650327435445 by Ayotte Custom Music

©2019byNoochMusicCompany

ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

                                                                         Piccolo 2Flutes Oboe 2Bassoons Clarinetin E 2ClarinetsinB BassClarinet 2Alto Sax TenorSax BaritoneSax 2TrumpetsinB 2HornsinF Trombone Euphonium Tuba Timpani Xylophone Percussion 1 Percussion 2 Percussion 3                             1     Totriangle Tosnaredrum Tocrashcymbals Brisk                               2                                          3                                     4                                          5                                 6                        7  Tobassdrum

AmericanMedley

Score

ArrangedbyCarmenJudeAquila

                                 Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                  8      8                                 9                                            10                                             11                                                          12                                                   13                                                       14                                                  15    2 AnAmericanMedley

   

                                                       

   

                                 Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                            16             I.IIa2                                  17                                     18                                                           19                                                                                                                                                         20                     I.IIa2 20                                                                                                                                21                                                            



                                                                                            23                               24            3 AnAmericanMedley



                                             

                                                  Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                        25                                    26        I.IIa2                                                                             27                                                   28          I.1Solo                                                          29                                                              30    I.1Solo                                                    3333 31                                                      32   Totriangle    32     4 AnAmericanMedley

                                  Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                    33       3                            34     3                             35                                    36       I.1Solo I.1Solo                                         37               3                           38            3                                  39                               40         I.Tutti I.Tutti I.IIa2                                41  5 AnAmericanMedley

                                                                          Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                42                                                    43                            44     44              3             45         I.Tutti I.IIa2 rit.          3         3 3            46  Slowly           3         3 3       3            47          3 3               3 3                            48                      3             49   I.1Solo                                       50  Moderate      50                        51                        52       6 AnAmericanMedley

                                  Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                       53                       54                        55                       56                      57                                                       58       I.IIa2 I.Tutti                                                         59                                                          60                                                      61                                     62                                     63                                                              64                                                                 65      I.IIa2 7 AnAmericanMedley

                                  Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                                 66  I.IIa2                     67                                         68     I.Tutti I.IIa2 I.IIa2                                                                    69          69                                                              70                                                         71                                                          72                                                                    73                                                               74                                                        75                                                               76                                                               77  8 AnAmericanMedley

                                  Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                                                               78                                                          79                                                                                   80                                           81                                            82                                                                                          83                                                                 84  I.IIa2                                                                     

          85 

                                                                                     86                                                87    87                       88                      89  9 AnAmericanMedley

 

Tobassdrum

                                  Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                      90                        91                        92                       93                       94   I.1Solo                                                95                                                    96                                              97                                                       98                                          99                                         100  10 AnAmericanMedley

                                                                                           Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                               101                                                  102                                   103                               104                                               105                                                                                          106           I.IIa2 I.IIa2 I.Tutti                                               107                                                 108                         109                          110  molto rit.                                        111                          112  Allegro         I.1Solo I.IIa2 112                                            113                           114  I.IIa2                                     115                                       116                                           11 AnAmericanMedley

                                              Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                               117                               118                                                    119                                                      120        I.1Solo 120                                                      121                                                       122                                            123                                                     124                                                     125                                                     126                                            127                                   128                                     129                                           130                               131                                   132  12 AnAmericanMedley

                                        

                            Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                   133                               134                              135                                                                        136 

Tutti           I.IIa2 I.Tutti                            

 

                      137                                                                        138                                                                 139                                                                     140                                     

  

 







          142                                                                  143                                                144  I.IIa2                                                         145                                                      146                                                147  13 AnAmericanMedley

 

     

   



                    141 





     

  

                            Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                               148                                                149                            150                                                                  151          I.IIa2 I.IIa2                                 152        152                                                                         153                                   154                                                                           155                                                                              156 

                                    157                              158                                                          159   I.1Solo                           160                                        161                            162                                      163    14 AnAmericanMedley

                                       



 



                                                                        

171

                                                                          173 

                                       

    174                                                         

                                  

    

                            Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                          164                                165                             33 166                                                     167   I.Tutti I.IIa2                                      168                                                                                  169                                       170                        

172

    175                                     



          

 176

                                                                         177     15 AnAmericanMedley



   

     

                

  



    

  I.IIa2                              

                                          Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                                              178                                                        179                                                   180                                               181                                                            182                                                                                                     183                      184  Totriangle      I.1Solo 184                     185                      186                         187                     188                     189                      190                         191                              192                                    193                               194                           195   16 AnAmericanMedley

                            Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                              196                                197                                 198                              199                                200                             201                           202                             203                             204                            205                            206                            207            

210        



 

211         

                    212                                213                              214      17 AnAmericanMedley

                  208                                 209                               

  

        

    



                            Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                           215         I.IIa2 I.IIa2                      216  Tobassdrum  216                                             217                       218                                              219                                      220                                      221                       222                                            223                                                                              224           I.IIa2 I.Tutti                                                                                       225                                                             

226

227                                                                             228                                                          229                                         33 230    18 AnAmericanMedley

             

                                                                                         

                                                     19 AnAmericanMedley

                             243     

    

 

                                                                               245  Tobassdrum

      I.IIa2

242                                                    246 

                            Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                                                  231   I.IIa2                               232  Totriangle                                                233                            234                                                235                                           236                                           237                      238                                          239                                               240        240                        

241

                      

           

    244  

                            Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                                      247                                                                                 248                                                                                                                                  249                                                               250                                                            251                                                                             252                                                                                     253  Totriangle                                              254                                            255                                    256     I.IIa2                                          



      257             

  

                258                          

  



 

     259             

                   

              260  

262           





    



   263    20 AnAmericanMedley

  

   



  



  

   



  

                                              261                                                                            



   

      

    

                              

    

                            Picc. 2Fl. Ob. 2Bsn. E Cl. 2B Cl. B.Cl. 2A.Sx. T.Sx. B.Sx. 2B Tpt. 2Hn. Tbn. Euph. Tuba Timp. Xyl. Perc.1 Perc.2 Perc.3                         264                                 265  Tobassdrum                         266                         267                                                     268           I.IIa2 I.IIa2                                              269                  3 3         270   I.1Solo                                   



271

21 AnAmericanMedley

                                  

        

                   I.Tutti  

    1-2  Brisk                    8-17  8   18               20              24-25     26                      30-31  32-43  32  44        45  rit.  Slowly  47-49  50-66  Moderate  50                 69   70-75                              82                             87 88-108       109   molto rit.   Allegro  112 113-115                 118           120-135  120             

Thismusicistheintellectual

andisdistributed

Piccolo

propertyofCarmenJudeAquilaandNoochMusicCompany,

byAyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

140             144-151   152 153-167        169                              176                      183      184-215  184 216-223  216                                          228                                235                    240-245  240      247                          254                    261                  265-267                   2 AnAmericanMedley

    1-7  Brisk 8-11  8                           16        I.IIa2                               20   21                         24-25          I.IIa2    27         28-29               32    33-35             I.1Solo                      3         3   40-43   44 rit.   I.Tutti I.IIa2  Slowly      3        3 3     49     Moderate  50 51-57  I.IIa2                    AnAmericanMedley ©2019byNoochMusicCompany ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP) Flute1

ArrangedbyCarmenJudeAquila

  60                                               65   66-68    69     72         77                                        82                                87 88-93       I.1Solo                        97                                 102   103-105         I.IIa2 I.Tutti     2 AnAmericanMedley

     109   molto rit.    Allegro   112       114                      119       120-135  120     139          144   I.IIa2          149           152       154              159    160-166           3 AnAmericanMedley

170              175                  180                  184 185       190    192-199    202       207   208-215  216-223  216            I.IIa2                     227                             4 AnAmericanMedley

232                    237                240-245  240     247                          254        I.IIa2       259                         265-267                   5 AnAmericanMedley

byCarmenJudeAquila

    1-7  Brisk 8-11  8                                15              I.IIa2                                 20                         24-25     26         I.IIa2         28-29                  32 33-43   44 rit.   I.Tutti I.IIa2 46-47  Slowly      48        Moderate  50 51-57            I.IIa2            60                                              

AmericanMedley

ThismusicistheintellectualpropertyofCarmenJude

andNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP) Flute2

Aquila

Arranged

  66-68    69           77                                          83                         87     88-105         I.IIa2 I.Tutti            110  molto rit.    Allegro   112                      119       120-135  120                I.IIa2 145                    152             156           160-166                 2 AnAmericanMedley

172                               183         184          192-199   201          208-215  216-223  216            I.IIa2           226                                                    235                    240-245  240          249                            I.IIa2       259                      265-267                  3 AnAmericanMedley

MusicCompany

ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

    1-7  Brisk 8-15  8                       20                         24-25     26                 28-31             32             34         3      3               40-43   44   rit. 46-48  Slowly       Moderate  50 51-68      69              80                                        87 88-105               molto rit.    AnAmericanMedley

Oboe

ArrangedbyCarmenJudeAquila

    Allegro   112                             120-135  120   137                     149           152                       160-166                              176                     184     188                       200                      212         216-223  216                                          229     232-239  240-245  240            2 AnAmericanMedley

252                                   262               265-267                   3 AnAmericanMedley

NoochMusicCompany

    1-7  Brisk 8-15  8                    20                 25-31   32-39  32           42-43   44   rit.     3 Slowly      47        3 3 48-49  50-68  Moderate  50   69   72                82                             87 88-105      106              molto rit.    Allegro   112            115                        120-150  120      152      AnAmericanMedley

ClarinetinE

ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

  154                 160-166             170                                180          184-215  184 216-239  216 240-242  240       245                                     255                                   264                                    2 AnAmericanMedley

  1-7  Brisk 8-15  8               20         22              26-31    32        35     I.1Solo           I.Tutti I.IIa2      42-43   44   rit.  Slowly    48-49  50-67  Moderate  50   68      I.IIa2       69                       74                                82                         87 88-105       106        I.IIa2       molto rit.   

ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP) ClarinetinBb1

byNoochMusicCompany

ArrangedbyCarmenJudeAquila

   Allegro   112                                     I.1Solo 120                 127                134         I.Tutti              141                  148           152       155              160-166        169                               177               184-215  184 216-223  216 2 AnAmericanMedley

  224                                                    232-239  240-242  240                           250                                256     258-267         I.IIa2           3 AnAmericanMedley

  1-7  Brisk 8-15  8                  20   21                             26-31    32   33         36-39    I.Tutti I.IIa2  42-43       44  rit.   Slowly    48-49  50-67  Moderate  50      I.IIa2         69                                 76                               83                        87 88-105         I.IIa2      107       molto rit.    Allegro   112     

AmericanMedley

Thismusicistheintellectual

andisdistributedby

ClarinetinBb2

propertyofCarmenJudeAquilaandNoochMusicCompany,

AyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

    114                        120-135  120   136            143                150       152          157       160-166             170                         177                            184-215  184 216-223  216                                           229       232-239  240-243  240     2 AnAmericanMedley

  246                                 252                     258-267         I.IIa2           3 AnAmericanMedley

   1-7  Brisk 8-19  8          20                         24-31      32-43  32  44  rit. 46-49  Slowly  50-64  Moderate  50   65                     69              72                                 78                                     86          87 88-105                     110  molto rit.   112-119  Allegro  112 120-135  120                 138                                         

intellectual

BassClarinet

propertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

  147               152                       158        160-167                          174                                   182              184                  190      192-215  216-222  216              227                 232-239  240-247  240   248                                        255       258-270      2 AnAmericanMedley

©2019byNoochMusicCompany

    1-7  Brisk 8-15  8                          I.IIa2 20                              26                            I.1Solo                                        31                     32                                                 36                                                                     40  I.Tutti  42-43   44   rit.  Slowly   47-49       Moderate  50 51-64         I.IIa2              68           69         

musicistheintellectual

andis

Bassoon1

AnAmericanMedley

This

propertyofCarmenJudeAquilaandNoochMusicCompany,

distributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

  76                                   84      I.IIa2                87 88-105             107       molto rit.           Allegro   I.IIa2 112    113           I.IIa2                  119       120-135  120          I.IIa2                       140                                   146                152                        158        160-167          2 AnAmericanMedley

 171                       I.IIa2  177                              183   184-199  184             204         208-215  216-222  216      224                       232-239  240-247  240                              253                             261                     267              3 AnAmericanMedley

    1-7  Brisk 8-15  8                    I.IIa2 20    21                                      I.1Solo 29-31    32-39  32  I.Tutti  42-43   44  rit.   Slowly       47-49   Moderate  50 51-64         I.IIa2               69                                   76                                    84      I.IIa2                87 88-105          108     molto rit.           Allegro   I.IIa2 112           I.IIa2  AnAmericanMedley ©2019byNoochMusicCompany ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP) Bassoon2

ArrangedbyCarmenJudeAquila

   115                     120-135  120          I.IIa2  137                                                    144                    151       152                        158        160-167               172                   I.IIa2                    179             184-199  184       201                 208-215  216-222  216                2 AnAmericanMedley

 229          232-239  240-247  240                     251                              258                            265                3 AnAmericanMedley

    1-7  Brisk 8-19  8            20                    24-25            28-29   I.1Solo    31     32 33-35            40              42-43   44     3  rit.    46        3 3 Slowly     3      3 3     Moderate  50 51-67  68      I.Tutti I.IIa2       69                          75                             81                        

AmericanMedley

AltoSax1

ArrangedbyCarmenJudeAquila

      87 88-105                  110  molto rit.    Allegro   I.1Solo 112             116                   120-135  120   I.Tutti   137           143                 149          I.IIa2  152         155                160-166    167                     173           2 AnAmericanMedley

    179                 I.1Solo 184   185          191   192-199       203        208-215  216-223  216   224          I.Tutti                                   230     232-239  240-245  240     I.IIa2       249                          255       258-270       3 AnAmericanMedley

NoochMusicCompany

    1-7  Brisk 8-19  8            20                      23       24-25            28-31     32-43  32  44  rit. 46-49  Slowly    50-67  Moderate  50      I.Tutti I.IIa2       69                    74                                   81                            87     88-105               molto rit.   112-119  Allegro  112       120-135  120                 

theintellectual

andis

AltoSax2

Thismusicis

propertyofCarmenJudeAquilaandNoochMusicCompany,

distributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

  146                 I.IIa2  152              156           160-166                   172                         183       184-215  184 216-223  216          I.Tutti                           228                 232-239  240-245  240     I.IIa2     248                  253                 258-270       2 AnAmericanMedley

  1-7  Brisk 8-19  8        20                 24-25            28-29              32 33-39     42-43   44  rit. 46-49  Slowly      50-64  Moderate  50                              69   70                                       76                                83                           87 88-105       106              molto rit.   112-119  Allegro  112  AnAmericanMedley

ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP) TenorSax

ArrangedbyCarmenJudeAquila

    120-135  120                    147                                 158     160-166                            175               184-215  184 216-223  216   224                                              231    232-239  240-247  240                             253                 258-270       2 AnAmericanMedley

    1-7  Brisk 8-19  8          20                            24-29            32 33-39        42-43   44  rit. 46-49  Slowly  50-64  Moderate  50 65                       69             72                                         80                                        87 88-105              molto rit.         112-119  Allegro  112 120-135  120         AnAmericanMedley ©2019byNoochMusicCompany ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP) BaritoneSax

ArrangedbyCarmenJudeAquila

  141      144-151     152                   157          160-167                             175                                        184-215  184 216-222  216                  229          232-239  240-247  240                      251                              259                          265-270       2 AnAmericanMedley

NoochMusicCompany

  1-7  Brisk 8-9  8           13-19           20               24-30            32 33-39                              44  rit. 46-48  Slowly      3  I.1Solo            Moderate  50                                  57          I.Tutti                      65         I.IIa2       69 70-86  87-101  87         103                     molto rit.   

theintellectual

andis

TrumpetinBb1

Thismusicis

propertyofCarmenJudeAquilaandNoochMusicCompany,

distributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

    112-119  Allegro  112        120                                 126                                                     135                                                     144                                             I.IIa2    152                        I.1Solo           163                 I.Tutti I.IIa2                    173                                  184-214  184       I.IIa2  216                             223                                 2 AnAmericanMedley

  233                                  240        243                               253                  258-267         I.IIa2             3 3  I.1Solo       I.Tutti 3 AnAmericanMedley

NoochMusicCompany

  1-7  Brisk 8-10  8         13-19      20         24-30          32   33-39                          44      45  rit. 46-49  Slowly  50-57  Moderate  50              60                     65         I.IIa2                69  87-102  87      103                  molto rit.        112-119  Allegro  112        120                                 

Thismusicistheintellectualpropertyof

Jude

and

MusicCompany, andisdistributed

TrumpetinBb2

Carmen

Aquila

Nooch

byAyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

  126                                             136                                                                   145                         I.IIa2  152   153                      160-166    167    I.IIa2                    173                             184-214  184       I.IIa2  216                       221                                 231                                         2 AnAmericanMedley

   240                         248                           255      258-267         I.IIa2           3 AnAmericanMedley

MusicCompany

ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

    1-7  Brisk 8-9  8       13-15      17              20              24           28-29       32   33-39              44  rit. 46-47  Slowly       48          Moderate   50 51-57           59                               66-68    69        77-86  87-94  87   95                                  

AnAmericanMedley

HorninF1

ArrangedbyCarmenJudeAquila

  102                                  109   molto rit.   112-119  Allegro  112       120          122                                     132                                    142                              152   153                                      163                                        173                           182         184-191  184               2 AnAmericanMedley

  199  200-207                     I.IIa2    216                                     226                   I.IIa2                 236                   240               245                                  251                               260                   264-270      3 AnAmericanMedley

2019byNoochMusicCompany

ArrangedbyCarmenJudeAquila

    1-7  Brisk 8-9  8             13-15      17               20              24              28-29         32   33-39              44  rit.      46-47  Slowly           Moderate   50 51-57         59                                  66-68    69          77-86  87-94  87                          AnAmericanMedley

ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP) HorninF2

  100                                  108     molto rit.   112-119  Allegro  112        120           122                                       132                                          142                             152   153                              163                                 173                         182         184-191  184               2 AnAmericanMedley

  199  200-207                     I.IIa2    216                                      226                  I.IIa2                 236                  240            244                                  250                               258                      264-270      3 AnAmericanMedley

    1-7  Brisk 8-15  8                     20   21                              27         28-30       32 33-41      42          44  rit. 46-47  Slowly                 Moderate   50 51-57                           64                                69    71       77-86  87-94  87            97                                       

ThismusicistheintellectualpropertyofCarmenJude

andNoochMusicCompany, andisdistributedbyAyotteCustomMusical

LLC(ASCAP) Trombone

AnAmericanMedley

Aquila

Engravings,

ArrangedbyCarmenJudeAquila

    103                      molto rit.        111  112-119  Allegro  112        120                        125                               136                                                146              152                 157                              167                                         177                           184-191  184       194           200-207         2 AnAmericanMedley

 212               216                            223                                    234                             240              243                               251                                     261                264-267             3 AnAmericanMedley

Music

    1-7  Brisk        8                       12                                   19                    20                           24-27                           32   33-41              44  rit. 46-47  Slowly            49      Moderate   50 51-57                       61                              67                    69                  

AnAmericanMedley

Euphonium

Company ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

  73                                         80                 85-86  87-94  87      96                                            103                             110  molto rit.   112-119  Allegro  112        120               123                                       133                                          142                                 152                                 2 AnAmericanMedley

 161                           170                                               179                 184-213  184              216  217                                       227                                         237                 240                             246                                                 255                                  264-267             3 AnAmericanMedley

    1-7  Brisk        8                       12                            16-18    19                   20                              24-27                           32   33-41              44  rit. 46-47  Slowly            49      Moderate   50 51-57                       61                               67                    69                  

AmericanMedley

Thismusicistheintellectual

andisdistributed

Tuba

propertyofCarmenJudeAquilaandNoochMusicCompany,

byAyotteCustomMusicalEngravings,LLC(ASCAP)

ArrangedbyCarmenJudeAquila

  73                                     79                        85-86  87-101  87     102                                     110  molto rit.   112-119  Allegro  112        120               123                                           133                                            142                                   152                                  161                          2 AnAmericanMedley

 170                                               179                 184-213  184               216  217                                       227                                    236                      240                       245                                             253                                262             264-267              3 AnAmericanMedley

AnAmericanMedley

can be doubled by Percussion 1 player

ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

     1-7  Brisk 8-19  8 20-31  20 32-43  32  44     45  rit. 46-49  Slowly  50-68  Moderate  50   69-86  69      87              91                                            96                               99                       

Xylophone

tacetalfine

necessary, Xylophone

ArrangedbyCarmenJudeAquila

byNooch

ArrangedbyCarmenJudeAquila

    1-7  Brisk     8                   13             16-19       20             23      25-27                   32      33-43   44  rit. 46-49  Slowly  50-63  Moderate  50          65             69-85  69        87 88-89             91     92-109    molto rit.    112-119  Allegro  112 120-150  120   151      152                   159-166   167                       

AmericanMedley

MusicCompany ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP) Timpani

Fourdrums,tunedG,B,E,F B- C Measure

B-C

112:

 174                                 181      184-214  184       216       218                   224-230   231                           238      240-247  240           252            259                            266       269-270       2 AnAmericanMedley

Percussion1

Crashcymbals

necessary, Percussion 1 player can double xylophone

ArrangedbyCarmenJudeAquila

ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

      Tocrashcymbals Brisk                       8-15  8  16   17-19        20                      24  25-27                32-43  32  44  rit.       46  Slowly  47-49  50-68  Moderate  50 69-86  69 87-108  87   molto rit.     111   Allegro   112 113-119  120-135  120  137-139   141-150     152   153   155-157   159-167     171-173                 181         184 185-187   189-199   201-203   205-215  216-239  216  240-243  240   245-251     254-255   257-270     

AmericanMedley

         Tosnaredrum Brisk                    5                        8  9                        13                               16-19         20               24   25-27                      31          3333   32 33-43    44    rit.    46  Slowly  47-49   Moderate  50 51-67          69       AnAmericanMedley ©2019byNoochMusicCompany ThismusicistheintellectualpropertyofCarmenJudeAquilaandNoochMusicCompany, andisdistributedbyAyotteCustomMusicalEngravings,LLC(ASCAP) Percussion2

Snare drum

ArrangedbyCarmenJudeAquila

 72                                      81                             87 88-108    molto rit.     111   Allegro  112 113-119      120                     125                                                   135                                           143                                          152-159  152                       166      33    168-175                 180             184-191  184                           2 AnAmericanMedley

 196                            201-207                     211                               216                   221                            229        33                             238      240-247  240                  253              257-270          3 AnAmericanMedley

Triangle Bassdrum

ArrangedbyCarmenJudeAquila

      Totriangle Brisk                       7  Tobassdrum   8               14                           20  21                 25-27            31       Totriangle 32 33-35           40-43        44  rit.  Slowly  47-49   Moderate  50 51-68     69 70-71       74-75              80                85-86  Tobassdrum 87-108  87  

AmericanMedley

Thismusicistheintellectual

andis

Percussion3

propertyofCarmenJudeAquilaandNoochMusicCompany,

distributedbyAyotteCustomMusicalEngravings,LLC(ASCAP)

    110  molto rit.   Allegro  112 113-119  120-135  120   137-139     141-150       152         156-157             162                        172-173           176                  Totriangle 184 185-191        194              200-207         211            Tobassdrum 216 217-223              229        Totriangle 233-239     240          Tobassdrum  246-247              Totriangle 254-255        258               Tobassdrum 266-270      2 AnAmericanMedley