British Academy Television Craft Awards in 2013 - Top Gear variant cover

BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2O13

BAFTA MEMB S SAVE £E1R 80 PL EASE QUO EARLYBAFTTE A Offer ends 30th June 20 13

Network with over 2,000 attendees at THE must attend event for international TV professionals.

Great British Bake Off Live Edinburgh Special!

Featuring Mel and Sue plus Mary Berry and Paul Hollywood judging the baking skills of Top TV Execs.

Brian Henson: The evolution of puppetry within The Jim Henson Company.

Pointless Masterclass: Turning a daytime show into a Saturday night hit.

INSPIRING DEBATE CELEBRATING CREATIVITY REGISTER NOW WWW.GEITF.CO.UK

22-24 AUGUST 2013 Follow us @EdinburghTVfest

Edinburgh TV Fest

BAFTA members save £180 off the standard rate, until 30th June 2013.

Please quote EARLYBAFTA when registering online at geitf.co.uk today!

BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2O13

CONTENTS

WELCOME 2 A message from the President of the Academy 3 A message from the Academy Chairman

THE NOMINATIONS

7 Break-through Talent

9 Costume Design Digital Creativity

11 Director: Factual Director: Fiction

13 Director: Multi-camera Editing: Factual

15 Editing: Fiction Entertainment Craft Team

THE SPECIAL AWARD

16 Director Hamish Hamilton is the recipient of this year’s top award

THE NOMINATIONS (cont.)

21 Make-up & Hair Design Original Music

23 Photography: Factual Photography & Lighting: Fiction

25 Production Design Sound: Factual

26 Sound: Fiction Visual & Graphic Effects

27 Writer: Comedy Writer: Drama

28 MEET THE SPONSORS 31 JURIES 32 THANKS

4

CHAIRMAN'S WELCOME

A warm welcome to the British Academy Television Craft Awards.

This past year has been a terrific one for television viewers, often reflecting a monumental year in British history. Throughout our ups and downs, television has remained the medium that brings us as a nation together, allowing us to share moments that will be talked about for years to come.

Tonight, we celebrate the diversity of British creativity and the talent behind the programmes we’ve enjoyed. I’m thrilled to witness how the level of innovation and professionalism in this country has reached higher standards than ever before – let’s celebrate the achievements of tonight’s nominees and of top quality television in all its forms.

One of the most talked about events in recent memory was, of course, London 2012, the coverage of which was watched by an estimated 90 per cent of the population. I’m therefore delighted that Hamish Hamilton, the man who executive produced and broadcast directed the Opening and Closing Ceremonies of the Olympic Games and one of the

world’s outstanding multi-camera directors, is to receive tonight’s Special Award.

Huge thanks to our host, Stephen Mangan, to all our partners and supporters, and to category sponsors Brightcove, The Farm LA, G-Technology, HotCam, The London Studios, M·A·C and Sara Putt Associates.

Thank you to BAFTA’s Television Committee, its chairman Andrew Newman and the many expert BAFTA jurors. Thanks also to Kelly Smith, Siobhan Pridgeon, Clare Brown and everyone at BAFTA who have worked tirelessly to bring us tonight’s ceremony.

We’ll be live-tweeting the winners via @BAFTA and publishing video highlights, features and winners’ interviews throughout the night on www.bafta.org.

Congratulations and best of luck to the nominees, who offer such great inspiration. I wish you all an enjoyable evening.

JOHN WILLIS Chairman of the Academy

5

195 Piccadilly Prestigious headquarters of the British academy of film and television arts lead your guests up the red carpet into this glamorous and unique venue with versatile entertaining spaces and state-of-the-art screening facilities. for events and reservations: events@195piccadilly.co.uk 020 7292 5860 www.bafta.org/venue-hire

THE NOMINATIONS

7

The Nominations

BREAK-THROUGH TALENT SP O NSO RED BY

MIKE BARTLET T Writer, The Town Big Talk Productions/ITV JULIE GEAREY Writer, Prisoners’ Wives Tiger Aspect for BBC Scotland/BBC One RHYS THOM AS Director, Freddie Mercury: The Great Pretender – Director’s Cut Mercury Songs, Eagle Rock/BBC Four TIM WHITNALL Writer, Best Possible Taste: The Kenny Everett Story Mammoth Screen/BBC Four

9

and is proud to be this year’s official sponsor of the DIGITAL CREATIVITY AWARD

Devices & Destinations Flexible Monetization Online Video Partner All of BAFTA’s online video is brought to you by Brightcove

DRM & Security

brightcove.com/why-brightcove/our-customers/bafta

World Class Analytics

brightcove.com

©2013 Brightcove, Inc. All Rights Reserved.

The Nominations

COSTUME DESIGN MRS BIGGS Amy Roberts ITV Studios/ITV PAR ADE'S END Sheena Napier Mammoth Screen/BBC Two RICHARD II ( THE HOLLOW CROWN) Odile Dicks-Mireaux Neal Street Productions co-production with NBC Universal and WNET Thirteen/BBC Two RIPPER STREET Lorna Marie Mugan Tiger Aspect Productions, Lookout Point/BBC One

DIGITAL CREATIVITY SP O NSO RED BY

速

CHANNEL 4 PAR ALYMPICS Steve Boulton, James Rutherford deltatre, 13 Strides/Channel 4 EMBARR ASSING BODIES: LIVE FROM THE CLINIC Production Team Maverick Television/Channel 4 FOXES LIVE: WILD IN THE CIT Y Production Team Windfall Films/Channel 4 THE GREAT BRITISH PROPERT Y SCANDAL Production Team Tiger Aspect, The Project Factory/Channel 4

11

The Nominations

DIRECTOR: FACTUAL 7/7: ONE DAY IN LONDON Ben Anthony Minnow Films/BBC Two BR ADLEY WIGGINS: A YEAR IN YELLOW John Dower Twofour Productions/Sky Atlantic OUR WAR Katharine English BBC Productions/BBC Three THE PLOT TO BRING DOWN BRITAIN'S PL ANES Ben Chanan Raw TV/Channel 4

DIRECTOR: FICTION CALL THE MIDWIFE Philippa Lowthorpe Neal Street Productions/BBC One THE GIRL Julian Jarrold Wall to Wall/BBC Two HIT & MISS Hettie Macdonald Red Production Company, AbbottVision/Sky Atlantic MURDER Birger Larsen Touchpaper TV/BBC Two

13

“I’VE HAD SO MANY DRIVES FAIL ON ME IN THE PAST. G-TECHNOLOGY IS THE ONLY BRAND WHICH HASN’T.” – Philip Bloom, DP - Director - Filmmaker

Whether on location or in the edit suite, the right data storage solution allows creative professionals to focus on what matters most: the project. That’s why DPs and Directors like Philip Bloom depend on the reliability, performance and capacity of G-RAID® with Thunderbolt™ to quickly transfer and edit their data while they keep their eyes on making the best product possible.

With 12x the transfer speed of FireWire®, and up to 8TB of storage, the G-RAID with Thunderbolt cuts through transfers, edits and renders in record time, even when working with 4K video. And with dual Thunderbolt ports for daisy-chaining up to six peripherals at high speeds, your workspace has room to grow along with your vision.

Visit g-technology.com to learn more about why G-Technology is the professional choice.

THE PROFESSIONAL CHOICE. g-technology.com Design by G-Technology in California. G-RAID and G-Technology are trademarks of HGST, a Western Digital company.

Thunderbolt and the Thunderbolt logo are trademarks of Intel Corporation in the U.S. and/or other countries. © 2013 G-Technology. All rights reserved. R0 04/13

The Nominations

DIRECTOR: MULTI-CA MERA SP O NSO RED BY

THE LONDON 2O12 OLYMPIC CLOSING CEREMONY: SYMPHONY OF BRITISH MUSIC Hamish Hamilton, Tapani Parm Done and Dusted/BBC One THE LONDON 2O12 OLYMPIC OPENING CEREMONY: ISLE OF WONDER Hamish Hamilton, Tapani Parm Done and Dusted/BBC One THE LONDON 2O12 OLYMPICS: SUPER SATURDAY Paul Davies BBC Sport/BBC One STRICTLY COME DANCING Nikki Parsons BBC Productions/BBC One

EDITING: FACTUAL SP O NSO RED BY

7/7: ONE DAY IN LONDON Rupert Houseman Minnow Films/BBC Two A MISH: A SECRET LIFE Sean Mackenzie BBC Wales/BBC Two BRITAIN IN A DAY Peter Christelis Scott Free Films/BBC Two THE SECRET HISTORY OF OUR STREETS Ð PORTL AND ROAD Michael Harrowes Century Films, Halcyons Heart/BBC Two

15

The Nominations

EDITING: FICTION THE FEAR Trevor Waite World Productions/Channel 4 THE HOUR Ð EPISODE ONE Gareth C Scales Kudos Film and Television/BBC Two RIPPER STREET Úna Ní Dhonghaíle Tiger Aspect Productions, Lookout Point/BBC One THE THICK OF IT Anthony Boys, Gary Dollner BBC Productions/BBC Two

ENTERTAINMENT CRAFT TEA M SP O NSO RED BY

DERREN BROWN: APOCALYPSE Stephen Bryce, Andrew Cooke, Simon Ainge, Nick Foster Objective Productions/Channel 4 THE DIA MOND JUBILEE CONCERT Durham Marenghi, Steve Nolan, Sam Pattinson, Tim Routledge BBC Productions/BBC One TOP GEAR Dan James, James Hart, Richard Porter, Kate Jones-Mackay BBC Productions/BBC Two THE X FACTOR Ð THE FINAL Dave Davey, Robert Edwards, Florian Wieder, Falk Rosenthal Thames/ITV

17

THE SPECIAL AWARD

LIVE DIRECT A ND

Tonight’s Special Award goes to multi-camera director Hamish Hamilton, the man who helped kick-start 2012’s inspirational London Olympic Games coverage. Wor ds by M att h ew Be ll

From the oscars to the Rolling Stones, multi-camera a riot was about to break out,” he notes. “At the time, director and executive producer Hamish Hamilton I thought, ‘Career over – I’ve blown it.’ Thankfully, has been bringing the world’s biggest live events to MTV and the German police agreed I had done the the TV screen for almost two decades. But last year, right thing.” as executive producer and broadcast director of the Despite his inauspicious start, Hamilton knew opening and closing ceremonies, the recipient of this he had found his vocation. His second gig – British year’s Special Award worked on the biggest of them dance act The Prodigy in Red Square performing in all – the London Olympics. front of 150,000 crazed Muscovites “I was a small part of the in 1997 – confirmed it. “The AS A DIRECTOR YOU most amazing cultural event that’s Prodigy’s performance was amazing HAVE TO STEP INTO ever been staged in the UK, a and the crowd were insane – the conduit for the talents of people THE GALLERY WITH police waded in with batons at such as Danny Boyle and [closing HUGE A MOUNTS OF one point.” ceremony creative director] He adds: “At the time, a lot of CONFIDENCE AND A multi-camera Kim Gavin. It was a humbling concerts on television CLEAR DIRECTION. experience but exhilarating,” were really boring. I used to love Hamilton recalls. going to gigs, jumping up and Taking the opening ceremony out of the down and becoming immersed in the experience, but Olympic Stadium and into the living rooms of a that didn’t come over on television. With The Prodigy worldwide audience numbering 900 million was there was so much energy and passion, and I found a not a job for the fainthearted. way to shoot music live and give it a sense of occasion “I get unbelievably nervous and have moments and energy.” of panic, but as a director you have to step into the The Blackpool-born Hamilton’s career had taken gallery with huge amounts of confidence and a clear a sharp turn and there was no going back. direction,” says Hamilton. “The stakes are so high – The multi-camera director has gone on to direct you’re only nano-seconds from complete and utter half-time Superbowl shows featuring The Who and disaster at any point. The highs are really high but the Beyoncé, countless MTV and Brits Awards and live lows can be really low.” concerts by Coldplay and Jay-Z. But his TV career Aside from the Olympics, Hamilton picks Robbie started on a smaller stage. After leaving university, he Williams at Knebworth and U2 in Boston as his trained as a producer with the BBC in Northern highest highs. And the lowest low? That came directing Ireland and Scotland, working on youth programming. his first live event, a 1996 MTV show in Hamburg.

A move to London at the behest of Janet Street-Porter “We came off air an hour or so early. I had to plead brought work on BBC Two youth strand DEF II, with MTV Network control to take us off air because including the Rough Guide To… travel shows.

18

The special award

Hamilton’s first multi-camera experience on BBC Two’s The Sunday Show followed. “I had absolutely no idea what I was doing and it was live to air,” he recalls, but Richard Godfrey at MTV liked what he saw and offered him directing duties on the Hamburg concert.

Like many TV crafts, multi-camera directing is one that Britain does well. “Look at the people directing the outside broadcast and studio shows in America and they’re all Brits.

The BBC should take a lot of credit for training people and MTV for giving them opportunities,” says Hamilton.

“I am delighted to be celebrated as a multicamera director,” Hamilton concludes. “It’s a unique art form in its own right. The BAFTA isn’t just for me – it’s one that all multi-camera directors in Britain can share. We’re a small community of people and I’ve been inspired by so much of their work.”

Matthew Bell is a freelance television journalist.

19

Clockwise from top: the London 2O12 Olympic Opening Ceremony; Rihanna at the Victoria's Secret Fashion Show 2O12; Robbie Williams at London's O2 in 2O12; the UA E's 4Oth National Day show in 2O11; Johnny Depp and The Black Keys at the MT V Movie Awards 2O12

20

The special award

ALIVE PICTURES IN

A pictorial insight into the work of tonight’s Special Award winner Hamish Hamilton.

i m ag e s c ou r t e s y o f d on e a n d du s t e d

21

t h e O f f i c i a l M a k e u p S p O n S O r t O t h e B r i t i S h a c a d e M y t e l e v i S i O n c r a f t aw a r d S i n 2 0 1 3 S a l u t e S a l l t h i S y e a r ’ S n O M i n e e S O f t h e M a k e u p a n d h a i r d e S i g n c at e g O r y !

The Nominations

MAKE-UP & HAIR DESIGN SP O NSO RED BY

CALL THE MIDWIFE Christine Walmesley-Cotham Neal Street Productions/BBC One THE GIRL Nadine Prigge, Neill Gorton, Clinton Aiden Smith Wall to Wall/BBC Two PAR ADE'S END Jan Archibald Mammoth Screen/BBC Two RIPPER STREET Eileen Buggy, Sharon Doyle Tiger Aspect Productions, Lookout Point/BBC One

ORIGINAL MUSIC DOCTOR WHO Ð ASYLUM OF THE DALEKS Murray Gold BBC Wales/BBC One HENRY I V Ð PART I ( THE HOLLOW CROWN) Stephen Warbeck Neal Street Productions co-production with NBC Universal and WNET Thirteen/BBC Two THE HOUR Kevin Sargent Kudos Film and Television/BBC Two THE SNOWM AN AND THE SNOWDOG Ilan Eshkeri, Andy Burrows Lupus Films/Channel 4

23

Sargent-Disc congratulates the nominees of the British Academy Television Craft Awards in 2013

Official Partner

Sargent-Disc is committed to service excellence. Find out more at www.sargent-disc.com

Production Services

Corporate Payroll

Payroll & Residuals

Production Accounting

SD Online

Training & Academia

Production Card

Movie Magic Budgeting

Movie Magic Scheduling

Vista Accounting

The Nominations

PHOTOGRAPHY: FACTUAL A MISH: A SECRET LIFE Steve Robinson BBC Wales/BBC Two KINGDOM OF PL ANTS 3D Tim Cragg, Robert Hollingworth, Tim Shepherd Atlantic Productions/Sky 3D RETURN TO THE FALKL ANDS Rupert Binsley Factual North, Shiver/ITV SUPERSIZED EARTH Julius Brighton, Paul O’Callaghan BBC Specialist Factual/BBC One

PHOTOGRAPHY & LIGHTING: FICTION BL ACKOUT Christopher Ross Red Production Company/BBC One HUNTED Balazs Bolygo Kudos Film and Television/BBC One RIPPER STREET Julian Court Tiger Aspect Productions, Lookout Point/BBC One THE FEAR Gavin Finney World Productions/Channel 4

25

SE1derland: where craft and creativity blossom.

Without craft, it’s just another piece of paper.

And without craft, a production is just another programme. The craft that lifts productions above the everyday is something we celebrate every single day down here on the South Bank, and we’re delighted to be celebrating those same crafts with all tonight’s winners here at BAFTA.

The Nominations

PRODUCTION DESIGN SP O NSO RED BY

DOWNTON ABBEY Donal Woods Carnival Film & Television/ITV THE GIRL Darryl Hammer Wall to Wall/BBC Two THE HOUR Eve Stewart Kudos Film and Television/BBC Two PAR ADE'S END Martin Childs Mammoth Screen/BBC Two

SOUND: FACTUAL BR A ZIL WITH MICHAEL PALIN George Foulgham, Sebastian Dunn Prominent Television/BBC One THE LONDON 2O12 OLYMPICS: SUPER SATURDAY Peter Bridges BBC Sport/BBC One THE PL ANE CR ASH Grant Covacic, Pete Lee, Karl Mainzer, Michael Wood Dragonfly Film And Television, MAP TV/Channel 4 TOP GEAR Chris Lebert, Robert Entwistle, Russell Edwards, Kiff McManus BBC Productions/BBC Two

27

The Nominations

SOUND: FICTION ACCUSED Ð MO'S STORY Graham Headicar, Emma Pegram, Stuart Hilliker, Grant Bridgeman RSJ Films/BBC One THE HOUR John Mooney, Nigel Squibbs, Jamie Caple, Marc Lawes Kudos Film and Television/BBC Two RICHARD II ( THE HOLLOW CROWN) Tim Fraser, Adrian Rhodes, Keith Marriner Neal Street Productions co-production with NBC Universal and WNET Thirteen/BBC Two WALL ANDER Paul Hamblin, Matt Skelding, Jim Goddard, Martin Beresford Leftbank Pictures/BBC One

VISUAL & SPECIAL EFFECTS DOCTOR WHO Ð ASYLUM OF THE DALEKS The Mill BBC Wales/BBC One PAR ADE'S END Rupert Ray, benuts Mammoth Screen/BBC Two THE PSYCHOLOGY OF WINNING Robin Nurse, Julian Gibbs, Richard Gort BBC Sport/The Intro Partnership/BBC One TITANIC Tom Turnbull ITV Studios/ITV

28

The Nominations

WRITER: COMEDY GET TING ON Jo Brand, Vicki Pepperdine, Joanna Scanlan Vera Productions/BBC Four HUNDERBY Julia Davis Baby Cow Productions/Sky Atlantic THE THICK OF IT Writing Team BBC Productions/BBC Two T WENT Y T WELVE John Morton BBC Productions/BBC Two

WRITER: DRA MA ACCUSED Ð TR ACIE'S STORY Shaun Duggan, Jimmy McGovern RSJ Films/BBC One THE GIRL Gwyneth Hughes Wall to Wall/BBC Two L AST TANGO IN HALIFA X Sally Wainwright Red Production Company/BBC One PAR ADE'S END Tom Stoppard Mammoth Screen/BBC Two

29

THE FARM L A

MEET THE CATEGORY SPONSORS

BRIGHTCOVE CATEGORY SPONSOR FOR DIGITA L CREATIVIT Y ®

Why are you sponsoring the Digital Creativity category?

We firmly believe that digital innovation and creativity has and will change the way in which we watch and interact with television in the future. At Brightcove, we are constantly pushing the boundaries of digital and investing in the trends that we believe will shape the future. Creativity is something that is entrenched in our values and, as such, we wanted to honour those people in this industry who are bringing new and exciting developments to the table in order to enrich the way we consume and interact with television.

What does the future hold for the TV industry in your area of expertise?

We believe that the way people watch and interact with television will transform in the coming years.

With the innovations that many broadcasters and digital vendors, such as ourselves, are spending time on, we will see trends such as connected TV apps and second screen interactions changing the way we find and watch content.

Those opportunities look set to expand the reach of television today and completely alter our traditional viewing experiences.

Visit: www.brightcove.com 30

CATEGORY SPONSOR FOR DIRECTOR: MULTI - CA MER A

What do the British Academy Television Craft Awards mean to you?

The Craft Awards are the most prestigious annual awards for the craftspeople who labour behind the scenes of the UK’s hugely successful TV productions. For any nominee, they are a true measure of having contributed to the industry.

What does the future hold for the TV industry in your area of expertise?

The TV industry remains as exciting and challenging as ever before. The quantity and quality of shows originating in the UK is unparalleled, as is the UK’s current reputation for talent worldwide.

Visit: www.farmgroup.tv G -TECHNOLOGY

What is the best way to inspire the next generation of TV creatives?

Now in its fourth year in Europe, G-Technology prides itself on inspiring the next generation through its Driven Creativity Awards, which reinforces its commitment to supporting the unique efforts of the creative community. Amateurs and professionals who work in, or have a passion for film and animation have the opportunity to have their unique work and talent celebrated and recognised, not just for its aesthetic qualities, but for the dedication, innovation and drive that has gone into creating it. Last year, in line with the Awards, we conducted some research into the creative community. When asked what drives creativity, 80 per cent said “passion”. That’s what will inspire the next generation.

Visit: www.g-technology.eu HOTCA M CATEGORY SPONSOR FOR ENTERTA INMENT CR A F T TEA M

CATEGORY SPONSOR FOR EDITING: FACTUA L

How does the Editing: Factual category relate to your work in the TV industry?

G-Technology’s roots are deeply ingrained in delivering premium storage solutions for the professional content creation market, including editing and postproduction professionals. From storing, transferring, editing and distributing content, G-Technology makes the workflow simpler, better and faster. Because G-Technology holds itself to the highest standards, its products can be found in premiere post-production facilities worldwide.

What do the British Academy Television Craft Awards mean to you?

The Craft Awards are a crucial element of our industry allowing us to recognise, honour and pay tribute to the huge stable of technical talent we have in the UK. HotCam is proud to sponsor and work with BAFTA to acknowledge the technical prowess within this great entertainment business. Without the Craft Awards, many of these highly experienced technicians would remain unsung heroes. BAFTA symbolises the very soul of everything our industry was built on, and we should celebrate the great quality of technical talent we have right under our noses.

What is the best way to inspire the next generation of TV creatives?

HotCam believes the next generation of TV creatives are already inspired and inspiring us.

Many of them are now leaders, pushing the creative and technical boundaries; it is HotCam’s job to evolve with them, collaborate and provide a strong and supportive foundation for their creative visions. We are all striving towards a common goal and embracing exciting and innovative ways to create and craft entertainment. We believe the future is exciting and that it’s a great time for new talent to be joining this industry.

need to inspire both the current and future generations of artisans, it is something that we are committed to and our approach is multi-faceted. Some of the inspiration comes from providing an insight into the wide-ranging productions that our teams work on. It is also about ensuring that our facilities are up to date and reflect the technological changes happening in the industry. We have a commitment to delivering work experience, training and development, and we regularly work with colleges and individuals to provide access to our facilities and industry knowledge.

Visit: www.hotcam.co.uk

Visit: www.londonstudios.co.uk

THE LONDON STUDIOS

MáAáC

CATEGORY SPONSOR FOR PRODUCTION DESIGN

CATEGORY SPONSOR FOR M A KE- UP & HA IR DESIGN

How does this category relate to your work in the TV industry?

The London Studios is committed to delivering excellence to clients throughout the studio and postproduction processes. To enable our clients to stand above the rest, we take pride in providing excellent craft facilities and workshops allowing designers and producers to build, adapt and evolve their sets onsite and in the studio. Within our one-stop-shop, we employ and train a full range of scenic crew, including carpenters, painters, studio hands and a signwriter, who all deliver the high level of service our clients demand during the production of their award-winning shows.

What is the best way to inspire the next generation of TV creatives?

At The London Studios, we recognise the importance and

What do the British Academy Television Craft Awards mean to you?

The Craft Awards is a highprofile accolade honouring and acknowledging the vital contribution made by those working behind the camera.

This ceremony raises awareness of the amount of vital cogs involved in making a production come to fruition. It is a privilege for M∙A∙C to be involved with the incredible work that these people do every day.

How does the Make-up & Hair Design category relate to your work in the TV industry?

The Artist Relations Team has regular contact with make-up artists working in the TV industry and provides ongoing product support and advice on a continual basis, ensuring that make-up artists are aware of our brand’s newest innovations suitable for their

medium. M∙A∙C has a professional membership programme called M∙A∙C Pro, which encourages a sense of community and a coming together of exceptionally talented people at our special event, which is a similar ethos to the BAFTA membership and organisation.

Visit: www.maccosmetics.com SAR A PUT T ASSOCIATES CATEGORY SPONSOR FOR BREA K-THROUGH TA LENT

What do the British Academy Television Craft Awards mean to you?

To us, the Craft Award nominees are the best of the best. As agents representing behind-the-camera talent, these are the Awards that are the most directly relevant to both us and our client base. Over the past two decades, many of our clients have been nominees, and indeed winners, and it’s therefore fantastic to be able to take our relationship with the Craft Awards to a new level. In short, a BAFTA Craft Award is a hallmark of good quality.

Why are you sponsoring the Breakthrough Talent Award?

The Break-through Talent Award is a perfect one for us at Sara Putt Associates. As agents representing so many grades of behind-the-camera talent, it would be impossible to choose one (directing, camera, sound, editing etc) above the others; and as Break-through Talent can be recognised in any grade, it is the most democratic and exciting of all the awards for us. Having also established our own Sara Putt Associates Trainee Scheme in 2011, promoting and nurturing the next generation of talent in TV is at the heart of our business.

Visit: www.saraputt.co.uk 31

It’s not a Crane, it’s not a Camera Car and it’s not a Stabilised Head Alpha Grip introduces the new “Spanish Arm” - a different concept of Camera Car. With a complete rotation in less than 5.5 seconds and all controlled from within a powerful 400bhp V10 VW Touareg. Your images will be more stable and more dynamic, whilst your crew will be in complete safety and comfort thanks to a full race spec roll cage, 3 point safety harnesses and bucket racing seats. An on board solid state recording system allows instant playback, viewed through four high resolution HD/SDI monitors.

Fitted with the very latest Scorpio Arm and Scorpio Stabilised Head, you can perform a full 360 degree camera rotation to a maximum camera reach of 17ft 8” (5.4m). With 36v battery operation, allowing 2 days of continuous use before charging is required, it is perfect for use in remote locations. Delivered in a custom built support truck it’s ready for immediate use, no build time or rigging required.

The Scorpio Stabilised Remote Arm is versatile and powerful, yet stable and safe. All this, together with its digital Control which allows pre-recorded positions, set limits and movements, makes it the most technologically advanced Remote Camera Arm of its kind.

ALPHA GRIP

STABILISED REMOTE SYSTEMS | MOTION CONTROL | SPECIALIST VEHICLES TELESCOPIC CAMERA CRANES | CAMERA SUPPORT SYSTEMS

| +44 (0)1932 593505 | www.alphagrip.co.uk | info@alphagrip.co.uk M Stage, Shepperton Studios, Studios Road, Shepperton, Middlesex TW17 0QD

THE JURIES BREAK-THROUGH TALENT Steve November CHA I R Joyce Adeluwoye Adams Jonathan Harvey Polly Hill Michael Kelpie Paul Mortimer Stephen Price Elaine Pyke COSTUME DESIGN Foz Allen CHA I R Kathleen Beedles Vin Burnham Susannah Buxton James Keast Karen McKinlay-Gunn Sammy Sheldon Charlotte Walter DIGITAL CREATIVIT Y Glynn Hayward CHA I R Julie Adair Miles Bullough Elizabeth Evans Mike Flood Page Morwenna Gordon Adrian Hon Mark Owen Mahesh Ramachandra Vicky Taylor Carrie Wootten DIRECTOR: FACTUAL Steve Gowans CHA I R Michele Carlisle Catherine Catton Sue Davidson Ben Gale Vicky Hamburger Bruce Hepton Justine Kershaw Dave Nath Sanjay Singhal Alex Sutherland

DIRECTOR: FICTION Brian Woods CHA I R Moira Armstrong Sarah Beardsall Andrew Billen Peter Kosminsky Gina McKee Peter Moffat Tim Sullivan Delyth Thomas David Yates DIRECTOR: MULTI- CA MER A Lucy Lumsden CHA I R Richard Boden Lisa Clark Ian Fitzgibbon Jonathan Gershfield Patrick Kielty Danielle Lux Jason Manford Dave Skinner Richard Valentine ENTERTAINMENT CR AFT TEA M James Dean CHA I R Rachel Ashdown Ben Cavey Carolyn Payne Claire Poyser Mark Wells Debbie Young Asif Zubairy M AKE UP & HAIR DESIGN Dominic Bird CHA I R Marcus DF White Polly Leys Catherine Scoble Amber Sibley Penny Smith Suzanne Stokes-Munton Sanne Wohlenberg

ORIGINAL MUSIC Julian Scott CHA I R Chris Bemand Ben Cocks Sue de Beauvoir Bev Doyle Heather Fenoughty Nick Harris Anne Nikitin Roger Planer Adam Seymour PHOTOGR APHY: FACTUAL Anne Morrison CHA I R Tamara Abood Lucy Blakstad Sean Bobbitt Molly Dineen Lawrence Gardner Sue Gibson Paul Lang David Niblock Nick Read Janet Tovey Anthony Wonke

VISUAL & GR APHIC EFFECTS Harvey Elliott CHA I R Nev Appleton Gary Brown Ian Dodd Alastair Grimshaw Rob Hifle Louise Kean Carl Keeler Sophie Orde Kate Phillips WRITER: COMEDY Krishnendu Majumdar CHA I R Navin Chowdhry Anna Crilly Ben Gregor Annie Griffin Boyd Hilton Oliver Lansley Dan Mazer Victoria Pile Fintan Ryan Reece Shearsmith Chloe Thomas

PHOTOGR APHY & LIGHTING: FICTION Olivia Lichtenstein CHA I R Sam Callis Robert Del Maestro Anna Price Richard Ranken Graham Smith Mike Southon David Thrasher

WRITER: DR A M A Jane Lush CHA I R George Dixon Iain Johnstone Tony Jordan Kate Lewis David Baddiel Dominic Minghella John O’Farrell Faith Penhale

PRODUCTION DESIGN Andrew Newman CHA I R Harry Banks Julian Healy Julian Henry Anna Higginson Becky Martin David Roger Paul Sandler Tom Sayer

The Editing and Sound categories are voted for by chapters. Chapters are made up of Academy members with expertise and experience in the specialised field relating to a category.

Members of each chapter vote in all three rounds to determine the shortlist, nominations and winner in their category.

33

BRITISH ACADEMY TELEVISION CRAFT AWARDS Sunday 28 April 2013, The Brewery, Chiswell Street, London EC1 WITH THANKS TO

TELEVISION COM MIT TEE

FOR BAFTA

Host Stephen Mangan

Andrew Newman C H A I R Jane Lush D EP U T Y C H A I R Dominic Bird James Dean Steve Gowans Neil Grant Patrick Keegan Olivia Lichtenstein Lucy Lumsden Krishnendu Majumdar Steven Moffat Anne Morrison Steve November Kate Phillips Julian Scott Andre Singer Brian Woods

Awards Producer Clare Brown

Additional Content Host Jenni Falconer Writer Jack Brough (Navelgazing) Director Toby Baker Vision Mixer Mark Foster Floor Manager Mark Harrison Screen Graphics Format.LDN Production Design Alison Humphries Lighting Director Mark Ninnim Lighting Facilities Elstree Light & Power Screens and Projection System Guy Mapley and XL Video Sound Design Plus4Audio Autoprompt Facilities Portaprompt Technical Facilities HotCam Post Production Partner The Farm Health and Safety Andy Bilby (First Option) Table Arrangements Rebel Rebel Brochure and Ticket Printing Emtone Print Photography Richard Kendal Brian Ritchie Public Relations freuds Venue The Brewery Chiswell Street, EC1

34

CATEGORY SPONSORS Brightcove The Farm LA G-Technology HotCam The London Studios M·A·C Sara Putt Associates OFFICIAL PARTNERS Audi UK Badoit Champagne Taittinger Deloitte Evian Grolsch Hotel Chocolat Villa Maria Wines The Academy chooses Regency, supporting excellence in print.

Brochure printed on Regency Satin 270g/m² (cover) and 150g/m² (text). The carbon impact of this paper has been measured and balanced through the World Land Trust, an ecological charity. Regency is available exclusively from Howard Smith Paper Group. www.hspg.com

Head of Television and Games Kelly Smith Senior Awards Officer Siobhan Pridgeon Awards Event Producer Helen Kierney Production Secretary Sophie Klein Talent Booker Deena Wallace

British Academy of Film and Television Arts 195 Piccadilly, London W1J 9LN T: 020 7734 0022 F: 020 7292 5869 www.bafta.org Chairman John Willis Chief Executive Amanda Berry OBE Chief Operating Officer Kevin Price

Awards Team Bradley Down David Lortal Rob Jones

For red carpet highlights and backstage interviews from tonight’s Awards, please visit www.bafta.org

Production Manager and Content Producer Cassandra Hybel

All nominations correct at time of going to press.

Production Assistant Georgina Cunningham Video Editor Tom Coope Digital Communications Manager Pippa Irvine Head of Partnerships Louise Robertson Senior Partner Manager Natalie Moss Partner Manager Amy Elton Partnership Campaigns Executive Phil Eacott Managing Editor Christine Robertson Print Editor Toby Weidmann Graphic Designer Adam Tuck

Creative Skillset can support your career in the UK Creative Industries Creative Skillset supports training and education and offers guidance to people working in the UK Creative Industries.

Funding is available directly to individuals as well as via training providers, enabling them to offer industry training at subsidised rates.

I would never have been able to afford this course if it wasn’t for Creative Skillset funding. It’s such a competitive industry and tough for freelancers to get the necessary training needed to progress.

Current priorities include craft and technical skills, new apprenticeships and subsidised trainee placements.

To find out about Creative Skillset funding and opportunities as they open, sign up to our monthly newsletter at:

www.creativeskillset/signup Follow us on Twitter: @SkillsetSSC

proudly congratulates our nominees

Hettie Macdonald Director – Fiction Hit and Miss

Julia Davis Writer – Comedy Hunderby

John Dower Director – Factual Bradley Wiggins: A Year in Yellow