Woolley & Wallis Asian Art I by Auction Technology Group

WOOLLEY & WALLIS SALISBURY SALEROOMS

威立士

Asian Art i Tuesday 14th November 2017

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

Asian Art John Axford MRICS ASFAV Jeremy Morgan Alex Aguilar Doméracki Freya Yuan-Richards Marta Olszewska

424506 +44 (0)7812 601098 424583 424589 424591

English & European Ceramics & Glass Clare Durham

424507

Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

Marketing Lyndsey Harvey Tamzin Corbett

424590 424590

Accounts Janice Clift (Office Manager)

424500

Furniture, Works of Art & Clocks Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

Jewellery Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

Saleroom Manager David Jordan

Paintings Victor Fauvelle Jo Butler

424503 424592

Board of Directors Paul Viney ASFAV Chairman

Silver Rupert Slingsby Lucy Chalmers

424501 424594

20th Century Design Michael Jeffery Zoe Smith

424505 329477

Tribal Art & Antiquities Will Hobbs Gemma Bush

339752 339752

Arms & Armour, Coins & Medals Ned Cowell Gemma Bush

341469 341469

General Office Pauline Jones Sharon Ringwood Nicola Young Hollie Grubb

424500

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director Company Secretary Natalie Milsted FCCA Associate Directors Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Catalogue £20.00 (£25.00 by post) (£30.00 by post outside Europe)

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424500

424599

Asian Art i

亞洲藝術品 I

Tuesday 14th November 2017 at 10.30am Viewing in London (Highlights) 17 Clifford Street 2nd Floor W1S 3RQ Saturday 4th November Sunday 5th November Monday 6th November Tuesday 7th November

10.00am– 6.00pm 11.00am– 4.00pm 10.00am– 8.00pm 10.00am– 4.00pm

Viewing in Salisbury Saturday 11th November 10.00am– 1.00pm Monday 13th November 9.00am– 5.30pm Tuesday 14th November 9.00am– 10.30am

John Axford +44 (0)1722 424506 jea@woolleyandwallis.co.uk

Jeremy Morgan +44 (0)7812 601098 jm@woolleyandwallis.co.uk

Alex Aguilar Doméracki +44 (0)1722 424583 aad@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 買家佣金每件拍品收取25%的買家佣金+增值稅（20%）

Telephone Bidding Requests for telephone bidding cannot be accepted after 12 noon GMT on Monday 13th November. All online bidders will be required to pay a deposit of £5,000. This deposit will allow the online bidder to bid up to a maximum of £50,000 in total at this auction

Freya Yuan-Richards +44 (0)1722 424589 fyr@woolleyandwallis.co.uk

www.the-saleroom.com

Please note there is a 3% plus VAT surcharge for using this service 網上競投服務平台會有3%額外手續費（+VAT稅）

Marta Olszewska +44 (0)1722 424591 mo@woolleyandwallis.co.uk

新浪微博 @艾思福

Lots 72 & 71

SPECIAL ASIAN ART NOTICES Restricted Bidding If you wish to bid at this auction you will need to register and provide proof of identity and of your address and provide photographic ID. You may be asked to pay a deposit of £5,000. Any deposit must be paid by debit card or bank transfer. Woolley and Wallis must have cleared funds no later than 12 noon GMT on Monday 13th November. If you are not successful you will be refunded (without interest) within seven working days. ALL ONLINE BIDDERS WILL BE REQUIRED TO PAY A DEPOSIT OF £5,000. THIS DEPOSIT WILL ALLOW THE ONLINE BIDDER TO BID UP TO A MAXIMUM OF £50,000 IN TOTAL AT THIS AUCTION 網絡競投需向本公司支付£5000押金，網上競投總金額的限額為£50,000。特別提示：競拍者須憑本人護照領取競投號牌，并預交保證金£5000。請務必妥善保管自己的競投號牌，不得將自己的競投號借於他人使用。若他人使用其號牌競投相應拍品，競買者需承擔全部法律責任。注：註冊拍賣截止時間為11月13日中午12點整。

Bank Transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Telephone Bidding Requests for telephone bidding cannot be accepted after 12 noon GMT on Monday 13th November. Condition of lots Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults. 品相報告競買人應於拍賣之前的預展中視察拍品。純為方便買家威立士可以在拍賣開始前提供品相報告，但未記載的品相報告並不代表其品相完美，如果您有需要請聯繫我們咨訊相關信息。

CHRONOLOGY OF CHINA 中國歷代年表

NEOLITHIC 新石器時代 c.6500-1700 BC XIA DYNASTY 夏 c.2100-1600 BC SHANG DYNASTY 商 c.1600-1100 BC ZHOU DYNASTY 周 c.1100-221 BC Western Zhou 西周 c.1100-771 BC Eastern Zhou 東周 770-256 BC Spring and Autumn Period 春秋 770-476 BC Warring States Period 戰國 475-221 BC QIN DYNASTY 秦 221-206 BC HAN DYNASTY 漢 206 BC-AD 220 Western Han 西漢 206 BC-AD 8 Eastern Han 東漢 AD 25-220 THREE KINGDOMS 三國 220-280 Wei 魏 220-265 Shu Han 蜀漢 221-263 Wu 吳 222-280 JIN DYNASTY 晉 265-420 Western Jin 西晉 265-317 Sixteen Kingdoms 十六國 304-439 Dong Jin 東晉 317-420 SOUTHERN DYNASTIES 南朝 420-589 Liu Song 劉宋 420-479 Southern Qi 南齊 479-502 Liang 梁 502-557 Chen 陳 557-589

NORTHERN DYNASTIES 北朝 386-581 Northern Wei 北魏 386-534 Eastern Wei 東魏 534-550 Western Wei 西魏 535-556 Northern Qi 北齊 550-577 Northern Zhou 北周 557-581 SUI DYNASTY 隋 581-618 TANG DYNASTY 唐 618-907 FIVE DYNASTIES 五代 907-960 Later Liang 後梁 907-923 Later Tang 後唐 923-936 Later Jin 後晋 936-946 Later Han 後漢 947-950 Later Zhou 後周 951-960 LIAO DYNASTY 遼 907-1125 SONG DYNASTY 宋 960-1279 Northern Song 北宋 960-1127 Southern Song 南宋 1127-1279 JIN DYNASTY 金 1115-1234 YUAN DYNASTY 元 1271-1368

MING DYNASTY 明 1368-1644 Hongwu 洪武 1368-1398 Jianwen 建文 1399-1402 Yongle 永樂 1403-1425 Hongxi 洪熙 1425 Xuande 宣德 1426-1435 Zhengtong 正統 1436-1449 Jingtai 景泰 1450-1456 Tianshun 天順 1457-1464 Chenghua 成化 1465-1487 Hongzhi 弘治 1488-1505 Zhengde 正德 1506-1521 Jiajing 嘉靖 1522-1566 Longqing 隆慶 1567-1572 Wanli 萬曆 1573-1620 Taichang 泰昌 1620 Tianqi 天啟 1621-1627 Chongzhen 崇禎 1628-1644 QING DYNASTY 清 1644-1911 Shunzhi 順治 1644-1661 Kangxi 康熙 1662-1722 Yongzheng 雍正 1723-1735 Qianlong 乾隆 1736-1795 Jiaqing 嘉慶 1796-1820 Daoguang 道光 1821-1850 Xianfeng 咸豐 1851-1861 Tongzhi 同治 1862-1874 Guangxu 光緒 1875-1908 Xuantong 宣統 1908-1911 REPUBLIC OF CHINA 中華民國 1912HONGXIAN (YUAN SHI KAI) 洪憲（袁世凱）1915-1916 PEOPLE’S REPUBLIC OF CHINA 中華人民共和國 1949-

Asian Art i

亞洲藝術品 I

Tuesday 14th November 2017 at 10.30am

Lot 55

1 A LARGE TIBETAN PARCEL-GILT LACQUERED BRONZE FIGURE OF THE BODHISATTVA PADMAPANI 13TH/14TH CENTURY Standing in tribhanga, his right hand stretched downwards in varadamudra, his downcast eyes inlaid with silver, wearing a dhoti, a five-leaf crown incorporating a small figure of Buddha and elaborate jewellery, his hair in a tall chignon with traces of pigment, 49.5cm.

£10,000-20,000 Provenance: from the collection of Dr J S Gordon, purchased from Spink & Son Ltd, on 11th June 1996, the original invoice is available. Cf. U Von Schroeder, Indo-Tibetan Bronzes, p.292, pl. XI for a related figure of Padmapani.

十三/十四世紀西藏鎏金銅蓮花手菩薩來源：J S Gordon收藏, 1996年6月11日購於Spink & Son Ltd（附發票）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

2 A RARE TIBETAN BRONZE PALA-STYLE FIGURE OF BUDDHA 12TH/13TH CENTURY Seated, meditating on a double lotus throne, wearing diaphanous robes, his right hand touches the ground in bhumisparshamudra, his left hand rests on his knee in dhyanamudra, his eyes and urna inlaid with silver, his lips with copper and ushnisha with a red jewel, 17cm.

£2,000-3,000 Provenance: from the collection of Dr J S Gordon, purchased from Spink & Son Ltd, on 12th July 1999, the original invoice is available. Cf. Spink & Son Ltd, Light of Compassion, Buddhist Art from Nepal and Tibet, 16th October 1997, p.16, no.5.

十二/十三世紀

尼泊爾鎏金銅佛坐像

來源：J S Gordon收藏, 1999年7月12日購於Spink & Son Ltd（附發票）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

3 A TIBETO-CHINESE GILT COPPER REPOUSSE FIGURE OF GREEN TARA 17TH/18TH CENTURY Seated, wearing an elaborate inlaid headdress and jewellery, raised on a lotus throne, 25cm.

£1,000-2,000 Provenance: from the collection of Dr J S Gordon.

十八世紀鎏金銅綠度母坐像來源：J S Gordon收藏

4 A JAIN VOTIVE BRONZE RELIEF PROBABLY 14TH/15TH CENTURY With a seated Jina on an elaborate throne flanked by smaller figures and beneath a canopy, the eyes, chest and elements of the throne inlaid in silver, the reverse with an inscription, together with a Sino-Tibetan parcel-gilt copper figure of a luohan and a deity with a horned antelope, 16cm max. (3)

£500-1,000 十四/十五世紀

銅製佛像及瑞獸一組三件

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

5 A TIBETAN HORN POWDER FLASK 18TH/19TH CENTURY Carved in the form of a mythical creature, decorated in shallow relief with further creatures both real and mythical including a boar, a toad, a Garuda clasping two snakes and Buddhist symbols, 19cm.

£500-1,000 Provenance: from the collection of Dr J S Gordon, purchased from Spink & Son Ltd, on 21st September 1994, the original invoice is available. Cf. Shanghai Museum, Treasures from Snow Mountains, p.206, no.116 for a comparable powder horn.

十八/十九世紀

角雕瑞獸杯

來源：J S Gordon收藏, 1994年9月21日購於Spink & Son Ltd（附發票）

6 A LARGE TIBETAN BRASS FLASK 19TH CENTURY Cast in the form of a toad, the front decorated with a double vajra and a lotus flower in roundels, the neck with a conch shell, with elements inlaid with coral and malachite and two handles with attached leather straps, all raised on a flared foot, 34cm.

£800-1,200 Provenance: from the collection of Dr J S Gordon, purchased from Spink & Son Ltd, on 12th November 1993, the original invoice is available.

十九世紀黃銅蟾蜍壺來源：J S Gordon收藏, 1993年11月12日購於 Spink & Son Ltd（附發票）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

7 A TIBETAN GILT COPPER FIGURE OF THE PROTECTOR BEGTSE CHEN 19TH CENTURY The deity shown standing, with a wrathful expression, his fiery hair standing up, he wears a tiger hide around his hips, adorned with elaborate jewellery, treading corpses of a human and a horse, the wood stand carved with a purifying flame halo behind the figure and with a rocky river to the base, 36cm.

£1,000-1,500 十九世紀

鎏金銅金剛立像

8 A CHINESE TANG-STYLE GILT BRONZE FIGURE OF BUDDHA QING DYNASTY

9 A CHINESE GILT BRONZE FIGURE OF A LUOHAN 18TH CENTURY

Seated, wearing long robes, his eyes downcast, his right hand in abhayamudra, the left resting on his knee, raised on a lotus throne supported on three fierce-looking lions, all raised on four bracket feet, 14cm.

Standing, wearing flowing robes and holding a jar and a staff, raised on a lotus throne, 12.5cm.

£3,000-5,000 清

鎏金銅佛像

£500-1,000 Provenance: from the collection of Dr J S Gordon.

十八世紀鎏金銅尊者立像來源：J S Gordon收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

10 A CHINESE GILT BRONZE FIGURE OF BUDDHA SAKYAMUNI 18TH CENTURY Sitting in dhayasana, touching the ground and holding a bowl in his left hand, raised on a double lotus throne, 15.5cm.

£2,000-3,000 十八世紀

鎏金銅釋迦摩尼坐像

11 A CHINESE BRONZE INCENSE BURNER 17TH/18TH CENTURY

12 A CHINESE BRONZE INCENSE BURNER BY HU WEN MING LATE MING DYNASTY

With a compressed circular body and lion mask handles with beaded rings, a six character Xuande mark to the base, 16cm, 1.2kg.

The rectangular body decorated to the sides with dragons chasing sacred jewels and phoenix amidst clouds, with two handles shaped as chilong dragons supported on four legs, with a four character seal mark to the base which reads Hu Wen Ming zhi, 13.5cm, 840g.

£3,000-5,000 十七/十八世紀

銅製獅耳爐

《大明宣德年製》仿款

£2,000-3,000 明晚期

銅鎏金螭龍紋方爐

《胡文明製》款

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

13 A LARGE CHINESE BRONZE FIGURE OF GUANYIN MING DYNASTY Seated in padmasana, wearing flowing robes, an elaborate necklace and a tall tiara, with her hair arranged in a high chignon, with a holy medicine jar in her left hand, the right hand in karanamudra. The figure rests on a large associated lotus stand with a small elephant to the front and two lotus-shaped candle holders to both sides, rising on a stem from a pond with stylised waves surrounded by an architectural fence, 61cm overall. (3)

£4,000-6,000 Cf. The Metropolitan Museum of Art, no.12.37.161 for a related earlier example. Two other gilded sculptures of comparable style with similar hand gestures and dated 16th-17th century are in the collection of the Chang Foundation, Taiwan.

明銅製觀音坐像來源：英國私人收藏

14 A MASSIVE CHINESE MARBLE TORSO OF A BODHISATTVA TANG DYNASTY 618-907 AD The standing figure adorned with ribbons and draped robes, raised on a modern stand, 75cm. (2)

£10,000-15,000 Provenance: Jan Van Beers Oriental Art, 6th November 2010. Cf. The Shanghai Museum, Ancient Chinese Sculpture Gallery, no.57 for a comparable figure, see also the Collection of the National Trust for Historic Preservation, Nelson A. Rockefeller bequest, Kykuit, NT 79.29.318 for a similar piece. Other related figures are displayed in the Victoria & Albert Museum.

唐

大理石雕菩薩立像

來源：2010年11月6日購於Jan Van Beers Oriental Art

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

15 A SET OF FOUR CHINESE IRON PICTURES, TIEHUA QING DYNASTY Each depicting flowers to represent the Four Gentlemen among Flowers, with prunus, orchid, chrysanthemum and bamboo, contained in wood frames, 80cm x 28cm. (4)

£2,000-3,000 Provenance: from the collection of Hugh Malcolm (1886-1961) and thence by descent. The art of tiehua, literally meaning ‘iron picture’, is traditionally associated with the blacksmith and painter Tang Peng (or Tang Tienchi) who lived in Wuhu Xian during the Kangxi period (1662-1722). Tradition asserts that Tang, aware of being less talented than his famous neighbour painter Xiao Yuncong (1596-1673), decided to create a new art form in which he could express himself. Made from hammered iron sheets, these pictures imitate the compositions and motifs of traditional brush paintings. The contrast of the iron designs painted black and hung on the white wall of a scholar’s studio is a direct reference to the paintings on silk. Chinese iron pictures have made their way into major museums around the world and can be seen in the permanent collections of Chinese art at the British Museum, the Musée Guimet and the Philadelphia Museum of Art.

清鐵花四君子掛屏一組四件來源：Hugh Malcolm（1886-1961）亞洲藝術品收藏

16 A PAIR OF CHINESE HARDWOOD CORNER-LEG STOOLS 19TH CENTURY Supported on square-section legs terminating in hoof feet and with humpback stretchers, 48cm x 40cm x 49cm. (2)

£25,000-35,000 Cf. Sotheby’s, London 11th November 2015, Classical Chinese Furniture from a European Private Collection, lot 3 for a comparable pair, see also Wang Shixiang, Classic Chinese Furniture, Ming and Early Qing Dynasties, p.61, no.15, for a closely related stool described as huanghuali and dated to the Ming dynasty.

十九世紀

硬木雕馬蹄方凳一對

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

FRANCIS NELSON GOLDING (1944-2013) LOTS 17-32 & 543-557 Francis Golding was one of the UK’s leading architectural, planning and conservation consultants. He worked with Norman Foster on the ‘Gherkin’ building, with Jean Nouvel on his ‘One New Change’ and with Richard Rogers and Terry Farrell. Golding had an undeniable influence on the look of contemporary London; he held the position of Secretary of the International Committee on Monuments and Sites between 1992 and 1994, and Secretary of the Fine Art Commission between 1995 and 1999. Golding developed his interest in Chinese art in the 1970s, living amongst his evolving collection in Islington together with his partner, the art historian Dr Satish Padiyar.

17 A CHINESE CIZHOU BROWN-SPLASHED BLACK GLAZED JAR SONG DYNASTY 960-1279 With an ovoid body with brown splashes against a lustrous black glaze stopping short of the foot revealing a biscuit body, with two ribbed loop handles to the shoulder, a short neck and an everted mouth, the interior glazed brown, 18.5cm.

£5,000-8,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Michael Willcox on 27th August 2001, a copy of the original invoice is available.

宋磁州窯銹斑雙耳罐來源：Francis Golding（1944-2013）收藏，2001年8月27日從Michael Willcox購得（附發票）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

18 A SMALL CHINESE PHOSPHATIC GLAZED JAR TANG DYNASTY 618-907 AD The ovoid body decorated with white-blue splashes to the shoulder against a dark brown glaze stopping short of the foot, with two small loop handles, the mouth with an everted lip, 9.5cm.

£2,000-3,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Michael Willcox on 5th May 2002, a copy of the original invoice is available.

唐黒釉灑藍斑雙耳罐來源：Francis Golding（1944-2013）收藏，2002年5月5日從Michael Willcox購得（附發票）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

19 A CHINESE PHOSPHATIC GLAZED EWER TANG DYNASTY 618-907 AD With an ovoid brown glazed body with bluish-white splashes to the rim and shoulder, with one large and two small loop handles and a short spout, the foot unglazed, 19.5cm.

£8,000-12,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Michael Willcox on 11th December 2003, a copy of the original invoice is available.

唐黒釉灑藍斑壺來源：Francis Golding（1944-2013）收藏，2003年12月11日從Michael Willcox購得（附發票）

20 A RARE CHINESE JIAN OIL-SPOT GLAZED BOWL SONG DYNASTY 960-1279 The conical body coated with thick black glaze with regular brown markings, the glaze falling short of the foot revealing the unglazed biscuit body, 12.5cm.

£3,000-5,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Michael Willcox on 12th February 2002, a copy of the original invoice is available. Cf. M Tregear, Song Ceramics, p.198, no.273 for a similar bowl with an oil-spot glaze from Sir Percival David Foundation of Chinese Art.

宋

建窯油滴碗

來源：Francis Golding（1944-2013）收藏，2002年2月12日從Michael Willcox購得（附發票）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

21 A CHINESE DING U-SHAPED BOWL SONG DYNASTY 960-1279 The flared body rising from a short straight foot, coated with a white glaze and a simple circular band incised around the well, the rim unglazed, 17.5cm.

£4,000-6,000 Provenance: from the collection of Francis Golding (1944-2013).

宋定窯碗來源：Francis Golding（1944-2013）收藏

22 A CHINESE CIZHOU CYLINDRICAL VASE YUAN DYNASTY 1279-1368

23 A CHINESE CIZHOU BOWL SONG DYNASTY 960-1279

The cream glazed body decorated with floral sprays and a stylised bird, with brown bands to the shoulder, 20cm.

With a shallow body decorated to the centre with a central floral spray enclosed in three concentric bands, in dark brown against a cream body, the rim and the exterior with a dark brown glaze stopping above the buff stoneware body, 19cm.

£2,000-3,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Linart Ltd. London, 17th March 1998, a copy of the original invoice is available.

元磁州窯白底黑彩花卉紋罐來源：Francis Golding（1944-2013）收藏，1998年3月17日購於倫敦 Linart Ltd（附發票）

£2,000-3,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Michael Willcox on 2nd July 2007, a copy of the original invoice is available.

宋磁州窯白地黑彩花卉碟來源：Francis Golding（1944-2013）收藏，2007年7月2日從Michael Willcox購得（附發票）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

24 A CHINESE SANCAI MOULDED DISH LIAO DYNASTY 907-1125 AD Of circular form moulded with peony blossoms and insects arranged around a central flowerhead picked out in green and ochre against a cream ground, the rim and exterior ochre, the foot unglazed, 28cm.

£2,000-3,000 Provenance: from the collection of Francis Golding (1944-2013). Cf. The Museum of East Asian Art in Bath, Inaugural Exhibition, Vol.I, Chinese Ceramics, p.114, no.71 for a similar dish.

遼

三彩釉碟

來源：Francis Golding（1944-2013）收藏

25 A SMALL CHINESE MALLOW-SHAPED DISH SONG DYNASTY 960-1279

26 A RARE CHINESE WHITE POTTERY STEM CUP PROBABLY TANG DYNASTY

The lobed body decorated with a brown/persimmon glaze stopping short of the foot, 13cm.

With a plain, gently tapered body supported on a tall foot with a whirling ridge, a paper label for Bluett, London and the Oriental Ceramic Society exhibition, 8.5cm.

£2,000-3,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Linart Ltd. London, on 6th October 1997, a copy of the original invoice is available.

宋褐釉花口碟來源：Francis Golding（1944-2013）收藏，1997年10月6日購於倫敦 Linart Ltd（附發票）

£2,000-3,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Michael Willcox on 27th September 2006, a copy of the original invoice is available. Exhibited at the Oriental Ceramic Society, Exhibition of Wares of the T’ang Dynasty in 1949 no.163, lent by Dr H A Treble.

唐（可能）

白胎弦足高腳杯

來源：Francis Golding（1944-2013）收藏 2006年9月27日從Michael Willcox購得（附發票） 1949年玉東方瓷器俱樂部，唐代瓷器展中展出·編號163

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

27 A CHINESE JIZHOU ‘PAPER-CUT’ BOWL SONG DYNASTY 960-1279

28 A CHINESE HENAN BLACK GLAZED MOULDED PILLOW SONG DYNASTY 960-1279

With a wide flared conical body decorated to the interior with three brown quatre lobed flowerheads against the variegated buff ground, the exterior coated in a dark brown tortoiseshell glaze mottled in beige falling short of the narrow ring foot, with a paper label inscribed ‘T.Y. Chao Collections, Sotheby’s’ to the base, 10.8cm.

The top shaped as a ruyi-head, the front panel moulded with a fenced garden, the further panels with stylised plants in pots, the whole body coated with a thick black glaze, the base unglazed, 21.8cm.

£2,000-3,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Linart Ltd. London, on 4th April 1996, a copy of the original invoice is available. Previously in the collection of T Y Chao, Sotheby’s Hong Hong 18th November 1986, lot 14. Cf. The University of Hong Kong, The Multiplicity of Simplicity, pp.264-265, no.108 for a similar example of a paper-cut bowl.

£1,500-2,500 Provenance: from the collection of Francis Golding (1944-2013). Cf. The Museum of East Asian Art in Bath, Inaugural Exhibition, Vol.I, Chinese Ceramics, p.149, no.103 for a similar example.

宋

河南窯黒釉如意枕

來源：Francis Golding（1944-2013）收藏

宋吉州窯貼花碗來源：Francis Golding（1944-2013）收藏 1996年4月4日購於倫敦Linart Ltd（附發票）蘇富比香港1986年11月18日·編號14，趙從衍收藏

29 A SMALL CHINESE DING BOWL SONG DYNASTY 960-1279 The U-shaped body with a gently flaring rim, incised with a stylised flowerhead to the interior and simple concentric bands to the exterior, with two paper labels inscribed ‘George Eumorfopoulos C143’ and ‘Brodie & Enid Lodge M767’, 9.6cm.

£2,000-3,000 Provenance: from the collection of Francis Golding (1944-2013), formerly in the collections of George Eumorfopoulos and Brodie Lodge. Cf. R L Hobson, The Eumorfopoulous Collection, volume III p.24, no.C143, pl.29.

宋

白釉劃花碗

來源：Francis Golding（1944-2013）收藏 George Eumorfopoulos 及Brodie Lodge舊藏（附標籤）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

30 A CHINESE DING STEM BOWL SONG DYNASTY 960-1279 With a gently lobed body supported on a short ribbed stem, 10.2cm.

£2,000-3,000 Provenance: from the collection of Francis Golding (1944-2013), purchased from Bluett’s London, from the collection of Beryl Mischon, Bonhams London, 19th September 2006, lot 572, and Michael Willcox, 27th September 2006.

宋白釉葵口碗來源：Francis Golding（1944-2013）收藏，購於倫敦Bluett’s Beryl Mischon 舊藏邦瀚斯倫敦2006年9月19日·編號572 2006年9月27日從Michael Willcox購得（附發票）

31 THREE CHINESE GLAZED STONEWARE BOWLS SONG DYNASTY 960-1279 One Jizhou, with a paper-cut design of two phoenix and three flowerheads with a dark-brown glaze against a variegated buff ground, another Cizhou, with irregular russet splashes over a black glaze stopping short of the foot, the third a Henan bowl with abstract floral motifs on a black ground, the foot unglazed, 16cm. (3)

£1,500-2,500 Provenance: from the collection of Francis Golding (1944-2013), all purchased from Linart Ltd. London, the phoenix and Cizhou bowls on 10th June 1994, the Henan bowl on 10th May 2000, copies of the original invoices are available. Cf. The Museum of East Asian Art in Bath, Inaugural Exhibition, Vol.I, Chinese Ceramics, p.158, no.112 for a similar phoenix paper cut bowl, also see M Tregear, Song Ceramics, pp.188-189 pl.258-259 for a bowl with a similar splashed decoration from the H W Siegel collection.

宋

吉州窯貼茶盞、磁州窯茶盞及河南窯茶盞一組三件

來源：Francis Golding（1944-2013）收藏，磁州窯于1994年6月10日購於倫敦Linart Ltd，河南窯于2000 年5月10日購於倫敦Linart Ltd（附發票）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

32 A CHINESE TORTOISESHELL GLAZED BOWL SONG DYNASTY 960-1279 With a shallow body supported on a short straight ring foot, decorated with a thick black glaze with flowing brown splashes and oil spots to the interior, the glaze revealing a biscuit foot, 12.4cm.

£3,000-5,000 Provenance: from the collection of Francis Golding (1944-2013).

宋玳瑁釉盞來源：Francis Golding（1944-2013）收藏

33 A CHINESE BLACK GLAZED BOWL SONG DYNASTY 960-1279

34 THREE CHINESE SMALL JIAN WARE TEA BOWLS SONG DYNASTY 960-1279

The conical body coated with a black glaze with brown markings to the rim, 14.5cm.

Each of conical form, two coated with a black glaze, one with hare’s fur glaze, 9.7cm max. (3)

† £3,000-5,000

£1,500-2,000

宋

Provenance: formerly in the collection of Susan Chen, the Feng Wen Tang Collection.

黒釉茶盞

宋建窯茶盞一組三件來源：奉文堂陳淑貞收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

35 A PAIR OF CHINESE POTTERY MODELS OF HORSES AND RIDERS TANG DYNASTY 618-907 AD Each in a dynamic pose with his head stretched forward and a figure seated upon his back, the riders wearing tall boots, shoulder plates and warrior’s helmets, both with visible traces of red pigments, 44.5cm. (2)

£8,000-10,000 唐

騎士俑一對

36 A CHINESE WHITE AND BROWN JADE CARVING OF TWO BADGERS 18TH CENTURY The cub carved from the brown side of the stone, the sow from the white, holding a spray of lingzhi fungus in her mouth and turning towards her young, together with a wood stand, 8.5cm. (2)

£1,500-2,500 Provenance: from the collection of Mrs S B Milne (d.2012), purchased in Singapore c.1953.

十八世紀糖玉雕歡天喜地擺件來源：S B Milne太太收藏（逝于2012），1953年購於新加坡

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

37 A CHINESE PALE CELADON JADE BELT BUCKLE 18TH CENTURY Carved as a lavishly caparisoned elephant turning his head to the side, with a small boy on his back holding a large blossom, the stone with russet markings, two studs to the reverse, together with a wood stand, 8.3cm. (2)

£1,500-2,500 Provenance: from the collection of Mrs S B Milne d.2012, purchased in Singapore c.1953.

十八世紀青白玉雕太平有象來源：S B Milne太太收藏（逝于2012），1953年購於新加坡

38 A CHINESE WHITE JADE CARVING OF TWO MANDARIN DUCKS QING DYNASTY

39 A CHINESE WHITE AND GREY JADE CARVING OF TWO HOUNDS QING DYNASTY

Seated on a large curved lotus leaf, huddled together, facing opposite directions, each holding a lotus flower stem in its beak, the stone with minor russet markings, together with a wood stand, 5cm. (2)

Finely carved with the two dogs recumbent with their heads turned and noses touching, the stone cleverly carved with one dog grey, the other white, 7cm.

£1,000-2,000

£4,000-6,000

Provenance: from the collection of Mrs S B Milne (d.2012), purchased in Singapore c.1953.

清

青玉巧雕臥犬

清白玉雕鴛鴦吸水擺件來源：S B Milne太太收藏（逝于2012），1953年購於新加坡

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

40 A CHINESE WHITE JADE CARVING OF A GOAT QING DYNASTY

41 A CHINESE YELLOW-GREEN JADE CARVING OF A HOUND QING DYNASTY

Recumbent with curved ribbed horns, holding a spray of lingzhi fungus in his mouth which extends over his back, together with a wood stand, 4.2cm. (2)

Recumbent with his body curved and his head turned to dexter resting on his forepaws, his tail curled underneath his body, 7cm.

£800-1,200 Provenance: from the collection of Mrs S B Milne (d.2012), purchased in Singapore c.1953.

清白玉雕臥羊來源：S B Milne太太收藏（逝于2012），1953年購於新加坡

£2,000-3,000 Cf. C Randall, A Personal Selection of Fine Jade Carvings from The Yushantang Collection of Nick Troubetzkoy, Vol I, p.72, no.54-56 for similar carvings.

清

黃玉雕臥犬

42 A CHINESE CREAMY-GREY JADE MODEL OF A RECUMBENT BUFFALO PROBABLY 18TH CENTURY With its head turned to the side and legs tucked underneath the body, with a spiralling tuft of hair to the forehead, 12.5cm.

£5,000-8,000 十八世紀（可能）

灰玉雕臥牛

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

43 A CHINESE CHICKEN-BONE JADE CARVING OF TWO MYTHICAL BEASTS QING DYNASTY OR LATER The larger recumbent, with a bifurcated tail and a single horn, her calf, holding a spray of lingzhi fungus in its mouth, 17.5cm.

£3,000-5,000 清或更晚

雞骨白玉雕瑞獸擺件

44 TWO CHINESE CELADON JADE CARVINGS QING DYNASTY

45 A CHINESE PALE CELADON JADE CARVING OF SHOULAO QIANLONG 1736-95

One of the Hehe Erxian holding a spray of lotus and a circular box, together with a wood stand, the other carving of a bird in a curved lotus leaf, 5cm. (3)

Standing, wearing long flowing robes and holding a prunus branch over his head, 10.5cm.

£800-1,200 Provenance: from the collection of Mrs S B Milne (d.2012), purchased in Singapore c.1953.

清清白玉雕合和二仙及花鳥擺件一組兩件來源：S B Milne太太收藏（逝于2012），1953年購於新加坡

£4,000-6,000 Provenance: Bearnes Hampton & Littlewood, Exeter, 24th October 2013, lot 820.

清乾隆清白玉雕壽老立象來源：艾賽斯特Bearnes Hampton & Littlewood 2013年10月24日·編號820

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

46 A CHINESE PALE CELADON JADE CARVING OF A LUOHAN QING DYNASTY Sitting in a contemplative pose, resting his arm on the back of a small Buddhist lion, he wears flowing robes and carries a fly whisk suspended from his wrist, 12.5cm.

£6,000-8,000 清

清白玉雕獅吼羅漢

47 A CHINESE BLUE-BLACK GROUND SILK SUIT OF CEREMONIAL ARMOUR AND HELMET OF A GENERAL QING DYNASTY In dark blue-black satin with gilt copper studs and lined with cotton padding and pale-blue silk, comprising: a jacket and apron, detachable sleeves, shoulder epaulettes and accessories, together with a parcel-gilt and iron helmet adorned with gold dragons, borders of ruyi-heads and set with coral and surmounted by a tall fur plume and a gilt metal reticulated finial, the jacket and skirt 150cm approx.

£10,000-20,000 Provenance: formerly the collection of Miss Diana Kearny Powell, Washington, who inherited the suit from her father Col. William Glasgow Powell, USMC (1871-1955), who participated in the relief of Peking in 1900. Cf. The Complete Collection of Treasures of the Palace Museum, Armaments and Military Provisions, pp.66-67, no.62. and also R L Thorp, Son of Heaven, Imperial Arts of China, pp.80-81 for similar suits of armour, see also China, the Three Emperors 1662-1795, pp.156-157 for an illustration of related suits of armour from the Eight Banners.

清

藍緞面銅釘面將軍甲胄

來源：華盛頓Diana Kearny Powell小姐收藏。她是由她的父親William Glasgow Powell USMC（1871-1955）那裡繼承而得。 William曾經參加1900年的北京解圍戰

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

48 A TIBETAN DARK BLUE-GROUND SILK ‘DRAGON’ CHUBA MADE FROM A CHINESE JIFU THE FABRIC 18TH CENTURY Woven with eight dragons amongst clouds chasing sacred jewels above stylised rocks and waves and auspicious objects,169cm across.

£3,000-5,000 Provenance: from the collection of Francis Golding (1944-2013).

十八世紀

石青色雲龍紋吉服料後改縫為藏袍

來源：Francis Golding（1944-2013）收藏 49 A CHINESE BLUE-GROUND ‘NINE DRAGON’ ROBE, JIFU LATE QING DYNASTY Embroidered with gold and silver thread with nine dragons and auspicious things amongst clouds above waves, 210cm across.

£2,000-3,000 Provenance: General Frank Swettenham by repute and thence by descent.

清晚期藍地九龍紋吉服來源：Frank Swettenham 將軍收藏（傳）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

50 A RARE TIBETAN YELLOW-GROUND SILK ‘DRAGON’ CHUBA MADE FROM A CHINESE JIFU THE FABRIC 18TH CENTURY Woven with eight dragons amongst clouds chasing sacred jewels above stylised rocks and waves and auspicious objects,157cm across.

£3,000-5,000 Provenance: from the collection of Francis Golding (1944-2013).

十八世紀黃地雲龍紋吉服料後改縫為藏袍來源：Francis Golding（1944-2013）收藏

51 A CHINESE RUST-COLOURED SILK KESI ‘NINE DRAGON’ ROBE, JIFU 19TH CENTURY Woven with silk and gold thread with nine dragons amongst clouds chasing sacred jewels above stylised rocks and waves, cranes and other auspicious things, 219cm across.

£2,000-3,000 Provenance: Mr Maurice Demets, acquired in China c.1930.

十九世紀珊瑚紅地緙絲九龍紋吉服來源：Maurice Demets先生收藏，1930年代購於中國

52 A CHINESE BLUE-GROUND SILK KESI ‘NINE DRAGON’ ROBE, JIFU 19TH CENTURY Woven with silk and gold thread with nine dragons amongst clouds chasing sacred jewels above stylised rocks and waves, bats and other auspicious things, 219cm across.

£2,000-3,000 Provenance: Mr Maurice Demets, acquired in China c.1930.

十九世紀藍地緙絲九龍紋吉服來源：Maurice Demets先生收藏，1930年代購於中國

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

53 A CHINESE BROWN-GROUND SILK ‘NINE DRAGON’ ROBE, JIFU 19TH CENTURY Embroidered with silk and gold thread with nine dragons amongst clouds chasing sacred jewels above stylised rocks and waves, cranes and other auspicious things, 208cm across.

£2,000-3,000 Provenance: Mr Maurice Demets, acquired in China c.1930.

十九世紀褐地九龍紋吉服來源：Maurice Demets先生收藏，1930年代購於中國

54 A CHINESE WOOD AND TURQUOISE COURT NECKLACE, CHAOZHU LATE QING DYNASTY With 108 wood beads divided by three larger turquoise beads, the centre with a two-part bead and with three tassels of smaller turquoise beads, together with a bracelet and two necklaces of fruit stone beads, one carved as Buddhist monks, 110cm max. (4)

£300-500 Provenance: Mr Maurice Demets, acquired in China c.1930.

清晚期木雕朝珠來源：Maurice Demets先生收藏，1930年代購於中國

55 λ A CHINESE RHINOCEROS HORN ‘NINE DRAGON’ LIBATION CUP 17TH CENTURY Carved in the form of a large veined lotus leaf with swirling waves encircling its base, with nine chilong dragons emerging from water and climbing up the outer walls and over the flared rim, the horn with a rich, dark patina, 15.5cm long, 9cm high, 280g.

£20,000-30,000 Provenance: from the collection of William Cleverley Alexander (1840-1916) and thence by descent. William Cleverley Alexander (1840-1916) was one of the most noted connoisseurs of his day, an accomplished draughtsman and a member of the Burlington Fine Arts Club, he was renowned for his taste in Western paintings and Asian works of art. The collection was started in 1867 and included items form the Tang, Song, Ming and Qing dynasties. Cf. T Fok, Connoisseurship of Rhinoceros Horn Carving in China, p.50, no.3 for a similar libation cup; see also Los Angeles County Museum of Art, accession no.44.8.2, for a rhinoceros cup of a very similar design.

十七世紀犀角雕螭龍杯來源：William Cleverley Alexander（1840-1916）收藏

William Alexander at Aubrey House, London, by P. Connard

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

56 A CHINESE BAMBOO ‘PRUNUS’ LIBATION CUP EARLY QING DYNASTY With a tapered body carved with gnarled flowering prunus branches in high relief, 14cm.

£3,000-4,000 Cf. I Yee and L C S Tam, Chinese Bamboo Carving, Hong Kong Museum of Art, Part II, p.254, no.69 for a similar cup.

清早期

竹雕臘梅杯

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

57 λ A CHINESE RHINOCEROS HORN ‘LOQUAT’ LIBATION CUP QING DYNASTY The flared body carved as a large loquat leaf with a spray of fruit to the exterior, 7.7cm, 193g.

£5,000-8,000 Provenance: an English private collection, purchased from Sotheby’s London, 12th October 1971, lot 150, previously the property of Miss A D Gibb. Cf. J Chapman, The Art of Rhinoceros Horn Carving in China, pp.172-3 & 184-5 for a similar cup decorated with loquat fruit.

清

犀角雕琵琶紋杯

來源：英國私人收藏蘇富比倫敦1971年10月12日·編號150 A D Gibb小姐舊藏

58 A PAIR OF CHINESE ALBUM PAINTINGS ON PAPER BY WANG HUI (1632-1717) EARLY QING DYNASTY Each depicting a mountainous river landscape with lines of calligraphy, one with a seal of Shi Gu and Wang Hui Zhi Yin, with another collector’s seal Ji Cheng, the other with a seal of Shi Gu Zi and Wang Hui Zhi Yin, with two collectors’ seals reading Xi Shuang and Gong Yu Ji Xing, both framed and glazed, 36cm x 26cm. (2)

£4,000-6,000 Provenance: by repute, from the collection of Leopold Hirsch (1867-1932), a London financier and art collector. Wang Hui (1632-1717) was a famous landscape painter, one of the so called Four Wangs, a group of 17th century ink landscape painters excelling in depictions of mountains and rivers.

王翚（1632-1717）

《山水兩幀》水墨紙本鏡心

題跋：雖有柴門常不關，片云高木共身閑。尤嫌住久人知處，見欲移居更上山。仿梅花庵主。鈐印：石谷（朱）王翚之印（白）寄暢（朱）題識：煙雨千峰擁髻鬟，忽看青嶂白雲間。卷藏破墨營丘筆。卻展將軍設色山。讀放翁詩作此圖師高尚書意。鈐印：石谷子（朱）王翚之印（白）公余寄興（白）西爽（朱）來源：Leopold Hirsch（1867-1932）收藏（傳），Leopold曾是以為倫敦的金融師及藝術收藏家

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

59 A CHINESE SCROLL PAINTING ON PAPER BY WAN SHOU QI (1603-1652) 17TH CENTURY Depicting an ancient luohan sitting beside a pile of books beneath a tree before a waterfall, signed Wan Shou Qi xia hua, and inscribed by Wu Yun Zhi praising the artistry of the painter and with two seals. A further four collectors’ and one artist’s seal, 96cm x 39.5cm.

£8,000-10,000 Wan Shou Qi was a poet and calligrapher, seal-carver and painter from a family of high officials, who passed his juren degree in 1630 and published his first collection of poems three years later. When the Manchus pushed south of the Yangzi River, he joined several friends and their small forces in a vain effort to stop the invaders. Most of his friends were killed and Wan himself was captured, but after nearly two years imprisonment his release was secured and he returned to Huaian. In 1646 Wan became a monk, tonsuring himself and wearing a priest’s robe, indicating his retirement from active life. During his two years of residence in Suzhou his house had been burned and his family’s possessions plundered by troops and bandits. Upon his return to Huaian he supported himself and his family by the sale of his paintings and specimens of his calligraphy and at the same time he continued to write poetry.

萬壽祺（1603-1652）《羅漢坐禪圖》水墨紙本立軸款識：萬壽祺暇畫。題識：一种诗人笔，能令死不灰。应从兜率去，本自大罗来。名迹留天怀，幽情嗜古才。烟云通眼易，展读日千回。偶于吴门署中出重值购得万年少所画，无量寿佛立幅，真神品也。甲子春三月，平斋吴云志。钤印：吴（白文）平斋（朱文）武林徐氏珍藏（朱文）稚臣鉴赏（朱文）五斗过目（白文）宋氏珍藏（朱文）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

60 A CHINESE LANDSCAPE SCROLL PAINTING ON PAPER AFTER YUN SHOU PING PROBABLY 20TH CENTURY Depicting a temple and dwellings in a mountainous setting, mounted on silk, with two lines of calligraphy, two artist’s seals and a seal of Chen Ren Tao (a 20th century Hong Kong collector), 164.5cm x 55cm.

£2,000-3,000 Provenance: an English private collection, acquired in 1980.

惲壽平（傳）《山水》設色紙本立軸題識：竹塢山居，臨趙伯駒本，壽平鈐印：壽平之印（朱）正叔（白）金匱寶藏陳氏仁濤（白）來源：英國私人收藏，購於1980年代

61 A CHINESE SCROLL PAINTING ON PAPER BY GU QIAO (1614-1700?) 17TH CENTURY Depicting a romantic scene of figures living in small huts in an extensive landscape, inscribed as a birthday gift and with a poem and with three artist’s seals, 174cm x 51cm.

£3,500-4,500 顧樵（1614-1700）《山居圖》設色紙本立軸題識：喬木鶯啼春書長，新晴溪路綠陰涼。寨帷時有香風入，吹落松花滿石床。甲子春寫并題為百生禪師壽。顧樵鈐印：顧樵之印（白）樵水（朱）

62 A CHINESE ALBUM OF FOUR LANDSCAPE PAINTINGS ON PAPER ATTRIBUTED TO FANG HENG XIAN EARLY QING DYNASTY Depicting small villages, one with figures in a sampan, inscribed with calligraphy and with artist’s seals, 31cm x 39cm.

£3,000-5,000 方亨咸《山水》四幀設色紙本冊頁題識：幽亭秀木。亨咸。華岳仙人掌，擎天日越高。乳山叢雜處，渾不露纖毫。邵村方亨咸。百情饒于清晨起，滌慮常在半柱燃。邵村方亨咸。秋湖歸棹，大癡道人筆意。亨咸。鈐印：方亨咸印（白）吉偶畫印（朱）吉偶（朱）少村（朱）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

63 A CHINESE ALBUM OF TEN LANDSCAPE PAINTINGS ON PAPER 18TH/19TH CENTURY Depicting figures, pagodas, mountains and lakeside scenes, all mounted in a folding album, 23cm x 17cm.

£500-1,000 十八/十九世紀

《山水》十幀設色紙本冊頁

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

64 A LARGE CHINESE PAINTING ON SILK MING DYNASTY Painted with Immortals in a landscape amongst trees, rocks and clouds, the reverse with a paper label inscribed ‘Sages in a Sacred Mount by Bun Koku Ming’, 152cm x 83cm.

£2,000-4,000 Provenance: an English private collection, acquired in the 19th century and thence by descent.

明《仙人圖》設色絹本鏡面來源：英國私人收藏，購於19 世紀

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65 A CHINESE SCROLL PAINTING ON SILK AFTER LENG MEI MID QING DYNASTY Depicting a beautiful young lady holding a staff, signed chen Leng Mei gong hui and with two artists’ and five collectors’ seals, 96cm x 42.5cm.

£1,000-2,000 Provenance: formerly the property of a lady of title.

清中期《仕女圖》款識：臣冷枚恭繪。

設色絹本立軸

鈐印：臣（朱）枚（朱）八征耄念之寶（朱）心清聞妙香（白）惟精惟神（白）宜子孫（白）即事多所欣（朱）來源：貴族夫人收藏

66 A LARGE CHINESE COURT PAINTING ON PAPER 18TH CENTURY Depicting four ladies, an attendant and fifteen small boys playing in a garden beneath trees, one of the small boys is handing the seated lady a pomegranate, another child carries a branch with two further fruit, one of them split revealing many seeds (and thus representing the wish for many sons), framed and glazed, 116cm x 59cm.

£6,000-8,000 十八世紀

御製四妃十六子設色紙本鏡心

67 A CHINESE IMPERIAL EDICT DATED 1829 Written on silk, woven with a pattern of cranes and clouds, mounted as a hand scroll, the text arranged in standard form reading from right to left, opening with a character title feng tian gao ming flanked by a pair of dragons, 217cm x 30cm.

£1,000-2,000 Cf. Christie’s London, 18th May 2012, lot 1088 for a related edict.

清道光

道光八年聖旨

68 A CHINESE IMPERIAL EDICT DAOGUANG 1821-50 Written on silk, woven with a pattern of cranes and clouds, mounted as a hand scroll, the text arranged in Manchu script, reading from left to right, opening with a character title feng tian gao ming flanked by a pair of dragons, 175cm x 31cm.

£1,000-2,000 Cf. Christie’s London, 18th May 2012, lot 1088 for a related edict.

清道光

道光聖旨

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69 A CHINESE PAINTING ON PAPER BY CHEONG SOO PIENG (1917-1983) DATED 1960 Depicting a waterside village in ink and colour, signed and with a red seal, mounted on silk, framed and glazed, 43.5cm x 94.5cm.

£10,000-20,000 Cheong Soo Pieng was a Chinese artist and a graduate of the Xinghua Academy of Fine Arts in Shanghai. Shortly after the Second World War he moved to Singapore, where he spent the rest of his life working and lecturing at the Nanyang Academy of Fine Arts.

鐘泗濱（新加坡1917-1983）設色紙本作於1960

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《溪：抽象》

70 A CHINESE SCROLL PAINTING ON PAPER BY XIE ZHI LIU 20TH CENTURY Depicting a large chrysanthemum spray, inscribed Fei Jia De xian sheng ya zheng and with three artist’s seals, 79cm x 46cm.

£3,000-5,000 Provenance: an English private collection, given by the artist between c.1960 and 1980.

謝稚柳（1910-1997）立軸

《墨菊》

設色紙本

題識：費嘉德先生雅正，謝稚柳鈐印：稚柳（白）謝（朱）夕陽（朱）來源：英國私人收藏，1960-1980獲贈畫家

71 A BRONZE SCULPTURE OF GUAN YU BY JU MING (1938-) 1985 The deified warrior stands in a fierce pose with his halberd at his back, signed, numbered 4/6, 24.5cm, 171g.

£3,000-5,000 Provenance: from the collection of the late Michael Sherrard QC., purchased from Hanart 2 Contemporary Art, Hong Kong on 16th November 1991, a copy of the original invoice is available. Cf. a further Ju Ming bronze figure from the collection of the late Michael Sherrard QC. which was sold at Christie’s in Hong Kong, 28th May 2017, Lot 401.

朱銘

關羽立象

銘文：朱銘4/6 來源：律師Michael Sherrard高級律師收藏，1991年11月16日購於香港Han Art 當代藝術畫廊（附發票複印件）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

72 A BRONZE SCULPTURE ‘TAICHI’ BY JU MING (1938-) 1991 Standing on one leg with outstretched arms, signed, numbered 2/20, 38cm, 12kg.

£4,000-6,000 Provenance: from the collection of the late Michael Sherrard QC., purchased from Hanart 2 Contemporary Art, Hong Kong on 16th November 1991, a copy of the original invoice is available. Cf. a further Ju Ming bronze figure from the collection of the late Michael Sherrard QC. which was sold at Christie’s in Hong Kong, 28th May 2017, Lot 401. Ju Ming was born in 1938 in Tongxiao, Taiwan, and is most famous for his geometric steel and bronze works. Ju trained as a painter and woodcarver and opened his own studio in 1959 and gained fame in New York in 1970s. He lives and works between New York and Taiwan, his works are displayed in the collections of the National Museum of Singapore, the Tel Aviv Museum of Art and the Ju Ming Museum in New Taipei and others.

朱銘太極系列之二銘文：朱銘 2/20 來源：律師Michael Sherrard先生收藏，1991年11月16日購於香港Han Art 當代藝術畫廊（附發票複印件）

73 A CHINESE FAMILLE VERTE GU-SHAPED VASE KANGXI 1662-1722

74 A CHINESE FAMILLE VERTE MOULDED DISH KANGXI 1662-1722

Painted with shaped panels containing blossoms and mythical beasts on a ground with butterflies and dragons between bands of floral and geometrical motifs, 48cm.

The centre decorated with a flower basket, the rim with panels of brocade patterns and landscape panels, a blue underglaze mark to the base, 35.7cm.

£3,000-5,000

£2,500-3,500

清康熙

Cf. Kangxi Porcelain Wares from the Shanghai Museum Collection, pp.176-177, no.116 for a similar famille verte plate.

五彩瑞獸蝴蝶花卉紋花觚

清康熙

五彩花卉紋盤

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75 A CHINESE FAMILLE VERTE ROULEAU VASE KANGXI 1662-1722 Decorated with a battle scene with horse riders near a castle, with stylised chrysanthemum blossoms on a geometric ground to the shoulder and figures in a river landscape to the neck, 45cm.

£10,000-20,000 Provenance: from the collection of Peter Meyer, believed to have been purchased from Sydney Moss Ltd in the 1960s. Cf. Kangxi Porcelain Wares from the Shanghai Museum Collection, pp.194-195, no.126 for a related vase with a battle scene.

清康熙五彩人物故事紋棒槌瓶來源：Peter Meyer收藏，1960年代購於Sydney Moss Ltd（傳）

76 A CHINESE BLUE AND WHITE JAR KANGXI 1662-1722

77 A CHINESE WUCAI BALUSTER VASE AND COVER MID 17TH CENTURY

The ovoid body brightly painted with courtiers on a terrace, with a reticulated wood cover carved with the Bajixiang, 21cm. (2)

Painted with two ladies and six boys in a garden, with a cracked-ice band to the shoulder, rocks and peony sprays to the neck, the cover with a group of boys in a garden, 31.5cm. (2)

£3,000-4,000 清康熙

青花人物故事罐

£3,000-5,000 十七世紀中期

五彩人物故事紋將軍罐

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78 A CHINESE BLUE AND WHITE ‘SLEEVE’ VASE TRANSITIONAL C.1640 Decorated with a scene of an official amongst attendants in a garden by a pavilion receiving a promotion, the shoulder incised with fine double anhua lines and with lappets to the rim, 47.5cm.

£15,000-18,000 明末清初

青花人物故事紋瓶

79 A MASSIVE CHINESE GILT BRONZE INCENSE BURNER MODELLED AS A LUDUAN MING DYNASTY Standing four-square, the hinged lid formed as the beast’s head, baring its teeth with a single curved horn to the forehead, the body and tail with finely detailed hair, the flanks cast in high relief with stylised lingzhi fungus and scrolls, the feet with claws, the base with a later applied Japanese nine character mark, 45cm, 14kg. (2)

£4,000-6,000 Provenance: from the collection of Sir Henry Norman (1858-1939). Luduan are mythical beasts with rounded bodies and clawed feet. They are believed to have the ability to detect the truth, travel over great distances in a very short time and speak all the languages of the world. Throne-room groups became standardised in the Qing dynasty, and they include a central throne, a screen and usually pairs of elephants with vases mounted on their backs, standing fans, vertical reticulated incense burners as well as luduan-shaped incense burners.

明

鎏金銅製甪端香爐

來源：Henry Norman先生（1858-1939）舊藏 Norman先生是英國新聞記者及自由主義政治家，曾經周遊世界并寫下兩本遊記。退休之後他成為了英國議會議員。

SIR HENRY NORMAN (1858-1939) LOTS 79, 80 & 81 Sir Henry Norman, 1st Baronet Privy Councillor was an English journalist and Liberal politician. He worked as an editor for the Pall Mall Gazette and later the News Chronicle, becoming its Assistant Editor in 1895. In 1887, the Pall Mall Gazette sent him on an interviewing tour around the world. It was planned that his tour would last for at least six months, although he actually remained on tour for nearly four years, travelling through numerous countries including Canada, Japan, China, Korea, Siam and Malaya to name a few. As far as the history of the press was concerned, such a tour was an exceptional venture, and so Henry Norman’s journey and the various newspaper articles he wrote during his travels garnered much attention. By the time he had returned to Britain in 1891, he had seen more of the world than most others of his generation or position and he used information collected throughout his tour to write two travel books about East Asia, both of which were enthusiastically received. In both The Real Japan and The Peoples and Politics of the Far East, he explores various aspects of these cultures and enthusiastically recounts his countless exciting experiences, many of which occurred during his time in Japan, Hong Kong and Beijing. In 1899, he retired as a journalist and subsequently became a Member of Parliament. He was knighted in 1906 and was made a baronet in 1915.

Sir Henry Norman

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80 A MASSIVE CHINESE GOLD AND SILVER INLAID ARCHAISTIC INCENSE BURNER QING DYNASTY With a compressed circular body with six flanges, decorated with taotie masks inlaid with gold and silver on a dense diaper ground, the neck with a band of archaistic mythical beasts, and with two high loop handles rising from the rim, all raised on three feet, 49.5cm high, 18kg.

£2,000-3,000 Provenance: from the collection of Sir Henry Norman (1858-1939).

清銅錯金銀饕餮雙耳三足大香爐來源：Henry Norman先生（1858-1939）舊藏 Norman先生是英國新聞記者及自由主義政治家，曾經周遊世界并寫下兩本遊記。退休之後他成為了英國議會議員。

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

81 A MASSIVE CHINESE GOLD AND SILVER INLAID ARCHAISTIC INCENSE BURNER QING DYNASTY With a compressed circular body with six flanges, decorated with taotie masks inlaid with gold and silver beneath a band of archaistic mythical beasts on a dense diaper ground, the flared neck with a band of lappets and two high handles with circular bosses rising from the rim, all raised on three curved feet, 56.5cm high, 32kg.

£5,000-8,000 Provenance: from the collection of Sir Henry Norman (1858-1939).

清銅錯金銀仿古雙耳三足大香爐來源：Henry Norman先生（1858-1939）舊藏 Norman先生是英國新聞記者及自由主義政治家，曾經周遊世界并寫下兩本遊記。退休之後他成為了英國議會議員。

82 A FINE CHINESE BLUE AND WHITE ROULEAU VASE KANGXI 1662-1722 Brightly painted in underglaze cobalt blue with many figures engaged in daily life in an extensive rocky river landscape, one figure fishes from a sampan, others chat on rocky outcrops, the neck with bands of ruyi-heads, key fret and scrolls above a band of dots, the base with a paper label for A C Beeling Leeuwarden, 47.5cm.

£30,000-40,000 A C Beeling & Zn was founded in 1886 by the son of Johannes Beeling, a master silversmith who had been trading since 1864.

清康熙青花山水棒槌瓶附A C Beeling Leeuwarden古董店標籤

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83 A PAIR OF CHINESE FAMILLE ROSE BALUSTER VASES YONGZHENG 1723-35 Each with an ovoid tapering body painted with colourful enamels and gilt, with three ladies by a blossoming tree gazing at two phoenix descending into their garden, with bands of shaped cartouches containing crabs, fish and crustacea against a diaper ground, and further floral bands to the shoulder and the foot, 34.5cm. (2)

£5,000-8,000 Provenance: from an English private collection formed in the 1970s and 1980s.

清雍正粉彩仕女紋將軍罐一對來源：英國私人收藏，購於1970年代至80年代

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84 A PAIR OF LARGE CHINESE FAMILLE NOIRE BALUSTER VASES AND COVERS 18TH CENTURY Each painted with blossoms and scrolling foliage on a black ground, with two large white leaf-shaped panels with precious objects, the foot rims with lappet bands, the shoulders with ruyi-head and diaper bands, the lids mirroring the design, the finials formed as lotus buds, 60cm. (4)

£6,000-8,000 十八世紀

粉彩開光花卉紋將軍罐一對

85 A CHINESE BLUE AND WHITE TALL SLENDER BALUSTER VASE KANGXI 1662-1722

86 A LARGE CHINESE BLUE AND WHITE ‘SLEEVE’ VASE TRANSITIONAL C.1640

Painted with twelve large aster flowerheads amongst scrolling branches and leaves between two scroll bands and a further band of petals to the shoulder beneath the flared rim, a six character Xuande mark to the base, 45.3cm.

Painted with four figures (probably a scene from the Water Margin), standing amidst rockwork, the short waisted neck with four fu motifs divided by notched wheels, and anhua bands to the rim, shoulder and foot, 48cm.

£3,000-4,000

£2,000-3,000

Cf. C R Min, The Gu Gong Museum Collection of Qing Dynasty Blue and White Porcelain, Shunzhi and Kangxi Period Underglaze Blue, pp.143-146, nos.287 & 288 for vases of this form.

Provenance: an English private collection, Warwickshire.

清康熙青花纏枝花卉紋瓶來源：英國私人收藏

明末清初青花人物故事紋瓶來源：英國華威郡私人收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

87 A PAIR OF CHINESE BLUE AND WHITE YEN YEN VASES KANGXI 1662-1722 Each painted in bright underglaze blue with four deer and three cranes in a rocky landscape, the rims and shoulders with stylised cloud bands, the feet with simple lappets, 45.8cm. (2)

† £10,000-15,000 Provenance: sold by Spink & Son in the 1970s and formerly in the Chang Collection in California in the 1980s. Cf. Qing Shunzhi Kangxi Chao Qinghua Ci, pp.476-477, nos.307 & 308 and also C Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, p.98, no.88 for similar vases. See also C R Min, The Gu Gong Museum Collection of Qing Dynasty Blue and White Porcelain, Shunzi and Kangxi Period Underglaze Blue, pp.476-477, nos.307 & 308.

清康熙

青花鶴鹿同春鳳尾尊一對

來源：1970年代由Spink & Son 售出 1980年代加利福尼亞Chang舊藏

88 A CHINESE FAMILLE VERTE KENDI KANGXI 1662-1722

89 A CHINESE FAMILLE VERTE SQUARE-SECTION VASE KANGXI 1662-1722

With a lobed body and a tall neck decorated with flower sprays, the spout formed as a lotus bud and a band of lotus petals around the foot, 20cm.

The sides decorated with insects, birds and plants including lotus, prunus, chrysanthemums and peony, with lingzhi fungus sprays to the shoulder and peony sprays to the flared neck, the base with a six character Chenghua mark, together with a wood stand, 47.5cm. (2)

£1,000-2,000 Provenance: an English private collection, Warwickshire. Cf. C J A Jörg, Famille Verte Chinese Porcelain in Green Enamels, Bai Groniger Museum, p.32 & 151 for related pouring vessels.

清康熙

五彩花卉紋軍持

來源：英國華威郡收藏

£3,000-5,000 Provenance: the Cooper Penrose collection.

清康熙五彩花鳥方瓶來源：Cooper Penrose收藏

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90 A RARE CHINESE UNDERGLAZE COPPER-RED MING-STYLE VASE, BIANHU 18TH CENTURY The circular body decorated with roundels of geometric patterns enclosing a central hexagonal star with a stylised lotus head, further stylised lotus heads and ruyi-head motifs adorning the shoulder, rim and foot, with two studs and the remains of the handles to the sides, 18cm.

91 A CHINESE POWDER BLUE-GROUND ROULEAU ‘CARP’ VASE KANGXI 1662-1722 Decorated with four iron-red carp amongst gilt fish and aquatic plants, with shou characters and fylfots to the neck, 46cm.

£5,000-7,000

£2,000-3,000

Cf. J Ayres, The Baur Collection, Chinese Ceramics, Vol.4, no.A559. Similar vases are also in the collection of the Victoria and Albert Museum. See W B Honey, Guide to Later Chinese Porcelain, p.50, pl.85.

十八世紀

清康熙

釉里紅錦紋扁壺

藍地礬紅鯉魚棒槌瓶

92 A MASSIVE CHINESE ENAMEL ‘CARPS’ DISH LATE QING DYNASTY Decorated with three red and three black fish and water plants to the centre against flowing waves, the edge with aquatic birds and plants on a blue ground with key fret pattern, the exterior with phoenix and flowerheads on a purple ground, raised on a circular foot, 57.5cm.

£4,000-6,000 清晚期

銅胎掐絲琺瑯錦鯉大盤

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93 λ A PAIR OF CHINESE IMPERIAL ENAMEL JARDINIERES WITH GARDENS QIANLONG 1736-95 The quatrefoil-shaped jardinières painted in coloured enamels with stylised lotus blossoms on a turquoise ground, with key fret borders around the flared feet and the broad rims. Each fitted with a plaque simulating puddingstone and a rich assembly of plants including narcissus, prunus, peony and small rocks, made in ivory, horn, amethyst, coral, lapis lazuli and painted metal, 29cm. (2)

£20,000-30,000 Cf. Wan, Wang and Lu, Daily Life in the Forbidden City, p.244, no.376 for a similar single jardinière, see also, Treasures of the Imperial Court, The Complete Collection of the Palace Museum, p.48, no.41. An enamel hat stand painted with the same design as the jardinières is illustrated in Wan Wang and Lu, p.132, fig.183.

清乾隆

銅胎畫琺瑯盆玉石百寶盆景一對

94 A PAIR OF CHINESE PARCEL-GILT BRONZE VASES LATE MING DYNASTY

95 A PAIR OF CHINESE CANTON ENAMEL DISHES 18TH CENTURY

The bulbous bodies supported on tall flared feet, with chilong dragons wrapped around long necks and with garlic-mouth neck rims, 23cm. (2) Cf. R Kerr, Later Chinese Bronzes, p.42 no.29 for a similar pair of bronze vases.

Each decorated with a leaf-shaped panel depicting a young woman with four boys in a fenced garden on a diaper ground, the rims with bands of stylised blossoms on a bright yellow ground, the reverse with dragons chasing sacred jewels amongst clouds, the bases with five blue chilong dragons, together with a similar dish and a pair of yellow-ground bowls and two wood stands, 26.5cm. (7)

明晚期

£2,000-3,000

£3,000-4,000

鎏金銅螭龍紋蒜頭瓶

Provenance: an English private collection, Reigate. Cf. Spink & Son Ltd, The Minor Arts of China, vol III, pp.86-7, no.113 for a pair of wine pots decorated with a similar pattern of dragons amongst clouds.

十八世紀銅胎畫琺瑯人物故事碟及碗一組五件來源：英國瑞格特私人收藏

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96 A RARE CHINESE BRONZE INCENSE BURNER AND COVER EARLY QING DYNASTY With a compressed circular body, decorated with shou characters and stylised dragons, with two chilong dragon handles, all supported on three short feet with lingzhi motifs, the reticulated cover with stylised bats and fylfots and a coiled dragon finial, a six character Xuande mark to the base, 24cm, 2.3kg. (2)

£10,000-15,000 清早期

銅製雙龍捧壽紋螭龍耳爐

《大明宣德年製》仿款

97 A LARGE CHINESE ROCK CRYSTAL VASE AND COVER QING DYNASTY With a tapering body and a waisted shoulder with two lingzhi fungus-shaped handles with rings, all supported on a flared foot, with a tall cover surmounted by a lion dog, together with a wood stand inlaid with silver wire, 28.5cm. (3)

£1,200-1,800 清

水晶雕獅鈕雙耳瓶

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98 A CHINESE WHITE JADE TABLE SCREEN QING DYNASTY Carved in shallow relief to one side with two scholars in a mountainous valley by a pine tree and a pagoda, dispatching an attendant to collect lingzhi fungus, and with a crane standing on a mountain cliff by a pine tree to the reverse, mounted on a reticulated black hardwood stand, 20.5cm. (2)

£8,000-12,000 清

白玉雕山水紋插屏

99 A FINE CHINESE PALE CELADON JADE ‘PRUNUS’ VASE QIANLONG 1736-95 With a tapering ovoid body carved in high relief with two contorted flowering prunus trees, the base with a single spray of lingzhi fungus, the waisted neck with an everted rim, the base with a paper label for Spink & Son, 19cm.

£12,000-15,000 Provenance: purchased from Spink & Son London in the 1970s.

清乾隆青白玉雕如意冰梅紋瓶來源：1970年代購於倫敦Spink & Son（附標籤）

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

100 A CHINESE PALE CELADON JADE CARVING OF A MOUNTAIN QING DYNASTY Carved with five scholars, three studying scrolls, and an attendant boy carrying a qin beneath pine trees and willow, the stone with russet inclusions, 11.5cm.

£7,000-9,000 清

青白玉雕松下論道山子

101 A CHINESE WHITE JADE CARVING OF TWO SHARON FRUIT QING DYNASTY

102 A CHINESE PALE CELADON JADE BELT BUCKLE QING DYNASTY

The two fruit issuing from one leafy branch with a small bird carved to the side, 6.7cm.

Carved with two chilong dragons to the top, the hook formed as a head of another with two small bats to each side, two peony flowerhead-shaped studs to the reverse, the stone with minor russet markings, 7.7cm. (2)

£500-1,000 Provenance: from the collection of Mrs S B Milne (d.2012), purchased in Singapore c.1953.

清白玉雕事事如意擺件來源：S B Milne太太收藏（逝于2012），1953年購於新加坡

100

£1,500-2,500 Provenance: from the collection of Mrs S B Milne (d.2012), purchased in Singapore c.1953.

清青白玉雕螭龍帶扣來源：S B Milne太太收藏（逝于2012），1953年購於新加坡

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

103 A CHINESE WHITE JADE ‘GOOSE’ PENDANT QING DYNASTY

104 A CHINESE WHITE JADE RECTANGULAR ‘DRAGON’ PENDANT QING DYNASTY

Carved in low relief to one side with a goose with four goslings under a branch of millet under a moonlit sky and with a four character mark reading qiu jiang su yan to the reverse, with chilong dragons flanking the suspension hole to the top, 5.2cm.

Carved in shallow relief on one side with a dragon amidst clouds chasing a sacred jewel and spitting a fountain of water, and with a chime and a four character mark reading da yu shi xing (referring to a large rainfall) to the reverse, all surrounded by a stylised chilong dragon and with a small hole for suspension, 6cm.

£6,000-8,000 清

白玉雕秋雁佩

《秋江宿雁》

£6,000-8,000 清

白玉雕龍紋佩

《大雨時行》

101

105 A CHINESE PALE YELLOW-CELADON JADE HANGING VASE 18TH/19TH CENTURY The flattened body decorated with shou characters and stylised floral designs and two dragon-shaped handles with loose rings, the rim with key fret borders and two loops for suspension, the cover with reticulated handles and a lappet border, the stone with russet markings, 13cm. (2)

£4,000-5,000 十八/十九世紀

102

淡黃玉雕掛瓶

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106 A CHINESE WHITE JADE HANGING VASE 18TH/19TH CENTURY The flattened ovoid body with a scrolling pattern, two holes to the mouth, between two loop handles rising from a broad reticulated rim with chrysanthemum blossoms. An articulated handle with a bat and ruyi heads at the edges, a ring for suspension, all raised on a foot with concentric bands, 12cm.

£3,000-5,000 Cf. M Wilson, Chinese Jades, p.53, no.54 for a white jade hanging vase, see also J Watt, Chinese Jades from the Collection of the Seattle Art Museum, p.102, no.84 for a related pair of hanging baskets.

十八/十九世紀

白玉雕掛籃

103

107 A CHINESE BLACK AND WHITE JADE BOWL SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 With an S-shaped body on a tall circular foot incised with a single line above the rim, the milky-white stone with elegant black striations, 14.2cm.

£5,000-8,000 Cf. M Knight, H Lee and T Bartholomew, Later Chinese Jades from the Asian Art Museum of San Francisco, p.125, no.105 for a related bowl.

清乾隆黑白玉雕素碗《大清乾隆年製》款

104

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108 A CHINESE PALE CELADON JADE POURING VESSEL, GONG LATE MING DYNASTY Carved in shallow relief with taotie masks and mythical beasts on a diaper ground, with a handle in the form of a dragon mask, the stone with black and brown striations, the base with a paper label for Sydney L Moss, together with a wood stand, 14cm. (2)

£4,000-6,000 Provenance: from the collection of Peter Meyer, purchased from Sydney L Moss Ltd, on 20th June 1966 for £125.

明晚期青白玉雕饕餮紋觥來源：1966年6月20日以£125購於Sydney L Moss Ltd（附標籤）

105

109 A CHINESE PALE CELADON JADE FLATTENED VASE QING DYNASTY The V-shaped body carved in shallow relief with archaistic masks on a dense diaper ground, with two bird-shaped handles flanking the neck, the foot decorated with stylised lotus petals, together with a small wood stand, 13.2cm. (2)

110 A CHINESE PALE CELADON JADE OPENWORK INCENSE HOLDER QIANLONG 1736-95 Carved with a scholar and an attendant amongst rockwork and various trees with a pavilion in the mountains, with later detachable wood mounts, 18.5cm. (3)

£1,000-2,000

£4,000-6,000

Provenance: from the collection of Mr Robert Bigio (1913-2003).

清乾隆

清白玉鏤雕香薰

清青白玉雕扁瓶來源：Robert Bigio（1913-2003）先生收藏

106

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111 A CHINESE WHITE JADE PENDANT QING DYNASTY OR LATER

112 A CHINESE WHITE JADE MODEL OF A HARE QING DYNASTY

Carved in three hinged sections with prunus branches and lingzhi fungus in relief, 7cm.

Crouching with its head raised and its ears pushed back across its shoulders, the forehead with a star-burst tuft, a later wood stand, 8cm. (2)

£5,000-8,000

£3,000-5,000

清或更晚

清

白玉雕如意環佩

白玉雕玉兔擺件

107

113 A RARE CHINESE FAMILLE ROSE ‘FLOWERS AND BUTTERFLIES’ WASH BASIN EARLY 19TH CENTURY The pale celadon glazed body painted in colourful enamels with various blossoms and butterflies, with a broad rim accentuated with gilt, the exterior mirroring the design, 32.7cm.

£6,000-10,000 十九世紀早期

108

粉彩蝶戀花折沿盆

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109

114 A CHINESE FAMILLE ROSE REVOLVING VASE REPUBLIC PERIOD Constructed in three sections, the ovoid body with three openwork panels each with a red dragon amidst clouds set against a dark blue ground decorated with stylised lotus scrolls. The rim, shoulder and foot painted with colourful enamels with bands of lappets, key frets and stylised lotus and bats, the internal section decorated with flowering camelia, bamboo, clouds and bats against a white ground, a six character Qianlong mark to the base, 23.5cm. (3)

£4,000-6,000 Provenance: from the collection of Hugh Malcolm (1886-1961) and thence by descent. Hugh Malcolm (1886-1961) was the Managing Director of the Rising Sun Petroleum Company in Japan (today known as Shell) from 1924-1936. He lived in Kobe and Yokohama between 1913-1936. His collection of Asian art included Korean, Chinese and Japanese works of art such as screens, scrolls, furniture, silver, ceramics, prints, lacquer and iron work. It was displayed in his family house built after the Great Kanto Earthquake in 1923 and designed by the Czech architect Antonin Raymond who was an assistant to Frank Lloyd Wright. Cf. Z Lili, The Shanghai Museum Collection: Qing Dai YongzhengXuanTong Guan Yao Ci Qi, pp.84-85, no.3-51 for a prototype from the Qianlong period, see The Complete Collection of Treasures of the Palace Museum, Porcelains with Cloisonné Enamel and Famille Rose Decoration, p.174-175, no.155 for Qianlong prototypes of revolving vases with reticulated decoration.

民國粉彩開光花卉螭龍轉心瓶來源：Hugh Malcolm（1886-1961）亞洲藝術品收藏

110

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111

115 A FINE CHINESE IMPERIAL YELLOW-GROUND BOWL SIX CHARACTER DAOGUANG SEAL MARK AND OF THE PERIOD 1821-1850 The gently flaring body with an everted rim raised on a straight foot, decorated with a bright yellow glaze to the interior and exterior, 18.5cm.

£10,000-12,000 清道光御製黃釉撇口碗《大清道光年製》青花篆書款

112

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116 A CHINESE FLAMBE GLAZED BOTTLE VASE 18TH CENTURY With a tall neck and a slightly flared foot, decorated all over with a vibrant cerise and lavender-blue glaze draining from the rim, together with a reticulated wood stand, 38.7cm. (2)

£8,000-12,000 Cf. J Ayers, The Baur Collection, Vol 3, no.A277 for a related vase.

十八世紀

窯變釉長頸瓶

113

117 A PAIR OF CHINESE IMPERIAL YELLOW AND BLUE-GROUND ‘DRAGON’ DISHES SIX CHARACTER QIANLONG SEAL MARKS AND OF THE PERIOD 1736-95 Each with a shallow body rising to a slightly everted rim, the centres decorated with five-clawed dragons amidst clouds and flames in pursuit of flaming pearls of wisdom, the rims with further dragons, the exteriors mirroring the design, with a band of lappets around the feet, 25.3cm. (2)

£20,000-30,000

114

Dishes of this colour and pattern were produced for the use of a fifth rank Imperial concubine. Cf. A Special Exhibition of Dragon-Motif Porcelain in the National Palace Museum in Taiwan, Taipei in 1983, catalogue no.76 which included a dish of this design. Another from the Scheinman collection was featured in the exhibition Born of Earth and Fire in The Baltimore Museum of Art, 1992, catalogue no.90.

清乾隆御製藍地黃彩趕珠龍紋碟一對《大清乾隆年製》青花篆書款

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

115

118 A SMALL CHINESE ‘DRAGON’ CUP SIX CHARACTER DAOGUANG SEAL MARK AND OF THE PERIOD 1821-50

119 A CHINESE YELLOW-GROUND ‘LONGEVITY’ BOWL SIX CHARACTER DAOGUANG MARK AND OF THE PERIOD 1821-1850

The flared body painted in iron red with two dragons chasing sacred jewels above breaking waves, 4.7cm.

Decorated in famille rose enamels with five bats, shou characters, fylfots and fruiting peach branches, 17.5cm.

£800-1,200

£2,500-3,500

Provenance: from the collection of Gordon Mortimer (d.2002).

清道光黃地粉彩五福捧壽碗

清道光礬紅雙龍趕珠盃來源：Gordon Mortimer收藏（逝于2002）

116

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

120 A CHINESE IMPERIAL FAMILLE VERTE ‘DRAGON’ DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 With a gently rounded rim, painted to the well with a green five-clawed dragon chasing a flaming pearl of wisdom enclosed in a double green band, the exterior similarly decorated with two dragons chasing pearls between green bands against an anhua pattern of stylised waves and rocks, all raised on a short foot, 17.6cm.

£7,000-10,000 Provenance: an English private collection, acquired in England in the 1980s.

清康熙绿彩趕珠龍紋碟《大清康熙年製》青花楷書款來源：英國私人收藏，購於1980年代

117

121 A RARE CHINESE IMPERIAL BLUE AND WHITE ‘BAJIXIANG’ WINE CUP SIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95 Decorated with the bajixiang (the Eight Buddhist Emblems) above stylised lotus flowerheads between double bands to the rim and the foot, 6.8cm.

† £6,000-8,000 Provenance: formerly in an American private collection. Cf. Splendor of the Qing Dynasty, p.267, no.134 for a set of four related cups and stands.

清乾隆青花八吉祥小盃《大清乾隆年製》青花篆書款來源：美國私人收藏

118

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119

122 A RARE CHINESE CELADON DOUBLE GOURD VASE, HULUPING SIX-CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 With the body formed as a bottle gourd, all evenly coated with light celadon-green glaze, 37.5cm.

£30,000-40,000 Provenance: from the collection of Peter Meyer, believed to have been purchased from Sydney Moss Ltd in the late 1960s. The double gourd symbolises the harmony between heaven and earth, healthy offspring and good fortune. Cf. Qing Dai Tao Ci Da Quan, p.333 for a comparable example from the same period. See also Christie’s Hong Kong, 30th November 2011, lot 3318 and Christie’s Hong Kong, 28th May 2014, lot 3322.

清乾隆豆青釉葫蘆瓶《大清乾隆年製》青花篆書款來源：Peter Meyer收藏，1960年代購於Sydney Moss Ltd（傳）

120

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

121

123 A CHINESE LONGQUAN CELADON BOWL MING DYNASTY

124 A CHINESE LONGQUAN CELADON STEM CUP SONG/YUAN DYNASTY

The body carved to the interior with scrolling flowerheads, the centre moulded with a peony spray, the exterior carved with a band of key fret beneath the rim and stylised lotus petals, raised on a circular foot, 29.6cm.

The plain U-shaped body with an everted rim, raised on a tall flared ribbed stem simulating bamboo, a paper label for Bluett & Sons, London to the base, 13cm.

£6,000-8,000 明

龍泉青釉折枝牡丹碗

£600-1,000 Provenance: from the collection of R Firth Esq., purchased from Sydney L Moss Ltd on October 24th 1951 for £3.10, a copy of the original invoice is available. Cf. J Harrison-Hall, Ming Ceramics in the British Museum, p.464, nos.16:2-16:5 for related examples.

宋/元

龍泉瓜皮青釉竹節高足碗

來源：R Firth Esq收藏，1951年10 月24日以£ 3.10的價格購於Sydney L Moss Ltd（附發票）

122

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125 A LARGE CHINESE LONGQUAN CELADON DISH MING DYNASTY

126 A CHINESE LONGQUAN CELADON GU-SHAPED VASE EARLY MING DYNASTY

Carved to the centre with a single spray of camelia within an incised double ring, 35.5cm.

With a plain body and a tall flared neck, decorated with an unctuous green glaze, 23.5cm.

£3,000-4,000

£1,000-1,500

Provenance: formerly in the collection of S E Claude Achille Clararac, purchased in 1944 at the Kun Ming Art Market.

Provenance: formerly from an English private collection, acquired in the mid 20th century.

明龍泉青釉山茶花紋盤來源：S E Claude Achille Clararac收藏 1944年購於昆明古董市場

明早期龍泉青釉花觚來源：英國私人收藏，購於二十世紀中期

123

127 A CHINESE IMPERIAL UNDERGLAZE COPPER-RED WATERPOT, PING GUO ZUN SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 With an ovoid body gently tapering towards the foot, decorated with four stylised flower sprays of lotus, chrysanthemum, peony and hibiscus, the incurved rim encircled with scrolling leaves and lotus flowerhead bands between concentric blue bands, with a band of lappets between blue lines to the foot, 9.5cm.

£5,000-8,000 Provenance: formerly from an English private collection, purchased from Sotheby’s London, 19th February 1963, lot 43. Cf. The Complete Collection of Treasures of the Palace Museum, Blue and White Porcelain with Underglaze Red, III, p.184, no.168, see also Kangxi Porcelain Wares from the Shanghai Museum Collection, p.109, no.72 for waterpots of this design. Similar to the current example, apple-shaped waterpots belong to a class of wares produced during the Kangxi period for scholars’ tables known as The Eight Great Numbers, badama. Cf. J Ayers, The Peachbloom Wares of the Kangxi Period (1662-1722), Transactions of the Oriental Ceramic Society, vol.64, 1999-2000, pp.48-49.

清康熙御製釉里紅折枝牡丹紋蘋果尊來源：英國私人收藏蘇富比倫敦1963年2月19日·編號43

124

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

125

128 A CHINESE IMPERIAL WUCAI ‘DRAGON’ DISH SIX CHARACTER WANLI MARK AND OF THE PERIOD 1573-1620 Painted with a five-clawed confronting red dragon amongst colourful clouds chasing a sacred pearl of wisdom, the rim with four phoenix between clouds, the exterior with a continuous flowerhead and leaf pattern, with a paper label for Sydney L Moss to the base, 16.1cm.

£1,000-1,500 Provenance: formerly from an English private collection, acquired in the mid 20th century. Cf. Kangxi Porcelain Wares from the Shanghai Museum Collection, p.270, no.177 for a bowl with similar dragon decoration to the interior.

明萬曆

御製五彩趕珠龍紋碟

《大明萬曆年製》青花楷書款來源：英國私人收藏購於二十世紀中期，附Sydney L Moss標籤

126

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

127

129 A RARE CHINESE BLUE AND WHITE PEAR-SHAPED ‘PEONY’ VASE, YUHUCHUNPING SIX CHARACTER JIAJING MARK AND OF THE PERIOD 1522-66 Brightly painted in underglaze blue with stylised peony flowers and foliage, with a band of lotus flowerheads and leaves to the shoulder and rim, between bands of lappets, a key fret band to the foot, 31.3cm.

£5,000-8,000 Provenance: formerly from an English private collection, purchased from Sotheby’s London, the Contents of Sheffield Park, Uckfield, Sussex, 8th March 1954, lot 40. Cf. Enlightening Elegance, Imperial Porcelain of the Mid to Late Qing, the Huaihaitang Collection, p.170, no.35 for a similar vase.

明嘉靖青花纏枝牡丹玉壺春瓶《大明嘉靖年製》青花楷書款來源：英國私人收藏蘇富比倫敦1954年3月8日the Contents of Sheffield Park·編號40

128

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129

130 A RARE CHINESE IMPERIAL PALE BLUE-GROUND RU-TYPE TWO-HANDLED ARCHAISTIC VASE SIX CHARACTER YONGZHENG MARK AND OF THE PERIOD 1723-35 After a bronze form, with a flared ovoid body decorated with four vertical flanges to the neck and foot, with two further flanges and two loop handles at the shoulder, all beneath a pale blue celadon glaze, 33cm.

£30,000-50,000 Provenance: a Scottish private collection acquired in the early 20th century. The shape of this vase is directly derived from a Shang dynasty bronze lei. For a similar example cf. Sotheby’s New York, the Collection of Baron Hisaya Iwasaki, 1st/2nd June 1993, lot 383; see also Imperial Perfection, a Selection from the Wang Xing Lou Collection pp.40-41, no.7 for another Yongzheng vase of this form painted in underglaze blue.

清雍正御製仿汝窯出戟雙耳瓶《大清雍正年製》青花篆書款來源：蘇格蘭私人收藏，購於20世紀早期

130

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

131

131 A CHINESE INSCRIBED PEWTER-ENCASED ‘BA BU ZHENG’ YIXING TEAPOT AND COVER QING DYNASTY The pentagonal body set with a faceted jade spout, handle and knop, the ten triangular sides incised with blossoming prunus branches and poems about prunus blossom inscribed by You Zhu, a seal mark reading Shi De Tang to the interior, 15cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清

131

紫砂包錫八不正壺

《世德堂》款銘文：仙掌露，雀舌新，欲與梅花作早春，一泓水比玉壺清。友竹。來源：Christopher Blair-Myers先生收藏 132 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The square-section body set with an angular C-shaped wood handle and a square jade knop, the sides decorated with two poems inscribed by Wang Yin and Yi Shan, 15.5cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

132

清紫砂包錫詩文壺銘文：亦山、王蔭來源：Christopher Blair-Myers先生收藏 133 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The coin-shaped body, set with an angular jade handle, the flat pewter cover with a square jade knop, one side incised with a spray of blossoming orchid, and a poem about tea drinking to the reverse, inscribed by Zi Yun, a seal mark reading Shi De Tang to the interior, 14cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

133

清紫砂包錫古幣型三鑲壺《世德堂》款銘文：茶味苦，水味甘，甘苦合生香。子雲刻。來源：Christopher Blair-Myers先生收藏 134 A CHINESE INSCRIBED PEWTER-ENCASED YIXING HEXAGONAL TEAPOT AND COVER QING DYNASTY Set with a jade spout, handle and knop, one side incised with a cockerel engraved by Yi Shan, the reverse with a poem, inscribed by Wang Yin, 18cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫六棱壺銘文：亦山、王蔭來源：Christopher Blair-Myers先生收藏

134

132

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

135 A CHINESE INSCRIBED AND DATED PEWTER TEAPOT AND COVER 1835 The rectangular-section body set with a jade faceted spout and an angular handle and a square jade knop, one side incised with a spray of bamboo, the reverse with a poem by You Xiang, a two character signature Han Hu to the interior, 12cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清

135

紫砂包錫三鑲壺

《濱壺》款銘文：玉篆一垂，心香四放，千風草簟，曉露荷盤，乙酉年，友香。來源：Christopher Blair-Myers先生收藏 136 A CHINESE INSCRIBED PEWTER TEAPOT AND COVER QING DYNASTY The body shaped as a qin, set with a jade spout, handle and knop, one side incised with bamboo and pine trees by a rock formation, the reverse with a poem, signed Bai Shi, 14cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

清包錫花卉紋琴式三鑲壺銘文：摘來蒙頂香堪愛，習二清風雨亱生，柏石。來源：Christopher Blair-Myers先生收藏

136

137 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The square-section body, set with a jade spout, handle and knop, one side incised with bamboo, the reverse with a poem by Yun Yan, a seal mark to the interior which reads Chu Ru Da Ji, 14.5cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫竹紋三鑲壺《出入大吉》款銘文：方山子，雲川子，君子之交淡如水，蕓岩。來源：Christopher Blair-Myers先生收藏

137

138 A CHINESE INSCRIBED PEWTER-ENCASED HEXAGONAL YIXING TEAPOT AND COVER BY CHEN MAN SHENG QING DYNASTY Set with a jade spout, handle and knop, one side incised with blossoming prunus branch, the reverse with a poem by Yun Po, a four character seal to the interior Man Sheng Zheng Ji, 14cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫梅花紋三鑲壺《蔓生正記》款銘文：蕓坡來源：Christopher Blair-Myers先生收藏

138

133

139 A CHINESE INSCRIBED PEWTER ‘BA BU ZHENG’ TEAPOT AND COVER QING DYNASTY The pentagonal body set with a C-shaped wooden handle with four characters inlaid with metal wire reading Shao Chang Hao zhi, the cover surmounted with a cylindrical jade knop, the sides incised with a poem about tea drinking inscribed by Fan Yu Tang, a single character Yue to the interior, together with a wood stand, 16cm. (3)

£800-1,200 Provenance: from the collection of Christopher Blair-Myers Esq.

139

清包錫八不正壺《邵昌號製》、《岳》款銘文：范玉堂來源：Christopher Blair-Myers先生收藏 140 A CHINESE INSCRIBED PEWTER TEAPOT AND COVER QING DYNASTY The coin-shaped body, set with an angular C-shaped jade handle, a jade knop and spout, one side incised with a spray of blossoming wild orchid and a spade coin pattern with the characters huo pu to the reverse, a four character seal mark reading Fan Shu Zeng Zhi to the inerior, 12.5cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

140

清范述曾款包錫蘭花紋壺《范述曾製》款銘文：蘭為王者香。來源：Christopher Blair-Myers先生收藏 141 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The coin-shaped body, set with an angular C-shaped jade handle, the cover with a round white glass replacement knop, the sides incised with poems about tea drinking inscribed by Wang Qia, a four character seal mark reading Yang Peng Nian Zhi to the interior, 16cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

清楊彭年款古幣型壺《楊彭年製》款

141

銘文：王洽來源：Christopher Blair-Myers先生收藏 142 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The hexagonal body set with a jade faceted spout and an angular C-shaped angular handle, the flat pewter cover with a cylindrical jade knop, one side incised with a magpie and blossoming prunus, the reverse with a poem about the moon, engraved by Yong Mao, 14cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

142

134

清紫砂包錫梅花紋壺銘文：永茂來源：Christopher Blair-Myers先生收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

143 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The bamboo-shaped body set with a jade spout and an angular C-shaped jade handle, the cover with a cylindrical jade knop, one side incised with bamboo, the reverse with a poem about tea drinking, inscribed by Guang Dou, a seal mark to the interior reading Yang Peng Nian Zhi, 15.5cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

143

清楊彭年款紫砂包錫竹節壺《楊彭年製》款銘文: 光斗來源：Christopher Blair-Myers先生收藏 144 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY Set with a jade spout, handle and knop, one side incised with a figure seated on the trunk of a willow tree, the reverse with a longevity poem, inscribed by and signed Fu Sheng, applied seal mark to the interior which reads Qi Yuan Chang zhi, 14cm. (2)

£1,500-2,500 Provenance: from the collection of Christopher Blair-Myers Esq, previously in the Arthur J Harris collection.

144

清祁元昌款紫砂包錫壺《祁元昌製》款銘文：為碑為璡日月遐齡中有醴泉金石長春，符生刻。來源：Christopher Blair-Myers先生收藏 145 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY Set with a jade spout, handle and knop, one side incised with a blossoming prunus branch and a poem by Shao Yun, the reverse with a poem by Qiu Ting, a four character seal to the interior reading Fan Shu Zeng Zhi, 12cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

145

清范述曾款紫砂包錫詩文壺《范述曾製》款銘文：秋汀、少雲來源：Christopher Blair-Myers先生收藏 146 A CHINESE INSCRIBED AND DATED PEWTER-ENCASED YIXING TEAPOT AND COVER 1839 Set with a jade spout, handle and knop, one side incised with a figure by a cabin near a tree, the reverse with a poem inscribed by Shao Shi, four character mark reading Fan Shu Zeng Zhi to the interior, 14cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清

146

范述曾款紫砂包錫三鑲壺

《范述曾製》款銘文：碧雲軟清風生間對茶經憶古人，己亥仲冬月，少石刻。來源：Christopher Blair-Myers先生收藏

135

147 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY Each set with a jade spout, handle and a pewter cover with cylindrical jade knops, each with one side inscribed with a poem and the other with blossoms and landscapes, 18cm. (8)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清

紫砂包錫三鑲壺一組四件

來源：Christopher Blair-Myers先生收藏

148 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY Each set with a jade spout, handle and knop, one plain, three inscribed with poems and engraved with blossoms and landscapes, one with a seal to the interior, one with a cover inlaid with hardstones, 18cm. (8)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫三鑲壺一組四件來源：Christopher Blair-Myers先生收藏

149 FOUR SMALL CHINESE YIXING TEAPOTS, THREE WITH COVERS QING DYNASTY Three with plain polished bodies, the fourth enamelled in blue with flowers, foliage, fruit and butterflies, 14cm max. (7)

£300-500 清

136

宜興紫砂壺一組四件

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

150 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY Each with a ruyi-head-shaped body, set with faceted jade spouts and angular C-shaped jade handles and jade knops and one side incised with plants or landscapes and with poems to the reverse, all with seal marks to the interior, 18cm. (8)

£500-800 Provenance: from the collection of Christopher Blair-Myers Esq.

清

紫砂包錫如意壺一組四件

來源：Christopher Blair-Myers先生收藏

151 EIGHT MINIATURE CHINESE YIXING TEAPOTS AND COVERS QING DYNASTY Three with plain undecorated bodies, two with calligraphy around the shoulders and with rat and peach finials, one with a ribbed cylindrical body and a strainer, one with blue and white enamels and one with yellow slip decoration, 12cm. (17)

£300-500 清

宜興紫砂壺一組八件

152 NINE CHINESE YIXING TEAPOTS AND COVERS QING DYNASTY AND LATER Rounded, square-section, lobed and cylindrical, one moulded with two bats, all with seal marks, 16.5cm max. (18)

£1,000-2,000 清

宜興紫砂壺一組九件

137

153 A CHINESE YIXING TEAPOT AND COVER QING DYNASTY With an ovoid body moulded with sprays of chrysanthemums, the cover with three clouds, surmounted with a reclining buffalo, 14cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清宜興紫砂花卉紋壺來源：Christopher Blair-Myers先生收藏

154 A CHINESE ‘MONK’S HAT’ YIXING TEA POT AND COVER QING DYNASTY The plain hexagonal body flaring towards the top, the cover surmounted with a large Buddhist lion dog facing a revolving reticulated ball, 21cm. (2)

£300-500 Provenance: from the collection of Christopher Blair-Myers Esq.

清宜興帽式壺來源：Christopher Blair-Myers先生收藏

155 A CHINESE TURQUOISE GLAZED YIXING TEAPOT QING DYNASTY With a plain rectangular-section body, a faceted spout and an angular handle, with seal marks to the underside of the cover reading Zhi Yuan and a four character seal to the base, 19cm. (2)

£800-1,200 Provenance: from the collection of Christopher Blair-Myers Esq.

清宜興爐鈞釉紫砂壺來源：Christopher Blair-Myers先生收藏

138

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

156 A CHINESE YIXING HEXAGONAL TEAPOT AND COVER 18TH CENTURY The body with two panels moulded with a crouching boy holding a leafy stem, the other panels of stylised scrolling foliage, the spout shaped as a dragon’s head, the handle as a dragon’s tail, the lid surmounted with a Buddhist lion dog, 16cm. (2)

£800-1,200 十八世紀

宜興紫砂六棱獅鈕壺

157 A CHINESE YIXING TEAPOT AND COVER LATE QING DYNASTY The spout, handle and finial in darker clay formed as prunus branches and flowers, with Lu Li Hua seals incised to the cover, underside of the handle and another four character seal mark to the base, 16cm. (2)

£300-500 二十世紀宜興紫砂貼梅花紋壺《陸麗華》《陸麗華製》款

158 A CHINESE YIXING TEAPOT AND COVER 18TH CENTURY The body applied with moulded vine leaves and squirrels, the handle, spout and cover formed as vine branches, 22cm. (2)

£500-1,000 Cf. C S Low, Fine Yixing Stoneware from the Hezhenghai Collection, pp.120-121 no.36 for a similar teapot with grape and vine appliqué.

十八世紀

宜興紫砂葡萄紋壺

139

159 A CHINESE ENAMELLED YIXING JAR AND COVER QING DYNASTY With an ovoid body decorated with a broad band of blue enamel with a landscape painted in white, the shoulder and foot with colourful bands of stylised floral and geometric patterns, the lid with a shou character, 18.5cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂加彩山水紋罐來源：Christopher Blair-Myers先生收藏

160 A CHINESE YIXING DUANNI VASE QING DYNASTY Decorated with a figure by a bamboo grove and a poem describing the scene between bands of lappets to the foot and the shoulder, with a mark impressed in the base which reads li yong gogn so chui pin, 23.5cm.

£500-1,000 清段泥人物故事紋瓶《利永公司出品》

161 A CHINESE YIXING BITONG QING DYNASTY OR LATER With a cylindrical body painted with a landscape in dark brown slip against a buff ground and a band of ruyi-heads impressed to the rim, a four character seal mark reading Tie Hua Xuan zhi to the base, 14cm.

£500-800 清或更晚宜興紫砂筆筒《鐵畫軒製》

140

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

162 A CHINESE YIXING MELON-SHAPED TEAPOT AND COVER QING DYNASTY The knop formed as a stem and a double metal handle, a four character seal mark to the base, 15cm. (2)

£800-1,200 清宜興紫砂瓜形壺《崳曉仙製》

163 TWO CHINESE WOOD AND PEWTER TEA CANISTERS QING DYNASTY Each with a wooden body supported on a pewter base with four short bracket feet, the interior lined with pewter and with pewter covers, one with an inner cover, 11cm max. (5)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

清

木雕包錫罐一組兩件

來源：Christopher Blair-Myers先生收藏

164 A LARGE CHINESE PEWTER AND WOOD TEA CONTAINER QING DYNASTY The body formed from a hollowed and polished tree trunk section, lined with pewter and with a pewter shoulder and a circular liner and cover, 28cm. (3)

£250-350 Provenance: from the collection of Christopher Blair-Myers Esq.

清木雕包錫大罐來源：Christopher Blair-Myers先生收藏

141

165 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The coin-shaped body set with an angular C-shaped jade handle, a jade spout and knop, the sides incised with a blossoming prunus branch and a poem about prunus blossom and the moon, inscribed Er Quan, the interior with a seal mark which reads Fan Shu Zeng Zhi, 10.5cm. (2)

£300-500 Provenance: from the collection of Christopher Blair-Myers Esq.

165

清范述曾款古幣型壺《范述曾製》款銘文：愛敬古梅如宿士，招呼明月到方尊，二泉。來源：Christopher Blair-Myers先生收藏 166 A CHINESE INSCRIBED AND DATED PEWTER-ENCASED ‘WANING MOON’ YIXING TEAPOT AND COVER 1830 The moon-shaped body, set with a jade handle, spout and knop, one side incised with a fisherman, the reverse with a poem describing an autumnal night scene, signed Xi Liu, a four character seal to the interior Yang Peng Nian Zhi, 15.5cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

166

清楊彭年款紫砂包錫卻月壺《楊彭年製》款銘文：唐寅秋日，西柳。來源：Christopher Blair-Myers先生收藏 167 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The square-section body, set with a jade handle, knop and spout, one side incised with a blossoming prunus branch, the reverse with a poem about tea, inscribed by Qiu Ting, a four character seal to the interior which reads Fan Shu Zeng Zhi, 14cm. (2)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

167

清范述曾款紫砂包錫梅花紋壺《范述曾製》款銘文：秋汀來源：Christopher Blair-Myers先生收藏 168 TWO CHINESE HEXAGONAL PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY Set with jade faceted spouts and angular C-shaped handles and cylindrical jade knops, one with calligraphy inscribed on three sides and a flower spray to the reverse, the other with calligraphy to each face, both with moulded seal marks to the interiors, 17cm. (4)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

168

142

清紫砂包錫詩文壺一組兩件來源：Christopher Blair-Myers先生收藏

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

169 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY Set with a faceted jade spout, handle and knop, one side incised with a mountainous landscape, the reverse with a poem, a seal to the interior, 14.4cm. (2)

£300-500 清

169

紫砂包錫山水紋壺

170 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY With a half moon-shaped body, set with a jade handle, spout and knop, one side incised with bamboo, the reverse with a poem about a mountain stream amongst pine trees, signed by Yong Mao, a four character seal to the interior, 15.5cm. (2)

£500-1,000 Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫卻月壺銘文：壽盆，明月松間照，清泉石上流，永茂來源：Christopher Blair-Myers先生收藏

170

171 A CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOT AND COVER QING DYNASTY The body shaped as a qin, set with a jade spout, handle and knop, one side incised with a mountainous landscape, the reverse with a poem about the qin, engraved by Run Sheng, a single Wei character seal to the interior, 12.5cm. (2)

£300-500 Provenance: from the collection of Christopher Blair-Myers Esq.

清

紫砂包錫琴式壺

《韋》銘文：潤生來源：Christopher Blair-Myers先生收藏

171

172 TWO CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY Each set with a jade handle, spout and knop, both inscribed with poems and flowering branches, one with a two character seal moulded to the interior, 14cm. (4)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫詩文壺一組兩件來源：Christopher Blair-Myers先生收藏

172

143

173 FOUR CHINESE INSCRIBED PEWTER AND PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

174 FOUR CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

Each set with a jade spout and handle, and inscribed with poems, three with stoneware bodies with seals to the interiors, 15.5cm. (8)

Three set with jade handles and spouts, the fourth with a pewter handle, another a wood replacement knop, variously incised with flowers, figures and calligraphy, three with seals to the interiors, 13cm. (8)

£500-1,000

£800-1,200

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫三鑲壺一組四件來源：Christopher Blair-Myers先生收藏

清紫砂包錫古幣及琴式壺一組四件來源：Christopher Blair-Myers先生收藏

173

174

144

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

175 ONE CHINESE PEWTER AND THREE PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

176 FIVE CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY

Three with C-shaped jade handles, two with faceted jade spouts, three with inscriptions, each with a jade knop, one undecorated, the Yixing teapots with seals to the interiors, 16cm max. (8)

Each with a ruyi-head-shaped body, four set with jade spouts, handles and knops, one with a wood handle with a moulded seal to the interior, 18cm. (8)

£400-600

£800-1,200

Provenance: from the collection of Christopher Blair-Myers Esq.

清紫砂包錫三鑲壺一組四件來源：Christopher Blair-Myers先生收藏

清紫砂包錫如意三鑲壺一組五件來源：Christopher Blair-Myers先生收藏

175

176

145

177 THREE CHINESE YIXING TEAPOTS AND COVERS QING DYNASTY Each decorated with calligraphy and with seal marks to the lids and two to the bases, one with a replacement silver spout, 18.5cm. (5)

£200-300 清

宜興紫砂壺

一組三件

178 TWO CHINESE INSCRIBED PEWTER-ENCASED YIXING TEAPOTS AND COVERS QING DYNASTY Each set with a jade spout, handle, and knop, both sides inscribed with poems, with seals to the interiors, one hexagonal on a short foot, inscribed by Wang Yin, the other with a flared body and a faceted spout inscribed by Wang Qia, 15.5cm. (4)

£400-600 Provenance: from the collection of Christopher Blair-Myers Esq.

清

紫砂包錫詩文壺

來源：Christopher Blair-Myers先生收藏

179 THREE CHINESE YIXING TEAPOTS AND COVERS 19TH AND 20TH CENTURY One with a ribbed body, another with the spout, handle and knop formed as bamboo branches, the third with a plain body decorated with calligraphy and the lid formed as a lotus seed pod, each with seal marks to the base and underside of the lids, 19cm max. (6)

£500-800 十九世紀/二十世紀

146

宜興紫砂壺一組三件

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

180 A CHINESE CYLINDRICAL PEWTER TEA CANISTER BY SHEN CUN ZHOU EARLY QING DYNASTY With a yin-yang symbol to the cover, the base with a four character seal mark which reads Shen Cun Zhou Zhi, 12cm. (2)

£300-500 Provenance: from the collection of Christopher Blair-Myers Esq. Shen Cun Zhou (17th-18th century) was born in Jiaxing in Zhejiang province, he was a pupil of the poet Sheng Yuan (1630-1710), and as well as an esteemed metal worker, was a talented calligrapher.

清早期沈存周製八卦小罐《沈存周製》款來源：Christopher Blair-Myers先生收藏

181 A CHINESE PEWTER FOOD WARMER SET QING DYNASTY Comprising: a water bowl, a food container and a cover also used as a tray, all of hexagonal shape. The two vessels set with angular C-shaped jade handles, the body incised with a bird on a branch of a willow tree and a spray of bamboo to one side, and inscribed with two poems by Zhu Shi Mei to the reverse, 18cm. (3)

£2,000-3,000 Provenance: from the collection of Christopher Blair-Myers Esq. Zhu Shi Mei (1796-1850) was active across the Jiaqing and Daoguang periods and was recorded as the first person to make pewter-encased teapots.

清

朱石梅刻暖壶

來源：Christopher Blair-Myers先生收藏

147

182 A CHINESE ENAMELLED YIXING TEAPOT AND COVER SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The compressed circular body painted with sprays of chrysanthemum and bamboo in pink and green on a yellow ground, the shoulder with a band of white ruyi-heads and pink scrolls, surmounted with an ovoid blue knop, 17.5cm. (2)

£4,000-6,000 Cf. Bonhams Hong Kong, November 28th 2011, lot 251 for a comparable glazed teapot.

清乾隆紫砂加彩花卉紋壺《大清乾隆年製》款

148

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

183 A RARE CHINESE YIXING TEAPOT AND COVER BY CHEN BO FANG EARLY QING DYNASTY With a flattened circular body, the handle formed as a geranium stem, the spout as a rolled leaf and the base as a blossom, the cover as an upturned flower, all elements evoking a swirling sensation of motion, signed Bo Fang to the lid, 18.5cm. (2)

£8,000-12,000 Provenance: an English private collection, Lancashire. Cf. C S Low, Fine Yixing Stoneware from the Hezhenghai Collection, p. 240-241, no.88 for a related teapot of this form.

清早期陳伯芳製風卷葵壺来源：英國蘭開夏郡收藏

149

184 A SMALL CHINESE YIXING TEAPOT AND COVER FOUR CHARACTER JIAQING MARK AND OF THE PERIOD 1796-1820 The compressed pear-shaped body with a loop handle and slender spout, the base impressed with a seal mark reading Jiaqing nian zhi, 9.2cm. (2)

£3,000-5,000 Cf. W Janhua, Yixing Zisha Wares in the Palace Museum, p.111, no.51 for a teapot in a similar shape with the same mark.

清嘉慶宜興紫砂壺《嘉慶年製》款

150

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

185 A CHINESE YIXING CYLINDRICAL TEAPOT 17TH/18TH CENTURY With a tall cylindrical body, a short spout and metal mounts to the handle and the associated cover, a five character mark to the base which reads Jing Xi Hui Meng Chen and an oval seal, 17.5cm. (2)

£1,000-1,500 十七/十八世紀

宜興紫砂壺

《荊溪惠孟臣》款

151

Lots 186-262 from a private collection in the uk 186 A LARGE CHINESE BLUE AND WHITE ‘HUNDRED DEER’ SNUFF BOTTLE FIVE CHARACTER SU YUN DAO REN ZHI MARK, GUANGXU 1875-1908 Decorated with deer in a landscape amongst hills and trees, with a band of bats to the shoulder and shou characters to the neck, the base with a mark and a single recumbent deer, 10.7cm.

£1,500-2,500 Suyun Daoren (1839-95), was also known by the monk’s name Liu Cheng Yin (which he took in 1870), and as Liu Duo Shen. He was one of the most powerful eunuchs in the court of the Empress Dowager Ci Xi, and one of her most trusted political advisors and a personal confidant.

187 A CHINESE TEADUST GLAZED SNUFF BOTTLE FOUR CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The ovoid body with a reddish-brown border to the top, together with a hardwood stand, 7cm. (2)

£2,000-3,000 清乾隆茶葉末釉鼻煙壺《乾隆年製》篆書款

清光緒青花百鹿祝壽紋鼻煙壺《素雲道人製》青花楷書款

152

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

188 A CHINESE FAMILLE ROSE ‘CATS’ SNUFF BOTTLE FOUR CHARACTER DAOGUANG SEAL MARK AND OF THE PERIOD 1821-1850

189 A FINE CHINESE GILT DECORATED SOAPSTONE SNUFF BOTTLE 18TH/19TH CENTURY

With a flattened ovoid body painted with a white cat with a spotted tail gazing towards a butterfly on one side and with a brown and white cat to the reverse, 5.8cm.

With a flattened ovoid body, carved with an intricate openwork cash design to one side and quatre-lobed to the reverse, with a spray of peonies in shallow relief against a dense wave pattern, with a band of ruyi-heads to the shoulder, the buff stone with red striations, 4.5cm.

£1,500-2,500

£1,000-1,500

清道光粉彩貓鼻煙壺《道光年製》礬紅篆書款

Cf. Christie’s New York, 14th September 2016, The Ruth and Barron Collection of Fine Chinese Snuff Bottles Part III, lot 478 for a similar example.

十八/十九世紀

壽山石鏤雕花卉紋鼻煙壺

two views

153

190 A CHINESE YELLOW JADE SNUFF BOTTLE 18TH/19TH CENTURY

191 A CHINESE PUDDINGSTONE SNUFF BOTTLE 18TH/19TH CENTURY

With a flattened ovoid body with natural brown markings to the surface, 6.3cm

With a plain ovoid body and irregular natural markings, 5.4cm.

£2,000-3,000

十八/十九世紀

黃玉素雕鼻煙壺

十八/十九世紀

壽山花坑石素圓鼻煙壺

192 A CHINESE GREEN TOURMALINE ‘LI TAI BAI’ SNUFF BOTTLE WITH A TOURMALINE STOPPER 19TH/20TH CENTURY With an ovoid body carved in high relief with the drunken poet raising his cup to the full moon, with three concentric bands to the neck, raised on an oval foot, 6cm.

£800-1,200 十九/二十世紀

154

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

碧璽雕太白醉酒鼻煙壺

193 A CHINESE WHITE JADE SNUFF BOTTLE QING DYNASTY

194 A CHINESE JADEITE SNUFF BOTTLE 19TH CENTURY

With a plain flattened body raised on an oval foot, with an agate stopper, 6.1cm.

With a flattened ovoid body with stylised lion-head handles with rings to the sides, raised on an oval foot, with a coral stopper, 5.3cm.

£800-1,200 清

白玉素雕鼻煙壺

£2,500-3,500 十九世紀

翡翠雕獅耳鼻煙壺

195 A CHINESE HAIR CRYSTAL SNUFF BOTTLE 18TH/19TH CENTURY With a quatre-lobe-section body carved from a semi transparent stone with iron-red markings, 5.5cm.

£800-1,200 十八/十九世紀

水晶雕鼻煙壺

155

196 A CHINESE FAMILLE ROSE PORCELAIN PEBBLE-FORM ‘BUTTERFLIES’ SNUFF BOTTLE DAOGUANG 1821-50

197 A PAIR OF LARGE CHINESE PORCELAIN UNDERGLAZE COPPER-RED ‘DRAGON’ SNUFF BOTTLES EARLY 19TH CENTURY

Painted with three butterflies and foliage to one side and two more to the other, 6.3cm.

Each painted with a five-clawed dragon amidst clouds in pursuit of the sacred pearl of wisdom, 9.8cm. (2)

£1,200-1,500

£400-600

Cf. a similar snuff bottle in the collection of the Victoria and Albert Museum, London, accession no.4836&STOPP-1901.

十九世紀早期

清道光

粉彩蝶戀花紋鼻煙壺

196 two views

156

釉里紅雲龍紋鼻煙壺一對

197

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

198 A CHINESE FAMILLE ROSE PORCELAIN SNUFF BOTTLE FOUR CHARACTER DAOGUANG MARK AND OF THE PERIOD 1821-50 With a flattened body painted with a scene based on Qiu Sheng Fu, of a scholar at his desk in a pagoda looking down at his attendant standing in the garden, with a short poem reading xing yue jiao jie Ming he zai tian to the reverse, raised on an oval foot, 6cm.

199 TWO CHINESE PORCELAIN SNUFF BOTTLES 19TH CENTURY Both painted with dragons, one in underglaze red, the other in iron-red enamel, the former with a four character Yongle mark, 8cm. (2)

£400-600 十九世紀

礬紅雲龍紋及釉里紅趕珠龍紋鼻煙壺一組兩件

£2,000-3,000 Cf. Christie’s New York, The Ruth and Barron Collection of Fine Chinese Snuff Bottles Part IV, 15th March 2017, lot 479 for a similar example. Qiu Sheng Fu, Ode to the Sounds of Autumn was written by the Song dynasty poet Ouyang Xiu.

清道光粉彩秋聲賦鼻煙壺《道光年製》礬紅篆書款題識：清月皎潔明河在天

198 two views

199

157

200 A CHINESE TURQUOISE AND BROWN BEIJING GLASS ‘SQUIRREL AND GRAPEVINE’ SNUFF BOTTLE 19TH CENTURY Modelled as a large grape cluster with smaller grapes, leaves and tendrils, a squirrel and a small bunch of grapes picked out in brown, with a glass stopper, 4.2cm.

201 A CHINESE AGATE ‘BUFFALO HEAD’ SNUFF BOTTLE QING DYNASTY

202 A CHINESE AGATE PEBBLE-SHAPED SNUFF BOTTLE 18TH/19TH CENTURY

With articulated eyes and long ribbed horns curved upwards, 4.7cm.

With an ovoid body carved out of grey stone with white and brown striations, 5cm.

£4,000-6,000

£800-1,200

清

十八/十九世紀

瑪瑙雕水牛型鼻煙壺

£1,500-2,500 Cf. snuff bottles in the collection of the National Palace Museum, 1991, p.266, No.404 for a comparable example.

十九世紀

158

藍紅料松鼠葡萄鼻煙壺

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

瑪瑙隨型鼻煙壺

203 A CHINESE AGATE SNUFF BOTTLE 18TH/19TH CENTURY With an ovoid body carved out of brown stone with milky-white and brown markings, 5.2cm.

£500-800 十八/十九世紀

瑪瑙雕鼻煙壺

204 A CHINESE GLASS SNUFF BOTTLE IMITATING JADEITE 18/19TH CENTURY

205 A CHINESE BLUE-OVERLAY GLASS SNUFF BOTTLE 18TH /19TH CENTURY

With a plain ovoid body raised on an oval foot, the surface with irregular markings, 5cm.

With a pear-shaped body carved through the blue overlay to a bubble-suffused ground with two horses in a rockwork landscape, raised on an oval foot, 8cm.

£800-1,200 十八/十九世紀

綠料鼻煙壺

£300-500 Provenance: from the Robert Kleiner snuff bottle inventory, London.

十八/十九世紀煙壺

雪霏地套藍料駿馬圖紋鼻

來源：倫敦Robert Kleiner收藏

159

206 A FINE CHINESE FAMILLE ROSE ENAMELLED WHITE GLASS SNUFF BOTTLE FOUR CHARACTER QIANLONG MARK AND PROBABLY OF THE PERIOD With a tall tapering body painted with a spray of poppies and other blossoms sprouting from a rock and a short poem by the Ming dynasty poet Xu Mao Wu, which reads Ying feng si zhu Ge Sheng qi, Su yu na jing wu xiu chui, with a band of ruyi-heads to the shoulder and key fret to the neck and foot, 6.5cm.

£6,000-8,000 清乾隆（可能）玻璃胎畫琺瑯花卉紋鼻煙壺《天音》《清》《乾隆年製》楷書款題識：迎風似逐歌聲起，宿雨那經舞袖垂。

two views

160

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

207 A FINE CHINESE WHITE JADE ‘CATS’ SNUFF BOTTLE QING DYNASTY With a flattened ovoid body carved with a cat hunting birds to one side and another stalking a mouse to the reverse, raised on an oval foot, 5.8cm.

£8,000-12,000 清

白玉雕貓戲圖鼻煙壺

208 A RARE CHINESE INTERIOR-PAINTED AGATE SNUFF BOTTLE SIGNED DING ER ZHONG 19TH/20TH CENTURY Finely painted to one side with a cockerel by a shrub, signed and with a cyclical date ding you, probably corresponding to 1897 and a seal mark, the reverse decorated with a pair of cranes by a gnarled tree trunk, with a turquoise stopper with a floral band decorated with enamel, 5cm.

£15,000-25,000 Ding Er Zhong (1865-1935), was a painter, calligrapher, bamboo and seal-carver with a level of artistry comparable to the famous Zhou Leyuan (active 1881-1893). Erzhong educated a number of pupils who later individually gained fame in the skill of inside-decorating snuff bottles.

十九/二十世紀瑪瑙內畫錦雞鼻煙壺題識：丁酉冬寫，二仲

161

209 TWO MONGOLIAN-STYLE SNUFF BOTTLES QING DYNASTY

210 SIX CHINESE PORCELAIN SNUFF BOTTLES QING DYNASTY

One in amber coloured glass, the other metal filigrée set with turquoise and coral-coloured beads, 9.5cm. (2)

Four painted in underglaze blue and red, one blue and white, another in brown, variously decorated with figures, equestrian scenes, a camel and landscapes, two marked, 8cm. (6)

£300-500 清

西藏式鼻煙壺

£300-500 清

209

162

青花釉里紅及黃地黑彩畫山水人物紋鼻煙壺一組六件

210

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

211 TWO CHINESE SNUFF BOTTLES 19TH CENTURY AND LATER One shagreen with a flattened ovoid body, the other of octagonal section veneered in tortoiseshell, 6.5cm. (2)

£400-600 十九世紀及晚期

鯊革及玳瑁製鼻煙壺一組兩件

212 FOUR CHINESE BLUE AND WHITE PORCELAIN SNUFF BOTTLES 19TH AND 20TH CENTURY One painted with dragons, another with crabs, one with lion dogs, another as a basket with characters to the side, two marked, 8cm. (4)

£300-500 十九及二十世紀

211

青花鼻煙壺一組四件

212

163

213 A CHINESE FAMILLE ROSE ‘SIXTEEN BOYS’ SNUFF BOTTLE FOUR CHARACTER DAOGUANG MARK AND OF THE PERIOD 1821-50

214 A CHINESE FAMILLE ROSE ENAMELLED WHITE GLASS SNUFF BOTTLE 19TH CENTURY

With an ovoid flattened body painted with boys in a garden holding various blossoms in their hands on each side, raised on an oval foot, 6cm.

With a tall ovoid body painted with a cockerel and a boy seated before a buffalo in a landscape, two character iron-red Gu Yue mark to the base, 6.7cm.

£2,000-3,000 清道光粉彩嬰戲圖紋鼻煙壺《道光年製》礬紅篆書款

£500-800 十九世紀玻璃胎粉彩牧童水牛紋鼻煙壺《古月》礬紅款

two views

164

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

215 A SMALL CHINESE GU YUE XUAN ENAMELLED WHITE GLASS SNUFF BOTTLE 18TH CENTURY, YANGZHOU 1770-1799

216 A CHINESE FAMILLE ROSE ‘MONKEYS’ SNUFF BOTTLE FOUR CHARACTER XIANFENG MARK AND OF THE PERIOD 1851-61

With an ovoid body painted with a fisherman in a boat on a river by a hanging cliff to one side and with two boys on water buffaloes crossing a river to the reverse, 4.3cm.

With a circular flattened body with a humorous depiction of three monkeys in a landscape to one side and with two more catching insects to the reverse, the neckrim gilded, raised on an oval foot, 6cm.

£1,000-1,500

Cf. Christie’s New York,15th March 2017, The Ruth and Barron Collection of Fine Chinese Snuff Bottles Part IV, lot 437 for a comparable example.

清咸豐粉彩靈猴獻壽紋鼻煙壺《咸豐年製》礬紅篆書款

十八世紀御製玻璃胎粉彩牧童水牛鼻煙壺《古月軒》礬紅款

two views

165

217 TWO CHINESE COCONUT SHELL SNUFF BOTTLES QING DYNASTY

218 TWO CHINESE AGATE SNUFF BOTTLES 19TH CENTURY

One formed as an elongated fruit with a metal mount to the neck, the other of hexagonal section, 8.5cm. (2)

One in moss agate carved with lion mask handles to the sides, the other carved with two oval panels, 5.5cm. (2)

£300-500

清

十九世紀

椰殼製鼻煙壺一組兩件

瑪瑙雕鼻煙壺一組兩件

219 A CHINESE SILVER SNUFF BOTTLE AND A BRONZE SNUFF BOTTLE QING DYNASTY

220 A CHINESE PALE CELADON JADE SNUFF BOTTLE AND A SNUFF DISH 19TH CENTURY

Each incised with figures to one side and with calligraphy to the reverse, the silver bottle with a punch mark partly reading Xiang, 5.2cm. (2)

With a flattened ovoid body raised on an oval foot, the circular dish with a simple ring foot, 6.5cm. (2)

£400-600

£500-800

清

十九世紀

銅製鼻煙壺一組兩件

217

219

166

清白玉雕鼻煙壺及小碟一組兩件

218

220

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

221 TWO CHINESE WHITE JADE SNUFF BOTTLES QING DYNASTY One of pebble form, the other with an irregular bottle-shaped body with russet markings, 4.8cm. (2)

222 A CHINESE AMBER SNUFF BOTTLE AND AN AGATE SNUFF BOTTLE 19TH CENTURY The former of pebble form, the latter in agate, 4.3cm. (2)

£1,000-1,500

£300-500

清

十九世紀

白玉素雕鼻煙壺一組兩件

223 TWO CHINESE JADE SNUFF BOTTLES 18TH/19TH CENTURY Each of rectangular form, the larger with black and russet markings and with rounded shoulders, the other with creamy-white and russet markings, 6.1cm. (2)

£400-600 十八/十九世紀

玉雕鼻煙壺一組兩件

224 A CHINESE HAIR CRYSTAL SNUFF BOTTLE AND A SMOKY CRYSTAL SNUFF BOTTLE 19TH CENTURY The former with a plain body with dispersed black rutiles and iridescent inclusions, the latter carved in shallow relief with lion head-shaped handles with rings and a spray of lotus, 5.9cm. (2)

£400-600 十九世紀

221

223

琥珀雕鼻煙壺一組兩件

水晶雕鼻煙壺一組兩件

222

224

167

225 A CHINESE FAMILLE ROSE ‘CRICKETS’ SNUFF BOTTLE FOUR CHARACTER DAOGUANG MARK AND OF THE PERIOD 1821-50

226 A CHINESE UNDERGLAZE COPPER-RED SNUFF BOTTLE 18TH/19TH CENTURY

With a circular flattened body painted with a cricket on each side, raised on an oval foot, 5.6cm.

Painted with a fisherman seated on a branch of a willow tree, raised on a short oval foot, a four character underglaze blue Yongzheng mark to the base, 5.5cm.

£1,000-1,500

清道光粉彩蟋蟀紋鼻煙壺《道光年製》礬紅篆書款

十八/十九世紀

釉里紅春江垂釣紋鼻煙壺

《雍正年製》青花楷書款

two views

168

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

227 A CHINESE FAMILLE ROSE ‘CRICKETS’ SNUFF BOTTLE FOUR CHARACTER DAOGUANG MARK AND OF THE PERIOD 1821-1850

228 A CHINESE FAMILLE ROSE SNUFF BOTTLE SIX CHARACTER IRON-RED TONGZHI MARK AND OF THE PERIOD 1862-74

With a circular flattened body painted with a cricket on top of his cage to one side and a single insect to the other, raised on an oval foot, 5.7cm.

Painted with a lady wearing a long robe standing in a fenced garden to one side and with a floral spray and rockwork to the reverse, 5.8cm.

£1,200-1,500

£300-500

Cf. Christie’s New York, 16th September 2016, The Ruth and Barron Collection of Fine Chinese Snuff Bottles Part I, lot 322 for a similar example.

清同治粉彩仕女圖鼻煙壺《大清同治年製》礬紅篆書款

清道光粉彩蟋蟀紋鼻煙壺《道光年製》礬紅篆書款

two views

169

229 A CHINESE MILKY-WHITE GLASS INCISED SNUFF BOTTLE 19TH/20TH CENTURY

230 A CHINESE PORCELAIN PEPPER-SHAPED SNUFF BOTTLE LATE 18TH/EARLY 19TH CENTURY

With a flattened ovoid body incised to one side with a scholar leaning against a trunk of a pine tree and a poem to the reverse reading Liu qi zai jia xu chu, Wu Shuai yi zi sun and dated ping wu nian, with a seal, raised on an oval foot, 5cm.

With a tapering coral-red body realistically modelled as a pepper, with a green jadeite stopper, 7cm.

£300-500

十八/十九世紀

十九/二十世紀

£300-500 粉彩紅辣椒鼻煙壺

白料詩文鼻煙壺

231 TWO CHINESE HARDSTONE SNUFF BOTTLES 19TH CENTURY

232 A CHINESE ROCK CRYSTAL SNUFF BOTTLE 19TH/20TH CENTURY

One carnelian-agate, carved in high relief with a hawk perched on a fruiting peach branch, and with a tassle-tied scroll and a ruyi sceptre to the reverse, the other as a double gourd, with irregular markings to the stone, 5.8cm. (2)

One side carved with a bird perched on a pine branch, the reverse with two birds and two butterflies beneath reeds, 7.1cm.

£300-500

十九/二十世紀

十九世紀

水晶雕蝶戀花紋鼻煙壺

壽山石雕葫蘆及花鳥紋鼻煙壺一組兩件

229

231

170

£300-500

230

232

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

233 A CHINESE BLUE AND WHITE MINIATURE PORCELAIN VASE 18TH/19TH CENTURY

234 A CHINESE RED-OVERLAY GLASS SNUFF BOTTLE 19TH CENTURY

With a lobed body densely painted with melons and foliage, 4.5cm. Cf. Christie’s New York, 15-16th March 2015, lot 3166 for a similar vase.

With a flattened circular body carved through red overlay to a clear bubble-suffused ground with two roundels, one with a bat above rocks and a ruyi sceptre and another with a crane holding a tally above a pavilion above crashing waves, raised on an oval foot, 5.2cm.

十八/十九世紀

£400-600

£500-800

青花多子多福紋鼻煙壺

十九世紀

雪霏地套紅料如意福壽紋鼻煙壺

235 A CHINESE DRIED ORANGE SKIN SNUFF BOTTLE QING DYNASTY

236 A CHINESE MALACHITE ‘TOAD’ SNUFF BOTTLE QING DYNASTY

Shaped as a gourd with a brown-black warm patina, 5cm.

Modelled as a stylised croaching toad, its carnelian-agate stopper formed as its tongue, fitted wood stand, 6.5cm. (2)

£800-1,200 清

£300-500

橘皮鼻煙壺

清

孔雀石蟾蜍鼻煙壺

233

234

235

236

171

237 A CHINESE GANLAN OLIVE STONE ‘IMMORTALS’ SNUFF BOTTLE 19TH CENTURY

238 A CHINESE BAMBOO SNUFF BOTTLE QING DYNASTY

Carved with figures including Shoulao on a lotus base, 3.6cm.

Formed as two flattened seed pods, one side faintly carved with calligraphy, with a stopper shaped as the stalk, 5cm.

£500-800

十九世紀

核雕南海賀壽紋鼻煙壺

清

竹雕瓜果鼻煙壺

239 λ A CHINESE STAINED IVORY SNUFF BOTTLE 19TH CENTURY With an ovoid body carved in shallow relief with two figures and two camels exiting a fortified city gate into a mountainous landscape, with a band of lappets to the shoulder and lotus petals to the foot, 6.2cm.

£500-800 十九世紀

172

象牙雕二里溝鼻煙壺

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

240 A CHINESE GOURD SNUFF BOTTLE QING DYNASTY One side moulded with a dragon, the reverse with a large fish carried by five children, the base with a faint four character Qianlong yu zhi mark, 6cm.

241 λ A CHINESE IVORY SHIELD-SHAPED SNUFF BOTTLE 19TH CENTURY With a tapering body carved with a scene from San Guo Yan Yi, The Romance of the Three Kingdoms, 7.6cm.

£400-600

£1,200-1,500

清

Provenance: from the Sir Victor Sassoon Chinese Ivories Collection, Sotheby’s London 16th May 2012, 59 part lot.

葫蘆雕魚化龍鼻煙壺

242 A CHINESE BURR WOOD SNUFF BOTTLE 19TH CENTURY The flattened body carved with a leafy tree to one side and lingzhi to the reverse, 5.7cm.

£200-300 十九世紀

木雕靈芝鼻煙壺

Cf. S E Lucas, The Catalogue of Sassoon Chinese Ivories, Vol III, London 1950.

十九世紀

象牙雕三國演義紋鼻煙壺

173

243 A CHINESE CELADON JADE SNUFF BOTTLE QING DYNASTY

244 A CHINESE PALE APPLE-GREEN JADEITE SNUFF BOTTLE 19TH/20TH CENTURY

Carved as a double gourd with a tall neck, the stone with russet-brown striations, all raised on a circular foot, with a four character seal mark reading Chang Yi Zi Sun incised to the base, 6.4cm.

With a plain spade-shaped body, the stone with natural markings, 5.5cm.

£1,200-1,500 十九/二十世紀

翡翠雕鼻煙壺

245 A CHINESE CARVED ROSE-PINK GLASS ‘MELON’ SNUFF BOTTLE QIANLONG MARK AND POSSIBLY OF THE PERIOD With a lobed ovoid body with a leafy tendril in relief around the shoulder and incised with lines of a Qianlong poem stained in green, with a jadeite stopper, 5.6cm.

£2,000-3,000

£3,000-5,000

清青白玉雕葫蘆形鼻煙壺《長宜子孫》款

清乾隆（可能）胭脂紅料瓜果紋鼻煙壺題識：煙村四五家，玉玩相交美，楊妃桂一支，花月秋古友，山陰雪更齊，去望二三里，春遊芳州地，夏賞綠荷池，秋飲黃花酒，冬吟白雪詩，小山一峰。乾隆。

174

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

246 A CHINESE JADEITE SNUFF BOTTLE AND A JADEITE SNUFF DISH 19TH CENTURY With a flattened ovoid body, the circular dish with a simple groove to the foot, the polished stone with apple green markings, 5.5cm. (2)

£3,000-5,000 十九世紀

翡翠雕鼻煙壺及小碟一組兩件

247 A CHINESE PALE BLUE BEIJING GLASS SNUFF BOTTLE FOUR CHARACTER DAOGUANG MARK AND OF THE PERIOD 1821-50 With a plain pear-shaped body raised on an oval foot, the mark incised to the base and with a faceted agate stopper, 6.6cm.

£2,000-3,000 清道光天藍料鼻煙壺《道光年製》楷書款

248 A CHINESE BROWN-OVERLAY GLASS SNUFF BOTTLE, YANGZHOU SCHOOL 19TH CENTURY Carved with a cat gazing at butterflies amongst rockwork and prunus, the reverse with a boy before a table with precious objects, with a seal reading da ji, together with a bottle of slender form with lion head handles and a qin on each side, with four characters around the neck reading Da Zheng Yi Yun, 9cm. (2)

£600-1,000 清揚州製白地套褐料博古圖紋鼻煙壺一組兩件

246

247

248

175

249 A CHINESE FAMILLE ROSE MOULDED PORCELAIN SNUFF BOTTLE LATE 18TH/ EARLY 19TH CENTURY With a tapering body moulded in crisp relief with a continuous scene of figures in a boat to one side, with equestrian warriors and a dragon emerging from clouds to the reverse, raised on a short turquoise foot and rim, 6.7cm.

£500-800 Cf. R Kleiner, Chinese Snuff Bottles in the Collection of Mary and George Bloch, p.324-325, no.210 for a comparable example.

十八/十九世紀

176

250 A CHINESE FAMILLE ROSE PORCELAIN ‘EIGHT HORSES’ SNUFF BOTTLE FOUR CHARACTER DAOGUANG SEAL MARK AND OF THE PERIOD 1821-1850 With a circular flattened body painted with the horses of Mu Wang in a landscape on each side, all raised on an oval foot, 6cm.

£800-1,200 清道光粉彩穆王八駿圖鼻煙壺《道光年製》礬紅篆書款

251 A CHINESE FAMILLE ROSE PORCELAIN SNUFF BOTTLE 18TH/19TH CENTURY With a flattened body painted with dense flowerheads and a stylised floral band to the neck and the sides against a bright yellow ground, a four character Qianlong mark in underglaze blue to the base, 6cm.

£400-600 十八/十九世紀粉彩花卉紋鼻煙壺《乾隆年製》青花篆書款

粉彩泛舟紋鼻煙壺

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

252 A CHINESE BRONZE ‘NINE BUDDHIST LIONS’ SNUFF BOTTLE QING DYNASTY

253 A CHINESE PORCELAIN ‘LOTUS LEAF’ SNUFF BOTTLE 19TH CENTURY

254 A CHINESE FINGER CITRON SNUFF BOTTLE QING DYNASTY

The ovoid body reticulated and decorated with the mythical beasts chasing brocade balls entangled in ribbons, with a tall neck and raised on a waisted foot, with a four character mark reading shun zhi jiu nian to the base, 7cm.

Crisply moulded with trailing stems, buds and seed pods curving around the body, 6.7cm.

The body formed from a dried fruit, the stopper coral, 6.5cm.

£300-500

£1,000-1,500

Cf. Yi-Li Hou, Lifting the Spirit and Body: The Art and Culture of Snuff Bottles, p.218, no. III-101 for a similar snuff bottle.

清

£1,000-1,500 清銅製獅子繡球鼻煙壺《順治九年》仿款

十九世紀

佛手鼻煙壺

粉彩荷葉紋鼻煙壺

177

255 A CHINESE INTERIOR-PAINTED GLASS SNUFF BOTTLE, SIGNED YAN YU TIAN DATED TO THE YI WEI YEAR CORRESPONDING TO 1895

256 A CHINESE INTERIOR-PAINTED ROCK CRYSTAL SNUFF BOTTLE, SIGNED YE ZHONG SAN DATED TO THE REN ZI YEAR CORRESPONDING TO 1912

With a flattened ovoid body finely painted with a vase containing prunus blossoms, a table, two jardinières and three apples to one side and two swallows above a pond with lotus blossoms and leaves, all in a muted palette, and sealed Yu Tian, raised on an oval foot, 6.3cm.

With a flattened tapering body finely painted with a continuous scene of a cockerel and a pair of small birds amongst a rockery and blossoming peonies, with lion head-shaped handles with rings and a double gourd vase with a long leafy tendril running around the body, all in shallow relief, raised on an oval foot, 6.4cm.

£500-800 1895年作

閆玉田款玻璃內畫鼻煙壺

《玉田》款題識：乙未京師閆玉田作。

two views

178

£500-800 1912年作

葉仲三款玻璃內畫錦上添花鼻煙壺題識：壬子清和寫於京師，葉仲三。

two views

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

257 A CHINESE INTERIOR-PAINTED ROCK CRYSTAL SNUFF BOTTLE, SIGNED ZHOU LE YUAN DATED TO THE GUI YOU YEAR CORRESPONDING TO 1873

258 A CHINESE INTERIOR-PAINTED GLASS SNUFF BOTTLE, SIGNED YONG SHOU TIAN 19TH/20TH CENTURY

With a flattened ovoid body finely painted with a continuous mountainous landscape of a village by a river, and with a seal, raised on an oval foot, 6.1cm.

With a flattened ovoid body finely painted with scenes depicting Qiao Niang, a character from The Strange Stories from a Chinese Studio, inscribed Qiao Niang, Tian Gong, raised on an oval foot, 6cm.

£1,000-2,000

£300-500

1873年作

十九/二十世紀永受田款玻璃內畫聊齋誌異紋鼻煙壺題識：巧孃，天宮永受田作。

周樂元款玻璃內畫山水鼻煙壺題識：癸酉春三月仿元人大意，周樂元作。

two views

179

259 A CHINESE PEWTER ‘CHILONG DRAGON’ SNUFF BOTTLE QIANLONG 1736-95 Heavily cast with a stylised dragon to each side amidst lavish scrollwork, 5.1cm.

With an ovoid body decorated with a European glass micro mosaic of three blossoms and leaves on green ground to each face, the sides with a floral band, with original silver-gilt and coral stopper, raised on an oval foot, 4.7cm.

£500-800 清乾隆

260 A CHINESE PARCEL-GILT AND GLASS EMBELLISHED SNUFF BOTTLE FOUR CHARACTER GUANGXU MARK AND OF THE PERIOD 1875-1908

包錫螭龍紋鼻煙壺

£400-600 清光緒 261 A CHINESE COPPER SNUFF BOTTLE FOUR CHARACTER TONGZHI SEAL MARK AND OF THE PERIOD 1862-74 With a pear-shaped body, cast with roundels to each side with a scholar in a landscape within a key fret border, a mother of pearl inset to the original stopper, all raised on an oval foot, 5.6cm.

£500-800 Cf. Sotheby’s New York, 17th September 2016, lot 1054 for a comparable bottle.

清同治

銅製高士圖鼻煙壺

262 A CHINESE FAMILLE ROSE PORCELAIN ‘THREE RAMS’ SNUFF BOTTLE FOUR CHARACTER DAOGUANG MARK AND OF THE PERIOD 1821-50 With a rectangular section body painted with a circular cartouche containing three rams in a landscape to one side, and a tree, a blossoming shrub and two butterflies to the other, all reserved on a bright yellow ground with stylised lotus flowerheads and leaves, with a band of ruyi-heads to the neck and lappets to the foot, 6.9cm.

£2,000-3,000 清道光黃地粉彩開光三陽開泰紋鼻煙壺《道光年製》礬紅篆書款

《同治年製》楷書款

259

261

180

銅嵌料製花卉紋鼻煙壺

260

262

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

Other Properties 263 A CHINESE BLUE OVERLAY GLASS SNUFF BOTTLE 18/19TH CENTURY

264 THREE CHINESE HARDSTONE SNUFF BOTTLES QING DYNASTY

The compressed ovoid body raised on an oval ring foot, decorated in relief with blossoming prunus branches, reserved on a white ground, 5.2cm.

One of white jade carved in shallow relief with a figure in a boat by a rocky outcrop, the other two agate, one russet, with a horse and a four character inscription, the other with a fisherman at his work to one side and a scholar preparing tea to the reverse, 6.3cm. (3)

£500-800 十八/十九世紀

雪霏地套藍料冰梅紋鼻煙壺

£1,000-2,000 清

265 A CHINESE PORCELAIN ‘CRICKETS’ SNUFF BOTTLE FOUR CHARACTER DAOGUANG MARK AND OF THE PERIOD 1821-1850 With a plain white ovoid body, naturalistically painted with a cricket on each side, 5.5cm.

£700-1,000 清道光

白玉及瑪瑙雕鼻煙壺一組三件

266 A CHINESE FAMILLE ROSE FOUR-SECTION SNUFF BOTTLE 19TH DYNASTY Formed as four conjoined bottles decorated with floral sprays and butterflies to each side, 4.3cm.

£500-1,000 十九世紀

粉彩蝶戀花四聯鼻煙壺

粉彩蟋蟀紋鼻煙壺

《道光年製》礬紅楷書款

263

265

264

266

181

267 λ THREE CHINESE IVORY SNUFF BOTTLES 19TH/EARLY 20TH CENTURY

268 TWO CHINESE FAMILLE ROSE SNUFF BOTTLES 19TH/20TH CENTURY

Comprising: a near pair carved in shallow relief with panels containing figures against a diaper ground, one with four figures of dogs, the other of horses to the shoulder, the third decorated with three figures in a boat to one side and a poem to the reverse, 6.5cm. (3)

One decorated with four boys, with a four character Qianlong mark, the other formed as conjoined bottles painted with two figures and calligraphy, 4.8cm. (2)

£500-800

£500-1,000 十九/二十世紀

Provenance: from a distinguished naval family.

粉彩雙聯瓶及嬰戲圖紋鼻煙壺一

組兩件《乾隆年製》仿款

十九/二十世紀象牙雕鼻煙壺一組三件來源：著名海軍家族收藏

269 FIVE CHINESE BLUE AND WHITE SNUFF BOTTLES 19TH CENTURY

270 λ A CHINESE IVORY EROTIC SNUFF BOTTLE 19TH/EARLY 20TH CENTURY

Variously decorated with prunus, figures and a deer, two marked, 10cm. (5)

With quatre-lobed body engraved to one side with a couple making love in a garden by the trees, to the other with a poem with three red seals, 4.2cm.

£500-1,000 十九世紀

£400-600

青花鼻煙壺一組五件

十九/二十世紀

267

象牙雕春宮圖詩文鼻煙壺

268

269

182

Each lot is subject to a buyer’s premium of 25% plus VAT at 20% 每件拍品收取 25% 的買家佣金+增值稅 (20%)

270

183

Modern British & 20th Century Art Wednesday 29th November 2017

Dorothea Sharp (1874-1955) The red ball Signed, oil on panel, 30 x 40.5cm Estimate: ÂŁ6,000-8,000

ENQUIRIES: Victor Fauvelle | Tel:+44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | +44 (0)1722 424592 | jb@woolleyandwallis.co.uk

The Studio Pottery Collection of Professor Luke Herrmann Wednesday 13th December 2017

Dame Lucie Rie DBE (1902-1995) A fine porcelain apple green glazed bowl Estimate: ÂŁ20,000-30,000 ENQUIRIES: Michael Jeffery | Tel+44 (0)1722 424505 | mj@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM Asian Art sales The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. All other sales The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

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瀕危野生動植物種國際貿易公約（CITES）標註λ的拍品在從英國出口之前需要查詢其進口地的進出口條例，詳細信息請登錄網站查詢www. ukcites.gov.uk 藝術家的追續權：追續權是付給藝術家的專利稅。如果藝術家還在世或者去世以後的70年內，那麼每次出售和轉售都要付給該藝術家或者其繼承人專利稅。追續權不是增收稅，會加在競買人購買價格之上，然後轉給相關仲介機構。專利稅是在落錘價錢（不包括買家支付之傭金）上以百分率的方式徵收。€1,000以下的拍品不收取專利稅，每個拍品的專利稅最高可以收取€10,000. 請詢問拍賣當天的英鎊匯率。追續權的專利稅百分比率請參照下表： 4% €50,000以下 3% €50,000.01 – 200,000 1% €200,000.01 – 350,000 0.5% €350,000.01 – 500,000 0.25% €500,000以上最高的專利稅可以收取€10,000. 帶有‡符號的拍品需要在成交價上收取專利稅。

包裝和運送：威立士拍賣行不提供包裝和運送的服務。以下是在本公司周邊的運送公司及其聯繫方式： Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk 若拍品已轉交運輸公司，任何丟失及損壞威立士將不承擔一切責任 **注：本須知如有任何詮釋上的問題，一概以英文版本爲準。

Valuations Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS TO OLD SARUM

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WINCH ESTER ST

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Furniture, Works of Art, Clocks, Tribal Art and Arms & Armour, Coins & Medals. 2 Danebury Court, Old Sarum Park, Salisbury, Wilts SP4 6EB

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Woolley WOOLLEY & & Wallis WALLIS Salisbury Salisbury Salerooms Salerooms

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.2998482 VAT No: 631 9832 29

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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TESCO Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street. Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street

Design & Production by

atg

AUCTION TECHNOLOGY GROUP

Woolley & Wallis Absentee Bid Form Asian Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

14th & 15th November 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. BUYER’S PREMIUM Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Billing Name (please print) �� Address �� _________________________ Postcode �� Daytime Telephone �� Email �� All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description of lot

Price excluding buyer’s premium & VAT

Woolley & Wallis 書面競投表格中國藝術品買家佣金每件拍品收取25%的買家佣金+增值稅（20%）

拍品編號（按數字順序）

敬請以本公司的名義為競買人進行競投，以下所填的價錢上限不包括拍品所需的任何買家保險價和任何VAT增值稅。這些拍品會以圖錄上說明的底價以上的拍賣價成交。競買人資料（請用英語大寫字母書寫）姓：名：

地址：

郵編：

聯繫電話：

簽名：

使用借記卡付款沒有手續費，但各類銀行信用卡都將會有 2%+VAT稅的手續費，新買家付款是將需要提供身份證或護照。

Salisbury Salerooms (威立士拍賣行), 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

簡要的拍品描述

競拍價格（請除去VAT 增值稅和買家保險價）

藝術品拍賣和股價協會（SOFAA）、英國皇家註冊測量師協會（RICS）

拍賣規則

競買人須知 1. 簡介：本規則適用於本公司的買家，特別是對於新加入拍賣的競買人。所有拍賣品的資訊和估價都可以在相關拍賣圖錄中翻閱。如果您有任何疑問，本公司的工作人員將非常樂意為您服務。本中文條款如有任何詮釋上的問題，一概以英語版本爲準。 2. 仲介：作為拍賣行，本公司通常以代理買方的身份簽署合同。爲了保護客戶隱私權，本公司不會公開競買人的資訊。 3. 估價：估價是爲了提供競買人一個大概的價格浮動範圍。所有提供的拍賣品均設有賣家所定的保密的最低價，拍品不會以低於此價出售。圖錄上較低的估價價格即可能是該拍賣品的底價。估價不包括競買人支付的傭金和VAT增值稅。估價會在拍賣之前提供給競買人。 4. 買入價格：競買人需要付成交價和傭金（每件拍品的成交價低於£500,000 取25%，超過 £500,000 上部份取12%）+ VAT增值稅 5. VAT增值稅：買家須以有關法律所規定的稅率及時間繳付增值稅。增值稅會在成交價和傭金之上收取。帶有星號（*）的拍品是從歐盟國家進口的，將徵收20%進口VAT增值稅。帶有雙星符號（**）的拍品是從歐盟以外的國家進口的，當下的VAT增值稅為5%。如果沒有以上敘述的兩種符號，該拍品就不需要徵收VAT增值稅。 6. 威立士拍賣行：本公司是賣家的仲介，所有拍品的資訊均源自於賣家，同時也會檢查拍品的情況。本公司在關於拍品的目錄、品相報告和另外口頭與書面的所有陳述，均只屬於意見的表述，而不應依據為事實的陳述。目錄和品相報告中所提及的有關瑕疵和未經修復的敘述只作為對該拍品的參考，不應被依據為拍品的真實狀況。所以競買人在拍賣前仔細檢查拍品情況是一個明智的選擇。但如果發現拍品存在‘ 蓄意偽造’的情況，在三個星期內可能可以被退還。（蓄意偽造的詳細解釋可以在本公司的拍賣條款裏查閱） 7. 電器拍品：所有電器拍品都以古董的形式進行拍賣，如果是用於日常使用請在拍賣之前與專業電器公司確認其安全性。 8. 出口拍品：買家如果想要出口競拍所得物品需要查明：a）是否需要出口許可證。b)要攜帶入境的國家是否對該類拍品有禁令。比如說，可能會禁止攜帶象牙。如有需要請詢問本公司前臺服務。但上述的兩種情況都不作為取消交易和推遲付款的原因。

9. 競投：競買人需要在拍賣前進行註冊，登記時需要提供姓名，位址。新客戶需要向本公司提供身份證明。如需要電話競投服務，請儘早與本公司進行登記。 10. 競投委託：該項服務是以書面的形式委託威立士在不超過其指定金額下競投拍賣品。工作人員將參考底價，盡力以最低價進行競投，如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 付款方式：按照規定，成交拍品需要付清所有遺留款項以後才能取貨。關於付款方式請提前與本公司前臺聯系。 12. 取貨和存儲：請查閱本公司拍賣條款裏關於取貨和儲存的有關信息。所有推遲提取的拍品都會徵收相應的存儲費用。賣家委託條件 1. 解釋：下文中用到‘您’代表賣家或仲介機構，同樣‘我們’代表拍賣行。 2. 傭金：拍品成交價在£999 內收取15%的傭金 +VAT增值稅，超過£1,000 拍品需要徵收10% 的傭金+VAT。 3. 運輸費：所有拍品務必要在截止日期前送達我們拍賣行，且所有費用將由您來承擔。我們可以在運送過程中幫助您但是本公司不承擔運輸中發生任何狀況的責任。 4. 丟失和損傷保險：我們沒有為客戶準備FSA的保險，但本公司用拍品的最低估價作為保護承擔責任賠償。我們會收取成交價的1.5%作為責任賠償的保險費用，如果您的拍品沒有成交那麼我們會以估價的中間值為標準收取費用。如果您不需要這項服務，那麼您將承擔丟失和損傷的風險，直到買家取走該拍品。 5. 插圖：插圖的費用由您來承擔。若我們覺得拍品需要插圖會尋求您的允許，我們會事先通知您。但所有圖像和文字說明的版權都屬本公司所有。 6. 底價和我們的判斷：在拍賣會開始之前我們會和您關於拍品的預訂價達成共識。 7. 我們可以賣出低於拍品預訂價，但我們會支付您該拍品的保留價。但如果您給予本公司‘裁決’的權利，我們會同意以低於預訂價10%的價格出售。

拍賣條例

保留價：（a）

敬請您務必在拍賣前提供給我們您需要的保留價。保留價必須是我們認為合理的成交價格，本公司有權利下降不合理的高保留價。

（b）

保留價確定之後不能被改動。

（c）

保留價被確定以後，您不能自己進行競投。

8. 電器拍品：這些拍品需要詳細的安全證明和防火安全證明。若發現拍品有安全隱患，該拍品將不被進行競投，我們有權要求您取走該拍品。 9. 室內裝飾品：室內裝飾品如果發現有防火安全隱患，根據Provisions of The Torts (Interference with Goods) Act 1997, Schedule 1 條例，我們有權要求您取走該拍品。 10. 拍品描述：請告知我們正確的拍品資訊，包括拍品來源等等。對於拍品的描述的正確性有嚴格的責任賠償，且在很多情況下您將承擔該責任。如果您沒有反對我們對您的拍品描述，我們將假定您同意您已認可。若競買人發現拍品描述和實際拍品不符我們將退還買家所付金額。我們必須引提醒您，即使您確實不知道拍品描述和實際不相符也必須遵循該條例。 11. 未成交的物品：如果拍品沒有成交，可以在您的允許下在下一次拍賣中再次進行競投。如果我們認為該拍品無法賣出，請您務必儘快從本公司提貨，因為我們有權向您徵收倉庫儲存費。 12. 撤拍和買入的物品：撤拍或自行買入的拍品若已列入圖錄或已經開始印刷，則應支付保留價或者圖錄中最低估價的10%的傭金加上VAT增值稅。 13. 拍賣條例：您所有同意的物品將根據拍賣條例進行出售，您或者仲介有權出售該物品。如違反該條例您將承擔我們、買家和第三方的所有損失和賠償。 14. 扣除賣家傭金和費用以及保留買家傭金和利息的權利：（a）

您可以授權要求我們取消傭金和所有相關費用，但是我們有權利保留買家所支付的傭金和相關費用所產生的利息。

（b）

您可以授權我們在拍賣結束印業當天進行私下協議出售沒有成交的拍品，但我們可以收取和拍賣成交時同樣的傭金和費用。

15. 存儲：我們對任何不能馬上上拍的物品不負責，且我們有權收取每天£2 儲存費。如果三個星期以後還是沒有前來領取，我們有權利出售該物品並收取相關費用。 16. 結算：通常拍賣結束以後28天內可以完成款項結算，除非買家未付款。

威立士索爾茲伯裏拍賣有限公司是與競買人、賣家和在拍賣現場的人進行業務運作。拍賣條例可以從這裡參考查閱。 1. 定義： a) ‘拍賣官’代表威立士索爾茲伯裏拍賣公司或他授權的拍賣官。 b) ‘蓄意偽造’是指一件仿品試圖偽造原創作者、時期、年紀、年代、文化或來源於圖錄中描述的不同，而在拍賣當天拍出了與該仿品的本身價值不符的價格。 c) ‘成交（落錘）價’是指競拍價格超過了保留價，而拍賣師落錘成交的價格。 d) ‘委託條款’是指威立士拍賣行規定的賣家或仲介的條約和傭金的百分比率。 e) ‘總額’是指成交價、買家傭金，VAT增值稅和其他費用加起來買家付款的總和。 f)

‘銷售收益’指賣家的淨收益，成交價減去賣家傭金、VAT增值稅和其他費用的餘額。

g) ‘你，你們’等等指買家請參考條例第二條。 2. 拍賣過程和買家: a) 競買人在競投之前，必須填妥及簽注登記表格才能參加本公司拍賣。 b) 在拍賣官的決定下，競買人出價最高且被拍賣官接受的競買人才能成為該物品的買家。下錘則表示賣家和買家之間的拍賣合約已經達成。 c) 競買人會被我們視作委託人。我們有權利為賣家競投到其設定的保留價，且有權利拒絕任何競投。 3. 加價：拍賣官有權自行決定加價幅度 4. 買入價格：競買人需要付成交價和傭金（每件拍品的成交價首£500,000 取25%，另外超過 £500,000 上部份收取12%）+ VAT增值稅 5. 增值稅：根據法律規定，買家所有成交的拍品的成交價上要支付VAT增值稅。（具體信息請查閱買家須知的增值稅部份） 6. 付款：拍下拍品以後： i)

如果需要請提供我們您的身份證明

ii)

以英鎊為貨幣形式付款

b）買家需要付清我們計算出的應付金額，包括以您或您仲介名義下的所有款項。 7. 所有權和領取已購買物品： a) 物品的所有權只有在您付清全部應付金額之後才能被轉移。

b) 您需要在拍賣結束後三個工作日付清金額，且取走物品以後所發生的所有責任都由您來擔當。 c) 在付款之前，任何物品不能被提取。 8. 不付款或未領取已購買拍品的提醒： a) 如果有買家沒有全部付清應付金額，根據條例我們作為賣家仲介和拍賣行可以執行以下權利和提醒： i)

對您的違約進行法律訴訟程式。

ii)

撤回您從本公司競投的所有成交拍品

iii) 如果重新賣出拍品（通過拍賣或私人交涉成交），您就要承擔所有重新拍賣所造成的任何高於您的成交價的部份歸賣家所有。 iv) 您拍品的運送、存放和投保的費用都由您承擔，至於存放地點可以在我們的儲藏室或者其他地方。 v) 如果沒有在拍賣結束後三個工作日內付款，我們將以每個月1.5%的比率收取利息。 vi) 直到您付清所有的應付金額，我們才能取消利息的收取。 vii) 在今後的任何拍賣中，不接受您做出的競投，或在接受任競投之前加一些必要條件。 viii) 申請出售任何其他拍品的收益，或在將來您在結算的時候，可以行使留置權。 1b) 我們作為賣家的仲介和拍賣行，我們執行以上的權利和提醒是爲了做出合理的補償。 9. 第三方責任：所有現場的公眾人員都必須注意現場的安排和安全隱患。拍賣官、我們的員工和都不對任何的死亡和人員傷亡負責（除法律認定是我們的疏忽外）。 10. 委託拍賣：雖然我們建議買家參加拍賣現場對所有競投負責，但如果需要我們可以為買家進行競投。工作人員將參考底價，盡力以最低價進行競投。如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 所有權保證和有效性：賣家向拍賣行和您保證，物品的所有權和出處是該買家，且物品不受任何第三方索賠。 12. 仲介：拍賣行通常作為仲介不履行任何買家和賣家的義務。 13. 銷售條例：買家將在委託拍賣之時起承認履行所有委託條款。 14. 描述和條例： a) 在我們尋找對拍品正確的描述的時候，可能不能對每個拍品都做到最詳盡的調查。在拍賣開始之前競買人和他們的鑒定師會被給予對每件

拍品充分查看和調查的機會。競買人將會對我們的描述有不同的見解。我們承諾，任何此類意見會被相當誠實合理的接受。 b) 在這些條件下的成交的私人財產轉讓根據消費者權益法視為交易。 15. 偽造者：儘管有之前的條件，但任何拍品被證明是蓄意偽造，或可以在拍賣結束後21 以內原封不動的與相關證明材料一起歸還於我們。如果我們認可您提供的資料證據可以證明該拍品存在蓄意偽造的事實，我們將退還您所付的傭金和成交價。但是如果1 從成交日起，眾學者和鑒定專家都認可圖錄中的描述。或者2 您個人無法提供一個更好的解釋給我們，那麼根據條例您就沒有權利要求我們退還拍品。常規信息 16. 我們有絕對權利拒絕任何人士進入拍賣場地進行拍賣。 17. (a) 所有損壞賠償責任和毀約所帶來的費用都應該酌情賠償給賣家和拍賣行。 (b) 這種權利可以由拍賣行和其員工或賣家強制執行。 18. 任何對買家、賣家、競買人和觀展人的通知都會都以第一類郵件的方式在48 時內寄到其提供給我們的地址。 19. 圖錄描述中出現的特殊名詞都會在術語表中做詳細解釋。 20. 任何沒有節制的拖延或延長競投時間的買主或賣主我們會合情做出一定的讓步。 21. 英國法律可以用於解釋這些條例。圖畫、素描、平板印刷、雕刻品和印刷任何關於作者、歸屬，出處，時期，年份，來源和情況的敘述都是一件的聲明。不能把他當做事實敘述。公司有權利敘述意見用來提供相對可靠的顧問資訊。書籍如果發現書籍收藏中的描述和插圖中被證明有一些缺陷，請您以書面的形式解釋該收藏的問題，并在14天內退回該收藏。在圖錄中已經提及或在拍賣該物品之前指出的缺陷都不予接受。另外包括書中空白處、半個標題、廣告、書籍裝訂損壞、水漬和污漬。

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price.

Asian Art sales: The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

All other sales: The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

5. VALUE ADDED TAX

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

6. PAYMENT

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

7. TITLE AND COLLECTION OF PURCHASES

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot

(a) (i) (ii) (b)

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or ††. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

Glossary

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

(a)

(b) (c)

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(d) (e) (f) (g) (h) (i) (j) (k)

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Auction Calendar Asian Art 14th & 15th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Jeremy Morgan +44 (0) 7812 601098 • jm@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk Silver 24th & 25th October 2017 – Fine Silver & Vertu 23rd & 24th January 2018 – Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk Jewellery 26th October 2017 – Fine Jewellery 25th January 2018 – Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Arms & Armour, Medals & Coins and Militaria 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk Paintings 29th November 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20th Century Design 13th December 2017 – The Studio Pottery Collection of Professor Luke Herrmann 14th December 2017 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk English & European Ceramics & Glass 20th February 2018 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk Tribal Art & Antiquities 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

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