Aziz Art Vartan Vahramian
Jean-Michel Basquiat
December 2016
Mounir Fatmi
Competition Iran
1- Mounir Fatmi 4- Competition 5- Jean-Michel Basquiat 14-Vartan Vahramian 18-Competition 19-Iran
Director: Aziz Anzabi Editor : Nafiseh Yaghoubi Translator : Asra Yaghoubi Research: Zohreh Nazari
http://www.aziz-anzabi.com
Mounir Fatmi Born 1970 in Tangier, Morocco) is a Moroccan artist who lives and works in Paris. His multimedia practice encompasses video, installation, drawing, painting and sculpture. Work Mounir Fatmi’s work deals with the historical matters, religious objects and their desecration, dismantling dogmas and ideologies and the relation of death with the subject of consumption. His installations and films have the specificity to be produced with archaic and outdated material, such as VHS tapes.
skyline including the destroyed World Trade Center towers. Save Manhattan 1 is made with books, Save Manhattan with videotapes and Save Manhattan 3 is a sound installation with speakers. The ultimate contribution to this project is a video where the skyline progressively dissolves itself in distorted liquefied reflection.
Many of Mounir Fatmi’s works are seen as subversive, such as his Brainteaser for moderate Muslim, a series of rubix cubes painted in black with white stripes to imitate the Kaaba in Mecca.As a reaction to the Arab Spring, he exhibited The Lost Spring, an installation composed of 2 brooms of 3 meters Mounir Fatmi is largely influenced and the 22 flags of the Arab league. by September 11 attacks. He produced a series of installations named Save Manhattan. These artworks show the Manhattan
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Publications Ghosting (studio mounir fatmi, 2011) Megalopolis (AKBank Sanat, 2010) Fuck the Architect (Lowave, 2009) Hard Head (Lowave, 2006) Mounir Fatmi (Le Parvis centre d'art contemporain, 2006) Semaine 46.05 : Ecrans nois (Bulletin de semaine, 2005) Ovalprojet, 1999-2002 (Centre culturel le chaplin, 2002)
Awards Cairo Biennial Prize, 2010 Grand Prix LĂŠopold SĂŠdar Senghor at the 7th Dakar Biennial in 2006
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Jean-Michel Basquiat December 22, 1960 – August 12, 1988 was an American artist. Born in Brooklyn to a Haitian father and Puerto Rican mother, Basquiat first achieved notoriety as part of SAMO©, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s where the hip hop, post-punk, and street art movements had coalesced. By the 1980s, he was exhibiting his neo-expressionist paintings in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992.
deeper truths about the individual", as well as attacks on power structures and systems of racism, while his poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at age 27. Early life Jean-Michel Basquiat was born in Brooklyn, New York, on December 22, 1960, shortly after the death of his elder brother, Max. He was the second of four children of Matilda Andrades (July 28, 1934 – November 17, 2008) and Gérard Basquiat (1930 – July 7, 2013). He had two younger sisters: Lisane, born in 1964, and Jeanine, born in Basquiat's art focused on 1967. "suggestive dichotomies", such as His father, Gérard Basquiat, was wealth versus poverty, integration born in Port-au-Prince, Haiti, and versus segregation, and inner his mother, Matilde Basquiat, who versus outer experience. He was of Puerto Rican descent, was appropriated poetry, drawing, and born in Brooklyn, New York. painting, and married text and Matilde instilled a love for art in her image, abstraction, figuration, and young son by taking him to art historical information mixed with museums in Manhattan and contemporary critique. enrolling him as a junior member of Basquiat used social commentary in the Brooklyn Museum of Art. his paintings as a "springboard to
In September 1968, when Basquiat was about eight, he was hit by a car while playing in the street. His arm was broken and he suffered several internal injuries, and he eventually underwent a splenectomy.While he was recuperating from his injuries, his mother brought him the Gray's Anatomy book to keep him occupied. This book would prove to be influential in his future artistic outlook. His parents separated that year and he and his sisters were raised by their father.The family resided in Boerum Hill, Brooklyn, for five years, then moved to San Juan, Puerto Rico in 1974. After two years, they returned to New York City.
within a week. Basquiat dropped out of Edward R. Murrow High School in the tenth grade and then attended City-AsSchool, an alternative high school in Manhattan home to many artistic students who failed at conventional schooling. His father banished him from the household for dropping out of high school and Basquiat stayed with friends in Brooklyn. He supported himself by selling T-shirts and homemade post cards Artistic styles
"Scull" (1981) "Basquiat's canon revolves around single heroic figures: athletes, prophets, warriors, cops, musicians, kings and the artist himself. In When he was 13, his mother was these images the head is often a committed to a mental institution central focus, topped by crowns, and thereafter spent time in and hats, and halos. In this way the out of institutions.At 15, Basquiat intellect is emphasized, lifted up to ran away from home. He slept on notice, privileged over the body park benches in Tompkins Square and the physicality of these figures Park, and was arrested and (i.e. black men) commonly returned to the care of his father represent in the world."
Basquiat was a precocious child who learned how to read and write by age four and was a gifted artist. His teachers, such as artist Jose Machado, noticed his artistic abilities, and his mother encouraged her son's artistic talent. By the age of 11, Basquiat was fully fluent in French, Spanish and English. In 1967, Basquiat started attending Saint Ann's, an arts-oriented exclusive private school. He drew with Marc Prozzo, a friend from St. Ann's; they together created a children's book, written by Basquiat and illustrated by Prozzo. Basquiat became an avid reader of Spanish, French, and English texts and a more than competent athlete, competing in track events. Kellie Jones, Lost in Translation: Jean-Michel in the (Re)Mix Fred Hoffman hypothesizes that underlying Basquiat’s sense of himself as an artist was his "innate capacity to function as something like an oracle, distilling his perceptions of the outside world down to their essence and, in turn, projecting them outward through his creative acts."Additionally,
continuing his activities as a graffiti artist, Basquiat often incorporated words into his paintings. Before his career as a painter began, he produced punk-inspired postcards for sale on the street, and became known for the political–poetical graffiti under the name of SAMO. On one occasion Basquiat painted his girlfriend's dress with the words "Little Shit Brown". He would often draw on random objects and surfaces, including other people's property. The conjunction of various media is an integral element of Basquiat's art. His paintings are typically covered with text and codes of all kinds: words, letters, numerals, pictograms, logos, map symbols, diagrams and more. A middle period from late 1982 to 1985 featured multi-panel paintings and individual canvases with exposed stretcher bars, the surface dense with writing, collage and imagery. The years 1984–85 were also the main period of the Basquiat–Warhol collaborations, even if, in general, they were not very well received by the critics.
A major reference source used by contradictions. ” Basquiat throughout his career was Lydia Lee the book Gray's Anatomy, which According to Andrea Frohne, his mother had given him while he Basquiat's 1983 painting Untitled was in the hospital at age seven. It (History of the Black People) remained influential in his "reclaims Egyptians as African and depictions of internal human subverts the concept of ancient anatomy, and in its mixture of Egypt as the cradle of Western image and text. Civilizatio Other major sources were Henry Exhibitions[edit] Dreyfuss' Symbol Sourcebook, Basquiat’s first public exhibition Leonardo da Vinci's notebooks, and was in the group effort The Times Brentjes' African Rock Art. Square Show (with David Hammons, Jenny Holzer, Lee Basquiat doodled often and some Quiñones, Kenny Scharf and Kiki of his later pieces exhibited this; Smith among others), held in a they were often colored pencil on vacant building at 41st Street and paper with a loose, spontaneous, Seventh Avenue, New York. In late and dirty style much like his 1981, Basquiat joined the Annina paintings. His work across all Nosei gallery in SoHo; his first onemediums displays a childlike person exhibition was in 1982 at fascination with the process of that gallery.[36] By then, he was creating. showing regularly alongside other Heritage depicted in art Neo-expressionist artists including “Like a DJ, Basquiat adeptly Julian Schnabel, David Salle, reworked Neo-expressionism's Francesco Clemente and Enzo clichéd language of gesture, Cucchi. He was represented in Los freedom, and angst and Angeles by the Gagosian gallery redirected Pop art's strategy of and throughout Europe by Bruno appropriation to produce a body Bischofberger. of work that at times celebrated black culture and history but also revealed its complexity and
Major exhibitions of Basquiat's work have included Jean-Michel Basquiat: Paintings 1981–1984 at the Fruitmarket Gallery, Edinburgh (1984), which traveled to the Institute of Contemporary Arts, London, and Museum Boijmans Van Beuningen, Rotterdam, in 1985); the Kestnergesellschaft, Hannover (1987, 1989). The first retrospective to be held of the his work was the JeanMichel Basquiat exhibition at the Whitney Museum of American Art from October 1992 to February 1993. It subsequently traveled to the Menil Collection, Houston; the Des Moines Art Center, Iowa; and the Montgomery Museum of Fine Arts, Alabama, from 1993 to 1994. The catalog for this exhibition,[edited by Richard Marshall and including several essays of differing styles, was a groundbreaking piece of scholarship into Basquiat's work and still is a major source. Another exhibition, Basquiat, was mounted by the Brooklyn Museum, New York, in 2005, and traveled to the Museum of Contemporary Art, Los Angeles, and the Museum of Fine
Arts, Houston.[From October 2006 to January 2007, the first Basquiat exhibition in Puerto Rico took place at the Museo de Arte de Puerto Rico (MAPR), produced by ARTPREMIUM, Corinne Timsit and Eric Bonici. Brooklyn Museum exhibited Basquiat: The Unknown Notebooks in April–August 2015 Final years and death By 1986, Basquiat had left the Annina Nosei gallery, and was showing at the Mary Boone gallery in SoHo. On February 10, 1985, he appeared on the cover of The New York Times Magazine in a feature titled "New Art, New Money: The Marketing of an American Artist". He was a successful artist in this period, but his growing heroin addiction began to interfere with his personal relationships. Jean-Michel Basquiat Green-Wood Cemetery, Brooklyn, New York Basquiat lived at 57 Great Jones in downtown Manhattan from 19831988, where he died. A plaque dedicating his life was placed on July 13, 2016 by the Greenwich Village Society for Historic Preservation.
When Andy Warhol died on Ingrid Sischy who, as the editor of February 22, 1987, Basquiat Artforum in the 1980s, got to know became increasingly isolated, and the artist well and commissioned a his heroin addiction and number of articles that introduced depression grew more severe. his work to the wider Despite an attempt at sobriety world.;Suzanne Mallouk recited during a trip to Maui, Hawaii, he sections of A. R. Penck's Poem for died on August 12, 1988, of a Basquiat and Fab 5 Freddy read a heroin overdose at his art poem by Langston Hughes.The 300 studio on Great Jones Street in guests included the musicians John Manhattan's NoHo neighborhood. Lurie and Arto Lindsay; the artist He was 27 years old. Keith Haring; the poet David Basquiat was interred in Shapiro; Glenn O'Brien, a writer; Brooklyn's Green-Wood Cemetery, Fab 5 Freddy and members of the where Jeffrey Deitch made a band Gray, which Basquiat led in speech at the graveside. Among the late 1970s.In memory of the those speaking at Basquiat’s late artist, Keith Haring created Pile memorial held at Saint Peter's of Crowns for JeanChurch on November 3, 1988, were
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Vartan Vahramian is an IranianArmenian composer, artist and painter. He has made musical creations, solo performances as a baritone, and conducted choirs. Vartan Vahramian was born in Tabriz, in 1955.He is the son of painter Grigor Vahramian Gasparbeg, who graduated from the Moscow School of Painting, Sculpture and Architecture and who was also a skilled sculptor, silversmith and engraver. Gasparbeg was trained under Dmitry Kardovsky (1866-1943) the famous painter and pedagogue. His mother, Marousia Vahramian, was also an artist who, from an early age, was trained in music, and later in painting. It is therefore not surprising that these two arts manifest themselves equally in his work. Music Vartan Vahramian has studied harmony under both Iran's and Armenia's maestros. He has 75 musical compositions. Vartan Vahramian has also been the founder and conductor of
"Komitas" church choir since 1980.
In 2000-2001, his Requiem, Oratorio, and Mass, to mark the 1700th anniversary of Christianity as the state religion in Armenia, was performed by Yerevan's "Komitas" conservatory choir. In 2006, he was invited to Armenia, where his "Looys Aravoti" was performed at the "One Nation, One Culture"festival to great acclaim. "Looys Aravoti", with words by Vahagn Davtyan and "Jah Haverjakan", with words by Varand, have been composed with great inspiration, emotion and devotion. His Mass in contemporary musical style was performed at the " One Nation, One Culture" in Yerevan in 2010. His creations are gentle and clean just like the morning light. In 2011 a short animated film of St. Stepanos Monastery was made, directed by Reza Shams, for cultural use. The music for this film was composed by Vartan Vahramian. The actual video is on YouTube.
On 13 July 2013, the documentary film "Maroosya" was premiered in Yerevan, Armenia.It was selected as one of the noncompetition documentary films to be shown at The Golden Apricot Armenian Film Festival 2013. The accompanying music for this film is composed by Vartan Vahramian. The film was directed by Navid Mikhak. "Maroosya" was screened in Kazan International Film Festival in September 2014 and at Arpa International Film Festival in November 2014.
various galleries in Iran and have received coverage both in Iranian and foreign newspapers and media. His well known works include "Miracle", "Check Mate", "Eve Facing the Serpent", "Profound Devotion", "Belated Love", "Identity Crisis", "Betrayal" and "Longing". A novel titled "Speaking Cat" by Beverley Coghlan, was published in February 2015. All the sketches in this book are entirely Vartan Vahramian's creations.
Vartan Vahramian is an Associate Member of the Guild of Film International Songwriters and In 2006, Vartan Vahramian starred Composers, U.K. He has received in the award winning film Tabriz: an award from Catholicos Garegin Images from the Forgotten World. I for his cultural work. He lives in The film also featured a soundtrack Tabriz, where he teaches music composed by Vahramian and and painting and continues to work on both his music and painting. was the winner of the Best Foreign Painting Short Screenplay from Moondance Vartan Vahramian is also International Film Festival, July, a talented painter known for his 2006. Surrealistic style. His oil paintings have been exhibited extensively in
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Iran – Kerman Shahdad Desesrt
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http://www.aziz-anzabi.com