn, the rim with similar sprigs, 21cm diameter Provenance: Ex Helen Espir Collection, no.441

£400 - 600 (plus 24% BP*) 179 A Chinese Porcelain Hexagonal Jar, Kangxi period, painted in blue with quatrefoil panels, with matched cover, 18cm high £150 - 250 (plus 24% BP*) 181

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GLASS AND BRITISH CERAMICS

GLASS 183 A Pair of Imperial Russian Wine Glasses, mid 19th century, from the service made for Grand Duke Nicholas Nikolaevich, the ovoid bowls engraved with a crowned monogram and fruiting vine in oval panels on an octagonal baluster stem and circular foot, 14.5cm high These glasses are from a service recorded as being made for Grand Duke Nicholas Nikolaevich, son of Nicholas I, Emperor of Russia Provenance: Given to a Lancashire engineer whilst on a trade mission to Russia in the 1920s, and thence by descent

£1500 - 2500 (plus 24% BP*)

185

184

BRITISH CERAMICS

188 A Royal Worcester Porcelain Bottle Vase, painted by Harry Stinton, 1919, painted with highland cattle in landscape, signed, printed mark in puce, 13.5cm high £300 - 400 (plus 24% BP*)

184 A Royal Worcester Porcelain Vase and Cover, painted by John Stinton, 1911, of baluster form with twin scroll handles, painted with highland cattle in landscape, signed, printed mark in puce, 36cm high £1000 - 1500 (plus 24% BP*) 185 A Royal Worcester Porcelain Vase, painted by John Stinton, 1912, of ovoid shape with dolphin handles, painted with highland cattle in landscape, signed, printed mark in green, 34cm high £700 - 1000 (plus 24% BP*) 186 A Royal Worcester Porcelain Vase, painted by Harry Stinton, 1916, with highland cattle in landscape, on three paw feet, signed, printed mark in puce, 11cm high £300 - 400 (plus 24% BP*)

190

187 A Royal Worcester Porcelain Baluster Vase, painted by Harry Stinton, date code circa 1916, with highland cattle in landscape, signed, printed mark in puce, 10.5cm high; A Similar Bottle Vase, 1912, painted by James Stinton with a pheasant in landscape, signed, printed mark in puce, 16.5cm high; A Similar Small Circular Dish, 1925, painted by James Stinton with pheasants in landscape, signed, printed mark in blue, 11cm diameter; and A Graingers Worcester Bottle Vase, painted by James Stinton with pheasants in landscape, signed, printed mark in green, 15cm high (4) £300 - 500 (plus 24% BP*)

189 A George Jones Majolica Strawberry Set, circa 1870, the dish of shaped oval form with bird handle, together with a milk jug, sugar bowl and ladle, impressed registration mark, 27cm wide £250 - 350 (plus 24% BP*) 190 A Minton Majolica Jardinière Stand, circa 1870, modelled as a boy representing Africa standing wearing a feathered loin cloth and holding cymbals, on a fluted circular base, shape no.1766, impressed marks, 103cm high £10000 - 15000 (plus 24% BP*) 191 A Staffordshire Pearlware Tile Panel, early 19th century, moulded and enamelled with chasing riders before a house, inscribed STOP STOP JOHN GILPIN HERE’S THE HOUSE, 18cm by 52cm, framed The scene is taken from an oil by Thomas Stophard (1755-1834) and shows a scene from the comic poem The Diverting History of John Gilpin, published by William Cowper in 1782

£300 - 400 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

193

192 An English Porcelain Bough Pot and Cover, circa 1810, of demi-lune form, painted with panels of classical landscape within moulded, fluted columns highlighted in gilt, 22cm wide £200 - 300 (plus 24% BP*) 193 A Pair of Flight, Barr & Barr Worcester Porcelain Vases, circa 1820, of campana form, painted with exotic birds in landscape within beaded borders on a gilt filigree ground, each on three paw feet and tricorn bases, script and impressed marks, 9.5cm high £700 - 1000 (plus 24% BP*) 194 A Pair of English Porcelain Baluster Vases, circa 1880, in Chinese style with everted rims and dragon handles, moulded and gilt with prunus and bamboo on a celadon ground, 31.5cm high

196

196 A Delft Marriage Plate, dated 1681, the central well painted in blue with a crowned scroll cartouche flanked by griffins over an angel head and tassels, inscribed P/WG 1681, 25.5cm diameter For a discussion of plates decorated with similar cartouches and their attribution to Dutch and English potteries see Archer (Michael) Delftware, The Tin Glazed Earthenware of The British Isles, pg. 413 and 414, and Lipski (Louis) and Archer (Michael) Dated English Delftware, pg.168

£400 - 600 (plus 24% BP*)

£200 - 300 (plus 24% BP*)

197 An English Delft Wet Drug Jar, circa 1730, of ovoid form with cylindrical spout and strap handle, painted in blue with a label inscribed O:CHAMEM surmounted by angels and foliage over a cherub’s head and swags, 20.5cm high; and A Small Delft Pill Jar, inscribed S DIARRHOD:AB, 10.5cm high (2) £400 - 600 (plus 24% BP*)

195 An English Delft Marriage Plate, dated 1676, the central well painted in blue with S/TM 1676 within a laurel wreath, the border with scrolling leaves and flowers, 25cm diameter

198 A London Delft Drug Jar, circa 1730, inscribed in blue U-TUTIAE within a scroll label surmounted by angels over a cherub’s head and swags, 18cm high £500 - 700 (plus 24% BP*)

Provenance: Collection of Arthur Hirst. See Lipski (Louis) and Archer (Michael) Dated English Delftware, pg.50, item 140

199 A Set of Six English Delft Plates, probably London, circa 1740, painted in colours with flowers and rockwork in a fenced garden within a foliate and dentil border, 23cm diameter £300 - 400 (plus 24% BP*)

Provenance: Christie’s Sale on the Premises at Harewood House, 3.10.1988, lot 338 A copy of the catalogue and bill of sale accompany this lot

£400 - 600 (plus 24% BP*)

195

198

200 A Set of Three English Delft Chargers, circa 1740, painted in blue with peony and bamboo amongst rockwork, the rim with five similar sprigs, marked No.2 to reverse, 37cm diameter £200 - 300 (plus 24% BP*) 201 A White Salt Glaze Stoneware Teapot and Cover, of Jacobite significance, circa 1755, of globular form with acorn finial and three paw feet, painted in colours with a European gentleman sanding on rockwork reaching into a rosebush, the reverse with a chinoiserie figure amongst peony, 15cm high The full-blown rose represents The Old Pretender, the bud represents Bonnie Prince Charlie, The Young Pretender

£400 - 600 (plus 24% BP*)

201 w w w.t e n n a n t s .c o.u k 73

BRITISH CERAMICS

202 A Whieldon Creamware Figure of a Pug, circa 1760, naturalistically modelled seated on a mound base picked out in green, blue and manganese mottled glazes, 8cm £200 - 300 (plus 24% BP*) 203 A Neale Agateware Urn Shaped Vase and Cover, circa 1780, modelled with female mask handles hung with husk swags centred by oval patera and a medallion of a centaur, on a circular socle and square basalt base, impressed NEALE HANLEY, 35.5cm high See Edwards (D) Neale Pottery and Porcelain, coloured pl.3

206 A Pair of Chelsea Porcelain Figures of a Shepherd and Shepherdess, circa 1765, he standing with two dogs jumping at his side, she holding a lamb, a ewe at her feet, both on scroll moulded bases, gold anchor marks, 30cm high £800 - 1200 (plus 24% BP*) 207  A Gilt Metal Mounted Chelsea Twin-Handled Urn Shape Porcelain Vase and Cover, circa 1765, painted with classical figures on a claret ground gilt with exotic birds, 27cm high For a similar pair of vases with different handles see Mackenna (F Severne) BOOK TITLE, pl.38, item 72

£500 - 700 (plus 24% BP*)

£3000 - 5000 (plus 24% BP*)

204 A Pratt Type Pottery Toby Jug and Cover, circa 1800, of traditional form holding a pipe and toby jug on a sponge base, 27cm high £700 - 1000 (plus 24% BP*)

208 A Derby Porcelain Coffee Pot and Cover, circa 1760, of fluted baluster form, painted in puce and gilt in Kakiemon style with a banded hedge within foliate meander borders, 24cm high £300 - 500 (plus 24% BP*)

205 A Pratt Type Pottery Cow Group, circa 1800, as a farmer standing before a cow, a calf at their feet, on a sponged oval base, 15cm high £400 - 600 (plus 24% BP*)

205

209

210

209 A Derby Porcelain Figure of a Map Seller, circa 1765, standing showing a map with one hand, a second rolled map in his other hand, a pack on his back, on a scroll moulded base, 16cm high See Bradshaw (Peter) Derby Porcelain Figures, E36

£600 - 800 (plus 24% BP*)

204

203 74

206 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

210 A Derby Porcelain Figure of the Map Seller’s Companion, circa 1765, standing holding a map in her left hand, a tray of boxes in her right, on a scroll moulded base, 16.5cm high £500 - 700 (plus 24% BP*) 211 A Pair of Derby Porcelain Figural Candlesticks, circa 1765, modelled as Mars and Venus and Cupid standing on scroll moulded bases, 24.5cm high £300 - 500 (plus 24% BP*) 212 A Derby Porcelain Botanical Centrepiece, circa 1800, of navette form, painted in the manner of William Quaker Pegg with named specimens depicting Orange Tree, Tall Blue Aster and Sweet Pease (sic) within gilt borders, titled and painted marks in blue, 34.5cm wide The painting is taken from John Edwards A Collection of Flowers, drawn after nature and disposed in an ornamental and picturesque manner, London 1797

£500 - 700 (plus 24% BP*) 213 A Coalport Porcelain Urn Shaped Vase, circa 1800, decorated by Thomas Baxter with twin scroll handles, decorated in red, purple and gilt with a continuous scene of Roman Legionnaires within broad formal foliate borders, 32cm high £300 - 500 (plus 24% BP*)

207

212

CONTINENTAL CERAMICS

215  A Castelli Maiolica Charger, workshop of Francesco Grue, circa 1650, painted with Alexander the Great accepting the keys to the Indian city of Nysa within a foliate scroll border, 47cm diameter For similar chargers see Arbache (Luciana) Maidiche di Castelli, La Raccolta Acerbo, No.35 & 36. The scene is taken from plate IX of XI from the series “The Distinguished Deeds of Alexander the Great” by Antonio Tempesta published in Rome in 1608

£6000 - 8000 (plus 24% BP*)

214 A Pair of Worcester Porcelain Chocolate Cups and Saucers, circa 1775, painted with the Rich Queens pattern, seal marks in underglaze blue £300 - 500 (plus 24% BP*)

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CONTINENTAL CERAMICS

217

216

217  A Castelli Maiolica Basin and Cover, 18th century, painted with classical ruins in landscape within formal foliate borders, the cover with masks, fruit and foliage, 47cm diameter £1500 - 2500 (plus 24% BP*)

218  A Savona Faience Twin-Handled Baluster Vase, 18th century, painted in green, yellow and manganese with landscapes on a powdered manganese ground reserved with foliage, 27cm high £700 - 1000 (plus 24% BP*)

216 (detail)

216  A Castelli Maiolica Urn Shaped Vase and Cover, circa 1740, of campana form painted with a band of nymphs and tritons within formal foliate borders, the cover with Bacchic putti, 59cm high, together with a card dated 10/7/(18)95 and inscribed Large Abruzzi ware vase and cover £30 See Bonhams, New Bond Street, 23.5.12, lot 50 for a similar pair of vases

£7000 - 10000 (plus 24% BP*) 76

218

219 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

222

219  A Savona Faience Circular Dish, 18th century, painted in manganese with an armorial on a powdered manganese ground with panels of animals and figures in landscape, ML mark, 40cm diameter £800 - 1200 (plus 24% BP*) 220  An Italian Creamware Equestrian Figure Group, probably Naples, circa 1800, as a cardinal riding on horseback, on an oval base and separate oval stand, 46cm high £600 - 800 (plus 24% BP*)

223

222 A Matched Set of Three Dutch Delft Wet Drug Jars, circa 1720, of ovoid form with loop handles, inscribed in blue S VIOLA RUM, M CYDON-AR and S DE 5 RADICIB within strapwork labels surmounted by peacocks and fruit over cherubs’ masks and swags, 23cm to 24cm high £500 - 700 (plus 24% BP*)

223  A Pair of Continental Porcelain Pot Pourri Vases and Covers, possibly Spanish or Italian, late 18th/early 19th century, painted with neo-classical arabesques, with foliage handles, pierced collars and square bases, 43cm high £2000 - 4000 (plus 24% BP*)

224  A Set of Six Meissen Porcelain Plates, circa 1740, painted in Kakiemon style with flowers within an ozier border, crossed swords mark, 24cm diameter See Weber (Julia) Meissener Porzellane mit Dekoren Nacht Ostasiatischen Vorbildern, no.193-201 for a discussion of similar decoration

£2500 - 3500 (plus 24% BP*)

221 A Ligurian Maiolica Wet Drug Jar, 18th century, of ovoid form with strap handle, inscribed in manganese O.DE. ABSINTIO within blue scrolling foliate borders, 21cm high; and A North Italian Wet Drug Jar, 17th century, of ovoid form with scroll handle, inscribed in manganese H.ROSAR within a blue scroll label on a foliate ground, 23cm high (2) £300 - 500 (plus 24% BP*) 224 w w w.t e n n a n t s .c o.u k 77

CONTINENTAL CERAMICS

225

225  A Set of Twelve Meissen Porcelain Dessert Plates, circa 1745, painted with Holzschnitt Blumen within shaped gilt line borders, 21cm diameter; and A Similar Meissen Porcelain Plate, circa 1765, painted with flower sprays, 22cm diameter (13) £3000 - 5000 (plus 24% BP*) 226  A Meissen Porcelain Figure of a Vegetable Seller, circa 1746, modelled by J F Eberlein, from the Cris de Paris series, standing holding a basket, crossed swords mark, 19cm high £800 - 1200 (plus 24% BP*) 227  A Set of Six Berlin Porcelain Plates, late 18th century, painted with rose sprigs within formal classical borders, sceptre marks in underglaze blue, 24cm diameter £600 - 800 (plus 24% BP*) 226

228  A Matched Pair of Sèvres Porcelain Oval Stands, 1756 and 1759, painted by Merault and Binet with flower sprigs within moulded, scroll and gilt line borders, painted marks, 16.5cm wide Pierre Antoine Merault is recorded as a painter of flowers and gilder from 1754-1791, and Francois Binet is recorded as a painted of flowers 1750-1775

£400 - 600 (plus 24% BP*) 229 A Meissen Porcelain Figure Group of the Apple Pickers, circa 1880, with a boy climbing a ladder beside the tree, a girl catching the apples in her apron, two further seated figures beside, crossed swords mark in underglaze blue, 28.5cm high £300 - 500 (plus 24% BP*) 227 78

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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230

230 A Meissen Porcelain Figure Group of the Drunken Silenus, circa 1880, slumped on a donkey with further figures in attendance, on a scroll moulded base, crossed swords mark in underglaze blue, 22cm high £500 - 700 (plus 24% BP*) 231 A Gilt Metal Mounted Sèvres Style Bisque Porcelain Figure Group, 19th century, as the winged figure of Time above three classical maidens on a circular base, the acanthus square plinth cast with classical motifs, bears incised signature LAGNEAU and pseudo Sèvres mark, 52cm high £400 - 600 (plus 24% BP*)

232 A Gilt Metal Mounted Porcelain Lamp Base, in Chinese style, as a bearded figure in traditional robes painted in famille verte type enamels with foliage holding a branch suspending an hexagonal lantern, 22cm high £200 - 300 (plus 24% BP*)

235 A French Porcelain-Handled Dessert Knife and Fork, probably Chantilly, circa 1740, the handles of pistol grip form, painted in Kakiemon style with flower sprigs, gilt blades and tines, 19cm and 22cm (2) £200 - 300 (plus 24% BP*)

A COLLECTION OF 17TH AND 18TH CENTURY CUTLERY HANDLES

236 A Chelsea Porcelain-Handled Dessert Knife and Fork, circa 1755, painted with insects and flowersprays, gilt blade and tines, 20cm and 21cm long £200 - 300 (plus 24% BP*)

233 A Set of Five Chinese Porcelain-Handled Dessert Knives, circa 1750, the handles of European pistol grip form painted in famille rose enamels with flower sprays, the steel blades stamped PEAN A PARIS, 5RD FOUR ST GERMAIN, 21cm long £300 - 500 (plus 24% BP*) 234 A Pair of French Porcelain-Handled Dessert Forks, probably St Cloud, circa 1730, of tapering cylindrical form, painted in underglaze blue and overpainted in colours and gilt with scrolls and foliage, 19.5cm long; A Similar Dessert Fork, 19cm long; and A St Cloud Porcelain Cutlery Handle, circa 1730, painted in underglaze blue with flower springs and panels of lattice, 10.5cm long (4) £200 - 300 (plus 24% BP*)

234

237 A Chelsea Porcelain-Handled Table Knife, circa 1752, the handle moulded with flowering prunus and leaf scroll terminal, the steel blade stamped BROWN, 29cm long; and A Bow Porcelain-Handled Fork, circa 1755, moulded with scrolls and flowers, steel tines, 22cm long (2) Illustrated on page 80 £150 - 200 (plus 24% BP*) 238 A Pair of Meissen Porcelain Cutlery Handles, circa 1760, painted with flowersprays; and Four 19th Century Cutlery Handles, painted in blue and green with flower sprigs, 8.5cm long (6) £100 - 150 (plus 24% BP*)

235

236

233 w w w.t e n n a n t s .c o.u k 79

A COLLECTION OF 17TH AND 18TH CENTURY CUTLERY HANDLES

239 A German Bronze-Handled Table Knife, 17th century, the handle cast with three standing figures over a leaf border, the steel tines with faceted baluster stem and scroll shoulders, 26cm long; and A German Gilt-Handled Travelling Knife and Fork, 18th century, the pistol handles worked with a stag and huntsman, 20cm long (3) £200 - 300 (plus 24% BP*)

240 An Agate-Handled Table Knife and Dessert Fork, probably Dutch, circa 1730, the handles of tapering faceted form with silver ferrules, the knife blades stamped with a dagger, the fork unmarked, 26.5cm and 19cm long (2) £200 - 300 (plus 24% BP*)

239

241

243 A German Green Stained Bone and Silver-Handled Travelling Knife and Fork, mid 18th century, the pistol shaped handles applied with birds and rosettes, with steel blade and tines, the blade stamped with AH monogram, 15.5cm long; and A Similar Knife, the blade stamped VALET (3) £200 - 300 (plus 24% BP*)

243 244

242 A Tortoiseshell and Silver-Handled Dessert Knife and Fork, circa 1730, the handles of tapering cylindrical form decorated with stylised leaves, steel blades and tines, 14.5cm and 19cm (2) £200 - 300 (plus 24% BP*)

244 An Aventurine Glass-Handled Dessert Knife, circa 1750, the handle of faceted pistol form, the blade unmarked, 21cm long; and Two Similar Dessert Forks, with three prongs, one with lion passant mark only, the other example gilt, unmarked, 17cm and 18cm long (3) £300 - 400 (plus 24% BP*)

240

237

242

241 An Agate-Handled Table Fork, circa 1730, the handle of tapering faceted form with white metal ferrule engraved with a crest, 25cm long; Two Similar Table Forks, 25cm and 23cm long; and A Similar Table Fork, with faceted pistol handle, 23cm long (4) £300 - 500 (plus 24% BP*)

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245 A German Silver-Handled Knife and Fork, 18th century, the tapering cylindrical handles with filigree foliate decoration and steel blades and tines, the knife blade stamped W.IŰNGEL, 19cm and 21cm; A Silver-Handled Dessert Knife, the tapering cylindrical handle with scroll finial repoussé with maidens, 18cm long; A Similar Smaller Knife, 15cm long; and A Silver Mounted Shagreen Sheath (5) £200 - 300 (plus 24% BP*) 246 A German Silver-Gilt Travelling Spoon, mid 18th century, the folding handle decorated with hunting scenes, unmarked, 19cm long £200 - 300 (plus 24% BP*)

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WORKS OF ART AND GARDEN STATUARY 247 A Bronze Figure of Chronos, probably French or German, circa 1800, the winged figure standing holding a scythe on a circular plinth, marble drum base and square stand, 39cm high £800 - 1200 (plus 24% BP*)

248 Pierre-Jules Mêne (French, 1810-1879): Chasseur Africain, a bronze figure of an African huntsman on horseback, on a naturalistic oval base, signed P J Mêne, 46cm high This model was first exhibited by Mêne in wax in 1878 and in bronze in 1879. Various subsequent editions were produced including by the Mêne-Kain Workshop, Barbedienne and Susse Freres

£1200 - 1800 (plus 24% BP*) 249 Pierre-Jules Mêne (French, 1810-1879): A Bronze Group of a Family of Foxes at Play, on an oval base, signed PJ MÊNE 1847, 31cm wide £1000 - 1200 (plus 24% BP*)

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WORKS OF ART AND GARDEN STATUARY 250 Jean-Jacques Feuchère (French, 1807-1852): A Pair of Bronze Figures of Benvenuto Cellini and Bernard Palissy, on circular bases, signed FEUCHERE SCULPT and inscribed VITTOZ BRONZIER, 51cm high £1200 - 1800 (plus 24% BP*)

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251 Jean Jacques Pradier (Swiss, 1790-1852): La Toilette d’Atalante, a bronze figure of a girl kneeling tying her sandal, on an oval base, signed PRADIER and inscribed Susse E-dit and with Susse foundry stamp, 32.5cm high For a similar example see Sotheby’s, New Bond Street, 17.5.2011, lot 5 See Lapaire (C) James Pradier (1790-1852) et La Sculpture Français de la Generation Romantique, Catalogue Raisonne Zurich/Lausanne 2010, pg.365-366, no.306

£3000 - 4000 (plus 24% BP*) 252 Jean Jacques Pradier (Swiss, 1790-1852): Sapho à la Colonne, a gilt bronze figure of a classical maiden standing beside a column holding a lyre, on a bowfront plinth base, signed J.PRADIER 1848 and stamped VP, foundry mark for Victor Paillard, 45cm high For a similar example see Sotheby’s, New Bond Street, 12.7.2017, lot 9 See Lapaire (C) James Pradier (1790-1852) et La Sculpture Français de la Generation Romantique, Catalogue Raisonne Zurich/Lausanne 2010, pg.202, 375-376, nos.326 and 327

£1000 - 1500 (plus 24% BP*) 252

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253 Jean Jacques Pradier (Swiss, 1790-1852): La Poesié Légère, a bronze figure of a maiden holding a harp, on a stepped circular base, signed J PRADIER and DELAFONTAINE foundry mark, 52cm high For a similar example see Bonhams, London, 10.7.2014, lot 209 See Fusco (Peter & Janson) Horst W, The Romantics to Rodan: French 19th Century Sculpture from North American Collections, pg.320

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254 Jean Jacques Pradier (Swiss, 1790-1852): Négresse aux Calebasses, a bronze figure of a dancer holding two gourds, on a circular base, signed J PRADIER, 46.5cm high

255 Jean Jacques Pradier (Swiss, 1790-1852): Pandore, a bronze figure of a classical maiden holding an urn, on a bowfront base, signed J PRADIER, 66cm high

See Lapaire (C) James Pradier (1790-1852) et La Sculpture Français de la Generation Romantique, Catalogue Raisonne Zurich/ Lausanne 2010, pg.284-285, no.111

For a similar example see Sotheby’s, New Bond Street, 17.5.2011, lot 4

£2000 - 3000 (plus 24% BP*)

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256 Jean Jacques Pradier (Swiss, 1790-1852): La Pêche, a bronze figure of a girl holding fish and a net, on a circular base, signed J PRADIER, 51.5cm high See Statues de Chair, Sculpture of James Pradier, pg.398, no.321

£1000 - 1500 (plus 24% BP*) 257 Jean Jacques Pradier (Swiss, 1790-1852): Femme Couchée, Recoquevillêe, a bronze figure of a sleeping girl, signed J PRADIER 1842 and inscribed Susse Frères, 18.2cm long, on a white marble base £600 - 800 (plus 24% BP*)

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258  A Pair of Bronze Figures of Bacchic Maidens, in Empire style, each running wearing loose robes, fruiting vine in their hair, holding goblets and bunches of grapes, on gilt metal mounted rouge marble square section columns with leaf cast angles and paw feet on square plinths, 71cm by 69cm high £2000 - 3000 (plus 24% BP*) 257

259 A Pair of French Bronze Figures of Musical Putti, late 19th century, in the manner of Clodion, dancing holding a tambourine and a triangle, on naturalistic circular bases and rouge marble drum columns, 36.5cm high £500 - 700 (plus 24% BP*)

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260 Karl Hackstock (Austrian, 1855-1919): A Pair of Bronze Figures of Children Snowballing, on black marble bases, signed K Hackstock, 17.5cm and 17cm high £400 - 600 (plus 24% BP*)

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261 A Bergmann Cold Painted Bronze Figure of a Carpet Seller, early 20th century, the standing figure in traditional costume holding the corner of a rug, signed B in a vase and Geschutz, 18cm high £850 - 1000 (plus 24% BP*) 262 A Pair of Bergmann Gilt Bronze Figures of Victory, early 20th century, modelled as winged classical maidens holding laurel wreaths, on pink marble bases, signed Namgreb, 23cm high £500 - 700 (plus 24% BP*) 263 After Franz Bergmann: A Cold Painted Bronze Figure of a Cobra, its hood raised, stamped B in vase mark and AUSTRIA, 14.5cm high £500 - 700 (plus 24% BP*) 264

264 A Pair of French Gilt Bronze Twin-Light Candelabra, in Louis XVI style in the manner of Clodion, modelled as two cherubs holding cornucopia surmounted by leaf sheathed sconces, on stepped circular alabaster bases, 39cm high £1500 - 2000 (plus 24% BP*) 265 A Pair of French Gilt and Patinated Bronze Candelabra, late 19th century, after a model by Louis-Felix de la Rue and Clodion, as a young girl and a satyr, each sitting on a tree stump holding two berried branches, on circular bases, 38.5cm high £1500 - 2000 (plus 24% BP*)

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267  A Pair of French Gilt and Patinated Bronze Six-Light Candelabra, 19th century, with foliate finials and sconces on leaf scroll branches supported by putti on column bases, branches stamped AA, bases stamped 2368, 58cm high £700 - 1000 (plus 24% BP*) 267A A Victorian Brass Hanging Lantern, mid 19th century, of hexagonal shaped form with bevelled glass panels, spiral turned supports and acanthus scrolled brackets secured with turned finial top below a decorative ceiling rose, maximum drop 100cm £700 - 1000 (plus 24% BP*) 268 After Antonio Canova (Italian, 1757-1822); A White Marble Bust of the Venus Italica, on a circular socle, 54cm high £1000 - 1500 (plus 24% BP*) 269  A Marble Bust of Dr Samuel Johnson, 19th century, on a square socle, 45cm high, on a pink marble column with white marble plinth and capital on a grey marble base, 111cm £700 - 1000 (plus 24% BP*)

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266 A Parcel Gilt, Bronze and Marble Candelabra, in Louis XV style, the branches hung with faceted glass drops, supported by chinoiserie figures on green marble and black slate columns, 63cm high £1000 - 1500 (plus 24% BP*)

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270 A Malachite and Gilt Metal Tazza, 19th century, of dished circular form on a circular socle and stepped octagonal column, 33.5cm high £1000 - 1200 (plus 24% BP*) 271 A Pair of Gilt and Patinated Bronze and Ruby Glass Tazzas, in Empire style, the circular bowls supported on leopard monopodium supports and tricorn bases with formal leaf borders, 34cm diameter £500 - 700 (plus 24% BP*)

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272 A Pair of Bronze Twin-Handled Campana Vases, after the antique, cast with a continuous scene of classical figures, on a fluted circular socle and square base, 35cm high £300 - 500 (plus 24% BP*) 273 A Gilt Bronze Tazza, in Empire style, with gadrooned borders and fluted handles, on a circular socle and square section green marble column applied with classical motifs, 31cm high £200 - 300 (plus 24% BP*) 274 An Ivory and Wood Figure Group, probably South German or Austrian, 3rd quarter 19th century, modelled as a tavern scene with a priest reading to three craftsmen seated about a table, on a canted rectangular base and bun feet, 22cm wide £2500 - 3000 (plus 24% BP*) 275 An Italian Pietra Dura Plaque, 19th century, depicting a huntsman and dog hunting a hare, 17cm by 19cm, framed £200 - 300 (plus 24% BP*) 276 An Italian Pietra Dura Plaque, 19th century, depicting a lady in a yellow apron, 25cm by 15cm £200 - 300 (plus 24% BP*) 277 A Pair of Roman Micro-Mosaic Circular Plaques, early 19th century, decorated with the tomb of Caecilia Metella and of a ruined temple, possibly The Temple of Saturn, 6.7cm diameter, in gilt frames £800 - 1200 (plus 24% BP*)

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278 A Roman Micro-Mosaic Plaque, early 19th century, decorated with Marcus Aurelius on horseback, 3cm by 5cm £200 - 300 (plus 24% BP*) 279 A Set of Six Nicholas II Russian Silk Damask Napkins, worked with the Imperial Eagle, each corner with the cypher of Nicholas II, 36cm by 36cm Provenance: Given to a Lancashire engineer whilst on a trade mission to Russia in the 1920s, and thence by descent

£500 - 800 (plus 24% BP*) 280 A George III 3” Pocket Celestial Globe, by John & William Cary, applied with twelve hand-coloured printed gores, marked NEW CELESTIAL GLOBE by J & W Cary, Strand, 7.5cm diameter, together with a shagreen case lined with The WORLD as known in CESAR’S Time agreeable to D’Anville and with a TABLE of Latitudes & Longitudes of Places not given on this GLOBE £1000 - 1500 (plus 24% BP*)

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281 Lord Byron Interest (George Gordon Byron, 6th Baron Byron, 1788-1824): The Collar of His Favourite Newfoundland Dog ‘Boatswain’ (d.1808), in brass with toothed edge, engraved in bold script Rt. Honble LORD BYRON, 44cm diameter, 4.5cm wide, in later fitted mahogany display case with glazed hinged lid and sprung drawer, bearing engraved plaque Sold together with various documentation and catalogues relating to provenance, including: - A transcript of a note by Byron’s gamekeeper’s widow at Newstead Abbey, certifying the sale of the collar with others. Also that the collar was engraved by ‘old Mr Carr of Nottingham’ and that damage was done ‘by a Bear which Lord Byron kept for his own amusement and with which Boatswain had many severe encounters’. - A catalogue of the ‘E M Kidd Collection’, sold by F W Kidd & T Neale & Sons, 11-13 November 1903, lot 424. Purchased by the Earl of Shrewsbury (d.1921) and bequeathed by him to the Hon Mrs Arthur Eliot.

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- A Sotheby’s catalogue of ‘Valuable Autograph Letters ....’, 14 December 1976, lot 180. ‘Property of the late Hon Mrs Arthur Eliot (sold by order of the Executors)’. Purchased by current owner for £600 - Various other related ephemera and research Boatswain died of rabies after being bitten by another dog in Mansfield market place. The grief-stricken Byron erected a monument at Newstead Abbey and composed the famous ‘Epitaph to a Dog’. See similar collar in the Newstead Abbey Collection

£3000 - 5000 (plus 24% BP*) 282 A George III Ivory Bone and Ebony Walking Stick, the pommel formed as a snuff box with monogrammed screw cover and internal cover on a wrythen and panelled stem, 89cm long £400 - 600 (plus 24% BP*) 283 A Bone Walking Stick, 19th century, the pommel with ebonised panel on an engine turned shaft, 84cm long £200 - 300 (plus 24% BP*) 284  A Pair of Painted Enamel Oval Plaques, 19th century, depicting a 17th century lady and gentleman, 8.5cm by 6.5cm, in gilt frames, the reverse inscribed Pair April 1867 £400 - 600 (plus 24% BP*)

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285  Italian School (circa 1800): The Three Graces, a miniature three-quarter length group of the nude goddess, watercolour, circular, 7cm diameter, in gilt metal frame later inscribed 1896 Deutsch’s Sale £500 - 700 (plus 24% BP*) 286 Edme Rousseau (French, 1815-1868): Miniature Bust Portrait of Monsieur and Madame Theodore Vernes d’Arlandes, signed, oval, a pair, in gilt metal frames signed Alph.Giroux a Paris, the miniatures 11cm by 9.5cm £700 - 1000 (plus 24% BP*)

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287  Daniel Sainte (French, 1778-1847): Miniature Bust Portrait of Marie Foote, later Countess of Harrington, wearing a white dress and pink shawl, signed Saint and dated 1822, oval, 6.5cm by 5cm, in gilt metal frame, the reverse inscribed Miss Foote Lady Harington Countess by Sainte, Smith, 100/-1/5/81 Marie Foote was an actress who married Charles Stanhope, 4th Earl of Harrington in 1831

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£800 - 1200 (plus 24% BP*) 288  Giorgio Banchi, (Italian, 1789-1853): Miniature Half Length Portrait of a Nymph, with a white shawl at her waist, signed Banchi F, oval, 9cm by 7.3cm £400 - 600 (plus 24% BP*) 289  A Pair of French Lead Figures of Gardeners, 19th century, in the manner of John Cheere, both in 18th century dress, he standing, his foot on a spade, she holding a flower sprig and a basket of flowers, each on circular bases, 134cm and 132cm high £10000 - 15000 (plus 24% BP*)

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WATCHES

WATCHES All lots are sold as is, and the absence of any reference to the condition of a watch does not imply the lot is in good condition and without defects, repairs or restorations. Most watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Tennants makes no representation or warranty that any watch is in working order. As watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which they are solely responsible, may be necessary.

290 A Stainless Steel Calendar Chronograph Wristwatch, signed Breitling, model: TransOcean, ref: 7102, 1971, (calibre Valjoux 7740) manual wind lever movement, dark blue dial with luminous and polished baton markers, outer tachymeter scale and fifths of seconds track, date aperture between 4 & 5, buttons in the band to operate chronograph, three white oval dials for seconds, 30-minute and 12-hour registers, screw back signed and numbered 7102, 42mm wide, with Breitling service box, Breitling service invoice and a photocopied Breitling booklet This watch is sold with an email from Breitling stating that the TransOcean watch was made in November 1971. This watch was a part of 1500 watches produced by Breitling.

£1500 - 2000 (plus 24% BP*) 291 A Steel and Gold Automatic Calendar Centre Seconds Wristwatch, signed Rolex, Oyster Perpetual, Superlative Chronometer Officially Certified, model: Datejust, ref: 16233/16200, circa 1991, (calibre 3135) lever movement signed and numbered 5693176, adjusted to five positions and temperature, light gold coloured dial with baton markers, date aperture, screw down crown, gold faceted bezel, screw back numbered inside 16200, case serial number E451754, Rolex steel and gold jubilee bracelet with a deployant clasp numbered 62523 H18, end links numbered 455B, 35mm wide, with Rolex boxes, guarantee paperwork, Rolex booklets and wallet £1200 - 1500 (plus 24% BP*)

292 A Limited Edition Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Omega, model: Speedmaster Racing Michael Schumacher World Champion 2001, ref: 35195000, limited number 05336/11111, circa 2001, (calibre 1152) lever movement, carbon fibre dial with luminous Arabic and baton markers, date aperture, three dials for seconds, 30-minute and 12-hour registers, outer fifths of seconds track, buttons in the band to operate chronograph, bezel with tachymeter scale, snap-on back with limited edition number and Michael Schumacher engraved signature, Omega stainless steel bracelet with a concealed deployant clasp, 38mm wide, with Omega boxes, certificate booklet, International warranty card, three other Omega booklets and three spare bracelet links This is a limited series of 11,111 pieces made by Omega to commemorate the fourth World Championship racing title of Michael Schumacher in 2001.

£1500 - 2000 (plus 24% BP*) 293 A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Omega, model: Seamaster Calendar, ref: 2757-1, 1952, (calibre 355) lever movement signed and numbered 13548013, bumper automatic rotor, white dial with Arabic and dagger markers, date aperture at 6, snap-on back, 34mm wide £500 - 700 (plus 24% BP*)

294 A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Rolex Oyster Perpetual, Precision, model: Air-King-Date, ref: 1500/5700, 1967, (calibre 1570) lever movement signed, adjusted to five positions and temperature, silvered dial with baton markers, date aperture, screw down crown, screw back numbered inside 1500 and dated IV67, case serial number 1692368, 34mm wide £400 - 600 (plus 24% BP*) 295 A Rare Stainless Steel Calendar Chronograph Wristwatch, signed Omega, model: De Ville, ref: 146.017, 1970, (calibre 930) lever movement signed and numbered 29142538, silvered dial with baton markers, outer tachymeter scale, two dials for seconds and 30-minute register, date aperture at 9, buttons in the band to operate chronograph, screw back numbered inside 146.017, 35mm wide £2000 - 3000 (plus 24% BP*) 296 A Stainless Steel Centre Seconds Wristwatch, signed Rolex, Oyster Precision, model: Speedking, ref: 6020, 1951, lever movement signed, patented superbalance and overcoil hairspring, silvered dial with dagger and Arabic numerals, outer fifths of seconds track, Rolex super oyster crown, screw back numbered inside 6020, case serial number 776608, Rolex stainless steel buckle, 30mm wide £500 - 700 (plus 24% BP*)

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297 A World War II Military Wristwatch, signed Timor, know by collectors as one of “The Dirty Dozen”, circa 1944, (calibre 6060) lever movement signed, four adjustments, dust cover, black dial with luminous Arabic numerals, signed and with a military broad arrow, seconds dial, luminous hands, base metal case with a stainless steel screw back engraved Timor broad arrow WWW K 8065 37965, inside back cover with repeated numbers, fixed bars between the lugs, 36mm wide Illustrated on page 91 £600 - 800 (plus 24% BP*) 298 A Stainless Steel Alarm Centre Seconds Wristwatch, signed Jaeger LeCoultre, 1954, (calibre P489) lever movement signed and numbered 704848, silvered dial with Arabic and dagger markers, centre alarm disc, tear drop lugs, back cover numbered 532136, inside back cover stamped LeCoultreCo, 35mm wide, with original purchase receipt dated 7.8.54 Illustrated on page 91 £700 - 900 (plus 24% BP*)

299 A Stainless Steel Centre Seconds Wristwatch, signed Rolex, shock-Resisting, model: Oyster Royal, ref: 6144/6145, 1951, lever movement signed and numbered 40066, silvered dial with Arabic numerals, outer fifths of seconds track, Rolex super oyster crown, screw back numbered inside 6144 6145, case serial number 786684, Rolex steel buckle, 31mm wide Illustrated on page 91 £400 - 600 (plus 24% BP*) 300 A Lady’s 18ct Gold Diamond Set Wristwatch, signed Omega, circa 1970, lever movement, gold coloured textured dial with baton markers, diamond set bezel, engine turned back cover with winding crown, pierced bark finished bracelet, 21mm wide £800 - 1200 (plus 24% BP*)

301 A Steel and Gold Automatic Centre Seconds Wristwatch, signed Rolex, Superlative Chronometer Officially Certified, model: Oyster Perpetual, ref: 76193, circa 2004, (calibre 2230) lever movement signed and numbered 0771457, adjusted to five positions and temperature, silvered dial with baton markers, gold faceted bezel, screw down crown, screw back numbered inside 2020, case serial number Y795519, Rolex steel and gold jubilee bracelet with deployant clasp numbered 62523D-18 and the end links stamped 491B, 25mm wide, with Rolex boxes, guarantee paperwork, calendar card and booklet £1200 - 1500 (plus 24% BP*) 302 A 9ct Gold Centre Seconds Wristwatch, signed Rolex, Oyster, model: Precision, ref: 6426, circa 1958, lever movement, silvered dial with dagger markers, screw down crown, screw back, case serial number 37176?, later Rolex 9ct gold bracelet with Birmingham hallmark for 1968, 34mm wide, with Rolex box £800 - 1200 (plus 24% BP*)

303 A Lady’s 18ct Gold Wristwatch, signed Omega, model: De Ville, circa 2000, quartz movement, champagne coloured dial with Roman and baton markers, case back with De Ville monogram, numbered 55854045, convention mark 750, Omega brick form linked integral bracelet, 23mm wide, with Omega boxes and six spare bracelet links £600 - 800 (plus 24% BP*) 304 A Good 18ct Gold Wristwatch, signed Vacheron & Constantin, Genève, 1964, (calibre 1003) lever movement signed and numbered 575550, stamped twice with Geneva seal mark, adjusted to heat, cold, isochronism and five positions, light gold coloured dial with Roman numerals, snap-on back signed and numbered inside 404000 6820, convention mark 18k0.750 and London import mark, Vacheron & Constantin 18ct gold herringbone design bracelet, 34mm wide, with Vacheron & Constantin box £1500 - 2000 (plus 24% BP*)

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305 A 9ct Gold Centre Seconds Wristwatch, signed Rolex, model: Oyster, ref: 2081, 1936, lever movement signed, overcoil hairspring, silvered dial with Arabic numerals, outer minute track, screw down crown, screw back numbered 37191 2081, inside back cover stamped with maker’s mark RWCLtd, Glasgow import mark, later Rolex gilt metal buckle, 32mm wide £700 - 900 (plus 24% BP*)

307 An Art Deco 9ct Gold Centre Seconds Wristwatch, signed Jaeger LeCoultre, 1934, lever movement signed LeCoultre Co and numbered 19082, adjusted to two positions, silvered dial with Arabic and baton markers, inner minute chapter ring, rectangular case with back cover numbered 45280, inside back cover with maker’s mark GS, London import mark and stamped 9k, 22mm wide £1200 - 1500 (plus 24% BP*)

306 A 9ct Gold Centre Seconds Wristwatch, signed Jaeger LeCoultre, 1950, (calibre 470) lever movement signed and numbered 255832, silvered dial with Roman and baton markers, case with teardrop lugs, back cover with engraved initials, inside back cover with maker’s mark ALD and numbered 12872 350497, Birmingham hallmark, 34mm wide £600 - 800 (plus 24% BP*)

308 A Rare Art Deco 14ct Gold Centre Seconds Wristwatch, signed Cartier, circa 1935, lever movement signed Le Coultre Co and numbered 68488, silvered dial with Arabic and square markers, inner minute track, rectangular case with t-bar lugs, back cover numbered 20710, inside back cover stamped LeCoultreCo and 0.585, 20mm by 26mm £1800 - 2200 (plus 24% BP*)

309 A 9ct Gold Automatic Centre Seconds Wristwatch, signed Rolex, Superlative Chronometer Officially Certified, model: Oyster Perpetual, ref: 1003/1005, 1964, (calibre 1560) lever movement signed and numbered 64685, adjusted to five positions and temperature, silvered dial with Arabic and dagger markers, screw down crown, machine finished bezel, screw back stamped inside with maker’s mark RWC Ltd and numbered 1155345, London import mark and convention mark 9k0.375, case serial number 1155345, 34mm wide £1000 - 1500 (plus 24% BP*)

310 A 9ct Gold Wristwatch, signed Rolex, model: Oyster, circa 1936, lever movement signed Rolex Prima, timed to six positions, cream coloured dial with Arabic luminous numerals, seconds dial, luminous hands, cushion shaped case, screw down crown, wire lugs, screw back numbered inside 23232 and 9c, 31mm wide £800 - 1200 (plus 24% BP*)

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311 A Rare 18ct Yellow Gold Enamel Dial Wristwatch, signed Vacheron & Constantin, Genève, model: 2794, manufactured in 1930, sold with extract from the archives, (calibre 11’’) lever movement signed and numbered 410804, bimetallic split balance with blued overcoil hairspring, white enamel dial with Arabic numerals, seconds dial, moon shaped hands, hinged back cover stamped inside with maker’s mark V&C and numbered 255095, convention mark 18k0750, hinged cuvette signed Vacheron & Constantin, 33mm wide, with Vacheron & Constantin Extract from the Archives confirming year of manufacture 1930 £2000 - 3000 (plus 24% BP*)

312 A Rare Bi-Metal Square Shaped Wristwatch, signed Vacheron & Constantin, Genève, sold with extract from the archives stating the date of sale of the movement 1925, (calibre RA 9”94) lever movement signed and numbered 400021, five adjustments, bimetallic split balance with blued overcoil hairspring, silvered dial with Arabic numerals, outer minute track, white metal square case with yellow metal hinged lugs, hinged back cover with engraved inscription and monogram initials, inside back cover stamped with maker’s mark G&SCoLtd for Goldsmiths & Silversmiths Co Ltd and numbered 2365, 24mm wide £6000 - 8000 (plus 24% BP*)

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313 A Rare Black Dial 18ct Yellow Gold Wristwatch with Claw Shaped Lugs, signed Patek Philippe, ref: 590, manufactured in 1940, sold with extract from the archives, (calibre 10’’’105) lever movement signed Patek Philippe & Co and numbered 900327, bimetallic split balance, gloss finished black dial with raised gold Arabic and dot hour-markers, seconds dial, claw shaped lugs, snap-on back signed and numbered inside 621563, convention mark 750, 30mm wide, with Patek Philippe Extract from the Archives confirming year of manufacture 1940 and its subsequent date of sale on December 14th 1940, and with a Patek Philippe leather watch pouch £5000 - 7000 (plus 24% BP*)

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314 A Lady’s 18ct White Gold Diamond Set Wristwatch, signed Rolex, model: Precision, 1961, (calibre 282) lever movement signed, silvered dial with baton markers, diamond set bezel, snap-on back stamped inside with maker’s mark DS&S and numbered 15169, Rolex 18ct white gold mesh bracelet with clasp hallmarked for 1961, 15mm wide £500 - 700 (plus 24% BP*) 315 A Lady’s 18ct Gold Wristwatch, signed Vacheron & Constantin, Genève, 1958, (calibre 1005) lever movement signed, adjusted to heat, cold, isochronism and five positions, dust cover, silvered dial with square and baton markers, case back secured by two screws and signed, back winding crown, inside back cover with maker’s mark ECW and numbered 367458, convention mark 18k0.750 and London import mark, integral bracelet, 8mm wide £600 - 800 (plus 24% BP*)

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316 A Lady’s Steel and Gold Automatic Calendar Centre Seconds Wristwatch, signed Rolex, Oyster Perpetual, Superlative Chronometer Officially Certified, model: Datejust, ref: 79163, 2004, (calibre 2235) lever movement signed and numbered 1362384, adjusted to five positions and temperature, white dial with gold coloured Roman numerals, date aperture, screw down crown, screw back numbered inside 2060, case serial number F107321, Rolex steel and gold Oyster bracelet with a deployant clasp numbered 78243, end links numbered 490B, 26mm wide, with Rolex boxes, guarantee paperwork, booklets and one spare bracelet link £1500 - 2000 (plus 24% BP*)

317 A Lady’s 18ct White Gold Diamond Set Wristwatch, signed Bueche Girod, 1965, lever movement signed, silvered dial with baton markers, inside back cover with London hallmark, bark finished integral bracelet with a concealed dial and decorated with mesh tassels, clasp set with a line of seven diamonds, 14mm wide, with Bueche Girod box £800 - 1200 (plus 24% BP*) 318 An 18ct Gold Automatic Centre Seconds Wristwatch, signed Omega, model: De Ville, 1966, (calibre 711) lever movement signed and numbered 23154966, adjusted to two positions, champagne coloured dial with baton markers, snap-on back numbered inside 7188 954526, convention mark 18k0.750, Omega 18ct gold integral bracelet, 33mm wide £1000 - 1500 (plus 24% BP*)

319 A Lady’s 18ct Gold Wristwatch, signed Jaeger LeCoultre, 1964, lever movement signed, silvered dial with baton markers, snap-on back numbered 844161, inside back cover stamped with maker’s mark Le Coultre Co and a convention mark 18k0.750, integral bracelet with clasp stamped 750, with safety chain, 16mm wide, with Jaeger LeCoultre box and guarantee paper dated 7th Aug 1964 £600 - 800 (plus 24% BP*)

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320 A Lady’s Stainless Steel Diamond Set Wristwatch, signed Ebel, model: Beluga, circa 2005, quartz movement, silvered dial with diamond set hour markers, seconds dial, diamond set bezel, protected crown, back cover signed and numbered 9014G38-20 46504352, Ebel strap with a stainless steel deployant clasp, 28mm by 39mm £600 - 800 (plus 24% BP*) 321 An 18ct White Gold Calendar Chronograph Wristwatch, signed Cartier, model: Tank Americaine, ref: 2312, circa 2005, quartz movement, silvered dial with Roman numerals, Cartier secret signature at 10, three subsidiary dials for date, 30-minute and 12-hour registers, inner fifths of seconds track, curved rectangular case with buttons in the band to operate the chronograph, sapphire set crown, case back secured by eight screws, back cover numbered 00215247 2312 and a convention mark 750 for 18ct gold, Cartier strap and a Cartier 18ct white gold buckle, 26mm by 45mm £3500 - 4000 (plus 24% BP*)

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322 A Lady’s Stainless Steel Diamond Set Wristwatch, signed Cartier, model: Tank Francaise, ref: 2384, circa 2000, quartz movement, cream coloured dial with Roman numerals, secret signature at 10, diamond set shoulders, diamond set crown, back cover signed and numbered 764193UF 2384, Cartier stainless steel bracelet with a concealed double deployant clasp, 20mm by 25mm, with Cartier pouch £1500 - 1800 (plus 24% BP*)

324 An 18ct Gold Wristwatch, signed Cartier, model: Santos Dumont, ref: 2649, circa 2004, lever movement, silvered dial with Roman numerals, secret signature at 7, back cover secured by eight screws and numbered 367500CE 2649, convention hallmark 750, sapphire set crown, Cartier strap and a Cartier 18ct gold deployant clasp, 35mm wide, with Cartier boxes, certificate booklet and instruction booklet £2000 - 3000 (plus 24% BP*)

323 A Lady’s Bi-Metal Diamond Set Wristwatch, signed Omega, model: Constellation, ref: 12677500, circa 2005, quartz movement, mother-of-pearl dial with diamond set hour markers, diamond set bezel, snap-on back with Constellation monogram and numbered 59369682, Omega bi-metal bracelet with a concealed deployant clasp, 23mm wide, with Omega boxes, warranty card, and instruction booklet £600 - 800 (plus 24% BP*)

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325 A Very Rare Early Oversized Single Push Chronograph Aviator’s Wristwatch, signed Omega, ref: 568.18, Omega Museum confirms this watch was manufactured in July 1915, (calibre 18’’’) frosted gilt finished lever movement signed and numbered 4428352, bimetallic balance with blued overcoil hairspring, white enamel dial with Arabic numerals, outer minute and fifths of seconds tracks, two dials for seconds and 15-minute register, single push pink gilt button below 6 to operate red chronograph hand, wire lugs, nickel case with hinged back stamped inside Omega and numbered 5415908, cuvette with matching number, 46mm wide This watch is sold with an email from the Omega Museums vintage watch specialist John R Diethelmm. He confirms that this watch is recorded in the Omega archives stating the case and movement numbers, movement calibre and watch reference and that the watch was manufactured in July 1915. This is an excellent example of one of the earliest Omega first generation model chronographs ever made. This watch uses the calibre 18’’’ which is a pocket watch size movement. Its large size case and clear visible enamel dial and ingenious design of chronograph button at 6 o’clock was ideal for the pilots to read the time and activate the complication during flying. Similar oversized single button chronograph wristwatches are illustrated in Goldberger (J) Omega Watches, pg.66-69. An almost identical wristwatch sold at Sotheby’s New York, 19 October 2007, lot 136 for $28,600. Another almost identical watch owned by Lawrence of Arabia sold at Antiquorum Geneva, 11 November 2012, lot 557 for 86000CHF

£8000 - 12000 (plus 24% BP*)

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325

WATCHES

326 A Good 18ct Gold Wristwatch with Teardrop Lugs, signed Patek Philippe, Calatrava, circa 1950, lever movement stamped twice with the Geneva seal, signed and numbered 924880, adjusted to five positions and heat, cold and isochronism, overcoil hairspring, two-tone silvered dial with Arabic and dagger markers, seconds dial, case with large down turned teardrop lugs, snap-on back signed and numbered inside 633472, convention mark 18k0.750, 35mm wide, with Patek Philippe box £5000 - 7000 (plus 24% BP*)

327 A Rare Stainless Steel Wristwatch with Claw Shaped Lugs, signed Patek Philippe & Co, Genève, retailed by Freccero, circa 1943, lever movement signed and numbered 910468, stamped twice with Geneva seal, adjusted to five positions and heat, cold and isochronism, silvered dial with polished Arabic and dot markers, outer minute track, seconds dial, claw shaped lugs, snap-on back signed and numbered inside 624346, 30mm wide £4000 - 4500 (plus 24% BP*)

328 A 9ct Gold Automatic Calendar Wristwatch, signed Jaeger LeCoultre, 1958, (calibre P813) lever movement signed and numbered 1296494, bumper automatic rotor, silvered quarter section dial with dagger markers, seconds dial, date aperture, screw back stamped inside with maker’s mark DTE and numbered 30422, London hallmark, 35mm wide £500 - 700 (plus 24% BP*)

329 A Rare 18ct Gold Automatic Calendar Cloisonné Dial Wristwatch, made specially for the Saudi Arabian market to commemorate the forming of Saudi Arabia by King Abdul Al Aziz 1953-1964, signed Universal, Genève, circa 1953, (calibre 138) lever movement signed, bumper automatic rotor, polychrome enamel dial depicting the Arab peninsula, palm trees, oil well and cross swords, outer chapter with Arabic characters, date aperture, screw back signed and numbered 1666757 100105 3, inside back cover signed and with a convention mark 18k0.750, 36mm wide Polychrome enamel dials are extremely rare and are usually made to commemorate events or special limited edition series and only a small number of these watches appear on the market for sale. A similar example sold at Antiquorum 12.12.2012 for $13700.

£6000 - 8000 (plus 24% BP*)

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330 A Fine 18ct Yellow Gold Automatic Wristwatch, signed Patek Philippe, model: Golden Ellipse, ref: 3738/100J-001, circa 2006, (calibre 240) lever movement signed and numbered 1202655, stamped with a Geneva seal, 22ct gold mini-rotor, gyromax balance, blue sunburst dial with gold baton markers, rectangular oval case with concealed lugs, case serial number 4148285, Patek Philippe black leather strap and a Patek Philippe 18ct gold buckle, 31mm by 35mm, with Patek Philippe box, Patek Philippe certificate of origin, instruction booklet, booklets and a Patek Philippe document holder ÂŁ5000 - 7000 (plus 24% BP*)

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WATCHES

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331 A Fine and Interesting 18ct Yellow Gold Wristwatch, formally the property of Alan Donald Whicker CBE, British Journalist and Television Broadcaster, signed Patek Philippe, Genève, model: Ellipse, ref: 3546, circa 1975, (calibre 23 300) manual wind lever movement signed and numbered 1222887, stamped twice with Geneva seal, gyromax balance with blued overcoil hairspring, adjusted to heat, cold, isochronism and five positions, light gold coloured textured dial with Roman numerals, rectangular oval case with down turned lugs, snap-on back signed and numbered inside 2738680 3546, convention mark 18k0.750 and a London import mark, Patek Philippe black leather strap and a Patek Philippe 18ct gold buckle, 27mm by 32mm, with Patek Philippe certificate of origin purchased from Hettich Ltd, King Street Jersey 29th July 1975, Patek Philippe booklet and accompanied by a letter from Alan Whicker’s long term partner bequeathing his watch to a good friend Alan Donald Whicker CBE (2 August 1921-12 July 2013) was a British journalist, television presenter and broadcaster providing distinguished service to both ITV and the BBC. His career spanned almost 60 years, during which time he presented the documentary television programme Whicker’s World for over 30 years. He was made a Commander of the Order of the British Empire (CBE) in 2005 for services to broadcasting.

£4000 - 6000 (plus 24% BP*)

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332 An Extremely Fine and Rare Stainless Steel Wristwatch with Teardrop Lugs, signed Patek Philippe, Genève, ref: 1503, movement no: 928904, case no: 635450, manufactured in 1946, sold with extract from the archives, (calibre 12-120) lever movement signed and numbered 928.904, brushed silvered dial with raised Arabic and dot markers, outer dot minute track, seconds dial, tear drop lugs, snap-on back numbered inside 635.450, Patek Philippe strap and a Patek Philippe 18ct white gold buckle, 35mm wide, with Patek Philippe Extract from the Archives confirming the year of manufacture 1946 and the subsequent date of sale on September 16th 1946 The Patek Philippe reference 1503 was made in the 1940s and is one of the firm’s most attractive vintage time-only models. The case is designed with tear drop lugs and the 35mm diameter case was bigger than other watches of that period. Several configurations of this reference are known including in stainless steel with gold tear drop lugs and an all stainless steel case like this one. The most famous 1503 was a stainless steel example with a black dial and Breguet numerals worn by the famous Jewish activist, Nazi-hunter and writer Simon Wiesenthal which sold at auction for 385000CHF.

£20000 - 25000 (plus 24% BP*)

WATCHES

333 A 14ct Gold Full Hunter Pocket Watch, signed Faber Type, by Pavel Buhre, circa 1890, lever movement, bimetallic balance with blued overcoil hairspring, wolf’s tooth winding, enamel dial with Roman numerals, seconds dial, engine turned covers, Swiss gold mark 0.583 for 14ct gold, cuvette signed and numbered 3416, 49mm wide, with a fancy linked yellow metal chain, together with original Faber Type fitted box £1000 - 1500 (plus 24% BP*) 334 An 18ct Gold Open Faced Pocket Watch, signed Jas McCabe, Royal Exchange, London, 1917, lever movement signed and numbered 02404, enamel dial with Roman numerals, seconds dial, case back stamped inside with maker’s mark FT, London hallmark, 45mm wide £500 - 700 (plus 24% BP*)

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335 An 18ct Gold Half Quarter Repeating Duplex Pocket Watch, signed Barwise, London, No.9725, 1827, fusee duplex movement signed and numbered, split bimetallic balance, diamond endstone, repeating on two outer blued steel gongs, gold coloured dial with Roman numerals, seconds dial, plunge pendant repeat, ribbed decorated band, maker’s mark FD, London hallmark, 52mm wide, with a 19th century fob, watch key and locket, and a yellow metal 20th century chain £1800 - 2200 (plus 24% BP*) 336 An 18ct Gold Full Hunter Pocket Watch, signed J W Benson, Ludgate Hill, London, 1901, lever movement signed and numbered 520931, enamel dial with Roman numerals, seconds dial, maker’s mark BB and numbered 1580, Chester hallmark, 48mm wide £800 - 1200 (plus 24% BP*)

337 An 18ct Gold Open Faced Pocket Watch, signed P S Phillips, Hull, 1893, lever movement signed and numbered 245716, enamel dial with Roman numerals, seconds dial, case maker’s mark WE and numbered 245716, Birmingham hallmark, 48mm wide £500 - 700 (plus 24% BP*) 338 A Tortoiseshell Pair Cased Verge Pocket Watch, signed Ellicott, London, No.4395, circa 1760, gilt fusee verge movement signed and numbered, square baluster pillars, enamel dial with Roman and Arabic numerals, blued steel beetle and poker hands, inner plain gilt metal case numbered inside 4395, outer tortoiseshell case, 50mm wide £300 - 500 (plus 24% BP*)

339 An 18ct Gold Full Hunter Pocket Watch, signed Longines, circa 1890, lever movement signed, bimetallic split balance with blued overcoil hairspring, snail micrometer regulator, enamel dial with Roman and outer red five minute markers, seconds dial, front cover with vacant cartouche, inside covers stamped 18k and maker’s mark Patent Longines, numbered 443996, cuvette engraved with Longines award winning medals, 50mm wide £1000 - 1500 (plus 24% BP*) 340 A Military Silver Centre Seconds Deck Watch, signed Ulysse Nardin, Locle Suisse, No.122765, circa 1945, lever movement numbered 122765, enamel dial with Roman numerals, screw back engraved H.S broad arrow 2, convention hallmark 0.925 for silver and numbered 618994, contained in a brass case stamped inside Dennison and numbered 1025, 95mm wide, with wooden box and a purpose made wooden watch stand £400 - 600 (plus 24% BP*)

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JEWELLERY Coloured Stones It should be noted that gemstones are often treated to improve their appearance. Heating, for instance, can intensify the colour or transparency of sapphires and rubies, whilst oiling can improve the clarity of emeralds. The international jewellery trade generally accepts these methods. Once heated, the colour enhancement is permanent, though there may be some effect on the durability of the gemstone in question. Once a gemstone has been oiled, the process may need to be repeated in the future to maintain the clarity. 341 An 18 Carat White Gold Diamond Bracelet, channel set baguette cut diamonds alternate with groups of six claw set round brilliant cut diamonds, stated diamond weight 6.40 carat approximately, length 18cm £3000 - 4000 (plus 24% BP*) 342 An Art Deco Style Diamond Plaque Ring, a round brilliant cut diamond within a diamond set pierced milgrain frame, total estimated diamond weight 0.70 carat approximately, finger size N £600 - 800 (plus 24% BP*)

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343 An Art Deco Style Diamond Ring, an old cut diamond spaced by channel set baguette cut diamonds and within a frame of milgrain set eight-cut diamonds, to knife edge shoulders, total estimated diamond weight 0.75 carat approximately, finger size N1/2 £700 - 900 (plus 24% BP*) 344 An Emerald and Diamond Cluster Ring, an octagonal cut diamond in a claw setting within an undulating border of tapering baguette cut diamonds, to knife edge shoulders, total estimated diamond weight 2.00 carat approximately, finger size N1/2 £1800 - 2000 (plus 24% BP*) 345 A Tanzanite and Diamond Pendant on Chain, a pear cut tanzanite within a border of round brilliant cut diamonds in milgrain settings, to a diamond set bail, on a fine trace chain, total estimated diamond weight 0.55 carat approximately, pendant measures 2.2cm by 1.2cm, chain length 41cm £650 - 850 (plus 24% BP*)

346 A Sapphire and Diamond Ring, a rectangular top set with square cut sapphires spaced by groups of old cut diamonds, to diamond set stepped shoulders, total estimated diamond weight 0.65 carat approximately, finger size O £600 - 800 (plus 24% BP*) 347 An Art Deco Diamond Double Clip Brooch, pierced scrolls set throughout with round brilliant cut, eight-cut and baguette cut diamonds, total estimated diamond weight 3.25 carat approximately, measures 2.5cm by 5cm £500 - 800 (plus 24% BP*) 348 An Art Deco Emerald and Diamond Bar Brooch, a step cut emerald to a tapering bar set throughout with old cut diamonds in milgrain settings, total estimated diamond weight 3.60 carat approximately, measures 1.5cm by 8cm £1500 - 2000 (plus 24% BP*)

349 An Art Deco Style Sapphire and Diamond Plaque Ring, an old cut diamond within a plaque of calibré cut sapphires and eight-cut diamonds in milgrain settings, to diamond set shoulders, total estimated diamond weight 0.65 carat approximately, finger size N £1000 - 1200 (plus 24% BP*) 350 A Tanzanite and Diamond Three Stone Ring, an oval cut tanzanite between two round brilliant cut diamonds in claw settings, to knife edge notched shoulders, total estimated diamond weight 0.75 carat approximately, finger size N1/2 £1300 - 1500 (plus 24% BP*) 351 An Emerald and Diamond Cluster Ring, a cushion cut emerald within a border of old cut diamonds in claw settings, to diamond set forked shoulders, total estimated diamond weight 1.50 carat approximately, finger size N £2600 - 2800 (plus 24% BP*) 352 A Sapphire Line Bracelet, of channel set step cut sapphires, length 18.5cm £600 - 800 (plus 24% BP*)

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JEWELLERY

353 A Pair of Sapphire and Diamond Cluster Earrings, an oval cut sapphire within a border of round brilliant cut diamonds in claw settings, total estimated diamond weight 1.40 carat approximately, measure 1.5cm by 1.3cm, with post fittings £1000 - 1500 (plus 24% BP*) 354 A Platinum Solitaire Diamond Ring, a round brilliant cut diamond in a claw setting, to tapering shoulders, estimated diamond weight 0.80 carat approximately, finger size J £1000 - 1500 (plus 24% BP*) 355 A Diamond Ring, an octagonal cut diamond in a double claw setting flanked each side by three graduated baguette cut diamonds in rubbed over settings, stated principle diamond weight 3.02 carat, total estimated diamond weight 4.30 carat approximately, finger size N1/2 The ring is accompanied by a GIA Diamond Grading Report, GIA Report Number 2181363123, dated May 1st 2017, stating that the cut-cornered rectangular step cut diamond weighs 3.02 carat, F Colour, VVS2 Clarity

356 A Sapphire and Diamond Necklace and Bracelet Set, the necklace comprising a graduated line of alternating round cut sapphires and round brilliant cut diamonds in claw settings as individual links, total estimated diamond weight 5.65 carat approximately, length 42cm and the matching bracelet of uniform round cut sapphires and round brilliant cut diamonds, total estimated diamond weight 3.25 carat approximately, length 18cm (2) £4500 - 5500 (plus 24% BP*)

359 A Princess Cut Diamond Line Bracelet, channel set as individual links, total estimated diamond weight 6.50 carat approximately, length 17.5cm £800 - 1000 (plus 24% BP*)

357 A Platinum Diamond Eternity Ring, of channel set baguette cut diamonds, total estimated diamond weight 5.20 carat approximately, finger size U1/2 £2500 - 3000 (plus 24% BP*)

361 A Diamond Bangle, an undulating band of round brilliant cut and tapered baguette cut diamonds, total estimated diamond weight 5.50 carat approximately, inner diameter measures 5.8cm £3200 - 3400 (plus 24% BP*)

358 A Diamond Band Ring, inset with seven baguette cut diamonds to a flat sided band, total estimated diamond weight 0.70 carat approximately, finger size U £500 - 800 (plus 24% BP*)

360 A Solitaire Diamond Ring, a round brilliant cut diamond in a claw setting, to knife edge shoulders, estimated diamond weight 1.80 carat approximately, finger size Q/12 £3000 - 4000 (plus 24% BP*)

362 A Sapphire and Diamond Ring, a square cluster of square cut sapphires in rubbed over settings to an octagonal border of channel set round brilliant cut diamonds, to sapphire set shoulders, total estimated diamond weight 0.80 carat approximately, finger size M1/2 £500 - 800 (plus 24% BP*) 363 A Three Stone Diamond Ring, old cut diamonds in claw settings to diamond set shoulders, total estimated diamond weight 0.90 carat approximately, finger size P1/2 £500 - 800 (plus 24% BP*)

£45000 - 50000 (plus 24% BP*)

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364 An Emerald and Diamond Cluster Ring, an octagonal cut emerald within a two tier border of eight-cut and round brilliant cut diamonds in leaf and claw settings, to a reeded shank, total estimated diamond weight 1.60 carat approximately, finger size Q £600 - 800 (plus 24% BP*)

367 A Diamond Brooch, a central row of graduated old cut diamonds in milgrain settings, within a stepped frame set throughout with rose cut diamonds, total estimated diamond weight 3.50 carat approximately, measures 8.3cm by 1.5cm £2000 - 2500 (plus 24% BP*)

365 A Diamond and Ruby Charm Bracelet, a long and short link bracelet hung with six charms, comprising; a diamond set horseshoe, a diamond and enamel penguin, a diamond set sailfish, with a ruby set eye, a second diamond set horseshoe, a diamond set duck, with a ruby set eye and a diamond set hoop, approximate length 19cm £400 - 600 (plus 24% BP*)

368 A Pair of Art Deco Jade and Diamond Earrings, a scroll frame inset with rose cut diamonds suspends an oval jade cabochon in a milgrain setting, total estimated diamond weight 0.10 carat approximately, length 3cm, with later clip fittings

366 A Three Stone Diamond Ring, round brilliant cut diamonds in claw and rubbed over settings, to knife edge shoulders, total estimated diamond weight 2.80 carat approximately, finger size Q £3000 - 5000 (plus 24% BP*)

One diamond accent is loose from the setting but present with the lot

£400 - 600 (plus 24% BP*)

369 An 18 Carat White Gold Emerald and Diamond Cluster Ring, an octagonal cut emerald within a two tier cluster surround of round brilliant cut diamonds with tapering baguette cut diamonds to the corners, total estimated diamond weight 0.80 carat approximately, finger size I1/2 £800 - 1000 (plus 24% BP*)

372 A Platinum Solitaire Diamond Ring, a brilliant cut diamond in a claw setting, to shoulders inset with graduated baguette cut diamonds, principle diamond weight 1.90 carat approximately, total estimated diamond weight 2.30 carat approximately, finger size O1/2 £4000 - 5000 (plus 24% BP*)

370 An Art Deco Diamond Plaque Ring, a rectangular shaped plaque set throughout with old cut diamonds in rubbed over settings, total estimated diamond weight 5.00 carat approximately, finger size M1/2 £3000 - 5000 (plus 24% BP*)

373 An Art Deco Jade and Diamond Brooch, two oval jade cabochons in claw settings to a scroll bar set throughout with rose cut diamonds, total estimated diamond weight 0.15 carat approximately, measures 5.5cm long £400 - 600 (plus 24% BP*)

371 A Diamond and Silk Bow Brooch, a central cluster of old cut and rose cut diamonds in milgrain settings to a black moiré silk bow, with applied diamond set detail to a diamond frame, total estimated diamond weight 0.85 carat approximately, measures 5cm by 1.6cm Accompanied by a receipt from Cartier Ltd, Old Bond Street, dated 2003.

£2000 - 3000 (plus 24% BP*)

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374 A Diamond and Pearl Witches Heart Brooch, set throughout with old cut and rose cut diamonds in milgrain settings, with a central lattice of alternating pearls and rose cut diamonds, total estimated diamond weight 0.25 carat approximately, measures 2.5cm by 2cm £300 - 500 (plus 24% BP*) 375 A Diamond Ring, an old cut diamond, in a square claw setting to diamond set forked shoulders, total estimated diamond weight 1.30 carat approximately, finger size U £800 - 1000 (plus 24% BP*) 376 A 19th Century Diamond Floral Spray Brooch, set throughout with old cut diamonds to flower heads and leaves, total estimated diamond weight 6.00 carat approximately, measures 3.5cm by 5.5cm £500 - 800 (plus 24% BP*)

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377 A Three Stone Diamond Ring, round brilliant cut diamonds in claw settings, to knife edge shoulders on a hinged shank, total estimated diamond weight 3.10 carat approximately, finger size M1/2 expanding to Q1/2 £3500 - 4000 (plus 24% BP*) 378 A Diamond and Pearl Luckenbooth Brooch/ Pendant, a crowned heart within a scroll frame and set throughout with old cut diamonds, with a central conch pearl drop, above an articulated V-shaped knife edge bar set with brown, white and grey pearls and a second conch pearl drop, total estimated diamond weight 0.80 carat approximately, measures 5cm by 3.5cm £2000 - 3000 (plus 24% BP*) 379 A Pair of 18 Carat White Gold Solitaire Diamond Earrings, a round brilliant cut diamond in a claw setting, total estimated diamond weight 1.35 carat approximately, with post fittings, in a fitted case retailed by Asprey & Company PLC £1200 - 1500 (plus 24% BP*)

380 A Pair of Diamond Cluster Earrings, a circular cluster of graduated old cut diamonds in collet settings, total estimated diamond weight 5.00 carat approximately, measure 1.5cm in diameter, with hook fittings £2000 - 2500 (plus 24% BP*) 381 An Old Mine Cut Diamond and Pearl Three Stone Ring, an old mine cut diamond in a claw setting between two pearls, to knife edge shoulders, estimated diamond weight 1.30 carat approximately, finger size P £800 - 1000 (plus 24% BP*) 382 A Diamond Flower Brooch/Pendant, a central old cut diamond to diamond inset petals and within an old cut diamond set circular frame, total estimated diamond weight 1.35 carat approximately, measures 2.5cm in diameter £400 - 600 (plus 24% BP*)

383 A Diamond Plaque Ring, a pierced oval plaque set throughout with old cut and rose cut diamonds in milgrain settings, to forked shoulders, total estimated diamond weight 0.50 carat approximately, finger size Q1/2 £400 - 600 (plus 24% BP*) 384 A Solitaire Diamond Ring, an old cut diamond in a claw setting, to knife edge shoulders, estimated diamond weight 3.30 carat approximately, finger size Q £6000 - 8000 (plus 24% BP*) 385 A Diamond Ring, five graduated old cut diamonds in claw settings, to knife edge shoulders, total estimated diamond weight 1.40 carat approximately, finger size T £600 - 800 (plus 24% BP*)

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386 A Victorian Banded Agate Suite, Comprising; a Necklace, Bracelet, Brooch and a Pair of Earrings, the necklace and bracelet formed of graduated round banded agate beads, respective lengths 51cm and 20cm, the brooch formed of a central banded agate cabochon within a circular frame inset with six oval banded agate cabochons, with a glazed locket back containing hairwork, measures 4cm in diameter, the pair of earrings with a conforming central banded agate cluster suspended from a banded agate stud with a pendant drop, length 5cm, with hook fittings, in a fitted case £1000 - 1500 (plus 24% BP*)

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387 A Diamond Brooch, three graduated old cut diamonds in claw settings to a rose-coloured tapering scroll bar, total estimated diamond weight 0.80 carat approximately, measures 4.5cm long £300 - 500 (plus 24% BP*)

389 A Pair of Victorian Etruscan Revival Pendant Earrings, a foliate engraved disk with a W-shaped frame suspends an oval drop with cannetille decoration and fringe detail, drop length 7cm, with hook fittings £200 - 300 (plus 24% BP*)

388 A Diamond Ring, a rose cut diamond between two pear cut diamonds in rubbed over settings to a tapering shank, total estimated diamond weight 1.00 carat approximately, finger size S £1500 - 2000 (plus 24% BP*)

390 An 18 Carat Gold Solitaire Diamond Ring, a round brilliant cut diamond inset to a tapering shank, estimated diamond weight 2.00 carat approximately, finger size T1/2 £2000 - 2500 (plus 24% BP*)

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391 (reverse)

391 Royal Interest, a Turquoise and Diamond Brooch, of sinuous foliate scrolls inset with turquoise and old cut diamond accents, suspending three pendant drops, total estimated diamond weight 1.25 carat approximately, measures 7.5cm by 5.5cm Inscribed verso: ‘Had belonged to dear grandmama V. From Mama V.R. 14th April 1871. To Beatrice’ This brooch is believed to have belonged to Victoria, Duchess of Kent (formerly Princess Victoria of Saxe-Coburg-Saalfeld) who, upon her death in 1861, left her jewellery to her daughter, Queen Victoria. The brooch was later gifted by Queen Victoria to her youngest daughter, Princess Beatrice of the United Kingdom (later Princess Henry of Battenberg) on the event of her 14th birthday on 14th April 1871. Princess Beatrice (14th April 1857-26th October 1944) was the youngest of Queen Victoria’s nine children. Affectionately called ‘Baby’ by her mother, she was regarded as Queen Victoria’s devoted companion, staying by her mother’s side until the Queen’s death on the 22nd January 1901. Provenance: Purchased by our client’s late father from a jewellers in Skipton, during the 1940s, as a gift to his wife. A garnet and enamel brooch, gifted to Helena, Princess Christian of Schleswig-Holstein on her 24th birthday in 1870, was offered for sale by Bonhams as Lot 219, 6th April 2011, and bears a similarly worded inscription in what appears to be identical script. This same brooch is documented in Bury (Shirley) Jewellery 1789-1910, Volume I, pg.291, colour plate 71.

£3000 - 5000 (plus 24% BP*)

391 (inscription)

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JEWELLERY

392 An 18 Carat Gold Diamond Half Hoop Ring, seven round brilliant cut diamonds in claw settings, to a flat sided shank, total estimated diamond weight 1.75 carat approximately, finger size M1/2 £1000 - 1500 (plus 24% BP*) 393 An Essex Crystal Tie Pin, painted depicting the head of a tiger, in a rope frame, measures 2cm in diameter £200 - 300 (plus 24% BP*) 394 An Aquamarine Brooch, an oval cut aquamarine in a claw setting and within a chased and pierced scroll frame, measures 4cm by 5.4cm £200 - 300 (plus 24% BP*)

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395 A Turquoise and Gem Set Novelty Falconry Double Stick Pin, modelled as a bird of prey on a perch, set in the round with turquoise, ruby set eyes and a diamond set beak, attached by a double fox link chain leash with two enamelled beads to a second stick pin, topped by a Turks head knot, stick pin length 9.5cm, length of leash 25cm £300 - 500 (plus 24% BP*) 396 An 18 Carat Gold Two Stone Diamond Twist Ring, round brilliant cut diamonds in claw settings, to twist shoulders, total estimated diamond weight 1.00 carat approximately, finger size J £800 - 1000 (plus 24% BP*)

397 A Diamond Mourning Ring, a central cluster of old cut diamonds to tapering rose cut diamond inset shoulders, with remnants of black enamel scroll detailing, total estimated diamond weight 1.75 carat approximately, finger size Q £600 - 800 (plus 24% BP*) 398 A Finely Carved Mid-Nineteenth Century Shell Cameo Brooch, depicting the bust of Pope Pius IX, in a grainti and rope frame, measures 8cm by 6.8cm, in a fitted case £300 - 500 (plus 24% BP*)

400 A Solitaire Old Mine Cut Diamond Ring, in a claw setting to old cut diamond inset shoulders, total estimated diamond weight 1.45 carat approximately, finger size P1/2 £500 - 800 (plus 24% BP*) 401 A Diamond Ring, graduated old cut diamonds in claw settings, to knife edge shoulders, total estimated diamond weight 1.30 carat approximately, finger size P £800 - 1000 (plus 24% BP*)

399 A Diamond Ring, five graduated old cut diamonds, with rose cut diamond accents, to a carved setting, total estimated diamond weight 1.50 carat approximately, finger size K £500 - 800 (plus 24% BP*)

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402 A Ruby and Diamond Cluster Ring, an oval cut ruby within a border of round brilliant cut diamonds in claw settings, to forked shoulders, total estimated diamond weight 2.20 carat approximately, finger size M1/2 £1500 - 2000 (plus 24% BP*) 403 A Solitaire Diamond Ring, an old cut diamond in a claw setting, estimated diamond weight 0.95 carat approximately, finger size P1/2 £500 - 800 (plus 24% BP*) 404 An Arts & Crafts Turquoise Brooch, by W.H Haseur, an oval turquoise cabochon in a rubbed over setting, spaced by seed pearls, to a pierced foliate frame with beaded detail, measures 1.5cm by 6.5cm, in a case retailed by W.A. Muir, Manchester £200 - 300 (plus 24% BP*)

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405 A Russian Art Nouveau Amethyst and Demantoid Garnet Pendant Necklace, an oval cut amethyst in a claw setting to an openwork knife edge frame with round cut demantoid garnets in leaf settings, suspending an oval cut amethyst drop from a knife edge bar, on a fine trace chain, pendant measures 5.5cm by 5cm, chain length 45.5cm Provenance: Purchased by our client from Liberty

£500 - 800 (plus 24% BP*) 406 A Solitaire Diamond Ring, a round brilliant cut diamond in a claw setting, to shoulders inset with baguette cut diamonds, total estimated diamond weight 0.85 carat approximately, finger size K £500 - 800 (plus 24% BP*)

407 A Fire Opal and Diamond Three Stone Ring, an oval cut fire opal between two round cut diamonds in claw settings, to knife edge shoulders, total estimated diamond weight 0.20 carat approximately, finger size K1/2 £800 - 1000 (plus 24% BP*)

410 An 18 Carat Gold Diamond Cluster Ring, round brilliant cut diamonds in claw settings, to forked shoulders, total estimated diamond weight 3.00 carat approximately, finger size M1/2 £1000 - 1500 (plus 24% BP*)

408 A Solitaire Diamond Ring, an old cut diamond in a claw setting, to knife edge shoulders, estimated diamond weight 1.15 carat approximately, finger size N1/2 £1500 - 1800 (plus 24% BP*)

411 A Three Stone Sapphire and Diamond Ring, an oval cut sapphire between two round brilliant cut diamonds in milgrain settings, to knife edge shoulders, total estimated diamond weight 0.65 carat approximately, finger size P £1100 - 1300 (plus 24% BP*)

409 An 18 Carat Gold Diamond and Emerald Cluster Ring, a round brilliant cut diamond within a cluster of round cut emeralds, in claw settings, to knife edge shoulders, estimated diamond weight 0.35 carat approximately, finger size L £500 - 800 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

403 402

404

405

406

408

407

411

409

410

JEWELLERY

412 A Victorian Sapphire, Diamond and Seed Pearl ‘Baden’ Patent Expanding Bracelet, a central round cut sapphire within a border of seed pearls, in a quatrefoil frame set with old cut diamonds, sapphires and seed pearls, to a ‘Baden’ patent bracelet, formed of expanding S-shaped links, total estimated diamond weight 0.40 carat approximately £550 - 850 (plus 24% BP*) 413 An 18 Carat Gold Solitaire Diamond Ring, a pear cut diamond in a claw setting, to knife edge shoulders, estimated diamond weight 2.15 carat approximately, finger size J1/2 £5000 - 8000 (plus 24% BP*)

130

414 An 18 Carat Gold Three Stone Sapphire and Diamond Ring, a round cut sapphire between two old cut diamonds, with rose cut diamond accents, to a carved setting, total estimated diamond weight 1.45 carat approximately, finger size J £1500 - 2000 (plus 24% BP*) 415 A Pair of Reverse Intaglio Essex Crystal Double Oval Cufflinks, each painted in detail depicting a jockey on a galloping horse, to mother-of-pearl grounds, clip bar linked Provenance: These cufflinks were presented by The 6th Earl of Lonsdale to jockey B. Jones, our client’s great uncle, after winning the 1922 Doncaster St. Leger Stakes on Royal Lancer

416 A Reverse Intaglio Essex Crystal Brooch, painted with an equine portrait of the 1922 Doncaster St Ledger winner, Royal Lancer, to a bar, measures 1.7cm by 4.6cm Provenance: This brooch was presented by The 6th Earl of Lonsdale to jockey B. Jones, our client’s great uncle, after winning the 1922 Doncaster St. Leger Stakes on Royal Lancer. Royal Lancer was the first horse to win both the Doncaster and Irish St Ledgers, winning both in 1922

£200 - 300 (plus 24% BP*) 417 A Solitaire Diamond Ring, an old cut diamond inset to a tapering shank, estimated diamond weight 2.20 carat approximately, finger size Q £3000 - 5000 (plus 24% BP*)

418 An 18 Carat Gold Diamond Ring, a round brilliant cut diamond in a claw setting, to tapered baguette cut diamond shoulders, total estimated diamond weight 2.45 carat approximately, finger size N £3000 - 4000 (plus 24% BP*) 419 A Victorian Diamond Bangle, a band of graduated old cut diamonds in claw settings, to a plain hinged back, total estimated diamond weight 4.00 carat approximately, measures 5cm by 5.5cm inner diameter £3000 - 4000 (plus 24% BP*)

£600 - 800 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

412

414

413

415

416

415

418

417

419

JEWELLERY

420 A Pearl and Diamond Floral Brooch, a round brilliant cut diamond within a cluster of vari-sized cultured pearls within a spray of textured petals, estimated diamond weight 0.15 carat approximately, measures 4.2cm by 4.2cm £900 - 1200 (plus 24% BP*) 421 An 18 Carat Gold Diamond Half Hoop Ring, three rows of round brilliant cut diamonds in claw settings, to forked shoulders, total estimated diamond weight 1.35 carat approximately, finger size L1/2 £300 - 500 (plus 24% BP*) 422 A Sapphire and Diamond Cluster Ring, by Tiffany & Co, a central cluster of round cut sapphires within an outer border of eight-cut diamonds to a two tier petal frame, to fluted shoulders, finger size S £600 - 800 (plus 24% BP*)

132

423 An Emerald Cluster Pendant on Chain, an oval cut emerald within a border of smaller round cut emeralds in claw settings, to a reeded bail, on a 9 carat gold trace chain, pendant measures 3cm by 1.7cm, chain length 41cm £800 - 1000 (plus 24% BP*) 424 A Kunzite and Ruby Ring, an oval cut kunzite in a claw setting, to forked shoulders inset with rows of round cut rubies, on a plain polished shank, finger size M £400 - 600 (plus 24% BP*) 425 An 18 Carat Gold Novelty Poodle Dog Brooch, modelled with textured fur, a diamond set collar and ruby eyes, measures 3cm by 2.5cm £400 - 600 (plus 24% BP*)

426 An 18 Carat Gold Diamond and Sapphire Ring, groups of vari-sized round brilliant cut diamonds and round cut sapphires in claw settings to a cross-over shank, total estimated diamond weight 1.00 carat approximately, finger size K £400 - 600 (plus 24% BP*) 427 An 18 Carat Gold Peridot, Amethyst and Diamond Cluster Ring, irregularly set pear cut peridot and amethyst with four graduated round brilliant cut diamonds, to a textured shank, total estimated diamond weight 0.20 carat approximately, finger size K1/2 £300 - 500 (plus 24% BP*)

428 An 18 Carat Gold Emerald and Diamond Cluster Ring, an octagonal cut emerald within a border of round brilliant cut diamonds with textured corners, to knife edge shoulders, total estimated diamond weight 0.50 carat approximately, finger size O1/2 £300 - 500 (plus 24% BP*) 429 A Pair of 18 Carat Gold Cufflinks, by Susan Wright, with heavily textured rectangular plaques, with swivel bars £450 - 550 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

421

420

422

424

423

426 425

427

428

429

JEWELLERY

430 A 9 Carat Gold Flower Brooch, with textured petals, measures 5.5cm in diameter £400 - 500 (plus 24% BP*) 431 An 18 Carat White Gold Moonstone and Diamond Cluster Ring, an oval peach-coloured moonstone in a claw setting within a border of round brilliant cut diamonds, to knife edge shoulders, total estimated diamond weight 0.30 carat approximately, finger size L1/2 £600 - 800 (plus 24% BP*) 432 A Yellow Sapphire and Diamond Cluster Ring, an oval cut yellow sapphire within a border of old cut diamonds and two baguette cut diamonds, to knife edge shoulders, total estimated diamond weight 1.10 carat approximately, finger size Q £700 - 900 (plus 24% BP*)

134

433 A Tanzanite and Diamond Cluster Ring, an octagonal cut tanzanite within a border of round brilliant cut diamonds in milgrain settings, to notched shoulders, total estimated diamond weight 1.40 carat approximately, finger size O1/2 £1400 - 1600 (plus 24% BP*) 434 A Pair of 18 Carat White Gold Garnet and Diamond Pendant Earrings, a line of articulated round brilliant cut diamonds suspends an oval cabochon garnet in a claw setting, total estimated diamond weight 0.45 carat approximately, length 3.9cm, with post fittings £600 - 800 (plus 24% BP*) 435 An Emerald and Diamond Cluster Ring, an octagonal cut emerald in a claw setting, within a halo frame of round brilliant cut diamonds, to knife edge shoulders, total estimated diamond weight 1.00 carat approximately, finger size O £800 - 1000 (plus 24% BP*)

436 A Diamond Cluster Ring, a round brilliant cut diamond within a diamond set halo frame, in milgrain settings, to forked shoulders, total estimated diamond weight 1.55 carat approximately, finger size P £1400 - 1600 (plus 24% BP*)

439 A Citrine and Diamond Cluster Ring, an oval cut citrine in a claw setting within a border of round brilliant cut diamonds, total estimated diamond weight 0.40 carat approximately, finger size M1/2 £600 - 800 (plus 24% BP*)

437 An 18 Carat Gold Diamond Ring, three baguette cut diamonds within a border of round brilliant cut diamonds, to knife edge shoulders, total estimated diamond weight 2.00 carat approximately, finger size M £800 - 1000 (plus 24% BP*)

440 A Sapphire and Diamond Cluster Ring, an oval cut sapphire in a claw setting, within an undulating border of channel set tapering baguette cut and round brilliant cut diamonds, total estimated diamond weight 1.35 carat approximately, finger size N £1500 - 2000 (plus 24% BP*)

438 An 18 Carat White Gold Yellow Sapphire and Diamond Cluster Ring, an oval cut yellow sapphire in a claw setting within a border of round brilliant cut diamonds, to knife edge shoulders, total estimated diamond weight 1.20 carat approximately, finger size M £800 - 1000 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

432

430 431

433

435

434

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436

439

438

440

JEWELLERY

441 A Ruby and Diamond Ring, a trilliant cut ruby in a claw setting to broad shank channel set with tapering baguette cut diamonds and round brilliant cut diamonds, total estimated diamond weight 4.00 carat approximately, finger size T1/2 £3000 - 5000 (plus 24% BP*)

444 An 18 Carat Gold Diamond and Sapphire Ring, round brilliant cut diamonds and two round cut sapphires to a beaded bezel, on a textured shank, total estimated diamond weight 1.10 carat approximately, finger size N £400 - 600 (plus 24% BP*)

442 A Diamond Eternity Ring, round brilliant cut diamonds in claw settings, total estimated diamond weight 2.30 carat approximately, finger size K1/2 £800 - 1000 (plus 24% BP*)

445 A Three Stone Diamond Ring, a princess cut diamond between two round brilliant cut diamonds in claw settings, to a flat sided shank, total estimated diamond weight 2.95 carat approximately, finger size K £3000 - 5000 (plus 24% BP*)

443 A Solitaire Diamond Pendant, on Chain, a round brilliant cut diamond tension set to a tapering bail, estimated diamond weight 1.55 carat approximately, pendant length 1.3cm, on a snake link chain, chain length 46cm £1500 - 1800 (plus 24% BP*)

136

446 A Pair of 18 Carat Gold Solitaire Diamond Earrings, round brilliant cut diamonds in claw settings, total estimated diamond weight 1.00 carat approximately, with post fittings £1000 - 1500 (plus 24% BP*)

448 A Tanzanite and Diamond Ring, an oval cut tanzanite in a half rubbed over setting, to shoulders inset with graduated round brilliant cut diamonds, total estimated diamond weight 0.60 carat approximately, finger size K1/2 £500 - 800 (plus 24% BP*)

447 A Diamond Bangle, graduated pairs of baguette cut diamonds spaced by sets of three round brilliant cut diamonds in claw settings, to a plain hinged back, total estimated diamond weight 4.50 carat approximately, inner diameter measures 4.8cm by 5.7cm £1000 - 1500 (plus 24% BP*)

449 A Cultured Pearl Necklace, with an 18 Carat Gold Pearl and Diamond Clasp, a single strand of 138 uniform cultured pearls knotted to a floral clasp, with a central cultured pearl to a pierced petal border set throughout with eight-cut diamonds, total estimated diamond weight 0.10 carat approximately, length 110 cm There is one diamond deficient to the clasp

£600 - 800 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

442 441

443

444

449

445

446

448 447

JEWELLERY

450 An 18 Carat White Gold Diamond and Ruby Cluster Ring, round brilliant cut diamonds and pear cut rubies in claw settings, above a scroll gallery, total estimated diamond weight 1.00 carat approximately, finger size L1/2 £400 - 600 (plus 24% BP*) 451 An 18 Carat White Gold Pink Sapphire and Diamond Cluster Ring, an oval cut pink sapphire in a claw setting within a border of round brilliant cut diamonds and spaced by baguette cut diamonds, total estimated diamond weight 0.40 carat approximately, finger size M1/2 £800 - 1000 (plus 24% BP*) 452 A Cultured Pearl and Ruby Bead Necklace, faceted ruby beads spaced at intervals by groups of graduated cultured pearls, length 70cm £450 - 500 (plus 24% BP*)

138

453 A Platinum Pink Sapphire and Diamond Cluster Ring, a round cut pink sapphire in a claw setting within a border of round brilliant cut diamonds, to diamond set shoulders, total estimated diamond weight 0.40 carat approximately, finger size L £1300 - 1500 (plus 24% BP*) 454 A Ruby and Diamond Cluster Ring, two round cut rubies within a rectangular frame of round brilliant cut diamonds in claw settings, to notched shoulders, total estimated diamond weight 1.20 carat approximately, finger size Q £1000 - 1200 (plus 24% BP*)

455 A South Sea Cultured Pearl Necklace, with an 18 Carat Gold Ruby and Diamond Set Clasp, a single strand of uniform cultured pearls knotted to a spherical clasp pavé set with round cut rubies and round brilliant cut diamonds, total estimated diamond weight 0.70 carat approximately, length 46cm £1000 - 1200 (plus 24% BP*) 456 An 18 Carat White Gold Star Ruby and Diamond Cluster Ring, a round star ruby in a claw setting within a border of round brilliant cut diamonds, total estimated diamond weight 0.75 carat approximately, finger size M £800 - 1000 (plus 24% BP*)

458 An Art Deco Style Ruby and Diamond Ring, three square cut rubies within a frame of round brilliant cut diamonds in milgrain settings, to knife edge shoulders, total estimated diamond weight 0.30 carat approximately, finger size O1/2 £350 - 550 (plus 24% BP*) 459 An Art Deco Style Pink Sapphire and Diamond Cluster Ring, an octagonal cut pink sapphire within a border of round brilliant cut diamonds and spaced by baguette cut diamonds in milgrain settings, total estimated diamond weight 0.65 carat approximately, finger size M1/2 £800 - 1000 (plus 24% BP*)

457 A Ruby and Cultured Pearl Necklace, faceted ruby beads spaced at intervals by groups of cultured pearls to a box clasp, length 53cm £150 - 200 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

451 452

450

455 456

454

453

457 458

459

JEWELLERY

460 A Tanzanite, Lapis Lazuli and Cultured Pearl Necklace, smooth and faceted tanzanite and lapis lazuli beads spaced at intervals by groups of cultured pearls, to a toggle clasp, length 125cm £150 - 200 (plus 24% BP*) 461 A Three Stone Diamond Ring, graduated old cut diamonds in claw settings, to knife edge shoulders, total estimated diamond weight 1.30 carat approximately, finger size T £1000 - 1500 (plus 24% BP*) 462 A Pair of 18 Carat White Gold Labradorite and Diamond Pendant Earrings, a line of articulated round brilliant cut diamonds suspends a pear cabochon labradorite in a claw setting, total estimated diamond weight 0.45 carat approximately, length 5cm, with post fittings £450 - 550 (plus 24% BP*)

140

463 An 18 Carat White Gold Aquamarine, Sapphire and Diamond Cluster Ring, an oval cut aquamarine in a claw setting within a border of round brilliant cut diamonds and spaced by baguette cut sapphires, total estimated diamond weight 0.70 carat approximately, finger size M1/2 £800 - 1000 (plus 24% BP*) 464 An 18 Carat White Gold Tanzanite and Diamond Cluster Ring, a cushion cut tanzanite in a claw setting within a border of round brilliant cut diamonds and spaced by tapering baguette cut diamonds, total estimated diamond weight 0.25 carat approximately, finger size M1/2 £550 - 850 (plus 24% BP*)

465 A Diamond Ring, a round brilliant cut diamond in an extended claw setting and spaced by two smaller round brilliant cut diamonds, to knife edge shoulders, total estimated diamond weight 1.90 carat approximately, finger size O £2000 - 3000 (plus 24% BP*) 466 An 18 Carat White Gold Diamond Ring, two round brilliant cut diamonds in claw settings, to diamond set crossover shoulders above a textured branch gallery, total estimated diamond weight 3.00 carat approximately, finger size Q £1500 - 1800 (plus 24% BP*)

467 A Pair of Tanzanite and Diamond Drop Earrings, a line of articulated round brilliant cut diamonds suspends an oval cut tanzanite within a border of round brilliant cut diamonds, total estimated diamond weight 1.75 carat approximately, drop length 3.5cm, with French clip fittings £800 - 1000 (plus 24% BP*) 468 A Diamond Cluster Ring, a marquise cut diamond within an undulating border of round brilliant cut diamonds in claw settings, total estimated diamond weight 1.70 carat approximately, finger size Q £500 - 800 (plus 24% BP*) 469 An 18 Carat White Gold Sapphire and Diamond Cluster Ring, an oval cut sapphire within a border of round brilliant cut diamonds in claw settings, total estimated diamond weight 0.65 carat approximately, finger size N1/2 £1000 - 1200 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

461

462

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464 463

466 465

467

468

469

JEWELLERY

470 An Art Deco Diamond Brooch, an oval hoop set throughout with three rows of old cut diamonds in milgrain settings, total estimated diamond weight 0.40 carat approximately, measures 2.5cm by 4.5cm £800 - 1000 (plus 24% BP*) 471 A Solitaire Diamond Ring, a round brilliant cut diamond in a six claw setting, to diamond set tapering shoulders, stated principle diamond weight 3.72 carat, finger size N The ring is accompanied by a Natural Diamond Certificate by HRD Antwerp, Certificate number 15029544002, dated September 23rd 2015, stating that the diamond weighs 3.72 carat, rare white + (F) Colour, VS2 Clarity

£50000 - 60000 (plus 24% BP*) 472 A Diamond Horseshoe Pendant on Chain, set with graduated round brilliant cut diamonds in milgrain settings, to a trace link chain, total estimated diamond weight 0.60 carat approximately, pendant measures 1.5cm by 1.2cm, chain length 46cm £400 - 500 (plus 24% BP*)

142

473 A Platinum Sapphire and Diamond Cluster Ring, an oval cut sapphire in a double claw setting within a border of round brilliant cut diamonds, to tapering shoulders, total estimated diamond weight 3.30 carat approximately, finger size M The ring is accompanied by a Sapphire Report, from The Gem & Pearl Laboratory, Number 10300, dated 8 May August 2014, stating that the sapphire weighs 5.13 carat, of natural origin with no evidence of heat treatment observed, with the origin opinion Sri Lanka

£15000 - 18000 (plus 24% BP*) 474 A Pair of Black Opal and Diamond Pendant Earrings, an articulated row of graduated round brilliant cut diamonds in rubbed over settings suspends a pear double cabochon black opal in frame settings, total estimated diamond weight 0.85 carat approximately, length 5cm, with post fittings £3000 - 5000 (plus 24% BP*) 475 A Diamond, Sapphire and Emerald Butterfly Brooch, set throughout with rose cut diamonds, with a sapphire set thorax and emerald set eyes, total estimated diamond weight 0.70 carat approximately, measures 4.5cm by 2.5cm £650 - 850 (plus 24% BP*)

476 A Diamond Eternity Ring, channel set baguette cut diamonds, total estimated diamond weight 1.65 carat approximately, finger size K1/2 £500 - 800 (plus 24% BP*) 477 A Pair of 18 Carat White Gold Amethyst and Diamond Pendant Earrings, a line of articulated round brilliant cut diamonds suspends a briolette cut amethyst, total estimated diamond weight 0.70 carat approximately, length 5cm, with post fittings £500 - 800 (plus 24% BP*) 478 A Ruby and Diamond Cluster Ring, an oval cut ruby within a border of old cut diamonds, to knife edge shoulders, total estimated diamond weight 1.00 carat approximately, finger size M £800 - 1000 (plus 24% BP*) 479 A Pair of Green Tourmaline and Diamond Cluster Earrings, an eight-cut diamond in a square setting suspends an oval cut green tourmaline within a border of eight-cut diamonds, total estimated diamond weight 0.25 carat approximately, with post fittings, drop length 2cm £500 - 800 (plus 24% BP*)

480 A Diamond Line Bracelet, formed of graduated round brilliant cut diamonds in milgrain settings as individual articulated links, total estimated diamond weight 4.00 carat approximately, length 18cm £1500 - 2000 (plus 24% BP*) 481 A Pink Sapphire and Diamond Hoop Ring, bands of alternating pavé set round cut pink sapphires and round brilliant cut diamonds to a panelled shank, stated diamond weight 0.79 carat, stated sapphire weight 1.75 carat, finger size O £800 - 1000 (plus 24% BP*) 482 A Three Stone Diamond Ring, graduated round brilliant cut diamonds in claw settings, to knife edge shoulders, total estimated diamond weight 2.10 carat approximately, finger size N1/2 £1200 - 1400 (plus 24% BP*) 483-499 No Lots

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

471 470 472

474 473

475

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482

SATURDAY 18 NOVEMBER AT 10.00AM PART II

SATURDAY 18 NOVEMBER AT 10.00AM

SILVER AND OBJECTS OF VERTU 500 A George V Silver Twin Handled Silver Trophy Cup and Cover, Mappin & Webb, Sheffield 1920, of octagonal section, the detachable cover with urn finial, the octagonal ebonised plinth base later inscribed The Kamella Trophy and with winners from 1961-1964, housed in a fitted travelling box, 34.5cm high, 37oz 10dwt £350 - 450 (plus 24% BP*) 500

501

501 An Edwardian Silver Twin Handled Trophy Cup and Cover, Samuel Smith & Son Ltd, London 1901, of George III style with reed and ribbon handles, the detachable cover with pineapple finial, the body chased with ribbon-tied bell flower swags and oval reserves, the ebonised plinth base affixed with later plaques engraved The Kamella Trophy and with winners from 1956-1964, housed in a fitted travelling box, 43cm high excluding base, 49oz 12dwt £500 - 700 (plus 24% BP*) 502 A Pair of Art Deco Silver Two Light Candelabra, Goldsmiths & Silversmiths Co, London 1937, of simple openwork form raised on a rectangular stepped base, detachable sconces, 24.5cm high, 34ozt (2) £500 - 800 (plus 24% BP*)

503

502

503 A Service of Georg Jensen Silver Cactus Pattern Flatware, 1915-27 mark, stamped 925S and with English import marks for George Stockwell, London 1931 the table forks 1932, comprising: 6 table forks; 6 table knives (with steel blades marked Georg Jensen Copenhagen); 6 table spoons; 6 dessert forks; 6 dessert knives (with steel blades marked Georg Jensen Copenhagen); 5 dessert spoons; 6 fish forks; and 8 fish knives, all engraved with the initials V.B for Vilma Dorothea Burnaby (nee Todenhaden), weighable silver 67oz 8dwt (49) £1000 - 1500 (plus 24% BP*)

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SILVER AND OBJECTS OF VERTU

504 A Silver Mounted Cut Glass Claret Jug, James Dixon & Sons, Birmingham 1942, the cylindrical body cut with swags, the central band and base engraved with flowering and fruiting branches, 22cm high £300 - 500 (plus 24% BP*)

504

505

505 A Pair of Art Deco Silver Entree Dishes and Covers, Goldsmiths & Silversmiths Co., London 1938, of angular oval form, the covers with twin handles, 30.5cm wide, 83oz 2dwt (2) £700 - 1000 (plus 24% BP*) 506 An Art Deco Four Piece Britannia Standard Silver Tea Service, Goldsmiths & Silversmiths Co Ltd, London 1935, circular, the teapot and hot water jug with stepped cover, ivory finial and handle, all on stepped circular foot, the hot water jug 19cm high, 62oz 14dwt (4) £500 - 800 (plus 24% BP*) 506

507 A Pair George V Silver Twin Handled Silver Bowls, maker’s mark HL, London 1913, modelled in the form of a 17th century wine taster with caryatid scroll handles, 18.5cm diameter, 34oz 18dwt (2) £400 - 600 (plus 24% BP*)

146

507

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

508 A Large Modern Silver Hanukkah Menorah, C J Vander Ltd, Sheffield 2001, of typical form, with octagonal stem and on conforming stepped base, filled, 41cm high ÂŁ600 - 800 (plus 24% BP*)

508

509

509 (detail)

509 An Extensive Service of Silver La Regence Pattern Flatware, Carrs Ltd, Sheffield 2000, retailed by Harrods, comprising: 12 table knives (with steel blades); 12 table forks; 12 dessert knives (with steel blades); 12 dessert forks; 12 dessert spoons; 12 soup spoons; 12 fish knives; 12 fish forks; 12 teaspoons; 12 coffee spoons; 12 pastry forks; a carving knife, fork and steel (with steel blade and prongs); a soup ladle; a sauce ladle; 4 table spoons; a cake slice, cheese knife and butter knife (with steel blades); a pair of salad servers; a berry spoon; another smaller fruit decorated spoon; and a pair of serving spoons, housed in a fitted three tier canteen with silver plaque engraved Harrods, 215oz 10dwt weighable silver (150) ÂŁ3000 - 4000 (plus 24% BP*)

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SILVER AND OBJECTS OF VERTU

510

511

510 A George V Silver Four Piece Tea Service, James R Ogden, London 1931, of circular form, the shoulder applied with shells and engraved with a band of decoration, with ivory handles and knop finials; together with a similar electroplated twin handled tray, the hot water jug 19.5cm high, 68oz 4dwt (5) £700 - 1000 (plus 24% BP*) 511  A Set of Four Edwardian Parcel-Gilt Silver Novelty Turkey Menu Card Holders, W & G Neal, London 1908, retailed by Asprey & Co, naturalistically modelled on circular base, contained in a fitted retailers box, 4.5cm high £300 - 500 (plus 24% BP*)

148

512

512 An Indian Silver and Silver Gilt Figural Chess Set, 20th century, unmarked, the kings as elephants mounted by howdahs carrying princes, the queens as princes riding horses, the bishops riding camels, the knights horses, and rooks elephants, the kings 9.5cm high (32) £1000 - 1500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

513

513  A Pair of Arts & Crafts Silver Candlesticks, James Dixon & Son, Sheffield 1919, the design probably by Jan Eisenloeffel (1876-1957), with square tapering stem, the base with rivet decoration, filled, 22cm high £800 - 1200 (plus 24% BP*) 514  A Pair of Arts & Crafts Style Silver Candlesticks, James Dixon & Son, Sheffield 1999, the design probably by Jan Eisenloeffel (1876-1957), with square tapering stem, the base with rivet decoration, filled, 31.5cm high £800 - 1200 (plus 24% BP*)

514

515 A Set of Four Edwardian Arts & Crafts Silver Plates, Thomas Adolphus Falcon, Birmingham 1902, each chased to the rim with a varying design of stylised fruit and foliage, comprising: pears; grapes; apples and pomegranates, within a bead border, three with a stylised design to the centre, each supported on a short foot, 24.5cm diameter, 71oz 14dwt (4) Thomas Adolphus Falcon was born in Pudsey, Yorkshire in 1872 and educated at Manchester Grammar School before completing his education at Trinity College, Cambridge. He was a recognised landscape painter and was elected a Member of the Royal Society of British Artists in 1902, in this same year, moving to Devon where he remained until his death in 1944. He is known to have collaborated with his brother in law G.A.E. Schwabe (1877-1960), an architect and long standing pupil and assistant of Edgar Wood (1860-1935). Although he is recorded as working in silver no other examples of his metalwork have been traced.

£1000 - 1500 (plus 24% BP*)

515

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SILVER AND OBJECTS OF VERTU

516 A Victorian Silver Cellini Pattern Claret Jug, Elkington & Co (Frederick Elkington), London 1880, with hinged cover and caryatid handle, the front with an oval reserve engraved with a boar head crest and motto Set On, and engraved 23rd Nov 1880 to neck, 31cm high, 30oz 16dwt £800 - 1200 (plus 24% BP*) 517 An Edwardian Art Nouveau Silver Mounted Glass Claret Jug, W & G Sissons, Sheffield 1901, the silver mount with bead borders and crest engraved, the glass body with moulded stylised foliage between cut diaperwork panels, 25.5cm high £250 - 350 (plus 24% BP*)

516

517

518

518 A Chinese Export Silver Inkstand, marked Wooshing, early 20th century, of butterfly shape with twin dragon supports forming the pen rest, a detachable inkwell with hinged cover, in a fitted wood box, 19cm wide, 8oz 18dwt £200 - 300 (plus 24% BP*) 519 A Set of Ten Parcel-Gilt Silver Queen’s Beasts Goblets, Garrard & Co, London 1977, produced to commemorate the Silver Jubilee of Queen Elizabeth II, each engraved with the Royal Arms to the bowl, the silver-gilt stem modelled as a different beast, housed in the original fitted case, 13.5cm high, 79oz 12dwt (10) £800 - 1200 (plus 24% BP*)

150

519 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

520 An Extensive Service of Modern Silver Flatware, Garrard & Co Ltd, Sheffield 1975, comprising: 6 table spoons; 12 table forks; 12 table knives (with steel blades); 12 first course forks; 12 first course knives (with steel blades); 12 fish knives; 12 fish forks; 12 soup spoons; 12 dessert spoons; 12 dessert/fruit knives; 12 dessert forks; 12 teaspoons; 12 coffee spoons; 12 demitasse spoons; 2 carving knives and 2 carving forks (with steel blades and tongs); a sharpening steel; a pair of fish servers; a pair of sauce ladles; sugar tongs; and a soup ladle, contained in a four tier canteen marked “Garrard & Co Ltd”, 123oz 16dwt weighable silver (173) £2000 - 3000 (plus 24% BP*)

520 (detail)

521 A Pair of George III Silver Candlesticks, John Parsons & Co, Sheffield, date letter indistinct either 1774 or 1784, in the Adam taste, the vase shaped nozzle on a square tapering reeded stem and stepped square base with bead borders, detachable sconces, bases and sconces engraved with initials, bases filled, 30.5cm high £500 - 800 (plus 24% BP*)

520

521

522

522 A George V Silver Five Piece Tea and Coffee Service, Adie Bros Ltd, London 1923/25, of baluster and squat circular shape, a decorative girdle to the upper body with shell and tassel accents, carved ivory handle and finial to coffee pot, teapot and hot water jug, stamped “RegNo700773” to base, the coffee pot 23.5cm high, 97oz 2dwt (4) £1500 - 2000 (plus 24% BP*)

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523

523 A Late Victorian Circular Silver Salver, Mappin & Webb, London 1899, with gadroon, shell and C scroll border, on three ball and claw feet, the centre with foliate and flowerhead engraving, 27cm diameter, 23oz 10dwt £250 - 350 (plus 24% BP*) 524

524 An Edwardian Silver Part Service of Rich Bead (Prince of Wales) Pattern Flatware, Elkington & Co, Birmingham 1901, comprising: 17 table forks; 12 soup spoons; 6 table spoons; 18 dessert forks; 16 dessert spoons; and 10 teaspoons; together with an electroplated soup ladle and pair of sauce ladles, housed in a two tier oak canteen, 191oz 10dwt (82) £1800 - 2500 (plus 24% BP*)

524 (detail)

525

152

525  Coursing Interest - A Victorian Scottish Silver Presentation Three Piece Tea Service, maker’s mark TS, Glasgow 1885, decorated with panels of foliage and birds, one panel on each inscribed Gosforth St.Leger 1886, 150 Dogs Won By Huic Holloa; and A Victorian Silver Trophy Cup, Fenton Brothers, Sheffield 1879, inscribed Newcastle Dog Show 1887, Won By Jester, the teapot 11.5cm high, 30oz 18dwt (4) £250 - 350 (plus 24% BP*) 526  Coursing Interest - A Victorian Silver Salver, Martin Hall & Co, London 1893, with shaped scroll and shell border on three claw and ball supports, inscribed to the centre Shortflatt Cracks 1881-1893, a greyhound running above, and with a list of winners beneath, 36cm diameter, 40oz 18dwt £350 - 450 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

527 (detail)

527  A Part Service of George III Provincial Silver Fiddle Pattern Flatware, marks of Thomas Watson and Reid & Son, Newcastle, 1806 and 1808, comprising: 12 table forks; 12 dessert forks; 12 dessert spoons; 6 teaspoons; and a pair of sauce ladles, engraved with a tiger’s head erased crest for Dent, 70oz 14dwt (44) £800 - 1200 (plus 24% BP*) 527

528

528  A Pair of George II Provincial Silver Sauceboats, James Kirkup Newcastle 1747, with shaped rim, flying dolphin handles and on three elaborate lion mask and paw supports, engraved with an armorial to one side and a tiger crest to the other for Dent, the initials D over I.I to underside, 19.5cm long, 28oz 6dwt (2) £800 - 1200 (plus 24% BP*)

529

529  A William IV Silver Egg Cruet, maker’s mark WE, London 1830, rectangular with central loop handle, holding six detachable egg cups with fluted bowl and gilt interior, the stand with gadroon and foliate shell borders, and raised on lion paw supports, the frame and cups engraved with a crest of a demi lion rampant holding a flag, 19.5cm wide, 33oz 2dwt £500 - 700 (plus 24% BP*)

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SILVER AND OBJECTS OF VERTU

530 A Pair of George III Silver Sauce Tureens and Covers, John Edward Terry, London 1815, with shell, foliate and gadroon border, twin reeded foliate handles and on acanthus capped lion paw feet, later engraved to the body and cover with scrolling foliage and C scrolls, 21.5cm wide over handles, 58oz 6dwt £600 - 800 (plus 24% BP*)

530

532

531 A Pair of George IV Silver Candlesticks, T J & N Creswick, Sheffield 1828, of 18th century style, with knopped stem on shaped square base with foliate corners, the base and detachable sconce both engraved with the initials HD beneath a Baron’s coronet, bases filled, 29cm high

532 An Unusual George IV Silver Double Walled Sauceboat or Argyle, Robert Hennell, London 1828, of large proportions with gadroon border, standing on three rococo scroll feet, a hot water 532 (detail) filling hole with hinged cover below the upper junction of the foliate capped scroll handle, engraved to one side with the initials HD beneath a Baron’s coronet, 23.5cm long, 23oz 12dwt

The initials are thought to be that of either Thomas Hay-Drummond, 11th Earl of Kinnoull (1785-1866) or Hugh Cholmondeley, 2nd Baron Delamere (1811-1887), thence by descent

£500 - 800 (plus 24% BP*)

£400 - 600 (plus 24% BP*)

531

154

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

533 A Scarce William IV Silver Stag Hunt Pattern Butter Spade, Mary Chawner, London 1837, the pierced blade featuring a recumbent cow, the handle featuring hounds, a huntsman and a stag, the reverse engraved with the initials HD beneath a baron’s coronet, 20.5cm long, 3oz 12dwt

533

The initials are thought to be that of either Thomas Hay-Drummond, 11th Earl of Kinnoull (1785-1866) or Hugh Cholmondeley, 2nd Baron Delamere (1811-1887), thence by descent

£300 - 500 (plus 24% BP*) 534 A Service of Late Victorian Silver Queen’s Pattern Flatware, Holland, Aldwinckle & Slater, London 1896, comprising: 6 table spoons; 6 table forks; 6 dessert spoons; and 6 dessert forks; together with a matched set of 6 teaspoons, Chawner & Co, London 1869, housed in a fitted canteen, 69oz 16dwt (30) £500 - 700 (plus 24% BP*)

534

535

535 A Pair of Old Sheffield Plate Wine Coolers, circa 1820/30, of melon fluted inverted baluster shape, the detachable rim with foliate border, with large rococo scroll and shell handles, and on four elaborate foliate bracet feet, engraved to both sides with an armorial, a badger or brock crest and the motto Gloria Finis, for the Brooke family, liners present, 26cm high £700 - 1000 (plus 24% BP*) w w w.t e n n a n t s .c o.u k 155

SILVER AND OBJECTS OF VERTU

536 A William IV/Victorian Silver Wine Funnel, Charles Fox, London 1833, the strainer no date but with Victoria duty mark, chased and engraved with foliage and applied with cast flowerheads, detachable strainer with leaf clip, both engraved with a demi stag rampant crest, 14.5cm long, 8oz 8dwt £1000 - 1500 (plus 24% BP*)

536

537 A William IV Silver Three Piece Tea and Coffee Service, Paul Storr, London 1836/37, of melon fluted form, with acorn and oak leaf finial and supports, leaf-capped scroll handles, the sugar bowl with gilt interior, the teapot and coffee pot also stamped Storr & Mortimer, the coffee pot 23.5cm high, 76ozt (3) £3000 - 4000 (plus 24% BP*)

537

538 A George IV Silver Teapot, Paul Storr, London 1829, of inverted baluster shape, with foliate capped scroll handle and floral embellished spout, the body chased and engraved with trailing flowers and foliage, an armorial to one side within a rococo cartouche, the hinged cover with cast floral finial, stamped Storr & Mortimer to underside, 14.5cm high, 22oz 2dwt £2000 - 3000 (plus 24% BP*) 538

156

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

539 A Fine George III Regency Silver Eight Bottle Cruet Stand, Paul Storr, London 1818, the almost square frame with gadroon border, raised on four foliate and shell bracket feet and with a central heart-shaped handle, comprising: a pair of oil and vinegar bottles with hinged covers; four small bottles with glass stoppers, one with unmarked spoon attachment; and a pair of mustard pots with detachable covers, with one mustard spoon, 25.5cm wide, the frame 46oz 10dwt ÂŁ8000 - 10000 (plus 24% BP*)

539

540

540 A Pair of George III Silver Sauce Tureens, Henry Chawner, London 1794, oval on pedestal foot, with reeded borders and twin handles; together with A Pair of Victorian Silver Princess Pattern Sauce Ladles, probably John James Whiting, London 1845, the tureens 23cm wide over handles, 25oz 12dwt (4) ÂŁ500 - 800 (plus 24% BP*)

w w w.t e n n a n t s .c o.u k 157

541 A Very Large George III Silver Salver, maker’s mark WS possibly for William Stroud, London, 1815, with elaborate gadroon, shell and foliate border, the centre engraved with a lion passant crest above an armorial, within a border of C scrolls, foliate and shell ornament, raised on four foliate shell feet, 63cm diameter, approx 223ozt £3000 - 5000 (plus 24% BP*)

541 542

542 A Pair of Small George III Silver Candlesticks, George Ashforth & Co, Sheffield 1775, with Corinthian capital on fluted column, the square base with unusual goblin or elf and swag decoration, between bead borders, detachable sconces, bases filled, 18cm high £200 - 300 (plus 24% BP*)

543 A Composite Service of George II/III Silver Hanoverian and Old English Pattern Flatware, comprising: 12 table spoons, Richard Crossley, London 1799; 12 table forks, Richard Crossley, London 1799; 12 dessert forks, Richard Crossley, London 1793 and 1799; and 12 dessert spoons Ebenezer Coker, London 1747, crested to match, being that of a pair of hands holding a sword with a boar’s head erased for Mitford; together with 12 later silver knives, with steel blades, Garrard & Co, Sheffield 1975, housed in an associated canteen, 89oz 8dwt (60) Provenance: David Freeman-Mitford, 2nd Baron Redesdale (1878-1958) Upon his death this service was gifted to Margaret Wright, Baron Redesdale’s housekeeper and companion at Redesdale Cottage, Northumberland, where he spent the final years of his life. It is accompanied with copies of correspondence from Redesdale to Margaret listing, among others this service, as items that shall pass to her among his effects from the cottage in order “to avoid any possible embarrassment to yourself when the time comes that you will have to claim your property and to avoid any possible mis-understanding.”

£1000 - 1500 (plus 24% BP*) 543

158

543 (detail)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

544 A Victorian Silver Candelabrum Centrepiece, Robert Hennell, London 1853, also with Hennell house mark, the base depicting a fox hunting scene featuring huntsmen, horses and hounds, the naturalistic stem supporting three branches decorated with oak leaves and a central openwork dish support, inscribed to the base Presented To John Stapylton Sutton Esq, of Elton Hall in the County of Durham by the Members of the Hurworth & Durham County Hunts and Other Friends in Consideration of His Disinterested Preservation of Foxes, 57cm high, 197ozt £2500 - 4000 (plus 24% BP*) 545 A George III Silver Tea Caddy, Robert Hennell, London 1786, of wavy oval outline with bright engraved decoration, the hinged cover with pineapple finial, 13.5cm wide, 16oz 4dwt £1000 - 1500 (plus 24% BP*) 546 A George III Silver Tea Caddy, Thomas Daniell, London 1783, oval with bead borders, the cover hinged to one end and with pineapple finial, decorated with oval reserves and floral swags within bright engraved borders, 14cm wide, 13oz 10dwt £500 - 700 (plus 24% BP*)

544

545

547 A George IV Silver Three Piece Tea Service, Charles Fox, London 1820, of squat circular form with gadroon border, fluted body and on ball supports, the cream jug and sugar bowl with foliate handles and gilt interior, the teapot 15.5cm high, 37.8ozt £400 - 600 (plus 24% BP*)

546

547

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548 A Service of Victorian Silver Fiddle and Thread Pattern Flatware, Chawner & Co (George Adams), London 1882, comprising: 6 table spoons; 12 table forks; 18 dessert spoons; 12 dessert forks (one later matched example Sheffield 1993); 10 teaspoons; 6 egg spoons; a pair of salt spoons; a mustard spoon; a pair of sugar tongs; a pair of sauce ladles; and a basting spoon, all engraved with the initial S, 137oz 8dwt (71) £1200 - 1500 (plus 24% BP*)

548

549 An Early Victorian Silver Teapot and Hot Water Jug, Edward, Edward Jnr, John & William Barnard, London 1839 and 1841, plain circular form with naturalistic melon finial to hinged cover, engraved to the side with a hawk crest above the initials GHK, the hot water jug 21cm high, 45oz 18dwt (2) £400 - 600 (plus 24% BP*)

549

550 A Pair of George II Style Silver Candlesticks, Hawksworth, Eyre & Co Ltd, Sheffield 1917, shaped square bases with foliate corners, knopped inverted baluster stem, detachable nozzles, filled, 28cm high £400 - 600 (plus 24% BP*) 551 A Set of Three Edwardian Pierced Silver Comports, Cooper Brothers & Sons, Sheffield 1908, graduated in size, with shaped C scroll and acorn rim, and pierced border, standing on four supports with lion paw feet, the largest 14cm high, 25cm diameter, 47oz 2dwt (3) £400 - 600 (plus 24% BP*)

550 160

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

551

552 A Service of William IV Silver King’s Pattern Flatware, Mary Chawner, London 1837 (William Duty mark), comprising: 12 tablespoons; 11 table forks; 12 dessert spoons; 12 dessert forks; 12 teaspoons; and a pair of sauce ladles, together with an associated set of six dessert knives, maker’s mark AH, Sheffield 1836, engraved with the initials CM beneath a Count’s coronet, for the Metaxa family, housed in an oak canteen, 145ozt (67) £1500 - 2000 (plus 24% BP*)

552 (detail)

552

553 A George III Provincial Silver Mug, John Langlands & John Robertson, Newcastle 1780, plain baluster form with scroll handle on circular foot, the handle also part marked and engraved with initials Y over WA, 13cm high, 11oz 4dwt £300 - 500 (plus 24% BP*) 554 A George III Silver Nutmeg Grater, Thomas Phipps and Edward Robinson, London 1797, oval with engraved borders, the hinged cover with a square reserve engraved with the initials MM, hinged base, pierced steel grater, 4.5cm wide £300 - 500 (plus 24% BP*) 553

554

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SILVER AND OBJECTS OF VERTU

555 A George II Silver Small Salver or Card Tray, David Willaume II, London, 1741, shaped circular, the border featuring C scrolls, foliage, shell and other Rococo ornament, on three ball and claw supports, the centre engraved with a crest of a demi-wolf rampant, 14.5cm diameter, 9oz 4dwt £300 - 500 (plus 24% BP*)

555 (detail)

555

556 A George II Irish Silver Cream Jug, maker’s mark only for John Hamilton, Dublin circa 1730/40, baluster form with shaped rim and unusual naturalistic swan handle, the body heavily decorated with rococo ornament, on three lion mask supports, engraved to the front with a crest of seven ears of wheat, within a rococo cartouche, 12cm high, 7oz 8dwt Another example of this model by Hamilton, with slight differences, sold in these rooms 29 March 2007, Lot 577

£700 - 1000 (plus 24% BP*)

556

557

557 A French Silver Service of Mazarin Pattern Flatware, Puiforcat, Paris, 1st Standard, 20th century, the spoons with double drop heel and rat tail bowl, the three prong forks with double drop heel, the knives with pistol handles, comprising: 12 table forks; 12 soup spoons; 12 table knives (with steel blades); 12 dessert forks; 12 dessert spoons; 12 dessert knives (with steel blades); 12 teaspoons; a pair of basting spoons; a pair of salad servers; a serving ladle; a pair of large serving forks; a sauce ladle; a butter knife (with steel blade); and two flat bladed serving pieces, weighable silver 184oz 18dwt (83) £2000 - 3000 (plus 24% BP*)

162

558 A Silver Twin Handled Tray, Deakin & Francis, Birmingham 1972, rectangular with gadroon border, 55.5cm wide over handles, 72oz 4dwt £800 - 1200 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

559 A George II Provincial Silver Cream Jug, Richard Richardson, Chester 1729, plain baluster form on circular foot, with sparrow beak spout, traces of armorial engraving to one side, 7.5cm high, 2oz 12dwt Literature: Ridgway, Maurice H., Chester Silver 1727-1837, Phillimore 1985, pp.138 Provenance: Ex John Foulks Lowe Collection

£900 - 1200 (plus 24% BP*) 559

560

560 A George III Provincial Silver Small Mug, Richard Richardson, Chester 1774, of plain bellied form with scroll handle, later inscribed to the underside Hazel Georgina Augt 29 1880 Haslemere, 7cm high, 3oz 16dwt Literature: Ridgway, Maurice H., Chester Silver 1727-1837, Phillimore 1985, pp.176 Provenance: Ex John Foulks Lowe Collection

£500 - 800 (plus 24% BP*)

561 An Indian Silver Four Piece Tea Service, Tarachund Parsram, Bombay, early 20th century, oval on four ball supports, the hot water jug and teapot chased with a band of deities riding an elephant, peacock; lion and other animals; the covered sugar bowl and cream jug with a band of seated deities, the hot water jug 22cm high, 56.5ozt (4) £400 - 600 (plus 24% BP*)

561

562 An American Silver Sauce Tureen and Cover, John C Moore for Tiffany & Co, circa 1855-60, marked with gothic M punch, Tifffany & Co, Late, Tiffany, Young & Ellis, 550 Broadway, and with pattern number 641, circular with bead borders, the cover with decorative finial and engraved with initials, the base on three openwork cabriole supports with lion paw feet, 16cm diameter, 27oz 6dwt £800 - 1200 (plus 24% BP*) 562

562 (detail)

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SILVER AND OBJECTS OF VERTU

563 An Asprey’s Patent 9ct Gold Cigarette Case and Matchbook Holder/Vesta En Suite, Asprey & Co Ltd, London 1932 and 1939, both with slide action and sprung hinge, the exterior with engine turned decoration, the cigarette case with small presentation inscription to interior dated 1933, 8cm and 6cm long respectively, 131.8gr (2) £1500 - 2000 (plus 24% BP*)

563

564  A French Gold, Diamond and Garnet Set Lady’s Mesh Evening Bag, circa 1910, eagle’s head guarantee marks to the frame, the front decorated with Art Nouveau style foliage and set with a garnet between a pair of diamonds in rubover settings, the reverse pierced with scrolling foliage, the clasp set with a further two garnet cabochons, 13.5cm wide, 222gr £2500 - 3500 (plus 24% BP*)

564

565

565 A Swiss Silver and Green Guilloche Enamel Timepiece, circa 1910/20, signed Colombia, Genève, the case with .835 standard control marks and an arrow through a heart, contained in a fitted leather case, 10.5cm high £1600 - 2000 (plus 24% BP*) 566 An 18ct Gold Cigarette Case, Aurola Ltd, London 1948, with sliding action and engine turned decoration, set to the front with a monogram within a diamond set surround, 14.5cm long, 289gr £4000 - 6000 (plus 24% BP*) 566 164

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

567 A French Silver Gilt Musical Snuff Box, Paris 800 standard mark and guarantee mark for 1819-1838, two other indistinct punches, with engine turned and foliate decoration, two control buttons to the front, the interior of the hinged cover inscribed In Remembrance of John McKean Esqr., From His Sorrowing Widow, 9cm wide £1000 - 1500 (plus 24% BP*)

567

568 A 9ct Gold Cigarette Case, Deakin & Francis, Birmingham 1938, rectangular with sprung hinge and engine turned decoration, inscribed to the interior and dated 1941 and 1964, 12.5cm long, 147.8gr £1200 - 1500 (plus 24% BP*) 568

569 A Continental Enamelled Gold Snuff Box, unmarked, in the manner of Jean Ducrollay, possibly 19th century, rectangular, set to the cover, base and sides with enamelled panels after Francois Boucher, the borders chased with rococo ornament and basse taille blue enamels over diapered and striped grounds, one side panel probably a replacement, tests as 20ct gold, 8cm wide, 6cm deep A box of very similar design by Ducrollay, with en plein still life enamels, can be found in the collection of the Musee de Louvre, Paris

£5000 - 7000 (plus 24% BP*) 569

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20TH CENTURY DESIGN

20TH CENTURY DESIGN Post 1950 Furniture Some furniture offered in this sale was not originally intended for use in a private home and will be sold as Works of Art. It is possible that some furniture does not comply with the Furniture and Furnishings Fire/Safety Regulations 1989 and, for this reason, should not be used in a private home or re-upholstered. 570 William Moorcroft (British, 1872-1945): for Liberty & Co, A Tudor Rose Pattern Vase, on a jade ground, green painted signature and des, printed mark MADE FOR LIBERTY & Co. Rd No 431157, 14cm £300 - 500 (plus 24% BP*) 571 William Moorcroft (British, 1872-1945): A Pansy Pattern Vase, with blue wash ground, impressed MOORCROFT BURSLEM ENGLAND M74 and green painted signature, 26.5cm £300 - 500 (plus 24% BP*)

571 166

572 William Moorcroft (British, 1872-1945): A Pansy Pattern Pedestal Vase, circa 1913-16, in purple, yellow and green on a white ground, impressed MOORCROFT BURSLEM and 73, green painted signature, 34cm £700 - 1000 (plus 24% BP*)

575 William Moorcroft (British, 1872-1945): A Pomegranate Pattern Baluster Vase, on a blue ground, impressed MOORCROFT BURSLEM ENGLAND M48, green painted signature,19cm £150 - 250 (plus 24% BP*) 576 William Moorcroft (British, 1872-1945): A Pomegranate Pattern Bowl, on a blue ground, impressed MADE IN ENGLAND MOORCROFT M32/2, green painted signature, 24cm diameter £200 - 300 (plus 24% BP*)

573 William Moorcroft (British, 1872-1945): A Pansy Pattern Vase, on a blue wash and deep blue ground, impressed MOORCROFT BURSLEM ENGLAND 393 and green painted signature, 25.5cm £300 - 400 (plus 24% BP*)

577 William Moorcroft (British, 1872-1945): A Wisteria Pattern Circular Hinged Trinket Box, with electroplated mounts by William Hutton & Sons, impressed MADE IN ENGLAND MOORCROFT 1262, green painted monogram, 15.5cm diameter, 10cm high £400 - 600 (plus 24% BP*)

574 William Moorcroft (British, 1872-1945): A Pomegranate Pattern Baluster Vase, on a blue ground, impressed MOORCROFT BURSLAM ENGLAND M17, green painted signature, 32cm £500 - 700 (plus 24% BP*)

572

578 William Moorcroft (British, 1872-1945): A Flambé Wisteria Pattern Vase, impressed MOORCROFT MADE IN ENGLAND and blue painted signature, 21.5cm £600 - 900 (plus 24% BP*) 579 Walter Moorcroft (British, 1917-2002): An Orchid and Spring Flowers Pattern Vase, on a green/blue ground, impressed facsimile signature and MADE IN ENGLAND POTTER TO H.M. THE QUEEN, blue painted monogram, 16cm £150 - 200 (plus 24% BP*) 580 William Moorcroft (British, 1872-1945): A Flambé Leaf and Berry Pattern Vase, impressed MADE IN ENGLAND POTTER TO H.M THE QUEEN, blue painted and impressed facsimile signatures, 16cm £400 - 600 (plus 24% BP*)

573 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

578

581 Walter Moorcroft (British, 1917-2002): An Anemone Pattern Teapot and Cover, on a green/blue ground, impressed facsimile signature and MADE IN ENGLAND POTTER TO H.M. THE QUEEN, 15cm; and A Pansy Nouveau Pattern Vase, green wash ground, printed paper Royal Warrant label, 17cm wide (2) £200 - 300 (plus 24% BP*)

580 579

582 Sally Tuffin (British, b.1938) for Moorcroft Pottery: A Finches Pattern Vase, on a blue ground, impressed MOORCROFT MADE IN ENGLAND, painted monogram for William John Moorcroft, paintress monogram for Marjorie Hill, 29cm £300 - 400 (plus 24% BP*)

583 A Martin Brothers Stoneware Bird Jar and Cover, by Robert Wallace Martin, modelled as a Sergeant-Major standing erectly with puffed out chest on webbed feet with wings folded neatly behind, broad snub-nosed beak, its eyes wrinkled in a sly grin, glazed in shades of blue and brown, incised Martin Bros 3-1898 London & Southall to head, 9-1898 Martin Bros London & Southall to base, three Nettlefolds screws on to a fixed ebonised wood stand, 27cm (24.3cm excluding stand) Provenance: The Collection of Dr Melvin Jahss, New York Exhibited Cat. 24 The Jordan-Volpe Gallery, New York Boobies, Boojums and Snarks The Ceramic Curiosities of the Martin Brothers 1880-1914, Presented 3 November 1981 to 13 February 1982. David Rago, New Jersey Lot 602 17/10/2015 Sotheby’s Belgravia, London Lot 236 06/12/1979

£20000 - 30000 (plus 24% BP*)

583

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584 A Martin Brothers Stoneware Vase, swollen form with fluted rim, incised with anthropomorphic fish, eels and jelly fish in brown on a buff ground, incised Martin Bros London & Southall 11-1893, 23cm Provenance: Woolley and Wallis Lot 66 03/06/2009

£2500 - 3500 (plus 24% BP*)

584

585 A Martin Brothers Queen Victoria Diamond Jubilee Stoneware Mug, commissioned by Augustus Henry Lane-Fox Pitt Rivers, with arms and fox and crown crest (Pitt Rivers) latin verse EQUAM SERVARE MENTEM, 1897 and VRI, incised Martin Bros London & Southall 6-1897, 13cm (cracked) £300 - 500 (plus 24% BP*)

584 (detail)

585

586 A Doulton Lambeth Stoneware Owl Sugar Caster, c.1926, pale lilac glaze, impressed DOULTON LAMBETH ENGLAND 8692, 12.5cm £200 - 300 (plus 24% BP*) 587 A Doulton Burslem Golfing Vase, by J Littler, painted in blue with a golfer and his caddy watching on, signed J Littler, brown printed factory mark, 19cm (damaged neck) £500 - 700 (plus 24% BP*) 588 A Pair of Royal Doulton Stoneware Vases, by Hannah Barlow, scraffito decorated with a continuous frieze of stags, impressed factory mark, incised HBH and FCL (Florence C Roberts) 627 and 268, 40.5cm (one restored) £300 - 400 (plus 24% BP*) 587

168

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

589 Attributed to William De Morgan (British, 1839-1917): A Lustre Dish, of shallow circular form painted in ruby lustre with a Dodo, on a Staffordshire blank impressed Bodley & Son, 23cm diameter £600 - 900 (plus 24% BP*) 590 Walter Crane (British, 1845-1915) for Maw and Co: A Set of Four The Times of Day 8” Picture Tiles, dust pressed, printed and painted with AVRORA, MERI DIES, VESPER and NOX, each tile stamped MAW & CO BENTHALL WORKS FLOREAT MAW SALOPIA BROSELEY SALOP, 20.5cm square £800 - 1200 (plus 24% BP*) 591 Walter Crane (British, 1845-1915) for Maw and Co: A Set of Four The Seasons 8” Picture Tiles, dust pressed, printed and painted with VER, AESTAS, AVTVMNVS and HIEMS, each tile stamped MAW & CO BENTHALL WORKS FLOREAT MAW SALOPIA BROSELEY SALOP, 20.5cm square £800 - 1200 (plus 24% BP*)

590

589

591

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20TH CENTURY DESIGN

597

592 Christopher Dresser (Scottish, 1834-1904): A Linthorpe Pottery Four-Handled Vase, with repeating patterns, green and mustard glaze, impressed LINTHORPE CHR DRESSER 370 HT V and incised kh, 25.5cm £150 - 250 (plus 24% BP*) 593 Christopher Dresser (Scottish, 1834-1904): A Linthorpe Pottery Vase, shape No.1, with repeating patterns, olive green glaze, impressed LINTHORPE CHR DRESSER 1 HT AB (Alex Burns), 8cm £100 - 150 (plus 24% BP*) 594 Christopher Dresser (Scottish, 1834-1904): An Ault Pottery Twin-Handled Vase, deep blue/purple glaze with running brown glaze neck, printed factory mark and Chr Dresser, impressed 25, 24cm £100 - 150 (plus 24% BP*)

598

595 A Burmantofts Faience Pottery Twin-Handled Vase, the ovoid body decorated with flowers, the neck with repeating designs, in shades of yellow, green and blue, on an ivory ground, impressed BURMANTOFTS FAIENCE 2065 ENGLAND, 35cm; and Another, decorated with repeating designs under a green glaze, impressed BF 774, 17cm (2) £150 - 250 (plus 24% BP*) 596 A Burmantofts Faience Pottery Vase, olive and turquoise running glaze, impressed BF ENGLAND 989, 14cm; and Two Other Vases (3) £120 - 180 (plus 24% BP*)

599

598

597 A Burmantofts Faience Pottery Toad Spoon Warmer, modelled seated with open mouth, mustard glaze, impressed BF, circular paper label, 14cm Exhibited at Northern Ceramic Society Rotherham 1997, numbered 136.

£100 - 150 (plus 24% BP*) 598 A Dunmore Pottery Grotesque Toad, modelled on three legs, mustard glaze, impressed DUNMORE under thick pooled glaze, 15cm; and Another, turquoise glaze, indistinct mark under glaze, 15cm (2) £150 - 250 (plus 24% BP*)

600

599 A Burmantofts Faience Pottery Grotesque Toad, modelled on three legs with glass eyes, green glaze, impressed BURMANTOFTS ENGLAND 583 T, 16cm £100 - 150 (plus 24% BP*) 600 A Burmantofts Faience Pottery Grotesque Crocodile Spoon Warmer, modelled with open mouth, green glaze, impressed BURMANTOFTS FAIENCE ENGLAND 1906 H, 15cm £100 - 150 (plus 24% BP*)

601

170

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607  Mary Wondrausch (British, 1923-2016): A Set of Twelve Signs of the Zodiac Earthenware Plates, each with slip trailed decoration, signed MW fecit 2000 AD, 22cm diameter £200 - 300 (plus 24% BP*) 604

601 Janet Darnell Leach (American, 1918-1997): A Stoneware Bowl, oat meal glaze with tenmoko brush strokes and rim, impressed JL and St Ives seal marks, 43cm diameter £400 - 600 (plus 24% BP*) 602  Attributed to David Andrew Leach (British, 1911-2005): A Stoneware Vase, grey matt speckled oatmeal glaze with iron brush strokes, indistinct seal mark, 27cm £100 - 150 (plus 24% BP*)

605 A Winchcombe Pottery Stoneware Bowl, tenmoku iron glaze, impressed seal mark, bears paper label inscribed Ray Finch, 40cm diameter £200 - 300 (plus 24% BP*) 606  Joe (Joseph) Finch (British, b.1947): A Stoneware Bottle and Stopper, tenmoku glaze, impressed JF seal and Winchombe pottery seal mark, 46cm £100 - 150 (plus 24% BP*)

608  David Lloyd Jones (British, 1928-94): A Porcelain Teapot and Cover, celadon glaze, impressed seal mark, 12cm; Three Other Stoneware Teapots and Covers, different glazes, impressed seal marks and DAVID LLOYD JONES, 11cm and diminishing; and Two Other Pieces (6) £100 - 150 (plus 24% BP*)

603 Tomoo Hamada (Japanese, b.1967): A Salt Glazed Stoneware Vase, unmarked, 23cm with receipt from Leach Pottery 24/04/2009; and A Maryjane Corruthers Stoneware Vase, copper green spotted decoration, signed, 20cm with receipt from Art Life (2) £200 - 300 (plus 24% BP*)

609  Sutton Taylor (Yorkshire, b.1943): An Earthenware Lustre Vase, of flared cylindrical form, wheel thrown, in yellow, turquoise, green, blue and gold, shaded copper interior, signed with potter’s seal mark, labelled L11581, 51 and 26, 34cm £300 - 500 (plus 24% BP*) 610  Sutton Taylor (Yorkshire, b.1943): An Earthenware Lustre Bottle Vase, wheel thrown, in gold and blue, signed with potter’s seal mark, labelled 4772, 65cm £250 - 350 (plus 24% BP*) 611  Sutton Taylor (Yorkshire, b.1943): An Earthenware Lustre Vase, wheel thrown, in deep pink, blue and green, signed with potter’s seal mark, 20cm £200 - 300 (plus 24% BP*) 612 Clarice Cliff (British, 1899-1972): A Lorna Pattern Daffodil Bowl, shape 450, printed Clarice Cliff WILKINSON ENGLAND, moulded 450, 33.5cm wide £500 - 700 (plus 24% BP*)

604  Waistel Cooper (Scottish, 1921-2003): A Stoneware Vase, with flared rim, textured surface, ash glaze, painted signature Waistel, 15.5cm £200 - 300 (plus 24% BP*) 609

610

611

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617 Ettore Sottsass (Austrian, 1917-2007): A Teapot and Cover, matt black glaze, moulded mark Designed by ETTORE SOTTSASS 1971 for ABLEBEST Ltd 296 Upper St NI Made by P.HINTON G.STEVENS, 23cm Used in an advertising campaign for the Flowers Gallery, in a photograph taken by Adrian Flowers.

£400 - 600 (plus 24% BP*)

617

613 Clarice Cliff (British, 1899-1972): A Pendant Wall Mask, modelled as the profile of a young woman with short cropped hair and a neck bow, with two holes, printed Clarice Cliff WILKINSON ENGLAND, 7cm £200 - 300 (plus 24% BP*) 614 A Shelley Mabel Lucie Attwell The Curate Figure, printed factory marks and THE CURATE L.A.4 Copyright, 17cm £200 - 300 (plus 24% BP*)

618

172

615 A Wedgwood Queensware Taurus the Bull, designed by Arnold Machin, printed with signs of the zodiac, printed marks WEDGWOOD BARLASTON ENGLAND, impressed marks WEDGWOOD MADE IN ENGLAND A, length 42cm £200 - 300 (plus 24% BP*) 616 An Art Deco Goldscheider Figure, designed by Josef Lorenzl, model 6759, a female Tarantella dancer, on a black oval base, impressed, printed and painted marks, Lorenzl MADE IN AUSTRIA Goldscheider Wien 6759/135/11, labelled TARANTELLA by J.LORENZL, 20cm (restored) £100 - 150 (plus 24% BP*)

618 (detail)

618 A Daum Nancy Enamelled Cameo Winter Landscape Vase, decorated with a continuous scene of trees in snow, on an amber ground, signed DAUM NANCY with the Croix de Lorraine, 8.5cm £500 - 800 (plus 24% BP*) 619 A Gallé Cameo Glass Vase, with acid etched overlaid decoration of ferns on a green/yellow ground, cameo signature Gallé to body, 6cm £200 - 300 (plus 24% BP*)

620 René Lalique (French, 1860-1945): Two Opalescent and Clear Glass Coquilles Plates, No.3011, the underside, moulded with four scallop shells, each moulded R LALIQUE, 23cm diameter £300 - 400 (plus 24% BP*) 621 René Lalique (French, 1860-1945): An Opalescent and Clear Glass Fleurons Plates, No.2, the underside moulded with spiralling bands, stencil mark R LALIQUE, 27cm diameter £200 - 300 (plus 24% BP*) 622 Flavio Poli (Italian, 1900-1984) for Seguso Vetri D’Arte: An Alfa Romeo Cup, blown amber glass with engraved logo ALFA ROMEO MILANO, 27cm £600 - 900 (plus 24% BP*)

622

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 245

SATURDAY 18 NOVEMBER AT 10.00AM

623 Livio Seguso (Murano, b.1931): For Murano Seguso arte vetro: A Glass Vase, clear with white and black trailing, labelled MURANO SEGUSO arte vetro, signed DES L SEGUSO, 31.5cm; and A Seguso Viro Glass Vase, green and clear with silver fleck inclusions, labelled Made in Italy SEGUSO VIRO Murano Glass, signed Seguso Viro murano, 21.5cm wide, 14cm high (2) £100 - 150 (plus 24% BP*) 624 An Archimede Seguso Glass Vase, of tapering form, gold fleck inclusions on an orange body, signed Archimede Seguso Murano, 37.5cm £100 - 200 (plus 24% BP*) 625 A Venini Double Neck Glass Vase, in yellow, white, blue, red and turquoise, signed Venini 24, 26cm £100 - 200 (plus 24% BP*) 626 Gunnar Cyren (Swedish, 1931-2013) for Orrefors: A Pop Glass Goblet, clear bowl on a banded stem and blue foot, signed ORREFORS EXPO B 566-67 Gunnar Cyren, 22cm £200 - 300 (plus 24% BP*) 627 Bertil Vallien (Swedish, b.1938) for Kosta Boda: A Glass Bowl, yellow texture on an orange ground signed Kosta Boda B.Vallien 7050315, 15cm £100 - 150 (plus 24% BP*) 628  Eduard Soukup (Czech, b.1974): A Glass Vase, faceted cylindrical form, emerald green and clear, signed Soukup, 36.5cm £100 - 200 (plus 24% BP*) 629  Michael Harris (British, 1933-1994) Isle of Wight - A Large Free Blown Plate, with small shallow well and wide flat rim internally decorated with amber bands, signed Michael Harris Isle of Wight ENGLAND, 45cm diameter £150 - 250 (plus 24% BP*)

630

630 Johann Philipp Ferdinand Preiss (German, 1882-1943): Con Brio: A Cold Painted Bronze and Ivory Figure, model number 1140, as a dancing girl in three piece tunic costume, she balances upon one leg, with arms outstretched, on a bronze and stepped green onyx base, signed F.Preiss in the cast, 32.5cm Literature: Shayo (Alberto) Ferdinand Preiss, Art Deco Sculptor The fire and the flame, Suffolk, 2005, p.174

£6000 - 9000 (plus 24% BP*)

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631  Peter Tereszczuk (Ukrainian/Austrian, 1875-1963): An Ivory and Bronze Figural Group, of Pierrot and Columbine, on a green veined marble base, signed in the cast and with AR Arthur Rubenstein foundry mark, 32cm £1000 - 1500 (plus 24% BP*) 632 Noel Coulon (German, 20th century): The Hunt, An Ivory and Bronze Figural Group, modelled as three medieval figures on horseback one holding a hawk, signed in the cast Coulon Noel, 56.5cm long (lacking base) £700 - 1000 (plus 24% BP*) 633 An Art Deco Gilt Patinated Spelter Figural Lamp, modelled as a semi-nude on tip toes, wearing a short skirt, on a grey onyx base, 48cm (lacking shade) £200 - 300 (plus 24% BP*)

631

634 Garcia: A Green Patinated Metal Figure, modelled as a nude dancer with cymbals, signed in the cast Garcia, on a black marble base, 24cm £100 - 150 (plus 24% BP*) 635 A Werkstatte Hagenauer Wien Bronze African Female Mask, circa 1930, on a circular aluminium base stamped wHw logo and ATELIER HAGENAUER WIEN, 23cm £500 - 800 (plus 24% BP*)

635

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SATURDAY 18 NOVEMBER AT 10.00AM

636 Sally Arnup (British, 1930-2015): “Morris”, A Bronze of a Swaledale Ram’s Head, signed in the cast ARNUP IV/X on a rectangular base, base 24cm by 21.5cm, 3.5cm high, bronze 35cm by 28cm, 30cm high £2000 - 3000 (plus 24% BP*)

636

637 Mary May Morris (British, 1862-1938): A Satirical Work, inscribed Central Depot. 2 Cavendish Sq: July.5.1918. ‘A good method of com/un}pressing delegates.’ By one of them in admiration! [Dictionary note on ’Compress’ = V.A. (very!) ‘To press together by external force; to drive into a narrower compass; to crowd; to squeeze; to condense. ! * ! * ! * ! * ! * !!!, pen and ink, signed Morris QM.NG (Queen Mary’s Needlework Guild) Nuneaton. 1918, 21cm by 15.5cm label to verso FROM ABBOTT & HOLDER 30 Museum Street, WC1A 1LH and Mary Morris £200 - 300 (plus 24% BP*)

636 (side view)

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638 An Arts & Crafts Mirror, the rectangular beaten copper frame with three Ruskin pottery blue/green heart cabochons, within riveted mounts, unmarked, 85cm by 60cm £300 - 500 (plus 24% BP*) 639 A Liberty & Co Pewter and Enamel Jewellery Box, Model No.078, of rectangular form, the hinged lid with plaque by Fleetwood Charles Varley, depicting a galleon in full sail, opening to reveal a green silk lined interior, stamped 078, 21cm by 13.5cm, 7cm high £700 - 1000 (plus 24% BP*) 638

640 An Austrian Secessionist Brass and Copper Cigarette Box, with two locking compartments, both with hinged lids embossed with flower heads and enamel decoration, the sides with stylised motifs, unmarked, 26cm wide, 14cm deep, 16cm high £500 - 800 (plus 24% BP*)

640

639

641 Hugh Wallis of Altrincham (British, 1871-1943): An Arts & Crafts Brass Twin Handled Oval Tray, rope twist border, with central stylised rose design, stamped HW mark, 53cm £100 - 150 (plus 24% BP*)

642 Mouseman: A Pair of Robert Thompson English Oak 18ft Refectory Tables, dowelled two plank tops, on three double octagonal shaped supports joined by floor stretchers, each with carved mouse signatures, 548cm by 52.5cm, 80.5cm high £4000 - 6000 (plus 24% BP*)

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643

643 Mouseman: A Set of Eight (7+1) 1930s Robert Thompson Panel Back Dining Chairs, with aperture to panel, slung hide seats, rush rail set between front legs, each with carved mouse signature, armchair 85.5cm chairs 72cm £2000 - 3000 (plus 24% BP*)

644 Mouseman: A 1940s Robert Thompson English Oak 4ft 9in Panelled Sideboard, with raised upstand above a central bank of two short cutlery drawers over three graduating drawers with burr oak bases and wrought iron handles, enclosed by two cupboard doors each with wrought iron hinges and latches, hex head screws, adzed all over, on four octagonal and block feet, with carved mouse signature, 144.5cm by 46.5cm, 94.5cm high Purchased by Mr and Mrs G Thompson, Coxwold, North Yorkshire, April/July 1942, costing £21.

£3000 - 5000 (plus 24% BP*)

644

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645 Mouseman: A 1940s Robert Thompson English Oak 5ft Refectory Table, the three plank dowelled-top adzed top and underside, on two octagonal legs joined by a floor stretcher, with carved mouse signature, 152.5cm by 86.5cm, 75cm high Purchased by Mr and Mrs G Thompson, Coxwold, North Yorkshire April/July 1942 costing £19

£1000 - 1500 (plus 24% BP*)

645

646

646 Mouseman: A Set of Four 1940s Robert Thompson English Oak Dining Chairs, panel-backs and adzed frames, slung solid tan hide seats, on two octagonal front legs with rush rail between, each with carved mouse signature, 84.5cm

647 Mouseman: A Robert Thompson English Oak Hall Table, the adzed five-sided top, on three adzed supports and feet, with carved mouse signature, 65cm wide, 37cm deep, 71.5cm high £1000 - 1500 (plus 24% BP*)

Purchased by Mr and Mrs G Thompson, Coxwold, North Yorkshire, April/July 1942, four chairs cost £14 the set

648 Mouseman: Four 1933 Robert Thompson English Oak Chairs, with shaped top rails above slatted backs carved school chest, on two octagonal front legs joined by stretchers, each with carved mouse signature, 92cm

£1200 - 1800 (plus 24% BP*)

From Haileybury College, Hertfordshire

£400 - 600 (plus 24% BP*) 647

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649 Mouseman: A 1930s/40s Robert Thompson English Oak Octagonal Coffee Table, on a cruciform base, adzed all over, with carved mouse signature, 43.5cm high (wonderful colour) £500 - 700 (plus 24% BP*) 650 Mouseman: A Robert Thompson English Oak Cow Stool, the solid dished top on three octagonal legs, with caved mouse signature to leg, top 5cm thick, 39.5cm high (good colour) Purchased from the workshop at the start of WWII after being evacuated.

£800 - 1200 (plus 24% BP*) 651 Mouseman: A Robert Thompson English Oak Mantel Clock, the stepped case simulating bricks, spring driven movement, with two carved mice signature, 30.5cm wide, 6.5cm deep, 17cm high £2000 - 3000 (plus 24% BP*) 652 Mouseman: A Robert Thompson English Oak Double Pin Tidy, with carved mouse signature, 10cm by 13cm Illustrated on page 189 £200 - 300 (plus 24% BP*) 653 Mouseman: A Robert Thompson English Oak Double Pin Tidy, with carved mouse signature, 10cm by 13cm Illustrated on page 189 £200 - 300 (plus 24% BP*) 654 Mouseman: A Robert Thompson English Oak Cheese Board, with carved mouse signature on the board, 38cm £150 - 200 (plus 24% BP*)

649

655 Mouseman: A Robert Thompson English Oak Jar and Cover, of cylindrical barrel form, the cover with carved mouse signature, 21cm (cracked) £500 - 800 (plus 24% BP*)

650

659 Mouseman: A Robert Thompson English Oak Cheese Board, with carved mouse signature on the board, 37.5cm £200 - 300 (plus 24% BP*)

660 Mouseman: A Robert Thompson English Oak Candlestick, octagonal column and base, mounted on an octagonal stand, with carved mouse signature, 27cm (converted to a lamp) £150 - 250 (plus 24% BP*)

656 Mouseman: A Robert Thompson English Oak Chamber Candlestick, of circular form, the handle with carved mouse signature, 15.5cm wide £300 - 400 (plus 24% BP*) 657 Mouseman: A Robert Thompson English Oak Table Lamp, octagonal column on a square base, with carved mouse signature, 30.5cm £300 - 400 (plus 24% BP*)

651

658 Mouseman: A Robert Thompson English Oak Double Pin Tidy, with carved mouse signature, 10cm by 12.5cm £200 - 300 (plus 24% BP*) 657 656

655

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661 667

661 Mouseman: A Robert Thompson English Oak 4ft 6in Refectory Table, on two octagonal legs joined by a stretcher, with carved mouse signature, 137cm by 75cm, 73.5cm high £1000 - 1500 (plus 24% BP*) 662 Mouseman: A Robert Thompson English Oak Armchair, panel-back and shaped arms, upholstered tan hide seat, on two octagonal front legs with set back rush rail, with carved mouse signature, 87cm £400 - 600 (plus 24% BP*) 663 Mouseman: A Robert Thompson English Oak Monk’s Chair, with curved back and shaped arms, over three lattice panels, upholstered nailed hide seat, on four octagonal legs joined by a cross stretcher, with carved mouse signature, 79.5cm £1000 - 1500 (plus 24% BP*)

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665

664 Mouseman: Four Robert Thompson English Oak Lattice Back Dining Chairs, with tan cow hide upholstered seats, on two octagonal front legs, each with carved mouse signature, 85cm high £800 - 1200 (plus 24% BP*)

665 Mouseman: A Robert Thompson Panelled English Oak 5ft Sideboard, with raised upstand, above three graduating drawers, enclosed by two cupboard doors, with wrought-iron hinges and latches, on four octagonal and block feet, with carved mouse signature, 152.5cm by 47cm, 82cm £2500 - 3500 (plus 24% BP*)

666 Mouseman: A Robert Thompson English Oak 6ft Refectory Table, on two octagonal legs joined by a floor stretcher, with carved mouse signature, 183cm by 87cm, 72.5cm high £1000 - 1500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

667

667 Mouseman: A Set of Six Robert Thompson English Oak Lattice Back Dining Chairs, with Mulberry cow hide upholstered seats, on two octagonal front legs, each with carved mouse signature, 85cm high £1200 - 1800 (plus 24% BP*) 668 Mouseman: A Robert Thompson 4ft English Oak Welsh Dresser, the open delft rack with two fixed shelves above a base with two drawers, above a double panelled cupboard, wrought-iron fittings, on octagonal front feet, with carved mouse signature, 122cm wide, 45.5cm deep, 183cm high £2000 - 3000 (plus 24% BP*)

669 Mouseman: A Robert Thompson English Oak 3ft Square Dining Table, on a cruciform base, with carved mouse signature, 91.5cm by 90.5cm, 74cm high £600 - 800 (plus 24% BP*) 670 Mouseman: A Robert Thompson Panelled English Oak Hanging Corner Cupboard, the single door opening to reveal three shelves, wrought-iron hinges and latch, with carved mouse signature, 70cm wide, 47.5cm deep, 97cm high and bracket £500 - 700 (plus 24% BP*) 671 Mouseman: A Robert Thompson English Oak Dish Topped Stool, the top on four octagonal legs joined by stretchers, with carved mouse signature, 40cm by 27.5cm by 39cm £400 - 600 (plus 24% BP*)

668

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672 Mouseman: A Robert Thompson English Burr Oak Kidney Shaped Pub Table, on four octagonal legs, with carved mouse signature on edge, 113cm wide, 64cm deep, 71cm high (varnished top) £1000 - 1500 (plus 24% BP*)

673 Mouseman: A Robert Thompson English Burr Oak Kidney Shaped Pub Table, on four octagonal legs, with carved mouse signature on edge, 96cm wide, 70cm deep, 71cm high (varnished top) £1000 - 1500 (plus 24% BP*)

673 672

674 Mouseman: A Robert Thompson English Oak Kidney Shaped Pub Table, on four octagonal legs, with carved mouse signature on edge, 134cm wide, 64cm deep, 71cm high (varnished top) £1000 - 1500 (plus 24% BP*)

675 Mouseman: A Robert Thompson English Oak Bar Stool, shaped adzed top, on four octagonal legs, with wrought iron foot rest bar, with carved mouse signature to seat, 78cm high £400 - 600 (plus 24% BP*)

676 Mouseman: A Robert Thompson English Oak Bar Stool, shaped adzed top, on four octagonal legs, with wrought iron foot rest bar, with carved mouse signature to seat, 77.5cm high £400 - 600 (plus 24% BP*)

677

182

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678

677 Mouseman: A Robert Thompson Panelled English Oak 5ft Sideboard, with raised upstand, above two drawers (one fitted for cutlery) above four cupboard doors, with wrought-iron hinges and latches, on four octagonal and block feet, with carved mouse signature, 152.5cm by 46cm, 94cm £2500 - 3500 (plus 24% BP*) 678 Mouseman: A Robert Thompson English Oak 6ft Rectangular Dowelled Top Refectory Table, on two carved octagonal legs joined by a floor stretcher, with carved mouse signature, 213.5cm by 85.5cm, 73.5cm high £1000 - 1500 (plus 24% BP*)

682 Mouseman: A Robert Thompson Panelled Oak Hanging Corner Cupboard, the single door opening to reveal shelves, wrought-iron hinges and latch, with recessed carved mouse signature, 69.5cm wide, 47.5cm deep, 98cm high and bracket £500 - 700 (plus 24% BP*)

683 Mouseman: A Robert Thompson English Oak Chest of Drawers, with raised upstand, above two short over three graduating long drawers, on four octagonal and block feet, with carved mouse signature, 91.5cm by 45.5cm, 94cm high £1500 - 2000 (plus 24% BP*)

679 Mouseman: A Robert Thompson Oak Monk’s Chair, with curved back and shaped arms, over three lattice panels, upholstered tan hide seat, on four octagonal legs joined by a cross stretcher, with carved mouse signature, 80cm £800 - 1200 (plus 24% BP*) 680 Mouseman: A Robert Thompson Oak Monk’s Chair, with curved back and shaped arms, over three lattice panels, upholstered tan hide seat, on four octagonal legs joined by a cross stretcher, with carved mouse signature, 80cm £800 - 1200 (plus 24% BP*) 681 Mouseman: Four Robert Thompson English Oak Lattice Back Dining Chairs, with tan cow hide upholstered seats, on two octagonal front legs, each with carved mouse signature, 85cm high £1200 - 1800 (plus 24% BP*)

683

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684

685

684 Mouseman: A Robert Thompson Panelled English Oak Blanket Chest, rectangular adzed hinged top, on four octagonal and block feet, with carved mouse signature, 105cm by 39cm, 46.5cm high £800 - 1200 (plus 24% BP*) 685 Mouseman: A Robert Thompson Panelled English Oak Blanket Chest, rectangular adzed hinged top, on four octagonal and block feet, with carved mouse signature, 104cm by 38cm, 46cm high £800 - 1200 (plus 24% BP*) 686 Mouseman: A Robert Thompson English Oak Stand Mirror, the rectangular mirror pivots between two octagonal supports on a low level frame, with carved mouse signature, 41.5cm by 16cm, 47cm high £400 - 600 (plus 24% BP*) 687

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689

687 Mouseman: A Robert Thompson English Oak Chest of Drawers, with raised upstand, above two short over three graduating long drawers, on four octagonal and block feet, with carved mouse signature, 91.5cm by 45.5cm, 93.5cm high £2000 - 3000 (plus 24% BP*)

688 Mouseman: A Robert Thompson Panelled English Oak Blanket Chest, rectangular adzed hinged top, on four octagonal and block feet, with carved mouse signature, 136.5cm by 39.5cm, 46cm high £800 - 1200 (plus 24% BP*)

689 Mouseman: A Robert Thompson English Oak 7ft Rectangular Refectory Table, on two carved octagonal legs joined by a floor stretcher, with carved mouse signature, 213.5cm by 85.5cm, 73.5cm high £1000 - 1500 (plus 24% BP*)

690 Mouseman: A Set of Eight Robert Thompson English Oak Lattice Back Dining Chairs, with tan cow hide upholstered seats, on two octagonal front legs, each with carved mouse signature, 85cm high £2500 - 3500 (plus 24% BP*)

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692

691

691 Mouseman: A Robert Thompson Carved English Oak Stallion Group, modelled as two rearing fighting stallions, on a tooled base with carved mouse signature, length 40cm, 35.5cm high £2000 - 3000 (plus 24% BP*)

695

694 Mouseman: A Robert Thompson English Oak Rectangular House Sign, lettered HOMEWAYS and highlighted in white, two fixture holes, with carved mouse signature, 44cm wide, 2cm deep, 9cm high £200 - 300 (plus 24% BP*)

692 Mouseman: A Pair of Robert Thompson English Oak Triple Mice Bookends, each end carved with three mice, tooled finish, 18cm £1000 - 1500 (plus 24% BP*)

695 Mouseman: A Robert Thompson English Oak Large Fruit Bowl, with carved mouse signature to the interior, 34.5cm diameter £300 - 500 (plus 24% BP*)

696 Mouseman: A Robert Thompson English Oak Fruit Bowl, with carved mouse signature to the exterior, 24cm diameter £200 - 300 (plus 24% BP*)

694

693 Mouseman: A Robert Thompson Carved English Oak Yorkshire Rose, with carved mouse signature, 17.5cm £300 - 400 (plus 24% BP*) 696

186

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SATURDAY 18 NOVEMBER AT 10.00AM

697 Mouseman: A Pair of Robert Thompson Single Mouse English Oak Bookends, each with carved mouse signature, 15cm £100 - 150 (plus 24% BP*)

704 Mouseman: Six Robert Thompson English Oak Napkin Rings, of octagonal form, each with carved mouse signature, 5cm £150 - 200 (plus 24% BP*)

698 Mouseman: A Robert Thompson Kidney Shaped English Oak Tea Tray, with two carved mice handles, 47cm £200 - 300 (plus 24% BP*)

705 Mouseman: A Robert Thompson English Oak Standard Lamp, octagonal column and base, with carved mouse signature, 138cm £300 - 400 (plus 24% BP*)

699 Mouseman: Two Robert Thompson English Oak Cow Stools, on four octagonal legs, each with carved mouse signature on seat, 45.5cm high £400 - 600 (plus 24% BP*) 700 Mouseman: A Robert Thompson English Oak Calf Stool, on three octagonal legs, with carved mouse signature on seat, 35.5cm £150 - 250 (plus 24% BP*)

706 Mouseman: A Robert Thompson 3ft English Oak Rectangular Coffee Table, on two octagonal legs, joined by a stretcher, with carved mouse signature, 92cm by 36.5cm by 46cm £300 - 500 (plus 24% BP*)

707 Mouseman: A Robert Thompson English Oak Tea Trolley, with two tiers both with raised sides joined by four square section legs, on castors, with carved mouse signature, 85.5cm by 39cm, 74cm high £300 - 500 (plus 24% BP*) 708 Mouseman: A Robert Thompson English Oak Serving Table, the raised upstand above two drawers with undertier shelf, on four turned octagonal supports, with carved mouse signature, 106.5cm by 51cm, 85.5cm high £1000 - 1500 (plus 24% BP*)

709 Mouseman: A Robert Thompson Glazed English Oak Hanging Corner Cupboard, the leaded glazed door and sides enclosing three glass shelves, with recessed carved mouse signature, 70cm by 48cm, 97cm high with bracket £500 - 800 (plus 24% BP*) 710 Mouseman: A Robert Thompson English Oak Work Box, with a rectangular adzed hinged lid, over a single drawer, on four octagonal legs, with carved mouse signature, 50.5cm wide, 32.5cm deep, 61cm high £600 - 900 (plus 24% BP*)

701 Mouseman: A Robert Thompson Kidney Shaped English Oak Tea Tray, with two carved mice handles, 47cm £200 - 300 (plus 24% BP*) 702 Mouseman: A Robert Thompson English Oak Trinket Box and Cover, of rectangular form, the cover with carved mouse signature, 19cm by 9.5cm by 8.5cm £150 - 200 (plus 24% BP*) 703 Mouseman: A Robert Thompson English Oak Fruit Bowl, with carved mouse signature to the interior, 29cm diameter; and A Robert Thompson English Oak Cheese Board, with carved mouse signature on the handle, 38.5cm (2) £200 - 300 (plus 24% BP*)

710

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719 Mouseman: A Robert Thompson English Oak Fruit Bowl, with carved mouse signature to the exterior, 23.5cm diameter £200 - 300 (plus 24% BP*) 720 Mouseman: A Robert Thompson Kidney Shaped English Oak Tea Tray, with two carved mice handles, 47cm £200 - 300 (plus 24% BP*) 721 No Lot 722 Mouseman: A Robert Thompson English Oak Fruit Bowl, with carved mouse signature to the interior, 29.5cm diameter £200 - 300 (plus 24% BP*)

714

711 Mouseman: A Robert Thompson English Oak Octagonal Coffee Table, on a cruciform base, with carved mouse signature, 47cm high £300 - 500 (plus 24% BP*) 712 Mouseman: A Robert Thompson Oak Cow Stool, on three legs, with carved mouse signature on seat, 45cm £100 - 150 (plus 24% BP*) 713 Mouseman: A Robert Thompson Oak Cow Stool, on three legs, with carved mouse signature on seat, 45.5cm £100 - 150 (plus 24% BP*) 714 Mouseman: A Robert Thompson Nest of Three Burr English Oak Tables, each raised on octagonal legs and block feet joined by stretchers, each with carved mouse signature, the largest 60.5cm by 37.5cm by 47cm £600 - 800 (plus 24% BP*)

188

715 Mouseman: A Robert Thompson English Oak Kidney Coffee Table, on four octagonal legs, with carved mouse signature to the top, 85.5cm by 60cm, 53cm high £500 - 700 (plus 24% BP*) 716 Mouseman: A Robert Thompson English Oak Standard Lamp, octagonal column and base, with carved mouse signature, 138.5cm £300 - 500 (plus 24% BP*) 717 Mouseman: A Robert Thompson English Oak 3ft Rectangular Coffee Table, on two octagonal legs, joined by a stretcher at floor level, with carved mouse signature, 91.5cm by 37.5cm, 45cm high £300 - 500 (plus 24% BP*) 718 Mouseman: A Robert Thompson English Oak Octagonal Coffee Table, on a cruciform base, with carved mouse signature, 47cm £400 - 600 (plus 24% BP*)

723 Mouseman: A Robert Thompson English Oak Cheese Board, with carved mouse signature on the handle, 37.5cm; and A Robert Thompson English Oak Bread Board, with a carved mouse signature, 31cm (2) £150 - 250 (plus 24% BP*) 724 Mouseman: A Robert Thompson English Oak Book Trough, with carved mouse signature, 45.5cm £200 - 300 (plus 24% BP*) 725 Mouseman: A Pair of Robert Thompson Single Mouse English Oak Bookends, each with carved mouse signature, 15.5cm (good colour); and A Robert Thompson English Oak Ashtray, of standard rectangular form, with carved mouse signature, 10cm (3) £250 - 350 (plus 24% BP*) 726 Mouseman: A Pair of Robert Thompson Single Mouse English Oak Bookends, each with carved mouse signature, 16cm £200 - 300 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

727 Mouseman: A Robert Thompson English Oak Cheese Board, with carved mouse signature on the handle, 39.5cm £70 - 100 (plus 24% BP*) 728 Mouseman: A Robert Thompson English Oak Fruit Bowl, with carved mouse signature to the exterior, 24.5cm diameter; and A Robert Thompson English Oak Ashtray, of standard rectangular form, with carved mouse signature, 10cm (2) £300 - 400 (plus 24% BP*) 729 Mouseman: A Pair of Robert Thompson Single Mouse English Oak Bookends, each with carved mouse signature, 15.5cm £100 - 150 (plus 24% BP*) 730 Mouseman: A Robert Thompson English Oak Cheese Board, with carved mouse signature on the handle, 39.5cm £70 - 100 (plus 24% BP*) 731 Mouseman: A Robert Thompson English Oak Trinket Box and Cover, of rectangular form, the cover with carved mouse signature, 18.5cm by 11cm by 8.5cm £150 - 200 (plus 24% BP*)

732 Mouseman: A Robert Thompson Oak Fender, of plain rectangular form, with carved mouse signature, external 130.5cm wide, 53.5cm deep, internal 110cm wide, 43cm deep £200 - 300 (plus 24% BP*) 733 Mouseman: A Robert Thompson English Oak Mirror Stand, two octagonal supports on a low level frame, with carved mouse signature, 42.5cm by 20cm, 42cm high (lacking mirror) £50 - 70 (plus 24% BP*) 734 Mouseman: A Robert Thompson English Oak Fire Surround, the rectangular mantel over a plain surround, with carved mouse signature, 134.5cm wide, 17.5cm deep, 127cm high £300 - 500 (plus 24% BP*) 735 Mouseman: A Robert Thompson English Oak Altar Rail, the top supported by eight turned spindles on a base rail, with carved mouse signature, 240cm wide, 61cm high on an English oak floor stand £100 - 200 (plus 24% BP*)

736 Acorn Industries: An English Oak Chest of Drawers, the adzed rectangular top above two short over three graduating long drawers, with shaped rectangular handles, on four octagonal and block feet, with recessed carved acorn signature, 91.5cm (3ft) by 48.5cm, 92cm high The proprietors of Acorn Industries were G J Grainger and Sons, Brandsby, North Yorkshire.

£400 - 600 (plus 24% BP*) 737 Acorn Industries: An English Oak Tea Trolley, the rectangular top over a single drawer above an under tier, supported on chamfered square section legs, with recessed carved acorn signature, 64.5cm by 41cm by 70cm (high) The proprietors of Acorn Industries were G J Grainger and Sons, Brandsby, North Yorkshire.

£100 - 150 (plus 24% BP*) 738 Acorn Industries: An English Oak Spinning Chair, the back with pierced heart motif, shaped seat, on three octagonal legs, with carved recessed acorn signature, 80cm high The proprietors of Acorn Industries were G J Grainger and Sons, Brandsby, North Yorkshire.

£70 - 100 (plus 24% BP*)

719

725 (part)

652

653

w w w.t e n n a n t s .c o.u k 189

20TH CENTURY DESIGN

744

744 (detail)

739 Beaverman: A Colin Almack (Sutton-under-Whitestonecliffe) English Oak Tea Trolley, with two tiers joined by four octagonal supports, on large wheels, with carved beaver signature, 76cm by 48cm, 78.5cm high £100 - 150 (plus 24% BP*) 740 Beaverman: A Colin Almack (Sutton-under-Whitestonecliffe) English Oak Calf Stool, on three octagonal legs, with carved beaver signature to seat, 28cm high; and Two Miniature English Oak Calf Stools, each on three octagonal legs, each with incised beaver signature on seats, 14.5cm high (3) £150 - 250 (plus 24% BP*) 741 Beaverman: A Colin Almack (Sutton-under-Whitestonecliffe) English Oak Spinning Chair, the back carved with Yorkshire roses and a personalised 40th Wedding EDDIE KATHLEEN, the dished seat on four octagonal legs joined by a cross stretcher, with carved beaver signature, 94cm high £100 - 150 (plus 24% BP*)

190

742 Cat and Mouseman: A Lyndon Hammell (Harmby) English Oak Dining Room Suite, comprising a dresser, the top with two glazed doors enclosing two plate shelves above an open section, the base with plate groove, above two drawers over two cupboard doors, with carved recessed cat and mouse signature, 140cm by 46cm, 183cm high; a 5’ 6” rectangular refectory table, on two turned legs joined by a stretcher at floor level, with carved recessed cat and mouse signature, 168cm by 82cm, 74.5cm high; and a set of six (4+2) lattice back dining chairs, upholstered seats, on turned front legs, each with carved recessed cat and mouse signature, armchairs 91.5cm chairs 86cm (8) £1000 - 1500 (plus 24% BP*) 743 Coxwold Cabinet Makers: An English Oak Magazine Rack, the panels sides supported by two shaped ends with carrying aperture, with carved unicorn signature, 48.5cm wide, 40cm high; and An English Oak Tripod Table, circular top on a spiral column, on three shaped supports, with carved unicorn signature, 60cm (2) £100 - 150 (plus 24% BP*)

744 Eagleman: An Albert Jeffray (Sessay) English Oak 9ft Refectory Table, on two shaped supports, joined by a stretcher, with carved recessed eagle signature, 274.5cm by 93cm, 76.5cm high £700 - 1000 (plus 24% BP*) 745 Lizardman: A Pair of Derek Slater Panelled English Oak Bedside Cupboards, the raised upstand carved with acorns and leaves, over an undertier, above a linen fold door, on four square feet, carved lizard signature, 45.5cm by 40cm, 68.5cm high Woodcarvers of Crayke, near Easingwold.

£400 - 600 (plus 24% BP*) 746 Lizardman: A Derek Slater English Oak Single 3ft Bedstead, the headboard with carved posts, acorn and leaf top rail above three linen fold panels, the footboard with carved posts, carved lizard signature, 93.5cm wide with bed base and metal side rails Woodcarvers of Crayke, near Easingwold.

£200 - 300 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

747 Lizardman: A Derek Slater Panelled English Oak Hanging Corner Cupboard, with carved oak leaf and acorn frieze, above a linen fold door, with carved recessed lizard signature, 58cm wide, 39.5cm deep, 61cm high

749 Lizardman: A Derek Slater English Oak Open Bookcase, the rectangular top above a shaped rail, three shelves, slatted back, with carved lizard signature, 112.5cm by 47cm, 111cm high

Woodcarvers of Crayke, near Easingwold.

£150 - 200 (plus 24% BP*)

£100 - 150 (plus 24% BP*) 748 Lizardman: A Derek Slater English Oak Wall Bracket, the rectangular top above a carved frieze and support, tracery back panel, with carved lizard signature, 27cm by 17.5cm, 26cm; Yorkshire School: An English Oak Trinket Box, the lift up lid with carved Yorkshire rose, unmarked, 14cm by 12cm, 10cm (2)

Woodcarvers of Crayke, near Easingwold.

750 Lizardman: A Derek Slater English Oak Hanging Open Plate Rack, shaped top rail, two shelves each with grooves, shaped sides, with carved lizard signature, 94cm wide, 16.5cm deep, 93.5cm high Woodcarvers of Crayke, near Easingwold.

£100 - 150 (plus 24% BP*)

751 Lizardman: A Derek Slater English Oak Hanging Open Book Shelf, shaped top rail, three shelves, shaped sides, with carved lizard signature, 78.5cm wide, 17.5cm deep, 106cm high Woodcarvers of Crayke, near Easingwold.

£100 - 150 (plus 24% BP*) 752 Lizardman: A Derek Slater English Oak Television Cabinet Stand, the rectangular top above a hinged fall front door, opening to reveal a shelf, with carved lizard signature, 78cm by 47cm, 45.5cm high Woodcarvers of Crayke, near Easingwold.

Woodcarvers of Crayke, near Easingwold.

£150 - 250 (plus 24% BP*)

745

746 w w w.t e n n a n t s .c o.u k 191

20TH CENTURY DESIGN

753

753 Oak Leafman: A Fred Suffield English Oak Club Fender, the adzed seat raised on four octagonal supports, the base with carved recessed oak leaf signature, 138cm wide, 69.5cm deep, 38.5cm high £300 - 500 (plus 24% BP*)

756 Rabbitman: A Peter Heap (Wetwang) English Oak Cheese Board, with carved rabbit signature, 36cm; an English Oak Ashtray, with carved rabbit signature, 10cm; and An English Oak Rabbit, 6.5cm (3) £150 - 200 (plus 24% BP*)

754 Oak Leafman: A Fred Suffield English Oak Standing Floor Frame, containing the last will and testament of Sarah Fox of Coxwold bequeathing her cottage and land in Kilburn to her nephew the stone mason William Fox, with recessed carved leaf signature, 70cm by 19cm, 62cm high £100 - 150 (plus 24% BP*)

757 Sid Pollard of Bagby: Four Panel Back Dining Chairs, lattice leather seats, on octagonal front legs, unmarked, 85.5cm £300 - 400 (plus 24% BP*)

758 Sid Pollard of Bagby: An English Oak Standard Lamp, octagonal column and base, unmarked, 140cm £300 - 500 (plus 24% BP*) 759 Sid Pollard of Bagby: An English Oak Child’s Chair, lattice panel back, upholstered nail cow hide seat, on four octagonal legs joined by stretchers, unmarked, 67cm £150 - 250 (plus 24% BP*)

755 Oak Leafman: A Fred Suffield English Oak Corner Cupboard, with wrought iron hinges and latch, the panelled door opening to reveal two fitted shelves, with recessed carved leaf signature, 64.5cm by 38cm, 93cm high £200 - 300 (plus 24% BP*)

762 192

766 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

760 Squirrelman: A Wilfred Hutchinson (Husthwaite) English Oak Floor Standing Corner Cupboard, with leaded glazed doors and side panels, on five legs, with carved recessed squirrel signature, 98cm wide, 64cm deep, 152.5cm high £300 - 500 (plus 24% BP*) 761 Squirrelman: A Wilfred Hutchinson (Husthwaite) English Oak Nest of Three Tables, on four octagonal legs, largest with recessed carved squirrel signature, largest 57.5cm by 38cm, 50cm high £300 - 400 (plus 24% BP*) 762 Squirrelman: A Pair of Wilfred Hutchinson (Husthwaite) English Oak Bookends, each carved with a squirrel sat eating a nut, 17.5cm £300 - 500 (plus 24% BP*)

764 Squirrelman: A Wilfred Hutchinson (Husthwaite) English Oak Bookcase, with an adjustable shelf, carved lattice panel to both ends, on bracket supports, with recessed carved squirrel signature, 102cm wide, 30.5cm deep, 77.5cm high £250 - 350 (plus 24% BP*)

767 A Set of Eight Cotswold School Rosewood Armchairs, circa 1920s, with slatted backs, shaped arms, upholstered drop-in seats, on tapering square section front legs joined by rails, 99cm £300 - 400 (plus 24% BP*)

765 Woodpeckerman: A Stan Dodds (1928-2012) Carved English Oak Crucifix, the corpus carved front and back, mounted on a cross bearing carved I.N.R.I. scroll, 117cm by 63cm £500 - 800 (plus 24% BP*)

768  Betty Joel (British, 1896-1985) for Token Works: An Art Deco Sycamore Bedroom Suite, all with ivory scalloped handles, comprising a dressing table, with central mirror enclosed by two small drawers over a kneehole enclosed by three graduating drawers with two extensions, 54cm deep, 290cm wide; a pair of bedside cabinets, each with a drawer above an open compartment above two cupboard doors, 51cm by 31cm, 69cm high; and a chair, upholstered in green fabric with edging, 76cm high, labelled “TOKEN ” HAND MADE FURNITURE Designed by Betty Joel W.Marks & Co at Token Works Kingston By-Pass august 1936 (4) £1000 - 1500 (plus 24% BP*)

766 A Pair of Carved Oak Altar Angels Candlesticks, adzed all over, both holding the rod for the candle, with wings fully extended, on circular bases, 56.5cm high £800 - 1200 (plus 24% BP*)

763 Squirrelman: A Wilfred Hutchinson (Husthwaite) English Oak Book Trough, with shaped ends, carved squirrel signature, 47.5cm wide £150 - 200 (plus 24% BP*)

769 An Art Deco Satinwood Curved Desk, with a central drawer enclosed by a cupboard door to one end and an open shelf to the other, 144cm by 73cm, 74.5cm high £300 - 500 (plus 24% BP*)

768

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CLOCKS AND BAROMETERS

771

770

770 A Gilt Metal Mounted Onyx Striking Mantel Clock, signed Raingo Freres A Paris, circa 1890, urn finial, scroll and floral mounts, 41⁄2 -inch enamel dial signed, twin barrel movement with outside countwheel striking on a bell, 35cm high £300 - 500 (plus 24% BP*)

771 A Green Onyx Champlevé Enamel Striking Four Glass Mantel Clock, circa 1890, bevelled glass panels, multi-coloured champlevé enamel borders and columns, enamel dial with Arabic numerals and floral swag decoration, twin barrel movement striking on a gong, movement backplate stamped Japy Freres, twin mercury tube pendulum, 32.5cm high £350 - 450 (plus 24% BP*)

772 A Late 17th Century Square Dial Lantern Clock, signed Wm Young, Charing Cross, circa 1695, four posted movement with a central bob pendulum and original verge escapement, pierced side frets, outside countwheel striking on a top mounted bell, hook, 10-inch square brass dial with signed chapter ring, winged cherub spandrels, single hand, 39cm high William Young is recorded as working at Charing Cross, London in the late 17th century. He was an apprentice in 1674 and a member of the Clockmakers Company in 1682. See Baillie (GH) Watchmakers & Clockmakers of the World, pg.351.

£1500 - 1800 (plus 24% BP*)

772

194

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

773 A Mahogany Two Day Marine Chronometer, signed Grant & Son, Carlisle, Watchmaker to the Admiralty, No.5602, circa 1880, three tier case with concealed side carrying handles, top lid with a vacant brass shield cartouche, silvered dial with Roman numerals, signed and numbered, seconds and power reserve dials, single fusee movement with spring detent escapement, maintaining power, free sprung helical hairspring, bimetallic balance with timing screws and weights, contained in a brass gimbal, 19cm high £500 - 700 (plus 24% BP*)

773

774

774 A Brass Striking Lantern Clock, four posted case with side doors and side frets, silvered chapter ring, finely engraved brass dial plate inscribed William Holloway of Stroud 93, dummy alarm disc, twin fusee movement with anchor escapement and striking on a top mounted bell, dial and case late 17th century, later movement, 40cm high £800 - 1200 (plus 24% BP*) 775 A Mahogany Drop Dial Striking Wall Clock, signed T Milner, Wigan, circa 1850, carved wooden bezel surround, scroll side ears, trunk with glazed pendulum window, 12-inch painted dial with Roman numerals, twin fusee movement with anchor escapement, striking on a bell, 85cm high £500 - 700 (plus 24% BP*) 775 w w w.t e n n a n t s .c o.u k 195

CLOCKS AND BAROMETERS

778 A Carved Oak Chiming Table Clock, circa 1890, elaborately carved case with scroll, floral and mask decoration, carved pierced side frets, 7-inch arched dial with a silvered Roman numeral chapter ring, two dials for fast/slow and chime on eight gongs/chime on four gongs, triple barrel movement with anchor escapement, quarter chiming on eight gongs and a further gong for the hours, 57cm high £600 - 800 (plus 24% BP*)

776

777

776 A Railway Mahogany Wall Timepiece, B.R.(N.E) 6502, early 20th century, side and bottom doors, inside case stamped 941, 12-inch painted dial with Roman numerals, back of the dial painted BR and numbered, single fusee movement with anchor escapement, movement backplate stamped N.E.R and numbered 3777 941, 40cm high

777 A Mahogany Wall Timepiece, signed F W Elliott Ltd, London, 1939, side and bottom doors, 14-inch painted dial with Roman numerals, single fusee movement with anchor escapement, movement backplate stamped 11304 Made by F.W.Elliott Ltd England 1939, 47cm high

According to the LNER clock registers, 6502 is from Wetherby Goods Offices

£350 - 450 (plus 24% BP*)

779  A Louis XIV Style “Boulle” Striking Table Clock, circa 1870, the elaborate case with tortoiseshell veneers and brass inlay, surmounted by a winged figure dressed in robes, gilt metal mounts throughout with figures to the corners and winged griffins around the base, cast dial with twelve Roman numeral cartouches and inscribed below on an oval plaque Balthazar, Paris, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped R & C and numbered 793, 88cm high £1000 - 1500 (plus 24% BP*)

Elliott Ltd produced wall clocks for the government offices. See Rose (Donald E) English Dial Clocks, pg.194.

£350 - 450 (plus 24% BP*)

778 196

779 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

780

780 A Mahogany Eight Day Longcase Clock, signed Nathaniel Brown, Manchester, circa 1780, swan neck pediment, trunk door flanked by wood stop fluted pilasters, 13-inch arched brass dial with silvered chapter ring, moonphase aperture signed on a silvered plaque, four pillar movement with anchor escapement and rack striking on a bell, 226cm high £600 - 800 (plus 24% BP*)

781

781 A Good Mahogany Eight Day Longcase Clock, case possibly by Gillows, signed Finney, Liverpool, circa 1780, swan neck pediment with three brass ball finials, gilt scroll decorated eglomise glass panels, hood with four fluted columns, well figured trunk door with book mark flame veneers, flanked by inset fluted pilasters, later ogee feet, 13-inch arched brass dial with a silvered chapter ring with inner date ring, finely matted centre with seconds dial and signed on a silvered plaque, moonphase in the arch and inscribed above on a silvered plaque “The Man is Yet Unborn, Who duly Weighs an hour”, four pillar movement with anchor escapement and rack striking on a bell, 257cm high £3000 - 4000 (plus 24% BP*)

782

782 A Mahogany Three Month Duration Longcase Regulator, signed Taffinder, Rotherham, Exhibition 1851, Class 10 No.54, arched pediment, glazed trunk door depicting carved scroll decoration beneath the dial, plain rectangular plinth raised upon bracket shaped feet, 12-inch silvered dial, outer minute track with a corresponding centre minute hand, two dials for hours and seconds, large A-framed five pillar movement, deadbeat escapement with polished steel pallets, 196cm high By repute, this clock was presented at The Crystal Palace Exhibition in 1851.

£2000 - 3000 (plus 24% BP*)

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CLOCKS AND BAROMETERS

783

783 An Unusual Mahogany Fouled Anchor Form Wheel Barometer, signed Gray, 25 & 26 Strand Street, Liverpool, circa 1850, the case of nautical theme depicting a fouled anchor, thermometer box, 10-inch silvered dial signed, 110cm high John Gray is recorded as working at 25 Strand Street, Liverpool between 1841-62. See Banfield (Edwin) Barometer Makers and Retailers 1660-1900, pg.96.

£500 - 700 (plus 24% BP*)

198

784

784 A Good Mahogany Bowfront Stick Barometer, signed Watkins & Hill, 5 Charing Cross, London, circa 1830, concealed mercury tube with a single vernier silvered dial signed, well figured trunk with adjustment knob, urn shaped cistern cover, 98cm high Watkins & Hill are recorded as working at Charing Cross, London between 1819-1857. See Banfield (Edwin) Barometer Makers and Retailers 1660-1900, pg.227.

£1500 - 2000 (plus 24% BP*)

785

785 A Good Mahogany Bowfront Stick Barometer, signed Dollond, London, circa 1840, concealed mercury tube with a single vernier silvered dial signed, well figured trunk with adjustment knob, thermometer box, urn shaped cistern cover, 98cm high The Dollond family of scientific instrument makers was founded by Peter Dollond in 1750 and continued until its acquisition by Aitchison in 1913. This barometer would have been made by George Dollond (b.1774-d1856), working at 59 St Paul’s Churchyard, London (1804-56) and who continued the business after the death of his uncle, Peter, in 1820. George was one of sixteen instrument-makers who exhibited at the Great Exhibition at the Crystal Palace in 1851. He was instrument-maker to both William IV and Queen Victoria. See Banfield (Edwin) Barometer Makers and Retailers 1660-1900, pg.70.

£1500 - 2000 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

786 A Rare George III Mahogany Angle Barometer with Perpetual Regulation of Time Dial, signed H Pyefinch, London, circa 1765, architectural pediment with three turned brass finials, moulded outer frame borders, angled mercury tube secured by brass caps and terminating to a fluted moulded cistern cover, thermometer tube on the opposite side also terminating to a fluted moulded cistern cover, register dial plate signed H Pyefinch London, central hygrometer dial, glazed centre showing a printed Perpetual Regulation of Time dial, apertures for equation of days/days of the month, sun rises/sun sets/ The fixd Feasts, day of the month/The zodiac signs, high water at London Bridge, with calendars adjusted by winding squares to the sides, 109cm high, 69cm wide Henry Pyefinch (1763-90) is recorded as working at the Golden Quadrant, SUN and Spectacles, 67 Cornhill, London in 1763. In 1765, in conjunction with J.H.de Magellan, a Portuguese scientist, he patented an instrument to measure the effect of the weight of the atmosphere and the variations caused by heat and cold. See Banfield (Edwin) Barometers Makers and Retailers 1660-1900, pg.177.

£2000 - 3000 (plus 24% BP*)

RUGS AND CARPETS

786

787 Good Feraghan Rug West Iran, circa 1900 The indigo field of gol henna design around a madder medallion framed by spandrels and samovar motif borders flanked by ivory guard stripes, 192cm by 131cm

788 Luri Carpet West Iran, circa 1930 The madder field with columns of hooked güls enclosed by ivory borders flanked by meandering vine and boteh guard stripes, 300cm by 170cm The Property of a Gentleman

789 Heriz Carpet Iranian Azerbaijan, circa 1910 The madder field of angular plants around an ivory and ice blue medallion framed by ivory spandrels and borders of polychrome flowerheads and serrated vines flanked by carnation guard stripes, 400cm by 282cm

The Property of a Gentleman

£450 - 650 (plus 24% BP*)

The Property of a Gentleman

£300 - 500 (plus 24% BP*)

£800 - 1200 (plus 24% BP*)

788 w w w.t e n n a n t s .c o.u k 199

RUGS AND CARPETS

790 Rare Karabagh Prayer Rug South Caucasus, circa 1890 The indigo field of stylised flowerheads and a comb beneath the Mihrab flanked by ‘Hand of Fatima’ spandrels and raspberry borders between meandering vine guard stripes and outer barber pole, dated indistinctly, 156m by 89cm £400 - 600 (plus 24% BP*) 791 Kashan Carpet Central Iran, circa 1960 The ice blue field with an allover design of scrolling vines and palmettes enclosed by meandering vine borders and ivory guard stripes, 421cm by 297cm £700 - 1000 (plus 24% BP*)

791

793

792 Nain Carpet Central Iran, circa 1960 The deep indigo field of scrolling vines around a flowerhead pole medallion framed by sky blue and cream spandrels and ivory borders of palmettes and meandering vines flanked by triple guard stripes, 502cm by 320cm

793 Modern Indian Carpet The deep indigo field with an allover Herati design enclosed by ivory borders of samovar motif and multiple guard stripes, 660cm by 427cm

Woven on cotton with silk highlights

£1200 - 1800 (plus 24% BP*)

Provenance: Langley House, Gloucestershire

£500 - 800 (plus 24% BP*) 200

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

794 Fine Saroukh Carpet West Iran, circa 1900 The abrashed terracotta field of angular vines around an indigo, ivory and salmon pink medallion framed by spandrels and indigo borders of meandering vines flanked by multiple guard stripes, 380cm by 264cm £3500 - 5000 (plus 24% BP*) 795 Tabriz Rug Iranian Azerbaijan, circa 1940 The madder lattice field of flowerheads and serrated leaves enclosed by ivory borders of samovar motifs and sky blue guard stripes, 180cm by 134cm £400 - 600 (plus 24% BP*) 794

796

796 Indian Carpet of unusual size, circa 1920 The ivory field with an allover design of scrolling vines enclosed by borders of angular meandering vines flanked by guard stripes, 440cm by 370cm £4000 - 6000 (plus 24% BP*)

w w w.t e n n a n t s .c o.u k 201

RUGS AND CARPETS

797 Sultanabad Carpet West Iran, circa 1930 The abrashed strawberry field with an all over design of large polychrome flower heads enclosed by midnight blue borders of meandering vines flanked by multiple guard stripes, 360cm by 279cm £1500 - 2500 (plus 24% BP*)

797

798 Good Bakhtiari Rug West Iran, circa 1930 The deep indigo lattice field of flowering plants enclosed by wide brick red borders of angular meandering vines and skittle guard stripes, 292cm by 151cm £500 - 700 (plus 24% BP*)

798

799 Tabriz Carpet Iranian Azerbaijan, circa 1950 The ivory field of vines and palmettes enclosed by indigo floral borders and coral guard stripes, 392cm by 285cm The Property of a Gentleman

£600 - 900 (plus 24% BP*)

799

202

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

800 Good Mahal Carpet West Iran, circa 1920 The brick red field with an allover lattice design of scrolled leafy vines and flowers enclosed by indigo borders of meandering vines flanked by ivory guard stripes, 378cm by 278cm The Property of a Gentleman

£900 - 1200 (plus 24% BP*)

800

801 Heriz Carpet Iranian Azerbaijan, circa 1910 The field with angular vines centred by a large indigo and salmon pink flowerhead medallion framed by ivory spandrels and polychrome serrated leaf and rosette borders, 420cm by 280cm The Property of a Gentleman

£1200 - 1800 (plus 24% BP*) 802 Good Ziegler Mahal Design Carpet Probably West Iran, circa 1980 The soft apple green field of large flowerheads, palmettes and serrated leafy vines enclosed by cream flowerhead and palmette borders flanked by meandering vine guard stripes, 416cm by 310cm £1000 - 1500 (plus 24% BP*)

802

803 Indian Carpet, circa 1910 The raspberry field with an allover one way design of serrated scrolling leaves and plants enclosed by ivory borders of flowerheads and cartouches flanked by meandering vine guard stripes, 466cm by 300cm £1500 - 2500 (plus 24% BP*)

803 w w w.t e n n a n t s .c o.u k 203

RUGS AND CARPETS

804 Doruksh Carpet East Iran, circa 1910 The raspberry field of large palmettes and vines around an indigo medallion framed by spandrels and floral borders flanked by meandering vine guard stripes, 500cm by 350cm £400 - 600 (plus 24% BP*) 805 Hereke Carpet North West Anatolia, circa 1970 The pale mushroom field with an allover design of scrolling vines enclosed by olive green borders, 290cm by 196cm £200 - 400 (plus 24% BP*) 804

806 Indian Carpet, late 20th century The chestnut field with an allover design of large flowerheads flanked by serrated leaves enclosed by similar borders and double guard stripes, 455cm by 355cm £2000 - 3000 (plus 24% BP*) 807 Fine Silk Tabriz Carpet Iranian Azerbaijan, late 20th century The ivory field of scrolling vines around a floral medallion framed by spandrels and borders of palmettes and meandering vines, 310cm by 248cm £4000 - 6000 (plus 24% BP*) 808 Aubusson Panel Central France, 18th/19th century Woven in silk and wool, the field with garlands of flowers and birds within a mountainous landscape, 70cm by 171cm £400 - 600 (plus 24% BP*) 809 Nain Rug Central Iran, circa 1950 The ivory field of scrolling vines around a small medallion framed by spandrels and palmette borders and barber pole guard stripes, 210cm by 126cm Signed in upper guard stripes and with silk highlights

806

810 Kashan Carpet Central Iran, circa 1950 The brick red field of scrolling vines around an ivory and indigo pole medallion framed by cusped spandrels and palmette and vine borders, 354cm by 261cm £400 - 600 (plus 24% BP*)

£400 - 600 (plus 24% BP*)

204

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

811 Saroukh Rug West Iran, circa 1910 The madder lozenge field of angular vines centred by an indigo and ivory medallion framed by ivory floral spandrels and narrow flowerhead borders, 200cm by 125cm £400 - 600 (plus 24% BP*) 812 Agra Carpet Central/North India, late 19th century The abrashed raspberry field with an allover design of flowering plants enclosed by charcoal borders of meandering vines, 586cm by 417cm Provenance: Ex Aske Hall

£1000 - 1500 (plus 24% BP*)

807

813 William Morris Design Carpet Probably West Anatolia, late 20th century The soft terracotta and cream field with a lattice of flowering trees enclosed by leafy vine borders, 310cm by 251cm £1200 - 1800 (plus 24% BP*)

812

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FURNITURE Measurements: Furniture: width by depth by height Mirrors: height by width 814 An Early 19th Century Elm and Oak Circular Cricket Table, the two piece top raised on triangular chamfered legs joined by a stretcher, 73cm by 73cm £300 - 500 (plus 24% BP*) 815  A Joined Oak Armchair, Leeds/Dales Area, circa 1650-1700, the carved top rail above a fielded back support carved with a diamond panel with pennant terminals about downswept arms and a boarded seat, raised on gun barrel turned forelegs joined by an H stretcher, 58cm by 51cm by 113cm For a similar chair see Chinnery (Victor) Oak Furniture, The British Tradition, pg.476, fig.4;131

£600 - 800 (plus 24% BP*) 816  A 17th Century Joined Oak Back Stool, South Yorkshire, with double crescent carved back support above a boarded seat with turned and block forelegs joined by a bobbin turned front rail, 46cm by 38cm by 102cm; and A 17th Century Joined Oak Back Stool, South Lancashire, with carved top rail above a fielded panel carved with flowerheads above a boarded seat and plain seat rail, raised on block and spindle legs, 45cm by 38cm by 106cm (2) £250 - 350 (plus 24% BP*) 817  A Set of Six High-Back Dining Chairs, in 17th century style, upholstered in red and gold patterned fabric, raised on turned and block legs joined by a bobbin stretcher, 53cm by 47cm by 116cm £400 - 600 (plus 24% BP*) 818  An Early 18th Century Joined Oak Chest of Drawers, with four graduated two-as-one drawers, the moulded base raised on later feet, 94cm by 53cm by 93cm £250 - 350 (plus 24% BP*)

815

819  A George II Oak Bureau, 2nd quarter 18th century, the fall enclosing six pigeon holes and six drawers around an arched cupboard door, the base with three short over three long graduated drawers, raised on bracket feet, 95cm by 51cm by 91cm £300 - 500 (plus 24% BP*) 820  A Late 17th Century Oak Straight Front Chest of Drawers, the bottom two drawers with geometric moulding, raised on block feet, 84cm by 49cm by 84cm £300 - 500 (plus 24% BP*)

824 206

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

821  A 17th Century Joined Oak Chest, with hinged lid above a lunette carved frieze carved with initials IH, with three carved panels below and lozenge carved panels to the sides, raised on stile feet, 121cm by 54cm by 68cm £300 - 500 (plus 24% BP*) 822  An Early 18th Century Oak Side Table, with a single frieze drawer above an arched apron, raised on turned legs with block feet joined by a peripheral stretcher, 74cm by 52cm by 70cm £300 - 400 (plus 24% BP*) 823 A 17th Century Walnut Four Drawer Straight Front Chest of Drawers, with two-as-one graduated drawers between spiral turned carvings, raised on later spiral turned legs joined by a flattened stretcher with bun feet, 104cm by 58cm by 111cm £500 - 700 (plus 24% BP*) 824 A 17th Century Oak Chest, of six plank construction with iron strapwork and geometric carving, 150cm by 37cm by 46cm £500 - 700 (plus 24% BP*)

828

825  A 17th Century Joined Oak and Marquetry Inlaid Chest, probably Leeds area, the carved frieze decorated with a guilloche pattern above three arched panels between acanthus carved stiles in the form of masks, raised on block feet, 147cm by 66cm by 68cm £1000 - 1500 (plus 24% BP*)

827  An 18th Century Joined Oak Chest, carved with initials KWE and dated 1704, the hinged lid above eight fielded panels with two crossbanded drawers below and a shaped apron, raised on stile feet, 132cm by 52cm by 82cm £350 - 550 (plus 24% BP*)

826  A George III Joined Oak Chest, late 18th century, the hinged lid above three fielded panels inlaid with marquetry sun burst panels above three crossbanded drawers, raised on stile feet, 142cm by 53cm by 85cm £300 - 500 (plus 24% BP*)

828 An 18th Century Joined Oak Wing-Back Chair, the back support carved in relief with two birds above a boarded seat and pull-out drawer to the side, the carved seat rail raised on tapering forelegs, 62cm by 47cm by 103cm £700 - 1000 (plus 24% BP*)

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829 A Composite Set of Six Late 17th/Early 18th Century Yorkshire Joined Oak Back Stools, comprising four similar carved examples with foliate and flower carved back panels above moulded seats, raised on turned and block legs joined by a bobbin stretcher, 46cm by 38cm by 108cm, a smaller example with bobbin turned front rail, 46cm by 39cm by 99cm, and another with boarded seat and gun barrel turned forelegs joined by an H stretcher, 48cm by 38cm by 102cm £1200 - 1500 (plus 24% BP*) 830 An 18th Century Oak Farmhouse Dining Table, 2nd half 18th century, the four plank top above a single frieze drawer, raised on chamfered square form legs joined by an H stretcher, 244cm by 84cm by 73cm £800 - 1200 (plus 24% BP*) 831 A 17th Century Joined Oak Six-to-Eight Seater Gateleg Dining Table, with two drop leaves to form an oval above a single frieze drawer and shaped apron, raised on baluster turned legs with block supports and raised on carved and scrolled feet, 130cm by 150cm by 74cm £300 - 500 (plus 24% BP*)

829

830

208

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

833

832  An 18th Century Joined Oak Six-Seater Gateleg Table, with two rounded drop leaves to form an oval above a single frieze drawer, raised on spindle turned legs and block feet joined by a peripheral stretcher, 110cm by 132cm extended by 72cm £250 - 350 (plus 24% BP*)

833  An Early 18th Century Continental Joined Oak Refectory Dining Table, the cleated top above a single frieze drawer, raised on carved square form legs with block feet joined by a peripheral stretcher, 227cm by 68cm by 73cm £1000 - 1500 (plus 24% BP*)

834 A 17th Century Style Oak Eight-to-Ten Seater Wake Table, with two rounded drop leaves to form an oval above four pivoting gatelegs with gun barrel turned supports and block feet joined by a peripheral stretcher, 230cm by 150cm extended by 76cm £700 - 1000 (plus 24% BP*)

835 A 17th Century Joined Oak Refectory Dining Table, the plank top with cleated ends, raised on turned baluster supports with block feet and joined by peripheral stretcher, 281cm by 83cm by 88cm (various old decay and repairs) £1200 - 1800 (plus 24% BP*)

835

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836 (part)

836 A Harlequin Set of Six Yewwood and Elm Windsor Armchairs, mid 19th century, with double spindle back supports, pierced splats and moulded seats, raised on ring turned legs joined by a crinoline stretcher, five chairs measure approximately 55cm by 40cm by 92cm, one chair 55cm by 40cm by 89cm; A Yewwood and Elm Smoker’s Bow Double Spindle Armchair, mid 19th century, with pierced splat and moulded seat, raised on ring turned legs joined by a crinoline stretcher, 55cm by 39cm by 112cm; and A Similar Example, 55cm by 39cm by 108cm (8) £3000 - 4000 (plus 24% BP*) 837 A 17th Century Joined Oak Dresser, the top with cleated ends above three geometric moulded drawers and raised on turned and block forelegs, 205cm by 50cm by 82cm £600 - 800 (plus 24% BP*) 838 An 18th Century Oak Tridarn, probably Snowdonia, Wales, carved with initials TIM and dated 1727, the canopy top with inverted turned finials and wavy shaped sides above two fielded cupboard doors and a central panel carved as a fan, the base of three frieze drawers and two cupboard doors, raised on stile feet, 140cm by 57cm by 191cm £1500 - 2500 (plus 24% BP*)

838

210

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

840

839 A 17th Century Joined Oak Dresser, the top with cleated ends above three geometric moulded drawers and raised on turned and block forelegs, 205cm by 50cm by 82cm £500 - 700 (plus 24% BP*)

842 A Harlequin Set of Eight Ash and Rush-Seated Spindle-Back Chairs, Cheshire region, early 19th century, with shell craved crest rail above a double spindle back support, raised on tapering legs joined by a bobbin stretcher, 48cm by 38cm by 99cm

840  A Joined Ash Open Dresser, circa 1700, with three two-as-one drawers, raised on baluster turned forelegs with block feet, 210cm by 49cm by 82cm £1500 - 2000 (plus 24% BP*)

For a similar chair see Knell (David) English Country Furniture 1500-1900, pg.299, image 455 and 456

£300 - 500 (plus 24% BP*) 843 A George III Oak Enclosed Dresser Base, 3rd quarter 18th century, the rectangular top with canted corners above four central drawers flanked by fielded panel doors, raised on stile feet, 192cm by 53cm by 85cm £800 - 1000 (plus 24% BP*)

841 An Impressive 18th Century Joined Oak Press Cupboard, the canopy top above a central carved panel with figures in a landscape flanked by two cupboard doors, all between guilloche and lunette carved stiles and muntins, raised on carved bulbous supports joined by a potboard, 210cm by 70cm by 182cm £700 - 1000 (plus 24% BP*)

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844 A 17th Century Joined Oak Press Cupboard, North Lancashire Newby Bridge area, carved with initials MSM and dated 1690, the canopy top above inverted finials and two carved cupboard doors, the base with three cupboard doors all between moulded stiles and muntins, 155cm by 64cm by 169cm £1500 - 2000 (plus 24% BP*) 845 A Late 17th Century Joined Oak Dresser, with three geometric moulded drawers and moulded plinth, raised on turned and block legs, 180cm by 50cm by 81cm £1000 - 1500 (plus 24% BP*)

844

846  An Impressive Victorian Carved Oak Octagonal Shape Centre Table, circa 1850, with a leaf carved edge, raised on a gadrooned column support with carved lions above a cruciform platform base with carved feet and recessed castors, 146cm by 152cm by 74cm £1000 - 1500 (plus 24% BP*)

846

212

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

847

848 A Regency Rosewood Library Bookcase, in the manner of Gillows, early 19th century, of breakfront form, the upper section with four glazed doors enclosing adjustable shelves all between reeded stiles and trusses, the base with four brass grille doors with gathered silk lining, 222cm by 55cm by 188cm £2500 - 3500 (plus 24% BP*)

847  A Late 19th Century Brown Oak and Ebonised Aesthetic Sideboard, in the manner of Lamb of Manchester, the superstructure above two short and one long drawer flanked by cupboard doors, raised on baluster supports with block feet joined by a platform base, 244cm by 75cm by 116cm £800 - 1000 (plus 24% BP*)

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850

852

849 A Regency Mahogany Writing Table, in the manner of Gillows, early 19th century, with a three-quarter gallery above two frieze drawers, raised on turned and reeded tapering legs with brass capped toes and castors, 122cm by 55cm by 84cm £600 - 800 (plus 24% BP*) 850 An Early Victorian Rosewood Side Table, in the manner of Gillows, with a single frieze drawer and raised on standard end supports with platform bases and cupped feet with recessed castors, 62cm by 44cm by 74cm £500 - 800 (plus 24% BP*) 851 A Fine Regency Rosewood Chiffonier, early 19th century, the mirrored superstructure with scrolled supports above two frieze drawers and two glazed doors below between reeded and acanthus carved supports, with a gadrooned base raise on carved claw feet, 75cm by 33cm by 123cm £1500 - 2000 (plus 24% BP*) 852 A Bird’s Eye Maple Writing Table by Gillows, signed John Mason Jnr, 2nd quarter 19th century, with brown and gilt tooled skiver above a gadrooned border and two frieze drawers, raised on turned and acanthus carved baluster supports with cabriole legs and claw and ball feet with recessed castors, 107cm by 61cm by 73cm For a similar model see Stuart (Susan E) Gillows of Lancaster and London 1730-1840, vol I, pg.263, pl.267 851

214

£1200 - 1800 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

853

853 A Regency Mahogany Tripod Table, by Gillows of Lancaster, early 19th century, raised on a turned and reeded baluster support with triform base and carved feet, 56cm by 45cm by 74cm £800 - 1200 (plus 24% BP*) 854 A Regency Sabicu, Brass Strung and Palmwood Crossbanded Tripod Table in the manner of Thomas Hope, early 19th century, the flip top above an adjustable rise-and-fall parcel gilt turned baluster support, the base with ebonised sphinx monopodia with claw feet above a triform base and carved claw feet, 43cm by 38cm by 73cm £1500 - 2000 (plus 24% BP*)

854

855

855 A William IV Rosewood and Pietra Dura Tripod Table, 2nd quarter 19th century, with circular marble top inlaid with an urn with flowering foliage and exotic birds, raised on a turned and lappet carved support with triform base, carved feet and recessed castors, 59cm by 72cm £700 - 1000 (plus 24% BP*) 856 A George III Mahogany Double Pedestal Desk, late 18th century, with green and gilt leather writing surface, central hinged section with adjustable easel, with central frieze drawer flanked by eight graduated drawers with opposing sham drawers, raised on a platform base, 135cm by 60cm by 75cm £1000 - 1500 (plus 24% BP*)

855 (detail)

857 A George IV Mahogany and Crossbanded Foldover Tea Table, 2nd quarter 19th century, of canted rectangular form with reeded edge, raised on a turned and leaf carved support with gadrooned socle, raised on four reeded legs with brass capped toes and castors, 86cm by 43cm by 73cm £350 - 550 (plus 24% BP*) 858 A Regency Rosewood and Brass Inlaid Pillar End Sofa Table, early 19th century, with two rounded drop leaves above two real and two sham drawers, raised on sabre legs terminating in brass hairy paw feet and castors and joined by a flattened stretcher, 96cm by 66cm by 74cm £800 - 1000 (plus 24% BP*)

858

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860  A George III Mahogany and Brass Bound Wine Cooler, late 18th century, the interior lead lined, raised on a stand with square chamfered legs and castors, 60cm by 48cm by 60cm £500 - 700 (plus 24% BP*) 866

859  A Lamb of Manchester Ash and Ebonised Aesthetic Three Piece Bedroom Suite, comprising a triple door wardrobe with carved roundels, stylised brass hinges enclosing hanging space, sliding drawers and four deep drawers with recessed brass handles, raised on a plinth base, 212cm by 58cm by 220cm, a matching dressing table numbered 2483 with rectangular pivoting mirror above two short and two long drawers, 107cm by 54cm by 154cm, and a pot cupboard stamped 2464 with gallery back above a cupboard door with ebony stringing, 42cm by 38cm by 82cm (3) £1000 - 1500 (plus 24% BP*)

861  A Pair of Regency Mahogany and Crossbanded Foldover Tea Tables, early 19th century, of D shape form above a gadrooned frieze, raised on four splayed legs with brass hairy paw feet and castors, 91cm by 45cm by 74cm; and A Matching Sofa Table, with two rounded drop leaves above two frieze drawers, raised on four splayed legs, 90cm by 65cm by 73cm (3) £2000 - 3000 (plus 24% BP*)

862  A George III Mahogany Serpentine Shape Serving Table, late 18th century, with a fluted border above a plain frieze, raised on square fluted tapering legs with block feet, 167cm by 76cm by 95cm £800 - 1200 (plus 24% BP*) 863 An Early 19th Century Mahogany Sarcophagus Shape Wine Cooler, with hinged lid enclosing a lead lined interior, raised on a plinth base with recessed castors, 77cm by 53cm by 60cm £300 - 500 (plus 24% BP*) 864 A Late George III Mahogany Library Table, early 19th century, with later green and gilt tooled leather writing surface above six frieze drawers, raised on square tapering legs with block feet and castors, 183cm by 120cm by 83cm £1500 - 2000 (plus 24% BP*) 865 A George III Mahogany and Brass Bound Plate Bucket, late 18th century, with brass swing handle and pivoting scrolled brackets, the body of staved construction joined by two brass bands, 36cm by 60cm including handle £400 - 600 (plus 24% BP*) 866 A George III Mahogany and Brass Bound Wine Cooler, of oval staved construction, with removable lead liner and scrolled handles, raised on a stand with square chamfered legs, 72cm by 48cm by 55cm £600 - 800 (plus 24% BP*)

861 216

867 A Regency Mahogany Library Drum Table, early 19th century, with a green and gilt leather writing surface above and arrangement of drawers, two fitted with sliding ratchet easel writing supports, two fitted for ink bottles, raised on four splayed legs with brass hairy paw feet and castors, 106cm by 72cm £800 - 1200 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

867

868 A Mahogany Eight Drawer Straight Front Chest of Drawers, 18th century in part, the moulded top above graduated drawers and raised on bracket feet, 80cm by 51cm by 153cm £300 - 500 (plus 24% BP*) 869 A George III Mahogany and Satinwood D Shape Hall Table, attributed to William Moore of Dublin, late 18th century, the top inlaid with a halved batwing motif and crossbanding with trailing foliage and berries, the frieze with an oval sunflower medallion, on square tapering legs decorated with husks, 125cm by 56cm by 82cm £1500 - 2000 (plus 24% BP*)

869

871 An Early 19th Century Kingwood, Marquetry and Parquetry Secretaire à Abattant, the deep frieze drawer above a fall enclosing a leather writing surface, pigeon holes and drawers, with two cupboard doors inlaid with shell patera, all between canted stiles, 89cm by 43cm by 147cm £600 - 800 (plus 24% BP*)

870 A George III Satinwood, Tulipwood and Polychrome Painted D Shape Commode, late 18th century, the crossbanded top with a band of scrolling foliage and anthemion above a crossbanded cupboard door flanked by conforming panels decorated with trailing foliage and flowerheads, raised on trompe l’oeil square tapering leg, 134cm by 54cm by 92cm £2000 - 3000 (plus 24% BP*)

870

871

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872 A George I Walnut Bureau Bookcase, early 18th century, the double domed top above mirror doors and a featherbanded fall enclosing an attractive interior of pigeon holes and small drawers, above a long frieze drawer with two short over two long drawers, raised on bracket feet, 102cm by 58cm by 212cm £2000 - 3000 (plus 24% BP*) 873 A George III Mahogany Chest on Chest, late 18th century, a Greek Key and blind fret carved cornice above two short and three long graduated drawers all between blind fret carved canted stiles, the base with a pull-out brushing slide with three deep drawers below, raised on bracket feet, 111cm by 56cm by 196cm £1000 - 1500 (plus 24% BP*)

872 218

874 A William IV Rosewood Davenport, 2nd quarter 19th century, with a three-quarter gallery and leather covered hinged writing surface enclosing a satinwood lined interior, two short drawers above a pull-out drawer for an ink bottle and pens, a cupboard door below enclosing four drawers, raised on a platform base with carved feet and recessed castors, 57cm by 60cm by 88cm £500 - 700 (plus 24% BP*) 875 A William IV Laburnum Pillar End Sofa Table, 2nd quarter 19th century, with two rounded drop leaves above two real and two sham drawers, raised on platform bases with scrolled toes and recessed castors joined by a stretcher, 89cm by 60cm by 74cm £400 - 600 (plus 24% BP*)

876  A George III Mahogany Tambour Front Desk, circa 1800, the interior with a pull-out writing surface and ratchet support, the base of two frieze drawers, raised on square tapering legs with brass capped toes and castors, 100cm by 56cm by 101cm £400 - 600 (plus 24% BP*) 877 A Late Victorian Walnut Writing Desk, stamped James Schoolbred, late 19th century, with a red and gilt leather tooled writing surface above a long frieze drawer, raised on turned baluster legs joined by a stretcher and raised on castors, 107cm by 60cm by 76cm £300 - 500 (plus 24% BP*)

873 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

878

878 A William & Mary Walnut and Oyster Veneered Chest on Stand, the top with tracery stringing above two short and two long drawers, raised on a stand with wavy shaped apron and spindle and inverted cup and cover tapering legs joined by a flattened stretcher, the chest 17th century, the stand later, 105cm by 59cm by 125cm £600 - 800 (plus 24% BP*) 879 A George III Satinwood and Crossbanded Kneehole Writing Table, circa 1800, with a long frieze drawer and two deep drawers around an arched apron, raised on square tapering legs with brass capped toes and castors, 87cm by 44cm by 76cm £500 - 700 (plus 24% BP*)

882

882 A George I Walnut Crossbanded and Featherbanded Bureau, early 18th century, the fall enclosing pigeon holes, drawers and a sliding well, the base of two short over two long drawers, raised on later bracket feet, 95cm by 53cm by 106cm £1000 - 1500 (plus 24% BP*) 883  A Large 19th Century Dutch Brass and Copper Log Bin, the riveted body with lion mask drop handles, decorated with figures and armorials, raised on cabriole legs with ball and claw feet, 64cm by 74cm £500 - 700 (plus 24% BP*)

880 A Regency Style Mahogany and Rosewood Crossbanded Lyre Shape Flip-Top Table, of rounded rectangular form, raised on a quadripartite base with four splayed legs, brass capped toes and castors, 19th century and adapted, 115cm by 91cm by 74cm £450 - 550 (plus 24% BP*) 881 A George III Mahogany and Brass Bound Peat Bucket, late 18th century, of staved construction and navette shaped form with brass carrying handle and studded rings, 36cm by 25cm by 46cm including handle £400 - 600 (plus 24% BP*)

883

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885 A George III Mahogany Chest on Chest, late 18th century, with a dentil cornice above two short and three long drawers all between fluted canted stiles, the base of three deep drawers and raised on bracket feet, 97cm by 55cm by 179cm £1200 - 1800 (plus 24% BP*)

887

884 A Figured Walnut and Crossbanded Bureau Bookcase, the upper section with astragal glazed doors enclosing adjustable shelves between canted stiles, two pull-out candle slides below, the fall enclosing an attractive fitted interior of pigeon holes, drawers and a sliding well, with two short and two long drawers below, raised on bracket feet, 106cm by 57cm by 206cm £1000 - 1500 (plus 24% BP*)

884 220

886 A George III Mahogany Straight Front Chest of Drawers, circa 1780, of two short over three long graduated drawers between fluted pilasters, raised on bracket feet, 123cm by 56cm by 104cm £500 - 700 (plus 24% BP*) 887 A Pair of Victorian Rosewood Circular Plant Stands, circa 1850, with moulded tops, raised on three fluted legs with carved claw feet, 30cm by 41cm £400 - 600 (plus 24% BP*) 888 A George II Mahogany Foldover Card Table, mid 18th century, with hinged lid enclosing a green velvet lined interior with gaming wells, 90cm by 43cm by 71cm £300 - 500 (plus 24% BP*)

885 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

893

889 A Victorian Mahogany Free-Standing Bookcase, mid 19th century, the bold pediment above six fixed shelves with spindle turned supports and platform base, 102cm by 30cm by 173cm £300 - 400 (plus 24% BP*) 890 A George II Mahogany Straight Front Chest of Drawers, circa 1800, the moulded top above two short and three long graduated drawers, raised on bracket feet, 94cm by 51cm by 90cm £300 - 500 (plus 24% BP*) 891 A Victorian Mahogany Four Division Cellaret, mid 19th century, the moulded hinged lid enclosing a divided interior, raised on turned baluster legs with brass capped toes and castors, 31cm by 31cm by 72cm £300 - 500 (plus 24% BP*) 892 A George III Mahogany Free-Standing Waterfall Bookcase, early 19th century, the bold pediment above four fixed shelves and a wavy shaped apron on square tapering legs with brass capped toes and castors, 93cm by 29cm by 167cm £300 - 500 (plus 24% BP*) 893 A Pair of Regency Mahogany and Rosewood Crossbanded Foldover Card Tables, early 19th century, the folding tops enclosing green baize lined interiors above a plain frieze, raised on bobbin turned legs with quadripartite bases and sabre scrolled legs terminating in hairy paw brass feet and castors, 91cm by 45cm by 75cm £1000 - 1500 (plus 24% BP*)

894

894 A George III Mahogany and Tulipwood Banded Secretaire Bookcase, circa 1800, the swan neck pediment above glazed doors enclosing a green silk lined interior and a deep drawer with two cupboard doors below with lozenge shaped recessed panels enclosing sliding trays, raised on splayed bracket feet, 121cm by 58cm by 240cm £1000 - 1500 (plus 24% BP*) w w w.t e n n a n t s .c o.u k 221

FURNITURE

895 A George II Walnut and Crossbanded Straight Front Chest of Drawers on Later Stand, with three Featherbanded drawers, raised on a stand with long frieze drawer and wavy shaped apron, raised on later cabriole legs with pointed pad feet (18th century and later), 105cm by 59cm by 140cm £400 - 600 (plus 24% BP*)

896 A Mahogany Foldover Tea Table, circa 1820, of D shape form with reeded edge above a plain frieze, raised on ring turned tapering legs with brass capped toes and castors, 91cm by 45cm by 74cm £250 - 350 (plus 24% BP*) 897 A Figured Walnut, Crossbanded and Featherbanded Bureau, in George I style, the bold cornice above a mirrored door enclosing three adjustable shelves and three small drawers, above a fall enclosing an attractive fitted interior of pigeon holes, small drawers and a sliding well, with three graduated drawers below, raised on bracket feet, 62cm by 49cm by 195cm £1500 - 2000 (plus 24% BP*) 898 A Fine Late Victorian Satinwood Four Piece Bedroom Suite, late 19th century, comprising a serpentine shaped triple door wardrobe, the wings with hanging space, the central section with four sliding trays and three drawers below, raised on a plinth base, 220cm by 62cm by 213cm, a serpentine shaped dressing chest four drawers around a deep drawer with pull-out leather writing surface and three long drawers below, raised on plinth base, 130cm by 62cm by 190cm, a dressing table with pivoting mirror, the superstructure with two cupboard doors enclosing sliding trays and a drawer below above pedestal supports fitted with four graduated drawers joined by a central drawer, 163cm by 60cm by 205cm, and a pot cupboard, the shaped pediment above a single drawer and crossbanded cupboard door below, raised on square tapering legs with spade feet, 46cm by 35cm by 116cm £3500 - 4500 (plus 24% BP*)

899 A Late Victorian Walnut Window Seat, labelled William Whiteley, Westbourne Grove, London, the rectangular seat with scrolled handles, raised on turned tapering legs, 120cm by 29cm by 55cm £350 - 450 (plus 24% BP*) 900 A George III Mahogany Dwarf Chest on Chest, late 18th century, with Greek Key dentil cornice above two short and four long graduated drawers between fluted and canted stiles, raised on bracket feet, 120cm by 58cm by 139cm £450 - 550 (plus 24% BP*) 901 A Carved Mahogany Foldover Card Table, in George I Irish style, labelled R Strahan & Co Ltd, Cabinet Makers and Upholsterers, 135 St Stephen’s Green, Dublin, carved overall with scrolling leaves and C scrolls, the hinged lid enclosing a green baize lined interior and gaming wells above a plain frieze centred by a shell, raised on cabriole legs with claw feet, 81cm by 42cm by 74cm £500 - 700 (plus 24% BP*) 902 A Regency Rosewood and Brass Inlaid Library Table, early 19th century, the top inlaid with a thin band and scrolls above a deep frieze drawer and pillar end supports joined by a turned stretcher, raised on brass cast feet with castors, 120cm by 64cm by 76cm £800 - 1200 (plus 24% BP*)

897

222

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

903 A Fine William IV Irish Mahogany Library Table, in the style of Williams & Gibton, the finely figured rectangular top with carved gadroon border over two large frieze drawers with brass ring handles over two elaborate lyre shaped supports with brass strings, united by a carved and turned stretcher, raised on four scroll shaped legs, 151cm by 81cm by 78cm Provenance: Cloughran Stud, Co Dublin

£3000 - 4000 (plus 24% BP*) 904 A 19th Century Mahogany Dutch Marquetry Dressing Table, the top richly inlaid with scrolling foliage and birds amongst a vase, the base of two serpentine shaped drawers, raised on cabriole legs with ball and claw feet, 74cm by 46cm by 76cm £300 - 500 (plus 24% BP*)

903

905 A Mid 19th Century Continental Mahogany Work Table, the hinged lid enclosing rosewood and marquetry inlaid lidded compartments and turned cotton spools, sliding workbox below, raised on a carved baluster support with triform base, 51cm by 42cm by 77cm £300 - 500 (plus 24% BP*) 906 A 17th Century Continental Walnut and Metal Bound Chest, with hinged lid and ironwork hinges, raised on carved feet, 133cm by 55cm by 67cm £400 - 600 (plus 24% BP*) 907  A 19th Century Italian Giltwood Pier Table, of Neo-Classical design and semi-circular form, with a green veined marble breakfront top above a frieze carved with foliage and beadwork centred by a ribbon suspending floral garlands, the four scrolled supports with stretchers centred by a pineapple finial, 81cm by 46cm by 79cm £400 - 600 (plus 24% BP*)

908  A Pair of Napoleon III Ebony Veneered and Parcel Gilt Meubles d’Entrée Deux, mid 19th century, of narrow form with veined green marble tops above moulded cupboard doors enclosing an oak lined interior, raised on plinth bases, 69cm by 19cm by 99cm £700 - 1000 (plus 24% BP*) 909 A Victorian Carved Mahogany Wing-Back Chair, late 19th/early 20th century, recovered in pink close-nailed velvet with moulded frame terminating in carved leopard hand grips and acanthus carved seat rail centred by a shell, raised on cabriole legs with carved masks and claw and ball feet, 88cm by 77cm by 121cm £500 - 700 (plus 24% BP*) 910 A Pair of George II Style Mahogany High-Back Chairs, probably 19th century, upholstered in cream cotton with overstuffed seat, raised on shell carved cabriole legs with pad feet, formerly raised on castors, the rear legs stamped 4195 and 4125, 66cm by 60cm by 106cm £500 - 700 (plus 24% BP*)

909

w w w.t e n n a n t s .c o.u k 223

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914 912

911 A Carved Mahogany Bedroom Sofa, 19th century, in Adam style, upholstered in blue and gold lozenge patterned fabric with rounded arms and overstuffed seat above a fluted and serpentine shaped seat rail, raised on square tapering legs with acanthus carved feet, 132cm by 52cm by 80cm £400 - 600 (plus 24% BP*)

912 A George I Style Wing-Back Three-Seater Sofa, upholstered in gold floral patterned cut fabric with triple humpback and outswept arms above three squab cushions, raised on shell carved claw and ball feet, 166cm by 71cm by 111cm £800 - 1200 (plus 24% BP*)

913 A Victorian Wing-Back Armchair, 3rd quarter 19th century, recovered in beige fabric with outswept arms and squab cushion above a plain seat rail, raised on acanthus carved forelegs with ball and claw feet with recessed castors, 85cm by 72cm by 122cm £300 - 500 (plus 24% BP*)

914 A George IV Mahogany Framed Bergère, 2nd quarter 19th century, upholstered in close-nailed red leather with buttoned squab back cushion and seat, turned spindle arm rests and legs raised on brass capped toes and castors, 66cm by 77cm by 91cm £700 - 100 (plus 24% BP*)

917

224

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

915 A Victorian ‘Woodstock’ Tub Shaped Armchair, 3rd quarter 19th century, stamped Howard & Sons Ltd, Berners Street and numbered 105115577, recovered in buttoned back blue fabric with rounded arms and overstuffed seat, raised on ring turned forelegs with castors, 74cm by 55cm by 76cm £300 - 500 (plus 24% BP*)

918 A Queen Anne Style Wing-Back Armchair, upholstered in floral close-nailed wool fabric, with rounded arm supports and squab cushion rail, raised on a carved frame with cabriole legs headed by masks and terminating in claw feet, 80cm by 77cm by 123cm £1000 - 1500 (plus 24% BP*)

916  A Pair of Louis XV Style Carved Giltwood Fauteuils, upholstered in faded pink fabric, with a stiff leaf beaded frame, padded arm supports and acanthus carved hand grips, on carved and fluted tapering legs, 70cm by 60cm by 104cm £400 - 600 (plus 24% BP*) 917 A George III Style Carved Mahogany Three-Seater Sofa, probably 19th century, recovered in cream cotton and velvet striped fabric, with acanthus carved arm supports and three squab cushions, raised on square chamfered legs joined by stretchers, 240cm by 95cm by 110cm £1500 - 2000 (plus 24% BP*)

919 A 19th Century Brown Leather Wing-Back Chair, in George III style, with flared sides above rounded arm supports, the squab cushion above a plain seat rail, raised on square tapering legs with brass toes and castors, 80cm by 56cm by 114cm £500 - 700 (plus 24% BP*) 920 A Five Piece Cream Painted and Part Gilt Salon Suite, in Empire style, upholstered in green and ivory damask, comprising a settee, 150cm by 64cm by 111cm, two armchairs, 65cm by 56cm by 106cm, and two single chairs, 46cm by 50cm by 102cm £1500 - 2000 (plus 24% BP*)

918

921 A Victorian Mahogany Framed Seven Piece Drawing Room Suite, late 19th century, in Regency style, comprising two-seater sofa upholstered in green foliate fabric with padded back support, arms and seat, with acanthus carved hand grips, arm supports and legs with scrolled forelegs and castors, 136cm by 58cm by 104cm, a set of four single dining chairs, upholstered to match, 45cm by 43cm by 93cm, and a pair of open armchairs, with anthemion carved hand grips, arm supports and scrolled toes with castors, upholstered in yellow foliate fabric, 64cm by 57cm by 105cm, all en-suite £1000 - 1500 (plus 24% BP*) 922 A Mahogany and Crossbanded Serpentine Shape Serving Table, early 20th century, in George III style, with three frieze drawers, raised on square tapering legs with spade feet, 215cm by 60cm by 94cm £500 - 700 (plus 24% BP*)

923

923 A Carved Mahogany Serving Table, in George II style, with a fleur de peche marble rectangular top above a carved frieze centred by a carved shell, raised on acanthus carved cabriole legs with ball and claw feet, 151cm by 77cm by 85cm £1200 - 1800 (plus 24% BP*)

w w w.t e n n a n t s .c o.u k 225

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926 A Victorian Mahogany and Floral Marquetry Inlaid Circular Dining Table, circa 1860, the crossbanded top above a plain frieze, raised on an octagonal support with carved lotus leaves, moulded socle and triform base, 149cm by 80cm £700 - 1000 (plus 24% BP*) 927 A Regency Rosewood Octagonal Shaped Centre or Dining Table, early 19th century, raised on a chamfered support with triform base and circular feet with recessed castors, 130cm by 130cm by 80cm £500 - 700 (plus 24% BP*)

925

924 An Edwardian Satinwood, Tulipwood Banded and Marquetry Inlaid Music Cabinet, in the form of a cellaret, the domed lid enclosing a divided interior, decorated overall with musical trophies and foliate swags, raised on square tapering legs with spade feet, 48cm by 34cm by 68cm £300 - 400 (plus 24% BP*) 925 An Edwardian Mahogany, Satinwood Banded and Marquetry Inlaid Desk, stamped Edwards & Roberts, circa 1900, with inset green and gilt leather writing surface above seven drawers around an arched apron, raised on square tapering legs with brass capped toes and castors, 122cm by 63cm by 76cm £1000 - 1500 (plus 24% BP*)

928

933

226

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

934

934 (detail)

928 A Fine Victorian Bird’s Eye Maple, Walnut and Marquetry Inlaid Centre Table, in the manner of George Blake & Co, circa 1850, the circular top inlaid with a central panel of scrolling flowers and leaves, raised on a vasiform shaped support and circular base with three scrolled feet with recessed castors, 135cm by 76cm £2000 - 3000 (plus 24% BP*)

932 A Regency Mahogany Extending Telescopic Dining Table, early 19th century, of rounded rectangular form with reeded edge above a plain frieze, raised on turned and reeded tapering legs with brass capped toes and castors, 215cm extended by 137cm by 73cm £700 - 1000 (plus 24% BP*)

929 A William IV Rosewood Circular Dining Table, 2nd quarter 19th century, raised on a column support with carved socle and triform base with carved claw feet and castors, 136cm by 79cm £600 - 800 (plus 24% BP*)

933 A Victorian Mahogany Triple Pillar Dining Table, 3rd quarter 19th century, with two D ends and three additional leaves, raised on baluster shaped supports with four cabriole legs and carved claw feet with recessed castors, 393cm by 137cm by 75cm £1500 - 2000 (plus 24% BP*)

930 A Late George III Mahogany Circular Dining or Breakfast Table, circa 1820, with gadrooned border and plain frieze, raised on a turned baluster support with four reeded cabriole legs with brass capped toes and castors, 120cm by 73cm £400 - 600 (plus 24% BP*) 931 A George III Mahogany Six-to-Eight Seater Gateleg Dining Table, with two rounded drop leaves to form an oval, raised on tapering legs with pad feet, 153cm by 154cm extended by 72cm £500 - 700 (plus 24% BP*)

934 An Impressive Victorian Carved Mahogany Wind-Out Dining Table, circa 1860, with three additional original leaves and leaf carved edge, raised on carved tapering legs decorated with swags and leaves, raised on brass capped toes and castors, 357cm extended by 136cm by 76cm £2000 - 3000 (plus 24% BP*) 935 No Lot

w w w.t e n n a n t s .c o.u k 227

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936

936 A Good Regency Mahogany Telescopic Extending Dining Table, early 19th century, with three original additional leaves and two rounded drop flaps, raised on six ring turned tapering legs with brass capped toes and castors, 220cm extended by 122cm by 72cm £1200 - 1800 (plus 24% BP*)

937 An Impressed Victorian Mahogany Extending Dining Table, circa 1870, of rounded rectangular form with six additional original leaves above a plain frieze, raised on turned and tapering legs with brass capped toes and castors, 482cm extended by 153cm by 76cm £2000 - 3000 (plus 24% BP*)

938 A Victorian Mahogany Wind-Out Dining Table, circa 1850, with four original leaves with moulded edge and plain frieze, raised on baluster tapering legs and castors, 364cm extended by 127cm by 74cm £1500 - 2000 (plus 24% BP*)

938

228

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

939 A Set of Ten Mahogany Hepplewhite Style Dining Chairs, early 20th century, including two carvers, with flowerbell carved top rails above pierced splats and blue upholstered serpentine shaped seats, raised on stop-fluted tapering forelegs with block feet, singles 55cm by 45cm by 91cm, carvers 61cm by 47cm by 94cm £700 - 1000 (plus 24% BP*) 940 A Set of Twelve Carved Mahogany Dining Chairs, attributed to R Strahan of Dublin, late 19th century, in George II style, upholstered in close-nailed red leather, with gothic tracery carved splats above serpentine shaped seat rails and raised on cabriole forelegs, including two carvers, singles 56cm by 49cm by 94cm, carvers 60cm by 52cm by 96cm £2000 - 3000 (plus 24% BP*) 941 A Set of Eight Mahogany Dining Chairs, late 19th/early 20th century, including two carvers, with fluted and scrolled pierced splats and orange velvet drop-in seats, raised on fluted forelegs joined by an H stretcher, singles 56cm by 48cm by 96cm, carvers 62cm by 49cm by 99cm £400 - 600 (plus 24% BP*) 942 No Lot

939 (part)

940

w w w.t e n n a n t s .c o.u k 229

FURNITURE

946 A Mahogany and Brass Inlaid Tables à Ouvrage, late 19th century, in Louis XVI style, with hinged lid enclosing a rosewood banded interior with mirror and red velvet lined base, raised on fluted tapering legs joined by a shelf with foliate mounts and claw feet, 40cm by 76cm £400 - 600 (plus 24% BP*) 947 A 19th Century Kingwood, Rosewood and Tulipwood Nécessaire, in Louis XV style, the hinged lid raised on cabriole forelegs joined by a shelf with gilt foliate mounts and sabots, 32cm by 25cm by 72cm £300 - 500 (plus 24% BP*) 948 A Louis XIV Style Rosewood and Gilt Metal Mounted Vitrine, circa 1900, with red velvet lined interior, the base painted with three panels depicting a courting couple in a landscape with rococo style metal mounts, raised on cabriole legs terminating in sabots, 74cm by 39cm by 177cm £800 - 1200 (plus 24% BP*) 945 (part)

943 A Set of Eight Late George III Mahogany Dining Chairs, including two carvers, with curved top rails and vertical splats, recovered in yellow silk damask, raised on square tapering legs joined by an H stretcher, singles 52cm by 43cm by 85cm, carvers 54cm by 46cm by 83cm £500 - 700 (plus 24% BP*)

944 A Set of Ten George III Style Carved Mahogany Dining Chairs, late 19th/early 20th century, with gothic style carved splats above floral needlework overstuffed drop-in seats, raised on acanthus carved cabriole forelegs with ball and claw feet, 59cm by 48cm by 104cm £600 - 800 (plus 24% BP*)

945 A Near Set of Twelve Victorian Mahogany Balloon Back Dining Chairs, circa 1870, with carved top rails and blue velvet overstuffed seats, raised on cabriole forelegs, 47cm by 45cm by 95cm £700 - 1000 (plus 24% BP*)

946

230

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

949 A Louis XV Style Kingwood, Tulipwood and Gilt Metal Mounted Jardinière, late 19th century, with a pierced brass gallery above floral porcelain oval plaques, raised on a serpentine shaped base with compressed feet, 42cm by 30cm by 19cm; and A Louis XV Style Kingwood and Gilt Metal Mounted Planter, late 19th century, with rococo style handles and a blue Sèvres style porcelain plaque above a plinth base, 44cm by 32cm by 21cm (2) £400 - 600 (plus 24% BP*) 950 A Louis XV Style Kingwood and Gilt Metal Mounted Two Drawer Commode, late 19th/ early 20th century, with a Breche d’Alep marble serpentine shaped top above two deep drawers with rococo style mouldings, raised on cabriole legs with acanthus cast mounts terminating in sabots, 150cm by 59cm by 88cm £1000 - 1500 (plus 24% BP*)

950

951 A 19th Century Tulipwood, Rosewood and Ormolu Mounted Breakfront Cabinet, in Louis XV style, the staged top inset with five porcelain panels depicting 18th century figures and flowers, the base with glazed doors and sides enclosing a faded green fabric interior, raised on a platform base, 132cm by 48cm by 158cm £2000 - 3000 (plus 24% BP*) 952 No Lot

948

951

w w w.t e n n a n t s .c o.u k 231

FURNITURE

953  A French Giltwood Pier Table, 19th century, of Louis XVI design, the green and white marble breakfront top above a frieze carved with interlaced roundels, raised on acanthus carved stop-fluted legs with united stretchers centred by an urn, 91cm by 44cm by 84cm £1000 - 1500 (plus 24% BP*)

953

954

954  A Louis XV Kingwood and Rosewood Three Drawer Commode, late 18th century, with a grey and white Carrara marble top of serpentine shaped form above two short and one long drawer with rococo cast handles, raised on cabriole legs with gilt foliate mounts and sabots, 110cm by 52cm by 83cm £2000 - 3000 (plus 24% BP*) 955 A French Louis XV Style Rosewood, Tulipwood and Parquetry Decorated Meuble d’Appui, late 19th century, the drawer stamped Edwards & Roberts, the upper section with glazed doors enclosing a velvet lined interior above a secretaire drawer with brown suede writing surface and tulipwood crossbanded drawers, with two glazed drawers below and arched apron, gilt foliate mounts throughout, 83cm by 40cm by 147cm £1500 - 2000 (plus 24% BP*)

955

232

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

956 An Early Louis XV Kingwood and Ormolu Mounted Bureau Plat, early 18th century, the serpentine shaped top with inset brown and gilt leather skiver above five frieze drawers and opposing sham drawers, the sides quarter-veneered with Bacchic masks, raised on cabriole legs headed by foliate mounts and terminating in sabots, 140cm by 71cm by 78cm £5000 - 7000 (plus 24% BP*)

956 (detail)

957  A Louis XVI Style Mahogany and Gilt Metal Mounted Bureaux à Cylindre, 19th century, with a grey and white marble top with pierced gallery above three drawers, the interior with a pull-out green leather writing surface with three drawers above, the base of four drawers around an arched kneehole, raised on fluted tapering legs, 135cm by 62cm by 118cm £500 - 700 (plus 24% BP*)

959

958  A Charles X Maplewood Table-de-Milleu, early 19th century, with an Egyptian red porphyry slab within a gilt bronze surround, raised on square supports with capital mounts and block feet, 107cm by 61cm by 75cm £500 - 700 (plus 24% BP*)

959  A French Louis XV Style Rosewood, Kingwood and Tulipwood Two Drawer Commode, 19th century, the rouge griotte marble serpentine top above two parquetry decorated drawers, raised on cabriole legs with foliate mounts terminating in sabots, 102cm by 49cm by 88cm £1000 - 1500 (plus 24% BP*) 960 A Victorian Figured Walnut, Tulipwood Banded and Gilt Metal Mounted Foldover Card Table, 3rd quarter 19th century, in Louis XV style, of serpentine shaped form with baize lined interior above a shaped frieze centred by a gilt metal beaded mask, raised on cabriole legs with caryatid mounts terminating in scrolled sabots, 89cm by 43cm by 79cm £800 - 1200 (plus 24% BP*) 961 A Louis XVI Transitional Style Rosewood and Gilt Metal Mounted Open Bookcase, late 19th century, of oval form with green leather top above open shelves and fluted supports with gilt metal mounts and sabots, 73cm by 54cm by 85cm For a similar example see Christie’s, Sale 7560, Lot 318

961

£1200 - 1800 (plus 24% BP*) w w w.t e n n a n t s .c o.u k 233

FURNITURE

962 A French Louis XV Style Kingwood, Tulipwood and Parquetry Decorated Table d’Appui, the superstructure with three-quarter pierced brass gallery above a cupboard door with a blue Sèvres style porcelain panel flanked by six small drawers, the pull-out drawer with hinged writing surface, raised on cabriole legs with foliate mounts and sabots, 91cm by 54cm by 103cm £1000 - 1500 (plus 24% BP*) 963 A 19th Century Mahogany, Kingwood and Gilt Metal Mounted Jardinière Table, in Louis XV style, with a pierced gallery above two hinged compartments and eight Sèvres style floral porcelain plaques, raised on cabriole legs with foliate mounts and sabots, 69cm by 42cm by 84cm £800 - 1200 (plus 24% BP*)

963

964

964  A Pair of 19th Century Giltwood Pier Tables, of Régence design, the bowed Egyptian porphyry marble tops with therm shaped supports with flowerheads and pendant harebells joined by scrolled stretchers centred by urns, 94cm by 40cm by 79cm £2000 - 3000 (plus 24% BP*) 965 A Pair of Green Alabaster Onyx Gilt Metal Pedestals, late 19th/early 20th century, the square platform tops above leaf cast capitals and cylindrical columns, raised on square bases with leaf cast mounts, 26cm by 26cm by 124cm £400 - 600 (plus 24% BP*) 966 A Regency Carved Giltwood and Gesso Convex Mirror, early 19th century, with an ebonised slip within a ball surmounted frame headed by an eagle, flanked by cornucopia vases, 115cm by 77cm For similar mirrors see Schiffer (Herbert F) The Mirror Book, English, American and European, pg.230-231

£600 - 800 (plus 24% BP*) 965 234

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

966

967

967 A George III Style Carved Giltwood Mirror, the oval plate with an acanthus frame and C scroll plume and apron, 130cm by 86cm £400 - 600 (plus 24% BP*)

968

970 A Waring & Gillows Walnut and Parcel Gilt Pier Glass, in George III style, with scrolled pediment headed by a griffin standing on acanthus leaves, 122cm by 57cm £300 - 500 (plus 24% BP*)

968  A Régence Style Gilt and Gesso Marginal Mirror, mid 19th century, the flowerhead frame with acanthus leaves and grotesque masks, surmounted by a moulded pediment and radiating plume, 194cm by 100cm £1000 - 1500 (plus 24% BP*)

971 A Regency Gilt and Gesso Overmantel Mirror, early 19th century, with three bevelled plates below a relief decorated panel of classical figures, a chariot and putti, all between ropetwist spiral supports, 130cm by 76cm £350 - 550 (plus 24% BP*)

969 A Regency Gilt and Gesso Pier Glass, early 19th century, with a breakfront ball surmounted pediment above a verre eglomise decorated panel with rectangular mirror plate below all between reeded pilasters, 55cm by 91cm £300 - 500 (plus 24% BP*)

972

972 A Regency Mahogany and Ebony Strung Cheval Mirror, early 19th century, the mercury rectangular plate supported by reeded columns raised on splayed legs with brass hairy paw feet and castors, 74cm by 62cm by 168cm £500 - 700 (plus 24% BP*)

w w w.t e n n a n t s .c o.u k 235

FURNITURE

973 A Louis XV Style Carved Giltwood Mirror, 19th century, the bevelled glass plate within an acanthus scrolled frame headed by a decorative plume, 144cm by 83cm £700 - 1000 (plus 24% BP*) 974 A George III Gilt and Gesso Oval Pier Glass, late 18th century, the ropetwist frame surmounted by an urn of flowers joined by flowerbells, 121cm by 47cm £400 - 600 (plus 24% BP*) 975 A Pair of 19th Century Gilt and Gesso Mirrors, the oval plates within a leafy border with three shelves supported by a scrolled bracket headed by an architectural pediment decorated with an urn and scrolls, 93cm by 34cm £400 - 600 (plus 24% BP*) 976 A Victorian Gilt and Gesso Overmantel Mirror, circa 1870, the original mirror plate within a stiff leaf and vacant cartouche decorated frame headed by an acanthus scroll plume, 170cm by 140cm £550 - 750 (plus 24% BP*)

973

977

977 A George II Carved Giltwood Looking Glass, circa 1730, the mercury plate within a rockwork frame with an acanthus and C scroll apron headed by a pierced shell plume, 96cm by 52cm £400 - 600 (plus 24% BP*)

978 A George II Walnut and Carved Giltwood Pier Glass, 2nd quarter 18th century, the bevelled glass mercury plate within a carved border, 75cm by 60cm £300 - 500 (plus 24% BP*) 979 A Pair of George III Carved Giltwood Two-Branch Girandoles, circa 1760, of asymmetric form, the rococo frame with two small shelves, the top surmounted by a ho-ho bird, 120cm by 73cm For similar mirrors see Schiffer (Herbert F) The Mirror Book, English, American, and European, pg.266

£4000 - 6000 (plus 24% BP*) 980  An Adam Style Gilt and Gesso Overmantel Mirror, early 19th century, with mercury plate and fluted pilasters, the top centred by a ram’s head joined by flowerbells surmounted by an urn and finials, 118cm by 146cm £500 - 700 (plus 24% BP*)

979

236

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 18 NOVEMBER AT 10.00AM

980

981  An 18th Century Italian Rectangular Wall Mirror, the carved, gilded and brown painted frame carved with caryatids and putti, 58cm by 43cm; and A Very Similar Example, 59cm by 39cm (2) £300 - 500 (plus 24% BP*) 982  A Regency Gilt and Gesso Wall Mirror, early 19th century, the architectural pediment above an urn joined by flowerbells with a balustrade frieze below, the rectangular mirror plate above a gadrooned shelf, 115cm by 57cm £300 - 500 (plus 24% BP*)

983

983  A Rectangular Pier Glass, of Chippendale Director design, the carved giltwood and gesso frame with scrolling foliage, fretwork and other rococo motifs surmounted by a ho-ho bird beneath an acanthus foliate cresting with shell below, 170cm by 93cm £2000 - 3000 (plus 24% BP*) 984  A Pair of 19th Century Italian Gilt and Gesso Wall Glasses, the rectangular bevelled plates within ebonised still leaf carved borders raised on paw feet, the bold pediment surmounted by an acanthus decorated plume, 66cm by 40cm £700 - 1000 (plus 24% BP*)

984

985 A Pietra Dura Circular Dining Table Top, of recent date, made up of various marble specimens in a geometric pattern surrounded by a red and white marble border, 123cm diameter £700 - 1000 (plus 24% BP*)

w w w.t e n n a n t s .c o.u k 237

FURNITURE

986 A Pietra Dura Rectangular Table Top, in 16th century style, made up of various marble samples with geometric patterns and figures in a landscape, 151cm by 91cm £1000 - 1500 (plus 24% BP*) 987 A Pietra Dura Florentine Style Rectangular Table Top, of recent date, decorated with assorted marbles of fruit, flowers and birds, 180cm by 120cm £2000 - 3000 (plus 24% BP*) 988 A Chinese Huanghuali Marble Top Two-Tier Side Table, 19th century, the decorative pierced frieze above a shelf, on square form legs with carved claw feet, 41cm by 30.5cm by 80.5cm £500 - 700 (plus 24% BP*) 989 A Late 19th Century Japanese Hall Stand, bearing French label Dai Nippon Fabricant A Paris No 3 & 5 Bould Des Capucines, with five brass coat hooks and a pagoda top, exotic bird panels decorated with flowers and birds made from bone, a small shelf fitted with a drawer and two undertiers to receive sticks with drip tray below, 82cm by 30cm by 235cm £700 - 1000 (plus 24% BP*) 990 A Set of Four Chinese Hardwood and Crossbanded Nesting Tables, 20th century, of graduated rectangular form with decorative brackets, raised on square form legs with horseshoe feet joined by humped stretchers, the largest 47cm by 34cm by 64cm £300 - 500 (plus 24% BP*)

989

238

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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w w w.t e n n a n t s .c o.u k 239

Summer Sale Results 15 July 2017

240

Lot Price

£750

£550

£600

144

£650

191

£160

£450

£4,200

£1,600

145

£550

193

£600

£2,600

£1,800

146

£450

194A

£550

£1,100

£850

£8,000

147

£1,000

195

£800

£2,200

£5,200

100

£250

148

£1,100

196

£1,600

£3,600

£480

101

£16,000

149

£2,300

197

£280

£2,200

£480

102

£2,000

150

£1,500

198

£1,400

£650

£2,200

103

£1,000

151

£600

199

£650

£2,400

£1,100

104

£600

153

£6,000

200

£3,000

£2,600

£2,800

105

£250

154

£420

201

£180

£1,100

£4,000

106

£650

155

£420

202

£140

£2,200

£5,000

107

£3,800

156

£280

203

£420

£380

£4,800

108

£4,000

157

£2,000

205

£500

£1,100

£500

109

£1,200

158

£500

206

£950

£8,800

£600

110

£1,300

159

£550

207

£400

£1,000

£600

111

£1,400

160

£1,100

208

£280

£3,000

£1,100

112

£2,200

161

£550

209

£350

£3,000

£7,200

113

£1,600

162

£280

210

£380

£750

£2,000

114

£600

163

£450

211

£400

£2,400

£1,300

117

£4,200

164

£750

212

£500

£480

118

£9,200

165

£800

213

£1,400

£500

£350

119

£850

166

£280

214

£2,400

£7,000

£1,000

121

£1,000

167

£2,200

215

£3,200

£4,500

£1,000

122

£8,000

168

£550

217

£650

£2,400

£1,600

123

£5,500

169

£800

218

£450

£550

£7,500

124

£900

170

£320

220

£480

£600

£1,600

125

£650

171

£750

221

£250

£420

£2,000

126

£800

172

£1,300

222

£300

£280

£1,700

127

£3,000

174

£300

223

£220

£4,000

£1,100

128

£1,400

175

£200

225

£700

£750

£1,400

129

£3,000

176

£1,200

227

£2,200

£400

£3,600

130

£2,200

178

£1,100

228

£800

£1,500

£1,100

131

£3,200

179

£1,000

229

£2,000

£380

£2,800

132

£320

180

£1,100

230

£900

£800

£2,800

134

£350

181

£1,500

232

£1,850

£1,800

£6,500

135

£180

182

£1,100

233

£600

£2,200

£380

136

£850

183

£1,000

234

£1,700

£750

£650

138

£600

184

£1,000

235

£1,100

£3,600

£2,800

139

£380

185

£300

236

£2,100

£380

£5,000

140

£1,300

187

£480

237

£1,400

£1,200

£1,100

141

£1,100

188

£4,000

239

£380

£700

£1,200

142

£420

190

£380

240

£1,000

e n q u i r y @ t e n n a n t s - l t d .c o.u k

Lot Price

241

£600

293

£900

344

£420

403

£400

466

£2,900

242

£750

294

£1,400

345

£2,100

404

£350

468

£300

244

£900

295

£5,500

346

£850

405

£750

469

£700

245

£850

297

£2,800

347

£800

407

£800

470

£5,200

247

£200

298

£900

349

£380

408

£800

471

£900

248

£1,000

299

£1,100

350

£600

410

£900

474

£450

249

£950

300

£2,800

351

£750

412

£4,800

475

£300

250

£1,500

301

£400

352

£650

413

£1,000

476

£680

251

£1,000

302

£1,000

353

£380

414

£9,000

477

£480

252

£900

304

£480

356

£1,200

416

£2,300

478

£5,500

253

£1,100

306

£380

358

£400

417

£500

479

£1,700

254

£750

307

£700

359

£420

418

£2,800

480

£500

255

£3,800

308

£1,100

361

£1,200

419

£1,800

481

£900

256

£650

309

£350

362

£210

420

£750

482

£7,800

257

£950

310

£170

363

£2,600

421

£750

484

£1,100

261

£850

311

£350

365

£500

423

£600

485

£450

263

£1,600

313

£6,000

367

£480

424

£500

486

£1,200

264

£1,000

314

£700

368

£1,300

426

£800

488

£280

265

£1,600

316

£450

370

£650

427

£400

489

£950

267

£1,000

317

£3,500

371

£1,500

431

£2,500

490

£250

268

£1,200

318

£2,300

372

£650

433

£1,100

492

£1,000

270

£420

319

£420

373

£550

434

£2,700

493

£550

271

£550

320

£380

374

£2,400

436

£320

494

£1,500

272

£1,150

321

£850

375

£1,300

437

£500

495

£1,500

273

£1,200

324

£280

376

£3,800

438

£550

496

£480

274

£1,000

326

£450

377

£1,600

440

£2,500

499

£750

276

£2,000

327

£1,050

378

£3,000

441

£850

500

£850

277

£7,500

328

£350

381

£850

443

£850

501

£950

279

£1,100

329

£800

383

£950

444

£4,000

502

£3,900

280

£900

330

£420

386

£1,000

445

£480

505

£8,500

281

£950

332

£320

387

£450

446

£900

506

£7,800

282

£600

333

£900

388

£1,000

447

£300

507

£5,000

283

£700

334

£3,000

390

£280

450

£550

508

£400

284

£700

335

£850

391

£1,400

451

£500

509

£700

285

£3,800

336

£2,600

392

£1,200

452

£500

510

£3,000

286

£800

337

£600

393

£650

454

£1,100

511

£750

287

£1,500

338

£400

394

£1,700

456

£700

515

£500

288

£3,000

339

£800

397

£1,200

458

£360

516

£280

289

£6,000

340

£480

398

£380

459

£550

517

£900

290

£5,000

341

£2,300

400

£2,100

461

£500

519

£90

291

£2,100

342

£1,600

401

£1,200

462

£1,000

520

£480

292

£8,000

343

£750

402

£950

463

£1,800

521

£550

Summer Sale Results 15 July 2017

w w w.t e n n a n t s .c o.u k 241

Summer Sale Results 15 July 2017

242

Lot Price

522

£750

568

£120

612

£380

654

£220

699

£1,000

523

£200

569

£250

613

£220

655

£300

700

£800

524

£180

570

£200

614

£220

656

£250

701

£700

525

£300

571

£320

615

£1,000

657

£220

702

£1,000

526

£220

572

£190

616

£300

658

£200

703

£1,000

527

£250

573

£320

617

£350

659

£250

705

£500

528

£180

574

£380

618

£420

660

£200

706

£180

529

£300

575

£550

619

£280

661

£200

707

£140

530

£1,000

576

£450

620

£300

662

£180

708

£100

531

£300

577

£280

621

£200

663

£180

709

£280

532

£1,100

578

£500

622

£600

664

£200

710

£250

533

£900

579

£1,200

623

£140

665

£180

711

£160

534

£400

580

£3,700

624

£200

666

£200

712

£280

535

£1,400

581

£4,100

625

£2,400

667

£200

713

£450

536

£800

582

£1,600

626

£400

668

£220

714

£420

537

£1,000

583

£2,900

627

£2,400

669

£180

715

£900

539

£6,500

584

£3,500

628

£380

670

£250

716

£280

540

£2,300

585

£1,700

629

£2,200

671

£180

718

£500

541

£850

586

£900

630

£450

672

£220

719

£300

542

£250

588

£750

631

£1,800

673

£180

720

£350

543

£220

589

£600

632

£280

674

£220

721

£320

544

£400

590

£550

633

£1,900

676

£180

722

£500

545

£700

591

£2,000

634

£420

677

£140

723

£550

546

£6,000

592

£350

635

£2,000

678

£350

724

£180

547

£5,000

593

£420

636

£280

679

£480

725

£900

549

£1,100

595

£360

637

£2,200

680

£220

729

£400

551

£400

596

£500

638

£350

681

£650

730

£4,400

552

£220

597

£640

639

£1,600

682

£650

731

£600

553

£1,400

598

£480

640

£2,200

683

£90

732

£3,100

554

£300

599

£1,200

641

£500

684

£650

733

£4,000

555

£280

600

£350

642

£550

685

£700

735

£600

557

£1,200

601

£280

643

£950

686

£250

737

£750

558

£800

602

£400

644

£750

687

£200

738

£420

559

£2,200

603

£350

645

£1,200

688

£400

739

£850

560

£850

604

£190

646

£1,300

689

£220

740

£1,700

561

£1,800

605

£400

647

£1,000

691

£450

741

£1,800

562

£320

606

£150

648

£900

692

£300

742

£500

563

£280

607

£160

649

£480

693

£1,400

743

£3,300

564

£1,700

608

£320

650

£450

695

£250

744

£1,500

565

£480

609

£550

651

£550

696

£80

745

£2,000

566

£400

610

£380

652

£400

697

£60

746

£1,100

567

£190

611

£550

653

£280

698

£110

747

£1,200

e n q u i r y @ t e n n a n t s - l t d .c o.u k

Lot Price

750

£1,200

802

£3,500

852

£400

902

£400

957

£3,500

752

£3,000

803

£950

853

£750

903

£500

958

£1,100

753

£750

805

£550

854

£480

904

£380

959

£1,600

755

£700

806

£600

855

£800

905

£1,300

962

£220

756

£1,400

807

£1,300

856

£250

906

£1,200

963

£9,000

757

£600

808

£1,400

857

£1,900

907

£380

964

£5,200

758

£3,200

809

£480

858

£1,600

908

£1,300

965

£2,600

759

£2,500

810

£380

859

£450

909

£750

966

£1,800

760

£400

811

£700

860

£650

911

£380

967

£320

761

£1,100

812

£850

863

£250

912

£4,400

968

£1,300

762

£900

813

£280

864

£700

913

£5,000

970

£350

763

£290

814

£550

865

£700

915

£1,200

971

£520

764

£550

815

£550

866

£360

916

£1,600

973

£380

766

£90

816

£600

867

£380

918

£800

976

£1,200

767

£350

817

£2,300

868

£480

919

£4,000

977

£480

768

£350

818

£450

869

£1,100

920

£1,300

980

£1,700

769

£600

822

£900

870

£1,000

921

£7,500

981

£1,100

770

£1,600

823

£3,500

871

£380

922

£850

982

£380

771

£1,100

824

£450

872

£850

923

£2,700

983

£1,100

772

£600

826

£400

873

£1,000

924

£700

984

£600

774

£350

827

£1,050

875

£1,050

926

£3,400

985

£550

775

£850

828

£700

876

£2,300

927

£950

986

£550

776

£800

830

£500

877

£3,200

928

£1,900

987

£3,500

777

£900

831

£280

878

£1,500

929

£2,500

988

£1,200

778

£350

832

£400

879

£500

931

£4,200

989

£950

779

£480

833

£800

880

£1,500

932

£1,400

992

£900

780

£1,300

834

£800

881

£1,000

933

£300

781

£950

836

£900

883

£1,600

936

£1,200

782

£200

837

£600

884

£420

937

£650

783

£1,900

838

£700

886

£500

938

£1,700

784

£550

839

£750

887

£320

939

£2,700

786

£750

840

£1,200

888

£2,200

940

£2,000

788

£1,100

841

£1,200

889

£600

941

£500

789

£420

843

£1,200

890

£1,200

942

£700

790

£450

844

£3,400

892

£1,400

943

£5,000

791

£850

845

£550

893

£1,600

945

£1,700

792

£750

846

£600

894

£1,400

946

£1,400

794

£1,100

847

£480

895

£750

947

£700

795

£6,200

848

£750

898

£750

948

£750

797

£2,800

849

£2,300

899

£2,000

950

£280

800

£1,200

850

£2,800

900

£950

952

£5,000

801

£550

851

£550

901

£750

956

£36,000

Summer Sale Results 15 July 2017

w w w.t e n n a n t s .c o.u k 243

Terms of Business

GENERAL

4. Disputes

1. Definition

Any dispute not herein proved for shall be settled at the sole discretion of TENNANTS.

Auctioneer reserves the right to bid on behalf of the vendors for any lot and to withdraw, consolidate or divide any lot or lots.

THE SELLER

7. Registration

5. Payment

Prospective buyers need to register before the sale, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/ passport), a valid debit or credit card and a copy of a utility bill or a document showing their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. This card may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

TENNANTS OF YORKSHIRE FINE ART AND ANTIQUE AUCTIONEERS LTD are referred to as TENNANTS throughout these Terms of Business. The representative of TENNANTS conducting the auction is referred to as the “Auctioneer” 2. Attribution and Condition of Lots Every effort is made to ensure the accuracy of any statement as to authorship, attribution, origin, date, age, provenance and condition of any lot whether or not such statement forms part of the description of any such lot. Whether any such statement is made orally or in the catalogue it is an expression of opinion given after careful consideration and research. Each buyer by making a bid for a lot acknowledges that they have satisfied themselves fully as to the attribution and condition of the lot. In respect of pictures, it should be noted that these have not been removed from their frames unless specifically mentioned in the Condition Report. If any damage is done to any lot at the viewing or before, during or after the sale, such damage shall be made good by the person committing such damage, principals being responsible for the acts of their servants, such damage to be assessed by the TENNANTS. 3. Third Party Liability Every person on TENNANTS premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against TENNANTS in respect of any injury they may sustain or any accident which may occur.

244

The “net sale proceeds” received from the buyer in cleared funds will be forwarded to the vendor no later than 28 working days after the auction (TENNANTS endeavour to settle non-catalogue sales within 14 working days after the auction). Where the buyer makes a payment more than 23 working days after the auction TENNANTS shall send to the vendor the “net sale proceeds” within 5 working days of receipt of cleared funds. The “net sale proceeds” are the hammer price less commission and expenses set out in the Property Receipt and Instruction Form. The vendor waives any right to interest that may be earned during the period from payment by the buyer to receipt of the “net sale proceeds” by the vendor. THE BUYER 6. The Buyer The highest bidder acknowledged as such by the Auctioneer will be the buyer. If any dispute arises, the Auctioneer shall have absolute discretion to settle the matter. The Auctioneer shall rule the bidding and no bid shall be retracted. The Auctioneer reserves the right to refuse any bid. The bidder in the room who is successful in purchasing any lot or lots is entirely responsible for paying for such lot or lots in accordance with TENNANTS Terms of Business. Purchases made on behalf of a third party are entirely the responsibility of the bidder in the room. The

8. Buyer’s Premium A buyer’s premium of 17.5% of the hammer price is payable on each lot in Antiques and Interiors sales, 18.5% in Specialist sales and 20% in Fine Art sales. The buyer’s premium is subject to VAT at the current rate. 9. Value Added Tax All charges are subject to VAT at the current rate. 10. Auctioneers’ Margin Scheme The Auctioneers Margin Scheme allows auctioneers to sell items without VAT on the hammer price. Under the Auctioneers Margin Scheme an amount equivalent to VAT at the current rate is added to the buyer’s

e n q u i r y @ t e n n a n t s - l t d .c o.u k

premium. This amount cannot be refunded. The VAT element will not be shown separately on the buyer’s invoice. 11. Payment Payment is due immediately after the auction in pounds sterling. The following methods of payment may be used: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of £9,000. Wire transfers should be sent to: Barclays Bank, High Row, Darlington, DL3 7QS Sort Code: 20-25-29 Account no: 30874329 Account name: Tennants Auctioneers Client account IBAN: GB37BARC20252930874329 SWIFTBIC: BARCGB22 Credit cards: Visa or Mastercard for which there is a 1.3% surcharge plus VAT Card payments where the card holder is not present will only be accepted for transactions up to £500. Payment can be made and purchases collected during the auction. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale. 12. Internet Bidding A charge of 3% will be levied on all items purchased by this method. 13. Ownership of Purchases The ownership of the lot(s) purchased will not pass to the buyer until the buyer has paid TENNANTS in full the total

amount due and TENNANTS have applied such payment to the lot. 14. Transfer of Risk Each lot shall be the buyer’s sole responsibility from the fall of the hammer and shall be sold with all faults and imperfections, TENNANTS not being responsible for the correct description, genuineness or authenticity of any lot and making no warranty whatsoever. The buyer is deemed to have inspected each lot and satisfied himself as to its condition. In specific circumstances, a lot incorrectly described which proves to be a forgery may be returned to TENNANTS within 14 days of the sale and a full refund made. 15. Commission Bids If instructed, TENNANTS will execute bids and advise prospective buyers. This service is free. Lots will always be purchased as cheaply as is allowed by such other bids and reserves as are on the Auctioneer’s book. In the event of identical bids, the earliest will take precedence. There must always be a maximum limit indicated, ie the amount to which the buyer would bid if they were attending the auction themself. “Buy” or unlimited bids will not be accepted. Commission bids placed by telephone are accepted at the client’s risk. TENNANTS urge their clients to place such commission bids within one hour of the close of the view day. 16. Telephone Bids Requests for telephone bidding must be registered one hour prior to the close of the view day. We will not accept requests on sale days. Lines are booked on a first come first

served basis and are subject to a minimum lot value of £500. Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line. If we are unable to contact you we will bid up to the lower estimate on your behalf. 17. Absentee Bidding Whilst every effort will be made to execute absentee bidding, TENNANTS cannot be held responsible for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the prospective buyer’s risk. 18. Storage and Collection Please note furniture, carpets, clocks and larger works of art lots will remain in the salerooms for seven working days following each sale, after which they will be removed to store and arrangements for collection must be made in advance. Storage charges will be levied on all lots not collected within fourteen days of the sale. This will include a handling fee of £5 per consignment as well as a storage charge of £5 per lot per day. No goods may be collected until these charges have been paid. DROIT DE SUITE ROYALTY CHARGES From 14 February 2006 all United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died with the last 70 years. This payment is calculated on qualifying works of art which are sold for a hammer price more than the UK

sterling equivalent of €1,000 (the UK sterling equivalent will fluctuate in line with prevailing exchange rates. It is the responsibility of the buyer to acquaint themselves with the actual Euro to UK sterling exchange rate on the day of the sale. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk. All items in this catalogue that are marked with “” are potentially qualifying items, and the royalty charge will apply if the hammer price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these charges will be retained by the auctioneer. The royalty charge for qualifying items which achieve a hammer price of more than the UK sterling equivalent of €1,000 is as follows: Up to €50,000 - 4% €50,000.01 to £200,000 - 3% €200,000.01 to €350,000 - 1% €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% For further information please visit www.dacs.org.uk or www.artistscollectingsociety. org. There is no VAT payable on this royalty charge.

w w w.t e n n a n t s .c o.u k 245

Autumn Fine Art Sale

The Auction Centre, Leyburn North Yorkshire DL8 5SG

Bidding Slip

Telephone: 01969 623780 Facsimile: 01969 624281 enquiry@tennants-ltd.co.uk www.tennants.co.uk

Date of Sale: Saturday 18 November 2017 Lot No

Description

Maximum bid (excluding Premium)

I authorise Tennants to bid on the above listed lot(s) on my behalf. (Please refer to the Standard Terms of Business and Special Notices in this Catalogue).

Name.................................................................................................................................................................................................................... Address................................................................................................................................................................................................................ ............................................................................................................................................................................................................................ .................................................................................................Post Code............................................................................................................ Telephone............................................................................................................................................................................................................. Email.................................................................................................................................................................................................................... Signature..............................................................................................................................................................................................................

w w w.t e n n a n t s .c o.u k 247

Lot 583

The Auction Centre, Leyburn, North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk