The Programme 2016/2017 by Baerenreiter

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CONTENTS Piano / Keyboard Educational Music and Collections for Piano Solo .....3 Piano Solo – Composers .............5 Piano Duet / Two Pianos – Collections ...............................19 Piano Duet / Two Pianos – Composers ...............................19 Piano Concertos .......................... 21 Accordion ......................................... 24 Organ Collections ....................................25 Composers ....................................32 Strings Educational Music and Collections for Violin ........... 38 Violin Solo / 2–4 Violins – Composers .............................. 44 1–2 Violins and Keyboard Instrument – Composers ....45 Educational Music and Collections for Viola .............53 Viola and Keyboard Instrument – Composers ... 54 Educational Music and Collections for Cello .............55 Violoncello Solo – Composers ..............................60 1–2 Violoncellos and Keyboard Instrument – Composers ..............................60 Educational Music and Collections for Double Bass 65 Harp – Composers ......................... 65

Recorder Educational Music and Collections for Recorder ....... 65 Descant Recorder and Keyboard Instrument – Composers ..............................66 Treble Recorder Solo – Composers ..............................66 Treble Recorder and Keyboard Instrument – Composers ...66 Flute Educational Music and Collections for Flute ............ 67 Flute Solo – Composers ........... 67 2–4 Flutes – Composers ..........68 Flute(s) and Keyboard Instrument – Composers ...68 Oboe – Composers ........................ 70 Clarinet Educational Music and Collections for Clarinet....... 70 Clarinet – Composers ........... 71

String Trio ..................................... 78 Educational Music and Collections for String Quartet .................................... 78 String Quartet – Composers .. 79 String Quintet ............................. 83 String Sextet................................ 83 String Orchestra ............................. 84 Miscellaneous Chamber Ensembles .................................... 84 Chamber Music for Winds Woodwind Quintet ................... 88 Various Wind Ensembles .........89 combocom series ....................90–91 Sacred and Secular Choral Works ............................. 92 Popular Choral Music .................. 109 Stage Works ................................... 110

Saxophone .........................................72

Solo Voice ........................................ 114

Bassoon ..............................................72

Orchestral Works ..........................117

Horn .....................................................73

Study Scores ....................................121

Chamber Music Piano Trio .......................................74 Piano Quartet .............................. 76 Piano Quintet / Quintet for Piano and Strings ............77 Piano Sextet .................................77 String Duo .....................................77

Facsimiles and Reprints ..............128 Reference Works / Books on Music ........................ 132 Index by Edition Numbers .........134 Index by Composers .................... 138

ABBREVIATIONS AND KEY TO FIGURES Ed. Bc / bc Cz Ger Eng Fr Ital Lat AE BA H HM SM TP

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Editor Basso continuo Czech text German text English text French text Italian text Latin text Alkor Edition Bärenreiter Edition Bärenreiter Praha Edition Hortus Musicus Series Süddeutscher Musikverlag Series Study Score Contents Review

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Performance material available on sale Performance material available on hire Best Edition Prize awarded by the German Music Publishers Association Edition with fold-out pages

Content valid as of September 2015. Errors excepted and delivery terms subject to change without notice.

Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG International Department P.O. Box 10 03 29 34003 Kassel · Germany www.baerenreiter.com info@baerenreiter.com www.facebook.com/ baerenreiter

Cover design by DW Cre8tive

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Printed in Germany 1/1510/19 · SPA 480

www.youtube.com/ BaerenreiterVerlag

PIANO / KEYBOARD Educational Music and Collections for Piano Solo

Bärenreiter Piano Moments Favourite Classics arranged for piano by Christoph Ullrich and Andreas Skipis. With fingering

Music for Piano SPA 233 The catalogue Music for Piano includes Bärenreiter’s complete Urtext programme as well as all educational titles and collections for solo and four-hand piano. Also chamber music with piano is listed. The catalogue contains cover illustrations, many musical samples, authors of piano reductions, descriptive texts for numerous editions as well as excerpts from reviews.

Bärenreiter Piano Album Baroque Musical text includes suggestions for ornaments. Ed. A. Erényi BA 8759

Baroque Classical Romantic

BA 8764 BA 8765 BA 8766

Bärenreiter Sonatina Album Ed. K. Wolters BA 6545 Volume 1 BA 6549 Volume 2

You will find a pdf of this catalogue on the Bärenreiter website under “Service”. Bärenreiter Piano Album From Handel to Ravel 39 Easy Originals for Piano Ed. M. Töpel Fingering by A. Töpel BA 8771

 Please see Bärenreiter’s website www.baerenreiter.com for more information on the individual editions, such as complete bibliographical data, cover illustrations, sample pages, complete contents, and descriptive texts.

Bärenreiter Piano Album Vienna Classic Ed. M. Töpel BA 8756 Bärenreiter Piano Album Romantic Ed. M. Töpel BA 6538

“This album is also excellent value and is a very well chosen collection of short and not too difficult nineteenth century pieces.” (Music Master Journal)

This collection contains 39 easy-to-play piano pieces from the Baroque to the Early Modern period and presents an ideal repertoire for music schools and private musicmaking. Conceived as a current supplement to Bärenreiter’s popular anthology Easy Classics for Piano (BA 8758), it offers a wide-ranging repertoire which includes popular classical pieces but also small gems such as Satie’s Berceuse and Méditation.

PIANO / KEYBOARD Educational Music and Collections for Piano Solo Easy Classics for Piano 36 Originals from Bach to Satie Ed. M. Töpel Fingering by A. Töpel BA 8758

Klavier-Festival Ruhr Bärenreiter Piano Album Contemporary music for two and four hands Ed. T. Bleek, M. Töpel. Fingering by P.-L. Aimard and T. Stefanovich BA 9659 Cofalik, Antoni Twardowski, Romuald At the Zoo for piano BA 8125

Bärenreiter Piano Album Early 20 th Century Includes additional explanations, suggestions and information on the pieces (Ger/Eng/Fr) Ed. M. Töpel BA 6555

 “... a good base for

broadening the horizons of the student pianist.” (Australian Music Teacher)

 “At last a comprehensible

and appealing introduction to the music of the twentieth century for pianists.” (EPTA Piano Journal)

Piano Album Bärenreiter Contemporary Composers Ed. M. Töpel BA 8762  A varied and attractively

presented album

 Contemporary music for

beginners to advanced pianists

 With suggestions for your

own improvisation

 Includes information

(Ger/Eng) on the pieces

Graham, Peter NEW 2015 Subversive Etudes for piano BA 9585 These piano miniatures are a distinctive and unusual addition to the teaching literature – genre paintings in contrasting styles with musical wit and inventive sounds and rhythms. They offer glimpses into the musical cultures of different countries (Hunting in Hungary, Gamelan, Balkan Dance, African Games) and music history (Medieval Feast for the Left-Handed). Besides training finger technique, the pieces help students to think in terms of counterpoint and to develop an expressive delivery.  Miniature recital pieces for

piano with amusing illustrations by Andrea Tachezy

Kleeb, Jean Baila Negra. 13 new LatinAmerican Piano Pieces Ready to Play BA 10604

Classical Melodies in Jazzy Arrangements Kleeb, Jean Classic goes Jazz With a CD of all pieces BA 8760

Kleeb, Jean Jazzy Piano Ready to Play BA 10627 This new selection is based on sharply contrasting pieces that Kleeb has transformed into appealing jazz numbers. Among them are El pueblo unido (Sergio Ortega), Jamaica farewell (traditional), Passacaglia Jazz (Jean Kleeb), an English and a German folk song and a new Brahms arrangement.

Ramade-Etchebarne, Anita Kids in Concert 10 Piano Pieces for Children Ready to Play BA 10602

 A welcome addition to the

piano teaching literature

 Simple and entertaining

genre paintings

For further information, please ask for the Piano Music catalogue, SPA 233.

PIANO / KEYBOARD Piano Solo – Composers Bach, Johann Sebastian (1685-1750) The Art of Fugue BWV 1080 Urtext / Ed. K. Hofmann BA 5207 Chromatic Fantasy and Fugue in D min BWV 903 Urtext / Ed. U. Wolf BA 5236

Bach, Johann Sebastian (1685-1750) Inventions and Sinfonias BWV 772-801 Urtext / Ed. G. v. Dadelsen BA 5150 Inventions and Sinfonias BWV 772-801 Urtext with fingering / Ed. G. von Dadelsen Fingering by R. Kretschmar-Fischer BA 5241 Italian Concerto BWV 971 Urtext / Ed. W. Emery BA 5194 Italian Concerto BWV 971 Urtext with fingering / Ed. W. Emery Fingering by R. Kretschmar-Fischer BA 5244

Italian Concerto BWV 971, French Overture BWV 831 (with early version BWV 831a) Second Part of the Clavier Übung Urtext / Ed. W. Emery BA 5161 Keyboard Arrangements of Works by Other Composers I-III Urtext / Ed. K. Heller Volume I: Six Concertos after Vivaldi and Others BWV 972-977 BA 5221 Volume II: Seven Concertos after Vivaldi and Others BWV 978-984 BA 5222 Volume III: Five Concertos after Vivaldi and Others BWV 985-987, 592a, 972a (First edition). 2 Sonatas and Fugue after Reinken BWV 965, 966, 954 BA 5223

Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6572 Goldberg Variations BWV 988 Fourth Part of the Clavier Übung Urtext / Ed. C. Wolff BA 5162 Goldberg Variations BWV 988 Fourth Part of the Clavier Übung Urtext with fingering / Ed. C. Wolff Fingering for the modern piano by R. Schirmer BA 10848  Scholarly-critical Urtext

performing edition based on the New Bach Edition

 With fingering for

performance on modern pianos as well as a commentary regarding the fingering

 Division of parts between

the hands based on Bach’s original print

From: Bach, Goldberg Variations BWV 988 · BA 10848

PIANO / KEYBOARD Piano Solo – Composers Bach, Johann Sebastian (1685-1750) Little Piano Pieces A selection of 27 pieces from the Notebook for Anna Magdalena Bach and from the Notebook for Wilhelm Friedemann Bach Ed. F. Doflein BA 1766

Bach, Johann Sebastian (1685-1750) The Six English Suites BWV 806-811 Urtext / Ed. A. Dürr BA 5165 The Six French Suites BWV 812-817. Versions A and B as well as the alternative versions BWV 814a, 815a / and the Two Suites BWV 818, 819, 818a, 819a Urtext / Ed. A. Dürr BA 5219 The Six French Suites BWV 812-817 Embellished version Urtext / Ed. A. Dürr BA 5166

Beethoven, Ludwig van (1770-1827) Grande Sonate pathétique in C min op. 13 Urtext / Ed. J. Del Mar With a foreword by H. Hein and notes on performance practice by M. Aschauer BA 10851 The Sonata in C minor op. 13 was Beethovens’s first large work in this genre and a prime example of the late 18 th century piano sonata. To this day it remains a source of fascination with its ardent pathos and emotional coherence.

Six Partitas. First Part of the Clavier Übung BWV 825-830 Urtext / Ed. R. D. Jones BA 5152

Little Preludes and Fughettas Urtext / Ed. A. Dürr, T. Kohlhase, W. Plath, U. Wolf Compiled by M. Töpel, A. Erényi BA 5238 Musical Offering BWV 1079 Volume 1: Ricercari for harpsichord Urtext / Ed. C. Wolff BA 5154 Notebook for Anna Magdalena Bach, 1725 Urtext / Ed. G. v. Dadelsen BA 5164 Notebook for Anna Magdalena Bach 1725 Urtext with fingering / Ed. G. von Dadelsen Fingering by R. Kretschmar-Fischer BA 5242 Notebook for Friedemann Bach Urtext / Ed. W. Plath BA 5163

Six Partitas. First Part of the Clavier Übung BWV 825-830 Urtext with fingering / Ed. R. D. Jones With fingering by R. Schirmer BA 5247 Toccatas BWV 910-916 Urtext / Ed. P. Wollny BA 5235 The Well-Tempered Clavier I BWV 846-869 Urtext / Ed. A. Dürr BA 5191 Facsimile edition ISBN 978-3-7618-2368-2  page 128 The Well-Tempered Clavier II BWV 870-893 Urtext / Ed. A. Dürr BA 5192 Complete Piano Solo Works Urtext. 4 Study scores in a set TP 2002  page 121 Beethoven, Ludwig van (1770-1827) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6560

NEW 2015

Sonata quasi una Fantasia in E-flat maj op. 27 no. 1 Sonata quasi una Fantasia in C-sharp min op. 27 no. 2 (“Moonlight Sonata”) Urtext / Ed. J. Del Mar With an introduction by M. Donat and notes on performance practice by J. Del Mar and M. Donat BA 10853 At the dawn of the 19th century Beethoven struck out on new paths with his two opus 27 sonatas, each of which he called a ‘sonata quasi una fantasia’. Both of them, in particular Sonata no. 2 which was later nicknamed the ‘Moonlight Sonata’, were destined for immortality.

PIANO / KEYBOARD

Beethoven Sonatas in Bärenreiter Urtext Editions Sonata in F min for Piano op. 57 “Appassionata” Urtext / Ed. J. Del Mar With an introduction by M. Donat and notes on performance practice by J. Del Mar and M. Donat BA 10852 The nickname “Appassionata” was ascribed to the sonata only in 1838, long after Beethoven’s death.

NEW 2016 Three Sonatas in F min, A maj, C maj op. 2 Urtext / Ed. J. Del Mar BA 10859 To appear in the summer of 2016 NEW 2016 Sonata in D maj op. 28 Urtext / Ed. J. Del Mar BA 11814 To appear in the summer of 2016

NEW 2016

Sonata in A maj op. 101 Urtext / Ed. J. Del Mar BA 11811 To appear in the summer of 2016

 Each edition (except for

op. 13) with an introduction by M. Donat, a preface by J. Del Mar and notes on performance practice by J. Del Mar and M. Donat.

 All editions with optimum

page turns and notes on performance practice

 All editions with detailed

Forewords (Eng/Ger) and Critical Commentaries (Eng)

Johannes Brahms PIANO / KEYBOARD Master of Romantic Piano Music

Brahms, Johannes (1833-1897)

Albumblatt for Piano Urtext / Ed. C. Hogwood BA 9606 During his research, Christopher Hogwood came across an unpublished source which had not been taken into consideration for any previous edition. In a guest book – which included contributions from Robert and Clara Schumann, Mendelssohn, Jenny Lind, Rossini and Liszt – Brahms had notated a short piano piece. The source consists of a one-page autograph of this literal Albumblatt (untitled by Brahms). The composer used it 12 years later – revised and transposed from A minor to A-flat minor – in his Horn Trio.

Ballades op. 10 Urtext with fingering / Ed. C. Köhn Fingering and suggestions for performance by the editor BA 9601 Brahms wrote the ballades during the time of his close friendship with Clara Schumann, and they exude an intimacy typical of the vocal ballad. The pieces, which Schumann enthusiastically praised, were modestly described by Brahms as being “not too difficult to play and even less difficult to understand.”

Fantasies op. 116 Urtext with fingering / Ed. C. Köhn BA 8 9628

from: Brahms, Albumblatt · BA 9606

Three Intermezzi op. 117 Urtext with fingering / Ed. C. Köhn BA 9629

Piano Pieces op. 118 Urtext with fingering / Ed. C. Köhn BA 9630

Piano Pieces op. 119 Urtext with fingering / Ed. C. Köhn BA 9631

Waltzes op. 39 Urtext with fingering / Ed. C. Köhn Fingering and suggestions for performance by the editor BA 9602

Waltzes op. 39 Easy version (arranged by the composer) Urtext with fingering / Ed. C. Köhn Fingering and suggestions for performance by the editor BA 9603 Brahms’ popular 16 Waltzes, opus 39, composed in 1866 for four hands, were transcribed by Brahms one year later for two hands. At the request of his publisher, Brahms also wrote an easier version of the work for solo piano.

Brahms himself described the first version as suitable for “reasonable hands”, that is, for proficient players, and the easier version as “perhaps for prettier hands”, that is, for domestic music making. The easily accessible pieces are among the composer’s most popular works and are particularly suitable for students.

Variations and Fugue on a Theme by Handel op. 24 Urtext with fingering / Ed. C. Köhn Fingering and suggestions for performance by the editor BA 9607 For his new Urtext edition of Brahms’ variations (1861) on an eight-bar theme from Handel’s Keyboard Suite No. 1 (Suite de pièces de Clavecin, Vol. 2), the editor has drawn on every available source and incorporated the most recent musicological discoveries. With fingering, a well-presented layout and optimum page turns, the volume meets all the demands of a practical performing edition. A detailed foreword illuminates the work’s genesis and sources while presenting valuable information on contemporary performance practice.

PIANO / KEYBOARD Piano Solo – Composers

curved ties and straight legato slurs, thereby giving today’s players fascinating insights into the special sound of this music.

Brahms, Johannes (1833-1897) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6566 Cabezón, Antonio de (1510-1566) Selected Works for Keyboard Urtext / Ed. G. Doderer, M. B. Ripoll Volume I: Hymnes and Versets BA 9261

Couperin, FranÇois (1833-1897)

Volume II: Hymnes, Versets and Tientos BA 9262

Pièces de clavecin Premier livre Urtext / Ed. D. Herlin BA 10844 in preparation

Volume III: Glosados BA 9263 Volume IV: Glosados and Diferencias BA 9264 SPECIAL SET PRICE BA 9270 · Set of all 4 volumes Chabrier, Emmanuel (1841-1894) Habanera Urtext with fingering / Ed. B. Schilling-Wang Fingering by T. Stefanovich BA 10839

NEW 2016

The original edition of the first volume of Couperin’s Pièces de clavecin (1713), supervised by the composer himself, is noteworthy for its extraordinary notational precision. It contains exacting performance instructions, for which Couperin created his own symbols. This new Urtext edition in a modern engraving retains the essential features of the original print, such as the distinction between

The editor has, for the first time, closely analysed various copies of the original edition, some of which he discovered himself. He lists these alternative readings in the Critical Commentary. The edition also presents conflicting versions of several pieces as well as an anonymous work possibly attributable to Couperin. A detailed Foreword, notes on period performance practice and many facsimile illustrations round off this edition, making it indispensable to all admirers and performers of French clavecin music. First evaluation of an

extensive number of sources

With Couperin’s original

marks for performance and embellishments

Contains optimum page

turns

Notes on performance

practice, detailed trilingual Foreword (Fr/Eng/Ger) and a Critical Commentary (Eng)

Chopin, Frédéric (1810-1849) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6565 Chopin, Frédéric (1810-1849)

NEW 2016

24 Préludes op. 28 Prélude op. 45 Urtext with fingering / Ed. C. Flamm Fingering and notes on performance practice by H. Rittner BA 9610 To appear in the spring of 2016

French Impressionism: Claude Debussy

Debussy, Claude (1862-1918) Images Urtext with fingering / Ed. D. Woodfull-Harris Preface and Notes on Performance Practice by B. Schilling-Wang Fingering by T. Stefanovich Images 1re série (Reflets dans l’eau, Hommage à Rameau, Mouvement) BA 10821 Volume 1 Images 2e série (Cloches à travers les feuilles, Et la lune descend sur le temple qui fut, Poissons d’or) BA 10822 Volume 2 The virtuoso piano writing – in the second book notated throughout on three staves – is “a real revolution in the art of piano music” ( Louis Laloy). Préludes pour Piano Urtext with fingering / Ed. T. Kabisch Fingering by M. Widmaier Préludes 1 er livre BA 10818 Volume 1 Debussy links the 12 Préludes in his first book not by a tonal scheme, but by means of a chain of associative mottos or titles which appear at the end of each piece and which may give a hint of the overall poetic content. The fingering by Martin Widmaier traces musical lines and supports sensitive sound production. There are also special fingering exercises to assist in the learning of the 10 chordal structures.

From: Debussy, Préludes 1er livre · BA 10818

Préludes 2nd livre BA 10819 Volume 2 in preparation

 “I defy anyone not to be

inspired and motivated to practise Debussy with extra zeal and pleasure after studying these beautiful Urtext editions. Not only is there immaculate typesetting, presented in generous layout, there are also facsimiles of extracts from manuscripts and first editions. Highly recommended.” (International Piano) Easy Piano Pieces and Dances BA 6573  page 11

Children's Corner BA 8767 Deux Arabesques BA 8768 Pour le piano BA 8770 Suite bergamasque BA 8769 Each edition: Urtext with fingerings / Ed. R. Back Fingering by F. Palme Of particular interest is the detailed introduction to each volume, which includes a history of the work and valuable information regarding pedalling, tempo and phrasing, fingering, articulation and dynamics.

PIANO / KEYBOARD Piano Solo – Composers Debussy, Claude (1862-1918) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6573 Dušek, František Xaver (1731-1799)

NEW 2016

The Complete Sonatas for Keyboard Urtext / Ed. V. Spurný BA 11513 Vol. I To appear in the summer of 2016 BA 11514 Vol. II in preparation

Frescobaldi, Girolamo (1583-1643) Organ and Keyboard Works Urtext / Ed. C. Stembridge with K. Gilbert Volume I.1: BA 8411 Volume I.2: BA 8412 Volume II: BA 8413 Volume III: BA 8414  page 34

Handel, George Frideric (1685-1759) Keyboard Works I First Set of 1720. The Eight Great Suites HWV 426-433 Urtext / Ed. R. Steglich, T. Best BA 4224 Keyboard Works II Second Set of 1733: Suites de Pièces pour le Clavecin HWV 434–442 Urtext / Ed. P. Northway, T. Best BA 4221 Keyboard Works III Miscellaneous Suites and Pieces. First Part Urtext / Ed. T. Best BA 4222

Fauré, Gabriel (1845-1924) Urtext with fingering / Ed. C. Grabowski Fingering by the composer or Louis Diémer Ballade op. 19 BA 10841 Barcarolles BA 10842 Valses-Caprices BA 10843  Based on the Œuvres

Grieg, Edvard (1843-1907) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6575 Handel, George Frideric (1685-1759) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6578

Keyboard Works IV Miscellaneous Suites and Pieces. Second Part Urtext / Ed. T. Best BA 4223 SPECIAL SET PRICE BA 4262 · Set of all 4 volumes With a detailed

introductory text including notes on performance practice (Ger/Eng)

complètes de Gabriel Fauré  Based on the latest research

findings and extensive source studies

 Informative forewords with

advice on performance practice (Fr/Eng/Ger)

For further information, please ask for the Piano Music catalogue, SPA 233.

PIANO / KEYBOARD

The Quintessence of Haydn’s Sonatas

Haydn, Joseph (1732-1809)

NEW 2016

Late Piano Sonatas Urtext with fingering / Ed. B. Moosbauer, H. M. Stüwe With notes on performance practice and fingering by Rebecca Maurer BA 10804 in preparation Haydn’s late piano sonatas Hob. XVI:40–42 (1784) and Hob. XVI:48–52 (1788-95) reveal him to be a distinctive and consummate master in terms of form and expression. These technically brilliant works, the quintessence of his sonata output, reflect the fresh inspiration he received in London. This new Urtext edition presents these piano sonatas in a spacious engraving. The early version of the second movement of the Sonata in C major, Hob. XVI:50, is reproduced in the appendix. Rounding off this performing edition are historically informed fingering and valuable notes on period performance practice by Rebecca Maurer, a highly acclaimed harpsichord and fortepiano player.

Critical performing edition

at the cutting edge of musicology

Valuable notes on period

performance practice (Ger/Eng)

Includes historically

informed fingering

Practical page turns Informative Foreword

(Ger/Eng) and Critical Commentary (Eng)

PIANO / KEYBOARD Piano Solo – Composers Haydn, Joseph (1732-1809) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 4631 Janáček, Leoš (1854-1928) V mlhách / In the Mists Urtext with fingering / Ed. L. Kundera, J. Burghauser With fingering by R. Kvapil BA 9500 1. X. 1905 “Sonáta” Urtext with fingering / Ed. L. Kundera, J. Burghauser With fingering by R. Kvapil BA 9501 Po zarostlém chodnícku / On an Overgrown Path Series I-II Urtext with fingering / Ed. L. Kundera, J. Burghauser With fingering by R. Kvapil BA 9502 Kleeb, Jean Classic goes Jazz BA 8760  page 4 Baila Negra 13 new Latin-American Piano Pieces. Ready to Play BA 10604  page 4 Jazzy Piano Ready to Play BA 10627  page 4

NEW 2015 Volume IV: 6 sonatas from the years 1807-1809, 1 sonata from the 1770s, 6 sonatas which exist only in manuscript BA 9514 W 2015 NE

SPECIAL SET PRICE BA 9515 · Set of all 4 volumes As the foremost representative of Czech music in 18 th century Vienna, Leopold Koželuh was noted primarily as composer, pianist and keyboard teacher. His 50 keyboard sonatas span his entire career and mark not only the transition from the harpsichord and clavichord manner to the fully idiomatic forte-piano style, but also the development of the “classical sonata” during three decades (1773–1806).



“The whole publication makes me want to play it, …” (Early Music)

Liszt, Franz (1811-1886) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6577 Sonata in B min for Piano Urtext with fingering by the composer / Ed. M. Kube BA 9650 With optimum page turns

Koželuch, Leopold (1747-1818) Complete Sonatas for Keyboard Solo Urtext / Ed. C. Hogwood Volume I: 12 sonatas from the years 1780-1784 BA 9511 Volume II: 12 sonatas from the years 1784-1786 BA 9512 Volume III: 13 sonatas from the years 1788-1797 BA 9513

Informative preface

(Eng/Ger) and critical notes (Eng) on questionable readings and deviations in the sources

Martinů, Bohuslav (1890-1959) Loutky / Puppets I-III Short pieces for piano Revised edition by A. Březina H 7875 Volume I H 7946 Volume II H 7963 Volume III All 3 editions in 1 volume H 7970 Special price

Mendelssohn Bartholdy, Felix (1809-1847) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6568 Songs without Words Urtext with fingering / Ed. R. Larry Todd With fingering by M. Kirschnereit BA 9069 This edition includes all the collections printed during Mendelssohn’s lifetime, together with those published posthumously. The appendix also contains a selection of the Songs without Words which have survived individually, including two pieces which have not been available in modern editions until now. Sieben Charakterstücke op. 7; Sechs Kinderstücke op. 72 Urtext with fingering / Ed. H. Stüwe With fingering by M. Kirschnereit BA 9083 The Charakterstücke op. 7 and Kinderstücke op. 72 are Mendelssohn’s most popular piano albums besides his Songs without Words and the Variations sérieuses op. 54. The edition contains both piano cycles in the versions published in the first edition. An extensive appendix also includes autograph variants and early versions. Variations for Piano op. 54, op. 82, op. 83 Urtext with fingering / Ed. H. Stüwe With fingering by M. Kirschnereit BA 9082 The edition brings together Mendelssohn’s three most important sets of variations for piano. It offers the versions of the first editions and in addition, for the first time, the numerous variants which survive in different autograph manuscripts.

PIANO / KEYBOARD Piano Solo – Composers

Mozart’s Complete Piano Works – Five Volumes in a Slipcase Complete Works for Piano Solo Urtext / Ed. W. Plath, W. Rehm, K. v. Fischer BA 5749 Volume 1: Piano Sonatas I Volume 2: Piano Sonatas II Volume 3: Miscellaneous Works Volume 4: Variations Volume 5: Notebooks of Mozart and His Sister 

Only Bärenreiter presents Mozart’s piano music with the definitive Urtext from the New Mozart Edition



Bärenreiter Urtext at the forefront of international Mozart scholarship

Mozart, Wolfgang Amadeus (1756-1791) “Ah, vous dirai-je Maman” Twelve variations in C maj for piano K. 265 (300e) Urtext with fingering / Ed. K. von Fischer Fingering by M. Kirschnereit BA 5765 “Ah, vous dirai-je Maman” Twelve variations in C maj for piano K. 265 (300e) Urtext / Ed. K. v. Fischer BA 4779 Complete Piano Sonatas Urtext / Ed. W. Plath, W. Rehm Volume 1: Nos. 1-9 K. 279-284, 309-311 BA 4861 Volume 2: Nos. 10-18 K. 330-333, 457, 475, 533 + 494, 545, 570, 576 BA 4862 Complete Variations for Piano Urtext / Ed. K. v. Fischer BA 5746 Easy Piano Pieces and Dances Ed. M. Töpel BA 5327 Fantasy in D min K. 397 (385g) Urtext with fingering / Ed. W. Plath Fingering by M. Kirschnereit BA 5764

Mozart, Wolfgang Amadeus (1756-1791) Miscellaneous Works for Piano Urtext / Ed. W. Plath BA 5745 Serenade in G maj “Eine kleine Nachtmusik” K. 525 With fingering Arranged for piano by M. Töpel BA 9160 Sonata in C maj “facile” K. 545 Urtext with fingering / Ed. W. Plath, W. Rehm Fingering by M. Kirschnereit BA 5763 Sonata in A maj (with the “Rondo alla turca”) K. 331 Urtext with fingering / Ed. W. Plath, W. Rehm Fingering by M. Kirschnereit BA 9178 Mozart goes Jazz for Piano Arranged by J. Kleeb BA 8761 The arrangements plunge pianists into the harmonic universe of jazz, lending a new guise to such well-known pieces as the Rondo alla turca or the second movement of the A major Piano Concerto

at Large form ) (24.3 x 31cm

(K. 488). Most of all they offer glimpses into the art of piano improvisation and suggestions for the player’s own performance (Ger/Eng). Mussorgsky, Modest (1839-1881) Pictures at an Exhibition A Remembrance of Viktor Hartmann Urtext / Ed. C. Flamm BA 9621 The piano cycle Pictures at an Exhibition, composed in 1874, is not only Mussorgsky’s most important contribution to the piano repertoire, but holds through its relationship to Viktor Hartmann’s pictures and the translation of this idea into a composition, a unique place in 19th century piano repertoire. Optimum page turns New readings Extensive information on

the work and performancerelated issues

PIANO / KEYBOARD Ravel, Maurice (1875-1937) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6580 No distribution rights for Italy and Spain.



“A lovely selection of music for students on the later grades” (Piano Journal)

Ramade-Etchebarne, Anita Kids in Concert 10 Piano Pieces for Children Ready to Play BA 10602

Pavane pour une infante défunte pour piano Urtext / Ed. R. Back, D. Woodfull-Harris BA 9632

Rameau, Jean-Philippe (1683-1764)

No distribution rights for France and Spain.

has examined a large body of sources to present a musical text with many new readings. The edition contains fingering and performance notes by the French pianist Alexandre Tharaud, one of today’s leading interpreters of Ravel’s music. Commentaries by pianists closely associated with Ravel, such as Lucian Garban, Vlado Perlemuter, Robert Casadesus and Jacques Février are also included. Detailed trilingual preface

(Fr/Eng/Ger) and Critical Commentary (Eng)

Optimum page turns Includes a glossary

(Fr/Ger/Eng)

Satie, Erik (1866-1925)

Pièces de Clavecin With the composer’s original appended texts unabridged and with several facsimile reproductions (Ger/Fr/Eng). Ed. E. R. Jacobi BA 3800

Piano Works  page 16

Pièces de Clavecin Edition intégrale Complete Keyboard Works I-III Urtext / Ed. S. Rampe Volume I: The Books from 1705/6 & 1724 · La Dauphine Les petits marteaux BA 6581 Volume II: The Books from 1726/27 & 1741 BA 6582 Volume III: Les Indes Galantes. Balet, reduit a quatre grands concerts (1735/36) BA 6583 SPECIAL SET PRICE BA 6584 · Set of all 3 volumes

For further information, please ask for the catalogue Music for Piano, SPA 233.

W 2015

NE Valses nobles et sentimentales for Piano Urtext with fingering / Ed. N. Southon With notes on performance and fingering by A. Tharaud BA 10826 No distribution rights for France and Spain.

Ravel’s Valses nobles et sentimentales created a stir when they were anonymously premiered in Paris’s Société nationale indépendante in 1911: many listeners thought they were by Satie, or even Kodály! For our new Urtext edition of this work, the famed musicologist Nicolas Southon, a co-editor of the Œuvres Complètes de Gabriel Fauré,

Schubert, Franz (1797-1828) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 5639 Further editions of piano works by F. Schubert  page 17

PIANO / KEYBOARD

Atmospheric Piano Music by Satie in Bärenreiter Urtext

Satie, Erik (1866-1925)

W 2015

Avant-dernières NE Pensées for Piano Urtext / Ed. J. Rosteck With notes on performance practice by S. Schleiermacher BA 10849 To appear in December 2015

NEW 2015 Le fils des étoiles for Piano Urtext / Ed. S. Schleiermacher With notes on performance practice BA 10814

Gnossiennes Urtext / Ed. J. Rosteck Suggestions for performance by S. Schleiermacher BA 10807

Embryons desséchés for Piano Urtext / Ed. J. Rosteck With notes on performance practice by S. Schleiermacher BA 10811

No distribution rights for the USA and France.

Moderate level of difficulty

These two Urtext editions faithfully adhere to the sources and reflect the latest findings of Satie scholarship. They contain translations of all of Satie’s French texts, practical page-turns, notes on performance practice by Satie specialist Steffen Schleiermacher and informative Forewords. The pieces range from an easy to moderate level of difficulty and provide an ideal repertoire for performance and teaching.

Notes on performance

This Bärenreiter Urtext edition offers new variant readings and presents Gnossienne No. 7 in its authentic form for the first time. Like the Gymnopédies (BA 10806), the Gnossiennes are particularly suitable for piano teaching because of their easy to medium difficulty level. Suggestions for performance are given by the Satie specialist Steffen Schleiermacher. In addition a detailed foreword by the distinguished musicologist Jens Rosteck provides valuable information on the background to the compositions.

NEW 2015

No distribution rights for the USA and France.

From: Embryons desséchés for Piano · BA 10811

Includes a glossary

(Fr/Ger/Eng)

practice (Ger/Eng)

Detailed Foreword (Ger/Eng)

and Critical Commentary (Eng)

Ogives Gymnopédies Urtext / Ed. J. Rosteck Suggestions for performance by S. Schleiermacher BA 10806 The pieces are easy to play and are ideal for teaching purposes. Information on performance practice and a helpful foreword give valuable insight into Satie’s music aesthetics.

Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6574

PIANO / KEYBOARD

A New Look to the Schubert Urtext Piano Editions Schubert, Franz (1797-1828)  Scholarly-critical editions

based on the Urtext of the New Schubert Edition, taking all known sources into account

 Newly engraved editions

with optimum page-turns

 With suggestions for

performance (Ger/Eng) by Mario Aschauer

 With detailed Forewords

(Ger/Eng) and Critical Commentaries (Eng)

“The Devil should play this stuff!” Yet it wasn’t the Devil but Liszt – like Schumann a great admirer of the piece – who later arranged the Wanderer Fantasy for piano and orchestra and again for two pianos. It was also Liszt who gave the work the nickname it has retained to the present day. Impromptus D 899 op. 90 and D 935 op. post. 142 Urtext with fingering / Ed. W. Dürr Fingering and suggestions for performance by M. Aschauer BA 9648

Fantasies for Piano Urtext / Ed. W. Dürr, D. Goldberger BA 10862 This Urtext edition unites Schubert’s great fantasies for solo piano in a single volume and presents the early work Fantasy in C minor for the first time in a scholarly-critical Urtext edition. It offers advanced pupils, students and professional pianists a richly varied, musically and technically thrilling addition to their repertoire. Fantasy in C maj, op. 15 – D 760 “Wanderer Fantasy“ for Piano Urtext / Ed. W. Dürr BA 10870 The most famous of the fantasies, the Wanderer Fantasy, now appears in a separate edition. While Schubert was playing the Wanderer Fantasy for a circle of friends, he faltered and exclaimed impatiently:

Late Piano Pieces Urtext with fingering / Ed. W. Dürr Fingering and suggestions for performance by M. Aschauer BA 9634

 Ungarische Melodie D 817, Allegretto in c D 915, Drei Klavierstücke D 946

Moments Musicaux D 780 Urtext with fingering / Ed. W. Dürr Fingering and suggestions for performance by M. Aschauer BA 9647

Piano Sonatas I Early Sonatas Urtext / Ed. W. Litschauer BA 5642 Sonata in G maj D 894 op. 78 Urtext / Ed. W. Litschauer BA 5630

NEW 2015 Sonata in C min for Piano D 958 Urtext / Ed. W. Litschauer With notes on performance practice by M. Aschauer BA 10869 This scholarly-critical edition by Walburga Litschauer presents this masterpiece in a spacious new engraving. Notes on performance practice, especially on pedalling and Schubert’s distinctive manner of writing accents, form a Foreword to the work. Rounding off the edition is a Critical Commentary which presents alternative readings of interest to performers. Schubert’s drafts for all four movements of the sonata can be accessed on our website. Sonata in A maj for Piano D 959 Urtext / Ed. W. Litschauer With notes on performance practice by M. Aschauer BA 10861 This scholarly-critical edition by Walburga Litschauer uses the autograph manuscript as the prime source. The Critical Commentary includes information on performancerelevant alternative readings and Schubert’s notation of accents. Sonata in B-flat maj for Piano D 960 Urtext / Ed. W. Litschauer With notes on performance practice by M. Aschauer BA 10860

PIANO / KEYBOARD Piano Solo – Composers

Schumann, Clara (1819-1896) Romantic Piano Music Ed. F. Goebels BA 6550 Volume 1 BA 6556 Volume 2 Schumann, Robert (1810-1856)

Schulhoff, Erwin (1894-1942) Jazz-inspired Works for Piano Urtext / Ed. M. Kube BA 9559 This edition contains five of Schulhoff ’s piano cycles with a total of thirty-five jazzinflected pieces ranging from the relatively easy Esquisses de jazz (1927) to the fairly demanding Cinq études de jazz (1926). This is the first Urtext edition of this music and draws on the original prints comparing them with the surviving handwritten sources. Errors have been corrected and distinctive traits of Schulhoff ’s notation retained.

NEW 2015

43 Piano Pieces for the Young op. 68 “Album for the Young” Urtext with fingering / Ed. H. M. Stüwe Fingering and notes on performance practice by R. Schirmer BA 9641 To appear in December 2015

In addition to the famous ‘Advice to Young Musicians’ (in German, English and a French translation by Liszt), other pieces related to this work but left unpublished during Schumann’s lifetime can be found in the appendix to this edition. For the first time this edition also includes Clara Schumann’s original pedal markings. Clara’s

fingering served Ragna Schirmer as an important point of departure for her own thoughts on fingering. Urtext edition at the

cutting edge of scholarship

Many additional pieces and

‘Advice to Young Musicians’ in the appendix

Original pedal markings by

Clara Schumann and fingering by Ragna Schirmer

Detailed Foreword (Ger/Eng)

and detailed Critical Commentary (Eng)

Sonatas Nos. 1–3 for Piano Urtext / Ed. M. Kube BA 9560 Here, the piano sonatas are presented, which originated between 1924 and 1927 based on the prints published in Schulhoff ’s lifetime. These have been compared with the surviving handwritten sources. Not only have errors been corrected but peculiarities of Schulhoff ’s notation have also been reconstructed. The principal source for Sonata No. 3 was the composer’s autograph fair copy.

Excerpt from: Schumann, “Album for the Young” · BA 9641

PIANO / KEYBOARD Schumann, Robert (1810-1856) Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6567 Kinderszenen / Scenes from Childhood op. 15 Urtext with fingering / Ed. H. Stüwe Fingering by R. Schirmer BA 9639 Waldszenen op. 82 Urtext with fingering / Ed. H. Stüwe Fingering by R. Schirmer BA 9640 Skrjabin, Aleksandr (1871-1915) Complete Piano Sonatas Urtext / Ed. C. Flamm Volume 1: Youth Sonatas BA 9616 Volume 2: Sonatas Nos. 4 and 5 BA 9617

Smetana, Bedřich (1824-1884) Rêves / Dreams Urtext / Ed. J. Gabrielová BA 9529 Suk, Josef (1874-1935)

NEW 2015

Životem a snem / Things Lived and Dreamt Ten Pieces for Piano op. 30 Urtext / Ed. J. Gabrielová BA 9561 Tchaikovsky, Peter (1840-1893)

Klavier-Festival Ruhr Bärenreiter Piano Album Contemporary music for two and four hands Ed. T. Bleek, M. Töpel Fingering by P. L. Aimard and T. Stefanovich BA 9659 In the versions for piano duet, one part is kept sufficiently easy for the less experienced pianist to play.

Piano Duet / Two Pianos – Composers

Easy Piano Pieces and Dances Ed. M. Töpel Fingering by A. Töpel BA 6576



“An absolute treasure trove of delights – and not just for younger pianists.” (International Piano)

Piano Duet / Two Pianos – Collections

 “… these remarkable and

pioneering works, now nearly a century old, receive a splendid editorial makeover, …” (Music Teacher)

Bach, Johann Sebastian (1685-1750)

 “Flamm sensibly sifts

Concerto a due Cembali senza ripieno BWV 1061a Urtext / Ed. K. Heller, H. J. Schulze Two scores are required for performance BA 5245

through the various source options available to produce an edition of both sonatas [opp. 4 & 5] that is elegant and practical. … A landmark issue.” (International Piano)

 “This edition [BA 9617] is a

work of art in itself, with many hidden extras, including the entire text of Scriabin’s ‘poem of ecstasy’, reproduced in three languages, as well as detailed background notes …” (Piano Professional) Volume 3: Sonatas Nos. 6, 7, 8 BA 9618 in preparation Volume 4: Sonatas Nos. 9, 10 BA 9619

Bärenreiter Piano Album Four-Hand For piano duet. In score format. With information on the pieces and suggestions for performance (Ger/Eng/Fr) Ed. M. Töpel BA 6559

Like the Italian Concerto for solo harpsichord (BWV 971), the Concerto a due cembali is Bach’s only concerto expressly written for two unaccompanied harpsichords. Brahms, Johannes (1833-1897) Serenade No. 1 in D maj op. 11 for piano duet Urtext / Ed. C. Köhn BA 6570

PIANO / KEYBOARD Piano Duet / Two Pianos – Composers Brahms, Johannes (1833-1897) Serenade No. 2 in A maj op. 16 for piano duet Urtext / Ed. C. Köhn BA 6571



“Bärenreiter Urtext at its best!” (Piano Journal) Souvenir de la Russie Six fantasies for piano duet. In score format Ed. M. Töpel BA 6554

Mendelssohn Bartholdy, Felix (1809-1847) Seven Songs without Words op. 62 nos. 1-6 and op. 67 no. 1 in Mendelssohn’s own arrangement for piano duet. First edition. Ed. R. Langley BA 8101 Mozart, Wolfgang Amadeus (1756-1791) Complete Works for two Pianos Urtext with fingering / Ed. E. F. Schmid (K. 426 and 448 and fragments) and F. Ferguson / W. Rehm (Larghetto and Allegro in E-flat maj, K.6 deest), based on the edition by G. Croll. Preface by M. H. Schmid. Fingering by H. P. and V. Stenzl BA 9161 Foreword (Ger/Eng) with

detailed commentary on the composition of the works and tips on performance practice

Dvořák, Antonín (1841-1904)

NEW 2015

Ze Šumavy / From the Bohemian Forest op. 68 for piano duet Ed. A. Čubr BA 9565 Legendy / Legends op. 59 for piano duet Ed. F. Bartoš, A. Pokorný, K. Šolc H 1801 Slovanské tance / Slavonic Dances for piano duet Ed. J. Burghauser Newly engraved in score format 1st Series op. 46 BA 9547 2nd Series op. 72 BA 9548

Fantasia in G min and Fugue in G maj K. Anh. 32 and 45 Sonata Movement (Grave and Presto) in B-flat maj K. Anh. 42 for two pianos. Two completions Ed. M. Töpel BA 9638 Works for Piano Duet Part I: Original works for piano duet; Part II: 1. Completions of the fragments K. 357 (Fr 1787i and Fr 1791a); 2. Transcriptions of individual pieces by Mozart for Organ and Mechanical Organ Urtext / Ed. W. Rehm, M. Töpel BA 9179 Informative forewords to the main part and the appendix together with explanatory notes on the evaluation of the sources as well as Eingänge and fermata embellishments by M. Töpel complete this volume.

Satie, Erik (1866-1925) 3 Morceaux en forme de Poire avec une Manière de Commencement, une Prolongation du même & Un En Plus, suivi d’une Redite for piano duet Urtext / Ed. J. Rosteck With performance suggestions by S. Schleiermacher, in score format BA 10809 In 1903, Satie composed his famous cycle for piano duet with a provocative and ambiguous title: in French, poire means “pear” but also “dimwit”. It is a detached and ironic commentary on the constraints of musical form. First scholarly-critical

Urtext edition

Of an easy to moderate level

of difficulty

Includes translations of all

expression and tempo markings (Fr/Ger/Eng)

Detailed foreword (Ger/Eng)

and Critical Commentary (Eng)

PIANO / KEYBOARD Schubert, Franz (1797-1828) Works for Piano Duet III Urtext / Ed. W. Litschauer (Nos. 2-5), W. Aderhold (No. 1) With suggestions on performance practice by M. Aschauer BA 9645  Urtext edition including the

late works, composed between 1826 and 1828



Variations on a Theme from L. J. Ferdinand Hérold's opera “Marie” op. 82,1 (D 908) / Fantasy in F minor op. 103 (D 940) / Allegro in A minor op. post. 144 (D 947) / Rondo in A major op. post. 107 (D 951) / Fugue in E minor op. post. 152 (D 952)

Piano Concertos in arrangements for 2 pianos (solo piano / orchestral reduction) Bach, Johann Sebastian (1685-1750)

Concerto III in D maj BWV 1054 BA 5226-90 ° Concerto IV in A maj BWV 1055 BA 5227-90 ° Concerto V in F min BWV 1056 BA 5228-90 °

Eight Concertos for harpsichord and strings Urtext / Ed. W. Breig TP 410 Study score

Concerto VI in F maj BWV 1057 for harpsichord, two recorders and strings BA 5229-90 °

Piano reductions:

Concerto in G min BWV 1058 BA 5230-90 °

Concerto I in D min BWV 1052 BA 5224-90 ° Concerto II in E maj BWV 1053 BA 5225-90 °

Concerto in D min BWV 1052a arranged by C. P. E. Bach BA 5231-90 °

Smetana, Bedřich (1824-1884) Vltava / The Moldau for piano duet Version for piano duet by the composer Urtext / Ed. H. Macdonald With an introduction by O. Mojžíšová BA 9549 BA 9558 ° Orchestral score  page 120  Urtext edition with Primo

and Secondo parts printed on facing pages

° = Performance material available on sale

From: Bach, Concerto I in D min · BA 5224-90

PIANO / KEYBOARD

The Beethoven Piano Concertos NEW 2015

Beethoven, Ludwig van (1770-1827) Concerto No. 1 in C maj for Pianoforte and Orchestra op. 15 Urtext / Ed. J. Del Mar BA 9021-90 ° Piano reduction In the Piano Concerto No. 1 in C major op. 15, Del Mar has found no less than 17 corrections in Beethoven’s autograph which were made after the work was published. These have been brought to light in this new Bärenreiter edition. Concerto No. 2 in B-flat maj for Pianoforte and Orchestra op. 19 Urtext / Ed. J. Del Mar BA 9022-90 ° Piano reduction This edition corrects misreadings of Beethoven’s autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work.

From: op. 73 · BA 9025-90

PIANO / KEYBOARD Piano Concertos

Concerto No. 3 in C min for Pianoforte and Orchestra op. 37 Urtext / Ed. J. Del Mar BA 9023-90 ° Piano reduction No authentic manuscript exists for the solo part of this Concerto. The autograph score is available whereby articulation, dynamics and pedal markings are mostly absent. However Beethoven oversaw the first printed edition (1804) and placed markings and medal markings with great care in order to be consistent and unambiguous. Concerto No. 4 in G maj for Pianoforte and Orchestra op. 58 Urtext / Ed. J. Del Mar BA 9024-90 ° Piano reduction The autograph to Beethoven’s Piano Concerto No. 4 is lost. There are only two authentic sources to draw upon; the copyist’s manuscript of the score with Beethoven’s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript. Though no new sources have been available for this new edition, numerous editorial emendations which have prevailed in all previous editions (even Urtext editions) have now been corrected.



Mozart, Wolfgang Amadeus (1756-1791)

NEW 2015 Concerto No. 5 in E-flat maj for Pianoforte and Orchestra op. 73 – “Emperor” Urtext / Ed. J. Del Mar BA 9025-90 ° Piano reduction Beethoven’s fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance. The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven’s sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages. Concerto for Pianoforte and Orchestra after the Violin Concerto op. 61 Urtext / Ed. J. Del Mar Piano reduction with an Urtext solo piano part and an additional piano part with fingering by Y. Murakami BA 9013-90 °

NEW 2015

The Five Piano Concertos Urtext / Ed. J. Del Mar Five study scores in a boxed set TP 920  page 122

Piano reductions with separate solo piano parts

The piano reductions appear in a new format: As customary in the 19th century there is a separate solo piano part containing tutti passages and cues. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction includes the orchestral reduction as well as the solo piano part above it in small print.

Piano Concertos - K. 175 (No. 5), Concert Rondo in D maj K. 382 Urtext / Ed. M. Flothuis BA 5315-90 ° Piano reduction - K. 238 (No. 6) in B-flat maj Urtext / Ed. M. Flothuis BA 5316-90 ° Piano reduction - K. 242 (No. 7) in F maj “Lodron Concerto” for three or two Pianos and Orchestra Edition for 2 soloists and accompaniment Urtext / Ed. M. Flothuis BA 5389-90 ° Piano reduction 3 copies needed for performance - K. 246 (No. 8) in C maj “Lützow Concerto” Urtext / Ed. C. Wolff BA 5388-90 ° Piano reduction - K. 271 (No. 9) in E-flat maj “Jeunehomme Concerto” Urtext / Ed. C. Wolff BA 4790-90 ° Piano reduction TP 242 Study score - K. 365 (No. 10) in E-flat maj for two Pianos and Orchestra Urtext / Ed. C. Wolff BA 5390-90 ° Piano reduction 3 copies needed for performance - K. 413 (No. 11) in F maj Urtext / Ed. C. Wolff BA 4874-90 ° Piano reduction TP 245 Study Score - K. 414 (No. 12) in A maj Urtext / Ed. C. Wolff BA 4876-90 ° Piano reduction TP 244 Study score - K. 415 (No. 13) in C maj Urtext / Ed. C. Wolff BA 4878-90 ° Piano reduction TP 246 Study score ° = Performance material available on sale

PIANO / KEYBOARD / ACCORDION Piano Concertos

- K. 482 (No. 22) in E-flat maj Urtext / Ed. H. Engel, H. Heussner BA 5387-90 ° Piano reduction TP 149 Study score

Accordion

- K. 488 (No. 23) in A maj Urtext / Ed. H. Beck BA 4740-90 ° Piano reduction TP 62 Study score - K. 491 (No. 24) in C min Urtext / Ed. H. Beck BA 4741-90 ° Piano reduction TP 63 Study score

Mozart, Wolfgang Amadeus (1756-1791) - K. 449 (No. 14) in E-flat maj Urtext / Ed. M. Flothuis BA 5381-90 ° Piano reduction TP 247 Study score - K. 450 (No. 15) in B-flat maj Urtext / Ed. M. Flothuis BA 5382-90 ° Piano reduction TP 248 Study score - K. 451 (No. 16) in D maj Urtext / Ed. M. Flothuis BA 5383-90 ° Piano reduction TP 249 Study score - K. 453 (No. 17) in G maj Urtext / Ed. E. and P. BaduraSkoda BA 5384-90 ° Piano reduction TP 156 Study score - K. 456 (No. 18) in B-flat maj Urtext / Ed. E. and P. BaduraSkoda BA 5385-90 ° Piano reduction - K. 459 (No. 19) in F maj Urtext / Ed. E. and P. BaduraSkoda BA 5386-90 ° Piano reduction - K. 466 (No. 20) in D min Urtext / Ed. H. Engel, H. Heussner BA 4873-90 ° Piano reduction TP 147 Study score - K. 467 (No. 21) in C maj Urtext / Ed. H. Engel, H. Heussner BA 5317-90 ° Piano reduction TP 148 Study score

- K. 491 (No. 24) NEW 2016 in C min Urtext / Ed. R. Levin Piano reduction with a separate solo part BA 10493-90 ° Piano reduction in preparation Collection of Cadenzas and Lead-ins to K. 491 BA 10497 NEW 2016 in preparation

Buchmann, Bettina The Techniques of Accordion Playing ISBN 978-3-7618-1930-2  page 132

- K. 503 (No. 25) in C maj Urtext / Ed. H. Beck BA 4742-90 ° Piano reduction TP 64 Study score - K. 537 (No. 26) in D maj “Coronation Concerto” Urtext / Ed. W. Rehm BA 5318-90 ° Piano reduction TP 90 Study score - K. 595 (No. 27) in B-flat maj Urtext / Ed. W. Rehm BA 4872-90 ° Piano reduction TP 91 Study score Mozart, Wolfgang Amadeus (1756-1791) / Badura-Skoda, Paul (*1927) Cadenzas, Lead-ins & Ornaments to the Piano Concertos of W. A. Mozart K. 17, 238, 415, 449, 453, 456, 466, 467, 482, 491, 503, 537, 595 BA 4461

Tango & Co NEW 2015 for Accordion Edited and arranged by C. Sauter Ready to Play BA 10617 Familiar tunes in

contrasting styles

Tango, klezmer and swing

standards

Idiomatic playing

techniques such as glissandos, appoggiaturas and half-trills

ORGAN Organ – Collections An Easy Bach Organ Album Ed. D. Moult BA 11212 A collection of original

works as well as arrangements of works by J. S. Bach

Easy to moderately difficult

organ arrangements

Also playable on smaller

instruments

Organ Music 2014/2015 SPA 238 The catalogue Organ Music includes Bärenreiter’s Urtext programme as well as collections and series. You will also find jazzy works, transcriptions, works for organ and voice, as well as a selection of contemporary music. The catalogue contains cover illustrations, musical samples, descriptive texts for numerous editions as well as excerpts from reviews.

Suitable for teaching

purposes

 “This is an invaluable

teaching book which will prove a vital resource.” (Church Music Quarterly)

 “Much careful and

intelligent thought has gone into the planning of this anthology which is attractively produced and printed clearly. It is full of interest for pupil and teacher alike ... Highly recommended.” (Organist’s Review)

This selection comprises easy to moderately difficult Handel pieces for semi-professional church musicians and organists. All the pieces are also suitable for performance on smaller instruments.



From Music for the Royal Fireworks: Grave, Allegro, two minuets / From the Water Music: Air, Alla Hornpipe, Minuet, Coro / From Berenice: Minuet / From Serse: Largo / Further movements from Judas Maccabaeus and Messiah / Movements from Organ Concerto op. 4 no. 6 (arranged for solo organ by John Walsh) / From Six Fugues or Voluntaries: Fuga VI Ave Maria, gratia plena Ave Maria settings for solo voice and organ (Lat) Ed. P. Wagner BA 8250  page 114 Bärenreiter Organ Albums  page 26/27 Easy Organ Pieces from the 19 th Century Ed. M. Weyer Volume I With works by Rinck, Fischer, Forchhammer, Höpner, Rheinberger, Schütze, Merkel, Kittel, Herzog, Töpfer, Hesse, Vierling, Körner BA 8416

You will find a pdf of this catalogue on the Bärenreiter website under “Service”.

Volume II With works by Brosig, Lindeman, Rogers, Guilmant, Dvořák, Fischer, Sjögren, Vanhal, Vierling, Kuchar, Forchhammer, Lubrich junior BA 8417

An Easy Handel NEW 2015 Organ Album Arrangements for Organ Ed. D. Moult BA 11213 The Easy Handel Organ Album presents a wide overview of the composer’s sacred and secular works, forming an ideal basis for lessons and for introducing Baroque organ music.

Volume III With works by Rinck, Litzau, Beranek, Umbreit, Greve, Merkel, Rembt, Herzog, Körner BA 8420 Volume IV With works by Rheinberger, Renner, West BA 9259 SPECIAL SET PRICE BA 8510 · Set of all 4 volumes

Bärenreiter Organ Albums

These editions contain popular as well as lesser-known pieces. They are aimed primarily at semiprofessional organists and can be played on smaller organs. The majority of pieces are of easy to medium difficulty. The Organ Wedding Album and Organ Funeral Album are for organ without pedal.

Praise and Thanks for Organ Ed. A. Rockstroh Volume I BA 8496



With works by: Succo / Rudnick / Stein / Unbehaun / Seifert / Piutti / Gulbins / von Herzogenberg / Weyhmann / Forchhammer / Zierau / Flügel / Mendelssohn / Lang a. o.

The Organ Wedding Album Ed. M. Bartsch a. o. BA 8200



With works by: J. S. Bach / Gounod / Boëllmann / Charpentier / Clarke / Courtonne / Elgar / Franck / Göttsche / Guilmant / Handel / HenselMendelssohn / Kellner / Kittel / Lemmens / Mendelssohn Bartholdy / von Paradis / Purcell / Rheinberger / Rinck / Schubert / Stanley / Wagner / Walther

The Organ Funeral Album  Ed. A. Rockstroh BA 9207

 With works by: Anonymous / J. S. Bach / J. C. Bach / Böhm / Buxtehude / Davin / Fauré / Göttsche / Gounod / Gothe / Handel / Herzog / Kauffmann / Kittel / Kunkel / Mendelssohn Bartholdy / Mozart / Pachelbel / Volume II BA 8497 The main focus of Praise and Thanks for Organ II lies in the 19th century repertoire.



With works by: Geist / Weidenhagen / Stein / Rebling / Steinhäuser / Radecke / Forchhammer / Lang / Schneider / Schröder / Herzog / 26 Wettstein / Schellenberg a. o.

Pepping / Reger / Rinck / Schubert / Wagner / Walther / Zachow a. o.

Organ Music for Communion Ed. M. Weyer BA 9265 The broad range of styles encompasses works from the Baroque, Classical and Romantic periods. The album contains original compositions, first publications and arrangements for organ, as well as twelve settings by J. S. Bach of pieces suitable for communion. Some of the pieces can be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.



With works by: J. S. Bach / Hasse / Marpurg / Telemann / Rinck / Merkel / Rheinberger / von Herzogenberg / Mendelssohn / Besch / Wapenhensch a. o.

For Festive Seasons and Special Occasions

Christmas for Organ Ed. A. Rockstroh

Passiontide and Easter for Organ

Organ Music for the End of the Church Year

Volume 1 BA 8495

Ed. A. Rockstroh BA 9210

Ed. A. Rockstroh BA 9266



With works by: Forchhammer / Führer / Gulbins / Herzog / Mendelssohn / Weidenhagen / Birn / Blumenthal / Bossi / Monar / Müller / Piutti / Rudnick / Stehle / Todt

With works by: J. S. Bach / Gulbins / Herzog / Heuß / Köhler / Piutti / Reinecke / Stiller / Claußnitzer / Dercks / Jung / Karow / Schaab / Wiedemann

With works by: Forchhammer / Claußnitzer Weyhmann / Teschner / Nagler / Schumann / Gulbins / Blumenthal / Schnorr von Carolsfeld / Wolfrum a. o.

Christmas for Organ Ed. A. Rockstroh Volume 2 BA 9258



With works by: Wolfrum / Grundmann / Forchhammer / Monar / Piutti / Überlée / Rudnick / Blumenthal / Riemenschneider / von Herzogenberg / Merk / Volckmar / Therig / Diebold / Herrmann / Hänlein / Faißt / Plag / Herzog a. o.

 “This volume would be a

good choice if you are looking for some new Christmas voluntaries of no more than moderate difficulty.” (Organists)

NEW 2016

Ascension of Christ, Pentecost and Trinity for Organ

▲

Ed. A. Rockstroh BA 11237 in preparation From: Organ Music for Communion · BA 9265

From: Christmas for Organ, Volume 2 · BA 9258

ORGAN Organ Collections Enjoy the Organ A selection of easy-to-play pieces Ed. K. P. Chilla This series includes appealing performance pieces from the 17 th to 20 th centuries that are playable on smaller instruments and are capable of producing effective results with limited pratice time. Volume 3 BA 11209

NEW 2015



Including: Cabanilles, Batalla Imperial I / Albrechtsberger, Andante Poco vivace / Vanhal, Sonatina in F maj / Schumann, Adagio from op. 70 / Batist, Offertoire / Fauré, Cantique de Jean Racine op. 11 / Yon, Humoresque German Organ and Keyboard Music from Bach’s Period Urtext / Ed. S. Rampe BA 9255 Volume 1 Score with part for hand drum accompanying Variations on La Gayta BA 11207



Including: Cherubini, Sonata in F maj / Daquin, Le Coucou / Tag, Organ Symphony in C maj / Anonymous, Variations on La Gayta / d’Evry, Au soir / Czerny, Praeludium in F maj op. 698,1 Volume 2 BA 11208



Including: Gossec, Tambourin / Albrechtsberger, Prelude and Fugue in C maj / Stern, Morceau pour Sortie / de Vilbac, Communio sur Bellini / Stanford, Prelude in F maj, a.o.

Jazz Inspirations for Organ for Church Services and Concerts Ed. U. K. Gross with the assistance of G. M. Göttsche This collection of moderately difficult pieces includes classic swing, jazz, blues and Latin numbers alongside rumba, calypso and ragtime styles. Volume I BA 8440

 “I found most of these

pieces terrific fun to play, … an excellent introduction to playing in swing, blues, Latin, rumba and ragtime styles, …” (Organ Music) Volume II BA 9203

Jewish Prayer comprises works of the Jewish late Romantic tradition including one of the repertoire classics for strings Kol Nidrei by Max Bruch. This edition also contains other popular performance pieces such as The Hebrew Melody op. 23 by Albert Kellermann, Elohenu by Friedrich Gernsheim, Sarabande op. 8 by Joseph Sulzer and Prière by Fernand Halphen. These works can be played by professionals as well as experienced amateurs. For possible performances of the complete works, the volume has been compiled as if it were as a concert cycle and completed with a work for solo organ, the Five Festival Preludes by Louis Lewandowski. Separate parts for viola and violoncello are included with the score. High-quality works of the

Jewish late Romantic tradition

In addition to the solo part

for viola there is also a part for cello

Volume III BA 9260 Volume IV BA 11210 in preparation

Jewish Prayer NEW 2015 Works for Viola (Cello) and Organ Ed. S. Kalinowsky BA 11216

NEW 2016

For professionals and

amateurs alike

ORGAN

Original Works and Arrangements for Church Services and Concert The series organ plus one contains original works and arrangements for organ and flexible solo instrument. It has been developed specifically for amateur church musicians and is well-suited for use in church services and concerts.

organ plus one

organ plus brass

Organ and solo instrument in a high register

Organ and solo instrument in a low register

Organ and brass ensemble

Ed. C. Klomp

Ed. C. Klomp, H. Petersen

Advent and Christmas BA 8501 Score with parts

Low Instruments I BA 11214

Passion and Easter BA 8503 Score with parts

This volume contains original works and arrangements for organ and solo instruments of the lower registers such as cello, baritone saxophone, bassoon and basset horn.

Volume I: Théodore Dubois, Marche triomphale BA 11201 Full score with inserted wind score in C

Divine Service BA 8506 Score with parts Communion BA 8507 Score with parts

Volume III: Carsten Klomp, Toccata festiva for brass choir and organ BA 11203 Full score with inserted wind score in C

Death and Eternity / Funeral Service BA 8504 Score with parts

ideal for violin, flute, oboe, clarinet, trumpet, horn in F

 Idiomatic instrumental

arrangements and a wide variety of styles

 Suitable for amateur and

professional musicians

▲

Praise and Thanks / NEW 2015 Baptism and Wedding BA 8505 Score with parts  Solo parts in C, Bb, Eb and F;

Volume II: Five Chorale Preludes from the Romantic Era BA 11202 Full score with inserted wind score in C

 “As with the others in this

series, there are enterprising and highly useful books for any group that has the necessary ressources , and will provide a good alternative to the organ alone; far and away better than the omnipresent CSs and downloads …” (Church Music Quarterly)

Volume IV: Cathedral Sounds Charles Villiers Stanford: Arrangements for brass choir and organ BA 11204 Full score with inserted wind score in C Each volume with wind score in C. Each volume with separate parts: Trumpet 1 in Bb / Trumpet 2 in Bb / Trombone 1 in C / Trombone 2 in C / Horn in F

ORGAN Organ Collections

Sonntagsorgel Easy organ music for church services and teaching Ed. A. Kircher, M. Schwemmer Volume 1 Festive Music - Fugues - Trios BA 9287 Volume 2 Meditative Music - Pastorals BA 9288

Organ Events NEW 2015 Concert Organ Music from five Centuries Originals and Arrangements Ed. M. Weyer BA 11220 Conceived by Martin Weyer, this edition ranges in style from 17 th century Portuguese organ music to French and American works of the 19th century. It also contains a selection of German organ music including lesser-known works by Bach and other pieces from Robert Schumann to Ernst Pepping. In addition to the original compositions, organ arrangements have also been included. A detailed Foreword offers information on the music-historical context of each work and suggestions for its performance. Organ plus brass / Organ plus one  page 29 Weimar Organ Tablature Johann Sebastian Bach’s earliest music manuscripts and copies by his pupil Johann Martin Schubart With works by Dietrich Buxtehude, Johann Adam Reinken and Johann Pachelbel Ed. M. Maul and P. Wollny BA 5248

Volume 3 Chorale Settings BA 11206 Sonntagsorgel is a collection of stylistically varied pieces comprising three volumes. The editions are ideal for use in church services and for teaching purposes. The first volume includes festive preludes, toccatas and fugues, trios and pastorals by German and French composers from the 17 th through to the 20th century. In the second volume, meditative pieces by composers ranging from Christian Heinrich Rinck to Théodore Salomé are presented.

The third volume contains chorale preludes and hymn accompaniments for liturgical use. The pieces are easy to sight-read, not technically demanding but sound effective; the edition will be appreciated by amateur and professional church musicians alike.

 “The three volumes make up an

outstanding collection, beautifully produced to the publisher’s usual high standard, and offer excellent value for money.” (Church Music Quarterly)

ORGAN

Johann Sebastian Bach The Complete Organ Works The Definitive Edition! An eleven-volume performing edition in a slipcase Format: 30.5 x 24 cm · BA 5279

Used by more than 20,000 organists worldwide

With the completion of the New Bach Edition where all sources have been exhaustively researched, Bärenreiter presents the definitive edition of Bach’s organ works in a set of 11 volumes. BA 5279 includes the volumes already published in separate Bärenreiter editions, BA 5171-5178, the famous Neumeister Chorales, BA 5181, and the two editions BA 5243 (Freely Composed Organ Works and Chorale Partitas from Miscellaneous Sources) and BA 5251 (Organ Chorales from Miscellaneous Sources). A superb foundation for everyone interested in the authentic performance of Bach’s organ music. 31

ORGAN Organ – Composers Alain, Jehan (1911-1940) Complete Organ Works Urtext / Ed. H. SchauerteMaubouet Volume I Works published or intended for publication during the composer’s lifetime BA 8428 Volume II Posthumous Works Fantasias, short dances and marginalia BA 8429 Volume III Posthumous Works Suite, Intermezzo, Trois danses BA 8430 First authoritative Urtext

Bach, Johann Sebastian (1685-1750) Volume 1 Orgelbüchlein BWV 599-644; Appendix: BWV 620a, 630a, 631a, 638a / “SchüblerChorales” BWV 645-650 / Chorale-Partitas BWV 766-768, 770; Appendix I-III to BWV 768 Urtext / Ed. H. H. Löhlein BA 5171 Volume 2 The Organ Chorale Preludes from the Leipzig autograph BWV 651-668 / BWV 769 Urtext / Ed. H. Klotz BA 5172 Volume 3 Miscellaneous Chorales BWV 690, 691, 694-701, 703, 704, 706, 709-715, 717, 718, 720722, 722 a, 724-738, 729a, 732a, 735 a, 738a, 741 Urtext / Ed. H. Klotz BA 5173

edition of the Complete Organ Works

Informative foreword

(Fr/Eng/Ger) and a critical commentary (Eng) to each volume

No distribution rights for the USA, Italy and Spain.

NEW 2015

Bach, Johann Sebastian (1685-1750) Eight Short Preludes and Fugues formerly attributed to J. S. Bach BWV 553-560 Urtext / Ed. A. Dürr BA 6497 Organ Chorales from the Rudorff Collection formerly attributed to J. S. Bach First edition. Ed. F. Haselböck BA 5169

Volume 4 Clavier Übung, Part three Prelude and Fugue in E-flat maj BWV 552 / 21 Chorale settings BWV 669-689 (“Organ Mass”) / Four Duets BWV 802-805 Urtext / Ed. M. Tessmer, new revised edition by C. Wolff BA 5264 With links to the relevant

sources in Bach digital

Orgelbüchlein and other little Chorale Preludes BWV 599644; BWV 706, 709, 738. 49 Organ Chorales by J. S. Bach and other old masters. Ed. H. Keller BA 145

With a new detailed

Complete Organ Works in 11 Volumes BA 5279  page 31

Integration of altered

Preface (Ger/Eng) by C. Wolff discussing the works and their sources

Newly engraved and with

improved page-turns

readings into the musical text

Volume 5 Preludes, Toccatas, Fantasias and Fugues I: BWV 531-550, 562 Urtext / Ed. D. Kilian BA 5175 Volume 6 Preludes, Toccatas, Fantasias and Fugues II: BWV 551, 563-566, 568-570, 573-575, 578, 579 / Early Versions and Variants to I (Volume 5) and II (Volume 6) BWV 532a, 533a, 535 a, 536a, 543a, 545 a, 549a, 574 a, 574 b Urtext / Ed. D. Kilian BA 5176

W 2016

NE Volume 6 Preludes, Toccatas, Fantasias and Fugues II: BWV 551, 563566 (Version in E maj), 569-571, 573-575, 577-579, 1121 / Early Versions and Variants to I (Volume 5) and II (Volume 6): BWV 532a, 533a, 535 a, 543a, 545 a, 549 a , 566 (Version in C maj), 574 b Urtext / Ed. D. Kilian, new revised edition by P. Wollny BA 5266 To appear in the spring of 2016 Volume 7 Six Sonatas and Various Individual Pieces BWV 525-530 / Trio in D min BWV 583 / Passacaglia in C min BWV 582 / Alla breve in D maj BWV 589 / Canzona in D min BWV 588 / Pastorella in F maj BWV 590 / Pièce d'orgue in G maj BWV 572; Appendix with different variants Urtext / Ed. D. Kilian BA 5177 Volume 8 Arrangements of Works by other composers: Concerto arrangements after A. Vivaldi and J. E. Prinz von SachsenWeimar BWV 592-596 / Transcriptions of trio compositions by other composers BWV 585-587 Urtext / Ed. K. Heller BA 5178 Volume 9 Organ Chorales from the Neumeister Collection: 35 Chorale Preludes BWV 714, 719, 742, 957, 1090-1120 (Yale University Manuscript). Urtext / Ed. C. Wolff BA 5181

ORGAN Bach, Johann Sebastian (1685-1750)

NEW 2016

Volume 9 Urtext / new revised edition by C. Wolff BA 5269 To appear in the summer of 2016 Volume 10 Organ Chorales from Miscellaneous Sources Urtext / Ed. R. Emans BA 5251 This edition (BA 5251) includes organ works based on chorales surviving in various sources. Some of these works were not previously included in the New Bach Edition either for reasons of doubtful authenticity or because they were unknown until now. Volume 11 Freely Composed Organ Works and Chorale Partitas from Miscellaneous Sources Urtext / Ed. U. Bartels (Freely Composed Organ Works), P. Wollny (Chorale Partitas) BA 5243 These works were omitted from the New Bach Edition owing to doubts about their authenticity. Today however they are regarded to be definitely or at least in all probability by Bach.

Boëllmann, Léon (1862-1897) L’Œuvre d’Orgue Complete Organ Works Urtext / Ed. H. SchauerteMaubouet Volume I BA 8424 Volume II BA 8425

 “… we are grateful to

Bärenreiter for this fine Urtext Edition and we urge colleagues to make use of it.” (The American Organist) Volume III.1 BA 8462 Volume III.2 BA 8463 Volume III.3 BA 8464 Volume IV BA 8465

Bunk, Gerard (1888-1958) Organ Works op. 4a – op. 16 Urtext / Ed. J. Boecker SPECIAL SET PRICE BA 11219 · Set of all 6 volumes

Buxtehude, Dietrich (1637-1707) New Edition of the Complete Organ Works Ed. C. Albrecht

An Easy Bach Organ Album Ed. D. Moult BA 11212  page 25

Volume 1: Freely-Composed Organ Works Preludes, Fugues, Canzonas, Ciacona, Toccata, Passacaglia in C maj, in C min, in D maj and in D min BuxWV 136-140, 155, 159, 161, 166-168, 174. List of sources and critical report BA 8221

Volume 2: Freely-Composed Organ Works Preludes, Fugues, Toccatas, Canzona, Ciacona in E maj, in E min, in F maj, in F-sharp min and in G maj BuxWV 141-147, 156, 157, 160, 162, 169. Critical report BA 8222 Volume 3: Freely-Composed Organ Works: Preludes, Fugues, Toccatas, Canzonas in G maj, in G min, in A maj, in A min and in B maj BuxWV 148-154, 158, 163-165, 170-173, 175, 176, 225. Appendix: Prelude in G min BuxWV 149 (Opening according to the Lund manuscript). Critical report BA 8223 Volume 4: Chorale Settings A-Me BuxWV 177-206. List of sources and critical report BA 8404 Volume 5: Chorale Settings Mi-W BuxWV 76, BuxWV 207224; Appendix: O lux beata trinitas (Fragment) BuxWV 216 / Muß der Tod denn auch entbinden BuxWV 76. Critical report BA 8405 SPECIAL SET PRICE BA 8220 · Set of all 5 volumes

Cabanilles, Juan Bautista José (1644-1712) 16

NEW 20

Selected Organ Works Urtext / Ed. G. Doderer, M. B. Ripoll BA 11228 Vol. 1 in preparation Eben, Petr (1929-2007) Musica Dominicalis (Sunday Music) for organ solo H 3761 Windows (4 movements according to Marc Chagall) for trumpet and organ revised by V. Kozderka (trumpet), M. Šlechta (organ) H 6390

ORGAN Froberger, Johann Jacob (1616-1667)

Organ – Composers

New Edition of the Complete Keyboard and Organ Works Urtext / Ed. S. Rampe, assisted by K. Gilbert, S. Jutz, K. D. Peik and L. Praetorius

2015

NEW Volume II Il Primo Libro di Capricci fatti sopra diversi BA 8413 Volume III Il Secondo Libro di Toccate (Rom, Borboni, 1627, 21637) BA 8414 Franck, César (1822-1890)

NEW 2016

Complete Works for Organ and for Harmonium In collaboration with the International César Franck Society Volume 1 Early Organ Works / Fragments Urtext / Ed. C. StruckenPaland BA 9291 In addition to all the available sources, hitherto neglected manuscripts have been taken into consideration. In this way, a reliable musical text faithful to the original can be guaranteed. Volume 2 Six pièces BA 9292 in preparation

NEW 2016

Frescobaldi, Girolamo (1583-1643) Organ and Keyboard Works Ed. C. Stembridge, K. Gilbert Volume I.1 Recercari et Canzoni franzese (Roma, Zannetti, 1615, 21618) BA 8411 Volume I.2 Toccate e Partite d’intavolatura di cimbalo; libro primo (Rom, Borboni, 1615, 21616) BA 8412

 “… this new edition must

stand as the definitive Source for the great man’s work, attracting the academic as well as the layman by the extremely eloquent approach, …” “… worth every penny.” (Harpsichord Fortepiano)

 “This edition will prove

to be a constant source of reference and a stimulant to further engagement – a most welcome publication.” (Choir & Organ)

Frescobaldi, Girolamo (1583-1643) Organ and Keyboard Works Complete Edition. Ed. P. Pidoux Volume 1 Fantasias (1608), Canzoni alla Francese (1645) BA 2201 Volume 2 The first Book of Capricci, Ricercari and Canzoni (1626) BA 2202 Volume 3 The first Book of Toccatas, Partitas etc. (1637) BA 2203 Volume 4 The second Book of Toccatas, Canzoni etc. (1637) BA 2204 Volume 5 Fiori musicali (1635) BA 2205

Volume I Libro Secondo (1649) BA 8063 Volume II Libro Quarto (1656). Libro di Capricci e Ricercari (c. 1658) BA 8064 Volume III.1 Keyboard and Organ Works from Copied Sources. Partitas and Partita Movements, Part 1a BA 8065 Volume III.2 Keyboard and Organ Works from Copied Sources. Partitas and Partita Movements, Part 1b BA 8435 Volume IV.1 Keyboard and Organ Works from Copied Sources. Partitas and Partita Movements, Part 2 BA 8066 Volume IV.2 Keyboard and Organ Works from Copied Sources. Partitas and Partita Movements, Part 3 BA 8434 Volume V.1 Keyboard and Organ Works from Copied Sources / New Sources, Toccatas BA 9211 Volume V.2 Keyboard and Organ Works from Copied Sources / Polyphonic Works BA 9212 Volume VI.1 Keyboard and Organ Works from Copied Sources / New Sources, New Readings, New Works, Part 1 BA 9213 Volume VI.2 Keyboard and Organ Works from Copied Sources / New Sources, New Readings, New Works, Part 2 BA 9269

ORGAN Froberger, Johann Jacob (1616-1667)

NEW 2016

Volume VII Works for Ensemble and Catalogue of the Complete Works (FbWV) BA 9298 To appear in February 2016

NEW 2016 SPECIAL SET PRICE BA 9299 · Set of 11 volumes

Easy Handel Organ Album BA 11213  page 25 Janáček, Leoš (1854-1928) Organ Works Urtext / Ed. M. Buček, L. Faltus BA 9524 Mendelssohn Bartholdy, Felix (1809-1847) New Edition of the Complete Organ Works Urtext / Ed. C. Albrecht Volume 1 Free and chorale based compositions, Preludes, Fugues, Fantasias and miscellaneous works; Appendix and critical report BA 8196

Handel, George Frideric (1685-1759) 2015

The Halle Handel Edition presents Handel’s fugues in their versions for harpsichord. The original organ versions are merely described in the Critical Commentary, although they sometimes differ markedly from their harpsichord counterparts.  First single-volume

performing Urtext edition of Handel’s complete works for solo organ

With previously unpublished

original versions

 Includes all relevant

alternative readings from the sources

 Detailed Foreword

(Ger/Eng) with notes on performance practice and a Critical Commentary (Ger/Eng)

Selected Organ Works Ed. K. Matthaei, W. Stockmeier Volume 1: Prelude in D min, Fantasia in G min, 5 Toccatas, 3 Fugues, Ricercar in C min, Ciaconnas in D min and F min BA 238 Volume 2: Chorale Preludes, Part I BA 239 Volume 3: Chorale Preludes,Part II BA 287 Volume 4: Seven Chorale Partitas BA 1016 Volume 5: Prelude and Fugue in E min, Toccata and Fugue in B-flat maj, 4 Toccatas, Ricercar in C maj, 5 Fugues BA 5494

Volume 2 Six Sonatas op. 65; Appendix and critical report BA 8197

Volume 6: Fantasias in C maj, Ciaconna in F maj, Toccata and Fugue in D min, 2 Toccatas, Ricercar in F-sharp min, 6 Fugues BA 5498

SPECIAL SET PRICE

Volume 7: Magnificat Fugues Part I: 23 Magnificat primi toni, 10 Magnificat secundi toni, 11 Magnificat terti toni and 8 Magnificat quarti toni Ed. T. Zászkaliczky BA 6445

NEW

Complete Organ Works Urtext / Ed. S. Rampe BA 11226 To appear in November 2015

Pachelbel, Johann (1653-1706)

BA 8198 · Set of 2 volumes Mozart, Wolfgang Amadeus (1756-1791) Works for Organ Ed. C. Albrecht BA 8403

 “... An excellent publication

which no serious player will wish to be without!” (The Organ)

Mussorgsky, Modest (1839-1881) Night on Bald Mountain Transcription for organ by Zsigmond Szathmáry BA 11211

 “An exciting addition to

the repertoire, and beautifully presented by this very distinguished publishing house.” (The Organ)

Volume 8: Magnificat Fugues Part II: 12 Magnificat quinti toni, 10 Magnificat sexti toni, 8 Magnificat septimi toni and 13 Magnificat octavi toni Ed. T. Zászkaliczky BA 6446 Volume 9: Toccata in C maj, Ciacona in D maj, Arietta with variations in F maj, 2 Fantasias and 5 Fugues BA 6444 Volume 10: Hexachordum Apollinis 1699 with Arietta in F maj and Ciaconnas in C maj and D maj for harpsichord or manual organ Ed. H. J. Moser, T. Fedtke BA 2818 SPECIAL SET PRICE BA 2819 · Set of all 10 volumes

ORGAN Volume V Symphony No. 5 op. 47 BA 9225

Organ – Composers Telemann, Georg Philipp (1681-1767) Organ Works Ed. T. Fedtke Volume 1: Chorale Preludes nos. 1-48 / Two Variations (Trios) on Nun freut euch, lieben Christen gmein. Critical report BA 3581 Volume 2: Twenty short Fugues and free organ pieces (Sonata in D maj / Fughettas in F maj and in D maj / Fantasia in D maj). Critical report BA 3582 Vierne, Louis (1870-1937) Complete Organ Works Urtext / Ed. H. SchauerteMaubouet with T. Escaich, J.-P. Mazeirat and R. Smith

Volume VI Symphony No. 6 op. 59 BA 9226 Volume VII.1 Pièces de Fantaisie en quatre suites (Livre I, 1-6) op. 51 BA 9227 Volume VII.2 Pièces de Fantaisie en quatre suites (Livre II, 7-12) op. 53 BA 9228 Volume VII.3 Pièces de Fantaisie en quatre suites (Livre III, 13-18) op. 54 BA 9229

 “Bärenreiter is to be

Volume III Symphony No. 3 op. 28 BA 9223

NEW 2015

Volume IV Symphony No. 4 op. 32 BA 9224

Weckmann, Matthias (1618/1619-1674) Chorale Settings for Organ Ed. W. Breig BA 6211

Volume VIII.1 Pièces en style libre pour orgue ou harmonium (Livre I, 1-12) op. 31 BA 9235

Volume IX Masses and Individual Liturgical Works BA 9237

Volume II Symphony No. 2 op. 20 BA 9222

Organ Concertos After Different Masters in F maj after Albinoni / in A maj after Gentili / in B min after Meck / in B-flat maj after Taglietti / in A min and in D min after Torelli Ed. W. Auler BA 1920

Volume VII.4 Pièces de Fantaisie en quatre suites (Livre IV, 19-24) op. 55 BA 9230

Volume VIII.2 Pièces en style libre pour orgue ou harmonium (Livre II, 13-24) op. 31 BA 9236

Volume I Symphony No. 1 op. 14 BA 9221

Walther, Johann Gottfried (1684-1748)

commended for making available such an impressive achievement; organists have every reason to believe that the remaining volumes will continue these high standards.” (The American Organist) Volume X Improvisations and Transcriptions BA 9238 in preparation No distribution rights for France and Spain.

NEW 2016

Complete Free Organ and Keyboard Works Urtext / Ed. S. Rampe BA 8189 Zipoli, Domenico (1688-1726) Organ and Harpsichord Works Ed. L. F. Tagliavani Volume 1: Organ Works SM 2203

Ç 7\j[h ie cWdo YWdjWjWi ? edbo fbWo \eh \kd$ Co eh_]_dWb meha _i \eh j^[ \Wdi$È

STRINGS – VIOLIN Educational Music and Collections for Violin Arditti, Irvine / Platz, Robert HP The Techniques of Violin Playing (Ger/Eng) 120 pages, with a DVD; paperback ISBN 978-3-7618-2267-8  page 132 Gola, Zdeněk (*1929) Music for Strings 2015/2016 SPA 234 The catalogue Music for Strings includes Bärenreiter’s complete Urtext programme as well as all educational titles and collections for string instruments. There is an extensive list of Bärenreiter chamber music editions as well as a list of study scores, books and facsimiles relating to string music. The catalogue contains cover illustrations, many musical samples, authors of piano reductions, descriptive texts for numerous editions as well as excerpts from reviews. You will find a pdf of this catalogue on the Bärenreiter website under “Service”.

Sassmannshaus, Egon & Kurt The Sassmannshaus Tradition Early Start on the Violin

Violin Technique (Cz/Ger/Eng) Volume 1: BA 9550 Volume 2: BA 9551

The new violin method for children 4 years and older

Ševčík, Otakar (1852-1934) School of Violin Technique op. 1 Ed. J. Foltýn Book 1: 1st Position BA 9552 Book 2: 2nd - 7 th Position BA 9553 Book 3: Changing Positions BA 9554 Book 4: Exercises in Double Stops and Harmonics BA 9555

NEW 2015

School of Bowing Technique op. 2 Ed. J. Foltýn Book 1: BA 9591 Book 2: BA 9592 Book 3: BA 9593

For more than three decades The Sassmannshaus Tradition has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using these editions. The publication of the four violin books in 2008 in a fully adapted English version has been a big success.

NEW 2015

Preparatory Trill Studies op. 7 Ed. J. Foltýn BA 9556

NEW 2015

Changes of Position and Preparatory Scale Studies op. 8 Ed. J. Foltýn BA 9557

Violin Book 1 BA 9676 English edition BA 9671 German edition BA 9664 English edition with Spanish text supplement BA 9666 English edition with French text supplement Violin Book 2 BA 9677 English edition BA 9672 German edition BA 9665 English edition with Spanish text supplement BA 9667 English edition with French text supplement Violin Book 3: Elementary duets. Dances and other pieces in various keys BA 9678 English edition BA 9673 German edition Violin Book 4: Duet playing in all positions BA 9679 English edition BA 9674 German edition

 “The four volumes and the

corresponding website provide a comprehensive, logically sequenced and easy to follow method for teachers and students of the violin.” (Stringendo)

STRINGS – VIOLIN

Sassmannshaus 8uH;DH;?J;HÊI

J>; I7IIC7DDI>7KI JH7:?J?ED

Sassmannshaus NEW 2015 Violin Recital Album for violin and piano or two violins

 Large print notes and texts as well as many colourful illustrations are ideal for pre-school as well as school children.  Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning.  Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.  Advanced string techniques such as varied bow strokes and shifting are introduced in a basic form.

Eds. M. Lusk, C. Sassmannshaus, K. Sassmannshaus Each volume with score and part, plus additional violin part for the duet version BA 9668 Vol. 1 First Position BA 9669 Vol. 2 First Position These two collections offer a rich selection of recital pieces, either to complement the Early Start on the Violin method

or to play independently from it. As all the pieces are written in first position, they can be used after just a few months of lessons. The piano part may be played by the teacher or an advanced student. As an alternative, the accompaniment can be played by a second violin. From the contents of Volumes 1 and 2: Nursery rhymes, folksongs, but also less well-known gems, as well as original pieces by the editors, all precisely tailored to meet the needs of young students. All pieces written in first position With a second violin part for duet performance Available in freely accessible recordings on Video samples on the Bärenreiter YouTube channel www.youtube.com/BaerenreiterVerlag

STRINGS – VIOLIN Educational Music and Collections for Violin

Wulfhorst, Martin The Orchestral Violinist’s Companion Vol. 1: Training · Practicing and Sight-Reading · Basic Orchestral Technique · Bowing Technique and Sound Production Vol. 2: Left-Hand Technique · Pizzicato and Other Special Techniques · Rhythm and Ensemble Playing · Notation and Performance Practice · Repertoire and Style · Profession and Career · Resources

Cofalik, Antoni Rychlik, Józef H. At the Circus for violin and piano 23 pages with 12 colourful illustrations and separate piano part BA 8126

480 pages plus XXII pages (vol. 1) and IX pages (vol. 2). Preface. English text, paperback, format 23 x 30 cm. Approx. 500 musical samples; approx. 30 illustrations, diagrams, and tables. ISBN 978-3-7618-1758-2 This book is a guide to the art of playing the violin in a professional orchestra. It is a workbook, reference tool, and textbook for:  Conservatory and college

ranging that it is essential reading for all musicians.”

(Arco)

 “Perhaps the greatest

 Orchestral players at the

 “Just about everything you

 String teachers, conductors,

and composers

 Classes at conservatories,

 “The book is so wide-

 Audition candidates

beginning or at later stages in their careers

Violin Classics NEW 2016 15 easy pieces for violin and piano Ed. I. Nagy Ready to Play BA 10633 Score with part in preparation

be part of every string player’s reference library.” (American String Teacher)

strength of this volume is the author’s ability to reduce the most challenges to component parts …” (Podium Notes)

students who are preparing for an orchestral career

Cofalik, Antoni Twardowski, Romuald At the Zoo for violin and piano 20 pages with 15 colourful illustrations and separate piano part BA 8139

 “Wulfhorst’s book should

universities, and summer programs.

Excerpts from more than 340 works by 87 composers are provided with bowings, fingerings, metronome markings, stylistic suggestions, and tips for practicing. These excerpts represent a variety of genres: symphonic repertoire, operas, operettas, ballets, and oratorios. Additional resources available at http://www.orch.info

need to know to be an orchestral violinist …” (Stringendo)

 “… absolutely essential

resource for both the fully fledged die-hard and the budding aspirant.” (Strings)

 “What Wulfhorst

assembled here deserves the highest respect. ... expressly recommended, not only to orchestral violinists.” (Das Orchester)

 “An extremely useful guide that teaches students, assists professionals and makes them reflect, and attracts the amateur.” (docenotas.com)

CHAMBER MUSIC

The new series with popular pieces in easy but effective arrangements

Play

▲

Ready to

Do you want to make music without first having to read complicated notes and practice difficult passages?

▲

Then Ready to Play is what you need! The pieces are easy to sight-read and still sound effective.

▲

Ready to

Play

The editions in this series offer a varied instrumentation ranging from solo playing to collections of chamber music. Piano parts are always written in such a way that even players with little experience can still enjoy music making. The series will be continued.

 “I have put many of these duets to the test with pupils from low to high levels of ability and all have responded with enthusiasm … a welcome alternative to conventional sight reading manuals” (ARCO)

Beautiful Adagios 9 Pieces for two Violins BA 10615 Christmas Hits for 2 Cellos BA 10612 Classic Hits for Violin and Viola BA 10626 Classic Hits for 2 Cellos BA 10611



“... This volume is a most enjoyable and motivational adjunct to the students’ usual repertoire.” (Australian Music Teacher Magazine)

Folk for two Violins BA 10624 Popular Movie Hits for Violin and Piano BA 10605 The Roots of Jazz for Violin and Violoncello BA 10606 Tango Classics for Violin and Piano BA 10614

NEW 2015 Tango Classics for Cello and Piano BA 10632 Violin Classics for two Violins BA 10607

Bärenreiter’s Concert Pieces is a series of the most popular concertos and concert pieces for young violinists, violists, and cellists The works are edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus string method. His forewords introduce these little gems and include their technical requirements. The volumes form an ideal continuation of the Sassmannshaus string method and can partially be used in parallel from volume three onwards. Of course, they can supplement any other string method as well. The series gradually introduces more demanding repertoire to bridge the gap from methods to standard concert literature.

Violin and Piano

Viola and Piano

Accolay, Jean Baptiste Concerto No. 1 in A min BA 8976

Rieding, Oskar Concerto in B min op. 35 Transposed to E min and arranged for viola BA 8983

Bériot, Charles-Auguste de Concerto in A min op. 104 for violin and piano BA 10696 NEW 2016 in preparation Scène de Ballet op. 100 for violin and piano BA 10695 NEW 2016 in preparation Fiocco, Joseph-Hector Allegro in G maj BA 8977 Monti, Vittorio Czardas BA 8975 Rieding, Oskar Marcia op. 44, Rondo op. 22/3 BA 8982 Concerto in B min op. 35 BA 8971

Seitz, Friedrich Student Concerto in D maj op. 22 Transposed to G maj and arranged for viola BA 8986

Cello and Piano Rieding, Oskar Concertino in Hungarian Style op. 21 BA 8973 Seitz, Friedrich Student Concerto in G min op. 12 BA 8985 Student Concerto in G maj op. 13 BA 8972 Student Concerto in D maj op. 22 BA 8979 Vivaldi, Antonio Concerto in G maj op. 3/3 BA 8980 Concerto in A min op. 3/6 BA 8974

Rieding, Oskar Concerto in B minor op. 35 Transposed to D min and arranged for cello BA 8984 Seitz, Friedrich Student Concerto in D maj op. 22 Transposed to G maj and arranged for cello BA 8987 Each edition consists of a string part and an enclosed piano accompaniment. The works are edited and marked with fingering and bowing by Kurt Sassmannshaus (violin/viola) and Christoph Sassmannshaus (cello).

Educational Music by Edward Mollenhauer for young violinists and cellist The Boy Paganini

Mollenhauer, Edward (1827–1914)

NEW 2015

The Infant Paganini Fantasia for Violin and Piano Ed. K. Sassmannshaus BA 10691

NEW 2015

The Boy Paganini Fantasia for Violin and Piano Ed. K. Sassmannshaus BA 10692

NEW 2015

The Infant Paganini Fantasia for Cello and Piano Ed. K. and C. Sassmannshaus BA 10693

NEW 2015

The Boy Paganini Fantasia for Cello and Piano Ed. K. and C. Sassmannshaus BA 10694

From: Mollenhauer, The Boy Paganini · BA 10692 Popular recital pieces for

young violinists and cellists

Pieces originally scored for

violin now also available for the first time for cello

All works form an ideal

continuation of the Sassmannshaus Early Start methods

STRINGS – VIOLIN Violin Solo / 2–4 Violins – Composers

 “For its clarity and lack of

extraneous markings it remains the edition of choice for scholars and anyone who wishes to explore and play these wonderful works as closely to their original intent as possible.” (Stringendo)

Violin Solos from the Sacred Vocal Works Violin solos from the Cantatas, Masses, Passions and Oratorios. With a second violin part for two soloists. With fingering, bowing and comments on performance Urtext / Ed. M. Wulfhorst BA 6986

Bach, Johann Sebastian (1685-1750)

NEW 2015

Air from the Orchestral Suite BWV 1068 Arranged for violin solo by Roman Kim BA 5140 The famous Air from Bach’s Orchestral Suite BWV 1068 has undergone a great many arrangements, but until now no one has ventured to produce a contrapuntal version for unaccompanied violin. Roman Kim hit on this brilliant idea and came up with an arrangement, creating a YouTube hit with his own recording of it.  A bravura piece for solo

violin

 A challenge for every

dedicated violinist

 See YouTub for video

sample

Bärenreiter’s richly annotated collection with detailed fingering and articulation marks offers not only the violin part but also the complete vocal part for each movement. Bodunov, Vladimir Advanced Violin Duos BA 10903 Score with 2 parts Vladimir Bodunov’s challenging duet arrangements make it possible to achieve a rich orchestral-like sound with only two instruments. He has taken great care to make the instruments equal in importance; the solo and accompaniment roles constantly alternate. These six classical pieces enable (prospective) music students, advanced or professional musicians to give impressive recitals and auditions or to leave a lasting impression at parties and celebrations. Impressive show pieces for

many occasions

Both instruments of equal

standing

Bach, Johann Sebastian (1685-1750) Three Sonatas and three Partitas BWV 1001-1006 for solo violin Urtext / Ed. G. Haußwald Revised edition by P. Wollny BA 5116

Perfect for auditions,

recitals, parties, and celebrations

NEW 2016 Advanced Violin Duos 2 BA 10902 Score with 2 parts in preparation

Paganini, Niccolò (1782-1840) 24 Capricci per Violino Solo op. 1, 24 Contradanze inglesi per Violino Solo (First edition) Urtext / Ed. D. Macchione BA 9424 Bärenreiter’s scholarly-critical edition is based on the autograph and early prints from various European publishers. The original beaming and articulation have been maintained, thereby setting this new edition apart from the many publications of the last 200 years which incorporated changes. In addition to the daunting Caprices, this is the first time that the 24 Contradanze Inglesi” for solo violin have been published. These simple pieces are each 16 measures in length and exploit various techniques. A historical introduction in English and German discusses the genesis of the works and traces their influence on violin virtuosos. A source description and critical commentary round out this unique edition. Stamitz, Carl (1745-1801) Six Duets for two Flutes or Violins Ed. M. Glöder HM 259 Performance score

STRINGS – VIOLIN Six Sonatas for Violin and obbligato Harpsichord BWV 1014-1019 Urtext / Ed. R. Gerber Revised edition by P. Wollny

Telemann, Georg Philipp (1681-1767) Twelve Fantasias TWV 40:14-25 for violin without bass (1735) Urtext / Ed. G. Haußwald BA 2972

 Score with Urtext violin and

viola da gamba parts and with an additional violin part prepared with fingering, bowing and comments on performance practice by Andrew Manze

Six Sonatas op. 2 TWV 40: 101-106 for two violins or two flutes Urtext / Ed. G. Haußwald - Volume 1: Sonatas No. 1 in G maj, No. 2 in E min, No. 3 in D maj BA 2979 - Volume 2: Sonatas No. 4 in B min, No. 5 in A maj, No. 6 in E maj BA 2980 Six Canonic Sonatas op. 5 TWV 40: 118-123 for two violins (or two flutes) Urtext / Ed. G. Haußwald - Volume 1: Sonatas No. 1 in G maj, No. 2 in G min, No. 3 in D maj BA 2981 - Volume 2: Sonatas No. 4 in D min, No. 5 in A maj, No. 6 in A min BA 2982 Concerto in D maj TWV 40: 202 for four violins without bc Ed. H. Engel HM 20 Score with parts

1–2 Violins and Keyboard Instrument – Composers Accolay, Jean Baptiste (1833–1900) Concerto No. 1 in A min for violin and piano Bärenreiter’s Concert Pieces BA 8976  page 42

Bach, Johann Sebastian (1685-1750) The Concertos for Violin and Orchestra Urtext / Ed. D. Kilian - Concerto in A min BWV 1041 for violin, strings and bc BA 5189-90 ° Piano reduction TP 269 Study score

- Six Sonatas in two volumes Volume 1: Sonatas in B min BWV 1014, in A maj BWV 1015, in E maj BWV 1016 BA 5118 Score with parts Volume 2: Sonatas in C min BWV 1017, in F min BWV 1018, in G maj BWV 1019 BA 5119 Score with parts

- Concerto in E maj BWV 1042 for violin, strings and bc BA 5190-90 ° Piano reduction TP 269 Study score Concerto in D min BWV 1043 for two violins, strings and bc BA 5188-90 ° Piano reduction TP 284 Study score Each edition offers an easy to play keyboard reduction, an Urtext violin part and a second violin part prepared with fingering, bowing and performance practice comments by Andrew Manze. Two Sonatas and a Fugue BWV 1021, 1023, 1026 for violin and bc Urtext / Ed. P. Wollny Continuo realization by Z. Meniker BA 5167 Score with parts

- Six Sonatas in one volume BA 5240 Score with parts

 “Whether you just want

to play these masterpieces by J. S. Bach or study them in depth, you’ll find everything you need in this new Bärenreiter edition.” (Strings)

With an Urtext violin part

and an additional violin part prepared with fingering, bowing and performance practice comments by Andrew Manze. ° = Performance material available on sale

STRINGS â&#x20AC;&#x201C; VIOLIN

those by Auer and Joachim, but goes much further providing violinists with cadenzas by Ferdinand David (the first known cadenza to op. 61), Louis Spohr, Eugen YsaĂże, Camille Saint-SaĂŤns, Ferrucio Busoni, Henri Vieuxtemps, Jakob Dont and, for the first time, a cadenza by Henryk Wieniawski.

1-2 Violins and Keyboard Instrument â&#x20AC;&#x201C; Composers Beethoven, Ludwig van (1770-1827) Concerto in D maj for Violin and Orchestra op. 61 Urtext / Ed. J. Del Mar BA 9019-90 Â° Piano reduction ď Ź

With Beethovenâ&#x20AC;&#x2122;s intended articulation, dynamics and slurring in the solo violin part

ď Ź

With over 100 corrections in the orchestral parts

ď Ź

With an Urtext solo violin part and a second violin part prepared with fingering and bowing by Detlef Hahn

Cadenzas to Beethoven's Violin Concerto op. 61 Ed. M. Wulfhorst BA 9020

Romances in F maj and G maj for Violin and Orchestra op. 40 and op. 50 Urtext / Ed. J. Del Mar BA 9026-90 Â° Piano reduction

This compilation of cadenzas to Beethovenâ&#x20AC;&#x2122;s beloved concerto contains cadenzas found in various publications such as 85

Rondo sul G

Vc.

Cadenza ad libitum

Archi senza sord.

attacca subito il Rondo

From: Beethoven, Concerto in D maj op. 61 Âˇ BA 9019-90

Viol.

ppp

Cor. con sord.

dimin.

Concerto in A min op. 104 for violin and piano BĂ¤renreiterâ&#x20AC;&#x2122;s Concert Pieces BA 10696 in preparation ScĂ¨ne de Ballet op. 100 for violin and piano BĂ¤renreiterâ&#x20AC;&#x2122;s Concert Pieces BA 10695 in preparation ď&#x192; page 42

Brahms, Johannes (1833-1897) Concerto in D maj for Violin and Orchestra op. 77 With cadenzas by J. Joachim, C. Halir, H. Heermann, L. Auer, F. Busoni Urtext / Ed. C. Brown BA 9049-90 Â° Piano reduction This edition contains not only Brahmsâ&#x20AC;&#x2122; own piano reduction, an Urtext violin part, a second violin part with fingering and bowing by J. Joachim from his 1905 violin method but also an additional brochure with cadenzas by Brahmsâ&#x20AC;&#x2122; contemporaries J. Joachim, C. Halir, H. Heermann, L. Auer and F. Busoni. In addition Clive Brown has provided an enlightening preface on Romantic period performance practice as well as the history of the work and its sources.

ď &#x20AC; â&#x20AC;&#x153;... The BĂ¤renreiter

BĂŠriot, Charles-Auguste de (1802-1870)

edition, because of Clive Brownâ&#x20AC;&#x2122;s extraordinary contribution, is the finest publication I have ever had the privilege to review.â&#x20AC;? (ESTA â&#x20AC;&#x201C; News & Views)

STRINGS – VIOLIN

Johannes Brahms – The Works for Violin and Piano Pioneering Urtext editions with an unrivalled approach to 19th century performance practice Bärenreiter’s pioneering, scholarly-critical editions of Brahms’ works for violin and piano, edited by a team of musicologist performers, offer today’s musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer expected his notation to convey to performers.

Sonata in A maj op. 100 BA 9432 Score with parts

The editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim’s pupils Leopold Auer and Ossip Schnirlin as well as on those by Brahms’ associate Franz Kneisel.

Sonata in D min op. 108 BA 9433 Score with parts

Bärenreiter’s new Brahms complex also importantly

Brahms, Johannes (1833-1897)

NEW 2015

Works for Violin and Piano Urtext / Eds. C. Brown, N. Peres Da Costa Sonata in G maj op. 78 BA 9431 Score with parts

brings two neglected works back into the players’ hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms’ arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20 th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thoughtprovoking light on the clarinet and viola versions.  Each edition contains an Urtext solo part as well as a second part with fingering and performance markings.  Each edition offers a preface on performance practice aspects pertaining to the respective works.  A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms’ chamber music.

Sonatas for Violin and Piano arranged by J. Brahms after op. 120 Sonata in F min Sonata in E-flat maj BA 10911 Score with parts Sonata Movement in C min from the FAE-Sonata WoO postum BA 10908 Score with parts C. Brown, N. Peres Da Costa, K. Bennett Wadsworth Performance Practices in Johannes Brahms’ Chamber Music Text booklet in English / German BA 9600  page 132

Excerpts from: Brahms, Sonata in G maj op. 78, BA 9431

STRINGS – VIOLIN 1-2 Violins and Keyboard Instrument – Composers Chédeville, Nicolas (1705-1782) Il pastor fido (attributed to Antonio Vivaldi) Six sonatas op. 13 for violin (flute / treble recorder / oboe) and bc Urtext / Ed. F. M. Sardelli HM 135 Score with parts Corelli, Arcangelo (1653-1713) Sonatas for Violin and Basso continuo, op. 5 Urtext / Ed. C. Hogwood, R. Mark Volume I op. 5, I-VI: BA 9455 Volume II op. 5, VII-XII: BA 9456  Score with realization of

the basso continuo by Tonelli (1686-1765) as well as the surviving, unrealized figured bass line

Dvořák, Antonín (1841-1904)

NEW 2015

Romance in F min op. 11 for violin and piano Urtext / Ed. J. Hájek BA 9571 Score with part  First edition of the piano

version based on Dvořák’s autograph of the piano part

 Foreword by David R.

Beveridge (Eng/Cz/Ger)

 Critical Commentary (Eng)

by the editor

Romantic Pieces op. 75 for violin and piano Ed. A. Pokorný and K. Šolc Violin part revised by J. Micka BA 9576 Score with part Fiocco, Joseph-Hector (1703-1741) Allegro for violin and piano Bärenreiter’s Concert Pieces BA 8977  page 42

 Appendix with source

descriptions, critical commentary (Eng) and preludes for keyboard instrument by Tonelli

 With a separate Urtext

violin part

figured continuo part

 Includes a supplement with

 Pioneering new Urtext

contemporary violin embellishments

edition

 “This handsome

Dvořák, Antonín (1841-1904) Concerto in A min for Violin and Orchestra op. 53 H 1005 Piano reduction

NEW 2016 Concerto in A min for Violin and Orchestra op. 53 Urtext / Ed. I. Cividini BA 10422-90 ° Piano reduction in preparation 48

A reading of the correspondence proves that Franck was directly involved in the printing of this work. Consequently, our new scholarly performing edition draws mainly on the first edition of the separate violin part and the first edition of the piano part from the version for violoncello and piano, which appeared during Franck’s lifetime. In the violoncello version, many engraver’s errors found in the first printing of the violin version were corrected. In addition to these sources, both autograph scores of the violin sonata were consulted to clarify questionable readings. Rounding off the edition is a complete list of sources, editorial notes and a Critical Commentary.

 With a separate unrealized

Bärenreiter publication is all that both the Baroque aficionado and modern player could wish for …” (Strings)

César Franck’s Sonata for Piano and Violin is one of the most treasured works in the violin repertoire, a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.

 Informative text on the

Franck, César (1822-1890)

genesis and reception history of the sonata and its versions (Ger/Fr/Eng)

NEW 2015

Sonata in A maj, Andantino quietoso op. 6, Mélancolie for piano and violin Urtext / Ed. D. Woodfull-Harris With an Introduction by Gudula Schütz BA 9425 Score with part To appear in November 2015

 Includes two small

individual movements for violin and piano

 Detailed Critical

Commentary (Eng)

° = Performance material available on sale

STRINGS – VIOLIN Handel, George Frideric (1685-1759) Complete Works for Violin and Basso continuo Urtext / Ed. T. Best BA 4226 Score with parts  First ever performing

collaboration with the Henle publishing company in the areas of large vocal compositions, operas and symphonic works, the edition of this violin concerto is based on the Henle Complete Edition of the Works of Joseph Haydn.

edition of the complete works for violin and basso continuo in one volume continuo parts figures

 Includes two movements

not available in any other performing edition

 Preface (Eng/Ger) with

this volume, not only for its completeness and clarity, but because it is exceptionally good value for score and parts.” (ESTA – News & Views)

Three Trio Sonatas op. 5 for two violins (flutes) and bc Urtext / Ed. S. Flesch BA 4228 Score with parts



Sonatas No. 2 in D maj HWV 397, No. 3 in E min HWV 398, No. 6 in F maj HWV 401

Haydn, Joseph (1732-1809) Concerto in C maj for Violin and Orchestra Hob. VIIa:1 Urtext / Ed. H. Lohmann, G. Thomas BA 4678 ° Score BA 4678-90 Piano reduction (Henle) In this Concerto in C major the soloist is accompanied purely by a string orchestra, a scoring which can be mastered easily, even by amateur ensembles. Continuing Bärenreiter’s

- Piano reduction of version 2 BA 9050-90 °

TP 397

 Basso continuo part with

 “All violinists should buy

Concerto in E min for Violin and Orchestra op. 64 Urtext / Ed. R. L. Todd Versions 1 and 2

- Piano reduction of versions 1&2 BA 9050-92 °

 Separate violin and basso

valuable information on the sources, their origins and genesis as well as performance practice comments

Mendelssohn Bartholdy, Felix (1809-1847)

Janáček, Leoš (1854-1928)

NEW 2015

Works for Violin and Piano Urtext / Ed. J. Krejčí, A. Němcová BA 11512 Score with part

To appear in November 2015 This edition contains all of Janáček’s works for violin and piano: the Sonata as well as the Romance and Dumka, composed while he was still a student.  Newly engraved edition

with notation adapted to conform with modern usage

 Revised version of Dumka

with original dynamic markings

 Foreword by leading

Janáček scholar Alena Nĕmcová (Cz/Eng/Ger)

Study score

For the Bärenreiter Urtext edition, the Mendelssohn specialist R. Larry Todd edited both the original version of the concerto as well as the later version known today. The first version of the concerto contains a shorter cadenza by Mendelssohn, many solo violin pitches in different octaves, passages with different orchestral scoring and many surprises regarding articulation and dynamics.  First ever Urtext edition

of both versions of op. 64

 Critical Commentary in

English included with full score

 Piano reductions each with

an Urtext violin part and a second violin part prepared with fingering and bowing by Martin Wulfhorst

 “The editor, R. Larry Todd,

an expert on Mendelssohn, is to be congratulated on achieving what must have been a huge task, the creation of an exhaustive work of reference, revelatory in its scope and detail which should be in every violinist’s library and on their music stand ... As it is Bärenreiter’s presentation is flawless. I can’t wait for the next student to ask if he may learn the Mendelssohn Concerto ...” (ESTA – News & Views)

STRINGS – VIOLIN 1-2 Violins and Keyboard Instrument – Composers

Mozart, Wolfgang Amadeus (1756-1791) Complete Concertos for Violin and Orchestra Urtext / Ed. C. H. Mahling Each edition includes:  Easy-to-play piano

reduction

 Violin solo part with the

Urtext of the New Mozart Edition

 Additional violin solo part

with fingering, bowing and performance comments by M. Wulfhorst

Mendelssohn Bartholdy, Felix (1809-1847) Sonatas for Violin and Piano Urtext / Ed. H. Hoshino BA 9066 Score with parts This edition includes all completed sonatas by Mendelssohn for this instrumentation. The works have a moderate degree of difficulty similar to Franz Schubert’s sonatinas.  First Urtext edition of

Mendelssohn’s Violin Sonatas (with facsimile pages)

 With an Urtext violin part

as well as a second violin part with fingering and bowing by Takeshi Kiriyama

 Excellent repertoire of

moderate technical difficulty

Mollenhauer, Edward (1827-1914) W 2015

The Infant Paganini / The Boy Paganini Bärenreiter’s Concert Pieces BA 10691- BA 10692  page 43 Monti, Vittorio (1868-1922) Czardas for violin and piano Bärenreiter’s Concert Pieces BA 8975  page 42

 Additional booklet with

cadenzas and transitions by L. Auer, J. Joachim, S. Franko, E. Ysaÿe, J. D. Alard, M. Wulfhorst

- Concerto in B-flat maj K. 207 (No. 1) Urtext. With cadenzas, fermata embellishments and lead-ins by J. D. Alard, M. Wulfhorst BA 4863-90 ° Piano reduction - Concerto in D maj K. 211 (No. 2) Urtext. With cadenzas by L. Auer, M. Wulfhorst BA 4864-90 ° Piano reduction - Concerto in G maj K. 216 (No. 3) Urtext. With cadenzas by L. Auer, E. Ysaÿe, S. Franko, M. Wulfhorst BA 4865-90 ° Piano reduction TP 272 Study score - Concerto in D maj K. 218 (No. 4) Urtext. With cadenzas by J. Joachim, L. Auer, M. Wulfhorst BA 4866-90 ° Piano reduction TP 273 Study score - Concerto in A maj K. 219 (No. 5) Urtext. With cadenzas by J. Joachim, S. Franko, M. Wulfhorst BA 4712-90 ° Piano reduction TP 20 Study score Works for Violin and Orchestra K. 207, 211, 216, 218, 219, 261, 269 (261a), 373 TP 325 Study score

Single Movements for Violin and Orchestra K. 261, 269, 373 Urtext / Ed. C. H. Mahling With cadenzas and fermata embellishments by M. Wulfhorst BA 5379-90 ° Piano reduction Sinfonia concertante in E-flat maj K. 364 (320d) for Violin, Viola and Orchestra. With original scordatura viola part Urtext / Ed. C. H. Mahling BA 4900-90 ° Piano reduction TP 176 Study score Concertone in C maj K. 190 for Two Violins and Orchestra Urtext / Ed. C. H. Mahling BA 5380-90 ° Piano reduction Complete Works for Violin and Piano in two volumes Urtext / Ed. E. Reeser  With an Urtext violin

part as well as a violin part prepared with fingering and bowing and important performance practice tips by M. Wulfhorst

This publication contains all the completed works by Mozart for Violin and Piano. Several works which are not found in other editions are presented with the Urtext of the New Mozart Edition: Sonatas K. 6-9, Sonatas K. 2631, the Andante and Allegretto in C maj K. 404 as well as the three sonata fragments K. 372, 403 and 402 completed by Maximilian Stadler. - Volume I BA 5761 Score with parts - Volume II BA 5762 Score with parts

 “These two volumes are far

more than a standard reprint of the original publication, in that they contain an updated complementary text and brand new violin parts, with extensive performance indications. The result is impressive, and should have a widespread appeal among scholars and performers alike.” (The Consort)

STRINGS – VIOLIN Mozart, Wolfgang Amadeus (1756-1791)

edition; one of the available sources, consulted for the first time, was a copy of Tzigane from the estate of Jelly D’Aranyi, the Hungarian violin virtuoso who played the premiere and is the dedicatee of the work. This copy is today part of a private collection.

Works for Violin and Piano Urtext / Ed. E. Reeser - The Mannheim, Paris, Salzburg Sonatas K. 301 (293a), 302 (293b), 303 (293 c), 304 (300 c), 305 (293 d), 306 (300l), 296, 378 (317d) BA 4774 Score with part - Early Viennese Sonatas K. 379 (373a), 376 (374 d), 377 (374 e), 380 (374f ), 404 (385d), 372, 403 (385c), 402 (385e) BA 4775 Score with part - Late Viennese Sonatas K. 454, 481, 526, 547 BA 4776 Score with part Complete Church Sonatas Urtext / Ed. M. E. Dounias - Volume 1: Nine Sonatas K. 67-69, 144, 145, 212, 224, 225 and 241 for two violins, organ and violoncello/double bass BA 4731 Score with parts - Volume 2: Five Sonatas K. 244, 245, 274 (271d), 328 (317c) and 336 (336 d) for two violins, organ, violoncello/double bass BA 4732 Score with parts Rieding, Oskar (1840-1918) Concerto in B min op. 35 for violin and piano Bärenreiter’s Concert Pieces BA 8971  page 42 Concertino in Hungarian Style op. 21 for violin and piano Bärenreiter’s Concert Pieces BA 8973  page 42 Marcia op. 44, Rondo op. 22/3 for violin and piano Bärenreiter’s Concert Pieces BA 8982  page 42

Ravel, Maurice (1875-1937) Tzigane Rhapsody for Violin and Orchestra Urtext / Ed. D. Woodfull-Harris Version for violin and piano; also serves as piano reduction to the orchestral version BA 8849-90 ° This Urtext edition presents the first scholarly-critical edition of Ravel’s masterpiece. It is published both in the orchestral version as well as in the composer’s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new

The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions stemming from Jelly D’Aranyi. D’Aranyi’s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20 th century performance practice. The cooperation between Ravel and D’Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. No distribution rights for France, Italy, Spain, and the USA.

 “Bärenreiter deserves every violinit’s gratitude for offering this virtuoso classic in both the piano and orchestra version in fastidious fashion …” (Strings)

Saint-Saëns, Camille (1835-1921) Havanaise for Violin and Piano op. 83 Urtext / Ed. C. Baur BA 9426 Score with part This first-ever critical edition of Havanaise draws on both the composer’s autograph version for violin and piano as well as the later orchestrated version. Where the solo part of the orchestral version differs from the version for violin and piano, the variants are shown in the violin part as ossias.

 “This is certainly a

worthwhile edition, and one which every pupil would be advised to purchase.” (Arco)

° = Performance material available on sale

STRINGS – VIOLIN 1-2 Violins and Keyboard Instrument – Composers Schubert, Franz (1797-1828) Complete Works for Violin and Piano Urtext / Ed. H. Wirth - Fantasia in C maj D 934 op. post. 159 BA 5620 Score with parts  With an additional violin

part based on the first edition of 1850

- Rondo in B min D 895 op. 70 BA 5618 Score with part - Sonata in A maj D 574 op. post. 162 BA 5605 Score with part - Three Sonatas D 384, 385, 408 op. post. 137 nos. 1-3 “Sonatinas” BA 5606 Score with part Rondo in A maj for Violin and Orchestra D 438 Urtext / Ed. M. Kube BA 5653-90 ° Piano reduction Seitz, Friedrich (1848-1918) Student Concerto in G maj op. 13 for violin and piano Bärenreiter’s Concert Pieces BA 8972  page 42 Student Concerto in D maj op. 22 for violin and piano Bärenreiter’s Concert Pieces BA 8979  page 42 Student Concerto in G min op. 12 for violin and piano Bärenreiter’s Concert Pieces BA 8985  page 42 Smetana, Bedřich (1824-1884) Z domoviny / From the Homeland Two duets for violin and piano Urtext / Ed. F. Bartoš, J. Plavec, K. Šolc BA 9526 Score with part

 “This fine urtext should

stimulate new interest in these too rarely heard, ingratiating pieces.” (Strings)

Tartini, Giuseppe (1692-1770) Sonata in G min “Devil’s Trill” for violin and bc Urtext / Ed. A. Pavanello HM 278 Score with parts Telemann, Georg Philipp (1681-1767) Little Chamber Music Six Partitas for violin (flute, oboe, recorder) and bc Ed. H. Ruf HM 47 Score with part Sonatas and Pieces from “Der getreue Musikmeister” for one melodic instrument (violin, flute, oboe) and bc Urtext / Ed. J. D. Degen HM 7 Score with part Sonatas for Violin and Basso Continuo from Essercizii musici TWV 41:F4 and TWV 41:A6 Urtext / Ed. K. Hofman BA 5880 Three Concertos for Violin and Orchestra (A min, D maj, G min) TWV 51: a1, 51: D9, 51: g1 Urtext / Ed. S. Kross BA 5876-90 Piano reduction

- Volume 4: Sonata in B min, Sonata in C min for violin (flute) and bc BA 2244 Score with part - Volume 5: Sonata in E maj, Sonata in B-flat maj for violin (flute) and bc BA 2245 Score with part - Volume 6: Sonata in D min, Sonata in C maj for violin (flute) and bc BA 2246 Score with part Vitali, Tomaso Antonio (1663-1745) Chaconne in G min for violin and bc Urtext / Ed. D. Hellmann HM 100 Score with part Vivaldi, Antonio (1681-1767) Concerto in A min op. 3/6 for violin and piano Bärenreiter’s Concert Pieces BA 8974  page 42 Concerto in G maj op. 3/3 for violin and piano Bärenreiter’s Concert Pieces BA 8980  page 42

 “These three concertos are

presented at the typical and expected level of this publisher, in other words excellent, with a preface which is informative and unusual, perhaps unique.” (ESTA – News & Views)

Twelve Methodical Sonatas TWV 4: 41 Urtext / Ed. M. Seiffert - Volume 1: Sonata in G min, Sonata in A maj for violin (flute) and bc BA 2241 Score with part - Volume 2: Sonata in E min, Sonata in D maj for violin (flute) and bc BA 2242 Score with part - Volume 3: Sonata in A min, Sonata in G maj for violin (flute) and bc BA 2243 Score with part

The Four Seasons for violino principale, two violins, viola and bc Urtext / Ed. C. Hogwood All four concertos in one volume BA 6994-90 ° Piano reduction TP 399 Study score

 “admirable in its clarity

and usefulness.” (ESTA New & Views)

STRINGS – VIOLA

Educational Music and Collections for Viola

Bärenreiter’s Viola Collection

NEW 2015

Concert Pieces for Viola and Piano Ed. K. Sassmannshaus BA 9697 Viola part with enclosed piano accompaniment This edition presents 14 pieces covering a wide stylistic spectrum. The works are arranged in increasing order of difficulty, the cornerstones being two works by Georg Eduard Goltermann; his technically simple Andante religioso and his demanding Adagio and Tarantella. Works by Kalliwoda, Fauré, Grieg, Dvořák, amongst others, are included.

Sassmannshaus, Egon and Kurt The Sassmannshaus Tradition Early Start on the Viola The new viola method for children 4 years and older Viola Book 1 BA 9686 English edition BA 9681 German edition Viola Book 2 BA 9687 English edition BA 9682 German edition

From: Bärenreiter's Viola Collection · BA 9697

Viola Book 3: Elementary duets. Dances and other pieces in various keys BA 9688 English edition BA 9683 German edition Viola Book 4: Duet playing in all positions BA 9689 English edition BA 9684 German edition

 “This is outstanding

teaching material at a very reasonable price.” (Music Teacher)

STRINGS – VIOLA Educational Music and Collections for Viola

 The first modern piano

reduction of Berlioz' central work for orchestra and viola

Classic Hits for Violin and Viola Arranged by V. Bodunov Ready to Play BA 10626 2 Performance scores

 Designed with additional

Jewish Prayer NEW 2015 Works for Viola (Cello) and Organ Ed. S. Kalinowsky BA 11216  page 28

conservatory students have a workable, realistic solution that more readily adds a beloved piece to the performing repertoire. Bravo!” (American String Teacher)

Rieding, Oskar (1840-1918) Concerto in B min op. 35 Arranged for viola, transposed to E min Bärenreiter’s Concert Pieces BA 8983  page 42 Seitz, Friedrich (1848-1918) Student Concerto in D maj op. 22 Arranged for viola, transposed to G maj Bärenreiter’s Concert Pieces BA 8986  page 42

Viola and Keyboard Instrument – Composers

music from the orchestral tutti for the solo viola for performances with piano

Brahms, Johannes (1833-1897)

NEW 2015

Sonatas for Viola and Piano op. 120 Sonata in F min, Sonata in E-flat maj Urtext / Ed. C. Brown, N. Peres Da Costa BA 10907 Score with part  Pioneering Urtext edition  With an Urtext solo part

as well as a second part with performance markings

 Includes preface on

performance practice aspects

Harold en Italie Symphony in four parts with solo viola. With performance suggestions by F. Lainé Urtext / Ed. P. Banks, H. Macdonald BA 5457-90  Piano reduction

Franck, César (1822-1890)

NEW 2015

Sonata in A maj Arranged for Piano and Viola Ed. D. Woodfull-Harris With an Introduction by Gudula Schütz BA 10918 To appear in November 2015

Martinů, Bohuslav (1890-1959)

Concerto in E-flat maj for viola, strings and bc Reconstructed from BWV 169, 49 and 1053. Ed. W. Fischer BA 5149-90 ° Piano reduction

Berlioz, Hector (1803-1869)

4 Mélodies for viola and piano Ed. M. Staudt. Arrangement of the viola part by T. RemySchumacher BA 6991 Score with part

 “At last university and

Bach, Johann Sebastian (1685-1750)

Three Sonatas BWV 1027-1029 for viola da gamba (viola) and harpsichord Urtext / Ed. H. Eppstein BA 5186 Score with parts

Fauré, Gabriel (1845-1924)

Rhapsody-Concerto for Viola and Orchestra (1952) BA 4316-90 Piano reduction BA 4316  Study score

 “This is perhaps the most C. Brown, N. Peres NE Da Costa, K. Bennett Wadsworth Performance Practices in Johannes Brahms’ Chamber Music Text booklet in English / German BA 9600  page 132

W 2015

well-balanced concertante work by the Czech composer, a composition which seems to have been cast in a unified whole and to have nothing in common with the looseness of formal design suggested by the title, except perhaps the imaginative richness of the thematic transformations.” (Österreichische Musikzeitschrift)

STRINGS – VIOLONCELLO Mozart, Wolfgang Amadeus (1756-1791) Concerto in A maj for Viola and Orchestra after the Clarinet Concerto K. 622 Anon. arrangement (1802) / Ed. C. Hogwood BA 5336-90 Piano reduction BA 4773 °

Educational Music and Collections for Cello

Sassmannshaus Cello Recital Album for cello and piano or two cellos NEW 2016 Ed. M. Lusk, C. Sassmannshaus, K. Sassmannshaus

Each volume with score and part, plus additional part for the duet version BA 8994 Volume 1 BA 8995 Volume 2 To appear in the spring of 2016

Sinfonia concertante in E-flat maj K. 364 (320d) for Violin, Viola and Orchestra With original scordatura viola part Urtext / Ed. C. H. Mahling BA 4900-90 ° Piano reduction TP 176 Study score Rieding, Oskar (1840-1918) Concerto in B min op. 35 Arranged for viola, transposed to E min Bärenreiter’s Concert Pieces BA 8983  page 42 Schubert, Franz (1797-1828) Sonata in A min “Arpeggione” D 821 Arranged for viola and piano after the Urtext by U. v. Wrochem BA 5683 Score with part Seitz, Friedrich (1848-1918) Student Concerto in D maj op. 22. Arranged for viola, transposed to G maj Bärenreiter’s Concert Pieces BA 8986  page 42 Telemann, Georg Philipp (1681-1767) Concerto in G maj TWV 51: G9 for Viola and Orchestra Urtext / Ed. W. Hirschmann Revised edition BA 5878-90 ° Piano reduction The Concerto in G maj is not just Telemann’s only concerto for the viola but one of the earliest viola concertos in history. It belongs to the standard repertoire of every violist and is also suited for less experienced players.

Sassmannshaus, Egon & Kurt Corssen, Michael The Sassmannshaus Tradition Early Start on the Cello The new cello method for children 4 years and older Cello Book 1 BA 8996 English edition BA 9691 German edition Cello Book 2 BA 8997 English edition BA 9692 German edition Cello Book 3: Elementary duets. Dances and other pieces in various keys. BA 8998 English edition BA 9693 German edition

Bärenreiter’s Cello Collection Concert Pieces for Cello and Piano Ed. C. Sassmannshaus BA 9695 Cello part and enclosed piano accompaniment A collection of works by Mendelssohn Bartholdy, Goltermann, Klengel, Dvořák, Seitz, Fauré, Saint-Saëns.

Cello Book 4: Duet playing in all positions. BA 8999 English edition BA 9694 German edition

 “This is a fabulous addition

to one‘s pedagogical library. … I have thoroughly enjoyed using these books as a supplement to my teaching and think that you will also find them a useful addition to your teaching library.” (American String Teacher)

Cofalik, Antoni Twardowski, Romuald At the Zoo for Cello and Piano BA 8124

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The publication of the four violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter also published the four books for cello and viola in newly adapted versions for today's English speaking children. In 2012 three books for double bass were added to the series.

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Early Start on the Double Bass BA 9676 Double Bass Book 1 72 pages BA 9677 Double Bass Book 2 72 pages BA 9678 Double Bass Book 3 64 pages BA 9679

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Early Start on the Double Bass

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BA 9661 Double Bass Book 1 72 pages BA 9662 Double Bass Book 2 72 pages BA 9663 Double Bass Book 3 64 pages

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STRINGS – VIOLONCELLO Educational Music and Collections for Cello Jewish Prayer NEW 2015 Works for Viola (Cello) and Organ Ed. S. Kalinowsky BA 11216  page 28

Series Ready to Play

Rieding, Oskar (1840-1918) Concerto in B min op. 35 Arranged for cello, transposed to D min Bärenreiter’s Concert Pieces BA 8984  page 42 Seitz, Friedrich (1848-1918) Student Concerto in D maj op. 22 Arranged for cello, transposed to G maj Bärenreiter’s Concert Pieces BA 8987  page 42 Each edition consists of a cello part and an enclosed piano accompaniment. The works are edited and marked with fingering and bowing by Christoph Sassmannshaus.

Christmas Hits for 2 Cellos Arranged by B. Bocksch BA 10612 2 Performance scores Classic Hits for 2 Cellos Arranged by M. Edmondson BA 10611 2 Performance scores

 “ … This volume is a most

enjoyable and motivational adjunct to the students’ usual repertoire.” (Australian Music Teacher Magazine)

The Roots of Jazz for Violin and Violoncello Composed and arranged by G. A. Speckert BA 10606 2 Performance scores

The Infant Paganini Mollenhauer, Edward (1827-1914) NEW 2015 The Infant Paganini Fantasia for Cello and Piano Ed. K. Sassmannshaus, C. Sassmannshaus Bärenreiter’s Concert Pieces BA 10693  page 43 Cello part with enclosed cello/piano score

The Boy Paganini NEW 2015 Fantasia for Cello and Piano Ed. K. Sassmannshaus, C. Sassmannshaus Bärenreiter’s Concert Pieces BA 10694  page 43 Cello part with enclosed cello/piano score

From: Mollenhauer, The Infant Paganini · BA 10693

Every Cellist’s Studies  Edited by Martin Rummel  Newly engraved and corrected  Clear, reader-friendly layout  With fingering and bowing for today's cellists  With fold-out pages where players need them  With optimal page turns

Battanchon, Felix

Grützmacher, Friedrich

Merk, Joseph

(1814-1893)

(1832-1903)

(1795-1852)

12 Etudes in the Thumb Position for Solo Violoncello op. 25 BA 9405 The French cellist Felix Battanchon was solo cellist in the Orchestra of the Grand Opéra in Paris. Further details of his life have yet to be researched, but what we do know is that he composed about 40 works. The vast majority of his compositions are “Salon” pieces for 1 to 3 cellos. He also wrote several collections of etudes. The 12 Etudes in the Thumb Position are not only suitable for players who are starting to play in the thumb position but also for those who are more advanced.

Duport, Jean-Louis (1749-1819) 21 Etudes for Violoncello with an Accompaniment of a 2nd Violoncello (ad lib.) Score with part and text volume BA 6980  With a separate score for the ad libitum second cello  With a brochure (Ger/Eng) including playing tips and technical advice

Technology of Violoncello Playing. Twenty-four Etudes for Violoncello Solo op. 38 BA 6997 Score and text volume  With a brochure (Ger/Eng) including playing tips and technical advice



“This edition is gloriously uncluttered. The print and layout is intelligently arranged to avoid awkward page turns, and the inclusion of a ›technical support‹ manual is helpful for highlighting the specific aims of each piece.” (The Strad)

Lee, Sebastian (1805-1877) 40 Easy Etudes for Violoncello with an Accompaniment of a 2nd Violoncello (ad lib.) op. 70 BA 9401 The editor has based his edition on the first edition of Sebastian Lee’s (1805-1887) etudes from 1855; he has sparingly added fingering, bow strokes and slurs indicating them editorially so players can immediately see the textural alterations.

20 Etudes for Violoncello op. 11 BA 9411 

Only modern edition of these studies



Valuable performance tips (Ger/Eng)

 “This publication is a worthy addition to any cello library.” (American String Teacher)

Popper, David (1843-1913) Fifteen Easy Melodic-Harmonic Etudes for Violoncello with an Accompaniment of a 2nd Violoncello (ad lib.) op. 76 I / Ten Grand Etudes of Moderate Difficulty for Violoncello Solo op. 76 BA 6979 “High School of Violoncello Playing”. Forty Etudes for Solo Violoncello op. 73 BA 6978  First modern edition of these standard studies  With an additional brochure in German and English including playing tips and references to the cello literature where the individual techniques are found.

STRINGS – VIOLONCELLO Violoncello Solo – Composers

All variant readings from the four other sources are clearly laid out for performance.



“Bärenreiter has published a treasure here ...” (American String Teacher)



“… a very valuable edition that should be in the library of every thinking cellist.” (Strings)



“It is a very innovative publication, setting a new standard for performance studies for the next century.” (Bach Bibliography)



“This is a must for any serious cellist.” (Ensemble)

Bach, Johann Sebastian (1685-1750) Six Suites a Violoncello Solo senza Basso BWV 1007-1012 Scholarly critical performing edition. Slipcase with 7 volumes (newly engraved edition, text, 5 facsimiles), 352 pages. Critical report “Best Edition 2000” Urtext / Ed. B. Schwemer, D. Woodfull-Harris BA 5215 (German) BA 5216 (English) This edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of A. M. Bach.



“This is definitively an impeccable edition, which will certainly soon become a fundamental part of the library of any cellist ...” (Goldberg Magazine) Six Suites BWV 1007-1012 for violoncello solo Ed. A. Wenzinger BA 320

Gabrielli, Domenico (1659-1690) The Complete Works for Violoncello Solo and for Violoncello and Basso continuo Urtext / Ed. B. Hoffmann BA 10920 Score with parts

 “... historically important

milestone in our cello history ...” (American String Teacher)

1–2 Violoncellos and Keyboard Instrument – Composers Bach, Johann Christoph Friedrich (1732-1795) Sonata in G maj for violoncello and bc Ed. H. Ruf BA 3745 Bach, Johann Sebastian (1685-1750) Three Sonatas for Violoncello and Harpsichord after the Gamba Sonatas BWV 1027-1029 Violoncello part prepared for performance by Claude Génetay Urtext / Ed. H. Eppstein BA 5210 Score with part Concerto in A min for Violoncello, Strings and bc after BWV 593 Arranged by J. F. W. Schneider BA 5136-90 Piano reduction Performance material available on demand Johann Sebastian Bach’s famous Concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s Concerto op. 3 no. 8 from L’Estro Armonico for two solo violins, strings and basso continuo. Our new edition, in turn, is an arrangement of this organ concerto and has been scored for violoncello solo, strings and basso continuo. It was commissioned for the renowned cellist Sol Gabetta. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.



“…. an exceptional addition to the intermediate cello concerto repertoire.” (Strings) A = A.M. Bach, B = J.P. Kellner, C & D = anonymous, E = Paris 1824? From: Bach, Six Suites (from Suite VI) · BA 5216

STRINGS – VIOLONCELLO



Beethoven, Ludwig van (1770-1827) Sonatas for Piano and Violoncello op. 5, Nos. 1 and 2, op. 69, op. 102, Nos. 1 and 2 “Best Edition 2005” Urtext / Ed. J. Del Mar BA 9012 Score with part and Critical Commentary

 “Cellists, pianists, and

Beethoven-lovers everywhere have been eagerly awaiting an authoritative version of these sonatas for far too long; now we will have an edition that promises to remain THE standard text for the foreseeable future.” (Steven Isserlis)

“Anyone who is serious about performing the Beethoven Sonatas will want this new edition.” (Strings)

Variations for Pianoforte and Violoncello WoO 45, Op. 66, WoO 46 Urtext / Ed. J. Del Mar BA 9028 Score with part Beethoven’s three sets of cello variations comprise the “Twelve Variations on a Theme from Händel’s Oratorio Judas Maccabeus” (WoO 45), the “Twelve Variations on the theme Ein Mädchen oder Weibchen” (op. 66) from Mozart’s opera Die Zauberflöte and the “Seven Variations on

the duet Bei Männern, welche Liebe fühlen” (WoO 46), also from Die Zauberflöte. 

With numerous corrections in the violoncello part



Included in the critical commentary is a complete facsimile of the violoncello part of op. 66, as it appeared in the first edition

Boismortier, Joseph Bodin de (1689-1755) Sonata in D maj op. 50/3 for violoncello (or bassoon, viola da gamba) and bc. Ed. H. Ruf BA 3963 Score with part

Brahms, Johannes (1833-1897) Works for Violoncello and Piano Urtext / Eds. C. Brown, N. Peres Da Costa

NEW 2015

Sonata in E min for Violoncello and Piano op. 38 BA 9429 Score with parts

NEW 2015

Sonata in F maj for Violoncello and Piano op. 99 BA 9430 Score with parts

 Pioneering Urtext editions  With an Urtext solo part

as well as a second part with performance markings

 Both editions include a

preface with detailed notes on performance practice

C. Brown, N. Peres Da Costa, K. Bennett Wadsworth Performance Practices in Johannes Brahms’ Chamber Music Text booklet in English / German BA 9600  page 132

From: Brahms, Sonata in E min op. 38 · BA 9429

STRINGS – VIOLONCELLO 1-2 Violoncellos and Keyboard Instrument – Composers Debussy, Claude (1862-1918) Sonata for Violoncello and Piano Urtext / Ed. R. Back, D. Woodfull-Harris BA 9412 Score with part This Urtext edition makes use of, for the first time, Debussy’s sketches held in a private collection which contain not only an important comment by Debussy regarding the balance of the instruments but also clarify several musical ambiguities found in the autograph and first edition.

 “…this edition is a must for

all cellists. … Many thanks are due to Bärenreiter and their editors.” (Arco)

Dvořák, Antonín (1841-1904)

Gabrielli, Domenico (1659-1690)

Concerto in B min for Violoncello and Orchestra op. 104 Facsimile edition ISBN 978-3-7618-1849-7  page 129 Fauré, Gabriel (1845-1924) 4 Mélodies for violoncello and piano Ed. M. Staudt. Violoncello part prepared by T. Remy-Schneider BA 6990 Score with part Fesch, Willem de (1687-1757) Sonata in D min op. 13/4 for violoncello and bc Ed. H. Ruf BA 3962 Score with part

Elgar, Edward (1857-1934)

Dvořák, Antonín (1841-1904)

Concerto in E min for Violoncello and Orchestra op. 85 Urtext / Ed. J. Del Mar Piano reduction by the composer BA 9040-90 ° TP 398 Study score

Concerto in B min for Violoncello and Orchestra op. 104 Urtext / Ed. J. Del Mar Piano reduction by the composer BA 9045-90 ° 

With Dvořák’s final and definitive version of the solo cello part



With hundreds of corrections in the solo cello part as well as the orchestral parts



With hitherto unknown details regarding the collaboration between Dvořák and Wihan



With Dvořák’s original piano reduction



With Feuermann‘s and Casals‘ alternatives to a passage in the first movement



“ …, by far the best [edition] we have ever had for Dvořák’s masterpiece.” (The Strad)

The Complete Works for Violoncello Solo and for Violoncello and Basso continuo Urtext / Ed. B. Hoffmann BA 10920 Score with parts

Facsimile edition ISBN 978-3-7618-1928-9  page 129  First ever Urtext edition  With many colour facsimile

Franck, César (1822-1890)

NEW 2015

pages in the critical commentary (Eng) and information on sources and performance history.

Sonata in A maj, Mélancolie Version for piano and violoncello Urtext / Ed. D. Woodfull-Harris With an Introduction by Gudula Schütz BA 10917 Score with part



To appear in November 2015

purchase even if you own a wellworn copy of another edition.“ (American String Teacher)

“Ownership of this fine, masterly authoritative and elegantly printed edition, coupled with the fascinating Critical Commentary, must be obligatory for all cellists!“ (ESTA – News & Views)

 “I highly recommend this No distribution rights for France.

STRINGS – VIOLONCELLO

Hummel, Johann Nepomuk (1778-1837) 15

NEW 20

Sonata for Pianoforte and Violoncello op. 104 Urtext / Ed. M. Kroll BA 10904 To appear in November 2015 Our edition, edited by Mark Kroll, is the first scholarlycritical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript. A comparison of the sources brought to light a number of details overlooked in the first edition.  A must for all cellists and

lovers of chamber music

 Notes on performance

practice in the Foreword (Ger/Eng)

 Detailed Critical

Commentary (Eng)

Janáček, Leoš (1854-1928) Works for Violoncello and Piano Urtext / Ed. J. Fukač, B. Havlík BA 9509 Score with part In the supplement of this edition an early version of A Tale is included. Lalo, Édouard (1823-1892) Concerto in D min for Violoncello and Orchestra “Best Edition 2007” Urtext / Ed. H. Macdonald Piano reduction by the composer BA 6999-90 ° The autograph score of Lalo’s much played concerto is lost; the only remaining sources are the first edition score and parts as well as the autograph piano reduction by Lalo. Hugh Macdonald, the highly

From: Hummel, Sonata for Pianoforte and Violoncello · BA 10904 acclaimed editor of French music, has discovered that Lalo’s piano reduction was used as a working score by Lalo himself. He continued to make alterations to the work in the reduction even after the work was officially published. These changes provide for many corrections in the solo part as we know it, but also call for some orchestral passages to be re-orchestrated to match up with Lalo’s final alterations.  First ever critical

commentary (Eng), integrated in the score

Martinů, Bohuslav (1890-1959) Variations on a Slovakian Theme for violoncello and piano (1959) BA 3969 Score with part Mozart, Wolfgang Amadeus (1756-1791) Sonata in B-flat maj for violoncello (bassoon) and piano according to K. 292 (196 c) or for two bass instruments (violoncellos, bassoons) K. 292 (196 c). Arranged by M. Töpel after the Urtext / Ed. D. Berke BA 6974 Score with set of parts

STRINGS – VIOLONCELLO 1-2 Violoncellos and Keyboard Instrument – Composers Picinetti, Felice Maria (circa 1700) Sonata in C maj for violoncello and bc Ed. W. Upmeyer BA 6963 Score with part Picinetti's cello sonata hints at a lively temperament and a solid training in the Baroque sonata da chiesa style. It affords cellists a welcome opportunity of performing Baroque music as a soloist instead of as a continuo player. Popper, David (1843-1913) Im Walde / In the Forest Suite for violoncello and piano op. 50 Ed. M. Rummel BA 6996 Score with parts

contains an enlightening preface (Eng/Ger/Fr). Two solo parts are included: an unmarked Urtext part and a second part with fingering and bowing by M. Edmondson. The solo parts are generously laid out with a fold-out page. Saint-Saëns, Camille (1835-1921)

NEW 2016

Sonata Movement for Violoncello and Piano Urtext / Ed. D. Herlin BA 10910 Score and part in preparation Schubert, Franz (1797-1828) Sonata in A min “Arpeggione” D 821. Arranged for violoncello and piano. Based on the Urtext / Ed. H. Wirth BA 5685 Score with part

Saint-Saëns, Camille (1835-1921) Allegro Appassionato in B min op. 43 for violoncello and piano Urtext / Ed. C. Baur BA 9047 Score with part This edition includes readings from the version for orchestra rendered as ossias and

- Concerto No. 1 in G maj HM 104-90 ° Piano reduction HM 104 Score - Concerto No. 2 in A maj BA 3711 Piano reduction BA 6091  - Concerto No. 3 in C maj HM 105-90 ° Piano reduction HM 105 Score Telemann, Georg Philipp (1681-1767) Sonata in D maj from “Der getreue Musikmeister” for violoncello and bc Ed. J. D. Degen HM 13 Score with part

Sonata in G maj for violoncello and bc Ed. F. Giegling HM 69 Score with part

Works for Piano and Violoncello Lied, Prelude and Danse Orientale op. 2, Sonata op. 19 Urtext / Ed. D. Cannata BA 9994 Score and part in preparation

Concerto in B min op. 35 Arranged for cello, transposed to D min Bärenreiter’s Concert Pieces BA 8984  page 42

Concertos for Violoncello and Orchestra Ed. W. Upmeyer Piano reductions by H. Füssl

Torelli, Giuseppe (1658-1709)

Rachmaninoff, Sergei (1873-1943) NEW 2016

Rieding, Oskar (1840-1918)

Stamitz, Carl (1746-1801)

Schumann, Robert (1810-1856) Fairy Tales op. 113 Transcription for violoncello and piano by R. Hausmann (1852-1909) / Ed. K. Storck HM 281 Score with part Seitz, Friedrich (1848-1918) Student Concerto in D maj op. 22 Arranged for cello, transposed to G maj Bärenreiter’s Concert Pieces BA 8987  page 42

Vivaldi, Antonio (1678-1741) Complete Sonatas for Violoncello and Basso continuo RV 39–47 Urtext / Ed. B. Hoffmann Score with figured bass realization, violoncello part and figured continuo part BA 6995 Score with parts

DOUBLE BASS / HARP / RECORDER Rossini, Gioachino (1792-1868)

Educational Music and Collections for Double Bass

Andantino and Allegro brillante for Harp Urtext / Ed. P. B. Brauner BA 10541

Educational Music and Collections for Recorder

Sassmannshaus, Holger Close, J. Peter The Sassmannshaus Tradition Early Start on the Double Bass Bass method for children 6 years and older Double Bass Book 1 BA 9661 English edition BA 9660 German edition Double Bass Book 2 BA 9662 English/German edition Double Bass Book 3 BA 9663 English/German edition Includes many bass duets and new original compositions by B. Furtok; vol. 3 with a 16 page insert with piano accompaniments

 “These volumes have

tremendous value to studio and classroom teachers. … This wonderful collection melds technique, musicality, and pedagogy in a beautiful, easy-to-read package, inspiring both young bassists and the educators nurturing them.” (American String Teacher)

Bärenreiter’s Double Bass Collection Concert Pieces for Double Bass and Piano Ed. J. P. Close, H. Sassmannshaus BA 9696 Bass part and enclosed piano accompaniment This collection is conceived for young double bass players who wish to start performing in public. The edition contains 19 concert pieces which are easy to rehearse yet sound effective from the Baroque, Classical and Romantic periods. In addition there are newly composed pieces by the Polish bass player Boguslaw Furtok (*1967).  Concert pieces for double

bass and piano accompaniment

 Easy to medium level of

difficulty

 Ideal continuation of the

string method Early Start on the Double Bass

Harp – Composers Krenek, Ernst (1900-1991) Sonata for harp op. 150 (1955) BA 3230 Score Mozart, Wolfgang Amadeus (1756-1791)

The English Dancing Master for Recorder (Flute) and Piano Arranged by N. Newerkla Ready to Play BA 10609 For descant and treble recorders and piano (harpsichord); includes many recorder duets with piano whereby the second recorder part is often optional Flauto con spirito Modern Grooves for Recorder Quartet Arrangements of pop songs and original compositions by M. Schönfelder Ready to Play BA 10603 Italian Baroque Music for Recorder Six Sonatas for treble recorder (flute, oboe, violin) and bc HM 250 Score with part



Barsanti: Sonata in B-flat maj / Bitti: Sonata in G maj / Marcello: Sonata in F maj / Vivaldi: Sonata in G min / Mancini: Sonata in D min / Veracini: Sonata in F maj

The Music of an Irish Harper for Recorder (Flute) and Piano Arranged by N. Newerkla Ready to Play BA 10608 For descant and treble recorders and piano (harpsichord); includes many recorder duets with piano whereby the second recorder part is often optional

Concerto in C maj K. 299 (297c) BA 4598-90  page 69

RECORDER Descant Recorder and Keyboard Instrument – Composers Mozart, Wolfgang Amadeus (1756-1791) Serenades K. 439b (Viennese Sonatinas) for soprano/treble recorder/ other melody instrument and piano or for three melody instruments Ed. O. v. Irmer, K. Masguerre Volume 1: Serenade No. 1 BA 1437 Score with parts Volume 2: Serenade No. 2 BA 1438 Score with parts Volume 3: Serenade No. 3 BA 1439 Score with parts

Treble Recorder and Keyboard Instrument – Composers Barsanti, Francesco (1690-1770) Sonata in C maj op. 1 no. 2 for treble recorder (flute) and bc Ed. H. Ruf HM 183 Score with parts Chédeville, Nicolas (1705-1782) Il pastor fido (attributed to Antonio Vivaldi) Six sonatas op. 13 for treble recorder (flute / oboe / violin) and bc Urtext / Ed. F. M. Sardelli HM 135 Score with parts

Loeillet, Jean Baptiste (de Gant) (1688-c. 1720) Nine Sonatas for treble recorder (flute, violin, oboe) and bc Ed. J. P. Hinnenthal Volume 1: Sonatas op. 1 Nos. 1-3 HM 43 Score with part Marcello, Benedetto (1686-1739) Six Sonatas from op. 2 for treble recorder (flute, violin) and bc Ed. J. Glode Volume 1: Sonatas No. 1 in F maj and No. 2 in D min HM 151 Score with parts Volume 2: Sonatas No. 3 in G min and No. 4 in E min HM 142 Score with parts Volume 3: Sonatas No. 6 in C maj and No. 7 in B-flat maj HM 152 Score with parts

Volume 4: Serenades Nos. 4 and 5 BA 1440 Score with parts Telemann, Georg Philipp (1681-1767) Selected Minuets for descant recorder and bc TWV 34 Ed. W. Wöhl BA 977 Score with part

Treble Recorder Solo – Composers Bach, Johann Sebastian (1685-1750) Partita in C min (originally in A min) BWV 1013 for treble recorder Based on the partita for flauto traverso solo Arranged by M. Harras BA 6432 Telemann, Georg Philipp (1681-1767) Twelve Fantasias according to TWV 40:2-13 for treble recorder Arranged by M. Harras BA 6440

Handel, George Frideric (1685-1759) Complete Sonatas for Recorder and bc Urtext / Ed. T. Best Sonatas in G min HWV 360, in A min HWV 362, in C maj HWV 365, in F maj HWV 369, in E-flat maj HWV 377, in D min HWV 367 a BA 4259 Score with parts Hotteterre (le Romain), Jacques (1674-1763) Suite in E min for treble recorder (flute, oboe, violin) and bc Ed. H. Ruf HM 198 Score with parts

Telemann, Georg Philipp (1681-1767) Little Chamber Music Six Partitas for violin (oboe, flute, recorder) and bc Ed. H. Ruf HM 47 Score with part Four Sonatas from Der getreue Musikmeister for treble recorder and bc No. 1 in F maj TWV 41:F 2; No. 2 in B-flat maj TWV 41:B 3; No. 3 in F min TWV 41:f 1; No. 4 in C maj TWV 41: c 2 Ed. J. D. Degen HM 6 Score with part

FLUTE Educational Music and Collections for Flute Levine, Carin / Mitropoulos-Bott, Christina The Techniques of Flute Playing ISBN 978-3-7618-1595-3 Vol. I ISBN 978-3-7618-1788-9 Vol. II  page 133

Romantic Hits for two Flutes Ed. E. Wächter, E. Weinzierl BA 8691 Performance score 19 th Century Italian Music for Flute and Piano Ed. A. Celeghin BA 8174 Score with part

Telemann, Georg Philipp (1681-1767) Twelve Fantasias TWV 40: 2-13 for flute without bass Urtext / Ed. G. Haußwald BA 2971

 With works by Emanuele Krakamp, Giulio Briccialdi, Raffaele Galli and Giuseppe Gariboldi Flute Solo – Composers Bach, Carl Philipp Emanuel (1714-1788) Sonata in A min Wq 132 for flute solo. Ed. M. Harras BA 6820 Bach, Johann Sebastian (1685-1750)

Flute Classics for Flute and Guitar Arranged by B. Kloss Ready to Play BA 10610 2 Performance scores

Partita in A min BWV 1013 for flute solo Urtext / Ed. H. P. Schmitz Revised edition by U. Leisinger BA 5187

Includes many duets whereby the second flute part is often optional The Music of an Irish Harper for Recorder (Flute) and Piano Arranged by N. Newerkla Ready to Play BA 10608 Score with 2 parts

Christmas Hits for 2 Flutes Arranged by H. Pohl-Hesse Ready to Play BA 10634 2 Performance scores Classic Hits for 2 Flutes Arranged by E. Weinzierl and E. Wächter Ready to Play BA 10613 2 Performance scores

Syrinx for flute solo Urtext / Ed. D. Woodfull-Harris BA 8733 This work for solo flute comes down to us in the first edition publication and a nonautograph manuscript copy formerly used by Louis Fleury, the performer at the premiere in 1913. Unfortunately the manuscript used to engrave the first edition no longer exists and so we are left with two sources which differ in many details.

The English Dancing Master for Recorder (Flute) and Piano Arranged by N. Newerkla Ready to Play BA 10609 Score with 2 parts

Includes many duets whereby the second flute part is often optional

Debussy, Claude (1862-1918)

Two Suites for Flute after the Suites for Violoncello solo BWV 1007, 1009 Arranged by J. Linckelmann BA 6886 Marais, Marin (1656-1728) Les Folies d'Espagne for flute solo Ed. H. P. Schmitz BA 3311

Bärenreiter’s critical edition of Syrinx relies primarily on the first edition score adding readings from the nonautograph source where they are musically justified.  High-quality Urtext edition

of this French classic

 Informative Foreword

(Eng/Fr/Ger)

 Includes Critical

Commentary (Eng)

FLUTE 2–4 Flutes – Composers Debussy, Claude (1862-1918) Deux Arabesques Arranged for four flutes by H. A. Cohen BA 6896 Score with parts Fauré, Gabriel (1845-1924) Pavane for three Flutes Arranged by D. Woodfull-Harris BA 7405 Performance score Mendelssohn Bartholdy, Felix (1809-1847) Scherzo from “A Midsummer Night’s Dream” Arranged for four flutes by H. A. Cohen BA 6882 Score with parts Mozart, Wolfgang Amadeus (1756-1791) Overture to “The Marriage of Figaro” Arranged for four flutes by H. A. Cohen BA 6898 Score with parts Quantz, Johann Joachim (1697-1773) Sonata for three Flutes Arranged by G. Engel, E. Doflein BA 7404 Performance score Stamitz, Carl (1745-1801) Six Duets for two Flutes or Violins Ed. M. Glöder HM 259 Performance score Telemann, Georg Philipp (1681-1767) Nine Sonatas TWV 40:141-149 for two flutes without bass Urtext / Ed. R. J. Reipsch in collaboration with the Sing-Akademie Berlin BA 5888 Performance score

 “Reipsch’s edition is superb …”

(The Recorder Magazine)

Telemann, Georg Philipp (1681-1767) Six Sonatas op. 2 TWV 40: 101-106 for two flutes (violins) Urtext / Ed. G. Haußwald - Volume 1: Sonatas No. 1 in G maj, No. 2 in E min, No. 3 in D maj BA 2979 Performance score - Volume 2: Sonatas No. 4 in B min, No. 5 in A maj, No. 6 in E maj BA 2980 Performance score Six Canonic Sonatas op. 5 TWV 40: 118-123 for two flutes (violins) Urtext / Ed. G. Haußwald - Volume 1: Sonatas No. 1 in G maj, No. 2 in G min, No. 3 in D maj BA 2981 Performance score - Volume 2: Sonatas No. 4 in D min, No. 5 in A maj, No. 6 in A min, Appendix: A round in E min TWV Anh. 40:103 BA 2982 Performance score

Flute(s) and Keyboard Instrument – Composers Bach, Carl Philipp Emanuel (1714-1788) Sonatas in G maj Wq 123 and E min Wq 124 for flute and bc Urtext / Ed. K. Walther HM 71 Score with part Bach, Johann Sebastian (1685-1750) Overture (Orchestral Suite) in B min BWV 1067 for transverse flute and obbligato harpsichord (piano) Ed. G. Kirchner BA 6812 Score with part Six Sonatas after BWV 525-530 for flute and obbligato harpsichord Eds. W. and G. Kirchner Each edition: score with part BA 6801 Volume 1 BA 6802 Volume 2 BA 6803 Volume 3 Sonata for Flute and obbligato harpsichord in G min BWV 1020 Ed. A. Dürr BA 8170 Score and 2 parts

Sonata in C maj BWV 1033 for flute and bc / Sonatas in E-flat maj BWV 1031 and in G min BWV 1020 for flute and obbligato harpsichord handed down as works by J. S. Bach Ed. A. Dürr BA 5220 Score with part Four Sonatas Two Sonatas for flute and bc BWV 1034-1035 / Two Sonatas for flute and obbligato harpsichord BWV 1030, 1032 Urtext / Ed. H. P. Schmitz Revised by U. Leisinger BA 5198 Score with parts Trio Sonata in G maj BWV 1039 for two flutes and bc Urtext / Ed. H. P. Schmitz BA 5199 Score with parts Boccherini, Luigi (1743-1805) Concerto in D maj op. 27 for flute and strings Ed. W. Upmeyer BA 6883 ° Piano reduction Böhm, Theobald (1794-1881) Trois Duos de Mendelssohn et Lachner based on song arrangements for 2 flutes and piano Ed. A. Celeghin BA 6895 Score with parts Chédeville, Nicolas (1705-1782) Il pastor fido (attributed to Antonio Vivaldi). Six sonatas op. 13 for flute (or treble recorder / oboe / violin) and bc Urtext / Ed. F. M. Sardelli HM 135 Score with parts

FLUTE

Mozart, Wolfgang Amadeus (1756-1791) Concerto in G maj K. 313 for Flute and Orchestra Edition with cadenzas and lead-ins by R. Brown, K. Hünteler and K. Engel Urtext / Ed. F. Giegling BA 4854-90 ° Piano reduction

 “… this edition is one of

the best I have come across …” (PAN Magazine)

Franck, César (1822-1890)

NEW 2015

Sonata in A maj Arrangement for piano and flute Ed. D. Woodfull-Harris With an Introduction by Gudula Schütz BA 8734 Score with part To appear in November 2015

Andante in C maj K. 315 for Flute and Orchestra With cadenzas by R. Brown, and K. Engel Urtext / Ed. F. Giegling BA 5748-90 ° Piano reduction

 “The scholary and

illuminating introduction to the cadenza, by Rachel Brown, is as clear and helpful a guide to the authentic improvisation of 18th-century cadenzas for woodwind instruments as I have ever seen. This alone is worth a fiver of anyone’s money. This edition is of the highest quality, and I would have no hesitation in recommending it to anyone, no matter how many they already have.” (PAN Magazine) Concerto in D maj K. 314 for Flute and Orchestra Urtext / Ed. H. Moehn BA 4855-90 ° Piano reduction

Handel, George Frideric (1685-1759) Eleven Sonatas for flute and bc Score (with fully realised bc) and parts (flute, figured bc) in a slipcover Urtext / Ed. H. P. Schmitz Revised edition BA 4225 Score with parts Three Trio Sonatas from op. 5 No. 6 in F maj HWV 401, No. 3 in E min HWV 398, No. 2 in D maj HWV 397 for two flutes (violins) or other melody instruments and bc Urtext / Ed. S. Flesch BA 4228 Score with parts

Concerto in C maj K. 299 (297c) for Flute, Harp and Orchestra Urtext / Ed. F. Giegling BA 4598-90 ° Piano reduction TP 286 Study score Schubert, Franz (1797-1828) Sonata in A min “Arpeggione” D 821 Arranged for flute and piano Based on the Urtext / Ed. K. Hünteler BA 5681 Score with part Variations on “Trockne Blumen” from “Die schöne Müllerin” op. post. 160 D 802 for flute and piano Urtext / Ed. H. Wirth BA 5641 Score with part

Silcher, Friedrich (1789-1860) Variations on “Nel cor più non mi sento” for flute and piano Ed. H. J. Dahmen BA 8173 Score with part Telemann, Georg Philipp (1681-1767) Little Chamber Music Six Partitas for flute (oboe, violin, recorder) and bc Ed. H. Ruf HM 47 Score with part Two Sonatas for flute and bc TWV 41:D9, TWV 41: G9 Urtext / Ed. K. Hofman BA 5890 Twelve Methodical Sonatas TWV 4: 41 Urtext / Ed. M. Seiffert Volume 1: Sonata in G min, Sonata in A maj for violin (flute) and bc BA 2241 Score with parts Volume 2: Sonata in E min, Sonata in D maj for violin (flute) and bc BA 2242 Score with parts Volume 3: Sonata in A min, Sonata in G maj for violin (flute) and bc BA 2243 Score with parts Volume 4: Sonata in B min, Sonata in C min for flute (violin) and bc BA 2244 Score with parts Volume 5: Sonata in E maj, Sonata in B-flat maj for flute (violin) and bc BA 2245 Score with parts Volume 6: Sonata in D min, Sonata in C maj for flute (violin) and bc BA 2246 Score with parts Sonatas and Spielstücke from Der getreue Musikmeister for flute (oboe, violin) and bc Ed. J. D. Degen HM 7 Score with part

OBOE / CLARINET Oboe – Composers Veale, Peter / Mahnkopf, Claus-Steffen The Techniques of Oboe Playing ISBN 978-3-7618-1210-5  page 133 Bach, Johann Sebastian (1685-1750) Concerto in A maj for oboe d'amore (oboe), strings and bc. Reconstructed from the Concerto for Harpsichord BWV 1055 by W. Fischer. Urtext Piano reduction with parts for oboe d'amore and for oboe BA 5145-90 ° Piano reduction Concerto in C min for oboe, violin, strings and bc. Reconstructed from the Concerto for two Harpsichords BWV 1060 by W. Fischer. Urtext BA 5147-90 ° Piano reduction The most beautiful Oboe Solos from the Church Cantatas arranged for oboe (oboe d’amore) and organ or harpsichord (piano). 5 symphonies with obbligato oboe (oboe d’amore) from BWV 12, 21, 76, 156 and 149 Arranged by M. Biggam BA 8153 Score with part Chédeville, Nicolas (1705-1782) Il pastor fido (attributed to Antonio Vivaldi) Six sonatas op. 13 for oboe (or flute / treble recorder / violin) and bc Urtext / Ed. F. M. Sardelli HM 135 Score with parts Geminiani, Francesco (c. 1687-1762) Sonata in E min for oboe (flute, violin) and bc Ed. H. Ruf HM 178 Score with part

Handel, George Frideric (1685-1759) Complete Sonatas for Oboe and bc Sonata in B-flat maj HWV 357 Sonata in C min HWV 366 Sonata in F maj HWV 363a Urtext / Ed. T. Best BA 4260 Score with part Six Sonatas HWV 380-385 for oboe, violin (oboe) and bc Urtext / Ed. S. Flesch Volume 1: Sonatas in B-flat maj and in D min BA 4251 Score with parts Volume 2: Sonatas in E-flat maj and in F maj BA 4252 Score with parts Volume 3: Sonatas in G maj and in D maj BA 4253 Score with parts

Mozart, Wolfgang Amadeus (1756-1791) Quartet in F maj K. 370 (368b) for oboe, violin, viola and violoncello Urtext / Ed. J. Pohanka BA 4867 Parts in slipcover TP 151 Study score Telemann, Georg Philipp (1681-1767) Two Sonatas for Oboe and Basso Continuo TWV 41:B6, TWV 41: e6 Urtext / Ed. K. Hofmann BA 5889

Educational Music and Collections for Clarinet

Mozart, Wolfgang Amadeus (1756-1791) Concerto in C maj K. 314 (285d) for Oboe and Orchestra Urtext / Ed. F. Giegling BA 4856-90 ° Piano reduction TP 252 Study score In addition to an Urtext oboe solo part this publication includes a performance part prepared by Frank de Bruine. Given the close relationship between Mozart’s D major flute concerto and the original concerto for oboe, a reference score has been included with the Urtext oboe part set above the Urtext flute part transposed to C major. With this, performers have the opportunity to compare the versions and make qualified decisions on articulation based on the reliable Urtext of the New Mozart Edition.

Klezmer for Clarinet and Piano Arranged by B. Ostermeier, G. Voit Ready to Play BA 10616 Classic Hits for two Clarinets Arranged by D. Woodfull-Harris BA 8157 Performance score

 Urtext oboe solo part  Reference score with

Urtext oboe part set above Urtext flute part transposed to C major

 Cadenza and lead-in

brochure

° = Performance material available on sale

CLARINET Clarinet – Composers

Brahms, Johannes (1833-1897) NEW 2015 Sonatas for Clarinet and Piano op. 120 Sonata in F min, Sonata in E-flat maj Urtext / Ed. C. Brown, N. P. Da Costa BA 10906  A pioneering Urtext edition

with a preface on performance practice aspects

Fauré, Gabriel (1845-1924) Pavane for three clarinets Arranged by D. Woodfull-Harris BA 8155 Performance score Janáček, Leoš (1854-1928) Sonata for Clarinet and Piano (after the Sonata for Violin and Piano) Arranged by S. Brill BA 9581 Score with part The Israeli clarinetist Shirley Brill, who teaches at the Hanns Eisler School of Music Berlin, has arranged the work for her instrument with a sensitive ear for the sound quality of the original composition. Her version displays the specific potential of the clarinet to good advantage.

From: Mozart, Clarinet Concerto in A maj · BA 4773-90 Kramář-Krommer, František Vincenc (1759-1831) Concerto in E-flat maj for Clarinet and Orchestra op. 36 MAB I/13 H 888 Piano reduction Mendelssohn Bartholdy, Felix (1809-1847) Sonata in E-flat maj for clarinet and piano Urtext / Ed. G. Allroggen BA 8151 Score with part

Mozart, Wolfgang Amadeus (1756-1791) Clarinet Concerto in A maj K. 622 for Clarinet and Orchestra Urtext / Ed. F. Giegling BA 4773-90 ° Piano reduction TP 254 Study score - Transposed to B-flat maj for clarinet in B-flat BA 4773-38 Piano reduction

 “Despite many different

publications of this much loved concerto the one presented here is of the highest quality and very user friendly!” (Clarinet & Saxophone)

CLARINET / SAXOPHONE / BASSOON Clarinet – Composers

Saxophone

 First scholarly-critical

edition of the work

 With helpful performance

Mozart, Wolfgang Amadeus (1756-1791) Grande Sonate for clarinet (or violin) and piano, anonymus arrangement (1809) after the Clarinet Quintet K. 581 Ed. C. Hogwood

Weiss, Marcus / Netti, Giorgio The Techniques of Saxophone Playing ISBN 978-3-7618-2114-5  page 133

Berwald, Franz (1796-1868)

Quintet in A maj K. 581 for clarinet, two violins, viola and violoncello Urtext / Ed. E. F. Schmid BA 4711 Parts in slipcover TP 14 Study score

Der Hirt auf dem Felsen / The Shepherd on the Rock D 965 op. post. 129 for voice, clarinet and piano Urtext / Ed. W. Dürr BA 5619 Score with part Sonata in A min “Arpeggione” D 821 Arranged for clarinet and piano after the Urtext by D. Woodfull-Harris BA 5682 Score with part Tchaikovsky, Peter (1840-1893) Nutcracker Suite for three clarinets. Arranged by M. Töpel BA 8158 Performance score

° = Performance material available on sale

saxophone part and a second part prepared by Carina Raschèr

Gallois, Pascal The Techniques of Bassoon Playing ISBN 978-3-7618-1860-2  page 132

- Edition for clarinet in B-flat and piano BA 9163 Score with parts

Schubert, Franz (1797-1828)

 With an Urtext solo

Bassoon

- Edition for clarinet in A (or violin) and piano BA 9162 Score with parts

Trio in E-flat maj K. 498 “Kegelstatt-Trio” for piano, clarinet (violin) and viola Urtext / Ed. W. Plath, W. Rehm BA 5325 Score with parts

tips by Carina Raschèr, the daughter of Sigurd Raschèr

Glazunov, Alexander (1865-1936) Concerto in E-flat maj for Alto Saxophone and String Orchestra op. 109 Urtext / Ed. R. Back, D. Woodfull-Harris BA 8732-90 ° Piano reduction The Concerto for Alto Saxophone and Orchestra is Glazunov’s last work. The sole surviving autograph is the hand-written dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet). This score contains the original version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened. The autograph manuscript also contains some performance markings by Raschèr. The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.

Concert Piece op. 2 (1827) for Bassoon and Orchestra Urtext / Ed. N. Castegren, F. Schnapp BA 8512-90 Piano reduction Mozart, Wolfgang Amadeus (1756-1791) Concerto in B-flat maj K. 191 (186e) for Bassoon and Orchestra Urtext / Ed. W. Giegling BA 4868-90 ° Piano reduction TP 253 Study score This publication offers an easy-to-play piano reduction, a solo bassoon part with the Urtext of the New Mozart Edition and an extra cadenza and lead-in brochure by Jane Gower. The preface (Ger/Eng) by F. Giegling has been expanded with performance practice comments by Jane Gower. Sonata in B-flat maj for violoncello (bassoon) and piano according to K. 292 (196 c) or for two bass instruments (violoncellos, bassoons) K. 292 (196 c). Arranged by M. Töpel after the Urtext / Ed. D. Berke BA 6974 Score with set of parts Pivoňka, Karel (1907-1986) Rhythmical Studies for bassoon solo H 3291

HORN Horn

Concerto Movement in E maj K. 494a for Horn and Orchestra Ed. D. Nunns BA 5349-90  Piano reduction

 “Bärenreiter has made a

welcome addition to the ranks of published music with Dominic Nunns’ full reconstruction of the first movement of Mozart’s Horn Concerto K. 494a.” (The Horn Magazine)

Rondo in E-flat maj K. 371 for Horn and Orchestra First edition Urtext / Ed. F. Giegling BA 5329-90 Piano reduction Mozart, Wolfgang Amadeus (1756-1791)

Quintet in E-flat maj K. 407 (386 c) for horn, violin, two violas and bass (violoncello) Urtext / Ed. E. F. Schmid BA 4708 Parts in slipcover

Complete Concertos for Horn and Orchestra Urtext / Ed. F. Giegling These publications reflect the needs of performers today. They contain clearly laid out solo horn parts in D (No. 1), in E-flat (Nos. 2-4) as well as in F for all concertos. A detailed historical preface (Ger/Eng) commenting on the sources and a special brochure containing cadenzas and lead-ins are included. - No. 1 in D maj K. 412 + 514 BA 5314-90 ° Piano reduction TP 324 Study score - No. 2 in E-flat maj K. 417 With lead-ins by T. Brown and D. Nunns BA 5311-90 ° Piano reduction - No. 3 in E-flat maj K. 447 With cadenzas and lead-ins by D. Brain and T. Brown BA 5312-90 ° Piano reduction TP 324 Study score - No. 4 in E-flat maj K. 495 With cadenzas and lead-ins by D. Brain, T. Brown and D. Nunns BA 5313-90 ° Piano reduction TP 324 Study score

From: Mozart, Horn Concerto No. 3 in E-flat maj · BA 5312-90

CHAMBER MUSIC Music for Strings NEW 2015 2015/2016 For further information, please ask for this catalogue SPA 234  page 38

Piano Trio – Piano, Violin, Violoncello Brahms, Johannes (1833-1897) Piano Trios  page 75 Dvořák, Antonín (1841-1904) Piano Trio in B-flat maj op. 21 H 1128 Score with parts Piano Trio NEW 2016 in B-flat maj op. 21 Ed. A. Čubr With a new preface by H.-J. Hinrichsen and I. Rentsch BA 9578 Score with parts To appear in the summer of 2016

Dvořák, Antonín (1841-1904)

Mozart, Wolfgang Amadeus (1756-1791)

NEW 2015

Dumky for Piano, Violin and Violoncello op. 90 Urtext / Ed. C. Flamm BA 9567 Score with parts To appear in December 2015

The editor of our new edition, Christoph Flamm, took the Simrock print as his starting point. However he also carefully distinguished between the various reissues and consulted Dvořák’s sketches as well as his piano reduction. For the first time ever, this edition includes the sketch of the third dumka (also in the parts) and a concise table showing the development of tempo indications and the divisions of movements.

Complete Piano Trios Urtext / Ed. W. Plath, W. Rehm BA 4787 Score with parts Six Sonatas K. 10-15 Early Sonatas II for keyboard (harpsichord), violin (or flute) and violoncello Urtext / Ed. W. Plath, W. Rehm BA 4756 Score with parts Schubert, Franz (1797-1828) Complete Piano Trios Urtext / Ed. A. Feil Trios in B-flat maj D 28 and in E-flat maj D 897 op. post. 148 BA 5626 Score with parts Trio in B-flat maj D 898 op. 99 BA 5607 Score with parts Trio in E-flat maj D 929 op. 100 BA 5610 Score with parts

Fauré, Gabriel (1845-1924)

Piano Trio in G min op. 26 Ed. A. Pokorný, K. Šolc New preface by E. Velická (Cz/Eng/Ger) BA 9538 Score with parts Piano Trio in F min op. 65 Ed. F. Bartoš New preface by H. J. Hinrichsen and I. Rentsch (Cz/Eng/Ger) BA 9564 Score with parts

Trio for Piano, Violin and Violoncello op. 120 Urtext / Ed. J. W. Sobaskie BA 7902 Score with parts  First scholarly-critical

edition of this work

 High-quality Urtext edition

based on the Complete Works of Gabriel Fauré

 Foreword (Eng/Fr/Ger)

No distribution rights for the USA.

Smetana, Bedřich (1824-1884) Trio in G min Urtext / Ed. F. Bartoš, J. Plavec, K. Šolc BA 9518 Score with parts

CHAMBER MUSIC

Piano Trios by Johannes Brahms Trio op. 87

Trio op. 101

Urtext / Ed. C. Hogwood BA 9436 Score with parts

Urtext / Ed. C. Hogwood BA 9437 Score with parts

Piano Trio after the Sextet in B-flat maj op. 18

Bärenreiter’s scholarly-critical edition of op. 87 is based on the score and parts from the first edition; where necessary the editor also consulted the autograph. The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer’s intentions than in the first edition score.

Brahms’ final and perhaps greatest trio is based on two main sources, the first edition and the autograph.

arranged by Theodor Kirchner (1823-1903) Urtext / Ed. C. Hogwood BA 9441 Score with parts

The foreword of this edition presents detailed information on contemporary performance practise; Hogwood has drawn on the comments of Fanny Davis, a Brahms student, to shed light on this. She describes how Brahms played the trio with Joseph Joachim and Robert Hausmann at an informal reading (with Clara Schumann turning pages) in Baden Baden in c. 1895. Davis’ descriptions have much to do with articulation, dynamics and tempo fluctuations.

Brahms’ contemporary and friend Theodor Kirchner arranged the composer’s String Sextet op. 18 for piano trio. Simrock, Brahms’ publisher, issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner.

 Includes detailed information on performance practise of the day

Christopher Hogwood’s scholarly-critical edition includes an introduction which sheds light not just on the history of the arrangement and its validity in its own right, but also on Kirchner and his relationship to Brahms.

From: op. 101 · BA 9437

CHAMBER MUSIC Piano Quartet – Piano, Violin, Viola, Violoncello Dvořák, Antonín (1841-1904)

NEW 2016

Piano Quartet in D maj op. 23 BA 9574 Score with parts in preparation Piano Quartet in E-flat maj op. 87 Ed. A. Pokorný, K. Šolc New preface by E. Velická (Cz/Eng/Ger) BA 9537 Score with parts

Fauré, Gabriel (1845-1924) Piano Quartet op. 15 Urtext / Ed. D. Herlin BA 7903 Score with parts Piano Quartet op. 45 Urtext / Ed. D. Herlin BA 7904 Score with parts  First critical editions of

these important chamber music standards



“Accurate editions and excellent production values make these separate publications invaluable.” (Notes)

From: Fauré, Piano Quartet op. 15 · BA 7903

Mozart, Wolfgang Amadeus (1756-1791) Piano Quartet in G min K. 478 Urtext / Ed. H. Federhofer BA 4728 Score with parts Piano Quartet in E-flat maj K. 493 Urtext / Ed. H. Federhofer BA 4729 Score with parts

Suk, Josef (1874-1935) Piano Quartet in A min op. 1 Urtext / Ed. Z. Nouza BA 9546 Score with parts



“An excellent work and edition – buy!” (Stringendo)

CHAMBER MUSIC Piano Quintet / Quintet for Piano and Strings

Piano Sextet

String Duo Violin and Viola

Dvořák, Antonín (1841-1904) Piano Quintet in A maj op. 5 for piano, 2 violins, viola and violoncello H 2783 Score with parts Piano Quintet in A maj op. 81 for piano, 2 violins, viola and violoncello New preface by D. R. Beveridge (Cz/Eng/Ger) BA 9573 Score with parts Mozart, Wolfgang Amadeus (1756-1791) Chamber Music Editions of the Piano Concertos for two violins, viola, violoncello and piano Piano reductions with string parts Urtext / Ed. C. Wolff - Concerto in F maj K.413 (No. 11) BA 4875 Score with parts - Concerto in A maj K. 414 (No. 12) BA 4877 Score with parts - Concerto in C maj K. 415 (No. 13) BA 4879 Score with parts - Concerto in E-flat maj K. 449 (No. 14) BA 4871 Score with parts Schubert, Franz (1797-1828) Quintet in A maj “Trout Quintet” D 667 op. post. 114 for piano, violin, viola, violoncello and double bass Urtext / Ed. A. Feil BA 5608 Score with parts

Beethoven, Ludwig van (1770-1827)

NEW 2015

Sextet for Piano, two Violins, two Violas and Violoncello after the Piano Concerto No. 4 in G maj op. 58 Urtext / Ed. J. Del Mar BA 9034 Score and six parts The sextet version deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of piano concertos with chamber music accompaniment, of the sort which were also made for Mozart’s piano concertos K. 413 to 415 and later for the Chopin concertos. This Urtext edition, edited by the renowned Beethoven scholar Jonathan Del Mar, presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.  First ever publication of this arrangement  Includes a separate solo part as was customary in Beethoven’s day  Provides new possibilities for soloists to perform this concerto

Classic Hits for Violin and Viola Arranged by V. Bodunov Ready to Play BA 10626 2 Performance scores Mozart, Wolfgang Amadeus (1756-1791) Duos for Violin and Viola K. 423, 424 Urtext / Ed. D. Berke BA 4772 Score with parts Twelve Duets K. 487 for two horns. Arranged for violin and viola by W. Müller-Crailsheim HM 115 Performance score

Violin and Violoncello The Roots of Jazz for Violin and Violoncello Composed and arranged by G. A. Speckert Ready to Play BA 10606 2 Performance scores Mozart, Wolfgang Amadeus (1756-1791) Two Duos for Violin and Violoncello after K. 423, 424 Anonymus arrangement (1805) / Ed. D. Berke BA 9164 Score with parts

CHAMBER MUSIC

 “This Duetto is probably

String Duo

the best known duo for cello and double bass and now after years […] we are offered an Urtext score with separate parts by Bärenreiter – much more player friendly!” (Arco)

Violin and Violoncello Ravel, Maurice (1875-1937)

 “…, this edition engages

Sonata for Violin and Violoncello Urtext / Ed. D. Woodfull-Harris With an introduction by J. Appold BA 9417 Text volume with 2 performance scores as well as a reduced cello part in order to avoid page turns

issues beyond those apparent in any previous one, …, an excellent feature.” (American String Teacher)

String Trio

Bärenreiter’s scholarly-critical edition, the first ever of this masterpiece, contains an introduction on the history of the work reflecting Ravel’s work and rehearsals with violinist Hélène JourdanMorhange and cellist Maurice Maréchal.

Schubert, Franz (1797-1828) Complete String Trios for violin, viola and violoncello. With all drafts and versions Urtext / Ed. W. Aderhold BA 5609 Parts in slipcover TP 306 Study score  This edition includes both

versions of Schubert’s string trio D 581 as well as all his drafts for string trio.

Educational Music and Collections for String Quartet Each edition includes a score and 5 parts (VI, VII, Va [VIII], Vc) Cowboy Songs for Strings Arranged by G. A. Speckert BA 8136

Included in the appendix are the original fingerings by the performers. No distribution rights for France and Spain.

Dvořák, Antonín (1841-1904)

Violoncello and Bass Rossini, Gioachino (1792-1868) Duet for Violoncello and Double Bass Urtext / Ed. P. Gossett BA 10544 Score with parts Bärenreiter’s critical edition is the only currently available publication which is based on Rossini’s autograph and not on the first edition.  Urtext based on the Works

of Gioachino Rossini  First critical edition of the

work

 Reference score and

separate parts

 “Highly recommended.”

(Arco)

Terzetto in C maj op. 74 for two violins and viola Ed. J. Burghauser BA 9543 Parts in slipcover In 1887 Antonín Dvořák composed the terzetto for two violins and viola as occasional composition for amateurs. Mozart, Wolfgang Amadeus (1756-1791) Divertimento in E-flat maj K. 563 for violin, viola and violoncello Urtext / Ed. D. Berke BA 4844 Parts in slipcover TP 319 Study score

Fiddle Tunes (Irish Music for Strings) Arranged by G. A. Speckert BA 8145 Indian Chants for Strings Arranged by G. A. Speckert BA 9402

 “This would be at the top

of my list for something new, different, and fun for young students in a group class.” (Stringendo)

CHAMBER MUSIC String Quartet – Composers Bach, Johann Sebastian (1685-1750) The Art of Fugue BWV 1080 Ed. H. Diener - Version for string quartet (a: violin I, b: violin II, c: viola, d: violoncello) BA 2600 a,b,c,d TP 26 Score Merry Christmas for Strings Arranged by G. A. Speckert BA 8140 Mexican Hat Dance for Strings Arranged by G. A. Speckert BA 8141

Beethoven, Ludwig van (1770-1827)

7 original compositions to be performed either by string quartets or larger string ensembles.

 “The arrangements are

very string-friendly, with an authentic tango feel, which make them grateful to learn and particularly to perform.” (Music Teacher)

critical edition leaves nothing to be desired.” (Stringendo)

Dvořák, Antonín (1841-1904) Cypřiše / Cypresses H 6663 Parts in slipcover H 2306 Study score String Quartet No. 1 in A maj op. 2 Ed. J. Burghauser, A. Čubr Original preface by J. Burghauser, updated by H. Schick BA 9539 Parts in slipcover TP 539 Study score

String Quartets  page 80

Debussy, Claude (1862-1918) Tango for Strings Ed. G. A. Speckert BA 9415

 “Bärenreiter’s scholarly-

String Quartet Urtext / Ed. D. Woodfull-Harris BA 9414 Parts in slipcover TP 414 Study score Debussy’s groundbreaking quartet has never been edited using all known sources; the Bärenreiter scholarly-critical edition fills this noticeable gap. Numerous engraving mistakes found in earlier editions have been corrected and the differences between the first edition parts and score have been clarified. A critical commentary details all editorial decisions and an appendix lists the changes made in the 1929 posthumous re-engraving of the score.

String Quartet No. 2 in B-flat maj (B 17) Ed. A. Pokorný and K. Šolc New foreword by H. Schick BA 9540 Parts in slipcover TP 540 Study score String Quartet No. 5 in F min op. 9 Ed. J. Burghauser Original preface by J. Burghauser, updated and expanded by H. Schick BA 9545 Parts in slipcover TP 535 Study score String Quartet No. 9 in D min op. 34 H 1481 Parts in slipcover String Quartet No. 12 in F maj “American” op. 96 H 1594 Parts in slipcover H 1304 Study score

CHAMBER MUSIC

“... magnificent and mandatory”

Beethoven, Ludwig van (1770-1827) String Quartets op. 18, 1-6 Urtext / Ed. J. Del Mar BA 9016 Parts in slipcover BA 9016-40 Critical Commentary TP 916

Study score

String Quartets op. 59, 1-3 Urtext / Ed. J. Del Mar BA 9017 Parts in slipcover BA 9017-40 Critical Commentary TP 917

Study score



“Del Mar, widely acclaimed Beethoven scholar, has published perhaps the most authoritative and complete urtext edition of the famous “Razumovsky” Beethoven string quartets.“ (American String Teacher)



“To sum up this edition in two words: magnificent and mandatory.“ (Arco)

String Quartets opp. 74, 95 Urtext / Ed. J. Del Mar BA 9018 Parts in slipcover

 “Del Mar's editions of the

BA 9018-40 Critical Commentary

string quartets are essential additions to the libraries of all serious string players.“ (The Beethoven Journal)

TP 918

Study score



Critical Commentary (Eng) with facsimile pages



Meticulously laid out performance parts



Study scores include historical introduction (Ger/Eng) by Barry Cooper

CHAMBER MUSIC String Quartet – Composers

Franck, César (1822-1890) String Quartet Urtext / Ed. C. Strucken-Paland BA 9421 Parts in slipcover TP 421 Study score

Fauré, Gabriel (1845-1924) String Quartet op. 121 Urtext / Ed. J. W. Sobaskie BA 7901 Parts in slipcover TP 412 Study score Gabriel Fauré’s only string quartet which he composed in 1923-24 is the composer’s final work and was written when he was already extremely ill. He added dynamics and slurs only in some parts of the exposition of the first movement and then asked his former pupil Jean Roger-Ducasse to complete the work. Roger-Ducasse’s additions were however very extensive; he even altered and supplemented some of Fauré’s own markings in the exposition. Bärenreiter’s first ever scholarlycritical edition of the quartet utilises all sources including the composer’s letters which provide valuable insights into the origins of the composition.  First scholarly-critical edition of this work  High-quality Urtext edition based on the Complete Works of Gabriel Fauré

 “… editor James William

Sobaskie has done an admirable job …” (Notes) No distribution rights for the USA.

César Franck‘s string quartet was completed and premiered in 1890 shortly before the composer‘s death. This publication draws on the first edition, the engraver’s copy used for the first edition and the sketches with their many crossed out attempts which contain an earlier version of the first movement as well as a copy of the autograph. Franck’s letters and a set of hand-written parts which he produced for Eugene Ysaÿe’s string quartet have also been taken into account. The Critical Commentary lists variant readings found in the sources.

Mozart, Wolfgang Amadeus (1756-1791) The Ten Celebrated String Quartets in G maj K. 387, in D min K. 421, in B-flat maj K. 458, in E-flat maj K. 428, in A maj K. 464, in C maj K. 465, in D maj K. 499, in D maj K. 575, in B-flat maj K. 589, in F maj K. 590 Urtext / Ed. L. Finscher BA 4750 Parts in slipcover TP 140 Study score

Janáček, Leoš (1854-1928) String Quartet No. 1 after Tolstoy's “Kreutzer Sonata” Urtext / Ed. L. Faltus, M. Štědroň BA 9520 Parts in slipcover TP 520 Study score

 “Bärenreiter has a

reputation for high quality editions, and this volume does not disappoint: accurate notes and markings, well laid out, and visually attractive.” (American String Teacher)

String Quartet No. 2 “Intimate Letters” Urtext / Ed. L. Faltus, M. Štědroň BA 9533 Parts in slipcover TP 533 Study score Mozart, Wolfgang Amadeus (1756-1791) Eine kleine Nachtmusik in G maj K. 525 for string quartet Urtext / Ed. E. F. Schmid BA 4700 Parts in slipcover TP 19 Study score Facsimile edition ISBN 978-3-7618-2282-1  page 130

The Thirteen Early String Quartets Urtext / Ed. K. H. Füssl, W. Plath, W. Rehm - Volume 1: Quartets in G maj K. 80, in D maj K. 155, in G maj K. 156, in C maj K. 157 BA 4847 Parts in slipcover - Volume 2: Quartets in F maj K. 158, in B maj K. 159, in E-flat maj K. 160 BA 4848 Parts in slipcover - Volume 3: Quartets in F maj K. 168, in A maj K. 169, in C maj K. 170 BA 4849 Parts in slipcover - Volume 4: Quartets in E-flat maj K. 171, in B-flat maj K. 172, in D min K. 173 BA 4850 Parts in slipcover Three Divertimenti K. 136-138 (125 a-c) for string quartet Urtext / Ed. K. H. Füssl BA 4860 Parts in slipcover TP 278 Study score

CHAMBER MUSIC String Quartet – Composers

Schubert, Franz (1797-1828) Complete String Quartets - String Quartets I Quartet in D maj D 94, Overture in C min D 8A, Quartet in C maj D 46, Minuet in D maj D 86. Five Minuets and five German Dances D 89 Urtext / Ed. M. Chusid, D. Finke-Hecklinger, W. Aderhold BA 5625 Parts in slipcover

Ravel, Maurice (1875-1937) String Quartet Urtext / Ed. J. Appold BA 9413 Parts in slipcover TP 413 Study score with Critical Commentary This edition of Ravel’s quartet relies not only on the Astruc edition and its proofs, corrected and altered by the composer, but also on the revised edition issued by Durand in 1910. Needless to say all discrepancies between the score and the later publication of the performing parts are addressed in the Critical Commentary (Eng).

- String Quartets II Quartet in G min/B-flat maj D 18, Quartet in C maj D 32, Quartet in B-flat maj D 36, Quartet in B-flat maj D 68 Urtext / Ed. M. Chusid BA 5631 Parts in slipcover - String Quartets III Quartet in D maj D 74, Quartet in E-flat maj D 87 (op. post. 125/1), Quartet in B-flat maj D 112 (op. 168), Quartet in G min D 173, Quartet in E maj D 353 (op. post. 125/2) Urtext / Ed. W. Aderhold BA 5636 Parts in slipover

 “There is a wealth of

meticulously clear parts are a pure pleasure to read.” (Strings)

No distribution rights for France, Italy and Spain.

Complete Chamber Music in 3 volumes. Study score edition. Urtext TP 409 Special reduced price Smetana, Bedřich (1824-1884) String Quartet No. 1 in E min “From my Life” Urtext / Ed. F. Bartoš, J. Plavec, K. Šolc BA 9516 Parts in slipcover TP 516 Study score String Quartet No. 2 in D min Urtext / Ed. F. Bartoš, J. Plavec, K. Šolc BA 9517 Parts in slipcover TP 517 Study score

NEW 2016

Meditation on the Old Czech Hymn St Wenceslas op. 35a for string quartet Urtext / Ed. Z. Nouza BA 9583 Parts in slipcover TP 583 Study score in preparation

of the most important new editions this year.” (Ensemble)

 “Bärenreiter’s

- String Quartet in G maj D 887 op. post. 161 Urtext / Ed. W. Aderhold BA 5616 Parts in slipcover TP 303 Study score

Suk, Josef (1874-1935)

 “For me very clearly one

information here about this captivating work. The parts and score combined are not expensive and well worth this excellent publication.” (Arco)

- String Quartet in D min “Death and the Maiden” D 810 Urtext / Ed. W. Aderhold BA 5613 Parts in slipcover TP 301 Study score

Version for string orchestra  BA 9584, page 84

- String Quartet in A min “Rosamunde” D 804 op. 29, String Quartet in C min “Quartett-Satz” D 703 Urtext / Ed. W. Aderhold BA 5614 Parts in slipcover TP 304 Study score

String Quartet No. 1 in B-flat maj op. 11 Urtext / Ed. Z. Nouza BA 9530 Parts in slipcover TP 530 Study score

NEW 2015

String Quartet No. 2 op. 31 Urtext / Ed. Z. Nouza BA 9536 Parts in slipcover TP 536 Study score

CHAMBER MUSIC String Quintet

String Sextet

Dvořák, Antonín (1841-1904) Nocturne in B maj op. 40 for two violins, viola, violoncello and double bass Ed. J. Burghauser, M. Nový H 6590 Score with parts

The Bärenreiter Urtext editions are the first scholarly-critical editions of these muchperformed works. Hogwood has taken all known sources into consideration including the versions for piano two and four hands which the composer wrote as well as a set of contemporary performing parts which offer variant readings and insights into performance practice during Brahms’s lifetime.

String Quintet in G maj op. 77 for two violins, viola, violoncello and double bass Ed. F. Bartoš and A. Pokorný New preface by D. R. Beveridge BA 9577 Parts in slipcover TP 577 Study score  Dvořák‘s famous quintet with double bass String Quintet in E-flat maj op. 97 for two violins, two violas and violoncello Ed. F. Bartoš New preface by D. R. Beveridge BA 9542 Parts in slipcover TP 532 Study score

Sextet in G maj op. 36 for two violins, two violas and two violoncellos Urtext/ Ed. C. Hogwood BA 9420 Parts in slipcover TP 420 Study score

Brahms, Johannes (1833-1897) Sextet in B-flat maj op. 18 for two violins, two violas and two violoncellos Urtext / Ed. C. Hogwood BA 9419 Parts in slipcover TP 419 Study score

The study scores include facsimile pages, a foreword (Ger/ Eng), a Critical Commentary (Eng), and information on the history of the compositions.

 “Christopher Hogwood’s

pristine editions of these well-loved works will delight chamber music aficionados.” (Stringendo)

Mozart, Wolfgang Amadeus (1756-1791) Adagio and Fugue in C min for strings K. 546 Urtext / Ed. W. Plath BA 5378 Score with parts: V I, V II, Va, Vc, Cb Complete String Quintets K. 174, 406, 515, 516, 593, 614 for two violins, two violas and violoncello Urtext / Ed. E. Hess, E. F. Schmid BA 4771 Parts in slipcover TP 159 Study score Schubert, Franz (1797-1828) String Quintet in C maj D 956 op. post. 163 for two violins, viola and two violoncellos Urtext / Ed. M. Chusid BA 5612 Parts in slipcover TP 287 Study score Excerpt from: Brahms, Sextet in B-flat maj op. 18 · BA 9419

STRING ORCHESTRA / MISCELLANEOUS CHAMBER ENSEMBLES String Sextet – 2 Violins, 2 Violas, 2 Violoncellos

Mozart, Wolfgang Amadeus (1756-1791)

String Orchestra Dvořák, Antonín (1841-1904)

NEW 2016

Serenade in E maj op. 22 for string orchestra Urtext / Ed. R. Tait BA 10423 ° Score in preparation

“Eine kleine Nachtmusik” in G maj K. 525 Facsimile edition ISBN 978-3-7618-2282-1  page 130 Fantasia in F min for Strings (1799) after Ein Orgelstück für eine Uhr K. 608 Ed. C. Hogwood BA 9505 ° Score BA 9505-22 Parts in slipcover Three Divertimenti for Strings K. 136-138 (125 a-c) Urtext / Ed. K. H. Füssl BA 4857 ° Score

Dvořák, Antonín (1841-1904)

Suk, Josef (1874-1935)

String Sextet in A maj op. 48 for two violins, two violas and two violoncellos Ed. J. Burghauser, A. Čubr BA 9566 Parts in slipcover Elgar, Edward (1857-1934) Serenade for Strings op. 20 Urtext / Ed. C. Hogwood BA 9041 ° Score, string parts

Mozart, Wolfgang Amadeus (1756-1791) Grande Sestetto Concertante (1808) for two violins, two violas and two violoncellos after the Sinfonia Concertante K. 364 Ed. C. Hogwood BA 9504 Score BA 9504-22 Parts in slipcover

 “Enterprising chamber

players will welcome a masterwork in this guise with the orchestra parts cleverly embedded and well balanced, giving each the opportunity to revel in one of Mozart's most beautiful works.” (Strings)

Modern editions of the Serenade have always suffered from an enormous number of inconsistencies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepancies, drawing on Elgar’s version of the work for piano four hands (the original version) and the autograph manuscript of the first movement.  First Urtext edition No distribution rights for France. Mozart, Wolfgang Amadeus (1756-1791) “Eine kleine Nachtmusik” in G maj K. 525 for strings Urtext / Ed. E. Schmid BA 4701 ° Score TP 19 Study score

NEW 2016

Meditation on the Old Czech Hymn St Wenceslas op. 35a for string orchestra Urtext / Ed. Z. Nouza BA 9584 ° Score in preparation

Miscellaneous Chamber Ensembles Bach, Johann Sebastian (1685-1750) Musical Offering BWV 1079 Urtext / Ed. C. Wolff - Volume 2: Trio Sonata in C min for flute, violin and bc BA 5155 Score with parts TP 198 Study score - Volume 3: Canons for flute, two violins, obbligato harpsichord (piano) and bc BA 5156 Score with parts TP 198 Study score Trio Sonata in G maj BWV 1038 for flute, violin (or two flutes) and bc, handed down as a work by Johann Sebastian Bach Ed. G. Kirchner HM 236 Score with parts

MISCELLANEOUS CHAMBER ENSEMBLES Mozart, Wolfgang Amadeus (1756-1791)

Brahms, Johannes (1833-1897) Trios  page 86 Dvořák, Antonín (1841-1904)

Beethoven, Ludwig van (1770-1827)

NEW 2016

Serenade in D min op. 44 for 2 oboes, 2 clarinets, 2 bassoons, contrabassoon ad lib., 3 French horns, violoncello, double bass Urtext / Ed. R. Tait BA 10424 Score BA 10424-22 Parts in slipcover To appear in the spring of 2016

Piano reduction with separate parts for all three soloists Draws on three new sources Correction of many errors found in previous editions



“In fact, the recent urtext edition is a monument to the era of scholarship …” (Strings)

Quantz, Johann Joachim (1697-1773) Trio Sonata in C maj for recorder (flute, violin), flute (violin) and bc Ed. W. Birke HM 60 Score with parts Schubert, Franz (1797-1828)

Concerto in C maj for Pianoforte, Violin, Violoncello and Orchestra op. 56 “Triple Concerto” Urtext / Ed. J. Del Mar BA 9027-90 ° Piano reduction Bärenreiter’s new Urtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newlydiscovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included in the solo piano part.

Quartets K. 285, 285a, K. Anh. 171 (285b), K. 298 for flute, violin, viola and violoncello Urtext / Ed. J. Pohanka BA 4405 Parts in slipcover TP 150 Study score

Octet in F maj D 803 op. post. 166 for clarinet, bassoon, horn, two violins, viola, violoncello and double bass Urtext / Ed. A. Feil BA 5617 Parts in slipcover TP 302 Study score Telemann, Georg Philipp (1681-1767)

Haydn, Joseph (1732-1809) The London Trios Hob. IV: 1-4 for two flutes and violoncello Ed. L. Balet BA 6897 Parts in slipcover Janáček, Leoš (1854-1928) Capriccio for Piano Left Hand and Wind Ensemble Urtext / Ed. L. Faltus, J. Procházková BA 9535 Score with parts Martinů, Bohuslav (1890-1959) Promenades for flute, violin and harpsichord (piano) (1940) BA 3327 Score with parts Sonata for flute, violin and piano (1936) BA 3326 Score with parts

Quartet in D min TWV 43:d1 for two flutes, treble recorder (bassoon, violoncello), violoncello and bc from the Tafelmusik II Urtext / Ed. J. P. Hinnenthal BA 3539 Score with parts Zelenka, Jan Dismas (1679-1745) Six Sonatas ZWV 181 for two oboes, bassoon and bc (Sonata III for violin, oboe, bassoon and bc). Ed. W. Reich, W. Horn - Sonata I in F maj HM 271 Score with parts - Sonata II in G min HM 272 Score with parts - Sonata III in B-flat maj HM 273 Score with parts - Sonata IV in G min HM 274 Score with parts - Sonata V in F maj HM 275 Score with parts - Sonata VI in C min HM 276 Score with parts

MISCELLANEOUS CHAMBER ENSEMBLES

Brahms’ Two Famous Trios and an Astounding Discovery

From: Brahms, Trio for Violin, Horn and Piano · BA 9435 Brahms, Johannes (1833-1897) Trio for Violin, Horn (Viola or Violoncello) and Piano op. 40 Urtext / Ed. C. Hogwood BA 9435 Score with parts

Brahms’ famous Horn Trio op. 40, composed in 1865 for the natural horn, is a work of considerable significance within the composer’s output. Up until now the work was believed to

have a strong emotional connection to the death of his mother three months earlier. Christopher Hogwood draws on a newly discovered source for this Bärenreiter publication, a source that has not been available for any previous edition. We now learn that Brahms wrote at least the trio part of the Scherzo movement some twelve years earlier – in 1853 – and that it was originally intended for solo piano. This piano movement is printed in the appendix.

Trio for Clarinet (Viola), Violoncello and Piano op. 114 Urtext / Ed. C. Hogwood BA 9438 Score with parts Brahms’ Clarinet Trio, composed in 1891, was inspired by the exceptional musicality of clarinettist Richard Mühlfeld. As he did for his horn trio, Brahms prepared a viola part as a possible alternative to the clarinet. Both scorings were rehearsed (the viola part being played by Joseph Joachim) prior to the premiere and publication of the work.

This Urtext edition offers not only the standard instrumentation of violin, horn and piano but also the alternative scoring for violoncello or viola instead of horn. The variants found in the violoncello and viola parts are shown as ossias in the score.

Bärenreiter’s scholarlycritical edition, prepared by Christopher Hogwood, offers a Foreword on the trio’s compositional process with comments on performance practice, as well as a comprehensive Critical Commentary and facsimile excerpts of the manuscript.

 Appendix with the 1853

 Viola part included as an

piano version of the trio movement

 Includes alternative parts

for violoncello and viola

alternative to the clarinet part

SACRED AND SECULAR CHORAL WORKS

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CHAMBER MUSIC FOR WINDS Chamber Music for Winds Woodwind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon)

Grieg, Edvard (1843-1907) Peer Gynt Suite No. 1 op. 46 Arranged by J. Linckelmann BA 8603 Score with parts Mozart, Wolfgang Amadeus (1756-1791) Overture to “The Magic Flute” Arranged by J. Linckelmann BA 6872 Parts in slipcover Symphony in G min K. 550 Arranged by J. Linckelmann BA 8602 Score with parts Mussorgsky, Modest (1835-1881) Night on Bald Mountain Arranged by J. Linckelmann BA 8608 Score with parts Pictures at an Exhibition Arranged by J. Linckelmann BA 6879 Score with parts

Bizet, Georges (1803-1869)

Rossini, Gioachino (1792-1868) Overture to “Il Barbiere di Siviglia” Arranged by J. Linckelmann BA 6873 Parts in slipcover



“The Linckelmann arrangements of classic works are well prepared and devised for the wind quintet ensemble ...” (Music Teacher)

L’Arlésienne Suite No. 1 Arranged by J. Linckelmann BA 8604 Score with parts Debussy, Claude (1862-1918) Children's Corner Arranged by J. Linckelmann BA 6876 Score with parts Gershwin, George (1898-1937) Rhapsody in Blue for Woodwind Quintet Arranged by J. Linckelmann BA 8612 No distribution rights for the USA.



“Linckelmann shows a clear understanding of each instrument’s potential in terms of range and technical demands, and his arrangement presents an exciting challenge for an established group of advanced players.” (Clarinet & Saxophone)

 88

“Superb arrangement …” (Ensemble)

Ravel, Maurice (1875-1937) Mother Goose Suite Arranged by J. Linckelmann BA 8605 Score with parts No distribution rights for France and Spain.



“As well as providing beautiful music for the wind quintet in the concert hall, all of these arrangements from Joachim Linkelmann are fabulous for the training of ensemble playing skills and are highly recommended.” (Horn Player)

Verdi, Giuseppe (1813-1901) Overture to “La forza del destino” Arranged by J. Linckelmann BA 6878 Parts in slipcover

CHAMBER MUSIC FOR WINDS Chamber Music for Winds Various Wind Ensembles

Mozart, Wolfgang Amadeus (1756-1791) Sinfonia concertante in E-flat maj for flute, oboe, horn, bassoon and orchestra Reconstructed by R. Levin based on the Sinfonia concertante in E-flat maj for oboe, clarinet, horn, bassoon and orchestra K. Anh. I/9 (297b) BA 7137-90  Piano reduction Serenade in B-flat maj “Gran Partita” K. 361 (370a) for two oboes, two clarinets, two basset horns (clarinets), four horns, two bassoons and double bass Urtext / Ed. D. N. Leeson, N. Zaslaw BA 5331-22 Parts in slipcover TP 312 Study score

Janáček, Leoš (1854-1928) Mládí / Youth Wind sextet Urtext / Ed. J. Doležal, L. Faltus BA 9528 Parts in slipcover TP 528 Study score

Serenade in C min K. 388 (384a) for two oboes, two clarinets, two horns and two bassoons Urtext / Ed. D. N. Leeson, N. Zaslaw BA 5332 Parts in slipcover TP 313 Study score

Mendelssohn Bartholdy, Felix (1809-1847)

 Urtext based on the Works of Gioachino Rossini  First critical edition of this work  Reference score with parts



Overture in C maj for Winds op. 24 Urtext / Ed. C. Hogwood BA 9055 Score BA 9055-65 Parts (Wind set) Mozart, Wolfgang Amadeus (1756-1791)

Sinfonia concertante for oboe, clarinet, horn, bassoon and orchestra K. Anh 1,9 (297b) Urtext / Ed. C. H. Mahling, W. Plath BA 5770-90 ° Piano reduction

Andante and Theme with Variations for flute, clarinet, horn and bassoon Urtext / Ed. P. Gossett BA 10542 Score with parts

 With a detailed foreword (Ger/Eng/Ital) and critical commentary (Eng)

Nocturno Urtext / Ed. C. Hogwood BA 9064 Score BA 9065 Parts

Quintet in E-flat maj K. 452 for piano, oboe, clarinet, horn and bassoon Urtext / Ed. H. Federhofer BA 4730 Score with parts

Rossini, Gioachino (1792-1868)

Serenade in E-flat maj K. 375 Urtext / Ed. D. N. Leeson, N. Zaslaw Octet version for two oboes, two clarinets, two horns and two bassoons BA 5333 Parts in slipcover TP 315 Study score

“I would also like to applaud the production of this work by Bärenreiter. In addition to being an Urtext edition, where the musical text represents the current state of research, the practical layout of the parts is exemplary. They are printed on a large sized page and each of the wind parts consists of three pages in a fold out format which obviates the need for page turning.” (The Horn Player)

° = Performance material available on sale  = Performance material available on hire

Mix and match your instruments â&#x20AC;&#x153;combocomâ&#x20AC;? is BĂ¤renreiterâ&#x20AC;&#x2122;s series of music for variable ensemble. Each volume contains a full score for piano, keyboard or guitar, melody parts (in C, B-flat, and E-flat) and a part for bass instrument. â&#x20AC;&#x153;combocomâ&#x20AC;? also offers suggestions for using percussion. It thus permits a wide range of instrumental combinations: if the violin takes the top part, the saxophone can play the counter-melody and the cello the bass while the guitar strums the specified chords. Presto, the band is off and running! But many other combinations are possible too, whether at home, at school, or in a â&#x20AC;&#x153;genuineâ&#x20AC;? band, combo or buskersâ&#x20AC;&#x2122; ensemble ... El PorteĂąito Tango criollo

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ď &#x20AC; â&#x20AC;&#x153;... either one of these collections

would provide a treasure trove of useful and refreshing material to enliven school ensemble activity.â&#x20AC;? (Music Teacher)

Tango Jean Kleeb (Arr.) 11 Arrangements for variable instrumentation. Score with parts for melody I and II (C/B!/E!) and bass BA 7669 Suggestions for instruments to be used: ď Ź ď Ź ď Ź ď Ź ď Ź ď Ź ď Ź ď Ź

Melody I in C Melody I in B! Melody I in E! Melody II in C Melody II in B! Melody II in E! Bass Part With Piano Part and Guitar Chords in the Score.

ď&#x20AC;Ś

El choclo / El Entreriano / AdiĂłs muchachos! / Derecho viejo / El PorteĂąito / Bola prĂĄ frente / Momentos a dois / A media luz / La guitarrita / Como se fosse um tango / El dĂa que me quieras

Arrangements for variable combinations

Balkan Paul Hoorn (Arr.) 13 Arrangements for variable instrumentation. Score with parts for melody I (C/B!/E!), guitar, piano and bass BA 6700

 Djelem, Djelem / Ando



Bertold Breig (Arr.) 9 Arrangements for variable instrumentation. Score with parts for melody I (C, B!), melody II in C (violin), C (flute), B! and violoncello/bass BA 7670

›

Rumenje / Two Walachian Dances / Danas maiko ženiš svoga sina / Phirav mange korkoro / Opa cupa / Kustino Oro / Djurdjevdan and others

Blues Berthold Kloss (Arr.) 16 Arrangements for variable instrumentation. Score with parts for melody I (C/B!/E!), guitar I, guitar II and bass BA 7668



I Believe I’ll Dust My Broom / Southbound / Going Up The Country / Backwater Blues / Lone Wolf / Four Days Creep and others Django Thomas König (Arr.) 11 Gypsy Swing Arrangements in the style of Django Reinhardt and Stéphane Grappelli. Score with parts for melody (C and B!), guitar I, guitar II and bass BA 7665



Zigani / All Of Me / I’ve Found A New Baby / Lulu Swing / Fuli Tschai / Honeysuckle Rose / Ziganotschka / Fis Torza / Romano / Sweet Georgia Brown / Black Eyes

Djelem Paul Hoorn (Arr.) 11 Arrangements of Gypsy Songs and Dances. Score with parts for melody I and II (C and B!), bass and guitar chords BA 7664

Verdan / Romni / Doina - Hora Sîrba / Užièko Kolo / Nane Cocha / Sare Patrya / Na Yanav Ko Dad M’ro Has and others

Irish 

 Sally Gardens / Roddy

McCorley / Drowsy Maggie / Oh Danny Boy / Slievenamon / Spancil Hill / The Town I Loved So Well / Whiskey In The Jar / The Irish Washerwoman

Kaffeehausmusik 

Bertold Breig (Arr.) 7 Arrangements for variable instrumentation. Score with parts for melody I and II (C/B!/E!), piano, bass and guitar chords BA 7661

 Ich bin von Kopf bis Fuß ...

/ Das Fräulein Gerda / Le Temps des Cerises / Ich steh’ mit Ruth gut / La Paloma / Humoreske / Russischer Tango

Klezmer 

Henner Diederich (Arr.) 12 Arrangements for variable instrumentation. Score with parts for melody I and II (C and B!), piano, bass and guitar chords BA 7660



Di Mesinke ojsgegebn / Di Tsimbl / Dos Lidl fun goldenem Land / Frejlechs / Sherele / Jiddischer Tanz / 7 Uhr 40 / Un as der Rebbe lacht / Das Zitrönchen and others

Salonmusik Bertold Breig (Arr.) 6 Arrangements for variable instrumentation. Score with parts for melody I and II (C/B!/E!), piano, bass and guitar chords BA 7666

 Salut d’amour / Spanischer Tanz / Jalousie / Heinzelmännchens Wachtparade / Barcarole / Die Fledermaus (Potpourri) Samba-Salsa-Son Jean Kleeb (Arr.) 9 Arrangements for variable instrumentation. Score with parts for melody I and II (C/B!/E!), piano, bass and guitar chords BA 7662

 Goza mi mambo / Sambinha 1 / Mulher Rendeira / Tico-tico no fubá / Tango in B min / Tango in G min and others Spirituals Graham Buckland (Arr.) 12 Arrangements for variable instrumentation. Score with parts in C / B! / E! / F BA 6699 Zydeco – Cajun Rolf Schwarzien (Arr.) 15 Arrangements for variable instrumentation. Score with parts for melody I and II (C/B!/E!), accordion, bass and percussion BA 7667



Acadian Two Step / Les filles du Canada / Lacassine Special / Jolie blonde / Perodin Two Step / Crowley Two Step / Petits yeux noirs / Chère ici, chère là-bas / Don’t Mess With My Toot Toot / Don’t Cry No More / Zydeco Boogaloo / Fais Do-Do / Lucille / Cryin‘ Squeezebox / Lees marins de la Nouvelle France

91 91

SACRED AND SECULAR CHORAL WORKS Sacred and Secular Choral Works Bach, Carl Philipp Emanuel (1714-1788) Magnificat Wq 215 (Lat) arranged for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7517 Score  page 93 Bach, Johann Sebastian (1685-1750) Cantatas Choral Music 2013/2014 SPA 30 The catalogue Choral Music includes sacred and secular choral works as well as choral collections and selected facsimiles of choral works. The catalogue contains cover illustrations, many musical samples, authors of piano reductions, descriptive texts for numerous editions, as well as excerpts from reviews. You will find a pdf of this catalogue on the Bärenreiter website under “Service”.

BWV 1 Wie schön leuchtet der Morgenstern / How bright and fair the morning star (Ger/Eng) Cantata for the Feast of Annunciation Day Urtext / Ed. M. Wendt BA 10 001-90 ° Vocal score BA 10 001-91 Choral score TP 1001 Study score BWV 4 Christ lag in Todes Banden / Christ lay by death enshrouded (Ger/Eng) Cantata for Easter Sunday Urtext / Ed. A. Dürr BA 10 004-90 ° Vocal score BA 10 004-91 Choral score TP 1004 Study score

NEW 2015

BWV 10 Meine Seel erhebt den Herren / Now my soul exalts the Lord (Ger/Eng) Cantata for the Feast of Visitation B. V. M. Urtext / Ed. U. Wolf BA 10010-90 ° Vocal score TP 1010 Study score

 Festive cantata with a duration of 20-25 minutes

° = Performance material available on sale

BWV 11 Ascension Oratorio Lobet Gott in seinen Reichen/ Laud to God in all his kingdoms (Ger/Eng) Urtext / Ed. P. Brainard BA 10011-90 ° Vocal score TP 1011 Study score  Lavishly scored oratorio of a festive nature BWV 12 Weinen, Klagen, Sorgen, Zagen / Weeping, crying, sorrow, sighing (Ger/Eng) Cantata for the Feast of St. Michael Urtext / Ed. A. Dürr BA 10 012-90 ° Vocal score TP 1012 Study score BWV 21 Ich hatte viel Bekümmernis / Lord my God, my heart and soul were sore distrest (Ger/Eng) Cantata for the 3rd Sunday after Trinity Urtext / Ed. P. Brainard BA 10 021-90 ° Vocal score TP 1021 Study score BWV 36 Schwingt freudig euch empor (Ger) Cantata for the First of Advent Urtext / Ed. A. Dürr BA 10 036-90 ° Vocal score TP 1036 Study score

SACRED AND SECULAR CHORAL WORKS

Bärenreiter Choir & Organ Series

From: Bach, Choral Movements from the Christmas Oratorio · BA 7525 Bach, Carl Philipp Emanuel Magnificat Wq 215 (Lat) Arranged by A. Köhs BA 7517 Score

Dvořák, Antonín Mass in D maj op. 86 (Lat) Urtext / Ed. J. Burghauser / A. Čubr BA 7511 Score

Bach, Johann Sebastian Festive Choral Settings from Cantatas (Ger/Eng) Arranged by I. Bredenbach for mixed choir (SATB) and organ BA 7527 Score Separate organ part BA 7527-67 PoD

Fauré, Gabriel Requiem op. 48 (Lat) Arranged by I. Bredenbach BA 7513 Score

Choral Movements from the Christmas Oratorio Part I-III BWV 248 (Ger/Eng) Arranged by H. Gehring for mixed choir (SATB) and organ BA 7525 Score

Missa in C maj “Sparrow Mass” K. 220 (196b) (Lat) Arranged by M. Focke BA 7522 Score

Bruckner, Anton Te Deum WAB 45 (Lat) Arranged by A. Köhs BA 7524 Score

Missa in C maj “Coronation Mass” K. 317 (Lat) Arranged by M. Focke BA 7519 Score

Mozart, Wolfgang Amadeus Missa in C min “Waisenhaus Mass” K. 139 (47a) (Lat) Arranged by M. Focke BA 7521 Score

Missa brevis in C maj “Credo Mass” K. 257 (Lat) Arranged by M. Focke BA 7520 Score

●

Ideal for choral conductors and choirs who wish to perform well-known choral works without the expense of an orchestra

●

Only one edition needed for soloists, singers and organists

●

Choir and solo parts remain true to the original: original orchestral parts are transcribed into easy-toplay organ parts

●

Scoring mostly for soloists (SATB), mixed choir (SATB) and organ Mozart, Wolfgang Amadeus Requiem K. 626 (Lat) Arranged by M. Focke BA 7518 Score Shorter Sacred Works (Lat) Arranged by A. Köhs BA 7523 Score Saint-Saëns, Camille Oratorio de Noël / Christmas Oratorio op. 12 (Lat) Arranged by A. Köhs BA 7514 Score Schubert, Franz Missa in G maj D 167 (Lat) Arranged by M. Gerisch BA 7512 Score Vivaldi, Antonio Introduzione al Gloria. Gloria in D maj RV 642, 589 (Lat) Arranged by M. Focke BA 7515 Score Magnificat RV 610/611 (Lat) Arranged by A. Köhs BA 7516 Score

“Choir & Organ presents a great opportunity for all choirs to sing the great choral repertoire without the need for an orchestra – these versions will help to keep these works alive and in the hearts of all lovers of choral music.” Bob Chilcott

SACRED AND SECULAR CHORAL WORKS Sacred and Secular Choral Works

Bach, Johann Sebastian (1685-1750) BWV 39 Brich dem Hungrigen dein Brot / Break with hungry men thy bread (Ger/Eng) Cantata for the 1st Sunday after Trinity Urtext / Ed. A. Dürr BA 10 039-90 ° Vocal score TP 1039 Study score BWV 51 Jauchzet Gott in allen Landen / Praise ye God thruout creation (Ger/Eng) Solo Cantata for the 15 th Sunday after Trinity Urtext / Ed. M. Wendt BA 10 051-90 ° Vocal score TP 1051 Study score BWV 61 Nun komm, der Heiden Heiland (Ger) Cantata for the First Sunday of Advent Urtext / Ed. A. Dürr BA 10 061-90 ° Vocal score BA 10 061-91 Choral score TP 1061 Study score BWV 62 Nun komm, der Heiden Heiland (Ger) Cantata for the First Sunday of Advent Urtext / Ed. A. Dürr BA 10 062-90 ° Vocal score BA 10 062-91 Choral score TP 1062 Study score

From: Bach, Meine Seel erhebt den Herren · BA 10010-90 BWV 78 Jesu, der du meine Seele / Jesu, by Thy Cross and Passion (Ger/Eng) Cantata for the 14th Sunday after Trinity Urtext / Ed. W. Neumann BA 10 078-90 ° Vocal score TP 1078 Study score BWV 80 Ein feste Burg ist unser Gott / A Mighty Fortress is Our God (Ger/Eng) Cantata for the Feast of Reformation Urtext / Ed. F. Rempp BA 10 080-90 ° Vocal score TP 1080 Study score

BWV 106 Gottes Zeit ist die allerbeste Zeit / Mighty God, His time is ever best (Actus tragicus) (Ger/Eng) Urtext / Ed. R. Higuchi BA 10 106-90 ° Vocal score TP 1106 Study score BWV 140 Wachet auf, ruft uns die Stimme / Wake ye maids! hark, strikes the hour (Ger/Eng) Cantata for the 27 th Sunday after Trinity Urtext / Ed. A. Dürr BA 10 140-90 ° Vocal score TP 1140 Study score

SACRED AND SECULAR CHORAL WORKS - Mass in A maj BWV 234 BA 5183-90 ° Vocal score BA 5183-91 Choral score

Bach, Johann Sebastian (1685-1750) BWV 143 Lobe den Herrn, meine Seele / Praise thou the Lord, o my spirit (Ger/Eng) Urtext / Ed. A. Glöckner BA 10 143-90 ° Vocal score TP 1143 Study score BWV 147 Herz und Mund und Tat und Leben / Heart and lips, thy whole behaviour (Ger/Eng) Cantata for the Feast of Visitation B.V.M. Urtext / Ed. U. Wolf BA 10 147-90 ° Vocal score TP 1147 Study score BWV 211 Schweigt stille, plaudert nicht / Be quiet, chatter not “Coffee Cantata” (Ger/Eng) Urtext / Ed. W. Neumann BA 10 211-90 ° Vocal score TP 1211 Study score The Complete Cantatas, Chorales and Motets Urtext. 19 volumes in study score format TP 2004  page 121 Christmas Oratorio BWV 248 (Ger/Eng) Urtext / Ed. W. Blankenburg, A. Dürr BA 5014-90 ° Vocal score Choral parts also available separately TP 85 Study score

- Mass in G min BWV 235 BA 5184-90 ° Vocal score BA 5184-91 Choral score - Mass in G maj BWV 236 BA 5185-90 ° Vocal score BA 5185-91 Choral score

Festive Choral Settings from Cantatas (Ger/Eng) Arranged for mixed choir (SATB) and organ Choir&Organ series BA 7527  page 93



“For choirs wishing to sing more Bach without hiring an orchestra for an offertory anthem, this anthology is a veritable treasure trove.” (The Journal of the Association of Anglican Musicians)

Lutheran Masses BWV 233-236 (Lat) Urtext / Ed. E. Platen - Mass in F maj BWV 233 BA 5182-90 ° Vocal score BA 5182-91 Choral score

Magnificat in D maj BWV 243 (Lat) Urtext / Ed. A. Dürr BA 5103-90 ° Vocal score BA 5103-91 Choral score TP 2 Study score Magnificat in E-flat maj BWV 243a (Lat) Urtext / Ed. A. Dürr BA 5208-90 ° Vocal score TP 58 Study score

Choral movements from the Christmas Oratorio Part I-III, BWV 248 (Ger/Eng) Arranged for mixed choir (SATB) and organ Choir&Organ series BA 7525  page 93

° = Performance material available on sale

Excerpt from: Bach, Christmas Oratorio · BA 5014-90

SACRED AND SECULAR CHORAL WORKS Sacred and Secular Choral Works Bach, Johann Sebastian (1685-1750)

J. S. Bach · Mass in B Minor BWV 232 in a Revised Edition

Mass in B min BWV 232 (Lat) Urtext / Ed. U. Wolf BA 5935-90 ° Vocal score  see advert

For the first time the “Dresden parts” of 1733 which were largely written by Bach are included as valuable additional source material.

Still available: Mass in B min BWV 232 (Lat) Urtext / Ed. F. Smend BA 5102-92 ° Vocal score

Also for the first time, annotations by J. S. Bach and C. P. E. Bach can be differentiated by using ink analysis (x-ray spectography of over 500 places in the score). This method also enables in-depth-analysis of areas which have been eroded to a large extent by iron ink gall erosion.

Motets BWV 225-230 (Ger) Urtext / Ed. K. Ameln Piano reduction by O. Kroupová BA 5193-90 Vocal score BA 5193 Choral score Separate Editions Singet dem Herrn ein neues Lied BWV 225 (Ger) Motet for two mixed choirs (SATB+SATB) Urtext / Ed. K. Ameln BA 5129 ° Score; Choral score Der Geist hilft unser Schwachheit auf BWV 226 (Ger) Motet for two mixed choirs (SATB+SATB) Urtext / Ed. K. Ameln BA 5130 ° Score BA 5131 Choral score Jesu, meine Freude BWV 227 (Ger) Motet for mixed choir (SSATB) Urtext / Ed. K. Ameln BA 5132 ° Score; Choral score Fürchte dich nicht, ich bin bei dir BWV 228 (Ger) Motet for two mixed choirs (SATB+SATB) Urtext / Ed. K. Ameln BA 5133 ° Score; Choral score Komm, Jesu komm BWV 229 (Ger) Motet for two mixed choirs (SATB+SATB) Urtext / Ed. K. Ameln BA 5134 ° Score; Choral score Lobet den Herrn, alle Heiden BWV 230 (Ger) Motet for mixed choir (SATB) and bc Urtext / Ed. K. Ameln BA 5135 ° Score; Choral score

Mass in B min BWV 232 (Lat) Urtext / Ed. U. Wolf BA 5935-90 ° Vocal score TP 1232 Study score

Facsimile edition ISBN 978-3-7618-2194-7  page 128

SACRED AND SECULAR CHORAL WORKS Bach, Johann Sebastian (1685-1750) St. John Passion BWV 245 (Ger/Eng) Urtext / Ed. A. Mendel BA 5037-90 ° Vocal score Choral parts also available separately TP 197 Study score St. Matthew Passion BWV 244 (Ger/Eng) Urtext / Ed. after M. Schneider by A. Dürr BA 5038-90 ° Vocal score Choral parts also available separately TP 196 Study score Facsimile edition ISBN 978-3-7618-2294-4  page 129 Beethoven, Ludwig van (1770-1827) NEW 2016 Mass in C maj op. 86 (Lat) Urtext / Ed. B. Cooper BA 9039-90 ° Vocal score To appear in the spring of 2016

Berlioz, Hector (1803-1869) Grande messe des morts, “Requiem” (Lat) Urtext / Ed. J. Kindermann BA 5449-90 Vocal score TP 332 Study score

Brahms, Johannes (1833-1897) Sacred Choral Music a cappella (Ger) Urtext / Ed. P. Schmitz BA 7575



“This volume represents a competitively priced treasure trove of the finest German unaccompanied choral music … How monstrously fine music is this, and how well printed it is here” (Choir & Organ)

Bruckner, Anton (1824-1896)

Caldara, Antonio (1670-1736) Stabat Mater (Lat) for soloists (SATB), mixed choir and orchestra New revised edition BA 8955-90 ° Vocal score

Facsimile edition ISBN 978-3-7618-2169-5  page 129 ° = Performance material available on sale  = Performance material available on hire

In nativitatem Domini canticum H. 416 (Lat) Urtext / Ed. J. Schwindt BA 7673-90 ° Vocal score

Messe solennelle (Lat) Urtext / Ed. H. Macdonald BA 5463-90  Vocal score TP 333 Study score

Te Deum WAB 45 (Lat) arranged for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7524

Symphony No. 9 in D min op. 125. Finale (Ger) Urtext / Ed. J. Del Mar BA 9009-90 ° Vocal score TP 909 Study score

Charpentier, Marc-Antoine (1636-1704)

Charpentier, Marc-Antoine (1636-1704) Messe de Minuit pour Noël H 9 (Lat) Urtext / Ed. H. SchauerteMaubouet BA 7592-90 ° Vocal score Te Deum H 146 (Lat) Urtext / Ed. H. SchauerteMaubouet BA 7593-90 ° Vocal score

Cherubini, Luigi (1760-1842)

NEW 2015

Requiem in C min (Lat) Missa pro defunctis Urtext / Ed. H. Schellevis BA 8961-90 ° Vocal score Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra. This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).

SACRED AND SECULAR CHORAL WORKS Sacred and Secular Choral Works Distler, Hugo (1908-1942) Es ist ein Ros entsprungen (Ger) Chorale motet from the Weihnachtsgeschichte op. 10 for mixed choir (SATB) BA 681 Singing score Lobe den Herren, den mächtigen König der Ehren (Ger) Chorale-motet op. 6/2,1 for mixed choir (SATB) Gothic print BA 589 Choral score Singet dem Herrn ein neues Lied (Ger) Motet on Psalm 98/1, 4-9a op. 12/1 from Geistliche Chormusik op. 12 for mixed choir (SATB) Gothic print BA 751 Choral score Dvořák, Antonín (1841-1904) Mass in D maj op. 86 (Lat) arranged for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7511 Score  page 93 Requiem op. 89 (Lat) H 2924-90  Vocal score

Dvořák’s Requiem, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in a chamber orchestra arrangement which dispenses with all the brass instruments except for a single horn; all that remains of the percussion are the timpani; the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts). The arrangement is in keeping with the vocal score H 2924-90. Six Moravian Duets (Cz/Ger) for mixed choir and piano arranged by L. Janáček H 7718 Choral score

Te Deum op. 103 (Lat) H 4523-90  Vocal score Eben, Petr (1929-2007)

Fauré, Gabriel (1845-1924) Requiem (Lat)  page 99 Requiem op. 48 (Lat) arranged for soloists (SATB), mixed choir (SATB) and organ Choir&Organ BA 7513 Score  page 93 Requiem op. 89 (B 165) (Lat) - Arrangement for Soloists, Choir and Chamber Orchestra Arranged by J. Linckelmann BA 9582 ° Score Instrumental parts available separately

Acis and Galatea HWV 49b Serenata in tre parti (2nd version) (Eng/Ital/Ger) Urtext / Ed. A. Heinrich BA 10700-90  Vocal score Alexander’s Feast or The Power of Musick HWV 75 (Eng/Ger) Urtext / Ed. K. Ameln New revised edition BA 4001-92  Vocal score

NEW 2016

Stabat Mater op. 58 (Lat) Ed. J. Kachlík, M. Srnka Vocal score based on Dvořák’s original piano version H 7920  Vocal score

Salve Regina. Cantico delle Creature / Canticle of the Sun of Francis of Assisi (Lat/Ital [Umbrian]) for mixed choir (SATB) a cappella BA 6429 Singing score

NEW 2015

Handel, George Frideric (1685-1759)

Handel, George Frideric (1685-1759) Acis and Galatea HWV 49a (Eng/Ger) Urtext / Ed. W. Windszus BA 4039-90  Vocal score

Dettingen Te Deum HWV 283 (Lat) Urtext / Ed. A. Babington BA 10706-90 ° Vocal score To appear in the spring of 2016 The Dettingen Te Deum was written to celebrate England’s victory over the French at the Battle of Dettingen. It is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed. This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the Halle Handel Edition.

SACRED AND SECULAR CHORAL WORKS

Urtext Edition of Fauré’s Requiem

Handel, George Frideric (1685-1759) Dixit Dominus HWV 232 (Lat) Urtext / Ed. H. J. Marx BA 10704-90 ° Vocal score Jephtha HWV 70 (Eng) Urtext / Ed. K. Nott BA 4014-90  Vocal score

NEW 2016 The King shall Rejoice HWV 260 (Eng) Anthem for mixed choir and orchestra Urtext / Ed. S. Blaut BA 10259-90 ° Vocal score To appear in the spring of 2016

Fauré, Gabriel (1845-1924)

work a gentle and optimistic character.

Requiem (Lat) Urtext / Ed. C. M. Stahl, M. Stegemann BA 9461-90 ° Vocal score

The vocal score is based on the volume of the Complete Works of Gabriel Fauré (BA 9461). It is important to note that this vocal score is also compatible with the first small-scale version as well as the second chamber orchestra version.

The Messe de Requiem is probably the internationally best-known and most frequently performed work by Gabriel Fauré. The composer’s first version was limited to just five movements and smallscale forces with low strings, harp and organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition. Despite its comparatively long period of gestation, the Requiem forms a stylistic unity. Unlike other requiem settings, the composer foregoes any theatrical gestures in this work. A restrained dynamic range together with graceful melodic writing for both soloists and choir give the

 High-quality Urtext based on the Complete Works of Gabriel Fauré  First systematic evaluation of all sources  Based on the large orchestral version of 1900  Foreword (Ger/Eng)  Vocal score suitable for all versions of the requiem

“Of particular interest is

the clear engraving and the well-presented layout with optimum page-turns - much more appealing than in earlier publications of this work.” (La Lettre du Musicien)

Messiah HWV 56 Urtext / Ed. J. Tobin BA 4012-73 ° Vocal score (Eng) BA 4012-90 ° Vocal score (Ger/Eng) TP 175 Study score Facsimile edition ISBN 978-3-7618-2109-1  page 130 My song shall be alway HWV 252 (Eng/Ger) Anthem Urtext / Ed. G. Hendrie BA 4292-90 ° Vocal score Ode for the Birthday of Queen Anne HWV 74 (Eng/Ger) Urtext / Ed. W. SiegmundSchultze BA 4007-90  Vocal score La Resurrezione HWV 47 (Ital) Oratorio in two parts Urtext / Ed. T. Best BA 4096-90  Vocal score Samson HWV 57 (Eng) Oratorio in three parts Urtext / Ed. H. D. Clausen BA 4099-90  Vocal score Solomon HWV 67 (Eng) Oratorio in three acts Urtext / Ed. H. D. Clausen BA 10709-90  Vocal score

SACRED AND SECULAR CHORAL WORKS Sacred and Secular Choral Works Handel, George Frideric (1685-1759) Utrecht Te Deum HWV 278 (Eng) Urtext / Ed. G. Hendrie BA 4246-90 ° Vocal score Zadok the Priest NEW 2016 HWV 258 (Eng) Anthem for mixed choir and orchestra Urtext / Ed. S. Blaut BA 10258-90 ° Vocal score To appear in the spring of 2016 Haydn, Joseph (1732-1809) Die Schöpfung / The Creation Hob. XXI:2 (Ger/Eng) Libretto by Gottfried van Swieten Urtext / Ed. A. Oppermann BA 4648-90 ° Vocal score  Based on the Urtext from

the Joseph Haydn Works, published by G. Henle Verlag

Haydn, Joseph (1732-1809)

NEW 2015

Missa brevis Sti Joannis de Deo “Little Organ Mass” (Lat) Arrangement for female choir SMezAA by Heribert Breuer Bärenreiter Female Choir BA 5694-90 ° Vocal score  page 105 Missa brevis in F maj Hob. XXII:1 (Lat) Urtext / Ed. J. Dack, G. Feder BA 4644-90 ° Vocal score

Missa in angustiis “Nelson Mass” Hob. XXII:11 (Lat) Urtext / Ed. G. Thomas BA 4660-90 ° Vocal score TP 98 Study score

 The musical text of the full

Missa in B-flat maj “Harmony Mass” Hob. XXII:14 (Lat) Urtext / Ed. F. Lippmann BA 4659-90 ° Vocal score TP 97 Study score



“Bärenreiter offers its usual high standard of scholarly precision married to musical accessibility and practicality, as well as affordability”. (The Organ)

Missa brevis Sancti Joannis de Deo “Little Organ Mass” Hob. XXII:7 (Lat) Urtext / Ed. H. C. Robbins Landon, K. H. Füssl, C. Landon Piano reduction by H. Moehn BA 4653-90 ° Vocal score TP 95 Study score

100

Missa Sancti Nicolai “Nicolai Mass” Hob. XXII:6 (Lat) Urtext / Ed. J. Dack, M. Helms BA 4645-90 ° Vocal score

Missa Cellensis “Mass for Mariazell” Hob. XXII:8 (Lat) Urtext / Ed. H. C. Robbins Landon, K. H. Füssl, C. Landon BA 4654-90  Vocal score

 The contemporary piano

score is closely reflected in this piano reduction

Missa Sancti Bernardi von Offida “Heilig” Mass Hob. XXII:10 (Lat) Urtext / Ed. H. C. Robbins Landon, K. H. Füssl, C. Landon BA 4651-90 ° Vocal score

Missa Cellensis in honorem Beatissimae Virginis Mariae “Cecilia Mass” Hob. XXII:5 (Lat) Urtext / Ed. J. Dack, G. Feder BA 4643-90 ° Vocal score

Missa in B-flat maj “Creation Mass” Hob. XXII:13 (Lat) Urtext / Ed. I. Becker-Glauch BA 4656-90 ° Vocal score

reduction by A. E. Müller has been revised by Andreas Köhs

Haydn, Joseph (1732-1809)

Missa in B-flat maj “Theresa Mass” Hob. XXII:12 (Lat) Urtext / Ed. G. Thomas BA 4661-90 ° Vocal score TP 99 Study score

Die Jahreszeiten / The Seasons Hob. XXI:3 (Ger/Eng/Fr) Libretto by Gottfried van Swieten Urtext / Ed. A. Raab BA 4647-90 ° Vocal score  Urtext edition from the

Complete Edition Joseph Haydn Werke, published by G. Henle Verlag

 Straightforward piano

reduction

 Clear and uncluttered

appearance on the page

Missa in E-flat maj in honorem Beatissimae Virginis Mariae “Great Organ Mass” Hob. XXII:4 (Lat) Urtext / Ed. J. Dack, M. Helms BA 4646-90 ° Vocal score Missa in Tempore Belli “Mass in Time of War” Hob. XXII:9 (Lat) Urtext / Ed. H. C. Robbins Landon, K. H. Füssl, C. Landon BA 4652-90 ° Vocal score TP 94 Study score

° = Performance material available on sale  = Performance material available on hire

Sacred Choral Works by Mårten Jansson

NEW 2015

In the Light of God

NEW 2015 God Rest Ye Merry, Gentlemen (Arrangement for SATB) (Eng) BA 7419

(SMezATB) (Swed/Eng) BA 7417

Fear Thou Not

Missa Popularis

NEW 2016

SSA (TB) and String Quartet (VI, VII, Va, Vc) (Lat) BA 7420-90 ° Vocal score To appear in March 2016

(SSMezAA) (Eng) BA 7411

Maria (IV) (SATB) (Swed/Eng) BA 7412

The Choirmaster’s Burial (SSATBB) (Lat SSA/Eng TBB) BA 7413

Cantate Domino NEW 2015 (SSAATTBB) (Lat) BA 7414

NEW 2015

I Never Saw a Moor (SSMezMezAA) (Eng) BA 7415

15 Cantate Domino NEW 20 (TTBB) (Lat) BA 7416

NEW 2015

Es ist ein Ros entsprungen (Arrangement for SSAATTBB) (Ger/Eng/Swed) BA 7418

Order free booklet (SPA 227) with sample pages, also available for www.youtube.com/watch?v=MjmIn9BwAEo download at: www.baerenreiter.com. See for video samples 101 101

SACRED AND SECULAR CHORAL WORKS Mendelssohn Bartholdy, Felix (1809-1847)

Sacred and Secular Choral Works

Denn er hat seinen Engeln befohlen / For He shall give His angels charge (Ger/Eng) for mixed choir (SSAATTBB) Urtext / Ed. C. Heimbucher BA 8933 Choral score

Haydn, Joseph (1732-1809) The Seven Last Words of our Saviour on the Cross Hob. XX:2 (Lat) Libretto by Gottfried van Swieten Urtext / Ed. H. Unverricht BA 4655-90  Vocal score TP 92 Study score Stabat Mater Hob. XXbis (Lat) Urtext / Ed. M. Helms, F. Stoltzfus BA 4642-90 ° Vocal score Janáček, Leoš (1854-1928) Mša glagolskaja / Glagolitic Mass (Old Church Slavonic) Final authorised version Urtext / Ed. J. Zahrádka, L. Faltus BA 6862-90  Vocal score With translations of the Old Church Slavonic text into Cz/Ger/Eng TP 862 Study score Otčenáš / The Lord's Prayer (Cz/Ger) for mixed choir with tenor solo, harp and organ Ed. B. Štědroň H 3712 Score H 3712-64 Harp part Jansson, Mårten (*1965) Sacred Choral Works  page 101 Liszt, Franz (1811-1886) Christus (Lat) Oratorio on passages from the Holy Bible and the catholic liturgy Urtext / Ed. D. Friddle Piano reduction by the composer BA 7680-90 Vocal score ° = Performance material available on sale  = Performance material available on hire

102

Martin, Frank (1890-1974) Mass for Double Choir a cappella (Lat) Urtext / Ed. A. Wissemann BA 7594 Performing score Martin's style of composition is characterized by elements of French Impressionism, modern tonality and expressive musical language. His double choir a cappella mass was composed between 1922 and 1926 but it was not performed until 1963 in Hamburg. It has been a great favourite with capable choirs since its first publication by Bärenreiter in 1972 (BA 5419). It can be performed equally well in the concert hall and the church. This first ever Urtext edition is based on the autograph score as well as on previously disregarded preliminary studies. The Preface and Critical Commentary provide an insight into the genesis and history of the work. The larger format ensures a clearly improved readability.

Die erste Walpurgisnacht / The First Walpurgis Night op. 60 (Ger/Eng) Text by Johann W. von Goethe Urtext / Ed. J. M. Cooper Piano reduction by the composer BA 9072-90  Vocal score Elijah op. 70 (Ger/Eng) Oratorio. Text compiled by the composer from the Old and New Testaments Urtext / Ed. D. Seaton Piano reduction by the composer, A. Köhs BA 9070-90 ° Vocal score  Urtext edition including

numbers from the original version for the first time

 English and German singing

Texts

Psalm 42 op. 42 ‘As the Hart Pants’ (Ger/Eng) Urtext / Ed. J. M. Cooper BA 9074-90 ° Vocal score  Psalm with a large

orchestral scoring in an Urtext edition

 Original German as well as

English text

Psalm 98 op. 91 NEW 2016 (Ger/Eng) Urtext / Ed. J. M. Cooper BA 9076-90 ° Vocal score To appear in the spring of 2016

 First Urtext edition of

Frank Martin’s masterwork

 Newly engraved in a larger

format (23 x 30 cm)

 Preface (Ger/Eng) and

Critical Commentary (Eng)



“… excellent new edition of this masterwork.” (Choir & Organ)

St. Paul op. 36 (Ger/Eng) Urtext / Ed. J. M. Cooper Piano reduction by the composer, A. Köhs BA 9071-90 ° Vocal score Three Motets op. 69 (Ger/Eng) for mixed choir (SATB) Urtext / Ed. M. Cooper BA 8937 Choral score

SACRED AND SECULAR CHORAL WORKS Mendelssohn Bartholdy, Felix (1809-1847) Separate editions (without introduction and critical commentary): Lord now lettest Thou Thy servant depart in peace / Herr, nun lässest du deinen Diener in Frieden fahren (Ger/Eng) BA 8934 Choral score

Mozart, Wolfgang Amadeus (1756-1791)

Alma Dei creatoris K. 277 (272a) (Lat) Urtext / Ed. H. Federhofer BA 4889-90 ° Vocal score

Hosanna in G maj K. 223 (166 e) (Lat) Urtext / Ed. M. Holl BA 5347-90 ° Vocal score Inter natos mulierum K. 72 (74f ) (Lat) Urtext / Ed. M. Holl BA 4788-90 ° Vocal score Kyrie in D min K. 90 (Lat) Urtext / Ed. M. Holl BA 5346-90 ° Vocal score

O be joyful in the Lord / Jauchzet dem Herrn, alle Welt (Ger/Eng) BA 8935 Choral score

Kyrie in D min K. 341 (368a) (Lat) Urtext / Ed. W. Senn BA 4702-90 ° Vocal score

My soul doth magnify the Lord / Mein Herz erhebet Gott, den Herrn (Ger/Eng) BA 8936 Choral score Mendelssohn Bartholdy, Felix (1809-1847) / Bach, Johann Sebastian (1685-1750) St. Matthew Passion BWV 244 (Ger) In the versions by Felix Mendelssohn Bartholdy Berlin 1829 and Leipzig 1841 Urtext / Ed. K. Winkler BA 9088-90  Vocal score

Ave verum corpus K. 618 (Lat) Urtext / Ed. H. Federhofer BA 4946-90 ° Vocal score Benedictus sit Deus K. 117 (66 a=47b) (Lat) Urtext / Ed. H. Federhofer BA 4884-90 ° Vocal score Dixit et Magnificat K. 193 (186g) (Lat) Urtext / Ed. K. G. Fellerer, F. Schroeder BA 5340-90 ° Vocal score  Scholarly-critical Urtext

edition orientated towards performance practice

 Detailed critical

commentary (Eng) in the full score

 Movements 10, 13 and 14 are

included in their original high clef in the appendix of the full score.

 These movements are also

Monteverdi, Claudio (1567-1643) Vespro della Beata Vergine (Lat) Urtext / Ed. H. Schulze et al. BA 8794-90 ° Vocal score

available with piano reduction as print-ondemand.

Laudate Dominum from the Vesperae solennes de Confessore K. 339 (Lat) Urtext / Ed. K. G. Fellerer, F. Schroeder BA 5339-90 ° Vocal score Litaniae de venerabili altaris Sacramento in E-flat maj K. 243 (Lat) Urtext / Ed. H. Federhofer, R. Federhofer-Königs BA 4892-90 ° Vocal score Misericordias Domini K. 222 (205 a) (Lat) Urtext / Ed. H. Federhofer BA 4789-90 ° Vocal score Missa brevis in G maj K. 49 (47d) (Lat) Urtext / Ed. W. Senn BA 4769-90 ° Vocal score Missa brevis in D min K. 65 (61a) (Lat) Urtext / Ed. W. Senn BA 5341-90 ° Vocal score Missa in C maj “Dominicus Mass” K. 66 (Lat) Urtext / Ed. W. Senn BA 4791-90 ° Vocal score

° = Performance material available on sale  = Performance material available on hire

103

SACRED AND SECULAR CHORAL WORKS Regina coeli in C maj K. 108 (74 d) (Lat) Urtext / Ed. H. Federhofer BA 4886-90 ° Vocal score

Sacred and Secular Choral Works Mozart, Wolfgang Amadeus (1756-1791)

Regina coeli in B-flat maj K. 127 (Lat) Urtext / Ed. H. Federhofer BA 4887-90 ° Vocal score

Missa in C min “Waisenhaus Mass” K. 139 (47 a) (Lat) Urtext / Ed. W. Senn BA 4858-90 ° Vocal score

Regina coeli in C maj K. 276 (321b) (Lat) Urtext / Ed. H. Federhofer BA 4888-90 ° Vocal score

- Arrangement for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7521 Score  page 93 Missa brevis in G maj K. 140 (Anh. 235d) (Lat) Urtext / Ed. W. Senn BA 4736-90 ° Vocal score Missa in C maj “Trinity Sunday Mass” K. 167 (Lat) Urtext / Ed. W. Senn BA 4783-90 ° Vocal score Missa brevis in F maj K. 192 (186f) (Lat) Urtext / Ed. W. Senn BA 4770-90 ° Vocal score Missa brevis in D maj K. 194 (186h) (Lat) Urtext / Ed. W. Senn BA 5342-90 ° Vocal score - Arrangement for female choir (SMA) by H. Breuer Bärenreiter Female Choir BA 5690-90 ° Vocal score  page 105 Missa in C maj “Sparrow Mass” K. 220 (Lat) Urtext / Ed. W. Senn BA 5343-90 ° Vocal score - Arrangement for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7522 Score  page 93 - Arrangement for female choir (SMA) by H. Breuer Bärenreiter Female Choir BA 5693-90 ° Vocal score  page 105 Missa in C maj “Great Credo Mass” K. 257 (Lat) Urtext / Ed. W. Senn BA 4859-90 ° Vocal score

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Missa brevis in C maj “Credo Mass” K. 257 (Lat) arranged for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7520 Score  page 93 Missa in C maj K. 258 (Lat) Urtext / Ed. W. Senn BA 4851-90 ° Vocal score Missa in C maj “Organ Solo Mass” K. 259 (Lat) Urtext / Ed. W. Senn BA 4852-90 ° Vocal score Missa brevis in B-flat maj K. 275 (272b) (Lat) Urtext / Ed. M. Holl BA 5344-90 ° Vocal score Missa in C maj “Coronation Mass” K. 317 (Lat) Urtext / Ed. M. Holl BA 4880-90 ° Vocal score TP 316 Study score - Arrangement for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7519 Score  page 93 - Arrangement for female choir (SMA) by H. Breuer Bärenreiter Female Choir BA 5691-90 ° Vocal score Missa in C maj “Missa solemnis” K. 337 (Lat) Urtext / Ed. M. Holl BA 4881-90 ° Vocal score Missa in C min K. 427 (417 a) (Lat) Credo in unum Deum, Et incarnatus est, Sanctus, Hosanna. Reconstructed and completed by Helmut Eder Urtext / Ed. M. Holl BA 4846-90  Vocal score TP 255 Study score

Requiem K. 626 (Lat) Mozart’s fragment in the version completed by Franz Xaver Süssmayr Urtext / Ed. L. Nowak BA 4538-90 ° Vocal score TP 152 Study score - Arrangement for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7518 Score Sancta Maria, mater Dei K. 273 (Lat) Urtext / Ed. H. Federhofer BA 4751-90 ° Vocal score Shorter Sacred Works (Lat) Arrangement for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7523 Score Tantum ergo K. 142 (Anh. 186 d) (Lat) Mozart’s arrangement of Friedrich Zachow’s Tantum Ergo with newly composed Amen Urtext / Ed. H. Federhofer BA 4752-90 ° Vocal score Tantum ergo K. 197 (Anh. 186 e) (Lat) Urtext/ Ed. H. Federhofer BA 4753-90 ° Vocal score Te Deum laudamus K. 141 (66b) (Lat) Urtext / Ed. H. Federhofer BA 4885-90 ° Vocal score Veni Sancte Spiritus K. 47 (Lat) Urtext / Ed. H. Federhofer BA 4883-90 ° Vocal score

New Series: Bärenreiter Female Choir The choral scene is in a state of change! More and more choirs are lacking in male voices and at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of a new series, Bärenreiter Female Choir, arrangements for female choir (mostly SMA) of well-known, frequently-performed works.

Haydn, Joseph (1732-1809)

NEW 2015

Missa brevis Sti Joannis de Deo “Little Organ Mass” (Lat) Arranged for female choir (SMezAA) by H. Breuer BA 5694-90 ° Vocal score Mozart, Wolfgang Amadeus (1756-1791) Missa brevis in D maj K. 194 (186h) (Lat) Arranged for female choir (SMA) by H. Breuer BA 5690-90 ° Vocal score The vocal score is compatible with the performance material of the original work BA 5342. Missa in C “Coronation Mass” K. 317 (Lat) Arranged for female choir (SMA) by H. Breuer BA 5691 Score BA 5691-90 ° Vocal score The vocal score is compatible with the performance material of the original work BA 4880 (arranged without trombones). Missa in C maj “Sparrow Mass” K. 220 (196b) (Lat) Arranged for female choir (SMA) by H. Breuer BA 5693 Score BA 5693-90 ° Vocal score

The vocal score is compatible with the performance material of the original work BA 5343. With great skill and sensitivity to the music, Heribert Breuer carefully retains the substance of the original works, at the same time giving them a completely new sound quality. Pergolesi, Giovanni Battista (1710-1736) Stabat Mater (Lat) Arranged for female choir (SMA) by M. Bruno BA 5692 Score BA 5692-90 ° Vocal score

Vivaldi, Antonio (1648-1741) Gloria RV 589 (Lat) Arranged for female choir (SSAA) by M. Bruno BA 8953 Score BA 8953-90 ° Vocal score The vocal score is compatible with the performance material of the original work BA 7674. Kyrie RV 587 (Lat) Arranged for female choir (SSAA) by M. Bruno BA 8954 Score BA 8954-90 ° Vocal score

The vocal score is compatible with the performance material of the original work BA 7679.

The vocal score is compatible with the performance material of the original work BA 8950.

In this edition, the outer movements and no. 8 are now scored for three-part choir (SMA) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices. The added parts are derived from the existing musical material.

“The Bärenreiter edition is flawless”. (Kirchenmusik im Bistum Aachen)



° = Performance material available on sale

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SACRED AND SECULAR CHORAL WORKS Sacred and Secular Choral Works Mozart, Wolfgang Amadeus (1756-1791) Venite populi K. 260 (248a) (Lat) Urtext / Ed. H. Federhofer BA 4899-90 ° Vocal score

The Claude Palisca Prize 2010

Vesperae solennes de Confessore K. 339 (Lat) Urtext / Ed. K. G. Fellerer, F. Schroeder BA 4894-90 ° Vocal score Vesperae solennes de Dominica K. 321 (Lat) Urtext / Ed. K. G. Fellerer, F. Schroeder BA 4893-90 ° Vocal score Mozart, Wolfgang Amadeus (1756-1791) Handel, George Frideric (1685-1759) Das Alexander-Fest / Alexander’s Feast K. 591 (Ger) Cantata in two parts by G. F. Handel in the arrangement by W. A. Mozart Urtext / Ed. A. Holschneider BA 4527-90  Vocal score The Messiah K. 572 (Ger) Oratorio by G. F. Handel in the arrangement of W. A. Mozart Urtext / Ed. A. Holschneider BA 4529-90  Vocal score Pachelbel, Johann (1643-1706) Magnificat anima mea (Lat) Motet for mixed choir (SATB) and bc BA 2877 ° Singing score Nun danket alle Gott / Now thank we all our God (Ger/Eng) Motet for mixed choir (SATB+ SATB) and bc BA 2873 ° Singing score

Pergolesi, Giovanni Battista (1710-1736)

Rossini, Gioachino (1792-1868)

Missa Romana (Lat) Urtext / Ed. M. Bruno BA 8958-90 ° Vocal score To appear in the summer of 2016

Petite Messe solennelle (Lat) Urtext / Ed. P. B. Brauner, P. Gossett BA 10501-90 ° Vocal score

NEW 2016

This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for a performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.  First publication with choirs

III and IV

 Can be performed with both,

two or four choirs

Stabat Mater (Lat) - Arrangement for female choir (SMA) by M. Bruno Bärenreiter Female Choir BA 5692-90 Vocal score  page 105



“The attractions of this edition are exemplary clarity, price, elegance of the keyboard reduction, and the retention of Pergolesi’s “exact terminology”. (Organist’s Review)

Reger, Max (1873-1916) ° = Performance material available on sale  = Performance material available on hire

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NEW 2016

Sacred Choral Music a cappella (Ger/Lat) Urtext / Ed. M. Chizzali BA 7549 To appear in the spring of 2016

Winner of the Claude Palisca Prize 2010 awarded by the American Musicological Society for Best Musical Edition This edition presents Rossini‘s original chamber music setting of the Petite Messe solennelle for two pianos and harmonium. This unusual instrumentation is entirely in keeping with the Neapolitean keyboard tradition of the 18 th century which was cultivated in France during Rossini‘s day. It forms a distinct contrast to the style of large-scale sacred compositions as written by, for example, Liszt and Bruckner.  Based on the Urtext of

the series Works of Gioachino Rossini

 Foreword (Eng/Ital/Ger)  With a separate

harmonium part and one part for pianos I and II



“… it is very difficult to imagine anyone arriving at a more scholarly, accurate, and practically useful text than this.” (Classics today)

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SACRED AND SECULAR CHORAL WORKS Donnerode TWV 6:3 (Ger) Oratorio in two parts Urtext / Ed. W. Hobohm BA 5900-90  Vocal score

Sacred and Secular Choral Works Saint-Saëns, Camille (1835-1921)

Du aber, Daniel, gehe hin (Ger) Funeral cantata for soloists (SB), mixed choir (SATB), flute, oboe, strings and organ Ed. G. Fock BA 3583 ° Score BA 3583-91 Choral score

Oratorio de Noël / Christmas Oratorio op. 12 (Lat) - Arrangement for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7514 Score  page 93 Schubert, Franz (1797-1828) German Mass D 872 (Ger) Second definitive version Urtext / Ed. M. Kube BA 7599-90 ° Vocal score Missa A-flat maj D 678 (Lat) Urtext / Ed. D. Finke-Hecklinger BA 5623-90 ° Vocal score Missa in C maj op. 48 D 452 (Lat) Urtext / Ed. P. Scattolin BA 5622-90 ° Vocal score Missa in F maj D 105 (Lat) Urtext / Ed. T. Pecker Berio BA 5624-90 ° Vocal score Missa in G maj D 167 (Lat) - Arrangement for soloists (SATB), mixed choir (SATB) and organ Choir&Organ series BA 7512 Score  page 93 Schütz, Heinrich (1585-1672) Geistliche Chor-Music Urtext / Based on Werner Breig’s edition published in The New Schütz Edition The five-part motets (Nos. 1-12, SWV 369-380) BA 5901 Score The six and seven-part motets (nos. 13-29, SWV 381-397) BA 5902 Score ° = Performance material available on sale  = Performance material available on hire

108

Telemann, Georg Philipp (1681-1767) Der Tod Jesu TVWV 5:6 (Ger) Urtext / Ed. W. Hobohm BA 5853-90 Vocal score

Gelobet sei der Herr (Ger) Oratorio for St. Johns Day Urtext / Ed. U. Poetzsch TWV 1:602/1216 BA 5899-90  Vocal score Der jüngste Tag wird bald sein Ziel erreichen / The Last of Days shall reach its destination TWV 1:301 (Ger/Eng) Cantata for the Second Advent Urtext / Ed. U. Poetzsch-Seban BA 7671-90 ° Vocal score

Verdi, Giuseppe (1813-1901) Messa da Requiem (Lat) Urtext / Ed. M. Uvietta BA 7590-90 ° Vocal score In this new scholarly-critical edition of the Messa da Requiem, the editor, on the basis of all available sources, succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for voice and piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions. This edition presents a detailed Critical Commentary as well as a preface on the genesis and history of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems.

 Verdi’s monumental work

in a Bärenreiter Urtext edition

 Trilingual preface

(Ital/Eng/Ger)

 Detailed Critical

Commentary (Eng)

 Idiomatic well-presented

piano reduction



“… Obviously, this is the latest and most comprehensive edition and the one that should supplant all others on music library shelves.” (The American Organist)

POPULAR CHORAL MUSIC Vivaldi, Antonio (1678-1741)

Popular Choral Music

Gloria RV 589 (Lat) Urtext / Ed. M. Bruno BA 7674-90 ° Vocal Score - Arrangement for female choir (SSAA). Ed. M. Bruno Bärenreiter Female Choir BA 8953-90 ° Vocal Score  page 105 Introduzione al Gloria. Gloria in D maj RV 642, 589 (Lat) - Arrangement for soloists (SATB), choir (SATB) and organ Choir&Organ series BA 7515 Score  page 93 Kyrie RV 587 (Lat) Ed. M. Bruno BA 8950-90 ° Vocal score - Arrangement for female choir (SSAA). Ed. M. Bruno Bärenreiter Female Choir BA 8954-90 ° Vocal Score  page 105

Christmas a cappella for mixed choir (SATB) Ed. G. Buckland BA 7573 Christmas for female voices Ed. G. Buckland BA 7598  Collection of international

Christmas songs for female voice choir

Magnificat RV 610/611 (Lat) arranged for soloists (SATB), choir (SATB) and organ Choir&Organ series BA 7516 Score  page 93

 For two to three parts with





Zelenka, Jan Dismas (1679-1745)

NEW 2016

Missa Divi Xaverii ZWV 12 (Lat) for soloists, mixed choir and orchestra Urtext / Ed. V. Kapsa, V. Luks BA 9594-90  Vocal score To appear in the spring of 2016

piano accompaniment

 Traditional as well as more

popular settings

A child this day is born / Es ist ein Ros entsprungen / Entre le boeuf / Joy to the world / Les anges de nos campagnes / O Heiland, reiß die Himmel auf / Orientis partibus / Quando nascette ninno / The carol of the drum / The first nowell

64 Spirituals a cappella Song texts Eng. For mixed choir (SATB to 10 parts) Ed. G. Buckland BA 7574 This collection offers a treasure trove of the most beautiful gospel and spiritual numbers which every choir will want to sing over again and again. The arrangements are varied in character and the melody moves through the different voice parts. The scoring ranges from simple four-part writing to sonorous ten-part textures.

33 Spirituals for Upper Voices Song texts Eng. For SMezA Ed. G. Buckland BA 7572 This edition offers exciting original arrangements that have never before appeared in print, written in an authentic idiom for two women’s or girls’ voices with piano accompaniment. All the arrangements can be combined with the already published edition 64 Spirituals (BA 7574) which is for SATB. To give you an example: a children’s choir working with our new edition can appear with a mixed chorus that has already mastered the settings of BA 7574. In addition twelve of the arrangements can be enhanced by instrumental accompaniments. These are to be found in the ComboCom series Spirituals edition (BA 6699  page 91) which offers flexible instrumental settings. Münden, Gerd-Peter (*1966) Six Motets for Christmas for mixed choir (SSATBB) (Ger/Eng) BA 8957 BA 8957-91

Full score Choral score mixed choir BA 8957-97 Choral score for children’s choir (SSA), equal-voice choir This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults’ or children’s choir.

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STAGE WORKS Stage Works Beethoven, Ludwig van (1770-1827) Fidelio (Ger) Libretto by J. Sonnleithner, F. Treitschke Urtext / Ed. H. Lühning, R. Didion BA 9011-90  Vocal score Berlioz, Hector (1803-1869) Orphée (Fr/Ger) Arrangement of Christoph Willibald Gluck’s “Orphée et Euridice” Libretto by P.-L. Moline Urtext / Ed. J.-M. Fauquet BA 5462-90  Vocal score Bizet, Georges (1838-1875) Carmen (Fr/Ger) Libretto by H. Meilhac, L. Halévy Urtext / Ed. F. Oeser AE 129-90  Vocal score

Gluck, Christoph Willibald (1714-1787) Alceste (Fr/Ger) NEW 2015 Paris version 1776 Tragédie-opéra in three acts Libretto by Gand Lebland Du Roullet after R. de' Calzabigi Urtext / Ed. R. Gerber BA 5848-90  Vocal score, revised edition Armide (Fr/Ger) Drame héroïque in five acts Libretto by Ph. Quinault Urtext / Ed. K. Hortschansky BA 2302-90 Vocal score NEW 2016 BA 5846-90  Vocal score, revised edition in preparation Iphigenie auf Tauris (Ger) Musical drama in four acts Vienna version 1781 Libretto by N.-F. Guillard Urtext / Ed. G. Croll BA 2281-90 Vocal score NEW 2016 BA 5843-90  Vocal score, revised edition in preparation Iphigénie en Tauride (Fr/Ger) Tragédie in four acts Paris version 1779 Libretto by N.-F. Guillard Urtext / Ed. G. Croll BA 2287-90 Vocal score NEW 2016 BA 5847-90  Vocal score, revised edition in preparation

Chabrier, Emmanuel (1841-1894) L’Étoile (Fr/Ger) Opéra bouffe in three acts Libretto by E. Leterrier, A. Vanloo Urtext / Ed. H. Macdonald BA 8708-90  Vocal score  Authoritative Urtext edition

based on the series L’Opéra français

Dvořák, Antonín (1841-1904) Rusalka op. 114 (Cz/Ger/Eng) Libretto by J. Kvapil Urtext / Ed. J. Burghauser BA 9510-90  Vocal score

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Orfeo ed Euridice (Ital/Ger) Vienna version 1762 Azione teatrale per musica in three acts Libretto by R. de’ Calzabigi Urtext / Ed. A. A. Abert, L. Finscher BA 5845-90  Vocal score, revised edition Orphée et Euridice (Fr/Ger) Paris version 1774 Tragédie-opéra (Drame héroïque) in three acts Libretto by P.-L. Moline based on R. de’ Calzabigi Urtext / Ed. L. Finscher BA 2282-90  Vocal score, revised edition

Gounod, Charles François (1818-1893) NEW 2016 Faust (Margarete) (Fr/Ger) Opera in five acts Libretto by J. Barbier, M. Carré Urtext / Ed. P. Prévost BA 8713-90  Vocal score in preparation

NEW 2015

Handel, George Frideric (1685-1759) Agrippina HWV 6 (Ital/Ger) Opera in three acts Libretto by V. Grimani Urtext / Ed. J. E. Sawyer BA 4092-90  Vocal score Alcina HWV 34 (Ital/Ger) Opera in three acts Libretto by A. Fanzaglia after L. Ariosto, arranged by A. Marchi Urtext / Ed. S. Flesch BA 4061-90  Vocal score Almira, Königin von Kastilien HWV 1 (Ital/Ger) Opera in three acts Libretto by F. C. Feustking after G. Pancieri Urtext / Ed. D. Schröder BA 4050-90  Vocal score Ariodante HWV 33 (Ital/Ger) Opera in three acts Libretto by A. Salvi after L. Ariosto Urtext / Ed. D. Burrows BA 4079-90  Vocal score Arminio HWV 36 (Ital/Ger) Opera in three acts Libretto after A. Salvi Urtext / Ed. M. Pacholke BA 4100-90  Vocal score

STUDY SCORES

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111 $ESIGNED BY $7 #RE TIVE AND TAKE OFF ¯ MEDIA SERVICES

STAGE WORKS Handel, George Frideric (1685-1759)

Stage Works Handel, George Frideric (1685-1759) Giulio Cesare in Egitto HWV 17 (Ital/Ger) Libretto by N. F. Haym after G. F. Bussani Urtext / Ed. F. Zschoch BA 4078-90  Vocal score

Rinaldo (1711) HWV 7a (Ital/Ger) Libretto by G. Rossi Urtext / Ed. D. R. B. Kimbell BA 4033-90  Vocal score Rodelinda, Regina de’ Longobardi HWV 19 (Ital/Ger) Libretto by N. F. Haym Urtext / Ed. A. V. Jones BA 4064-90  Vocal score Serse / Xerxes HWV 40 (Ital/Ger) Anonymous libretto after N. Minato, S. Stampiglia Urtext / Ed. T. Best BA 4076-90 Vocal score

NEW 2016

Janáček, Leoš (1854-1928) Osud / Fate (Cz/Ger) Three novel-like scenes by F. Bartošová Urtext / Ed. J. Zahrádka BA 9562-90  Vocal Score

Lucio Cornelio Silla HWV 10 (Ital/Ger) Opera in three acts Libretto by G. Rossi Urtext / Ed. T. Best BA 10701-90  Vocal score in preparation The libretto of Handel’s shortest opera is based on Plutarch’s account of the life of the cruel Roman consul and dictator Lucius Cornelius Sulla. He was a figure who went down in history above all for his reign of terror, his libertine life-style and his unexpected abdication and withdrawal to private life. As Sulla voluntarily declined his rulership, Handel was able to provide a lieto fine – the happy ending typical of Baroque opera.  Urtext edition based on

the Halle Handel Edition

 Comprehensive bilingual

Foreword (Ger/Eng)

 Uncluttered, idiomatic

piano reduction

 Singing translation in

German by P. Brenner

112

Monteverdi, Claudio (1567-1643) L’Orfeo (Ital) Favola in musica in one prologue and five acts Libretto by A. Striggio jun. Urtext / Ed. R. Alessandrini BA 8793-90 Vocal score Mozart, Wolfgang Amadeus (1756-1791) Die Entführung aus dem Serail / The Abduction from the Seraglio K. 384 (Ger) Libretto by J. G. Stephanie d. J. after C. F. Bretzner Urtext / Ed. G. Croll BA 4591-90  Vocal score TP 311 Study score Facsimile edition ISBN 978-3-7618-1881-7  page 131 Ascanio in Alba K. 111 (Ital/Ger) Libretto by G. Parini Urtext / Ed. L. F. Tagliavini BA 4504-90  Vocal score Bastien and Bastienne K. 50 (46b) (Ger) Libretto by F. W. Weiskern, J. H. F. Müller, J. A. Schachtner Urtext / Ed. R. Angermüller BA 4570-90 Vocal score

Mozart, Wolfgang Amadeus (1756-1791) La clemenza di Tito K. 621 (Ital/Ger) Libretto by C. Mazzolà after P. Metastasio Urtext / Ed. F. Giegling BA 4554-90 Vocal score TP 321 Study score Facsimile edition ISBN 978-3-7618-1886-2  page 131 Così fan tutte ossia La scuola degli amanti K. 588 (Ital/Ger) Libretto by L. Da Ponte Urtext / Ed. F. Ferguson, W. Rehm BA 4606-90  Vocal score (hardback) TP 314 Study score Facsimile edition ISBN 978-3-7618-1884-8  page 131 Il dissoluto punito ossia il Don Giovanni K. 527 (Ital/Ger) Libretto by L. Da Ponte Urtext / Ed. W. Plath, W. Rehm BA 4550-90  Vocal score TP 279 Study score Facsimile edition ISBN 978-3-7618-1883-1  page 131 La finta giardiniera K. 196 (Ital/Ger) Libretto by G. Petrosellini Urtext / Ed. R. Angermüller, D. Berke BA 4578-90  Vocal score (hardback) Idomeneo K. 366 (Ital/Ger) Libretto by G. Varesco Urtext / Ed. D. Heartz BA 4562-90  Vocal score (hardback) TP 322 Study score Facsimile edition ISBN 978-3-7618-1880-0  page 131  = Performance material available on hire

STAGE WORKS Mozart, Wolfgang Amadeus (1756-1791) Le nozze di Figaro / The Marriage of Figaro K. 492 (Ital/Ger) Libretto by L. Da Ponte Urtext / Ed. L. Finscher - German singing translation by K. Honolka BA 4565-90  Vocal score

Rameau, Jean-Philippe (1683-1764) Les Fêtes de l’Hymen et de l’Amour (Fr) Ballet héroïque in a prologue and three entrées Libretto by L. de Cahusac Ed. T. Soury BA 8858-90  Vocal score

Facsimile edition ISBN 978-3-7618-1885-5  page 131 Mozart’s Seven Great Operas in a boxed set TP 601  page 126

 Urtext edition based on the

New Schubert Edition  Detailed foreword (Ger/Eng)

Rossini, Gioachino (1792-1868) Il barbiere di Siviglia / The Barber of Seville Libretto by C. Sterbini after P.-A. C. de Beaumarchais Urtext / Ed. P. B. Brauner BA 10506-92  Vocal score (Ital/Eng) BA 10506-90  Vocal score (Ital/Ger) TP 411 Study score  Urtext edition based on

the series Works of Gioachino Rossini

 All versions and

Offenbach, Jacques (1819-1880) La Belle Hélène (Fr/Ger) Libretto by H. Meilhac, L. Halévy Ed. R. Didion AE 511-90  Vocal score Rameau, Jean-Philippe (1683-1764) Dardanus (version 1739) (Fr) Tragédie in a prologue and five acts. Libretto by C.-A. Le Clerc de la Bruère Ed. D. Herlin BA 8854-90  Vocal score

NEW 2015

Fierabras D 796 (Ger) Heroic-romantic opera in three acts Libretto by J. Kupelwieser Urtext / Ed. Th. A. Denny, C. Martin BA 5557-90  Vocal score

Facsimile edition ISBN 978-3-7618-1882-4  page 131

Die Zauberflöte / The Magic Flute K. 620 (Ger) Libretto by E. Schikaneder Urtext / Ed. G. Gruber, A. Orel BA 4553-90  Vocal score TP 155 Study score

Prima la musica e poi le parole (Ital/Ger) Divertimento teatrale in one act Operetta for four voices Libretto by G. Casti Urtext / Ed. T. Betzwieser BA 8811-90  Vocal score Schubert, Franz (1797-1828)

- German singing translation by N. Brieger / F. Layer BA 4565-92  Vocal score (hardback) TP 320 Study score

Zaide (Das Serail) K. 344 (336b) (Ger) Libretto by J. A. Schachtner, arranged by W. Oehlmann Urtext / Ed. F. H. Neumann BA 4510-90  Vocal score

Salieri, Antonio (1750-1825)

transpositions included in the appendix

 English and German

by Christine Martin, including information on the work’s genesis, reception and performance history

 Uncluttered idiomatic

piano reduction

Schubert, Franz (1797-1828)

NEW 2016

Rosamunde, Fürstin von Cypern D 797 (Ger) Romantisches Schauspiel in four acts with instrumental accompaniment, choruses and dances Libretto by H. v. Chézy Urtext / Ed. C. Martin, W. Dürr BA 5570-90  Vocal score in preparation

singing translations

The two versions of the vocal score present revised and modernised singing translations in English and German respectively. All the appendices of the full score are included in the vocal scores. These offer variants on individual arias, additional numbers composed for particular performances and the transposed versions of numbers 5, 6 and 11.

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SOLO VOICE Solo Voice The Techniques of Singing (Ger/Eng) ISBN 978-3-7618-1861-9  page 133 Singing Opera in Germany  page 132

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“Taken together, these four volumes constitute a minicourse in the singing of Bach arias for all voice types. They would be an excellent addition to all studio and music school libraries.” (Journal of Singing)

Berlioz, Hector (1803-1869)

Ave Maria, gratia plena Ave Maria settings for solo voice and organ (Lat) Ed. P. Wagner BA 8250

Mélodies pour voix haute et piano (Fr) Songs for high voice and piano With English and German song text translations Urtext / Ed. I. Rumbold

Bach, Johann Sebastian (1685-1750)

Volume I: BA 5984 Volume II: BA 5985

“Alles mit Gott und nichts ohn’ ihn” BWV 1127 (Ger) Aria for solo soprano, two violins, viola and continuo. Urtext / Ed. M. Maul BA 5246 Performing score Facsimile edition ISBN 978-3-7618-1870-1  page 128

Les nuits d’été (Fr) Six mélodies avec un petit orchestre for high voice and piano With English and German song text translations Urtext / Ed. I. Kemp BA 5784-90  Vocal score Les nuits d’été (Fr) Six mélodies avec un petit orchestre for medium voice and piano. With English and German song text translations Urtext / Ed. I. Kemp BA 5786-90  Vocal score

Dvořák, Antonín (1841-1904) Rusalka’s Song to the Moon (Cz/Ger/Eng) for soprano and piano Text by J. Kvapil H 4460 Vocal score Handel, George Frideric (1685-1759) Aria Albums from Handel’s Operas (Ital) Urtext. Selected and with a foreword by D. Burrows With English and German song text translations - Female Roles for High Voice Recitatives and arias from: Alcina, Ariodante, Giulio Cesare in Egitto, Imeneo, Riccardo primo, Rinaldo, Serse (Xerxes), Tamerlano, Tolomeo, Re d’Egitto BA 4295 - Male Roles for High Voice Recitatives and arias from: Alcina, Ariodante, Giulio Cesare in Egitto, Imeneo, Lotario, Radamisto, Rinaldo, Rodelinda, Serse (Xerxes), Tamerlano BA 4296

Biblical Songs op. 99 (Cz/Eng/Ger) for voice and piano H 1758 Soprano (Tenor) H 1560-97 Alto (Baritone)

- Mezzo-Soprano and Contralto Recitatives and arias from: Amadigi, Ariodante, Ezio, Flavio, Giulio Cesare in Egitto, Lotario, Orlando, Radamisto, Rinaldo, Rodelinda, Serse (Xerxes), Tamerlano BA 10253

The Aria Book. Based on the Urtext of the New Bach Edition Ed. C. Lehmann

Cypřiše / Cypresses B 11 (Cz) for tenor and piano Song cycle based on texts of G. Pfleger-Moravský Urtext / Ed. A. Frese BA 9569

- Tenor Recitatives and arias from: Alcina, Ariodante, Ezio, Lotario, Rodelinda, Rodrigo, Tamerlano BA 10254

Each volume contains a detailed booklet in English with notes on performance practice and suggestions for teaching

Gypsy Songs op. 55 (Cz/Eng/Ger) for voice and piano H 1559 Tenor (Soprano) H 1739 Alto (Baritone)

Dvořák, Antonín (1841-1904)

Soprano Alto Tenor Basso

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BA 5211-04 BA 5212-04 BA 5213-04 BA 5214-04

Moravian Duets op. 20, 32, 38 (Cz/Ger/Eng) for two solo voices and piano H 337 Full score

- Bass Recitatives and arias from: Ariodante, Deidamia, Ezio, Giulio Cesare in Egitto, Imeneo, Lotario, Orlando, Radamisto, Riccardo Primo, Rodelinda, Serse (Xerxes), Tolomeo BA 10255

SOLO VOICE Handel, George Frideric (1685-1759) Duets, Trios and Ensemble Scenes from Handel’s Operas (Ital) Urtext. Selected and with a foreword by D. Burrows 12 duets from: Ariodante, Flavio, Giulio Cesare in Egitto, Orlando, Rinaldo, Rodelinda, Sosarme, Tamerlano, Tolomeo and 3 trios/ensemble scenes from: Alcina, Imeneo, Tamerlano BA 4297 Chamber Duets for Soprano and Alto (Ital) Urtext / Ed. K. Musketa Realization of bc by C. Harer BA 10257 Gloria HWV deest (Lat) for solo soprano, two violins and bc Urtext / Ed. H. J. Marx BA 4248-90 ° Vocal score

Mozart, Wolfgang Amadeus (1756-1791)

The Aria Book Based on the Urtext of the New Mozart Edition Ed. C. Lehmann

Concert Arias Compilation and foreword by T. Seedorf Notes and suggestions on performance practice by T. Seedorf and U. Kremp Urtext 

Each volume contains a detailed booklet in English with notes on performance practice and suggestions for teaching. Soprano BA 5371-04 Volume 1 BA 5372 Volume 2 (without booklet) Alto BA 5374 Complete Songs for high voice (Ger) With English song text translations Urtext / Ed. E. A. Ballin BA 5330

Concert Arias for high soprano BA 9181

Nine German Arias HWV 202-210 (Ger) for soprano, one solo instrument and bc Urtext / Ed. W. SiegmundSchultze BA 4245 Score with parts Nine Amen and Halleluja Movements, HWV 269-277 for soprano and bc Urtext / Ed. S. Blaut Realization of bc by C. Harer BA 10256 Mendelssohn Bartholdy, Felix (1809-1847) Lieder for high and medium voice and piano (Ger) With English song text translations Urtext / Ed. E. Asti BA 9085



“For all those who love Lieder this publication is of the highest importance – a treasure trove in fact. These days there are few publications of nineteenth century music that might be termed indispensable.” (Graham Johnson)

Concert Arias for soprano BA 9182 Concert Arias for low soprano and alto BA 9183 Concert Arias for tenor BA 9184 Concert Arias for bass BA 9185

Complete Songs for medium voice (Ger) With English song text translations Urtext / Ed. E. A. Ballin BA 5328

 Arrangement of arias

according to voice type

 Underlaid text presented in

the original language only

Exsultate, jubilate K. 165 (158 ) (Lat) with additional material from the Salzburg version Urtext / Ed. H. Federhofer, R. Münster BA 4897-90 ° Vocal score a

 All aria texts are translated

into German and English and are printed separately

Pergolesi, Giovanni Battista (1710-1736) Stabat mater (Lat) for soprano, alto, strings and bc Urtext / Ed. M. Bruno, C. Ritchie BA 7679-90 ° Vocal score

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SOLO VOICE Solo Voice

Volume 3 From Der Wanderer an den Mond (op. 80,1) to Iphigenia (op. 98,3), including Winterreise (op. 89) BA 9103 high BA 9123 medium BA 9143 low Volume 4 Op. 105-108; D 906-990C (incl. Schwanengesang D 957) BA 9104 high BA 9124 medium BA 9144 low

Schubert, Franz (1797-1828) Auf dem Strom D 943 (Ger) op. post. 119 for high voice, horn (violoncello) and piano Urtext / Ed. W. Dürr BA 5635 Der Hirt auf dem Felsen / The Shepherd on the Rock D 965 (Ger) op. post. 129 for high voice, clarinet and piano Urtext / Ed. W. Dürr BA 5619

Lieder To be published in 13 volumes (Ger) Urtext / Ed. W. Dürr With a prefatory note (Ger/Eng) by C. Prégardien and A. Staier. With English song text translations. Volume 1 From Erlkönig (op. 1) to Die schöne Müllerin (op. 25) BA 9101 high BA 9121 medium BA 9141 low Volume 2 From Ariette (Rosamunde op. 26) to Die Allmacht (op. 79,2) BA 9102 high BA 9122 medium BA 9142 low

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Volume 5 from Hagars Klage (D 5) to Der Geistertanz (D 116) BA 9105 high BA 9125 medium BA 9145 low Volume 6 from Nachtgesang (D 119) to Sehnsucht der Liebe (D 180) BA 9106 high BA 9126 medium BA 9146 low

Winterreise op. 89 D 911 (Ger) Urtext / Ed. W. Dürr The Appendix includes Wasserflut, Rast, Mut and Der Leiermann in Schubert’s original keys. BA 9118 high BA 9138 medium BA 9158 low

Famous Song Cycles by Schumann  All songs in their original

keys

 Comprehensive forewords

(Eng/Ger) and Critical Commentaries (Ger)

 Including English

translations of the lied texts by Richard Stokes (The Book of Lieder) printed separately

Volume 7 from Die erste Liebe (D 182) to Wer kauft Liebesgötter (D 261) BA 9107 high BA 9127 medium BA 9147 low

W 2016

NE Volume 8 from Fröhlichkeit (D 262) to Klage des Ceres (D 323) BA 9108 high BA 9128 medium BA 9148 low in preparation

Die schöne Müllerin op. 25 D 795 (Ger) Urtext / Ed. W. Dürr BA 9117 high BA 9137 medium BA 9157 low Schwanengesang D 957 / D 965 A (Ger) Urtext / Ed. W. Dürr BA 9116 high BA 9136 medium BA 9156 low

Schumann, Robert (1810-1856) Dichterliebe op. 48 (Ger) Urtext / Ed. H. Ewert BA 7851 This edition is based on the first edition. It takes Schumann’s autograph score into consideration. The four lieder omitted by Schumann from the printed edition are included in the appendix. Frauenliebe und Leben op. 42 (Ger) Urtext / Ed. H. Ewert BA 7854

SOLO VOICE / ORCHESTRAL WORKS

Schumann, Robert

Orchestral Works

Schumann, Robert (1810-1856)

available on sale

Liederkreis by H. Heine op. 24 (Ger) Urtext / Ed. W. H. Ewert BA 7852

- No. 2 in D maj op. 36 BA 9002 °

W 2015

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1. In der Fremde / 2. Intermezzo / 3. Waldesgespräch / 4. Die Stille / 5. Mondnacht / 6. Schöne Fremde / 7. Auf einer Burg / 8. In der Fremde / 9. Wehmut / 10. Zwielicht / 11. Im Walde / 12. Frühlingsnacht

Spohr, Louis (1784-1859) Six German Songs op. 103 (Ger) for voice, clarinet and piano Ed. F. O. Leinert BA 7571 Score with part

The Nine Symphonies Urtext / Ed. J. Del Mar - No. 1 in C maj op. 21 BA 9001 °

NE Liederkreis von Joseph Freiherrn von Eichendorff op. 39 (Ger) Urtext / Ed. H. Ewert BA 7853 Schumann’s Liederkreis, after poems by Joseph von Eichendorff, comprises settings of twelve texts with the common motif of being far from home. Our new edition presents the work in its definitive form published in the second edition of 1850, while taking into account Schumann’s autograph manuscript and other relevant sources. The detailed Foreword brings out the special nature of this cycle. Alternative readings from the autograph offer valuable suggestions for a nuanced performance.

Beethoven, Ludwig van (1770-1827)

- No. 3 in E-flat maj op. 55 “Eroica” BA 9003 ° - No. 4 in B-flat maj op. 60 BA 9004 ° - No. 5 in C min op. 67 BA 9005 ° Bach, Johann Sebastian (1685-1750) Overtures Urtext / Ed. H. Besseler, H. Grüss Overture in C maj BWV 1066 BA 5252 ° Overture in B min BWV 1067 BA 5253 °

- No. 6 in F maj op. 68 “Pastoral” BA 9006 ° - No. 7 in A maj op. 92 BA 9007 ° - No. 8 in F maj op. 93 BA 9008 ° - No. 9 in D min op. 125 BA 9009 ° Critical Commentaries available separately

Overture in D maj BWV 1068 BA 5254 ° Overture in D maj BWV 1069 BA 5255 ° Bärenreiter’s edition of Bach’s great four suites presents the Urtext as found in the New Bach Edition i.e. without emendations and performance suggestions. The material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a Violino concertato part.  With fully realized continuo

° = Performance material available on sale

The Nine Symphonies Urtext / Ed. J. Del Mar Boxed set of conducting scores BA 9000 Special price

117

ORCHESTRAL WORKS Debussy, Claude (1862-1918)

Orchestral Works

Prélude à l’après-midi d’un faune / Prelude to the Afternoon of a Faun Urtext / Ed. D. Woodfull-Harris BA 8841 °

Beethoven, Ludwig van (1770-1827) Concerto No. 1 in C maj for Pianoforte and Orchestra op. 15 Urtext / Ed. J. Del Mar BA 9021 °

Dvořák, Antonín (1841-1904)



“This new edition is highly recommended to pianists, conductors, and musicologists alike. Bärenreiter has long held the reputation for printing readable publications and for getting things right. Jonathan Del Mar’s scholarship and careful editing have made this a superb publication.” (The Conductors Guild)



“… an unencumbered score which is sheer bliss ...” (Piano Journal)

Concerto No. 2 in B-flat maj for Pianoforte and Orchestra op. 19 Urtext / Ed. J. Del Mar BA 9022 °



“… superlative edition by editor Jonathan Del Mar ...” (Piano Journal) Concerto No. 3 in C min for Pianoforte and Orchestra op. 37 BA 9023 °

Concerto no. 4 in G maj for Pianoforte and Orchestra op. 58 Urtext / Ed. J. Del Mar BA 9024 ◦ 2015

NEW

Concerto no. 5 in E-flat maj for Pianoforte and Orchestra op. 73 “Emperor” Urtext / Ed. J. Del Mar BA 9025 ◦ Concerto in D maj for Violin and Orchestra op. 61 Urtext / Ed. J. Del Mar BA 9019 ° Critical commentaries available separately.

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Symphony No. 7 in D min op. 70 Urtext / Ed. J. Del Mar BA 10417 ° Debussy, Claude (1862-1918) La Mer Trois esquisses symphoniques Urtext / Ed. D. Woodfull-Harris BA 7880 ° La Mer, which is an impressionistic work through and through, was composed between 1903-1905. Debussy, however, refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913. This source has only recently come to light and has been evaluated for the very first time for this edition. The editor has also drawn on several other important sources which were previously unavailable or unknown. This scholarly-critical edition is an absolute must for conductors, orchestras and librarians.  New Urtext edition with

numerous corrections in comparison to other editions

 Important sources which

were previously inaccessible have been taken into account

 Score and orchestral parts

with an impeccable, generous layout

Dvořák’s Symphony No. 7 was commissioned by the Royal Philharmonic Society in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock. The editor of this new scholarly-critical edition has drawn on all the available sources including letters. The original version of the second movement appears in the appendix as well as in the performing material.  First Urtext edition of this

important work

 Contains the original

London version of the second movement

 Includes a foreword

(Cz/Eng/Ger) and a Critical Commentary (Eng)

Elgar, Edward (1857-1934) Variations on an Original Theme “Enigma” for Orchestra op. 36 Urtext / Ed. C. Hogwood BA 9042 °  First Urtext edition of this

popular work

 Critical Commentary (Eng)

with facsimiles

No distribution rights for France.

ORCHESTRAL WORKS Mendelssohn Bartholdy, Felix (1809-1847) - The Hebrides, Concert Overture op. 26, 1830/1832 BA 9053 ° - Ruy Blas, Overture op. 95 BA 9054 ° - Overture in C maj for Winds op. 24 BA 9055 °

Fauré, Gabriel (1845-1924) Pavane pour orchestre op. 50 Urtext / Ed. R. Tait BA 7887 ° Score  First edition of the original

version for orchestra

 Large format orchestral

parts (25.5 x 32.5 cm)

- A Midsummer Night's Dream, Concert Overture op. 21 BA 9056 ° - Calm Sea and Prosperous Voyage, Concert Overture op. 27 BA 9057 ° Symphony No. 3 in A min “Scottish” op. 56 Urtext / Ed. C. Hogwood BA 9093 °  Includes the published

Handel, George Frideric (1685-1759) Music for the Royal Fireworks HWV 351 Urtext / Ed. C. Hogwood, T. Best BA 4299 ° Water Music HWV 348-350 Urtext / Ed. C. Hogwood, T. Best BA 4298 °  Urtext of the Halle Handel

Edition  Detailed prefaces (Ger/Eng)

Mendelssohn Bartholdy, Felix (1809-1847) The Great Overtures Urtext / Ed. C. Hogwood - Die schöne Melusine / The Fair Melusina op. 32 BA 9051 ° - Overture in C maj “Trumpet Overture” op. 101 BA 9052 °

version authorised by the composer and the London versions of the 1st and 4th movements

 With facsimile pages and

informative foreword (Eng/Ger)

Symphony No. 4 in A maj “Italian” op. 90 Urtext / Ed. C. Hogwood BA 9094 °  With the well-known early

version, and the composer’s revised version

Symphony No. 5 in D maj “Reformation” op. 107 Urtext / Ed. C. Hogwood BA 9095 °  All known sources taken

into account, with the inclusion of some of the cuts made after the first performance

Mozart, Wolfgang Amadeus (1756-1791) Opera Overtures Le nozze di Figaro / The Marriage of Figaro K. 492 Urtext / Ed. L. Finscher BA 8801 ° Don Giovanni K. 527 Urtext / Ed. W. Plath, W. Rehm BA 8802 ° Così fan tutte K. 588 Urtext / Ed. F. Ferguson, W. Rehm BA 8803 ° Idomeneo K. 366 Urtext / Ed. D. Heartz BA 8804 ° La clemenza di Tito K. 621 Urtext / Ed. F. Giegling BA 8805 ° Die Zauberflöte / The Magic Flute K. 620 Urtext / Ed. G. Gruber, A. Orel BA 8806 ° Die Entführung aus dem Serail / The Abduction from the Seraglio K. 384 Urtext / Ed. G. Croll, D. Woodfull-Harris BA 8807 °

Symphonies Bärenreiter offers the sales material to the complete Mozart symphonies with the Urtext of the New Mozart Edition. Symphony in G min No. 25 K. 183 Urtext / Ed. H. Beck BA 4748 ° Symphony in A maj No. 29 K. 201 Urtext / Ed. H. Beck BA 4722 ° Symphony in D maj “Haffner” No. 35, K. 385 Urtext / Ed. C. H. Mahling BA 4781 °

° = Performance material available on sale

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ORCHESTRAL WORKS Orchestral Works Mozart, Wolfgang Amadeus (1756-1791) Symphony in C maj “Linz” No. 36, K. 425 Urtext / Ed. F. Schnapp BA 4704 ° Symphony in D maj “Prague” No. 38, K. 504 Urtext / Ed. L. Somfai BA 4766 °

Ravel, Maurice (1875-1937) Tzigane Rhapsody for Violin and Orchestra Urtext / Ed. D. Woodfull-Harris BA 8849 °  page 51 This Urtext edition presents the first scholarly-critical edition of Ravel’s masterpiece. No distribution rights for France, Italy, and Spain.

Symphony in E-flat maj No. 39, K. 543 Urtext / Ed. H. C. Robbins Landon BA 4723 °

Smetana, Bedřich (1824-1884) Vltava / The Moldau Urtext / Ed. H. Macdonald With a preface by O. Mojžíšová BA 9558 ° Score

Symphony in G min No. 40, K. 550. First version Urtext / Ed. H. C. Robbins Landon BA 4710, BA 4724 ° Symphony in G min No. 40, K. 550. Second version Urtext / Ed. H. C. Robbins Landon BA 4724 ° Symphony in C maj “Jupiter” No. 41, K. 551 Urtext / Ed. H. C. Robbins Landon BA 4703 ° Ravel, Maurice (1875-1937) Pavane pour une infante défunte pour orchestre Urtext / Ed. R. Back, D. Woodfull-Harris BA 9044 ° This first critical edition of the Pavane traces the history of the composition. It takes into account the autograph score of the 1909 orchestral version, the numerous reissues until Ravel's death as well as the orchestral recordings made during his lifetime under his auspices. No distribution rights for France, Italy and Spain.

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Rossini, Gioachino (1792-1868) Il barbiere di Siviglia / The Barber of Seville Overture Urtext / Ed. P. Brauner BA 10546 ° The Urtext edition of this popular overture reproduces this famous work in the version which Rossini intended and is free of later additions to the instrumentation and other changes. Conductors can now choose to perform the overture to The Barber of Seville without the frequently added second flute, second oboe and drums, which were not part of the opera‘s original instrumentation.  First Urtext edition of this

Vltava (The Moldau) is Smetana's most famous and frequently performed tone poem. It was written between 20 November and 8 December 1874, but only in 1879-1880, with the completion of the entire cycle Má vlast did it appear in print, when Urbánek issued it in full score and a version for piano duet. Owing to the large number of misprints in the Urbánek first edition, Hugh Macdonald has based his new edition on the autograph score, with cross-references to the first edition and the composer's own version for piano duet.  New Urtext edition with

clear and uncluttered engraving

 Informative foreword

(Cz/Eng/Ger) including a contribution by Smetana scholar Olga Mojžíšová

 Includes a detailed Critical

Commentary (Eng)

popular overture

 Foreword (Ger/Eng/Ital)  Optimal page-turns

incorporated

° = Performance material available on sale

STUDY SCORES Study Scores Bach, Johann Sebastian (1685-1750)

Johann Sebastian Bach The Complete Cantatas, Chorales and Motets 19 study scores in paperback

Chamber Music

Complete Piano Works Urtext. 4 study scores in a boxed set TP 2002 Special price The Art of Fugue BWV 1080 Urtext / Ed. H. Diener TP 26 Musical Offering BWV 1079 Urtext / Ed. C. Wolff TP 198

Orchestral Works Six Brandenburg Concertos BWV 1046-1051 Urtext / Ed. H. Besseler TP 9 Concertos for Harpsichord BWV 1052-1058 Urtext / Ed. W. Breig TP 410 Double Concerto in D min BWV 1043 for two violins, strings and bc Urtext / Ed. D. Kilian TP 284 Violin Concertos in A min BWV 1041 and in E maj BWV 1042 Urtext / Ed. D. Kilian TP 269

Urtext. Study scores 19 volumes with more than 11,000 pages. Includes an index volume. TP 2004

BWV 61 Nun komm, der Heiden Heiland Urtext / Ed. A. Dürr, W. Neumann TP 1061

Overture No. 2 in B min BWV 1067 Urtext / Ed. H. Grüß TP 193

Cantatas BWV 4 Christ lag in Todes Banden / Christ lay by death enshrouded Urtext / Ed. A. Dürr TP 1004

W 2015

BWV 106 Gottes Zeit ist die allerbeste Zeit / Mighty God, His time is ever best (Actus tragicus) Urtext / Ed. R. Higuchi TP 1106

NE BWV 10 Meine Seel erhebt den Herren Cantata for the Feast of Visitation B. V. M. Urtext / Ed. U. Wolf TP 1010

BWV 140 Wachet auf, ruft uns die Stimme / Wake ye maids! hark, strikes the hour Urtext / Ed. A. Dürr TP 1140

BWV 21 Ich hatte viel Bekümmernis / Lord my God, my heart and soul were sore distrest Urtext / Ed. P. Brainard TP 1021

BWV 143 Lobe den Herrn, meine Seele / Praise thou the Lord, o my spirit Urtext / Ed. A. Glöckner TP 1143

BWV 51 Jauchzet Gott in allen Landen / Praise ye God thruout creation Urtext / Ed. M. Wendt TP 1051

121

STUDY SCORES Study Scores Bach, Johann Sebastian (1685-1750) BWV 147 Herz und Mund und Tat und Leben / Heart and lips, thy whole behaviour Urtext / Ed. U. Wolf TP 1147 BWV 211 Schweigt stille, plaudert nicht / Be quiet, chatter not “Coffee Cantata” Urtext / Ed. W. Neumann TP 1211

Masses, Oratorios Christmas Oratorio BWV 248 Urtext / Ed. W. Blankenburg, A. Dürr TP 85 Magnificat in D maj BWV 243 Urtext / Ed. A. Dürr TP 2 Mass in B min BWV 232 Urtext / Ed. U. Wolf New revised edition TP 1232 St. John Passion BWV 245 Urtext / Ed. A. Mendel TP 197 St. Matthew Passion BWV 244 Urtext / Ed. A. Dürr TP 196 Beethoven, Ludwig van (1770-1827) Concerto in D maj for Violin and Orchestra op. 61 Urtext / Ed. J. Del Mar TP 919 String Quartets op. 18, 1-6 Urtext / Ed. J. Del Mar TP 916  page 80

The standard edition! Ludwig van Beethoven: The Five Piano Concertos Urtext / Ed. J. Del Mar Five study scores in a boxed set

NEW 2015

TP 920 Introductory price until 31 December 2015  Bärenreiter Urtext edition

at the cutting edge of scholarship

 The standard edition for

pianists, students, conductors and libraries

 Attractively priced boxed

set

All study scores also available separately as of January 2016 (TP 921-925) The Nine Symphonies Urtext / Ed. J. Del Mar With an introduction (Ger/Eng) by Barry Cooper - No. 1 in C maj op. 21 TP 901 - No. 2 in D maj op. 36 TP 902 - No. 3 in E-flat maj op. 55 “Eroica” TP 903 - No. 4 in B-flat maj op. 60 TP 904 - No. 5 in C min op. 67 TP 905 - No. 6 in F maj op. 68 “Pastoral” TP 906 - No. 7 in A maj op. 92 TP 907 - No. 8 in F maj op. 93 TP 908

String Quartets op. 59, 1-3 Urtext / Ed. J. Del Mar TP 917  page 80

- No. 9 in D min op. 125 TP 909

String Quartets opp. 74, 95 Urtext / Ed. J. Del Mar TP 918  page 80

The Nine Symphonies 9 study scores in a boxed set TP 900 Special price

122

Berlioz, Hector (1803-1869) Symphonie fantastique Urtext / Ed. N. Temperley TP 331 Brahms, Johannes (1833-1897) Concerto in D maj for Violin and Orchestra op. 77 Urtext / Ed. C. Brown TP 949 Sextet in B-flat maj op. 18 for 2 Violins, 2 Violas and 2 Violoncellos Urtext / Ed. C. Hogwood TP 419  page 83 Sextet in G maj op. 36 for 2 Violins, 2 Violas and 2 Violoncellos Urtext / Ed. C. Hogwood TP 420  page 83 Cavalli, Francesco (1602-1676) La Calisto Urtext / Ed. Á. Torrente TP 891 Enlarged format: 19cm x 27cm

STUDY SCORES Debussy, Claude (1862-1918)

SEE WHAT YOU CAN HEAR!

Prélude à l’après-midi d’un faune / Prelude to the Afternoon of a Faun Urtext / Ed. D. Woodfull-Harris TP 841 String Quartet Urtext / Ed. D. Woodfull-Harris TP 414  page 79 Dvořák, Antonín (1841-1904)

BEETHOVEN’S 9TH SYMPHONY as an app for iPad and iPhone from Deutsche Grammophon and Touch Press in the Bärenreiter edition edited by Jonathan Del Mar

Debussy, Claude (1862-1918) La Mer Trois esquisses symphoniques Urtext / Ed. D. Woodfull-Harris TP 780 This new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, especially in terms of articulation and dynamics. This new edition includes the famous “fanfare” in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.  New Urtext edition with

numerous corrections in comparison to other editions

 Important sources which

www.baerenreiter.com

were previously inaccessible have been taken into account

Cypřiše / Cypresses for string quartet H 2306 String Quartet No. 2 in B-flat maj (B 17) TP 540 String Quartet No. 12 in F maj op. 96 H 1304 String Quintet in G maj op. 77 TP 577 String Quintet in E-flat maj op. 97 Urtext / Ed. F. Bartoš TP 532 The Nine Symphonies Urtext - No. 1 in C min TP 501 - No. 2 in B-flat maj op. 4 TP 502 - No. 3 in E-flat maj op. 10 TP 503 - No. 4 in D min op. 13 TP 504 - No. 5 in F maj op. 76 TP 505 - No. 6 in D maj op. 60 TP 506 - No. 7 in D min op. 70 TP 507

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STUDY SCORES Haydn, Joseph (1732-1809)

Study Scores Dvořák, Antonín (1841-1904) The Nine Symphonies

NEW 2016

- No. 7 Urtext / Ed. J. Del Mar TP 617 in preparation

- No. 8 in G maj op. 88 TP 508 - No. 9 in E min op. 95 TP 509 Elgar, Edward (1857-1934) Concerto in E min for Violoncello and Orchestra op. 85 Urtext / Ed. J. Del Mar TP 398 No distribution rights for France. Fauré, Gabriel (1845-1924) String Quartet op. 121 Urtext / Ed. J. W. Sobaskie TP 412  page 81 No distribution rights for the USA. Franck, César (1822-1890) String Quartet Urtext / Ed. C. Strucken-Paland TP 421  page 81 Handel, George Frideric (1685-1759) Messiah HWV 56 Urtext / Ed. J. Tobin TP 175 Music of the Royal Fireworks HWV 351 Urtext / Ed. C. Hogwood TP 373 Water Music HWV 348-350 Urtext / Ed. T. Best TP 374

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Concerto No. 1 in C maj for Violoncello and Orchestra Hob. VIIb:1 Urtext / Ed. S. Gerlach TP 291 Concerto No. 2 in D maj for Violoncello and Orchestra Hob. VIIb:2 Urtext / Ed. S. Gerlach TP 292 Concerto in E-flat maj for Trumpet and Orchestra Hob. VIIe:1 Urtext / Ed. M. Ohmiya TP 351 Janáček, Leoš (1854-1928) Mša glagolskaja / Glagolitic Mass Final authorised version Urtext / Ed. L. Faltus TP 862  Study score based on the

Complete Critical Edition of the Works of Leoš Janáček, vol. B/5–I  Old Church Slavonic text

revised by R. Večerka

String Quartet No. 1 after Tolstoy's “Kreutzer Sonata” Urtext / Ed. L. Faltus, M. Štědroň TP 520 String Quartet No. 2 “Intimate Letters” Urtext / Ed. L. Faltus, M. Štědroň TP 533 Mládí / Youth. Wind sextet Urtext / Ed. J. Doležal, L. Faltus TP 528

Janáček, Leoš (1854-1928)

NEW 2015

Taras Bulba Rhapsody for Orchestra Urtext / Ed. J. Burghauser, J. Hanuš TP 842  With a new preface by

J. Zahrádka (Cz/Eng/Ger)

Mendelssohn Bartholdy, Felix (1809-1847) Concerto in E min for Violin and Orchestra op. 64 Urtext / Ed. R. L. Todd TP 397 The Hebrides Concert Overture op. 26 Urtext / Ed. C. Hogwood TP 395 A Midsummer Night's Dream Concert Overture op. 21 Urtext / Ed. C. Hogwood TP 396 Mozart, Wolfgang Amadeus (1756-1791)

Chamber Music Complete String Quintets K. 174, 406, 515, 516, 593, 614 Urtext / Ed. E. Hess, E. F. Schmid TP 159 Eine kleine Nachtmusik K. 525 Urtext / Ed. E. F. Schmid TP 19

STUDY SCORES Mozart, Wolfgang Amadeus (1756-1791)

Concertos for Strings

Quartet in F maj K. 370 for oboe, violin, viola and violoncello Urtext / Ed. J. Pohanka TP 151

Concerto in C maj for Oboe and Orchestra K. 314 (285d) Urtext / Ed. F. Giegling TP 252

Quartets K. 285, 285a, Anh. 171, 298 for flute, violin, viola and violoncello Urtext / Ed. J. Pohanka TP 150

Concerto in A maj for Clarinet and Orchestra K. 622 Urtext / Ed. F. Giegling TP 254

Quintet in A maj K. 581 for clarinet, two violins, viola and violoncello Urtext / Ed. E. F. Schmid TP 14 Serenade in B-flat maj “Gran Partita” K. 361 (370a) Urtext / Ed. D. N. Leeson, N. Zaslaw TP 312 Serenade in C min K. 388 (384 a) Urtext / Ed. D. N. Leeson, N. Zaslaw TP 313 Serenade in E-flat maj K. 375 Urtext / Ed. D. N. Leeson, N. Zaslaw TP 315 The Ten Celebrated String Quartets K. 387, 421, 428, 458, 464, 465, 499, 575, 589, 590 Urtext / Ed. L. Finscher TP 140 The Thirteen Early String Quartets K. 80, 155-160, 168-173 Urtext / Ed. K. H. Füssl, W. Plath, W. Rehm TP 318 Three Divertimenti for strings K. 136-138 (125 a-c) Urtext / Ed. K. H. Füssl TP 278 Trios for Strings K. 563, K. 266 (271f), K. Anh. 66 (562e) Urtext / Ed. D. Berke TP 319

Concerto in C maj for Flute, Harp and Orchestra K. 299 (297c) Urtext / Ed. F. Giegling TP 286

Works for Violin and Orchestra K. 207, 211, 216, 218, 219, 261, 269 (261a), 373 Urtext / Ed. C. H. Mahling With an introduction (Ger/Eng) by G. Schütz TP 325 Based on the Urtext of the New Mozart Edition, this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Also available separately: No. 3 in G maj K. 216, TP 272 No. 4 in D maj K. 218, TP 273 No. 5 in A maj K. 219, TP 20 Sinfonia concertante in E-flat maj for Violin, Viola and Orchestra K. 364 (320 d) Urtext / Ed. C. H. Mahling TP 176

Concertos for Winds Concerto No. 1 in G maj K. 313 (285c) and Andante in C maj K. 315 (285e) for Flute and Orchestra Urtext / Ed. F. Giegling TP 323

Concerto in B-flat maj for Bassoon and Orchestra K. 191 (186 e) Urtext / Ed. F. Giegling TP 253 The Horn Concertos K. 417, 447, 495, 412 + 514 (386b) Urtext / Ed. F. Giegling TP 324  All four horn concertos

available in an Urtext study score edition

 Mozart’s incomplete Rondo

K. 412 included for the first time

 Informative revised

foreword (Ger/Eng)

Piano Concertos - No. 12 in A maj K. 414 Urtext / Ed. C. Wolff TP 244 - No. 20 in D min K. 466 Urtext / Ed. H. Engel, H. Heussner TP 147 - No. 21 in C maj K. 467 Urtext / Ed. H. Engel, H. Heussner TP 148 - No. 23 in A maj K. 488 Urtext / Ed. H. Beck TP 62 - No. 24 in C min K. 491 Urtext / Ed. H. Beck TP 63

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STUDY SCORES Study Scores Mozart, Wolfgang Amadeus (1756-1791)

Wolfgang Amadeus Mozart Seven Great Operas in a boxed set

Symphonies

Complete Symphonies 4 study scores in a boxed set Urtext TP 600 Special price - No. 29 in A maj K. 201 Urtext / Ed. H. Beck TP 43 - No. 31 in D maj “Paris” K. 297 Urtext / Ed. H. Beck TP 41 - No. 35 in D maj K. 385 “Haffner” Urtext / Ed. C. H. Mahling TP 180 - No. 36 in C maj K. 425 “Linz” Urtext / Ed. F. Schnapp TP 16 - No. 38 in D maj K. 504 “Prague” Urtext / Ed. L. Somfai TP 160 - No. 39 in E-flat maj K. 543 Urtext / Ed. H. C. Robbins Landon TP 39 - No. 40 in G min K. 550, second version with clarinets Urtext / Ed. H. C. Robbins Landon TP 40

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Seven study scores in a boxed set Urtext TP 601 Special price - No. 41 in C maj K. 551 “Jupiter” Urtext / Ed. H. C. Robbins Landon TP 17

Sacred Vocal Works Mass in C maj “Coronation Mass” K. 317 Urtext / Ed. M. Holl TP 316 Mass in C min K. 427 Urtext / Ed. M. Holl TP 255 Requiem K. 626 Urtext / Ed. L. Nowak TP 152

Stage Works The Abduction from the Seraglio K. 384 (Ger) Urtext / Ed. G. Croll TP 311 La clemenza di Tito K. 621 Urtext / Ed. F. Giegling TP 321 Così fan tutte K. 588 Urtext / Ed. F. Ferguson, W. Rehm TP 314 Don Giovanni K. 527 Urtext / Ed. W. Plath, W. Rehm TP 279 Idomeneo K. 366 Urtext / Ed. D. Heartz TP 322 The Magic Flute K. 620 Urtext / Ed. G. Gruber, A. Orel TP 155 The Marriage of Figaro K. 492 Urtext / Ed. L. Finscher TP 320

STUDY SCORES Ravel, Maurice (1875-1937) String Quartet Urtext / Ed. J. Appold TP 413  page 82 No distribution rights for France, Italy and Spain. Rossini, Gioachino (1792-1868) The Barber of Seville Urtext / Ed. P. B. Brauner TP 411  page 113  Incorporates all original

sources, including 5 manuscripts with Rossini’s autograph ornamentation

 Full extent of Rossini’s

personal notational characteristics is shown

 With a detailed foreword

(Eng/Ital)

Schubert, Franz (1797-1828) String Quintet in C maj op. post. 163 D 956 Urtext / Ed. M. Chusid TP 287 Octet in F maj op. post. 166 D 803 Urtext / Ed. A. Feil TP 302

Complete Chamber Music in 3 Volumes. Study score edition. Urtext TP 409 Special reduced price

The Eight Symphonies Urtext - No. 1 in D maj D 82 Ed. C. Landon, A. Feil TP 401

NEW 2015

Vltava / The Moldau Urtext / Ed. H. Macdonald TP 558 Vivaldi, Antonio (1681-1767) The Four Seasons Urtext / Ed. C. Hogwood TP 399

- No. 2 in B-flat maj D 125 Ed. C. Landon, A. Feil TP 402 - No. 3 in D maj D 200 Ed. C. Landon, A. Feil TP 403 - No. 4 in C min D 417 Ed. D. Woodfull-Harris TP 404 - No. 5 in B-flat maj D 485 Ed. D. Woodfull-Harris TP 405

Schubert, Franz (1797-1828) String Trios Urtext / Ed. W. Aderhold TP 306 String Quartet in A min “Rosamunde” D 804 op. 29, String Quartet in C min “Quartett-Satz” D 703 Urtext / Ed. W. Aderhold TP 304 String Quartet in D min “Death and the Maiden” D 810 Urtext / Ed. W. Aderhold TP 301

The Bärenreiter film … Renowned conductor and musicologist Christopher Hogwood takes you on a journey through Bärenreiter. Come with us behind the scenes.

- No. 6 in C maj D 589 Ed. D. Woodfull-Harris TP 406 - No. 7 in B min D 759 “Unfinished” Ed. W. Aderhold TP 407 - No. 8 in C maj D 944 Ed. D. Woodfull-Harris TP 408 Smetana, Bedřich (1824-1884) Má vlast / My Country Urtext / Ed. F. Bartoš TP 557

You will be given an insight into the editorial and production process of an Urtext edition. The history of this family-owned company is also revealed.

… at www.baerenreiter.com

127

FACSIMILES AND REPRINTS Facsimiles and Reprints

“The Well-Tempered Clavier is the Old Testament, Beethoven′s sonatas the New. We must believe in both.” Hans von Bülow

Johann Sebastian Bach The Well-Tempered Clavier BÄRENREITER FACSIMILE

NEW 2015

The Well-Tempered Clavier Part I · BWV 846–869 Facsimile of the autograph manuscript in the Staatsbibliothek zu Berlin – Preussischer Kulturbesitz With a Commentary by Christoph Wolff and Martina Rebmann, Documenta Musicologica II/50 Bach, Johann Sebastian (1685-1750) “Alles mit Gott und nichts ohn’ ihn” BWV 1127 Aria for Solo Soprano, Strings and Basso continuo. Facsimile of the autograph from the Herzogin Anna Amalia Library Weimar (Ger/Eng) Documenta Musicologica II/33, 23 pages with CD; half-cloth BÄRENREITER FACSIMILE ISBN 978-3-7618-1870-1 Mass in B min BWV 232 Facsimile of the autograph score in the Staatsbibliothek zu Berlin (Eng/Ger/Jap), linen-bound BÄRENREITER FACSIMILE ISBN 978-3-7618-2194-7 Notebook for Anna Magdalena Bach (1725) Facsimile of the autograph (Ger/Eng/Fr). Documenta Musicologica II/25, hardcover ISBN 978-3-7618-0915-0 Orgelbüchlein BWV 599-644 Facsimile of the autograph score in the original size (Ger/Eng/Fr). Documenta Musicologica II/11, paperback ISBN 978-3-7618-1434-5

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90 pages of facsimile and 28 pages of Commentary (Eng/Ger), half-leather binding ISBN 978-3-7618-2368-2 The preludes and fugues of The Well-Tempered Clavier embrace an entire cosmos of compositional devices and musical characters – the ne plus ultra of ‘unity through diversity’. Here Bach not only presented the sum total of keyboard artistry in his day but foresaw its future evolution. His treatment of the keys marked a turning point in music history. The autograph score, originally a fair copy, contains later revisions and alterations reflecting the composer at work. This new facsimile edition presents the manuscript in high-quality four-colour reproduction. Bach authority Christoph Wolff provides a Commentary to the work’s genesis and the characteristics of Bach’s handwriting. Martina Rebmann (Staatsbibliothek zu Berlin) describes the subsequent history of the autograph.

FACSIMILES AND REPRINTS Bach. A Life in Pictures by Christoph Wolff

Beethoven, Ludwig van (1770-1827)

W 2016

NE New Bach Edition Revised Edition (NBA rev), Vol. 4 Edited by the Bach Archive Leipzig. approx. 496 pp. (Ger/ Eng), approx. 550 illustrations, mostly in colour, hardcover with dust jacket ISBN 978-3-7618-2280-7 in preparation

The illustrations, mostly in colour, present Bach’s life from his beginnings in Eisenach, Ohrdruf and Lüneburg, through his years as an organist in Arnstadt, Mühlhausen and Weimar and his period as Kapellmeister in Cöthen, to his tenure in Leipzig as music director and cantor at

Symphony No. 9 op. 125 Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, the Beethoven-Haus Bonn and the Bibliothèque nationale de France (Eng/Ger/Jap) Documenta Musicologica II/42, half-linen, hardback BÄRENREITER FACSIMILE ISBN 978-3-7618-2169-5 St. Thomas’s. Each illustration is accompanied by a brief caption to reveal its importance while leafing through the pictures. For deeper study, detailed explanations are given in the appendix.

Johann Sebastian Bach St. Matthew Passion BWV 244 BÄRENREITER FACSIMILE St. Matthew Passion BWV 244 Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz With a commentary by Christoph Wolff, Martina Rebmann and Barbara Schneider-Kempf (Eng/Ger) Documenta musicologica II,47 168 pages facsimile and 26 pages of commentary Half-leather binding, hardback ISBN 978-3-7618-2294-4

Brahms, Johannes (1833-1897)

NEW 2015

New Liebeslieder Walzer / Waltzes op. 65 Facsimile of the autograph score held in the Zentralbibliothek Zürich With a detailed and richly illustrated accompanying booklet (report of the symposium held at the Zentralbibliothek Zürich on 15 November 2010) and an audio CD. Documenta Musicologica II/49, 28 pages of facsimile and 77 pages booklet (Ger) Both in stitched binding with CD in a cloth-bound box. ISBN 978-3-7618-2364-4 Dvořák, Antonín (1841-1904) Concerto in B min for Violoncello and Orchestra op. 104 Facsimile of the autograph score and the autograph piano reduction (Eng/Ger/Cz) Documenta Musicologica II/43 BÄRENREITER FACSIMILE ISBN 978-3-7618-1849-7 Elgar, Edward (1857-1934) Concerto for Violoncello and Orchestra op. 85 Facsimile based on the autograph score (Eng/Ger) Documenta Musicologica II/36. 164 pages; hardcover ISBN 978-3-7618-1928-9 No distribution rights for France.

129

FACSIMILES AND REPRINTS Facsimiles and Reprints Froberger, Johann Jacob (1616-1667) Toccatas · Suites · Lamenti The Manuscript SA 4450 of the Berlin Sing-Akademie Facsimile and Transcription (Ger/Eng). Documenta Musicologica II/31, hardcover ISBN 978-3-7618-1783-4 Handel, George Frideric (1685-1759) Messiah, HWV 56 Facsimile of the autograph score in the British Library (Eng/Ger/Jap) Documenta Musicologica II/40, half-linen BÄRENREITER FACSIMILE ISBN 978-3-7618-2109-1 No distribution rights for the UK.

Handel, George Frideric (1685-1759) The Musick for the Royal Fireworks HWV 351. Concerti HWV 335a & 335b Facsimile of the autograph score (Eng/Ger) Documenta Musicologica II/32, hardcover ISBN 978-3-7618-1666-0 Mendelssohn Bartholdy, Felix (1809-1847) A Midsummer Night’s Dream Overture op. 21 Facsimile of the autograph score in the Biblioteka Jagielloñska, Kraków (Eng/Ger/Jap) Documenta musicologica II/41, half-linen; hardback BÄRENREITER FACSIMILE ISBN 978-3-7618-2116-9

Mozart, Wolfgang Amadeus (1756-1791) “Ein Mädchen oder Weibchen wünscht Papageno sich” Facsimile of the aria from The Magic Flute. (Ger/Eng/Jap) incl. vocal score, cloth-bound ISBN 978-3-7618-1775-9

Eine kleine Nachtmusik K. 525 BÄRENREITER FACSIMILE Facsimile of the autograph With a commentary by Wolfgang Rehm. 14 pages of facsimile (individually trimmed) and a 24-page accompanying booklet (Eng/Ger). Documenta Musicologica II/46, presented in a handsome box BÄRENREITER FACSIMILE ISBN 978-3-7618-2282-1

Mozart’s Requiem · Truth and Legend NEW 2015

Wolfgang Amadeus Mozart Requiem K. 626

Facsimile of the autograph score held in the Austrian National Library. With a commentary by Christoph Wolff and Günter Brosche. 200 pp. of facsimile and 35 pp. of Commentary (Eng/Ger), half-leather binding, pages individually trimmed. BÄRENREITER FACSIMILE ISBN 978-3-7618-2346-0 Mozart’s Requiem is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments and attempts to complete the work.

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FACSIMILES AND REPRINTS

Mozart’s Great Operas

A fascinating insight into Mozart’s art of composition Piano Concerto in C minor, K. 491 Facsimile of the autograph score held at the Royal College of Music, London. With a commentary by Robert D. Levin; preface by Colin Lawson (Eng/Ger) Documenta Musicologica II/48 74 pp. of facsimile and 40 pp. of commentary (Eng/Ger); half-leather binding BÄRENREITER FACSIMILE ISBN 978-3-7618-1927-2

The Packard Humanities Institute (PHI), Los Altos, Ca. and the International Mozarteum Foundation, Salzburg present the autograph scores of the seven great Mozart operas. Idomeneo K. 366 with ballet K. 367** ISBN 978-3-7618-1880-0 Die Entführung aus dem Serail K. 384* ISBN 978-3-7618-1881-7 Le nozze di Figaro K. 492** ISBN 978-3-7618-1882-4 Don Giovanni K. 527** ISBN 978-3-7618-1883-1 Così fan tutte K. 588** ISBN 978-3-7618-1884-8 Die Zauberflöte K. 620** ISBN 978-3-7618-1885-5 La clemenza di Tito K. 621* ISBN 978-3-7618-1886-2 The Facsimiles Consolidation of Mozart manuscripts held in different places Highest level of precision in reproduction and authenticity of colour through use of the latest technology With introductions (Eng/Ger). Format: 34 x 26 cm. Cloth-bound and half leather with gold embossed lettering * 1 facsimile + text volume ** 2 facsimile volumes + text volume No distribution rights for the USA and Canada.

My Ladye Nevells Booke Facsimile of the manuscript in the British Library (Eng/Ger) Documenta Musicologica II/44, hardcover ISBN 978-3-7618-2213-5 Ortiz, Diego Trattado de Glosas Rome, 1553 (Span/Ital/Eng/Ger) Including separate viol part hardcover format: 24,8 x 33 cm ISBN 978-3-7618-1594-6 Ortiz’s Trattado is a classic in the art of musical ornamentation. Part 1 provides examples of every cadence while part 2 discusses the interplay between viola da gamba and harpsichord, including many pieces for this combination of instruments as illustrations.

Richard Rich Ri char ard dW Wagner agner

Tristan und Isolde (WWV 90). Facsimile of the autograph score from the National Archive of the Richard-Wagner-Stiftung Bayreuth (Eng/Ger) Documenta Musicologica II/45, half-leather binding BÄRENREITER FACSIMILE ISBN 978-3-7618-2270-8

131

REFERENCE WORKS / BOOKS ON MUSIC Reference Works / Books on Music Brahms, Johannes (1833-1897)

Konrad, Ulrich Mozart. Catalogue of his Works English text 251 pages; paperback ISBN 978-3-7618-1848-0

NEW 2015

C. Brown, N. Peres Da Costa, K. Bennett Wadsworth Performance Practices in Johannes Brahms’ Chamber Music Text booklet in English / German BA 9600 An integral part of Bärenreiter’s Brahms publication complex is this text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms’ own piano playing as well as that of his circle and contemporaries are discussed.

Arditti, Irvine / Platz, Robert HP The Techniques of Violin Playing (Ger/Eng) 117 pages with DVD; paperback ISBN 978-3-7618-2267-8 Otterstedt, Annette The Viol History of an Instrument Translated by Hans Reiners English text 294 pages; hardcover ISBN 978-3-7618-1151-1

Buchmann, Bettina The Techniques of Accordion Playing (Ger/Eng) 121 pages with CD and fold-out chart; paperback ISBN 978-3-7618-1930-2

Christensen, Jesper Bøje 18 th Century Continuo Playing A Historical Guide to the Basics. Translated by J. B. Robinson 155 pages; hardcover BA 8177 English edition BA 8186 German edition BA 8176 French edition



“… an instructive and illuminating book, one which belongs on the music rack of even experienced continuo players.” (Notes)

Knobel, Marita / Steinert, Brigitte Singing Opera in Germany A Practical Guide English text 212 pages; paperback ISBN 978-3-7618-1673-8

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The chapters on bowing techniques, vibrato, pizzicato, glissando, flageolet, tablatures, rhythm and electronic sound production are illustrated with numerous musical examples and diagrams. Particularly helpful is the accompanying DVD, where Arditti demonstrates and explains the described techniques.

 Comprehensive description

of all relevant playing techniques on the button accordion

Wulfhorst, Martin The Orchestral Violinist’s Companion 480 pages plus XXII pages (vol. 1) and IX pages (vol. 2). Preface. English text, paperback, format 23 x 30 cm. Approx. 500 musical samples; approx. 30 illustrations, diagrams, and tables two volumes ISBN 978-3-7618-1758-2  page 40

 Music examples from

important contemporary works

 Full size, fold-out chart

giving the arrangement of the buttons on the instrument

Gallois, Pascal The Techniques of Bassoon Playing (Ger/Eng/Fr) 126 pages with 2 CDs; paperback ISBN 978-3-7618-1860-2

Contemporary Techniques … Isherwood, Nicholas The Techniques of Singing (Ger/Eng) 212 pages with CD; paperback ISBN 978-3-7618-1861-9 The music of the 20 th and 21st centuries demands a notably larger spectrum of abilities than traditional vocal literature. Nicholas Isherwood describes these techniques with numerous examples, gives practice tips and demonstrates the techniques on the CD included with this book.

an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Four main chapters describe:  Techniques of the right and left hands  Special harmonies and

percussive techniques

 The main instruments of

the guitar family and their potential

 Possible ways of notating

contemporary guitar literature

Levine, Carin / Mitropoulos-Bott, Christina The Techniques of Flute Playing Volume I: Flute (Ger/Eng) 143 pages; paperback ISBN 978-3-7618-1595-3  Comprehensive

presentation of all performance techniques for the flute which prevail in contemporary music

 Pedagogical tips for flautists

to practise



“The publication of this first truly well-grounded compendium of new techniques of oboe playing fills me with much satisfaction. I hope that as many composers and performers as possible will concern themselves with this book, which no longer leaves any room for approximations or superficial knowledge." (Heinz Holliger)

Weiss, Marcus / Netti, Giorgio The Techniques of Saxophone Playing (Ger/Eng) 188 pages; paperback ISBN 978-3-7618-2114-5  Comprehensive, systematic

description of all important playing techniques for contemporary music on the saxophone

Josel, Seth F. / Tsao, Ming The Techniques of Guitar Playing

 Examples of representative

(Eng) 233 pages with CD; paperback ISBN 978-3-7618-2243-2

Volume II: Piccolo, Alto and Bass (Ger/Eng) 127 pages with CD; paperback ISBN 978-3-7618-1788-9

 With internet links to all

Veale, Peter / Mahnkopf, Claus-Steffen The Techniques of Oboe Playing

“This work will be an indispensible aid for composers and saxophonists as it conveys something of the character of the instrument, over and above the stringing together of various playing techniques.” (Beat Furrer)

This book was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument’s technical potential within the historical context of traditional guitar technique. The examples discussed in the book are complemented by

notation from modern flute music

A compendium with additional remarks on the whole oboe family (Ger/Eng/Fr) 181 pages with CD; paperback ISBN 978-3-7618-1210-5

 Clear explanation of special

tonal effects and practice tips to try out

important sound excerpts



The series will be continued. 133

EDITION NUMBERS AE 129-90 .....................110 AE 511-90 ......................113

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*) In a letter from 1903 / Dans une lettre du 1903 / In einem Brief von 1903: e = 100; In / Dans / In R q. = 44: See Introduction p. VII /Voir Introduction p. XII-XIII / Vgl. Einleitung S. XVIII-XIX **) In / Dans / In C, R; See / Voir / Vgl. Critical Commentary

BA 8841

Quick start with a free demo version of the score of Debussy’s Prélude à l’après-midi d’un faune! The great masterpieces of classical ◼ Option of entering personal music from Bach to Debussy markings and annotations Study music easily and ◼ Gradually expanding library conveniently on your iPad of digitalized scores High-resolution, razor-sharp ◼ For detailed information: images of orchestral scores www.baerenreiter.com

My Progress Music Lesson Book 14.8 x 21 cm. 36 pages BA 9670 Contains alternating pages with musical staves and regular writing lines. Inserted is a page with 20 stickers in colour.

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BA 145 ...................... 32 BA 238 .......................35 BA 239 .......................35 BA 287 .......................35 BA 320 ..................... 60 BA 589 ......................98 BA 681 ......................98 BA 751 ......................98 BA 977 ..................... 66 BA 1016 .......................35 BA 1437 ..................... 66 BA 1438 ..................... 66 BA 1439 ..................... 66 BA 1440 ..................... 66 BA 1766 ........................ 6 BA 1920 ......................36 BA 2201 ......................34 BA 2202 ......................34 BA 2203 ......................34 BA 2204 ......................34 BA 2205 ......................34 BA 2241 ............. 52, 69 BA 2242 ............. 52, 69 BA 2243 ............. 52, 69 BA 2244 ............. 52, 69 BA 2245 ............. 52, 69 BA 2246 ............. 52, 69 BA 2281-90 ...................110 BA 2282-90 ..................110 BA 2287-90 ..................110 BA 2294-90 ..................110 BA 2302-90 ..................110 BA 2600 ......................79 BA 2818 .......................35 BA 2819 ...................... 35 BA 2873 ....................106 BA 2877 ....................106 BA 2971 ...................... 67 BA 2972 ...................... 45 BA 2979 ............. 45, 68 BA 2980 ............. 45, 68 BA 2981 ............. 45, 68 BA 2982 ............. 45, 68 BA 3230 ......................65 BA 3311 ...................... 67 BA 3326 ...................... 85 BA 3327 ...................... 85 BA 3539 ...................... 85 BA 3581 ......................36 BA 3582 ......................36 BA 3583 ....................108 BA 3583-91 ...................108 BA 3711 ......................64 BA 3745 ..................... 60 BA 3800 ....................... 15 BA 3962 ......................62 BA 3963 .......................61 BA 3969 ......................63 BA 4001-92 ...................98 BA 4007-90 ................. 99 BA 4012-73 .................... 99 BA 4012-90 ................... 99 BA 4014-90 .................. 99 BA 4033-90 .................. 112 BA 4039-90 ..................98 BA 4050-90 .................110 BA 4061-90 ..................110 BA 4064-90 ................. 112 BA 4076-90 ................. 112 BA 4078-90 .................. 112

BA 4079-90 .................110 BA 4092-90 .................110 BA 4096-90 ................. 99 BA 4099-90 ................. 99 BA 4100-90 ..................110 BA 4221 ........................11 BA 4222 ........................11 BA 4223 ........................11 BA 4224 ........................11 BA 4225 ..................... 69 BA 4226 ......................49 BA 4228 ............ 49, 69 BA 4245 ......................115 BA 4246-90 ............... 100 BA 4248-90 ...................115 BA 4251 ......................70 BA 4252 ......................70 BA 4253 ......................70 BA 4259 ..................... 66 BA 4260 ......................70 BA 4262 ........................11 BA 4292-90 .................. 99 BA 4295 ..................... 114 BA 4296 ..................... 114 BA 4297 ......................115 BA 4299 .....................119 BA 4316 ......................54 BA 4316-90 ....................54 BA 4405 ...................... 85 BA 4461 ......................24 BA 4504-90 .................. 112 BA 4510-90 ...................113 BA 4527-90 ..................106 BA 4529-90 .................106 BA 4538-90 .................104 BA 4550-90 .................. 112 BA 4553-90 ....................113 BA 4554-90 .................. 112 BA 4562-90 .................. 112 BA 4565-90 ...................113 BA 4565-92 ....................113 BA 4570-90 .................. 112 BA 4578-90 .................. 112 BA 4591-90 ................... 112 BA 4598-90 ..........65, 69 BA 4606-90 ................. 112 BA 4631 ....................... 13 BA 4642-90 ................. 102 BA 4643-90 ................ 100 BA 4644-90 ............... 100 BA 4645-90 ................ 100 BA 4646-90 ............... 100 BA 4647-90 ................ 100 BA 4648-90 ............... 100 BA 4651-90 ................. 100 BA 4652-90 ................ 100 BA 4653-90 ................ 100 BA 4654-90 ................ 100 BA 4655-90 ................. 102 BA 4656-90 ................ 100 BA 4659-90 ................ 100 BA 4660-90 ............... 100 BA 4661-90 ................ 100 BA 4678 ......................49 BA 4678-90 ...................49 BA 4700 .......................81 BA 4701 ......................84 BA 4702-90 ................. 103 BA 4703 .................... 120 BA 4704 .................... 120 BA 4708 ...................... 73 BA 4710 .................... 120 BA 4711 ...................... 72

EDITION NUMBERS BA 4712-90 ....................50 BA 4722 .....................119 BA 4723 .................... 120 BA 4724 .................... 120 BA 4728 ......................76 BA 4729 ......................76 BA 4730 ......................89 BA 4731 .......................51 BA 4732 .......................51 BA 4736-90 .................104 BA 4740-90 ...................24 BA 4741-90 ....................24 BA 4742-90 ...................24 BA 4748 .....................119 BA 4750 .......................81 BA 4751-90 ..................104 BA 4752-90 ..................104 BA 4753-90 ..................104 BA 4756 ...................... 74 BA 4766 .................... 120 BA 4769-90 ................. 103 BA 4770-90 .................104 BA 4771 ...................... 83 BA 4772 ...................... 77 BA 4773 .......................55 BA 4773-38 ......................71 BA 4773-90 .....................71 BA 4774 .......................51 BA 4775 .......................51 BA 4776 .......................51 BA 4779 .......................14 BA 4781 .....................119 BA 4783-90 .................104 BA 4787 ...................... 74 BA 4788-90 ................. 103 BA 4789-90 ................. 103 BA 4790-90 .................. 23 BA 4791-90 .................. 103 BA 4844 ...................... 78 BA 4846-90 ................104 BA 4847 .......................81 BA 4848 .......................81 BA 4849 .......................81 BA 4850 .......................81 BA 4851-90 ..................104 BA 4852-90 .................104 BA 4854-90 .................. 69 BA 4855-90 .................. 69 BA 4856-90 ...................70 BA 4857 ......................84 BA 4858-90 .................104 BA 4859-90 .................104 BA 4860 .......................81 BA 4861 .......................14 BA 4862 .......................14 BA 4863-90 ...................50 BA 4864-90 ..................50 BA 4865-90 ...................50 BA 4866-90 ..................50 BA 4867 ......................70 BA 4868-90 .................. 72 BA 4871 ...................... 77 BA 4872-90 ...................24 BA 4873-90 ...................24 BA 4874-90 ....................23 BA 4875 ...................... 77 BA 4876-90 ....................23 BA 4877 ...................... 77 BA 4878-90 ....................23 BA 4879 ...................... 77 BA 4880-90 ................104 BA 4881-90 .................104 BA 4883-90 .................104

BA 4884-90 ................. 103 BA 4885-90 .................104 BA 4886-90 ................104 BA 4887-90 .................104 BA 4888-90 ................104 BA 4889-90 ................ 103 BA 4892-90 ................. 103 BA 4893-90 .................106 BA 4894-90 ................106 BA 4897-90 ...................115 BA 4899-90 ................106 BA 4900-90 ..........50, 55 BA 4946-90 ................ 103 BA 5014-90 ....................95 BA 5038-90 ...................97 BA 5102-92 .................... 96 BA 5103-90 ....................95 BA 5103-91 .....................95 BA 5116 ......................44 BA 5118 ...................... 45 BA 5119 ...................... 45 BA 5129 ..................... 96 BA 5130 ..................... 96 BA 5131-91 ..................... 96 BA 5132 ..................... 96 BA 5133 ..................... 96 BA 5134 ..................... 96 BA 5135 ..................... 96 BA 5136-90 ................... 60 BA 5140 ......................44 BA 5145-90 ....................70 BA 5147-90 ....................70 BA 5149-90 ....................54 BA 5150 .........................5 BA 5152 ........................ 6 BA 5154 ....................... 6 BA 5155 ......................84 BA 5156 ......................84 BA 5157-5160 .................117 BA 5161 .........................5 BA 5162 ........................ 5 BA 5163 ........................ 6 BA 5164 ........................ 6 BA 5165 ........................ 6 BA 5166 ........................ 6 BA 5167 ...................... 45 BA 5169 ...................... 32 BA 5171 ...................... 32 BA 5172 ...................... 32 BA 5173 ...................... 32 BA 5175 ...................... 32 BA 5176 ...................... 32 BA 5177 ...................... 32 BA 5178 ...................... 32 BA 5181 ...................... 32 BA 5182-90 ....................95 BA 5182-91 ......................95 BA 5183-90 ....................95 BA 5183-91 ......................95 BA 5184-90 ....................95 BA 5184-91 .....................95 BA 5185-90 ....................95 BA 5185-91 ......................95 BA 5186 ......................54 BA 5187 ...................... 67 BA 5188-90 .................... 45 BA 5189-90 .................... 45 BA 5190-90 ................... 45 BA 5191 ........................ 6 BA 5192 ........................ 6 BA 5193 ..................... 96 BA 5193-90 ................... 96 BA 5194 .........................5

BA 5198 ......................68 BA 5199 ......................68 BA 5207 .........................5 BA 5208-90 ...................95 BA 5210 ..................... 60 BA 5211-04 .................... 114 BA 5212-04 .................... 114 BA 5213-04 .................... 114 BA 5214-04 .................... 114 BA 5215 ..................... 60 BA 5216 ..................... 60 BA 5219 ........................ 6 BA 5220 ......................68 BA 5221 .........................5 BA 5222 .........................5 BA 5223 .........................5 BA 5224-90 ....................21 BA 5225-90 .....................21 BA 5226-90 ....................21 BA 5227-90 .....................21 BA 5228-90 ....................21 BA 5229-90 ....................21 BA 5230-90 ....................21 BA 5231-90 ......................21 BA 5235 ........................ 6 BA 5236 .........................5 BA 5238 ........................ 6 BA 5240 ...................... 45 BA 5241 .........................5 BA 5242 ........................ 6 BA 5243 .......................33 BA 5244 .........................5 BA 5245 .......................19 BA 5246 ..................... 114 BA 5247 ........................ 6 BA 5248 ..................... 30 BA 5251 .......................33 BA 5252 ......................117 BA 5253 ......................117 BA 5254 ......................117 BA 5255 ......................117 BA 5264 ...................... 32 BA 5266 ...................... 32 BA 5269 .......................33 BA 5279 ....................... 31 BA 5311-90 ..................... 73 BA 5312-90 ..................... 73 BA 5313-90 ..................... 73 BA 5314-90 .................... 73 BA 5315-90 ......................23 BA 5316-90 .....................23 BA 5317-90 .....................24 BA 5318-90 ....................24 BA 5325 ...................... 72 BA 5327 .......................14 BA 5328 ......................115 BA 5329-90 ................... 73 BA 5330 ......................115 BA 5331-22 ......................89 BA 5332 ......................89 BA 5333 ......................89 BA 5336-90 ....................55 BA 5339-90.................... 103 BA 5340-90 ................. 103 BA 5341-90 .................. 103 BA 5342-90 .................104 BA 5343-90 ..................104 BA 5344-90 .................104 BA 5346-90 ................. 103 BA 5347-90 .................. 103 BA 5349-90 ................... 73 BA 5371-04 .....................115 BA 5372 ......................115

BA 5374 ......................115 BA 5378 ...................... 83 BA 5379-90 ...................50 BA 5380-90 ...................50 BA 5381-90 ....................24 BA 5382-90 ....................24 BA 5383-90 ....................24 BA 5384-90 ...................24 BA 5385-90 ....................24 BA 5386-90 ...................24 BA 5387-90 ....................24 BA 5388-90 ....................23 BA 5389-90 ....................23 BA 5390-90 ....................23 BA 5449-90 ..................97 BA 5457-90 ....................54 BA 5462-90 ..................110 BA 5463-90 ...................97 BA 5494 .......................35 BA 5498 .......................35 BA 5557-90 ....................113 BA 5570-90 ...................113 BA 5605 ...................... 52 BA 5606 ...................... 52 BA 5607 ...................... 74 BA 5608 ...................... 77 BA 5609 ...................... 78 BA 5610 ...................... 74 BA 5612 ...................... 83 BA 5613 ...................... 82 BA 5614 ...................... 82 BA 5616 ...................... 82 BA 5617 ...................... 85 BA 5618 ...................... 52 BA 5619 .............72, 116 BA 5620 ...................... 52 BA 5622-90 .................108 BA 5623-90 ..................108 BA 5624-90 .................108 BA 5625 ...................... 82 BA 5626 ...................... 74 BA 5630 ....................... 17 BA 5631 ...................... 82 BA 5635 .....................116 BA 5636 ...................... 82 BA 5639 ....................... 15 BA 5641 ..................... 69 BA 5642 ....................... 17 BA 5653-90 .................... 52 BA 5681 ..................... 69 BA 5682 ...................... 72 BA 5683 .......................55 BA 5685 ......................64 BA 5690-90 ..... 104, 105 BA 5691 .................... 105 BA 5691-90 ....... 104, 105 BA 5692 .................... 105 BA 5692-90 ......105, 106 BA 5693 .................... 105 BA 5693-90 ...... 104, 105 BA 5694-90 ......100, 105 BA 5745 .......................14 BA 5746 .......................14 BA 5748-90 .................. 69 BA 5749 .......................14 BA 5761 ......................50 BA 5762 ......................50 BA 5763 .......................14 BA 5764 .......................14 BA 5765 .......................14 BA 5770-90 ...................89 BA 5784-90 .................. 114 BA 5786-90 .................. 114

BA 5843-90 ..................110 BA 5845-90 ..................110 BA 5846-90 ..................110 BA 5847-90 ..................110 BA 5848-90 ..................110 BA 5853-90 ..................108 BA 5876-90 ................... 52 BA 5878-90 ....................55 BA 5880 ...................... 52 BA 5888 ......................68 BA 5889 ......................70 BA 5890 ..................... 69 BA 5899-90 ................108 BA 5900-90 ................108 BA 5901 ....................108 BA 5902 ....................108 BA 5935-90 ................... 96 BA 5984 ..................... 114 BA 5985 ..................... 114 BA 6091 ......................64 BA 6211 ......................36 BA 6429 ......................98 BA 6432 ..................... 66 BA 6440 ..................... 66 BA 6444 .......................35 BA 6445 .......................35 BA 6446 .......................35 BA 6497 ...................... 32 BA 6538 .........................3 BA 6550 .......................18 BA 6554 ......................20 BA 6555 ........................ 4 BA 6556 .......................18 BA 6559 .......................19 BA 6560 ........................ 6 BA 6565 ........................ 9 BA 6566 ........................ 9 BA 6567 .......................19 BA 6568 ....................... 13 BA 6570 .......................19 BA 6571 ......................20 BA 6572 .........................5 BA 6573 ................10, 11 BA 6574 .......................16 BA 6575 ........................11 BA 6576 .......................19 BA 6577 ....................... 13 BA 6578 ........................11 BA 6580 ....................... 15 BA 6581 ....................... 15 BA 6582 ....................... 15 BA 6583 ....................... 15 BA 6584 ....................... 15 BA 6699 .......................91 BA 6700 .......................91 BA 6801 ......................68 BA 6802 ......................68 BA 6803 ......................68 BA 6812 ......................68 BA 6820 ...................... 67 BA 6862-90 ................. 102 BA 6872 ......................88 BA 6873 ......................88 BA 6876 ......................88 BA 6878 ......................88 BA 6879 ......................88 BA 6882 ......................68 BA 6883 ..................... 69 BA 6886 ...................... 67 BA 6895 ..................... 69 BA 6896 ......................68 BA 6897 ...................... 85 BA 6898 ......................68

135

EDITION NUMBERS BA 6963 ......................64 BA 6974 ............... 63, 73 BA 6978 ......................59 BA 6979 ......................59 BA 6980 ......................59 BA 6986 ......................44 BA 6990 ......................62 BA 6991 ......................54 BA 6994-90 .................. 52 BA 6995 ......................64 BA 6996 ......................64 BA 6997 ......................59 BA 6999-90 ..................63 BA 7137-90 .....................89 BA 7404 ......................68 BA 7405 ......................68 BA 7411 .....................101 BA 7412 .....................101 BA 7413 .....................101 BA 7414 .....................101 BA 7415 .....................101 BA 7416 .....................101 BA 7417 .....................101 BA 7418 .....................101 BA 7419 .....................101 BA 7420-90 ...................101 BA 7511 .............93, 98 BA 7512 ........... 93, 108 BA 7513 .............93, 98 BA 7514 ........... 93, 108 BA 7515 ...........93, 109 BA 7516 ...........93, 109 BA 7517 ............. 92, 93 BA 7518 ........... 93, 104 BA 7519 ........... 93, 104 BA 7520 ........... 93, 104 BA 7521 ........... 93, 104 BA 7522 ........... 93, 104 BA 7523 ........... 93, 104 BA 7524 ............. 93, 97 BA 7525 ............. 93, 95 BA 7527 ............. 93, 95 BA 7527-67 .....................93 BA 7549 ....................106 BA 7571 ......................117 BA 7572 ....................109 BA 7573 ....................109 BA 7574 ....................109 BA 7575 ......................97 BA 7590-90 ..................108 BA 7592-90 ...................97 BA 7593-90 ....................97 BA 7594 .................... 102 BA 7598 ....................109 BA 7599-90 .................108 BA 7660 .......................91 BA 7661 .......................91 BA 7662 .......................91 BA 7664 .......................91 BA 7665 .......................91 BA 7666 .......................91 BA 7667 .......................91 BA 7668 .......................91 BA 7669 ..................... 90 BA 7670 .......................91 BA 7671-90 ..................108 BA 7673-90 ....................97 BA 7674-90 ..................109 BA 7679-90 ...................115 BA 7680-90 ................ 102 BA 7851 .....................116 BA 7852 .................... 116 BA 7853 ......................117

136

BA 7854 .....................116 BA 7880 ..................... 118 BA 7887 .....................119 BA 7901 .......................81 BA 7902 ...................... 74 BA 7903 ......................76 BA 8063 ......................34 BA 8064 ......................34 BA 8065 ......................34 BA 8066 ......................34 BA 8101 ......................20 BA 8125 ........................ 4 BA 8126 ..................... 40 BA 8136 ...................... 78 BA 8139 ..................... 40 BA 8140 ......................79 BA 8141 ......................79 BA 8145 ...................... 78 BA 8151 .......................71 BA 8153 ......................70 BA 8155 .......................71 BA 8157 ......................70 BA 8158 ...................... 72 BA 8170 ......................68 BA 8173 ..................... 69 BA 8174 ...................... 67 BA 8176 .....................132 BA 8177 .....................132 BA 8186 .....................132 BA 8189 ......................36 BA 8196 .......................35 BA 8197 .......................35 BA 8198 .......................35 BA 8200 ..................... 26 BA 8220 .......................33 BA 8221 .......................33 BA 8222 .......................33 BA 8223 .......................33 BA 8250 .............25, 114 BA 8403 .......................35 BA 8404 ...................... 33 BA 8405 .......................33 BA 8411 ............... 11, 34 BA 8412 ............... 11, 34 BA 8413 ............... 11, 34 BA 8414 ............... 11, 34 BA 8416 ...................... 25 BA 8417 ...................... 25 BA 8420 ...................... 25 BA 8424 .......................33 BA 8425 .......................33 BA 8428 ...................... 32 BA 8429 ...................... 32 BA 8430 ...................... 32 BA 8434 ......................34 BA 8435 ......................34 BA 8440 ......................28 BA 8462 .......................33 BA 8463 .......................33 BA 8464 .......................33 BA 8465 .......................33 BA 8495 ...................... 27 BA 8496 ......................26 BA 8497 ......................26 BA 8501 ......................29 BA 8503 ......................29 BA 8504 ......................29 BA 8505 ......................29 BA 8506 ......................29 BA 8507 ......................29 BA 8510 ...................... 25 BA 8512-90 .................... 72 BA 8602 ......................88

BA 8603 ......................88 BA 8604 ......................88 BA 8605 ......................88 BA 8608 ......................88 BA 8612 ......................88 BA 8691 ...................... 67 BA 8708-90 .................110 BA 8713-90 ...................110 BA 8732-90 ................... 72 BA 8733 ...................... 67 BA 8734 ..................... 69 BA 8756 .........................3 BA 8758 ........................ 4 BA 8759 .........................3 BA 8760 .................4, 13 BA 8761 .......................14 BA 8762 ........................ 4 BA 8764 .........................3 BA 8765 .........................3 BA 8766 .........................3 BA 8767 ...................... 10 BA 8768 ...................... 10 BA 8769 ...................... 10 BA 8770 ...................... 10 BA 8771 .........................3 BA 8793-90 .................. 112 BA 8794-90 ................. 103 BA 8801 .....................119 BA 8802 .....................119 BA 8803 .....................119 BA 8804 .....................119 BA 8805 .....................119 BA 8806 .................... 119 BA 8807 .....................119 BA 8811-90 ....................113 BA 8841 ..................... 118 BA 8849 .................... 120 BA 8849-90 ...................51 BA 8854-90 ...................113 BA 8858-90 ...................113 BA 8933 .................... 102 BA 8934 .................... 103 BA 8935 .................... 103 BA 8936 ................... 103 BA 8937 .................... 102 BA 8950-90 .....105, 109 BA 8953 .................... 105 BA 8953-90 ...... 105, 109 BA 8954 .................... 105 BA 8954-90 ......105, 109 BA 8955-90 ...................97 BA 8957 ....................109 BA 8957-91 ..................109 BA 8957-97 ..................109 BA 8958-90 .................106 BA 8961-90 ...................97 BA 8971 ...............42, 51 BA 8972 ..............42, 52 BA 8973 ...............42, 51 BA 8974 ..............42, 52 BA 8975 ............. 42, 50 BA 8976 ..............42, 45 BA 8977 ............. 42, 48 BA 8979 ..............42, 52 BA 8980 ..............42, 52 BA 8982 ...............42, 51 BA 8983 ..... 42, 54, 55 BA 8984 .....42, 58, 64 BA 8985 ..............42, 52 BA 8986 ..... 42, 54, 55 BA 8987 .....42, 58, 64 BA 8994 .......................55 BA 8995 .......................55

BA 8996 .............. 55, 57 BA 8997 .............. 55, 57 BA 8998 .............. 55, 57 BA 8999 .............. 55, 57 BA 9000 ......................117 BA 9001 ......................117 BA 9002 .................... 117 BA 9003 ......................117 BA 9004 ......................117 BA 9005 ......................117 BA 9006 ......................117 BA 9007 ......................117 BA 9008 ......................117 BA 9009 ......................117 BA 9009-90 .................97 BA 9011-90 ...................110 BA 9012 .......................61 BA 9013-90 ....................23 BA 9016 ..................... 80 BA 9016-40 .................. 80 BA 9017 ..................... 80 BA 9017-40 ................... 80 BA 9018 ..................... 80 BA 9018-40 .................. 80 BA 9019 ..................... 118 BA 9019-90 ...................46 BA 9020 ......................46 BA 9021 ..................... 118 BA 9021-90 ................... 22 BA 9022 ..................... 118 BA 9022-90 ................... 22 BA 9023 ..................... 118 BA 9023-90 ....................23 BA 9024 ..................... 118 BA 9024-90 ...................23 BA 9025 ..................... 118 BA 9025-90 ....................23 BA 9026-90 ..................46 BA 9027-90 ................... 85 BA 9028 .......................61 BA 9034 ...................... 77 BA 9039-90 ..................97 BA 9040-90 ..................62 BA 9041 ......................84 BA 9042 ..................... 118 BA 9044 .................... 120 BA 9045-90 ...................62 BA 9047 ......................64 BA 9049-90 ..................46 BA 9050-90 ..................49 BA 9050-92 ...................49 BA 9051 .....................119 BA 9052 .....................119 BA 9053 .....................119 BA 9054 .....................119 BA 9055 ............89, 119 BA 9055-65 ....................89 BA 9056 .....................119 BA 9057 .....................119 BA 9064 ......................89 BA 9065 ......................89 BA 9069 ....................... 13 BA 9070-90 ................ 102 BA 9071-90 ................. 102 BA 9072-90 ................. 102 BA 9074-90 ................. 102 BA 9076-90 ................ 102 BA 9082 ....................... 13 BA 9083 ....................... 13 BA 9085 ......................115 BA 9088-90 ................ 103 BA 9093 .....................119 BA 9094 .....................119

BA 9095 BA 9101 BA 9102 BA 9103 BA 9104 BA 9105 BA 9106 BA 9107 BA 9108 BA 9116 BA 9117 BA 9118 BA 9121 BA 9122 BA 9123 BA 9124 BA 9125 BA 9126 BA 9127 BA 9128 BA 9136 BA 9137 BA 9138 BA 9141 BA 9142 BA 9143 BA 9144 BA 9145 BA 9146 BA 9147 BA 9148 BA 9156 BA 9157 BA 9158 BA 9160 BA 9161 BA 9162 BA 9163 BA 9164 BA 9178 BA 9179 BA 9181 BA 9182 BA 9183 BA 9184 BA 9185 BA 9203 BA 9207 BA 9210 BA 9211 BA 9212 BA 9213 BA 9221 BA 9222 BA 9223 BA 9224 BA 9225 BA 9226 BA 9227 BA 9228 BA 9229 BA 9230 BA 9235 BA 9236 BA 9237 BA 9238 BA 9255 BA 9258 BA 9259 BA 9260 BA 9261 BA 9262 BA 9263

.....................119 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .....................116 .......................14 ......................20 ...................... 72 ...................... 72 ...................... 77 .......................14 ......................20 ......................115 ......................115 ......................115 ......................115 ......................115 ......................28 ......................26 ...................... 27 ......................34 ......................34 ......................34 ......................36 ......................36 ......................36 ......................36 ......................36 ......................36 ......................36 ......................36 ......................36 ......................36 ......................36 ......................36 ......................36 ......................36 ......................28 ...................... 27 ...................... 25 ......................28 ........................ 9 ........................ 9 ........................ 9

EDITION NUMBERS BA 9264 ........................ 9 BA 9265 ......................26 BA 9266 ...................... 27 BA 9269 ......................34 BA 9270 ........................ 9 BA 9287 ......................30 BA 9288 ......................30 BA 9291 ......................34 BA 9292 ......................34 BA 9298 .......................35 BA 9299 .......................35 BA 9401 ......................59 BA 9402 ...................... 78 BA 9405 ......................59 BA 9411 ......................59 BA 9412 ......................62 BA 9413 ...................... 82 BA 9414 ......................79 BA 9415 ......................79 BA 9417 ...................... 78 BA 9419 ...................... 83 BA 9420 ...................... 83 BA 9421 .......................81 BA 9424 ......................44 BA 9425 ......................48 BA 9426 .......................51 BA 9429 .......................61 BA 9430 .......................61 BA 9431 ...................... 47 BA 9432 ...................... 47 BA 9433 ...................... 47 BA 9435 ......................86 BA 9436 ...................... 75 BA 9437 ...................... 75 BA 9438 ......................86 BA 9441 ...................... 75 BA 9461-90 .................. 99 BA 9500 ....................... 13 BA 9501 ....................... 13 BA 9502 ....................... 13 BA 9504 ......................84 BA 9504-22 ....................84 BA 9505 ......................84 BA 9505-22 ....................84 BA 9509 ......................63 BA 9510-90 ..................110 BA 9511 ....................... 13 BA 9512 ....................... 13 BA 9513 ....................... 13 BA 9514 ....................... 13 BA 9515 ....................... 13 BA 9516 ...................... 82 BA 9517 ...................... 82 BA 9518 ...................... 74 BA 9520 .......................81 BA 9524 .......................35 BA 9526 ...................... 52 BA 9528 ......................89 BA 9529 .......................19 BA 9530 ...................... 82 BA 9533 .......................81 BA 9535 ...................... 85 BA 9536 ...................... 82 BA 9537 ......................76 BA 9538 ...................... 74 BA 9539 ......................79 BA 9540 ......................79 BA 9542 ...................... 83 BA 9543 ...................... 78 BA 9545 ......................79 BA 9546 ......................76 BA 9547 ......................20 BA 9548 ......................20

BA 9549 .......................21 BA 9550 ...................... 38 BA 9551 ...................... 38 BA 9552 ...................... 38 BA 9553 ...................... 38 BA 9554 ...................... 38 BA 9555 ...................... 38 BA 9556 ...................... 38 BA 9557 ...................... 38 BA 9558 .............21, 120 BA 9559 .......................18 BA 9560 .......................18 BA 9561 .......................19 BA 9562-90 .................. 112 BA 9564 ...................... 74 BA 9565 ......................20 BA 9566 ......................84 BA 9567 ...................... 74 BA 9569 ..................... 114 BA 9571 ......................48 BA 9573 ...................... 77 BA 9574 ......................76 BA 9576 ......................48 BA 9577 ...................... 83 BA 9578 ...................... 74 BA 9581 .......................71 BA 9582 ......................98 BA 9583 ...................... 82 BA 9584 ......................84 BA 9585 ........................ 4 BA 9591 ...................... 38 BA 9592 ...................... 38 BA 9593 ...................... 38 BA 9594-90 .................109 BA 9600 47, 54, 61, 132 BA 9601 ........................ 8 BA 9602 ........................ 8 BA 9603 ........................ 8 BA 9606 ........................ 8 BA 9607 ........................ 8 BA 9610 ........................ 9 BA 9616 .......................19 BA 9617 .......................19 BA 9618 .......................19 BA 9619 .......................19 BA 9621 .......................14 BA 9628 ........................ 8 BA 9629 ........................ 8 BA 9630 ........................ 8 BA 9631 ....................... 8 BA 9632 ....................... 15 BA 9634 ....................... 17 BA 9638 ......................20 BA 9639 .......................19 BA 9640 .......................19 BA 9641 .......................18 BA 9645 .......................21 BA 9647 ....................... 17 BA 9648 ....................... 17 BA 9650 ....................... 13 BA 9659 ................ 4, 19 BA 9660 ......................65 BA 9661 ......56, 57, 65 BA 9662 ......56, 57, 65 BA 9663 ......56, 57, 65 BA 9664 ...................... 38 BA 9665 ...................... 38 BA 9666 ...................... 38 BA 9667 ...................... 38 BA 9668 ......................39 BA 9669 ......................39 BA 9670 .................... 134 BA 9671 ...................... 38

BA 9672 ...................... 38 BA 9673 ...................... 38 BA 9674 ...................... 38 BA 9676 ..............38, 56 BA 9677 ..............38, 56 BA 9678 ..............38, 56 BA 9679 ..............38, 56 BA 9681 .......................53 BA 9682 .......................53 BA 9683 .......................53 BA 9684 .......................53 BA 9686 ..............53, 56 BA 9687 ..............53, 56 BA 9688 ..............53, 56 BA 9689 ..............53, 56 BA 9691 .......................55 BA 9692 .......................55 BA 9693 .......................55 BA 9694 .......................55 BA 9695 .......................55 BA 9696 ......................65 BA 9697 .......................53 BA 9994 ......................64 BA 10001-90 .................92 BA 10001-91 ..................92 BA 10004-90 ................92 BA 10004-91 .................92 BA 10010-90 .................92 BA 10011-90 ..................92 BA 10012-90 .................92 BA 10021-90 .................92 BA 10036-90 ................92 BA 10039-90 ................94 BA 10051-90 .................94 BA 10061-90 .................94 BA 10061-91 ..................94 BA 10062-90 ................94 BA 10062-91 ..................94 BA 10078-90 ................94 BA 10080-90 ................94 BA 10106-90 .................94 BA 10140-90 .................94 BA 10143-90 ..................95 BA 10147-90 ..................95 BA 10211-90 ...................95 BA 10253 ..................... 114 BA 10254 ..................... 114 BA 10255 ..................... 114 BA 10256 ......................115 BA 10257 ......................115 BA 10258-90 .............. 100 BA 10259-90 ................ 99 BA 10417 ..................... 118 BA 10422-90 .................48 BA 10423 ......................84 BA 10424 ...................... 85 BA 10424-22 .................. 85 BA 10493-90 ...................24 BA 10497 ......................24 BA 10501-90 ................106 BA 10506-90 ................113 BA 10506-92 .................113 BA 10541 ......................65 BA 10542 ......................89 BA 10544 ...................... 78 BA 10546 .................... 120 BA 10602 .................4, 15 BA 10603 ......................65 BA 10604 .................4, 13 BA 10605 .......................41 BA 10606 ...... 41, 58, 77 BA 10607 .......................41 BA 10608 ............. 65, 67

BA 10609 ............. 65, 67 BA 10610 .............. 41, 67 BA 10611 .............. 41, 58 BA 10612 .............. 41, 58 BA 10613 ...................... 67 BA 10614 .......................41 BA 10615 .......................41 BA 10616 ......................70 BA 10617 ......................24 BA 10624 .......................41 BA 10626 ...... 41, 54, 77 BA 10627 .................4, 13 BA 10632 .......................41 BA 10633 ..................... 40 BA 10634 ...................... 67 BA 10691 ............. 43, 50 BA 10692 ............. 43, 50 BA 10693 ..............43, 58 BA 10694 ..............43, 58 BA 10695 .............. 42, 46 BA 10696 .............. 42, 46 BA 10700-90 ................98 BA 10701-90 ................. 112 BA 10704-90 ................ 99 BA 10706-90 ................98 BA 10709-90 ............... 99 BA 10804 ....................... 12 BA 10806 .......................16 BA 10807 .......................16 BA 10809 ......................20 BA 10811 .......................16 BA 10814 .......................16 BA 10818 ...................... 10 BA 10819 ...................... 10 BA 10821 ...................... 10 BA 10822 ...................... 10 BA 10826 ....................... 15 BA 10839 ........................ 9 BA 10841 ........................11 BA 10842 ........................11 BA 10843 ........................11 BA 10844 ........................ 9 BA 10848 .........................5 BA 10849 .......................16 BA 10851 ........................ 6 BA 10852 .........................7 BA 10853 ........................ 6 BA 10859 .........................7 BA 10860 ....................... 17 BA 10861 ....................... 17 BA 10862 ....................... 17 BA 10869 ....................... 17 BA 10870 ....................... 17 BA 10902 ......................44 BA 10903 ......................44 BA 10904 ......................63 BA 10906 .......................71 BA 10907 ......................54 BA 10908 ..................... 47 BA 10910 ......................64 BA 10911 ...................... 47 BA 10917 ......................62 BA 10918 ......................54 BA 10920 ..............60, 62 BA 11201 ......................29 BA 11202 ......................29 BA 11203 ......................29 BA 11204 ......................29 BA 11206 ......................30 BA 11207 ......................28 BA 11208 ......................28 BA 11209 ......................28 BA 11210 ......................28

BA 11211 BA 11212 BA 11213 BA 11214 BA 11216 BA 11219 BA 11220 BA 11226 BA 11228 BA 11237 BA 11512 BA 11513 BA 11514 BA 11811 BA 11814

.......................35 .............. 25, 33 .............. 25, 35 ......................29 .....28, 54, 58 .......................33 ......................30 .......................35 .......................33 ...................... 27 ......................49 ........................11 ........................11 .........................7 .........................7

H 337 H 888 H 1005 H 1128 H 1304 H 1481 H 1559 H 1560-97 H 1594 H 1739 H 1758 H 1801 H 2306 H 2783 H 2924-90 H 3291 H 3712 H 3761 H 4460 H 4523-90 H 6390 H 6590 H 6663 H 7718 H 7875 H 7920 H 7946 H 7963 H 7970

..................... 114 .......................71 ......................48 ...................... 74 ..............79, 123 ......................79 ..................... 114 ..................... 114 ......................79 ..................... 114 ..................... 114 ......................20 ..............79, 123 ...................... 77 .....................98 ...................... 72 .................... 102 .......................33 ..................... 114 ......................98 .......................33 ...................... 83 ......................79 ......................98 ....................... 13 ......................98 ....................... 13 ....................... 13 ....................... 13

HM 6 ..................... 66 HM 7 ............. 52, 69 HM 13 ......................64 HM 20 ...................... 45 HM 43 ..................... 66 HM 47 ....52, 66, 69 HM 60 ...................... 85 HM 69 ......................64 HM 71 ......................68 HM 100 ...................... 52 HM 104 ......................64 HM 104-90 ....................64 HM 105 ......................64 HM 105-90 ....................64 HM 115 ...................... 77 HM 135 ............ 66, 69 HM 142 ..................... 66 HM 151 ..................... 66 HM 152 ..................... 66 HM 178 ......................70 HM 183 ..................... 66 HM 198 ..................... 66 HM 236 ......................84 HM 250 ......................65 HM 259 ............ 44, 68 HM 271 ...................... 85 HM 272 ...................... 85

137

EDITION NUMBERS / COMPOSERS AND COLLECTIONS HM 273 HM 274 HM 275 HM 276 HM 278 HM 281

...................... 85 ...................... 85 ...................... 85 ...................... 85 ...................... 52 ......................64

ISBN 978-3-76180915-0 .................... 128 1151-1 .....................132 1210-5 ............ 70, 133 1434-5 .....................128 1594-6 ......................131 1595-3 .............67, 133 1666-0 .................... 130 1673-8 .....................132 1758-2 ............40, 132 1775-9 .................... 130 1783-4 .................... 130 1788-9 .............67, 133 1848-0 .....................132 1849-7 ............62, 129 1860-2 .............72, 133 1861-9 ........... 114, 132 1870-1 ...........114, 128 1880-0 .............112, 131 1881-7 .............112, 131 1882-4 .............113, 131 1883-1 .............112, 131 1884-8 .............112, 131 1885-5 .............113, 131 1886-2 .............112, 131 1927-2 ......................131 1928-9 ............62, 129 1930-2 ............ 24, 132 2109-1 ...........99, 130 2114-5 .............72, 133 2116-9 .................... 130 2169-5 ............97, 129 2194-7 ................... 128 2213-5 ......................131 2243-2 .....................133 2267-8 ............ 38, 132 2270-8 ......................131 2280-7 ................... 129 2282-1 ... 81, 84, 130 2294-4 ............97, 129 2346-0 .................... 130 2364-4 .................... 129 2368-2 .............. 6, 128 SM 2203

......................36

TP 2 TP 9 TP 14 TP 16 TP 17 TP 19 TP 20 TP 26 TP 39 TP 40 TP 41 TP 43 TP 58 TP 62 TP 63 TP 64 TP 85 TP 90 TP 91 TP 92

............95, 122 ..................... 121 .............72, 125 .................... 126 .................... 126 ....81, 84, 124 ......................50 .............79, 121 .................... 126 .................... 126 .................... 126 .................... 126 ......................95 ............ 24, 125 ............ 24, 125 ......................24 ............95, 122 ......................24 ......................24 .................... 102

138

TP 94 TP 95 TP 97 TP 98 TP 99 TP 140 TP 147 TP 148 TP 149 TP 150 TP 151 TP 152 TP 155 TP 156 TP 159 TP 160 TP 175 TP 176 TP 180 TP 193 TP 196 TP 197 TP 198 TP 242 TP 244 TP 245 TP 246 TP 247 TP 248 TP 249 TP 252 TP 253 TP 254 TP 255 TP 269 TP 272 TP 273 TP 278 TP 279 TP 284 TP 286 TP 287 TP 291 TP 292 TP 301 TP 302 TP 303 TP 304 TP 306 TP 311 TP 312 TP 313 TP 314 TP 315 TP 316 TP 318 TP 319 TP 320 TP 321 TP 322 TP 323 TP 324 TP 325 TP 331 TP 332 TP 333 TP 351 TP 373 TP 374 TP 395 TP 396 TP 397 TP 398

................... 100 ................... 100 ................... 100 ................... 100 ................... 100 ............. 81, 125 ............ 24, 125 ............ 24, 125 ......................24 ............ 85, 125 ............ 70, 125 ......... 104, 126 .................... 126 ......................24 ............83, 124 .................... 126 ........... 99, 124 .... 50, 55, 125 .................... 126 ..................... 121 ............ 97, 122 ............ 97, 122 ............ 84, 121 .......................23 .............23, 125 .......................23 .......................23 ......................24 ......................24 ......................24 ............ 70, 125 .............72, 125 ............. 71, 125 ......... 104, 126 .............45, 121 ......................50 ......................50 ............. 81, 125 ........... 112, 126 .............45, 121 ............69, 125 ............ 83, 127 .................... 124 .................... 124 ............ 82, 127 ............ 85, 127 ...................... 82 ............ 82, 127 ............ 78, 127 ........... 112, 126 ............89, 125 ............89, 125 ........... 112, 126 ............89, 125 ......... 104, 126 .....................125 .....................125 ........... 113, 126 .................... 126 ........... 112, 126 .....................125 .............73, 125 ............ 50, 125 .....................122 ......................97 ......................97 .................... 124 .................... 124 .................... 124 .................... 124 .................... 124 ........... 49, 124 ............62, 124

TP 399 TP 401 TP 402 TP 403 TP 404 TP 405 TP 406 TP 407 TP 408 TP 409 TP 410 TP 411 TP 412 TP 413 TP 414 TP 419 TP 420 TP 421 TP 501 TP 502 TP 503 TP 504 TP 505 TP 506 TP 507 TP 508 TP 509 TP 516 TP 517 TP 520 TP 528 TP 530 TP 532 TP 533 TP 535 TP 536 TP 539 TP 540 TP 557 TP 558 TP 577 TP 583 TP 600 TP 601 TP 617 TP 780 TP 841 TP 842 TP 862 TP 891 TP 900 TP 901 TP 902 TP 903 TP 904 TP 905 TP 906 TP 907 TP 908 TP 909 TP 916 TP 917 TP 918 TP 919 TP 920 TP 949 TP 1001 TP 1004 TP 1010 TP 1011 TP 1012 TP 1021 TP 1036

.............52, 127 .....................127 .....................127 .....................127 .....................127 .....................127 .....................127 .....................127 .....................127 ............ 82, 127 ..............21, 121 ............113, 127 .............81, 124 ............ 82, 127 ............ 79, 123 ............ 83, 122 ............ 83, 122 .............81, 124 .....................123 .....................123 .....................123 .....................123 .....................123 .................... 123 .....................123 .................... 124 .................... 124 ...................... 82 ...................... 82 .............81, 124 ........... 89, 124 ...................... 82 ............ 83, 123 .............81, 124 ......................79 ...................... 82 ......................79 ............ 79, 123 .....................127 .....................127 ............ 83, 123 ...................... 82 .................... 126 ......................113 .................... 124 .....................123 .....................123 .................... 124 ..........102, 124 .....................122 .................... 122 .....................122 .....................122 .....................122 .....................122 .....................122 .....................122 .....................122 .....................122 ............ 97, 122 ............80, 122 ............80, 122 ............80, 122 .....................122 .............23, 122 .....................122 ......................92 .............92, 121 .............92, 121 ......................92 ......................92 .............92, 121 ......................92

TP 1039 TP 1051 TP 1061 TP 1062 TP 1078 TP 1080 TP 1106 TP 1140 TP 1143 TP 1147 TP 1211 TP 1232 TP 2002 TP 2004

......................94 ............ 94, 121 ............ 94, 121 ......................94 ......................94 ......................94 ............ 94, 121 ............ 94, 121 .............95, 121 ............95, 122 ............95, 122 ............96, 122 ............... 6, 121 .............95, 121

Accolay, Jean Baptiste 42, 45 Ascension of Christ, Pentecost and Trinity for Organ 27 Alain, Jehan 32 An Easy Bach Organ Album 25, 33 An Easy Handel Organ Album 25 Arditti, Irvine 38, 132 Ave Maria, gratia plena 25, 114 Bach. A Life in Pictures 129 Bach, Carl Philipp Emanuel 67, 68, 92, 93 Bach, Johann Christoph Friedrich 60 Bach, Johann Sebastian 5, 6, 19, 21, 31, 32, 33, 44, 45, 54, 60, 66, 67, 68, 70, 79, 84, 92, 93, 94, 95, 96, 97, 103, 114, 117, 121, 122, 128, 129 Badura-Skoda, Paul 24 Balkan 91 Bärenreiter Choir & Organ Series 93 Bärenreiter Female Choir 105 Bärenreiter Piano Album Baroque 3 Bärenreiter Piano Album Early 20th Century 4 Bärenreiter Piano Album Four-Hand 19 Bärenreiter Piano Album From Handel to Ravel 3 Bärenreiter Piano Album Romantic 3 Bärenreiter Piano Album Vienna Classic 3 Bärenreiter Piano Moments 3 Bärenreiter’s Cello Collection 58 Bärenreiter‘s Concert Pieces 42 Bärenreiter’s Double Bass Collection 65 Bärenreiter Sonatina Album 3 Bärenreiter’s Viola Collection 53 Barsanti, Francesco 66 Bartók, Béla 6 Battanchon, Felix 59 Beautiful Adagios 41 Beethoven, Ludwig van 6, 7, 22, 23, 46, 61, 77, 79, 80, 85, 97, 110, 117, 118, 122, 129 Bériot, Charles-Auguste de 42 Berlioz, Hector 54, 97, 110, 114, 122 Berwald, Franz 72 Bizet, Georges 88, 110 Blues 91 Boccherini, Luigi 69 Bodunov, Vladimir 44

COMPOSERS AND COLLECTIONS Boëllmann, Léon 33 Böhm, Theobald 69 Boismortier, Joseph Bodin de 61 Brahms, Johannes 8, 9, 19, 20, 46, 47, 54, 61, 71, 74, 75, 83, 85, 86, 97, 122, 129, 132 Bruckner, Anton 93, 97 Buchmann, Bettina 24, 132 Buckland, Graham 109 Cabanilles, Juan Bautista José 33 Cabezón, Antonio de 9 Caldara, Antonio 97 Cavalli, Francesco 122 Chabrier, Emmanuel 9, 110 Charpentier, Marc-Antoine 97 Chédeville, Nicolas 66, 69, 70 Cherubini, Luigi 97 Chopin, Frédéric 9 Christensen, Jesper Bøje 132 Christmas a cappella 109 Christmas for female voices 109 Christmas for Organ 27 Christmas Hits for 2 Cellos 41, 58 Christmas Hits for 2 Flutes 67 Classic Hits for 2 Cellos 58 Classic Hits for 2 Flutes 67 Classic Hits for two Clarinets 70 Classic Hits for Violin and Viola 41, 54, 77 Close, J. Peter 65 Cofalik, Antoni 4, 40, 55 combocom 90, 91 Communion 29 Corssen, Michael 55 Couperin, FranÇois 9 Cowboy Songs for Strings 78 Death and Eternity / Funeral Service 29 Debussy, Claude 10, 11, 62, 67, 68, 79, 88, 118, 123 Distler, Hugo 98 Divine Service 29 Django 91 Djelem 91 Duport, Jean-Louis 59 Dušek, František Xaver 11 Dvořák, Antonín 20, 48, 62, 74, 76, 77, 78, 79, 83, 84, 85, 93, 98, 110, 114, 118, 123, 124, 129 Easy Classics for Piano 4 Easy Handel Organ Album 35 Easy Organ Pieces from the 19th Century 25 Eben, Petr 33, 98 Elgar, Edward 62, 84, 118, 124, 129 Enjoy the Organ 28 Fauré, Gabriel 11, 54, 62, 68, 71, 74, 76, 81, 93, 98, 99, 119, 124 Fesch, Willem de 62 Fiddle Tunes 78 Fiocco, Joseph-Hector 42, 48 Flauto con spirito 65 Flute Classics 67 Folk for two Violins 41

Franck, César 34, 48, 54, 62, 68, 69, 81, 124 Frescobaldi, Girolamo 11, 34 Froberger, Johann Jacob 34, 35, 130 Gabrielli, Domenico 60, 62 Gallois, Pascal 72, 132 Geminiani, Francesco 70 German Organ and Keyboard Music from Bach’s Period 28 Gershwin, George 88 Glazunov, Alexander 72 Gluck, Christoph Willibald 110 Gola, Zdeněk 38 Gounod, Charles François 110 Graham, Peter 4 Grieg, Edvard 11, 88 Grützmacher, Friedrich 59 Handel, George Frideric 11, 35, 49, 66, 69, 70, 98, 99, 100, 106, 110, 112, 114, 115, 119, 124, 130 Haydn, Joseph 12, 13, 49, 85, 100, 102, 105, 124 Hotteterre (le Romain), Jacques 66 Hummel, Johann Nepomuk 63 Indian Chants for Strings 78 Irish 91 Isherwood, Nicholas 133 Italian Baroque Music for Recorder 65 Janáček, Leoš 13, 35, 49, 63, 71, 81, 89, 102, 112, 124 Jansson, Mårten 101 Jazz Inspirations for Organ 28 Jewish Prayer 28, 54, 55 Josel, Seth F. 133 Kaffeehausmusik 91 Klavier-Festival Ruhr. Bärenreiter Piano Album 4, 19 Kleeb, Jean 4, 13 Klezmer 91 Klezmer for Clarinet and Piano 70 Konrad, Ulrich 132 Koželuch, Leopold 13 Kramář-Krommer, František Vincenc 71 Krenek, Ernst 65 Lalo, Édouard 63 Lee, Sebastian 59 Levine, Carin 67, 133 Liszt, Franz 13, 102 Loeillet, Jean Baptiste (de Gant) 66 Low Instruments I 29 Mahnkopf, Claus-Steffen 70, 133 Marais, Marin 67 Marcello, Benedetto 66 Martin, Frank 102 Martinů, Bohuslav 13, 54, 63, 85 Mendelssohn Bartholdy, Felix 13, 20, 35, 49, 50, 68, 71, 89, 102, 103, 115, 119, 124, 130 Merk, Joseph 59 Merry Christmas for Strings 79 Mexican Hat Dance for Strings 79

Mitropoulos-Bott, Christina 67, 133 Mollenhauer, Edward 43, 50, 58 Monteverdi, Claudio 103, 112 Monti, Vittorio 42, 50 Mozart goes Jazz for Piano 14 Mozart, Wolfgang Amadeus 14, 20, 23, 24, 35, 50, 51, 55, 63, 65, 66, 68, 69, 70, 71, 72, 73, 74, 76, 77, 78, 81, 83, 84, 85, 88, 89, 93, 103, 104, 105, 106, 112, 113, 115, 119, 120, 124, 125, 126, 130, 131 Münden, Gerd-Peter 109 Mussorgsky, Modest 14, 35, 88 My Ladye Nevells Booke 131 Netti, Giorgio 72, 133 Offenbach, Jacques 113 Organ Events 30 Organ Music for Communion 26 Organ Music for the End of Church Year 27 organ plus brass 29 organ plus one 29 Ortiz, Diego 131 Otterstedt, Annette 132 Pachelbel, Johann 35, 106 Paganini, Niccolò 44 Passion and Easter 29 Passiontide and Easter for Organ 27 Performance Practices in Johannes Brahms’ Chamber Music 54, 132 Pergolesi, Giovanni Battista 105, 106, 115 Piano Album Contemporary Composers 4 Picinetti, Felice Maria 64 Pivoňka, Karel 72 Platz, Robert HP 132 Popper, David 59, 64 Popular Movie Hits 41 Praise and Thanks / Baptism and Wedding 29 Praise and Thanks for Organ 26 Quantz, Johann Joachim 68, 85 Rachmaninoff, Sergei 64 Ramade-Etchebarne, Anita 4, 15 Rameau, Jean-Philippe 15, 113 Ravel, Maurice 15, 51, 74, 76, 78, 82, 88, 120, 127 Ready to Play 41 Reger, Max 106 Rieding, Oskar 42, 51, 54, 55, 58, 64 Romantic Hits for two Flutes 67 Rossini, Gioachino 65, 78, 88, 89, 106, 113, 120, 127 Rychlik, Józef H. 40

Saint-Saëns, Camille 51, 64, 93, 108 Salieri, Antonio 113 Salonmusik 91 Samba-Salsa-Son 91 Sassmannshaus Cello Recital Album 55 Sassmannshaus, Egon 38, 53, 55, 56, 57 Sassmannshaus, Holger 65 Sassmannshaus, Kurt 38, 53, 55 Sassmannshaus Violin Recital Album 39 Satie, Erik 15, 16, 20 Schubert, Franz 15, 17, 21, 52, 55, 64, 69, 72, 74, 77, 78, 82, 83, 85, 93, 108, 113, 116, 127 Schulhoff, Erwin 18 Schumann, Clara 18 Schumann, Robert 18, 19, 64, 116, 117 Schütz, Heinrich 108 Seitz, Friedrich 42, 52, 54, 55, 58, 64 Ševčík, Otakar 38 Silcher, Friedrich 69 Singing opera in Germany 114 Skrjabin, Aleksandr 19 Smetana, Bedřich 19, 21, 52, 74, 82, 120, 127 Sonntagsorgel 30 Spirituals 91 64 Spirituals a cappella 109 Spohr, Louis 117 Stamitz, Carl 44, 64, 68 Suk, Josef 19, 77, 82, 84 Tango 90 Tango Classics 41 Tango & Co 24 Tango for Strings 79 Tartini, Giuseppe 52 Tchaikovsky, Peter 19, 72 Telemann, Georg Philipp 36, 45, 52, 55, 64, 66, 67, 68, 69, 70, 85, 108 The English Dancing Master 65, 67 The Music of an Irish Harper 65, 67 The Organ Funeral Album 26 The Organ Wedding Album 26 The Roots of Jazz for Violin and Violoncello 41, 58, 77 The Techniques of Singing 114 Torelli, Giuseppe 64 Tsao, Ming 132 Twardowski, Romuald 4, 40, 55 Veale, Peter 70, 133 Verdi, Giuseppe 88, 108 Vierne, Louis 36 Violin Classics for two Violins 41 Vitali, Tomaso Antonio 52 Vivaldi, Antonio 42, 52, 64, 93, 105, 109, 127 Wagner, Richard 131 Walther, Johann Gottfried 36 Weckmann, Matthias 36 Weimar Organ Tablature 30 Weiss, Marcus 72, 133 Wulfhorst, Martin 40, 132 Zelenka, Jan Dismas 85, 109 Zydeco - Cajun 91

139

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